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#thinking about this with nanowrimo coming up
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for any sci-fi/dystopia writers out there (or any other writer who has reason to include a fictional prescription/pharmaceutical drug in their story) who care vaguely about certain degrees of realism:
There are actually perfectly understandable legal reasons that pharmaceutical drugs have such weird names, both for generic and brand names. It’s not just random. This post for now is only about generic names but if people show any degree of interest I might make a followup with information about brand names.
First, generic names are made to be the same worldwide so people traveling to other countries can still ask doctors for prescriptions. Generic drugs also have to have a two-syllable prefix (which helps with identification) and a suffix that indicates how the drug functions. For instance, “-cycline” (ie doxycycline) indicates that something is an antibiotic, and “-etine” (ie fluoxetine) indicates that something is an SSRI. Here is a list of pharmaceutical suffixes and their meanings. The prefix of a drug’s generic name also can’t contain letters in the English alphabet that aren’t used in many other languages, like Y (except I think when it’s used for a more common vowel sound), H, J, K, or W.
The name of the drug also can’t be considered marketing. This is my biggest pet peeve in fiction when authors are trying to semi-realistically depict the pharmaceutical industry and if I’m being honest it’s the reason I bothered making this post at all. Companies can’t even name their drug something that’s an ANAGRAM of a marketing claim. They submit three potential drug names to the USAN, an association of pharmacists, doctors, and related regulatory professionals, and the USAN will run all possible anagrams of the name as part of their decision-making process. If they think a drug name sounds too much like marketing, they simply don’t allow it and send back a list they create of 3 names to choose from.
Companies cannot name a drug “Joy” (looking at you, resident evil netflix adaptation) or “Phalanx” from world war Z. It’s heavy-handed and shows a lack of research in what are sometimes otherwise well-researched media. Pharmaceutical companies can cause devastating damage with legally-named drugs. If you wanted to make a movie about a fictionalized version of the opioid epidemic, you would look stupid if you named the oxycodone analogue something like “painkill” or “insta-relief.” It can take away from the weight of the story in a subtle but notable way. It’s a small factor, but I know there are writers out there who really care about things like this and might not realize they have no idea why pharmaceuticals get named the way they do. If you’re trying to write something that depicts pharmaceutical drugs at all and you don’t want to beat your audience over the head with what you’re trying to say, don’t name your fictional drug something dumb.
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cerealmonster15 · 6 months
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back to the trials and tribulations of I Dont Know How To Write Chenyas Voice
#GIRL HELP. everything i write for him is like 'ok ok placeholder this is what youll say but ill edit it to make it more chenyalike later'#LATER ME ISN'T GONNA KNOW WHAT TO SAY#chenya you cant even get banished from this fic i made you besties with one of the main characters..............#BUT i think the pov is USUALLY(????) gonna be cater. so maybe ill be saved. idk we'll see#im juggling so many characters in my brain i literally dont know what im gonna do#like i was thinking about it in the shower#bc i wanna have that subplot drama of jamil/azul and danarte when he shows up but like#HOW am i supposed to naturally do that#i did think a lot about one part tho. when i said i was stuck in a bathroom loop sjlkdfjd#i doodled out some of it. cater and jamil WILL talk in the bathroom at a social/party/whatever#i got a buncha ideas for that scene and itll be a good way to like#introduce the jamil/azul plotline#im thinking theyll be kinda in the background at first but then come more to the forefront in certain scenes/when danarte gets more involve#idk it's a crazy tangled dumb soap opera in my head#trying to actually write it is like. probably an impossible task#but i sure am trying#and FOR WHAT i do not think people will want to read it LOL#but. /i/ can read it kldsjflkjds#that being said. i also have some of my kalim/silver + jamil/azul fic written from nanowrimo#that one. theoretically i could clean up some of what i have and post as a first chapter#but ims cared LOL idk if im ready#what if i wanna change stuff. what if i wanna move scenes around. how much should i do. what if what if what if-
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desperatepleasures · 7 months
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oh nooooo just got hit by the Inadequacies!!!
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mycological-mariner · 2 years
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Hm, I’m not feeling very creative. *two cups of coffee and a Crane Wives song later*
So anyways here’s my short historical horror story I wrote while out of my mind in 15 minutes
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badass-sunshine · 7 months
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margaritalaux-antille · 7 months
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back in my medea fixation.
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littlecajunlady · 8 months
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To nano or not to nano . . .
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neverendingford · 1 year
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nanowrimo · 7 months
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Write Smarter, Not Harder: 5 Ways to Conquer Chaotic Writing
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Every year, we’re lucky to have great sponsors for our nonprofit events. ButterDocs, a 2023 NaNoWriMo sponsor, is an all-in-one writing app built for productivity, collaboration, and a more joyful writing experience. Today, the folks at ButterDocs share a few tips on organizing your writing to meet your goals:
NaNoWriMo is about to start, and you're champing at the bit to get to 50,000 words. But that's no easy feat! Because life doesn't stop when NaNoWriMo starts.
