#who have the comics shown us over and over again if most likely to just straight up snap?

[rickktish]

Look, it's a simple dichotomy, it's not that hard to grasp:

People with daddy issues are uwu babies,

people with mommy issues become serial killers

#rick's originals #i like to think im funny #if you don't get it then you probably have neither #what's it like to be a well adjusted individual? #this is a joke #but it's also not at the same time #i mean look at the batfamily #who has mommy issues? #Jason and Tim #and sometimes Damian #who have the comics shown us over and over again if most likely to just straight up snap? #red hood #evil future tim #and future crazy damian #I'm just saying #it adds up

[sabertoothwalrus]

hi !! just curious because i was looking at your adventure time episode guide and i love hearing other peoples adventure time takes !! how come you don't like finn's characterisation in together again?

I've talked about it before here and here!

But also I'm gonna say more and share some art I did in 2021 for a rewrite comic that I never got around to doing

So again to reiterate: Adventure Time is usually VERY good at making it feel like time passes, even when you're not watching. It's something about what they don't show that tells you everything you need to know.

Together Again did not do this.

It really really felt like they were avoiding showing Finn as an adult, as if they wanted to leave his post-show life ambiguous. Which, now that Fionna and Cake has shown us literally that, it makes Together Again feel even more wrong?? Like. imagine you have to pick a moment from your life that represents You™ the most. Together Again said that Finn, after living his whole life and dying as an old man, feels most represented by how he was at 17. I do not buy this. I am 25, and I cannot fathom identifying by my 17 year old self. I was a completely different person then, I was still cooking. I can imagine most people feel the same. And ok, so maybe Finn DOES for some reason feel stuck at 17? Explain to me why!! What needed to happen to him that made him feel that way?

And before you just say "it's because Jake died," there's still too much that was left out. How old was Finn when Jake died? What was Finn like, at that point? What else had they accomplished? What was he doing at the time that was on the forefront of his mind? Where/with who did they spend most of their time? Where were they living after the treehouse got destroyed?

It was like,,, it was like the story Together Again actually wanted to tell was about Finn's grief, and how poorly he copes, and how too much of his identity is tied to Having Jake, and how he struggles to move on. But that's not the story we got. I honestly think-- as interesting as it was-- everything with New Death and Tiffany and Lich just did a disservice to the focus, which was Finn trying to get over Jake.

I think Together Again should have gone like this:

Finn and Jake had always planned that whoever died first would wait in the dead world for the other to die so the two of them could reincarnate. Jake dies first. Jake would be able to "watch over" Finn as he lives the rest of his life, so Jake wouldn't miss Finn as much as vice versa, since he'd feel like he's still there with him. Eventually, Finn dies.

Finn's appearance would change with his emotional state. I thought it'd be interesting to show different phases of his life through the stages of grief.

There'd be a room where they could watch Finn's memories. Finn would walk Jake through the events of his life. We SEE exactly how Finn dealt with grief, with heartbreak, with love, with friends, with community. All the good and all the bad.

By the end of it, Finn is quiet. "Jake... when we reincarnate, will we.. lose all of this?" "Well, do you remember anything from any of your other past lives?" "No.. But that's the point. I don't want to forget you." Finn, despite their promise, despite Jake waiting for him all this time, declines reincarnating. He doesn't want to move on, because that would mean forgetting everything. He wants to say with Jake!! He JUST got Jake back!!

“What if— in the future— what if they forget about us? What if they don’t know about all the stuff we did?” We see Ooo in its current state. It’s changed, but it’s clearly been affected by the two of them. Every person they’ve saved, every civilization they helped build, every hero they’ve inspired. They’ve left their touch everywhere. “They’ll know,” Jake says with certainty. “We’ll know.” We see the future, with Shermy and Beth. We see the Finn Sword, and BMO with all their old belongings. Everything stays, but it still changes. Will happen, happening, happened. These have always been the themes of the show. They reincarnate, together.

#adventure time #together again #my art #finn the human #finn mertens #jake the dog #distant lands

[ineffable-suffering]

Trauma-Dumping on your plants: The Anthony J. Crowley Chronicles

This has been living in my silly head rent free for so long, I finally decided to slap it on here in hopes of thinking about it a little less (than three times a day. It's been years. I need to get over it.)

Also, I'm absolutely certain I'm not even remotely the first person to realize or post about this, since it's not the hardest of parallels to figure out. Alas, I still shall, because out of mind, out of sight and all that. So:

Let's talk about how Crowley is using his houseplants to work through his own Trauma of the Fall. Or, well, maybe not work through it per se, but more so roleplay it to give it somewhat of an an outlet because he never got over it. Lol.

It's not rocket science to figure it out and God Herself actually gives us a pretty spot-on explanation of it in her own narration.

Crowley's plants are perfect. They're, as God Herself tells us, the most luxurious and beautiful in all of London. He takes great care of them, waters them, mists them. Does any and everything to give them the perfect conditions so they won't have a worry in the world.

And yet, we're immediately shown that despite the seemingly perfect conditions they're living in, Crowley's plants still get *gasps quietly* spots. And we all know how Crowley feels about that:

It seems like such an unnecessary tiny thing to get upset about, right? Like, plants get spots all the time. They're not perfect, they're part of nature and nothing is ever perfect in nature. Crowley would know that by now. Imperfection is the whole point of nature. If everything had stayed exactly the way it always was, nothing would have ever changed or evolved.

Besides, Crowley is a demon. If it were merely about aesthetics to him, he could easily miracle away any spot with a blink of his serpent eyes. But he gets so angry about it, it's almost comical. At first we think it's just to show us, the audience, that, in contrast to Aziraphale, who cares very dearly and lovingly for his books, Crowley is a mean, mean demon who, instead of being outwardly nice to the things he loves (like Aziraphale does), yells at his plants because he's a mean meanie.

But! If you look at the whole scene and what God says, it's pretty obvious what he's actually doing is something else entirely: "What Crowley does is he puts the fear of God in them. Or, the fear of Crowley. The plants are the most luxurious and beautiful in London. Also the most scared."

Folks, this man dude serpent is literally roleplaying the concept of God/Heaven threatening angels with their Fall in order to keep them obedient ... with his houseplants.

Have I mentioned yet that I am absolutely obsessed with him and also desperately wanna get him a therapy voucher?

Because what does he do once he sees a plant disobeying his rules of perfection and acting out? The same thing God did to her questioning, equally disobedient angels (including Crowley): Parade it in front of the very scared rest, making an example of it ...

... only to then, well ...

... quite literally chuck it out.

To anyone else, this seems like a completely ridiculous thing to do over a tiny, minuscule spot. There would have been a bunch of other ways to go about fixing that spot.

Figuring out what it was the plant needed that might not have been given to it yet.

Taking care of it in a different, individual way so it would have been able to thrive again.

Listening to the plant and letting it tell you why its spot appeared in the first place.

Telling the plant, that loves and relies on you entirely, you love it too, despite it not being without fault, despite of it not fully living up to your unreachable standards of perfection.

Caring for the plant not because you want it to be perfect, but because you're okay with it being imperfect.

(We're no longer talking about plants here, as you are probably aware.)

Alas, this isn't what Crowley does. Because it wasn't what God did, either. We still know very little about Crowley's actual Fall and the Fall of Lucifer and the rest. But we do know that Crowley was never like or even with them.

All he did was ask some questions. A tiny spot. A seemingly insignificant blemish in the luxurious, beautiful flora of Heaven.

And yet, before he knew it, he did a "million lightyear freestyle dive into a boiling pool of sulfur". Cast out, chucked away, just like his little spotty plant. And for what? Well ...

... to keep the others angels plants check, for the rest of time.

***

(Addendum from the comments: If we go by what the book tells us, Crowley doesn’t actually end up violently throwing out the ‚bad‘ plants. He just finds a different place for them and makes sure they‘re looked after. So much to him being a big, bad, meanie-mean demon.)

