#that being said this essay is more for people who played the game exclusively making choices they thought would make astarion comfortable

[nat20composure]

Astarion and Agency- The Necessity of Discomfort to Self Discovery and the Infantilization of Victims

Minor Astarion discourse ahead that mentions the treatment of SA victims post-abuse:

I want to open this post up just with like. The statement that I don't think there is a correct way to enjoy media and that I LOVE to see individual head cannons and takes on characters in media. I think that is also, to a degree, an integral part of video games because of how unique the experience of playing a game will be to every person who plays it. But it has been making me feel so incredibly sad looking through fan content, art, or discourse for BG3 specifically because of how many people have taken the route of infantilizing Astarion.

I understand the instinct to shield or protect an individual that you love and care for. I also understand that because of the nature of the things that Astarion goes through, a lot of people also feel very deep emotional stakes in him. I'm one of the many fans of the character who is a victim of SA and CSA, I really do get it. That is also why for me personally it is so demoralizing to watch so many people treat him like he is a child who cannot make his own decisions or stand up for himself. Part of that frustration stems from it feeling like a media literacy issue, and the other part of that sense of defeat is just because it feels indicative of a broader attitude that people seem to hold towards victims of abuse, particularly those who are victims of SA.

To explain what I mean by people infantilizing him: I see so many people refuse to allow him the opportunity to be hurt, or to feel uncomfortable. They see this character who has been through an immensely horrible and traumatic experience, and their instinct is to try and shield him from anything else that has the potential to upset him. I get that the people who want that aren't doing it with malicious intent, but frankly it is not really...Helpful? To try and prevent victims from Experiencing Discomfort tm. I also think it kind of disregards the entire thesis of Astarion's character and arc.

When you go through something that robs you of your selfhood and agency, the world can become a crushingly terrifying place. In Astarion, that fear presents itself in a desperation for power, control, and at the core of both of these desires- Safety. One thing the game is clear about is that he has a right to kill his abuser. He has a right to escape his situation. A lot of Astarion's personal arc is centered around being able to finally do that. But the game doesn't just leave it off at getting him to safety. So much of it is also about him needing to take responsibility for himself and his actions, with needing to learn who he as a person is.

The inclusion of the Gur children and Sebastian as characters is a good example of ways in which the game gives Astarion the opportunity to take responsibility. I think that if the intention of the arc was meant to be that "Astarion should never ever have to deal with being afraid or uncomfortable again", then the Ascended arc wouldn't Come with such heavy moral ramifications, like sacrificing the other people just like him, killing the victims he lured in, literal child murder. The game infers that he doesn't deserve to die because of the things he Needed to do to survive, but it also makes it very clear that there is a difference between addressing an Active Threat and using your fear as an excuse to hurt others. Breaking that cycle of abuse when he finally gets the chance to is what separates Spawn Astarion from Cazador.

Taking responsibility for himself, and letting himself sit in the discomfort of vulnerability ultimately ends up being a thing that he is very proud of and cherishes. If you tell him you will make sure nothing like that ever again he himself says that he doesn't want you to be his protector. And so it blows my mind when people go into all of these discussions about Astarion with this...Weird moral high ground for never, ever making or letting him make choices that might hurt him?

I see this the most when it comes to discussions about the possible polyamorous relationship with Halsin and the interaction with the drow twins in the brothel. So many people are just...outright angry? At other people engaging with either of those options? And I feel like that anger is one) rooted in the projection of their Own feelings on non-monogamy and what a victim of SA can or cannot look like. and two) Relies on undermining the agency that Astarion BEGS you for at every turn.

When it comes to the drow twins, the game adapts Astarion's response to them based on where he is in his own personal development (a really cool thing imo). Obviously, if he still doesn't feel good or safe about engaging with sex he declines and says you can feel free, though he hopes you aren't just doing it because he hasn't had sex with you. I think this makes sense: He's just gotten out of a situation where his Safety and worth were directly tied to him having sex. I imagine he feels afraid that not wanting to have sex with you makes him replaceable or inadequate because at this point in the game, he feels like that's all he has to offer. The interaction is relatively the same if you ask him for a poly amorous relationship with Halsin: He just asks you to reassure him that you aren't only doing it because he hasn't had sex with you, and then tells you he isn't worried about it otherwise.

A lot of people have taken the expression of that insecurity in combination with him still allowing you to go forward and do these things as him just "sucking it up" because he's afraid of losing you. (I am aware Shadowheart says he wouldn't be able to handle it when you ask her if you can date both of them- But keep in mind, Astarion says she wouldn't be able to either, and THAT obviously isn't true of her. For the purposes of this discussion I'm only including interactions with Astarion as a judgement of his character.) I understand that concern, but I feel this take disregards so many other points of dialogue, and is also continually rooted in the baseline vilification of discomfort.

To further go into it, the way that he speaks about both of these interactions changes significantly if you speak to him about it once he is completely free from Cazador, and has had time to allow himself to start reconnecting with himself and his sexuality on his terms. He has absolutely No reservations about an open or poly relationship with Halsin, and says he trusts that things will be ok because he one) feels secure in Your relationship and two) Knows Halsin is experienced and trusts him to not be a messy bitch about it.

I think that shift, in combination with the in game explanation of why he isn't ok with being in that sort of relationship with the other Origin Characters (for Lae'zel and Wyll, he says they'd never agree to that. For Shadowheart, he says she's not experienced with open relationships and that he doesn't think it'd work out. For Karlach, that it would break her heart. And for Gale, he says you need standards.) is a pretty good indicator that he doesn't actually care about polyamory or monogamy. I think the vilification of that choice relies on you picking and choosing when you do or do not believe Astarion or just outright not liking non-monogamy in the first place. This interaction has more to do with the player's choice and comfort level, and so is not as important to the broader discussion I am trying to have in this post.

The interaction that is more pertinent to not Allowing him to make decisions is, I think, the drow twins. If you interact with the drow twins after the completion of the Cazador questline, he is outright giddy at the prospect of interacting with the Drow twins. Specifically stating that he is excited to see how he likes these sorts of things now that he's free.

NOW- I do NOT think that he enjoys the act. The game makes that abundantly clear, and I'm not arguing that he has a great time. He obviously does not, and dissociates during it. That being said, allowing this interaction to happen does not make a player evil or selfish. You are not playing the hero if you decide to moderate his choices just because you do not think he is ready for it. Once again, no one is evil for Not doing it either, and I am not saying anybody has to want to. I am just saying that treating this choice like it is an evil choice to make relies on completely disregarding what He wants to do.

Astarion says so many times in the game that he is anxious about finally having the freedom to find out what he wants to do, and I think that his excitement for the drow twin exchange is one of the opportunities the game gives him to make a choice. He makes that choice- And it sucks for him. He doesn't enjoy the act, and having done it he would be able to move forward knowing that. I think it's really cool and important that the game represents that facet of recovering as a victim. While you are trying to renavigate who you are, you are going to make a million new choices you never had before. And sometimes those choices are going to suck ass. It would be a different matter if he knew these things would hurt him and went ahead and did them anyway. But so many people expect him to move forward avoiding even the Potential of being hurt, and I think that is extremely reductive of his arc and who he is.

Beyond the matter of interpersonal relationships, the choice between Ascending or not Ascending Astarion is not a matter of choosing the lesser of two evils. It is a choice between his fear and his humanity. Between letting his trauma and his fear define him for the rest of his immortal life, and allowing him the vulnerability of deciding who he is when he isn't running from the world. When he's willing to listen to the parts of himself that want to do right, that wants meaningful connection, that wants to be proud of himself. That wants to meet himself. To confront who he is when someone else isn't deciding that for him.

Astarion as a character is extremely ambitious, inquisitive, and adventurous, three traits that only become more and more evident as he breaks free from letting his own fear dictate how he lives his life. I don't understand how so many people can see him and want to take the core of his character away from him, when he spends the entire game fighting desperately to take it back.

Victims are not casts of the abuse they have gone through. Their shapes may be changed by the hands of others, they may have to relearn how to be the person they want to be. But they are not broken or irreparable or fragile. They do not need to be freed from the grip of one person to be held tight in the grip of another. It is so fucking unfair and self-important to think that your hands will be the ones that fix them. That your hands know better than theirs. I think the kindest thing you can do for a person is to trust them with themselves, and to listen when they tell you who they are and what they want. Please listen to the voices that have only just learned to speak. It is the only way they can get better at doing it.

#astarion #astarion bg3 #bg3 #baldur's gate 3 #astarion ancunin #I know this is kind of overdramatic #but like pls pls pls pls #ask yourself why you feel the need to protect victims from the experience of growth #and then consider if that attitude is a fair or helpful one #because freedom includes the right to make choices. even stupid painful ones. #that being said this essay is more for people who played the game exclusively making choices they thought would make astarion comfortable #like ascending him or not participating in polyamory #this essay is NOT for people who just ascended him for dom dialogue with him #bc I think it is a bit silly to tell people who wanted a toxic make him worse dynamic #that they are enabiling toxicity and making him worse #this is just an alternative pov for people who genuinely think it is for the best to do these things

[eeldritchblast]

They’re Not “Playersexual”, You’re Just Biphobic

(I was going to save this until September 23 because I thought that would be an appropriate date, but the Ask I got included in this essay just put me over the edge. So, here it is now. Buckle up.)

Bisexuality/Pansexuality is the attraction to people regardless of gender. About 4% of the USA alone (over 13.6 million people) openly identify as bisexual, according to Gallup’s latest polling. But unfortunately, bi/pan identities are so scary to some folks that they need to make up terms to avoid calling their favourite characters such. Thus, the term “playersexual” was born: a term to describe a game character who is attracted to the player character... regardless of gender.

If that sounds like it’s just a circuitous way of describing a bi/pan character, it’s because it is.

I first heard of the term “playersexual” almost a decade ago, from a Dragon Age fan complaining that Dorian was gay and thus it was “unfair” that she couldn’t romance him as female character. This fan said they wished BioWare would go back to Dragon Age II’s model of everyone being “playersexual” for “equality”.

Now, if you’ve actually played DA:2 and you’re not a bigot, you’re probably rolling your eyes just as hard as I did when I first read such a ridiculous statement. Well, prepare for this next one:

“When you make a male Hawke, Anders and Fenris are gay and Merrill is straight. Opposite is true if you make a female Hawke.”

These people are so afraid of bisexuality that they cannot even fathom its existence. They can believe in dragons and magic, but they cannot believe that a character is simply bi/pan. I find this especially hilarious for Anders, considering he had a canonical boyfriend, as confirmed both in-game and in The World of Thedas: Vol. 2 book.

I truly thought we were past this nonsense in 2023. I really, truly thought that. But then Baldur’s Gate 3 was released in full, and suddenly these same fuckers came out of the woodwork to bend over backwards avoiding calling these characters anything except bi/pan.

Note how in the above Ask, the anonymous questioner actually doubles down on avoiding addressing these two characters in particular as bi/pan!

“Playersexual” doesn’t even truly work for the characters of Baldur’s Gate 3 regardless, because the definition is oriented around attraction to the player character… which these characters are not exclusively attracted to. Here are some examples that prove otherwise:

If neither Lae’zel nor Astarion/Gale/Wyll are in a romance with the PC, Lae’zel will say she plans on propositioning one of the men for sex at the night of the tiefling party. She also flirts with Karlach in party banter.

Shadowheart expresses interest in Karlach, (“I like her. She looks like she could throw me over her shoulder and carry me to safety, should the need arise”) as well as Halsin if he leaves the party, (“he may have been misguided, but I liked looking at him.”)

Astarion flirts with nearly everyone in the party, but to just pick two examples: he mentions Wyll is the type of princely figure he used to dream about marrying, and says to Shadowheart “such a grim name for such a beautiful flower”.

Gale used to date Mystra. He also debatably flirts with Astarion by offering him some blood, after Cazador’s battle.

Wyll flirts with Lae’zel in party banter, and also refers to Halsin as a “delight” and “hunk”.

Karlach seems to have a little crush on Jaheira by the way she reacts to meeting her. She also says of Halsin, “everyone in this camp wants to climb that oak”.

Please keep in mind these are just a few examples I’ve picked out from screening through the dialogue, and there’s even more that prove the attraction to different genders these characters have is not related solely to the player. It’s just part of their identities.

In the Ask sent to me above, the anonymous questioner said they “cannot see Karlach as anything except lesbian and Astarion as gay.” This is just as bad as saying they are “playersexual” in my opinion, because yet again it’s erasing their bisexuality/pansexuality. Worse yet, it’s doing it because of the way the characters act. You cannot measure queerness based on actions and appearances being in line or not with queer stereotypes—it’s not a scale! And bi/pan folks are just as queer as lesbian and gay men, by virtue of simply being bi/pan!

All in all, I think this entire “playersexual” debate boils down to the fact that some people still refuse to see bi/pan identities as anything but “discount straight”. And that’s why people are rightfully angry when folks try to further this myth by pretending bi/pan characters don’t actually exist.