You're still going to have climb a mountain of chaos to reach your goal: Chaos like not being able to find your notes and outlines when you need them since they're scattered across multiple apps, or the constant lure of internet distractions.
And of course, once NaNoWriMo ends, the writing process continues. You'll need to get feedback, be able to actually easily take advantage of that feedback, and make revisions (especially if your ultimate goal isn't just a rough draft, but a polished novel).
Here are five tips from ButterDocs to beat the chaos and make your writing workflow less work and more flow.
1. Know what you're about to do.
We know you want to start maximizing your word count from Day One, but you'll thank yourself on Day Twenty if you lay the groundwork for yourself. Take some time to organize your research, develop your characters, lay out your major plot points, and consider your themes.
You don't need to buy and learn advanced plotting software. A digital whiteboard can be as intuitive as pinning index cards to a cork board.
2. Write in the best environment for you.
You're about to spend a lot of time writing. It's a good idea to get comfortable.
Think about what environment you write best in. Do you need the hubbub and energy of a busy coffee shop? Or the serenity of a cozy nook?
Once you find the right place, put the same effort into finding a writing app you'll actually enjoy writing in.
3. Stay in your writing flow.
Focus and dedication during NaNoWriMo is the whole ball game. Lose either, and your chances of hitting 50,000 words are harder.
Whatever your NaNoWriMo goals are, give yourself the best chances to succeed with tools that will help you get and stay focused. A timer, word counter, and goal tracker will help you with timed writing sprints and hitting daily writing goals.
4. Recover from distractions.
Distractions will happen. Chaotic writing aside, the human brain wants to wander for dopamine. And life inevitably gets in the way.
What's important is how you recover. Don't let one distraction or missed writing day snowball into another and another. Give yourself tools that help you get back on track. A simple notification to come back to your writing can be a big help.
5. Pull others in to help you move forward.
You may be participating in NaNoWriMo as an individual, but know this: you are not alone.
You have the entire NaNoWriMo community, among many other writing communities and groups you can turn to for any genre of writing.
When you feel stuck or need feedback on a draft, don't be afraid to ask for help. Just be sure to invite people into a writing app where you have control over the collaboration.
ButterDocs Early Access + NaNoWriMo Resources
Conquer chaotic writing by using a writing app built for exactly that. With ButterDocs, you can plan, write, share, and edit your writing all in one place, without the chaos. It's by the team that built Arc Studio, a leading screenwriting app with hundreds of thousands of users.
ButterDocs launches today in early access and we'd love to invite you to check it out for NaNoWriMo.
All NaNoWriMo participants can receive a free year of ButterDocs if you sign up by December 1st, 2023.
We're running a free online event on October 25th for everyone who signs up: "Getting (and Staying) in Your Creative Writing Zone During NaNoWriMo." with Grant Faulkner (Executive Director of NaNoWrimo), Matt Trinetti (founder of London Writers' Salon), and Allison Trowbridge (founder of CopperBooks). If you can't make it, we'll email ButterDocs users the recording afterward.
Visit https://butterdocs.com/NaNoWriMo to learn more about ButterDocs, claim your free account, and enter an exclusive sweepstakes giveaway for NaNoWriMo participants!
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byoldervine · 5 months
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Motivation For Writing
Getting Off Your Butt:
1. Aestheticise it. Let the light in through the curtains, turn on your fairy lights, lay a blanket over your lap, light some candles, whatever you need to do to feel like a writer. The right vibes can go a long way
2. Picture that one scene. There’s almost always a moment you’re super excited about that basically inspired the whole book. Picture it, play it out in your head in full cinematic fanfare, gush to yourself about how cool it is and how everyone will love it, picture a future fanbase going nuts for it. You might get excited enough to go back to writing
3. Set a word count goal. During NaNoWriMo this year I think I wrote more than I ever have in one go. The thing that kept me coming back was the desire to not fall behind. I ended up with ~45K words after some complications irl caused me to drop off in the final few days, and that’s all just because I was adding up the 1667 a day word count goal and realising where I needed to be at to keep up. I definitely can’t stay as rigid as I did with 1667 words every single day, but seeing that you’re only a few hundred words off of a goal is super motivating - just be sure to set realistic, easy to achieve parameters for just general use, like 1000-2000 words per week. I know 200 words per day is a popular one for people trying to establish a writing routine that can’t dedicate forever to the craft
Maintaining Motivation:
1. Writing sprints. Writing sprints are a godsend for me, I like to set myself up in the living room with Abbie Emmons’ writing sprint video on. The video lasts two hours and is broken up into two parts; 25 minutes to write and 5 minutes for breaks between writing, so four 30 minute sprints overall. Having the timer and countdown with peaceful music and an aesthetic background is both relaxing and encouraging, as well as giving me a specific time for how much longer I have to push through. It’s easier for me to say “Okay, only ten more minutes, then you can take a break” then it is to say “Just keep going, we’re not stopping until I say so” which is too arbitrary for my brain to accept
