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#the pencils that were recommended in that post looked real nice to use
spectrearia · 6 months
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does anyone know where that post is that talks about mechanical pencils for artists and which one is Really Good to use? it was like a weighted pencil of sorts but i can't for the life of me remember what brand. i should've liked the post when i saw it cross my dash forever ago but now I can't even remember who reblogged it and i dont know how to search for it :c
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charon-cries · 3 months
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Hiya! Hope this message finds u well :3 I absolutely love your art; found you from insta! Quick question also; I’m not sure if you’ve answered this before, but which brushes do you use for ur digital art? I love the textures they’re so crunchy (endearing)!! Have a lovely day!! :D
hello!! here's a little brush tour ft. this half rendered martin.
also, a great app for ipad artists who really want to dig into texture is art set 4. i swear by it and i've been using it for about two years. none of my more recent art uses it, but that's just because i'm experimenting with my process rn
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so here's a list of my most used brushes lately, and there will be links to all of them at the bottom of this post.
the two labeled "custom pencil" are both my own personal modified pencils (both sourced from the 6b pencil) but the narinder pencil and the vanilla 6b pencil are both very similar to them. i use these two for sketching and flat color specifically, and if you do specifically want these two brushes then i'd be happy to upload them somewhere for you to download, but they're not really necessary for texture
i also use G&B halftone brushes sometimes! but i greatly prefer the RSCO sample pack, and i cannot find the link to the G&B brushes no matter how hard i google, and pretty much any halftone brush set will do the same job
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and here's what they look like in practice!
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(i like to set these halftones to color burn. color burn is my most used blending mode, even for shading)
and then i hit "copy all," paste, and duplicate it. so you should have two layers of just your entire canvas. then import a paper texture
i'm partial to the set i'll link down below, my favorite is #5. you should absolutely check out the rest of the free texture packs on their website if you're wanting to diversify your texture process btw, all of their stuff is fantastic.
to use that texture, your layers should look like this!
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on the layer set to the linear burn, i also like to go into the adjustments menu and bump up the brightness until all of the colors are at similar values to what they were before. and the normal layer on top is just to control the intensity/opacity of the paper texture!
after all of that, sometimes i'll go in with brushes like MM rake follow, or more from COFE's weird pencils, on top of all of those layers for finishing touches.
definitely play around with it, try new free brushes all of the time (i heavily recommended subscribing to Manero. they have a lot of free stuff and it's all fantastic) and see what works for you <3
here are the links to the brushes in this post, as well as some extras! some of them are paid and some of them are completely free. + it wasn't mentioned here, but i use the tatyworks linen fabric brush for blending! for any of the paid brushes, i'll try to link some free alternatives
paid brushes:
alternatives to paid brushes:
free brushes:
extra goodies:
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crowtoed · 3 years
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Sybil’s 1740s Stays Build: Part 2, Handsewing
When you’re working with a nice, new material a lot of times you practice a bit before making the real garment to make sure Providence doesn’t throw you a curve ball.
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Oh thanks, Providence, you bastard. This is when I should’ve realized that I was trying to punch above my weight class. 
If tumblr tries to flag the above image, I’m not surprised, because my first attempt at a hand-bound eyelet with the shot silk taffeta I chose (Patina from Silk Baron) looks like a festive, but raw anus. But I had bigger issues. 
The fine weave of the silk meant the force of an awl- hell, the force of most SEWING NEEDLES- made it snag and run. Per a tip from someone on facebook’s Elizabethan Costuming group, I’d have to commit a historical costuming anathema and punch my lacing holes.
As you can tell by the test piece above, I’m also not the best handsewist. Obviously I picked a helluva piece to level up with, but I was strangely motivated despite the many, MANY boning channels ahead of me. I did cheat a bit by using the machined lines in the mockup/interlining as a guide though.
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Before that, I decided to fill my boning channels. I went panel by panel so that in the event that I ran out of artificial whalebone (or money to buy it) I could make progress while I waited for it to ship. I also started with the back pieces in case my first several yards of hand-stitching was shoddy. I really dig the artificial whalebone. It’s a bit denser and stiffer than plastic cable ties and the shape looks a little more like the baleen or cane you see in extant stays. I used a grease pencil to mark the lengths then cut them to size with tinsnips. Being a thermoplastic, I was able to straighten out each piece by hovering it above a lit candle before shaping it with my hands. The candle wasn’t just for aesthetics, I swear. I wanted to sit on my couch and not deal with the noise of a heat gun or burned fingies. You can also use a hot iron, but this is less fun.
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An additional bonus of artificial whalebone is that you can round and smooth the ends of the bones with the grinding wheel of a rotary tool without the plastic getting chewed up. No boning poking out and jabbing my armpits on this build! You can use a hand file of course, but with 44 bones in the stomacher panels alone, I needed to save my energy for literally anything else.
To nobody’s surprise, I ran out of my initial order of 16 yards of whalebone. Seasoned staymakers will have noticed a big mistake in my procedure at this point (but don’t spoil it for the others).
While working on my test scrap I noticed that the boning lines looked REALLY harsh through the taffeta. I stitched between the bones, following the machined lines on the underside and ended up with puckering along the seams. It looked BAD. Someone in the facebook Plus-Sized Costuming Group recommended putting a ‘dampening’ fabric between the canvas and taffeta.
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I did the period-accurate thing and used some dinosaur flannel leftover from a commission. Ah, authentic.
This looked a lot better, but I still had some unsightly puckers going on. I chalked this up to inexperience with hand-sewing taffeta, but I was really dealing with the uneven tension on the fabric from having the boning channels filled. Someone mentioned this early on, but I didn’t want to pull out every piece of whalebone. Being a lazy bastard and causing more work for myself later on is a character trait anyhow.
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I used Gutermann silk thread, waxed, with a number 10 sharps needle for the topstitching, done in a pretty straightfoward backstitch (oxymoron?). No. 10s ended up being fine enough to poke through the taffeta without disturbing the weave. There were many, many hours of PBS documentaries half-watched... 
When finished with each piece, I folded over the edges of the taffeta and whipstitched them down. Eventually the lining will get matched up to this and sewn so I have clean edges even before the binding goes on. I learned this trick from Koshka-the-Kat.
This post is getting fairly long, so Part 3 I’ll cover MORE handsewing, some construction details, and more or less get caught up to where I am at this moment (10/14/21).
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the-cookie-of-doom · 3 years
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@tinylionsed doing this in a post bc it’s WAY easier 
The absolute BAREST essentials to make a book: 
Needle & Thread (Embroidery floss works great, you should technically wax it, that makes it last longer/prevents degradation, but you don’t have to.) 
Awl for hole punching. (Could probably be improvised, but you may as well spend the like. $5 to buy a real one.)
Davey boards: This is for your cover. You can get a big ass set of them online for pretty cheap. You want at LEAST 9x6 inches. That’s about the size of a standard cover. I got mine bigger than that, but not big enough to cut one board in half for two covers, so I end up wasting a bunch of board. (I save the cuttings for spine pieces and jigs later. Keep your scraps.) 
Book Cloth: $5 for a sheet on Hollanders.com, comes in a ton of colors, and if you do half/quarter bindings (yours were quarter bindings), one sheet will last you a long time. Comes in a million colors. 
Cover paper: This gets pricey-er. On Hollanders, it costs the same as cover paper. You can also get it on etsy, (which is where I found yours), which is where it starts to cost $$$. “Lokta” is the magic word. It’s a specific kind of paper that holds up really well, and is beautiful. You can also just use card stock/decorative paper from your local craft stores. All up to you. (You can also save the craps from this for various projects. I’m going to make a scrap cover once I have enough pieces, and they make for fun accents in partial bindings.) 
Glue: I bought the smallest bottle of Mod Podge at walmart, which is like 4? oz? And I got several books out of it. You can also make your own paste with 1 part flour and about 4 parts water (hmu for details), which is Ye Olden Method, and works pretty good. I like to use the mod podge for the spine, and then then paste for gluing on the cover paper. It goes farther, and it pastes the paper down really well. (Unless you use cardstock, in which case you’ll need to line the edges with glue to really stick them down. Cardstock is stubborn.) 
Nice to have but not really necessary
Bone Folder: Most of my life I literally used the clipy part of a mechanical pencil. You could use a ruler or some type of card. You could use your nail. It doesn’t matter. You just need a straight edge of some kind to get crisp folds.
Mull: This is a... good idea... strongly recommended... but you could probably get away with not using it. I didn’t use it on Ten Lashes, but I did on Cursed, because that was a heftier book. It’s there to reinforce the spine, so smaller books don’t need it, but thicker books do. It’s the cheese-cloth looking paper, also pretty cheap. 
Book Tapes: Like mull, it depends on the size of the book. Again, Ten Lashes didn’t have it, Cursed did. It reinforces the spine, and thick books absolutely do need it. I would say once your book gets to about 1″ thick, that’s when you should use them. 
Headbands: These are the black strips at the top and bottom of Cursed. They also serve to reinforce the spine, when you actually make them yourself, which is a whole complicated process. You can also buy them as little tab to put on the ends of the book, which is what I did, and it makes the spine took nice and tidy/cleans up the edges. Preeetty much superfluous and there to look nice, you absolutely don’t have to buy them. 
I’m pretty sure that’s it for supplies! All in all, it’s sort of a large upfront investment, but the supplies carry over. The only thing you’ll be re-purchasing are the book cloths/papers, really, if you order to project like I do. 
I don’t want to be crass and literally outline the costs of your gift, but if you’re interested in average costs I could?? 
But like as an example, the cover paper cost me about $5 + shipping, and I was able to make your 2 books out of it, with enough left for 2 more. The book cloth will vary more because the amount you use depends on how thick your book is: Ten Lashes used about an inch less then Cursed, I think, but all in all I was using about 4″ wide strips, and I have plenty left over. So as long as you start off with supplies you know you’ll reuse (such as neutral black spines, with more decorative covers), you can stretch the costs. 
Also a note on the thread, bc it was my first mistake: Buy white/a light off-white cream. Trust me. You want it to blend with the paper in the beginning. and do NOT get pre-waxed, bc they always over-wax the hell out of it. You’d do better to get your own (linen) thread or floss, and wax it yourself. But get a light color. It looks the best, unless you want to do a contrast color. (Ex. I’m probably going to use a wine shade for my next book. I sadly didn’t have a good shade that would’ve matched the covers for yours T_T) 
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Put On Your Raincoats #17 | The Erotic Reveries of Rinse Dream
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Cafe Flesh opens with a title card orienting us to its post-apocalyptic setting. After a calamitous apocalyptic event known as the "Nuclear Kiss", the world is made up of 99% "Sex Negatives", and 1% "Sex Positives". The Sex Negatives can't have sex and can only watch. The Sex Positives escaped such a fate, but are instead forced to perform for an audience of Positives for their vicarious enjoyment. There are many such venues but the one we spend the movie in is the Cafe Flesh of the title, a nightclub where the decor and patronage evoke a cross between punk rock and retro-futurist aesthetics and a hint of Rat Pack era cool. A smarmy comedian in a white tuxedo introduces the sex acts, which are elaborately staged performances that play almost as genre parody with their tongue-in-cheek choreography (plenty of costumed grinding, as with a performer in a rat costume early on, and mimed thrusting, as with another performer in a pencil costume in a later scene) until the turn into the real thing with the requisite close-ups. Futuristic jazz reminiscent of Angelo Badalamenti's music plays over the proceedings.
This serves as the background to a story about a woman who may or may not secretly be a Positive (played by scream queen Michelle Bauer and, in certain scenes, a body double) and the impending arrival of a legendary Positive performer known for his virility (a towering, square-jawed Kevin James, introduced in black sunglasses and an oversized blue suit). We also get a sense of the tensions in this nightclub ecosystem, particularly between the heroine and her boyfriend, a new performer, the comedian, the owner (who puts the comedian in his place in one scene by having him cruelly recite "the rhyme"). (The comedian is played by Andy Nichols and the owner by Tantala Ray, both of whom played interview subjects in Gregory Dark's Devil in Miss Jones two-parter, which leads me to believe the latter was influenced by this movie, as Nichols in particular doesn't have many screen credits.)
This movie apparently was a bit of a success in the midnight movie circuit, and it's not hard to see why, based on the strength of the mise en scene and the performances. The cool, smoky backgrounds of the reaction shots provide a nice counterpoint to the avant garde looking performances and give the highly stylized setting a nice evocative quality. There's also a level of genre commentary here, as the story ultimately is about the heroine's agency over her pleasure and the roles sex performers are forced into by greater society, ultimately imprisoned by their own abilities. Truth be told I found the performances got a little less enjoyable when they got down to business with the penetration and whatnot (it gets harder to pull off inspired choreography when one of your appendages is stuck in another person, or vice versa), but I also think it's necessary for those themes to resonate.
Cafe Flesh was directed by Stephen Sayadian, credited as Rinse Dream, and he'd previously used that pseudonym on Nightdreams, for which he co-wrote the screenplay. (The director was Francis Delia, who went on to a career of directing mostly music videos and television, while the other writer was Jerry Stahl, known for his memoir Permanent Midnight, as well as writing for shows such as ALF and movies such as Bad Boys II.) This movie similarly concerns agency over female pleasure and is about two doctors (Andy Nichols and Jennifer West) conducting experiments on a mentally ill young woman by inducing erotic dreams and monitoring her brainwaves. There's a dream involving a giant, monstrous jack-in-the-box. There's one with a pair of cowgirls and something other than a gun stored in a holster, with the cowgirls spouting stilted dialogues in robotic monotones, a Sayadian trademark of sorts. Wall of Voodoo's cover of "Ring of Fire" plays over the action (I'm not sure if they paid for the rights, but Delia and Sayadian did direct videos for the band). There's one with a group of bedouins sharing a hookah and then her. There's a giallo-esque scene involving a masked assailant, but this happens after an aborted nightmare about a shrieking man with a hollow chest from his pants emerges a shrivelled up, monstrous baby. Did David Lynch jack off to this? I wouldn't rule it out, folks.
There's a scene where she blows an anthropomorphic box of Cream of Wheat, while a jaunty cover of "Old Man River" plays on the soundtrack and a man dressed as giant piece of toast dances and plays saxopohone. An IMDb user review cites this scene for its cutting racial commentary, but I found this tonally jarring with the rest of the movie. After this, there's a trip to hell where a demon and his minions subject her to such horrific tortures as prodding her with a giant claw and then an even more fearsome double-pronged contraption. The scientists argue over fears that they gave her too much stimulation. ("This woman's on the brink of an orgasm. Let her enjoy it. She doesn't need interruption from a man." "You call it orgasm. I call it breakdown.") The movie then makes way to its final set piece, involving fog, a background of blue sky and pillars and soft piano music. The cinematography in this scene is in stark contrast to the mostly shadowy, intimate imagery of the previous scenes, with the camera pulled up to admire both their bodies and the scene continuing for some time after the climax. It almost brings to mind a certain scene in Jerry Lewis' The Ladies Man that I found disarming in its stylistic and tonal break from the rest of the movie. Without revealing too much, the film's coda sets the record straight.
It probably doesn't say anything flattering about me that I found most of this pretty hot. The movie has a tinge of horror running through it, giving many of the sex scenes (especially the one in hell) a real tension, while the scientific framing device gives it a cold, calculating quality reminiscent of David Cronenberg. (Alas, this doesn't predate some of his most influential films, but for all we know, David Cronenberg jacked off to it as well.) A few of the character names (Mrs. Van Houten, Mrs. Chalmers) make me suspect that Matt Groening might have seen (and jacked off to) it as well. This is pure speculation on my part, but as far as I'm aware, none of them have denied it either. The movie's distinct tone is grounded in an impressive lead performance by Dorothy LeMay. I wasn't all too impressed with her work in Taboo II, but here I think she skillfully evokes the heroine's derangement and "erotic trauma", in the words of the scientists.
Sayadian and Stahl collaborated again for Dr. Caligari, a relatively mainstream effort that also found some success as a midnight movie. I say "relatively" because it's still pretty fucking weird. The movie positions itself as a loose sequel to Robert Wiene's classic The Cabinet of Dr. Caligari, this time about the granddaughter of the original Caligari conducting illegal experiments in an insane asylum. From the earlier film it pulls a German expressionist influence, but combines it with a campy, MTV-inflected style to present the asylum as a warped funhouse. The dimensions of the architecture are distorted and full of odd angles, decorated in a mixture of pitch black and gaudy day-glo colours (lots of yellow and pink costumes). This is not a pornographic movie, yet it's hardly less obsessed with sex, as the villain's plan concerns the weaponization of female pleasure. There's also the occasional grotesque sexually-charged image to spice things up, like the sight of a woman with giant, phallic-shaped breasts. Some of the imagery also gives it potency as horror, like an oozing sore or a cake full of intestines. There's a lot of strange, stilted dialogue, as in this exchange:
"Describe your life in three words or less."
"Un-ending torment."
"Elaborate, please."
"Blankety blank blank."
"Thank you for being specific."