#bg3 #baldur's gate 3 #meta #queerphobia #biphobia #panphobia

[rivalsilveryuri]

wait what is ur favorite gen if it’s not gen 2

OK. so this is the worlds most complicated question 4 me aside from "whats your gender and sexuality" (there are no other questions) like.. UGHHH i literally CANNOT answer this without going on a HUMONGOUS essay not kidding. though if i DO it'll be really rambly.. and. not go anywhere really... (guess what?! point of no return V)

Favourite pokemon gen is a VERY difficult question for me. its easier to say my least favourite gen. Which would be gen 8. because it feels just… boring and forgettable in a way that .. no other gen feels? And is honestly a total mess in my opinion, but.. not in the way gen 9 sorta was? Cause while i definitely have a lot of gripes with gen 9, I do think theres a decent amount of positives and stuff to work with, and stuff that WORKS, and things that really stand out. ..compared to how bland gen 8 felt 2 me. And pointing out which gen im neutral about is fairly easy, aka sinnoh. (might need to really replay it and think it over tbh)

(though theres always one thing that complicates this and its like. the remakes? because sometimes i like a main gen game or hate it, and then i have opposite feelings about the remake, so its like. is the remake…. technically the gen of the origi… ok. whatever, this is a whole complication, i think i'll just go with like. whenever i say favourite gen it just means "favourite region" and remakes can count as well (minus gen 4 sorry ur remake was Like That) to make this easier)

And sayign which gens i Like… But don't tend to feel .. TOO much about ? like kanto… gen 1 has sooo much rep and content that its like.. frlg is fun, (and so is its SECOND remake, good lird) but theres not too much 4 me to chew on .. in . a.. deeper sense? aside from blue, red and leaf, personally. It's not bad! But I don't think anybody's really rearing to say gen 1 is undoubtably the best game mechanics.. visual.. story.. or.. anythin wise. it aint BAD.. but its not really.. much more ta me……

(also i'll specify, mechanics/ gameplay are like.. yes theres type additions, ability changes, oh and the split early on and myah myah and some games have gimmicks and other stuff like mounts, and supposedly bw/bw2 is harder [base game, not hard mode]-

(which. dude did you know. like. this is fucking silly to me but.. upon beating the maingame of black you unlock hard mode. "okay well, whats the issue?" well. upon beating the main game of white. yyou um. get. easymode.) (like im sorry but why the shit would you make DIFFICULTIES VERSION EXCLUSIVES…….. WHO PLAYS THROUGH AN ENTIRE POKEMON GAME.. AND IS LIKE "ah yes wait let me delete my save and do all of that again but like. even easier" W.. WHY… WHY IS… EASY MODE… UNLOCKED… AFTER BEATING THE GAME,, WHY IS HARD MODE A VERSION EXCLUSIVE???? A GENUINELY INTERESTING FEATURE N CHALLENGE?? i know people have probably said this before but its SO baffling to me. what a design choice)

-…but generally the core is the same, and ive never particularly ran into a bump in pokemon games, so it isnt really TOO much of a gripe to me. i love meaningless grinding. i was the worlds most boring little kid, i would start up a pokemon game just to grind to level 40 immediately after getting a starter for FUN. i could watch paint dry for hours i do NOT mind. The only time gameplay comes up is just. How Much is there to do? yknow? how much content.)

but my feelins on kanto are ironic cause i like johto more. sorryyy! i think johtos just more fun 2 me, partly because silver is SOO personal to me, and what they did with kanto was just a more welcome shakeup 2 me tbh. and i like the sort of feeling parts of it give off, and like. yes theres the big hole of like. team rocket being even MORE of a wet fart in that game than b4. likr sure hgss DEFINITELY gave it an overhaul but it still wasnt .. GREAT… since it was the lowest presence an evil team kind of had (until gen 8.) and while yes, they were trying to contact giovanni, and giovanni .. was.. there .. he just got time travel assassinated.. its still kinda.. eh? and being one of the games with a HUUGE identity crisis in the way that gen 2 is forever stuck to gen 1 in a way… gen 1 isnt? but shrug. I don't really mind it. OH and i love silver in crystal. he's so so funny in crystal, whats wrong with him… and i like the legendary beast stuff! i like it, it feels pretty fucking cool.. and eusines funny. pokemon crystal is so fascinatign 2 me i want to pick it apart with my teeth, i love the aesthetic, the music, everythin. (even if the late grind is HORRIBLE) ..but idk if gen 2 is my favourite. We'll.. get back to this later .

SO WHAT IS? Um.

See .. this is kinda where i have 2 now explain a timeline. I KNOW. i know. .. (said through tears) You're just gonna have to sit down with me here because i am so insanely autistic about pokemon. pokemon has been my special interest since i was a tiny pea brained baby. i was literally known purely for pokemon when i was younger because i would NOT shut up about it. (….and here i am writing an unneccesarily long, entire essay. well.) My first game was xy. when i was . uhh .. gosh.. somethin likr… 9? i couldnt finish it because i genuinely couldnt read and got stuck on that furfrou puzzle. i know. its so insanely easy . its unreal. But i gave up. and i didnt have any internet so it stayed that way. for several years. I KNOW. OKAY. leave me alone…

but in the meantime i got oras and. this is when the autism kicked in . severely….. i fucking LOOOVE ORAS . ORAS HEADS LETS GOOO LETS RISE WOOO WOOO IM SOOOOO BIASED. UNREAL-Y BIASED. CRITICAL THINKING DIES HERE WOOOOOHOOOO . and . its a whole thing. i love the way oras looks. its so so so pretty, like. SHOCKINGLY pretty dude. I also really like the weird fusion oras and xy had of like. chibi models, the realistic (? i have no better description 4 this. models used in cutscenes and battles), AND the art. which was definitely unnecessary but i think the eeny weeny models were cute.. Also oras' music. i know its NOT original but i really like the way they remade it. yes the trumpets are almost absent, and some major changes were made to some tracks, which were devisive but honestly? i really like the original soundtrack (because the way rse's soundtrack sounds is really impressive) and the remake is just very lovingly done imo? it just feels nice 2 listen 2…

but . all my.. Current, More Developed Brain Opinions aside. at this point i could read. amazing development. so, i liked lisia. hated brendan. (we had beef.) thought wally was odd but fun, and i REALLY liked zinnia… and of course maxie and archie and their admins too.. and by the way, i liked this game SO much, that i completed the entire pokedex at age 10/11. for fun. so its safe to say i . may like oras. i liked it SO much i then pestered one of my older brothers when he was over to find a tutorial for that segment in xy.. and eventually beat that too. i like gen 6, but i understand a lot of people DONT, and thats understandable. lysandre is SUCH a mess, so are the rivals, but i generally found it charming. though i definitely understand why it was received Very Badly. but xy isnt my favourite.

A few years later, a bit older, when i was then 12.. i played gen 7…. and really liked it. but i dont have too much to SAY about it. (this could honestly be because i didnt replay gen 7 again, having one savefile for my entire playtime. and while i still have an unreal amount of time in usum, i didnt obsessively replay it like i did with oras.) but there's nothing 4 me 2 say that hasnt already been said.. i liked gen 7. completed the dex when i was 12. i liked lillie and gladion and hau, (and i think people either A) dumbed them down way too much, or where excessively critical over hau being. Nice. which….) and team skull.. which is one of my favourite evil teams below magma/aqua, and its definitely one of my favourite gens. but i think… people have said it before but sm had the better story, usum had the better gameplay. usum is JAMMED full of sooo much content its unreal….but i HATE what they did with lusamine. also the ultra recon stuff was kinda … uhh. it was REALLY hyped up in advertising like "oooohhh who are these mysterious people?!?!?" and they just kinda… didnt have a presence??? at all??? like. umm. ok . but i like gen 7. … i like halves of gen 7.

Then . ..gen 8 came out. and uhh. well. I lost a WHOLE lot of faith. cause when it came out almost.. …5 .. years ago .. stars abovr . i got really pissed. cause i HATED IT. i played through it, i wanted to give it a chance, and it was .. fine.. at first. but then i started thinking about it. and thinking about it. and you heard a LOT of things about it at the time. and then i hated it. i hated pokemon . and then i did not touch this game series for the next four years. I heard NEWS about pokemon, but i just kind of grew more spiteful over the years and stuck my head further underground.

#VOICEMAIL #good lird. i am SO sorry for the person i become whenever I talk about pokemon #i never get to ramble about it to this degree . WORDS GET AWAY FROM ME </3 #I HAVE 2 REBLOG 2 ADD PART 2 . HELP ME. SORRY.......

[justmenoworries]

Not Up For Interpretation - An Essay On Nonbinary - Erasure

(Trigger Warning: Misgendering, Transphobia, Nonbinary-phobia)

If you’ve been following me for a while, you probably know this was a long time coming. I’ve made several posts about my frustrations concerning this topic and how much it hurt me just how socially accepted erasing an entire identity still is. While representation marches on and things have become better for nonbinary people as a whole, we still battle with a lot of prejudice - both intentional and unintentional.

In this essay, I want to discuss just how our identities are being erased almost daily, why that is harmful and hurtful and what we all can do to change that.

Chapters:

What does Non-binary mean?

Nonbinary- representation in media

So what’s the problem?

How do we fix it?

1. What Does Non-binary Mean?

Non-binary is actually an umbrella term. It includes pretty much every gender-identity that’s neither one or the other so to speak, for example, agender.

Agender means feeling detachment from the gender spectrum in general. If you’re agender, you most likely feel a distance to the concept of gender as a whole, that it doesn’t define you as a person.

There are many identities that classify under non-binary: There’s gender-fluid (you feel you have a gender, but it’s not one gender specifically and can change), demi-gender (identifying as a gender partially, but not completely) and many others.

Sometimes, multiple non-binary identities can mix and match.

Most non-binary people use they/them pronouns, but like with so many things, it varies.

Some nonbinary-people (like me) go by two pairs of pronouns. I go by both she/her and they/them, because it’s what feels most comfortable at the moment. But who knows, maybe in the future I’ll switch to they/them exclusively or expand to he/him.

There is no one defining non-binary experience. Nb-people are just as varied and different as binary people, who go by one specific gender.

There are non-binary people who choose to go solely by she/her or he/him and that’s okay too. It doesn’t make them any more or less non-binary and their identity is still valid.

If your head’s buzzing a bit by now: That’s okay. It’s a complicated topic and no one expects you to understand all of it in one chapter of one essay.

Just know this: If a person identifies as non-binary, you should respect their decision and use the pronouns they go with.

It’s extremely hurtful to refer to someone who already told you that they use they/them pronouns with she/her or he/him, or use they/them to refer to a person who uses she/her.

Think about it like using a trans-person’s deadname: It’s rude, it’s harmful and it shows complete disrespect for the person.

Non-binary people have existed for a very long time. The concept isn’t new. The idea that there are only two genders, with every other identity being an aberration to the norm, is largely a western idea, spread through colonialism.

The Native American people use “Two-Spirit” to describe someone who identifies neither as a man nor a woman. The term itself is relatively new, but the concept of a third gender is deeply rooted in many Native American cultures.

(Author’s Note: If you are not Native American, please do not use it. That’s cultural appropriation.)

In India, the existence of a third gender has always been acknowledged and there are many terms specifically for people who don’t identify with the gender that was assigned to them at birth.

If you’re interested in learning more about non-binary history and non-binary identities around the world, I’d recommend visiting these websites:

https://nonbinary.wiki/wiki/History_of_nonbinary_gender

https://nonbinary.wiki/wiki/Gender-variant_identities_worldwide

https://thetempest.co/2020/02/01/history/the-history-of-nonbinary-genders-is-longer-than-you-think/

https://www.teenvogue.com/story/gender-variance-around-the-world

Also, maybe consider giving this book a try:

Nonbinary Gender Identities: History, Culture, Resources by Charlie Mcnabb

2. Non-binary Representation In Media

The representation of non-binary people in mainstream media hasn’t been... great, to put it mildly.

Representation, as we all know, is important.

Not only does it give minorities a chance to see themselves in media and feel heard and acknowledged. It also normalizes them.

For example, seeing a black Disney-princess was a huge deal for many black little girls, because they could finally say there was someone there who looked like them. They could see that being white wasn’t a necessity to be a Disney princess.

Seeing a canonically LGBT+ character in a children’s show teaches kids that love is love, no matter what gender you’re attracted to. At the same time, older LGBT+ viewers will see themselves validated and heard in a movie that features on-screen LGBT+ heroes.

There’s been some huge steps in the right direction in the last few years representation-wise.

Not only do we have more LGBT+ protagonists and characters in general, we’ve also begun to question and call out harmful or bigoted portrayals of the community in media, such as “Bury Your Gays” or the “Depraved Homosexual”.

With that being said: Let’s take a look at how Non-binary representation holds up in comparison, shall we?

This is Double Trouble, from the children’s show “She-Ra And The Princesses Of Power”.

They identify as non-binary and use they/them pronouns. They’re also  a slimy, duplicitous lizard-person who can change their shape at will.

Um, yeah.

Thanks, but no thanks.

Did I mention they’re also the only non-binary character in the entire show? And that they’re working with a genocidal dictator in most of the episodes they’re in?

Yikes.

Let’s look at another example.

These three (in order of appearance) are Stevonnie, Smoky Quartz and Shep. Three characters appearing in the kid’s show “Steven Universe” and it’s epilogue series “Steven Universe: Future”.

All of them identify as non-binary and use they/them as pronouns.

Stevonnie and Smoky Quartz are the result of a boy and a girl being fused together through weird alien magic.

Shep is a regular human, but they only appeared in one episode. In an epilogue series that only hardcore fans actually watched.

Well, I mean...

One out of three isn’t that bad, right?

Maybe we should pick an example from a series for older viewers.

Say hello to Doppelganger, a non-binary superhuman who goes by they/them, from the Amazon-series “The Boys”.

They’re working for a corrupt superhero-agency and use their power of shape-shifting to trick people who pose a threat to said agency into having sex with them. And then blackmail those people with footage of said sex.

....

Do I even need to say it?

If you’ve paid attention during the listing of these examples, you might have noticed a theme.

Namely that characters canonically identifying as non-binary are either

supernatural in some way, shape or form,

barely have a presence in the piece of media they’re in,

both.

Blink-and-you-miss-it-manner of representation aside, the majority of these characters fall squarely under what we call “Othering”.

“Othering” describes the practice of portraying minorities as supernatural creatures or otherwise inhuman. Or to say it bluntly: As “The Other”.

“Othering” is a pretty heinous method. Not only does it portray minorities as inherently abnormal and “different in a bad way”. It also goes directly against what representation is actually for: Normalizing.

As a general rule of thumb: If your piece of media has humans in it, but the only representation of non-white, non-straight people are explicitly inhuman... yeah, that’s bad.

So is there absolutely no positive representation for us out there?

Not quite.

As rare as human non-binary characters in media are to find, they do exist.

Here we have Bloodhound! A non-binary human hunter who uses they/them pronouns, from the game “Apex Legends”.

It’s been confirmed by the devs and the voice actress that they��re non-binary.

Nice!

These are Frisk (bottom) and Chara (top) from the game “Undertale”. While their exact gender identity hasn’t been disclosed, they both canonically use they/them pronouns, so it’s somewhere on the non-binary spectrum.

Two human children who act as the protagonist (Frisk) and antagonist (Chara), depending on how you play the game. (Interpretations vary on the antagonist/protagonist-thing, to say the least.)

Cool!

......

And, yep, that’s it.

