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mncxbe · 2 months

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𝑭𝒚𝒐𝒅𝒐𝒓 𝒙 𝒇𝒆𝒎!𝒂𝒏𝒈𝒆𝒍 𝒓𝒆𝒂𝒅𝒆𝒓

𝑨𝒖𝒕𝒉𝒐𝒓'𝒔 𝒏𝒐𝒕𝒆: reference post; @soullessfyodor here's my take on Fyodor with a guardian angel♡// ღೀ๋࣭ ⭑𝒄𝒘: delulu, Fyodor's a bit manipulative + has a God complex, dubious relationship between them, possibly inaccurate biblical lore

he knows you're there, knows you exist. growing up in a religious family, he's always been told that his guardian angel was watching over him, making sure he was safe from any danger. but trying to interact with you never actually occurred to him

you showed yourself to him for the first time when he was around ten. he'd caught a terrible flu and his already weak body could barely handle it. so you did your job, you healed him and ever since you visited him more and more often

it was against the rules but what could you do? he was a quiet kid, a bit too intelligent for his own good and you just had a feeling that there was something wrong with him

your suspicions were confirmed once he started joining different criminal organizations. you tried to keep him on a straight path but there wasn't much you could do to change his resolve

"Don't worry, my dear angel, I am quite certain that the purity of my soul is untainted." he smiled as he packed his few belongings in a suitcase.

"I'm begging you, Fyodor. Don't go to Japan it's a bad idea–" you protested but he wouldn't have it.

"I'm not keen on using this argument but I am an adult now, angel. I can make my own decisions"

"You're still acting like a kid" you huffed, fluffing your wings, causing a few feathers to fall on the bed covers. Fyodor chuckled, gently seizing your chin "And you're still acting like my mother. There's no need for you to be so concerned for me"

ever since Fyodor moved to Japan to pursue his plans the relationship between you changed. Fyodor became more secretive, but you still didn't give up on your routine– every night, Fyodor played the cello for you or read you a few pages of his book. those were his little ways of showing you his gratitude for always being there for him

after a few months you could sense a deeper change. he barely talked to you about his plans and every time you tried to voice your concerns he deflected

"My, my, angel. I told you before there's no reason to worry about me." smiled the man, motioning you to join him in bed.

"I'm serious, Fyodor. I can't keep covering up for you. You're killing people don't you realize your actions have consequences for me? And for you too" Fyodor simply laughed, pulling you next to him as he traced the outline of your wings with his fingertips "Am I upsetting the higher ups?" You nodded and his grin widened. Cupping your face with his free hand, Fyodor brought you closer to him.

"Why should I care about that, my dear? After all, I am a God myself, aren't I?" Before you could reply Fyodor placed a kiss to the corner of your lips"You know I'm right."

"You shouldn't say such things"

"You've let so many things slide, angel, I'm sure you can excuse some mild blasphemy"

and you did let it slide, and other things too. there were many things he should've been sanctioned for but you swept them under the rug– no matter what atrocious things he did you still believed he was the sweet Fyodor you once knew

it didn't take long until you lost your place among the angels and were sent to hell. call it divine judgement, or karma, but covering Fyodor's endeavours for so long did have a consequence

as a fallen angel you could still come to earth whenever you pleased but for a while you avoided Fyodor. you were mad he was cruel enough to let this happen. all of this could've been avoided if he would've just listened to you

still, it didn't take long for you to return to him. after spending so much time together you couldn't just ignore him. especially not when you could hear him calling out your name through the endless night in hell

"So, my angel, are you getting accustomed to your new home?" he taunted, his lithe fingers dancing along the cello's cords, his music echoing through the dim-lit room.

"Don't you dare joke about that" you hissed "How did you find out in the first place?"

"I figured, since you stopped visiting for a while..." Taking note of your silence Fyodor sighed, putting down his instrument "I do appreciate your sacrifice, angel. Your devotion is truly remarkable"

You scoffed again at his words, feeling your blood boil "You should be ashamed of yourself. You condemned me to a life in hell."

"You could always come and live with me. You're more than welcome in my humble home" he said in a honeyed vocie as he got up from his chair and moved towards you. He kneeled in front of the futon you were laying on and held your hand. "My dear angel, forgive me. If what I doing wasn't this important I would've given up on my goals. But it can't be helped"

You sighed, running your thumb along his knuckles "Such important plans yet you cannot tell me anything about them."

"Of course not" he smiled "Not now at least, but one day will come when I'll tell you everything. Until then, you'll have to trust me."

You remained silent for a while, a heavy tension settling between the two of you before he spoke again. "You lost your God and your status, but I assume you still have your powers."

"You're correct"

"Then stay by my side, look over me like you always have" The man rose to his feet and leaned closer to you, his breath fanning over the shell of your ear "I can give you a purpose. That's what you need, right?"

"So you're asking me to taint my soul even more? To give up on my principles, on everything."

"You were already deemed a sinner, my angel. You've fallen. I'm offering you a way to rise back up– a new god, a new purpose." Striaghtening his back, he bowed, holding a hand in front of you. "So what do you say?"

You weren't stupid– it was obvious what Fyodor was after. He just needed your powers to keep him alive. You were just another tool, another pawn. But it was the best deal you could've asked for, so you hesitantly accepted his hand. Fyodor smiled, helping you up from the couch before he placed a tender kiss to the back of your hand.

"You and I, my dear, are going to accomplish great things together"

#𝐫𝐞𝐪𝐮𝐞𝐬𝐭𝐞𝐝ღೀ๋࣭ ⭑#bungou stray dogs #bsd #bsd x reader #bsd fluff #bsd fyodor #bungo stray dogs fyodor #fyodor bsd #fyodor x reader #bungo stray dogs fluff #bsd headcanons #fyodor dostoyevsky bsd

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exilethegame · 7 months

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Writing Update (09/22/23)

Hello everyone! It's been a while since I made one of these, huh? 👀

I've spent the past few weeks settling back into university work, but now I'm back into the swing of writing and developing things. So I thought I would take this chance to clarify some things, and lay down what the future of The Exile is gonna look like.

The Public Demo is now done. Chapter Five is the last chapter that you'll be able to play for free until the game is finished. Right now, I am working on rewriting what is written and porting the game into Twine. This means I'm expanding scenes, adding variation and flavor text, fixing stubborn lingering bugs, and implementing a codex + optional flashback scenes (*cough* and art *cough*) into the game. This will take a while.

I'm not just copy and pasting things into Twine and changing the coding-- I'm polishing things, adding lore and info, and overall just making the game significantly more "put together" so-to-speak. The version of The Exile that's up right now has been the Alpha Version of the game, It's never been properly edited beyond fixing glaringly obvious typos, continuity errors, and bugs. Now, I'm working on actually implementing broader, more complex changes into the game based on feedback I've gotten over the coarse of the past two years of writing!

My hope is to release the Twine Demo at some point around January. But that's a goal, not a deadline. I'll likely take in more beta readers for the Twine version of the game at some point, and post the Twine build onto my Patreon more casually in the following months. I'll delve more into both of things, however, when the time comes.

My hope is to be as transparent as possible and try to be more active on here as I work on things, so expect to see writing updates once more! Though they'll likely be quite short, functioning just to keep you guys updated on what's going on ~*behind the scenes*~

That's all for now, and thanks for reading! :)

Rewrite Progress [Prologue] The entirety of the Prologue is being rewritten and expanded upon.

Expanded the Jamie + Lnyla encounter in the woods (scene has three main variations, and can end in 4 different ways! And Jamie is less of a little brat <3)

[WiP] Expanding Vethna's intro scene-- there are two main variations, and there will likely be more than one way for the scene to end this time...

Added codex entry for magic-users

Added codex entry for Vrithka

Added codex for blood magic

Working on overhauling and simplifying stats (the main focus with be MC's combat stats, along with MC's personality + commanding style)

Debating adding a sort of optional "personality test" that will tell you what mythosi your MC would be based on their personality!

#writing update

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gimme-a-man-after-midnight · 3 months

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my royal roomie pt. 3 *sneak peek*

fandom: Aquaman

pairing: Orm Marius x Reader

part 1 part 2

summary: As time passes, Orm begins to see you as more than his surface dweller host. Much to his surprise, you’ve captured his attention, which in turn makes him notice just how physically affectionate you are with everyone except him.

Warnings: light cursing, touch starved!orm, light angst if you squint, comic lore inaccuracies, slow burn, divorced parents!reader, dead parent mention, mentions of being smaller in comparison to orm, flora inaccuracies??

The dynamic between you and Orm didn’t make a complete 180 after your late night talk - in fact, it was quite awkward for the first few days following. Orm, although now deciding to actually be in the same room as you for longer than five minutes, didn’t talk much when you were in each other’s presence. The Atlantean favored just observing you in your natural habitat - when you cooked, when you read, when you talked with people on the phone. You often extended invitations to him to join in your activities, but a silent shake of his platinum head was what you were regularly met with. You tried not to take offense, understanding that small steps forward was better than leaps backward, but you couldn’t help but feel a little unnerved by his probing gaze.

