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#those are the ways in which i know something has affected me
strawberrymori · 3 days
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Cloudy days clear nights
summary: When you grow up in a home where your parents are emotionally absent it affects your life, when your mother wasn't prepared to be a mother and throws all the traumas and insecurities she had at you it's not easy, a father who doesn't know how to apologize and lives drunk and has aggressive tendencies isn't easy to deal with, and reader relapses on a bad day that leaves you stuck in thought and she doesn't tell Natash, leaving her worried.
warnings: angst with happy ending , angst to fluff, use of Y/N sometimes, suicidal thoughts, mention of self-harm and scars from self-harm, Be careful if this triggers you, don't read if you know you can't deal with triggers, you are not alone and don't be ashamed to ask for help.
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All the ghosts of the past follow me to this day, they all live in my mind and make me tremble like a child, today in particular was a difficult day, one of those reminiscent of school days.
The day had started well but the mission had gone wrong which had resulted in intrusive thoughts questioning whether she was really worthy of being there with the Avengers, then there was the meeting with Tony where he made a point of reminding her of the mistakes she had made.
At lunchtime there was the problem with the rain and the first phone call from her mother, the more the phone rang the more her appetite went away, there was no putting off the call for long.
The unpleasant voice came from the other end of the phone, things like "why are you still working there?" "you've been in newspapers all over the world, do you know how hard it is to have a daughter who doesn't do anything useful?" "did you really try to do something? of course not, you've always been worthless".
the voice yelled and screamed for a few minutes before hanging up, before Y/N could say anything or defend herself her mother's voice didn't stop and when it did it was because she hung up the phone.
To make matters worse, for the rest of the day her girlfriend, Natasha, was stuck at work until later, when Y/N was lying on her bed staring at the ceiling, she spiraled into a spiral of negative thinking.
she saw herself in high school again, being bullied by her classmates, she saw herself at that time taking out all the anger she felt on herself, she saw herself as the useless girl she had felt all day.
Y/N didn't know when she started crying but she felt the tears dripping from her eyes. She went into the bathroom and looked at herself in the mirror, her hair messy with tears and her eyes red.
-How could Natasha like someone like me? - she asked herself, she had scars all over her thigh and wrist, she wasn't even that pretty.
-"Maybe I should just disappear... she wouldn't even notice," she muttered to her reflection in the mirror and sat down on the bathroom floor.
When the redhead returned home in the early hours of the morning, she felt a strange air hanging over the apartment. She walked into the kitchen, where the lights were off and a cold plate was on the sink.-Baby? - Natasha called out as she walked to her room. The light in the bathroom at the end of the corridor was on, which made her follow her there.
-"Honey, are you all right? It's me," Natasha said, trying to open the door and failing. "Honey, open the door," she said in a tone where she was almost begging her girlfriend to open the door.
The lack of response worried Natasha, who began to try to force her way into the bathroom. When the door opened, Natasha almost fell into the bathroom. She saw her girlfriend lying in the bathtub crying.
-Bear?- she said, running over to her girlfriend in the bath and kneeling down outside the bath - Look at me, darling, are you all right? What happened? - she says worriedly, putting her hand on Y/N's cheek.
The woman in the bathtub looks at the redhead and tears fall more than before -You shouldn't see me like this - she says as she looks away from her girlfriend.
-"Sweetheart," the redhead says as she steps into the empty bathtub and pulls her girlfriend onto her lap, "talk to me," she says as she strokes her girlfriend's hair. It took a while for Y/N to finally talk, she looked at Natasha and felt like crying even more.
-Today was so stressful...I made a mistake during the mission and Tony wouldn't let me forget it, so my mom called me...and - Y/N stuttered through her tears - I feel so useless, like I don't deserve this life - Y/N's comment made Natasha's heart sink, the redhead continued stroking the woman's hair in her lap and kissed her forehead.
-"Sweetheart, mistakes happen, life isn't easy but we can't let mistakes consume us, you fought to be here and you deserve all of this, I love you so much," she said, wiping away her girlfriend's tears, "come on, let's go to bed, so I can hug you properly," Natasha said, getting up and helping her girlfriend up too, she held her girlfriend close as they walked to the bed.
-Thank you Tasha - Y/N says as she looks at her girlfriend changing to lie down next to her.
-Thanks for what? - the redhead says, looking at the girl sitting on the bed.
-"For taking care of me...not letting me give up." The girl on the bed says looking at her scarred left arm, Natasha walks over to her and sits down next to her, taking her hand and intertwining their fingers.
-Thank you for what? - the redhead said looking at the girl sitting on the bed.
-For taking care of me...don't let me give up - The girl on the bed said looking at her scarred left arm, Natasha walked over to her and sat down next to her, taking her hand and intertwining their fingers.
-"Honey, you're my girlfriend and I love you more than anything, I'm not going to let you just fall apart, how many times have you helped me, huh? we're a couple, in good times and bad," Natasha says as she pulls the girl close and kisses the scars on her arm. "Those scars just show how strong you are, baby," Natasha says, looking into the eyes of Y/N, who was almost falling asleep in her arms.
-I love you Natasha.
-I love you too Y/N.
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I Think Hypmic's Portrayal of Gender Roles is Kinda Refreshing: An Essay A.K.A. I'm Procrastinating on a Weekend Deadline :)
Hypmic's talking points on gender are hamfisted, corny, and melodramatic. "Maybe...we shouldn't have a wage gap," is not the hottest of takes. However, like most things in Hypmic, the writers have a lot more to say about gender and gender roles in the framing of the story itself that's much more nuanced. And honestly? It's kinda refreshing.
It's also something that went way over my head when I first became a Hypmic fan. Sure, I read manga and played Japanese video games--usually translated into English first--but I didn't have enough exposure to hundreds or thousands of pieces of untranslated Japanese media. I'm going to guess that most Hypmic fans don't either, which is totally fine and normal. We all exist within our respective cultural communities wherein we're bombarded with messages constantly telling us how to act, think, and speak. We tend to absorb these messages on subconscious levels and reflect them in the art we create and stories we tell, either by reinforcing them or challenging them. Thus, our stories don't exist in a vacuum, and divorcing stories from their cultural backgrounds can suggest the artist is the original thinker of a larger concept or hide their specific point of criticism. That is, if I wrote a story about a man who chooses to not catch fish, drink beer, and drive a Dodge Ram pick-up truck, we should be aware that I'm not the person who conceptualized the stereotype of dudes who catch fish, drink beer, and drive pick-ups. I wouldn't deserve the credit for dreaming up that exact image, and at the same time, it would be incorrect to read that as me targeting those three things randomly. The choice to not drive a Dodge Ram pick-up is not a commentary on Fiat Chrysler Automobiles. It's a stand-in for the notion of masculinity.
Thing is, we're hit with messages about masculinity, femininity, and other gender-related concepts on a daily basis. No matter where you live or what language you speak, every person on Earth is inundated with messages saying, "This is what you are, and consequently, this is how you should act." Our relation to these messages is complicated, and this complexity is compounded by different cultural communities preaching different messages in their stories, marketing, and human interactions. For instance, the US's massive global cultural influence means that those outside the US can still easily recognize what I mean by catching fish, drinking beer, and driving enormous American pick-up trucks. But the location and cultural differences may add or subtract nuances. A person living in, say, Munich is unlikely to have Dodge pick-ups advertised to them the way a person in rural Texas would. Our fictional Munich person does not feel the same social pressures to buy a Dodge and represent their masculinity with a Dodge the way our imaginary Texan would. In turn, the Munich person likely sees a Dodge with an element of absurdity--who the hell needs such a big truck in a European city?--and foreign Americanness. The Texan wouldn't have that concern--why worry about navigating your enormous truck down narrow streets when you live in the countryside?--and sees Americanness as their local default, thus removing any element of foreignness.
That is to say, gendered messages aimed at people (especially women) who live in Japan don't affect me the same way as they impact those who do live in Japan. Like, it's not my dog in the fight, and there are plenty of people who are directly affected who write their own stories and commentaries on gender roles in Japan. Japanese women don't need a random guy in the US to stand up and say, "Damn, your gender roles are fucked!" 1) They already know. 2) They're already saying it. So I come at this from an angle of someone who already has deep, primary frustration with the gendered messaging in my culture and secondary frustrations when similar messages appear in other cultures. I don't have a bone to pick with Japanese media in particular. Plain and simple, reading and working on hundreds of pieces of Japanese media is what I do for a living. It's in my face constantly, and as a result, I am also perpetually bombarded by messages about gender roles in Japanese media.
It's not a hot take to say that Japanese media, like the media of every single other culture around the globe, has a lot to say about gender. There's a lot of slotting people into boxes and telling people what to do. It's chafing, as we see all across history in art produced in reaction to gender roles. In the past couple of decades, global shifts in gender roles have caused media to shift the messages they're pushing, but it's not controversial to say that Japan has lagged behind other countries like the US.
Many, many stories push arbitrary notions of how to be a girl or how to be a boy that don't necessarily come from the author themselves. The authors probably aren't even fully conscious that they're making these choices. If an author writes a story about a library and makes every female character a romance fan and every male character an action fan, it's likely a reflection of endless messaging that says action is for boys, romance is for girls. In turn, this story becomes yet another reinforcing message. If no fictional girls like action, and no fictional boys like romance, it becomes alienating for real girls and boys who don't follow these same rules. These rules are everywhere and have so much to say about gender that it's hard to know where to begin. Girls must like cute things. Boys can't like sweet food. Women must not express sexual desire. Men can't be shy. On and on and on.
Which is why, when there's a relative lack of this in Hypmic, it's kind of a breath of fresh air.
Wrong Ways to Be a Man
Actually, Hypmic does have a few moments where characters claim there are certain things men or women should do, but the writing always frames these messages as incorrect.
Take Samatoki, for instance. After Kuukou and Sasara leave MCD, Samatoki tells Ichirou, "Men shouldn't cry when they lose their friends. Men should only cry when they lose a family member."
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(TDD chapter 10)
This line usually appears via Ichirou's perspective. In the stage play, it's told during a song Ichirou narrates, and as shown above in panel 3, the manga frames the line from the angle at which Ichirou sees it. In such moments, the audience is meant to read this as a cool line from a strong mentor figure to Ichirou. That's how Ichirou sees it, and he's a seventeen-year-old with too much on his shoulders who idolizes Samatoki. He is incapable of seeing how much pain Samatoki struggles with.
However, when the manga focuses on more intimate moments of Samatoki's life, we see that Samatoki does struggle quite a lot.
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(BB/MTC+ chapter 6)
This isn't a cool, attractive figure meant to be idolized. While Samatoki's cigarette usage and aggressiveness are often framed as sexy or enticing, the juxtaposition with dirty laundry, overflowing ashtrays, and empty bottles make him a sympathetic and struggling figure. Therefore, we should understand that his notion that men don't cry is flawed. It's a means to distract himself from emotions he doesn't want to feel.
Later, as Samatoki begins to process his emotions and open up to his teammates, the unhealthy coping mechanisms recede. Samatoki is more confident, mature, and happier as a result of being more emotionally vulnerable.
We see a similar transformation with Kuukou. As a teen, Kuukou is reluctant to accept help or truly let anyone in. In a conversation with Hitoya, he says (and I am still completely unable to take this seriously), "A man's got to wipe his own ass."
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(DH/BAT chapter 4)
However, over the course of his character arc, Kuukou learns that he cannot exist as a good leader or individual without the teamwork of his newfound "family." Only rejecting this classical and toxic notion of masculinity brings Kuukou joy.
In fact, most of the first-line characters have very similar arcs. At the start of the story, Ichirou is insistent on doing everything himself. He has to learn to be able to rely on other people (Kuukou, Samatoki, Ichirou and Jirou) to be happier and unlock his true strength. See below, his final attack and Ability use in the 2nd DRB, which is only possible when his brothers figuratively and literally support him through it.
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(BB/MTC+ chapter 25)
Sasara struggles with emotional honesty and trust in favor of using humor to gloss over discomfort. It takes multiple heart-to-hearts with Roshou before he can let humor take a backseat and say how he really feels. Ramuda has difficulty trusting other people and being honest with his emotions when faced with stressful scenarios. Only through Fling Posse is he able to open up and ask for help instead of driving people away when the problems are too big for him to face alone. Jakurai struggles to connect with other people, work through and acknowledge his complicated feelings, and not place himself on a pedestal. Through Matenrou, Jakurai is able to ask for help, be more open, and ultimately be less hard on himself.
The second- and third-line characters follow similar arcs, and this repetition creates a core message for Hypmic: Trust and rely other people. Be open with your feelings. There's a wrong way to be a man, and that's to hurt yourself and other people.
Right Ways to Be a Man...Are Infinite!
But with that being said, there is a surprising lack of commentary on how else to be a man. Hypmic as a whole doesn't do much to constrain the male characters in terms of gender roles.
Sure, some characters do fit into more traditionally masculine roles--Ichirou, Samatoki, Riou, etc. The messaging makes it clear that it isn't wrong to play into masculinity provided it doesn't become toxic. (See above.)
Even then, however, these especially masculine characters are associated with less masculine traits that are either portrayed positively or not portrayed as a joke. Riou is an avid cook, but the joke is never that he wears an apron and knows his way around an outdoor kitchen (tee-hee, men don't cook!). It's that he cooks with horrifying ingredients. Samatoki is a fashionista, but the joke is framed as a counterpart to Ichirou's nerdiness.
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(DoD chapter 1)
Here, it's funny that neither of them can shut up (the ペラペラ/blah blah SFX, the long bubbles filled with lots of text that's cut to indicate they kept going for longer), but the object of their attention--a model toy and a pair of jeans--are treated in the same neutral light. It's very common for stories to touch on, even defensively, the social taboo of men being into clothes. Hypmic doesn't even acknowledge that such a taboo could exist.
This is subtle but extraordinarily effective in giving characters the same consideration and weight. The more feminine characters are always treated just as sincerely (or, if there's a joke to be made, irreverently) as the more masculine characters. Take Ramuda, for instance. In Japanese media, a love of sweets is often characterized as feminine and will often be remarked upon, even in LGBT+ media, as atypical for men. Again, there's zero acknowledgement of such a thing in Hypmic. Whenever other characters talk about Ramuda's food intake, it's always framed as a concern about the lack of nutrition.
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(FP/M chapter 11... I don't have the source lying around on my computer, so here's the old-ass scanlation lol)
It's also given the exact same weight as anyone else's junk food habits. Here, MCD goes out for burgers (a neutral to masculine-coded food due to the meat and high calorie count) while Ramuda opts to try a sugary Starbucks-esque drink. The parallelism in the comic's framing suggests that the two objects are functionally the same, and there is no comment that a sugary drink is feminine and therefore "inappropriate" for Ramuda. There's also no indication that MCD's preferences are in any way better. They simply happen to be the characters' personal preferences. The punchline is two groups splitting up, only to awkwardly run into each other again moments later.
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(DoD volume 4 bonus comic)
Similarly, Ramuda's interest in clothes or fashion is never treated negatively--in fact, the discussions of clothes as a means to find identity and happiness make it a positive!
In ARB cards and promotional materials, Ramuda sometimes wears dresses. It's, again, portrayed in parallel to other characters wearing more masculine clothes and is never commented on as something "unusual." It's just who Ramuda is.
Hifumi is another interesting case. Like Ramuda, his playful personality often doesn't as stereotypically masculine. (To be clear, I read much of this as "gender neutral with a strong emphasis on youth" versus "feminine" in a way that I'm not sure has a good US equivalent...metrosexual/yuppie men's fashion, maybe? In the sense that it's a youth subculture that defies some masculine gender roles but is still focused mainly on men. I wish I was more well-versed in Japanese men's fashion and could give an exact term, but I'm what I'm thinking of is definitely an established thing--young, trendy dudes whose styles focus on poppiness vs. the rugged manly man or "idk, I'm just some guy" subcultures. It's a thing that pisses off old Japanese conservative men in the same fashion as people getting up in arms about "the gayz!!!1!" and their androgynous clothing lol.) Their personalities are often the butt of jokes, but only in the same way that Dice or Doppo are--that is, that they're exaggerated and over the top. There's no commentary on masculinity or lack thereof.