As my little demonstration here showed, non-binary representation in media is rare. Good non-binary representation is even rarer.

Which is why those small examples of genuinely good representation are so important to the Non-binary community!

It’s hard enough to have to prove you exist. It’s even harder to prove your existence is not abnormal or unnatural.

If you’d like to further educate yourself on representation, it’s impact on society and why it matters, perhaps take a second to read through these articles:

https://www.criticalhit.net/opinion/representation-media-matters/

https://www.pbs.org/newshour/arts/why-on-screen-representation-matters-according-to-these-teens

https://jperkel.github.io/sciwridiversity2020/

https://www.forbes.com/sites/quora/2019/05/22/why-is-equal-representation-in-media-important/?sh=25f2ccc92a84

https://www.theodysseyonline.com/why-representation-the-media-matters

3. So What’s The Problem?

The problem, as is the case with so many things in the world, is prejudice.

Actually, that’s not true.

There’s not a problem, there are multiple problems. And their names are prejudice, ignorance and bigotry.

Remember how I said human non-binary representation is rare?

Yeah, very often media-fans don’t help.

Let’s take for example, the aforementioned Frisk and Chara from “Undertale”.

Despite the game explicitly using they/them to refer to both characters multiple times, the majority of players somehow got it into their heads that Frisk’s and Chara’s gender was “up for interpretation”.

There is a huge amount of fan art straight-up misgendering both characters and portraying them as binary and using only he/him or she/her pronouns.

The most egregious examples are two massively popular fan-animated web shows: “Glitchtale”, by Camila Cuevas and “Underverse” by Jael Peñaloza.

Both series are very beloved by the Undertale-fanbase and even outside of it. Meaning for many people, those two shows might be their first introduction to “Undertale” and it’s two non-binary human characters.

Take a wild guess what both Camila and Jael did with Frisk and Chara.

Underverse, X-Tale IV:

(Transcript: “Frisk lied to me in the worst possible way... I... I will never forgive him.”)

Underverse, X-Tale V:

(Transcript: “I-It’s Chara... and it’s a BOY.”)

Glitchtale, My Promise:

(Transcript: (Referring to Frisk) “I’m not scared of an angry boy anymore.”)

Glitchtale, Game Over Part 1:

(Transcript: (Referring to Chara) “It’s ok little boy.”)

This... this isn’t okay.

Not only do both of these pieces of fan-art misgender two non-binary characters, the creators knew beforehand that Frisk and Chara use they/them-pronouns, but made the conscious choice to ignore that.

To be fair, in a video discussing “Underverse”, Jael said that only X-Tale Frisk and Chara, the characters you see in the Underverse-examples above, are male, while the characters Frisk and Chara from the main game remained non-binary and used they/them (time-stamp 10:34).

Still, that doesn’t erase the fact that Jael made up alternate versions of two non-binary characters specifically to turn them male. Or that, while addressing the issue, Jael was incredibly dismissive and even mocked the people who felt hurt by her turning two non-binary characters male. Jael also went on to make a fairly non-binary-phobic joke in the video, in which she equated gender identities beyond male and female to identifying as an object.

Jael (translated): “I don’t care if people say the original Frisk and Chara are male, female, helicopters, chairs, dogs or cats, buildings, clouds...”

That’s actually a very common joke among transphobes, if not to say the transphobe-joke:

“Oh, you identify as X? Well then I identify as an attack helicopter!”

If you’re trans, chances are you’ve heard this one, or a variation of it, a million times before.

I certainly have.

I didn’t laugh then and I’m not laughing now.

(Author’s note: I might be angry at both of them for what they did, but I do not, under any circumstances, support the harassment of creators. If you’re thinking about sending either Jael or Camila hate-mail - don’t. It won’t help.)

Jael’s reaction is sadly common in the Undertale fandom. Anyone speaking up against Chara’s and Frisk’s identity being erased is immediately bludgeoned with the “up for interpretation”-argument, despite that not once being the case in the game.

And even with people who do it right and portray Frisk and Chara as they/them, you’ll have dozens of commenters swarming the work with sentences among the lines of “Oh but I think Frisk is a boy/girl! And Chara is a girl/boy!”

By the way, this kind of thing only happens to Frisk and Chara.

Every other character in “Undertale” is referred to and portrayed with their proper pronouns of she/her or he/him.

But not the characters who go by they/them.

Their gender is “up for interpretation”.

Because obviously, their identity couldn’t possibly be canonically non-binary.

Sadly, Frisk and Chara are not alone in this.

Remember Bloodhound?

And how I said they’d been confirmed as non-binary and using they/them pronouns by both the creators and the voice actress?

It seems for many players, that too translated to “up for interpretation”.

(Transcript: “does it matter what they call him? He, her, it, they toaster oven, it doesn’t matter”)

(Transcript: “I’m like 90 % sure Bloodhound is a dude because he could just sound like a girl and by their age that I’m assuming looks around 10-12 because I’ve known many males who have sounded like a female when they were younger”)

(Transcript: “I don’t care it will always be a He. F*ck that non-binary bullsh*t.”)

(Transcript: “Bloodhound is clearly female.”)

(Transcript: “I’m not calling a video game character they/them”)

(Transcript: “exactly. The face was never fully shown neither was the gender so I’d say it means that the player is Bloodhound. So it’s your gender and you refer to “him” as yourself. It’s like a self insertion in my eyes.”)

So, let me get this straight:

If a character, even a player character, uses she/her or he/him, you can accept it, no questions asked.

But when a character uses they/them, suddenly their identity and gender are “up for interpretation”?

This attitude is also widely prevalent in real life.

Many languages only include pronouns for men and women, with no third option available. Non-binary people are often forced to make up their own terms, because their language doesn’t provide one.

Non-binary people often don’t fit within other people’s ideas of gender, so they get excluded altogether. Worse, non-binary people are often the victims of misgendering, denial of their identity or even straight-up violence when coming out.

People will often tell us that we look like a certain gender, so we should only use one set of gendered pronouns. Never mind that that’s not what we want. Never mind that that’s not who we are.

Non-binary people are also largely omitted from legal documentation and studies. We cannot identify as non-binary at our workplace, because using they/them pronouns is considered “unprofessional”. We don’t have our own bathrooms like men and women do. Our gender is seen as less valid than male and female, so even that basic thing is denied to us. I’ve had to use the women’s restroom my entire life, because if I go into a male restroom, I’ll be yelled at or made fun off or simply get told I took the wrong door. It’s extremely uncomfortable for me and I wish I didn’t have to do it.

And since non-binary people aren’t seen as “real transgender-people”, we often don’t receive the medical care we need. This often renders us unable to feel good within our bodies, because the treatment and help we get is wildly inadequate.

It’s especially horrible for intersex people (people who are born with sex characteristics that don’t fit solely into the male/female category) who are often forced to change their bodies to fit within the male/female gender binary.

And you better believe each of those problems is increased ten-fold for non-binary people of color.

We are ignored and dismissed as “confused”, because of who we are.

Representation is a way for Non-binary people to show the world they exist, that they’re here and that they too have stories to tell.

But how can we, when every character that represents us is either othered, barely there or gets taken away from us?

We are not “up for interpretation”.

Neither are the characters in media who share our identity.

And it’s time to stop pretending we ever were.

For more information about Non-Binary Erasure and how harmful it is, you can check out these articles:

https://everydayfeminism.com/2015/08/common-non-binary-erasure/

https://www.dailydot.com/irl/nonbinary-people-racism/

https://nonbinary.wiki/wiki/Nonbinary_erasure

https://traj.openlibhums.org/articles/10.16995/traj.422/

https://medium.com/an-injustice/everyday-acts-of-non-binary-erasure-49ee970654fb

https://medium.com/national-center-for-institutional-diversity/the-invisible-labor-of-liberating-non-binary-identities-in-higher-education-3f75315870ec

https://musingsofanacademicasexual.wordpress.com/2015/05/11/dear-sirmadam-a-commentary-on-non-binary-erasure/

4. How Do We Fix It?

Well, first things first: Stop acting like we don’t exist.

And kindly stop other people from doing it too.

We are a part of the LGBT+ community and we deserve to be acknowledged, no matter what our pronouns are.

Address non-binary people with the right pronouns. Don’t argue with them about their identity, don’t comment on how much you think they look like a boy or a girl. Just accept them and be respectful.

If a non-binary person tells you they have two sets of pronouns, for example he/him and they/them, don’t just use one set of pronouns. That can come off as disingenuous. Alternate between the pronouns, don’t leave one or the other out. It’ll probably be hard at first, but if you keep it up, you’ll get used to it pretty quickly.

If you’re witnessing someone harass a non-binary person over their identity, step in and help them.

And please, don’t partake in non-binary erasure in media fandoms.

Don’t misgender non-binary characters, don’t “speculate” on what you think their gender might be. You already know their gender and it’s non-binary. It costs exactly 0 $ to be a decent human being and accept that.

Support Non-Binary people by educating yourself about them and helping to normalize and integrate their identity.

In fact, here’s a list of petitions, organizations and articles who will help you do just that:

https://www.change.org/p/collegeboard-let-students-use-their-preferred-name-on-collegeboard-9abad81a-0fdf-435c-8fca-fe24a5df6cc7?source_location=topic_page

6 Ways to Support Your Non-Binary Child

7 Non-Negotiables for Supporting Trans & Non-Binary Students in Your Classroom

If Your Partner Just Came Out As Non-Binary, Here’s How To Support Them

How to Support Your Non-Binary Employees, Colleagues and Friends

Ko-fi page for the Nonbinary Wiki

The Sylvia Rivera Project, an organization who aims to give low-income and non-white transgender, intersex and non-binary people a voice

The Anti Violence Project “empowers lesbian, gay, bisexual, transgender, queer, and HIV-affected communities and allies to end all forms of violence through organizing and education, and supports survivors through counseling and advocacy."

The Trans Lifeline, a hotline for transgender people by transgender people

Tl:DR: Non-Binary representation is important. Non-Binary people still suffer from society at large not acknowledging our existence and forcing us to conform. Don’t be part of that problem by taking away what little representation we have. Educate yourself and do better instead. We deserve to be seen and heard.

#non-binary #agender #demigender #gender identity #essay #erasure #lgbt representation #misgendering #undertale #she ra spop #apex bloodhound #doppelganger #steven universe

[nitrateglow]

Favorite films discovered in 2020

Well, this year sucked. I did see some good movies though. Some even made after I was born!

Perfect Blue (dir. Satoshi Kon, 1997)

I watch a lot of thrillers and horror movies, but precious few actually unsettle me in any lasting way. This cannot be said of Perfect Blue, which gave me one of the most visceral cinematic experiences of my life. Beyond the brief flashes of bloodletting (you will never look at a screwdriver the same way again), the scariest thing about Perfect Blue might be how the protagonist has both her life and her sense of self threatened by the villains. The movie’s prescience regarding public persona is also incredibly eerie, especially in our age of social media. While anime is seen as a very niche interest (albeit one that has become more mainstream in recent years), I would highly recommend this movie to thriller fans, whether they typically watch anime or not. It’s right up there with the best of Hitchcock or De Palma.

The Good, the Bad, and the Ugly (dir. Sergio Leone, 1966)

Nothing is better than when an iconic movie lives up to the hype. Clint Eastwood, Eli Wallach, and Lee Van Cleef play off of one another perfectly. I was impressed by Wallach as Tuco in particular: his character initially seems like a one-dimensional greedy criminal, but the performance is packed with wonderful moments of humanity. Do I really need to say anything about the direction? Or about the wonderful storyline, which takes on an almost mythic feel in its grandeur? Or that soundtrack?

Die Niebelungen (both movies) (dir. Fritz Lang, 1924)

I did NOT expect to love these movies as much as I did. That they would be dazzlingly gorgeous I never doubted: the medieval world of the story is brought to vivid life through the geometrical mise en scene and detailed costuming. However, the plot itself is so, so riveting, never losing steam over the course of the four hours it takes to watch both movies. The first half is heroic fantasy; the second half involves a revenge plot of almost Shakespearean proportions. This might actually be my favorite silent Fritz Lang movie now.

Muppet Treasure Island (dir. Brian Henson, 1996)

I understand that people have different tastes and all, but how does this movie have such a mixed reception? It’s absolutely hilarious. How could anybody get through the scene with “THA BLACK SPOT AGGHHHHHHH” and not declare this a masterpiece of comedy? And I risk being excommunicated from the Muppet fandom for saying it, but I like this one more than The Great Muppet Caper. It’s probably now my second favorite Muppet movie.

Belle de Jour (dir. Luis Bunuel, 1967)

I confess I’m not terribly fond of “but was it real???” movies. They tend to feel gimmicky more often than not. Belle de Jour is an exception. This is about more than a repressed housewife getting her kicks working as a daytime prostitute. The film delves into victim blaming, trauma, class, and identity-- sure, this sounds academic and dry when I put it that way, but what I’m trying to say is that these are very complicated characters and the blurring of fantasy and reality becomes thought-provoking rather than trite due to that complexity.

Secondhand Lions (dir. Tim McCanlies, 2003)

The term “family movie” is often used as a synonym for “children’s movie.” However, there is an important distinction: children’s movies only appeal to kids, while family movies retain their appeal as one grows up. Secondhand Lions is perhaps a perfect family movie, with a great deal more nuance than one might expect regarding the need for storytelling and its purpose in creating meaning for one’s life. It’s also amazingly cast: Haley Joel Osment is excellent as the juvenile lead, and Michael Caine and Robert Duvall steal the show as Osment’s eccentric uncles.

The Pawnbroker (dir. Sidney Lumet, 1964)

Controversial in its day for depicting frontal nudity, The Pawnbroker shocks today for different reasons. As the top review of the film on IMDB says, we’re used to victims of great atrocities being presented as sympathetic, good people in fiction. Here, Rod Steiger’s Sol Nazerman subverts such a trope: his suffering at the hands of the Nazis has made him a hard, closed-off person, dismissive of his second wife (herself also a survivor of the Holocaust), cold to his friendly assistant, and bitter towards himself. The movie follows Nazerman’s postwar life, vividly presenting his inner pain in a way that is almost too much to bear. Gotta say, Steiger gives one of the best performances I have ever seen in a movie here: he’s so three-dimensional and complex. The emotions on his face are registered with Falconetti-level brilliance.