Your expressions when meeting Orm’s eyes were always one of the three - confused, apprehensive, or downright shy. Orm liked playing a silent game with himself whenever he would wait in the communal areas of the house for you, guessing which one would take over your face that day. However, what the Atlantean liked most of all was when you would deviate from all three and bless him with a sheepish look that teetered between flushed and guilty. Although there would be no evident redness behind your cheeks, your flitting eyes and soft smile gave him a new type of satisfaction. Orm wasn’t blind - he could tell you were attracted to him. His heightened senses could pick up on your increase of breaths and the quickening of your heartbeat whenever his eyes would be fixed on you and it made pride swell in his chest. Even with how apparent your interest in him was, you never overstepped - you were always respectful of his space, never even entertaining the fine line between roommates and not just roommates. You had remained awfully friendly, though….

…friendly enough for Orm to realize that the way you interacted with him was vastly different to how you would with others.

---

Orm had assumed humans were quite simple - easy to understand due to their lack of brain capacity and advancement in comparison to Atlanteans. However, watching how different you were in your shop - witnessing you change from the selectively quiet, sarcastic little thing you were at home to a vivacious, charming young woman here - it had confused him greatly. His father had told him many stories of the treacheries of humankind, but the one point he drilled relentlessly into his head was that humans were simple, dull creatures undeserving of their people’s knowledge.

Other sea clans felt that when the time came to reveal themselves to the surface that it would only be to educate them - his father had other ideas. The infamous King Orvax wished to utilize the wrath of the seas in order to overpower the surface world, his son at his side as they rebuilt the world in their image. His teachings were the foundation of Orm’s belief system for the majority of his life, yet you had managed to topple those mind palaces within a matter of weeks. You, with your soft knits and quick wit, had the Atlantean prince questioning whether his father had simply been misinformed. His father couldn’t have possibly known how complex humans could truly be because he never met you.

(to be continued in the full part 3 coming soon!)

#orm marius x reader #orm marius x you #aquaman #aquaman imagine #dceu #arthur curry #orm marius imagine #orm x reader

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thydungeongal · 4 months

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Hi there, I got started with ttrpgs after dnd 5e came out so I don't have any personal experience or strong opinions about 4e. Would you be willing to share some of the things that were different in that version that you enjoyed?

So okay with the caveat that there isn't a single edition of D&D I don't enjoy to some extent, this isn't really a "list of reasons why D&D 4e is objectively better than any edition of D&D ever," but more like "list of features of D&D 4e where I feel it distinguishes itself from other editions":

As much as D&D has always been a combat-focused game, where characters usually have to at some point rely on violence, D&D 4e is the one edition where combat has felt the most tactically engaging and where there are sometimes genuinely tough tactical decisions to be made. Part of the beauty of D&D 4e's combat is down to a very simple fact: combat isn't quite as swingy as in other editions, where a couple of lucky rounds can either make or break the combat in the characters' favor. If you lose in D&D 4e it's usually not the result of a single bad turn, but multiple turns' worth of bad decision-making and bad luck. There's nearly always a way for players to turn around a combat that's going badly. While I also enjoy the extremely lethal and swingy editions of old on the macro level, combat in them isn't as tactically satisfying as in 4e to me (but on the flipside, combat being very quick and dirty is definitely a benefit of those systems).

I genuinely feel that it does class balance better than any other edition of D&D. Class balance has always been tough in D&D: you've either had artificial balancing like "start Magic-Users weak and have them advance slower, but once they survive to higher levels they become extremely strong," or just poorly thought out "I guess one of the Druid's class features is having an extra character that's a bear and almost as strong as a Fighter, and the Druid can summon more bears while turned into a bear." That isn't to say that it's perfect: some classes had their growing pains (Warlocks weren't great to begin with, Avengers were good but not great) and some classes did outshine others (I'm not sure if this was ever the consensus, but I always got the vibe from discussions that Fighters were probably the best Defender), but it was very hard to build a character who could overwhelm an entire party or play rocket tag while everyone else was still playing D&D.

Many of the additions and changes to the lore and cosmology of D&D were welcome to me. I liked reframing the cosmic conflict as gods vs elemental primordials, as it felt like a return to the Law vs Chaos conflict of old. I liked the idea of devils as corrupted angels, punished for deicide, which also made them a great mirror to demons that in 4e were technically corrupted elementals! It basically turned the Blood War into a dark reflection of the ongoing conflict between order and chaos (as represented by the gods and the primordials)

The Warlord is such an amazing class. It is genuinely my favorite thing to come out of 4e, and the fact that it was never brought into 5e is actually the worst thing the designers of 5e ever did, even though they explicitly promised the return of every class that had ever been featured in the first PHB of the game.

Of all the WotC D&Ds it had the simplest and most intuitive action economy. Standard, Move, Minor. You get one of each. Standard action can be traded in for a Move or Minor action. Move action can be turned in for a Minor action. It's hilarious to me how simple it is and how 5e in trying to simplify it further by making movement something you have every turn by default and making bonus actions a separate thing ended up making the action economy more complex with its various if: then statements about when you're allowed to use a specific bonus action and how sometimes a bonus action you've used can limit the actions you can take.

#thydungeongal answers

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raven-at-the-writing-desk · 24 days

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I don’t know if you’ve already covered this, but I had a question to ask about the VDC in Book 5. To clarify, I understand that RSA needed to win for thematic and character arc purposes, and that in-lore it was an audience vote not a professional one. The story beats line up. But the choice of cutesy and childlike RSA performance over the more refined and professional NRC performance still doesn’t quite click with me. Is there some kind of cultural difference that didn’t translate to explain why one performance was supposed to be understood as preferred over the other? Even if it was an audience vote, the standards should be higher just by virtue of this being a big name competition for teenagers held at a prestigious school.

Very quickly, I want to add a couple other points that help to explain why RSA won over NRC! Book 6 opens early on with Vil noting that NRC was not able to perform as well as they wanted to since they had just come out of a difficult battle against his OB form. (Because of this, he accepts responsibility for their loss.) Thus, the NRC performance may not have actually been as "refined", "professional", or as polished as we imagine it to be.

Additionally, it’s stated in book 5 that RSA’s song choice had universal appeal whereas NRC’s did not. We see this effect on the production crew when Neige and the Seven Dwarves do their practice run; their performance has a refreshing and soothing effect on what appears to be an older audience (as it plays to their nostalgia); we must consider this when evaluating RSA and NRC. For example, I know that I really disliked NRC's performance (sue me/j) because it sounded very oppressive and therefore unrelatable to me. The lyrics are literally about how NRC will dominate their opponents and win 😭 Sure, the music and lyrics for Neige's song aren't complex, but they're at the very least accessible and easy to follow along with. (That's not to say that I prefer RSA's performance though; I'm just explaining why someone might not find NRC's performance appealing.)

Lastly! We as players are looking at the two song + dance numbers from an omniscient perspective. We need to consider our own biases when judging, and accept that it may differ from the characters in-universe view things. Maybe you prefer NRC’s performance. That’s fair! But how much of that is informed by your personal music preferences? And how much of that comes from your attachment to the NRC characters, since you’ve followed their stories up until this point? As Rook points out in book 5, he’s aware of how hard NRC has worked to get here… but he’s also aware of Neige’s hardships too (er, in terms of his lifestyle; ie living with the dwarves and doing chores, etc.). Consider then, would you honestly not have a bias for RSA had Twisted Wonderland’s story centered on them instead of NRC?

It’s also worth noting that how things are seen in Twisted Wonderland may reflect its own unique culture rather than how we in the real world may perceive it. Maybe the people of Twisted Wonderland just prefer a cute, nostalgic performance. This may not necessarily correlate with west or east at all and that has always been a possibility! (While TWST does take inspirations from the real world, it’s not a 1:1 with the real world.)

dkhlbaiyfadvfoad Okay, NOW onto the actual question being pitched!

When you look at media from different countries, there are some stark differences in how the same information is presented. One example is like... any Gordon Ramsay show yes, I am using him as an example. Compare the American cut and the British cuts; there are much more loud sound effects, dramatic music, yelling, and cussing in the American cuts. The British cuts, by comparison, are notably quieter and contemplative, with hardly any cursing. Another example! Looking at variety shows from the east vs the west, they're quite different as well. Eastern variety shows tend to be "cute", usually using various cute sound effects or edits which make the guests appear more bashful (like drawing blush over their cheeks or something). We don't see this in western TV shows, which are louder and more boisterous. I've noticed a similar trend in the music industries of the east vs the west as well, where eastern stars tend to emphasize their youthfulness and playfulness and western stars try to be more "mature" and grown-up. These are just my personal observations and may not reflect reality, especially seeing as I am not involved in music-oriented spaces.

I asked friends and personal contacts in both eastern and western pop music fandom spaces for their own insights (which is also in no way representative of both fandoms, but at least this gives us other perspectives for consideration). To summarize, most of them replied that they did not think cultural differences account for this situation, since equating a preference for a "cute" aesthetic is not the same as RSA performing what is basically a nursery rhyme. There's no real-world equivalent for that (at least none that they can think of), and I agree with all of this. There’s really no point in trying to compare the two.

I remember lots of Japanese fans being upset at NRC’s loss too (when book 5’s ending was first put out), so the impression I got was they didn’t prefer the performance of RSA over NRC either. It was not just the international fandom that was disappointed. I don’t believe TWST ever intentionally set out to present “Everyone Yahoo!” as the “superior” song and dance number, or as the performance we’re supposed to like more than the other. It was very much framed as something pathetic and unlikely to win in most of the eyes of the NRC characters. They make fun of RSA’s clumsiness and claim it’ll be easy to win over them. The player most likely is supposed to think this way too—until Vil, the one with an eye for showbiz, realizes his loss. Why? Because it doesn’t matter what we think. What matters is how this clumsy performance will resonate with the common person.

