#there might actually be something in canon about this

[grandlinedreams]

|| i regret nothing I need Cooper Howard viscerally both pre and post Ghoulification

|| notes: semi Canon compliant, spoiler-ish for end of s1, semi-shifting pov, Lucy is adorable but baby girl you will be chewed up and spat out pls grow more spine, Dogmeat has never done anything wrong ever, godbless Cooper having a southern accent bc that's my accent, yeah, gonna do a sequel to this and a prequel on Coop and reader's first meeting, ok bye

|| warnings: weapons supplier!reader, couple of allusions to cannibalism, reader is not specifically gendered, NSFW ㅡ fingering/touching

“Where are we going?”

Not for the first time today, or even the last week, Cooper questions why he's letting the Vaultie (“Lucy,” she informs him primly, “my name is Lucy.”) tag along. The dog, at least, is a good, reliable companion. Dogmeat trots dutifully at his side, her tail wagging as he stops to glare at Lucy.

“Supplies, Vaultie,” he tells her, relishes the flicker of annoyance in her eyes. “Need supplies or we'll both be knee deep in shit.” He pauses. “More than we already are.” 

She mumbles something he doesn't care to catch as he resumes walking, rolling his eyes as he adjusts his hat. He knows he could stand to be a little more sympathetic with the bombshell she's still dealing with, but he can't bring himself to ㅡ not when his daughter might still be alive out there, somewhere. (And his ex-wife, who he's pointedly trying to not think about too much.) 

Lucy is blessedly quiet for a good while, all the way until they get closer to where they're going. Cooper doesn't need that piece of shit vault-tec device on her arm to know where he is, but Lucy says it anyways.

“It's a town,” she mumbles at the cluster of ramshackle buildings, surrounded by the clustering of trees so much like Filly ㅡ but isn't. “Is thisㅡ”

“Yes,” he answers, “now shut it and walk.”

Lucy huffs. “I don't know if you've realized neither of us have means to pay for anything,” she protests, “but the general rule ofㅡ” 

“Vaultie.” If looks could kill, she'd be six feet under. He's never had much patience, but she’s already reached the bottom of it and keeps digging. “Shut the fuck up about your goddamn rules. If you haven't noticed, nobody up here gives a damn about playing by what's wrong and what's right.” He gives her a meaningful look. “Now if you don't want me to leave your ass to whatever comes along next, you'll be quiet and let me handle it.” 

Lucy's mouth shuts with an audible click, and Cooper turns on his heel to resume walking, Dogmeat at his heels. 

Like Filly, the center of buildings bustle with the day to day of so many others, the cacophony of animal sounds along with chatter ㅡ Cooper spares Lucy a brief glance to watch her struggle to keep up and scoffs to himself, shaking his head as he continues.

He knows where he's going, a little shop shoved between two others, narrow but deeper than the other two, because he's been here before. Several times, actually. Which accounts for the familiarity with which he strolls over the threshold and leaves Lucy and Dogmeat to follow. 

There's the jingle of what might be a bell over Lucy's head when she follows, blinking at the interior. Neat and tidy, or at least as much as can pass for such things on the surface ㅡ rows of weapons and other assorted things on shelves and stands. 

Lucy watches The Ghoul rap his fist on the counter. “I know you're here,” he calls, “you never leave this damn place!”

She expects whoever it is to come scuttling out with the tone of voice he uses and being as accustomed to his rougher attitude, and she listens to the clatter of something further in the shop.

“If that's your greeting nowadays,” comes the answer, “you can fuck off.” 

To Lucy’s surprise, The Ghoul husks a laugh instead of offering another threat. Footsteps approach, and Lucy blinks at the person who rounds the corner. 

“You,” you accuse, finger almost into his chest, “thought I told you I was done dealing with you if you couldn't work on your manners.” 

Lucy stares, and watches as you turn towards her and raise an eyebrow, eyeing her with unrestrained curiosity, then at Dogmeat. “A vaultie and a dog,” you say, then glance back at The Ghoul. “So, taking in strays, huh?”

The Ghoul grimaces. “Guess so.” He clears his throat. “Need supplies again, sweetheart.”

“Figured as much,” you say, arms folding across your chest. Lucy decides she likes you, because you're standing up to him ㅡ and he's letting you. “Take it you have no way of paying, again.”

Lucy wants to tell The Ghoul I told you so, because he can shit on all her little rules all he likes but the surface still deals in keeping the scales balanced. You have to eat too, so it's fair that you're expecting payment in the nonexistent caps they have. The Ghoul, on the other hand, tries a different route. 

“Oh come on now sugar,” The Ghoul wheedles, tone almost what could be considered as sweet. Playing at a gentleman for the way he leans against the cobbled together counter, even goes as far as to take his hat off and place it down. “Don't be like that.”

“Don't you sugar me,” you counter with an attitude that honestly startles Lucy for both the lack of genuine bite or answering hostility from The Ghoul. This isn't the first time you've met, she realizes, and is also quietly a little horrified to register that this almost sounds like flirting. “You're a pain in the ass, you know that?”

The Ghoul almost grins. “At least I'm consistent. Besides, you know you miss me when I'm gone.” 

You snort, pressing your lips together to hide a smile. Lucy feels a tiny bit uncomfortable with the atmosphere, like she's watching something she shouldn't be privy to. 

“Yeah, yeah,” you answer, bustling around to shove several fabric wrapped packs into his chest and giving him a meaningful look. “You owe me.” 

It's definitely flirting now, Lucy notes as The Ghoul's face lights up in a way that's still entirely human, tracking your movements with something far softer than anything she's ever seen from him. 

The turn towards her and head jerk to her and Dogmeat is as clear as dismissal as she's ever seen, to make herself scarce ㅡ so she does, but not before she catches the peripheral glimpse of the way you let him reach for you, almost melting into him for the way he moves to undoubtedly murmur something. 

That something is not the sweet words of a long time lover, but it's probably about as close as you're going to get with things the way they are.

 

“Anyone causin’ you trouble lately?” 

You roll your eyes. “Besides you?” He gives you a look, and you shake your head. “No, and even if there was, you know I can handle myself.” You turn to throw him a teasing look over your shoulder. “Don't tell me you're getting soft on me, old man.” 

It's Cooper's turn to snort, even as he moves to follow you. There's a sort of peace to watching you sort through boxes of shell casings and bottles of powder, letting his gaze drift over your body. 

When you turn, he doesn't even bother to hide the way he's watching you, and you arch an eyebrow. “What?”

“Nothin’,” he returns. “Can't I admire you?”

You roll your eyes. “I'm too expensive for you, Cooper.” It's a playful taunt, one that incites a little flare of something in his eyes as he approaches, the jingle of his spurs as he comes to loom over you, cages you in against the shelves of “inventory”. 

“Really now,” he drawls, leans in, eyes predatory dark. A lifetime ago, you might have been scared. But the wastelands made no qualms about beating fear out of people just as quick as it snuffed out life all together. “Here I was thinkin’ I might get a discount.” He reaches, thumbs at your bottom lip with his gloved digit. “What's the askin’ price, sweetheart?” 

This close, he smells like the wastelands and sunbaked leather, with a little bit of blood ㅡ but you don't mind. Never have, not sure you ever will. Not when it comes to him, anyways.

He's a dangerous man. A man with a reputation that's well-earned, spoken in hushed whispers and anything but nice. But you let him slot a leg between yours, lean in, press his lips to your hair. You smell like gunpowder and hot metal, grease stained fingertips and more than a couple bruises and scars for your efforts. 

Sometimes Cooper contends with the idea he might need you just as much as he needs that chem that keeps him sane. Admits it here and there, quietly to himself when he wanders in, squashes it down that he makes the trips sometimes just to make sure you're still alive. Not like he'd know if you were, till he sees you. Not sure what he'd do if he someday came up and found you gone. No note, no goodbye ㅡ quick and quiet, the cruelty of the wastelands.  

“Didn't answer my question, darlin’.” He mumbles, lips to your cheeks now. Soft skin, kept carefully with rationed doses of radaway and a healthy heap of keeping your cute little self out of business that doesn't involve you. “Come on, I asked you real nicely.” 

You hook your fingers in the loops of his belt, pull him closer. He can feel the jump of your heartbeat under his lips, now at your jawline. A soft, shaky inhale. Selfishly, he wants to keep you. Steal you away, greedy to keep you for himself. Hates the idea of whatever scum that rolls in that you have to deal with on your own. You can handle yourself, he knows that. 

Doesn't stop that little piece of him that's still truly Cooper Howard from worrying. But he knows better than to think he can protect you, because he can't. So he does what he can.

Your skin is soft under his teeth, forgiving to the nip of them, the blooming blossom of pink that reminds him of strawberries. The noise you make is just as sweet, and he wonders if you'd taste like that, too. 

“I'm waiting,” he prompts between little nips, mouth curving against your flesh when you grip at him tighter. There's a lot he could do to you, and not a lot you wouldn't let him. “Don't tell me this big ol’ cat’s got your tongue, little songbird.” 

Your lips part, and he expects either a sparky response or a soft plea for what this is tilting towards, partaking of something far softer than anything he's used to nowadays ㅡ  but you’ve always had a taste for throwing him for a loop, and you do it now. 

“Take me with you.” 

That snaps him out of his little hazy, touch-greedy daze, enough that he pulls away to look at you properly. “Repeat that?”

“You heard me.” You tug at the loops of his belt, eyes steely, expression firm. “Take me with you. Tired of this shitty little outpost. Figure it's time to move before I get myself into trouble I can't get out of.”

Cooper laughs. “Think you're runnin’ straight into that fire by askin’ what you're askin’, sweet thing.” A warning and a plea, mixed mish-mash in his words. Part of him wants you to stay here. Concrete, much as it can be, where he knows where you are. Other part says it'd be easier to watch your back if he saw it all the time. 

“That's not an answer, Cooper.” 

He snorts, softens at the edges again, a little sadder as he reaches to stroke your jawline, leans to bump his forehead to yours ㅡ radiation warm against radaway cold. “Wanna make sure you know what you're asking for, darlin’. I ain't your babysitter. Got my own shit to do.”

“I know.” There's that fire in your voice, the kind he loves and hates at the same time. “Wasn't asking for you to babysit me.” 

He swallows roughly. Lets his hands drift up your sides, tug at the tuck of your shirt, underneath to drag sun-worn leather against the soft skin of your abdomen. Relishes the way you shiver, leaning into his touch. “Can't promise nothin’, you know that.” 

Your smile promises the same kind of heartbreak his own words do, the kind rooted in the reality that the world doesn't deal in any absolute but death, and sure as shit won't give happy endings. Not anymore. “I know.” 

Cooper can't think of what to say to that, at least anything he's ready to, so he kisses you. Your lips are too soft against his, the warmth of your mouth reigniting that greedy, needy, human thing inside him. He pulls, digs his fingers into your soft, pliant skin, and he takes.

