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#that's par for the course
satansleftnutcheek · 1 month
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Bitches will create the MOST DEVASTATING STORIES KNOWN TO MAN out of 2 besties playing Minecraft together what the FUCK did they put in the water why are people making work about GoodTimesWithScar and Grian as if they’re Penelope and Odysseus the boys really saw a silly comedy and said no not sad enough we MUST fix this
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foolishlyzephyrus · 2 months
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the end of time is so funny because while the doctor is grappling with his impending mortality and immense loneliness, the master is just a feral rat man that’s shooting lightning out of his hands and eating people
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stil-lindigo · 1 year
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the sunset.
a comic about two outlaws who loved each other, despite everything.
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--
all my other comics
store
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sunflowerthiefsunny · 1 month
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Welcome to Dimension 20 in this episode our intrepid heros are taking a real fucking standardized test. Flip over your scantrons.
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sexhaver · 10 months
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there was this kid at my high school on our cross country team who would always wear ratty punk band tshirts on runs instead of the usual underarmor/nothing and one time the legend wore a fucking Police Story tshirt. the super Christian kid* got so upset he almost started crying on the run lmfao
*broke up with his girlfriend because he had a dream where Jesus told him to
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oliveoomph · 5 days
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Christina Hendricks & Hannah Einbinder
Hacks s03e06 - Par for the Course
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sagaduwyrm · 6 months
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DCxDP Idea:
Danny is Constantine's son (Either the Fenton's had a threesome or there was a weird lab accident) and that gives him first dibs to the guy's soul. Maybe some old magic law about how if you sell your firstborn and that firstborn turns out to be, say, an Eldritch deity with dubious morality and teenage spitefulness, or similarly powerful being, that kid gets their parent's soul as recompense. Except a lot of other beings already had claim to Constantine's soul, and now they're sending Danny whiny letters about it. Danny's eighteenth birthday basically goes: hurray! Now have all this whiny paperwork from asshole demons.
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I don't think I'll ever get over how Organization XIII was hyped up as this super nefarious villain group but then you get to their game 358/2 Days and they treat it like a job. A 9-5 soul crushing job. They have their daily menial tasks and then they go home and wash, rinse, repeat with little else occupying their lives. Even their hobbies and pastimes seem so limited, although you can arguably chalk that up to the game just not being interested in developing them like that (which is part of why the manga is great, because it has a tendency of developing them in ways the main writers aren't interested in). From the way they talk about it, they almost sound like they work at an office sometimes. A very bizarre, particularly backstabby office, but still. It's a soul crushing job AND a weird cult all at once and it's treated with this mundanity that's both hilarious in a way I didn't really get when it first came out and oddly humanizing.
I know for some dumb reason they didn't do a remake of Days and it's harder to access because of that, but if you can and it interests you enough to where you've wondered if it was worth playing, I really recommend playing it or watching a playthrough of the actual game instead of just the cutscenes. The story really is partly told through the mechanics and so much is lost when they just gave us the cutscenes pulled from the game in the compilations.
They really reinforce how bleak and mundane Roxas' life is most of the time, how bleak and mundane most of the members' lives are. How much control the Organization has over them. You don't just level up organically like in other kh games, you have to do this weird puzzle thing that limits your growth and abilities. They don't give you munny, they give you heart points that you can only use at the moogle shop in their castle, so they're literally paid in scrip. If you're unfamiliar with it, scrip is a currency you can only use in certain places instead of throughout a whole country or other type of political union like the eu, usually with the store at the company you work at. When you're on missions your path is blocked off, you can only go to certain areas that are directly related to your daily mission. It's suffocating and genius, especially since in most other series entries you get so much freedom comparatively.
With all that context it starts making some of their vices a bit more understandable. Can you really blame Demyx for not wanting to do his work when all he gets out of it is room and board, and the distant, vague promise of maybe someday getting a new heart? Especially since he's probably been with the Organization for years?