There are also moments when Hifumi, Gentarou, or other characters play feminine characters in roleplay moments, which is usually (but not always) not the sole joke. The audience is supposed to find it funny, but the humor is almost always centered on the absurdity of the scene as a whole. For instance, in a moment where Hifumi and Doppo are pretending to be two drunk karaoke-goers, the humor comes from the composite set-up of Hifumi's hair twirl, Doppo's untucked shirt and tie, Doppo and Hifumi's exaggeratedly flirtatious poses, the spotlights and sparkles, and the same font as used on classic karaoke machines.
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(FP/M+ September 2022 oneshot)
Hifumi and Doppo do not perform traditional gender roles in their homelife, and while it's easy to see and often commented on in the English-speaking fanbase when it comes to Hifumi, I find it just as prevalent on Doppo. It's true that Hifumi is taking a feminine role by doing the majority of the household's cooking and cleaning, but if we were to assume Doppo has the masculine role in the household, he would have the breadwinner duty. However, he isn't the main source of income for their household, and he's just as unassertive in finding a (female) romantic partner as Hifumi is. Japanese men are bombarded with media messages stressing the importance of taking an active role in career and romance. That Doppo does not would, in many stories, make him the butt of a joke for not living up to masculine gender roles. But he isn't; instead, Hypmic portrays him as a sympathetic character. It's tough, Hypmic says, for people to get good jobs and maintain friendships/relationships as an adult.
Similarly, it's noteworthy that Hifumi's self-appointed term "Gigolo" is consistently portrayed as a good thing in Hypmic. The meaning of the English term aside, the Japanese word ジゴロ (jigoro) is almost always used as an insult for a man who is financially dependent on one or multiple women. In the strictest sense of the term, Hifumi is a jigoro in that his income derives from his female clients. However, there is never any shame associated with that, and as a whole, Hifumi's career as a host is shown to be a positive thing. I can't express enough how rare that is in any sort of semi-serious media. Certainly, Hypmic acknowledges that his job requires too much drinking (Doppo's verse in Hoodstar), but the overall portrayal is overwhelmingly positive. Hifumi and his coworkers are never treated as uneducated, boorish, or pathetic for "failing" to find other work that does not require flirting with and entertaining women. (This is partially due to the overlapping judgment with sex work.)
All the various harmless preferences and personality traits of the male characters are treated equally with no judgement over what's masculine or non-masculine. Within the broader context of Japanese media, this absence of judgment stands out and reinforces one of Hypmic's core themes: Differences make us better, not worse. In the end, Hypmic suggests, there's no one right way to be a man.
Right Ways to Be a Woman...Are Just as Infinite!
But what about women? This series is, after all, marketed mainly towards women, and while female audience members can no doubt extrapolate the lessons learned from the male characters, it's worth taking a look at the female characters too.
The female characters do receive much less screen time than the men and are not the focus in the series; I'd argue that's less an issue of overt sexism and more that they fall out of focus in the story the writers want to tell. (There's a broader discussion to be had about inherent sexism in the writers' focus which goes hand-in-hand with rap industries across the globe favoring men and rap being an example of exaggerated masculinity, but that's a topic for another day.)
Even so, the framing of the female characters is interesting in a couple key respects. The individual character arcs and motivations of the main female characters are, in my opinion, some of the weakest parts of Hypmic--many times, Otome and Ichijiku do things because the plot demands them to, making them look incompetent or needlessly cruel for characters we're supposed to sympathize with. Nemu's story seems to be handled with more care and takes an interesting twist, wherein she openly acknowledges that she's disenfranchised as a woman in modern Japan but rejects the notion that she needs to find strength on either Ichirou or Samatoki's (male) terms. By choosing to be strong in "her own way" (whatever that means...it's not well-defined), the authors are using Nemu to reject the notion that strength and power are inherently masculine.
What I find to be far more interesting is the character design for the Chuuouku women, both in what is said and what is not said.
To begin with, the characters and their portrayals run the gambit from highly sexualized to completely non-sexual. Some characters (especially Ichijku and Honobono) have conventionally attractive, curvy body types and are often drawn in ways that highlight their bodies.
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(FP/M+ chapter 4)
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(FP/M+ chapter 14)
In some cases, especially Honobono's, the enticing nature of the illustrations is framed as the character's choice; in the above, her words indicate that she wants to seduce the off-screen listeners. The images included above are largely representative of these characters' raps, regardless of illustrator.
But on the flip side, other characters with large breasts or hips are never drawn in a sexual fashion. By way of comparison, here are two shots of Nemu rapping.
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(BB/MTC+ chapter 12)
Even in shots with dynamic poses, no attention is drawn to Nemu's figure in any sort of provocative sense. Nemu touches her chest, drawing the reader's eye there, but the artist does not emphasize the size of her chest--they're allowing a chest touch to be no more than an emphasis of the self. At the same time, Nemu's body isn't downplayed. We can see in panel 2 on page 2 that Nemu has a small waist and wider hips, but once again, she isn't being sexualized. The action lines draw the reader's eye to Samatoki and thus put the action first and foremost. This creates the idea that not only can characters portray themselves sexually, but they can just as easily choose not to.
We see similar with Otome, who does not wear any sort of revealing clothing and is never shown in a sexual fashion. However, Hypmic doesn't equate revealing clothing to sexual portrayals either! While I wouldn't call Tsumabira's outfit revealing, she does have more visible cleavage than most Chuuouku figures. However, her bare chest is never sexualized like Ichijiku's.
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(BB/MTC+ chapter 4)
Compare the non-emphasis on the chest and the power stance to any of the many shots of Ichijuku where her breasts are front and center in the camera. Speaking of power stance, Tsumabira remains confident in her power stance without being sexy--that is, no stepping on the camera and showing her whole leg.
Which isn't to say that Tsumabira is a sexless character. She's drawn visibly turned on by the male characters in such a way that is cartoonish but not, in turn, overly sexual. Were this supposed to be titillating to the reader, I would have expected to see a larger close-up on her face and tongue. However, the artist (who is no stranger to focusing on tongues!) devotes the majority of the panel to Tsumabira's body language (which, again, doesn't absurdly exaggerate any of her proportions or focus on her chest) and covers part of the mouth with text bubbles. Tsumabira is drawn as engaging in sexual behavior without being sexualized for reader entertainment.
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(FP/M+ chapter 4)
The juxtaposition of such different views with little to no judgement attached to any of them suggests that it's perfectly okay to want to be sexy or not, to wear revealing clothing or not, to be involved in sexual situations without being the object of sexual interest, or to simply exist with an attractive body type without sex ever coming into the equation. Just as some characters choose to tie bodies to sexiness, some don't whatsoever--and either is perfectly fine!
The former idea ("I can choose to be sexy") may not sound especially revolutionary to US audiences, where sexuality is thrust upon women willingly or otherwise, but I find it fascinating because it lets the main characters embrace this idea without associated slut shaming. So much of Japanese media insists that women should be sexy but are also wrong for wanting to indulge in their own sexuality. Therefore, having characters who run virtually every iteration of take on the topic (I want to engage in sexuality and be sexualized, I want to engage in sexuality without being sexualized, I don't want to engage in either) with multiple body types (ie, Tsumabira isn't automatically not sexualized because she has a smaller chest; Nemu isn't automatically sexualized because she has a bigger chest) and no judgement involved feels like another breath of fresh air to me.
As a whole, I find the diversity of the Chuuouku uniforms and character appearances quite interesting. They're undeniably all feminine and relatively militaristic, but different characters wear entirely different wardrobes. Skirts vs pants, blouses vs dresses, high heels vs boots... Since every character has her own take on the common theme, it once again feeds into the idea that each character is her own individual and perfectly valid for defining femininity in her own way.
Haircuts, too, range from longer and more feminine hairstyles to pixie cut-esque looks.
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(BB/MTC+ chapter 16)
Again, nothing of the framing suggests this short-haired woman is in any way different from her longer-haired counterparts on the edges of this screenshot.
Finally, while most Chuuouku women are conventionally attractive, I find it extremely compelling that Haebaru is a stereotype of an unattractive Japanese woman. To be extremely clear, I do not think these stereotypes should have weight, but the combination of chubby and/or muscular build, freckles, rounded nose, and non-glossy hair is often used as a visual shorthand for unattractive or otherwise undesirable women.
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Sure, it's not fantastic that Haebaru is a scheming, two-bit villain. However, so is virtually every other female character in the series, and in particular, Haebaru is (the conventionally attractive) Tsumabira's counterpart. Both are treated with the same respect or lack thereof, suggesting that one's appearance has nothing to do with your ability to be a no-good baddie. Ha ha ha.
It would be lovely if the female characters were fleshed out further and given intelligent choices and diversity outside of the realms of physical appearance. However, I do think the writers' choices are limited by virtue of all women automatically being antagonistic side characters (which, again, is another discussion altogether). What the writers can and have accomplished is further reinforcing a celebration of differences. Just as there's no one right way to be a man, there's an infinite number of ways to be a scheming snake of a woman HAHA.
Intersection with LGBT+ Topics
Unfortunately, this is a very binary look at gender and gender roles, which, while largely representative of the current state of Japanese media, can be disappointing.
Hypmic appears to want to steer shy of LGBT+ topics as a whole, which is a bit of a shame. In a story so focused on gender and acceptance of diversity, it seems the natural next step to explore the notion of those who experiences don't align with a strict gender binary. Such stories are growing in popularity in Japanese media but have yet to be anywhere near the mainstream acceptance in US media (which is still in a fledgling stage at best). I would imagine Hypmic's writers are unable or unwilling to take a definite stance on these topics in the work due to fears of financial or career backlash. If nothing else, the sexuality of the main characters needs to remain in a limbo in order to have plausible deniability for both self-shipping and shipping with other characters. (Some deniability may be more plausible than others.)
The few instances in which Hypmic does wander into this territory are usually clumsy. I am no fan of the handful of scenes where male/male attraction is supposed to be funny purely by virtue of being male/male.
The inclusion of Urumi, the one minor character explicitly LGBT+, is not stellar either. I am hesitant to apply any definite label to her, as the real-life people her stereotype portrays self-identify as everything from trans women to cis men--or refuse to use these English labels at all! Still, we know from her profession (proprietor of a bar heavily implied to be a gay bar by the neighborhood it's in), appearance (poofy permed hair, exaggerated make-up), and demeanor (feminine speech style, a bit flirtatious) that she's AMAB and choosing to present herself in a feminine fashion. By writing Jirou to ask, "Aren't you a man?" in an exasperated fashion, the writers have put her gender presentation in a boke role--suggesting she's over-the-top, exaggerated, comedic. It's not great. I completely understand why readers find it offensive (and it is) even while I don't think the writers intended it that way. Ultimately, it would have been great to see other explicitly LGBT+ characters portrayed without the joking angle.
With that said, I'm not entirely unhappy with her character. She is a stereotype, but the authors have chosen to take only the visual elements of the stereotype and leave the rest on the cutting room floor. In other works of fiction, characters like Urumi are often hypersexual to the point of being in-universe creepy, especially towards underage boys. Other times, characters like her may be eccentric or off-putting in other ways. However, that's not at all the case here. Urumi seems to play a helpful big sister/aunt role in Jirou's life, and he's clearly comfortable enough with her to spend the night at her bar.
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(BB/MTC+ chapter 17. "Sorry, but can I shack up here again tonight?" "Of course you can.")
While she seems to engage in some sort of a bohemian lifestyle, as evidenced by the alcohol and smoking, it isn't anything outside of what many of the other characters do. Additionally, while she isn't drawn in a flattering fashion in scenes where she's playing up her persona (which is par for the course with any character in this series, regardless of gender), there are plenty of neutral shots of her being serious. Finally, the art is never outright rude--that is, she isn't drawn exaggeratedly masculine or flamboyantly...snakey? I don't know how to describe this to anyone who's lucky enough to have never seen this--clearly LGBT+ AMAB characters drawn with noodly limbs and huge, overblown lips winding around male characters.
Maybe because I see so much worse continuing to be produced in this day and age, I feel like Hypmic could have done a much, much worse job with this character. She overall plays a positive role and is treated with much the same care as other side characters. It's unfortunate, then, that the writers have chosen to make her gender presentation the subject of a joke.
In other frustrations, I heavily dislike the unnecessary gender divide in background characters. All punks and other background baddies are male, whereas all adoring fans are female. (But Rhyme Anima has done an interesting job of subverting this!) The vast majority of other background figures fall into strict gender roles, which is likewise disappointing. It appears that diversity may be an accepted trait for none but a lucky few that form the main Hypmic cast.
All in all, I don't think Hypmic's portrayal of gender roles is groundbreaking, nor do I think it's fair to suggest that all Japanese pop culture plays into strict gender roles. There are certainly many Japanese works, popular or otherwise, with much more interesting things to say about gender. However, when compared to the vast majority of the titles that cross my desk on a regular basis, I notice and appreciate the level of care put in to Hypmic's commentary on gender roles. The work consistently reinforces the notion that it's okay to be your own individual, no matter how that plays into your gender, and I find that freeing. That's a message we could all do to hear more often, regardless of culture and language.
TL;DR: Oh no, my rapidly approaching deadline. :)
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funnywormz · 3 days
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I think this shitshow with Toshiro stems from the trend of people INSISTING that interpersonal conflict must be a moral failing. Like I think there's something to be said about how people afford so much less patience to people who are autistic in the "wrong" ways, but also Laios and Toshiro just clash on a fundamental level that has nothing to do with that. Hell, you could read Toshiro as autistic as well. People related to Laios' side of the argument but instead of getting any nuance out of it they started projecting their experiences with ableist people onto Toshiro.
AGREE AGREE AGREE. i think that Fandom Brain gets people very used to thinking of conflicts in terms of "who is the bad guy and who is the good guy", so when they encounter a more nuanced conflict they don't really know what to do. i don't think toshiro is a bad person at all, in his conflict with laios he's just exhausted and starving and has been pushed to the limit and from his perspective, laios doesn't even seem that emotionally affected by the situation. i don't think what he said was right and it was pretty cruel, but i don't think he's a villain or deserves to be permanently hated as a character just bc he fucked up this time lol
also yeah you could definitely read him as autistic, and i think that highlights an issue in the autistic community in general bc like....... a lot of autistic people have conflicting needs which can lead to conflict between them/make them unable to stand being around each other. and it's not because either of them are neurotypical or bad people, they're just incompatible. like autistic people who loudly stim vocally and autistic people who meltdown when they have to be around loud noises, for example. it doesn't mean either of them is bad or not autistic, just that they have conflicting needs
i 100% agree with the last part too. i disliked toshiro at first myself bc i had been (and still do ngl) projecting onto laios hard and the conflict they had reminded me of times when people have been mean or angry at me irl for social blunders i've made unintentionally, or when someone i thought liked me/was my friend turned out to actually hate me. it's a common experience for autistic people and that scene resonates with that! but i think it also helps to take a step back from projecting our own traumatic experiences onto the scene and just look at it objectively. laios isn't perfect either and he's the one who actually starts the physical fight by slapping toshiro (i feel like i don't see many people mention this lol). i feel super bad for him in that scene but he's not a perfect victim and has done things wrong himself too
as an autistic person i've also been in situations where i can relate to toshiro too lol, like where someone is overly physically and emotionally familiar with me when we don't know each other well and i've wanted them to back off but haven't been sure how to say it without hurting their feelings. this kind of conflict is far from just being a "neurotypical vs neurodivergent" thing as a lot of people portray it in the fandom
idk i just wish people would think a little more deeply about the scene and put their own emotions and experiences aside to instead consider the conflict with the added context of the individual characters and their respective cultures + the situation they're in. people don't have to like toshiro but i wish they wouldn't paint him as a villain or make up awful shit about him just to justify their feelings when he isn't even that bad of a dude in canon yknow 😑. also we literally see him at rock bottom struggling and freaking out and i think that's important to remember. in a different context i doubt he would have ever said those things to laios
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writingonleaves · 2 days
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were you sent by someone who wanted me dead? (did you sleep with a gun underneath our bed?) - jeremy swayman
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pairing: jeremy swayman x original female character
warnings: swearing, pretty angsty. hopeful ish ending because i can't do sad endings, very personal but i think many can relate in their own way, cliche ish, barely proofread
inspired by + title: "the smallest man who ever lived" by taylor swift
word count: 5.6k
author's note: i'd argue almost every piece any author writes is personal, because it has their life interspersed through the words. but this one really is, because a majority of this is the exact same words i wrote years ago after a break-up. heard the bridge to this song and immediately knew i had to write something inspired by it. also trying a new format of sorts (maybe a bit meta??), so i hope you enjoy and lmk what you think!!