#botany over therapy #harvest the garden of your emotional trauma #its ok crowley just take my hand ill take you to a nice doctor #crowley #good omens #good omens season 1 #crowley's fall #he's not even close to ever being over it #which is understandable #ineffable trauma #the plants are a metaphore #my own meta

[allthegothihopgirls]

*holds out my probably canon headcanon like a toddler showing you a cool frog*

hey what do you think abt damian calling his dad baba and his siblings various nicknames in arabic that range from zameel or jalees when he’s particularly annoyed with them to akhi (brother)/ukhti (sister) when hes rlly happy

I LOOOOOVEEEEEE IT!!!!!

anything that keeps damian in touch with his heritage is a huge yes for me. big fan of him slipping arabic words into his sentences, or repeating phrases he grew up around when he can't think of an adequate english equivalent. etc etc

similar to how people who are learning english as a second language tend to mix their native tongue into english sentences. although with damian i don't think he would do it because he isn't confident with the language (because he most definitely is), i think it's just something that's familar to him, and comfortable to slip into his english speech. + sometimes he can just articulate himself better in arabic.

as for the familial names, although he doesn't use them in canon, he very much does seek comfort from things culturally familiar to him, in gotham. such as in teen titans (2016) special #1, when he's implied to often visit a middle-eastern restaurant 'tarbooshes' which reminds him of his home in the league and his mother.

so although the nicknames aren't something shown in the comics, i don't think it'd be unlikely. he's definitely 'in touch' with his culture, and it's far from an out there idea.

as for the specific names, such as calling bruce 'baba', i'm typically all for that. though apparently in arabic that word in particular translates more to 'dad' than it does 'father'. obviously damian's very formal with his speech, so it is a question as to whether or not that would be the nickname he uses for bruce, or whether he'd use more formal titles. (this post gives some alternatives + explains it more).

usually when i see the use of 'baba' in fics, it's very fitting. i'm very partial to the 'sleepy/hurt damian letting his guard down' trope, and i thoroughly enjoy it when the writer lets him slip a "baba" to bruce. one fic that did this really well was 'repeat your favourite mistakes and love them all over again' by watchingthestars13 on ao3, in which damian (although not the focus of the story) is aged down to 2 years old by magic, and coordinates life as a toddler with bruce, rather than with the league. he's very hesitant to affection at first, so when the writer lets an 'about to fall asleep' damian, call bruce his 'baba', it's always just right.

i'm also fond of him having personal nicknames for his siblings beyond 'brother' or 'sister' in arabic. this post talks about how in arab culture it's common for people to refer to loved ones as their organs. i think it's a fun idea for damian, especially because it's something only he would understand. i think he'd be most likely to do this for dick, although maybe he has a generic one that he uses for other siblings when he's suuuuper happy with them.

but he also takes advantage of being the only arab in the house, and one huuuuundred percent switches up the nicknames he uses depending on how he feels about that sibling at a particular time. he is not above throwing flavourful remarks when he's annoyed, in a language no one else understands (whether that be arabic or not), or calling people the nastiest names he can think of.

#THANK YOU for the askkkkk <33333 #i love hearing people's headcanons. send me them alwayssss #damian wayne #damian al ghul #dc batman #batfam #bruce wayne #batman #dc comics #dcu #dc #batboys #the robins #robin #asks #anon #gothihop speaks

[littledead-ridinghood]

sorry if this is a weird question to drop on you you were just the first person I thought of who might know but do you know if it's canon/canonically-based evidence that jason is physically stronger than other bats because I always see people say jason is the one with "brute strength" and I can't remember if that's based on anything besides people saying that as a nicer way to call him a brute(maybe it was on lobdells stuff? but I wiped most of those out of my memory)

You thought of me first? <333333 I'm blushing. And it's not weird at all! Even if it was, I love answering weird shit.

Anyway:

So part of Jason being considered "the muscle" of the bats comes from the fact that Jason's currently the biggest of the robins. (Adult!Damian is usually drawn as the tallest of the kids when all is said n' done (that's vague for "age")).

Well, how big then?

I always go with this chart which was released while UtRH was being released:

(I Love this! I wish DC still did little info things like this within their comics. Or maybe they do and I'm just blind. But Look! Canonical Information!)

So canonically speaking, at least when running around pre-crisis, Jason is 6 feet tall and 180 pounds. (Also note criminal mastermind and put a pin in it)

But you've probably heard 200 & 220 thrown around a lot. Those numbers are specifically pulled from two different DC character encyclopedia books which I don't trust at all because there notoriously filled with false information and are dubbed as not canon all the time.

Personally, I use the 6', 180-195 pound range which estimates for fluctuating weight, the passage of time, muscle mass, and minimum bulk & cutting (which I assume is part of most superheroes' training to stay in fighting form, but please recognize that vigilantes are more athlete than bodybuilder) because it's from a canon source (Canon is "king" and all that). No shame to people who use the other numbers or even headcanon something completely different, but again, vigilantes are predominantly running all over cities day after day, not stagnant weight lifters. Cardio vs weights body compositions are quite different even if both are healthy. (And it's not all "swimmer's body illusion" either (they have that body because they swim? No, they swim because they have that body.)

How much muscle mass a person can maximally obtain is up to your genetics. But that max only comes with constant maintainment. It's not feasible for Jason to be doing all that cardio and also have that much muscle mass and fat. Cardio burns "fat" (calories), weights build muscle. We constantly see the former and former-adjacent workouts more than the latter with him. Jason is running across rooftops, flipping off them before falling into a shoulder roll onto the next roof over chasing after bad guys every night. The number of calories he'd have to eat and time put into lifting weights (too many reps a week lead to damage, not growth) to maintain his max (max being what a lot of weights category athletes try to achieve which Jason just hasn't been shown to be (except in his jailbird phase where he could literally only lift weights, read, and avoid being killed to pass the time)) isn't possible.

Using comic art to "prove" how much he weighs doesn't work either. Firstly, because everyone wears weight differently. Two people can be the same height, weight, and sex and look completely different. This is due to different body types, composition, genetics, diet, (what kind of) exercise, and many other factors. Assuming someone thinner is automatically "super light" doesn't factor in different body compositions (fat, muscle, bone percentages). (yes, I know it's stupid to apply science to comics. There's my digression. let me live). Secondly, Jason (just like everything else about him) isn't drawn consistently at all. Sometimes he's pretty damn massive, but we also have Twink and Twunk Jason (DC can't even decide on hair color? Do you think they're gonna decide on his body?).

So, comic book art isn't super reliable as evidence unless we want to theorize if, how, and why he seems to fluctuate between weights all the time (<- Which I have a whole headcanon about if anyone's curious), especially in comparison to the others because, seriously, it's totally a Jason thing. Most characters are pretty consistent in body type. Anyway, someone could argue "See! he is 210!" but it's also not for a long enough period to stick around :/ Again, hard to consistently maintain that much weight as a 6-foot-tall, cardio-based athlete.

Also note: DC is horrible when it comes to weight-to-height lineups. A woman hero can be ~5'7'' and then we're told she's 110 lbs which Fact 1. is considered underweight for this kind of height-to-sex ratio, Fact 2. probably isn't factoring in the fact that muscle is heavier than fat, she just "looks thin", and 3. Usually, totally, absolutely is just blatant sexism.

Really, the numbers don't seriously mean anything of actual substance because their comics, are unreliable, and also usually just...scientifically wrong. But Jason's perception on page, as well as the information we've been told, is one reason he's considered "brute strength first and foremost."

Furthermore, Jason has been shown repeatedly to be on par with Bruce (even when Jason, most of the time, plays defense in their physical fights) but many people chalk this up to him and Bruce having similar physiques making it "easier". Again, counter-productive argument because Bruce and Jason have been drawn very similarly before in stories as well as completely different from each other in others. Also, this purposefully, blatantly ignores Jason's actual skills. No one chalks Dick Grayson or Cassandra Cain beating Bruce up to their body types. Moreover, when Bruce and Jason are drawn similarly in body, no one refers to Bruce as "Brute Strength" either. Bruce gets to be tactical, strategic, clever. (Also Also: In Pre-Crisis, Bruce, Dick, and Jason are deliberately drawn to look similar (height, mass, looks, etc.) to get that Brothers in Blood effect. Still, No one chalks the formers up to all strength. Just Jason)

And that brings us to your question, Anon: Is there canonical evidence for Jason being stronger than the other Bats?

Remember how I told you to put a pin in that "Occupation: Criminal Mastermind" note? Well, first off, Jason creating jobs for his community. Go off, king. Second off, and more importantly so, "Mastermind": a person who supplies the directing or creative intelligence for a project (Merriam-Webster).

