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#which has made my performance worse but woe is me.
pluvicor · 1 year
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ooc: Well, got to that point where the first doctor (who I lovingly call "brain doctor") I saw about some problems took a look at me, didn't bat a lash and went "yeah, you're getting checked for ADHD with correlated GAD" so that's where I am currently: in hell.
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herohimbowhore · 5 months
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With the year coming to an end, I’ve been looking back and reflecting. And while I could obsess over every little thing I did and the outcomes of those actions, I will not because I’m actively ignoring things that will give me a post graduation existential crisis again.
However, I have been looking back and reflecting on formula one events. One thing that stands out, at least for me, is how much we talked about Alex Albon’s appendix and the domino effect it had on so many different things this year.
While that is a great starting point for the dominoes that fell this year with the alphatauri drivers, if we want to look at Red Bull as a whole, then we need to trace it back even further.
The Red Bull organization’s 2023 driver woes did not begin this year, but have been in the making since Daniel Ricciardo signed a Renault contract instead of the Red Bull contract extension.
Red Bull wasn’t prepared for Daniel leaving and having to fill that seat, so they hadn’t prepared Pierre for the seat and he was promoted before he was ready. Similarly, Alex Albon was promoted unexpectedly to F1 to fill the Toro Rosso seat and then promoted prematurely to replace Pierre at Red Bull. Which led to Alex not having a seat in 2021 and Red Bull signing Checo. From that Alex was able to compile data based on his RBR performance compared to his predecessor (Pierre) and successor (Checo). Then there’s the obvious dominoes: Alex gets the Williams seat, has to get his appendix removed, Nyck subs in for him, Nyck gets the AT seat, loses said seat, Daniel replaces him, Daniel breaks his metacarpals, Liam comes in, etc.
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(Ignore the spelling mistakes, I made this at like 2am)
Daniel leaving Red Bull after 2018 can be a starting point for Red Bull’s issues currently.
They were left with a lack of options and promoted too early, so now they have more junior drivers than they know what to do with and are downsizing.
The drivers they promoted didn’t work out as they’d hoped and weren’t able to fill the space Daniel left, so they looked outwards for a driver and got Sergio -> promotion from toro rosso/alphatauri stopped and the junior team was stunted
Sergio isn’t performing as they would like — while a case can be made for being P2 in the championship, it’s clear that his position is due to the other teams dropping the ball. The margin between P1 and P2 is the largest we’ve seen, whereas there was a fight for P2 with a significantly worse Mercedes car. So Red Bull is with a driver that’s underperforming given the machinery he has and there’s more drivers than seats available.
Now with Daniel back in the Red Bull fold, we can continue down this domino path or it could come full circle with Daniel back at Red Bull.
2018, in my opinion, is a significant year for Formula 1. We got the fight for five with Lewis and Sebastian, Charles Leclerc’s rookie year and signing with Ferrari, the first Fernando retirement, and the Red Bull/Daniel Ricciardo domino effect.
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thealmightyemprex · 1 year
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RAnking the Shrek/Puss In Boots Movies
With the recent release of Puss in Boots the Last Wish , I was inspired to revisit a franchise I hadnt revisited in a long time.So I watched all SIX Shrek/Puss In Boots movies
For those who dont know this franchise the basic premise is this is a fairy tale world that makes fun of ,subverts and plays with fairy tale tropes .For the first four films we follow an ogre named Shrek who falls in love with a princess ,and in the last two we follow one of Shreks sidekicks ,the dashing outlaw Puss In Boots
Based on a childrens book Shrek! by William Steig (Which I have read ,and I think might have been an influence on me as a creative) the film franchise became reallly big....And then it went kinda dormant.It has a weird legacy ,where it changed animation forever ,some of it not in good ways , and it was memed to hell . So I went into this project curious what my thoughts were gonna be , I had seen all the films save for the fourth one,watched the first two ALOT in my childhood ,but I hadnt thought about the series in forever ,till this new Puss In Boots came out
Well I watched all the series in order,and here is my ranking from worst to best
Minor Spoilers going forward cause I am talking about these stories out of order
Number 6 :Shrek the Third (2007)
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Shrek goes on a quest to find the next heir to the throne of Far Far Away while coming to terms with the fact he is about to be a father ,meanwhile the kingdom is being taken over by an army of villains lead by Prince Charming
Yeah this might be the least surprising ranking on the list,this movie is bad ,The film has like a million ideas it wants to do and it doesnt do them well. I hate the new characters it introduce and I just cringe at multiple scenes (I say the death and funaeral of the king is the worst scene in the entire franchise ).I feel kind of bad putting it so low,as I dislike the film above it slightly more.....But the more about the Third the more I realize how BAD it is
5.Shrek Forever AFter(2010)
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Shrek frustrated with the changes in his life makes a deal with Rumplestiltskin to spend one carefree day being a terrifying ogre in exchange for a day from when he was a baby,.,,,Unfortunately he gave up the day he was born ,and must find a way to break the curse before he vanishes at sunrise
Tedious and dull.Look I know this movie has its fans but I am not one of them , I kind of really dislike this film and its cause I dislike Its Wonderful Life pastiches . I dont know if I laughted once while watching .I dont care about these new ogre characters we meet and I dont really care about these alternate takes on the main characters.I also admit ,I had gotten really sick of Shreks woe as me shtick cause he grumbles about his damn swamp every movie . I kept flip flopping over whether to place this or three at the bottom,cause I think,personally I dislike this more then three .That said....Its better made then three ,there more of a plot ,we have a clear goal,Rumplestiltskin is kinda fun ,the climax is good and I think Mike Meyers gives a really great performance as Shrek .I kept flip flopping over whether to place this or three at the bottom,and truth is three is worse ,I can see general audiences not having the hang ups I have .This movie isnt bad ,I just personally dont like it
4.Puss In Boots (2011)
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Puss teams up with his old friend Humpty Dumpty and professional thief Kitty Softpaws to steal magic beans Puss and Humpty has been after since childhood
This one is OK . I think it gives Puss much more character then he got in the previous Shrek films ,Antonio Banderas and Selma Hayak give very solid performances as Puss and Kitty rspectfully ,it had moments I found really hilarious and as its a whole its a fun action adventure story. My big problems are the last act where bifg threat is a giant goose is underwhelming and.....Look I am just gonna say it Humpty Dumptys design freaks me the hell out ,hes very unsettling to look at.Dont like his character or performance much either .Its not a bad film but its just a fun action romp and not much more
3.Shrek (2001)
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Shrek,joined by Donkey , reluctantly goes on a quest to save Princess Fiona in order to get a bunch of fairy tale creatures off his land
The first Shrek ,though it has aged in the 22 years since its release (God I feel old ) ,is a special film that I think is very good .I dont even consider it a family film,theres a lot of stuff that goes over kids heads in this .To me this both a buddy comedy / rom com first ,fantasy animated movie second .The main romance and moral are great ,I love the pop song soundtrack ,the voice cast consisting of Mike Meyers ,Eddie Murphy,Cameron Diaz and John Lithgow are great , theres some memorable lines ,and I like that the film is both salty and sweet ,sweet with the relationships Shrek has with Fiona and Donkey ,but salty with the satire agaianst Disney and vulgar/mean humor ,which works in this film cause its has a point .Now I do think the film can be too mean,specially with all the short jokes pointed at the villain , theres an annoying third act misunderstanding , not all the jokes land and I'm sorry the animation has aged like milk,the human characters especially look ugly .Overall though ,Shrek has become a classic,and I think it deserves to be called that
2.Shrek 2 (2004)
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Shrek and Fiona arrive in Far Far Away to meet Fionas parents ,not knowing that their marriage has interferred with a bargain King Harold made with the Fairy Godmother to set Fiona up with PRince Charming
Shrek 2 is a legit great movie and possibly one of the best animated comedies I have ever seen ,like I cant stress enough how friggin funny this movie is .The returning cast are all great,and we get some great new peformances by Antonio Bandera,Jennifer Saunders ,John Cleese ,Rupert Everett and Julie Andrews.Animation has held up well ,the villain is amazing,this film introduces Puss who is a ton of fun here ,the pop songs are again great.....And the film has one of the best scene in any morie:The Holding Out For A Hero scene ,the movie is worth watching just for that scene .Overall I think it just does what a sequel is supposed to do ,in that it builds on the first film,and I think surpasses it
And now we get to my favorite film in the Shrek film.And I must ask.....WHO IS YOUR FAVORITE FEARLESS HEROOOOO-
1.Puss In Boots the Last Wish
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Puss is on his last life ,and sets out on a journey to find the wishing star,however he is not the only one after it so the race is on
This is a very recent film.....And I have already watched it three times.....This might not only be my favorite film in the Shrek series,,,,,This might be my favorite Dream Works movie .....I kind of love this movie.What can I say ,I love movies about diffrent characters questing for a goal ,I love action and the action is fantastic ,and I adore good villains and we have two great villains here plus a group of very entertaining anti villains .What I really love is that it actually explores its characters ,and Puss and Kitty are given a bit of depth here .Its also the most gorgeous Shrek movie going for a more stylized look ,this might be one of my favorite animate films ever and it is definately my favorite of the Shrek/Puss In Boots series
What are your thoughts?Lets discuss this series
@autistic-prince-cinderella @themousefromfantasyland @princesssarisa @the-blue-fairie @goodanswerfoxmonster @angelixgutz @ariel-seagull-wings @marquisedemasque @amalthea9 @filmcityworld1
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thesecondface · 2 years
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had an amazingly shit week!
didn't contact my supervisor for a week because of ye olde anxiety flare ups, and the first thing to go was my communication (aside from which I was functioning pretty well in the solitude of my room, working, but I stopped responding to emails which is a problem that has never before become so escalated as this). my worried supervisor contacted college who then performed a welfare check. I was singing in the bathroom in a towel, brushing my teeth, and so I didn't hear the banging on my door. everyone else in my flat heard, but not I! and shock horror, the master key was used to open my door and I was in a towel choking on toothpaste as college confirmed I hadn't offed myself.
I ended up having four emails to respond to, instead of just the one; to my supervisors, to college, to pastoral care people. made my life so much more difficult for myself and obviously the anxiety, with all this debacle, quadrupled.
after massively overthinking and finally penning an email to my supervisor, thinking more still on how I'd do in person damage control, I worked until about 4am and was satisfied enough that I went to bed. but lo and behold! my woes did not end there.
a fire alarm at 7.45am woke me, and given that they do them every thursday (it was not thursday) I rolled over and went back to bed. but this was to be an actual registered drill, and so tired was I that I fell asleep through the horrendous beeping, before waking again about ten minutes later to hear continued beeping and see everyone outside. was about to leave myself when the alarm stopped and everyone began to trudge in, so I cut my losses and decided to go back to bed.
Cue banging on my door, and no pause before the master keys turned and someone was inside pretty much going "gotcha!". this guy was telling me that the head porter was deeply unhappy and would come speak to me at some point. the second time in as many days that my locked door had been opened – for me, a 23 year old grown adult paying rent on a room.
at this point I have spiralled into a shell. I am mentally craving the mercy of a real fire. the pit I have dug is dark and deep and has bottomed out more times than I'd anticipated in a week. I'm practically secreting anxiety from my pores. the flight instinct has kicked in, but cannot be entertained as I have scheduled damage control meetings. I shirk all further communications, ignoring the private number calls to my phone.
and finally we come to now! I check my texts and see a flurry of messages telling me my hospital appointment has been rescheduled for 8.30am, seven hours from now. I'm not even in the right city. I call them (obviously, closed) and leave a message but I already had to reschedule the last one, and if they take this as a no-show instead of a cancellation given the time frame I may be discharged entirely.
on top of all of that I cannot stop falling asleep, I am immensely tired all the time and my body decided to gift to me a second period this month, because one was apparently not enough. probably an iron or vitamin deficiency but I'm too tired to care, except I have two meetings tomorrow I cannot possibly miss again without restarting the cycle!!
tl;dr: itsy bitsy communication problem turns into a week-long shitshow and I'm contemplating making it all worse
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psalmonesermons · 3 months
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Insights into Ezekiel 6 :1-14
The Lord gives Ezekiel an over-view of the sins the Jews are committing against Him and what results his tailored judgements on them will be.
Judgment on Idolatrous Israel
1 Now the word of the Lord came to me, saying: 2 “Son of man, set your face toward the mountains of Israel, and prophesy against them, 3 and say, ‘O mountains of Israel, hear the word of the Lord God! Thus says the Lord God to the mountains, to the hills, to the ravines, and to the valleys: “Indeed I, even I, will bring a sword against you, and I will destroy your high places. 4 Then your altars shall be desolate, your incense altars shall be broken, and I will cast down your slain men before your idols. 5 And I will lay the corpses of the children of Israel before their idols, and I will scatter your bones all around your altars. 6 In all your dwelling places the cities shall be laid waste, and the high places shall be desolate, so that your altars may be laid waste and made desolate, your idols may be broken and made to cease, your incense altars may be cut down, and your works may be abolished. 7 The slain shall fall in your midst, and you shall know that I am the Lord.
Now that the Lord has pronounced His judgement of Jerusalem, He turns his attention to the mountains and high places of Israel. Ezekiel is told to set his face in judgement against these. A devastating judgement is coming on these places and especially since these were place associated with God’s presence thus showing that it was bad enough the idolatry being performed but worse still in His face as it were. The Lord will destroy the idolatrous alters, groves with their asherim and any other desecrated areas. Many people will be slain for participating in this pagan worship and once again there will be no doubt that the Lord has instigated this.