This is matched by the angular body language of the villain, played by Madeline Reynal in a deadpan yet very physical performance. This movie also brings into focus a voyeuristic theme, which was present in those earlier movies but didn't seem quite as confrontational in its presentation. A character utters, basically to the audience: "I know you're watching me. I feel your eyes like wet fingers touching me in special places." (This is a line of dialogue that appeared in the next few films I'll talk about.) Truth be told, I was a little exhausted by the sensory overload of Sayadian's style here, and in retrospect appreciate the way the sex scenes act as a counterpoint to his more aggressive tendencies in his more explicit films. But at the same time, this is full of memorable imagery and has a weirdly compelling lead performance. I don't know if there's much else quite like it (or at least operating at this force), so it gets a recommendation.
Sayadian followed up Nightdreams with a few shot-on-video sequels. I skipped Nightdreams 2 as I could only find it in a heavily degraded transfer, but I did make time for Nightdreams 3, which has a self contained story that's essentially a more explicit if relaxed version of Dr. Caligari, once again concerning a doctor conducting sinister experiments at an insane asylum. (This time her experiments mostly involve just fucking her patients and other staff.) There's more of the stilted dialogue, even closer to non sequiturs than they were in the earlier film, with the music by Double Vision providing an off-kilter soundscape to match the weirdness of the dialogue. (Highlights include "My pussy's like an erotic assassin" and "I happen to know she has a thing for longshoremen. Just mention On the Waterfront and she gets randy pants.") The video imagery quite frankly is pretty ugly, with the green carpet and purple drapes that decorate the set looking especially ungainly, yet Sayadian seems aware of this, as when he uses video's flattening effect to create a crude facsimile of a split diopter shot. The video collage style he adopts meshes uneasily with the plot, as if to call out its meaninglessness, giving the whole thing a slight MST3K vibe, especially as characters speak directly to the camera.
Some of these tendencies are honed to a more pleasing form in the two-part Party Doll A Go-Go!, where we spend time with a number of attractive, shapely women in bright coloured lingerie as they spout '60s-inspired dialogue at the viewer in between scenes of copulation. (Not all the dialogue is '60s-tinged, however: "They're overcome with retro wordplay...Us modern girls prefer synthetic future".) Like many pornographic films, this is a collection of loosely related sex scenes, but Sayadian's construction turns those genre requirements into parody, having his characters offer colour commentary (albeit channeled through his campy prose) on their own scenes and even getting interrupted by the stars of subsequent and preceding scenes. The number of quotable lines is even greater than those earlier films, and I admit I was scrambling to write down the choicest ones as there were so many. The best lines go to Jeanna Fine, who also has the huskiest voice and the most penetrating stare, so she was easily my favourite. I certainly was not unmoved when she insisted that she's "never run around buck naked and bubbling for man-winky" or "never wrapped[her] lips around a throbbing johnny". (She does not, however, deny having ever interacted with beef bologna.) Or when she asked the audience "Was I a bad girl?" (said three times in rapid succession) or if we've "ever seen a double orgasm on videotape?" (She adds "Watch, pornhound" and "Calling all porndogs, watch me work, uh-huh.") And I definitely wasn't unmoved when she demonstrated her talents on a dildo dangled in front of her (which she refers to as an "artificial man-thing", a "chubby rubber fella" and a "flying princeton"). No, definitely not unmoved.
There isn't much of plot here, except in the latter half when one of the girls can't stop "the wiggle" and needs to be rescued with an emergency injection of "boy jerky". Sayadian, once again bringing voyeuristic concerns into focus (the characters all talk to the camera), seems to be satirizing the very idea of porn having premises and certain their lazy execution. Even the production design is transparent in its chintz (the movie is shot entirely on the same set, with the bare minimum in alterations to the set dressing to make it look even slightly different), while the video images, which feature lots of Dutch angles, zooms and whip pans, match the campiness of the whole affair. This is probably a little long at a combined 2+ hours, but at the same time, it settles into a nice groove and is full of really attractive and reasonably charismatic actresses delivering amusing dialogue and indulging in "girl homo" (sometimes "big time girl homo") or getting "boy jerky". I don't have much interest in delving into '90s pornography and shot-on-video productions strain the dignity one can feel while trying to watch pornographic films as actual movies, but I'm not gonna pretend I didn't have a good time with this.
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pigeonflavouredcake · 5 years
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Making an Altar Master Post
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Considering making an altar but don’t know where to start? This long-ass post should cover all the bases of altar building for those of you who are interested but stuck. This post is pretty vague on purpose, altars are an interesting grey area of this practice. When you build an altar you can’t really go wrong, it’s something for you to take control of and decide for yourself.
📖This is all taken from my grimoire so feel free to add any info of your own in a rb or in the comments.📖
🌻What is an altar?🌻
Altars are a magical work space for any witch/pagan/wiccan/other. 
Historically altars and shrines were built all over the world in different cultures to house offerings and worship the gods/spirits/ancestors.
The difference between an altar and shrine can depend on the culture you’re looking at but generally an altar is both a work space and a place of worship and a shrine is solely a place of worship (the Theatron of Athens was an altar as it served as a place to house offerings and a communal performance space).
Modern day altars however are more private and unique to the practitioner/s. Altars and shrines can now be created using anything and include many different types.
There are many ways to think outside the box with altar building but don’t think you have to make one just because every other witch does.
🌻Types of altars🌻 (not an inclusive list)
- Home/family altar🏠: This serves as the energy centre of the home that is shared by the entire family. It can be simplistic, change with the seasons, and feature something representing each family member. (this is one that my dad built that lives in our kitchen). 
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- Personal altar: This altar is usually only connected to 1 or 2 people and kept separate from the rest of the family in a bedroom/box/draw. It can be put anywhere and be of any size (mine used to be on a shelf in my wardrobe and now it sits on the window) This altar is very personal to the practitioner often representing their passions and/or their patron. (this is my own to Dionysus and Apollo but it also includes my desk and bookshelf next to it since the window is so small).
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- Working Altar: This altar is very practical. It’s only taken out when it’s needed for spells/rituals and is unique to the spell and it’s intention. If you want this type of altar then when you build it think carefully of what corresponds to the outcome you wish for.
- Shrine: (a form of altar to some, completely separate to other but I’m including it just in case). Created to honour a specific deity/creature/spirit. This is used to house offerings and pray.
-Travel/mini altar: Often stored away in a box/tin. Travel/mini altars can consist of small trinkets to carry around when you’re away from your larger altar or have to conceal your magic (it’s great for witches in the broom closet but depending on the size it could go missing).
- Image altar📷: Less traditional but very creative. An image altar could be a collection of images on Photoshop (for techies), a collage of pictures on a wall or board, or even a drawing of an altar (It’s personal, inconspicuous and it doesn’t matter if you can draw or not). I made this one in my sketchbook using pencil, ink and watercolour.
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- Love/self care altar❤: This altar is fully dedicated to self care, loving yourself, or introspection. It includes things that have a lot of meaning to you and make you happy when you’re down (I have one by my bedside and use it when I feel shitty, I also use this space to contact my spirit guide).
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🌻Supplies🌻 (again not an inclusive list)
These are some general supplies to have for an altar but this doesn't mean that anything is 100% necessary.
- A flat surface: This can be anywhere with enough space to display everything.
- A cloth: Not just to protect the surface or fragile objects, it can be a sign of respect to your patron.
- Incense/oil diffuser: To smell nice and can be used to cleanse the space.
- Candles: Decoration, to represent fire or your patron, for candle magic, and meditation.
- Bowl/dish: To hold any offerings.
- Cup/chalice/bottles: For drink offerings, to represent water, to hold water for a spell.
- Matches/lighters: If you include candles.
- Crystals/stones: Decoration, could also be elemental/seasonal/represent the chakra.
- Wand/athame: Can be used to direct energy in a spell.
- Bell: To represent air, to call spirits/your patron.
- Mortar & Pestle: To grind up any ingredients in a spell.
🌻Building an Altar🌻
This is part is going to be a simple guide to building a personal altar (I will be using my own preference for deities as an example but you don’t have to).
1- Find a space: Think about where you want to work and consider the energy you get from different spaces (also consider any pets and fragile objects).
2- Find a surface: This can be as big as you like. I’ll be using my art desk as an example, I took everything off it and cleaned it before I did anything else.
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3- Get a cloth: Fabric from a craft shop or an old scarf/veil are perfect and come in any available colour and size. In terms of colour you can chose one of your favourites, something seasonal or something to represent your patron. 
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4- Set your intention: Now this is the time to decide what your altar is going to be used for. You can pick a centre piece that reflects this. 
I wanted to connect with the gods so I made the centre of the altar about myself and my deities go on either side. The centre piece I chose is a picture of a fairy scene I’ve had for a very long time.
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5- Candles: The next thing to put down are candles (or any source of light). The light acts as the switch to turn on your altar and give light to any patron for when you want to communicate.
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6- Tools: If you want to include any tools from the previous list then now is the time to chose where you want to put them (I included a cup of water, an incense holder, a bell, and a wand).
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7- Decoration: Next is to add any personal decoration that can go wherever you like. I put mine in the centre piece.
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8- (OPTIONAL) Representing patrons: This step is optional because it isn’t necessary to have a patron in your practice.
Because of the intention I decided on in step 4, I places the decoration representing my patrons on either side of my altar (btw these photos were before I switched from Aphrodite to Apollo so I apologies for the inconsistency).
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I left a large space empty to use for when i’m writing in my grimoire, performing a spell or doing a tarot reading. I didn’t include this in my real altar because it’s a decorative section.
🌻Tips🌻 
- There are templates that you can follow if you really want to. They’re usually for a large traditional elemental altar though (I personally don’t recommend them because it’s boring and not very creative).
- An altar can be as big or as small as you like and you have no rules or expectations and it doesn’t have to be just one surface.
- If you want an altar for a spirit/deity/fae as well as their respective candle, you could include a candle for yourself to represent your own spirit to stay connected with them.
- An altar is a very subjective thing, if it’s personal it should change with your interests (like from light and fire the first year to sea and sand the next year).
-There are hundreds of videos on altars here’s a few I recommend you look at: 
The Witch Of Wonderlust- All About Altars:  https://youtu.be/p3ysPbvQa7c
Molly Roberts- Sacred Spaces and Kick Ass Altar Crafts: https://youtu.be/_kcki25BY6o
Harmony Nice- My Wiccan Altar II And how to set up yours: https://youtu.be/tGWkNeoE6RY
Green Witch Glamour- How to Build an Altar: https://youtu.be/v3s_etlsUE0
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purrincess-chat · 5 years
Text
Kill Em With Kindness CH2
Thank you all so much for 3.5k (and growing)! You are all so wonderful, and I’m glad that you all enjoy my content enough to stick around and follow. I have a lot of plans for the future, and I just hope that you all will like them! Here is part two of this next spite filled adventure.
The opening scene and really this whole fic were inspired by lenore’s post from forever ago after Chameleon came out so shouts out! Also, I know several of you wanted me to tag you when I updated this, and I will do my best to get everyone, but I suggest getting an AO3 account and subscribing to the fic there instead. You’ll get an email whenever I update, and I always post on AO3 first before tumblr. 
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Chapter 2
“You know, when you made these plans with Adrien, I thought you meant to be nice,” Tikki said chidingly in the bathroom as Marinette washed her hands several days later.
“I am being nice,” Marinette said with an innocent pout.
“You put a ‘Coping with loss’ book on Lila’s desk yesterday.”
“She said her hamster died.”
“And the safety glasses by the napkins in the cafeteria?” Tikki cocked a brow.
“Max was worried about losing an eye.”
“You did your science presentation on tinnitus.”
“Well, after the music festival with Juleka’s mom, I was worried about our hearing.” Marinette snatched a paper towel from the dispenser and dried her hands.
“Your history report on the greatest liars and cheats in history?”
“I became fascinated with P.T. Barnum’s life after that movie and finishing with a comparison of Volpina and Rena Rouge was just a modern-day example everyone could identify with.” Tikki gave her a look. “I got a standing ovation for that presentation.”
“What about the fact-checking robot you petitioned Max to make?”
“For Alya for her birthday! I’m just trying to help her become a better journalist because I’m a good friend.” Marinette placed her hands on her hips haughtily.
“Speaking of Alya, you’ve been telling her to just hang out with Nino lately.”
“She said she wanted to spend more time with him. I’m just being supportive of their relationship,” she shrugged.
“Marinette,” Tikki sighed.
“What? We can’t expose Lila, so we’re just playing along until she inevitably exposes herself which I will watch probably with popcorn,” Marinette said with a laugh. “It’s called kill em with kindness.”
“It’s called being petty.”
“Semantics,” Marinette waved it away, but Tikki was unamused. “Look, I can’t beat Lila at lies. She just makes more, so I’ve come up with another plan that doesn’t harm anyone and keeps everyone from getting mad at me for calling her out. I mean, you saw what happened the other day when she got me expelled. Scarlet Moth almost made a comeback, and I was on the frontlines.”
“I guess we can’t let that happen again…” Tikki reasoned, tapping her chin.
“Exactly. Lila wants everyone to believe those things, so I’m just gonna let her keep falling down the rabbit hole until she eventually hits the bottom,” Marinette said with a twisted grin. “If I happen to push her a little deeper along the way then so be it.”
“That’s very underhanded of you, Marinette.”
“I don’t like it when people use my friends and threaten me.” Marinette clenched her fists. “She almost got me akumatized multiple times now, and we can’t ever let that happen.”
“You’re right. Just be careful,” Tikki advised.
“Don’t worry, Tikki. Coming up with solutions is my superpower.” She winked as her phone buzzed in her pocket with an akuma alert. “Speaking of, we have a city to save. Tikki, transform me!”
***
“Ladybug!” Alya waved her down after the battle, brandishing her cell phone. “Do you have time for a quick interview?”
“A little,” she said with a shrug. “Make it quick.”
“Okay, okay, many of my viewers want to know what advice you have to help people stay positive to avoid being akumatized,” Alya began, pressing record.
“Well, I would recommend changing your perspective a little. Instead of being bummed out about failing a test, maybe commit to studying harder next time. If you get into a fight with your friends, just take a deep breath and remember that if they’re your real friends, they’ll forgive you.” Ladybug replied, placing her hands on her hips. “And if you do get akumatized, don’t make a big deal out of it. Chat Noir and I will always be there to save you. Negative emotions are a part of life just like positive ones, and everyone can have a bad day, even me.”
“Next question, with the passing of Hero’s Day, my viewers want to know what they can do to help you and Chat Noir.”
“Just do your best every day. Lift each other up instead of tearing each other down and do your best to help others who need it,” she said with a smile.
“My friend Marinette is like that, always helping others and helping us stay positive,” Alya remarked, and Ladybug bit back a smirk.
“I think I’ve met her a few times. She’s alerted me of a few akumas here and there.” She tapped her chin with a coy smile. “Not everyone has superpowers like me and Chat Noir, but there are a lot of ways to help out in your school, in your community, or even in your own home just like your friend. I think that everyone should strive to be a Marinette.”
She pressed a hand to her earrings as they beeped and palmed her yoyo, flashing Alya a peace sign. “Gotta go before I change back.”
“Thank you for your time, Ladybug!” Alya bounced on her heels, clutching her phone to her chest as Ladybug tossed her yoyo over the roof.
“Bug out!”
***
When Lila walked through the doors of the library that afternoon, she stopped short when her eyes locked with Marinette’s sitting at the table with Max. They held that same taunting innocence that made Lila’s blood boil, and she knew this was another one of her “nice” schemes.
“Oh, Lila, there you are,” she greeted with a smile, and Lila did her best to suppress an eye roll. “You haven’t been doing so well in class, so I’ve asked everyone to pitch in helping you catch up. Max is here to help you with your maths and science, Rose has agreed to help you with Literature, Sabrina can help you out with history, and then Nathaniel said he would be more than happy to help you with the art project we have due next week.”
“Oh, that’s not necessary. Adrien agreed to help me,” Lila said, waving it away. “He should be here any minute.”
“Actually, he had a pop-up fencing lesson with Kagami this afternoon. She insisted because her mother is so hard on her to improve her technique, and Adrien is the only opponent who challenges her enough, so he just couldn’t say no,” Marinette explained.
“Adrien does score well across the board on all of his exams; however, his schedule guarantees an 87.96% chance that you won’t get sufficient help in order to pull your grades up in time, so Marinette reached out to the rest of us to step in on his behalf so you don’t fail the semester,” Max stated, and Marinette smiled sweetly beside him.
“As class representative, I’m just looking out for the needs of everyone,” she said, standing up. “Thanks again for your help, Max.”
“No problem, Marinette.” Max waved it away. “Oh, and I will have prototype designs for that software you asked me for later this week.”
“Awesome! You’re the best, Max!” Marinette clasped her hands together cheerfully. “Good luck, Lila, and let me know if you need any more help.”
Lila offered her a forced smile before her face fell into a scowl.
“Have fun at movie night!” Max called, waving as she left.
“Movie night?” Lila quirked a brow.
“Yes, many of our classmates are convening to watch movies at Kim’s house this evening, but seeing as it’s a movie I’ve already seen, I agreed to help you catch up on your studies tonight instead,” Max explained, pulling out his textbooks. “I’ve assembled 100 maths problems for us to work covering each section of material that you missed while you were traveling then I have a PowerPoint reviewing over our particle physics unit from last term-”
Lila glared at the door Marinette had gone through, gripping her pencil with white knuckles. She wasn’t quite sure what game Marinette was playing with her, but she was definitely up to something. No matter, she wasn’t about to be defeated so easily. After all, she had Gabriel Agreste on her side.