When Jason was first re-introduced, what made Jason dangerous was that he was highly skilled and smart. He was playing with both Black Mask and Batman like a cat batting a toy mouse. He orchestrated an entire "slow-growing" takeover of Gotham's underworld (he was actually very quick about it). Jason controlled the situation and planned so well that he had the villains and heroes who were both after him fighting each other so he could slip away and do what he actually needed to do.

Throughout Jason's history, he's always had tools with him when he fights. To the point that Bruce says to Jaybin "You won't always have this" cutting his utility belt, insinuating he relies too much on it, which Jason returns the favor to on his return and fights B hand to hand <3 Love a cocky callback. Furthering this, he knows many, many different fighting styles and techniques both from life experience and from extensive training. Jason's a quick learner by nature and is incredibly adaptive. Guns; knives; swords; pens; sets bombs to specifically implode, not explode; makeshift gadgets; a baseball bat just laying around; a tire jack that one time; brains. I could go on. Jason doesn't just hit things. He uses what he has as a means to an end. He's canonically known as one of the best strategists in-universe and is incredibly creative with his surroundings. Jason isn't just great at extensive, long-term planning either. Bruce himself has remarked on the fact that Jason thinks incredibly quickly on his feet, he's really good at improvisation. Concisely, he has plans A-G and if all those fail, he can pull something out of nothing. Contrast this with Bruce who needs to have a plan for everything. Even if it doesn't look like he's following a plan, Bruce is. Opposed to Jason who can go with the flow and figure it out along the way.

Jason even said this in present-era in TFZ:

And that's the whole point, isn't it? Jason is strong. Incredibly so. He's big and tall and has gorgeous thighs. Not to mention, has a mean right hook. But just because Jason's strong doesn't mean he isn't a bat first and foremost who relies on his brain before anything else. He died 4'6 (on his death certificate, his height varies depending on what source you pull) and famously had to defend himself his entire life ever before being Robin. Being young and small and forced to survive shaped Jason into a quick thinker who could either get away or take enemies 10x his size down. Nowadays, he just has a longer reach.

In Event Levithan when Damian says: "Jason Todd is one of the Great Master fighters of all time" He doesn't say strongest because Damian doesn't mean strongest. Damian means adaptable, smart, capable, and well-rounded in skill.

While I don't doubt that Jason is most definitely one of the strongest Bats due to his size, what makes Jason dangerous is not his body, but the fact that he knows how to use it. It's not "Brute Strength" as many people like to say, it's Strategic Strength. He knows just because he's stronger than someone doesn't mean he'll always win. A la see panels above. Jason knows throwing his body around won't do anything of real, long-term substance. That it's just blindsided and stupid.

I'm sure if I looked I could pull panels where other bats and/or vigilantes refer to Jason as the muscle, brute (strength), all brawn (no brain), other such implications, etc, but whenever people do, it's always to undermine Jason's skill. Because it's not actually about his strength. Jason, with his taller, more built form, makes walking quiet seem easy. And it looks easy because he's good. Jason himself knows his skill set, it's everyone else that undermines him time and time and time again. (Again, Event Levithan, Bruce doesn't agree with Damian's statement even though Jason just outsmarted the six or so people who all just tried to take him down (for something Jason didn't even do, mind you))

But, again from Damian, Jason's not known as "the muscle," he's "the emotional one" also usually used to...degrade Ja--We can't have anything nice apparently is what I'm saying. But yes, when people refer to Jason as "Brute Strength" it's usually them trying to find a nicer way of saying Brute or "thinks with his fists" or "Jason hits first, asks questions later." It's in the same vein as when people say "Jason likes books" as short-hand for "see, he's smart at something" rather than acknowledging that Jason achieved a degree's worth of knowledge in comp-sci by age 13.

Anyway Smart and Strong Jason, my beloved. I wish DC & others loved you as much as Rosenburg and the teams of artists he's been working with do.

#jason todd #jason todd meta #every thought I have has a 2nd secret thought behind it and I've been trying to be better about not rittling my metas w 2nd thought->(...)

[ghostingcrows]

I used to talk about this a lot but 

IDW Prowl is probably one of the most complex characters in the comics and I absolutely hate it when hes reduced down to “the asshole character”

Cause like

Yeah sure hes got a bit of a stick up his ass

But I feel like people just end there analysis of him there

Has he committed a lot of war crimes and done unethical stuff

Yes

But so has literally EVERYONE else in this universe

Starscream is literally the pinnacle of war crimes

The comics make a point calling out even Optimus for his questionable actions and orders during the war with the Dinobots saying he makes them do the dirty work for him

Megatron literally commits genocide and yet his story ends with an alternate version of him going free and exploring the universe with the LL

The literal war lord was treated better and is looked upon more positively than Prowl and I think it just came down to how fucked Prowl got by the writers

Because while Megatrons redemption was all in your face and you got a shit ton of flashbacks that try to justify the eventual atrocities he would commit you don’t get that with Prowl

Even when Prowl is absolutely in the right you constantly have it disregarded by characters making jokes about him overreacting (being mad OP is sending the space tyrant away with free reign of his own ship isn’t overreacting btw-) and as such you start to think of him as a genuinely irrational character when hes not

Prowl is bad at keeping the relationships he forms yes 

But he is not always at fault for that

While his relationship with CD ended poorly Chromedome is also shown to be kinda of a dick sometimes and commits his fair share of fucked up things such as when he literally ATTACKS PROWL AND FORCES HIS WAY INTO HIS MIND TO PROTECT HIMSELF FROM THE CONSEQUENCE OF HIS ACTIONS WHEN PROWL THREATENS TO TELL REWIND ABOUT THE SHITTY STUFF HE DID IN HIS PAST

This leads to Prowls inevitable snowball out of control when this attack leads to an opening for Bombshell (I think its been a while since I read the comics) to use his tech to mind control him forcing him into combining with the contructicons

Something we learn is an immensely intimate thing with their minds being kinda melded 

This was something Prowl did not want 

And when all was said and done and he was calmed down he still had to live with that gesalt he was forced into with them following him around like fanboys

Nobody ever even really stopped to check in on him 

And as such he understandable went a little bit insane

He had just faced an immensely traumatic invasion of his body and mind and on top of stress form feeling like everything was out of his control and like he couldn’t stop the bad things from happening alongside bitter emotions being brought back up with a return visit to Earth and reunion with spike AND the fact that he feels like Optimus doesn’t trust him and like hes just letting Starscream do whatever he want (something that understandably freaks him out seeing as how he spent 4 million years fighting Starscream) he just kinda snaps

He trys to destroy the space bridge so that no one else can leave or get through and so he can regain some semblance of control

Is it wrong

Yes

But he was not in a good state of mind and no one was helping him at all 

And immediately following his arrest afterward Prowl is confronted by OP who is supposed to be his friend and when Prowl doesn’t say the right things to him to placate him Optimus’ response is to punch him out a window and beat the shit out of him

And not being given any room to breath this is immediately follow up my him getting kidnapped by Tarantulas who is very obviously an impactful and negative part of his past

Prowl just has bad event, one after the other, happen to him over and over again and not only does no one check up on him afterwards to see if hes okay but everyone actively makes fun of him for being understandable unstable

Prowl is a fucking tragedy and not many people seem to be able to see beyond what characters in the comics think of him

#IDW #Prowl #IDW prowl #Asher writing entire essays about the complex nature of a character most people hate- #I will defend IDW Prowl to my death #and I know a lot of people like to point fingers at him for war crimes and questionable actions #but like again almost everyone in IDW has commited a few war crimes #and he was literally the second in command of the entire army #of course he would have had to take on the brunt of the shitty questionable orders #I also think its weird that so many characters point out hes always the one ordering the shitty stuff but never wants to get his hands dirty #but then OP does the same thing and literally ONLY the dinobots point it out #optimus prime #megatron #lost light #taurantulas #starscream

[cripplecharacters]

so, the posts on this blog about facial difference inspired me to make an oc with facial difference- specifically strabismus and a port wine stain. she's pretty much become one of my favourite characters to draw and develop, ive taken care to make sure she doesn't fall into shitty tropes. however, i have had one problem- in the world she lives in, rebels like her cover their face most of the time. ive been really struggling on how to design her mask/covering in a way that doesn't feel shitty, and doesn't feel like it's trying to cover her facial difference. and i know that technically it's not as bad if she's not the only character who wears a mask, but i still don't wanna push it, if you know what i mean? so it would be awesome if you could give suggestions on how i could handle her mask. here's a reference of her for. reference, and some ideas ive had for masks. thank you for taking the time, and for this blog in general!