8 “Yet I will leave a remnant, so that you may have some who escape the sword among the nations, when you are scattered through the countries. 9 Then those of you who escape will remember Me among the nations where they are carried captive, because I was crushed by their adulterous heart which has departed from Me, and by their eyes which play the harlot after their idols; they will loathe themselves for the evils which they committed in all their abominations. 10 And they shall know that I am the Lord; I have not said in vain that I would bring this calamity upon them.”
Such idolatry has broken God’s heart and his wrath is fast approaching to bring great calamity on the nation yet as ever God chooses to spare a small remnant of His chosen people (as ever).
11 ‘Thus says the Lord God: “Pound your fists and stamp your feet, and say, ‘Alas, for all the evil abominations of the house of Israel! For they shall fall by the sword, by famine, and by pestilence. 12 He who is far off shall die by the pestilence, he who is near shall fall by the sword, and he who remains and is besieged shall die by the famine. Thus will I spend My fury upon them. 13 Then you shall know that I am the Lord, when their slain are among their idols all around their altars, on every high hill, on all the mountaintops, under every green tree, and under every thick oak, wherever they offered sweet incense to all their idols. 14 So I will stretch out My hand against them and make the land desolate, yes, more desolate than the wilderness toward Diblah, in all their dwelling places. Then they shall know that I am the Lord.
The Lord instructs the prophet to be very emphatic including his body language when he delivers these messages of the upcoming judgments declaring woe upon all the abominations of Israel. They shall surely die by the sword, famine, or disease. Disease will get those at a distance from Jerusalem, those around the city shall die by the sword and those inside the city will starve to death during the siege. God will make it plain to all that He has instigated all these severe judgements.
Those idolaters on the mountains and high grounds will fall at the very places of their pagan worship where they offered sacrifices to their idols. When the Lord kills them all this will make the land desolate thus suggestions that all the local populations had participated in the various forms of idolatry. Everyone will know sadly too late that this is from God.
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bpd-boppity-boo · 1 year
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"There's nothing I can say that will make sense to you.”
It’s after 11pm, and I’d just made myself a cup of decaf coffee and gotten into bed.  I have the same thought almost every night, “Tomorrow I will write.” You know how that goes, but tonight, I got up.
Sure I repost the reels and TikTok's about BPD, trying to help at least the friends on my social media understand me, but most of them probably skip through after they roll their eyes and say to themselves “Ugh, not again.”  It’s not enough.  I want people to truly understand.  
I got dumped the other day by what I thought was a really good guy.  He may be a really good guy, but my splitting says otherwise.  Now he’s just a short, bald, loser with a mustache, which only makes getting dumped by him that much worse.  They say every breakup or bad relationship is a “learning experience.”  Well, I never believed that horse shit, until now.  I learned a lot with baldy.  I learned that I can do everything right, but it’s up to the other person to decide if the extra effort I require is worth...me.  I can’t control that, I can only control me, and I controlled the fuck out of me.  I reigned my crazy back in, I communicated my thoughts and needs effectively, eloquently, and softly, and I used every technique I’ve learned in DBT.  Check the facts, be mindful, breathe, plan what you’d like to accomplish before you communicate your thoughts.  I did it all, and ultimately I wasn’t worth his effort.
I don’t know how much more amazing I can be to be worth it.  That’s not a joke.  How much more loving, beautiful, funny, kind, selfless, affectionate, and sexual do I have to be to be worth it?  What I don’t think they’ll ever understand is that it takes time.  If you build a solid track record with me, one of trust and understanding, I’m yours.  No questioning, no mistrust, no paranoia, but that is earned.  I’ve learned that these issues started in childhood.  Everyone says that right?  Every trauma survivor, every shrink, it all starts in childhood.  My childhood changed my brain.  Legitimately.  It shrunk the area of the brain that controls emotions and enlarged the area that responds to fight or flight.  Fun right?  People who have a parent with bipolar disorder are 5x more likely to have BPD.  Sure, kick me in the teeth.
This is not a “woe is me” story.  This is an angry story.  After all I’ve learned, after every ounce of self awareness that I’ve earned, after all of the vulnerability I’ve shown, I’m fucking angry.
They don’t tell you in the beginning that eventually the people around you become desensitized, and eventually resent you.  People I thought were my friends eventually are more concerned with how my disorder affects them.  I can’t say I blame them, but it’s disappointing none the less.  I’m angry that I’ve done everything right, and I’m still not seeing positive results.  
Sure, my progress is positive, but all the work has been with very specific goals in mind.  At first I wanted to be successful at my job, then I just hoped to keep it, now I’m wondering how long I can ride it out before I’m performance managed out because my peers can’t carry my weight anymore. (Insert fat joke.). I wanted to become debt free and stop the hemorrhaging that is my shopping coping mechanism.  I took out a loan to repay my debt, and have managed to spend just as much as I’ve paid off on another credit card.  Back to square one.  I wanted to stop throwing up.  Sad?  Binge and purge.  Angry? Binge and purge.  Happy?  Binge and purge.  Still happening, maybe even more than when I started this journey of enlightenment that began with paper scrubs and a pair of grippy socks.  
The suicidal ideation?  Like a shadow monster lurking in the corner of my brain, and it crawls out at every chance it gets.  When a rock hits my windshield and cracks it, when I get dumped, when I’m mindlessly driving home and see that same light pole, “I’ll just kill myself.”  No matter how bad things get, I always have an out, and that’s comforting to me.  Not only do I not see how people don’t understand that, it’s hard for me to understand that NOT everyone thinks that same way.  Lose my job? Kill myself.  Can’t afford rent?  Kill myself.  Drowning in a pile of debt?  Kill myself. My cat dies?  Kill myself.  Easy peasy lemon squeezy.  
I have never been one to play victim to my circumstances.  I was dealt a shitty hand, but I have handled my shit and survived for thirty five fucking years, and I did that shit on my own.  I’ve never been in the situation where I can’t just fix whatever it is that I want to change, but I’ve never felt as helpless as I do now.  That’s why I’m so. fucking. angry.  Not only am I drowning, but I’m kicking and screaming as I’m doing it, trying so desperately to just keep my head above the water, get in one more breath, one more kick to the shore, but I just stay drowning man.  I am fighting and clawing my way to what?  I have no fucking clue.  What the fuck do I want?  I have no fucking clue there either.  What. the. fuck. am. I. fighting. so. hard. for?
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The light in the darkness are deeply shallow
If that's extremely simple things I care not for the holy or the Unholy but the darkness is not Unholy a Darkness as much as creation as the light is it the dark was Unholy then the universe is Unholy cuz the universe mostly made up of Darkness
So how can the Darkness Be Unholy the darkness goes against the will of God well if that is true then God may sound which one against it which is stupid God is both light and dark God is the White flame God is the black flame and God is all the other Flame's as Well
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I don't care for the light in the dark I don't want you part of anything to be honest
People call this depression but it's not I've had depression without the teenager depression is so intensely deep your brain will literally deflate your brain deflates that's something people depression never tell you but
Your brain extremely changes and depression.
If you get real depression it's just like the name depression there's a depression depression is a hole or kind of like a giant earth when you take an ice cream scoop and you scoop a key to ice cream that indentation you made is it called a depression
Whenever you have a large slope going down that's called depression
Well real depression is like being in a dark stormy sea of extreme sadness endless hopelessness pain aloneness suffrage
And you know you're stuck you know you're unwanted you know you'll never go back to your Fairyland
You're just stuck in this alien world with these idiots for another 20 or 30 years
On top of it all you have Darkness around your eyes your brain feels numb your brain has an extreme low power made up by sadness
You can't force your brain to go to a higher degree of work as it should because of depression it significantly cuts down your brain psychological activity there's no way you can really fight it
You have to slowly Coast yourself and Coach yourself through it it takes about three to six to nine years to finally come out of depression
Depression is horrible depression is miserable depression is torture by Woe
Depression is extremely like being in a dark sea it's like a black ocean it's like a black stormy ocean
The best way to find depression is Dark Water
! ! !
It's a dark and stormy sea, an eternal sad as an eternal pain that which is going to be free
You can stimulation has almost no effect on you caffeine anything else stimulation just don't work anymore
You can't get any kind of joy out of anything
Depression is not the Moaps
You're not just Mopeing Around
There it's a serious and physical transformation the brain the in a Very negative way
So what I'm trying to tell you is
Depression is also coded by Darkness
. . .
And it does severely restrict your brains performance it you can't keep going it forces the neurons to disobey the spirit's will greatly
It's like a mental virus that you have to work through mentally attacking yourself is only going to intensify it it's kind of like a journey you kind of have to push yourself through it you have to Coast yourself coach yourself
At the very slow healing process and you may even feel a little lightning going off your head and your brain slowly inflating but it's a very small amount of time to get through inflate when you're coming out of it you may think you you're free to assign you got more brain activity but really you just got a tiny bit back more you got three to six nine more years
Depression is a Bitch
But no it's not depression I'm long past that but I got is just sadness I don't understand anymore I don't see anything I don't have a spiritual connection I can't be spiritual anymore I've, I'm so smart that I've killed my soul . . .
Let me put this way I transcend it so far beyond everything in God's creation that I don't really care if I even ended up as God it would just make everything worse for me
And some ways I'm beyond God and every other way I am not
🙁
I'm a sad very miserable creature
☹️
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maddie-grove · 2 years
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Little Book Review: Songs of Innocence and of Experience
Author: William Blake.
Publication Date: 1794.
Genre: Poetry.
Premise: In this bifurcated collection of poems, William Blake explores the duality of the human soul. In Songs of Innocence, originally published by itself in 1789, happy children and domesticated animals abound, with only the occasional hint at child labor or the slave trade to complicate the view. In Songs of Experience, the animals are scary, the plants are blighted, and industrialism and/or organized religion has ruined everything. Also, my edition has pictures of William Blake's accompanying watercolor illustrations, which are pretty trippy.
Thoughts: Like many modern people, I'm not entirely sure how to enjoy poetry. Do you memorize it? Perform it for tolerant friends on picnics? Read it all in one go? Take notes about the weirdly horny parts? The possibilities abound, but, in the case of William Blake, I've come pretty close to an answer. That is, I recite it to my family's cat, Bitty. "Little lamb, who made thee? Dost thou know who made thee?" I ask him, when he's being nice. When he's in a more fiery mood, I go with "The Tyger" (or, worse, a shameful parody of "The Tyger" that starts "Bitty, Bitty, purring loud/soft and fluffy like a cloud"). In capturing the duality of the human soul, Blake also captured the duality of the cat soul...or maybe just what my human soul imagines the cat soul to be. It's hard to tell.
Of course, I developed this habit after reading just a handful of Blake poems for an English literature course. Back then, a few phrases also lodged themselves in my head and stayed there for about thirteen years: "mind-forg'd manacles," "binding with briars/my joys and desires," "marks of weakness, marks of woe." My most vivid memory was of "The Sick Rose," which I remembered in its entirety ("O rose thou art sick/The invisible worm/That flies in the night/In the howling storm/Has found out thy bed/Of crimson joy/And his dark secret love/Does thy life destroy"). I like Blake best when he's grounded in the physical world, regardless of whether that physicality is based in something literal (1790s London, a chimney-sweeping moppet) or a metaphor (a Tyger, a Poison-Tree). Sometimes he'll just say his thoughts ("On Another's Sorrow"), which is fine but can feel a little Sunday School-ish.
On that subject, while reading the whole collection, I often found myself thinking of my late grandmother. She was a devout Methodist with a somewhat off-kilter view of the world; similarly, William Blake was a devout English Dissenter turned devout ??? who had extremely unconventional views, as well as possible hallucinations throughout his life. I think they would have gotten along; at the very least, I think I could have framed some prints of his watercolors/poems and placed them in her house without her batting an eye.
Hot Goodreads Take: "I honestly found him creepy and gave off some bad vibes to me on who he may have been as a person based on the poetry. I’m not going to disclose my full opinion of the man but I’ve hinted," one reviewer says ominously. Look, William Blake has been dead 194 creepy, creepy years. You can say that he was...unfair to Tygers? I'm not sure what she's driving at here.
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arlingtonpark · 3 years
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SNK 134 Review
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Thank you. Thank you so much. This means so much to me.
(Ofc this chapter is called “In the Depths of Despair.”)
Sigh.
So, I guess I have to have an opinion on this chapter now.
For a while there, it looked like SNK had made the right choice.
Eren was the asshole. He was insubordinate, ungrateful, uncooperative, and above all else, a fucking sociopath. Cool, got it. One and done.
But then his friends started talking about how it was really their fault he’s doing this.
Ok, that’s fine. They’re desperate to stop him, so they’re just saying whatever they think will ingratiate themselves with Eren and help talk him down. Dynamics like that are very common in abusive relationships.
Now we arrive at this chapter, where even random people are saying Eren is a victim *as he is murdering them!*
It is patently absurd that Eren is having a warranted or natural or reasonable reaction to what he’s been through.
If Eren were a better person, he would have known that mass murder against the Eldians was wrong because mass murder is wrong. Unfortunately, Eren is a fundamentally amoral person. The only moral compass he has to guide him is a childish belief in “you hit me, so I get to hit you.”