~*~*~
When Noelle Betsko walked away from Jeremy Swayman, holding back tears until the call dropped, she knew it was going to be a tough time for the foreseeable future. 
It didn’t matter that the pandemic had forced them apart. She knew she would still feel him for months to come.
She did the only thing she knows how to do when trying to deal with things. The one thing she always resorts to as an aspiring novelist. Sometimes on her laptop when the words were spilling out too quickly for her brain to catch up, tears littering the keyboard. Usually in her old beat-up journal, scribbling in the cursive that Jeremy claimed he always loved (“It makes your handwriting unique”) with the pens he had gifted her just a few months prior. 
At the age of 21, Noelle got her heart broken for the first time. At the age of 26, she’s about to publish her first poetry collection of sorts, all of the poems modeled after journal entries written throughout her life. So not really poetry, though her mother would say otherwise. 
She swallows as she thumbs through the middle part of the first known and binded copy of “miscellaneous.” There are only eight entries in the whole collection that are taken verbatim from her past writing. These are the eight.
May 13, 2020 (three days post-breakup, crying in my childhood bedroom)
I don’t even recognize who I was and who you were in those writings before these pages filled with love and hope and happiness. I can’t even summon up those feelings anymore that I knew existed at one point. Those feelings of complete bliss and love for someone so deep you can’t explain it. 
I’m mad at myself for not being able to conjure those feelings, because at one point, I did love you. How could something that was part of my daily life for over two years just disappear so quickly? 
But now, I’m not mad at myself. I’m mad, but I don’t know where to direct that anger to. I feel a bit empty sometimes, but then frustrated the next. Sometimes I get sad, but not so much compared to the other feelings. I spent enough time being sad during our relationship.
When we broke up, on an annoyingly beautiful Tuesday in May — over the damn phone, mind you, which whatever, it’s COVID. Fine — You told me you felt like you had been putting more effort into us. 
At the time, I didn’t react, but I’ve been thinking about how angry that statement made me. Makes me, actually. I was always very open with how much I gave to that relationship. How much it meant to me. How much it affected me. But I understand that with some people, sharing everything too much equates to things not meaning anything anymore. But you out of all people should’ve known that I mean everything I say.
I felt like I gave so much. I know I gave so much. When I told you I loved you, I always meant it. Every single time. When I told you I missed you, I always meant it. I wished you were right next to me at that moment. I mentally gave so much, because to me, I wanted to. You were always on my mind, always high up on my list of priorities. I never took us for granted.
I’ve been questioning if that was the same for you. Did you start becoming complacent?
The second thing you said that day that hasn’t left my head is that you knew me pretty well. And initially, I remember not thinking much of it. So I don’t doubt that; you always knew right when I was about to cry, even over the phone. You often knew when I was mad or upset, but when I look back now, you never pushed. Which is a good thing, to an extent. But it was a bad thing sometimes too. I knew you often wanted to give me space, but sometimes I didn’t want space. I wanted you to push. To try to understand. Maybe that’s unfair of me; it probably is. I should just say I want to talk about it more, right? 
But if you genuinely knew me, you would’ve known.
After two years, seven months and 12 days,  I still feel like I didn’t know you. Did I ever know you at all?
When people talked shit about you, I always defended you. And I still would defend you now. But lately, I've questioned what I’m even defending. All those good qualities that I thought you had, were they even real? Of course, I know some of them were, to a certain extent. But as I look back on us, there’s a lot of doubt about whether I even knew the person I called my boyfriend for so long. I know there was a point where you cared about me, but I can’t remember when. 
I often felt like I was letting you know so much about my life, but you didn’t do the same. I get that sometimes a person just wants to forget about the bad and focus on the good with a person you like for awhile. I get that. But once that was happening every damn time? That should’ve been a red flag. 
June 7, 2020 (twenty eight days post break-up, outside my childhood room on the deck) 
I don’t understand how you can give so much to something or someone and have it not be recognized or appreciated or enough. If I wasn’t enough for you, how will I be enough for anyone?
I hope one day you’ll truly understand how much this hurt. Not just the breakup, but feeling like I was always being pulled in a direction I didn’t always want to be pulled in. Feeling I was stuck between a rock and a hard place and never ever being able to win. I hate that I settled so much in the last year. Because I should’ve demanded more, even though deep down I knew you were never going to be able to give it to me.
I think back to our past daily texts, and I just don’t get it. At one point, we both meant the things we said to each other. 
Yet we still hurt each other. 
This fucking hurts.
You’ve hurt me so much, but most of it wasn’t intentional, which I think is somewhat even worse. Because I’m not totally mad at you for causing the pain. You never did anything outright to cause me pain, but I still feel like you did. 
Unintentional pain almost stings more than intentional. 
When I asked you out that night after we were both on an emotional high, I took a chance. For once in my life, I took the leap, knowing that I could get humiliated or hurt or just straight up shot down. 
Where did it all go wrong? Or, more realistically, how did we think that we could go through the wrong when it was there at the start?
I’m trying not to blame myself too much. Trying not to tell myself that I should’ve known better. 
All those times, especially at the start, when I would ask you if you genuinely liked me, you always thought I was just trying to be annoying. But you never understood that I genuinely thought that way. My self confidence from the start was lacking, and you didn’t try to understand that, because I come across to everyone as confident and self-assured. 
It hurt, when you would brush things off like that. I felt like you didn’t care.
And then, it got to the point where I stopped asking that question. Part of that is because I did become more confident and you did show that you cared, and part of that was because I knew it would piss you off.
The amount of things I was scared to talk about with you because I knew it would piss you off? I don’t wish that feeling on anybody.
I shouldn’t have been scared. I shouldn’t have been uncomfortable. But I was. And if you did notice like sometimes you claimed to, why didn’t you make it more comfortable for me? Was that too much to ask for? 
So larger than life that at the end, you faded into just the smallest man who ever lived. Fuck you.
Was it too much to ask for when I just wanted to know why you were upset? You didn’t have to ever tell me the full story (lord knows there were times I didn’t), but was it too much to ask for something? You told me once that I’m the person you’ve told the most to. How? You barely told me anything. And when I wanted to talk to you, whether it was about growing up in Alaska or why you were in a bad mood last night, you always brushed it off. Always. 
So I don’t feel so bad about feeling like I gave more effort. I gave so much of myself to you. If you really cared about me like you claimed you did, why couldn’t you show even just 1% of that care back? Or just meet me in the middle?
I could’ve tried harder to meet you in the middle, I’ll admit that. But you didn’t even give me a map or a clue how to. 
I felt so fucking left in the dark. I felt left in the dark about my own fucking relationship, something that I should be completely sure about. If you really love someone and care about them, how can you leave them in the dark? How could you not even see that I was struggling to find a flashlight?
You did care about me. I know that. To some extent and at some point in time, you did care about me. But caring about someone and their well-being isn’t always enough.
Why couldn’t you have worked with me? When I was extending my hand out, why didn’t you reach for it? How can someone just be so blind? I mean, I’m practically always spelling it out for you. 
Maybe I am being selfish. But fuck, I just wanted to be happy. At some point, you made me happy. When did I start making you feel like I wasn’t enough? Why wasn’t I enough for you?
It’s useless, in a way, to keep going about this. Because I know I deserve better. And we’ll both find people who are better for us. We just couldn’t be that person to each other.
I fucking loved you.
I wish it ended differently.
July 8, 2020 (fifty nine days post-breakup, in front of the lake)
I really really fucking miss you. 
I do. 
I miss being able to text you that i love you and not necessarily expecting a response until the next morning. I miss knowing that as soon as you wake up, you’ll text me back and assure me that yeah, you love me too. 
I’m left feeling bittersweet as I look back on memories that are just splashes and not definite strokes on the canvas that used to be us.
I miss having you as a friend. 
I’ve been having more urges lately to want to text you. And it isn’t even anything important. Just moments I experience throughout the day.
Do you get the urge to do the same?
July 19, 2020 (seventy days post-breakup, still in the same damn house)
It’s hard. It really is. And it kinda just hits you at random parts of the day. Sometimes I wake up from a dream that you were in and have to remind myself that it didn’t happen. 
Sometimes it physically aches when I realize that you won’t ever help me put on my jacket again, or complain that my hair is in your face when we’re lying on the couch watching Brooklyn Nine Nine, or groan when I drag you up to dance with me (which you never improved on, no matter how many times I tried to teach you basic rhythm). I can’t view our song the same way anymore, and I don’t know if I’ll ever be able to. 
The other day, I read some simple thing on Twitter. I don’t even remember what it was, but I do remember that for a split second, I could see your smile in my mind. But it wasn’t just any smile. It was the smile you gave me when you took me ice skating that first time. I remember asking you what you were smiling at, and you said that you just were taking in this moment. I don’t know if you took a mental picture that day, but I know I did. That day seems so long ago now. 
In almost anything I do, you somehow pop into my mind or into the conversation. And it’s not even in a harmful way either. It’s because you were part of my life for so long. I see a dog on the street, and it reminds me of how you always stopped to pet every single one we’s see I write something in my messy handwriting, and I remember how you always used to complain that you couldn’t read the notes I’d occasionally leave around your place when you went away. I went to the doctor’s the other day, and they said I was 5 feet and 3 inches, which is just definitely not true, and I almost reached for my phone to text you, because you would’ve cackled and insisted that no, I’m 5 feet 2 inches and it wouldn’t even matter because I’ll always be shorter than you. It’s simple and minute things that make me miss you that much more.
I still can’t listen to some songs the same way anymore, but I can at least listen to them now, which is a feat in itself. I was unpacking from college and found the teddy bear you sent me the first extended time we had to be apart and had to immediately put that out of my sight. From those boxes also came photos that I had decorated my dorm room with, and to be honest, I’m glad now that I let you keep our best one. I deal with all my emotions, besides writing, by making Spotify playlists, and I made a new one earlier this week. I think it’s helping. It’s a slow process, this whole moving on thing, but it’s one that I’m trying to be grateful for, because like most things in life, you just don’t truly know until you go through it.
Sometimes, I find myself wondering how you are and how you’re healing. But, even though we’ve both changed since the day we met, if there’s one thing I know, it’s that you’re incredibly strong and stubborn. I hope that you’re finding some growth in this process too. 
October 17, 2020 (one hundred fifty seven days post-break up, apartment in orono)
It’s been almost 5 months, and you still cross my mind everyday. 
Why wasn’t I enough for you? Why didn’t you fucking tell me what you were thinking? Why was I the one who had to approach you just because I was just so done with the silent treatment?
But I’m not mad at you. Not anymore. The mad phase passed ages ago. 
Closure is a fake word. Even a breakup as mutual and smooth as ours was still left me with so many questions that will probably never be answered. 
Any breakup fucks you up to some extent. I knew it was going to mess me up even back when we were together. But not like this. Never like this. 
But like anything in life, I guess you can never really prepare for what you think you might feel, because most of the time, you discover a whole new side of you that you never thought existed. 
I don’t miss you. I don’t. I don’t feel that love in any way anymore. 
But I did once.
You did too, right?
November 15, 2020 (one hundred eighty six days post break-up, fogler library)
I hate Halloween. 
Though, it did bring me to you three years ago. I’m pretty sure I fell in love with you right then and there. 
Three years later, you texted me on Halloween, five months after our breakup. The universe really, really wanted to fuck with me. 
It was a tough night for you. I knew that. Because I know how you are after losing a game you should’ve won. But that didn’t mean that I owed you anything and had to respond. 
We agreed on no contact if we ever wanted to stay friends. Clearly, friends is out of the picture now, but come on. A vulnerable text after a bad night because you know I would feel bad for you?
Fuck, you know how much I would hate that. You had to have known. 
Just because we’re not dating anymore doesn’t mean that everything about you just disappears. I still know your tendencies. I still know exactly how my head burrows into your chest during a hug. I still know the actions I used to do that would be followed by you attacking me with a hug. I still could point you out in a crowd. 
I looked for you in every crowd for years. 
That stuff doesn’t just go away, no matter how much I want it to. But fuck. Fuck. Why did you text me? 
I don’t regret how I handled it. I probably would’ve responded months ago. But just like you, I’ve grown these last couple of months. 
It was comforting, for a split second, to know that maybe, just maybe, these past couple of months have been hard for you too. It makes me feel human. It makes me feel like I’m not crazy.
I’m glad you texted me. You gave me another level of closure I hadn’t known that I needed until then. 
But fuck, dude. You know me better than that. You should know me better than that. 
I hate Halloween.
November 26, 2020 (one hundred ninety seven days, at the coffee shop i brought you to when you came home with me two years ago)
I don’t regret loving you, but I hate you for what you did to me. 
Or maybe not. 
I hate knowing that even though we haven’t been in a relationship in a bit, it feels like sometimes, you’re on my mind the exact same amount when we were dating. I hate knowing that I gave so much of myself and my love to you, and it always felt unrecognized. 
Fuck, will it ever stop hurting? Will I ever be able to have to stop myself from thinking about you? Will it ever stop?
Fuck. Fuck. Fuck. 
Happy birthday. I hope you enjoy it.
June 12, 2021 (three hundred ninety five days post-break up, in boston, visiting a friend)
Tonight, when a friend asked me about you and how I felt about how we ended, I was able to articulate my thoughts clearly. I’m really proud of myself for getting to a point where I can take the lessons I learned the few months after we broke up and acknowledge them in a succinct way without breaking down into tears. Just watery eyes and the occasional voice crack 
I’m also proud that I can say that when we were dating, I lost a bit of myself. For months, it was really hard to admit out loud.
I’m proud of how far I’ve come. Sometimes, I wish I could call or text you about it, because I think you’d be proud too. And I know I’d be proud of you. I am, to be honest. I do break resolve once in awhile and check on you through various avenues.
I still haven’t seen you in person since the last time COVID made us say goodbye. Maybe I never will again. But day by day, I’m starting to accept that and be okay with it. I’m accepting that memories that used to be so painted in my mind are blurry or almost completely erased now. But that’s okay. Honestly, it’s probably for the best. 
I wonder, when you think about it, if you think about different moments that I do. That’s the thing when something ends. You have to be okay with letting go of those moments and realizing that just because you forget them, doesn’t mean they weren’t important. 
I don’t think I miss you. I hesitate in saying that. Because I’ve moved on and handled the aftermath of it better than I think both of us ever thought I could. When you hung up the phone for the last time, I proved to myself again that I’m stronger than I give myself credit for. I think we all are. But we don’t realize it until we’re thrown into a situation that we think we’ll never be able to overcome. 
But we do. Whether it’s because we’re forced to because there’s no other option, it doesn’t matter. Because we get through. We move on. 
I hope you're moving on. 
And then it goes into other topics, graduating during a pandemic specifically and losing what’s supposed to be your last year of no responsibilities before adulthood. There are other poems in here that reference a past relationship, but not as much as these eight. 