Takes what you willingly give him, hand over hand with nothing but that pretty little smile of yours. He muffles your gasp as he wedges his leg a little firmer, coaxes the part of your legs with a rough husk of, “just like that, dollface,” and delights too much in the sound of you moaning for him.

Hushed, quiet enough that there's no reason for Dogmeat or Lucy to come back yet (he doesn't know what they're up to nor does he really fuckin’ care at the moment), he lets himself indulge in the pleasure of your body against his. The sweet little sounds, half-gasped as he mouths at your neck, hitched to something almost like music as his hands wander. 

Pauses long enough to bite at the tip of his glove and tug, one then two, the bare, radiation scarred wander of his fingers over your body. It's selfish, the way he covets every little twitch and jump of your muscles, the choked gasp as he guides you into rocking against his leg. 

“You're so sweet for me, sugar,” he coos, syrupy as he picks you apart meticulously, piece by piece. Fingers still far too good at what they do when he replaces his leg with the press of them against you, remnants of a past life for how well he gets you to whimper his name. “Like ambrosia.” 

His fingers stroke, deceptively gentle, working over your slick, too-hot, achy skin until you’re panting and gripping at him, pleading for a relief only he can give you. And that’s exactly how he wants you, where all you can see and think of is him. 

The expression you make when he finally lets you come might truly be the most beautiful thing he’s seen in a very long time. Headier than the Jet, dizzying and making him swear as he jerks his clothed hips against yours, breath sharp in his chest. 

“Gonna be the death of me, I swear.” He bites at your neck, digs a little harder, scrapes his canines into your sweet, yielding flesh. He could devour you, take bite after sweet, sweet bite and actually test that theory about the strawberries. Crack the cage of your rib, feast on that beating yolk of heart that thumps so hard in your chest. 

“Gonna let me do it, sweet thing?” He rumbles against your ear. “Let me have it all?” 

Your eyes flash, lips pretty and swollen as they part to answer ㅡ and the bark of that damn mutt ruins it all. At least it's a warning for you both, because he's stepping back and letting you fix yourself with surprising speed as Lucy and Dogmeat return, an expectant look on the fuckin’ vaultie's face. 

“Well? Got what you need?"

Cooper snorts, tracks you instead of answering as you press your hand to his for a second, gone around the corner. Lucy frowns when you return, pistol strapped at your hip and a bandolier slung over your shoulder like his, broad pack strapped to your back. Like you planned for this.

And you did, he notes, but it hadn't been contingent on his agreement. Idly, he notes he never did answer you, not really. But he just hums, then turns towards Lucy, who looks between the two of you, confused. 

“Yeah,” he finally answers, “got what I need.”

#ㅡmine. #fallout series #fallout x reader #cooper howard x reader #the ghoul x reader

[chirpsythismorning]

Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

#byler #stranger things #willel twins #twelvegate #montauk #as you can see #i am out of my mind #and i'm okay with that #i've spent the last couple months trying to make a video going over all the willel twin evidence #and i can't decide if it's even possible to do without going over an hour #like there is just so much shit that fits too perfectly into this family being ripped apart by mind control and time shenanigans #i hope to have it done soon #trying to make it less than 20 minutes #but it's probably going to end up being closer to an hour #especially with this stuff from the montauk pitch being added to the mix now #anyways #willel and byler are the curtain behind the curtain #if you are open to one of them #you are bound to stumble across the other #and they don't want that to happen #stay tuned for the inevitable twin imagery to continue in s5 related to willel leading up to the big reveal #bc it's arguably the most consistent thing about this damn show #and tbh this all just makes the queer-coding for mike in s1 a lot more concrete to me #them exploring will's queerness through his dad's expectations for him to do more 'manly' things like play baseball #and jonathan saying he shouldn't like things just bc people telll him he's supposed to #how they connect that narratively with the boys being at a baseball field when mike's being pressured about his supposed feelings for el #with the bullies showing up and literally being homophobic seconds later #the fact that jennifer hayes did in fact exist in the original pilot and was the girl mike had a crush on #only for them to scrap that and just make it about her having a crush on will... #never once introducing this idea of mike liking her...

[commander-rahrah]

I'm excited to read it too! I'm glad you find it interesting! Don't worry about your post because long! Your thoughts are so interesting!

I agree that Astarion would have to come to terms with Reader/Tav's boundaries too since it works both ways! I definitely feel that Astarion would be too lost in drinking from the blood of a sentient creature to notice the signs.

He would feel ashamed when he's aware of their fear yet they still chose to offer despite that might made him feel like he manipulated them like Cazador did to him 😭

What his excuses are if they try to offer in the early days makes sense! He would be too ashamed & terrified to have such a vulnerable conversation with them yet 😞

He would feel safe enough to bring up their fear after he confessed about everything. He would make it clear to them he doesn't want them to suffer by making them do something they don't want to like he did especially after how much they have helped him & how important they are to him 😭

He would respect their decision if they said it's too much for them. He would support everyone's personal choices & autonomies even though the concept is still new to him 😤

He would need an explanation if they insist on feeding him regardless of their fear. They would explain that not only do they trust him, they love him more than they fear it 🥹

He would only accept if they establish some ground rules 👍 like he did when it comes to physical intimacy & sex which is healthy for both of them!

I know it's unrelated but thank you for adding this because you described me pretty well 🤣 I would definitely react to even the smallest of cuts so Astarion quickly but gently sucking it & giving a small kiss on it would be a fantastic distraction 😳

You're welcome! Thank YOU for entertaining me & sharing your thoughts! I'm glad you enjoy putting Astarion and Tav/Reader in all these different scenarios too 🤍

Here's my idea that I would love to hear your opinion! Just to let you know this is quite self-indulgent XD How would Astarion react to GN! Reader/Tav actually had suspicions that he's using them but still chose to believe that he's not. So when he confessed he manipulated them, they're even not angry at him.

They're sad for how much & how long he has suffered to be the way he is now, but they're also genuinely hurt that he did take advantage of their trust in him. They don't blame him but they admit it still hurts and wants some time alone to process it.

After leaving them be, they would go to him when they're ready to talk to him. They would tell him how grateful they are that he chose to come clean with them despite knowing how it would be easier for him to keep quiet for it, and thanked him for trusting them enough to be honest with them.

What do you think of it? I'm curious :3

Hi Anon! Sorry for the super late response, I let this one stew for a little while in my brain and the other night I had this dialogue idea and couldn’t resist writing a little scene about it tonight! I hope you enjoy ❤️

I envisioned this scene happens half way through his confession, and then imagined the rest of the conversation about intimacy and boundaries would happen afterwards! It’s about 1100 words, and canonical Astarion backstory warnings apply — trauma, dark thoughts, etc.

.·:¨༺ ༻¨:·..·:¨༺ ༻¨:·..·:¨༺ ༻¨:·..·:¨༺ ༻¨:·..·:¨༺ ༻¨

“I just — I feel awful." Astarion’s throat worked silently, his eyes glancing down to his boots. "Look, I had a plan. A nice, simple plan — seduce you, sleep with you, manipulate your feelings so you’d never turn on me. It was easy — instinctive. Habits from two hundred years of charming people kicked in." He finally looked up at your face, studying intensely for your reaction. 

“I—oh,” You pulled your hand away from him as uncertainty flooded your features. He saw your eyes dart back and forth, but they weren’t studying him. No, you were lost in thought. “Oh.”

Astarion licked his lips, his hands ringing together in front of him nervously. “You have every right to be angry.”

“I’m not angry. I thought we… I don’t know what I thought.”

The rest of what he had planned to say vanished out of his mind. Instead it started to betray him, a cruel voice whispering about how he knew you would react like this. Did he really think it would go well?

His pink mouth hung open as he scrambled for what to say, trying to think of how to make this better. But he’d done enough already, hadn’t he?

You crossed your arms over your body, your cheeks flushing deeply. “I feel a bit like a fool. None of it was real, the whole time?”

“Not the whole time,” He confessed as soft, vulnerable moments with you flashed in his mind. The very moments that made him start to drop the act. “It hasn’t been as of late, but before… in the beginning, up until recently, yes.”

His red eyes followed your throat as it bobbed up and down before flicking back up to your face. Your eyebrows were furrowed, your mouth a sad pout.

“Tell me what you’re thinking.” Astarion whispered, not daring to move forward.

“I’m thinking… I need a moment.” You admitted, already looking behind you and away from him.

His heart sank, but he nodded. “I— okay. Of course.”

And then you were off, your head down as you stalked away from the edge of the beach and back to the warm glow of camp.

He stood there stunned for a moment, before turning around to stare at the dark, choppy waters in front of him. Hundreds of scenarios began to dance in his mind — what if you went back to the camp to tell the others? Would he be met by pointed blades and blazing spells? He imagined being kicked out, staked, cursed, roasted alive with fireballs. Hand delivered to Cazador as extra punishment for his sins. Anything his twisted broken mind could come up with played like a messed up vision.

Astarion didn’t even try to stop the repetitive dark thoughts. It was what he deserved.

Eventually, the vampire slinked back into the camp some time later — once the sky was inky black and the moon was the only light to illuminate the way back to his tent.

“Hi.”

The sound caused his ears and shoulders to perk up instantly. You were sat in the grass and dirt outside of his tent, your arms wrapped around your knees and pulled to your chest.

“Hi.” Gods, he sounded breathless. But he couldn’t see any weapons or angry barbarians or wizards nearby. That was a good sign, right?

“I wasn’t sure when you’d come back.”

He cocked a brow, “I figured you wouldn’t want to see me again.”

A sigh escaped your lips, “Astarion, don’t be dramatic. I asked for time to think — not for you to leave.”

He blinked at your sharp tone, but nodded his head in slight defeat. “You’re right. And you waited for me because—?”

You brushed off your clothes as you stood up to his height, “I would like to finish that conversation, if you’re ready.”

Well, there was no denying the inevitable.

He nodded his head solemnly, stepping forward to open the flap of his tent and inviting you in with a wave of his hand.

The privacy his tent offered was slight, but this late in the night he knew most of his companions would be fast asleep. Quickly lighting a lantern, he joined you on the fabric floor.

His half-dead heart was thundering, the thrumming sound echoing in his pointed ears that he almost missed your quiet voice.

“I understand.”

“What?” His brows furrowed, looking at you with confusion.

“The stories you’ve told me… your scars… I understand why you did it, why you felt the need to do it.” You explained, your voice and eyes tender as you looked at him in the low light. “But you manipulated me, Astarion. You took advantage of me, toyed with me and my emotions to get what you needed. That hurts.”

Astarion’s stomach twisted into a hard knot, “I know.”

“But you also didn’t need to tell me any of this. You could have kept pretending, kept up the charade until we faced Cazador… But you didn’t. Why?”