He’s said as much on multiple occasions. He has said, “If someone tries to take my freedom away, I will take their freedom away.”
Instead of being the better man and ending the killing, his solution was to kill more people than them, faster and on a larger scale.
I think the clearest picture of Eren’s worldview was given when he spoke to Historia. He said the only way to end the cycle of violence was to destroy the whole world.
That is Eren’s deeply felt belief: there can be no peace or coexistence; the only way to win is to be the last man standing.
This mindset is so natural to him that he will even kill his friends for opposing him.
He told them that they were free to oppose him, and he was free to fight back. That’s how he justifies killing them to himself. They have the choice to oppose him, so if he fights back and kills them, it’s their fault they died, not his, because they could have made the choice to flee and live, but decided to stand and die.
In reality, the alliance is fulfilling a moral duty to protect life, while Eren is an asshole who has killed billions.
The series wasn’t kind to Eren about that. He was depicted as a cheering child as he murdered everyone. The Rumbling was not white washed either. The take away was obviously that Eren’s decision was not the product of a sound mind.
And yet.
Now I have to wonder if the series is seriously trying to say the Rumbling embodies some form of justice.
There are multiple layers to this issue, so let’s start at the surface level.
So in what is obviously a ham-fisted attempt by Isayama to lecture the audience about morality, a Random Commander Guy filibusters about the ills cast by the Marleyans on the Eldians and how this has rebounded back at them.
It is generally considered good writing for characters to get their just desserts. If someone sells drugs to kids, you expect something bad to happen to them. If someone helps a kid cross the street, you expect something good to happen to them.
What’s different between a generic case of just desserts in a story and this chapter in SNK is that the dessert is typically delivered through some nebulous, karmic force, rather than a vengeful twerp with God-like powers.
When the drug dealer’s car blows up, it’s karmic fate, not revenge.
The car doesn’t blow up because one of the kids devoted his life to exacting revenge, it’s because the car just blows up for no reason, or because something completely unrelated to the dealer causes a bomb to be planted in the car, or the dealer brought it on themselves by getting caught up with terrorists.
People may or may not deserve to suffer, but it’s fine to show people suffering if you’re just trying to make a point about how people should act.
Eren’s a different case. For several reasons.
To help untangle why, let’s think about the death penalty.
The death penalty is an example of retributive justice. Put simply, it’s the idea that retribution can be morally just.
The Rumbling is immoral precisely because it is something a supporter of retributive justice would emphatically NOT support.
Most supporters of the death penalty would justify it as an act by a legitimate societal authority. Eren is not that.
Eren is not an authority figure. He does not speak for the Eldian people and has no right to exact this genocide on their behalf. No one made him King of the Eldians. It’s not his place to decide what’s in the Eldian’s best interest.
Also, killing people because “it’s what the scumbag deserves” is usually justified because it’s a sentence for a crime handed down in a legal process.
Rights can be taken away, but not arbitrarily. Transparency is an important part of this. Acts that are a crime are public knowledge, as well as the prescribed punishments. The criminal law is also supposed to apply to everyone equally, not selectively. To say nothing of the law itself being duly enacted by a legitimate governmental authority.
The same principles apply to the process by which a right is taken away. The process must be laid out in a law that was duly enacted by a legitimate government authority, applies to everyone, and is publicly known.
Eren’s process, of *fucking* course, is nothing like this. Eren has no legitimate authority. He’s a Guy With an Opinion who bumbled into attaining absolute power, and now he’s acting on that Opinion.
He not the government punishing a convict. He’s a guy with a gun shooting people he doesn’t like. The Rumbling is not just retribution, it’s just murder.
Commander Guy says that if they knew this would happen, they would have acted differently.
That’s a good point.
Why the fuck do they deserve to die, then?
To some extent, everyone’s worse impulses are kept in check by the knowledge that there will be consequences if they act rashly.
But it’s not just that.
Laws are public knowledge for a reason: it’s fair. If you know your act is a crime and that performing said act will result in a certain punishment, then by committing the act anyway you have tacitly accepted whatever punishment will be meted out.
The moral onus is placed on you.
This is why knowledge that you are committing a crime is necessary to be convicted of a crime.
In principle, the case with the Marleyans is the same. Is it fair to punish someone for an act they did not know would carry that punishment? No.
They may know the act was immoral, but that is not the same thing as knowing it will lead directly to their death.
And needless to say, but you only deserve to be punished for an act if you deserve to be punished for that act. The Marleyans do not deserve to be punished for that act.
There are multiple ways a wrong can be righted. There are punitive ways, in which the perpetrator is harmed outright. There are also restorative ways, in which the victim is compensated for the harm done to them, usually at the expense of the perpetrator.
I have already explained why Eren lacks the authority to pass judgement on the world, and that the process by which he made his decision was completely illegitimate, but it needs to be said that this punishment is totally improper in itself.
Wiping out humanity is purely punitive. To use the obvious analogy, I don’t think any sane person would argue white people deserve to be punished for racism. Supporters of racial justice usually talk about restorative, rather than punitive, forms of justice, like reparations.
The Rumbling does not make the Eldians whole again. It does not restore their trampled dignity. It is purely an act of vengeance.
Casting it as some kind of deserving retribution is crazy.
Oh, and, you know, suffering is bad, so retributive justice is wrong even disregarding everything I just said.
You could theoretically believe life is a miracle, but that people forfeit that right if they act wrongly…it’s not something many people would support.
If Dino!Eren had been depicted as a random force of nature that visited ruination upon humanity, we could have potentially gotten a good story about how hatred leads to no good outcomes. Like how Godzilla is a metaphor for the ills of nuclear weapons.
Instead we get a nihilistic tale about two sides punching each other until one keels over dead. And somehow the one that keels over deserved it.
What makes it nihilistic is that you could easily reverse it. What if right before Eren destroys Fort Salta, aliens invade the Earth and help the Marleyans.
Now the Eldians are on the verge of annihilation and *Eldian* Commander Guy gets his turn to say “Woe is us who surrendered to hate. We deserve this.”
There is no right side or wrong side. No deserving side or innocent side. The Eldians were cheering for genocide the same as the Marleyans. The difference is the Eldians had a God on their side.
The morality of this series is just all over the place.
The Alliance and Eren are equally sinful, but now Eren is an agent of karmic destiny and his victims “deserve it.”
There isn’t much to talk about this chapter besides that.
Armin still hopes to take Eren alive, but good luck with that.
Eren can manifest other titans from his body, which is cool I guess, though it’s pretty clear this power only exists to give the Alliance things to fight.
There were a lot of allusions to parenthood this chapter. The baby and the cliff. Reiner’s mom realizing how shitty she’s been. Historia’s pregnancy. The Commander Guy saying it’s the fault of “us adults.” The numerous shots emphasizing the kids at Fort Salta.
Child abuse is a common theme of SNK. And not just parental abuse, but societal abuse, too. Children are the victims of individual foibles and broader social ills, like racism and police brutality.
The cycle of violence at the heart of the series’ conflict is bad for everyone, but the story emphasizes that it is bad for children in particular. It harms them, and leads to a world that is worse off for them.
If there’s one takeaway from SNK, it’s that we should think of the children. Adults shouldn’t just take care of their kids, they should fix broader social issues, if not for themselves then for the children’s sake.
It’s a fucking insult.
Historia’s pregnancy is all but confirmed here. There’s no way it’s fake. There may have been motive to fake being pregnant, but there is no fucking way she’d have a reason to fake *birth*.
I always leaned towards the pregnancy being real, so that didn’t get to me. What gets me is that Historia is just…there. On Paradis. On the sidelines.
Not only was Historia, who is the only likable female character in this show now, impregnated, she’s also been MIA most the last two story arcs.
I had thought Isayama was saving her for the finale. Surely, Isayama understands that if you sideline a major character for no reason, they have to come into play at some point, I thought. Surely.
Characters are tools; they exist to be used. So use them.
But no, it seems Historia is legit not going to be a thing in this final battle. My dreams of the domineering boss saving the day are dashed.
But what really messes with me is how shafted Historia has been since basically the end of the Uprising Arc.
Historia’s only contribution to the plot after Uprising, but before the pregnancy was making the disastrous decision to make the truth of the world public, which paved the way for Paradis society to become radicalized and back Eren’s coup.
She has done nothing other than that.
Obviously her pregnancy will have thematic importance, but at this point the best Historia stans can hope for is that she’s the main character in the epilogue.
I’ve always assumed the pregnancy was the product of a loving relationship. For all his incompetence with Historia, I was willing to assume Isayama would not force her to carry a forcibly impregnated child to term.
And you know that even if the child is the product of rape, Historia will still have to say she loves and accepts them as her child and will raise them lovingly, with no regard or acknowledgement of the trauma of having to raise a child born out of her being raped.
Because the theme of the story.
All life is a miracle.
All children deserve to be loved.
Even if it was rape.
Except it’s more complicated than that, and I’m terrified to think that Isayama may not understand that.
So for now, I choose to presume that Historia is pregnant because she loves someone, decided to have a family with them, and we’re being led to believe she was raped for shock value.
But arguably more important is what this means for the queer audience.
Historia’s first love interest was another woman.
She’s queer. A lesbian. A dyke. What have you.
Now you’re telling me she either loves a man, or was not only raped, but has to love and accept the child that results from that trauma?
And for what?
So we can end the manga on a speech by Historia moralizing about the value of posterity?
Historia stands at the nexus of two subjects in this manga: the value of posterity and the denigration of queer people.
It is very homophobic of this series to pair a queer character with a dude to affirm a message about the value of children and motherhood.
As if queer people can’t have children.
We seem to be headed down that path.
It didn’t have to be like this.
Queer people can have children through artificial insemination. And artificial insemination is conceivable with Paradis’ current level of technological development.
Isayama is choosing to do this because queer people are not a part of his vision of a world where people, especially children, are able to live free.
That’s very sad, because it shows how empty SNK’s morals are.
So who’s the slave here?
Who here is truly free?
The ones who are free are the ones who aren’t reading Attack on Titan anymore.
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butterflies-dragons · 4 years
Note
Do you have any theories/predictions/headcanons about post resurrection! Jon? Especially how he'll treat Sansa?
Hello Anon,
I have read some theories and predictions about post-resurrection!Jon but I’m not a fan of any of them.  I don’t think that “Jon will come back a bad boy to fit in Dany’s taste of men” for example.  And some other speculations sadden me because they say Jon will come back sterile or having lost his memory.
About Jon and Sansa reunion tho... I've thought about it a good deal.  Especially about these passages:
Robb took them all the way down to the end, past Grandfather and Brandon and Lyanna, to show them their own tombs. Sansa kept looking at the stubby little candle, anxious that it might go out. Old Nan had told her there were spiders down here, and rats as big as dogs. Robb smiled when she said that. “There are worse things than spiders and rats,” he whispered. “This is where the dead walk.” That was when they heard the sound, low and deep and shivery. Baby Bran had clutched at Arya’s hand.
When the spirit stepped out of the open tomb, pale white and moaning for blood, Sansa ran shrieking for the stairs, and Bran wrapped himself around Robb’s leg, sobbing. Arya stood her ground and gave the spirit a punch. It was only Jon, covered with flour. “You stupid,” she told him,“you scared the baby,” but Jon and Robb just laughed and laughed, and pretty soon Bran and Arya were laughing too.
The memory made Arya smile, and after that the darkness held no more terrors for her. The stableboy was dead, she’d killed him, and if he jumped out at her she’d kill him again. She was going home. Everything would be better once she was home again, safe behind Winterfell’s grey granite walls.
—A Game of Thrones - Arya IV
***
The noise receded as she moved deeper into the castle, never daring to look back for fear that Joffrey might be watching … or worse, following. The serpentine steps twisted ahead, striped by bars of flickering light from the narrow windows above. Sansa was panting by the time she reached the top. She ran down a shadowy colonnade and pressed herself against a wall to catch her breath. When something brushed against her leg, she almost jumped out of her skin, but it was only a cat, a ragged black tom with a chewed-off ear. The creature spit at her and leapt away.
—A Clash of Kings - Sansa II
***
Myranda gave her a shrewd little smile. "Yes, she was the very soul of wisdom, that good lady." She shifted her seat. "Why must mules be so bony and ill-tempered? Mya does not feed them enough. A nice fat mule would be more comfortable to ride. There's a new High Septon, did you know? Oh, and the Night's Watch has a boy commander, some bastard son of Eddard Stark's."
"Jon Snow?" she blurted out, surprised.
"Snow? Yes, it would be Snow, I suppose."
She had not thought of Jon in ages. He was only her half brother, but still . . . with Robb and Bran and Rickon dead, Jon Snow was the only brother that remained to her. I am a bastard too now, just like him. Oh, it would be so sweet, to see him once again. But of course that could never be. Alayne Stone had no brothers, baseborn or otherwise.
"Our cousin Bronze Yohn had himself a mêlée at Runestone," Myranda Royce went on, oblivious, "a small one, just for squires. It was meant for Harry the Heir to win the honors, and so he did."
—A Feast for Crows - Alayne II
The first passage could be a foreshadowing of Sansa being the first Stark to meet post-resurrection!Jon:
“There are worse things than spiders and rats,” he whispered. “This is where the dead walk.” 
When the spirit stepped out of the open tomb, pale white and moaning for blood, Sansa ran shrieking for the stairs (...)  It was only Jon, covered with flour.