If there’s one thing that Noelle did change, it was taking out the details. Jeremy may have hurt her, but he doesn’t deserve someone possibly making a connection between these poems and their shared background. She’s not a famous author by any means, but she wanted to be careful.
Not that she makes that part of her life publicly known. People don’t need to know that her brother was Jeremy’s captain for two years at Maine and that’s how they met. 
Noelle grew up going to rinks. She hasn’t gone to one since they broke up. 
But also, what the fuck? It’s been five years since she’s dated the guy. She really is over it by now, even if his rise to stardom in the Bruins flittering on her social media feeds still sometimes has her swallowing a bit before she can continue with her day. 
Brooklyn is far enough from Boston. But sometimes it feels like it’s right outside her door. 
She’s proud of her first published work. She really is. People believed in her and after numerous notes swapped back and forth with her editor, she did it. She always knew she wanted to work in publishing. She never knew she herself would publish anything.
And here she is now, two weeks after the book release, in Boston, about to do a q&a and a signing. Apparently, “miscellaneous” has been on top of numerous lists and it’s flying off the shelves. Noelle can’t really believe it and tries not to think about it too much, trusting her agent with all of that. 
She’s happy to talk about her work and process though. That she can handle. And she’s grateful for all the love.
After a signing at a local bookstore, she decides to walk the 20 minutes home in the Boston fall. It’s a bit brisk, but she doesn’t mind and she just wanders, belly filled with delicious sushi she inhaled for dinner with an old friend.
Of course it happens the one time during her walk when she doesn’t avoid eye contact with someone. The song playing in her earbuds fade out of her focus and she almost stumbles. 
Jeremy’s eyes were always Noelle’s favorite thing about him. She thought she would’ve forgotten what they looked like by now. But clearly she hasn’t. 
Her eyes quickly cast to the person next to him. It’s definitely a girl. They’re a bit too far away for Noelle to pick out details. But it’s enough. He’s walking on the side closest to the street. It’s a Friday Night in a bustling part of the city. 
It hurts. She wishes it didn’t.
Even from far away, she sees his eyes blink in recognition. Noelle puts her head back down and walks faster. 
(She cries in the shower when she gets back to the hotel. She had debated feeling super sorry for herself and going to the hotel bar but refrained)
She has a few free days in Boston before flying back to New York. When she wakes up the next morning, she debates on going home early. But no, she won’t let a three second glance at someone ruin her time here. She used to occasionally come here during her college days. She loves this city. 
The city may be Jeremy’s, but she can make space for herself here too. 
She takes her time at a cafe, people watching and eating some breakfast. As she takes her coffee to-go, she looks out the window at the bookstore she was in the night before for the signing. She almost drops her coffee. 
Jeremy walks into the book store. 
Now, Noelle is debating her options. What she should do is continue with her day and walk in the opposite direction. But she’s always been too nosy for her own good. And maybe a bit self destructive. She decides to leave the cafe and cross the street immediately, so impatient to where she’s almost tapping her foot as the pedestrian signal stays red. 
As a writer, she’s no stranger to movie moments. The scenes written in books or movies where the timing is too accurate to be real. The situation too good to be true. But after a car speeds through an orange and she can finally walk, she stops in her tracks instead, feet glued down to the sidewalk.
Because Jeremy is right in front of her on the other side of the street. Her book in his hand. And he’s looking right at her. 
The first feeling she can recognize in herself is anger. Anger at the way their relationship panned out. Anger at the way they ended. Anger at the radio silence the years following. Anger at him for everything. Angry at herself for everything. 
The second feeling is, weirdly, shame, which she’s embarrassed by. There’s nothing to be ashamed of. But she feels it anyways. 
The third, and perhaps the most prominent, is emptiness. Five fucking years later, and she’s brought back to the emptiness she felt immediately after they broke up. The emptiness that the person you loved isn’t yours anymore — who maybe wasn’t ever yours to begin with. 
Before she can run, he’s already crossed the street to her. He looks naturally different as someone who you haven’t seen in five years would. But he also heartbreakingly looks the same. 
“We should get out of people’s way,” Noelle manages to chokes out. 
Jeremy laughs a bit. Her heart lurches. “Yeah.” He starts walking and she follows him wordlessly. This is his city after all. 
He leads them to a bench under a tree with beautiful fall foliage. She puts at least a foot between them as they both sit down, staring out at the people passing. She can’t take the silence. 
“I see you bought my book.”
“I did,” he replies evenly. “Congratulations. I always knew you would do it.”
She squeezes her eyes shut. Maybe if she squeezes hard enough she’ll forget when she originally pitched Jeremy the bare bones idea of the exact same book that’s currently in his hand. “Thank you. Congratulations to you too. On everything.”
“You’ve been watching?”
She shakes her head. “No. But, you know Seth and…yeah. It comes up during family calls sometimes.”
“Why didn’t you say hi last night?”
She looks pointedly at a couple walking their dog. “You seemed busy.”
“She wasn’t-that-it doesn’t mean anything.”
“Oh. Because that makes me feel so much better,” she spits out, before taking a deep breath. “Whatever. It doesn’t matter. We broke up ages ago.”
“I’m sorry,” she gives him a look and is slightly proud of how he seems to shrink into himself a bit. “I-I know it’s five years too late. I know I didn’t handle it as well as I should’ve. But for what it’s worth, I’m sorry.”
The thing is, Noelle always thought that maybe hearing an apology someday would make her feel better. But now that’s heard it, she’s not sure she does. 
She swallows. “I appreciate that.”
“I’ve already read it, you know.”
“Read what?”
Jeremy runs a hand through his hair. “Your book. One of my teammate’s girlfriend recommended it and I asked to borrow it. It’s fantastic,” He looks down at the book in his hand. It’s like the cover is taunting her. “I wanted my own copy.”
“Oh.” 
“Thank you.”
“For what?”
“For letting me off the hook with the poems I know were about me,” he scoffs, shaking his head at himself. “You could’ve written way worse.”
She can’t help but let out a chuckle. “I thought I was pretty mean.”
“Your definition of ‘pretty mean’ is tame compared to a lot of people,” he says, mindlessly flipping through the pages of the book. “You were always the kindest person, even when you shouldn’t have been..” 
He puts his hand out in her direction, the hand with the book in it. She furrows her eyebrows. “What-”
“Could I get a signed copy?”
“Jeremy. What do you want from me?”
He sighs, taking his hand back. “A chance to apologize?”
“You’ve already done that.”
“Not in the way I want to and what you deserve.”
She lets out a sigh, turning to face him fully. “I don’t know if that would be worth my time or yours. I know the book just came out, but that was five years ago. I’m over it. Forgive and forget, right?”
“But do you?” Jeremy counters back. “Clearly, you don’t forget, which I deserve. But forgive?” 
“We’re just going in circles now.”
“No we’re not,” he says firmly. “You’re just shutting me down because you don’t want to talk about it. I’ve had five years to prepare what I would say to you if I saw you again. You’re telling me you haven’t?”
“Of course I have,” Noelle tips her head back. “But also, what’s the point?”
“The point, is that I still love you.”
“Fuck you,” she says in a strained voice. “You can’t just-you can’t just throw that shit out there. Fuck you.”
He bites his lip, and to her annoyance, he laughs. But she listens more carefully, and it sounds very self deprecating. “I deserved that.”
“Yeah,” Noelle looks down at her feet. “So…what? You still love me?”
“I do.”
“And what are you going to do about that?”
“What are you going to let me do?”
“I live in Brooklyn.”
“I know,” she whips her head up. Jeremy looks sheepish, which she didn’t even think was something he knew how to do. “Seth mentioned it when we caught up a bit ago. I also still follow you on Instagram.”
She tries again. “It’s been five years.”
“And I’m here sitting with you and still feel the exact same way I did back then. Even more, to be honest.” He eyes her pointedly. “Any more excuses?”
Her voice softens. “You really hurt me.”
“I know. And I’m so sorry, Noelle.”
“I hurt you too.”
He shrugs. “We were young and stupid.”
“And we’re still not?” Noelle says with a snort before swallowing. “I’m not the same person you fell in love with.”
“I’m sure I’m not either. But I don’t know if there’s a world where I don’t love every version of you.”
“Even after reading the book?”
“Especially after reading the book,” he sighs. “Noelle, I know this is unfair of me. All of this. And I’m sorry it’s taken me this long to reach out. But I always intended to. And then you’re here? And I see you twice in two days? I’d be an idiot to not try. More of an idiot than I am, anyways.”
“Try for what?”
“A second chance? To be friends? Whatever you want.” He suddenly deflates. “Even if you don’t want anything to do with me. At least I’ll know.”
“Why did you never text me?”
“I thought about it a lot,” he admits. “I tried once, actually, after the high of a really good win. But it didn’t go through. I got the message.”
“The message?”
“You blocked me, right?”
Oh. “Yeah,” she lies. “I did.” She reaches into her bag for a pen and gestures for the book, which he gives to her, a curious gleam in his eyes. “I’m in Boston for two more days, including today.”
He takes the hint immediately. Eagerly. “I have a game tonight, but I’m free tomorrow.”
“Who are you guys playing?”
“Toronto. And I’m starting. Should be a good one.”
She hums non-committedly, scribbling on the inside of the front cover. She hands it back to him with a small, close-lipped smile. She nods at him to read the message.
to my first fan, 
i still love you too. 
xxx-xxx-xxxx
yours, 
noelle
He looks up, eyes shining but a bit confused. 
“I never blocked you. I just changed my number.”
“Oh.”
“And even if I still love you, I’m still mad at you.”
“I know. I’d be more surprised if you weren’t.”
She stands up, adjusting the bag on her shoulder and putting her sunglasses on. “Text me?”
His mouth splits wide into a grin. “Yeah. Yeah, of course.”
She backs away with one last attempt at a smile before turning down the street.
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lupeloto · 10 hours
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a mickey milkovich + physical affection in s11 meta/analysis
Mickey Milkovich went from flinching away any time Ian tried to touch him in a non-sexual setting to accepting physical acts of love and affection even when it’s difficult for him to do so. andddd i wanna talk about it when it is most difficult and why!
I do think that the writers did an good job at portraying the difference in the moments in which he would accept the physical touch with a smile and when it was more difficult for him to do so. (ps me saying that the writers did like anything good in s11 is a rare occurrence)
Season four is when we really begin to see the beginning of that shift into accepting it from Ian. Season five we see that he has gotten more comfortable in receiving as well as giving, especially in times of distress regarding Ian. The next time we see them as a fully functioning couple, there are definitely times in which Mickey was hesitant to accept it but only in times when he felt vulnerable and exposed.
I am going to focus on the later season here as that is when we see Mickey begin to actually address the situation with his father. For example, 11x12 when he had just revealed a genuine fear of his that branches from the abuse he faced in childhood, he flinches at/recoils at Ian’s attempt to comfort him. However, later in the episode, he accepts these joyful acts of affection from Ian because it is something he is no longer ashamed of. He does not shy away from physical affection when it comes from a place of being open and in love with Ian anymore at this point in his life.
I think that this shows that although Mickey has become comfortable and unapologetic in his sexual identity, he has not made those strides in other areas of his life. He still feels this grave shame regarding his father and the abuse he faced. He thinks it makes him weak and has trouble admitting that it is something that has impacted him to this day. Although, Ian obviously sees straight through this facade.
It is also shown in 11x06 when Mickey accepts help from Ian in getting Terry up the steps. Ian stops him, holding his head and reassuring that he is nothing like Terry. Mickey struggles to even look Ian in the eye at this time, the vulnerability so overwhelming. It is so interesting how tends to resent any affection during times regarding that part of his life that he has never fully healed from. It is also incredible to see how Ian knows exactly how to deal with him in those situations. He knows what Mickey needs, offering small acts of affection in those times until the finale. It is as if Ian was holding in this urge to embrace him, so he finally gives in and forces Mickey into the hug, knowing it is what he needed once Mickey stops resisting almost immediately.
anyways, I think that mickey milkovich has done such a long way in accepting love from ian and being proud of who he is in that way. and i also think that he still had such a long way to come in terms of healing those others parts of himself and ian will be there the whole time and im so proud of him and he’s so proud of him. anddd enjoy these pics of them being happy and in love!
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startingfires · 4 months
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you know something makes you mad when you text your best friend AND make a tumblr post about it
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jojotichakorn · 4 months
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i feel like i've accidentally socially experimented on myself the past 1,5 months and i gotta say... yeah, not seeing yourself represented in media to a meaningful extent genuinely takes a huge emotional toll on you like right away
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holyluvr · 8 months
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If my father hadn’t of crushed my dreams of being an author apart like he crushed my laptop full of years of work on my vampires in half over his knee, maybe…..just maybe I would have reached John Greene’s potential.
#…#this is in really bad taste and faith(kind of like his work) I will admit it (unlike him)#I would know I was on tumblr back then. i have been here since we had those mail letters instead of asks/DMs#I know I was under 13 because I felt rebellious about it and haha sneaky >:3c have to figure out my sisters login info because she doesn’t#log out and it’s suspicious if she comes back to the laptop and notices she’s suddenly logged out now when I use it !!!#because she fr did think that way and she was right about it I was a bastard younger kid so ‘sorry I closed it’ wouldn’t work on her lololol#so I serioisly (out of concern that she would change her info and I’d not notice) wrote down her tumblr act info and info we had on shared#accounts and what I knew she often used in video games and hacked some other accounts and wrote it down and her fav numbers and colors…..#then I made my tumblr account and used it and checked the history then logged back into her account and opened a separate google tab#of a website she knew I used and i did all of that I went thru all of that to use tumblr before I was 13 y’all jsyk respect 4 ur elders#yea I mostly wrote about bisexual vampire dramas leave me alone ok I was a child#I literally know my older sisters bank info. I know her card number because I technically came up with it when we were tweens. same for her#phone plan LMAO I know all of it because it’s numbers that we used together as kids which is kind of sweet and heartwarming but heartbreakin#because she has amnesia of most of our childhood and doesn’t show affection ever. she distances and is very very defensive at all times.#plus I’m her fucked up junkie loser younger bro that she knew at least was expected to outperform her so she just doesn’t like me hahah#but she still chooses inside jokes that I do remember sitting in the garage on neopets laughing about for passwords. and I often find myself#doing the same thing about inside jokes and creations we haven’t mentioned in almost 20 years now. it’s wild how siblings are. there’s rlly#idk something special
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feminist-space · 5 months
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Cat in the Hat:
"The German Health Minister gave an important update on the Covid situation yesterday.
I’ve written up the section of his speech from the video below for easy reading.
It’s immensely refreshing to see a government minister warning of the harms of Covid in such a transparent way."
https://x.com/_catinthehat/status/1732092683508678954
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Prof. Karl Lauterbach
Health Minister, Germany
4 December 2023
"This second (long Covid) round table was very interesting, lasting three and a half hours. It serves as a unique forum for dialogue among scientists, researchers and those affected by long Covid, facilitating the exchange of ideas.
There are many new findings about long Covid. Not all of them are good news. One piece of not-so-good news concerns the fact that long Covid is actually still a problem for those who are newly infected. One estimate that has been put forward is that the risk of contracting long Covid now, even after vaccination, is around 3%. Now you may say, "that's not such a big risk" , but there are tens of thousands of people who are repeatedly affected in a short period of time. And so, the long Covid problem has not yet been solved.
We have also established that there really are many subgroups of long Covid and that we do not yet have a cure. And it was clearly pointed out that we are also dealing with problems here that will challenge society as a whole, because vascular diseases often occur after long Covid. Throughout Europe, we are currently seeing an increased incidence of cardiovascular disease in the middle-age group - from 25 to 50. This is associated with the consequences of Covid infections.
We also very often find cognitive impairment in older people. And one participant pointed out that it may well be like the Spanish flu, where 20 years after the Spanish flu there was a significant increase in Parkinson's disease and probably also dementia.
This is something we must pay attention to, as the past infection afiects how the immune system in the brain functions, as well as the brain's blood vessels, potentially increasing the long-term risk of these major neurodegenerative diseases. This is why we need to conduct very intensive research. This research has played a major role.