[Image description: Traditional drawing of a light-skinned girl with pink straight hair, smiling. She has a large port-wine stain on the left side of her face, and her right eye goes inward. Around her are three headshot sketches;

first shows her in a bandana that goes over her nose with "bandana doesn't obscure FD but hides smile + necklace" written above, second shows a half-mask that covers only the right side of her face, with "early concept, feels tacky, shows port-wine stain but not strabismus :(", third shows a domino mask, with "domino mask, do I even have to explain? No-go" next to it. End image description.]

Hi!

I think that something close to the second one would actually be kinda fun (no irony or sarcasm). If we're talking about a story where everyone wears a mask, having the character with FD wear one that covers everything except for the FD is actually subversive! I never thought I would say that, but it does feel like it is.

Not sure how strict of a design should it be, but a diagonal - her bottom right to her top left - mask would be nice!

I tried to write down a detailed description of what I mean but it was coming out rather overcomplicated, so I hope you're okay with me doing a few demonstrative sketches; a diagonal and rather-silly option, an idea for the bandana with a drawn smile and the kind of tie that would show her necklace, and an idea for the half-mask but with an eye with strabismus painted on the mask.

So here are the suggestions! I haven't drawn in a while so my skills are kinda rusty, but I hope it conveys the concept! My personal favorite would be the first one - I know it barely counts as a mask but then again, in comics it's common that someone is unrecognizable when they wear a pair of glasses, so maybe it's not as farfetched haha.

The second one would be totally fine by my standards, but I'm assuming that her necklace has some kind of significance in the story, so maybe she could cross it at the back and tie it in the front instead for it to be more visible (or wear the necklace over it even?).

I think that doing something like on the third drawing above would be okay if there are also a lot of moments where her actual strabismus is shown. In general, I think that the idea of a character with a facial difference wearing a mask just to paint it on the mask is kinda silly, and I feel like it would fit her character. But for something like that to work, she would need to have the mask off often. If you choose to do that, I suggest your first time showing her to the viewer is with her mask off, both for the usual reasons I mentioned before but also because strabismus is often used as a gag in art. For me, seeing a character wear that kind of mask with no context would be kind of eye-rolling - but seeing a character with a crossed eye put on a mask with the same exact kind of eye, go and join their friends at doing rebel things? That's actually something new!

I enjoy that your character seems to be on the rather joyful and happy side, I like that :-) (smile emoji)

I hope this helps!

mod Sasza

#mod sasza #face difference #mask trope #skatrickstump #i forgot to tag the asker! my bad

[talktolwt]

I would like to focus on the music chosen for Hob Gadling's 80s sequence.

I'm extremely late to the world of The Sandman (finally binged it two weeks ago after my mother had been begging me to watch it with her and now I'm more obsessed than her) Bottom line: I'm unbelievably glad I finally watched this beautiful piece of television.

I have yet to read the comics but as for the first season, I have to say, without a doubt, my favorite episode is Chapter 6: The Sound of Her Wings. Death's 20-min segment is a beauty unto itself, but I'll be focusing on Hob's segment today. Specifically, his 80s scenes.

Considering I'm so late to this fandom and exploring all of its wondrous details and themes, excuse me if this has already been noted. I've been thinking about these details over and over but I need to get it out there in the Sandman world and hear everyone else's thoughts.

*Also excuse the terrible photos - Netflix doesn't let you screenshot and I was too lazy to get another app to let me bypass it. Please bear with my photos of my laptop screen.*

There are three songs that play throughout this sequence.

#1 - "She Drives Me Crazy" by Fine Young Cannibals

I accidentally deleted half my post mid-writing this but here I go again.

As we can see, after the breakup scene, we open up on Hob Gadling (he looks amazing in his 80s look, by the way) and this song plays.

Here are the lyrics:

I mean - where do I even start LMAO.

*Let me just give another note - regardless if you ship Dreamling romantically or not, I will be merely analyzing these lyrics as they are and how they convey Hob's feelings for Dream in general. But, I mean, the songs are THERE, the text is THERE. So do with that what you will.*

This will go for the following two songs as well, but these songs are placed with meaningful intention. Each of these offer a unique lens and dive into Hob's feelings.

I won't be annoying and over-explain anything, but the lyrics are clear I feel:

"She drives me crazy" - cough

"Things you do don't seem real" - in Hob's view, Dream literally is an enigma. Hob has no idea the capacities, the limits, and even the name of this being he meets every century.

"This waiting 'round's killing me" - well.

"Everything you say is lies" - now I wouldn't say particularly lies, but Dream does keep and omit things from Hob. Understandably, Hob would find himself in a confused limbo with Dream.

Here's the kicker:

"I won't make it on my own/No one likes to be alone." - HELLO. I mean, if this isn't the core message and pinnacle of Dream and Hob's lesson to immortality.

As Death mentions earlier in the episode, around 18:10, "Most of us will be glad for the company of a friend."

I feel I could go on forever and ever about the beauty of this episode and how well The Sound of Her Wings and Men of Good Fortune intertwine. They beautifully complement each other as stories lamenting the dichotomy of life and death, and the joys of humanity.

But essentially, Death reteaches Dream how beautiful humans can truly be, and in this pivotal moment, she says this zinger of a line. The camera was initially on Death but for THIS line, it cuts to Dream.

BECAUSE - poor Dream is definitely in need a friend.

Which is then shown to the audience by the 30-min long Hob Gadling sequence that ensues, and we see Dream's aversion to needing someone, to needing a friend.

But I digress - back to the song, and that one line about not wanting to be alone.

That is such a poignant line, because as much as Dream felt alone and needed company, so does Hob? An immortal, constantly seeing the death of others around him, his companions and family long gone, he needs someone.

Considering this 80s sequence ruminates so heavily on post-breakup feelings, Hob is missing Dream dearly. His constant in life.

I'm rambling too much, onto the next one!

#2 - "Shattered Dreams" by Johnny Hates Jazz

Time skip to perhaps a few hours later, who knows. We see Hob still waiting for Dream, alone in the pub.

Hm.

Literally what else could I say. I'm being slapped in the face with pining and angst and longing.

Here are the lyrics:

Some noteworthy lyrics:

"So much for your promises/They died the day you let me go" - this breakup man

"Caught up in a web of lies" - another lie motif

"I thought it was you/Who would stand by my side" - the theme of Dream and Hob being constants in each other's lives

"Shattered dreams" - I could scream. The title of the song. SHATTERED. DREAMS. giggling rn.

"Woke up to reality" - I think that's a very interesting line toeing between the constant references of the Waking and the Dreaming

Basically, I've been noting these evident similarities within the songs to align themselves to Dream and Hob's situation, and it's clear that the director/writers chose these songs with intent of it paralleling Dreamling.

So that makes it even more insane when lines like "From this empty heart" are meant to parallel Hob. Like.

Okay, last song.

#3 - "Keep On Moving" by Soul II Soul

This song plays as the night progresses. It's late, it's clear Dream isn't showing up, and Hob is feeling pretty final about that, and perhaps he's accepted it at this point. Dream isn't coming.

So this is where he speaks to the bartender and that scene ensues.

Here are the lyrics:

The themes of time and clocks are super prevalent within this song, and again it's once more clear how heavily this reflects and represents Hob.

Noteworthy lyrics:

"Why do people choose to live their lives this way?" - I think this also uniquely touches on the general aspect of humanity and one's reason to live/love life. Dream battles with his confusion/slight disappointment for humanity at the beginning, as he asks Death, "Why would any sensible creature crave an eternity of this?" And then Hob helps Dream realize why there's so much to live for. (24:30)

"I know the time will come today/The time will come one day"

"Walking alone in my own way" - Again this idea of walking alone and needing company.

"You'll be in my life, my life always" - Dream and Hob being constants again.

This all goes to say - Hob cares. He cares for Dream.

And I just think that's very beautiful. The magnitude with which Dream's absence means to him and how much their friendship/companionship both means to each of them. I just think their connection is a beautiful thing that I love seeing and rewatching. Wonderfully, these songs give the audience even more layered insight into this connection.

This was super long, and I apologize if I went on some tangents. But I also just couldn't help it, The Sandman is so incredibly rich in its storytelling and its connections and dynamics that I had to write this all down. I also just very much appreciate the amount of care and detail that goes into every aspect of television, and needle drops such as these three songs are no exception.