***
“How did Lila react to Max?” Adrien asked as Marinette grabbed a juice from the snack table.
“She looked half ready to strangle me,” Marinette replied, popping the tab and taking a sip.
“There isn’t going to be a lot I can do if my father decides to use her in photoshoots again, but I’ll help you in any way that I can outside of that,” he said, grabbing a cookie.
“What are you two whispering about?” Alya asked with a smirk, and they both stiffened.
“Uh, I was just asking Marinette if she wanted to sit with me during the movie,” Adrien said, nudging Marinette with his elbow.
“Y-Yeah, I- of course. You don’t mind, do you, Alya?” Marinette fumbled, and her friend gave a proud beam.
“Not at all. I was actually on my way to tell you that I want to sit with Nino.” She winked.
“Great. Then it’s settled.” Adrien waved as they moved to their bean bags.
“How did she sneak past your father anyway? I thought he was some impenetrable wall?” She asked, and Adrien threw his head back with a sigh.
“Your guess is as good as mine. Is it wrong I kind of wish she’d teach me?” He chuckled, popping a popcorn kernel into his mouth.
“Your dad let you come to this, didn’t he?” Marinette pointed out, but Adrien averted his gaze guiltily.
“I’m technically supposed to be meeting with my Chinese tutor right now, but I may have told him I lost my voice while also telling Gorilla that this was his address,” Adrien admitted, tapping his chin with an impish grin.
“Sneaky,” Marinette complimented, but he curled his shoulders.
“I feel kind of bad disobeying him, but all I want to do is see my friends. What’s so wrong with that?” He shrugged, and Marinette offered him a smile.
“Nothing, and I’m sure your dad will come around eventually,” she said, placing a hand on his shoulder.
“Thanks, Marinette. I really hope so.” He smiled weakly, his gaze softening on her. “You really are the kindest girl at school. Lila won’t know what hit her.”
Marinette bit back a smile, cheeks pink and heart pounding.
“Ya know, Adrien, maybe if your dad ever allows it we could-”
“Lila, Max, you made it!” Kim called, and Marinette felt her blood run cold.
“I’m a really fast learner,” Lila said, shooting Marinette a pointed glare, and her jaw clenched as Nathalie entered through the doorway beside her. “Oh, Adrien, I ran into Nathalie on the way over. She was worried about where you were, so I told her we could check here for you.”
“Adrien, you’re supposed to be at Chinese right now,” Nathalie scolded, and Adrien stiffened, face falling. “If you come now, I won’t tell your father about this.”
“Yes, Nathalie,” he said glumly, shooting Marinette an apologetic wince. “I’ll see you at school.”
“I’m sorry, Adrien. I didn’t realize you’d get in trouble.” Lila winced, pressing a hand to her lips in an ‘oops’ manner. “Nathalie said your father was worried.”
“It’s okay, Lila. It’s my fault,” Adrien said as he passed, head hung low as he made his way out with Nathalie.
When the door closed behind them, Lila curled her shoulders and turned to everyone with a pout.
“I’m sorry. I feel like I ruined everything. I didn’t realize that Adrien was here without permission,” she said, covering her face.
“Don’t sweat it, Lila. You didn’t know,” Nino assured her, and she peeked over her hands.
“I hope he doesn’t get into too much trouble,” she fretted, but Nino waved it away.
“Nah, Nathalie totally sticks up for him. If she says she won’t tell, then she won’t,” he said, and Lila relaxed a little.
“That’s a relief,” she sighed.
“Well, since Adrien had to bounce, why don’t you take his seat next to Marinette? You two have been getting along so great lately,” Alya suggested, pointing to the empty beanbag beside Marinette, and Lila flicked her gaze to meet Marinette’s with a grin.
“Do you mind, Marinette?” She asked, a challenging glint in her eye as if to say, ‘your move.’
“Not at all.” Marinette smiled sweetly as Lila paced over to sit down, and her phone buzzed in her pocket with a text from Adrien.
Well, looks like we have our work cut out for us.
Marinette glanced at Lila out of the corner of her eye, chatting with Rose about Kitty Section before typing a quick reply.
So it would seem.
*sigh here we go*
Tagging: @teresarosiadeviluke2112 @sam-spectra @posyfoot @captain-rice @aloeveraspeaks @somethingelsefine @crazylittlemunchkin @worlds-tiniest-spook-pastry @rlv29 @kaleigh-girlonfire @kokoa-vb @fanwarrior-at-your-service @liebredavinci @starberry-mina @dalandana @rose-sparks13 @foreverblindedbystars @a-6-yearold-inside @redheadeddemon16 @deerestaurelia @graduatedmelon @janaikam @zatanni @shamefulllove @lunar-wolf-warrior @french-dog-joke @magnitude101999 @pinkittwice @musicallylara @summersprit-sims @timelinegodabandoned @patronusxcharms @azureocean33 @zazzlejazzle 
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39hystericalqueens · 4 years
Text
It’s A Hard Life (Brian May x Reader) Chapter 2
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This series was written alongside a companion playlist. Each song on the playlist is related to a certain scene or moment within the story and while this fic can 100% be read without the playlist, it adds so much to the story to listen along as you read. Throughout this series, you will see numbers in parentheses within the text. Each number corresponds to a track on the playlist. For example, if you saw: (1), this would mean play the first track on the playlist before continuing on reading. Some of the songs serve to set the mood, some correspond with a song that is actually playing in the story, and some tell part of the story better than I can and so they help to drive the plot. I will say again that you don’t need the playlist to understand and enjoy this fic but I strongly recommend at least checking it out.
MASTERLIST
Chapter 1
Chapter 2
Warnings: Some mild cursing 
A/N: Wow what a long break I took from posting any sort of update to this fic. I have been writing a lot in this time and have a decent portion of this story complete to post. I know hardly anyone (if even that) follows this fic especially now that I basically abandoned it for a little while there, but hopefully someone might find it interesting and enjoyable to read. Either way, please enjoy chapter 2!
Word Count: 4.8k 
October 1969
The next morning you awoke with a smile on your face. You weren’t quite sure why until the memories of the night before started coming back to you. Dancing to great music, running into Roger again, and that mystery of a guitarist: Brian. He was just as intriguing this morning as he was last night. A part of you wished you had asked Roger or Tim where he was, but you supposed it was too late now, and as you pulled yourself out of bed and into the world you tried to push the thought of him out of your mind.
After a full day of classes, which, as per usual, were long and exhausting, you found yourself at work. On Wednesdays you worked from 6 until closing at midnight. Today you had decided to actually be productive and while you waited for another customer to come through the door you worked on your composition assignment. You had two weeks to write the first movement of a sonata in the correct form, but as much as you tried, you just couldn’t get the development to sound the way you wanted it to. You sat focused behind the counter, lost in the world of themes and dominant keys, when the bell over the door jingled. You looked up and to your complete surprise saw Brian standing there. He looked almost exactly as he had the night before. Same untamed hair, same look of concentration, and when he saw you at the desk, he flashed the same small smile as last night.
“Welcome to Selmer’s,” you started your preprogrammed greeting, but then decided to take a risk, “I suppose you’ll be needing some new guitar strings?”
As Brian looked up to see who had just spoken, he was met with the sight of what he thought was the most beautiful girl he had ever seen. You sat perched up on the stool behind the counter, pieces of staff paper spread around you, and a pencil in your hand, and even though he knew he was staring he just couldn’t look away. That was, until he realized what you had just said to him.
“Yeah I-- wait, how did you know that?” Brian said, utterly confused.
His speaking voice was just as light and sweet as his singing voice.
“Lucky guess?”
He chuckled, accepting your answer, but not fully certain that he believed you.
“Something tells me that you don’t use Fender strings,” you continued, “so, what can I get for you?”
“Wow you’re good, uh I use RotoSound 8 gauges.”
“A fine choice. I don’t play guitar myself but I’ve heard from a lot of my customers that they give you a really nice sound. A lot of people tell me that they find Fender strings too abrasive.”
When you mentioned this you saw him raise a questioning eyebrow.
“Wow that’s really funny that you would mention that,” he said, “Last night I was just telling the drummer in the band I’m in that the Fender strings make my sound real abrasive.”
“Lemme guess: you broke some of your strings, didn’t have any extras on hand, sent your drummer to go and get some while you finished setting up, he brought you the wrong ones, you played a show with an abrasive sounding guitar, and now you’re here buying the right strings.”
When you finished talking you couldn’t help but laugh at the look of absolute shock and disbelief that was across Brian’s face. He truly didn’t know what to say.
“How on earth did you know all of that?”
You smiled, finally deciding to let him off the hook.
“Your drummer Roger came running in here yesterday right before closing looking for your guitar strings, only he had no idea which strings to buy so I gave him your basic 12 gauges...”
Brian shook his head in disbelief.
“I told him specifically which strings to buy, I even went so far as to write it down but he insisted that he knew what he was doing. I’m never letting him buy gear for me again.”
“If it makes you feel better he did seem to be quite distraught about it when he came in. Nearly knocked down my door rushing inside.”
“Well I suppose that does make it slightly better, but you still haven’t told me how you knew I was upset about the strings.”
“Right, forgot about that. So my friend Freddie has been following this band called Smile around for quite some time,”
At the mention of the band’s name Brian smiled as he started to piece the story together.
“And he’s been on me for ages to come out to one of their shows, so last night I finally did, and as I get there and see the band walk onstage, who would be sitting behind the drum kit but Roger. I went round back after the show was over with Fred to see Roger and Tim but you weren’t there.”
“I was off taking those awful strings off of my guitar,” he said, “but now I wish I had been there to meet you.”
As he said that you felt your heart flutter in your chest once again.
“Me too, but I’m glad I’ve met you now.”
“Will I be seeing you again?”
“Yeah I hope so,” you said, giving him a small smile that he returned even more so. “I’m Y/N, by the way.”
Once again, he smiled. “I’m Brian.”
And with that, you handed him the package of strings, letting your hands linger for a second as they brushed against his, before giving him one last grin as he walked out the door.
(4)
_____
It had been one week since your run-in with the guitarist and all you seemed to be able to think about was when you would be able to see him again. You tried not to let it distract you from your life too much, but as you and Freddie walked home after classes that afternoon it proved to be difficult.
“...and then I said to Tim-- Y/N, are you even listening to me?”
You broke yourself out of the haze of your unintentional daydream.
“Yes! Sorry Fred, I just zoned out there for a moment.”
“Well bring yourself back because I’m about to tell the best part of the story. So I was saying to Tim that maybe we should just give up on trying to find a flat for all of us because there is literally nothing available in our area and he agreed with me. So just when we were about to call Brian and Roger and tell them, we get a call from Roger saying that he found us a place to live!”
“That’s great!” You said, “where is the place?”
“That’s the best part, it’s right down the street from Ealing where we rent out the practice rooms which means it’s right down the street from your place. And don’t worry, we won’t be at your door bothering you all day and stealing your food.”
You laugh slightly.
“Yes you will.”
“You’re right we probably will, but we’ll be pleasant company I assure you.”
“I’ll take your word for it.”
“Excellent! We’re set to move in this weekend and we’d love to have the help.”
“Sure thing,” you said, “just tell me what time to be there.”
_____
Move in day came bright and early on Saturday morning. You were up at 5 to take a cab over to Freddie’s flat on the other side of the neighborhood. When you arrived you found that he had already been up for 2 hours, finishing off last minute packing and piling boxes and a few pieces of furniture into the small truck he had rented.
“Don’t you think the truck might have been a little overkill?” you said, looking at its mostly empty interior, “I mean you don’t exactly have that much stuff to bring.”
“Oh trust me darling, I know. The truck isn’t just for me, we’re stopping by Roger’s place to load his things in here as well. Then Tim and Brian are meeting us there.”
You nodded in understanding.
“So, what can I do to help?”
“If you can grab the last few boxes from upstairs and bring them down here that would be great. And then come and help me lift this chair into the truck.” He said, gesturing at a very old and worn looking armchair sitting on the curb.
“Roger that,” you said, and headed up the stairs.
A half hour later the two of you had successfully loaded all of Freddie’s things into the truck and were driving away down to Roger’s place.
Roger lived another several blocks away, even farther away from you than Freddie, in a tiny one room flat on the top floor of the building. He had not yet started the process of luging his boxes down the five flights of stairs that he had so graciously forgotten to mention when he asked Freddie for help the other day.
“Roger...I’m...going...to kill...you,” you pant as you make your fourth trip down the stairs, two boxes balanced in your arms.
“C’mon,” he said, “if I had told you about the stairs you would never have agreed to come and help me.”
“And you’d have been right,” interjected Freddie who was standing at the bottom of the stairwell, leaning against the wall, and fanning his face profusely. “Is that the last of it?”
“Thankfully yes,” you said, as you made your way out to the truck and hoisted the boxes inside. Roger followed suit, and finally you were able to pull the door down.
“Wonderful!” said Freddie, “next stop: our new home!”
It was nearly 3 o’clock when you three pulled up in front of the boy’s new building. Brian and Tim were sitting outside on the steps waiting for you.
“Well it’s about damn time,” said Tim, “you guys were supposed to be here an hour ago.”
“We were a bit, delayed,” you said, looking directly at Roger. Brian gave a small snort under his breath.
“Oh come on, you guys are so dramatic. So we’re a little late, it’s not like we’re meeting the Queen or anything.”
You and Freddie collectively rolled your eyes.
“Now let’s hurry up and unpack.”
Compared to the amount of effort it had taken you to pack up Freddie and Roger’s flats, unpacking them was a breeze. Their new building had an elevator and their flat was right next door.
“Wow you guys, this is a really nice place,” you said as you walked through the door, “how did you find this place again, Roger?”
“Funny story really, I was talking to this broad at a coffee shop the other day and I guess I mentioned how my mates and I were looking for a new place to live that was central in the city. Well it turns out that her grandmother is moving to Manchester and has been trying to sell her flat for ages.”
“Ages? A place like this is every Londoner’s dream, why couldn’t she sell it?”
“Well she wasn't exactly going about it in the most conventional way. They had to sit her down and explain that walking down the street and asking people if they would like to buy your flat isn’t the most effective or appreciated form of advertisement.”
“Yeah not appreciated unless you’re four broke blokes like us in which case she was so desperate to sell it we paid next to nothing for it,” said Tim, setting down a large box. “I think this is almost all of it, there’s just one box left in the truck.
“I’ll go and get it,” said Brian, standing up.
“It’s pretty heavy, you’ll need two people to lift it,” said Tim.
“I’ll go with you,” you said quickly, making your way to the door and holding it open for him. As you walked into the hallway you caught Freddie looking at you with a sly look across his face.
There was a slightly awkward silence as you two walked down the stairs. Finally you spoke up.
“So uh, how’ve you been since I saw you at the store?”
“Oh um I’ve been alright. I’ve had a lot of work for school and all so I’ve been pretty focused on that. I think Roger already told you that I’m studying astrophysics, but I don’t want to bore you talking about it.”
“No I’d love to hear about it! What are you working on right now?”
“Well,” he said, his face lighting up, “the main thing that’s been eating up all my time is this paper we were assigned on the Hertzsprung-Russell Diagram. Basically it’s a scatter plot of stars that shows the relationship between the stars’ luminosity or brightness and its temperature. We’re meant to cover its history and creation, the functions of the diagram, and its importance in the advancement of the field. It’s an insane amount of information to cover and I’ve only got two weeks to write it.”
“That sounds really interesting,” you say, “I’m not usually one for maths and science but from the way you talk about it I’m actually interested to hear more about it.”
“You’re welcome to read my paper when it’s done if you’d like.”
“I might just take you up on that offer,” you said, smiling.
“So that’s what I’ve been up to,” he said, “what about you? You’re over at Ealing studying music, right?”
“Yep, working hard to start my career as a starving artist,” you said sarcastically. “Jokes aside though I have been quite busy as well. I’ve got a recital coming up next week so I’ve been locked in a practice room all this week.”
“Wow, that sounds really stressful.”
“It’s not too bad, this one just counts for a completion grade. The real stressors are the midterm and final recitals. Those are killer.”
“Well stressful or not I’m sure you’ll do amazing. I would love to hear you play sometime,” he added. He had been wanting to hear you play ever since Freddie had told him you played the flute, but he hoped he wasn’t being too pushy.
“Would you like to come to the recital?” you said, “it’s this Tuesday at 2.”
“Are you sure? I don’t want to impose or anything you know since we sort of just met each other.”
“Nonsense, I would love it if you came! In fact, I want you to. It would be so nice to have someone cheering me on in the audience. Freddie and Tim usually have classes that conflict so I’m normally playing to a crowd of strangers.”
“Well I’ll be there right in the front row, and I’ll clap louder than anyone else in the room,” he said, and you couldn’t help but blush.
“You know I just remembered that we came down here for a reason,” you said, looking towards the truck where the last box was still sitting.”
“Oh yeah,” he said, “we should probably get that upstairs before they start to worry that we’ve been hit by a car or something.”