What is the overall assessment of the situation now?
We have to be careful. Long Covid is not curable at the moment. We also know that over 40% of those who have several manifestations of long Covid, for example, five or more, still have symptoms after 2 years, so it doesn't seem to heal spontaneously. We also know that those whose symptoms are more pronounced at the beginning are less likely to heal.
So some of what we know from the demographics of long Covid has been confirmed, and we now know more precisely which mechanisms in the brain, but also in the blood vessels and the immune system, are responsible for this. Professor Scheibenbogan will explain this briefly later.
At this point, I can only say the following - this is particularly important to me:
First of all, long Covid is a disease that stays with us and that we cannot yet cure. And we are seeing an increasing number of cases as the waves of infection continue to affect us.
Secondly, Covid is not a cold - with a cold, you don't usually see any long-term effects. You don't see any changes in the blood vessels. You don't usually see an autoimmune disease developing. You also don't usually see neurological inflammation - these are all things that we see with long Covid. Therefore, one should not assume that Covid infection is just a common cold. It can affect brain tissue and the vascular system, and we still lack an effective treatment, making these studies crucial.
Significantly, we know that the risk of long Covid decreases when you're infected but have been vaccinated. That's why it's concerning that only 3 million people have been vaccinated with the new, adapted vaccine. That is a very bad result.
Please protect yourself from severe infections.
Please protect yourself from long Covid.
Currently, the danger posed by Covid is indeed being underestimated. Nothing is worse than infecting someone at Christmas who then becomes seriously ill and may not fully recover."
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maxtermind · 26 days
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baby, would i still be your lover?
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★ : summary :: when he accidentally insults you during an argument ★ : feat :: max verstappen, lewis hamilton, carlos sainz, charles leclerc, lando norris ★ : genre :: angst ★ : word count :: 2.9k ★ : a/n :: as much as i love making the crack texts, i'm just an angst addict 😔
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Max Verstappen
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Everyone, people who weren’t even in Max’s close proximity, knew that he was impulsive and a little reckless. With you, on the contrary, Max was usually a think first, act later kind of a lover. That wasn’t to say that when arguments happened, they were a pretty sight to look at.
It was a single thing that you said which suddenly turned into a huge blown out argument, leaving your head throbbing as Max continued to vent his frustrations about unrelated issues.
"You're so hot-headed, you can't even have a normal conversation without blowing up."
"Attacking me now, are you?" Max retorted, his tone defensive.
He was quick to bite back and the ball in your throat made it scratch-y to talk. You were sure that your eyes were welling up with tears but he was too far away to see it.
"I'm just stating the truth.” You started after taking a shuddering breath. “Every time we talk, it turns into a fight because you can't control your temper."
"Well, maybe if you didn't push all my buttons, we wouldn't be here."
He was talking in the same decibel at least and for a second you had hope that everything would be better. Then his words registered and the hope vanished as well.
"I'm not the one who flies off the handle at the slightest provocation!"
You had to stop and take another breath, otherwise, you were going to start crying and this conversation was inevitably going to get left in between because Max wasn’t an asshole who was okay with his girlfriend crying just because he was angry.
"You know what? I'm sick of your constant criticism."
"And I'm sick of walking on eggshells around you!"
He took a moment to say the next thing. The silence indicating that he was thinking it over first. Max's next words hung in the air, heavy with implication.
"Fine, maybe we should just call it quits then."
The suggestion hit you like a punch to the gut. Was this really that easy for him? He just ripped your heart out and splashed it on the ground. Your chest hurt so much and he was just sitting there? Was he not at all affected by the way you looked close to crying now?
"Fine. Enjoy being single and available," you retorted, your voice trembling with suppressed emotion.
Your boyfriend rolled his eyes looking over at you, indicating how he didn’t really think that you guys were breaking up. Though in your head, this was the last time you were ever going to look into his eyes again.
"You're too sensitive, always getting upset over nothing."
You were already on the edge, not having even processed that you guys almost- probably did break up over you trying to talk something out with him.
“Us breaking up is nothing to you?”
The weight of his words crashed over you, the tears finally spilling down your cheeks. Max's expression softened, regret flashing in his eyes, but it was too late. The damage had been done, and the fragile bond between you felt irreparably shattered.
Lewis Hamilton
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How can one tell if they really are in a good relationship? Is it the security and sense of peace? Is it the frequent love confessions? Honestly, the explanation might differ person to person but one thing you always believed that made a relationship was being level headed even during arguments when emotions were running high
Needless to say, you were very glad you found solace in Lewis. A person who was prone to recognizing the impact of his words. Arguments between you two were rare, and when they did occur, Lewis prioritized finding solutions rather than escalating the conflict. His ability to remain level-headed during disagreements was a cornerstone of your relationship.
Everyone has those days though, when acting out of character seems more suitable than the usual. Moments when emotions override reason.
You were more worked up than usual. Your insides were burning with this desire to get answers because your boyfriend wasn’t there with you on the day you needed him the most.
You drove back home from your conference, dismayed despite it being a very successful session, given that your proposal got accepted as soon as you were done. You just wished your chocolate eyed man was sitting in the crowd looking at you with his signature proud smile.
After a shower, you sat on your couch to watch some show and just move on from the bittersweet day. It was an hour later, when your boyfriend showed up with a bouquet in his hand. Lewis walked over to you and leaned down to kiss your head.
“Congratulations, love," he greeted, oblivious to the storm brewing within you. “Saw it on the news, sorry I couldn’t join you. Got caught up with work.”
Usually, you would have avoided the argument till you felt like you could understand his side too. That was one of the things that helped you guys the most. You both waited to discuss stuff till you knew you were calm and ready to get what the other was saying.
“Aren’t you too busy with work lately?”
He gave a humorous huff in return, not catching on.
“You know how it is once the season starts.”
“You literally got home last night and you had to go in again early in the morning?”
“Missed me?”
He had a playful grin on his face and it killed you to spoil the good mood.
"Of course, after all you're more committed to your cars than you are to me."
The words left your mouth and you were too far gone to be caring about it at this point. Lewis has been such a passionate lover so this sudden shift was hurting you.
“What was that?” he responded, his tone sharp with surprise.
However, you were done and already up to call in early but his words stopped you on our track.
“Wow. You're so insecure, it's exhausting trying to boost your ego all the time."
Tears immediately welled up in your eyes but you didn’t turn around and with a deflated sigh, walked into your bedroom before locking the door while Lewis stood frozen in his place, not believing his own words.
It was like he was in a stance and all he could do was listen to you cry through the closed door on a day when you guys were supposed to be celebrating each other’s wins.
Carlos Sainz
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Carlos was the perfect man. His mature yet easy going demeanor was exactly what you needed in a partner. You hadn't been together for that long to be at the altar but just enough to know that you were going to last.
You understood the demands on Carlos's time, with his career in the spotlight of the racing world when you decided to say yes to a date with him. Carlos was left with very less time away from all the glam, media and the track. Making it precious because of how rare it was.
You mostly accompanied him and let him drag you around to wherever he wanted once he had the break. So imagine your surprise when the only time you made some pretty important plans and he refused to tag alone.
"I can’t believe you’re saying no to this," you protested, frustration bubbling beneath the surface.
“I’m not saying no to anything, Carina.” He kissed your knuckles to un-knot the strong fist you’ve made of them. “I’m just suggesting we do it some other time.”
"But this is the third time, Carlos!" You stood up, unable to contain your hurt and disappointment. “Sorry if meeting my parents is such a chore for you.”
“You’re putting words in my mouth now.” Carlos responded with a sigh, attempting to pull you into a hug, which you reluctantly accepted. “It's not about it being a chore. You know I'd do anything for you, Y/N."
"I do know that, but actions speak louder than words, Carlos. My family is important to me."
“I promise that I want to meet them. I do. It's just… the timing."
"I don't want promises, Carlos. I want actions. If you can't even make it to meet my parents, what does that say about our future?" You insisted with a heavy heart, putting distance between you two.
"You're blowing this out of proportion, Y/N." Carlos countered, frustration evident in his voice.
"Out of proportion? I just wanted you to meet my family, and you can't even do that!"
“Well, I don’t have time to waste on this! If you want to go, just go alone!” His words hung in the air, a sharp pang of hurt piercing through you.
You immediately took a step back and saw him do the same. Both of you standing there as the silence stretched, contemplating in silence what exactly the next course of action was going to be.
“Y/N, I…” He trailed off as you glared at your foot, trying to hold the tears in before one eventually slipped and fell down your cheek.
“Baby, no! Don’t cry!” He panicked about extending his hand, about to touch you but you flinched away and shook your head.
“Carlos, if you think I’ll just ignore what you said ten seconds ago then you’re very wrong.” You whispered, your voice thick and husky.
Guess you were the only one from you both expecting this relationship to last. A second later, you were clutching your bag in your hand and walking towards the exit, speaking up before Carlos could beg you once again to ‘sit and talk it out.’
“Don’t,” you interrupted, your voice barely a whisper. “Thanks for letting me know that our time together was time wasted for you.”
You walked out with his heart in your pocket, your own splashed on the floor of your apartment.
Charles Leclerc
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Charles was the love of your life, the very time you saw him smile at you from across the room igniting a spark in you that shaped your future together.
He walked over to you with a pretty girl hanging onto his arm, leaving the impression that they were more than friends. Everyone around you was also convinced at the time that they were dating but Charles bluntly flirting with proved just how different the real life scenario was.
Pippa was just his ‘best friend,’ someone who throws side eyes at you every time you and your boyfriend are in close proximity to her. Despite nearly a year together, her hostility persisted, the woman was a different kind of vicious. Hell bent on draining your energy.
It was physically exhausting being around her with her catty sarcastic tone that Charles always failed to notice. It was just another one of those days and Charles dismissed your concerns as usual, leaving you frustrated.
This time it was pissing you off greatly.
"Doesn't she realize we're together?" You rolled your eyes.
Charles remained silent and that drew your brows together.
“Charles, does she not think we’re serious?”
“I don't think so. She's always been oblivious to these things.”
And honestly? That fucking hurt. It hurt to know that Charles noticed this but was still rather quick to defend her every time.
"But we've been together almost a year?”
"Baby, she just never pays attention.” His arm pulled you closer to his chest. “Or maybe she doesn't want to see it."
"Do you think she has feelings for you?”
There it was, the truth out in the open. As much as it made you want to die to say it out loud and acknowledge it, your body felt lighter while the comforting arm around your waist began to feel heavier.
"I don't know. Maybe?” Charles’ chest heaved with a deep sigh, "It's complicated?"
The heart beating in your chest stopped for a long second because of how unconcerned your boyfriend seemed right now. Was he seriously just going to accept that a person he has shared so much history with wants to steal him from you?
“It’s not that simple, darling. she's been a friend for years.”
“Yeah, well, friends don't act like that. She’s just what? Waiting for the right moment to swoop in and steal you away from me?”
Charles did not like it because the arm was moved away from you in a second and he was sitting a bit straighter now. He looked furious and ready to defend his best friend and all that was running through your head was how he would probably not do the same for you in front of her.
"That's enough, Y/N. You're being paranoid."
"Paranoid? Or realistic? Face it, Charles, you're so blind when it comes to her. It makes me feel so small compared to her!"
Charles, frustrated and defensive, ran a hand through his hair and shot back,"Don't flatter yourself thinking Pippa gives a damn about you or me."
Lando Norris
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No one could deny the magnetic pull Lando had on everyone around him. It was, after all, what drew you to him in the first place. You had your biases but he broke through them all with his shameless at worst and awkward at best flirting.
However, as you stood in a quiet corner to hide from the crowd, you couldn’t find it in yourself to sympathize with Lando. He had brought you to this glamorous social event, flashes of camera and expensive drinks overflowing all around you.
You were extremely excited to accompany your boyfriend especially since he had such an amazing season but throughout the evening, Lando was constantly pulled away by enthusiastic fans and demanding media, leaving you aside feeling like an accessory rather than his partner.
Standing in a quiet corner, you couldn't help but feel a pang of envy as you watched other couples bask in each other's company. You didn’t even know where Lando was at this very second.
Then, suddenly, his arms enveloped you from behind, his lips pressing gently against your head. "I'm sorry, babe. Everyone here just wants a piece of me," he murmured, attempting to console you.
You sighed and tried to calm yourself so you wouldn't explode in front of everyone, "I understand, but I miss spending time with you."
"I promise, I'll make it up to you tonight." Lando winked, keeping the conversation light.
That was all he said before someone from your left approached him again and your safety haven spot under the stairs was crowded with journalists a second later. You rolled your eyes before walking away, with half a mind to grab a cab and leave.
It was on your way back home when your patience finally ran its course as you listened to your boyfriend go on and on about how much of a success the event was.
“Why did you even take me with you?” You interrupted, your tone tinged with hurt and watched as the smile on his face got replaced with a frown.
“What?”
“I mean… you barely clicked two pictures with me and then left me to fetch for myself? You didn’t even come stand with me for more than a minute?”
"Babe, I'm sorry, but this is part of the job."
"I get it, but it doesn't make it easier.” You felt your own body shudder because of how overwhelmed you felt. “You were there talking to everyone but me!”
Lando opened his mouth to say something but you weren’t done yet.
“They were all strangers to me and you didn’t even acknowledge this! I was standing there alone the whole time, watching others and wondering why my boyfriend wasn’t there for me!”
The weight of your words hung heavily in the air, and for a moment, there was silence. You stopped to take a breath and not start crying. Then, Lando spoke, his words struck like a knife to the heart.
“This isn’t… This isn’t about you. Why are you always making it about you?”
Your body froze after that and your mind went blank. You didn’t care that the tears were running out of your eyes or that apologies were falling from his mouth. His own eyes were welling up because he knew.
He knew what he said was unacceptable.
You were so zoned out that as soon as the car stopped, you got out of the car. Thankful to catch the glimpse of yellow among the traffic before you hailed a taxi, the distance between you and Lando growing with each passing moment.
He attempted to hold your arm, his own tears falling down his face. You just wanted to put your point across but with his reaction, you were certain you guys were done for.
“I guess I expected a little too much from you, Lando.”
With a heavy heart, you walked away, knowing that sometimes love wasn't enough to mend the fractures in a relationship.
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©maxtermind // do not copy, rewrite or translate any of my work on any platforms.
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etherealkissed88 · 11 days
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how i manifest when i feel anxious •°. *࿐
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i decide i have what i want…
when i feel anxiety -> i let it pass while knowing its only a human reaction
◦ since i am beyond just a human (i am limitless imagination/self), i know any anxiety is below me and it has nothing to do with my limitless self. i have exactly what i decided i have, regardless of any anxiety.
know anxiety usually comes from a fear of failure
◦ so, i cannot limit myself based on what i see or what i negatively assume my future will look like bc i am always beyond the 3d, no matter what feelings/anxiety my human self experiences.
◦ i become indifferent/i dont care about what i see or what i assume i will see because i know everything comes together in the 3d once i change self/know its done. fact: everything always comes together and works out in the end. being indifferent to the 3d = being indifferent to emotions, anxiety and everything that doesnt serve you.
dont fight it, dont avoid it, tackle it head on
◦ acknowledge you are experiencing anxiety bc you are. yes it can feel like shit but it doesnt have to affect who you are being (whatever version of self you are embodying). again, i can choose to be indifferent to this anxiety. you dont have to be scared of the anxiety. it is a natural human response. cry if you need to, let it all out. dont try to suppress it bc that will only come to bite you back in the ass, believe me.
◦ take care of your mental health in whatever ways necessary. when i used to experience anxiety, i used to take walks in the park, clear my head, meditate, express myself and my emotions through art and journaling, etc. remember nothing you do (or feel) in the 3d has to affect who you are being/your state.