Now it felt like his stomach was crawling up his torso and into his throat. Gods, what was this feeling? Why did you do this to him. “That’s what I was trying to tell you before. I failed with my plan. It felt apart the moment I realized… that I had fallen for you.” He admitted, but his fluttering heart made more words stumble out of his mouth. “And I know you probably don’t believe me, why would you after everything I just told you. Trust me, nobody feels more stupid about it than I do.”

You cut off his rambling, “I don’t think it’s stupid. I think that’s probably the most honest you’ve been with me since I’ve met you,” You said earnestly. “It would have been a lot easier for you to keep on pretending, wouldn’t it? Pretend I’m just another mark, another means to an end to get through the day.”

“I don’t want easy… I don’t want to just get through the day. Not anymore.” Astarion whispered across the small tent, staring intently at you.

You cocked your head slightly in question, “And what do you want?”

“I want this, I want us — to be real. You deserve something real.”

“So do you, Astarion. You deserve something real.”

Your name escaped his lips as a choked sob as overwhelming wave of emotion settled over him. “I don’t even know what real looks like. How do I give that to you if I—?”

“Do you trust me?”

The vampire nodded through his tears, “Yes.”

“I trust you,” You said softly.

“After everything I’ve done?” He croaked, waving his hands dramatically, “You’d trust a monster—“

You grabbed onto his extended fingers gently, squeezing them. “Yes, even then.”

He looked down at your hands touching, before intertwining his pale fingers with yours carefully. “Maybe you are a fool.”

You let out a breathless laugh, the sound waking up something in him he’d long thought dead. “Maybe, I am. But you fell for me, so what does that make you?”

Astarion’s mouth twitched up until it match your smile, “The luckiest vampire alive.”

#commander-rahrah answers #bg3 astarion #astarion ancunin #astarion fanfic #bg3 fanfic #Astarion X reader #astarion x gn reader #astarion x tav #astarion x gn!tav

[thelibrarian1895]

If your sibling is a rogue then make the best of it

I would like to think that Jason is very Hondo Onakha about kidnapping, very dramatic, fairly polite/chill to the one he kidnapped, minimal trauma, very professional overall but also very theatrical. Out of anyone in Gotham to have as your kidnapper, Jason aka the Red Hood is by far the very best person.

ALL of Jason's family whether they be legal, biological, emotional, or honorary, will absolutely try to convince Jason to kidnap them to get them out of some stupid civilian event. Whether or not Jason will go along with it will depend on several factors such as:

Does this benefit Bruce and get him out of a boring civilian event too? Then so sorry, you're just going to have to suffer!

How busy is Jason at the moment? Because being a drug lord and vigilante is actually pretty time consuming and kidnapping can be a lot of work for potentially very little gain.

What does Jason get out of it? Yes money is all well and good but Jason is rich by his own merits and can just steal from Bruce whenever, there's got to be more to it!

When is the last time Jason has kidnapped this sibling? He can't do it too often or it gets less effective. He has a reputation to maintain after all!

It may also depend on which sib is asking and what they need to be "saved" from.

Dick asks to be kidnapped from a bachelor auction charity? Ha! No chance, sorry Dickie! He will be there though and take pictures and laugh. (And also join all the other siblings who are stalking Dick and the winner of the auction in the event the winner wasn't one of the Bats or an invited member of the JL or Titans using Bruce's money) Dick asking to be kidnapped from a gala or some opening night of trendy place he's at to maintain civilian status? Maybe but the bribe has to be considerable. And it cannot benefit Bruce. Dick's normal bribes consist of taking some tedious part of an investigation over for Jason or getting intel from JL databases for Jason and the Outlaws.

Cass? Anytime and always, favorite sister who can beat him up has special kidnapping privileges, though they did stop for a very long time when some weirdos put out the theory that the Red Hood was in love with Gotham's Princess. (idk if Cass is considered Gotham's Princess in any version of canon but she is to me) Cass does still repay Jason in the form of Black Bat keeping an eye on Jason's territory when he's out of Gotham for any significant length of time.

Tim? He does owe the kid for several incidents and Tim normally doesn't abusive the privilege so he'd probably do it but there does have to be some sort of bribe for appearances sake. Tim usually gets Jason to agree in exchange for pictures of Batman tripping over his cape or in some other ridiculous position. Bonus in Jason's mind if Tim requests a kidnapping when Bruce is off world or otherwise occupied, therefore giving Brucie Wayne's reputation a hit. However if Tim wants to be kidnapped from something where Bruce is also suffering as Brucie, Tim is SOL (Tim might get revenge by getting Kon to wear Red Hood gear and "kidnap" Tim from the event if Jason refused. Kon will do it because Tim asked and also I would like to think that Kon isn't too fond of the guy who beat his best friend/boyfriend nearly to death and will mess with him if given the chance) Since kidnapping normally interferes with things that Tim wants to do however, he may instead bribe Jason to not kidnap a sibling that has asked to be kidnapped. Jason usually obliges this no kidnapping request.

Barbara? Sorry, no, he doesn't want to stress the Commissioner like that. He will, however, kidnap other people for her if she asks.

Stephanie? No Stephanie, he doesn't care what you offer, he's not kidnapping you so you can avoid your finals! Stephanie has, however, worn various wigs and been various hostages who died at the hands of the Hood in order to maintain his reputation. She gets paid in baked goods for her service.

Damian? Damian considered the idea ridiculous and proclaimed he'd never stoop so low and he would carry out his duties no matter how onerous! Damian then had to go to a Gotham gala. Damian is trying very hard to figure out a suitable bribe to get the Red Hood to kidnap him often enough that Bruce will be forced to keep Damian away from galas because of the ongoing security threat. So far it hasn't worked because Damian is very bad at bribing Jason, Jason thinks Damian forced to interact with normal people is funny, and Tim is successfully bribing Jason to ignore Damian's bribery attempts. The Red Hood has "kidnapped" Damian once, as a treat, when he thought the kid was looking particularly down about something.

Duke? Duke has yet to be made to attend any society gatherings as the solo Wayne (normally that falls to Bruce, Dick, or Tim) and can usually be spotted hanging out with Cass by the snack table at any gala or trendy event. He's not at Cass's level of reading body language but he's pretty darn good and he and Cass have reached a new level of being able to avoid annoying rich people while at parties. Duke is Cass's favorite gala buddy. Duke hasn't felt the need to ask Jason to kidnap him yet but Jason will allow the first one to be free of charge, no questions asked. After that Duke hasn't figured out suitable bribes for Jason but has realized that all of his siblings are hyper competitive and that Jason would absolutely wager a kidnapping in a competition or for a bet.

Alfred? If Alfred asked then Jason would without any caveat. Alfred will not ask however but might ask on behalf of someone else and Jason will comply.

Bruce? Jason just laughs. And if someone else is planning on kidnapping Brucie Wayne from a particularly boring business meeting or gala? Jason will actively thwart the kidnapping to force Bruce to continue to deal with social activity.

Jason usually splits a portion of the ransom money into bonuses for his goons since their original job outline is drug dealer/enforcer/mobster and not kidnapper. If they're going to get major felonies on their records, better make it financially worth it. All of Jason's goons are masked during any kidnapping event. The rest of the ransom money goes towards a charity of Jason's choosing.

Jason has also kidnapped people who are not his family or family adjacent. Barbara thought her dad could use a vacation at one point but he didn't have the PTO for it so Barbara had the Red Hood kidnap him. James Gordon experienced the weirdest kidnapping of his life that included some of the best food he'd ever eaten, an extremely soft bed, his pile of books that were on his reading list, and access to the sports games he'd meant to watch. The ransom was successfully paid after he had a week to relax. Gordon was then, as per protocol, allowed time to relax after his "harrowing" event. Barbara forced him to take the time. Strangely enough, some politicians who had been giving the Commissioner a hard time were suddenly very quiet when James Gordon came back, well rested, well fed, and ready to get back to the grind. It, of course, had nothing to do with the very polite emails with pictures attached that they all received while the Commissioner was very publicly out of the way.

Oliver Queen, when he was visiting Gotham, was kidnapped by the Red Hood. He was released after the ransom was paid and specifically he was released back in Star City. Mr. Queen was unavailable for comment after the incident but some sources say that he was cursing bats for some reason.

Lois Lane found herself kidnapped by Red Hood and ransomed by the Daily Planet while Superman was off world. Lois Lane returned safely to Metropolis and published a shocking expose on Luthor's latest scheme. Her sources for the article remain a secret.

Bruce is very grumpy about the whole thing, not just because Jason won't help his poor father get out of the stupid social event, but also because Jason being technically a rogue like this makes it very hard for him to successfully argue that Jason should let himself regain legal living status.

#bruce wayne #batman #tim drake #batfamily #jason todd #dick grayson #damian wayne #gotham #stephanie brown #batfam #duke thomas #damian wayne al ghul #cassandra wayne #red hood #brucie wayne #barbara gordon #alfred pennyworth #selina kyle #timkon #kon el kent #conner kent #tim is my favorite #but he wouldn't be the only one that jason kidnaps #james gordon #lois lane #oliver queen

[acourtofthought]

My husband finally put into words for me something that has been the main problem with this whole Anti Gwynriel because of Gwyn's past narrative.

According to Anti's, it's not ok to ship Gwyn with Az because she's not healed enough and hasn't shown that she's ready for a relationship.

According to Anti's, fanart of Gwynriel in provocative positions are not appropriate because it's disrespectful to Gwyn due to her SA, that she needs to first give verbal consent before we're allowed to imagine what a HEA for Gwynriel might look like.

And at first, it almost feels like a gotcha for them because you question whether you're disrespecting real survivors by saying, "she doesn't need to give consent for us to ship them since it's a book." This statement is true, I don't think readers should be forced to abide by real world morals when it comes to possible paths a characters arc might take, however it makes you pause for a moment to question whether what you're saying is disrespectful to those who have been victims.

But he actually flipped that entire thing on it's head when he said, "if the issue is about consent, then why is only being applied to a SA victim? Shouldn't consent be applied to everyone?"

It was kind of a lightbulb moment for me because those Anti's never vocalize how it's wrong for people to ship Eris & Az, Mor & Emerie, Vassa & Lucien (SA victim), Lucien, Jurian & Vassa, the LoA & Helion (because at this point they are not a consenting pair), Nesta & Eris. There are a bunch of non canon, non consent ships in this series and nobody has an issue with those. Nobody takes up the crusade arguing that it's wrong for people in the fandom to imagine those pairings together or drawing fanart of them in NSFW positions. Most of the time they're celebrated but has Emerie consented to having a sexual relationship with Mor? All she did was call her beautiful and Feyre had done the same in ACOMAF. Why do they never call out fanart of that pairing? Or Neris after Nesta harshly rejected him? Where Eris is currently suffering torture at the hands of Beron and we've got no clue as to his sexual preference. Also, Elain only consented to a fully clothed kiss in the bonus (remember, she grew up with human morals which she still holds fast too, she didn't jump right into bed with Graysen), we have no evidence she wanted more yet there's plenty of NSFW E/riel artwork out there and I'm betting some existed before SF, before she even consented to a kiss.