Together the two of you lifted the box up and out of the truck and into the building. Tim hadn’t been lying when he said the box was heavy. Even with the two of you, it was quite the struggle to carry it up to the flat.
“Jesus Christ, what’s in here, a load of rocks?” you said as the elevator reached their floor.
“I think it might be all our amps and sound stuff. You can tell that Roger packed this box because any sane person would have split them up between several boxes to keep the weight down.”
At last you made it into the flat, ridiculously heavy box and all.
“I wasn’t expecting to get that much of a workout in today,” you said, “next time make it a little heavier why don’t you.”
Ignoring your comment, Freddie said, “Well you two were gone a long time weren’t you,” he eyed you suspiciously.
“Yeah it took a lot of effort to carry that box,” you answer, “I need to go and get some water or something.”
You headed into the kitchen and Freddie followed behind you, closing the door.
“Alright spill it, it did not take you twenty  minutes to carry a box from the truck into an elevator,” he said.
“I mean we talked for a little bit while we were down there, but I don’t see why-”
“Let’s skip over the part where you try and dance around the facts. You so obviously have a thing for Brian!”
At his comment you felt your stomach drop slightly.
“What?! No I don’t!”
“Oh come on Lucy, I wasn’t born yesterday. Don’t think I haven’t noticed you staring at him, hanging on to his every word, and you volunteered to go with him to get that box so quickly I don’t think he had even finished his sentence.”
“I don’t know what you’re on about,” you said, “can’t I just like being around someone?”
“Of course you can, but that’s not what’s going on here. You like him, it’s so obvious.”
“You’re way off, Fred.”
As he gave you an exasperated look you felt some level of panic rise in you.
“If I liked Brian then why do I have a date set for this weekend? Hm?”
You’re not sure why you said it. It was a complete lie, you hadn’t been on a date in months nor did you have any interest in going on one now, but you had already committed to this story and if Fred found out you were bluffing you would never hear the end of it.
“Really?” said Freddie, skepticism in his voice, “you have a date?”
“Yep, Saturday night.”
“With who?”
Shit.
“Uh just some guy from my composition class,” then you added hastily, “you don’t know him.”
“No of course I don’t,” said Freddie, “but I’d love to meet him! Why don’t you have him pick you up at your flat so I can be there to say hello?”
You could tell that he saw right through you, but you were too far down this road to back out.
“Yeah um, ok sure. I’ll let him know.”
“Excellent!”
And with that Freddie left the kitchen, leaving you to realize what you had just gotten yourself into.
Well shit, now I’ve got to find a date. Great. Who the hell am I supposed to even ask?
______
The next day you ended up asking out a guy named Trey who sat behind you in composition class. He seemed really excited which made you feel even worse about the whole thing as you knew you would have to let him down after the one date. Saturday arrived all too soon and at a quarter to seven Freddie showed up at your door.
“Alright so where is this lad you have so graciously charmed?” he said, a devilish smile on his face.
“He should be here any minute.”
As if on cue, the doorbell rang. You opened it and there stood Trey, shifting nervously on his feet with a meek smile on his face. You could already tell that this was going to be painful. Before you could say anything, Freddie showed up right behind you to look at Trey.
“Hello darling, I’m Freddie, Y/N’s friend, I was just stopping by to see her off before your big date! I’ve got to say, when Y/N told me she had a date this weekend I didn’t believe her because, well, she’s not usually the type, but you two look oh so cute together, I’m sure we’ll be seeing more of you in the future!”
You could have killed him. You knew exactly what he was doing, and he had won, so now you were stuck still having to go on this date with the knowledge that Freddie would be waiting at your home to confront you when you got back.
“Don’t mind him, Trey,” you said, “Freddie can get a little over-invested in my life sometimes. Shall we?”
And with that the two of you walked out the door, but not before you looked over your shoulder to shoot Freddie a death glare to which he responded with a look of mock confusion.
To say the date was awkward would have been an understatement. It was clear that Trey didn’t pick up on how uncomfortable you were, or if he did, he didn’t mention it. You somehow stumbled your way through dinner and then a movie. By the end of the night though, you had just about reached the end of your rope as on the cab ride back to your flat he kept going on and on about how much he loved the movie you went to see.
“And I just thought the ending was so brilliant,” he said, “the way they brought the two story lines together, I didn’t even see that coming!”
“Yeah it was good,” you said, half-heartedly. The cab pulled up to the curb. “Well, this is me.”
“Let me walk you up, then we can say a proper goodbye,” he said.
“Alright,” you said.
As expected, Freddie was there waiting for you when you got back. He sat on your sofa, sipping on a glass of wine, as you and Trey said your goodbyes.
“I had a really nice time tonight, Y/N,” he said, “I’d love to do it again soon.”
“Um, yeah maybe,” you said, mentally kicking yourself as the words came out of your mouth. Why couldn’t you just say no? There was a moment of silence and then he leaned in to give you an awkward kiss on the cheek before saying one last goodnight.
Once he was gone you walked around to the sofa and collapsed into it, eyes closed.
“Well,” said Freddie, “that really was something. I think you and this Trey character could have a real future together. You seem to get along swimmingly and not to mention he’s quite handsome.”
“Alright! Alright Fred, you win! I may have a bit of a crush on Brian.”
______
It was Tuesday morning, the morning of your recital, and Brian found himself wandering through the halls of the Ealing music school, looking for the recital hall. As he rounded what he swore was the same corner he passed ten minutes ago he saw that a group of students had shown up and were talking rather loudly. He was about to turn around and continue his search when he heard something that grabbed his attention.
“So you know Y/N, the girl who sits behind me in composition, well she asked me out on Saturday to the movies.”
“Oh dude no way!”
“Yeah and it was completely out of the blue. I mean I never would have guessed that she had a thing for me, but we had a great time. She said she would want to go out again.”
Brian, who had been standing behind the corner, felt his heart drop when he heard this. He hadn’t really told anyone, but from the moment he met you he had been wanting to ask you out, he just hadn’t figured out how. He thought you were the most beautiful girl he had ever seen, both inside and out, and wanted nothing more than to be around you all the time. He was rather shy by nature and typically didn’t take a chance if he wasn’t entirely certain of the outcome, but after talking with you on moving day he had thought that maybe, just maybe, you felt the same way. He knew of course that he had no right to be upset, you could obviously date whoever you wanted, but he couldn’t help but feel crestfallen knowing that you weren’t going to be anything more than friends.
(5)
Checking his watch, Brian realized that it was ten minutes before your recital was set to start and he still had no idea where he was going. Realizing that it was his only option, he turned to the group of guys.
“Hi, I’m looking for the recital hall? Do you happen to know where that is?”
The boy who had been talking about his date with Y/N turned around to look at Brian.
“Yeah mate it’s just around that corner there and then take a left and it’ll be the set of double doors on your right.”
“Thanks.”
“No problem. Do you go here?”
There was no contempt in his voice but at his question Brian couldn’t help but feel as though he was accusing him of something.
“No,” he said apprehensively, “I’m actually here to see a friend perform.”
“Who do you know?”
“Um, Y/N... Y/N Y/L/N? Do you know her?” He grimaced internally at his question, already knowing the answer.
“Yeah, she’s in my composition class. She’s real sweet, incredibly talented too.”
“Yeah I know,” said Brian, a little too quickly, “thanks for the directions.”
“Anytime,” he said, “I’m Trey by the way.”
“Brian.”
“Nice to meet you, Brian. And hey, wish Y/N good luck from me. I’ve got a class in ten minutes so I can’t go and see her play.”
“Yeah sure thing,” said Brian monotonously, as he turned to walk back down the hallway.
As much as Brian wanted to hate Trey, he knew he really couldn’t. He seemed nice enough, cared enough about Y/N’s life to know that he was missing her performance, and he had given him accurate directions. Brian found his way to the recital hall in no time, picking himself out a seat right in the front row. The turnout was what you might expect from a midday, midweek, student recital. The back of the hall was filled with students kicked back in their seats and glancing lazily at the clock every other minute, mostly likely forced to attend as part of their grade. The middle was quite sparsely populated with what looked like a few family members and friends scattered throughout, and the front was almost completely empty with the exception of four rather stern-looking people who Brian assumed were Y/N’s professors, and of course now him. He hadn’t been to see a classical performance in ages. His mother used to take him all the time to go and see the London Symphony when he was younger, but after starting secondary school and then uni and devoting all his time to his studies and his guitar he had stopped going. Now, sitting in the icebox of a theatre, he couldn’t help but feel like he didn’t belong.
A few minutes later, the performance began. It was a woodwind only recital so Brian sat through two clarinets, a saxophone, three oboes, and a bassoon, before it was your turn. When you finally walked onstage, Brian kept his promise and applauded so loudly that one of the professors turned to see where it was coming from. He didn’t care though, he couldn’t wait to hear you play. As you made your way over to the music stand you flashed Brian a smile, and he felt as though he was walking on air. God, he thought you were just perfect standing up there, completely in control of that stage. He wanted to run up the steps and hug you, kiss you, to tell you how much he adored you. How you should be with him and not Trey, but then you began to play and he was snapped back into reality. He didn’t recognize the piece, but it didn’t matter. Your sound carried through the hall with such vibrancy and clarity, and your fingers danced across the keys effortlessly. You made it look so easy, each movement more beautiful than the last.
(6)
As you brought the last movement to a close, Brian stood up and gave you a standing ovation. You knew it was overkill of him, but as you watched him fill the room with thunderous applause you couldn’t help but smile. You took your bows and with one more look at Brian, made your way offstage.
Twenty minutes later, the recital had come to a close. The last few flutes had performed but to Brian they paled in comparison to you. After a quick word with your professor and some scattered congratulations and compliments to your fellow performers, you made your way out into the audience. You saw Brian standing near the back, beaming as you half walked half ran up the stairs to him.
“So, what did you think?” you said, “it didn’t bore you too much I hope.”
“Are you kidding? Y/N, that was incredible!”
You blushed.
“I mean I knew you played well and everything, but that was just so beautiful. It was like you were singing through your flute, you’ve got a real talent.”
“You’re so sweet, you know that?” you said as you pulled him in for a hug, “what did I ever do to deserve a friend like you?”
Friend, Brian thought to himself, that’s all he would ever be to you.
Taglist: @peter-sue-the-management @borhapqueen92
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serialreblogger · 4 years
Text
Tagging Game
thank you for the tag @theproblemwithstardust!
rules: tag 10 people you think would like to be tagged, and copy/paste the asks into a new post. Answer all/as many of them as you want!
1. do you prefer writing with a black pen or a blue pen? bold of you provide such a boring binary. i prefer green
2. would you prefer to live in the country or in the city? again: no. give me Forest or give me death
3. if you could learn a new skill, what would it be? FLIGHT
4. do you drink your tea/coffee with sugar? so MUCH. i have to add half of it at the hot water station at work and half at my desk so my coworkers don’t catch on that i’m a hummingbird in human form
5. what was your favorite book as a child? one??? well i loved The Girl Who Could Fly by Victoria Forester. When i was little i read pretty much whatever i could get my hands on tho, most of which were really old and British for some reason? which is why i now talk like a horrific combination of “abominable tumblrite” and “Victorian aristocrat”
6. do you prefer baths or showers? BATHS but only if i can play music to drown out the sound of my ears ringing
7. if you could be a mythical creature, which one would you be? i WOULD be a dryad, but if i could choose i’d be a shapeshifter (capable of transforming into anything and everything)
8. paper or electronic books? i hoard books like a dragon hoards gold, but like. electronic books are also valid (no no look i’m not elitist, some of my best friends are fanfics)
9. what is your favorite item of clothing? i have a sky blue dress shirt that is the perfect fabric and colour and shape and i love it so much
10. do you like your name? would you like to change it? my Name is Linden, and i love it. my legal name is distressingly ugly and i hate it
11. who is a mentor to you? dang, friend, i don’t think i trust any adults enough for them to count
12. would you like to be famous? if so, what for? i would like to be famous for writing excellent, world-changing fantasy fiction. it will have actual representation and will be so popular that no one will remember the name of that other british writer, she who must not be named
13. are you a restless sleeper? ehh i don’t have insomnia but like. i don’t -enjoy- sleeping
14. do you consider yourself to be a romantic person? nah fam i’m MUCH to screwed up for that. i like romance well enough but i’m awkward as heck, doubly so with romance. sorry Cris, i love you
15. which element best represents you? aether! i am Edgy
16. who do you want to be closer to? some of my irl friends, i guess, bc i’m real bad at relationship maintenance sometimes
17. do you miss someone at the moment? i miss my girlfriend!
18. tell us about an early childhood memory. my childhood had happy parts but i mostly remember all that trauma, so imma give y’all a pass on that one
19. what is the strangest thing you have eaten? honestly, probably calamari. i’m not an adventurous eater. but i do like me some nice rubbery squid
20. what are you most thankful for? i just got a job, which means i can (hopefully) move out in the next little bit!
21. do you like spicy food? NO i do NOT enjoy the feeling of flame inside my mouth, i am TOO WHITE for that
22. have you ever met someone famous? Ryan Reynold’s brother’s cousin or something works at our local Costco, does that count?
23. do you keep a diary or journal? it’s called a “tumblr blog”
24. do you prefer to use pen or pencil? pencil!
25. what is your star sign? i like 🌠
26. do you like your cereal crunchy or soggy? unpopular opinion but soggy cereal is better
27. what would you want your legacy to be? i want something i do to have a real, significant, important impact on the justice of this awful world. i want my life to make it easier for the kids who come after me to live theirs
28. do you like reading? What was the last book you read? i LOVE reading but these days it’s only fanfiction. Do you accept The Reverb in These Holy Halls by @wolftraps? I hope so because it well surpasses most fiction for thematic complexity and superb characterization, do recommend
29. what are you afraid of? literally everything
30. what is your favorite scent? i don’t really like scents, but i love the smell of my girlfriend’s house
31. do you address older people by their name or surname? i prefer to simply Not address them (because i want to call them by their surname but at this point i’m also an adult and that’s apparently weird)
32. if money was not a factor, how would you live your life? i would MOVE OUT. then take a part-time desk job and spend the rest of my time growing succulents and writing stories
33. do you prefer swimming in pools or the ocean? mmm also no
34. what would you do if you found $50 in the ground? honestly i’d probably ask the nearest person if it was theirs, and they would say yes even though it wasn’t and i wouldn’t clue in until i was halfway down the block
35. if you were to get a tattoo, what would it be and where would you get it? i GENUINELY don’t trust myself enough to get a tattoo. i’m not permanent enough for that. but if i had to i’d probably pick a little, colourful, very pretty tree design and put it on my ankle or the inside of my wrist
36. what can you hear now? Welcome To The Black Parade by MCR
37. where do you feel the safest? lol imagine feeling safe
38. if you could travel back to any era, what would it be? look if i existed at any point prior to today i would, 100% without doubt, be dead by now. that said the 1920s had some sweet hair jewelry
39. what is your most used emoji? 😊
40. describe yourself using one word. contradictory
41. what do you regret the most? who i used to think i was. the person i tried to be
42. last movie you saw? The Meg (hey, it has a surprisingly good romance subplot. i was actually mildly invested, A+ for a canon m/f ship in a dumb action movie. Also it has Attractive Bruce Willis in it, so bonus points)
43. last tv show you watched? i think it was Community
44. invent a word and its meaning: Hieuule is from my current wip. It means “treasure/wealth of spirit”
ok imma tag @onionwithanxiety, @existentialcrisisetcetera, @hitsuaya, @imthesheikofaraby, @elmofongo, @oliver-in-retrograde, @thenorsiest, @lunarmultishine, @marshmallow-fluffy and @affzinho! I’d love to see y’all’s responses (but please don’t feel pressured, of course) and anyone else who wants to do this, consider yourselves tagged by yours truly!!
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hawkbucks · 4 years
Text
Bucky and Steve’s entire friendship starts when Bucky spots Steve reading a Captain America comic on the playground, promptly sits down next to him, and goes: “You like Captain America? He’s cool, but I think Winter Soldier is better.” Steve, of course, is offended that this kid has the audacity to imply someone is better than his beloved Captain, so they argue about the finer points of the Captain and the Soldier, discussing their actions at such depth that you’d forget they’re just a couple of 3rd graders with scraped knees and wild hair. At the end, they agree to come to the conclusion that the Captain and the Soldier are equally as cool. Whenever they’re able–a.k.a when Bucky saves up enough of his allowance to afford a few issues for him and Steve (because, as much as Steve protests against Bucky buying him things, Bucky knows he wants that Falcon issue)–they head down to the comic store around the corner from their school run by a kindly man named Abraham. Abraham slips them snacks sometimes: bags of chips, candy bars, etc. If they prove they’re doing good at school, they also get free books. Tables and chairs are scattered around the store, usually reserved for the game nights that the store hosts, but Abraham allows them to do their schoolwork on those tables. They try to draw out their visits as long as they can, because they just love exploring the store, and Abraham is such a good guy, you know? One day, when Steve is over at Bucky’s house and they’re watching cartoons, Steve gets an idea. He turns to Bucky and proclaims that they should open up a store together. It’ll be the best store ever! Bucky sagely nods before he runs off to grab a notebook and pencils to plan it. Their store looks as follows: 3 stories at the minimum, and there’ll be a slide leading from each floor to the one below. They’ll have cool statues to put on display, a gigantic collection to sale, and a pyrotechnics display at the cash register at Bucky’s suggestion. And they’ll make a lot of money. It’ll be the best store ever.