The Apartment (dir. Billy Wilder, 1960)

While not the most depressing Christmas movie ever, The Apartment certainly puts a good injection of cynicism into the season. I have rarely seen a movie so adept at blending comedy, romance, and satire without feeling tone-deaf. There are a lot of things to praise about The Apartment, but I want to give a special shoutout to the dialogue. “Witty” dialogue that sounds natural is hard to come by-- so often, it just feels smart-assy and strained. Not here.

Anatomy of a Murder (dir. Otto Preminger, 1959)

I’m not big into courtroom dramas, but Anatomy of a Murder is a big exception. Its morally ambiguous characters elevate it from being a mere “whodunit” (or I guess in the case of this movie, “whydunit”), because if there’s something you’re not going to get with this movie, it’s a clear answer as to what happened on the night of the crime. Jimmy Stewart gives one of his least characteristic performances as the cynical lawyer, and is absolutely brilliant. 

Oldboy (dir. Park Chan-Wook, 2003)

Oldboy reminded me a great deal of John Webster’s 17th century tragedy The Duchess of Malfi. Both are gruesome, frightening, and heartbreaking works of art, straddling the line between sensationalism and intelligence, proving the two are not mutually exclusive. It’s both entertaining and difficult to watch. The thought of revisiting it terrifies me but I feel there is so much more to appreciate about the sheer craft on display.

Family Plot (dir. Alfred Hitchcock, 1976)

Family Plot is an enjoyable comedy; you guys are just mean. I know in an ideal world, Hitchcock’s swan song would be a great thriller masterpiece in the vein of Vertigo or Psycho. Family Plot is instead a silly send-up of Hitchcock’s favorite tropes, lampooning everything from the dangerous blonde archetype (with not one but two characters) to complicated MacGuffin plots. You’ll probably demand my film buff card be revoked for my opinion, but to hell with it-- this is my favorite of Hitchcock’s post-Psycho movies.

My Best Girl (dir. Sam Taylor, 1927)

Mary Pickford’s farewell to silent film also happens to be among her best movies. It’s a simple, charming romantic comedy starring her future husband, Charles “Buddy” Rogers. Pickford also gets to play an adult character here, rather than the little girl parts her public demanded she essay even well into her thirties. She and Rogers are sweet together without being diabetes-inducing, and the comedy is often laugh out loud funny. It even mocks a few tropes that anyone who watches enough old movies will recognize and probably dislike-- such as “break his heart to save him!!” (my personal most loathed 1920s/1930s trope).

Parasite (dir. Bong Joon-ho, 2019)

This feels like such a zeitgeist movie. It’s about the gap between the rich and the poor, it’s ironic,  it’s depressing, it’s unpredictable as hell. I don’t like terms like “modern classic,” because by its very definition, a classic can only be deemed as such after a long passage of time, but I have a good feeling Parasite will be considered one of the definitive films of the 2010s in the years to come.

Indiscreet (dir. Stanley Donen, 1958)

Indiscreet often gets criticized for not being Notorious more or less, which is a shame. It’s not SUPPOSED to be-- it’s cinematic souffle and both Ingrid Bergman and Cary Grant elevate that light material with their perfect chemistry and comedic timing. It’s also refreshing to see a rom-com with characters over 40 as the leads-- and the movie does not try to make them seem younger or less mature, making the zany moments all the more hilarious. It’s worth seeing for Cary Grant’s jig (picture above) alone.

The Taking of Pelham One Two Three (dir. Joseph Sargent, 1974)

This movie embodies so much of what I love about 70s cinema: it’s gritty, irreverent, and hard-hitting. It’s both hilarious and suspenseful-- I was tense all throughout the run time. I heard there was a remake and it just seems... so, so pointless when you already have this gem perfect as it is.

They All Laughed (dir. Peter Bogdonavich, 1981)

Bogdonavich’s lesser known homage to 1930s screwball comedy is also a weirdly autumnal movie. Among the last gasps of the New Hollywood movement, it is also marks the final time Audrey Hepburn would star in a theatrical release. The gentle comedy, excellent ensemble cast (John Ritter is the standout), and the mature but short-lived romance between Hepburn and Ben Gazarra’s characters make this a memorably bittersweet gem.

The Palm Beach Story (dir. Preston Sturges, 1942)

Absolutely hilarious. I was watching this with my parents in the room. My mom tends to like old movies while my dad doesn’t, but both of them were laughing aloud at this one. Not much else to say about it, other than I love Joel McCrea the more movies I see him in-- though it’s weird seeing him in comedies since I’m so used to him as a back-breaking man on the edge in The Most Dangerous Game!

Nothing Sacred (dir. William Wellman, 1937)

I tend to associate William Wellman with the pre-code era, so I’ve tried delving more into his post-code work. Nothing Sacred is easily my favorite of those films thus far, mainly for Carole Lombard but also because the story still feels pretty fresh due to the jabs it takes at celebrity worship and moral hypocrisy. For a satire, it’s still very warm towards its characters, even when they’re misbehaving or deluding themselves, so it’s oddly a feel-good film too.

Applause (dir. Rouben Mamoulian, 1929)

I love watching early sound movies, but my inner history nerd tends to enjoy them more than the part of me that, well, craves good, well-made movies. Most early sound films are pure awkward, but there’s always an exception and Applause is one of them. While the plot’s backstage melodrama is nothing special, the way the story is told is super sophisticated and expressive for this period of cinema history, and Helen Morgan makes the figure of the discarded burlesque queen seem truly human and tragic rather than merely sentimental.

Topaz (dir. Alfred Hitchcock, 1969)

Another late Hitchcock everyone but me seems to hate. After suffering through Torn Curtain, I expected Hitchcock’s other cold war thriller was going to be dull as dishwater, but instead I found an understated espionage movie standing in stark contrast to the more popular spy movies of the period. It’ll never be top Hitchcock, of course-- still it was stylish and enjoyable, with some truly haunting moments. I think it deserves more appreciation than it’s been given.

What were your favorite cinematic discoveries in 2020?

#thoughts #belle de jour #topaz #family plot #the taking of pelham 123 #the pawnbroker #nothing sacred #my best girl #applause #muppet treasure island #perfect blue #die niebelungen #parasite #the good the bad and the ugly #the palm beach story #they all laughed #indiscreet #oldboy #anatomy of a murder #the apartment #secondhand lions

[casually-slips-into-coma]

An Essay (sort of) Explaining the Many Grievances I Have With Debbie Gallagher

Once again, Debbie is the fucking worst.

I’ve been wanting to write out my feelings towards her character for a fucking minute now just so that I have a full concise list. Now, I can talk about how Debbie has a constant need for attention, or how her character has become someone unrecognizable in the past few seasons, or how she’s a terrible mother, but what I really want to focus on is the center of my issues with her: her sexuality. Don’t get me wrong, this isn’t about to be a homophobic rant or anything. I just think her queer development has been written terribly and that should be addressed.

Too often I see people praising queer characters or relationships based solely on the fact that they are queer, and as a member of the community, I get it. I am also starved for representation. This, however, does not mean I’m going to settle for annoying, poorly written characters.

Why Make Debbie Queer?

The first thing I want to address is why suddenly develop a WLW storyline for her. Given that Debbie started as a little girl on the show, this gives the writers a lot of opportunity to give a character like that interesting storylines because she does not yet have a solid personality. It gives writers the liberty to take her story anywhere they want to without the constraints of established character because she, as a person, is still developing into adulthood. The show runners unfortunately dropped the ball with this.

From season 4 and onwards was when Debbie began showing interest in dating, sex, and romance having just turned the corner to puberty. From then up until season 9, she has shown exclusive interest in men. It isn’t until Alex the welder that Debbie deviates from this path. Alex is portrayed as a stud who confuses Debbie. I am inclined to believe that Debbie was originally attracted to her because she was masculine and therefore close enough to the people Debbie had previous experience with.

This arc was treated very much as Debbie experimenting with her sexuality, something that Alex also ends up realizing after Debbie tells her that having sex with a girl is “not that bad” and “like having sex with yourself” (S9E4). Once this storyline wrapped up (with Debbie shouting “you make me want cock again”) the writers powered through, adamant about Debbie now being a lesbian.

I have two theories as to why they’ve been fighting so hard for her queerness.

1) This was around the time that Cam was leaving Shameless. This obviously didn’t end up happening, but I was under the impression that the writers were freaking out at losing their token gay character and needed to fill that position. When Cam ended up staying, they were stuck with a queer Debbie storyline and decided to just go with it.

2) Shameless was planning on doing a WLW storyline regardless of Cam’s choice to leave and were originally going to give it to Fiona and her lesbian tenant that she had a close relationship and a lot of chemistry with, but Emmy Rossum wanted to move on from Shameless, and so they pivoted and gave the arc to Debbie, a character that was not supposed to be moved in that direction and so her new sexuality seemingly came out of nowhere. Fiona as a bisexual character would have made sense. Debbie still does not.

Shameless’s Awkward Relationship With Bisexuality

One of the biggest issues I have with Debbie is her insistence on being a lesbian. Lesbianism doesn’t come out of nowhere. Bisexuality, however, can. When you grow up being told that you are supposed to feel attraction to men, and you genuinely do feel attraction to men (which Debbie has expressed in past seasons/episodes) it’s easy to ignore your attraction to women and write it off as something that either isn’t a big deal, or something that isn’t there. It’s a lot more confusing than being strictly at one end of the spectrum. It would have been so much more believable if they had simply made Debbie bisexual. Unsurprisingly, they didn’t because the show has a history with bi erasure.

Bisexuality has been treated badly all throughout Shameless, used as a vengeful plot device back in the earlier seasons where Monica was only ever with women when unmedicated. Then in Season 7 when Ian’s boyfriend Caleb cheated on him with a woman (enforcing the stereotype of bisexuals being unfaithful) Ian, possibly acting out of anger or ignorance, said things like “only women are bisexual. When a man says he’s bisexual he’s really just gay”. The only semi positive bisexual representation on the show was Svetlana and Vee when they were in a poly relationship with Kev (though I also think that storyline wasn’t handled as well as it could’ve been).

This fight against the bisexual label in media is not a new one but it is also a harmful stance to take when writing a sexually fluid character. Debbie declaring that she is, in fact, a lesbian after waxing poetic about how Matty had a big dick and Derek had a great body and knew what he was doing is not the way to go. 

You could argue that Debbie, like many other queer women, is an unfortunate victim of compulsory heterosexuality, but frankly I don’t think the writers are well versed enough in queer theory for that to be a possibility.

Debbie as The White Feminist

Debbie is the pinnacle of white feminism. It’s an unfortunate thought that has occurred to me a few times throughout the show. She talks a big game as a man hater and someone after the equal treatment of women but she herself participates in a lot of problematic and anti feminist behavior.

For one, she r*ped Matty back in season 5 when he was blacked out and unconscious. This was a point in the story that was glossed over and one where she suffered no repercussions other than Matty no longer wanting to be around her. It was explained in the show that Debbie didn’t realize what she did was wrong until after she was explicitly told so because she was maybe 14 when it happened (not 100% on the age Shameless is very inconsistent about timelines). It was treated as somewhat of a punchline, something that Shameless has unfortunately done more than once when referring to male sexual assault (Mickey’s r*pe, Liam in season 10 ((i think??)) and in this latest season, Carl) but that is a different topic. 

There was also the time in which she lied to her boyfriend about being on birth control so she could trap him into a relationship with pregnancy (which also counts as r*pe!!) Good on Derek for getting out of that.

Debbie has also been pro-life in the past. Now I understand this was when Fiona was pressuring her into aborting her pregnancy, and as a pro choicer myself, I believe that Debbie was fully in her right to have bodily autonomy and go through with the pregnancy. This isn’t where the issue lies. It’s when Fiona finds out that she too is pregnant and tells Debbie that she wants an abortion that Debbie accuses her of “killing her baby”. Again, her behavior could be explained by her age given that Debbie was still a young teen during this time.

When her actions as a White Feminist become less excusable is mostly in the latest season. Her relationship with Sandy is one that I’m not really happy with because Debbie doesn’t deserve her.

Recently, it has been revealed that Sandy is actually married to a man and has a son. It’s explained that she was basically married off against her will at the age of 15 to a man twice her age. This implies that the product of the marriage, her son, was most likely conceived through dubious consent (or worse) at the hands of an adult when she was just a kid. Just because Debbie thinks that Sandy’s husband “seems nice” does not give her the right to try and make a victim of grooming feel bad about not wanting to be with her abuser. While I understand that Sandy’s son has no fault in how he came into the world, I’m still gonna side with Sandy when it comes to having to take care of a child she didn’t want and who is most likely a source of trauma for her. It’s not difficult to sympathize with Sandy and see that she’s clearly gone through something fucked up and Debbie, despite claiming to love and support her, AND despite her dumb white feminist arc about wanting equal pay and all that jazz, turns her back on the girls supporting girls aspect of feminism.

This isn’t even mentioning how shitty it was to just leave Franny by herself and assume that one of her siblings would take her to school and pick her up and stuff as if they don’t all have separate lives. She talks a lot about being a good mother but decided to “let off some steam” by fucking off to a gay bar to get loaded on coke and fuck a gay man (which wtf thats not a thing that really happens with casual coke but whatever I guess). Once she realized she fucked up, instead of taking responsibility she decided to paint herself as the victim as well as spew offensive bullshit about how she “probably has AIDS now” because of her sexual encounter with a gay man. No lesbian in their right fucking mind would ever say that because as members of the LGBTQ+ community, you are at least a tiny bit informed as to how devastating and tragic the AIDS crisis was for queer people.

(I also have an issue with how Debbie capitalized on her felony as a sex offender and her sexuality to start her Hot Lesbian Convict business but I think that’s enough said.)

Blame the writers

The show got almost an entirely new cast of writers after season 7 which is why the show feels more like a sitcom with low stakes and no consequences rather than a drama, but if there is a queer writer on the team it’s not very evident. Even the better half of the queer relationship story, Ian and Mickey, I don’t feel has really been done justice since the change in writers. It’s just become painfully obvious that the actress is a straight girl playing a gay character (not to mention I have never seen any chemistry between her and all of her female love interests). I don’t fault Emma Kenney (the actress) for this. I actually really like her as a person and I like the videos she makes about the cast and such, and I think she does her best with the script she’s given. My complaints with Debbie are targeted entirely towards the writers.