It happened the same with the second passage:
When something brushed against her leg, she almost jumped out of her skin, but it was only a cat, a ragged black tom with a chewed-off ear. The creature spit at her and leapt away.
In some sense the black tomcat of the Red Keep could be a representation of Jon, the cat is even called “black bastard”, and when the cat brushed Sansa’s leg, it scared Sansa in a similar fashion than Jon playing to be a Ghost back in the Winterfell Crypts.  We can even say that the black tomcat acts like a ghost wandering around the castle reminding some people of Rhaeny’s kitten Balerion.  
And in the third passage we see how the true Sansa Stark slipped out from the Alayne Stone persona at the mere mention of “some bastard son of Eddard Stark's.”  And at the mention of a member of her family safe and sound, Sansa thinks how sweet it would be to meet him again:    
She had not thought of Jon in ages. He was only her half brother, but still . . . with Robb and Bran and Rickon dead, Jon Snow was the only brother that remained to her. I am a bastard too now, just like him. Oh, it would be so sweet, to see him once again. But of course that could never be. Alayne Stone had no brothers, baseborn or otherwise.
This is another hint that a first Stark reunion between Sansa and Jon is rather probable.
Another hint is that with Lady’s death and Jon’s death, Sansa and Jon could be each other missing part, since Sansa lost her direwolf and Ghost lost its master.  In summary:
Jon’s direwolf name is Ghost;
Jon literally died so he also is a ghost himself; and, 
Sansa’s direwolf was killed and is mentioned as a “shade”, which is a synonym of ghost:
Summer’s howls were long and sad, full of grief and longing. Shaggydog’s were more savage. Their voices echoed through the yards and halls until the castle rang and it seemed as though some great pack of direwolves haunted Winterfell, instead of only two … two where there had once been six. Do they miss their brothers and sisters too? Bran wondered. Are they calling to Grey Wind and Ghost, to Nymeria and Lady’s Shade? Do they want them to come home and be a pack together?
—A Clash of Kings - Bran I
This passage about “direwolves haunting Winterfell” is very telling, specially because haunting is what spirits do, and Ghost & Lady’s Shade stand out among the wolf pack.
So all of this could be also a hint of Jon and Sansa retaking Winterfell and start howling calling the rest of their siblings to come back home, to be a pack again.      
This imagery of “Ghost and Shade haunting” is repeated in a Victarion’s chapter, as it was pointed out in this post.  
Two sleek galleys sail from Meereen and Yunkai south toward New Ghis for supplies and legionary reinforcements, but encounter the Iron Fleet in Slaver's Bay. The galleys evade Woe and Forlorn Hope, but are captured by Iron Wing, Sparrowhawk, and Kraken's Kiss. Victarion Greyjoy beheads their captains because they said that Daenerys Targaryen is dead. Victarion kills their crew aside from the enslaved rowers, who are forced to join the Iron Fleet. Victarion renames the ships Ghost and Shade, believing they will return to haunt Yunkai.
[Source 1] [Source 2]
***
The galleys he renamed Ghost and Shade. "For I mean them to return and haunt these Yunkishmen," he told the dusky woman that night after he had taken his pleasure of her. They were close now, and growing closer every day. "We will fall upon them like a thunderbolt," he said, as he squeezed the woman's breast. He wondered if this was how his brother Aeron felt when the Drowned God spoke to him. He could almost hear the god's voice welling up from the depths of the sea. You shall serve me well, my captain, the waves seemed to say. It was for this I made you.
—A Dance with Dragons - Victarion I
And curiously enough, it is vastly speculated that Victarion may have died and came back to life thanks to the Red Priest Moqorro.  The same way it is vastly speculated that the Red Priestess Melisandre will perform some fire ritual to make Jon come back to life.  So we can say that Victarion is also a ghost.  And both Jon and Victarion have a hand burned.
So, I’m sure that Jon and Sansa will meet again and we have textual evidence that they will team up to retake Winterfell.  How will Jon come back to life?  It is not certain.  Some theories say that he will be more beast than man for a while, since his soul will inhabit inside Ghost until he resurrects.  And since Sansa has a long training in taming beasts, she will do well with post-resurrection!Jon.  There are also some theories about Sansa taming Beast!Jon with her singing and helping him heal and bringing back his humanity.  I agree with those theories. 
Good night.
Thanks for your message.
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cotncandyboifics · 3 years
Text
1989 [High School AU]: Chapter 8
AO3 Link
Masterpost
Chapter 1 ~ Chapter 2 ~ Chapter 3 ~ Chapter 4 ~ Chapter 5 ~ Chapter 6 ~ Chapter 7 ~ Chapter 9 ~
Pairings: slight Logince, eventual Prinxiety & Logicality
Word count: 2,407
Story summary: Roman Prince is your stereotypical Jock, with everyone swooning after him. Every day a crowd of people follow him around, only to disperse at his personal whim. In reality, he's lucky to have such good acting skills that help him cover up the disdain he has for his life. He only wishes he could use his skills properly.
Patton Whitelock's always there to lend a helping hand, no matter who you are. If you need a favor or just need someone to talk to, go to him. In reality, he's been taught from a young age that kindness should be held above all else. No one suspects that he took it the wrong way.
Logan Montgomery is the smartest boy in the Senior class. He's stern, and most people are too intimidated to speak to him. In reality, he despises most all of his fellow students. He sticks to his studies and doesn't stray, for fear of being stuck in his father's shadow his whole life.
Virgil Black is the most emo kid in school, let alone 12th grade; everyone knows to leave him be. In reality, he's very fortunate. He has two parents who love him dearly. But everything beyond his life, everything within his mind, is utter chaos and turmoil.
what will happen when they're assigned a biology project together?
General CW: food, swearing, implied s-lf h-rm, non-graphic descriptions of s-lf h-rm scars, graphic and non-graphic descriptions of anxiety attacks and panic attacks, drug abuse, minor character intoxicated on heroin, non-graphic drug overdose description, sickness/description of sickness, blood, non-graphic descriptions of needles, (will be added to as I write more)
Chapter CW: food, (let me know if i missed anything please!)
Author notes: alternate title: Virgil's very subtle epiphany. also Patton has a gay panic moment lol
...
Slam.
Monday morning. Mr. Berry was slapping a small poster on each student's desk like a stamp, one-by-one and painfully slowly.
"This," he began, "Is the official welcome to the schoolyear; audition posters for the Fall Talent Show." His bloated belly hardly fit between the desk rows, and students made futile attempts to scoot away from him before they were bombarded by his tyrannical tummy. "As a retired thespian and a life long supporter of theatre and the arts," he continued, bringing his pile of posters to his chest in his passion, "I highly recommend you at least consider looking into auditions. Everyone has a passion, or at least a hobby, and the talent show is a perfect freelance opportunity to show off your skills."
Roman rolled his eyes too dramatically. This was upsetting him more than he thought it would, and his eyes shot daggers up at his large superior as he slammed the next poster onto Roman's desk.
"Auditions will be held next week, on the specified dates. The show itself will be two weeks later, I believe on Friday night. Be there, and I will award you some extra credit points. All you must do is present me with your ticket, which must have your name on it," he eyed a few mischievous students in the room, "With a stamp on it from the Talent Show admissions booth, on the following Monday." As soon as Mr. Berry had given a poster to Virgil and moved on, Virgil quietly crumpled it and shoved it into a random part of his backpack, proceeding to fold his arms on his desk and put his head down. This caught Roman's attention, and his subconscious latched onto formulating a teasing remark for after class as a distraction from his own feelings about the Talent Show.
After class, the usual place where Roman and Virgil were shortly alone and had a short interaction - most often consisting of some insufferable tease from Roman or occasionally a debate spurred by Virgil making a witty side comment - the two met once again. After their first class of the day was usually the only time they were both at their lockers at the same time, as it happened, and Virgil was always thankful that it was the only time. Since their assignment to the Biology project, however, Roman had taken to walking with Virgil from their English class to their lockers and beginning his bouts of banter prematurely.
"Not a fan of the infamous talent show, are we?" Roman paced quickly over to Virgil, who had just made it outside the classroom door as they'd been dismissed. Virgil huffed in defeat as his attempt to escape before Roman could catch him had been fruitless.
"It's ridiculous," Virgil didn't slow his pace for Roman, and began essentially speedwalking down the hall. Roman was slightly taller than him and was able to keep up, but still got a little out of breath doing it. "Hey everyone, come and show everyone in the school something you really enjoy so they can all collectively judge you and make you self conscious about your interests and - oh no! you don't wanna do it anymore because you feel horribly inadequate? shoooot. Sorry man, no one could have seen that coming. Oh well, better luck next year when you'll just ruin a different passion for yourself!" Virgil flailed his hands at the end of his mini-rant.
"How can you stay that sarcastic for that long consecutively? I'm honestly impressed," Roman said, huffing as they arrived at their lockers. Virgil's permanent frown seemed to somehow deepen. "Though, I guess I really can't argue, Count Woe-laf. I see your point. The pressures of an impromptu performance are... undeniable." Roman focused his attention on the padlock hanging from the latch of his locker, while Virgil looked to him with widened eyes.
"Really?" He didn't look away from Roman until he would look back.
"What?" Roman defended.
"It's just..." Virgil focused on his own padlock now, "You never agree with what I say. It always becomes a debate," he pulled his locker open lazily, pulling his backpack off his shoulders and putting it on backwards so that he could more easily exchange things. When Roman didn't reply, he continued, "like... I don't know. Why is it any different now?"
Roman was exchanging things as well, and didn't have an immediate answer. Well, he knew the answer (or in this case, answers), but it wasn't one he was even ready to admit to himself, let alone anyone else, and especially let alone Virgil. He just eventually shrugged.
This reaction only further alarmed Virgil. He opened his mouth to continue his flabbergasted interrogation, but the bell rang right at that moment. Roman slammed his locker shut suddenly.
"Well, that's our queue I suppose. See you tonight, Incredible Sulk." Roman elbowed Virgil in the shoulder a bit awkwardly and began skipping down the hall to his next class. That left a dumbfounded and nearly-panicking Virgil standing in front of his open locker in an almost completely empty hall.
He wished Roman would stop leaving him like that.
...
Roman had texted the Biology Project group chat that weekend, saying he had an important football practice on Monday that went until 5. they'd have to have their meet-up at Roman's a bit later in the evening. Logan simply waited it out by heading to the school library to get his other homework done, while Patton and Virgil shot the breeze, walking down random hallways of the school.
The two of them were grabbing a snack from a vending machine when Virgil checked his phone. It was 4:50. They got their respective snacks - Patton got a strawberry Pop tart and Virgil got a Sunny D - and made their way to the designated meeting place. It was a concrete bench at the front of the school. They expected to find Logan there, but he wasn't. The two of them simply sat on the cold bench and exchanged bits of each other's snacks, and continued talking until Virgil noticed someone approaching.
He figured it would be Logan, but this person was shorter and more filled out than Logan. He trained his eyes better and realized that it was Roman. Roman, who happened to have a towel around his neck and sopping-wet crimson curly hair unabashedly on display. A drip of water rolled down his cheek and along his jawline, and Virgil realized he was staring. Roman finally got within conversation distance.
"Like what you see, Charlie Frown?" He teased. Patton looked to Virgil, noticing his awe, and giggled.
"Hah, in your dreams, Meta Knight," Virgil deflected half-heartedly, still finding it hard to pull his eyes away from Roman's unfortunate perfection. It was only worse that Roman knew just how attractive he was.
"Why's your hair all wet, silly?" Patton asked, standing energetically to greet him.
"We rinse off after practice. I considered leaving my shirt off so i could just get a clean one when i got home, but i knew that might be a bit too much to handle for some of us," Roman elbow-nudged Patton, who just giggled again and pushed his glasses up. Virgil knew that was extremely forced, especially after their conversation on Friday.
"Well," Roman checked his wristwatch, "Where would my nerdy Wolverine happen to be? It's ten past, and if there's anything Logan certainly is, it's punctual."
"Quite right you are," a stern voice came from behind them, to reveal Logan's lengthy form approaching casually. "My apologies for my tardiness. I got quite engaged in a particular Physics problem." Roman turned to him smiling, and pecked him on the cheek. Virgil didn't need to look at Patton to feel his friend's heart sink through the floor.
"Shall we then?" Roman turned to lead the way on the five-block journey to his house.
...
"hmm, that reminds me," Roman said from his sprawled position on his bed, "what are all your sexualities?"
That sure caught everyone's attention. The clock beside Roman's bed read 6:28 PM. Logan was studying their plants and taking notes, Patton had been cooing quietly to Roman's pet turtle, and Virgil was sitting in Roman's spinning desk chair scrolling on his phone. They all looked at Roman at once, and then at each other.
"Heh," Roman sat up, "My apologies for blurting such an intrusive question, I was just looking up at my-" he gestured toward his ceiling- "glorious flag, and it made me wonder. No man must answer that which he does not desire to." Roman was blatantly referring to the Bisexual flag that was pinned to the ceiling above his bed. They all looked at it, and back at him. "I suppose it's obvious now, but yes, I am undeniably bisexual," He faux bowed.
The silence wasn't doing anyone good, so Patton broke it before it got too much more awkward. "I, I'm gay," he said sheepishly, continuing to observe the turtle. Virgil gave him a soft smile, and decided to offer himself up next.
"I'm pan," he seemed to recoil further into his hoodie, if that were even possible. Logan turned to the other three, adjusting his necktie.