Unfortunately, said best store ever ends up being pushed to the back burner once they realize that opening and managing a business isn’t as easy as it sounds, especially for a couple of kids. “We’ll just do it later, when we’re grown ups,” Steve says, and Bucky agrees. They grow older. Steve turns from the shortest kid on the playground to the guy that people have to crane their necks up to talk to (Bucky teases him and says that he’s become the real life Captain America. Steve retorts that that makes Bucky the Winter Soldier), and Bucky grows his hair out, looking more and more like a hipster everyday (which he vehemently denies. “Where’s your manbun?” “I will smack you.”). Interests come and go, but they still find themselves stepping into Abraham’s shop. Abraham’s older now, grayer, but he still slides them Snickers every once in a while.   Bucky ends up enlisting in the army to help pay for his tuition while Steve goes to art school to get a degree in illustration. An incident with an IED later, and Bucky comes home with an honorable discharge and an empty left sleeve. Steve visits him as often as he can, usually filling in the gaps when Bucky’s own family isn’t over. Sometimes Natasha (a girl they befriended in middle school after she came dressed as Black Widow for Halloween) and Sam (a boy they got to know during freshman year of high school when he complimented Bucky on his prime taste in superheroes because of the Falcon button pinned to his backpack) drop in, with Natasha keeping him company by watching trashy reality TV with him and Sam listening to him vent and offering a shoulder if he ever needs one. Hell, Abraham sends him a card through Steve when he heard about what happened. (He ends up getting all of them gift baskets as thanks for being there. Sam tries to decline his at first, but the lure of raspberry tarts was too strong.) One day, Steve comes over with Indian takeout and turns on some good ol’ History Channel. “Speaking of history,” Steve says in between bites of naan, “do you remember that store we wanted to open when we were younger?” Hit with that blast from the past, Bucky nods. He doesn’t have the notebook that they used when they first came up with the idea, but he stills remembers the basics of what they put down. Like the pyrotechnics display that he wanted. Steve asks if he’s still open to the idea, and Bucky replies, around a mouthful of rogan josh, that he is. It’s… been a while since he’s gotten out of his apartment to do something other than shop for groceries, pop into the Chinese restaurant right next to the building, or visit the doctor for those couple of appointments about him possibly getting a prosthetic, courtesy of some company that’s looking to do test runs of their new line. A whole bunch of Googling and Binging and Yahoo Answers-ing and they think they might have a slight idea of how to start a business. Slight is the operative word here. Like with many things, they end up going to Abraham for help. Abraham is a godsend, answering all of their questions and offering to point his customer base their way once he closes up shop for good (Steve may or may not have gotten a bit misty-eyed hearing about Abraham’s inevitable retirement). Fast forward, and their shop is open. Steve drew up the logo (gotta put that degree to use somehow), while Bucky was the one who came up with the interior design (and no pyrotechnics displays). Natasha and Sam are hired, with both of them helping to run their social media presence. They get a decent amount of people at their grand opening despite their location being slightly out of the way, and apparently those people liked their experience because they end up getting a handful of regulars, most notably some guy named Clint that Natasha claims to know, a pair of Norwegian brothers named Thor and Loki that Sam swears are actual gods, a timid PhD student named Bruce, and a woman named Carol and her girlfriend, Maria who are the biggest Captain Marvel fangirls that they’ve ever met. Their popularity grows–especially after Abraham closes–and they soon find themselves making a healthy bit of profit. Healthy enough that they’re able to decorate their shop more (Natasha insists that they place a life-sized statute of Black Widow near the front doors) and they tack-on other things, like shirts and posters and snacks to sell. Bucky gets his prosthetic somewhere around the first month that they’ve been open. It’s a wickedly shiny silver, and Steve suggested that he place a red star sticker on his wrist (because his shoulder isn’t visible 99.9% of the time) to represent Bucky’s favorite hero, and Bucky actually does that. Sometimes people ask to touch it. He lets them. Sometimes people ask what happened. He deflects them. At some point, a guy walks in with ruffled hair and glasses and Bucky nearly chokes on the soda that he’s drinking. Sure, they’ve had their fair share of cute customers, but that guy’s cute, and he’s gonna end up making a fool of himself. It’s not like he can ask Steve to talk instead because Steve just went out on his damn lunch break. He tries not to stare at the guy as he peruses the shelves and rifles through the boxes of back issues they have set out in the middle of the floor. He tries really, really hard, taking his phone out and scrolling through whatever social media website and liking the replies to their posts. Every once in a while, he glances at the door, half-expecting Steve to walk in at any time.
Then the guy (now dubbed Cutie in Bucky’s mind) comes up and he smiles at Bucky in greeting and Bucky would probably sob if that wouldn’t make him come off as a complete weirdo. Cutie hauls up a veritable stack and places it on the counter. Despair courses through Bucky’s veins when he sees the Captain America comic on top, because he could do so much better. “Mmm, I’m just getting those because my friend likes Captain America,” Cutie says and oh, shit, did he say that out loud? “I’m partial to Iron Man myself.” “Iron Man’s cool an’ all,” Bucky replies, somehow managing to keep himself from running out the front door and never looking back, “but he’s not my favorite.” Cutie’s eyes flick down to the red star sticker on his wrist. “Let me guess: Winter Soldier?” Bucky clicks his tongue. “Yup.” Cutie laughs, and it’s a really nice sound that Bucky wouldn’t mind hearing again. When he’s finished ringing Cutie up, he mentions the membership that they have going and how members have a pull list and would he like to sign up?  Mentally, he crosses his fingers that Cutie says yes because it would be a shame if he only got to see him once in his life. A damn, damn shame.
So, he should be thankful that Cutie says yes and he finds out that Cutie’s name is actually Tony and Tony just moved from Malibu and it was his friend James–whom he calls Rhodey–that recommended this place to him. (He goes through a list of James in his head, and figures that it most likely is James Rhodes, who also happens to be a member. He should send him a gift basket.)
Tony ends up leaving around the same time Steve comes back from his lunch break, and Steve must have this sort of sixth sense because he sends Bucky a knowing, amused look.
Tony drops by every 2nd and 4th Wednesday, and it’s always at 12:40 PM, give or take a few minutes. His pull list isn’t particularly long–or at least, it isn’t something that he needs to drop in twice a month for, but Bucky’s not going to complain, not when he’s able to see the way Tony’s eyes sparkle when the topic crosses over to a story arc that he’s passionate about or the way the tip of his tongue pokes out between his lips when he becomes engrossed in what he’s reading. They swap stories, with Bucky finding out that Tony used to be in the robotics club when he was in high school and how his father used to tell him that comics were all “bullshit,” so that threw him off of them for a bit. He always asks Bucky if he recommends something before he leaves, if he saw that episode of Game of Thrones, or if he’s simply feeling okay.
Tony’s visits last longer and longer and longer, until it’s basically just him and Bucky talking for hours on end, their topics ranging from comic cons to what they had for dinner last night. (Steve laments how he’s always the one stuck helping customers because he doesn’t have the heart to interrupt him and Tony when they look so concentrated on each other. He begs Bucky to just ask Tony out already because he can’t take it anymore.)
Bucky ends up asking Tony out on accident. Y’see, Tony was excitedly talking about the movie adaption of Iron Man that’s supposed to be coming out soon, and Bucky blurted out that he wouldn’t mind taking Tony out to see it, just the two of ‘em and some popcorn.
Tony says that he’d love to, and Bucky wonders if he should thank Steve for going out to lunch those few months ago.
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ramblingguy54 · 4 years
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Amphibia’s Season 1 Finale: An Emotionally Charged Climax Of Brilliance
For those who haven’t watched Amphibia yet, or are only halfway through the series, I’d highly recommend not reading this post on the events of Season 1′s finale. This is an episode that should be experienced blind, rather than having it spoiled for yourself, unless you really don’t mind at all whatsoever.
No matter how many times I’ve re-watched Amphibia Season 1 on Disney+, I gotta say its finale was easily up on my list of top moments from animation back in the 2010′s. Amphibia starts off with some pretty simple straightforward slice of life stuff throwing in a nice mix of drama and comedy. Although, as the series has progressed, Amphibia’s storytelling makes it clear we’re in for a bigger shift with dramatic writing once Season 2 rolls around in the future. This last episode of Season 1, Reunion, gives me the impression it could very likely be transitioning into heavier stuff, like Gravity Falls did, when it’s second outing steps up to the plate eventually. Season 1′s finale has seriously impressed me with what it managed to accomplish in its themes that were set up as early as its first episode. We finally get more insight into what Anne’s daily routine with Sasha must’ve been like before she was suddenly dropped into this crazy lovable world of anthropomorphic frogs. What I really appreciate about this backstory is it reels us in just enough with seeing Anne and Sasha’s chemistry. It doesn’t do a big exposition dump about what good friends they are, rather Amphibia just simply shows us first hand. From the get go it’s made crystal clear that Anne and Sasha are very close, seeing how Sasha stands up for Anne when someone tries to steal her food on a special day no less.
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Or else you can forget about coming to my awesome house party next week.
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Happy Birthday, girl!
Like, extremely close given how happy these two are to see each other. Anne & Sasha’s interaction here is safe to say they go way back before their current school year. Almost as if, they’ve known each other since they were younger.
“Sasha’s been my friend since Kindergarten. If she says it’s fine. It’s fine.”
Anne’s piece of dialogue here makes it evident how much she cares/trusts about Sasha as an individual. Even enough to allow her in doing morally questionable stuff highlighted with this brief montage spotlighting Anne’s passive behavior towards Sasha’s dangerously impulsive attitude. Time and time again Anne willingly goes along with Sasha’s mentality of, “Do whatever we want.”,  because in her eyes that’s what being best friends is all about. Giving the other what they want regardless of the moral implications around whatever their actions are. Not to mention, when you take that into account that Anne has been around Sasha since preschool, it’s equivalent to putting your foot down on a family member. Anne doesn’t want to hurt Sasha, considering she’s like the sister Anne never had, being an only child and all. That further establishes emotional weight for something Anne fears to lose out on, which Sasha takes advantage of greatly.
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Anne, this isn’t cute anymore. We’re meeting up with Marcy right now! End of discussion...
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“Heh! She’s persuasive, right?”
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Look, if a friend likes a pencil case, you get it for them. If your friend likes your new shoes, you give them to her. And if her friend wants you to steal a crazy music box from a thrift store, even if you really don’t want to, you do it okay? Because if you don’t, they might not want to be your friend anymore...
Sasha’s serious verbal abuse has made Anne completely twist around the very concept of what a healthy friendship basically is, overall. For whatever the reason at some point, be it the very school environment they both grew up in or personal family issues, Sasha has become an extremely toxic influence on Anne’s important decision making and it painfully shows here in her self-esteem. This kid has made it second nature for herself to never be honest when a friend is doing something that she internally deems highly questionable in moral terms, since she’s so afraid of permanently losing those who claim to care about her own well being. Anne believes it to be a “golden rule” that if you’re openly honest with your close friends, it will only lead to failure in a nutshell. This is honestly one of the strongest elements of Amphibia’s storytelling on how it explores the human condition of real friendship. It’s not sunshine and rainbows, but an honest reflection of who you are as a person. Those you choose to let into your life for better influencing yourself, also reveal your true nature as an individual. These particular lines from the episode, Flood, Sweat, and Tears, sets the mood into motion that vital theme its story centers itself around.
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Sharing a room doesn’t make you best friends. Being honest with each other does! 
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In fact, if you ask me, you’re better friends now than you were before.
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Seeing how greatly Amphibia explored this statement means a lot to me, since I myself have struggled with passive aggressive behavior plenty with my own friends. There were social experiences I went through in my childhood that made me bottle up how I genuinely feel a lot, so being honest with my own circle of close friends was a serious challenge for me. While I have come a long way in the improvements of being more honest with my pals whenever something is bothering me, it’s still a never ending struggle I deal with on a daily basis, considering it’s much like second nature to me. This significant moment hit all the right chords for me in showing that beauty of human connections, by taking the good and bad people can experience in dealing with their own differences.  Anne’s journey to better understand what real friends are and stand up for herself is a very empowering one to see occur, as she continues to come out of her shell, while putting her foot down when more immoral shit starts to hit the fan. Another giant step forward for her own independence comes to light in the tenth episode, Toad Tax, when Anne wanted nothing more than to be respected by the towns folk, instead of being openly called a monster and getting severely alienated for it, too. Which, again, it really shows just how much Sasha’s manipulation has had a grip on Anne, given she first thought that by joining the Toad force that she’d garner their respect. However, that idea was nothing more than a deeply shallow belief, which would’ve made the town more afraid of her rather than love and accept her. 
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All I wanted was this town’s respect, but just because these people treated me crumby, doesn’t mean I’m gonna do the same to them. I’m done with this. I don’t care if they’ve broken the law, you can’t treat people like this!
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In a very jarring contrast to Anne, Sasha is a more two faced individual with her own motive for getting herself, Anne, and Marcy back home by any means necessary. To put it bluntly and harshly, Sasha is a real bitch hilariously to the point where she is the sole reason why Grimes minions become more competent, due to throwing out fake compliments to help their lack of motivation, since his intensity as their ruthless leader was backfiring greatly. It’s priceless to see a villain’s cold blooded behavior ironically be a big detriment to their rule of power, as other works of fiction have shown it to a “positive” influence on their minions, where a teenage cheerleader blonde archetype has to patch things up.
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You lot are without a doubt the most useless group of toads I have ever seen!
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Just try saying nice things for a change. Get them to love you and they’ll do anything for you.
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That actually works?
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Ooooh, it works alright. Trust me.
Sasha’s already cold and calculating manipulation is influenced in return by Grimes heartless nature. Sasha & Grimes combined make for a deadly combination for one Hell of antagonistic duo, but that’s not to say this series doesn’t add layers to this complicated girl. While she is a very toxic verbally abusive person, Sasha isn’t without her own humanity either. Besides lying about being the only human in the world of Amphibia, Sasha genuinely is concerned about reuniting with each of her friends and not just for keeping them underneath her thumb in a controlling fashion. The voice acting here from Sasha’s VA really helps elevate that idea there’s more to her than how she acts.
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Hold on for a little longer girls. I’m coming for you and when I find you we’re gonna get home, but first I think we’re gonna have some fun with this place.
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By the time Anne and Sasha reunite by the finale, both have changed. Anne for the better and Sasha for much worse. Anne has become more selfless and free to make her own choices that she feels morally comfortable with doing, while Sasha is out to kill Hop Pop, due to his vital actions in earlier episodes, for encouraging more Frogs to rebel against the Toad’s rule of power through fear and violence. Sasha doesn’t view Hop Pop as as an equal living thing, but another obstacle that’s keeping herself, Anne, and Marcy from their one way ticket home. She strongly believes that killing Hop Pop, to keep the other Frogs back in line from having a voice of their own, will allow them a better chance to get back home with help from Grimes. Sasha knows to an extent the terrible thing she’s trying to help Grimes commit, however she still only views Hop Pop as not an equivalent human being, but an already figurative dead frog for them to dissect in their biology class. 
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So you’ve probably already noticed the Toads in this valley have one job. To rule over the Frogs. And lately those Frogs have been stepping out of line.
Sasha is a serious fucking jerk, but a well intent extremist on wanting to get everyone back home, who doesn’t fully grasp the full context of what horrible atrocities she’s helping Grimes commit through doing this attempted murder.
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Anne, what are you doing? Are you really gonna risk your life for these...talking frogs? We don’t even belong here. Don’t you wanna get back home? See your family?
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Yeah, but...
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Then put your sword down, now!
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END OF DISCUSSION...
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There we go, that’s my girl.
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There that wasn’t so hard was i-
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WHAT THE HECK!?
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For someone who’s Anne’s best friend, you sure don’t know her very well! She brave, she’s smart, and most of all she’s not gonna be pushed around by a bully like you!
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I think I’ve had enough of you, squeaky toy.
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Anne, what are you doing!?
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Something I should’ve done a long time ago. Standing up to you!
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Thanks for believing in me, Sprig.
Can I just say that I love how they don’t try to pin blame on Anne for being consistently manipulated by Sasha? While Anne most certainly needs to stand up and not allow Sasha to abuse her like this anymore, Sasha is the sole person responsible for making Anne feel so insecure, who needed to be put in her place. It was very important for them to make that clear who is at fault here in this situation more than anyone and Sprig was perfect for telling off Anne’s abusive friend. Can’t begin to describe how cathartic it was for seeing that bitch get hit in the face for trying to once again pull on Anne’s emotional baggage. That highly noteworthy moment aside, there is a really interesting exchange between Sasha and Grimes showing how warped Sasha’s definition of friendship has become over the years she’s grown up with Anne in school.
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You’ve given me plenty of advice, now let me give you some. Stamp this out. Make her yield. Fail and nothing will ever be the same.
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Not gonna happen...