What I think it ultimately comes down to is emotional appeal to the audience, which is more of a personal/individual level thing than a cultural thing. The competition is decided by audience vote. The average person honestly does not care about quality or standards. No one is giving them rules to evaluate by, no one is going to tell them off for not having strict standards. They will pick based on what they like best or whatever makes them feel good. And what will make anyone feel food, regardless of age, sex, race, education, socioeconomic status, etc.? Something cozy and familiar, thoughts of simpler times… Nostalgia.

Something else to think about is what a powerful motivator emotions can be. There are irl idol competition shows that are high stakes and decided by audience vote just like VDC/SDC… and people will still vote for their favorites even if they gave a technically bad performance. This is because fans are so emotionally invested in and attached to the performer. It doesn’t matter how “bad” they are, the performer/performance makes the audience member feel impassioned, and they will then act according to those intense feelings. Think about what you’re like when you’re in a terrible mood vs a good one. You act completely differently, right?

I hope that perspective helps! 🙏 I tried to be as thorough as I could be in this response, but please let me know if I misspoke or maybe missed a point.

P.S. I happen to be responding to this ask after TWST showed us the NRC Tribe’s dance performance in a MMD video. I wonder if this only made the “NRC should have own” crowd double down on that opinion since now we’re seeing just what their performance looks like 🤔 (though we don’t have a complete MMD video of Neige’s group to directly compare, just this which shows part of the dance and not in the same clumsy way that Neige and co. perform it).

#twisted wonderland #twst #Neige LeBlanche #Vil Schoenheit #Rook Hunt #disney twisted wonderland #disney twst #book 6 spoilers #book 5 spoilers #notes from the writing raven #question #Seven Dwarves #Gordon Ramsay

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call-me-strega · 3 months

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How to Become a Step-Dad in 5 Easy Steps: p. 2, ch.2/5(?)

Happy Late Valentine’s Day my dudes.

(This is Unedited, the cleaner version is on ao3)

First, prev, lore, ao3

~~~

It was a week later that Jason ran into his neighbors again. Or well, actually Red Hood ran into them. Then again “ran into” was a bit of a strong (read: inaccurate) description. He had more so observed from afar than ran into them per-say.

He had just landed on a rooftop when heard the sound of increasingly familiar giggles. A cold wind pushed against his helmet as turned to the source. Lo and behold there was the father-daughter heading on the direction of their apartment complex. It was about two blocks from their current location.

‘Well,’ Jason thought. ‘2 blocks off my normal route won’t hurt. I’ll just make sure I see them arrive safely and then continue on with my patrol.’

He watched as Ellie is rushed down the street waving around her toy space shuttle, eager to get home. She ran further ahead from Danny who had his hands full with groceries. He called after her to stay where he could see her and she just giggled and gleefully replied with and “Okay Daddy!”

Jason smiled at their interaction. He felt a sense of comfort and longing seeing such a close and loving pair. However, his smile faded as a pit formed in his gut. His instincts could sense was something off and from the corner of his eye he saw some movement in the alley the Ellie was approaching. As quickly and silently as possible Jason crossed the rooftops to get closer.

Just as Ellie reached the opening of the alley some two-bit thug reached out and pulled her into the alley. The young girl cried out as she dropped her shuttle. She called out to her dad in distress.

“Daddy!”

“ It’ll be okay Ellie! I’m coming! Remember what I told you?!”

Danny called back took of down the road trying to reach his daughter.

This seemed to calm her down as her fear became more manageable. She stop struggling and did her to glared at her would be kidnapper. Jason finally arrive on the roof top ready to drop into the alley and intervene when he witnessed a series of events that stunned him.

Ellie kicked the guy in the nuts with as much force as her little body could muster.

Which appeared to be quite a lot based on the sound that came outa the guy as he let go of her. Just then Danny reached the alley abandoning his groceries by an empty box at the mouth of the alley.

“Ellie!” He exclaimed reach out to gathers her in his arms. He held her tightly and stoked her hair trying to calm her. “ It’s okay baby, I’m here. Daddy’s here Ell. I’m not gonna let anyone take you,” he assured her.

The guy growled as he managed to get back up. He bagan to advance towards them once again with a switch blade in hand this time. Unfortunately for him he didn’t get very far in his plan to use it as Danny reached into his pocket and pulled out some thing labeled “Creep Repellant”. Just as the guy got close Danny pushed Ellie behind him, lifted his arm and maced the guy to distract him. The man cried out in pain and ended up dropping his blade. Then Danny pulled back and clocked the guy in the nose. He stumbled back groaning.

Danny didn’t give him another chance to regain his wits. He just turned, picked up Ellie, and booked it home.

Jason witnessed all of this almost starstruck by the way the how the dad handled himself and his kid. His major priority was making sure Ellie got out of the situation safely even if he had to abandon his groceries and Ellie’s toy to do it. Jason decided to make sure they won’t be followed by this guy. He dropped in and quickly knocked the guy out. Then he zip-tied him to a pipe and called for someone to come pick up guy up before he decided to hand him over to one of his Lieutenants instead. None of them would take to kindly to a potential child trafficker.

Jason walked back to the mouth of the alley and examined the abandoned groceries in the same galaxy-print reusable bags he’d seen Danny use at the store last time. He picked them up, along with the toy space shuttle, and took the back to the apartment complex. He left them in-front of Danny’s door with a note from Jason saying he found them in an alley and believed them to be Danny’s because he recognized the bags and one of the toys Ellie had shown him.

Was it a bit weird? Perhaps, but it could be played off as a coincidence and made more sense than the Red Hood leaving them on the Nightingales’ fire escape.

Later that night Jason’s brain kept replaying the image of a six-year-old kicking a grown man in the balls and her father proceeding to pepper spray and deck the dude. It brought a smile to his face to see that Ellie was well protected and evidently being taught how to protected herself too. He felt his fondness towards them grow once more. (He tried to ignore the part of his brain that kept replayed Danny’s punch and whispered ‘that’s kinda hot’)

~~~

About three days later Jason was driving home from the Wayne Foundation on his bike when his engine started stalling and losing power. He cursed his luck and decided to take a turn to head to his favorite mechanic's shop.

Ol' man Sammy had started the shop when he was still a kid and his grand-nephew Leandro, Leo for short, started working under him when he had just started out as Red Hood. They were good people who didn't mind acting as informants in exchange for Hood's protection. Nor did they mind the Jason Todd-Wayne showing up from time to time. As far as they were concerned he was another alley tyke grown up, now a paying customer and potential investor.

Last he heard from them was a month when Sammy officially passed on the reins to Leo and settled into retirement with his wife Avellana. Word had it Leo had been looking for a new hand around the shop and Jason had sent a couple of guys looking to get out of the henchman business his way knowing if Leo didn't hire 'em he might direct them to a cousin who would. He wondered vaguely if Leo ever did end up hiring someone. 'Well I suppose I'll find out soon enough' he thought pulling up into the workshop.

Jason pulled his helmet off, feeling a fresh breeze hit his face, and called out to the two men he saw working on a truck. One of them was examining something under the hood and the other working on the underside. He tucked his helmet under his arm but didn't get off the bike yet. He called out to the two guys.

"Oy Leo, compa! Is that you?"

The man inspecting the hood pulled his head out and gave Jason an impish grin.

"Oh man, Jasón is that you güey?!" The wiry, oil-slick man came over to greet him. Shaking his hand and pulling him into a half-hug.

" You here to get something fixed man?"

Jason slide off his bike and nodded back at it.

"Engine keeps stalling, I was hoping you could take a look," He then glanced back over to the man still working under the truck. " How's Ol' Sammy doing? I see you got the new hands you were looking for."

Leo grinned back, enthusiastic as ever. "Yeah man, he's new in town but good with his hands and a hard worker. Tio approved of him before he left. He and Tia are on vacation right now, went back to visit her family."

That's when a phone rang in the office. Leo sighed turning to Jason.

" Hey man I gotta take this but the new guy can totally get you set up. I'll be right back."

He turned and called out to the man under the truck "Ay chavo! We got a customer man! Come help 'im out while I get the phone!" before rushing of to the office.

The man finally pulled out from under the car and staring back at him were familiar blue eyes and a face smudged with oil. Danny grinned up at Jason as he began to walk over.

"Well hey there stranger, funny running into you here. Guess you must be friends with Leo and Sammy, huh? A real man of the people you are?"

" Uh, hey," Jason felt himself flush with embarrassment, his hand coming up to scratch his nape. " I mean yeah I guess so. I've known them almost as long as I've been able to walk so..."

" I'd like to thank you."

" Huh?" Jason met his eyes with a confused look.

" For finding and returning my groceries and Ellie's shuttle I mean. I got real lucky you happened to find them, otherwise that'd have half a paycheck down the drain. I'm grateful for what you did."

"It was no big deal," he said glancing away. He looked back to see a soft look on Danny's face.

" It meant a lot to me" he replied softly.

The two gazed into each others eyes for a moment before Danny turned his attention to the bike.

" You said the engine was stalling?"

Jason nodded in reply as Danny began to inspect the vehicle. After few minutes Leo emerged from the office just as Danny gave his verdict.

"It need a couple of new filters and an adjustment of the throttle position sensor and then it should be good as new."

" Perfecto!" Leo exclaimed walking out of the office. "You can handle that while I had out. Some guy in Chinatown needs a tow so I gotta take the tow truck and go."