2. Give yourself a choice. If you’re struggling to keep your focus, come up with a finish line and tell yourself you don’t have to do any more work once you’ve reached that point. Finish the paragraph, go for another five or ten minutes, keep it up until your next scheduled break. Whatever sounds realistic and doable without being overwhelming. And once you’ve met this goal, ask yourself if you still want to stop. With any luck, you’ll have gotten back into the zone and will choose to keep going. Maybe you’ll want to take a quick break but you’ll come back later on. And maybe you’ll decide that now actually is a good stopping point. Just remember that, if you do still want to stop, don’t force yourself to keep going. You can’t strike deals with yourself if you know you won’t keep your word and all you’ll end up doing is burning yourself out, which will lead to even less writing getting done
3. Try a new angle. If you can’t be bothered to write anymore, is there anything else you can do for your book? Plotting, editing, worldbuilding, character sheets, one-shots all that sort of thing can still be productive for your book while still being different enough to give your brain a slight respite. It also means less work in that particular area later on
Afterwards:
1. Organise. Clean up your workspace and put everything away so it’s nice and neat for when you come back to it. Or if you don’t need to pack things out the way, set it up in an aesthetically pleasing way so it will tempt you back next time. Let it give you the writer vibe
2. Take care of yourself. Get a drink, have a snack, walk about, stretch your limbs, take a breath, cuddle your pet. Something that gets you away from straining your eyes looking at text for a bit. This is also a good time to reward yourself if positive reinforcement is something you use on yourself. If you always feel shitty after your writing sessions, you won’t want to go back to it
3. Positive reflection. Make sure to tell yourself you did good, even if you didn’t get as much done as you would’ve liked or it isn’t up to a standard of quality you’re aiming for. That can all be fixed later on, and you’re infinitely better off than you would’ve been if you didn’t do it. Be proud of yourself. Tell yourself you’re proud of your hard work and your dedication and your effort. Remind yourself that this is a fun thing you like to do. Marvel over how insane it is that you’ve gotten this far - not many people do - and that you’ve got all this tangible work to prove you’ve accomplished something so many people wish they could pull off. If this isn’t fun overall, there’s no point
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tlbodine · 7 months
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Stuck? Try junebugging.
I don't know who needs to hear this, but we're 5 days into nanowrimo so maybe this will be helpful.
Do you want the safety and surety of knowing what happens next in your story but can't stick to an outline? Does knowing in advance what will happen suck the joy out of discovery writing? Do you try to wing it through plots but get tangled in plot holes or have a story that runs out of steam because you can't figure out what went wrong? Are you at your most creative when you have a little bit of guidance? Do you tend to under-write? Do you get ideas in your head for random scenes and snippets that drop from the sky without context?
If any of these apply to you, junebugging a draft might be for you!
What Is Junebugging?
Since you're on Tumblr, you might already be familiar with the concept of junebugging as it relates to cleaning. If not -- I think the idea was first introduced to me by @jumpingjacktrash.
The basic idea is that you tackle cleaning by way of controlled chaos. You pick a specific area you want to focus on, like your kitchen sink, and then wander off to deal with other things as they occur to you, but always returning back to that area. You end up cleaning a little bit at a time in an order that may not make sense to an outsider but which keeps you from getting overwhelmed and discouraged.
How Does Junebugging Work in Writing?
OK, so that's great, but how does this work with writing? Well. In my case, the general idea is to jump between writing linearly, outlining, and writing out of order. It usually looks something like:
Start free-writing a scene, feeling my way through it and enjoying the discovery process.
Thinking, ok, now I have this scene, did anything need to happen to lead up to it? Do I need to go back and add some foreshadowing? Does this scene set anything up that needs to be paid off? And then jump forward/back to make those adjustments.
I'll usually have a bunch of disconnected ideas of ideas that have popped into my head, so I'll write those down in a list somewhere and then try to figure out what goes in between them and what order it goes in.
I'll write what I call "micro-scenes" which is where I'll just sketch out a few essential elements of what's going on without worrying too much about details, description, etc. -- just he did this, she said that, the setting was this, real bare-bones script. Then I can come back through and flesh out each of those microscenes into an actual scene later.
Got a story that has a complex structure? No problem. Write through each storyline one at a time and then chop them up and weave them together afterward. Write all the B plot scenes first then come back through to do A plot and C plot. Move the pieces around like legos. No one ever has to know.
This method works for me because I can't "decide" story elements in advance. I have never been able to just sit down and "figure out" what happens in a story beyond a couple steps ahead -- I have to discovery-write my way forward. But at the same time, that gets really daunting. So I zoom forward with micro-scenes, roughing out the beats in the most bare-bones way possible, then when I run out of clear vision for what happens next I backtrack, flesh out those scenes, build in connective tissue, etc. and by then I will probably find more inspiration to jump forward.