This brings me to my final point. I need them to let Debbie be alone. Her whole thing for the second half of the season has been that she clearly has abandonment issues and is afraid of being alone. It’s why she’s so adamant about keeping the house and fighting with Lip about it (I’m actually on Debbie’s side for that one but that’s besides the point). They had her and Sandy break up which leaves Debbie to spiral further into her loneliness. From a writing point of view, it makes sense to take this opportunity to give her an arc in which she can overcome that and feel comfortable with herself so that she can move on as an adult instead of jumping into a new relationship. This is especially true since this is quite literally the last season ever of the show and any character development needs to be wrapped up. Introducing a new character out of nowhere does not give the viewers enough time to actually get invested in the new relationship. It’s also unfair to Debbie’s character because her arc is going to feel incomplete.

Anyway,,,,,,uuuhhhhh,,,,,feel free to add on if u want lmao

#shameless #debbie gallagher #sandy milkovich #lesbian #ian gallagher #mickey milkovich #terrible queer rep

[kdramafeminist]

Performative Badassery & Women in Kdramas

When I said I wrote an essay, I meant essay. This is a long one! Grab a snack and venture below the read more. I’ll see you at the end!

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You know the feeling. The drama begins. Our female main lead walks onto screen. She’s a successful businesswoman, a hotshot detective, clever lawyer, smartass retail worker, etc, etc. She stares down a random man to prove she’s the powerful one here. Or kicks some ass. Or rattles off a bunch of demands to her workers. Or talks fast to show off her intelligence.

Then she meets the male lead. There’re fireworks. Slowly we find our female lead has a softer side. Good to know. 3-dimensional and complex characters are important. It’s nice to see women on-screen who are both capable and emotional. Kick ass and feminine. 

But slowly... something starts to go wrong. She seems to be crying more than showing literally any other kind of emotion. And is it just me or is she getting saved and manhandled and flustered quite a lot for a woman who we were told was so well put together? Sure, the circumstances are extreme. But they’re extreme for the male lead too and he seems to be managing just fine for some reason. Also, if both of them are ordinary people with no on-screen fighting experience, how come he’s so great at throwing fists out of nowhere and she’s busy keeping hidden or needing rescuing? Exactly how many times can one person just faint like that without anyone checking to see if she has a medical condition?

By the drama’s end our lead has gone through trials and tribulations. She’s fallen in love too, I’m happy for her. But... now that the story’s ending and she’s getting in one last chance to show us she’s a “badass”, why am I left feeling hollow? She’s showing us how tough she is but... we ALL spent this whole drama watching her have absolutely no agency or such a little amount that she might as well have been trying to put out a fire with a water-pistol. It’s almost like her previous badassery (in whatever form it may have been - I don’t mean badass only in terms of being able to throw a good punch) was just a façade. A way to hook in female viewers like me who want to see something more than a wilting wallflower or one-trick Cinderella. But the tiniest knock and the cardboard house collapses.

And no matter how many times we get throwaway lines about her being “the smartest/toughest/scariest/most capable one here” it doesn’t ring true compared to the actual character we’re watching.

Rom-coms, melos and sagueks especially (but many more genres besides), have a real problem when it comes to performative badassery in their female characters. The writers give us a female lead they claim is hyper competent, but the reality is totally different. Any plot that features romance, almost always features this. Honestly the way the start of the relationship in dramas actively MURDERS the female character’s agency could be its own essay so I won’t go deep, just know the two are 100% linked.

The “Faux Action Girl” Problem 

A Faux Action Girl happens when a writer wants the popularity that comes with having a cool action girl character, or they want the praise that comes with writing a lead that breaks gender norms, or they want to be lauded for writing a FL whose more capable & progressive than the female kdrama lead we’d imagine, but they don’t end up actually giving us her. Instead we get the fake or faux version. The reasons are usually a combination of:

Relying on outdated tropes. Wrist grabs, damsels in distress, a girl fainting so she misses some vital plot related moment to increase runtime etc...

Sexist worldviews. As a by-product of being Korean which is still a heavily sexist country because of the holdover of Confucianism mixed in with the Christianity westerners brought over that leads many writers to (often without even realising) inserting moments that inadvertently reduce their female leads because they think that’s what correct or natural for the female character based on their opinion of women in general. Even if it doesn’t actually fit the type of character they’ve set out to create.

Executive meddling. Producers who think their demographic wouldn’t be able to handle a real badass but also know their female viewers want more complexity and agency in their FLs these days and so give us the paper-version instead of the 3D model.

This character’s more “badass” traits are nearly always just an Informed Ability (the writers tell us via other characters what she can do but never actually show us on-screen these same things) or we only ever see her utilise them once/twice at the beginning and maybe if we’re lucky once at the end, but never again. 

It really hurts.

The “Badass Decay/Chickification” Problem

Sometimes she really is a legitimate action girl though. She’ll be a cop whose good at her job or an ordinary citizen whose well-versed in taekwondo. She has actual moments on-screen to prove herself. 

Well. She has moments in episodes 1 and 2. Then she almost always goes through Badass Decay/Chickification. Which means that writers (& producers) believe that if we don’t see her having a softer side, she’ll become unrealistic or unlikeable. 

They fix her. So she becomes more vulnerable. As the only girl on the team (usually), she becomes the one who ends up injured more often or needs rescuing most. Her life begins to revolve entirely around her romance and nothing else. (Meanwhile the male leads gets to have the romance and keep his side-quest - have you noticed that? If the FL is really lucky she gets to keep one side-quest too, maybe a dream job or solving some family mystery. Never more though.. only men get to be complicated here). Once she was competent... now it feels like she legitimately had a personality transplant. 

Is this even the same person we began with?

The “Worf Effect” Problem 

Worf Effect is when the danger/power level of a villain is shown to the audience by making him successfully attack/hurt/ruin the plans of someone that the audience knows is skilled. This isn’t a bad thing alone and writers use it all the time. We need to acknowledge the villain as a proper threat and this is a useful way to do it!

But in kdramas it’s something used almost always against the lead female character. The one we’ve seen is intelligent, or strong-willed or quick-witted. 

And because it’s always her, this character begins to look weak. If this writing trope is abused, her reputation as the "biggest, toughest" etc. begins to look like it never existed and we’re back to her having an informed ability. 

That this is something that happens to the female characters not only more often but almost exclusively is a sign of sexism. Plain and simple.

Competent, Real Badass Female Characters Aren’t Scary

 If you’re going to sell me a capable woman, give me her. 

Not someone who has one very unique, specialised skill but otherwise can do nothing else except for that one time when her one skill is useful. 

Or has built up her own empire, implying a certain level of smarts, business ability or networking skills, but then once she’s removed from it she becomes so utterly useless it begs the question how she built that empire in the first place. 

Or has a rep as the detective whose taken down the toughest guys off-screen, but whatever skills she used to do that seem to disappear the moment anything really challenging happens on-screen. 

I’m not saying she needs to win all the time. Of course she doesn’t, how boring is that? All I’m asking is that when she loses, it’s in keeping with the character I’m supposedly watching. A woman that can kick ass can still be outwitted. A clever woman can be physically beaten. A street-smart girl can be foiled by rules and regulations. A leader-type can be beat by someone whose more unconventional.

It’s not difficult to write someone like this. I know the writers can do it because every male lead is written this way. I’ve never once, whilst watching a badass male lead lose, get beaten and cry, thought “oh no, his badassery was fake all along!”

Because when he loses it makes sense. It’s in character. There’s a solid plot reason behind why it happens.

Meanwhile my ladies who are meant to be able to kick ass and take names somehow just got kidnapped out of nowhere?

Make it make sense!

Consistent Characterisation is Good Writing

I get wanting moments where one is injured and the other fusses over them. I love those moments! All I ask is more imagination taken to get us to that point. Make it in-character. If my taekwondo black belt is kidnapped, I want to see her really fight. I want the kidnapping to be shown as genuinely tough on the people trying to nab her. Imagine how much more satisfying it would be to see her fight off all these bad guys, yet still end up losing? How much more heart-breaking?

We’d be so much more invested in the mind games or politics the villain is playing if the female lead we’ve been told is good at that stuff is playing the game just as hard. When she loses it’ll hurt more.

Writers need to stop being afraid that her remaining capable in some way diminishes the masculinity, attractiveness, prowess or “hero” status of the male lead. Trust me. It doesn’t. Ever. 

It’s not a case of either/or. We don’t think less of the male lead because his partner is as capable as him in whatever way that may be. Instead, we think more of them both. Once a romance begins, the heightened worry both characters have for each other should only make both of them stronger in whatever area they’re skill lies in. Not just make the man a sudden defence wall and the woman a worrying mess. 

I’m sure everyone who reads this can immediately think of at least one drama with a FL who is a Performative Badass. I know I had about ten in mind as I wrote this. 

There are exceptions. Cases where the badass gets to stay a badass. Usually these cases happen in genres without romance because like I said above, those problems are linked. But I can think of a few romcoms/sageuks/melos where it happens too. 

But those are the minority.

Women in kdramas. Give them agency. Make their characterisation genuine, not just a bit-part for the sake of a cool trailer. Not just one moment someone can edit into a “badass multifemale” video edit - only for us to watch the drama from the clip and discover we’ve been sold a lie. 

How satisfied would we be?

Writers! Give us a story we enjoyed because of the excellent characterisation. A new female character we can add to our lists of faves. Women who proved themselves as consistently badass as their first scenes claimed. Women in kdramas who, no matter what problem they faced, don’t become echoes or paper-thin versions of who we were promised.

Actual, complex, layered, enjoyable, KICK-ASS AND BADASS female leads.

Wouldn’t that be a miracle.

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PS. This is an open notice that it’s OKAY to reblog with added commentary/thoughts/rambles of your own. I would *love* to see it if you have anything to add.

---------- 

(Disclaimer: This essay was written with a specific female character type in mind. I am not saying every FL needs to be a badass or hyper competent. Soft, shy, physically weak female characters exist and can be just as realistic and complex. There’s a few I can think of who I adore. Instead my essay is very specifically about characters who are *meant* to be badass from the start but then... don’t end up being. So, yeah, before anyone claims I’m some angry feminist who needs every FL to be some tough martial artist or something. Absolutely not! Diversity is amazing and interesting. All I ask is that when I am told I’ll be getting a badass in a drama I get her. Not have my heart broken by the fake wilting flower I find in her place. Ok. End disclaimer. ^^)

----------

Also I’m tagging a bunch of you because you reblogged my post saying you wanted this so here! TY for making it to the end ^^

@kdramaxoxo​ @islandsofchaos @storytellergirl @vernalagnia-blog @lostindramas @salaamdreamer​ @planb-is-in-effect​ 

#kdrama #kdrama discourse #kdrama feminist #women in kdrama #badass women #strong female lead #though to be clear I am an angry feminist lmfao #how does a woman living in this world not be tbh

[a-womans-rhetoric]

Natalie Wynn's "J.K. Rowling" and Disruptive use of Women's Rhetorical Tropes: A Defiant Reply to Transmisogyny

ContraPoints, surrounded by an opulent, candle-lit set and adorned in witch's garb, leisurely pours champagne into her glass — she's ready to breach the internet's hottest topic of January, 2021: her childhood idol being outed as a transphobe (link here). The video itself being over an hour and a half long, I would be hard-pressed to claim that I could ever hope to cover its entirety, comprehensively, in a single post. So to save-face, I'll be dedicating this space only to breaking down her most frequently used rhetorical tropes, one by one.

Irreverence

"Joanne, I wanna talk to you, Joanne! [Fans herself with a rainbow paper fan with the word "BIOLOGICAL" written across it] What is it about Joannes? I can't catch a break from these people" (00:23-00:29, emphasis added).

Wynn's introductory lines immediately open a dialogue with J.K. Rowling — however, this invitation of discourse is defiantly "irreverent" (reminiscent of Nomy Lamm's punk-feminist style in "It’s a Big Fat Revolution” (1995)). Contrapoints, herself a transgender woman, is aware that her very existence is considered in opposition to the TERF-ideology that Rowling subscribes to. Thus, she's rather playful — even openly disrespectful — with her diction: calling the British author by her first name in a mocking-tone and flaunting her own trans identity to the camera (in a way that would likely offend the fragile sensibilities of a transphobe). Her personal tone (with ample use of the pronoun "I") servers a duplicitous purpose: a simultaneous message of "sit down and listen" and a fair degree of "I don't care if you can't accept me."

"So, now that 2020 is finally over, I think we can let the record conclusively show that it was a year whomst is bad. And on top of everything else going on, truly the last thing we needed was the author of Harry Potter coming forward to announce there's two things she can't stand: bigotry, and the transgenders. (00:31 - 00:50, emphasis added).

Finally broaching the subject at hand directly, Wynn employs kairos alongside her irreverence. Kairos, or the rhetorical use of an "opportune moment," holds incredible weight in the first month after 2020: the year in which the whole world fell into a stasis. Characterizing Rowling's transphobia as a collective "the last thing we needed," is also rather dismissive — she unites herself with her audience with the pronoun "we" and invites us all to groan at the exasperating nature of Rowling's bigotry.

Claiming the Right to Speak / Personal Experience

"This is a painful topic for me all around because, as a transgender woman, I am honestly really hurt by a lot of the things Joanne has said in the last year. But I also know what it's like to be the target of a Twitter mob" (01:36-01:47).

As she begins to touch on the topic, Natalie Wynn claims the right to speak on the issue of Rowling's transphobia — a type of bigotry that directly effects her. However, Wynn also situates herself partially with Rowling in her acknowledgement that receiving Twitter backlash is a terrifying experience (an experience, she argues, that the human brain is not prepared to handle the scale of, 01:49-02:39). In treating her subject with such dignity — and adding her own deeply personal account— ContraPoints creates a credible ethos in the beginning of her video essay. The audience is inclined to listen to someone who has been directly effected by the subject of Rowling's controversy (transphobia) and someone who is, rather compassionately, willing to empathize with those who would wish her harm. Although the generally sassy, glamorous, and irreverent tone of the video still appears soon after (see: the above image), her opening up for this somber moment garners a fair degree pathos in the viewer — we, as human beings, are inclined to sympathize with people who are open about being hurt.