Can you really blame Marluxia and Larxene for wanting to mutiny when their boss is useless and all of their colleagues seem indifferent to it? I mean like. The murder isn't great. I'm still a bit sore about that. But I can definitely get behind the 'screw our boss' sentiment. I'm still very fond of my 'instead of going the cloak and dagger route Larxene and Marluxia somehow, possibly with the help of devil magic, manage to get everyone to cooperate so they can unionize and kick Xemnas out' au. An Organization XIII union au, if you will. Imagine Xemnas having to explain that to the other Xehanorts.
Master Xehanort: The people you gathered up for us to use as our vessels. Unionized?
Xemnas, the biggest loser in the entire series: :/
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What I think is kind of interesting is that if Dean Casca Highbottom, seeing exactly how good of a student Young Coriolanus Snow was, had taken the boy under his wing instead of despising him and trying to get revenge on a boy that never knew his father (and who only had of his father the words of others about the great man that he was), he might have had a good helping hand in stopping the games he so deeply despised.
It would have been, at the same time, quite a revenge on Crassus Snow to use his son to dismantle the Games the man helped implement. Not only that, but it would have offered young Coryo a person to depend on during his most formative years where he had to grow up under the immense pressure of keeping up appearances, taking care of an ailing grandmother and fighting everyday to keep himself and his family fed.
What Casca failed to realise during the 10th Games was that there weren't 24 tributes, but 25. Snow was fighting for survival just as much as the rest; of course, with the caveat that Snow was never in danger of losing his life. But, for a boy who had for all his life to survive instead of to live, those two might have been the same thing. In saving himself, Coryo would also save Tigris and his grandmother, while all the other tributes were saving mosty themselves since they would be going home with nothing to show for winning the games other than their lives and some (crippling in some cases) trauma.
Maybe things would have played out differently, maybe not, but we have seen time and time again through all four of the Hunger Games books, the power of a kind gesture: Peeta with the bread, Rue healing Katniss, Katniss singing to Rue, Mags sacrificing herself, Boggs treating Katniss like a young traumatised girl when no one else did. Who knows if Snow (and, in turn, the rest of Panem) wouldn't have benefited from it?
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sysig · 5 months
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“It could be that the loss of her children drove the Queen deeper into her darker desires...but, I don’t believe she was fighting against them that hard before that particular tragedy. No monster does.” (Patreon)
Bonus:
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Hmm, wonder what he could cover those holes with :3c
#Doodles#Handplates#UT#Fellplates#UkaGaster's answers about Toriel really interest me :3c#As evidenced by the quote caption lol - but his other ones are very interesting too! Since it sounds like she's still around!#Poor classic Handplates!Gaster believed Tori dead for such a long time while she was at the Ruins#Meanwhile Fellplates!Gaster is just like ''? I saw the Queen last week she threw me into the pricker bushes? -.ò'' lol#But anyhow lol ♪ The implications that they're still in each other's vicinity really makes me curious about their relationship!#And how Toriel might react to knowing that someone - someone other than her - is having So Much Success on one of her sore spots#Not just of having children but of the constant reminders of Gaster's success where she has to live every day with a heavy heart for her own#Being cruel to him over it - well that's just par for the course isn't it ♪#He mentions that she's much more of an emotional sadist - insulting him and then making it Very clear that she does Not approve of the holes#''They're ugly and you should feel ashamed for drawing so much attention to something so unsightly''#I do think that her knowing that he's so intent on being kind and merciful and then twisting the knife on how much he's hurting her-#Making him feel guilty for daring to even attempt the betterment of all - for giving pieces of himself away and try to be a good person#''If anyone will break my spirit it will be her'' :)#Although that's all assuming that Toriel even knows about the brothers! :0 When I thought about it later it'd make more sense if she doesn't#It was still too good to not do something with the idea hehe - but imagine her betrayal if/when she found out tho she'd kill him on the spot#Gosh I haven't drawn Tori in foreeeeever I can't even remember the last time#Doing a/nother study on her would probably be fun haha she's rather plain how I draw her currently#I wonder if her Fellplates version would also wear reading glasses hehe#And the bonus :3c Where are the plates featured in Fellplates? Surely it's not just called that as a reference right ♪ Hehehe
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lolomidi · 3 months
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The Price of Entertainment: An Episode-By-Episode Analysis of Alastor's Facade
I don’t think any character in Hazbin Hotel has been discussed as much as Alastor, and it’s a testament to how much the writers put in his character that the mystery of his intentions, past, and contract have been so debated on.