The only time I've ever heard anyone argue for consent or argue against NSFW art is in relation to Az and Gwyn and the message they're sending is that only female characters who have been SA need to give consent before fans should be shipping them.

That's when the shipping agenda makes itself known because if no other non-canon / non-consenting pairing disturbs them to the point they need to create post after post surrounding how wrong people are for shipping them, then it's clear to see that it's only Gwyn being shipped with Az that they take issue with and when only E/riels make these arguments, it seems highly suspect.

Gwyn's SA is irrelevant in terms of consent because EVERYONE should have consent before engaging in physical acts with others no matter their past. However, Gwyn's SA should not be the weight dragging her character down, the scarlet letter on her chest that means the fandom isn't allowed to give her the same treatment that all other characters receive. Where we're free to imagine and create fanart / fanfiction / headcanons (even the NSFW variety) for any pairing that we desire, regardless of their past or preference, even those who have never expressed romantic interest towards one another, except for Gwyn.

Consent in the actual book will be important but consent having already been given in our imaginations so we can imagine possibilities beyond what is currently written is the right of any reader.

#gwynriel #anti e/riel #gwyneth berdara #pro gwyneth berdara

[antianakin]

@theneutralmime

I assume you mean the Coruscant Guard and not the GAR as a whole. We do see Fox during the Fives arc responding directly to an order from Palpatine, but he's also IN PALPATINE'S OFFICE already because they're playing bodyguard in the moment. The GAR would be subordinate to Palpatine obviously, because he is the Chancellor of the Republic. Everybody is subordinate to Palpatine, that's kind-of how it works, it's just that most of the other clones seem to sort-of report more directly to a Jedi General or a civilian officer of some kind before they report to Palpatine.

So whether the CG reports directly to Palpatine or not is sort-of up to speculation as far as I can tell. It's possible that a reference book might have something more to say about it, but what we're shown in TCW isn't conclusive. There's never any indication that the CG have a Jedi General of any kind, so they presumably have to report to SOMEONE and most people just assume that this is Palpatine. It's just as possible though that there IS someone else they report more directly to normally, like Mas Amedda maybe or someone like Tarkin perhaps. The CG just aren't explored enough to really give any sort-of definitive answer as to who they report to directly. Palpatine is the ultimate authority so his orders would supersede anybody else's no matter who they came from.

As for Fox's personality, I have basically the same answer. He really isn't explored enough as a character to really say he has a "murderous" personality. He's in all of a few minor scenes across the entire show and he's always working and he never even has his helmet off, so figuring out his personality is a little difficult. Most of what people know his personality to be comes out of fanon, not canon. The closest I can think of to something he says that might give a hint as to his personality is when he tells Ahsoka that he understands why she'd kill Letta Turmond but that he still has to arrest her for doing it. It's not murderous by my interpretation, but it does show that he has empathy and is willing to treat Ahsoka with kindness despite what his duty requires him to do. He does help chase her down after she escapes from her cell and a bunch of his men seem to have died at her hand, but there doesn't seem to be anything particularly personal or vindictive about it, it just means he doesn't have the time or motivation to offer her the same empathy he did earlier.

So sure, he seems focused on work and pretty professional, but we also only ever get shown him WHILE WORKING, we never see him in any kind of downtime. And the one line that seems to showcase a little extra personality is actually intentionally empathetic towards someone he should see as a criminal. He doesn't have to extend that empathy to Ahsoka in the moment, but he does, and that seems to go forgotten quite a lot.

#star wars #clone troopers #coruscant guard #commander fox

[newtonsheffield]

They’d shared a two minute conversation during which she’d managed to call him stupid a number of different times in an exciting variety of ways. And still, he’d found himself sat behind the typewriter (...) as he wrote about anything. But kindly it wasn’t about anything. Mostly it was about her, in some way or another. Or rather, the feeling of her.

THIS. This is so in line with the canon. I immediately thought of the scene during the conservatory ball. Kate gives her monologue, tearing Anthony to pieces and he is completely smitten with her from the get-go.

I bet he still has the initial pages written way back then. Maybe they even made it to Snow Filled Paper? But the originals are surely hidden in his desk: yellowed, crumpled and tattered, since Anthony has been rereading them all over again.

A version of some of them are in Snow Filled Paper but most of them are tucked away in Anthony’s desk drawer, folded and unfolded and tearing at the edges.

Anthony takes them out and reads them from time to time and Kate has no idea they even exist until they’re nearly two months into their relationship and she’s looking for something else in his desk. She finds them in an old tin from the Jane Austen Museum and it makes her chuckle as she opens it. It’s such an Anthony thing to own, and she can’t resist knowing what’s inside.

There’s a lot of things in there from there uni days actually, there’s a coaster with the mark of a beer bottle from the pub they used to go to with their friends and there’s a daisy chain that’s been pressed into a notebook that has Anthony’s thoughts in. She chuckled as she read

Grow moustache? Might look cultured and distinguished? Set me apart from D.

Her brow furrowed as she looked at the D printed there, trying to remember who that might have been. She moved on, unfolding one of the sheets of paper at the back and her heart stuttered in her chest.

It was about her, she was sure it was. She remembered the day he’d written about, when they’d met in the library to work on their assignment and her breath caught at the way he described it.

“Are you snooping?”

She dropped the paper in surprise looking up to see Anthony leaking against the doorway, sipping a cup of tea.

“Maybe a little?”

She held up the pages, “Did you really feel this way about me?”

Anthony groaned, leaning against the edge of the desk, “please don’t read that. I was still finding my style.”

“I like it.” She said gently, pressing her lips to his. “It’s very sweet.”

“I… Please don’t read too far. I think in that one I used the phrase Aphrodite would be a poor muse compared with her.”

Kate bit back a laugh, “I’m obsessed with this.”

“Is there anything I can do to convince you not to read it?” Anthony wiggled his eyebrows, “I’d be willing to show you just how close you are to Aphrodite.”

Kate hummed, tapping her finisher on her chin. “Tell me who D is? I don’t remember you being friends with a D in uni. But you fucking hate him.”

Anthony raised his eyebrows, “You don’t know a D from first year?”

It dawned on her and her mouth fell open with a gasp, “Oh you wanted to grow a moustache to set you apart from Dan?!”

He flushed, “He had a motorbike and I was jealous! He was dating my dream girl.”

“That’s very sweet.”

Anthony hummed, leaning into her, “Would the moustache have worked?”

Kate grimaced, “It would have set this timeline back at least 5 years. Now I might be into it.”

“Interesting.”

#you never called it what it was #kathony #anthony x kate #kate sharma #kate sheffield #anthony bridgerton #molly’s asks and answers

[flower-boi16]

It's funny that the hazbin fanbase has decided Stella is evil and abusive and that despite nothing in canon suggesting it, that she also hates Octavia.

And its funny because as a child of divorce, she seems to me more like a mother furious that her husband is abandoning her daughter for a sexual fling with a man who doesn't even care about him. Like she's accepted that he's gay and that he's probably had male lovers before during their relationship and that she's his beard but now he's asking for a divorce so he can be with a man who doesn't even want him.

Like she knew about his thing with Blitzo and let it slide because he was still there for Octavia and it didn't really affect her but now hes going to traumatize their daughter for no other reason than his own selfish desires.

Hell, throwing all that out the window, maybe shes furious because she's scared. We don't know any goetia lore (thanks Viv) and since they seem to function like old European royalty, maybe Stella and Octavia will be punished or disowned or even killed because Stolas divorcing her means she loses her social standing, power and worth. Maybe they'll be thrown to the streets and have to fend for themselves without any money, friends or places to go, with sinners and hellborns who might want them dead around every corner.

Either way, Stella just. She comes off as a mother to me. A mother who hurts for her daughter, a mother who wants what's best for her, a mother who's scared for her, a mother who sees that her child needs her father and is repeatedly, constantly and intentionally cast aside for a man who wouldn't care at all about her father if he wasn't holding something over his head.

Sorry this is so long lol

I think the reason why people think that she hates Octavia is because the Stella we have right now is already an incredibly one-note asshole. The show itself never bothered giving any nuance to her character so why would the fans? That being said, I wish we got to actually know her relationship with Octavia.

Does she care about Octavia? Does she love Octavia? Or does she not give two shits about Octavia? We don't know.

And I don't think we ever will. It just sucks seeing how little nuance Stella has as a character, the show made her into a one-note abuser just to make Stolas look more sympathetic and so it can use her as a scapegoat for his flaws.

#vivziepop critical #hazbin hotel critical #helluva boss critical #helluva boss criticism #vivziepop criticism

[lilacxquartz]

Those Late Summer Nights | Chapter 5

Satoru Gojo × Fem!Reader × Suguru Geto

This is a dark yandere fic that features upsetting themes and it is canon divergent. Updated every Wednesday.

About:

You moved to Tokyo over the summer to take a teaching job. As you get settled in, you find yourself entangled in a toxic dynamic.

Chapter Summary:

Something about that platonic event didn’t feel so platonic to Suguru and now he has feelings that he can’t ignore.

Trigger warning:

Suguru continues to do things he shouldn’t. (Non-con unaware touching/asleep reader.)

Previous Chapter.

5. Touch.

You stayed in your bedroom just staring at the door, trying to level yourself in bed. Your vision was still slightly zigzagging, swaying from the drinks that you had prior as you were still discovering your limit. Thankfully, you didn’t drink enough to embarrass yourself in an event full of strangers, but unfortunately enough to cloud your judgement about certain things.

You could ignore some red flags for one, knowing fully well that you should have turned Suguru away from sleeping over when he crossed a pretty hefty boundary with you.

But he wasn’t trying anything, at least not yet. You continued to stare at the door, expecting him to come knock and try to forge some type of excuse to get into your bed, he never did. It was by then that you decided that it was a good time to go and brush your teeth.

You had some type of lingering feeling that he might have just been waiting for you to leave the room to make his move but by that point, you shook it off as being a little too paranoid. If he was quiet for the last hour or so, then surely he was asleep by now? Or at least you hoped.

A part of you tried to convince yourself to just skip washing up for tonight, but you didn’t like how the red wine clung to your teeth, making your mouth feel chalky and dry.

You stared at the door again that separated the two of you, convincing yourself that it was all actually fine. There was a lock on your room door and as long as you continued to drill in boundaries, then maybe he could forget about trying to be that type of friend with you.

It did leave you wondering if you accidentally led him on or something—but after a moment of consideration, you didn’t quite think so…?

Did he act so strange because he had something to drink at his family reunion? You tried to think back as your brain fogged; exhaustion and intoxication clouding your memory. No. You recalled that he did something similar on the way there too so it was more as though as he picked up where he left off on the way back.