"I'm not usually one to admit this to many people, but since you have all been so transparent and calm about such personal information," He started, "I am comfortable telling you that I am Asexual."
No one regarded this with much surprise, except for Roman. "Oh really?" He said, seemingly surprised and embarrassed. Virgil scoff-laughed at him.
"What, upset you can't make your sexual fantasies a reality?" Virgil teased. Roman gasped, bringing a hand to his chest in an offended gesture.
"Excuse me!" He exclaimed, a look of disgust contorting his face.
Before a classic Roman-Virgil debate could ensue, Patton decided to share his thoughts.
"Well, I, I mean, I'm not ace but I, I guess sex isn't really so important to me," he was fiddling with his ring yet again.
"W-well, it should never be the centerpiece of any relationship!" Roman declared. They all looked at him skeptically. "what? I mean, personally, I prefer grand gestures." As he spoke, he stood and walked to Logan. "In my opinion," he produced a pristine bouquet of deep red roses that none of the others had noticed anywhere in the room before, "they are the key to any person's heart."
Logan seemed tame, Patton thought. As if he were performing. If he were being his normal self, he would have been very confused by where Roman had hidden the bouquet, and how it looked so perfect after being concealed. Instead, he just took it with a very gentle sweet smile, and thanked him quietly. Instead of Logan, Patton was now the one confused.
Virgil's face was red, and his neck a blotchy pink; thankfully he was mostly hidden under his purple bangs and hood. He huffed and excused himself to use the restroom. Patton noticed this time, and grabbed his arm before he made it out of the room.
"You okay?" he whispered gently to Virgil. Virgil just looked at him, mustered a small smile and a nod. Patton knew exactly what that meant. Virgil was okay, he just needed a moment. He returned the smile, and released his gentle paternal grip on Virgil's arm, allowing him to leave.
There was the sound of someone calling Roman's name from another part of the house, and Roman excused himself, rushing off to find its source.
Logan slipped his phone into the pocket of his navy slacks. "Well, I must be going now," He began. Instead of reaching to gather his things, he trained his acute attention directly on Patton, who was startled by the sudden focus on him. "Patton, do you have a ride home today?"
"I, uh, well," He tried blurting out an excuse but none came to his mind. "No, not exactly..."
Logan was slowly approaching, and Patton tried to back up but hit the terrarium containing Roman's turtle after just one small step. "Would you like a ride? My parents would be more than happy to assist in your safe transport home."
"Well, well I really don't want to intrude, or-" He stopped dead when Logan placed a slender hand gently on his shoulder.
"I insist. It's no intrusion or burden to them. They appreciate being able to help others when they can, especially people whose company I enjoy." Logan didn't feel as though he was figuratively lying through his teeth, but he knew that his parents didn't exactly feel that way. The nature of the situation was more that they took kindly to those that Logan worked well with on academically related subjects, such as people from his study group or the like.
Patton caught himself before letting the thought "you enjoy my company?" escape his lips. He just smiled. He knew there was no way he could get himself to deny Logan's offer when his heart was taking the reins.
"I would.. really appreciate, a ride home, yeah," He said quietly. Logan was just looking into his eyes with a tenderness Patton hadn't seen before. He pushed away any thoughts that Logan may have looked at Roman the exact same way during their date. He hoped he hadn't, and cursed himself for hoping it.
"Wonderful," Logan pulled himself out of their shared momentary trance. "I will let them know. I'm sure they will find it a pleasure to become acquainted with you. They should be here in less than five minutes, so I suggest gathering your belongings." Logan's thumbs padded across is illuminated phone screen as he spoke, until he once again slid it into his pocket and began collecting his things along with Patton.
Virgil entered once again, hood off and face slightly red and wet. it was clear that he hadn't been crying due to the sporadic nature of the droplets of water across his face; it looked more like he'd just haphazardly washed his face in the sink and hadn't bothered to wipe the remnants away. Patton smiled at him brightly.
"Ah, Virgil," Logan addressed as he slung his bag over his shoulder, "It was pleasant to see you again. We are on our way out now. Are you ready, Patton?" He looked to Patton, who also slung his bag over his shoulder.
"Yep! Logan's giving me a ride," Patton blatantly could barely contain his excitement in his ever-growing grin, so Virgil only returned it with a small thumbs up.
"Alright, ill see you guys in class tomorrow," He hugged Patton tightly, and half-heartedly saluted to Logan without making eye contact. Logan simply nodded to him, and the two left shortly, leaving Virgil alone in Roman's room.
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spacebatisluvd · 4 years
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Summary: Neither Sea Hawk nor Entrapta know how kidnapping works.
Content warning: Sea Hawk (being a complete drama king), Mermista (being rather aggressive), and some light-hearted ‘bondage’ that is not at all sexual.
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Hordak walked around the base of the structure, studying the completed building. “Which team was responsible for this?” he asked the supervisor trailing behind him.
“Team Four.”
He nodded. “This is excellent work. They should be commended for their efforts.”
The woman froze. “I...what?”
Hordak glanced at her before resuming his inspection. “They have performed well. That should be acknowledged.” He paused, realizing he could be overstepping. “I know I do not have any authority here. Consider it a suggestion.”
“I...I’ll make a note of that,” she said, sounding unsure of herself.
He nodded, finished with his inspection. “What’s the next—?”
”Hey!”
They both turned, watching Mermista stalk toward them. The woman behind him paled immediately and bowed low. “Princess, it is an—“
Mermista ignored her, jabbing a finger at Hordak. “Where is he?”
“I have no idea what you’re talking about.”
“Sea Hawk—where. is. he?”
Hordak‘s ears folded back. “I was not aware I was meant to be watching him.”
“Funny.”
He crossed his arms. “That was not—“
Mermista stepped close, and in the distance, the ocean crashed. “Don’t play games with me; just tell me what you did and maybe I’ll go easy on you.”
He cocked his head. “I am not ‘playing games’. You are unable to find him?”
She looked him over. “You really don’t...?” Turning away, she swore under her breath and stormed off. 
“Princess?”
“Forget it,” she snapped, never breaking stride. 
Frowning, he turned toward the other woman. “We will continue this later.”
He started to follow Mermista, but the woman said, “Sir?” He turned, and she stepped toward him, eyeing Mermista with caution. “Be careful. The Princess doesn’t like you very much.”
He huffed. “I am aware.” Her gaze darted from him to Mermista, and he sighed. “Your concern is noted. Carry on without me. I will return later.” She said nothing, and he turned away, catching up to Mermista by walking briskly. “The two of you were meant to leave for Plumeria today.” He and Entrapta were not the only ones Perfuma had invited to her Kingdom. “He seemed excited. I do not think he would wander off.”
She glared at him, trying to walk faster, but his long stride made it easy to keep up. Seeing that this tactic wasn’t working, she tried another. “Why do you care?”
“I do not. Where have you looked for him?”  
“I didn’t ask for your help.”
”I did not offer it. Does he have anyone that would want to harm—?“ He huffed, realizing that was a stupid question. “Who has the most cause to harm him?”
“Shut up! Just—shut up!” She rounded on him, hands balled into fists at her sides. Abruptly, she forced herself out of her pugilistic stance, crossing her arms and looking away. “Whatever. He’s Sea Hawk. He’s probably just...setting a ship on fire or something.”
Hordak’s ears folded back. “Why would he do that?”
She threw up her hands and groaned aloud. “I don’t know—because he’s Sea Hawk. Stop pretending you care! I’m not going to fall for it!”
He cocked his head, ears still back. “What?”
“Drop the act—I know you’re just using him.”
Hordak huffed. “Don’t be ridiculous. Sea Hawk is entirely useless.”
“So you expect me to believe you actually like spending time with him?” Water began to leech from the ground, forming small pools around him. He watched the puddles form, then shifted to regard her more warily. “Maybe you can fool Entrapta, but—“
“What?!”
“I said—maybe you can trick Entrapta into thinking you’re her ‘friend’, but you can’t trick me. And I won’t let you hurt her or Sea Hawk, got it?”
He could hear his hearts hammering in his ears, the sound distractingly loud. Everything seemed to slow down. His hands curled, and his breathing felt tight. The nerves along his scalp prickled, and he couldn’t find the words to deny her—he was just too angry to speak.
For once, he was glad to be weaponless; at the moment, he wouldn’t trust himself with one.
Misunderstanding the source of his anger, Mermista sneered. “Oh, yeah. I know exactly what you’re doing. Geek Princess knows tech, but she doesn’t know people. Someone like you was bound to take advantage of that sooner or later. Is that how you got her to switch sides? Playing with her feelings? Making her think you care about her? People like you don’t care about anyone. You only care about yourself, and how to use other people for your own ends.”
“You know nothing,” he finally managed to snap. His claws bit into his palms, and he flexed his fingers open to keep from hurting himself. A not insignificant part of him longed to feel the chill of water wrapping around his torso; it would be a good excuse to fight back, to lash out. He held himself in check, though, remembering the treaty—remembering too that Entrapta would be disappointed in him if he hurt one of her supposed ‘friends’.
“I know you’ve got some kind of plan in mind, and—“
Both of them jumped when Mermista’s communicator started to go off. She did something strange with her hand—first pointing to her face, index and middle fingers spread, then pointing to him. His ears pulled back in annoyance and confusion. Glaring, she pulled up her communicator and turned her back on him in obvious dismissal. He growled softly, even as he resisted the urge to show her why that was a bad idea. Determined to ignore her, he started to walk away, until he heard—“Hi, Mermista! You remember when I asked if I could borrow Hordak for a few days so I could take him to the Flower Festival, right?”
“Entrapta?” he asked, ears pricked.
Mermista glared at him, but answered Entrapta, “Yeah? What of it?”
“I’m no longer asking!” Hordak’s ears twitched. He walked up behind Mermista; his height made it easy for him to peer over her head. Seeing him, Entrapta beamed. “Hi, Hordak! I’m kidnapping you.”
“What?” he and Mermista asked at the same time. They glared at each other. Ears back, Hordak cleared his throat and focused on the communicator. “Entrapta, I....” He huffed. “You cannot kidnap me. That would break the peace treaty and could have serious ramifications for your nation’s alliance with Salineas. They’re an important trade partner. You cannot risk such a thing for what amounts to a short vacation.”
“Oh. Well. That’s gonna make this really awkward....”
As if on queue, Sea Hawk appeared on the screen. He raised a dramatic hand to his forehead. “Oh, woe! Woe is me! I have been captured!” He bent backwards, supported only by a rope of Entrapta’s hair. “Please, my love—you must concede to her demands! Who knows what this villain is capable of...even if she isn’t dressed like one.”
“I think overalls are really an all-purpose outfit.”
He just sighed heavily. “Woe! Woe is me—kidnapped by a villain with no sense of style, which is honestly worse than the kidnapping itself.”
”They can be evil overalls,” she offered helpfully. 
Mermista groaned. “Sea Hawk, I’ve been looking for you all morning. Where are you?”
Hordak cocked his head. “Entrapta, I do not understand.”  
“Oh, it’s really very simple. When Mermista said you couldn’t come to Plumeria with me, Sea Hawk called, and—“
Sea Hawk jumped into action, grabbing hold of the communicator. “She is devious! She lured me into her web, like some sort of devilish spider! I was captured! Caught! Please, my love, you must meet her demands—or else!”
“Oh—right,” Entrapta said. “Absolutely. That is exactly what happened.” She winked, and Hordak pressed his fingertips to his forehead, sighing.
Mermista groaned. “Ugh. You cannot be serious. Please tell me you’re not doing this.”
“I’m afraid this is a matter of deadly seriousness, my love! You must meet us at the docks in half an hour—“
“Oh, make it one hour. So Hordak has time to pack.”
“Right! Of course.” He cleared his throat. “You must meet us at the docks in one hour; who knows what terrors she has in store for me!”
Entrapta waved. “Bye! Remember to pack comfortable clothes.”
He cocked his head, ears back, even as he waved hesitantly. The communicator shut off, and Mermista groaned aloud, the sound long and drawn out. She spun to glare at him. “What did you do?” she snapped.
“I had no part in this farce!”
“Obviously! This has ‘Sea Hawk’ written all over it, but he’s only doing it because he likes you, and I don’t get it! You’re—ugh!” She gestured to him and sneered.
“Entrapta will not harm him.”
“I know that!”
“You misunderstand—I mean that Entrapta will not harm him if you don’t bring me to her.”
“Yeah, and if I don’t, now suddenly I’m the bad guy for ruining his fun.”
His ears folded back, and he cocked his head. “Sea Hawk is very...fond of you. Yet you do not seem particularly fond of him.”
She opened her mouth, then snapped it shut. Her hands clenched closed, then she exhaled slowly and flexed her them open again. “Shut up. What do you know about relationships?”
“I don’t pretend to know anything. It was just an observation.”
“Yeah, well, go observe something else.”
“Happily.”
He rejoined the builders and resumed his work. Mermista could sort out Sea Hawk, and he was confident that Entrapta would seek him out when everything was settled. They could not go to Plumeria together, but she’d said she was amenable to staying with him in Salineas for a while.
A little over an hour later, though, he was drawn from his current project by the sound of shouting. He immediately ran toward the screaming, expecting to find a half-collapsed building or the results of an errant explosion. He did not expect to find Entrapta’s mech from Beast Island running rampant through the construction site, while workers scattered before her like seals before an orca. “What is that?” one of the crew asked, defensively raising a metal pipe despite her shaking hands.