He turned to address Jason. "You can trust Danny here with the bike, I wouldn't have hired him if he wasn't any good!"

He clapped Jason's shoulder before rushing out to his truck. Jason turned to Danny who shrugged and gave him a helpless grin.

" You got experience handling bikes?" Jason questioned.

" Sure do, I knew this one asshole back home who had a pretty sick ride. I ended making friends with him somehow and he taught me about 'em. I've already worked on a couple for Leo here too." Danny replied before walking over to the register.

" Here, I'll ring up an estimate for you. If you decide to leave her here with me I can have her done in an hour-hour and a half and you can pay when you come to collect her."

Jason decided he was willing to let Danny handle his bike. He figured he could just walk a block and grab some dinner at that Mexican-Caribbean fusion place nearby.

" I'll let you take care of her, like Leo said, he wouldn't have hired you if you weren't any good."

Now it was Danny's turn to flush. He fiddled around at the register before talking to Jason again.

" So can I get your number?"

" Huh-?!" Jason startled. Danny flushed even deeper and pointed at the pen and notepad on the counter.

" For the job! I’ll send you a call or text when it's done!"

Jason's face broke into a wicked grin. "Sure," he teased picking up a pen.

"Here's my work number," he said handing Danny a piece of paper. " And here-," he paused to write another number. "is my personal line. But that ones just for you neighbor. So don't go spreading it around," he winked.

He turned to walk out as he heard Danny spluttering behind him. And despite the expletives Danny called after him, he could do nothing to disguise the fondness in his voice.

Later that evening, Jason rode home on his newly serviced bike. He'd offered to give Danny a ride home but he still had an hour of his shift left and reassured him that he would be fine to make it home by himself. He took not of how well the bike was running. 'Purrs like a kitten' he thought. The voice in the back of his head once again returned to chime in 'Nothing like a man who's competent at his job'. Jason cursed the voice out, revving his bike and ripping down the street.

~~~

A few days couple of days later Jason receives a text:

"Hey its Danny. You run a soup kitchen with the Wayne Foundation right?"

Jason is instantly filled with concern. Did the Nightingales hit a financial pit fall? Was Danny hurt and unable to work? Did that creep stop paying his child support? He quickly wrote back to Danny

"Yeah why?"

"Ellie made friends with another girl in the building whose mom mentioned "soup night" was coming up and she came home and asked me about it.

I'm lucky that Leo pays well and Vlad's got plenty of money to cough up that we don't really have a need to go but I figured this might be a good learning opportunity to help Ellie understand both our and her friends situations.

I was hoping you had room for a few extra volunteers?"

Jason felt his worries melt away, just like his heart.

"We always have room for more volunteers

I'll text you the details"

That following Sunday Jason was organizing volunteers to set up the rec center he'd established last year step up for the soup kitchen. He was directing people with trays of food while his assistant/partner Irene ran through hygiene rules with some of the volunteer servers.

Behind him Jason felt the door open and a refreshing rush of wind filled the air as his newest recruits walked in. The daddy-daughter duo walk up to Jason and Danny gave him a little 2 fingered salute.

" Volunteers Danny and Ell reporting for duty!"

Jason gave them a soft smile.

" Hey guys, it’s nice to see you. This is Irene, my second-in-command. She'll run you through the serving protocols and get you ready to help. Danny you'll probably end up handling food while Ellie takes up resupplying utensils, plates, napkins and bottled drinks."

Danny smiled and ruffled his daughter's hair who giggled enthusiastically with a determined smile on her face.

" I think that'll work for us!" he said, turning to Irene who greeted them with a warm smile and led them over to her section.

About 15 minutes later Irene sidled up to him with a cheeky grin. Informing him he'd left Danny and Ellie with some of the other, more experienced volunteers.

" Sooooooo," Irene wiggled her eyebrows at him.

" Sooooooo- what?" he returned to her with a blank stare.

" When were you gonna tell me you had a crush on your new neighbor!"

Jason's face turned red as two more of their colleagues descent upon Jason having overheard what Irene said. Like sharks to blood in the water he swore.

First John, who was also one of Hood's men, whipped around and exclaimed. "What?! Jason you have a crush on your neighbor! What about Hood?!"

" For the 50th time Johnny, I'm not dating Hood. And its not a crush Irene!" Jason said in exasperation.

That's when Fern, the non-binary rec center manager, popped up behind him and said "What's this about Jason having a crush?"

Jason once again protested futilely that he didn't have a crush while Irene gleefully filled Fern in.

" Jason's totally got the hots for the hot, single, young dad who's volunteering with his daughter tonight! You should have seen how soft his face got when they showed up. And get this! Their actually neighbors and Jason's already been to their house for dinner!"

Fern whistled while Jason spluttered.

" How do you even know about that?!"

" Your crush let it spill while we were making small talk," she shrugged.

Jason groaned. None of them were gonna let this go.

"Come on you guys, its nearly time to start. Go get into your places," he insisted.

They relented but Irene shot him a mischievous look that told him he wouldn’t be escaping their teasing at a later date. Sigh.

Jason took his place in line manning the mashed potatoes. He felt someone nudge his shoulder and turned his head to see Danny standing next to him.

" Irene put me in charge of the green beans"

Oooh Irene we will be having words later!

"- and Ellie's been put on crowd control, which I think is just their way of saying she should take any kids done eating to the other room to play."

He smiled up at Jason, who of course smiled back.

"Lets do this" he said as the doors opened and their night of volunteering began.

It was a busy night so he and Danny didn't have much time to talk, but Jason learned a great deal just by observing. As his night went on he only saw more and more what amazing people the Nightingale's were. Thoughtful and kind without being condescending. Both Danny and Ellie were incredibly compassionate people.

Danny made an effort to be kind to anyone who came up to him and tried to connect with them in order to make them more comfortable. Ellie was a hit with the kids. She was strong-willed, outspoken and quickly took to speaking up for the shyer kids. She ended up amassing a little posse of her own. She made sure all her newfound friends got to try the foods they wanted and to get their turns with the toys in the game room.

As Jason continued to scoop out mashed potatoes and ignore suggestive glances and cheeky smiles from his friend he couldn't help but feel a sense of pride and warmth. This was something he built through his efforts to help the Alley and he got to share it with two people he was growing to care about deeply. In turn not only had they shown an interest what he was trying to do here but actively sought to help others with him.

Jason took in the sight of Ellie leading a gang of smiling children. He made another sidelong glance at Danny, who was bonding with a young boy who said the green beans reminded him of a mythological creature. Privately he thought to himself that maybe Irene was on to something with her whole crush theory.

~~~ Thats all for this chapter. I do have some stuff planned for the rest of this section so look forward to that. Once again I welcome any comments or constructive criticism!

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txttletale · 20 days

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What are your thoughts (lorewise) on Warhammer fantasy so far and what's your favorite faction

i love skaven. ive been a skaven fan for like 20000 years ever since i briefly played actual tabletop. they're just funny little guys :)

when warhammer is good it's because it's embracing its original 80s gonzo spirit of 'just throw any old pop cultuire shit in there and figure it out later' -- i love how the skaven are, like, cartoon mad scientists with nuclear power and genetic engineering and also stupid rats who love scheming and betrayal anbd they waltz around with giant fucking flesh monsters and gatling guns and Combat Hamster Wheels. ther'es other stuff in this vein that's good too: orcs being english football hooligans is never going to stop delighting me, the tomb kings are a really cool concept, the vampire pirates (as far as i'm aware a CA invention?) are so fucking goofy and they rule so so hard.

overall though there's al ot of really really uncomfortable undertones to the world of warhammer fantasy. first of all there is the straight up racist shit, i love the lizardmen (i am currently deep into a mazdamundi campaign) and some of their lore is really interesting and in some ways avoids some of the common pitfalls of 'fantasy indigenous peoples'--it's made very clear they are an advanced society, technologically and socially complex, with a rich culture and history. but the lazy aping and blending of half-remembered maya/aztec aesthetics and the '''''funny''''' joke names they have and the fact that they are ancient and mystical and Not Of This Age just adds up to them being a really racist caricature of mesoamerican societies.

also WHF leans really really really hard into the biological determinism stuff. i love the skaven but the fact that they're a rapidly breeding menace that secretly infiltrates your cities and kidnaps people and gorge themselves on resources and have an Evil Religion and are As A Race predisposed to treachery and viciousness and are depicted as literal vermin brings to mind yknow the place all these tropes hold in the racist and antisemitic cultural imaginary and it definitely makes me kind of uncomfortable. i think the same can be said of the (also straight-up racist) depiction of beastmen as Tribes and Hordes that are very literally More Animal Than Human. like, there's so much of That Shit, of X Race are Biologically Fundamentally Like This, and the Like This often happens to coincide with a constellation of tropes used to demonize and justify the extermination of real people, and i really hate That Shit.

i also find the (also quite typical of fantasy) Order (Good) and Chaos (Evil) moral distinction to be pretty ideologically repugnant

so overall, yknow. mixed feelings innit. that said i'm having an absolute blast with TWWH2 this shit rules im driving my big dinosaur around and eating mother fuckers

#ask #also i have never once in my life thought about age of sigm ar

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thesummerestsolstice · 2 months

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Headcanon Crafts for Everyone I Missed Last Time:

Idril: a sculptor. She worked with every kind of stone imaginable, and often went looking for new material in Gondolin’s mines with Maeglin. (Look my Maeglin head canons are complicated but they should get to be friends the narrative has hurt them too much already) She actually preferred not to make elvish figures, instead focusing on strangely beautiful stone landscapes and various animal-like figures. She was actually responsible for Middle-Earth’s version of the gargoyle, having carved several to stand guard over Gondolin. Several elves swore that the statues moved, but she never addressed those rumors. She also liked to paint her work with bright colors, which would’ve been seen as odd back in Valinor, but fit right in in First Age Middle-Earth.