You liked to think that you weren’t that oblivious when it came to those sorts of things. You understood fully well that sort of touch was far from being friendly and you should have scolded him at the time, but you didn’t. As a result, it left you feeling a little paranoid, wondering if something like this would be doomed to happen again.

Shoko was at least comfortable around him, though. Satoru as well. So maybe he was actually very calm and laid back and not as intense as he was making himself out—but that just left an even worse taste in your mouth.

It left you wondering if you were getting to know him in a different light and that made you feel uncomfortable.

After all, his reassurance that he ‘won’t do anything weird’ did very little to soothe you, but if you had to go back on your own claim to non-naïvety, then you still wanted to cling to something familiar, you still wanted to keep your friend even if what he did was wrong.

Was that contradictory of you?

Then again, it was just a one time thing, at least that’s what you kept telling yourself. He stopped himself when you told him to. Maybe now that he knew you didn’t want him back that way, that he would back off.

You battled such thoughts for a while, wondering just how far you were willing to go to hold onto a semblance of normalcy in your life. It was only just now after a lifetime of utter loneliness on your end that you were finally a part of something and you didn’t want to go of it too fast, too soon.

So for now at least, you were willing to continue keep wearing those rose tinted goggles.

As you continued to shake off those remaining festering feelings of uncertainty and doubt, you finally got out of bed and changed into your sleep clothes, still sporting that oversized t-shirt that Shoko insisted that you could keep along with some sweat shorts you brought in from home.

The accommodation halls by default weren’t fully pitch black to begin with, so you wouldn’t be bothering him by passing through. A low warm light illuminated the premises as it was usually students who lived here. As such, you could comfortably go back and forth without needing to rely on your phone to lead the way or by turning on the big light.

Suguru laid on the sofa in the meantime, feeling thankful that you didn’t spot him with his eyes half open as you passed him by. The lighting was dim enough that everything blended together and such things weren’t as easily noticed.

He watched as you walked right past him in complete silence, his eyes drawn to the way you walked as his hand continued to rest inside of his trousers; hidden away by the blanket that covered him.

He kept quiet during that time, not daring to say anything to you. In fact, he wanted for you to think that he was fast asleep, to not worry you for a moment longer.

So when you reached the bathroom without as much as a single peep, he knew that he got away with something he shouldn’t have once again.

You didn’t even think twice about anything that was actually going on as you lazily splashed water on your face and brushed your teeth.

Nor did you notice how his eyes continued to follow you back again as you walked by him a second time, feigning a cycle of controlled breathing into fooling you that he was actually asleep.

He just didn’t want you to be afraid of him, that was all. To lull you into a false comfort and security that yes, you could trust him—that yes, he would behave.

Suguru continued to lay there in silence as he lazily stroked himself, feeling a touch frustrated as you once again disappeared back into your room, hearing the click of the door locking. He decided earlier on that he wasn’t going to do anything, battling internally with himself, telling himself that keeping your friendship was more important especially when you seemed so sweet and kind.

But just that thought of you in the passenger seat, basking in the golden hour glow as it hit your body just right aroused thoughts he knew he shouldn’t be having. You looked so good, so tempting, his exact type—and it was just enough to awaken something else in him, a feeling that he didn’t know he had.

He sat up after a moment, motivated by some type of revelation, gulping down any sense of shame that otherwise held him back before. He lived here before on and off as a student, so he exactly how the house settled at night and where to step so that it sounded like regular creaking. He knew how to open up the doors to the dormitories even if they were locked from the inside too; just a little trick he picked up from sneaking out so often as a teen.

Conveniently enough for him, you were fast asleep by the time he let his curiosity get the best of him as he pushed the door open to where you slept. His eyes glossed over your body, spread out on the bed with nothing but a thin blanket covering you up.

He took a deep breath as he stared at you; the moonlight spilling inside from the window as your body bathed in an alluring light—cold blue beams illuminating your skin, casting a spell on him that prevented him from looking away, daring him to finish off what he started off in the car.

It was simple enough in his mind.

All he needed was to finish sampling a curiosity, that was all and then he wouldn’t bother you anymore.

Suguru then moved towards you, his footsteps slow and intentional as he tested the waters to see just how light or heavy of a sleeper you actually were.

His hand brushed against your thigh as he slipped beneath the blanket, resisting a more indulgent squeeze against your supple flesh that tempted him even further.

He didn’t go beyond your inner thighs, resisting a feel of your warmth, feeling a certain pull of radiating heat as he continued to explore—instead he bit his lip as he convinced himself to back off, at least for now.

He slipped his palms off to the sides of your thighs instead, feeling the pillowy skin that filled out your shorts. That alone was enough to settle a curiosity without crossing a major line, at least in his mind. Had you been aware though, then it would have been different.

To his continued comfort, he now determined that you were a heavy sleeper indeed, but he still decided that he wouldn’t go too far with you because he felt that it was wrong to do so, even if he was already doing it.

For now, he at least slipped his hands out of your shorts and played it all a little safer as his sights now settled onto your chest. He couldn’t end the night without a feel of it, of course. Instead of going too far this time though, he kept his hands over the fabric of your top; feeling your nipples poke through soft cotton as the blood in his body rushed elsewhere.

By that point, you began to stir a little prompting for him to quickly withdraw as his entire body froze. A subtle guilt flowed through him as he was likely about to be caught but as you settled into somehow even further sleep, that guilt then subsided and washed away.

He was still going to keep himself in check though, just for you.

As you turned around to your side, your body now faced him as he knelt on the floor. He kept his breathing low as a conflicting thought invaded his mind, not fully understanding why he couldn’t completely stay away from you.

Tempting a final move, he allowed himself to give into one last impulse before he would finally force himself to back away. It was surely risky though, but he couldn’t help but wonder how you smelled as he slowly lowered his face into the crook of your neck, feeling admittedly a little creepy as he did so—his own resolve spiralling as he surrendered to something intrusive.

But in doing so, he did conclude one thing: he liked the smell of you.

He liked you.

He sighed a big deep breath as he finally, albeit reluctantly pulled himself back and completely removed himself from your room, tinkering with the door outside to lock it back up again, erasing any suspicion from you when morning would come around.

He knew that he wasn’t going to just stop there though, already fully well understanding that you were going to get him into deep shit.

But he also simply did not care.

Maybe he wanted to get in trouble.

***

When the morning finally arrived, you felt a little tired. At least more so than usual as if you got a poor night’s sleep. You blamed it on both the stuffy room as well as the alcohol, but also the slight discomfort from yesterday.

Hopefully now that you both had slept it on it, you could bury that strange interaction in the past between the two of you forever.

Luckily for Suguru also, you didn’t seem to suspect a single thing otherwise. As far as you knew, you spent the night completely alone.

Untouched and unaware.

(But he knew.)

You took the dress that you wore last night and brought it over to the common area, folding it and placing it on the counter. You had the intention of washing it and then returning it to Shoko later on in the day.

Suguru seemed to be awake as well, looking freshly showered as he exited one of the rooms. His face was a little red as damp strands of his black hair stuck to his skin.

You stared at him for a moment, trying to remember if there were any communal showers in the halls. As far as you understood, the rooms were shared with an en-suite.

“I, uh, went to sleep in my old room,” Suguru said as he finally broke the silence, feeling a little called out from the accusatory stare, “I mean, I used to live here back in the day, so it felt right to just use my old room.”

“Right.” You replied as you nodded along, taking note that he was back to talking like his usual self and feeling thankful that he was doing so.

You decided that you were perfectly fine with erasing that encounter from the back of your mind as long as it was never brought up again—even if it did cross a major boundary.

Some small details did bother you though, even if they were subtle.

For one, all of the rooms in the accommodation were locked individually… so how did he get into his old room exactly? Also, didn’t he fall asleep on the sofa before? Was he not asleep when you went to go brush your teeth…?

“So… more laundry?” He asked you as he pulled you away from your troubled thoughts. His eyes were pointed on the dress on the counter, doing his best to shake off all of the thoughts he had of you wearing it again, even if the images were already burnt into his memory.

“Yeah, I mean… I thought I might as well return it to Shoko, she’s probably missing it.” You replied.

“I can do it otherwise,” he offered without skipping a beat, having a certain idea enter his mind—the scent of you must have been absorbed into the fabric by now, “it’s my own laundry day, I mean. Most of my clothes are dark anyway, so…”

“Oh. Yeah, I-I guess in that case, that could work.” You stammered, nodding along as you didn’t think anything strange about it.

“I’ll even take it back to her, so don’t worry about a thing.” He added.

A silence then brewed again after you nodded yet again but didn’t reply. This particular moment of mutual silence didn’t feel as awkward as before at least not like how it was yesterday, but there was something about it that felt less forgiving, as if a collective tension brewed.

It felt dangerous, almost.

“Right, well,” he said after a good while, softening his voice as he took a couple of steps to grab the dress, “uh, thanks for, going with me yesterday, you didn’t actually have to, but you did and I appreciate it.

Before you could respond with anything however, he was already halfway out of the door.

“Don’t mention it.” You quietly said to yourself instead, the door now closed as you were left alone.

Your eyes narrowed as you couldn’t help but feel something strange linger in the air, even with his presence now gone. Despite him no longer being there, that gnawing feeling of danger and even uncertainty persisted but you weren’t sure what was causing it exactly.

Was there something off about him today?

You couldn’t quite tell.

#yandere x reader #yandere jjk #dark fanfiction #yandere suguru geto #suguru geto x you #suguru geto x reader #getou suguru x you #getou suguru x reader #satoru gojo #yandere satoru gojo #jjk satoru #yandere x female reader #yandere x you #yandere x y/n #yandere fantasy #dead dove fic #dead dove do not eat #fanfic #dark fic #jjk dark content #jjk yandere #jujutsu kaisen fanfic #satoru x you #gojo x reader #gojo x you #yandere fanfiction #yandere #reader insert #tw noncon #no beta read i read this back and scream at past mistakes

[iovesia]

how would keanu characters react to reader having weird kinks and asking them to use it on her? (could be choking, knife kink, blood kink…etc, whatever you are most comfortable with writing!)

reader with extreme kinks,⠀⠀౨ৎ⠀⠀keanuverse. gn reader.⠀/⠀cw. vaguely smutty.

john wick — so super nawt down for it … i know i write him to be mad kinky sometimes, but i’m sure he will 90% of the time gently pass on anything too extreme. john’s already surrounded by so much violence, and gore in his life— he can’t see himself using knives or any weapons on you. (wee bit of a madonna/whore complex vibes with this man.. but i digress).

at most he’ll indulge you in very little choking / slapping. and by that he’s very gently hold your neck, or give you small soft pats on your face.

he’s a gentle giant !! soz !!

john constantine — he’s a little freaky, so i think he’d be more into trying your kinks. constantine’s more into pain / power play imo, so if you ever wanted to try stuff like wax play, temperature play or smth like that … he’s into it !!! and not just on you .. i’m a firm believer in masochist!constantine, so just ‘cause he might not wanna do it to you, doesn’t mean he don’t want you to do it to him 😵‍💫😵‍💫

johnny utah / jack traven / tom ludlow — not to lump all my cop!keanu’s in the same box, but i mean c’mon! these boys in blue definitely will do whatever kink you like if it’s stuff like bondage or restricting you. esp with their easy access to handcuffs .. ehem …

i just get a bit of control freak vibes from them, so they would love to have you tied up and depending on them for pleasure. yeah …

kevin lomax — oh jeez this guy’s the worst of the bunch! he’s the son of satan, and a canonical toe-sucker so out of everyone on this list, he’s your guy! if we’re talking kevin whose already fully corrupted: that man will do any debaucherous thing you ask him to do.

my gut tells me he’s hella into blood play— something about just seeing your skin stained with crimson feels so primal to him. like he’s corrupting you with his bare hands.

ted logan — poor boy might actually blush and explode with giggles if you ever bring stuff up like that. he’s so immature, and so vanilla, it’s sickeningly sweet. the kinkiest thing he’ll ever do with you is probably sixty nine .. oops !