There are some takes I vehemently disagree with, but something a lot of people seem to have settled on is that Alastor is, behind his massive ego and cool-headed persona, insecure about his place in Hell after his long “sabbatical.” I want to do an episode-by-episode analysis of Alastor’s behavior and how Season 1 shifts our view of him from an unquestionably powerful Overlord to something with more depth, and while I won’t be speculating on who owns his soul and how he’ll break that contract in those post, I will take a guess at the future of his character in a narrative sense. I will also implicitly be addressing my issues with some of the conclusions others have made, or at least playing devil's advocate.
NOTE: I want to clarify that none of this is meant to depict Alastor as some poor woobie. He’s still awful. He’s in Hell for several reasons and being a serial killer is only one of them. Rather, I want to analyze what is shown to us about him, and how those story beats can be used to determine where he’ll end up by the finale of the series.
ALSO NOTE: I haven’t followed all of VivziePop’s comments outside of the show about the characters, and it’s possible that certain details have been changed between the release of the pilot and the show, so take any mentions of what hasn’t been explicitly depicted within the show with a grain of salt.
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Part 1: Recap Analysis
This section will consist of commentary regarding Alastor's appearance and behavior in the given episodes, with retrospection based on new information given in later episodes if needed.
“Overture”: Alastor is pretty one-to-one with his depiction in the pilot in the first episode. He’s snarky, open about his sadism, but helpful if begrudgingly so. Interestingly, he’s able to put together a well-edited, if tonally awful, commercial, and probably could have done better if he weren’t intentionally being an ass about it. From the finale we know that he and Vox likely used to have a more magnanimous relationship, and it’s likely that he picked up some tools of the digital trade in that time despite or before being turned off completely by it.
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“Radio Killed the Video Star”: Vox effectively plays heel for Alastor this episode as we continue that first impression of the Radio Demon. We spend a good time showing off the former’s power and how far his roots have spread throughout Hell’s society, only for Alastor to effortlessly trounce him and steal from his audience, despite being gone for so long and his position in Hell less stable. This indicates that Alastor does still have pull, but at the same time that his position in the hierarchy of Hell is being contested due to the length of his absence. He deals with it easily here, but we’ll see in subsequent episodes that things aren’t as smooth as they first seem.
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“Scrambled Eggs”: In terms of the eggs, there’s not much to talk about. He begrudgingly accepts Vaggie’s request to get rid of them “humanely,” but brings them back to the hotel after they prove to be useful spies.
More importantly, we get our first small hint that Alastor’s ego can be bruised when Carmilla doesn’t humor him during the meeting between Overlords. Now, I actually disagree with a lot of the takes on this episode in that I think it indicates that at least some of Alastor’s views and need to prove himself as a powerful Overlord are the result of self-delusion. Yes, he does need to reestablish himself as a person not to be messed with after being gone for so long, but I think it isn’t as bad as some are making it out to be, which makes his behavior in later episodes more strange and excessive if anything.
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Carmilla, who mind you is a busy and stressed woman trying to hide the fact that she’s successfully murdered an angel, hits his ego by not caring where he’s been (something he wouldn’t have revealed in the first place), but she also welcomes him back, which is more than you could say to Velvette and by extension the Vees. And minutes before that, Zestial, who’s probably the highest on their totem pole, does go out of his way to meet with Alastor and inquire about where he’s been. Alastor himself gets over the slight pretty quickly and has no issue contributing to the meeting. Overall, he isn’t necessarily terrifying other overlords, but he still has an established place with them and they do seem to get along well enough. He’s “part of the group” unlike the Vees, who are treated more like upstart outsiders.