It's basically folding drafting, outlining, and revising all together into a single phase of writing, which is chaotic and goes against everything people teach you, but if it works? then it fuckin works.
Anyway, sorry for the jumbled-up post, I'm dashing this off quickly while I heat up a pizza and I'm about to dive back into my WIP -- but I hope this was a little helpful. If nothing else, take this as my blanket permission that it's 100% OK to jump around, write out of order, write messy, outline sometimes, pants sometimes, and do whatever else it takes just to get through the story. You've got this. Good luck.
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modmad · 2 months
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Hey Mod, I don't know what's going on that hurt you, I feel like I missed something that's happened, but I can tell from what I did see that it didn't just hurt you, but scared you and made you feel a Lot of doubt. I've also seen a lot of messages pouring in with support, and I want to share mine.
I have hypermobile type EDS, fibromyalgia, and a whole bucket's worth of faulty wiring in my brain. And I've always had stories to tell but I never felt I was good enough to share them. If it's because I can't focus enough to get through nanowrimo, or because I can't manage the focus and time towards drawing as a hobby, or the fact that an excessive amount of either for me leads to my hands wanting to shut down. But you? You *inspire* me. Your stories, all the ones I've seen, read, experienced in some way or another, they're so good. And you're open and honest with your fans about your own health, and of course, we support you and always would rather you rest and feel as best you can, instead of pushing out something and working yourself too hard. But all of this is to say that. I think I would have given up on my own stories if I hadn't found you and yours.
I hope whatever is going on sorts itself out, I hope you're able to keep telling your stories. At your own pace, in your own way. I think you deserve to be happy. If there's anything we (your fans, especially those of us too awkward to come off anon, whoops,) can do, to help in some way? Even if it's silly videos or cute cat pictures or whatever it is that could just help you smile. We're here. We love you.
woof. I woke up to so many messages I can't even read them all in one go I'm getting too emotional- I do feel I owe an explanation so I'll explain what happened under the cut but all you guys need to know is I'm okay, I got through it, I love you, and you're so important to me and I'm so grateful for all the messages that have asked me to stay.
tw for suicidal thoughts and all that
yeah so I have the bad morning of all mornings: was introduced to the fact there's this one character (Mr Puzzles) on a very popular youtube that. resembles RGB. incredibly strongly. like. I don't want to link to it just look if you want to. Anyway at the time I thought it had just dropped (seems to have been around for 6 months actually), and having commented on it I immediately got an inbox full of hate mail.
My website, meanwhile, had locked both me and my web designer out of it, and- already in a bad state of mind- I went into full on panic/paranoid spiral of 'they have hacked it, and they are going to delete any proof that I was here before them.' This of course wasn't true, and we have since recalimed control of the site (don't know what happened there but hey. it's fine???? haha. ha.)
On top of this my father has terminal cancer of the pancreas, which is horrible for everyone already but it means that- at some point this year- I am going to be the only person with an active income in my house. I am disabled, do not make a lot of money, and the cost of living is skyrocketing. Combine that with months of Despair at the world right now, with the multiple wars, genocide, corruption and AI and the loss of control any of us have over our IP or lives and I just decided it was time to end it all.
I somehow remembered this was a bad idea to act on immediately (hard during a period of entirely irrational thought) and instead went for a very long walk, crossed the bridge I could have jumped off and during that I came out of the worst of it. I then came back home to so much love online I felt deeply ashamed for ever contemplating it, and I cried a lot. My nose is still puffy and now my feet hurt! lmao
Anyway. Yeah. There's your context. I am not going to stop hoping, making, or living. I am prone to moments of weakness and this was one of the worst of them and I am still here, thanks in a large part to all of you. I might need you in the future to defend me against this, or people who take our ideas, but I hope you know that I will do the same for you. We need each other, and to be there for you I need to be here at all.
also fuck Mr Puzzles
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suzukiblu · 7 months
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Day six of fic NaNoWriMo, obligatory sugar daddy Tim/sugar baby Kon.
"You're bluffing," the thief says flatly.
"And you're fucking stupid if you think this is the play that's getting you out of here," Kon snorts, tapping a foot against the floor. "C'mon, man, give it up. I've got plans tonight." 
"Use the artifact!" the alleged "Mark" yells at the thief holding it. 
"Right!" said thief says, then . . . pauses, and looks embarrassed. "How do I . . . do that?" 
Kon looks incredibly unimpressed. Tim empathizes. Deeply. 
"You guys need a minute there?" Kon asks, raising an eyebrow. 
"Shut up!" Mark snaps at him. "Just use it, Lisa!" 
"I thought you said no names–" 
"Use it!" 
"Uh, right!" 
The thief chucks the little clay goat at Kon. Tim is genuinely embarrassed for this entire crew. 