#love letters. #keanu reeves x reader #keanu reeves imagine #john wick x reader #john constantine x reader #*⠀john constantine. #*⠀ted logan. #*⠀kevin lomax. #*⠀john wick. #*⠀johnny utah. #*⠀tom ludlow. #*⠀jack traven.

[elisaintime]

Woah, I must have missed something, why are people jumping down your throat?

From what I can gather at this point, it seems like they feel like anyone who likes Anne Rice herself and the books better than the show=automatically racist. Even if they ALSO enjoy the show and support the race change of the characters and all the racial conversation the show incorporated into its adaptation.

Personally, I think it does a disservice to the fandom to assume that the only reason one could like the books over the show is because of racist reasons. Anne's books speak to so many people in so many ways, especially those who have ever felt like outcasts or apart from mainstream society, and many fans have extremely personal connections to the books for a huge variety of reasons.

Like I said in my videos, I was excited and intrigued to see this AU version of the story (I love AUs!) but my complaints with the writing of the episodes mostly came back to when the show was trying to stick TOO MUCH to the books.... Because the show was really making its own thing with its own versions of the characters and all these new ideas, but then suddenly it would shove in a scene/dialogue straight out of the books which would contradict or make no sense with everything else the show had already worked to set up with the new direction it was taking itself.

Critiquing sloppy/weak writing does not mean I or any other fan who feels the same is doing it for racist reasons. Much of my criticism was about how the scripts changed Lestat's character to make him so much worse than he was in the books (which would be fine, it's their story, whatever--except the show runners told us over and over again that the whole reason Louis was doing a second interview was so that this time we could see the real version of Lestat and how Louis felt about him instead of the mean, insulting version he gave in the first interview). There was a lot promised by the showrunners about what their adaptation would be like that was not delivered ("closer to the books than the 1994 movie," "true to the spirit of Anne Rice" etc). The entire reason I made my videos was to evaluate how well the show measured up to those promises.

Worse than making Lestat so irredeemable, the way the first season ended in a way that made so many fans believe that Louis might have been lying about everything didn't sit well with me at all--it's a harmful stereotype to make the black man a liar, especially when it comes to abuse. I know the "the DV didn't actually happen and black Louis was lying or mind controlled by his evil non-white boyfriend" became a running fan theory, but I personally don't believe it one bit. But I can see why so many fans do--again, sloppy/weak writing on the show's part.

Like I said in my video, the only thing Louis actually lied about in ep7 (and he was lying to himself, not deliberately lying to Daniel) was the depth of his love for Lestat at the end. And that's entirely canon for Louis to deceive himself about--admitting how much he truly loves Lestat always came hard for him. I personally don't think it's going to turn out that anything Louis told us in season 1 was a lie. I think the show would have revealed that at the end of the season, not waited another season (or two or three) to reveal that. And the theme of season 2's promotional material has all been about memory, not honesty. I don't think Louis could mistakenly remember getting dropped from a mile in the sky and the months/years of recovery afterward, so I personally think all those memories were real.

The first three episodes of season 1 made Louis's struggle with race its primary focus, and the series description began with how Louis was chafing at society as a black man. But then from episode 4 on, the focus of the show shifted entirely. Obviously racism still existed in Louis's world, but the show pushed it all entirely to the background with little things, like segregation on the bus, and we saw the characters quietly taking in stride, not making any plot out of it. Suddenly all of Louis's character-driving moments weren't about that anymore and we were in a whole new story, when his battle against racism had been the entire theme of the first three episodes. This was something I noticed and pointed out in my videos--I didn't say it was a bad thing (after all, seeing people be racist to Louis on screen, while "realistic," isn't exactly fun for anyone, and we'd already seen plenty), but I did think the sudden dramatic shift in story focus weakened the show's themes and throughline.

Again this comes down to writing, and the premise/script was written by white people. I think they could have done much better with much more non-white involvement on the writing level. I think the show could have been stronger with some more care taken to create consistency and smoother transitions between episodes (like when they take Claudia out to feed in episode 4, suddenly all the race riots are gone, when everything was on fire 2 hours ago). It's common for shows to have each episode written by a different person, even though they all collaborate in a writer's room, but to me it felt like the show lacked efficient script supervision to make sure all the scripts flowed into each other without any contradictions or inconsistency.

When I talked about these things in my videos, when I said I would have liked the show to do better with the way it missed the mark sometimes in handling racial aspects (even though other parts I commended as being great), and the way I critiqued the inconsistencies and contradictions, some people took that to mean I hated the show entirely. The point of my videos was to see how well the show measured up to Rolin Jones's promises that it was so faithful and respectful to the spirit of the books and that all he wanted to do was honor Anne's work. I know the books back and forth, enjoy having a ND hyperfixation that gives me near-encyclopedic knowledge of the texts and Anne as an author. So people ask me questions about them all the time, especially in comparison to the adaptations. Who better to make videos evaluating how well the show measured up to RJ's promises and claims of faithfulness? But some people took me comparing the show to the books to mean I thought it was a bad thing that they weren't the same, and I hated the show entirely for not being the same as Anne wrote it, and therefore that meant I (and anyone else who loves the books) was racist 🤷

#amc interview with the vampire #vampire chronicles #maven of the eventide

[reduxulousoctopus]

X-Men '97, Post-Episode 7, ~2500 words Morpherine established relationship, missing scene (unless the show actually does explore what happened during that fight, in which case boy is there egg on my face).

I follow established show canon by referring to Morph as he/him in diegetic works (fanfic and fan art) and they/them in non-diegetic works (my episode analyses and reblogs), because that's the stupidest option and, like Morph, I am also an enby with a terrible sense of humor.

Now come watch me struggle to write two whole lines of dialogue for one of my favorite characters in the series, Beast, because Me Too Stupid to Write Smart Talk Good.

--

“You wanna explain what the hell happened back there?”

Although he considers pretending he didn’t hear the question, Morph reluctantly glances across the center aisle of the Blackbird to see Logan glaring back at him with an expression as hard as the adamantium underneath it. Although it’s a look he’s seen plenty of times before as an innocent bystander, Morph has only been the target of that glare on a handful of occasions. Usually when he’s severely fucked something up. Or when Logan is completely out-of-his-mind, cuckoo-bananas worried about him.

Morph suspects that this time, it’s a little Column A, a little Column B.

A wiser person might realize they were in a hole and stop digging; Morph smirks and asks, “What, the Summers Family Reunion? Well, you see, when a man and the clone of his wife love each other very much…” Morph chuckles. “By the way, this might be a bit creepy to say as one of his honorary uncles, but Baby Nathan grew up to be a serious hottie—emphasis on serious.”

No laugh. Okay, maybe that wasn’t his best material, but not even a lip twitch? Logan must be pissed.

Morph sighs and slouches in his seat. God, he doesn’t want to talk about this right now. Or maybe ever. He can feel his throat literally closing up to stop the words from coming out.

When enough time has passed that what little patience Logan had left in the tap completely runs dry, he goes right for the jugular: “I thought you were dead. Again.”

Morph winces.

“I saw that… ‘Trask Sentinel’ blow your goddamn head off. Then, next thing I know, you’re up and walkin’ around like nothing happened.”

“Not that you’re complaining, right?” Morph asks with a weak attempt at a laugh. “You know what they say about gift horses. Although, you’d think the lesson from the Trojan War would be that you should look gift horses in the mouth.”

From the seat behind him, Morph hears: “Although it’s a common misconception, that phrase actually has nothing to do with the Trojan Horse. The proverbial ‘gift horse’ is a literal, living horse, and to look it in the mouth—”

“With all those books you read,” Logan grumbles, “I thought at least one of them would've taught you it's rude to eavesdrop.”

“It would be difficult not to overhear, given the two of you are speaking quite loudly in a confined space while surrounded by people,” Beast points out. “Have you considered that this perhaps isn’t the best venue for a private conversation?”

“He is a super-genius. We’d better listen to him,” Morph tells Logan. “We’ll talk later, okay big guy?”

The stubborn set of that heavy jaw says Logan knows damn well ‘later’ means ‘never,’ and he isn’t gonna let Morph weasel out of this that easy. “If you ever want me to let you off this plane, you’ll talk now.”

“Let me?” Morph scoffs. He transforms into Quicksilver, puts on his best smug speedster grin, and says, “Just try and stop me, slowpoke.”

To his shock, Logan actually flinches. It’s a subtle thing, Morph might not have even noticed if he didn’t know Logan so well. The cause eludes him, however—until Morph remembers that he looked like Maximoff when the Thrask Sentinel… when everything went dark and quiet for a few seconds.

Funny. There was a time when Morph, blinded by youthful naivety and hero-worship, would have insisted Wolverine wasn’t afraid of anything.

Returning to his default form, Morph mutters out an apology. He tries to imagine what it would be like to see Logan die, only for him to get up a few seconds later and act like nothing happened. With that healing factor of his, they’ve gotten damned close to that exact scenario more than a few times.

How much worse would it feel, if Logan had kept his quick-healing abilities secret and Morph had to find out the hard way?

Morph takes a breath, looks out the window at the black clouds rushing by, and starts from the beginning.

“You know how most of us don’t know we’re mutants until we hit puberty, and our powers manifest? Well… I didn’t have to wait that long. Problem is, since I was just a baby, I had no idea how to control my powers—no more than a normal baby is born knowing how to walk or talk.

He holds out his hands with his palms cupped together to form a shallow, makeshift bowl.

“When I was born, I looked like a wriggling lump of white clay, about yay-big. No arms or legs, no face, no ears, no eyes. Just a mouth that would appear somewhere on my body whenever I was hungry or wanted to cry.”