Thank you for sticking with me through this! Can't wait for season 2!

#i have more thoughts #i think i will never fully be satisfied with this post #there will always be too much to say #but wow #they CARE #there's LOVE there #genuine love #i love them #dream the endless #lord morpheus #king of dreams #hob gadling #hob #dreamling #dreamling meta #dream x hob #the sandman #music as outlets to the soul #and emotion #music #the sound of her wings #men of good fortune #i hope whoever read this enjoyed! #thank you

[bonny-kookoo]

Is there a chance you‘ll write a Drabble of into the wild where Jungkook or OT7 have to take the instinct test? I‘m so curious about it!!

He's gone through the theoretical part of his instinct evaluation test- today, it's the most difficult and most challenging part of it all.

He's only allowed to go through this once. The process differs from every test so as not to give any wolf the chance to prepare and 'cheat' the system in any way by telling others what to prepare for. He's got three small sensors placed on his forehead and the sides to measure brain activity- and he knows that behind the walls around him, there's people watching and judging his body language and behavior at all times.

He can't see them- the walls are only see-through one way.

It starts off almost comical. Like they're joking.

Jungkook himself is sitting on a chair, watching how the differently colored rabbits jump around the room, inspecting their surroundings and occasionally sniffing on his leg. He honestly thinks they're cute. They're prey- but not in this moment. He knows how to differentiate that.

Though he also knows that there's a lot of alphas that struggle with this already.

Someone walks in- a nurse, who picks up the rabbits, puts them in their boxes again before she walks out, leaving him alone again. He taps on his leg, simply out of boredom. He's confident he's gonna pass- he's trained a lot up to this point after all.

"How do you feel right now?" Someone asks over the speaker, and Jungkook perks up.

"Good." He simply answers, since there's nothing else he can really say. He doesn't feel like anything is really going on with him- and the people watching his brain activity nod, seeing nothing out of the ordinary.

Images are shown. Videos are watched. He's surprisingly calm through all of it.

But he's growing nervous now. Because scents are used at this stage, and he knows he's a little vulnerable to those things. Especially this one-

Prime omega. Used as an extreme example that he won't ever encounter in real life since there's no prime omegas around anymore- but to see what he can handle, the personnel tends to use rather harsh things to try and coax a reaction out of him.

And it's working.

"His eyes are reacting." A nurse observes behind the one-way window, watching him. "He's also starting to sweat." She notes further, and it's clear that on the brain wave scale, there's also something happening.

"Its still very mild though. All in the acceptable ranges." A man with glasses mentions. "He's nowhere near shifting."

Jungkook starts to wiggle his leg up and down. He's growing nervous now, saliva collecting in his mouth as he needs to concentrate. The air is getting lighter again, when the door opens, a tall man entering.

An alpha, sitting down across from Jungkook.

"Having trouble?" He asks, and it's clear that his job is to look and coax out any aggressive behavior from the now vulnerable werewolf in front of him. He might not even be a wolf- maybe he's just a human guy, drenched in the scent of an alpha wolf.

"A bit." Jungkook tilts his head, smiles though- trying to push his emotions towards cracking jokes instead.

"I can see that." The man offers. "You noted down in your papers that you've never got into a serious physical fight with any of your packmates." He states, and Jungkook nods. "Hard to believe. Or are you just a pushover? Nothing wrong with that." He jabs, and Jungkook can't help but clench his jaw a bit.

"Being a pushover and having no need for violence to get a point across isn't really the same thing." Jungkook exclaims slowly, before he takes in a deep breath. "I exercise. That's how I let go of stress."

"You're a prime alpha. It's hard to believe you just let your pack be led by someone else." The man scoffs. "Isn't it insulting to just follow orders?"

"No." Jungkook declines, swallowing, before clearing his throat. The smell of that guy is clogging up his neck it feels like. "I trust in my pack alpha that he knows what's best. Same with the human government. There's a reason for every choice made even if it's the wrong one in my eyes." He offers, adjusting his position on the chair.

"If you found a human partner you're compatible with, how would you go at it?" The guy asks, crossing his arms.

"Depends." Jungkook shrugs. "Ask her out. If she isn't interested, go about my day. If she is, go on a date with her. Easy." He says.

"And if she doesnt want you because you're a wolfblood?" He asks, making Jungkook shake his head.

"Then that's a choice. I don't judge." He says.

"Now that you say that.." the man says, and by the look of him, he's preparing himself for a reaction now. "..that's interesting, considering your parents both now live in the cities and abandoned you in the woods."

Jungkook stays silent, swallows down a growl building up.

"Must've been confusing for a young boy. But then again-" the guy offers, "-there was no way you could've been raised in the city amongst regular people without putting anyone in danger." He says.

"It's wolf culture. Tradition." Jungkook explains calmly. "Nothing wrong with that. I visit them regularly and have no problems with them whatsoever." He declines, a little tense but still collected.

There's a bit of silence in the room, Jungkook's breathing deep and even to keep himself calm. He hates that the scents around him make him this nervous.

"And if you found a wolf partner? An omega even?" He asks, and Jungkook wants to answer, when he's interrupted.

A sudden noise behind him makes him jump, though he stays seated- only turns around, before he realizes they're probably using auditory stimuli now to really test him. He recovers fairly quickly, turning back towards the man in front of him.

"I- the same as the other question I just answered." He says. "Ask her out. If she's not interested, leave her alone. If she is, court her." He shrugs, before tilting his head to crack his neck twice.

"I mean that's easy to say." The man chuckles. "But I guess we'll see how you do out there in the wild." He suddenly smiles, standing up to reach out his hand. "Thank you for participating. You'll get your results by the end of this week." He says, and Jungkook sighs relieved, shaking the man's hand.

"Thanks." He offers, leaving the facility with all of his psck who celebrate later in the woods at the pack house, though he shifts first and foremost, having to run off his tense muscles and pent up emotions from the day.

But its all worth it when he receives his score two days later, and even a certificate for his outstanding results, boosting his confidence like never before.

His work had payed off.

He's officially free.

#bts imagine #bts fanfic #bts fic #jungkook imagine #hybrid imagine #jeon jungkook x reader #jeon jungkook imagine #werewolf jungkook

[lunamaraproject]

LUNAMARA: Fragments [5]

💥

If Felix closes his eyes, he can pretend that the distant rumble is merely thunder. That the pattering against the canvas of the tent is just the rain. That the cries of shock and pain are…

Well, his imagination isn’t all that good.

“Why is it that I’m always the one who has to patch you up?” Cas grumbles, Felix’s wrist held delicately in his hands as they glow with magic. The wound isn’t that deep honestly, but you’d think he was about to lose the hand if Cas wasn’t there to heal him.

“You say that like you’d let anyone else do it,” Felix teases, and receives a sharp look for his attempt to lighten the mood.

“It wouldn’t make us very good morale boosters if they saw us getting blown to pieces,” he snaps, before turning his attention back to the gash. Felix’s own crystal has hardened around the wound itself, leaving a large chunk missing, a ravine between his palm and his forearm. Actually, with the right angle, it is possible that someone could chip a little further in, and then he really would lose his hand. The pain is dull, and it tingles as Cas uses his own magic to fill in the gap, glimmering midnight obsidian against garishly bright fire-opal.

Temporary measures secured, Cas closes a gold cuff around Felix’s wrist and sits back to inspect his work. Like this, you can’t even see the injury.

“It’s only a chip,” Felix utters softly. “And we’re more than just morale boosters.”

Cas huffs an unamused snort out of his nose as he stands up, moving back over to the medical supply kit. “I’m not a military grade healer and you’re not a military grade anything, so tell me what exactly we’re here for, Fel.”

“Hey, I resent that! I’ve been really useful!” Felix frowns.

He doesn’t even get a reply to that one, as Cas pulls his armour back on, marking him as a medic. Felix worries about him when he’s walking around with a great big target on his back. The enemy has shown they’re not averse to shooting non-combatants. For all that Cas frets about Felix’s safety, he’s the one who is most at risk here. There’s only 15 years between them, but that’s enough for Cas to assume that Felix doesn’t know how to take care of himself, or what their real purpose is here.

And it’s not for morale. The soldiers that see him and Cas rarely ever smile.

Anger is a great motivator. Poor wretched orphans, we - your starfolk brethren - will avenge your losses for you.

Like Felix even asked.