"how can i still have anxiety yet still be a desired version of me?"
anxiety has no affect on anything unless you allow it to change your identity. you are the one with power, the anxiety is only an experience, similar to breathing in oxygen and using our sense of touch; its all neutral. when you start surrendering to the anxiety, you are creating and accepting negative stories that you create based on the feeling of anxiety. allowing that anxious feeling to change your state/identity is surrendering to something you view as more "powerful" than you. stop transforming that anxiety into a state that you embody based on the false, negative stories u imagine.
remember a 3d experience or anxious feelings doesnt have to influence who you are being. an example: a model who knows (fulfilled) that she is graceful and beautiful can have anxiety about doing her catwalk. the anxiety is normal, she can experience the symptoms of anxiety (shortness of breath, dry mouth, shaking) but her core identity/state is still a graceful model. the anxiety is only a temporary feeling. usually when we experience these feelings, they occupy all of our attention in that moment which is why it seems so scary but in reality, its not that big a deal. know that anxiety is just a feeling. you are safe. you can still experience shitty feelings while knowing you are a bad bitch!
you dont always identify with everything you experience. for example, a lot of people experience good things and still identify as people who are unworthy of good things. so its really up to you to choose what to identify with.
i know my only job is knowing its done
◦ if i just decided its done, as the operant power, as i say goes, therefore its done. so my job is done. anxiety is part of the 3d, not my limitless self, imagination. so i can be indifferent and experience it without identifying with it, the same way people manifest what they desire while experiencing their shitty circumstances daily (because they do not identify with those shitty experiences).
◦ ive heard/experienced situations were we know its done yet we cried and felt like shit, and what we wanted still manifested into the 3d. bc anxiety is only a feeling. do not allow your feelings to take hold of your state, but if it does, its never the end of the world... just get back in the state. 3d shit/anxiety doesnt have to intervene with who you are being/what you identify with.
kisses, jani ☆
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prettyboykatsuki · 1 month
Text
✮ tags ; fingering, gn + afab!reader, pro-hero katsuki, dirty talk from both parties, semi-public sex (they're in a dressing room), finger-sucking, 18+
✮ wc ; 1.5k
✮ a/n ; it feels like i just got hit over the head with a fucking mallet. i swear im still on hiatus. its seven in the morning. im going to go crazy. the literal spike of adrenaline i got looking at him.
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"No way," He snorts, his voice clipped—cocky against the shell of your ear as his hands sneaks against your waist. "This is what gets you?"
A reflexive part of you doesn't want to give Katsuki the satisfaction of a yes. You know how he is. You'd go as far as saying you like it - almost as much as you like him when he's not acting like the center of the universe. But it's undeniable that part of what draws you to Katsuki is the very thing that causing you strife now.
He's complicated. Underlined all that dripping egoism is a real sense of uncertainty - and that part of him is sexy too. The awkward, lovesick gentle man he can be when he wants.
But. But.
Other times, it's his magnetism. Such raw, enigmatic confidence built on experience. Prowess. No amount of complicated can erase or overshadow just how much Katsuki is a pure fire. You normally get boyfriend Katsuki, and he's catty and affectionate with nothing to prove. Soggy and loveable and approachable.
You forget, often, what he can be like when the cameras flash. What the public likes of him. Which is raw sex appeal and sultry eyes and a wicked little grin, wolfish and wanting.
You're not ashamed to admit seeing that turns you on. And it's only worsened to see him bask in it - getting off on the sudden attention
(Your attention, specifically - considering he had been all but indifferent to the awing of studio, only minutes prior.)
"Yeah, it is," You groan, pressing your forehead against his shoulder. Your body shudders responsively to his touch.
There's something rushed about the whole ordeal. Your back is pressed up against the mirror in his dressing room - legs spread with your pants barely unbuttoned. Katsuki is no better, borrowed pants snug on thick, muscular thighs. He laughs a little breathlessly. No less affected than you if the tent in his pants is any measure.
"Aw, what?" He presses, his lips pulled. All canines as he rests his palm over your waistband and doesn't move an inch. "Seeing me in front of all those cameras turn you on?"
You pull away to stare at him and he's grinning. Unusual playfulness steeped and soaked between layers of lust. Your hand reaches for his length, hand cupped around as you grip. He closes his eyes, swears under his breath.
"You look good," You tell him, and you mean it - much more than you've meant anything in the last twenty minutes. He's taken aback by the candor despite asking for it. "You looked so fucking good."
His eyes go lidded as he presses his mouth to yours. He stops teasing, breaching past your pants into your underwear. Your spine curls at the sudden sensation. Brief and unmoving. You can feel how wet you are, feel the way your arousal burns in your core and makes your whole body tight with want.
"You mean that," He says more than asks. His breathing goes shaky and you can feel him pulse in your hands. "Say it. Tell me you want it."
You laugh a little "Want you, Katsuki. Make me feel good, baby."
He groans, once again loosing all composure. You hold onto Katsuki's shoulder as he takes your words like a challenge—the way he takes most things. Everything about the experience is both too much and not enough. You both know it. The energy in the room electric, it's almost harder not to take it all off and fuck him in the middle of his work-day. He has to be back out there in god knows how soon but you can barely keep your legs together without the friction driving you crazy.
He breathes slow trying to maintain his composure- huffs as his fingers press along the folds of your cunt. "You're so wet, fuck," He drops his chin against your shoulder "Never seen you like this"
"You look good when you're all in front of the camera, my love," You huff, an arm around his middle as you draw him close. Your voice is close next to his ear, speaking soft. "A waste you can't fuck me right now,"
There's something like a low growl in his throat when he finally gives you what you. Katsuki knows your body like the back of his hand - every inch of you memorized. Precise, angular movements. He circles your clit a few times before moving down further. You can feel the tight space get tighter, the heel of his hands pressing against your clit as his fingers push past your entrance.
You bite back a moan so broken it's pitiful and he groans with you. He goes slowly at first, tries to ease you into the sensation of his fingers. His are so much thicker and so much longer, noticeable as you feel him stretch your pussy out. He presses the heel of his hand up a little more to give you everything.
"How the hell am I supposed to go out there?" He grits. "Talking to me like that like I'm not about to go back out there."
"I'll let you fuck me as much as you want as a sorry, I promise."
He scoffs at you, makes a point of it as both of his fingers slide into you. He always starts with his middle - feels around for the sweet spot until you're gripping at him harder. After he finds it, he adds his ring finger. He stiffens when you moan, his own arousal starting to show in his face. Red eyes all clouded with desire so deep it could drown.
A honeyed feeling blooms in your core. Burns hot like sugar as you spread your legs to give him more room to you. Your body is so hot, so molten - you give up on everything else. On thinking, on breathing, on keeping quiet. You slump into the mirror behind you as he sets a motion. His fingers curl towards him over and over, rubbing and pushing and grinding against your pulsing core. Against your g-spot, throbbing insides trembling with each gesture.
Your voice breaks out. A deep, needy moan punched from your lungs. He stares at you before ducking into your space. His teeth scrape against the skin near your jaw, kissing and biting and licking. He pays attention to the sweet spot underneath your ear.
"Look at you," He says, like he's gloating. You think he is. If you weren't so aroused you might be able to pay it some mind. "Gonna cum on my fucking fingers, huh?"
"Fuck, Katsuki. Fuck me, fuck."
"I'll make good on that promise, damn tease." He says with a laugh. Biting and cocky and egotistical. Unbearably sexy at the worst of times. It's effecting you more than you care to admit, but you don't have the capacity to pull away from him. "Makin' me do this to you in the middle of my work day like some kinda freak."
"Like it doesn't turn you on,"
He laughs, deep and low. "That's the problem, dumbass."
"Kat," You shudder, your back arching - eyes fluttering closed as you grip his arm. You can feel the way his muscle flexes under your nail, digging into your arm. You groan and whine, cunt clenching around his fingers. It's dripping, noisy as he draws the mess out of you. "Gonna cum."
"Make a mess. Show it to me."
The sound of his voice, gravel coarse and low - is what ends up pushing you over the edge you're sure. Your orgasm crashes into so quickly and with so much force. You barely keep yourself from screaming. Your boyfriend kisses you to swallow whatever other noises you make - seemingly eager to do it. He puts his tongue into your mouth, stifling any other remaining noise.
Your body is pulses, pussy fluttering as shocks of euphoric flit through your whole body and leave you in complete and utter wreckage. Katsuki fucks you through it like the overachiever he tends to be, his fingers highlighting the soft sticky noises of your orgasm as you finish.
Your whole body shakes as a result of your lust. Not entirely gone but at least somewhat tamped down. You let your eyes flutter open as Katsuki pulls his hand away.
Before he can wipe his fingers down, you grab his wrist and pull them up to your mouth. He looks at you startled at first before he realizes, a look of pure lust settling on his features. Carmine red eyes stare down at you hard as you lick your cum off of his hand with a tired smile.
"Take more pictures for me to get off on and come fuck me before we go, okay?"
"Fucking evil little brat." He hisses, kissing you. He moans when he tastes you on him. "Don't think about anything but me while I'm gone."
You shake your head, trying to make sense of anything. "Don't think I could."
He laughs good-naturedly, kissing you again. "Damn right,"
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eff-plays · 8 months
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The way Astarion reacts depending on how you compliment him in the mirror scene (I have no interest in insulting him so I won't be covering that here, have fun though!) drives me fucking insane.
"I want to know what the world sees when it looks at me. What you see."
And you get two types of responses. First, your choices for compliments are
Strong, piercing eyes.
The creases when you laugh.
Pick the first, and he's pleased. "Go on," he says, sounding very seductive. You're giving him exactly what he wants, and he's encouraging it.
Pick the second, and he gets upset. He's an eternally young vampire, not your doting grandmother! You can do better than that. Even if you meant it as a compliment (I know my Tav definitely did), he doesn't seem to take it that way.
Your second options are
That dangerous smile.
The way your hair curls around your ears.
Once again, the first one pleases him, and he even praises your efforts. Very good. Now finish the scene and tell him he's beautiful.
But if you say the second, he gets exasperated. This is meant to be flattery, not poetry. Just tell him he's beautiful and we can call it a day, he says with a dismissive wave of his hand. He doesn't need to hear this crap, just tell him what he wants and fuck off.
Of course, it doesn't matter how you get to this point, and every dialogue option at the end of the scene nets you the same amount of approval. If you call him beautiful, it's +1. Call someone else beautiful, it's +1. If you ask whether he just wants shallow praise (aka don't call him beautiful), you get +1. So this is me pulling this out of my ass I guess.
I always choose to call him beautiful becuase 1) he is and 2) my Tav thinks so too and would oblige him if he asked for it that directly.
But I am obsessed with the different routes you can take to get to this point and what they imply.
Strong, piercing eyes and dangerous smile pleases him more outwardly, but doesn't actually affect the outcome. He's satisfied and confident with these compliments. They confirm what he's trying to project into the world, what he aspires to have and to be.
The creases when he laughs? The hair curling around his ears? Those are things he can't control, can't use against someone else. But he asked to be seen, and if this is what Tav sees, then what does that mean for him?
Why are they complimenting his laugh lines? Why are they speaking poetry at him? Why are they seeing things he has no control over, and why are they revealing them to him?
He doesn't want shallow praise. Questioning this nets approval, and giving it to him doesn't increase approval. What he wants is assurance that what he's trying to be is what the world sees, that he's in control.
And if you actually act as a mirror, point out the things unique to him that you see, he gets uncomfortable, because you're showing a reflection of someone he thinks he's not, of someone he has no control over. And that's scary, even if it's supposedly complimentary.
Because what's scarier than losing control?
But then, compared to how genuinely upset he seems when you insult him (I looked these up on YT for context), the laugh lines and hair curls are still accepted as compliments. So what does he think when Tav says these things?
They see past his piercing eyes and dangerous smile. They see something else that they like even more, things he's not aware of or doesn't appreciate as much. What does that feel like, to cultivate such a perfect image of oneself for the purposes of seducing and tricking others, and then be stumped when someone walks past all that and points out something entirely different that they noticed and found endearing?
Do you do him a favor, and tell him you see only what he wants to be? Or do you speak the truth, and show him what he actually is? Which one is better? Which one is worse?
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nickfowlerrr · 4 months
Text
sit me on your throne.
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pairing: geralt of rivia x curvy!reader
warnings: i don't know what i'm writing about but if you're here for smut, there's smut. 18+ only. probably ooc - i've only seen season one. if i'm missing something that needs to be tagged please let me know.
words: 4.3k
notes: i really truly do not know. forgive me not.
thank you in advance for reading! any thoughts, comments, and reblogs are so appreciated. let me know what you think. (unless its mean then pls don't).
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"You kneel before me?"
Your question is born of nothing but pure confusion as you tilt your head in bemusement at the bulking behemoth of a man before you.
He hadn’t done as much when he first arrived, not to your displeasure, so it was odd to see him do it now - especially after the battle he has just fought.
He is at your feet, his long white hair darker and dingier now, dirty as his clothes and skin; marred with caked mud and what you can only assume is the blood and guts of the beast he has defeated.
The stench he carries with him is pungent, nothing but putrid, and yet that somehow doesn't take from his striking good looks; those paired with his brevity and bluntness have held your attention from the moment he stepped foot in your kingdom.
He is a man of little words, this Geralt of Rivia. His jester of a companion having done much of the speaking - perhaps too much - for him since they arrived.
Geralt says nothing still, only meets your gaze as he takes steady breaths. His yellow eyes, feline and harsh, cut through you in a number of ways - none of which you'd care to share aloud. You have a feeling he knows, however, just how affected you are by him no matter how well you think you hide it.
You are alone together, no guards at the ready, no advisors by your side. Most of your kingdom is now quiet and abandoned, including the halls of your once flourishing and lively home. The halls of this castle have been eerily silent since the night your men went on their mission to save their homestead. You had already sent word for The Witcher, you implored them to keep safe indoors until his arrival. They did not listen. Most of them still having seen you as the young princess you once were, the others simply following the orders of their leaders. You may have been their "Queen", but their faith in their commanders was stronger.
Those commanders who led them to their deaths... You still sigh at the loss.
Those who were not taken, slain, by the beast have long since fled for their lives. You cannot blame them. But you certainly could not join them. Your castle once held many souls, but now it is only you and a handful of others. Titles of servants, but you really never were one for titles.
"Your friend?" you wonder.
"Somewhere," he answers shortly, his voice low and deep as he speaks.
You quirk a brow, "Safe?"
"For as long as he keeps himself from trouble."
You hum, a hint of a smile pulling at the corner of your lips. Their relationship amuses you, you must admit.
"You needn't kneel, Witcher," you implore as you sit back on the throne. It is yours in name alone. It has never felt right to sit in. He seems to sense your unease, but he doesn't speak it. You continue, "You have done what you said you would, I will do the same."
Still, he doesn't stand. Not until you flick your eyes and move to stand yourself. He rises easily as he stands before you still. There is not much distance between you, and the stench of him stings your eyes and threatens to gag you. Your face scrunches in disgust as you turn it away from him, grimacing.
"I've had a bath readied for you, and new clothes set aside," you inform him, moving to pass around. He follows you, and you can feel the weight of his gaze as his eyes cling to you. "Your meals will be served as soon as you're done. I don't imagine anyone would be able to stomach a bite with that smell coming off of you."
He says nothing but lets out an amused "hm" at your words, still following as you lead him to the bathing room.
You thank Amaleah as you enter and she leaves with a nod to you, her breath catching when she smells Geralt enter behind you. It's as fast an exit as you've ever seen.
You move toward the bath and wade a hand in the water. It's a bit hot for your preferences but it should get him clean. You ensure the soap Amaleah brought in is fragrant enough and still look for some nicer oils to add to the water; when you turn around to ask your guest his want, you find yourself stunned silent as you're met with the sight of his broad, bare chest. His muscles flex under his pale and scarred skin as he moves, his solid chest is covered in dark hair, trailing down his torso. His arms are strong and big and a thought at the back of your mind wonders how comfortable he must be to lie with.