So, taking into account everything that I’ve covered at this point, this makes for a wonderful climatic finale to a slow burn where previous episodes have emotionally prepared Anne for facing down the very person who’s been hurting her most of all. One of her closest friends, who’s been like a symbolic sister in the past to Anne, but has turned into this very hurtful person with a seriously warped idea of an “affectionate” friendship based on similar ideas of control as seen with Grimes. While Amphibia has plenty of comedic shenanigans in its storytelling, there’s always been this dramatic undertone centered around Anne and Sasha’s views of what relationships are all about for what each one has based their ideals on. This Disney series is centered around gaining new bonds, while looking at old ones in a much different perspective, as seen with Anne and Sasha’s falling out.
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Anne, you don’t have to do this.
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Yes I do...
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Anne vs Sasha is an important key moment that the finale nails on every possible level, given each side here has something lose, if the other one wins this duel. These are old friends, or rather family in a sense, standing up for what they think is the right moral thing to do and you can feel this high stakes tension every second as its building up to their swords finally clashing again against one another. Reminds me a lot of the Star Wars battles where it’s not necessarily remembered so much for the fights themselves, but the emotional weight that is carried in every moment which is happening between its characters and I applaud Amphibia for taking inspiration in utilizing that trope of writing.
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Much like how DuckTales (2017) handled its amazing Season 1 finale, Amphibia’s writers know the most crucial element to focus more than anything are the characters themselves and what they’re feeling, rather than making it a big flashy battle of epic proportions. Granted, that’s a nice icing on the cake and all, but the real meat should always be in how you’re executing the important themes you’ve introduced from the start. In Amphibia’s case, it’s the tragedy of friendship turning into something nasty with Sasha treating Anne poorly and breaking apart their once stable lives, due to that very nature which dropped them into this world where they have to now fend for themselves.
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There’s so much powerful heartbreak emitting from this one pic here and hoo boi we haven’t even gotten to best part, yet. It’s delightfully angsty and shocked the Hell outta me when first watching this episode. Fuck, it still does quite frankly knowing the people behind this show had the guts to go that far dramatically.
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They’re just slimy little frogs, Anne.
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They don’t matter!
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They’re not just Frogs. They’re my friends!
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After Anne finally beats Sasha the entire castle starts exploding, due to Wally misinterpreting her on not blowing up Grimes base. Here’s where the most heart wrenching scene comes in as the cherry on top of this intense finale to Amphibia’s first season. As the castle is falling to pieces, Sasha almost falls to her death but Anne catches her in time, despite just fighting her tooth and nail seconds ago to save the family she was trying to kill for her selfish reasons. There’s a crap ton of symbolism here in this poignant moment of characterization for Anne & Sasha’s current state of friendship now. All of this is topped off by the music piece, Lean On Me, being poetically woven into it.
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The Plantar family is doing everything in their power to hold Anne up equivalent to how they’ve made her into a better individual than she ever was around Sasha. While Sasha is putting all of them in danger as a figurative ball and chain that, besides holding them back from staying alive, is also keeping Anne from becoming the best version of herself she can be. In these last moments, I’d like to believe Sasha finally put it together in her mind just how much she’s royally screwed everything up. Not just what she attempted to do with Hop Pop and most likely the rest of his family, but how seriously disrespectful she was to Anne for who knows how many years of their friendship when Sasha started abusing her. Sasha was most likely feeling a ton of self-loathing and terrible guilt before making this shocking pivotal decision next in saving Anne and the Plantars’.
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Hey Anne...
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Maybe you’re better off without me...
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Like, on one hand it can be simply viewed as Sasha simply saving these people from dying, too. However, I’d prefer to make it darker for the sake of heavy angst and say she was committing suicide, as well. Sasha realized in these last moments, before thinking that she was going to die a painful death, how shitty she was to Anne. Sasha’s abusive behavior is what started this whole story in the first place. If it wasn’t for Sasha, none of them would of ended up in the world Amphibia to begin with, but it needed to happen for Anne to become better about who her real friends are and maybe this rough experience would even help Sasha, too. We’ll just have to see what awaits for Sasha’s character arc in Season 2′s future. As it stands now, Anne may have a lost a dear friend, who was basically like a sister to her years back, but gained something even better.
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A family and terrific friends who care deeply for her.
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Hop Pop, you three are my family. I’d never let anyone hurt you.
Thanks for taking the time read this very lengthy post of me gushing about this powerfully bittersweet finale. Can’t wait for Season 2!
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sincerelymarinette · 5 years
Text
A Recorded Life (11/50) - Miraculous Ladybug
Words: 2316 Chapter Summary: Time for Marinette to get some work in for Jagged Stone's project! Also, Adrien drops by, maybe it's time to make a video. Author's Note: I'm running out of prewritten chapters and have so little time to write. I'm here trying, and I'm also trying to figure out when the climax is a good time to have in the story. ALSO there may not be a few updates for a few weeks: I will be on vacation next week, then moving off to college the following few weeks. Gonna be crazy.
Prev / Next / Masterlist
Impromptu Q&A with Adrien
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Marinette was completely focused, sketching out an idea she had for one of the album covers. She had a bad case of art block, and now that she had some inspiration, she wasn't going to lose it. Jagged's song was playing in the background on repeat so she would get all aspects of the song, and Tikki was watching from her perch above Marinette.
Laying on the floor, she was sketching Jagged on a raised platform with lights pointing at him, creating a silhouette. His hands were pointed up towards the comers of the paper. As Marinette began to outline the background, she heard her name being called. "Just a second!" She shouted as she continued drawing.
A minute passed, and Marinette had already forgotten about her name being yelled. She jumped when her trap door opened, and she lost grip on her pencil, and it flew across the room. "Marinette?" Adrien's head popped into her room. "Throwing things?"
She sighed and laid her head down when she realized it wasn't an intruder, only Adrien. "You scared me."
"Couldn't tell," He smirked and picked up her pencil once he got into the room.  "What are you up to?"
"I'm working on one of the designs for Jagged's album project. I was inspired," She showed Adrien the sketch. "What are you doing here? Did we have something scheduled? Oh no, I'm so sorry!"
Adrien put his hands up and shook his head. "No, no, we didn't. Don't worry," He told her. "I sent you some texts and called, Alya was worried because she hadn't heard from you all day. So I called the bakery, and your mom said you were designing and probably would not pay attention to that stuff, so she recommended if I needed something from you to just come over," He shrugged. "But, I now realize you were in the zone, and I probably ruined that."
Marinette giggled. "It's okay; I needed to take a break. What's up?"
Adrien chuckled. "Oh...not much. Alya texted me to ask if I had heard from you, so I tried to get to you, and now we're here. My father and Nathalie are out of town, and the stuff they had planned for me fell through, so I feel like a free man!" Adrien replayed his day. "And I let Alya know you're alive, she was just worried. But that was such a tough adventure, now I'm starving," Adrien said.
"I would think so; you've had a busy day," Marinette smirked.
"Well, want to come with me? It seems as if you've had a busy day as well," Adrien motioned towards her sketches. "Reward yourself."
Marinette shook her head with a little laugh as she went to stand up. She grabbed her supplies off the floor and loved them to her desk. "Where are we going? Do I need to bring a camera?" She asked.
Adrien shrugged. "Who knows, weird things could happen at any time. We do have a Hawkmoth around, and maybe Alya needs a run for her money if you document it."
"I couldn't steal her brand!" Marinette gasped. "But I'll bring the camera just in case," Grabbing the camera, Adrien opened the trap door back up and started to head down with a smile on his face. Marinette grabbed her little purse and opened it just enough to let Tikki in. "Where are we headed?" She asked and followed Adrien down the steps.
Adrien shrugged. "I don't know; there's this little cafe near the park if you want to try that?"
"Perfect!" Marinette smiled. As they left the bakery, Marinette snapped a quick photo of the two of them and posted it on Instagram.
@MarinetteDupainCheng Between bad art block and sudden bursts of inspiration for the album project, Adrien got hungry, and now I'm going to lunch. I need to find a reason to get him in a video again...even though it's only been a few days. How would you guys like to see us play our favorite video game?
Adrien chuckled at the post when Marinette let him read and approve it before posting. He clicked post for her and waited for the likes and comments to roll in. I'm only a few minutes of random conversations, they ended up at the cafe and waited for their water to be served. "So, Adrien," Marinette switched to English when pointed her camera at him as they waited. "I just posted that picture, and now there are a good couple hundred questions on it. Maybe I should make a question and answer vlog where we answer the questions on the picture, but not tell anyone, so people get the real questions answered."
"I think that is an amazing idea!" Adrien smiled widely. "I'll pull up the picture and find some comments, but first I'm going to figure out what I'm having for lunch. I don't know if I've mentioned it, but I'm starving."
Marinette's eyebrows raised. "Wow, you really are a free man today. Choosing your own food and everything!"
"Hush," Adrien put his finger up. "This is an important decision."
A few minutes passed, and they placed their order, and Marinette had the camera back out to answer questions. They were sat in a booth, so she jumped to the other side to be next to Adrien, and set the camera in front of them so they both would be in the frame. "Some of these questions are so good, I can't wait to talk about them," Adrien chuckled as he scrolled through the comments.
Marinette shook her head and clapped in front of the camera to sync everything up. She pressed record and waited a few seconds to start this segment. "I'm over here now!" She waved into the camera. "We have successfully ordered lunch, and now we're going to answer some questions for an impromptu q-and-a. For the record, I did edit the caption on my post so people would ask questions, but it was an hour after I posted it. So it's kinda a surprise," She winked at the camera.
Marinette pointed to Adrien to have him ask the first question, and he smiled. "How did you two become friends?"
Rubbing her hands together, Marinette chuckled. "Buckle up, kiddos," She said. "It all started on our second day of school a few years ago. I walk in, and I see this blond boy putting gum on my seat. I yelled at him and put a tissue over it and sat out of the way of it. I hated him, he was brand new to school and already didn't like me! What a bully," Marinette rolled her eyes. "So, I was mad at this boy, right? Wouldn't even look his way, and when he tried to explain himself, I didn't listen," Marinette crossed her arms.
Adrien giggled as he listened to her dramatically tell the story of their friendship. "This also happened to be the day of the first Akuma France had witnessed, so everything was crazy, too. After the Akuma, we ended the day at school with rain, and I didn't have an umbrella. And of course, there comes blond boy with his umbrella to stroll by me. I didn't look at him, and he just sighed. Then, I let him explain himself. Partially because I was stuck standing there waiting to call my parents for help, but I hesitantly listened. Then he told me he was only trying to remove the gum another girl put there and only wanted to help, and then he gave me his umbrella. I stole it, and it's still at my house."
"To conclude, Adrien wasn't involved in this story at all. He sat behind me in class for three years before I even noticed him- hey!" Marinette chirped when Adrien nudged her with his elbow, a hurt look on his face.
Adrien rolled his eyes. "To conclude, it was my first day of school! I'd basically been stuck inside all my life; I had no idea how to interact with other people my age that wasn't Chloé. I was lucky I was even allowed to go to school," Adrien shrugged, then furrowed his eyebrows. "You still have my umbrella?"
"It's a nice umbrella. Probably going to be worth something someday," Marinette shrugged.
A smirk appeared on Adrien's face when he tried to hold in a laugh. "You forgot the best part! You opened the umbrella; then it closed on you! That was so funny, made my day!" Adrien continued laughing, while Marinette rolled her eyes.
"And that was only question one!" She announced. "Find me another one, my trusty assistant."
Adrien scrolled for a few seconds to find a good one. "How do you guys balance everything you do?" Adrien asked, then laughed. "Ha! I don't!" He said. "I barely get any sleep. Between school, and modeling, and all the countless activities, while also trying to maintain a social life...you think I balance it?" He joked. "I try to balance it, but it's hard. There's always so much going on."
Marinette nodded in agreement. "I'm the same way. I average very few hours of sleep every night with everything I do," She said and peered at the phone. "Ooh, this one next."
A second after Adrien read it, his facial expression was difficult to read. "What's something you wouldn't have expected to know about the other, but you do?" Adrien asked. "Hold on; I'm confused."
"Like something you wouldn't think the other person would do, or a personality trait I have you weren't expecting...kind of like that," Marinette tried to explain.
Adrien nodded and struggled to think. "See, everyone thinks I'm going to say I didn't expect you to be as passionate, or determined, but you are so passionate and determined that I knew that and everyone can tell. I'm never really surprised by things with you...I have to think on that," Adrien concluded.
Marinette's smile grew wide. "I didn't expect you to be such a rebel. I know you have a lot going on, and when we first met, you listened to nearly everything your father said. Now you're telling me you fake your piano classes and sneak off from time to time," Marinette said.
"Hey! What if he sees this? Shh!" Adrien jumped.
With raised eyebrows, Marinette gave him an annoyed look. "You think he watches my videos? Really? Adrien, come on," She said.
Adrien shrugged. "Who knows, he could be scoping out his up-and-coming competition. But maybe it's an excuse to check up on everything I'm doing," Adrien reasoned. "But he's got a real storm coming if he doesn't get you on his design team...you'd run him out of business!" Adrien told her.
Marinette scoffed and shook her head. "Next question?" She asked.
"Is Alya jealous that Adrien is taking her spot on the channel?" Adrien asked.
Quickly, Marinette shook her head. "Not at all! You guys may not know it, but Alya does so much work behind the scenes to help me with videos. More so for my main channel, but she helps me come up with ideas, shoot many videos, and runs my website. Not to mention, she's never shy giving me ideas for this channel as well and is always ready to help. I'm sure she enjoys the little break she gets when Adrien butts his way in, she's working really hard at her reporting internship and getting into the school she wants to. All while trying to maintain the Ladyblog, her social life, and her love life!" Marinette explained quickly. "She's like, a superhero."
"Say it louder for the people in the back!" Adrien cupped his hands around his mouth.
Marinette snatched the phone out of Adrien's hand to ask a question. "Who's your favorite superhero from the Avengers?" She asked and sighed. "I don't know about Adrien, but I love so many. Let's see-"
"Oh!" Adrien shouted. "I'm surprised you're such a big Chat Noir fan!" He interrupted.
"What?"
"From the question earlier! I'm surprised you like Chat Noir so much. I would have bet money on it that you liked Ladybug more, and I was shocked to find out!" Adrien gushed. "I'm sure he'd be flattered, by the way. Especially with that awesome outfit you made inspired by him. Still excited, I got to wear that."
Marinette chuckled. "I've met Chat Noir, and he seems really down to Earth. He protected me when an Akuma fell in love with me, and once I confessed that I was in love with him because I panicked over something? It was weird, but then my dad got akumatized, and I was basically Rapunzel, and he helped save me from that too. I haven't seen him in a while, but he was pretty awesome- minus all the puns."
Adrien gasped. "You don't like puns?" He put his hand over his heart and pretended to be hurt.
"I don't dislike them. He was just...very annoying when it came to puns. There were so many, Adrien," Marinette explained.
"I don't know if our friendship can survive this, Mari," Adrien said. As he crossed his arms and turned away from her, the waiter walked over with their food. "Perfect timing, now I have something to distract me from the traitor!" Adrien quietly shouted.
"I guess this is as good a time as any to end the video. Make sure to leave a like if you want more and subscribe to never miss an upload! You can check out all of mine and Adrien's social media around our faces or in the description below! See you guys next time!" Marinette made a peace sign and nudged Adrien with her arm. His arms were still crossed, and he tried not to giggle as he looked away from the camera.
The video ended with Adrien grumbling "traitor" as he made a peace sign as well.
--
@lady-of-the-roses-and-lilies@bookishserendipity03@avatheexceed @gkz10 @coccinellegirl@kat-thatoneweirdo@strawberryblondish @snow-swordswoman@lilgaga98
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tribes09-blog · 5 years
Text
UPCAT Personal Experience
I have first tip to spill: BELIEVE IN YOURSELF.
—2019 UPCAT taker
A lot of students think that this test is not suitable for no- brainer or plain average students, but nope.
You first have to believe in yourself that you can get it.No matter how many people out there are smarter than you and have better educational background than you, it doesn’t matter. In this game, you need to play wise.
Determination is the key to success. Me, personally, I dreamt of getting into this school even when I was only little. I told myself that maybe I didn’t go to prestigious elementary or secondary schools, but when I get to college, I will enter UP.
Preparations
Inspiring notebook. I hate writing in an ugly pad and I only use GTECT 0.4 because it inspired me to write my notes (and it looks neat).
Highlighters. You know the use. But to me, I had different colors for a main heading, sub heading, the definition of the subheading ( I know right, I really am particular to this.)
Sticky Notes. I often list formulas and attach it on my reviewer for easy lookup. And when I still didn’t understand certain lesson enough and decided to skip on it, I write it on my small sticky notes and I pasted it on the wall adjacent to my desk.
Index cards. I carried my index cards to school so I wouldn’t have to bring the whole reviewer (It was thick and heavy). These cards contained summary of formulas, topics, important person I needed to remember, sample math problems I tried to practice and etc. I punched hole on the upper left part of the index card and put them together with yarn or you can use metal ring.
UPCAT Apps.Available on Google Play Store!
Water. I always bring my tumbler to my desk because it helps me to refresh myself, like my head is lightheaded and everything; water keeps me cool and less sleepy.
Prayers.I pray before starting to review, god knows how much I prayed to him those times. I am so thankful up until now.