Another great rumble of not-distant-enough thunder, another chunk of a beautiful world rendered into ash and dirt to rain down on the surface again, wrenching trees from the soil, lakes from their beds, and people from their lives. Felix would rather not have any of it associated with his name, nor with Cas’.

But the Queen said they had to, and what authority have either of them got to say no?

🌗

More from LUNAMARA:

Fragments [1] [2] [3] [4] [5] [6]<-- More every Thursday!

Comic [Prologue]

Art by Luka (http://nousanti.tumblr.com/) Story by Pidge (http://pidgestories.tumblr.com/)

#lunamara #lunamara project #cassius corvus #felix cygnus #artists on tumblr #pidgestories #nousanti #fragments

[sneakystorms]

Thoughts about the Banshees of Inisherin in no particular order because I'm insane and I spent at least a third of the screening with tears streaming down my face

Padraic starting out the film happy and one by one realising how few things he was relying on to stay that way, just the dreadful hit after hit as he loses his friend, his sister, his donkey and even the village idiot he couldn't get to leave him alone

Something which reminds me of the most painful moments of catcher in the rye or lord of the rings - having a protagonist who does not suffer stoically, does not repress his emotions until a breaking point, but laments and begs for help and reaches out again and again and is broken by the pain inflicted upon him and is not strong enough to survive through it

The most horrible sight to behold in our culture - a grown man crying

In general that whole scene. Padraic standing up to the shithole cop, getting assaulted, Colm wordlessly helping him up but refusing to comfort him once he broke down or stay with him past the crossing

Jenny being buried in padraic's blanket

The hooked stick.

The second confession scene containing both "kind of weird, but strictly speaking not a sin" and "you got me there"

"and what about the despair?" "It's back a bit" "but you're not going to do anything about it, are you?" "No, I'm not"

I wish I knew enough about Irish or English history to say something more about the civil war's significance to the story but I can at least say the faraway conflict gives an eerily absurd tone to Padraic and Colm's feud, like they are simultaneously squabbling over nothing and waging some great existential battle

Speaking of which I was absolutely astounded to see a genuine discussion about the meaning of life in like the first ten minutes of this film. Padraic represents my own belief that a life spent enjoying yourself and making others happy is well lived and valuable, while Colm is obsessed with being remembered and believes his life will only have been worthwhile if he does something remarkable, if he leaves something behind. I kind of wanted Padraic to ask him what it matters to him how someone will feel about him long after he's dead in the ground, but regardless this was a genuinely compelling and shockingly well laid out philosophical conflict

In general I'm stunned by how seamlessly and plainly the themes are interwoven with the story. It's hard to put into words exactly but it's some damn good scriptwriting

I called this movie a masterpiece of small scale tragedy on letterboxd and I fully stand by this. This microscopic in the grand scale of things drama - made to look even smaller by the fact that it's two grown men having it - is simultaneously shown very clearly to encompass padraic's entire world. The tiny island setting is used wonderfully to emphasise this

Speaking of which, I have a massive soft spot for stories where the location is a character unto itself, or in any case has a huge role to play. This is a perfect example of a story like that

And speaking of the tragedy genre, this is maybe the best example I have ever seen of comedy and tragedy/drama woven together completely seamlessly? I can't think of a single moment where the tone shift felt jarring or the mood felt inappropriate. One of the moments I remember most clearly as integrating humour with drama is when Siobhan sees the first finger and padraic's comically stunned reaction combines with her comically realistic one to create a genuine air of tragedy somehow. It's also a good example of the similarly seamless weaving together of naturalistic and stylised storytelling

Not only the horror of loving someone who hates you, but of having that person leverage your love for them in order to keep you away

In general, most heartbreaking film I think I've literally ever watched. 10/10 masterpiece probably will not watch again all the way through because it's too painful

#s #the banshees of inisherin

[sonicjustbecause]

What about the earliest Shadow?

Mods and Shadow has his Chao following him...

I imagine that most people got so interested in Shadow lately because he is back to be likeable, but also because of the incoming movie.

For the last decade Shadow has been the laughing stock from Sonic series. Crazy OoC-ness from fans were deliberate and not a mistake.

Yes, happy Shadow was a choice by its autor. Is a long story...

The most common image of last decade Shadow we had was... THIS...

Idiot...

I knew Shadow first from Adventure and Heroes. I didn't play heroes but I played a lot SA2B, especially the chao game and I always used Sonic and Shadow because they were the safest to have around chao. I rediscovered him later, in 2010, but he wasn't the likeable character I once knew so I completely lost interest in him (also I'm more a Sonic fan). I forgot who he was and all the things I knew were from meme. But also video from games showing 'how Shadow is an asshole' 'Shadow the edgelord' and IDW comics, the worst of all (not that Game Shadow was better, he was often underused and his few lines tasted as 'Go fuck yourself'. To make things worse he was dubbed by Kirk Thorton, not a really beautiful voice, to not say brutal things...).

Sega just took Shadow and removed all his good qualities, all what made him well rounded, keeping only the flaws (I've read the mandates, do you know what an Anti-Mary Sue is? Well...). They wanted him being unlikeable I guess. Is mainly from Prime and tMoStH that Shadow sparkled my interest again into exploring him as character, that made me think there is more, that he must also have good qualities, not only flaws.

The earliest Shadow (Sonic Adventure 2, Sonic Heroes) was hardly grumpy. He was sad, lonely, somewhat insecure, often lost in though, but also stubborn, certainly less cold than people might assume. As for grumpiness, if I compare him to Sonic in 2001, Sonic seemed slightly grumpier than Shadow at that time. Shadow himself seemed to be aware of that and to have fun picking on Sonic. Both of them are rather cold outside but both of them are shown to be able to feel strong emotion (Shadow having a panic attack and Sonic wiping his eyes during the credits, Shadow being controlled by is own emotions while Sonic refusing them) At least that was the impression he gave me. Since Shadow was meant to die, most of his personality traits aswell as his backstory were packed and shown during the whole game, like a character ark. He is pratically the protagonist in the dark storyline. By the end of the storyark he is able to open up to Sonic (during the final battle against the biolizard he openly told Sonic he was not feeling well. Also the hand clasping was a gesture of openess from Shadow) and to some degree toward Amy. Not so much toward Rouge who pratically is the one who hurt him the most. In heroes Shadow appears to be pleasant to have around, althoug aloof. He is not fond in humanity and that's one of his main traits, but he doesn't let his predjudice win over him. He still has this melancholic aura around him though, it doesn't matter how content or cheerful he may seem sometimes.

Sonic was dubbed by Ryan Drummond and Shadow by David Humphrey. David's voice was different from the other VA Shadow had. His voice was more high pitched, youthful, cute. Still soft spoken. Ryan's voice was legendary, and when he made Sonic talk soflty, he sounded almost like Shadow. The two VA had so similar voices that made Sonic and Shadow sound like legit twins, and back in 2001 I though they shared the same VA all the time. Well, Drummond also dubs Shadow for a short time.

So what went wrong?

The 00's era were the years of the prince of the saiyan, or better, the king of the edgelords:

This guy was also sad and lonely. But he was also more impulsive, rough, boorish and extremely grumpy. Maybe because he is a muscular human and not a cute velvety male calico kitten hedgehog he filled the dreams of young and older teenagers.

Some said Shadow is based on Vegeta (not only him but also him) the more the 00's approaches the 10's, the more Shadow became grumpier, arrogant and standoffish. Sadness and melancholy were replaced by selfishness and he became less and less fun and interesting. Shadow the edgelord.

Archie Shadow was maybe too expressive (and his sadness was very underlined) but with only SA2 and Sonic Heroes around this interpretation was more than understandable. They (Flynn, Penders I can imagine) referred from the material they had. Shadow opening up to Sonic is there in Adventure 2, is undeniable, so it was normal assuming he was more open.

He is left handed, yeah! (This is actually correct)

In Sonic Universe Shadow was more balanced, maybe closer to the one we saw in early '00s. Lonely, rejected, sometimes bullied (although he could defend himself with his sharp tongue) because he was different.

Then the IDW.

No. Seriously Shadow?

That is unavoidable if we are talking about characters that are created by a team and not by a single. We already see this with Disney. When the writers change the charcters change too, everybody notices different things about a character, based on it's own experience of life. The characters chanfe even when the single writer deals with them, because people change too. Any kind of mandates can only help this far, if they're too heavy they end to be counter productive.