You blink, mouth parted slightly as you take a breath. You watch his clothing fall as he discards them and your gaze follows his hand as he begins to strip himself of the rest of his garments.
He is completely shameless as he watches you watch him. You feel as if you are in a trance, you cannot bring yourself to look away despite the heavy weight of his gaze assuring you he sees you staring.
It’s not an act of brazenness, truly you would look away and leave him at once…if you could.
“I’ve slain your monster,” he speaks and your eyes rise back to his chest, trying to ignore the heaviness of his thick cock as it hangs so temptingly before you. No, not temptingly…Shamelessly. He has put himself entirely on display before you, without an ounce of shame or concern, and you are still frozen to your spot. “Was there something else you required of me, Your Highness?”
The title gets your attention, the breath caught in your chest finally flows and your eyes flick up to meet his. You can't tell entirely if he meant it as an insult or if he thought you'd prefer it to Queen.
You remain quiet for a moment as you try to gather a response. Either way...
“I told you that wasn’t necessary, Witcher.”
“Geralt.”
You swallow hard as he takes a small step forward, and you will yourself to not break his intense gaze.
"Geralt. I thank you, for saving what was left of this ruined kingdom, but I consider myself not princess, nor Queen, any longer."
"Did you ever?" he asks, staring into your eyes a moment longer before he steps closer still, looking you up and down then nudging you aside, eliciting goosebumps along your skin, rising under his touch.
You glance over your shoulder as he continues past you, lowering himself into the tub.
You think.
You know your answer, but you won't say it aloud. Clearly he knows it, too.
You can hear the water sloshing with his movements as he begins to clean himself.
You take a deep breath.
"The clothes will be brought in shortly. You might tell Jaskier when you're done that the food is ready."
"Ah," he says amid his washing, "so you do know his name."
"Of course I do. I've grown quite fond of the bard in the week since you've arrived."
"I couldn't tell," he says plainly, yet still biting - his words sharp with sarcasm.
You furrow your brow at his meaning and then there's a laugh at the door and you look to see Jaskier as he leans on it. "You sound jealous, there, Geralt," he taunts, holding folded clothing in his hands as he pushes off the door to saunter in. "I wouldn't worry. I don't believe I'm the one who's caught her eye." He looks to you with a smirk, bowing before you, "Your Majesty."
"I am no longer queen," you repeat for what feels like the hundredth time.
"My Queen, none the less," he simpers before standing to his full height.
You smile tightly, eyes narrowed playfully at him before you finally move to exit, leaving them to their inevitable quarreling. And trying not to focus on the tingling still affecting you between your legs.
--
You eat with the women in the kitchen; the dining hall one of your least favorite places to be.
There is a calm yet solemn energy around you all. A peace in the slaying of the monster who took your kingdom, and still the grief from the loss of it all, your people, their families, friends...
Calliope readies the plates for your guests as you bid them all a goodnight, kissing Amaleah's son on his head on your way out with a 'sweet dreams'. Since his father was killed, the poor thing has nightmares recurringly. You only hope with the monster's demise, they might ease for him some. He is far too young to be in such pain...
You think to pass by the dining hall on your way to bed to thank Geralt once more and wish them both a goodnight as well but think better of it.
You will see them in the morning before they set off. You still owe him his coin and you know he won't be leaving without it.
--
You open the heavy door of your chamber and once you are inside, begin to undress.
Slipping into your shift, you swiftly make your way into bed. You thought you'd fall asleep quickly, but as you lay there, your mind wanders to thoughts of only one.
You have one hand on your lower belly, the other resting on the soft skin right above it.
You sigh and close your eyes, but all you see when you do is his built form. His dark, firelight stare set on you. His clothes left on the ground as he stands strong in his glory.
You breathe deeply, your hand starting to slowly drift down your stomach as you tickle yourself. You're so tempted to touch where you want it most, but you can't bring yourself to do it. Not just yet.
You slip your hand between your spread thighs, softly running your fingers across the sensitive skin you find there.
It'd been a week of torment, having Geralt so close and not being able to act on your most base feelings. You know he knows what you think when you look at him, if Jaskier can see it, surely, he can too.
You might feel embarrassed but with the way he's managed to get closer and closer to you with each passing day as he awaited the beasts' return, you would wager he feels similarly.
It feels like an age that you lie awake. All the noises about the castle, not that there were many, have settled and it assures you everyone has retired for the night.
Sleep begins to nip at you but the stronger pull is to the dissatisfaction that weighs on you. The emptiness that echos through your body and soul.
Your fingers twitch, and you begin to glide closer to your uncovered core, the need to be touch too much to be ignored for much longer. Your eyes are closed and you imagine it isn't your hand running over your skin, but rather his large, rough palm feeling you, teasing you just so...
Just as you inch closer, your eyes snap open in the dark as a heartbreaking scream cuts through the night air. You sit up, pulling your hands off of yourself. You know immediately where the sound comes from and who it belongs to.
You get out of bed, intent to make sure Hartley and Amaleah both are okay.
You open your door just as the one across the wide hall does the same. You frighten at the unexpected movement but are then unsurprised to be across Geralt.
He is shirtless again, and his eyes are wide as his chest rises and falls with his heavy breaths.
"Are you alright?" he asks, voice hard.
"Yes, I'm fine. It was the boy, Hartley. He has nightmares," you explain, keeping your voice quiet as to not disturb the renewed peace of the night.
The flick of the flame that lights the hallway allows you both to see one another. You say nothing for a moment as your eyes fall to his bare torso.
"Did the clothes not fit?"
He looks down at himself briefly, then back to you. He shakes his head, "I prefer to sleep naked."
You burn at his words, swallowing hard. "Oh. Well, I- I'm going to check on them, make sure they're fine."
"I'll go with you."
It's not a question, it's a statement. You stop in your start, turning to look at him. You say nothing, just blink and quickly carry on as you were.
You make your way down the stairs and down the hall until you see the flames licking at the end of the hallway.
You follow the glow to Amaleah's room and knock gently as you look in the open door.
She turns and looks to you, her eyes tired and cheeks damp as she rocks her toddler in her arms. He is sleeping again as she rubs his back gently, more to soothe herself than anything.
She sniffles, "Your High-" she stops herself, "sorry, forgive me," she whispers.
"Don't apologize. Please," you implore her. "I know it's habit."
"Are you two alright?" Geralt asks from right at your back.
"We are, thank you. Just another nightmare," her voice gets thick at the explanation. You know it hurts her that there isn't anything she can do but be there to comfort him when they come.
You smile sadly and nod. "We'll let you be, then. Do try to get some rest. He'll be okay," you reassure her.
You pull the door nearly closed and wind up with Geralt firmly at your back.
You turn into him but he doesn't seem to mind as he just looks down at you nearly pressed against his chest. You try to budge him to turn and move back down the hall but he doesn't waver. After a second, he relents and steps to the side, allowing you to go back down the hallway first.
It isn't until you come up on the throne room that Geralt speaks again.
"Might I have a word with you?" he asks.
You stop and turn to eye him as he stands at the entryway of the door.
"Now?" you question.
He nods once, "Now."
You approach him trepidatiously, and as you near, he gestures you in the room before him, extending his arm, "Princess."
Your eyes narrow again. And you turn on him, watching as he enters the room behind you. "Why do you keep doing that?"
"What am I doing?"
"Princess? Your Highness?" you quote him.
"I assumed you preferred it to your true title," he tilts his head at you.
"True title," you scoff, rolling your eyes. "I prefer no title at all."
"And what shall I call you then?"
You remind him your name, not that he really needs to be reminded. You know he knows it full well.
He considers you, then closes in on where you stand in front of the throne.
You don't move back, no, you quite like the closeness when he doesn't reek of death and innards.
Geralt seems to appreciate your resolve, his lips twitching with the beginnings of a smile as he studies your face.
"It's a beautiful name," he speaks lowly, taking another step into your space and raising his hand to gently caress your cheek before he leans in to speak against your ear. Your hands touch his solid stomach in an attempt to keep yourself upright, you can feel the muscles as they flex under your delicate graze. "I think I might prefer princess," he husks.
He slips away from you, turning to take a seat on the throne instead. You follow his movements and turn yourself to face him. You're stunned and completely set ablaze all at once.
"Well I don't."
"No," he smirks, agreeing with you, one large hand settling on his thick thigh as he spreads his legs, "you don't."
"It's too bad," he tsks, his voice a smooth rumbling. "No title, no throne."
"I don't want any throne."
Your eyes are glued to his thighs as he brings attention to his lap by rubbing the muscle there.
"None?" he asks before his gaze shifts directly on you, his mesmerizing stare burning into you. His voice lowers deeper than you've ever heard as a desperate longing shoots through you once again, resounding deep in your core. "Not even mine?"
Your mouth goes dry and your brain fuzzy as you take in his meaning.
Unthinking, you step toward him closer.
"You mean to defile the very one you sit on?"
"You don't seem to care for it much anyway."
Another step.
You are nearly stood between his spread legs, carefully you reach out a hand, your fingers light on his thigh. You feel his muscle then, flicking your eyes up. His gaze is dark and heated.
"That's true enough," you say, your voice breathy in a near whisper.
You gasp as your suddenly pulled closer by Geralt's rough hands around your waist. You can feel him through the thin fabric of your shift and its only then you realize how much of your figure he has seen thanks to your nightwear.
"Truer still," he speaks, "I don't mean to defile this throne." He squeezes your plush waist, groping you through your shift as your hands latch onto his solid shoulders. "I mean to defile you."
He manages to pull you onto his lap with little effort, leaning in to crash his lips into yours.
You kiss him back hungrily, chasing his lips as you settle on his lap. Your fingers wind in his hair and you can feel his cock growing beneath you through the material of his pants.
His hands slide down your waist and over your wide hips, reaching for the hem of your shift and pulling it up. His tongue slips past your lips and you moan, shifting your hips atop him.
You pull away, reaching for your dress and pulling it over your head, discarding it behind your back.
Geralt holds you closer, letting his lips explore your heavy breasts as you allow your head to fall back in pleasure, your hands returning to his hair.
"Geralt," you breathe, pulling him off you after a moment.
"Mm," he hums, kissing the swell of your breast once more before he moves to free himself from the restraint of his pants. He knows what you’ve both been wanting for days. What you need.
One heavy hand returns to your back, holding you by your waist while his other grips his red, throbbing cock.
He moves his tip up and down your slick center, making you whimper as he teases you - his cockhead rubbing delightfully against your sensitive clit.
He watches your face scrunch in rapture and holds you tighter to stop your wiggling about as you whimper.
He smiles smugly to himself and when you're just about to open your mouth to protest his teasing, he finally pulls you down on top of him. The sound that escapes you is music to his ears as you grasp onto him, your nails digging into the muscle of his back as your walls squeeze and stretch to accommodate his thick length, the size of him almost too much for you to take.
"Fuck," he groans as your walls tighten around him. He gives you a moment before he begins to urge you to move. He guides your hips, slow and sensually. The feeling of his hands on you motivates you to try and ride him yourself. And you do try, but you cry out again at how big he is, how fully he is stuffing you. You can barely move.
Geralt kisses you as he holds you closer, taking pity on your tight cunt and instead he moves his hands to your soft hips again. He holds you on top of him securely before he begins to fuck up into you.
You mewl as he jostles you, bouncing you up and down his cock, your breasts moving in time.
You pull on his hair, forcing him to look up from where his gaze was fixed, watching his own cock as he stretched you out for him, watching as your cunt took as much of him in as she could, up to your hooded lust filled gaze. You lean into him, chest to chest as you kiss him fervently. His lips follow yours as you taste one another. You nip at his lip and he growls, his hands gripping the ample flesh of your ass, "Keep that up," he snarls.
"And you'll what?" you breathe heavily, eyes screwed shut, jaw tight as you deadbrain on the pleasure coursing through you.
Your answer is a harsh thrust of his cock inside of you, stealing your breath while he slaps your ass, your flesh stinging from the force.
"Oh, fuck," you whimper debauchedly, your velvety walls squeezing him ever tighter as you feel yourself growing closer with every bounce. The tip of him hitting exactly where you need it to. Your body is on fire and you are loving every second of it. The feeling of him inside of you, of his hands squeezing and caressing you everywhere he can, of his lips demanding yours for more.
His grunts are growing louder and his thrusts more powerful, you kiss him hard in an effort to quiet him some, but you can feel what is coming.
Geralt is near slamming you down on top of him, the sound of your ass slapping against his thick thighs mix with the salacious sounds coming from you both and of your slick wetness as you're worked up and down his shaft, your cunt taking him better and better with each thrust.
Your hands move to hold his face, your noses brush as you breathe each other's air, lips touching just slightly.
"Geralt, I'm,"
"I know," he pants harshly, concentrated before taking your lips in his. You whimper pathetically as the coil in your belly winds tighter and tighter. He keeps you moving a top him, your clit being stimulated with every brush of your hips over his, and then with another deep thrust it snaps before you can speak. Your voice is an empty high then silent squeak as your legs tremble and your eyes roll back. Are you even breathing? Your walls clench down on Geralt's cock and he finally allows himself to reach his own high as your tight walls flutter around him, squeezing him perfectly. You ride the waves of ecstasy as his come spills inside of you. You feel him shudder beneath you and it only adds to your feeling of weightlessness, stars in your eyes as you feel, think, breathe nothing but him.
You part from his lips and your bodies are slick with sweat as you both pant heavily. Geralt holds you to him as he softens inside of you, his forehead pressed to yours as your hand comes behind his neck, holding him to you in kind.
Your lips mimic a kiss but neither of you lean in close enough to actually do it. You work to catch your breath and settle for a minute before you finally break the quiet.
"Do I still owe you your coin?" you breathe, smiling when Geralt laughs in your face. You reach to move a stray strand of hair from his face, holding his cheek gently once you do.
Your stare into one another's eyes for a long moment, just breathing and being close.
"Where will you be off to in the morning?" you ask, hoping your solemn tone isn't as audible as it sounded to you.
"Don't know," he shakes his head, eyes straying to your lips.
You take a breath and pull his face closer to kiss him softly.
"I envy you, you know."
"Don't."
You huff a humorless laugh, readjusting yourself on his lap. "Not because you're a witcher. You may not have the most enviable life, but at least you have one. I've never made it past the most exterior gates," you smile sadly, playing with the hairs on his chest as you avoid his eye now.
"I suppose I'll have the chance, now, though. Thanks to you."
"And where will you go?" he asks.
Your gaze floats up to his and you repeat his previous answer. "I don't know. But I won't stay here. This kingdom is..." you shake your head. "I don't belong here. Never felt like I did. But I made a promise to my mother when I was young, and another to my father before he passed. I know I've let them down," you swallow the rise of emotion threatening to overcome you, "but alas, the fall of a kingdom is ever inevitable. Especially under such rule as my own."
"I've heard word of your rule from many. You're known to be kind. Caring. Protective, even. I don't believe you've failed. I think you were exactly the kind of ruler you should have been, who you needed to be. But perhaps it's a good thing you won't be forced any longer into holding power you don't desire. You're now free to do as you wish."
"I am," you nod lightly in agreement. "If only I knew where to start,” you muse with an uneasy laugh.
His hand runs up your back comfortingly; he's pensive, deep in thought for a long moment before he speaks.
"If you ready your things, I don't think Roach would mind a travel companion of her own. She seems to have taken to Belfast… I'm not sure she'd be ready to part with him so soon, anyway."
"Is that so?" you ask him, faux curiosity playing in your voice.
"And Jaskier is easier to take when I'm not the only one he has around to bother."
"Right," you nod, fighting your soft smile.
"And of course your coin would be useful as well."
"Of course," you exaggerate your agreement. "…Geralt, are you getting at something here?"
"Just that, if you want to join us…you might."
You lean into him again, thumb rubbing along his stubble lining his cheek, and this time he kisses you first. More gently than you expect. You can’t help your smile now.
You part lightly and breathe,
"I hope you mean that, Witcher. Because I just might."