My Review Materials
I signed up to an online review. It was a premium membership from Review Master and got the soft copy editions of the reviewers in their portal which I downloaded and printed out. Together with those reviewers were Youtube videos on each topic. Like Subject: Math > Lesson 1: Basic Arithmetic ( they have like a maximum of 10 lesson on each subject) > Chapter 1 (up to 10).
I don’t know if you clearly understand me but each chapter had a Youtube video which was helpful and easy to understans. I used to download the playlist and watched them in the classroom (but I barely reviewed at school, it didn’t work for me, I always liked the home- feeling- review).
And I had this reviewer from well-known review center (I can’t tell you where it came from, my cousin might get sued for unauthorized distribution.) It was really a lot of help. I suggest you enter these kinds of review centers if you think your reviewer or your self- review process isn’t working.
My Reviewing Process (not so productive self- review)
I started reviewing in June, which was a hassle because I had classes to attend to. It was a lot harder when you had Accounting on your back. Not to mention Research!
Time Management of course, no surprise there, but if you have full classes and so much projects to do, it is a dead end. But I tried to trick my brain, my phone wallpaper that time was a screenshot of vocabulary words that each time I open my phone there were words I learned or somewhat, unconsciously learned. I even read books or novels (it was in .epub form so I could always read anywhere-- this was the thing I usually do at school during vacant time) that was so hard to read, I could cry! like the giant man who floated into an island with tiny people-- I forgot it's title.
So every Wednesday, we only had one subject, I didn’t go to school for this one subject (Accounting, I had low grade here ha! I am a bad student, I really don’t give so much f*ck about my acads, I only needed to pass UPCAT— that was right there a very clear determination, but I won’t suggest it).
Or if I had full day of class, when I got home I changed my clothes (always the comfortable ones) and headed directly on my study. I only stop when dinner is served, then got back again, I always finished at ten pm. I valued every sleep I could get but sometimes I couldn’t stop surfing the internet till like 12 am (not really recommended). And on Saturdays and Sundays, it was all review time!
You might find this process really hard, but I was anxious to finish all the chapters and I was always behind my schedule. Like this math part should only take three days so I would have enough time for other subjects, but it didn’t happen!
Now I am not suggesting you should review like I did, but you should find out what time suits you best on studying. I read it all over the net (when I was reviewing, I read a lot of reviewing hacks; I was a big google searcher!).
Examination Day
Pray
Breakfast
You better had nice long sleep before this day
Bring the prescribed pencil (Monggol 2)
Eraser (the rubber on the tip of the pencil is better, its way faster to erase)
ID
Water (important)
Candy (I didn’t know why, but I became self conscious in that testing room, I couldn’t move or what I just ate candy during exam then the skyflakes after the exam).
Dry snack (You won’t like to wet your test paper or answer sheet).
During the exam I found the math the hardest, reading comprehension the easiest (I had a lot of spare time here).
So, should you skip questions that you don’t know or do eenie-meenie?
I never left anything unanswered even in math which like three fourth of that exam, I was answering blindingly.
Reason: Don’t answer then you are automatic 0, I know you are being wise 25% of mistakes will be deducted in your whole score. But consider this sample:
You have ten items you don’t know. If you try to just shade it and make three guesses right at the very least, you made have seven mistakes (7 mistakes multiplied to .025 is equal to 1.75. Three right guesses minus 1.75 (0.25 part of your mistake) = 1.25 which is better than getting 0 out of 10 items.
If you aren’t confident on math, don’t fall asleep at reading comprehension and try to answer it at your best. I think this part saved me.
After Exam
I could breathe again. No reviewwwwwwww. I just pray and pray even if I was hell anxious. I tried to apply for other campus in our local area, but I wasn’t sp hyped about it and I didn’t really want to. I let the days passed by until the application days were gone and my sister won’t be able to scold me for not applying anywhere. And I keep my faith on UPCAT. I was crazy technically; I just took only one exam. I chanted to myself “God is good” every time I doubt I could get in.
When the results were proclaimed to be out, posted in UP Diliman Campus, there were people who took pictures of the list on the campus and shared it in Facebook, I kept trying to read the posted pictures (all blurred and hard to read because that time, the online results weren’t posted yet. But I couldn’t wait anymore. My eyes were squinting on the screen of laptop, and then I saw my name, I cried. And was so frustrated to myself, I mean I was aiming for UP Diliman, but got in UP Baguio, then I thought (why the f am I crying, I still got it in out of nearly one hundred thousand participants, I had no right to cry. So I just thank God!).
I’ll tell you my motivation: I watched sport news about Philippine Campuses including UP of course, there was Robi Domingo and Gretchen IDK talking and talking about how great that school was. I even saved it in my YT playlist. After watching it and pep talking myself why I should review, why I shouldn’t let my lazy self win, I started grabbing my pen again.
Note:
I only put UP Baguio in my second choice of campus to save my ass if I couldn’t pass to main campus. The different campuses have different grade requirement. UPD I think is around 2.2 while UPB is 2.5 (I am not sure, you should check this out in main UP website to learn the ropes).
P.S.
I think this blog is badly written. But I thought I should try to help out. I know what you need, real time confessions of this very mean college exam haha.
Comment down if you have more questions. I will be very much happy to help.
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acaseforpencils · 5 years
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Arnie Levin, Part One.
Today’s Case is not in the usual survey format, because a little over a week ago, I called Arnie up on the phone, and we had a wild conversation about cartooning. I’m posting the interview in two pieces. The first part (which you’re currently reading!) is focused on his background, and the second part will be mainly about his art supplies and drawing process. Arnie has lived a life just as colorful as his art, and I hope that you have as much fun reading about it as I had interviewing him!—Jane Mattimoe
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Jane Mattimoe: Hi Arnie!
Arnie Levin: Hi Jane, I was just talking to you in my head before you called.
J: Well, I hope this interview lives up to the interview you were just having!
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J: How did you get into art?
A: Well, my grandfather was paralyzed, so when I was very small, he used to paint and draw—he could move that part of his body—so I watched him. My uncle was a commercial artist. He did very tight controlled stuff. He had a great hand—he was a specialist in hand lettering, so he had a very formal way to work. I went to a high school—it was a trade school— and I just happened to luck into an absolute incredible instructor, whose thinking was that you draw to your feelings, and that not every artist draws the same way. So there weren’t any tight rules for how to draw.
J: So it was very different than your uncle’s style.
A: Yes, and my uncle’s style of drawing— he once tried to hire me...he had a perfect hand, you know, and he tried to hire me and get me into the business, and I was so loose, and I just couldn’t do what you had to do to do real hand-lettering.
J: Well, you were too creative, probably!
A: Yes, which was fine for me. I decided I was gonna be a painter. We were taught drawing exercises, and they were just to get our hands and our mind working and there was no, “This is what you do, and you have to do this, and you have to do that...” I was very fortunate that there were hours and hours of learning to just do gesture drawings— drawings that were very quick, but that were able to catch the feeling and the movement, rather than particular incidents. So it was a fine arts direction.
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J: I think I read somewhere that you were a competitive dancer in high school, and I was wondering how that informed...dancers are very grounded in their body, and they have a really good sense of motion— do you think that affected how you viewed motion in your drawings?
A: Oh, absolutely. When I danced, it was all rock and roll dancing, which was different than the preceding years, which were more box step— you did this, you did that, you did the other thing. I created my own steps and just did them, and sometimes changed them in the middle, because I always wanted to create something that was live— not just, “here’s a pencil rough, and we trace over the pencil line very carefully, and we make a picture.” I also didn’t like the idea, especially when I got into cartooning, of so many situations where there were talking heads in cartoons. I like to do sight gags— ones that you just look at, that are funny.
J: So you don’t want it to be people delivering the joke, you want them to be part of the joke... like Sam Gross likes to say that there’s a difference between drawing funny and funny drawing.
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A: Yes, did he mention to you… We had a thing, where there were four of us, I don’t know if we ever mentioned this, I would get together with Sam Gross, Bill Woodman… once a month we’d all meet at Sam’s apartment, and we would sit down and we would open the phone book— we’d get the yellow pages, and then we would just blindly put our finger down. For instance we’d end up with plumbing,“Ok, we’re gonna do a plumbing gag.” We would drink afterwards. So we’d pick three topics to do cartoons on, and then we would just sit and just quickly sketch out cartoons and show each other.
J: That’s smart, cause that takes you out of your head— it forces you to consider things that wouldn’t have necessarily come to you if you were just sitting down coming up with gags.
A: Exactly, it was perfect to keep your head open. Though sometimes we’d get to the drinks slightly before we’d finish drawing, and so the drawings got looser as the session got on. But it was always a lot of fun. You’d spoken to Sam, and he’s just like... volatile energy. He’s a real character...brilliant.
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J: So you’re telling me this, and you told me you don’t like rules, but I read you went straight into the military after high school, which doesn’t seem like something I’d expect you to do.
A: Believe me, it wasn’t what the military expected when I got in. What happened is, at that time, men had to serve in the military somehow. You had to serve a certain amount of time. In high school, I’d go in on Saturdays and Sundays— there were certain times I had to go in and serve in the Reserves. So at sixteen, I was in the Marine Reserves. And it was sort of a maturing thing— the other kids my age were goofing around, but I was into… more serious stuff. You had to go two weeks in the summer, and just after I turned seventeen, I said “you know, I want to get out into the world.” I was living in Miami—we had moved down from New York. I had basically come from Brooklyn and Manhattan, and we moved down to Miami, which, to me, wasn’t that particularly a stimulating place to be in. I wanted to get it over with as quickly as possible. Two weeks after I turned seventeen, I was in the Marines officially. They sent me to Jacksonville School.
J: That’s where I was born! My dad was in the Navy.
A: NAS Jacksonville! Naval Air Station Jacksonville. I know it well. The other reason Jacksonville was good for me was because I lived in Miami, and on the weekends it’s 395 miles from Jacksonville to Miami, and I used to hitchhike. Friday night, I’d leave the base, and I’d hitchhike to Miami, and then hitchhike back to Jacksonville.
J: I wouldn’t recommend that today!
A: Not today, no, but in those days... Hey, It was acceptable! I guess we were just fearless, or just stupid, I’m not sure which. It may have been a mixture of both. So I did a lot of hitchhiking in my early years, and I hitchhiked across the country— New York to California, from California all the way to Miami… I also felt that being an artist, you really should get a broad view of the world, not just a local situation, or one kind of thing.
J: Weren’t you a part of the beatnik crowd, with Jack Kerouac…
A: Yes, and another reason I got into the service was when you got out of training, you could go to school, and they supplied a certain amount of money, so my dream had been to go to the Art Students League in Manhattan, and just the name, “The Art Students League,” sounded so great to me, so that was my goal, and it turned out to be a wonderful experience. So I started to go, and I took painting. The classes were little old ladies, and they didn’t take to me doing “action painting,” spraying paint all around the room— de Kooning! Pollock!
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Find this print here!
There were lots of Japanese students there, and they befriended me, and I befriended them. I spoke absolutely no Japanese, and they spoke very little English, but they were sort of mature, which made me wonder why they were there. Well, it turns out that around that time, Japanese painters wanted to show in New York galleries on Madison Avenue. They had to have a reason for staying in New York, so they went to The Art Students League. They didn’t ever do anything there— they just signed in twice a week. These guys were already professionals! They were all sponsored by Kenzo Okada, who was a very famous Japanese action painter.
J: So that probably helped you, being around these professional artists, who were doing the style you were more interested in.
A: They were much more restrained. They were very organized, and they did more structured work. I made friends with the Japanese painters, and I had no idea that these were the top painters in the business! It was wonderful!
J: That’s really awesome!
A: Yeah, it was really lucky. I had also befriended a dancer from the Martha Graham studio, and I would come from The Art Students League with an oil painting, and one day she dragged me up to the studio to meet  Martha…
J: What?!
A: The painting had just been done, and you know how oil paints reek, and so here are all these dancers, smelling this… so she showed it to Martha, and she liked it.
J: She was one of the preeminent modern dancers, and you were showing her your modern work...
A: Yes! She seemed to like it. She said, “This is very nice.”
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J: That was an incredible time to be an artist in New York, because the rent was so cheap compared to now.
A: Well, if you didn’t have much money, yes. One of the artists I met, who was actually a model at The Art Students League, we got to be friendly, and he lived on 9th Avenue, just below 42nd street, and one day, he said, “You wanna go to a great [coffee house]?” There was a great coffee house between 42nd and 43rd, on 8th Avenue, and [it] had painting and poetry and stuff, and I said sure, so I went [there]. It was run by just this incredible guy who was a dropout kind of person, and we would have art shows there at night, and I would serve coffee— I ran the coffee machine. And you can look this up on the internet, cause there’s pictures of me from that time, from 1959. We would sleep on the tables in sleeping bags. We pushed the tables together…
J: You lived in the coffee shop?
A: Yes! We slept on the tables because of the mice.
J: It doesn’t sound like you’d pass a health inspection!
A: Well, look, 9th Avenue is Hell’s Kitchen, you know, but the poetry— Allen Ginsberg came up, and Kerouac… all of the New York poets, and we had the painters and photographers. So I was right in the middle of it. And my partner— and I eventually became a partner in the coffee shop—had all of these great friends, and people we hung out with. My partner eventually became a character in one of Kerouac’s books, and he would go up to Big Sur... and I eventually moved to the Lower East Side, and hung around more with Allen Ginsberg, and so did a lot of the other poets on the the Lower East Side. We would all walk up in the afternoon, and we’d walk up to the Madison Avenue galleries-- and Ginsberg was incredible, he was just the nicest person in the world. And they all got a kick out of me, because I always kept a running commentary, and I was kind of goofy.
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J: You weren’t into cartooning at this time?
A: No, I wanted to be a fine artist. Eventually, I used my GI Bill, and started studying with Bob Blechman, with another cartoonist, Charles Slackman. I took night classes. I would do that, and I was a messenger in Manhattan, which I absolutely loved, for two reasons. One, I got to know the middle of the city very well, and two, I got to drop off people’s portfolios at different ad agencies and magazines.
J: So that got you a foot in the door, huh?
A: Yes, and I knew the secretaries, so if I dropped off a portfolio, they’d be like, “I’ll make sure he gets it.”
J: That’s awesome!
A: That was terrific. I did that for a while, and one day, I was taking night classes with Bob Blechman and [Charles] Slackman, and they gave an assignment to do a storyboard, to do an animation. I overdo things sometimes, but everyone came in with two pieces of paper, a little storyboard, or rough storyboard, and I did four full boards—248 pounds! [laughs] Meanwhile, Blechman had gotten me a job at Pushpin Studios... there was Milton Glaser, Seymour Chast, Isadore Seltzer, Jim McMullin... all the big illustrators that were in Pushpin, and I would get on the back of the bus to deliver things, and I’d take all of their drawings and study them.
J: People would kill for that!
A: Absolutely! You know, when I was hanging around, I had another friend, and he wanted to be an illustrator, and when I left Pushpin, I said, “Hey, would you like this job? It’s a great job,” and he said “No, I’m not a messenger, I’m an artist.” Never heard of him again.
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A: So I got the job as the messenger, and I was going to night school, and like I said, I did this huge storyboard, and the next day, or day after, I went into work to messenger, and they said, “How would you like to work in a film studio? How would you like to do animation?” And I said, “Let me think about this— messenger or be in animation… I said,”Yeah!” 
So Milton sent me up, and I walked into the studio. They sat me down at a drawing table, and it had an animation field guide to do the stuff and they said, “Do a storyboard.” So I did a storyboard. I laid it out, I designed it, I directed [it]… the second week, the head of company came by and said, “How would you like to be an animation director?” And I said, “Yeah, that’s even more better!” So I got myself into the animation business.
J: It almost sounds lucky, but you put in so much work making these connections, and going to school... so while it seems like an overnight success, you worked so hard to get to that point.
A: Yeah, and I had a very deep background.
J: I’m sure the guy who rejected the messenger job said, “Oh, he got lucky,” but there’s more to just making art when it comes to being an artist, and I think that’s important for people who are reading this blog, and who are just starting out, to understand.
A: Yes, and like you say I was fortunate in a couple ways, and one of them is that I had the talent, but I was also able to have the instruction, and being able to understand what I did. A lot of cartoonists, start off when they’re kids, and all they draw are cartoons and strips and panels…
J: But you didn’t start cartooning up until the ‘70s right?
A: Well, on the way, I was living in Florida, and got into a car accident and I had dislocated both shoulders, and I had a pin in my hip, and bones knocked out of my eye socket, and I was pretty much a mess. And so I was recovering at home in Miami, in a little 6x6 foot room, sitting on the edge of the bed and not having anything to do. My mother had Writer’s Digest, because she wanted to be a writer, and so I sat down and it said, “If you wanna do cartoons...” and since I couldn’t move around, I figured I can’t make a mess, I’ll do that. So I asked my mom to get a bamboo pen, some india ink, and a bunch of typewriter paper. I started to draw cartoons, and [Writer’s Digest] said, “You put twenty in a batch and you put a return envelope, and you put postage, and blah blah blah…” So I said, “Okay!” And I just did these drawings. I did forty drawings. Then I started up for New York, and I gave my drawings to my mother, and she sent half of them.