This is my personal opinion, but I would have seen better Shadow befriending Amy and Sonic more than Rouge in early days. Rouge worried for him at times, but there were moments she purposefully hurted him (although later she cared sincerely for him). She would take time to regain his trust. With Sonic, following SA2 would have been open, even more than what we see in Prime. With Amy he would be in good terms though often drained by her own cheerfulness and extrovertion. Tails is rather reserved although not socially awkward so he would not have problem with him. With Knuckles things would become funny I guess, Shadow used to be calm and smart while Knuckles is more simple and is grumpy. I think he (Shadow) would still have issues and relapses with his PTSD though and the need to be left alone.

Well, now the movie will come out. They did a good job until now. I'm curious about what they will do with Shadow. I hope he will be likeable like in SA2.

#shadow the hedgehog #sonic the hedgehog #sonic #shadow #sonic prime #tails the fox #eggman #sonic movie 3 #sonic movie #sonic movie 2 #sonic adventure 2

[archivomeow]

yelena belova is aroace.

Yelena Belova is canonically aroace.

Lately people dismissing that has been getting on my nerves VERY much, so I’m making this post lol.

First the terminology:

Aromantic — an individual who doesn’t experience romantic attraction.

Asexual — an individual that doesn’t experience sexual attraction.

AroSpec — spectrum that includes different aromantic identities, from aros who don’t feel romantic attraction to those who do under certain circumstances or rarely.

AceSpec — spectrum that includes different asexual identities, from aces who don’t feel sexual attraction to those who do under certain circumstances or rarely.

So first thing i will put here is this;

This in my humble opinion should be enough of a proof, but apparently it is not.

First this part of an interview, the person speaking is a creator/co-creator of Yelena. She says she is most likely to identify as asexual than to follow Nat’s romantic path. Hinting at both aro & ace.

So in the comics Yelena shows no interest dating, as far as i am aware she has no romantic interest in the comics. She is repulsed by sex, she calls herself „nothing” referring to her sexual identity.

As much as many like to say she is a lesbian, she is not, how fucking stupid you sound, honestly. She says it herself, if I said I’m not a lesbian, would you question it? No? Then don’t question her, she says she is not a lesbian, she has no wlw storyline. Drop the fucking lesbian hc.

Some possible foreshadowing in the MCU

1. When she is talking with a widow and a former Ana (show: Hawkeye), there is a line said by the widow accompanying her: „…you and Natasha can be reunited again and live your sex in the city fantasy”.

^ Yelena leaves the room, as soon as the word „sex” is mentioned her face drops, then we have this scene where she’s looking at herself in the mirror.

2. When talking about kids and family (movie: Black Widow) she mentions she wants a dog.

3. When describing „fake story” of her life she made up because her birth certificate was burnt she says Natasha has a husband and talks about her parents, but mentions nothing about her husband or possible spouses or children. (movie: Black Widow)

4. Yelena tends to wear a lot of aro/ace flag colors.

green coat & purple lipstick (green = aro | purple = ace)

yellow & blue colors = aroace flag

Overall Yelena wears a lot of green and white and black together, aromantic flag colors.

^^ can you call that „over the top?” yeah sure… let me remind yall something else:

when enid wore this sweather yall went WILD.

but when Yelena is wearing aroace colors all the time it’s called „reaching”…?

I will continue this with even more, because while you can agree with me and say she is aroace, still there will be people who claim she is aroace, agree, but then this fucking argument comes into place:

„AROS CAN DATE”

„ACES CAN FUCK”

„QPRS EXIST”

Do you see what’s wrong with those sentences? Nothing.

There’s a „but” thoooo…

There is nothing wrong with those, but using those arguments to totally ignore her sexuality ship her and treat her like suddenly she is allo is not it.

Yelena has shown no interest in dating or sex, we can assume she is sex-repulsed as she has shows repulsion to sex and she is to me at least implied to be romance-repulsed.

And we’ve found the problem.

Sex Repulsed Aces are as you can imagine repulsed by sex. Romance Repulsed Aros are repulsed by romance… So how is someone repulsed by said things engaging in said interaction and is not repulsed by them???

I think it’s a great idea to write her into said situations to show she is repulsed and to show it’s okay, because her life, my life, the lives of other uninterested in such thing aro/ace, our lives don’t end here.

Using how some people navigate through their sexuality to justify this is wrong.

You wouldn’t write a lesbian with a man, because bi lesbians exist and she may be a bi lesbian, right?

^ just an fyi, that’s an example, the term bi-lesbian is extremely harmful to both bisexuals and lesbians. check out this for more.

The QPR dilemma is that you don’t understand what a QPR is… it’s not more than friends…it’s not in the middle, it’s out of the regular binary of relationships. Relationships I actually think are QPRs:

Friends with benefits — purely platonic, but you fuck.

Situationship — just friends that do romantic stuff together, unless you call it a romantic relationship, with the other person agreeing on that, it is not one.

QPRs are amazing and beautiful, but it’s not always about fucking and kissing and „acting like a couple” but being a QPR. It can be being friends and living together, not temporary. It can be being friends and co-parenting. It can be many things.

But as I said Yelena is repulsed, why would someone repulsed by sex/romance engage in said thing happily with no doubts, fears, negative feelings just because it’s a qpr, so it’s suddenly fine…?

This is for now all I have to say about this.

As an AroAce, who desires no romantic relationship or a sexual one please please please let us have this representation, for once in our fucking lives.

MORE OF MY POSTS ON YELENA BEING AROACE AND ARO/ACE LINKS LINKED HERE:

answering an anon-ask.

more talk about the comic panel.

harmful aro stereotypes.

shipping aroaces + yelena belova.

#yelena belova #florence pugh #aroace #aro #ace #asexual yelena belova #mcu yelena belova #yelena belova aroace #comic yelena belova #yelena belova fanfiction #yelena belova fanfic #yelena belova imagine #bishova #katelena #buckylena #yucky #bucky barnes x yelena belova #kate bishop x yelena belova #lesbian yelena belova #bisexual yelena belova #fuck aphobia #fuck aphobes #aromantic #asexual #aromantic rants #aromantic representation #aromantic positivity #sex repulsed #romance repulsed #asexual representation

[alpaca-clouds]

Democratizing Media

Alright, one thing first: When politicians speak about "democratizing media" they usually mean something else then what scientist say, when they use those words. Politicians mostly mean something along the lines of "media should say what I want instead being controlled by some coorporation, because like I am elected, right?" Meanwhile scientist mean something else.

You see, before the internet became easily accessible for most people, the only way to access media was through certain outlets. TV stations, the cinema, some publishers and some record lables.

Yes, sure. Technically self-publishing was a thing even back then, but without the ease of the internet... How were you to market your own book or comic? And self-made music usually just circulated on copied and copied again casette tapes.

Usually, if you wanted to create media that actually people would see, you had to go through a big company. And those companies could very much decide who got to make movies and tv, who got to publish music or books or comics. Not only where those decisions controlled by capitalist interest, but also by nepotism and cultural biases, given that a lot of the people making those decisions where (and still are to these days) white, cis, abled men.

But when the internet came around things changed. Because suddenly everyone had a way easier time in getting their stuff out there. Pretty early on there were websites where people could just publish their stories and comics online. Either free and hosted by some other website or paid on their own site. Which was pretty revolutionary, especially as suddenly ideas that had been ignored could reach a new audience.

Voices, that by news media and such had been ignored so far - voices of women and marginalized folks - could suddenly broadcast over all sorts of channels.

And yes, you could also just publish your music and what not online, could also do your own research and offer it to the world and could actually get heard.

Now, we all know that this came with ups and downs. Because while finally marginalized people were heard like this, it also gave a bigger platform to some fringe conspiracy groups and the like. But at least there was a chance to get your stuff out there.

Social media websites and the like played a big role in this. Especially Youtube, of course, but other sites, too........ which of course brings me to the problem. Or rather to the question: "Is media democratized right now?"

Because it isn't, of course.

Right now we have these chokepoints, where you kinda are forced to push whatever you create through a channel. Sure, you can upload your videos on your own server, but probably nobody will see them. They need to be on youtube. Just like your music now needs to be on spotify and itunes. And if you self-publish a book, it kinda needs to be available on amazon or you won't sell shit. And if you have your own little blog and do not promote it on social media (or have it not integrated on a blogging platform such as tumblr) it will not be seen.