Metis (Embodied Rhetoric)

[The following ContraPoints quote is addressing the above J.K. Rowling tweet, content warning for transmisogyny] "Transphobes love to play this game where they pretend that trans people just don't understand basic biology, that's our problem! As if I didn't start taking female hormones because I'm acutely aware that my body is not the same as a cis woman's body, that sex is real. "[Fictional TERF character] You will never be a woman, Nathan. Every cell in your body is male and has a Y chromosome." Really? That's crazy. How you'd you learn so much about science? You know I don't really feel the need to have a second X chromosome, I get by with only one, I make it work. I actually like the Y chromosome, I think it's a little more dainty, you know, it's little softer, a little more petite. The X chromosome has a lot of extra appendages, and don't you think? I don't need anymore of those, thanks. No trans person thinks it's possible to change chromosomal sex and to pretend otherwise is to argue in bad faith" (08:47-09:34).

If you can excuse my gargantuan quote, I hope you'll agree that the dialogue ContraPoints builds here was just too good to cut short. Within this excerpt, we see Wynn's use of irreverance and personal experience blended seamlessly together. For this YouTuber, the personal is perpetually political — especially when her own identity is constantly taken as an ideological stance. She uses her own expertise in trans issues to pick apart just how disingenuous Rowling's assertions are — even accusing her of "argue[ing] in bad faith" with her reductive claims (later, taking specific issue with how Rowling treats trans-ness as a costume). But, here, she also directly invokes another rhetorical trope: that of metis, or embodied rhetoric. Natalie Wynn specifically references her transgender body as a sort of counterpoint to the condescending "sex is real" claims by TERFs. She cites her intrinsic desire to pursue hormonal therapy as evidence that she — and other trans people like her — are all "acutely aware" that there are chromosomal differences between themselves and cis women. With this salient statement, she then follows with some humor: which, again, utilizes her trans body in her rhetoric. Her characterization of the Y chromosome as "more petite" and playful declaration of not needing "extra appendages" lightens up the often dark tone that arguing for trans rights and liberation can take. The clever points she makes are by no means weakened by her humor — if anything, the audience is more willing to listen to someone who can "joke about themselves" (so to speak) while still arguing an incredibly important message.

Naming and Defining Issues

"When I see Joanne tweeting about how trans people think sex isn't real and they're erasing same-sex attraction and they're silencing women, alarm bells are ringing because I recognize these as familiar transphobic talking points, specifically TERF talking points. "TERF" means trans exclusionary radical feminism. God are we still talking about this? I promise this is the last time. So TERFism is a hate movement that disguises transphobia as feminism. ... The fundamental problem with TERFs is not that they're mean. It's that they're politically reactionary, they want to reverse the progress of trans liberation." (14:05-16:02)

In her definition of TERF rhetoric, Natalie Wynn outlines some dog-whistles that are obvious to her, as a trans woman. She calmly explains to the viewer that, oftentimes in the present-day, rhetorics of exclusion are thoroughly disguised; TERFs, specifically, hide their rampant transphobia as a form of feminism. However, she further clarifies that the specific "danger" that TERFs pose is not from their cruelty — it's from their fervent dedication to strip away trans rights through political means. By specifying this danger, Natalie Wynn shifts the conversation away from empty discussion of offensiveness/terminology, to issues which directly affect the lives of trans people every day.

[This portion addresses the picture above] Also an act of naming and defining, ContraPoints makes a distinction between "Direct" and "Indirect Bigotry." She argues that many people envision bigotry as a festering, public, frothing-at-the-mouth hatred — a phenomenon she dubs "the Westboro Baptist Church theory of bigotry" (20:06). In bringing attention to the human tendency to think of people as exclusively practicing "direct bigotry" — envisioning them as a sort of delusional "other" — she then forces the audience to contemplate the relative omni-presence of the more covert (and possibly alluring) "indirect bigotry." This definition, crucially, requires introspection. By allowing ourselves to think of bigots not exclusively as "Westboros," we're made to adopt a much more nuanced view of subjects (most) generally prefer to keep black-and-white. Natalie Wynn uses her J.K. Rowling case study to complicate this 2D view of "The Bigot," inviting others to more carefully examine how politically reactionary views develop.

Phew, this was probably the longest post I've ever typed up on tumblr! Hopefully, I succeeded in demystifying (or at least adding clarity to) some of the specific tropes ContraPoints uses (that are common to women's rhetorics as a whole). Thanks for reading if you stuck around this long, and my ask box is always open!

#contrapoints #tw transphobia #tw transmysoginy

[thirsthourdemon]

Headcanon on their online platforms but mainly on Twitch, onlyfans stuff, patreon, tumblr

Includes: Demon bros + undateablesss

Genre: Crack, Fluff and slight smut

Warnings: NSFW mentions

||Lucifer

-He didn’t have a big online presence because he was active, no no

-He had an online presence cause everyone always sees him on Diavolo s pictures and such so for a time they shared an audience

-One time Diavolo and Barbatos were doing a thing where they read a book aloud for some sort of game

-Diavolo kind of recorded that for a little bit

-ASMR I TELL YOU

-People liked it so much they suggested for “the one with the deep cold voice”, luci, to do asmr on youtube or something

-He doesn’t know what an Onlyfans is however he does have a patreon.

-Diavolo was interested in the idea and discussed it with him

-HE BLEW UP CAUSE EVERYONE WAS FREAKING OUT OVER HOW AMAZING HIS VOICE WAS OF COURSE! 😡

-His fandom consists of either people who are interested in what he reads or...Horny people who get off at how proper and low his voice is

-His profile picture is a picture of him with his head cropped out where he’s fixing his gloves

-Luci isnt like super famous but he has a loyal fanbase that appreciates him a lot also lots of simps with daddy issues

-He was confused as to why someone would ask him to be their father

-He gets the daddy kink but why???

-Last post: A picture MC took where he’s holding a whip cause mammon fucked something up 🙂

||Mammon

-Bold of us to assume he didn’t already have one

-You already know why he’s on here.

-He has random content but he mainly got his audience since he kind of tried modeling thing for a while. It was for a big brand on their new jock type jackets

-Mammon really wanted cash at that time and he got the thing over and done with making him a couple more grims richer

-The photographers told him they could transfer the pictures though! So he just saved his pictures because “Who wouldn’t want a picture of THE mammon?”

-That gave him the idea

-His audience? Whoreknee

-They even accept the fact that his captions for some pictures are “You should be honored you get pictures of me”

-He posts that with a blushing face half of the time HAHAHAHA

-Levi found it and just laughed at the pictures

-Surprisingly enough the pictures were actually well taken because MC was forced into em

-His most popular picture was the one with him was actually a picture that the brothers took of him tucking in what appeared to be goldie on a seperate MINI BED WITH A SMALL TOY LAMP BESIDE IT

-He did a QnA for his followers to celebrate on his instagram

-PFFTT He got so many questions about Goldie

-Was dubbed “Goldie’s Daddy” after that

-Last post: A picture of him wearing the new Luxury brand jacket he got and his keys in front of his car with the caption “Daddy’s going for a ride”

||Leviathan

-I’ve always head canon that Levi knows how to draw digital emotes. Like he just picked it up cause he wanted to make fanart of him in henry together 😔

-Also has a red bubble or an etsy where he sells some prints and stickers of fanart 👀

-He went on twitch since there were so many TSL streamers there who just played games while they discussed theories as well

-Levi is an emote artist and while he draws he sometimes just discusses the theories with his fellow Yucky Otakus

-He’s the type to really interact with everyone even though he barely does that in real life

-Sometimes though when he gets packages that fans sent or ones that he ordered he’d stream unboxing them.

-He hates showing his face? Oh dont worry He’s wearing a facemask and all that

-His fandom is genuinely into him. Like they actually like him as a person but kinda once got into a scandal on gatekeeping

-He took a break for a bit but he kind of said sorry and everyone just forgave him because he isn’t really the type to do drama and it was just that one instance-

-Overall loved by the community due to how chill he is and how invested he is on fan theories

-He has a twitter btw and lemme tell you it’s just threads and threads of discussions

-Whenever he does stream unboxing videos though and he shows his shelves everyone freaks out how he has EVERY FUCKING VOLUME OF EVERY ANIME AND GAME

-People sometimes ask him personal questions and he tries his best to try to answer them but he shows a face where he looks uncomfy

-Everyone just bullies anyone who makes him uncomfy giving his fanbase a very protective reputation

-Last post: “Unboxing fanmail L8er @ 10pm LOL CYA GUYS XD”

||Satan

-He has a tumblr. You cant tell me he doesn’t have one.

-He had tumblr like back in the old day though like when porn was still available here.

-Get this...He’s known all through out the academia blogs. He INVENTED Academia

-Satan has 1 blog and that’s it. It’s his main blog and he just posts pictures of the book cover and does essays, reviews or sometimes he writes the ending he wanted to happen.

-Dont get me wrong he has a patreon but only because people loved getting more exclusive takes of stuff like his book notes on certain pages or sometimes his notes and thoughts on Artistic Erotica

-Probably has a Ko-Fi because he though he needed it after most of the blogs he followed had it

-He thinks it should be “Table of Content” and not “Masterlist” so he uses just that

-Profile picture is him wearing his signature washed out green grandma sweater while he has a book in hand and a cup of earl grey on his table

-People go to him falling in love with his aesthetic and Book reviews but they stay in love with him because he is big on one on one discussions actually

-He goes for one on one voice calls where he just...He talks to you about any book of your choosing

-Fans send him tea but he knows better than to eat something a stranger gives so he makes beel take a taste first sometimes but ultimately scolds the boy when he takes too much

-He wasn’t supposed to have merch but everyone liked the idea of small packages (More like letters) that really do look old and vintage

-He usually only give those to the people who pay for the top tier stuff

-It usually contains 1 type of tea, a letter he wrote for them himself and a bookmark with his name stamped on it

-He got the stamp custom made ❤️

-Last post: (Insert 5k word essay)

This is what I thought of Edgar Allan Poe’s “A cask of Amatillado”

Playlist: (Insert soft classic Music playlist on Spotify)

Tea: Black Currant

||Asmodeus

-ONLY FANS THROUGH AND THROUGH

-Is a brand influencer as well

-The brand ambassador of this pretty well known semi-luxury skin care brand

-His devilgram? Perfectly made by his PR team which is just him and solomon

-Before I move onto the NSFW stuff I want to emphasize how Beautiful his instagram is and his aesthetic

-His aesthetic is romantic/sexual tension/Unparalleled beauty

-Also a make up brand influencer and has his own make up line

-something along the lines of “The Devil’s box of charms 🖤”

-The type to DG live whenever he’s just showing off the make up look he did or the outfit he got

-The house of lamentation may have PR packages stacking up due to how most of them have an online influence but out of 10 boxes 7 of them would be for Asmo

-OKAY NOW ONTO NSFW STUFF

-Lemme tell you this...He has a specific drawer and space in his closet just for the sexy outfits he has.

-The demon’s onlyfans has pictures of him just teasing his audience where he’s wearing a black skintight get up and his bulge is showing

-Nudes are for mid and top tiers

-His fandom loves seeing in stocking and chokers

-“The choker is from etsy and here’s the link to their shop~”

-He doesnt completely show his body but...Him in suggestive clothing gets everyone pre cumming

-His fandom is just filled with simps 😔

-He loves them and blows a kiss towards the camera everytime he ends a live

-Probably has had a scandal or 4

-Posted an Ahegao once and everyone lost it

-Has been the face for Ahegaos ever since

-Belle delphine who?

-Definitely tik tok famous too 😎

-Has memorized all of Doja Cat’s songs

-Last post: “Hope you guys are ready for tonight’s session~ 😈” With a picture of him in an Fuchsia and black themed lingerie set. A collar with a bell on it.

-Bonus: One time Solomon summoned him while he was taking pictures and he was still in his lingerie set. 😛

||Beelzebub

-Was originally inspired by Mukbangs Channels so he did them on youtube too

-You get his Mukbangs on your recommended, You subscribe because of his cute and funny reactions whenever someone in the backgrounds is astounded to how much he’s eating

-Everyone knew beel as a cute guy who just does Mukbangs and loves to eat

-He once did a fridge raid and ended up eating everything in the fridge

-That was THE MOST CHAOTIC VIDEO on his channel cause you can just see luci and MC trying to make him stop

-He eventually got a patreon because mammon told him people will give him more money for food like that and to be honest he made a patreon but mammon takes care of it from time to time

-Oh you knew him as this sweet beautiful boy who just likes eating? hERe HavE sOmE WorKOUt pICs

-His body got everyone thirsty or may I say Starving

-S I M P S everywhere

-His patreon content is just him making small videos eating or pictures of him being all sweaty from the gym 😛💦

-“DADDY BWDONMXMSKC PLEASE FEED US”

-“Eh? You should feed me instead” *opens his mouth*

-Fans send him lots of boxes of weird food to see his reaction sometimes

-Did the fire noodle challenge a bit late but everyone is surprised to how he isn’t giving the reaction like they expected him

-Spice tolerance? Unmatched

-His fandom is either “UwU Beel please eat try this!” Or “Daddy Please FEED US WITH YOUR DELICIOUS THIGHS! 😩🥵💦💦💦”

-He does the service where he sends you his body building pictures except he isn’t sending them, Mammon is.

-Manager Mammon 😎 Gets a half of the profit

-Can I just...BeelProbablyHasnevergottenintoanyscandalbuthasalotofhaterssayingthefansonlylikehimforhishandsomefaceandgreatbodyandnicevoicebutlikewhatiswrongwithlikinghimbecauseofthosethings?Itisntbadtolikethatstuffatall

-Last post: “🍙 Thank you to @(Your Username) for the Onigiri! I finished the whole batch! Please send more food”

||Belphegor

-Sleep Guru

-Im sorry but I cant see him having any other social media aside from tumblr, twitter and Devilgram

-Belphie barely checks his phone but he has tumblr because apparently there’s a thing called the SandMan’s Box Community

-It’s like LootCrate, a subscription service that gives you stuff like Comfy Pillow sheets and tea for better sleeping

-This even gives you something like sleeping masks or ear muffs.

