shiv's motivations for voting to pass the gojo deal are so layered and i don't think they should be dismissed in favour of any one interpretation. shiv desperately grabbed on to a lifeline for her relationship with tom. shiv was the deciding vote and she couldn't bear to hold the crown only for a moment just to place it atop her brother's head. shiv knew she would have more influence as wife of CEO rather than sister of CEO. shiv absolutely hated seeing kendall crystallize into logan before her eyes, especially when he made roman bleed ("and if we did kill him we get to go to bed") -- succession has always been about siblings so of course she tried to free her brothers before her child. shiv still thinks she can raise her child with all the material benefits of being the daughter of waystar CEO while doing better by her, whatever that means. and all of those things are true
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I think it’d be really, really funny if the Civilians of Twilight Town keep trying to guess what Roxas, Xion, Lea, and Isa’s deal is, trying to fit them into SOME sort of even remotely traditional family structure and end up with, like, six different competing rumors even before the polite blonde girl who divides her time between “the old abandoned mansion, which they guess she owns?” and “nowhere in the area.”
And then the visiting scientist.
And the other visiting scientist.
And the scientists’ apparent son (other son?), who spends his entire trip talking with Pence about something they’ve clearly been collaborating on for at least a year despite the fact that no one’s ever seen him before.
Xion introduces a boy who looks nothing like her, currently lives with his family (not, she specifies, her family,) and has no relationship with Roxas or Lea whatsoever. Apparently they’re both the children (okay, he says creations, but Even’s an odd one) of one of the scientists. Technically, they say. They look nothing alike. They’re pretty sure he doesn’t live with the scientist, either. He does know Namine (presumed to be the scientists’ mutual daughter) but they say they’re not siblings point blank. Someone crosses Xion and Namine being sisters off a whiteboard, then considers and puts a question mark there.
Roxas’s incredibly obvious identical twin shows up and they claim to be half-brothers. Roxas will skateboard away from all followup questions. On another trip, he’ll bring a third boy who introduces himself as “the other half of (Ven’s) heart” and then immediately refers to Roxas, Xion, and Ven (but not Lea or the other boy, who nonetheless knows him) as his siblings. He claims to have been born at the dawn of time and just after the worlds shattered and also sixteen years ago. (Vanitas knows exactly what he is doing and is THRIVING off the chaos.)
Based off similar hair colors, her apparent dislike of Lea, and sheer desperation, half the town is convinced that Aqua and Isa are siblings and she sided with him during the breakup. There’s no consensus about how Terra fits into this. (Isa’s not correcting them. About any of this. It’s not worth it.)
Seifer gets back from a journey of self-discovery and asks who the newbies are and gets shown eight different, mutually-contradictory conspiracy boards in the form of family tree/relationship charts. Lauriam and Elrena have been the source of multiple schisms among the gossip mill.
By the time Sora shows up again even Hayner, Pence and Olette are having trouble keeping everything straight, and they actually know the whole story.
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Since we're on the topic of flower symbolism...
Idk if you noticed but on the neighborhood map there's a single white daisy blooming in Frank's yard. Daisies represent loyalty and innocence and so in the language of flowers they represent the phrase "I will never tell." Hm...
very true! tbh i haven't paid much attention to Frank's daisies because they don't seem to be "his" flowers - that title belongs to sunflowers <3 - and white daisies also appear all over Julie's house and in front of Home. and to me it loses a bit more credence since there's also a red daisy near Julie's and blue daisy-like flowers pretty much on his house
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in response to another ask, i actually really like the ambiguity of jon's asexuality, bc many other ace people (including myself) can project our owns expiriences and feelings while not being confined to canon.
like, if it was said that he was repulsed, completely utterly, finds it disgusting, etc., then myself and many others on the less repulsed side of the spectrum would have a harder time connecting and liking the character, especially if, like myself, are Jon kinnie's, then it would be even harder.
and on the other side of things, if it were said jon was more positive or neurtal, it would still have the same effect of being hard for all ace people to connect with.