Maeglin: a smith, but his craft was more in-line with Avarin practice than Noldor practice; with much less focus on the idea of making gems and heavier focus on understanding natural geology and the properties of various gems and metals. He knew the mines of Gondolin better than anyone, and wrote plenty about the the earth under the earth. His work also had fairly significant Dwarfish influences. He liked to make mechanically complex pieces, with moving parts or even some internal gear work.

Finduilas: a hunter. Her and her father were both nature people, just in very different ways. She was silent, with all the grace of a dancer, and quick enough to outrun most of what she hunted. She preferred to go after more aggressive animals– wild boar, wolves, bears, even wargs– and leave the deer and rabbits be. She was born in Beleriand, and had never met the Valar, but sometimes, privately, offered up prayers to Orome. She liked to imagine she could’ve been in his hunt, if things had turned out a bit differently.

Celebrimbor: a smith, in the very traditional Noldor sense. Gemworker, specialized in jewelry, made various famously beautiful pieces, etc. Was never quite happy sticking to hairpins and necklaces. Longed to try his hand at imbuing his work with real power, but always talked himself out of it. A whole binder of concepts for works of power sat locked away in a chest in his workshop for centuries. He never talked to anyone about it. He was as ashamed of his feelings for his craft as he was of his feelings for his family. By the end of his life, he’d made peace with only one of those things.

Earendil: a mariner? Alright, he was definitely a mariner, and he loved the ship life– he even built a few boats of his own, in a similar fantastic style to Turgon’s architecture– but he also had a longstanding fascination with the natural world, and filled volumes and volumes of journals with information on various plants, animals, and minerals. But natural lore isn’t a recognized Noldor craft, since it involves learning but doesn’t really produce tangible results. Still, it was a passion he got from afternoons spent learning about geology with “Uncle Mole,” and one he shared with Elrond. Researching the beauty and wonder of nature gave Earendil something to do with his immortal life, and was a big part of the reason Elrond chose to be immortal at all.

Gil-Galad: a king. No, really, he’d been the high-king of the Noldor since he was a child, and hadn’t really had time for trivialities like “finding a life purpose” or “having fun.” He was too busy learning how to stay alive in late stage Beleriand (read: hell) and learning to rule the least cooperative group of elves imaginable. He wanted to be a painter, and while he found enough practice time to get good at his chosen craft; because of how long detailed paintings can take, he almost never had time to actually make anything. He tried not to let it bother him too much. He didn’t always succeed at that.

Elrond: in a bit of a weird spot. Elrond is most associated with lore and healing; but, as discussed, “lore” isn’t considered a craft. And, well. Healing had to be Elrond’s craft, right? He’d been doing it since he was seven, and just about the only person in Amon Ereb who could still use healing powers. And it was good work, and it was rewarding, even if it often left him feeling so burned out and worried that he forgot to eat or sleep. It took him a long time to admit to himself that healing for him was what fighting was to many other elves: a necessity. Truth be told, he’d rather be gardener, working with the earth to create a place of peace and beauty. Also, Elrond is basically a nature spirit. So. It was something he began to explore in the peace of the early Second Age. He found that his Ainuric powers had all sorts of interesting effects on plant life. He also learned how to breed new varieties of fruits, vegetables, and flowers. Still, he never really considered that it could be a proper craft for him. At least, not until he first saw the valley that would one day become Rivendell.

Headcanon Crafts for Finwe and his Children, the House of Feanor, the House of Fingolfin, and the House of Finarfin.

#silmarillion #silm headcanons #house of finwe #noldor #noldor crafts #idril #maeglin #finduilas #celebrimbor #earendil #gil galad #elrond #elrond peredhel #eldritch peredhel #I have feelings about elrond and gil galad #they had to grow up so fast #they deserve peace

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factual-fantasy · 1 month

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Heya Factual! Congrats on the 23,000! Yet another well deserved milestone earned by your hard work and dedication! Really sorry about the cold- we always seem to get sick at the worst of times! Definitely don't do anything crazy till you're 100%, but thanks for making that really cute celebration piece- you can really tell how much the factual Fam cares about you from their worried expressions...and then there's Gerald, who refuses to let his happy demeanor waver for a second! Though then again, he is still quite young- he might not even understand the concept of getting sick yet!

And on that note, at least till you're better, I definitely won't send any unnecessarily exhausting Asks like last time ( thanks for answering that so thoroughly though- that was really cool! ) and just keep it simple- and my ask today is regarding the simplest Mario enemy, the goomba!

You've mentioned them in the past as beings created by Kamek- How does he do it? How long has he been doing it? Are the goombas sentient, or just savage constructs? How many are there, in ratio to the Koopas? Did the bros have to fight through a bunch of them on their way to the castle? And do any of their variants exist, such as the micro goombas, para goombas, or giant goombas? We require the Goomba Lore!

Thank you! :DD I'm doing my best to take it easy.. I've spent most of my days recently either sleeping, sitting, or playing Pokemon Scarlet XDD that's relaxing right? Yes, I believe so-

As for Gerald, he isn't ignorant to my condition- he's actually meant to be surprisingly emotionally aware. :0 He's smiling though all this because he wants the others to be happy. And if he's calm and smiling, maybe we'll smile too.. 🥺

I was intending to draw a comic that goes into Gerald's character a bit more... But I just haven't been well enough recently to take on a project like that.. :((

And don't worry about "exhausting asks", I encourage them! :D I could really use some lengthy asks as a form of distraction to be honest.. 🥹💔

Speaking of asks, about your Goomba questions..

Well, starting with Kamek actually- I have intentions to make him a few hundred years old. Being the most powerful magikoopa there ever was supposedly.. and he's been associated with the royal Koopa family for generations.. though this idea is in canon limbo, because I'm having trouble figuring how exactly he's managed to live so long. Considering how magic works in my au.. his lengthy life span shouldn't be possible..

None the less, even though I haven't gotten that idea to fit yet- I love it so much that most of the au kinda branches off from it- <XDDD so with that established, Kamek brings Goombas to "life" using magic of course!

I was thinking that the ability animate dead/inanimate things is a very complex magic that took Kamek years to learn. And he was only finally able to master it in the last 100 years or so.

Now for the Goombas, they are not sentient for sure. They are just these little.. zombie like.. machines. They start as poisonous mushrooms and when they are "brought to life", they gain this desire and need move and attack anything that doesn't appear to be a Koopa.

As for the Koopa to Goomba ratio.. I'd say they make up 1.5/10 of the kingdoms population. They are very disposable and "easy" to make.. but they are relatively fragile creatures and take a while to grow.. plus the Goombas don't live very long. Since they uproot themselves upon being "Goomba-fied", they eventually wilt and die.. :/ so that number doesn't ever go over 1.5.

I'm sure Mario and Luigi had to squash some on the way to save Peach the first time. But it was only after her rescue that one landed a bite on Luigi..

As for their variants, the micro and Giant Goombas surly exist! Though king Goomba might not because the original brown mushrooms probably don't grow that big-

As for para-goombas.. hmm.. I know there won't be any Goombas with wings going around. But perhaps there could be a Goomba that can release airborne spores.. or at the very least can attack from afar.. that could get them the title of para-goomba! :0

I think I covered everything, I hope at least-

Thank you for the ask and interest in my au! :DDD it was a nice read and took my mind off of all my ailments for a short time 🥹💖

#my response #super mario bros #i really gotta work on kameks plot holes #i want him to be super oldddd #being loyal to the koopa family for generations..#hes personally met them #all the family stories and secrets and grief this man knows...#OH OH ALSO #it would be so cool if he was 100s of years old and when you look closer at him you realize not much of his original body remains-#he would be so creepy and haunting #you'd wonder how much of this man is “kamek” and how much is a brainwashed drone meant to serve the king..#ooooo hes so fun i love kamek #i wanna draw him so baaadddd 😭😭💔

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trickstarbrave · 5 months

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I will give you a shiny quarter if you explain Morrowind to me like I’m five (pretty please)

its is quite difficult given i dont know how complex of topics 5 year olds can understand. but i can try to explain it in the most simple way possible because i explain it regularly to one of my roommates and wife who do not understand elder scrolls lore at all. be warned: this is still gonna be long and weird bc the story is long and weird.