And this brings two issues with it (well, actually three). For one, as private companies those sides are able to censor you in any way they want to. They decide you cannot say the word "queer" anymore? Welp, no more talking about queer issues for you. And because they are a private company nobody can do much against it. Like with the tumblr purge. No more "female presenting nipples" for you.

The next issue is closely related: The companies in question want to make money. This they do mostly through advertisement and maybe subscriptions. Hence their goal is to keep you interacting with their website for a long while. And thus they have algorithms that decide what content you see - and hence if the content decides that something you do is not worth it or will get the wrong kind of attention... Well, nobody will get it shown. On a lot of social media we see, for example, that the negative content gets shown to more people. So writing about positive stuff does often not get you seen. (Which is why algorithms are bad. Don't fucking build your social media websites around a fucking algorithm.)

And lastly: A lot of media additionally to all of that also uses a system of partly manual currated. This is true for Netflix, who obviously want to make sure that the front page does show the stuff they either paid a lot of money for or that they produced themselves. Like, there is an infinity of great indie movies on Netflix, but if you do not know it is there, you will not see it. Same goes for a lot of Indie Games on Steam, that just go unnoticed, because they do not appear anywhere near the front page and just happen to go overlooked by folks. And in the end the big studios obviously have the money to get their games on the front page. Same with books on amazon, where just the difference in marketing budget makes sure, that certain books will end up front.

So, why am I telling all of that?

Because we still do have the tool. We can make a free, democratic internet like that. Where we do not have censorship (please note: banning people for saying hateful shit is actually not censorship, so yeah, ban them nazis). Where we do not have fucking algorithms. And where just everything has the same chance of getting seen.

Like, does not mean that there cannot be any currated lists. Like, those currator pages on steam? Those are fucking great. Lists where everyone just can make those and you can subscribe to their lists. That is amazing. But... you know. Not for the baseline experience, but for what everyone wants their experience to be like.

Just... a thing that bothers me. Based on the stuff I spoke about yesterday.

#democratizing media #democratizing #anti capitalism #post capitalism #anarchism #free the internet #solarpunk #social media #steam games #netflix #disney #indie games #indie movies #indie books

[phlurrii]

Sudden, random thought: What’s Meau’s relationship with their parent? I know she’s fond of her brothers (particularly wormy boi), but do they regard Arceus as just a creator/genetic parent or truly as their loving, caring parent?

Been waiting for this one, I actually have a entire comic planned for it after we finish Noe’s arc to really explore it… but for now I get to yap away ;D

Meau in the early days had a great relationship with Arceus, who they vaguely consider a father/mother, but rarely refer to them as such. Arceus kept them back for a good while before releasing them into the world as shown in the timeline. As they needed Meau to be a bit different form her brothers, specifically:

* She needed to understand how raising a life was.

* She needed to have much more complex emotions than her brothers. They can feel, but not to the extent she can. She feels like any of us, with a nuanced, complicated, and deep sense of self. Unlike her brothers and Arceus who are much more limited.

* Social skills, she needed social skills so she was kept behind to socialize with Arceus and develop that ability as well.

So, TLDR, she was the spoiled golden child, Arceus’s favourite creation. Being released into the world and absolutely flaunting it to her brothers she was daddy’s favourite. Creating life and creatures. She was has the most time out into her, she knew it, and she was a total brat about it. However, as she began to live, with all these complex emotions… she began to feel lonely. Talking with her brothers who could only understand so much, and only Giratina really made the effort to understand her and develop his own…But in her own dimension she was by herself, no companion, no one to speak to, no friends.

She couldn’t simply create herself a friend, given they would be aware she created them solely to be her friend and that skewed the dynamic immediately. And if they ever wanted to be on their own or explore elsewhere, Meau would be alone again. Also she was just… a lot older now and creating brand new life and expecting them to just stick with you… not realistic. And she didn’t want to create an artificially perfect friend that would stay with her, it wasn’t genuine. And she needed that authentic connection.

She was all alone, given these emotions and feelings of a normal pokemon that had a much shorter life expectancy, except she was effectively immortal. She began to realize her father kinda… screwed her over on this one. He didn’t know what he was doing in truth as he was inexperienced in the end. She suffered those consequences. She began to sincerely resent Arcues since then and with him very rarely answering her calls for help or just to talk, it just grew more and more bitter till some stuff eventually went down. Which finally caught Arceus attention, but instead of talking with her he just… did something else. Without telling her.

Currently their relationship is still strained, she doesn’t hate him… but she certainly resents him for what he did to her and then didn’t bother to fix the problem. This grew ten fold when she gave birth to Bucket and Arceus never once came to see them, to her knowledge, Arcues never meant his own grand kit and she doesn’t bother with him at all. Family time is mostly just Giratina and, sometimes on a good day, Dialga. She’s… never actually spoken to their newest younger brother. Not on purpose, just never feels like a good time.

But that’s the gist of their relationship! We’ll get some more visuals in Noe’s arc where this’ll all be explained better X3

#ask #puzzled zebra #council of theorists #ancient mew

[avelera]

Man, having just written out how Pratchett writes Normal People as his protagonists and Gaiman writes Magical-by-Birth People as his protagonists, now all I can think of is what Pratchett would do with Hob Gadling's character.

Just, like... "Men of Good Fortune" in the original comic does not treat Hob kindly. The narrative is actually kind of nasty towards him being a Normal Guy. The show is lightyears away from that and Ferdie brings so much natural charm to the character, so it can be easy to forget this, but comic Hob really does receive sort of the brunt of some subtle classist attitudes, shown as coarse, rough, greedy, unpleasant, filthy, and disinterested in moral improvement until the far more aristocratically depicted Dream basically shoves it in his face that what he's doing is wrong.

But I'm first and foremost a Pratchett girlie at heart. I'd argue he's one of my most foundational authorial influences, I think I'm incapable of writing humor that isn't inspired by his comedy, and he was a formative influence on my personal morality with his strident egalitarianism.

Now, Pratchett isn't naive or bucolic about average, everyday people. He certainly doesn't say that normal people are never coarse, rough, greedy, unpleasant, filthy, and disinterested in moral improvement, but he says special people are too. No one is perfect in his world and being higher ranked definitely doesn't make anyone better than anyone else. Everyone is gray. Everyone is messy. And there is no absolute ideal of one-size-fits-all goodness other than minding how you go and not treating people as things (a gross simplification but I could wax poetic for hours on Pratchett's egalitarian morality).

Now for myself, I think one reason I fell in love with Hob Gadling's character is because he is such an unusual immortal character. He's not magical or aristocratic or in any way a superhero because of his longevity. He is Just A Guy who became immortal by chance and it takes him a long, long time to improve in even the smallest ways in terms of morality. Dream nudges him to examine his choices but we get the sense that Hob took it the rest of the way after that nudge and continued to improve as a person, not to saint-like levels necessarily, but resolving to move more mindfully through the world than he did before.

The narrative in the show is more gracious to him, allowing him a great deal more charm and more sympathetically implying that all of us could probably use a nudge at times to become better versions of ourselves, that it's not necessarily easy to do alone, but what's important is that upon receiving that nudge, we do try sincerely to change and improve, and might still fall short. The reimagining of Hob's character for the show feels much more mature overall than the comic source material, portraying in my opinion a more sympathetic and adult worldview.

The Hob Gadling we see in the show to me at least is a much more Pratchettian character in the sense that he is a Normal Person in an Extraordinary Situation. Now, I don't think Pratchett would necessarily go in a Dreamling direction, since Pratchett (like Gaiman) tends to shy away from Romance As Plot and he rarely focuses on it directly, at best it happens at the periphery in his stories. And in many ways I think he would treat Hob unsympathetically but it wouldn't be because of Hob's low origins. Pratchett just tends to have an even hand with making all of his characters ridiculous. No one is too high up or refined to avoid his satirical jabs. A Pratchettian Hob would probably not be the romantic hero that he's often portrayed to be in fanfiction (but then again, Aziraphale and Crowley were not the romantic heroes that fanfiction portrays them to be either when they were written by Pratchett).

Still, it must be said, that I find it fascinating to imagine what Pratchett's sensibilities would do if applied to our peasant-born immortal character who eventually, painfully, after over 500 years finally begins with a little help from a friend to bend his life towards trying to not be a complete shit head about how he operates in the world. I feel like it's a character that Pratchett would have a very unique spin on.

#hob gadling #sandman meta