Kon catches the goat one-handed, which is kind of a stupid idea, but letting it smash on the floor admittedly wouldn't look great. People over property, obviously, but Kon also historically has issues with property damage and letting the bad guys smash up ancient artifacts is not the best plan in general anyway. Especially given how often said ancient artifacts have ghosts or curses or apocalypses locked inside them. 
"Lisa!" the thieves all yell in horror.
"Was this the whole plan?" Kon asks, making a show of inspecting the goat. "Like, was this it? I can come back later, if you're still cooking on that."
Tim muffles a laugh with a snort. Kon definitely caught it, though, judging by his smug smirk. 
"Shut up, wannabe!" the thief still holding a gun to Tim's head snarls, which reminds Tim he should be pretending to care about the gun currently being held to his head. Honestly, he would in Gotham, but the only way this moron is shooting anybody is by accident. 
. . . admittedly, that is a concern, given the trigger discipline issue. Hm.
"Killing me would probably count as felony murder, just so you know," Tim mentions, glancing around the thieves. "Which you could all be charged with, not just whoever actually shot me. Plus I'm pretty sure stealing objects of cultural heritage from a museum is a federal crime."
He's completely sure of all that, actually, for obvious reasons, but he has to at least pretend to be a civilian here. Like, some effort needs to go into that illusion, if for no other reason than to avoid a Bat-lecture from Bruce or, worse, a Bat-"I'm not mad, just disappointed" from Dick. 
Or, worst, Alfred might make disapproving shortbread instead of approving jammy dodgers for post-patrol tonight. That'd be really unfortunate. Tim could really use an approving jammy dodger tonight. He's already going to have to write up a very annoying incident report of this situation as it is, and also deal with the mortification of getting his neck saved by a Super. There is no dignity in that. At all. 
He is definitely never telling the team his secret identity. At least not until he's absolutely positive Kon hasn't inherited any of Superman's eidetic memory, anyway. He's ninety-nine percent sure he hasn't, but that last percent is a definite concern right now. 
"No one asked your opinion, brat!" Mark snaps, though a few of the other thieves now look extremely uneasy. Tim makes another mental note about their crew's obvious lack of prep time and general planning and continues to be embarrassed for them. Museum robberies in Gotham are themed events with careful research and preparation involved, and frankly usually involve more thoughtful effort than whatever gala they may or may not be crashing did. Smash and grab is for convenience stores and small-timers. And these guys are definitely small-timers, but this is equally definitely not a convenience store.
Metropolis is so weird. Why anyone even bothers doing petty crime in it at all is beyond Tim. Maybe they're just banking on Superman being more concerned with natural disasters and alien invasions and rescuing cats from trees, which is a valid strategy. Same theory as splitting up and making a cohesive group into multiple targets.
"He has the idol!" Lisa hisses, glaring at Kon like she's not the one who threw it at him to begin with. Tim gets a gun barrel jammed into his temple again. He has no idea why Trigger Discipline: What Not To Do thinks that's, like . . . a productive thing to do. At this rate he's going to get a bruise or something.
Well, he's not actually doing it hard enough to hurt, admittedly, though Tim does keep expecting it to. The guy looks like he's putting his back into it, but the impacts continue not to actually hurt, so Tim supposes he's just trying to put on a show here. 
Well, at least he's putting in some effort, Tim supposes. That's something. 
"I really do have plans tonight, you know," Kon reminds them, raising an eyebrow at the thieves again. 
"I would appreciate you delaying those, actually," Tim mentions. "If you don't mind, I mean." 
"Oh, yeah, don't sweat it, dude," Kon says, waving him off. "These people are annoying but I'm not gonna ditch out on you here, that's not your fault." 
"Don't ignore us!" one of the unnamed thieves yells. "And give the idol back!" 
"I have no idea why you would expect me to do that," Kon says. 
"I'll shoot!" the thief holding Tim threatens, jamming the gun barrel into his head again. 
"I mean, I'm pretty sure that dude was right about the felony murder thing, so maybe don't?" Kon says, inspecting the little clay goat again. "Hm. This thing is actually kinda cute." 
"It is, isn't it," Tim agrees. "I thought it looked like a kid's toy."
"Oh yeah, I can see that," Kon says, squinting assessingly at it. "Like those chunky toddler ones?" 
"Yeah, like those," Tim confirms with a nod. "Fisher-Price, Duplo, that kind of thing." 
"I'll take your word on that one, man, my 'toddler' stage only lasted about half a day and I was sedated for it," Kon replies in amusement. Tim seethes internally and thinks very uncharitable thoughts about Cadmus. 
"I said I'll shoot!" the thief holding him says furiously, tightening his arm across Tim's neck. It's still not actually enough to hurt, but again, Tim appreciates seeing a little more effort. "Give us the idol, you stupid brat!" 