i do also believe the way his sexuality was handled was a bit... off?
like, saying all ace people "don't" is an over exaggeration. some people do have those activities (look i may be ace and on the more neutral/positive side of it but i can still skirt around the words, ok?) and some dont, and it just feels weird. having an ambigous ace character while giving the hint that they might be repulsed/indifferent/etc., towards doing certain activities just feels weird to me.
ofc it could also be read as melanie just learning about it from georgie and never thinkin to ask Jon himself, thus causing ehr to draw her own conclusions, but yeah, a bit weird, but yk. it is what it is? not sure how to close out these thoughts-
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listen i get where people are coming from when they say that nobody should have expected a radical overhaul of the shinobi system considering the series very squarely set up its main theme as not abandoning friends. that certainly was the setup. but i also think it would be inaccurate to say that the story as it evolved affirmed that refusing to abandon one's friends was the be-all and end-all fix for everything. i cannot emphasize this enough: it's not as though the prior generations we saw lacked devotion to their teammates. the problem was that the larger sociopolitical circumstances obstructed their ability to connect in one way or another. even naruto acknowledges at the land of iron that his and sasuke's positions made it impossible for them to reconcile. so for the series to do a 180 and assert that actually friendship was the solution all along (even though there have been no meaningful systemic changes, even though the source of these intergenerational conflicts has not been addressed) rings hollow. it's especially glaring that being violently beaten in a fight makes sasuke desert his quest for justice without any reservation -- therefore no ideological or political separation was bridged, sasuke was just made to forget what motivated him for the entire series' run. naruto and team 7 succeeding where their predecessors failed was not a function of anything they did differently, but mere narrative convenience.
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so like. the AU where viren's plans for conquest don't immediately come together in S3 (maybe kasef hasn't gotten all the armies together yet when he shows up in katolis?) and Viren has to like, be king in terms of administration, and the dynamic he forms long term with Claudia being his high mage, please.
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alright, since the Remedy brainworms got me I've been replaying Control, got to the AWE expansion last night and picking up on all the echoes/foreshadowing for Alan Wake 2 is making me go utterly bonkers, but like. has anyone picked up on or talked about how in all of Alan's Hotline messages to Jesse, when he's writing about her POV, he exclusively calls her 'Faden'
like, maybe it didn't poke my brain the first time I played it since he does the same thing when talking about Hartman, but coming from AW2 it's pretty jarring as a stylistic oddity...almost like there's a reason (in-universe and/or out-of-universe) that he doesn't call her 'Jesse'...almost like there's only one Faden in his story...
and given how in AW2 we also get some (quasi-) clarification regarding the limits of Alan's ability to "make stuff up" vs alter and rewrite "real-world" events that he sees in clairvoyant flashes...given the Night Springs screenplay pages you can find in AWE that parallels the FBC and the events of Control (i.e. a Director and a Scientist opening a portal to another dimension, finding an eldritch Entity, the Director trying to take its power for himself and then getting taken over before shooting himself)...given how literally all of the "dreams" Dylan tells Jesse about are descriptions/viewings of stuff that takes place on one level of reality or another ("I was the director and you were an intern"; "we were in a game, and it was a fucking boring game but you couldn't stop playing it"; Mister Door, and "a world with a writer writing about a cop, and another world where the writer was real"; a "musical" about Jesse), except, seemingly, the dream about "Jesse Dylan Faden"...
guys. are you picking up what I'm putting down here. guys. GUYS
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There's something percolating in my head about how sometimes the scenarios and characters we relate to the most are the ones that don't explicitly identify what they're doing in the terms of how we relate to them. Sometimes there are even specific indications that it's not that thing and yet we can still find it there and find it powerful. Sometimes that can feel more affecting and intense than the better representation out there (and not necessarily just better in a purity culture sense).
And I do think it's important not to give credit where it's not actually due, and not to insist on this kind of stuff as a replacement for actual representation. But I also think it's important to ... idk, allow space for the fuzzier depictions that speak really powerfully to some of us.
(I know this is vague! As I said, it's percolating.)
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