Whatever Logan was expecting to hear, from the look on his face, it clearly wasn’t that.

“But even at that tender age, someone clearly recognized my star potential. I was only two days old when I made my media debut: Severely Deformed MUTANT Born In Pittsburgh Hospital.” Morph shrugs. “Not the most positive review, I’ll admit, but you know what they say: all publicity is good publicity. After all, that’s how the professor found me.”

Logan’s frown returns, more confused than angry. “You told me you didn’t meet Xavier until you were thirteen—after your mom passed.”

“That’s when I moved to the Institute. Turns out we actually met quite a lot earlier than I remembered, which is pretty embarrassing. Ideally, you don’t want to meet your future high school principal, college instructor, mentor, and world famous civil rights leader while wearing a diaper. Even worse, I was wearing a diaper, too—and I told him, mister, one of us is going to have to go home and change his outfit and it sure isn’t going to be me.”

That gets him a smile and a huff of a laugh, which would be an encouraging sign if he didn’t know how the story ends.

“So Xavier talked to my parents, explained the whole ‘mutant thing.’ Dad wasn’t happy. Then again, I’m not sure he ever was. He would have been disappointed to have a girl—a sentient lump of polymorphic biomass was right out. Thankfully, Xavier was able to use his telepathy to coach me through my very first transformation. He showed me how to turn into a normal baby boy, who would eventually grow up to look like this.”

Morph transforms into his old default, the one he still uses whenever he wants to pass: pale (although not that pale) skin, brown eyes, brown hair, hooked nose, pointed chin, gaunt cheeks, arched brows. Not exactly Fabio, but it’s the face Logan used to know him by—the face he sometimes worries Logan might secretly still prefer.

“Then he put some psychic blocks in place to limit my powers to something a bit more… manageable. Don’t give me that look. It sounds shady, but the professor messing with my head was the only reason I got to have a normal, happy childhood with my parents. God only knows what would have happened otherwise—if I’d even be alive now.”

The worry and suspicion that appeared on Logan’s face at the mention of psychic tampering grudgingly fade away. “When did you find out?” he asks instead.

“A couple months after the professor… y’know,” Morph sighs. “I hacked his personal files. Since he wouldn’t be around anymore to help you recover your memories, I hoped that maybe I could find something small he overlooked, some clue that might give us an idea where to look next.”

Logan’s eyes widen and his mouth goes slightly slack. “Morph…”

“I didn’t find anything, before you get excited. Not about you, anyway. Sure found out a lot about myself, though—a lot more than I was bargaining for.”

“That’s when your default form changed,” Logan realizes.

“Yeah. It was kind of hard to think of this,” Morph replies, gesturing at the face of his human-passing form, “as my ‘real’ face after that. Not that my new look is any more real, of course.”

“Who else knows?”

“Other than our friends listening to this conversation right now?” Morph asks pointedly, causing an entire plane full of X-Men to each make their best attempt at looking busy. Nightcrawler’s method of peering thoughtfully at the radio controls with one hand on his chin is particularly masterful—Logan mentioned he used to perform in a circus, so it’s no wonder he’s got such a good instinct for stage-business. “I told Hank and Moira not long after I found out. Seemed like a bad idea to keep that information from my doctors. Especially when one of them is also my therapist.”

At receiving a glare from Logan, Beast develops a sudden and convenient fascination with the view through the Blackbird’s window.

“But you didn’t want anyone else to know.” Logan could accept that, even if he doesn’t like it. Nothing personal. A man’s business is man's business, after all—even for a not-quite-man like Morph.

Too bad it wouldn’t be the truth; no more ‘real’ than any face that Morph wears.

“I didn’t want you to know.”

Morph can handle Logan’s anger, no problem. That’s almost charming, after all these years. But it’s the flicker of hurt, just like that little flinch earlier, that really cuts him to the quick.

“Not because I don’t trust you, or want to keep things from you or anything, it’s just… I didn’t—I couldn’t—”

He sighs and looks away again. He transforms back into his new default: smooth white skin, mask-like face. Obviously inhuman.

Still a lot more human than he looked when he was born, though.

“So, yeah. That’s why I’ve apparently gained the ability to survive having my head blown off. It sure would have been handy to know that my organs were optional the last time a Sentinel put me down. Now, instead of being out of commission for two years I’ll never get back, I can just squish myself back together and keep on keepin’ on.”

Logan doesn’t respond, and slowly, the mutter of other conversations step in to fill the void. Morph stares at nothing, sick with nerves. It’s deeply unfair that he can still feel nauseous even though he doesn’t have a stomach anymore.

He would say it’s all in his head, but if he can survive without one, maybe he doesn’t have a brain, either.

Badum-tch.

Good line. Hopefully he’ll remember it after the existential horror wears off, in the brief window when things will be funny again before the heartbreak sinks in.

Because there’s dropping a bombshell on a relationship—then there’s dropping a fucking nuke.

Oh God. There isn’t going to be a window, is there?

“Morph. Look at me.”

Although he considers pretending he didn’t hear the command, Morph reluctantly glances across the center aisle of the Blackbird to see Logan looking back at him with an expression as soft as the heart he usually tries to hide.

“No matter what you look like, there’s one thing you’ve never been able to change,” Logan tells him. “That’s real enough for me.”

A wiser person might realize they were in a hole and stop digging; Morph can’t stop himself from opening his big stupid mouth. No wonder that was the one feature even Baby Morph knew to give himself. “There are more blocks Xavier left behind that I haven’t pushed through, yet. Maybe I’ll even figure out how to change my scent, someday.”

From the look on his face, Logan clearly hadn’t considered that possibility. Morph immediately wishes he could take it back, feeling like he’s just tarnished something sacred.

It’s always been strangely intimate, the way Logan can recognize him by scent alone. Even from the beginning, when Morph decided to pull a prank on the grumpy new recruit, only for Wolverine to sniff him out mere seconds into his planned routine—it was as if, like the Emperor’s New Clothes, he suddenly realized he had been naked the entire time.

Another, smarter shapeshifter might have avoided Logan after that; Morph couldn’t get enough.

One-sided pestering turned into an unlikely friendship, turned into friends-with-benefits, turned into… whatever they have now. That which dares not speak its name.

The thought of losing that connection, the idea that someday he may be able to change himself so thoroughly that even Logan won’t be able to recognize him anymore… It’s too awful. Cursed knowledge. Like learning about the solar cycle when he was a kid, and suddenly having the horrible realization: if even the sun is going to die someday, what makes him so sure Mom will get better?

Out of the corner of his eye, Morph sees Logan’s hand start to move, stop, then start again, reaching across the aisle towards him. For a insane, terrifying moment, he thinks Logan’s about to hold his hand, outing them in front of God, the other X-Men, and everybody—but of course, that enormous, rough mitt lands on his shoulder instead. Perfectly platonic, approved for all audiences by S&P.

Though they’re shooting through the air at supersonic speed, under the heavy weight of that hand, Morph feels rooted to stable ground. He closes his eyes and takes a few slow breaths he doesn’t actually need, with lungs he only has when he remembers to make himself some.

If there are any people left when the sun finally burns out in a few billion years, they’ll still be telling each other jokes as they go into that endless good night. Just think of the money we’ll save on sunscreen. Maybe, but you know the light-bulb companies are gonna take us to the cleaners. Ha ha, freeze frame, theme song, end credits.

Even as her body slowly wasted away under the combined onslaught of cancer and chemo, Mom always laughed at his jokes, no matter how many times she heard the one about the chicken who crossed the road. His most appreciative audience, to the very last curtain call.

The world is pretty fucking scary right now, and only getting scarier. Sinister. Genosha. Losing Gambit. Sentinels again, in all new and even more monstrous forms. Even worse: total war between humans and mutants looming over the horizon, shaking the ground with each step, getting closer and more inevitable every time someone mentions it, like a demon whose power grows every time you says its name.

But just because things are scary doesn’t mean the world's turning into a horror movie, and just because things are sad doesn’t make it a tragedy. Everyone gets to choose the genre of their life story—and Morph will always pick comedy.

He gives the hand on his shoulder a friendly pat, and uses the motion to disguise a slightly more-than-friendly squeeze. “I’m alright, just a little airsick. I think it’s making me maudlin.”

As he pulls his hand back, Logan frowns a little in confusion—he knows Morph is experienced enough in the air that he shouldn’t be getting nauseous over what are, for the Blackbird, barely above pleasure-cruise speeds.

“How unfair is that, by the way?” Morph asks. “I don’t even have a stomach right now.”

Logan chuckles. Nah, baby, don’t give it up for me that easy, Morph thinks, fighting a grin. You gotta make me work for it a little…

He needn’t have worried, though. When he does make it to the punchline, Logan laughs so hard that he snorts, the laugh-lines Morph has personally carved into that seemingly indestructible face creasing and growing deeper still. And as their friends who Definitely Weren’t Eavesdropping join in—even Rogue, so teary and congested that her laughs would sound like sobs if she wasn’t smiling—Morph knows all their attempts to hide their relationship have been for nothing, because there’s no way that all the love he feels for Logan in that moment isn’t writ large all over whichever face he's wearing right now.

That’s real enough for him.

#x men 97 #x men #morph #wolverine #morpherine #my stuff #wait what this actually ended up good #have I actually been a good writer this whole time and just too depressed to notice? #what the fuck that's not fair

[iersei]

okay. let's talk about black terry jr.

-

TL;DR: terry jr is black. that is something that should not be erased. regardless of your access to or willingness to search for the canon material that confirms this, you should not be depicting him as white. whitewashing terry by refusing to think of him as black creates an unsafe space for our black community members, and you should re-examine your personal biases if you choose to insist on continuing to see terry as white.