-The community is well...nocturnal

-His ask box is always full of his 100+ mutuals who just discuss stuff with him

-Whenever he actually does try to type online he makes articles about the best sleep positions or stuff like that

-His fandom is just loving mutuals who sleep and take care of each other

-They have a discord server where it just plays soft music to help everyone sleep

-Last post: “Humans aren’t so bad when they’re asleep”

||Luke and Simeon

-He has a big following on twitch where he just bakes sweets in his cute little hat and-

-Clearly you can tell I follow him on twitch

-The type of twitch streamer that no one hates on because why would you? He is literally just baking and cute comments

-Sometimes he streams with Simeon and everyone loves both of them

-When people give money they dont give “money” no no...they call donating headpats

-Luke is just so adorable that everyone just...

-“Angel Lulu’s Protection Squad⭐️”

-He got famous when he...He doesnt want to call it a collab but He made a lot of sweets and gave them to beel so everyone freaked out and thought

-THE SWEET BOY THAT EATS A LOT AND THE ANGELIC CHILD THAT MAKES SWEETS A LOT ARE FRIENDS?!

-He is now pissed that everyone thinks they’re friends 😠

-Basically his fans started making dishes and candy inspired by him

-Sometimes they send it in and Simeon has to confiscate some because

-“Im sorry, guys. You are all really sweet and I know that you mean well but Luke isn’t allowed much sweets yet”

-No one ever EVER lewds luke

-Fortunately Luke’s fandom has the least amount of pedophiles because everyone drives them away the moment they try something

-Whenever luke does fan mail/unboxing videos people just adore how Simeon places a glass of water at the table below the camera and the scissors or cutter he uses is child proof

-Even though Luke is the main person on his account everyone also notices Simeon.

-How couldn’t they? He looked like he wanted to make everyone in the audience live a better life

-Add that with luke’s wholesome baking and BOOM! You are now ready for a better life🌟

-Last post: It’s a picture of Luke shyly showing of his new batch of sun and moon shaped sugar cookies. “Sun and Moon. Tune in later at 3 pm to see how we made these!”

||Solomon

-He barely posts but he helps asmodeus with his stuff

-Too busy with anything else but helps out when things get interesting

-Proposes Ideas for Asmo sometimes when the demon doesn’t know what to wear for a live or a story

-Laughs at Asmo sometimes when he gets into scandals and drama

-Happy cameraman ❤️

-People follow him because 1.) He’s hot 2.) The fans ship him with Asmodeus

-Last Post: “When will you learn 🙂”

||Diavolo

-He is a vlogger~ Not a very active vlogger but a vlogger nonetheless

-He films anything he can but he’s more known on tik tok and devilgram rather than twitch or youtube

-People have been thirsting for him ever since and no one can convince me that they dont just shamelessly call him daddy whenever he goes on live

-Barbatos makes sure however that whenever it isnt appropriate anymore that he would tell diavolo to turn the camera off

-Wranggled Luci into his mess and now everyone knows the face of that one dude who just reads documents

-Everyone lowkey ships them

-Diavolo is the type to take a picture of a big meeting or a retreat out of instinct to just document his life

-He actually didnt know about vloggers before but he just liked the thought of documenting it

-Everyone picks up “Master” vibes as they say from him hehehe

-He doesnt have an Onlyfans or patreon 😔😔😔

-I honestly would have subscribed to his services

-Last post: “Barbatos made a delicious meal for us at the retreat today” Along with a picture of the Beautiful Demon Delicacy Spread in the table.

Taglist: No one yet (Please be part of the taglist for more content like this ☹️ It’s getting really discouraging)

#obey me #obey me shall we date #obey me: shall we date? #obey me beelzebub #obey me leviathan #obey me lucifer #obey me mammon #obey me satan #obey me belphegor #obey me asmodeus #obey me! x reader #obey me thirsts #obey me headcanon #obey me beel #obey me levi #obey me luci #obey me asmo #obey me asmodeus x reader #obey me lucifer x reader #obey me beelzebub x reader #obey me undateables #obey me solomon #obey me simeon #obey me luke #obey me memes #obey me mammon x reader #obey me belphegor x reader #obey me satan x reader #obey me leviathan x reader

[fridge-reviews]

Horizon Zero Dawn: Complete Edition

Developer: Guerrilla Games Publisher: PlayStation Mobile Rrp: £39.99 (Gog.com, Humblebundle, Steam and Epic) Released: 28th February 2017 (PlayStation 4 release) 7th August 2020 (PC Release) Available on: Gog.com, Humblebundle, Steam and Epic Played Using: An Xbox One Control Pad Approximate game length: 40 Hours Console exclusivity, I could write a whole essay on the good and ills of console exclusivity. Generally speaking I'm against titles being exclusive, be they console or digital store. Its just a way to force people into a ecosystem by holding a title (or set of titles) to ransom. I have a slightly more lenient attitude to 'timed exclusives' because at least they eventually become accessible to everyone. Horizon Zero Dawn is an open world adventure game set long after an apocalypse of some kind has happened. At this point the world has regrown its flora and what's left of humanity has reverted to a more primitive way of life. However along with the new flora are machines that look a lot like animals. You play as Aloy, a young woman who was born an Outcast from her tribe. Early on in the game Aloy finds a device from the past called a Focus that allows her to analyse the machines that inhabit the world, along with many other functions that become apparent as you play.

Originally Horizon Zero Dawn was exclusive to the Playstation 4 and I have to say I really hope that Sony release more of their exclusives. It only makes sense to release them to the PC after a few years, anyone who was going to buy the console and the game has already done so by now, releasing to PC just allows them to mop up some extra cash. Consider that it sold 716,000 copes in the first month of its PC release. This move could work very well for Sony as it introduces a whole new group of players to their various titles, and in the case of Horizon Zero Dawn it was released on PC just as the sequel was announced for the Playstation, which could very easily drive some extra sales of PS4 and PS5's just for that game alone. Unfortunately before I can go into all the things this game does right I have to cover its flaws, or at least the ones I've witnessed. The big one for me being that every time you start the game up it will begin to optimise it's shaders, this process took up to ten minutes each time I booted up the game on my system. You can choose to play the game so that it does this process in the background but I found that it caused it to run at an abysmal framerate (about ten to fifteen fps) which rendered the game virtually unplayable. However I did find a way to at least shorten the time it takes to only a few minutes, which was to run the game in admin mode. I only wish I knew why that worked for me as upon researching it not everyone had success with this method. Another, far smaller, issue was that the lip syncing for the character models was a bit off and no amount of graphical tinkering could fix that for me. Thankfully, as flaws go this one is something I can overlook when the rest of the game is just so gorgeous and fun to play.

Now that we have that unpleasantness out of the way its time to cover what might be the most important part of an open world game, the world itself. I think that Horizon Zero Dawn might feature the largest number of biomes I've seen appear in the genre. Of course, the proximities of them all make no sense since you can travel from a desert into a verdant grassland and then into a frozen wasteland on foot within a day, so some suspension of disbelief is needed. That being said the world map is definitely on the large side. In fact I was curious as to how large so I ran from one side to the other in the most direct route possible. That journey took nearly 25 minutes at full sprint the whole way. I also have to say the Guerrilla Games have really excelled with creating such a beautiful world to roam around in. Even on my system that wasn't running the game at anywhere close to full graphical fidelity (prioritising framerate) it all looked absolutely stunning. Of course like any open world game there are an absolute ton of icons on the map screen, although many of them relate to where a specific herd of machines are located. Unlike other open world games the fast travel between campfires or settlements isn't free. Each time you utilise the fast travel mechanic a 'fast travel pack' is consumed. This might sound like the game is punishing the player for making use of the mechanic, and in a way it is, but this encourages the player to explore and travel the world on foot (or by riding a mount). Also these packs can be bought cheaply from any merchant, are easy to craft and can sometimes be found on human enemies. Later on in the game you can purchase an item that allows unlimited fast travel use, it's quite expensive but then by the time you reach the point to want to buy it it'll likely be easily within your budget.

The majority of the time your main opponent in this game will be the various machines that wander the world. Most of these have the form of animals from the old world including some from the extremely distant past. It should be noted that even the smallest and weakest of the machines, the watcher, isn't a foe that you can take lightly even in the late game they can hit quite hard and be the cause of some major trouble and that's before they alert everyone about you being around. Every machine has at least one weak point, its just a matter of having the right weapon to take advantage of it. Shooting these not only damages the machine considerably but can also disable certain attacks it could perform. In addition to this, often you can search for the parts you shot off and salvage a component that just killing the machine is unlikely to give. One of the main things to remember is that Aloy is primarily a hunter and a tracker, not a warrior. She is at her best when she can ambush her prey at the right moment after studying its movements or at least strike at a critical weak spot. To aid with this Aloy can hide in tall grass to avoid detection, though this only goes so far if you miss a shot your target can work out where it came from and may even begin to attack the location.

As you complete quests, do side missions and kill enemies you'll gain experience and thusly gain levels. Each level gives you a skill point that can be spent in the skills menu. There are a variety of skills you can spend these points on, ranging from ones that increase the damage your melee attacks do through to the ability to repair your mount. As I mentioned before machines once killed (or if a weak point is destroyed) will drop components. These components can be used to craft ammunition while in the field as well as be used as items for trade with merchants. Another thing that both machines and your human opponents will drop are metal shards, which act as currency. You can buy more weapons and armour as well as upgraded versions of existing items in shops. However, sometimes metal shards aren't enough and a resource such as an animal skin or a machine part is also needed to purchase an item. This becomes especially true for equipment the further into the game you go.

It's very tempting to treat any open world game with a third person perspective like its an Assassin's Creed title, especially one that puts such a large emphasis on stealth. The thing is that unlike the Assassins Creed series you can't just clamber and climb anywhere, instead this game is more in-line with Tomb Raider where there are clearly marked places for you to climb, usually depicted with yellow in some way. Because this is the Complete Edition this game also comes with the Frozen Wilds DLC that introduces a new area. Unfortunately I have no idea how well integrated this DLC is into the game since I never played the game previously and to me the Banuk tribe felt like a natural inclusion rather than something tacked on. This new area is known as 'The Cut' and is much more challenging than the base game. I went in with a character who was ten levels higher than the 'suggested level' and was fully equipped and I still struggled. The one unfortunate issue that comes from this DLC is that once you complete it you should have some even better equipment than when you started. It sounds like an odd thing to say but having such equipment can and does make the base game feel much less challenging. Good thing you can crank the difficulty up whenever you feel like it.

Once you complete the game you can play again on New Game Plus, this will give you all your equipment and skills from when you completed the game. This comes with the added benefit of being able to get 'adept' weapons that have more customisability and cosmetic items like face paints etc. This is the first game in a while where I didn't just finish the game but went out of my way to get all of the collectibles and complete every mission I could, and I did it all because I wanted to continue exploring the world.

If this appeals to you perhaps try;

Nier: Automata Tomb Raider The Witcher 3: Wild Hunt

#horizon zero dawn #horizon zero dawn complete edition #guerrilla games #playstation mobile #game review #games review #game reviews #games reviews #video games #video game #video gaming #open world games #rpg #open world rpg #post apocalypse #post apocalyptic #green apocalypse #pc re-release #pc rerelease #aylo

[absolutepx]

So I've been playing Death Stranding lately. Wait, that's not what this post is about. Well, it kind of is. Hang on. What is Death Stranding about?

A: Norman Reedus getting bare ass naked B. Sneaking around ghosts with the help of your sidekick, an actual baby C: Carrying 50 Amazon packages up a hill while trying to not topple over D: Waking up in the morning and drinking 5 Monster Energy™ for breakfast

For those following along at home, the answer is actually none of the above. Despite the set dressing being bizarre to the point of near absurdity, what the game is actually about, like thematically, is actually really simple.

See, the development of Death Stranding was actually quite a trip. Hideo Kojima is the video game world's equivalent of an auteur director. He has a very recognizable personal style. It's thoroughly horny – he caught a bunch of shit for the design of Quiet in MGSV, but like, a lot of Kojima characters are just -like that-, including the dudes. Also, this is going to possibly be important later.

Anyway, so Kojima was going to do a rebootmakequel of Silent Hill, and the demo actually made it to the PS store and I could actually write a whole side essay about why P.T. (it was called P.T. for some reason btw) was brilliant game design for how it used the same hallway over and over and it was somehow beneficial to the overall feeling of horror. So Konami it turns out kinda sucks nowadays and they like, fired Kojima (they were huge dicks about it behind closed doors, too) and scrapped the project and kicked him out on the street and kept the Metal Gear series which was his baby (literally the baby in the sink in P.T., he snuck a bunch of messaging about the Konami situation into the demo like a breakup album) and Kojima would go on to form his own studio and poach some of the people who worked with him to boot. So the thing about Kojima is this: he's got a reputation for already putting some wild shit in his games, like a ladder that takes like 10 real time minutes to climb in MGS3 for dramatic effect, and a boss in MGS3 that summons the ghosts of all the people you were too lazy to stealth past and killed, or a sniper battle with a really old guy that he wanted to have last two weeks or some shit until he died of old age but he was "told that "this was impossible and not recommended." That is a real quote I just looked up. So he's coming off the heels of making this hugely successful game with MGSV and the hype of the P.T. Demo and he fucking, he like took all the people that were going to be working on P.T. Along like Guillermo Del Toro was going to co-write it and Norman Reedus was going to star in it, and he's like, I'm going to make this game called Death Stranding. And the first trailer comes out for it and it's completely nuts. Norman Reedus wakes up naked on a beach crying with a baby and there are floating people in the sky? So we're all like hooooooly shit, there's no one to tell him "this is impossible and not recommended" anymore. What's he going to make now!?

So the whole time the game is in development I keep seeing these tweets where it'll be like, Kojima and one of his homies smiling with some saccharine message about being spiritual warriors and changing the world. And not just Del Toro and Reedus, there was Mads Mikkelsen (another guy Kojima puts in the game just because he apparently loves him), and the band Chvches, and also like, Keanu Reeves at one point? You know how everyone has just kind of accepted that Keanu is a being of light? Here he was endorsing Kojima. The hype was pretty confused and frantic.

The game eventually comes out. A lot of game journos hate it because I think there was this expectation it was going to be, you know, less weird and have more of the conventional structure of a video game. That's not to say the average gamer wasn't also dismissive of it, but I think on the ground level there was more of an understanding that like, yeah, Kojima just be like that sometimes.