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I also want to point out that despite Zestial likely outranking Alastor in power, they seem to be alright with each other. Alastor is cordial and does not demonstrate a desire to antagonize him like he does Lucifer in the next episode. Speaking of which…
“Dad Beat Dad”: This episode gives us a lot to chew on and is the first major indicator that Alastor’s issues go beyond wanting to be the center of the room. From the very moment Lucifer walks into the hotel*, his eye is twitching and he is visibly pissed. Lucifer undermining him (notably contrasting Zestial, who is polite despite his power) doesn’t help and makes Alastor let loose his first swear in the entire show. Being the petty bitch he is, Alastor, knowing he can’t intimidate Lucifer in any way, immediately goes for his weak point–Charlie–and plays up the role of a caretaker for her and the hotel. It’s a low blow, but it also feels like a defense–he’s signaling to Lucifer that this is his hotel, that things are taken care of already, and that they do not need his assistance, even though they ultimately do in order to get a meeting with Heaven.
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But then things get more complicated with the appearance of Mimzy, who, to the surprise of several characters due to his solitary nature, was friends with Alastor all the way back when they were alive, and she carries a load of implications with her. She’s the only crack so far at what a “human” Alastor is like–apparently he’s a heavyweight drinker, a good dancer, and most notably, in Mimzy’s words, a sweet man who "becomes a kitten" when he's drunk. This is a huge departure from the unflappable, egotistical Radio Demon we’ve known up to now, and I think it’s a purposeful choice that we’re hearing this information but not shown it like his early days in Hell just prior. It’s simultaneously left to the imagination but difficult to do so because it contrasts so heavily with everything that has been shown to us beforehand. Another thing is that Mimzy is sure that Alastor will clean up her mess–and apparently this isn’t the first time he has, if Husk is anything to go by. So many people seem to miss this, but Alastor, who hates being tied down or disrespected, has been allowing Mimzy to leech off of him, presumably due to their past friendship making him turn a blind eye.
Alastor is on edge for this entire episode and is already unusually snappy when Husk addresses Mimzy, and pushing the button that was his contract is what sends him over the edge. His temper exploding is a direct result of his feeling that his control over both the hotel (via Lucifer) and his personal life (via Husk’s “doubt” that he can handle everything and that his reputation is what it used to be, plus the reminder of his deal) is being taken away from him. Alastor’s threat to Husk, which seems to not be his usual behavior if Husk’s willingness to show concern and talk back in the first place is anything to go by, is an attempt to remind both of them that he holds the cards, that he’s a powerful Overlord that is not to be trifled with, and he explicitly says as much when he goes out to deal with what Mimzy’s dragged in.
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It’s only after he lets his anger out on the mobsters and “proves himself” that he visibly calms down and makes the logical decision to tell Mimzy to leave with a serious attitude, and also doesn’t antagonize anyone for the rest of the episode. It seems like despite his fury earlier, he was listening to Husk, who’s rightfully smug about it. He’s even present when Charlie declares her desire to protect her people, and his smile seems just a tad bit more genuine.
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*Note: it’s not impossible that Alastor has some sort of personal grudge against Lucifer which caused his hate-on-first-sight, depending on the circumstances of his disappearance and contract (i.e. if it’s with Lilith).
“Hello Rosie!”: As opposed to Dad Beat Dad, Hello Rosie is arguably where we see Alastor at his most in-his-element. He gives off a lot of conflicting vibes at the beginning, from mocking Charlie’s distress to, in a shockingly honest moment, lecturing her about the importance of a smile to portray strength, a card we’d only been shown due to comments outside of the show. He smugly holds his knowledge over Charlie’s head but is visibly impatient to have her make a blank check of a deal with him, solid enough to benefit him but vague enough so that Charlie won’t feel immediately threatened. He’s clearly been waiting for an opportunity like this since the events of the pilot.