So, I’m in New York, doing the messenger stuff, and suddenly, I get a thing, “Playboy wants three finishes.” So I immediately thought the obvious, “What is a finish?” So I said okay, so I did that, and so that was my first published stuff. I sent half the batch up to them, they bought a couple.. But what happened was, you’d send it, and it took months for this process to happen, and so one drawing you got 80 dollars, the second one you got a five dollar raise to 85, and then you got one for 90 bucks. The whole process was about six months, and I thought, “This is not gonna be a way to make a living.” So I stuck my hand in the cartoon world.
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J: How did you get into cartooning from animation?
A: I gave up cartooning at Playboy, but when the animation business went sort of down for a while, I talked to Bob Blechman once again, and he said, “Do you have any cartoons?” I said “No,” and he said, “Put some cartoons together.” So I put the cartoons together and some cover ideas. I wanted to do covers for The New Yorker. Also in the middle of this, I forgot, I had a rep, and she took my stuff around. I started to illustrate for all kinds of magazines, Life, Time, Business Week... doing spot illustrations in watercolor, and then everything just went flat, and I didn’t have anything to do, so I did these drawings at home, my own work, and my wife would go off to studios to do her own ink and paint work, and I showed them to Blechman, and [he] sent me up to The New Yorker.
J: To Lee Lorenz?
A: Yes, and I showed him some of my cover ideas and he said, “Ok, do a finish. We’re interested in buying two covers for The New Yorker. And I completely choked. “I said, Oh no, The New Yorker, what am I going to do?” I kept bringing in these drawings, and they just weren’t right. Meanwhile I had all these gag cartoons and little drawings. I was just doing funny drawings—they weren’t really cartoons, so I took them up, and they said, “We’d like to publish one.” So I started submitting cartoons, and I started selling.
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Find this print here!
If there's anything that motivates me, it’s selling. I mean if you have a place… you’re focused, and I focused. By the end of the year, I sold a number of black and whites, but no covers, but it just kept going on. I just kept doing it and doing it, and ever so often putting in a cover... and finally I sold one cover, two covers, three covers… just doing New Yorker stuff
J: So you weren’t cartooning for anyone else?
A: No, but afterwards, sort of as I was doing this, I learned I could take the leftover roughs that they didn’t buy, and go to other magazines with them.
J: Wasn’t that kind of a social event, where cartoonists would go to all the different magazines in the city?
A: Well, Wednesday was called “Look Day,” and Sam [Gross] was very involved in that—of course Sam was involved in everything. And then there was the Cartoonists Guild, and I got involved in that.
J: Mort [Gerberg] was the president of that.
A: Yeah, and I got to be around cartoonists, and I was selling mainly to The New Yorker, so I just focused on that. After a while, they signed me to a contract, and I had years when I would sell 77 black and white cartoons.
J: That’s more than the issues they have per year!
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J: I was wondering, because you were already a mature artist when you started cartooning, did you experiment a lot with your style, or did it gel into place relatively quickly for you?
A: Well, there is a little space that I left out of this, which is while I wasn’t selling cartoons in the early days, I had notebooks, and I used to hang around in an art store in [Greenwich] Village, and I would fill them with funny drawings, and travel around, and when I was messagering… so I was really cartooning, but I didn’t have any place for them.
J: So as soon as you found a home for these drawings, everything came together?
A: Yes.
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J: With your career, you’ve been building towards things your whole life, and it almost seems like it just happened overnight, but it was actually years worth of working at it.
A: The first drawing that I sold, when I used to put stuff in the art show in [Greenwich] Village, the guys in the coffee shop, the beatnik guys, we would take some of my little sketches, and we would make little mats, and at the end of the end of the art show, people would leave, and leave spaces, so we would just throw my stuff up on the walls.
J: That’s one way to get into an art show!
A: I even got a write up in an Italian newspaper! But as soon as we’d make enough money for dinner, we’d head to the clam house—The Bocce House. That was a good time.
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Find this print here!
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Stay tuned for part two, which will be up next week! In the meantime, find more posts about art supplies on Case’s Instagram! There is a Twitter as well. If you enjoy this blog, and would like to contribute a dollar or so to labor and maintenance costs, there is also a Patreon, and if you’d like to buy me a cup of coffee, there is a Ko-Fi account as well!
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kallura-icedcoffee · 5 years
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Following suit and posting my letter for the @justice-for-allura project to try and boost awareness. You’ve still got time to send a letter (due 1/25). I encourage you all to please do so. It doesn’t have to be a novel, even a few words to express your feelings will help. Likes and reblogs are not enough, they won’t see it. We need to tell them that the stories of women of color, dark skinned women of color as just as important and should be handled with care.
As a black child I never really saw myself in the media I consumed. So I pulled out my dolls and imagined stories were girls who looked like me could be intelligent, beautiful, brave, loved and at the center of the narrative.
As a black teen I still never really saw myself in the media I consumed. So I pulled out my paper and colored pencils and I drew and made comics with my friends. We re-imagined franchises we loved and created original characters and stories where girls who looked like me could be intelligent, beautiful, brave, loved and at the center of the narrative.
As a black woman I became tired of never really seeing myself in the media I consumed so I pulled back significantly. I was tired of so-called diversity that never included black women. I was tired of black female characters being relegated to nothing more than the token sassy best friend. I was tired of black female characters receiving underdeveloped stories. I was tired of never seeing a black female character being the center of a narrative among a truly diverse cast.
And then someone recommended Voltron Legendary Defender.
I looked it up and when I saw Princess Allura I cannot fully describe the way my heart soared. Now I was previously aware of the 80’s Voltron but never watched it as a child. So to see they had made the decision to make Allura a dark skinned character, the child in me leapt out. I was beyond excited and immediately dove in.
I admittedly had some issues with the writing in the beginning but I let it slide because nothing is perfect and there was still this beautiful, smart, strong but also soft, brave dark skinned princess who was the main character in the story. That was enough.
As the later seasons progressed my concerns increased, but again, dark skinned princess who was the main character in the story. It was enough.
Then the leaks before the final season came and my heart sank. Everyone tried to reassure each other that they were fake, that the show wouldn’t possibly kill off Allura, but in my heart I knew it was very possible because it’s happened before. Shows carelessly kill black women all the time without hesitation (Abbie from Sleepy Hollow, Tara from True Blood, Bill from Dr. Who) while others may be lucky enough to live in the end but whose characters are treated poorly throughout the course of the show (Bonnie from Vampire Diaries). It’s part of the reason I stopped watching shows as an adult. But I thought, not this time right? It’s a “children’s show”. They wouldn’t.
And then you did. You killed her.
I wasn’t surprised and yet devastated all the same, perhaps because I’m tired. I’m tired of being sent the same negative messages about dark skinned women in media. And when I sit back and think of the direction her character was taken throughout the course of the show, I realized so many ugly messages were sent about her.
You took a dark skinned woman and victim of genocide and tried to make her out to be a racist against her own teammate.
You took a dark skinned woman and victim of genocide and allowed her to be manipulated and used repeatedly by her oppressors, even going  so far as making her fix their mistakes and assist in their redemption at the end of the show.
You took a dark skinned woman and stripped her of her leadership, her home, her status, her importance, her involvement in her own story, constantly sacrificing without getting anything in return.
You took a dark skinned woman and told the audience the only love that she deserved was one of her manipulative oppressors and a walking “nice guy” trope who swooped in when she was at her weakest and desperate for love, family and belonging. It was unhealthy and painful to watch. It’s also not lost on me that in every other iteration of Voltron Allura was allowed to be with the main male lead without question…until she was no longer white of course.
You took a dark skinned woman and spent the entire final season putting her through emotional torture and then killed her off while her teammates did nothing to stop her all the while attempting to push messages of found family and togetherness for the previous seven seasons.
You took a dark skinned woman and buried her and then had her teammates take smiling selfies at her memorial/makeshift grave which is beyond insulting and disrespectful and would never be appropriate in real life.
You took a dark skinned woman and you ruined her and you sent the message to dark skinned girls and women everywhere that once again, we’re disposable. We aren’t meant to be princesses. We aren’t meant to be heroes. We aren’t meant to be vulnerable and tender and protected. We aren’t meant to be loved properly and healthily. We aren’t meant to win in the end after our hard work and sacrifice. We aren’t mean to be anything other than plot devices and then tossed away (a fate that has no previous version of Allura has ever met, again of course, until she was no longer white). The fact that there has been no response to the backlash surrounding Allura only further sends these messages loud and clear.
My faith in the DW/WEP brand no longer exists. I will never support another project with Lauren Montgomery or Joaquim Dos Santos names attached to it. My time and money is better spent elsewhere.
I’m not sure what could be done to fix things at this point, if you even care about fixing it, which I have a feeling by your silence that you don’t. But I hope, if you want to avoid repeating this mistake going forward, that you’ll consider one thing: diversify your creative staff. Hire more women, and not just white women, but more women of color. Hire more LGBTQ individuals. Hire more people with disabilities, with different body types, with knowledge of mental illness. Hire more people with a broader world view, from different walks of life. And listen to them when they speak. Your audience is diverse and the media you produce should not only reflect that but do so in a respectful way. It’s getting to a point where you will no longer be able to afford not to.
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loveraids · 6 years
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advice for incoming freshmen
hey guys! here’s a list of some tips i made for incoming freshmen. i thought i’d share some advice/knowledge i’ve accumulated over the years too. everything’s under the cut. if you have any questions/concerns, feel free to message me! ☀️ (tw: long post)
1. one of the biggest fears many people have entering high school is not making friends. however, there are MANY opportunities where you can make friends! besides being friendly with who you sit with in class, try joining a sport, club, extra curricular, etc. i’m not saying making friends is the easiest thing in the world- i still struggle with it today. but don’t put yourself down if you’re not immediately friends with everyone in the school in the first week- it’ll take some time to develop. remember that everyone else is just as scared as you are, and they aren’t gonna come out of their shells until you do as well.
2. depending on your school, they may start throwing college shit at u on day one (although unlikely). no matter what, don’t stress right now!! the college process really doesn’t begin until the weeks leading up to the summer of junior year. you have time!! it’s ok to not know what you want to do. college has an “undecided” major for a reason.
3. V O L U N T E E R. i cannot stress this enough. it has soso many benefits and freshman year will most likely be the most time-free year you have. find a position at your local zoo, library, camp, hospital, etc. it’s a great resume booster and can aid you in the college application process (additionally, if you have an honors society that requires volunteer hours, you’ll need them anyways). also, you get to help people !
4. freshman year is going to teach you what real high school work is. you may struggle, and it’s ok! i was one of the “bright” kids that had their grades drop once i entered high school, and yeah, it did a lot to my self esteem. but throughout the years i picked myself up- i embraced help from my peers/teachers, i figured out what method of studying works best (pro tip: studying for math? look over the basic rules and do thousands of practice problems. science that isn’t math based? quizlet and khan academy. history? quizlet.), i learned that it’s OK to get a grade under a 90/A-. it’s going to seem tough at first, but just remember that you’re adjusting to a completely new environment and work ethic. you will get through it!! please shoot me an ask if you ever need help i’ll always answer. (edit: also do ur homework!!! it could be the difference between a B+ and an A-.)
5. imagine the crustiest person in your grade right now. now imagine them trying to hit on a kid that’s four years younger than you. gross, right? that’s exactly what a senior hitting on a freshman is like!! do not do that shit!!! there is NO reason why a senior should be trying to hook up with you when they’re 17-18 and you’re 14-15. that shit is NASTY. do NOT date seniors (even juniors are sketchy).
6. high school is where you will probably encounter alcohol/drugs/sex/etc at some point. do not be pressured!! if you don’t wanna smoke or drink then don’t do it (if you’re with the type of people who pressure, you better run). ive personally never had an experience where i was pressured, and people were usually respectful, but i can’t speak the same for everyone else. wanna get fucked up and party with your friends? be careful! i’m not promoting underage drinking but lets be honest a lot of kids do it. no sense in trying to pretend like that isn’t the real world. if you’re invited to some party by someone you KNOW has a bad rep, then don’t go!! you’ll have more opportunities.
7. if you’re worried about SATs/college admissions exams, you have a year. kids in my school are kinda crazy and were studying freshman year which made NO sense to me. end of sophomore year/beginning of junior year is usually adequate (plus- the main rule with SATs/ACTs is that you should take the test NO MORE than three times- that’s three chances!! i personally did well on my SAT, so if u have any questions feel free to ask me.
8. back to the point of pressure - if you’re going to a gifted and talented program/school, you will most likely feel academic pressure. with so many bright and smart peers, your standards will end up being much higher than the general population. i’m speaking from experience.
9. student government is usually a popularity contest. if you don’t win, don’t beat yourself up. if you do, congrats!
10. take pictures! save holiday cards! make memories!! i sincerely regret not taking photos (with me in them!!) during my freshman and sophomore years. there are a lot of great memories that i didn’t record because i was too embarrassed to get in front of a camera. i’ve learned that i’d rather cringe at a photo i look bad in in the privacy of my own phone, rather than not have a picture at all.
11. start developing good studying habits right away. what motivated me was getting cute/colorful pens, highlighters, erasers, post-its, etc., and making my notes look really pretty. i have my own personal post-it collection now. if you find ways to make studying even remotely fun/interesting, it will be extremely beneficial in the long run. i remember the summer before my junior year, i was excited to go back literally because i wanted to use my new pens.
12. this is a future piece of advice, but i would say there’s a 99% chance that you will be friends with mostly different people by senior year. you might have a core few, or a bestie, but myself and many others know that there are people who we were best friends with freshman year that don’t say hi to us in the halls senior year.
13. listen, there are gonna be some snake ass bitches. there’s no avoiding it. just don’t pay attention to them!! they get off on thinking they’re better than you. the best way to no longer deal with someone you don’t like is to just not associate with them. i’m obviously over simplifying these situations, but its usually not that deep. if it’s to the point where it’s causing you a great amount of stress, then it may be something you need to talk to a guidance counselor about.
14. please. do. not. run. and scream. in. the. halls. who do u think u are?? it’s 8 AM i don’t want to hear your screeching voice as you run into 7 people!!!!!
15. the freshmen are usually the joke of the school. you’ll hear you guys referred to as gremlins in some way, shape, or form. just deal with it, you’ll understand when you’re no longer freshmen (unless someone’s being unnecessarily mean!!).
16. make friends with your teachers!!!!!!!!! stay after class to have a little conversation with them. email them after school. bring them gifts on major holidays. IT WILL PAY OFF. letters of recommendation? done! need a teacher to sign off on something? done! minorly messed up in class? they’ll let it go bc they like you! this will also probably result in an increase in your character/participation grades.
17. make a travel pack that you keep in your bag - a few small bills,  pads/tampons (for those who need), pen, pencil, bobby pins, nail file, hair elastic, gum/mints, small perfume, band-aids, charger, etc.
18. thrift books sells books for really cheap!! also, ALWAYS check other places before ordering from normal bookstores (i’m looking at u barnes & noble)- they’re most likely cheaper.
19. i’m not gonna be one of those people who is like “school is the best!! it can be great for anyone if you just try!!” bc that shit aint true. it might suck ass for some of you. just know that high school isn’t your life. some people act like your life ends after high school. we’re 14-18 years old and still have so much to learn and see. if you set up a countdown to the end of high school your first day of freshman year, so be it.
20. your teachers are people too. they’re not there for you to use and abuse. they have families, problems, LIVES. they also have 3289472 students besides yourself, and assuming they should put you above the rest will only end up in disappointment.
21. social media is not all that matters. esp in this day and age, people will definitely be using snapchat and instagram (and hey! tumblr too). but don’t think you need social media to fit in. one of the most popular girls in my school literally made her instagram just the other day. to reiterate: it’s not that deep!!
22. you’re gonna change a lot (which is ok!!). freshman year i only wore hot topic and watched supernatural & doctor who. now, i just watch cooking vids and fawn over shawn mendes. it’s ok to change!! even just though freshman year you’ll change. i know i got like. super gay
23. if you find yourself having free time (or having study hall), do your homework!!! once you get home you’ll probably get distracted/lazy. what i used to do was go to my local library after school and get all my homework done so that i wouldn’t leave my school mindset and not wanna do anything. even if you don’t get everything done, you’ll thank yourself later.
24. there’s a difference between “forming your own opinion” on someone and completely ignoring their reputation/what your friends say. i can’t tell you how many people have gotten burned by the SAME guy in my school because none of them even kept in mind the warnings they had heard about him. it’s ok to give people a chance, but remember that most people’s reputations hold some truth (but not everyone!).
25. this seems pretty obvious but like. be nice. don’t talk mad shit about people you don’t know. rumors fly FAST in high school. what’s even worse is when they’re not true. fact check your shit if you ARE gonna gossip.
26. ok last point (for now). everything is gonna be new. there’s no getting around it. you WILL feel out of place. you’ll most likely be anxious. but everything will end up ok (cheesy, i know). the first week of high school is one the scariest weeks you’ll have in high school. things need time to settle. you’ll make friends, you’ll find things you like, you’ll be happy!! enter high school with a growth mindset. it may not seem like it, but your attitude WILL impact how things turn out.
overall, you guys will be fine. good luck to all of you !! if you have any questions or need advice on a specific thing, please feel free to send me an ask!! i’m always here. love u bbies
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