"I'm trying to help you out here," Kon says, looking exasperated. "You're just making shit worse for yourself the longer you keep this up. Put down the gun and let the guy go, you'll get a way lighter sentence." 
"Fuck you!" the thief shouts. "The power of the idol will protect us!" 
"The idol that I am currently holding, you mean?" Kon says, hefting it meaningfully. "The one that is in specifically my possession and not yours?" 
Tim does understand that talking people down is the preferred approach and Kon can't actually super-speed this problem away, but Kon could at least pretend to be taking this seriously. From his perspective, there's a civilian hostage with a gun to their head and an angry criminal with their finger on the trigger, but he's acting like there isn't any danger in the situation at all.
Tim gets the posturing thing and the general "cooler than thou" attitude Kon likes to present, but it's definitely not making any of the thieves calm down. Like, not at all is it making any of the thieves calm down. 
This incident report is going to be very annoying to write. 
"It's not yours!" Lisa shrieks at him. 
"You literally threw it at me," Kon says. "I only have it because you threw it at me. Also pretty sure it's not yours either, given all the screaming alarms and broken glass and the smashed-in wall I am currently standing in the wreckage of."
Tim starts wondering if maybe he should revisit his "tripping" plan. He doesn't really want to pull any Robin-esque moves in front of Kon, but also dying would really fuck up all that hard work he's put into being Bruce's emotional support sidekick. Also two dead Robins in a row could not possibly end well. Especially in such a stupid way. Especially in Metropolis. 
"You don't even know what you're holding, you idiot!" Lisa fumes.
"A toddler toy, I thought we established," Kon says. "'Doopler' or something?"
"Duplo," Tim corrects, internally calculating tripping angles. 
"That one, yeah," Kon amends. "Doppo." 
Tim, resignedly, thinks his determined commitment to pointlessly fucking up is adorable. Also still hates Cadmus and has the irrational urge to buy him a teddy bear or something, although Kon would definitely just think he was fucking with him if he did.
Maybe he could just smuggle one into his room and disavow all knowledge of its existence. That's an option. 
"Give us the idol now!" the thief holding Tim snarls, his face twisting in rage. 
"Yeah, no," Kon says. 
"You little–!" the thief starts to yell, and then his trigger finger slips. Tim knows this because the gun goes off right next to his ear. 
And right against his temple. 
Half the room screams and the thief yells and drops the gun, recoiling in horror. It goes off again as it hits the floor and a bullet shatters a historically-significant vase the way one should have shattered Tim's personally-significant skull. 
What the fuck?
"Shit, sorry, that was probably kinda loud," Kon says apologetically, wincing a little but otherwise looking completely unphased by all of that. Tim blinks, very slowly, and attempts to restore his resting heart rate. It's not a particularly successful attempt.
"Yeah, kinda," he says.
"Sorry, sound waves are harder to block," Kon apologizes, pointing at his own ear with his free hand, and Tim remembers the other's total lack of concern for any threat to civilian life this whole time and realizes that was because, from Kon's perspective, there wasn't any actual threat.
Huh. 
Well, that explains why neither the gun barrel nor the being choked thing actually hurt at any point, doesn't it.
"Oh," Tim says, looking down at the floor that they are, in fact, all still standing on. "Tactile telekinesis?"
"You've heard of it?" Kon says, looking pleased. 
"Once or twice," Tim says, managing not to say it too dryly. Kon looks even more pleased. "I didn't know you could use it like that, though." 
"Practice makes perfect," Kon replies smugly.
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ao3commentoftheday · 6 months
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I don't know if this is normal as I'm usually a short story writer and rarely do longer pieces and I never, ever plan my plots in advance. Recently for NaNoWriMo, I gave myself a much smaller goal but the story completely took control of me. For the first two weeks, I loved every bit of it. It wasn't well-written but I was having a GREAT time, even had a plot develop itself naturally with an ending in mind.
But at the end of the month, I started to hate it as much as I had previously enjoyed writing it. I'm not sure what happened and I'm just wondering: do you think this is normal for longer works? Do people end up hating something even though they loved it at first? Is there a way to prevent that change in feeling?
I can't say for sure of course, but I wonder if this is more a result of National Novel Writing Month (NaNoWriMo) than it is a result of writing a longer work.
The thing about NaNoWriMo is that you're on a pretty strict schedule (if you're trying to hit 50K by the end of the month at least). That schedule and your desire to achieve that end goal can have the impact of driving you to work harder and push further than you might under regular circumstances. Combine that with a month that might have family obligations, work stresses, school assignments and exams or whatever else might be happening in your life, and you can end up pretty damned burnt out.
Especially if you're enjoying what you're doing, it can be really easy to overextend yourself to the point of exhaustion. If you keep going, maybe out of a sense of competition or duty or stick-to-it-ive-ness or whatever else, you can go right past exhaustion into the kind of cranky, dissatisfied, mental and emotional exhaustion that takes something you used to love and turns it into something you hate.