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After that, he puts back on his gentleman’s demeanor and introduces Charlie to Rosie, and from here on he’s arguably at his most comfortable in the entire show. He’s relaxed around Rosie and is actually willing to ask for her help (something I can’t see him doing with any other character), casually complains about Susan, is encouraging to and praises Charlie even behind her back, and most notably, gives her his radio cane unprompted. More on that later. He also mentioned wanting to guide Charlie to Rosie specifically, implying that he was being genuine about wanting to act as a mentor to her, though his intentions are probably self-beneficial.
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“The Show Must Go On”: The finale is arguably the most revealing episode on what Alastor’s inner world is like, as we see him unmasked several times. For one, his private admission to Niffty, the closest thing he has to a friend within the hotel, that he’s enjoyed watching the other residents connect to each other. This is in direct opposition to his initial (stated) reason for helping the hotel in that he wanted to watch them all fail, and yet he seems content with his initial assumptions being proven wrong. There’s no malice or sarcasm in this moment, he’s relaxed and talking to someone he relatively trusts.
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And so he goes into the battle swinging and confident. Then, of course, Adam.
I want to bring up something before we keep going. Yes, fighting Adam without angelic weaponry was a needless risk. Yes, Alastor fell victim to the very sloppiness and arrogance he accused Adam of, and it’s thematically appropriate that he was the only one to lose his battle in that he was fighting for his own ego more than “love.” But also, people seem to forget that Alastor is the only demon in the entire show with a precedent for permakilling without an explicit reliance on angelic weaponry, as the Overlords he toppled in his original rampage seem to have never returned. He’s egotistical, but not stupid. He may have genuinely believed that he had the means to kill Adam himself but didn’t get the chance/couldn’t due to his contract or absence possibly weakening him. But that's speculation for another day.
So, he has to retreat before Adam double-taps his ass and is too injured to return until after the extermination. He makes a grand exit, but not before grabbing the broken pieces of his radio cane. The one he allowed Charlie to use just an episode prior, and presumably is a conduit for his powers, and he grabs it while a murderous angel is inches away from wiping him off the face of Hell.
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His portion of “Finale” is the first time we see him singing alone and not playing off someone in a duet. It’s obvious that he’s trying to keep his composure, still speaking to himself in his artificial transatlantic accent (which we now know for a fact he doesn't need to do, seeing as he finally broke character when Adam wrecked his cane) and reassuring himself that he’ll come out on top next time. But here his front shatters and we openly see what the show has been hinting he is for the first time: a deeply paranoid, desperate, and unstable man.
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Essentially the worst-case scenario has happened: after a season of interfering with every attempt to capture him on camera, Vox has footage of him at his lowest point for all of Hell to see, and he’ll have “died” a martyr, a weakling, and still in the chains of an unwanted contract. For Alastor, who is so deeply afraid of showing any sign of vulnerability, who wants to be seen as a monstrous Overlord, it’s understandable that this humiliation is enough to send him into a mental spiral and recant any fondness for the hotel in favor of accomplishing his own goals. Worse yet, when we next see him he gives zero indication of any of this even when Charlie and company are simply glad that he's alive, which leaves us to wonder: has he been like this behind the smile from the very beginning?
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Part 2: Closing Thoughts and Future Speculation
With everything we’ve taken note of above, we can start to piece together a picture of who this guy is, and what the writers are going to do with him.
Alastor is sentimental. It’s not just his attachment to older technology or his love for being the center of everyone's attention. He likes being around people, he has friends, one of which he continuously indulged despite her using him multiple times, and he ultimately was starting to enjoy his time at the hotel before his defeat spooked him. Despite him using her, the fact that he was even willing to let Charlie use his cane (and note that he takes it from her as soon as she’s given a substitute, so that is a significant gesture for him) is an implicit display of trust whose implications don’t become apparent until the finale.