“Stand down,” he said, “That is Bethany, one of Entrapta’s companions. She is not here to harm anyone. Just keep out of her way; I imagine she’s looking for me.”
He started toward her, and one of the workers grabbed his arm—dropping it immediately when he glared at him. “You’re sure it’s safe?”
Hordak’s ears twitched. “I did not say that she was safe.” Bethany could sometimes become overexcited, and she often forgot her own strength. “Remain here, and you will be fine. It’s me she wants.”
He walked away from the group, directing others to keep clear as he approached. As soon as Bethany noticed him, she sprinted in his direction, powerful front legs kicking up dust and dirt. He stood still, watching as she corrected her trajectory by leaping overhead when she realized she was going too fast to stop without colliding with him. He turned to face her as she landed, dust hazing the air. She walked toward him at a more sedate pace and knelt as the dust settled, tilting her head so he could reach up to scratch her ‘ear’. Her engine rumbled as he did, and her  ‘mouth’ fell open, but Entrapta was not inside. His ears folded back. “Bethany, where is Entrap—ta?!”
She snapped him up, enclosing him in her cramped cockpit. He blinked, reorienting himself and twisting into an acceptable position. Comfort would not be possible in such a confined space. He toggled her controls, but her autopilot was engaged and the controls were locked. He could unlock them, if he wanted. Bethany’s design was rather primitive in some ways, and many of her controls could be hacked relatively easily. However, he saw no reason to offend her when he suspected he knew where she was taking him. He settled in to wait out the bumpy trip, not especially surprised when they reached the docks.
Entrapta was waiting for them, a trunk by her side. Bethany came to a sudden stop, jostling him, but she gently lowered her head so he could climb out of the cockpit with some measure of ease. Before his feet even touched the ground, Entrapta’s hair caught him up and pulled him close. Her arms wrapped around his shoulders, and her legs wrapped around his hips. Her hair wrapped around everything else. He curled around her just as tightly, burying his face in the side of her neck and holding her close. “Hello, Starlight,” he murmured, her hair coiling around his fingers. “I’ve missed you.”
She nodded and hugged him tighter, sighing in contentment. “I missed you too! It hasn’t even been that long, but...” She pulled back just enough to look at him. “I didn’t know I could miss someone the way I missed you.” She laid a hand on his cheek, and he leaned into her palm, shutting his eyes to savor the touch. Her other hand slid between them, resting on his sternum. “You’re purring.”
His eyes opened, but he didn’t pull away. “It is not a purr. I do not....” He trailed off with a huff. Entrapta was smiling at him; he would not argue if she wanted to call it a purr.
“So, are you ready to go?”
“Go?”
“To Plumeria.”
His ears folded back. “Mermista agreed to that?”
“Well...” she drew out the word. “Not exactly. She came to pick up Sea Hawk and said that I could find you myself. We didn’t really discuss Plumeria, but I’m sure it’s okay. Sea Hawk waved as they left and very clearly said he’d see us there. So it’s probably fine.”
Hordak shook his head uncertainly. “I do not think that qualifies as an agreement.”
“Do you want to go?”
“It does not matter what I want—“
“It does, though.” He looked away, but a lock of hair curled around his cheek, urging him to turn back to her. “It matters to me. So—do you want to go?”
He shut his eyes and took a breath as he considered his reply. Finally, he looked at her and said, “I want to spend time with you; the location does not matter.”
Her smile was brilliant. “Excellent!” Her hair peeled away from him, and she used it to balance as she too pulled away. “May I have your hands?”
Curious, he held out his hands, and she installed a chip on each gauntlet. “What are you—?” She pressed a button, and a tether of purple light appeared between the two chips as his forearms pulled together. His ears folded back, and he tried to pull his hands apart. There were a few inches of give, but the tether held. He suspected he could break the bond if he absolutely needed to, but he was also able to reach the button Entrapta had pressed with ease. He touched it, and the tether disappeared. She turned it back on. “I do not understand what you’re doing,” he said.
“I’m kidnapping you!”
He cocked his head. “That is not an explanation.”
She hooked a rope of hair through the crook of his elbow and began guiding him toward the only steel vessel docked amidst the multitude of wooden ships. Another rope of hair grabbed the trunk, and he realized abrupty that it was his trunk, not hers. “Well, the way I figure, if I kidnap you, you’re not breaking the treaty.”
“But you would be. I do not want you to suffer—politically or personally—for my sake.”
“Actually, I signed the treaty as a member of the Princess Alliance; I didn’t make any promises about rebuilding. In fact, from a certain standpoint, you could read the clauses I agreed to—about pardoning the Etherian Horde for their acts during wartime and not penalizing Prime’s Clones for their actions while under his control—as applying to you. Excluding you from the festival, when all the other Princesses and their partners are allowed to go, is just singling you out for special punishment. Which you don’t deserve and is explicitly forbidden by the treaty.”
“I am free and permitted to remain at your side. I fail to see how I’m being punished for anything. They could be much harsher—“
She turned and used the tether to pull him close, kissing him with unexpected ferocity. He shut his eyes and leaned in, savoring the sensation of her lips against his. She pulled back slowly to look at him. “No, they can’t. Not while I’m here.” Her gaze, too, was fierce. And protective. “My nation has many trade partners, and the tech we produce is very valuable. No one is going to break a trade agreement over this. As for personal consequences....” She pressed her forehead to his, eyes shut, and feathered her thumb along the skin just behind his ear. “You are my best, most constant friend. You’re my lab partner. If they have a problem with that, then they’re not really my friends.” He sighed audibly, tension he wasn’t aware of bleeding out of his shoulders. She pulled back and grinned at him. “Now—to Plumeria!”
He still had his reservations about the whole thing, but he couldn’t find it in himself to deny her. A soft smile tugged at his mouth. “Lead the way, Starlight.”
She smiled and kissed him again, soft and gentle this time.
-
A/N: As always, your comments are deeply appreciated. I’m so happy everyone is enjoying this story. Thank you all so much for your kind words and support!
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mcsplaced · 3 years
Text
𝖘𝖚𝖓𝖓𝖎 𝖉𝖆𝖊 𝖎𝖓𝖙𝖗𝖔𝖉𝖚𝖈𝖙𝖎𝖔𝖓 . . .
Not everyone can say they’ve been to the Big Apple, but  [SUNNI DAE], a [FORTY] year-old [CIS WOMAN] has lived in [FLATIRON DISTRICT, MANHATTAN] for [TWENTY-TWO YEARS]. This is the city of dreams and [SHE/HER] knows it, because they came to NYC to be an [ACTRESS]. Living in the city means they meet all kinds of people, but everyone always seems to think they look like [SON YE-JIN]. They even got away with free cab fare once because of it!
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hey, everyone ! here’s sunni. her about is listed here, her statistics are listed here, and her plotting page is listed here. if you’d like to claim any of the plots on that page or do some other plotting, shoot me a message ! i prefer discord, but i’m open to messaging on tumblr. my discord is limes#6826. give this a like and i will come to you for plots !
TRIGGER WARNING — child abuse ( mental ), mention of bullying, drug dependency issues ( namely alcoholism ), infidelity, abusive marriage, terminal illness
sunni born under the name dae eun-ha to an aspiring artist and a mother suffering from depression. sunni’s parents met in songpa-gu, seoul, south korea, where sunni would later be born, and quickly fell into a whirlwind romance. they would eventually marry a year before sunni’s birth. 
her father’s family had money thanks to his father’s possession of a chain business for restaurants and not long after the birth of sunni, her father was pressured by his wife to get a gig with the help of his own father. he landed in marketing after some training and the promise of an eventual degree. this pretty much drained the life out of him and he stopped painting, deteriorating into a shell of a man. 
( tw mental child abuse ) growing up was difficult for sunni, as her mother blamed her depression on the birth of sunni. she was a stay at home mother who was perpetually disappointed in anything sunni did and was neglectful due to her own dysfunctional marriage, mental illness, and trauma from an abusive childhood. as for her father, he never acted poorly toward her, but he simply wasn’t around. on the off chance that he did speak to sunni, he would spew hateful speech at her about society and the steady destruction of his life force.  ( end tw )
by the time sunni was four, the family was set up to move to los angeles, california, with the prospect of a higher paying job. this ended up being for naught as sunni’s father never really obtained a super successful job, only managing a small pay bump after years of working in los angeles.
childhood was rough for sunni as her parents would fight constantly over their class difference, financial issues, her mother’s general dissatisfaction with how their lives turned out, and her father’s infidelities. as a means of escaping her home troubles, sunni dove straight into the world of cinema. she found it easy to idolize specific actors and viewed a couple of them as her rightful parental figures. 
in school, sunni felt out of place. her parents had spent their money on tutors for a couple years ensuring sunni could skate by with her english, but she had difficulty communicating with others after a long summer with little practice or when it came to more difficult concepts. it wasn’t until junior high that sunni felt 100% confident in her english speaking abilities.
( tw mention of bullying ) sunni was timid and had extremely low confidence, and this caused her to be preyed on at times. the only time sunni was outspoken was in her theater club, where she landed relatively large roles within the production thanks to her passion for acting and persistent practice. as she grew into her adolescence, she finally began to see the flaws in her substitute parental figures. scandal after scandal followed the celebrities she idolized, and sunni couldn’t help but feel betrayed. ( end tw )
when sunni was sixteen, she began waitressing to save money for when she was able to move out. this paid off, and she moved into a small studio apartment in tribeca, manhattan, when she was eighteen. when sunni wasn’t working, she was performing in local theater productions. her confidence grew as she avoided exposure to a toxic environment and made a small group of likeminded friends. by the time she turned 21, she began bartending and made enough money to move into a two bedroom with a friend.
sunni’s life as a young adult was relatively uneventful until she was discovered by an agent at a show when she turned 23. in 2004, under the stage name “sunni dae”, she scored an audition for a pg family sitcom named the campbells. it wasn’t mean to be a big project, and after a couple auditions, sunni scored the lead role. 
( tw drug addiction ) not long after its introduction to television, it completely blew up. the show is likened to full house both in popularity and general vibe. though she started as a humble actress, the fame quickly got to sunni. her drug dependency issues began quickly after exposure to various substances at a party.
her drug of choice was alcohol, much like her father, and she began frequently drinking on set. sunni’s ego grew to be massive and she began treating others poorly because of it, unable to understand the woes of others if they didn’t pertain to her own life. ( end tw )
moving out of her two bedroom in 2005, sunni moved from tribeca to the flatiron district and top ( seventeenth ) floor luxury penthouse. this penthouse would later be what sunni calls the best thing she got from the campbells. in 2006, sunni officially changed her name from dae eun-ha to sunni dae. 
( tw depression, drug addiction ) sunni saw her celebrity idols smiling and happy in their fame, and wondered why she didn’t feel that same happiness. in fact, she felt isolated, bitter, and cynical; these feelings fed into her drug addiction. it didn’t help that her friendships began to fall apart thanks to her selfish behaviors and narcissistic tendencies. her parents were unresponsive to her fame, with her mother even expressing disappointment in the fact that she was a part of a show with cheap comedy and simple plot lines. ( end tw )
her career took a turn for the worse in 2007. toward the end of 2006, sunni began a relationship that would later turn into a highly publicized toxic marriage a little over half a year later. the marriage had multiple scandals and each news story plagued sunni’s reputation. this stain would follow her even into her forties, as she was considered a high risk individual to act as the face of a project.
it was also released at one point that sunni allegedly gave drugs to a younger cast member, though it wasn’t publicized which one it was. however, sunni wasn’t the only cast member who had public controversies. by 2011, the cast had racked up so many controversies that the show was cancelled, though it was given a proper ( rushed ) finale. in the same year, sunni got divorced, and thanked her lucky stars for the prenup.
after the campbells, sunni hired an skilled freelance investor to expertly invest her money for her; she would later be thankful for this as the few projects she did take after the campbells completely flopped. a frustrated agent would watch as looper’s inevitable “what happened to sunni dae?” video popped up after years of inactivity, though they did choose to stick by her side, as they had confidence in her potential. 
( tw drug addiction ) others did not see her potential, however, as she was simply “the lady from that old sitcom” in the acting world. to those who knew sunni, she was viewed as a destructive force with drug dependency issues and horrible interpersonal skills. she has had a couple relationships, but nothing serious as sunni’s partners eventually grow to acknowledge her toxic behaviors. ( end tw )
( tw terminal illness ) at the age of thirty-seven, sunni’s father passed away from acute liver failure. sunni thought she would feel something from this inevitability, but no out of place feelings came to her. ( end tw )
( tw assumed depression ) now forty, sunni spends most of her time inebriated and getting into shenanigans with new york locals. occasionally, she’ll still have a scandal that hits the news. she takes part in small projects, such as being the face of a bourbon or starring in commercials, but she’s actively looking for something to revitalize her career and give her life meaning again ( at least, that’s what she thinks ). ( end tw )
in the interest of learning more about things i may have cut out, feel free to check out her about page, listed above. you can also find more about her personality there.