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yanderestarangel · 7 months
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HEADKANONS | JOHNNY CAGE MK1 WITH S/O
A/N: Yes, he's my favorite, please make requests for me with this man, I need ideas, I need requests- I'm obsessed for him. Do you want to make a request? Read my blog rules in the pinned post.
TW: sfw, smut, fluff, sex, sexual positions, afab reader, pet names, vaginal sex, oral m!re. | f!re |, degradation, daddykink.
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SFW:
Johnny Cage is the typical golden retriever boyfriend, he will want your attention because we know he is an attention slut, not only applies to his fans but also to you, you need to keep in mind that when Johnny wants your attention, He'll get it one way or another, whether it's sending you countless messages, asking you for affection, or even begging you to stay with him, if you're the type to get angry and punish him with silence, he'll be very upset. bad, even becoming physically ill.
He loves being emotionally pampered, a lot of cuddling with him with his head in your lap, while the two of you watch a movie together in the living room of his mansion, while you massage his scalp and the light brown locks of his silky hair, he would be happy. smiling like a fool in love - which he is - even if you pointed it out, he would deny it with some typical joke of his, if you threaten to leave his side or stop making out with him he will pout and complain, a lot.
He also likes tight arms just enjoying the silence between the two of you, chaste kisses on his forehead or cheek are welcome, especially if you wear lipstick or gloss, he will smile sideways and run his fingers through the warm residue on your lips on his skin.
Johnny likes to show you on all his social networks, always taking selfies with you and posting them, stories talking to his fans but always with you by his side, he loves sharing some couple story about the two of you so that everyone can laugh at such a situation that you passed by, like the time he got the location of the award show he was going to wrong and you had to walk a long way to get to the right place, with Johnny carrying you on his back obviously, he wasn't going to make his beautiful S/O walk. If you're the shy type, he'll push you a little, not because he's mean, but because he wants to show you to the world, show the person who makes Johnny Cage happy, but if you still don't want to, he'll respect your decision, Even if it upsets him a little at first, he will still take photos of you and the two of you together, with various filters, from the cute ones to the most cursed ones he finds.
The two of you have a YouTube and Twitch channel together, he already had a channel so now you are a regular guest, after all you date him. Johnny loves just chatting in chat, or reacting to some edits and fanarts that his fans make of him live, he always thanks everyone and is satisfied, from the most amateur to the most professional, everyone is valid and valuable from Cage's perspective , and he also loves the edits with the photo and video of you as a couple, with you and him thanking you for your affection, he leaves the @'s of the editors and designers, encouraging their growth. In the lives it also happens that Johnny plays some games with you, his favorite is the horror genre, he loves seeing your reactions because you feel tense around him and the chat, he sits on a black gaming chair in the center of the camera and you or in the background or on his side - it's your choice - he also gets scared very easily so you can take advantage and poke his shoulder or arm during a tense moment in the gameplay, he'll jump and scream from his chair like a scared kitten while letting out a series of swear words - he may or may not have let his glasses fall to the floor and break one of those times.
Johnny lets you wear his clothes, he's very stylish, if there's something you like, you can wear it, he has enough money to buy a new and identical piece, but obviously there are clothes that he's more zealous and jealous of, he He'll even let you use it if you tell him you'll be careful, if you tear it or get it dirty, he won't do anything other than sigh and get irritated for a few hours, then go buy a piece like the old one and pretend nothing happened.
He also loves that you make him breakfast, he loves his food, his seasoning, the smell of warm food makes Johnny wake up in bed with a satisfied smile, seeing you in his kitchen, preparing everything for him, that's it. it also made his ego rise, but in a good way after all he has you in his life and no Hollywood award compares to having you as his partner, he comes up behind you and while hugging you, giving you a kiss on the head and smelling you, even though he's drowsy, he wants to be there with you, watching you make his breakfast with such care - Cage also whispers in a hoarse and low voice how much he loves you, thanking you for being so helpful to him and that will reward you later however you want -
The two of you play 'just dance' together, Johnny knows practically all the choreographies and makes you dance with him, whether you're good or bad at dancing, what matters to him is that you just have fun with him, and he's great at dancing, knowing move the hips extremely well and being very elastic.
Johnny loves sending you memes, posts, songs, everything he sees and remembers about you he will send you immediately, Johnny is the type who has a gallery full of memes that he never sent because he forgot, he is the type who sends more than +99 reels in less than 10 minutes, so if you two have been chatting don't be surprised if you get distracted and have more than 60 videos in your dm, each with a caption and context from Cage:
"I remembered you."
"LMAO you that day (Y/N)"
"That song is the one you like, isn't it?"
"lol that's so me"
"That food looks delicious, can we make it later?"
"pookie wookie"
"This film appears a lot in my fy, let's see it this weekend"
"Am I bbg in this edit?"
He also uses a lot of emoji and stickers to communicate, with chibi versions of himself often in his chat to show his emotions, he uses emojis to Seriously, then get used to using them.
He also uses a lot of emoji and stickers to communicate, with chibi versions of himself often in his chat to show his emotions, he uses emojis to Seriously, then get used to using them.
The two of you have a typical mean girls night together, with skincare, hair moisturizing, movies together and gossiping together, Johnny doesn't mind if you want to try makeup on him, or paint his nails - as long as it's black and he's not in No acting roles at the moment - he accepts it willingly, and he even likes it when you do eyeliner on him - he looks even more handsome, believe me. -
Loves to pamper you materially! Johnny is the type that if he sees that you are looking too much at a certain product in a store, he will pull you and enter the place, calling the salesperson immediately and buying everything you want, and I guarantee you, he knows exactly when you want something. or when you're lying that you don't want to because you're embarrassed, if you lie and try to say that you didn't want to, Johnny will get serious and immediately take the most expensive products in the store for you, as a form of "punishment" for lying to him. He will be able to take you to the concert of your favorite band or singer when he is off work as a Hollywood star or he will hire the singer/band you want to do a private show at his mansion, nothing is too expensive or impossible for Johnny Cage.
He loves romantic nights with you. Johnny will put on a fancy suit, hire a good buffet for a candlelit dinner with you, something he does practically every weekend, it has become a couple's tradition in your relationship. A good dinner and expensive wine, to end the night with the lights of the Cage mansion partially turned off, with you and Johnny in the large marble area, the only light was from the moon that entered through the large video window, with the song: "You rock my world - Michael Jackson" playing in the background, on the speakers of the luxurious room, with the two of you pressed against each other, just singing while dancing intertwined in a heat of passion and love. - Johnny loves this song because he says it sums up what you did in his life, you rocked his world in a way that he can only thank you internally for being the love of his life, and being the person he can count on always, even though he is sometimes too arrogant and proud to admit it, he always says: "-This song sums up what I feel and have always felt about you honey." -It's his way of saying he loves you, when he can't say it directly.
He hates to show it, but he is extremely insecure, after the separation from his ex-wife - Cris - he always asks you if you still love him or if you will leave him one day, this insecurity causes some jealous attacks when you go out, doesn't it? nothing serious, just Johnny sulking and asking you why you're so different with him - which you weren't - just make this man sure of your relationship, holding his arm or hand when you go out helps a lot, with him smiling stupidly in the corner because you're proud to be dating him, after all who wouldn't be? he is Johnny Cage after all.
He's extremely intelligent, so he'll love rambling about everything about you, movies, art, history, everything. He will talk about several topics at the same time, while his head is in your lap.
NSFW:
Recorded sex: He carries that stupid phone of his 24 hours a day, that is, this also applies to sex, he will fuck you practically making a movie every time, recording in HD all your reactions and how you fit your body to his so well , moans, juices of lust, your face salivating with pleasure, the nicknames, the dirtiest things, all recorded and saved in a folder with a password on his cell phone. He uses the videos to masturbate when he is traveling to direct a film as a director, he becomes needy and needs you by his side, having to settle for the homemade porn videos that the two of you make together, your pussy jumping on his dick in the video, his body, his reactions, as he whimpered, fucking his own dick in his hand, writhing on the hotel bed he was in.
Sex on the phone: Well, when the porn videos you made, he will call you, begging you to masturbate on call with him, either just vocally, or on video call, or exchanging nudes while the two of you did it.
"-Come for me. Show me how much you want my cock, how much you need me to fill you like the submissive whore you are."
Daddykink: Self Explanatory, he loves being called daddy by you, he himself has a habit of calling himself daddy in random situations, with an arrogant air. "-Leave it to Daddy, Baby." "-Oh yes, Daddy Johnny is here to sort it out." And this applies to sex, he will fuck you while you call him Daddy or Daddy Johnny - he loves that shit, it boosts his ego like hell. -
Degradation and praise: He loves to praise you and degrade you at the same time, he also loves to be praised during sex, especially when you do the "missionary" position, while he looked at your face, fucking your pussy with greed and hunger.
"-Do you want to cum, my naughty little slut?"
"-You really want my seed to fill your pussy, don't you? You're such a dirty slut, wanting to be bred by me. You want to mark you as mine, don't you?"
"-You're nothing but a filthy whore, begging for my cock."
"-You're such a good boy/girl, taking my dick in that tight, pretty pussy, like the good slut you are."
His favorite sexual positions with you: 69, Doggy Style, Cowgirl, Reverse Cowgirl, Missionary, Scoop Me Up, The Seashell, The Pinball Wizard, Valedictorian, Table Top, The Lazy Man, The Snake, Stand and Deliver.
He also loves giving oral, he would really stay under your legs all day fucking you with his tongue if he could, in every corner of his mansion that he could, his tongue fucks you in the right spots, passing from your clitoris to the your entrance tight, his thick and firm hands keep you in place, holding the soft flesh of your hips, massaging the area in small circles with his thumb while looking into your eyes, while his mouth was too busy working for you. make you cum - maybe... Just maybe he rubs his nose on your clitoris to tease you, he has a big nose... Just maybe. -
Johnny likes blowjobs when he's angry, he likes to come home, have a good whiskey while sitting on the couch, and you between his legs, sucking him greedily, it was a relaxing sight, making Johnny remember the good things about life, you.
"-Yes fuck baby... Keep going... I really need to cum, you're my good boy/girl, sucking my dick so good."
Please squirt on this man! He loves to fuck you and make you squirt, whether with his dick, tongue, fingers or even vibrators - which you have to stimulate your pussy and his dick in some foreplay - Johnny just wants you to cum and get him all wet with your Sweet essence, the first time you squirted on him you were embarrassed, but he wasn't, he seemed to have discovered a new world, smiling like a fool.
"-Mmmm Johnny... I... Please take it off, I-" -You tried to speak between moans, while your pussy squeezed Johnny's cock more than ever, he felt something different, smiling sideways.
"-Fuck I bet that's a fucking squirt, come on, I want to see you squirt on my dick baby, this is going to be so fucking hot, just cum in that tight pussy." -Johnny says, thrusting his dick even more into your pussy, with all the strength and speed he could have in his hips at that moment, fucking you to the core, he gives a strong thrust, hitting his dick on your cervix, making you moan and squirt on his dick, abdomen and groin, dirtying him all over, while he smiled extremely happily.
"-I won't stop fucking you until you do it again baby." -He says smug with a cheesy wink, but he was serious, you were going to do that until he saw you squirt and cum like that again.
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©YANDERESTARANGEL 2023
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maiko-san · 3 months
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Catnap + Dogday x Reader ( Part 4 )
<<< Part 3
Relationship : Fluff
Warning : None (?)
Plot : Every time you enter the Playcare you feel eyes watching you everywhere you go. You feel stressed and start to become sick.
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Recently, you feel uneasy and something tells you that you were being watched. Every time you go to work, you feel eyes on you.
It scares you.
Nobody likes the feel of being watched.
It made you stressed out.
You tried to get rid of these feelings by distracting yourself with work. You tried to keep yourself busy to a point you overwork yourself with all those papers or taking care of the Smiling Critters.
To a point it made your body ache and have a migraine from overthinking.
Not only that, Catnap has been acting quite differently too and his visit has become less and less each day. Not only that—
The lovely and sweet cat is avoiding you!
You finally asked the feline, what's the matter but only received—
"It's nothing...."
Nothing....nothing? Obviously there's something wrong!
Multiple questions began to swarm into your brain like a raging tsunami, did you do something wrong? It must be you, right? Yes, no? Maybe?
You had a slight feeling it has something to do with the higher ups.....
Did they tell Catnap to...avoid you? It has to be it, right? Why they do such a thing?
The stress starts to eat you the more you think about it.
Dogday and the other smiling critters saw that you've been stressed lately to a point it started to affect your health. It made them worried, especially Dogday. As a leader, it was his responsibility to care for everyone's wellbeing, including you.
"Angel, You look nervous lately. Are you feeling alright?"
"Oh, hey. Dogday....."
Dogday knew something was wrong. He comes closer to you and touches your shoulder.
You slightly flinch under his touch which made the canine even more worried.
"Angel, please tell me. Is something bothering you?"
"......"
"As a leader, it's my duty to help everyone in need. I won't forgive myself if anything happens to you"
"....."
Dogday holds your hands gently and holds them in his large ones.
You take a deep breath before telling him what's been bothering you, you know it will be useless to ignore the canine. He is stubborn and won't stop until you tell him what's wrong.
"I feel like something bad is going to happen. I don't know when. It might happen now, Sooner? Tomorrow?"
"......"
"I really hate this feeling, Dogday.....I-I can't get rid of it and no matter how many times I tried to forget it by distracting myself with work, I just.....couldn't— Not only that, Catnap has been ignoring me and started to avoid me! I— ugh, m-my head"
You suddenly drop to your knees causing Dogday to panic and he begins to whine worriedly.
Dogday's heart clenched the way you spoke. You feel scared, anxious and nervous. The canine pulls you into an embrace, in hope that it will help you calm down.
"Let's get you to the infirmary..."
Dogday makes sure that the school doctor treats you and gives you medication.
"Mrs. (L/n), I think it would be better if you take a week off from work"
"A week?!"
"Angel, it's for your own good"
"But—"
"No buts, end of conversation!"
The doctor said sternly you were causing you to snap your mouth shut.
The doctor also recommended you to rest someplace quiet and away from the city and your workplace.
It seems you have to go to your foster parents house, they always welcome you with open arms if you need anything.
"Alright...I'll take the day off..."
But still....that gut wrenching feelings still resides in you....
For today, you need to rest in the infirmary room until you are discharged.
Dogday leaves you to rest before proceeding to make his way back to his stage but before that, he wants to find Catnap first.
Dogday knows that Catnap is great at hiding, but it won't stop him since he has his canine sense helping him.
He sniffs around to find the feline until he sees the cat, snoozing around his stage like he always does.
"Catnap. I need to speak to you..."
"...Speak"
"(Y/n) is sick, have you not noticed?"
"...I know..."
"Then why did you help her with your red smoke? To make her sleep and at ease?"
"....."
Catnap looks away from the dog, Catnap knew that you were sick. It hurts him to see you like that.
He wants to help and comfort you, he really does but...
He had received an order he has to obey. His had to choose between two individuals that he adores. One he worships and the other he loves. Yet, he chose the one he worships, the one that saves his life.
Catnap knew that Dogday will help you and he trusts the dog with you in his care.
Other than that, using the red smoke on you will make everything much worse and potentially kill you in your sleep.
He doesn't want that to happen to someone who cares for him and loves him.
"Why?"
"Red smoke use...on stress person...bad could hurt and... possibly.........kill..."
"O-oh..."
Dogday rubs his arm before turning away, but before he leaves.
"Please, pay her a visit, Catnap. If you do, it makes her less worried and she would be happy to see you again"
"Also, She won't come to work for a week...."
Dogday leaves Catnap's stage, leaving Catnap alone to think about his decision to see you.
A/N : Another chapter finished 😁 . Also, a fair warning for all of you. The future chapters will become darker as it progresses since I want to stick to the plot of the game.
Also, the mascots have their own stages to perform for the orphans!
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