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But this is paired with deep insecurity. Alastor, despite being one of the most powerful people in the Pride Ring, has a crippling fear of being seen as vulnerable or “lesser” by others. There could be multiple overlapping reasons for this: the general climate of Hell, whatever happened to him seven years ago, his experiences as a mixed-race human living in Prohibition-era Louisiana, his original death, a natural predisposition, etc.
Regardless, this anxiety of his is so overwhelming that, when paired with the ever-present stress of not owning his own soul, it’s driving him insane. He made a splash in Hell upon entry and now he’s desperately trying to reinvoke that in order to defend himself both physically and mentally. He’s the gifted kid who’s slowly going nuts trying to keep up an impossible momentum as they grow older. He’s an ex-human denying his humanity because he doesn’t want to feel human. Everyone’s out to get him, and anyone who could be an enemy is an enemy unless he has total control over them via a contract, power, or the reassurance of years of close friendship. It’s why he’s cordial to Zestial but takes Carmilla (who wasn't even trying to spite him) and Lucifer’s comments personally, in the same way someone with low self-esteem might want to lash out against an authority figure who they feel is looking down on them.
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Worse yet, he can’t/won’t let these feelings out and is bottling them up so that no one will know he feels this way (note how quickly he was able to relax in Dad Beat Dad when he was given an outlet for his stress), because that’s a sign of weakness too. It’s honestly kind of frightening that in his final scene he gives zero indication of being injured or of just having had a meltdown. By all outside accounts, he’s his usual chipper self, and no one at the hotel save for maybe Husk, who can’t say anything Alastor doesn’t want him to, would realize anything is amiss. The reason his part of “Finale” is chilling isn’t just because of the implications that he will become an antagonist in the future–it’s that his mental state is so poor that he is no longer acting rationally, which makes him unpredictable in the worst possible way.
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I think Alastor’s character arc isn’t going to be redemption by way of going to Heaven, I don't think that place is his style anyway, but rather redemption of his own self-image. I don’t think the writers would make what is arguably the most popular and well-developed character in the show just to say that he’s hopelessly evil and simply end it at that. We’ve been exposed to multiple facets of his character, and while his deeds and probably his intentions are sinister, his underlying motivation for it all seems to be “freedom,” which decidedly isn’t (unless your name is Eren Jaeger).
I do believe that he’ll have his villain moment where he indulges in his worst impulses, but that ultimately it won’t do anything to fulfill him, because as we see in the official comics before the release of the show (which may no longer be canon but still give a viable “baseline” for the characters), when his desire to be feared and respected is granted, it only isolates him. Like the others, he’ll have to hit rock bottom before he can climb back up.
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Pentious, who was successfully redeemed, needed to understand that people weren’t out to get him, which allowed him to make the decision to put his friends before himself and trigger his selfless sacrifice. Angel, who’s well on his way to redemption, needed to realize he wasn’t alone and could rely on others, and his confidence and self-love has grown enormously since then. I think these are both lessons Alastor will need to learn eventually as well. He’s the manager of the hotel, but also undoubtedly a patient. He’s hungry for freedom, but only when he learns these lessons will he be truly free.
Or maybe I’m thinking too much into it idk lmaooooo
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nicollekidman · 1 month
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i’m laughing so fucking hard i cant breathe like “wow these songs are overwritten and so repetitive that’s okay some of them are fun!” and then arbitrarily two hours later there are 13 more. jesus christ.
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hollow-keys · 3 months
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Instinctively calling for Jamie FOUR regenerations later.
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braxiatel · 1 year
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[ID: screenshot from Grian’s latest episode. He is standing in front of his base, and at the bottom of the picture the subtitles read ‘Now he’s always been a hot guy’]
With everyone focusing on Grian’s ethogirl moment I was not prepared for him casually calling Scar hot
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ninjasmudge · 11 months
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arena au swk and maq are so wild that no-one actually believes they could be together
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cosmossystem · 8 days
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can pro-endo and/or pro-ship blogs interact with this post or follow us or send asks or something? weve been dealing with right-wingers & medicalists in our notes for like a week now and its been a bad time. and also we wanna make more mutuals on this blog <3
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