(also excuse the swearing i wouldnt swear like this to a 5 year old)

a long long times ago, some 3000+ years before the game actually starts, there was a dude named nerevar. he made friends with some dwarves (dwemer) who lived underground and united the whole country of resdayn (later renamed to morrowind) to drive out the nords who had taken over. he also had a rly cool ring named moon-and-star, which was magic and let you be really persuasive, but he also enchanted it to kill anyone besides him wearing it so it couldnt be misused. this is relevant later

well he married the queen almalexia and made a big council of important people mostly made up of his buddies. he called it the first council and important people on it were his bestie voryn, his wife almalexia, and two younger friends sotha sil and vivec, along with the king of the dwemer dumac and dumac's mage kagrenac (the dwarves use weird magic with sound. if i go into details this will get very confusing).

for like 200 years because elves live for a long time, everything was pretty alright.

but it turns out the nords were there for a reason. they were looking for the heart of a dead god. the god's name for the sake of the story is lorkhan, but different places call him different things like shor or shezzar. the nords worshipped lorkhan and wanted to bring him back or something (probably, or at least just find it because hey thats their guy). but after 200 years of peace the dwemer found it underground in a volcano they lived in. and kagrenac had an Idea

the idea was to build a really cool really powerful giant robot mecha god (because the dwemer were really steampunk) to protect them. and it would be powered by the heart lorkhan.

voryn, nerevar's bestie, ended up finding out about this and told nerevar "hey the dwemer are up to something weird". and nerevar went "huh? they are?" and went to ask his goddess, azura, who knows a lot of things. azura said "yeah they are. stop them. what the fuck" and so nerevar went to his other bestie dumac.

and nerevar told dumac "hey why the fuck are you building a giant robot god?" and dumac's reply was "nerevar what the fuck are you talking about?" and nerevar, being mad his friend was Lying to him (maybe dumac didn't know. we dunno) because he already had multiple people confirm they were in fact doing that, he told dumac their friendship was over and kicked him off the first council and they went to war.

the details here get fuzzy. the nords showed up and joined in. the dwemer had steampunk robots everywhere. cat people showed up because why not. there were orcs there too. it was a big clusterfuck and there were different accounts of what happened. some people say voryn was fighting alongside the dwarves. some say he was fighting with the nords. some say he was fighting alongside nerevar. its hard to tell.

but most accounts have one thing kind of in common that a lot of the fandom agrees on: kagrenac grabbed their three cool tools to control the heart of a god, banged on it really hard, and then every single dwemer (except for one who was on holiday) vanished in an instant. and everyone was pretty confused by that, not really knowing what else to do. they now had a giant robot, the heart of a god, and 3 tools to wack the heart with to make weird shit happen.

so nerevar, unsure, said "hey voryn watch the tools for me." and left voryn with the tools and the heart. voryn said they should just destroy the tools, but nerevar wanted a few different opinions before just chucking them in lava or whatever. but while he was gone voryn started fucking around with the tools and the heart to see what would happen.

nerevar asked his buddies. almalexia, vivec, and sotha sil said they can use the tools to help resdayn/morrowind. nerevar didnt know if that was a good idea or not, so he asked azura. azura said "fuck no, dont ever do that". so nerevar made his friends pinkie promise him on azura's behalf not to use the tools on the heart.

and then again the accounts get weird here. some say nerevar died in battle against the dwarves/nords. some say voryn killed him. some say his friends (almalexia, vivec, and sotha sil) killed him. but regardless nerevar and voryn died. almalexia, sotha sil, and vivec had the tools. and they decided to use them on the heart and became gods.

this pissed azura off. they pinkie promised. what the fuck. so she made all the elves that lived there into dark elves. almalexia, sotha sil, and vivec became known as the tribunal and said "we dont need you anymore azura fuck off" and became living gods who could help their people and preform miracles! though they needed to take the tools up to red mountain and recharge their batteries on the heart regularly. azura tells them "nerevar will be back one day and beat all your asses" and made a whole prophecy about it called the nerevarine prophecy (reincarnations get the name+'ine' tacked on in the elder scrolls)

also the tribunal destroy voryn's house/family, the sixth great house of morrowind, house dagoth. just destroy it all. kill a bunch of ppl and the others kinda go somewhere else if they lived. because they sided with voryn or whatever and were deemed traitors

a bunch of other shit happens. septim empire rises to the throne. vivec trades the not working robot to tiber septim who makes it work with a bootleg wish version of the heart of a god and takes over. more time passes. its now the third era and its been 3500 years.

the protagonist is a prisoner who is released from their sentence in morrowind because the current emperor wants to use the prophecy to keep a better hold on morrowind politically. the protagonist was chosen because part of the prophecy is being born under a specific astrology sign and not knowing who your parents are. which could be anyone but y'know.

so the protag/nerevarine has to do a bunch of shit and finds out through weird dreams, oh hey, voryn's back. he's calling himself a god and dagoth ur now. asking nerevar to call him back, go grab the tools, and come meet him at red mountain. also maybe get married to or hook up with him or something. nerevarine thinks that's weird and ends up finding out dagoth ur has also unleashed a plague onto morrowind which turns you into scary eldritch monsters. and then one of dagoth ur's minions infects you with it.

nerevarine finds a cure which makes you not go insane and not turn into a big scary monster. but leaves all the cool shit of "you cant catch any other disease" and "you will never age". the never aging and getting diseases thing was also part of the prophecy. cool.

then the nerevarine needs to go to the nomadic ashlanders who live up north where theres a bunch of ash (hence the name) and worship azura (and the two other og gods) and ask all four tribes to name them nerevarine. they all think youre stupid because an outlander (someone not born and raised in morrowind) cant be the nerevarine. but you find an original copy of the prophecy and go "nuh-uh, i can be" and also go find the moon-and-star ring only nerevar can wear. then they go "well shit" and have you go a bunch of quests and then decide you're cool enough to be nerevarine.

then the nerevarine goes and convinces the three great houses you can talk to (the other two are on the mainland) to name you hortator, which is a war lord/classic roman definition of dictator, and it was the title nerevar had. you do some stuff, kill some guys, boom--named hortator.

then vivec hears about this and calls you in and says "well i guess you are the one doing the prophecy huh. look i need you to kill dagoth ur he's dangerous. here's our plan, are you in? i can give you one of the tools of kagrenac, you need to get the other two from dagoth ur's goons, and then kill dagoth ur's weird brothers he has put his power into. then bang on the heart with the tools and cut him off". vivec then teaches the nerevarine how to use the tools.

you can also just like. kill vivec and take the tool. you wont know how to use it tho and if you use it wrong you will take so much damage you die really fast. if you do this you can go to the only living dwarf who also has that disease but hasnt lost his mind and ask him how to use it and he'll be like "UHHHHHH i'll see what i can. fucking do i guess. i didnt make this." and he'll jerry rig it for you.

then you can kill voryn's brothers or not (you'll need to kill at least 2 for the other tools) and then march up to red mountain. dagoth ur will then be like "yo. are you really nerevar?" and you can say yeah or no or idk. and then have a conversation. and then you fight. but after you kill him he's not really dead, so you gotta run up and start wacking that heart while he yells at you to knock it the fuck off. and then he's cut off from the heart, you run away, and he falls in lava and dies.

and then azura shows up and goes "hey thanks man i have some other shit for you to do though". after which you can do some other content or play the dlc.

thats morrowind baby

#morrowind #tesblr

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hatredmadeofgold · 11 months

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Revenge with a vengeance — The tragedy of Sam and Raiden’s canon relationship dynamic

Alternate title: SamuRaiden is THAT deep, actually.

Although MGR does not have as complex or well researched character lore as the main series, Samuraiden as a relationship is a lot more complex than common fandom tropes and interpretations of their relationship suggest. I don’t mind it when people make funny/meme content about these two, since MGS/R does come with its own flair of humour, it’s very exhausting for me as well as a few others I know who enjoy this ship for it to be reduced to just that — a joke. MGR being perceived as ‘goofy’ is mainly due to how poorly some of the character lines translate from Japanese to English, as well as it being more or less evident that either budget, time or both ran out over the course of development, hence the second half of the game feels rushed and underdeveloped. In fact, the great majority of MGR fans do not understand how serious, dark, hopeless and dystopian its message really is and that is saddening.

The world isn’t black and white, neither is it in MGS/R. Sam isn’t the just the villain (never has been, by the way), Raiden isn’t the just the hero (never has been either, by the way), I’d say it’s rather “depends on who you ask”. They are on opposite sides due to the circumstances of how they meet and not because they wouldn’t get along. Quite the opposite is true, in fact, if they would have met before 2016, they might have become friends based on the fact of how much they can actually relate to each other in many different aspects of their personalities, interests and experiences.

Before we get to fight Armstrong as well as during the Sam DLC (also through very subtle hints during their first fight on the train) we learn that Sam is just like Raiden and that Desperado forced him to become a shadow of who he once was, going against his own morals and values and only Raiden reminding him of who he truly was before Armstrong defeated him 2 years prior, ultimately crushing his spirit — he had no other choice, either die there as a failure or continue to live and become Desperado’s/Armstrong’s puppet [until someone would eventually defeat Armstrong and free Sam from his never ending nightmare — Did I already mention that Sam is a really fucking tragic character?]. Sam joining Armstrong’s laughter at the end of DLC is a reaction of fear, not agreement with him or enjoyment. And if there’s one thing that both MGS and MGR are really good at, it’s the accurate and very realistic portrayal of the human psyche under stressful and traumatic situations.

On the other side we can tell from Raiden’s reaction when holding Murasama after killing Sam that he, for once in the entire damn series, questions if that was the right choice he made. We know that Raiden enjoys inflicting pain and suffering onto others, he enjoys murder — but he did not feel that way when he killed Sam. It’s quite the opposite. It’s very subtle and if you’re not very observant like me, easy to miss. But the way his voice turns a bit softer, how his eyes look listless, almost sad; he regrets it. When Blade Wolf asks Raiden if that outcome was really necessary, he does not answer him, because he knows that Wolf is right, it wasn’t. And Raiden pretty much hates himself for it. To his team he confidently says that Sam isn’t a problem anymore since he killed him, but that’s not the same Raiden that he’s that moment in the badlands (which is another implication to me that Raiden doesn’t fully trust his teammates, although they are friends; he has major trust issues and the only emotions he shares with them is either anger or amusement but nothing outside of that). The way he sheathes Murasama is a way to honour him, and as far as I remember this is a ritual to honour a samurai’s defeat or death.