-

terry jr is black. point-blank. and if terry jr is canonically black, then he should be depicted as such.

i will concede that it is something that you might not spot if you listen through the podcast casually. it's something that i didn't know was actually official in any capacity until recently. and i would like to note that i do not have and have never had access to the dndads patreon. i have not listened to any of the teen talks in full (even the ones released to the public. it's just not my jam.), and any information or spitballing contained within is something that i have either been told second-hand or am completely unaware of. i also didn't look at the official poster (the "everything is alright" poster) that depicted both terry jr and samantha as black.

but the fact of the matter remains that terry jr and samantha are black and have been acknowledged as such within the source material.

once again, i myself didn't seek this information out enough to know it was official canon. so then why have i always depicted them as black anyway?

well when i started engaging with the fandom, i saw what was being presented to me in the fandom was overwhelmingly that terry was indeed black or at least popularly interpreted to be black. and my first and only thought was that that was nice. so i decided to roll with it.

if i really wanted to check if that was canon and it being canon was important to me, i could always have asked around. i could've sought out information from official sources. because if they were black and i just missed it in some way, i would've wanted to check myself. especially because doing so would lead to whitewashing.

but i didn't feel the need to do that because i think that just the added racial diversity was really cool to see on its own.

for argument's sake, there is still the possibility that you'd think it is simply just popular fanon. let's say you chose to not check for yourself whether or not he was canonically black. or let's say that, for whatever reason, you think that what is available isn't enough to sufficiently deem him canonically black. so let's discuss why terry should still be depicted as black even if it was "just" fanon and there were no official artworks to go off of.

i am not of the opinion that fanon in general should be taken as gospel. in fact, there are quite a few things within dndads fanon itself that i personally disagree with and choose not to engage with. the reason why this interpretation in particular is a sore spot is the question of why, after seeing the popular portrayal and recognizing the ability to create racial diversity in a space where a good amount of appearances and identities can be up for interpretation, someone would still choose to depict him as white.

why do you choose to depict him as white? do you have any personal biases that make you think that he would or should be white? do you think that it is unimportant or inconsequential to not depict him as a person of color?

what would be so compelling about making him white that you would choose to go against this interpretation? why is it so important that you continue to see him as white?

who are you ignoring in the process?

i do not think it is deliberately malicious to initially think that terry jr is white. it is the unfortunate truth that white tends to be considered the default. but it begins to rub me the wrong way when anyone chooses to stick with that idea when presented with any evidence or argument to the contrary.

though i will admit that i am not black, i am still a person of color. and i think that creating a fandom space where we can highlight, create, and celebrate racial variety means creating a space where people of color feel safer. and because i would like to uplift the black fandom member who tried to voice their own personal take on this matter, i would like to link back to [this post from vivalapersistence] as the reason why i felt compelled to talk about this in the first place.

i don't want to talk over him, but i want to point out his statement that having this kind of solid representation is important and means something to him as a black person in this community. erasing terry as black means that you would be, intentionally or not, erasing and silencing black voices. it takes away that element of representation within the fandom and does real harm to the black people within when you decide that that representation isn't important. there are real racial connotations to the argument here, and it's frankly a little callous to pretend like there's not.

so maybe let's be nice to the BIPOC in our community spaces, okay?

and i want to make it clear right now. if you want to discuss what i say here, you can discuss this with me.

#sigh. i typically don't fuck around in quote unquote “fandom drama” #but i really wanted to make my stance clear #dndads #idc this goes in the main tag i want my stance heard too

[fictionfixations]

lilia dorm uniform vignette

haha

theyre both so done with lilia at this point

this entire vignette they just- Sebek & Silver: what. …??? Malleus: is used to this Lilia: doing what he does

NO

yknow. lilia did leave sebek and silver alone to like. survive. for a time or something like that.

LMFAO SEBEK

oh my god lilia

sob

((BOOK 7 SPOILERS AND SPECULATION. mention of JP card)) (the spoilers come from my thoughts, not in the actual vignette)

Spoilers start now!

okay. so. im sad. but is it just me who could possibly see parallels between this and silver? (lilia treating his whole situation so much more nonchalantly and silver just sobbing like 'i still want you in my life :(((')

also i wonder if we at one point end up meeting who silvers parents were. id assume it hasnt happened at all in JP though, or i'd probably be heavily spoiled because so much JP TWST is on my timeline (this includes book 7 spoilers LMFAO i cant escape. savanaclaw rook 👀. i only know the basics of book 7 JP content [that is, not at all. ive been spoiled like the next few chapters-ish after EN content [aka night in the woods(?) chapter 55 i think). the second a new card comes out its shoved EVERYWHERE in my face. but thats about it! mostly.)

admittedly was so prepared for malleus to go on for a bit at the end that could. idk help us get a different view on his actions in book 7. guess not tho, oop.

(..Also its probably meant to be "given what he said" but the actual dialogue says "give what he said" and im too tired to be making corrections to canon dialogue in the event i might be wrong [its 3 am])

im so saving the sebek respecting silver line though LMFAO

like out of context you think he's saying it to silver

or like. saying it after silver does some badass thing but no.

its because of lilia's parenting.

hehehehe

#lilia vanrouge #sebek zigvolt #malleus draconia #diasomnia #silver twst #twisted wonderland #twst vignettes #twst wonderland #twst

[pspaura27-blog]

Uncle Sukuna!

Feat. Teacher!

After his graduation, Yaga asks if he wants to be a teacher, citing that he is strong and all, but Yaga actually prays that Sukuna will get a bratty student so he can suffer, too.

Sukuna doesn’t want to live in Sendai, Jin’s PDA with the damn woman and all, so he agrees.

Then, he meets his Karma, the triple S: Satoru, Suguru, Shoko. Urgh.

He is late 3 minutes to the first homeroom class and Gojo breaks the window in a damn fight with Geto.

“Now, who the fuck did that?!”

“Sensei, I—”

“Fuck, you know what? I don’t give a shit, go run laps, all of you brats!”

Gojo Satoru is very bratty, confident in his own strength, and he likes to flip Sukuna off. So, the two duel it out in the training ground.

Sukuna is old and he also wins(?) in canon, so he knocks Satoru to the ground and mocks him.

“Ha! So this is all the Six Eyes holder can do, huh? I guess you are fucking overrated, brat. Now, get your ass up and go do the fucking report!”

He regrets it later when Satoru wouldn’t leave him alone, determined to win against him one way or another.

Satoru seems like the type to knock his room at 3 in the morning for a round.

And he has to clean up after their mess.

The Star Plasma in particular. Sukuna knows it. Geto Suguru is as fucking reckless as his buddy, that’s a fucking apartment he blows up! And who deals with paperworks and those fucking elders? Him!

[[Sensei, it wasn’t me—]]

[[I’ll chop you into damn pieces, brat! Better be prepare for an F!]]

God, does this mean he fight with Toji?!

Sukuna is waiting at the gate for his students to return with Riko. Then, he lets Gojo get stabbed because—

“You didn’t see that, huh? That’s pathetic. You better train harder if you wanna call yourself the strongest.” Sukuna scoffs and throws him to Geto. “Get out of my way, brat.”

“…” Riko thinks she knows where Gojo gets his attitude from!

After wrecking buildings, Sukuna wins and gets Megumi..?

He feels his veins throb, does he look like a charity person or something? Hello, he even has a face tattoo! Take care of your own damn brat because he will not do that!

Probably heals Toji so he doesn’t have to take Megumi.

“Our teacher might look like that but he is a softie.” Suguru smiles softly. “When he told us about this mission, he said that—”

“Do it, brats, if you’re so weak that you need another brat to protect you. I dare you!”

“And the elders—”

“I don’t take order from those weaker than me.”

“Oh, I didn’t— expect that.”

Suguru hums. “He likes kids, actually.”

Sukuna goes to visit his bratty nephew that month. Yuuji is 3 but he runs to tackle his leg like a little octopus.

“Un-cal Kuna!” Yuuji squeals. “Whoa, me misses you s’a lot! Kuna, you bwing me owange candies?”

“Are you missing me or candies, brat?”

He grumbles but still pulls out a bag of orange candies for his toddler nephew. He doesn’t spoil the brat. He just doesn’t want to listen to him complaining.

“Oh, dear, how are you here?” Kaori walks out to greet him with a surprised smile. “I thought our elders fried you alive by now. It was Master Tengen after all.”

“Like those wrinkle bastard can do anything to me.”

That star brat is, like, 10 years older than Yuuji. Deep down, he thinks it’s just wrong, it could have been Yuuji, but he will never admit it.

Yuuji chews on his candy, mumbling a new word under his breath. “Bash-tard.”

“Don’t repeat that, brat!”

#jjk #jjk 257 #sukuna #uncle sukuna #yuji itadori

[nighthaunting]

You ever have a moment where you reconsider something you thought a lot about in the past but then sort of turned your attention away from for a while, and your new perspective just blows the whole thing open?

Me thinking about russ and magnus during ATS/PB today after years of taking a break from HH/40K lore yielded one such series of revelations.

I was thinking about Betrayer and Russ' attempt to give Angron a lesson via the Night of the Wolf. I was thinking about Prospero Burns and Russ' belief that he's had a direct line to Magnus this whole time via Kaspar. I was thinking about that 'please'. And.

I know this is pretty much canon to the text but I've never before really Considered that one of Russ' motives in keeping this guy alive and sending him out on compliances with his Legion was (Russ believed at least) letting Magnus see the SW in action and hoping that this might influence him into trying to Avoid doing anything that might cause Russ to be sent after him.

In the past I've talked a lot about the SW keeping Kaspar around to see what would happen in terms of thinking the TS were up to something or going to do something to the Legion, which is very much the assumption the Chaos entity wanted them to make, but looking back I tbh think i slept on the concept of Russ, who canonically has taken out at least one of the Lost Primarchs in an event which is prefers not to speak (or at least the codex Strongly Implies that Russ has been used against another primarch before), and who also canonically went into the Night of the Wolf fully willing to die to make his point to Angron if only Angron could understand what he was doing.

I'm sort of compelled by the concept because in a sense Russ was letting (what he thought was) Magnus take a peek behind the barbarian mask he likes to put on, to see into a more genuine heart of his legion, letting his guard down a bit by allowing this obviously-compromised spy in. Much the same way he let the mask drop when he went to try and talk some sense into Angron, bringing up philosophy and reading and ideals that Russ' ignorant-but-noble barbarian persona would never admit to being interested in let alone reading.

And both times the gambit failed, in Magnus' case because it wasn't Magnus on the other end of the line, and in Angron's case because he was too far gone to really get what Russ was illustrating for him.

The whole thing was orchestrated so well, ironically giving the "proof" that Magnus was up to something via this sleeper agent spy that the SW were toting around with them, playing on Russ being curious enough to keep this guy around and connect the dots on the (false) links between this guy and the TS. I have this headcanon that Russ and Lorgar were actually fairly close, with Russ actually talking to Lorgar about Lorgar's writings, because he didn't seem surprised that Russ had read them and had thoughts on them in Betrayer, so I actually sort of like the idea that he had a hand in setting up the fall of Prospero? I like the tragedy of the idea that he at least had some input on the idea, being familiar enough with Russ to know he'd take the bait.

Which would make that a third time Russ got genuine with someone and had it either fail or be used against him...

#i'm sorry i love to torment him #russ' whole deal is that he's trapped in the mask he constructed for himself #and yet also unwilling to unmask himself and be genuine until its too late #he desperately doesn't want to kill another brother so he keeps trying to engineer shit to steer them away from situations #where he'd have to kill them #unfortunately that being the Only time he's genuine means it never fucking works #russ being Canonically Dionysian coded in the Apollonian-Dionysian duality truly coming back to bite him in the ass every time #sorry buddy but you're 'futility of fighting fate' chaotic unjust nature coded and all your angst about the role you were created to play #is entirely apt but also completely a self-fulfilling prophesy in terms of your ability to forge the relationships that would have saved yo #something something and this is why valdor tops but that's a whoooooole other essay #leman russ #warhammer 40k #russ’ hug brigade