See also: why I quit this blog a year ago.
If you're in that state, or even if you just hate it because you're tired of looking at it, I recommend putting your work away for a while. Give yourself a month off. Come back to it sometime in the new year and look at it with fresh eyes.
If you still hate it at that point, then it might be more of a plot issue than anything else, and you'll probably be able to spot it pretty easily even though it's completely invisible right now.
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thefrogdalorian · 5 months
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The Best of Both Worlds
Din Djarin x Female Reader Modern!AU
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Summary: When a new Star Wars TV show called The Mandalorian premiered, you found yourself completely enamoured with the titular character. Enjoyment of watching the lone bounty hunter travel through the galaxy quickly turned to obsession. There was just something about the show that captured your imagination. Now, you spend much of your free time — when you're not working a fast-paced, minimum wage and incredibly stressful job at a prestigious London Museum— speaking to your online friends about your love for the show. There's just one thing... Despite how much you love The Mandalorian, no one knows the identity of the man behind the helmet... either in the show, or in real life. You only know him as Mando. No one has ever seen his face, no one knows his name.  Even after the countless hours of speculation from fans online, which even you have occasionally participated in, no one is any the wiser to the identity of the mysterious man who wears the shiny armour.  Surely, given the depth of your love for the show, you'd recognise if the man who you spend so much time obsessing over online was to ever cross paths with you. Right?
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Content Warnings: Reader is AFAB, uses she/her pronouns and in her mid 20s. Age gap between her and Din is noted but not really central to the story. Grogu is human, hints of past trauma/child abuse before Din adopted him are mentioned but not described in detail. Some mature scenes later on in the fic but not explicit smut... because I just cannot write x reader smut! Author's Note: SO very excited to finally share this fic! Thank you to the lovely @suresnips for being my beta. I really appreciate you ♡ This baby was originally my NaNoWriMo 2023 project and was inspired by this post from @toxic-seduction that I saw one evening and couldn't stop thinking about! POVs will alternate chapter to chapter from Din to reader. It was fun to write that way! Set in London for a few reasons: partly because I love the movie Notting Hill and it has some of those vibes (if you squint), also, the village where Din lives is based on Elstree Studios just outside London, where the OT was filmed and ultimately because NO WAY was I writing a modern!AU set in the states, it would've been painfully obvious a Brit wrote it. While there are lots of references to places in London, I don't live there so it might not be truly accurate (Londoners don't come for me). Also, to be political for a sec, reader works at the British Museum and I hate that institution. This was actually the line of work I was interested in when I was at Uni but for many different reasons I did not pursue it. However, it works for the plot of this story and as you'll see, she doesn't exactly love it either and goes on a few rants. Just wanted to make that clear that her job there is not an endorsement of it or anything. I can't stand them or their historical apologist bs and I wish we would give back all the things we stole (including the Parthenon Marbles)! Finally, it was incredibly important to me that the actor behind Mando in this fic clearly be the fictional character of Din Djarin rather than the real person Pedro Pascal, because rpf is not my jam! I hope I did that pretty well but just wanted to warn that if you're expecting me to use Din as some kind of way to write a Pedro fic, this won't be for you! Okay, I'll shut up now! This fic is fully written, just needs editing so hopefully I'll get a couple of chapters up each week, but life happens. I'm very proud of this one and I really hope you enjoy reading it as much as I enjoyed writing it! Also if you would like to be added to my taglist for this fic, please let me know! Happy reading ♡
❁ My Masterlist ❁ Read on AO3 ❁
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Why Does It Always Rain On Me? [Reader POV]: After a dreadful day which saw you drenched by a rainstorm after leaving a hectic day at work, you reflect on your love for Mando and upcoming excitement for the sci-fi convention you will soon be attending with your internet best friend.
He Is My Only Priority [Din's Pov]: The character of The Mandalorian is known and loved by millions. But there is another, much softer side to the man who portrays him that Din Djarin is determined to keep hidden from the world, despite the challenges that presents for him and his beloved son, Grogu.
This Is Why (I Don't Leave The House) [Reader's POV]: Your internet bestie arrives in preparation for the Star Wars convention you will attend together. Everything is set for the greatest weekend of your life! Until you arrive at the con and find yourself overwhelmed by all the crowds and noise. At least you have numerous incredibly realistic Mando cosplays to distract you from how stressed you feel, and there's one in particular which is uncannily accurate...
Curiosity Killed The Cat [Din's POV]: Despite his reservations and against his better instincts, Din heads to a Star Wars convention that he was invited to. Although he fears that his cover will be blown, curiosity gets the best of Din and he can't resist attending a panel. But Din doesn't exactly find the answers he was looking for. Instead, he finds something far more precious. Something that he would never have expected...