I believe that there has been a silent understanding between the two swordsmen that they respect each other from the very beginning, but they do not say it out loud. This is a case of “show, don’t tell” but also something I suspect has something to do with the game being written by Japanese authors, and Japanese is a high context language, meaning, very little words are needed to get the meaning across, and I think this may also translate into the words these two exchange with each other compared to how they truly feel about the other. Besides, they probably couldn’t truly speak honestly with each other in the first place because of the unfortunate conditions of how they met and were (more or less) forced to fight each other until one of them would eventually succumb to the other’s blade. Codecs and conversations were most likely recorded by their respective employers, and I highly suspect that in Sam’s case, he was even monitored 24/7 by Desperado since he never was an official member of the Winds of Destruction in the first place, and they didn’t fully trust him either.

At the very end of the game during the fight with Armstrong, Sam’s message plays, and we can hear how Sam also speaks with a different voice to Blade Wolf compared to everyone else (and technically, indirectly to Raiden but I cannot confirm or deny that Sam was aware that Raiden would ever hear this playback), it’s a note softer; Raiden learns the truth, which confirms to him that he was right about Sam after all, that they are alike, that they respect each other, and that there was more to Sam’s story than him being a part of Desperado, he doesn’t know what exactly, but he knows now for sure that Sam was not the person he originally believed he was (and lets his team still believe he thinks that way).

Would Raiden truly say Sam’s catchphrase “Let’s dance” before fighting and ultimately killing Armstrong, if he wouldn’t have been going through a gradual process between originally hating Sam to respecting and liking him but unable to ever express that to him or anyone else?

Would he ever admit to anyone what kind of emotional impact Sam had on him, besides the anger and hatred he openly expressed towards him?

Doubt so. Highly fucking doubt so.

Because sharing his true feelings is a liability to him, and Raiden learnt as a very young child that vulnerable feelings such as sadness or guilt would be used against him, so his psyche is conditioned to discard them immediately. But Sam made him feel those things in their full extent and Raiden is fully aware of that, but he would never share with anybody that he ever felt that way about Sam.

He may or may not take those feelings to his grave.

From Sam’s side, we can only guess how he truly felt about Raiden, but we can only guess by the way he hesitated to finish him off on the train during the prologue, the way he smiled at Blade Wolf before his death (which might be likely another case of a silent understanding between Sam and Wolf that the latter would share with Raiden what he knows about Sam or the playback of their conversation itself, if not both) as well as everything he says with giving Murasama to Raiden. Of course, Sam couldn’t even say out loud to Blade Wolf or Raiden that he planned to give Raiden his sword to take down Armstrong, and he had to be as vague as possible with the information that he shared with the robot dog. Not by choice, no. Most likely because he was being watched 24/7, he knew that Desperado nor Armstrong didn’t fully trust him and if they knew about his plans, they’d make sure to finish him off before Raiden had the chance to do so. Sam knew he would die, and that it would be the only way he would ever be free from Armstrong’s grasp. So he chose suicide through Raiden’s blade, and gave him his sword to finish what he could not back then.

The game’s title is REVENGEANCE — Revenge with a vengeance.

They both translate to the same thing in my native language German, but there’s a subtle yet important difference between these two nouns.

“Revenge means when you get back at your enemy who is responsible for hurting you and vengeance is the punishment inflicted or retribution exacted for an injury or wrong.”

But it was never Armstrong who hurt or wronged Raiden in the first place, and we know he’s an essentially selfish person who does not really care all that much about politics, religion or anything like that and he only fights for himself (I wrote in my essay about Raiden’s ASPD that his motivation to save these children from becoming cyborg child soldiers is a trauma response first and his rather lose and grey morality second) and the few people he cares about, so Armstrong being the one one who ordered to get N’mani killed is not the reason Raiden went after him or was that passionate about getting revenge or retribution on him either.

It was Sam who hurt him — wounded both his body and soul during the prologue — but when Raiden got his revenge, he realised that revenge is empty, that he didn’t feel better, and that he regrets killing him, then we get to the vengeance part. From the moment Raiden held Sam’s Murasama in the badlands, he felt no more hatred towards him and the emotional impact his death had on him made Sam transition from a person he hated to one of the few people Raiden truly cares about.

Armstrong may be the villain of the story, but the person who wanted revenge on him never had been Raiden. It was Sam. Always had been Sam, because it was Sam who got hurt by Armstrong, it was Sam who wanted to get revenge on Armstrong for defeating him and crushing his spirit, it was Sam who wanted to punish Armstrong for making him into a shadow of who he once was, making Sam speak about ideals he didn’t truly believe in (like, who the FUCK even thinks that Sam truly believed a single fucking word of that, because I for sure as hell can tell he never did, he either gaslit himself into believing that for 2 years until he met Raiden or only parroted whatever the fuck Armstrong wanted him to say so he would not get killed on the spot).

Revenge and vengeance are very deep feelings and actions of hatred, feelings that are too deep and complex to be associated with morality, hence why I highly doubt that the title of the game is directed at Armstrong from Raiden’s side at all. That between Raiden and Armstrong is not nearly as personal as it has been between Sam and Armstrong. Raiden eradicating Desperado and Armstrong had been about justice [for the kids being killed and their organs sold], not revenge.

"I said my sword was a tool of justice. Not used in anger. Not used for vengeance. But now… Now I'm not so sure. And besides, this isn't my sword."

But when he says this, followed by “Let’s dance”, it became deeply personal for Raiden as well. Because he could confirm that his feelings about Sam had been right, and that Sam wanted to get revenge on Armstrong.

Raiden decides to avenge him, because Sam couldn’t get revenge himself.

Although Sam never told him directly, Raiden understood him from his actions alone, those subtle hints, reading between the lines what the other truly felt and wanted the whole time, eventually passing the “torch” — his sword — to Raiden, to finish what he could not. So while Raiden’s own reasons to finish off Armstrong were (mostly) justice for the innocent lives he destroyed and planned to continue to destroy, they also became feelings of hatred and anger — Sam’s feelings towards Armstrong.

In the end — revenge with a vengeance — is what Sam could get on Armstrong only through Raiden, after Raiden enacted his onto Sam.

Now the question is — if Raiden would’ve never killed Sam, by the chance of him recognising earlier than in canon that revenge is empty and that he won’t feel better after killing him, would Sam go by his example and abandon his revenge plans on Armstrong as well? Or would they fight Armstrong together and get justice?

We unfortunately can only speculate (or write stories about it).

What we can tell from canon though, is that Raiden’s (= Sam’s) passionate feelings of hatred towards Armstrong quickly vanish the moment he finished him off, and he looks into the camera with an empty expression, covered in blood and a crushed cybernetic heart in his hand.

And I think that is exactly what he feels — empty.

Because again, he got revenge and avenged Sam, led by what Sam felt, Sam’s feelings became Raiden’s feelings during that fight with Armstrong. But once that was gone, there’s nothing left. In the case of killing Armstrong, he doesn’t feel remorse or guilt. There’s nothing. Absolutely nothing.

Because revenge is empty.

Raiden defeated his enemies — but at what cost?

By killing Sam, he realised what he had actually lost — a potential friend (or more), someone who understood him in a way that no one else did. Perhaps he thought or felt that, if he avenges Sam, making Sam’s feelings towards Armstrong into his own, he might be able to deal with that loss better, but to no avail.

Because, and I can speak from experience as a person with the same mental health issues as Raiden, that emptiness is worse than regret.

MGR’s ending also implies that Raiden abandons his family and friends to fight his own war; essentially taking the same path that Sam once took in his past, ending up in a personal war and revenge act that knows no end, making one bad choice after the next. If Raiden hasn’t already become the villain of his own story by the end of MGR, then it’s just a matter of time until he becomes that.

And the cycle of violence continues, until the story repeats itself, over and over and over and over and over.

Did I mention already that there is a myth around Murasama being a cursed sword, that will drive its user either slowly insane or make them commit suicide if it doesn’t get a regular ‘blood sacrifice’?

—

“I really enjoy murder, but that one, that I will regret for the rest of my life.”

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mecachrome · 3 months

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extremely 👀👀 about this kind/nice spectrum u brought up and how alex oscar lando and anyone else on the grid are placed on the grid..... would love to know more.........

hi there!!! :D omg yes i would love to talk more about this, though of course disclaimer that these are my Personal Interpretations and i love to spout nonsense on the internet LOL. i'll just expand on oscar + lando + alex some more since frankly i don't know all the other driver lore Like That and i don't want to overstep in my analysis! also i'm deathly afraid of chirlies. ok let's move on

to start off... i think the way we talk about celebrity personas obviously requires some generalization + projection since we can only extrapolate what is already being consciously disseminated, and so although i frequently talk about the kind/nice dichotomy or someone's capacity for sympathy vs. empathy (which is kind of a parallel assessment imo) we are of course all complex people who contain multitudes, and i think it's mostly just interesting to examine strictly in the context of racing & racing mentality... if that makes sense!

also wrt landoscar's personalities → one thing i feel very, VERY strongly about despite their differing surface-level interests and social profiles (read: different flavors of off-track sports, both of them being gamers but to diverging levels of visibility, lando's higher degrees of hyperfixation, etc.) is that at their baseline they are extremely similar people, and honestly even very similar drivers and racing "characters," which ultimately kind of colors most of my analysis. if we peel back the layers then oscar and lando are both functional introverts who've been very well-nurtured by similarly robust, persisting, and loyal support systems—oscar spending 99% of his time off-track with his longtime gf, lando's best mates all being from his karting days, their dads being equally objective about yet also supportive of their careers, jon having trained lando since he was like 5 feet tall, etc.—so to me the overarching difference is that they have diametric approaches to how they externalize their convictions, and then obviously since that's what we see/hear day in & day out it generates the existing rift between their media images. per lando on btg:

"Oscar is extremely down to earth. A bit like me, just a very normal guy who's in Formula 1, just a guy that loves to drive cars and compete against people, and that's it."