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yaiza-zelaya · 3 years
Text
HAPPIESTPLACEHQ TASK 2 - MUSIC MAKES THE WORLD GO ROUND
Playlist your character would listen to
Their favorite song
Bo Mambo – Yma Sumac
“Bam balai, lamento negro que va Bonban, es la danza para guapas Ay, lamento que llega al corazón Bonban, con amor”
It happened when she was just a little girl: the great Peruvian singer Yma Sumac returned home from her continental tour, and for her birthday, Yaiza’s father took her to watch the coloratura-soprano live in concert. It was one of the most glorious experiences in the young chemist’s life, one she treasures even several decades after. From all the songs she sang, this one was always her favorite, and the one she got a record of as soon as it was made available, even travelling to Buenos Aires to buy it straight from the recording company before anyone else could.
A song they listen to when sad or upset
Puro Teatro – La Lupe
“Teatro Lo tuyo es puro teatro Falsedad bien ensayada Estudiado simulacro “
Anyone who knows Yaiza well (and there’s not a lot of those still currently walking around) knows that she can be a little bit… Well, dramatic. Not in a bad way, of course. More in the sense of theatricality, of being fully in touch with her emotions just as well as she knows how to perform those emotions for them to be noticed. Since she doesn’t believe in being humble or becoming smaller and quieter for other people’s benefit or comfort, Yaiza needs a properly grandiose song to fit her less lively moods –usually brought by other people’s dishonesty and lack of thoughtfulness.
A song they listen when they are happy or need a cheer up
Cuánto Me Alegro – Cuarteto D’Aída
“Me alegro de tu sufrir Me alegro Que estés llorando Y que te quieras morir”
What can be better to cheer someone up than a song about the joys of schadenfreude? Just as her woes tend to be caused by someone’s deceit, there is nothing more satisfying than seeing those who underestimated her get their dues. And, of course, this song is also extremely upbeat and danceable, which Yaiza always values.
The first song they would put on in the car for a long drive
Perfidia – Xavier Cugat
As the extraordinarily rich woman she is, Yaiza hasn’t touched the steering wheel of a car since 1972; nevertheless, she does enjoy travelling quite a lot, with a good chunk of her yearly budget going to holidays and flight expenses. And one song she always starts her travelling with, mostly because it puts her in a content, relaxed mood, is Perfidia. It’s light, breezy, and as she gets older and a little bit more prone to dizziness spells, it’s quite good to relieve her tension and maybe doze off for a few minutes.
A song from their childhood
I Like It Like That – Pete Rodríguez
“Baby, if you think you’re shy Do me a favor, honey, Go someplace and hide”
While not exactly childhood –more like her teen years –this song was a constant presence in birthday parties, quinceañeras, weddings, New Year’s Eve, and all other celebrations. Since a good amount of business associates of the Zelaya family had their residence in the US, and (to her surprise and, frankly, disgust) a good amount of their children didn’t even know Spanish, and while Yaiza was fluent in English from a young age, that meant that most contacts with other young rich people were made through her second language. So, even though there was something of a cultural rift between her and those second-generation kids, Pete Rodríguez’s much-beloved music, especially this song (a staple of every gathering), helped her bridge that gap. One good thing she could say about the gringos, is that their music could have turned out to be much worse.
A song that represents a significant relationship
Brujería – El Gran Combo De Puerto Rico
“Que tú me tienes temblando De noche y de día Me quieres mandar pa’ la tumba fría”
While her father had plenty of little nicknames for her dearest daughter, the one he used the most was taken from this, one of his favorite songs: ‘mi brujita’, ‘my little witch’. This was a badge of honor for the young Yaiza, since, while other girls might be their parents’ little angel, or their little princess, she knew she had a power much more practical and real than that of her peers. Surrounded, in her early years, by the nouveau riche community of Lima, where similarly suddenly affluent families from other parts of the southern continent also owned homes and properties, Yaiza has always tried to stand out. Whether by her darker sense of humor, her cutting-edge fashion style, her fascination with death and everything related to the embalming process, it could be said that Yaiza Zelaya was never like the other girls; and, to an extent, Yaiza knows that this was possible mostly because of her father’s encouragement and involved role in her education.
The song they belt out when they’re alone and no one can hear them
Oye Cómo Va – Tito Puente
“Oye cómo va, mi ritmo Bueno pa' gozar, mulata ”
As sticky a song as they come: impossible to shake off once you hear it, simple and easy to remember. Each time the intro comes along, Yaiza can’t stop herself from tapping along, shimmying her shoulders as the flute begins… And by the time the lyrics start, Yaiza’s already either mouthing the words or screeching them like a banshee, depending on her current mood. She has heard other covers and versions of the classic song over the years, but found none of them to her taste: in her opinion, this is the most stripped down, essential version of it –exactly long enough, not a beat out of place, not a note lacking or in excess. Basically, even if it’s not her favorite, Yaiza will probably argue this is the most perfect song to have been created.
Their karaoke song
Quizás, Quizás, Quizás – Celia Cruz
“Estás perdiendo el tiempo Pensando, pensando Por lo que más tú quieras Dime hasta cuándo, cuándo”
Another classic, though this one has a bit more lyrics to sing along to. It’s not hard at all to find in karaoke bars around the world, especially known by its English name (‘Perhaps, Perhaps, Perhaps’), but, since the music’s the same… Regardless of what people may think of her, she will always sing it in Spanish, since that’s both the language she finds herself most comfortable with, and to stick it to the rest of the crowd, if she happens to be somewhere where her mother tongue is not the norm. There are many things that you could call Yaiza, after all –but shy isn’t one of them.
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myfanfictiongarden · 3 years
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Night, Day, and Everything In-between- POTO fanfic
It is long past midnight and through the thick walls of the building one can make out the distant toiling of bells from Notre Dame. There is no moon tonight to light the streets and so a nearly eery silence lays over the opera house and its tenants. If it weren’t for the torches and gas-lamps to light the many passages and corridors on its nearly countless floors, she knows  the unending paths through the opera house would easily turn into a labyrinth, each corner filled with more shadows then the other- not even counting the secret passages and underground maze. As it is, she makes her way along the changing rooms to her own quarters without so much as a minute of thought. Living for years inside this walls she knows every single corner by heart. Nearly every single corner.
As always before a great premiere there were many things to be discussed and arranged, sometimes those meetings between the opera inhabitants and employees could last deep into the night, and she as the one responsible for the dancers liked to always be good informed. Some would call her strict, but she liked to say she was well organised. That is why she left the two little girls sleeping alone. It were two now, although she had only one daughter. 
She is only a few steps away now from her lodging when a familiar whisper stops her.
“Don’t enter now, you’ll spoil their fun.” It is the voice of the only inhabitant of the Opera Populare that knows more about it secrets than her, and like a ghost he moves along in it, a shadow as blinding as night itself.
“And how, Monsieur, do your know they are not sleeping like well-behaved children?”
“Because while the maman was away, the papa kept an eye on them. And their merry little voices were hard to ignore. Let them have their fun.” She can’t help it but let out a loud sight at this. This little play has started a few weeks ago when she had brought the orphan girl to live with her and Meg, a step she had made out of Christian duty to give the poor child's father peace of mind in his last hours, but her companion in the shadows had immediately jumped on it as a way to start one more of his make-believes. She would be the mother to both, he the unseen guardian to the orphan. A perfect fantasy. But a fantasy nevertheless.
A many would have fainted in fear to hear shadows talking to them like this, but not her. The corridor is far too dark to see, she can only make out the dark silhouette of him standing not far away from her, the whiteness of the plaster mask seemingly floating in midair.
They had already lead this discussion about his new fancy, his new game. What else can a man learn growing up in the shadows of the opera then plays and illusions? And having known him for years it is hard to deny him a wish of such innocent nature. Yet, she can’t help but make one last attempt at his reason.
“It is far too late for little girls to have fun. They should have been asleep by now.”
“The restrains of life will corner them soon enough. For now let them tell each other stories of magic. The new one has laughed for the first time since arriving here.”
It is true that the little orphan Christine, daughter of the late Swedish violinist, had come nearly apathetic to the opera. It is no wonder, with the loss she had suffered, and still, to see a child of 7 to loose interest in life so much was more than heartbreaking. The only thing that had kept her living were the visits to the chapel, the idea to be able to speak to her beloved father once more. The idea which had made Antoinette’s companion in the shadows form his own ideas. 
“Your investment is really touching, mon ami, but-“
“But what? Haven’t I been careful this past weeks? Didn’t I promise to be careful? Didn’t I promise she would never feel forgotten? Didn’t you promise me to allow at least the illusion of me being a wanted human being?” His voice has gotten harsh from emotion while their conversation had minutes ago started nearly playful, and that was one more thing she often missed to avoid- missed to avoid him remembering just how lonely life on earth can be. Living hiding in a theatre could make one eccentric with time, but there are worse fates out there in the streets for those unwanted.
“She had no one when you brought her here, she barely knew some French. Now she started to open up to your Meg. Let me only watch over her. Allow me sometimes to comfort her. Let me at last imagine how a life I can never lead could look like. Please, Antoinette.” He was pleading now. He had never asked her for anything with so much emotion, and Heavens know he could had asked much through all these years.
Nearly as silently as he could move she advanced towards him, her slender ballet figure now inches from his tall person.
“Have it your way. Just promise me you’ll be careful, Erik.”
….
The sun is shining warm and bright through every window and every open hole in the grand opera's many floors, its countless inhabitants busy as bees and the cacophony of voices sounding just like it. Summer is the time when things would quiet down a bit, but even though that time was approaching there were still sold out nights to be performed at, to be dressed and to be staged. Yet, every stage-men, seamstress, dancer and performer, all looked forward to time for a bit more leisure. 
In the dormitory under the roof where the female dancers lived, the place housing more then two dozen ladies of various ages, the heat kept getting harder and harder to bear, and so one afternoon after rehearsals many of them were lazily resting on their iron-wrong beds, some using fans to cool themselves, others giving in to the despair of the heat. The burning sun turning the attic into an oven. What was usually a place of chatter and gossip now was heavy with silence of exhaustion. But to one of them it seemed not to matter.
With her 12 years, Christine belonged still to the youngest girls in the dormitory, but by the age of 10 both her and Meg had grown too big to share a tiny sleeping place in Madam Giry´s privat quarters, so for both the dormitory it meant. Never in her young life had she been so constantly surrounded by so many people like since arriving under the wing of Madam Giry. Although, the phrase “under the wing” would have been in in a way misplaced for there was not more attention given to her then to the other girls, or even Meg. There was no denying that Madam took good care of her and loved Meg, but she had a strict hand and everyone, especially the older girls, could feel it. Nevertheless, Christine- although very young in age- could not but feel grateful towards Madam for giving her a roof to sleep under. She liked dancing very much and Meg was her best friend. Still, at times she couldn’t help but feel lonely. There were rare occasions when she would join in conversations with the other girls, their joys and dreams were so different from hers.
While thinking all this she had descended many stairs and the air was already getting cooler. Her agile feet had carried her down, down many flights of stairs, down along all the way to the chapel. By now the air was not only cooler but also damp, damp from moisture from the walls and stuffy from the many candles burning. Christine didn’t mind.
It is a rather tiny room, but to her it's one of the dearest of places. In this country people look a bit different to religion, different then in the far north from where she came from, and she had got used to it after the many visits to church on Sundays, yet here in this stuffy forgotten chapel her heart feels at home. She doesn’t have another one anymore.
Resting her head on the cool surface of the stained glass window she remembers how, upon arriving in the opera house, she had caught bits of hushed conversations, conversations she couldn’t understand and only with time grabbed their meaning. They had talked of how she seemed to suffer from melancholy, rather unusual for such a young child. It is odd how she couldn’t understand them talking when she came here although she used to know the language quite well after living in this country till then for nearly two years. Yet, when her papa was gone the language seemed to be too, and it had only come back slowly. She remembers how they came to France, just the two of them, always the two of them. They were on a concert tour and then he had been offered a teaching position at a rich family's house. The younger of two sons was to learn the violin so she and her papa made many visits to that grand house. She liked to watch her papa play the violin, liked to hear it. She liked the boy he was teaching, they were best friends. Fondly she remembers him, and wonders if he remembers her too.
Her eyes begin to itch and tiny tears stream down her face.
Dry your eyes, my child.
With the back of her hand she dries them away while something between a sob and a lough escapes her lips. 
It's him. The Angel. 
Her young heart feels sadness lifted from her very being. She isn’t alone. It takes only two steps before she is by the candles, kneeling down, lighting a new one, clapping her hands, and feeling perfectly at peace.
It is a clear sky, the colours slowly changing from light to oranges and purple, advancing towards the deepest shade of night blue. Stars will soon be alight. There is not a single cloud merging the view, windows glitter in the setting light, shadows slowly spread along the many streets as people linger around them, each in their own pursuit. Night is close by.
He is standing on the roof-top of the grand Opera Populare, on a terase between the changing stores, well hidden behind one of the decorating statues, nothing more than another shadow. No one can see him here. It has been for long one of his favourite spots when he wished to partake in the everyday life of the Parisians around the opera house. Not that their woes and sorrows could touch him who had experienced their most cruel side- but at times he had a wish to at least imagine what a life among them could look like.
This, however wasn’t the only reason of why he stood here today in the early autumn breeze. His eyes suddenly caught sight of a group of young girls advancing slowly towards the opera house. Young ballet students of various ages returning from a day-long excursion to the countryside outside the cities edges, one of the rare occasions of change in their rather strictly organised daily routine. Their familiar white dresses and blue capes, their youthful light step and their ribbons in hair, joyfully returning from a day of fun. It is only the students that went out with their instructor, the grown up ladies were free to move around as they pleased. 