He's So Tall (And Handsome As Hell) [Reader's POV]: Being back in the real world and returning to work after an incredible weekend at the convention where you had so many fun experiences is taking its toll on you. The thought of collapsing on your couch in front of The Mandalorian is the only thing keeping you going. However, the universe has other plans for you. News of an out-of-hours tour for a private client that you are asked to lead almost sends you over the edge, but when you finally meet the man, he is the opposite of what you were expecting. Weirdly, he seems familiar...
With A Little Help From My Friends [Din's POV]: Din returns to the set of The Mandalorian to begin filming a new season. Despite his experience and capability, he finds that he struggles to focus as his thoughts remain firmly fixed on a certain someone...
You're The Sunflower [Reader's POV]: Despite feeling certain that you'll never see the ridiculously handsome man you gave a tour of the museum to, a special delivery is about to change everything...
Your Face Hung Up High In The Gallery [Din's POV]: After a difficult few days of filming The Mandalorian, Din is excited to spend time with you as he finally takes you on your first proper date...
Have I Known You Twenty Seconds or Twenty Years? - (Reader's POV):  Despite a messy evening which led to you waking up in an opulent hotel which you have no memory of falling asleep in, memories of kind brown eyes and breathless kisses soon come flooding back to soothe your soul. Your relationship deepens as the two of you spending time together whenever your busy schedules allow. But one night, a turn of events causes you - despite Din's reassurances - to wonder if everything you have been working so hard to build together has just come crashing down around you...
There's A War Inside Of Me - [Din's POV]: The realities of the secret he is keeping from you begin to weigh heavily on Din's mind and he seeks advice from a certain curly haired co-star on what his next move should be. Things don't go exactly according to plan, not least because of the typically awful English weather...
It Could Be Love, We Could Be The Way Forward - [Reader's POV]: With your respective busy jobs keeping you and Din apart, a mystery date after a hectic day at work is exactly what you needed.
The Calm - [Din's POV]: When filming overruns and conspires to keep Din from the fun weekend he planned for you, he agonises over his decision. Fortunately, he manages to salvage the weekend, even after a calamity involving a rowboat...
The Storm - [Reader's POV]: The happiness you feel in response to a question Din posed to you is somewhat clouded by lingering doubts. Yet your affection for each other helps you to push those emotions down, until a weekend spent at his cottage changes everything...
P.S. - I tried to be inclusive for all body types and skin tones in this fic, but if I missed something, I do apologise. If you do spot something that takes you out of the fic, I am more than happy for constructive criticism as I wouldn't want anyone to be excluded on those grounds. I am always trying to do better and would love to know where I went wrong so I can improve and be more aware of these things going forward, so I would appreciate it if you could let me know if you do spot anything. Thank you so much! ♡
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I'm realizing the amount of research I have to do for this year's NaNoWriMo novel (which is a lot), so do you have any tips on doing efficient research for stories?
NaNoWriMo: Efficient Story Research
1 - Go General First
Let's say you're writing a story about a fictional astronaut in the 1960s. It can be tempting to just research everything about being an astronaut, being an astronaut in the 1960s, the 1960s in general, life in Houston, the history of Johnson Space Center, what Kennedy Space Center was like in the 60s, and so on... But there's going to be a lot of data there that never actually makes it into your story. So, a good place to start would be to read a short general overview of those things just so they're in your head. Then...
2 - Get Specific for the Needs of Your Story
Next, look at your plot outline or scene list and make notes about specific details you'll need to know about. For example, if you have a scene that takes place in Johnson Space Center, you may need to research the specific building where that scene takes place and get an idea of what it might have been like in the 1960s. Or, let's say you have a scene where your character is doing some sort of simulation to train ahead of the mission... you would need to research astronaut training in the 1960s to find out what kind of simulation they might be doing for training, or if you already know, you can research that specific simulation. But, you don't need to learn everything there is to know about astronaut training in the 1960s unless all of those things make an appearance in your story somehow.
3 - Placeholders Are Your Friends
Most important of all, just remember your first draft isn't your final draft... you don't need to have every single fact fleshed out before you start writing. If you're writing and you get to something that needs to be researched, put in a placeholder so you can research it later. You can literally type [placeholder] or you can just wing it, and correct whatever you come up with later on with something more factual. Either way, placeholders help ensure you don't spend a lot of time researching things you don't actually need to know about.
4 - Watch Out for Rabbit Holes
You're writing this story because the subject matter interests you, but interesting subject matter can lead us to fall down rabbit holes when we're researching. When that happens, it can be easy to justify it as research, but if you find yourself falling down one while researching, ask yourself, "Will any of this make an appearance in my story? Does it help me understand the subject matter more as a writer?" If not, back out of the rabbit hole immediately.
5 - Break It Up/Get Organized
It can really help to break your research down according to your story. Like, all the things you need to research for Act I, Act II, Act III... or maybe by character or setting. By breaking the research up into like parts in this way, it forces you to sift through it all more thoughtfully and makes you really think about what you actually need to know and spend time researching.
I hope that helps!
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