(incoming egregious amounts of lando psychoanalysis...) despite oscar being the only driver i truly rep, i've always found lando's psyche soooo fascinating because he invites such extreme emotion in people (be it positive or negative), and i think part of it does go back to the idea of being nice vs. kind and ultimately the lens through which his intentions are interpreted by other people. in real-people fandom this is always interesting since it ends up becoming an unconscious exercise in how we perceive "sincerity" in others, even though the underlying paradoxical truth is obviously that any such assessment must always be dispersed and consolidated via a parasocial system (and thus everything is held relative to our own individual value systems... This is totally not the point of the ask. SORRY FOR THE MILLION TANGENTS) anyway as an extremely disillusioned sports fan i actually have a lot of time for lando despite how much visceral judgment he generates in quite a few people, which is totally fair since everyone is fully privy to feeling however they want to feel about any celebrity and i am not here to convince them otherwise lol. but that's just me!

i think to me the thing about lando is that there is almost zero pretense to his character, which some dislike because they find his bluntness off-putting, but imo just means his intentions are generally straightforward and easily digestible. sure, he lacks the spoken filter to not come off as occasionally callous, but at the end of the day i genuinely believe that he's an inherently thoughtful (and "kind") person, especially within the insular system of professional motorsport and the many mental pitfalls that accompany it. a symptom of this is how willing he is to resist more gracious media responses and how very inwardly critical he can be in specifically self-motivating ways, the latter of which sometimes gets misinterpreted due to the rigid yet overwhelmingly popular framework of what constitutes a competitive racing mentality. but like... to Me, lando is just entirely what you see is what you get, bad parts included, and he has zero intention of making excuses for that or pretending to be anything otherwise. which i enjoy!

and which again also goes back to the idea of niceness. (honestly the tl;dr for most of lando's pr scandals is just Oh okay so it's illegal to be neurodivergent now? but i'm trying to be normal so let me not just say that.) a good example is the entire debacle of saying he felt no sympathy for daniel at mclaren in 2022, because i think it elucidates a sort of kindness in objectivity that he very plainly participates in—to lando, being a top-performing athlete means never searching for excuses to soften the brunt of one's failures, himself included, and equally that there is no point playing sorry in front of journalists or trying to reshape their narrative scrutiny since at the highest level of competition any bold-faced externalization of "sympathy" is really just pity. and what point is there in telling someone else that you Feel Bad for their skill issue/struggles when the moment you extend that sentiment you essentially debase their position as a direct competitor and therefore disrespect them even more?

"I want to be the best in the world, I want to prove myself to people. But I've never had the mentality or the confidence to say that or feel like I need to do anything more than normal to show it to people. Do I have to do anything to go over the top and show that to prove it? I don't think so. People say you've got to be brutal and you've got to have this certain mentality. But I just don't think it's true at all. I think you’ve just got to get in the car and do the best you can."

i think the Separation of Church (treating everyone exactly as they are on-track, just another car to size up or keep at bay) and State (being friendly, supportive, and altogether well-regarded by other drivers off-track) is a primary tenet of lando's personality, and it's something he achieves by valuing kindness over niceness. you know the lando/maxf quadrant interview where lando is like: i'm not friends with you because of your achievements in life... i just care about your personality! and he's mainly saying it to take the piss out of him but he also 100% does mean that shit. that's the crasyinsane part about lando to me... god i'm so sorry i need to not go on for a million years but PERSONALLY, i think lando is very much the type of person who can go through an experience, or otherwise see someone close to him go through an experience, and approach it very empathetically to the point he continues carrying on this internal conviction about it even when he's survived or grown past it. like even as someone who mostly believes in Death to Relatable Marketing, i find it really interesting when lando talks about mental health in sports because we get to see both a) the fact that he's grown so much in his own mental resilience from his rookie self in 2019 to who he is now, but also b) that he continues to believe strongly in rejecting the presumed archetype of a successful formula 1 driver, and is steadfast in surfacing that even though... honestly? lando nowadays is a very consistent, well-rounded, and efficient talent who frankly doesn't experience nearly as much of the unproductive mentally-spiraling self-criticism that used to impact his performances to a far more pronounced degree when he was younger and rough around the edges. yet he still feels compelled to affirm that there is No One way to be an athlete (which is significant because "mentality" is such a harped-on concept in all sports, and everyone is always trying unfailingly to extrapolate performance-related projections via vague and completely subjective intangibles to a notably unempirical degree!!) because he does care, deeply, about how people enter and succeed in motorsport. honestly i always feel kind of iffy bringing up commentary re: Women In Motorsport because it often sounds unnecessarily adulatory, but at least in recent times i think he's also shown a decent amount of grace when talking about female fans, girls in karting, that one time he was like Bruh who are you? @ that misogynistic reporter, which...... i'm not going to say majorly influences my opinion of him, but imo being willing to quickly shut someone down like that is an anti-niceness to a productive end that i appreciate, since i think many personalities would kind of just smile bemusedly and try to quickly move on in the conversation.

tl;dr lando thinks feeling bad for people is useless and will never give you that one tidy sympathetic soundbite, but he does care for people vividly, especially off-track, which to him is the only place kindness really matters anyway. when you look at maxf (and i know this is mainly a portrait of codependency unique to their friendship but i do think it reflects his love languages in general) whose career cratered because he mentally couldn't handle the pressure, lando's response was literally to unfailingly engage in failcore househusband chores for him like leaving handwritten notes in his 3rd grade girl handwriting and ironing his clothes on stream........ which... i could go on forever but again. separation of church and state!!!

anyway with oscar on the other hand, i honestly think most things in his life kind of just exist as a function of motorsport LOL. and that he likes surrounding himself with people of similar interests/intellectual level/skillsets, down to his partner studying engineering and wanting to work in the same industry as him....... again, i think 814's baseline characters are Very similar and that they're both great team players with complementary professional approaches, so this is not a knock on either of their personalities, but imo lando is just generally more outwardly sentimental and has also had to do a lot of conscious growing up in the past ~4 years to become more well-rounded wrt off-track interests, whereas oscar basically came onto the grid as this already fully-realized product with far fewer dependencies who is just nonchalantly like, I see my family 3 weeks a year and my sisters just think i'm their lame older brother and don't care about my career at all, but i'm fine with that and i'd make all the same sacrifices i've made over and over again to get where i am!!! also re: oscar's abject lack of interest in engaging with fans one-on-one, an easy example is how lando genuinely values/treasures the friendship bracelets he gets and wears them consistently whereas oscar is just like. Erm. i respect it but that is not for me ✋😭 he's nice about fan things because he understands how much fan support and consumerist interest enable the circus that is formula 1 but he doesn't really value any of it much past the surface-level pleasantries......

why is this answer so long............... idk if you want to hear anything more about alex but i think he's very similar to oscar in terms of this measured external niceness/quiet ruthlessness, especially wrt how they weather team politics, interact with media (noted red bull marketing hater alex albon), and tend to simply Do The Thing To Do The Thing. alex is especially interesting because if you watch his high performance pod it reveals sooooo much of his growth over the years and his current mental framework ("i was having to be selfless, and it didn't really agree with me that much") and frankly even just the way he speaks about himself is fascinating to me but i digress!!! i do think much of lando's tactless impulse yet also apparent kindness comes from his considerably privileged background and the fact that he was shown a lot of Realistic But Also Unconditional Support and thus never had his career actively threatened growing up. so even though he's had to learn to not mentally catastrophize at the f1 level, he didn't undergo the reckoning alex did with his mother/losing rb's team backing/etc., which alex mentions in this podcast as specifically triggering his insatiable desperation to prove himself.......... and so on. alex and oscar to me are both quite similar in how they let more combative thoughts simmer and are very well-trained in responding palatably to the media, but they're also going to resist relating themselves too much to other people's struggles because That Is Not Their Problem, and at the end of the day oscar is uh.... sure he has a lot of appreciation for mclaren and has called prema a family before, but he really only wants to win for himself and is less inclined than lando is to romanticize the spirit of the Team. and so when he says things like "for me, there’s just not any point, especially in self-deprecation, destroying yourself in front of the media," it's a Niceness because his assessments are always entirely self-absorbed in the most productive of senses, as in he truly only cares about what he himself is doing and is never going to waste time worrying about or comparing himself to his competitors' mental approaches!

does any of this make sense. please excuse the monstrous rambling 😭 but also please feel free to follow up with your own takes/lore about any driver if you'd like to, or to tell me that i'm absolutely wrong if you'd like, because i always love to hear about these things!!! :3c

#ask #i did not mean to psychoanalyze lando like That i'm so sorry...

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