As they come closer and closer he dares to peak out of his hiding a bit more, the shadows now too deep to make anyone suspect someone on the roof. The girls are now close enough to make them out clearly and there is one he wished to see. The curly head of 11 year old Christine was among them, right at her best friends side like usual. Her curls have partly come loose from her ribbon, her laughter ringing brighter then anyones else’s. A few moments more and the little group is already inside the building, just as the street lamps are lit. He steps back again and is gone in the darkness of the shadows.
It had been an idea he had long thought of when the little orphan had been brought to the opera house. Now, being poor or an orphan or both was nothing special inside the walls of the opera house, few of its inhabitants were anything else. What had first catched his attention was the fact that this particular orphan was the child, the only child of a most talented and too early deceased young Swedish violinist. Her father had been a true artist and genius, and never lived to see his upcoming fame. The other thing though that made him feel drawn to her was the loneliness she had shown and one he could feel with. The melancholy with which she had first come, the countless hours she had spend in the tiny chapel, the desperat attempts to at least in some way reach her beloved papa through prayer. And rather than leave her trapped in silence he spoke to her. First he had feared he might scare the rather tender little being, yet she had been only a bit startled at first and calm ever since. Her child soft voice had spoken of an Angel to come her father had promised her, spoken with such earnest believe that it had left him in awe of her little heart. It had kept him thinking until he made up his mind. 
What harm can there be to comfort such a lonely heart? What crime in making someone feel not forgotten? What easier play for him, who knows every single corner in this building, then to remind a child that she is not alone but watched over and cared for! The many a hour he had thought of ways to deliver an Christmas present to make the days less dull, the joy on her face upon finding in the chapel a little whistle shaped as a bird with her name on he had carved out himself, the pink ribbon and hair-clip and note sheet that followed in years. She had a talent for music and he found joy in whispering her instructions and following her impressive progress.
Years went by like this, spring followed winter, autumn followed summer, and round again it went, the days seemingly flowing over into each other. Time looses meaning in the closed off world of the opera's walls. For him, it could have gone on like this forever.
One night, it is late evening, he walks along one of the many secret passages, when a person in the chapel makes him stop. He is standing in a passage between the chapel and outside walls close to the grated window that had so long ago given him entrance and shelter. It is dark but for the few candles illuminating the scene, and for a moment it looks far too sacred for any human eye to see. It is a young female figure that kneels there, the ankle long skirt having replaced the short one of girlish days, a plain black ribbon on top of the long curly hair, hands clasped in pious prayer, the cheeks flushed in the light blush of young womanhood to come. 
It was Christine.
That night he hadn’t spoken to her, he had actually forgotten that he was about to take a walk in the deserted streets and rather reminded stuck on his spot for many hours after she had left, wondering what had came over him. He didn’t attempt to see her for many days after. When, a few weeks later, he watched the rehearsals from a hidden place far above the scene like he often did, and saw her among this low-lifes of actors and dancers and stage-hands, it stuck out to him how she seemed to be too noble to be among them. The female dancers with their pedestrian manners disguised him, the dandy actors with their huge egos made his blood boil. She, on the other hand, shone more the brighter.
This thoughts troubled him. His heart ached with a yearning he had never felt before, a song had entered his mind he very much wished to ignore. Hadn’t he been close to happy until now? Collecting a fine salary from the superstitious manager, turning a cave into a lavish lair, roaming the secret passages and opera by day, at times the streets by night, and always composing at his hearts desire? Wasn’t he glad to be able to comfort a lonely child, contempt to play the invisible surrogate father when life had had closed that door forever for him? Wasn’t he her friend, her angel, her guide, guardian, teacher? 
More than once did he repeat this words in his head, yet no matter how often he did they could nothing to stop the other ones that somehow always found a way to sneak right into it. For days he would avoid the stage, roam the streets at night unaffected by harsh weather, ride off to the countryside where no human had ever sat foot or hide in the darkness of his lair. When it didn’t improve his condition he would do it all over again. He felt restless and wild. The mirrors in his abode seemed to mock him even more than before, and wishing to find peace he often sat down to write and compose, but nothing would help. There was only one melody to him now. He knew he had found music in the most sublime and pure form. Her face would appear in ink among his compositions, and haunt him in his dreams. Her voice would ring in every single corner, and ring in his ears.
It was music like he had never heard before- and he wouldn’t let it go.
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AN: Trying to fill out some missing years we didn't get to se in the story that led to the events of the movie. Also, I was very much inspired by this story.
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stephkaylor · 3 years
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FAVES and FAILS: The Vampire Diaries
So I have decided that since The Vampire Diaries has a spin off, The Originals, I am going to divide the characters based on where they appeared the most. So on this list I will be talking about the Salvatores, the Petrova/Gilbert line, the Bennets and Caroline, etc. but I will discuss the Mikaelsons, Hayley, etc. on their own list with the other characters that appeared on The Originals mostly. As always, spoilers are abound as I will discuss storylines and character arcs below, so be warned of that.  In any case, here’s my FAVES and FAILS for The Vampire Diaries. 
FAVORITE MALE CHARACTER: Damon Salvatore
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Could it be anyone else? I don’t think so. He’s a delightful little sociopathic shit and I love everything about him. He is 99% id and 1% ego, if that, and even when I hated him, I loved him (god, I sound like Elena…). In any case, love this man, five stars, would recommend, chef’s kiss. 
LEAST FAVORITE MALE CHARACTER: …I think Matt Donovan…?
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Ugh, it’s hard to pick between Matt, Tyler, and Jeremy, but I think it has to be Matt. I never enjoyed his judgey attitude against everything supernatural, he seemed pretty whiney most of the time, and he was just genuinely uninteresting for the majority of the show.  Not into it. Pass.
FAVORITE FEMALE CHARACTER: Katherine Pierce (Katarina Petrova)
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I thought about giving this post to Caroline by default, but if it comes down to it, Katherine nudges her way into the top spot. Katherine gave no fucks, knew what she wanted and was unapologetic about how she went about getting it, and an all around bad bitch. Was she primarily evil? Yes. But, to be honest, it never really bothered me. 
LEAST FAVORITE FEMALE CHARACTER: Bonnie Bennet
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God, this woman was annoying. She was hypocritical, judgmental, and far too holier than thou for me to swallow her bullshit. She constantly played favorites with Caroline and Elena (I’m sorry, you hold Caroline becoming a vampire against her for like two seasons, but when Elena becomes one, it’s not her fault? Sure.). She hated all supernatural creatures because they “go against nature”, but it’s totally chill for you to perform sacrificial magic to get what you want, unleashing a terrible evil in the process (but it’s not her fault). How she nearly excommunicated Caroline just because she stayed with Stefan after Stefan killed Enzo, as if it was her fault in any way. How everyone treated her like she was a special little unicorn because she’s a Bennet Witch and she’s so magical, like, please, gag me. I could go on, but I honestly cannot be bothered. Hard pass. 
THE CHARACTER THAT DESERVED BETTER: Caroline Forbes
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She was essentially shunned by all of her friends and family for becoming a vampire, even though she didn’t choose to become one at all. Also, she was basically used as collateral damage for the entire Salvatores and Gilberts versus The Mikaelsons debacle just because Klaus liked her. She was always the second choice no matter what the situation was (unless it’s her being impregnated with magical twins without her consent and then guilted into carrying the babies, but poor Alaric just lost his wife. I’m sorry, unless it’s your uterus, shut the fuck up). I’ll just be over here doing what exactly NO ONE on the show did, and pick Caroline first.
DEADWEIGHT CHARACTER WE SHOULD’VE DUMPED IN 2009: Tyler Lockwood
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I couldn’t pick Matt twice, so Tyler, I guess. He was selfish, a terrible boyfriend to both Caroline and also Liv later, and if I have to hear that boy whine about his fucking sire bond one more time I will literally throw my laptop off of a bridge. 
UNDERHYPED CHARACTER: Lorenzo “Enzo” St. John
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Honestly, he’s one of the one things that made the last few seasons of the show bearable.  His delightful British rogue was a lovely way to fill the void that the Mikaelsons left in my heart, his devil-may-care attitude was man-made-manifest of what I was always thinking while watching the show, his BFF relationship with Damon and later Caroline was a joy to watch, and he was way too good for Bonnie. 
OVERHYPED CHARACTER: Alaric Saltzman
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He is marginally more bearable right now on Legacies, but he annoyed the shit out of me while he was on the first show. Does he hate vampires or is he best friends with them? Does he want to be a hunter or does he want to stay away from anything supernatural of any kind? Also, he (along with nearly everyone else) basically guilted Caroline into carrying his magical siphoner babies, which is a touch too icky for me…
SHIP YOU WOULD SELL YOUR SOUL FOR: Delena (Damon and Elena)
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Could it be anyone else? I never shipped Stelena, as I found both Stefan annoying and Elena too woe-is-me while she was with him. She made Damon want to be a better person and he made her embrace who she really was, monster and all. They had a perfect balance between themselves, and it was a joy to watch. He got the girl, guys. 
SHIP YOU JUST WERE’N THAT INTO: Steroline (Stefan and Caroline)
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They were just too…meh. I was entirely uninterested in them, whatsoever, and isn’t that even worse than a ship that you hate? I used their scenes for a bathroom break or to get a snack, as I was guaranteed to miss nothing interesting or important while they were on screen. 
CHARACTER YOU LOVE TO HATE/FAVORITE VILLAIN: Kai Parker
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What does it say about me that all of my favorite characters are violent psychopaths…? I’m just going to leave that to be unpacked with the future therapists I’m bound to hire. Kai was the perfect evil. He was powerful, purposeful, and unapologetically demonic in the very best way. I could watch him terrorize my favorite characters forever and not get bored.  Perfection.
FAVORITE STORYLINE: Stefan and Damon’s Brotherhood
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If you don’t think this is what the show was about at it’s core, you’re wrong. They loved each other, they hated each other, they died for each other, they killed for each other, and, ultimately, they let nothing and nobody come between them. If you asked me who Damon loved more, Elena or Stefan, I COULD NOT answer you, and isn’t that just the fucking point?!
STORYLINE WE COULD’VE DONE WITHOUT: Magical Babies
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I know that a major reason this was even a storyline is because Candice Accola got pregnant, but still…how? Like…she is a vampire..? She is unable to biologically change…? Like can someone grab me a biology textbook and explain how this a thing that can happen BIOLOGICALLY, please? I get that they are mythical creatures, so science doesn’t mean much here, but it just doesn’t make sense in any universe. Also, as I said above, the fact that Caroline was impregnated without her consent and then largely guilted into carrying the babies is a touch too rape-y for me…
BIGGEST PLOTHOLE: Do they go to school, or…? 
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Like, are they just compelling the teachers to not notice them not attending class like 90% off the time? Also, how do the people in Mystic Falls not know anything about the supernatural? Like, they aren’t subtle AT ALL so how do they keep sliding under the radar? Also, in a lesser way, how are hybrid witch/vampires a thing? Like, I thought if a witch dies (like they would have to if they become a vampire), they lose their magic…?Make it make sense, Julie!
MOST HEARTBREAKING MOMENT: Damon Dies (the first time)
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Honestly one of the saddest moments in the entire series was Damon’s ghost watching Elena lose it when he doesn’t make it back from the Other Side. They were finally happy and together and they can only enjoy it for like five minutes before it goes to shit. Why, Julie??!
BIGGEST EYEROLL MOMENT: Magical Babies (again)
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I try to not use something twice on this list but COME ON. This was ridiculous and I do not support this in any way.  (Also this twin bullshit is still fucking annoying on Legacies, if anyone was wondering).
MOST SHOCKING MOMENT (any spit-takes?): Elena forces Kathrine to take The Cure
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This was one of the moments that I literally gasped aloud. Most of the time the foreshadowing on these shows is seen from miles away, but I honestly did not see this coming at all. Also, Kathrine was basically the LAST person who wanted that cure so it’s crazy that she was the one to end up taking it and turning human.
MOST BADASS MOMENT: Kathrine kisses Damon at the end of Season 1
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Like I said before, she is the original BAD BITCH of the show (not an actual Original, but you know what I mean…) and this was an amazing entry for the character who would be, largely, the villain of the series. It played on the feelings that Damon is developing for Elena, it finally introduced the person who started it all for the Salvatores, and it showed us exactly who she is at her core, and that she isn’t sorry about it at all.
SERIES FINALE SATISFACTORY LEVEL (use no words, just gifs):
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OVERALL MARKS OUT OF TEN (10 being this show has changed your life for the better, you happily rewatch the series over and over, and the show has made your life better in some way. 1 being this show gave you nothing but trust issues, a stomach ulcer, and high blood pressure, and you honestly do not know why you did this to yourself) 
7 out of 10. 
I look back on The Vampire Diaries with the kind of fondness that only comes from a bizarre mix of nostalgia and incredulity. When scenes from this series show up on my instagram feed or on my Youtube recommended page, an involuntary smile creeps across my face without me realizing. I could do without like half of the characters and some entire seasons were completely unnecessary to watch, but it gave me some of my very favorite characters and ships, and spawned an entire universe that I still enjoy to this day. This magical, crazy, beautiful world was a joy to experience, even when it made me want to beat my head against a wall at least once per season.
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If you want to see the other ones I have made, here's the original post with links. x  Hope you like these! (I say to probably no one...)
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