Because the game was a timed console exclusive and your homie don't play like that, I spent the first year or so cautiously viewing Death Stranding from a distance. I wasn't sure I was going to like it – except for being really impressed with P.T., I wasn't actually a big fan of Kojima's games as games – but I -was- sure that I was going to buy it, because of the way Konami fucked him over, just out of support. And the shit I was hearing was really out there. The primary mode of gameplay is just delivery packages. You collect Norman Reedus' bathwater and pee and use it as grenades. You get a motorcycle that looks like the one from AMC's The Ride with Norman Reedus, and when you sit on it, his character in the game says "Wow, this thing is like the one from AMC's The Ride with Norman Reedus!"

But I didn't really want to know that much about it. Something has that much fucking crazy person energy, you want to go in mostly blind, right? So maybe people just weren't talking about this, or maybe I wasn't seeing it, but then I watched Girlfriend Reviews' video about it and they came right out and said it (link provided if you want to hear Shelby say it more articulately than me):

Death Stranding is basically about the exact opposite of Twitter. It's about remembering how to be kind to each other, how to reconnect in a world where people are so often hostile to each other by default. Prophetically, it's about a world where people are afraid to go outside or touch other people and how damaging that is. It's not a game about carrying packages, it's a game about helping people by being brave enough to walk through a wasteland carrying their burdens because they can't. It's about rebuilding the lost connections between people, about restoring roads and giving people hope. I bet, for Kojima and the people close to him, it's about how to answer hostility with compassion. You can't kill people in Death Stranding. You can and are absolutely encouraged to fucking throw hands with people sometimes, but all the tools and weapons are nonlethal. So I think Kojima took all the Twitter heat he got over the Quiet nontroversy, and all the feelings of isolation he had from Konami separating him from his team during the end of the development of MGSV, and all the support and encouragement he got from his bros Del Toro and Mads and the rest, and decided to channel that into making a game that was a statement about all of it. And sure, it's a little heavy handed, and sure, it's a little saccharine, and sure, the gameplay sometimes borders on miserable in service of creating emotional payoffs. For me, especially in 2020, this message is a huge success. Social media should be an opportunity for all of us to feel more connected to each other, yet primarily it feels like one of the main forces driving people apart. Why is that? Why is the internet of today such a hostile place? I'm old enough to remember web 1.0: I can haz cheezburger memes; YTMND; the early wild west days of Youtube... What happened to us? I've thrown the blame at Twitter in the past, and I think the architecture of the user experience on Twitter is absolutely a big piece of the puzzle, because it fosters negative interactions. But in terms of the behavior, people have observed that 2018 Twitter was actually almost exactly like 2014 Tumblr. (For the record, Tumblr is now one of the chillest places left on the internet, because so few fucks are left to give.)

I think part of it is the anonymity. The dehumanizing disconnection of the separation of screens and miles. Louis CK, before he was cancelled, had a great point about cyberbullying, and why it's so much more savage than kids are IRL. When you pick on someone in person and you are confronted with seeing the pain you caused them, for most sane people it causes negative feedback and you become disgusted with your actions and eventually learn to stop being a shithead. Online, at best you can "break the wrist, walk away".

At worst, you can become addicted to "clout chasing" and the psychological thrill of being cheered on by your social ingroup. It's even worse if you feel like it's not bullying and your actions are justified because whoever you've targeted is a bad person so you don't have to feel bad about what you do to them. This is where reductive, unhelpful catchphrases like "punch a nazi" come in. For every argument, one or both sides have convinced themselves that the other side is subhuman because their beliefs are so disgusting. And sometimes it's even true! A lot of times, especially these days, people really are acting like animals or worse online. Entire disinformation engines are roaring day and night, churning out garbage and cluttering the social consciousness. (Kojima talked about this bit, too, way back in MGS2. As if I wasn't already in danger of losing my thread through this.)

The human brain was not built to live like this. You can't wake up every morning, roll over and open your phone, and be immediately faced with a tidal wave of anger and indignity. It wasn't built to be aware of fully how horrible the world is at any moment ALL AT ONCE, ALL THE TIME. And you will be. Because of another way that our brain works – the way we are more likely to share negative opinions. And because of the cottage industry built on farming outrage clicks, and because of constant performative activism.

It's not that I don't agree that being informed is important.

It's not that I don't agree that the causes people get riled up about are important.

They are. They absolutely are.

But we can't keep living like this. The constant, unending flood of tragedy, arguments, and hot takes. How much of the negativity we associate with online culture is the product of this feedback loop? What if the rise of doomer culture has been, if not entirely created by, has been nourished and exacerbated by our hostile attitudes toward each other?  Incels and TERFs, white supremacists, radfems, tankies and Trumpers – it seems like on every side of every issue, there are people simultaneously getting it wrong in multiple directions at once and there are more being radicalized every day. They are the toxic waste left behind by the state of discourse. And any hill is a hill worth dying on.

So what am I actually advocating? I don't know. There are a lot of fights going on right now that are important and we can't just climb into bunkers and ignore our problems hoping that Norman Reedus and his fine ass are going to leave the shit we need on our doorsteps. We need to find the strength to carry those hypothetical packages for ourselves sometimes - and hopefully, for others as well. Humans are social creatures. We need interaction and enrichment.

We need love.

So just try to remember the connections between humanity. Try to put more good stuff into the world when you can. Share more shitposts and memes. Tell your friends and family that you love them. Share good news when you hear it. Go on a weird fucking tangent about Death Stranding. Find a way to "be excellent to each other, and party on, dudes."

#death stranding #hideo kojima #video games #cancel culture #essay #oc

[phoebehalliwell]

Pls write mini essays about phoebe + next gen and paige + next gen!!

word i’d said i’d to this then i forgot i’m doing it now i’m gonna start of with both phoebe & paige + their kids and then i’ll burn through the list

okay so for starters phoebe i think phoebe’s family wins like the “most functional” award it’s not like a landslide win y’know it’s not like piper and paige’s families aren’t function but this family is comprised of an empath advice columnist, a cupid relationship therapist, and three cupid-witches. like, they’re all kinds experts of communication and self-awareness and understanding and relationships and bond blah blah blah they being said of course they have their issues but in general it’s relatively smooth sailing there is of course the flipside when friction usually generate from the kids starts to spiral out of control and phoebe & coop will be like let’s use our words help us to understand you and where you’re coming from do some breathe exercises and the girls would be like no!! can’t we just argue like a normal family!!! can’t you just get angry at something!! but those are um few and far between. and of course like phoebe really really wanted to be a mom we all saw we all didn’t enjoy it but that’s very much canon she really wanted three daughters she got that so i think phoebe was very much like Prepared for motherhood (like as prepared as one could be). like it wasn’t like she thought it was going to be smooth sailing but like she was ready to face any challenges that could be thrown at her she was ready to put all of her love and effort into this one thing and i think for her like Mama Era from pj’s birth in 07 to peyton starting preschool in 2013 i think she really like almost exclusively worked from home she was really hands-in she was in all the mommy groups and the pta and the whatnot but like. y’know that’s like 6 years. and phoebe really loves her job. so i think she’d really have a career renaissance once all of the kids were in school i think she’d slowly start to dive back into column work i think this is when she’d start to write her book after the success of that one i think she wrote another one i think she has a fiction series posted under a pseudonym that is more of a ya magical adventure series (which paige designs all the covers for) i also think she and coop have a podcast together maybe run through the bay mirror maybe independent the point is she’s really popular (i also think she’d be the wealthiest out of the three sisters bc she makes bank and so does coop as a therapist for those not in the states therapy is like really fuckin expensive as i recently learned y’all do not know. it’s a bitch. but yeah they got money. but that’s not the point here. the point is she’s really popular). book tours, doing stuff with the podcast, guest appearances on a variety of tv shows, i think phoebe’s not like. at home a lot. or at least she’s home the least out of piper her and paige. and it’s not like her kids really mind like she is just a beam away and she always makes it to important events (and unimportant ones!) like she takes photos before every school dance and she throws birthday parties and she really dos try to make it to all of the kids soccer games but like. she’s not always just like. home all the time. and i think she’d really love to have a lot of emotional heart-to-hearts with her kids but that doesn’t always happen. if pj needs an emotional heart-to-heart, she’s gonna talk to her dad. is parker needs an emotional heart-to-heart, she’s gonna talk to pj. is peyton needs and emotional heart-to-heart she’ll position herself on the couch late at night when she knows phoebe will be coming home and just sorta sit there like waiting for phoebe to show up and go oh honey what’s wrong bc uhh peyton will not like. go to someone to talk about their problems. she has to wait to be asked. that’s just the type of person she is. lucky for her, phoebe’s an empath so she can like tell when baby peyton’s in distress but lbr she usually doesn’t need it because like peyton perches in such an Obvious manner like hi mom come comfort me please : ( even tho she’ll never like say it out loud. i think phoebe’s also like proud of her girls and their practicing of the craft bc she remembers how she felt about magic hell how she still feels about magic and she’s always telling them like follow ur heart and love is ur greatest strength (and the power of three will set you free, of course) bc her girls are cupitches y’know it’s more true than ever but like. lowkey tho. it fucking terrifies her. magic like takes, man. a lot of people she knows have died. and she just like. she doesn’t want to tell her kids no bc it was grams controlling nature that made her rebel so much so like she wants them to be able to come to her when they have a magical problem and she knows that if she tries to stop them or tells them they’re out of their league they’ll probably just stop telling her things so she doesn’t she tried to be supportive but jesus fucking christ he gets so scared sometimes. she gets so scared.

paige on the other hand had nowhere near the same experience with motherhood as phoebe bc well i think paige has the most complex relationship with motherhood set aside the fact that her kids are the only unplanned ones out of the entire next gen, she also like. she was a shit child. she was mean and violent and an alcoholic. she had committed so so many crimes before she was even 17. and she had a really good mom!! she had a mom who loved her and tried her hardest to support her and keep her from falling off the deep end who loved her unconditionally she had the best mom and she was still just a little shit! and i think that really fucks her up. like, looking back on it, she can’t imagine half the stuff she put her mom through. she was really cruel. and like!!! her mom was a good mom!! so paige doesn’t know she doesn’t know what she’s supposed to do. how she’s supposed to stop her kids from turning out like her. what can she do so she doesn’t have kids who end up exactly like how she was. henry isn’t like a load of help her bc henry Also never knew his parents and he jumped around from foster home to foster home and like never really felt like had a family until paige. and then like in his whole parole schtick he was definitely a hard ass he was definitely an Authority Figure bc hell that was the only way adults could get him to listen to them when he was a kid so he just kinda emulated that. however after meeting paige and really getting a feel for her whitelighter side and how she handled these situations i do think henry switched up his vibes he made the necessary changes. i also think like henry like no he wasn’t planning on having kids but i think he was really excited to become a father like he was gonna have a family like god he always wanted a family he was gonna teach his kids to play catch and he would host birthday parties stupid birthday parties with themes and balloons from safeway and friends there and goody bags the full kit and kaboodle like henry would fuckin go to bed each night dreaming about how he’s gonna do all these familial things he never got to do. bc he didn’t have a family. but paige did. she got all those things. and she was still fucked up!! so i think the conkclooshun paige landed on was that her mom tried to hard to like. like her mom saw her potential and always strived to push her to be that perfect version of paige that she saw her wonderful little angel when paige really wasn’t that paige wanted to be seen for what she was not some vision in her mom’s head and maybe that’s why she would like get drunk and steal a cop car bc she wanted her mom to see the girl standing right in from of her not an angel just paige. so paige was like. okay. i’m no gonna project onto my kids. they’re gonna be like “charmed ones” (there’s only two of them but w/e they’re really powerful witches) but i’m not gonna. i’m not gonna see them as that. i’m going to try to see them as they are and i’m going to be their Mom. i’m not gonna be some distant ethereal figure which is kinda how she felt a lot of the charges she brought to magic school viewed her bc she was this mythic charmed one and she was this she was that i think paige didn’t want to be her daughters’ whitelighter bc she didn’t want a “professional” relationship with them. there was no way she could advise her own kids the way she could advise her charges, she’s simply way too close to the situation. and she doesn’t want her kids to view her like that. she doesn’t want to be their whitelighter, she wants to be their mom. and um this really does work for the most part like she & her kids will like sit on the couch and just like yuck it up you know like the mitchell clan really is a tight knit they do all love spending time with her but. like her method of parenting really works with tamora. not so much with kat. kat’s a lot more witchy than tam is she’ll actively go out and seek out trouble she pursues the craft with a very similar hunger to what we saw in paige s5 and paige kinda hates it. like. god okay she gets it she gets it she really does. but kat’s a kid!! she’s just a kid and if she keeps looking for trouble she’s gonna get herself killed and i think whenever out god knows where doing god knows what paige just remembers that time she had to watch chris bleed out on the bed with nothing she could do. and how she- how if that happened to kat- she- she couldn’t go on anymore. that’s basically the fact of the matter. if she lost a child, she doesn’t know what she would do. give up. probably. and it’s again sorta like the inverse we see with phoebe’s free range demon hunting where paige gets so overprotective about it that kat just stopped telling her things. this gets doubled by the fact that you’re not my whitelighter, so why should you even care! and kat does view it as like a lack of faith from her mother (which is one of the reasons why kat and chris are so close) and she just wants to. she wants to prove herself. she wants her mom to see her for all that she could be, instead of just the place she’s in right now. and i do think as time passes paige learns to sort of let go of this control i think her and kat have the most difficult relationship but paige letting kat leave to take a gap year and explore the world was like a major step and kat acknowledges this to an extend she gets it was difficult for her mom but she really has no idea how much paige panicked how much it took every inch of her self control not to go out and drag kat back home because yes baby birds have to leave the nest eventually but these baby birds have a very high stab rate. um jumping over to her relationship with henry jr i think she does encourage his studying of the craft he is the most well read out of any of the next generation with wyatt taking a close second hell henry jr even knows like a bit of latin this kid is wicked smart And bonus round he’s aware he’s mortal. like yeah paige can kinda sense that it does ruffle his feather, but henry jr knows when to step away. again, henry’s really well-read. he’s brushed up on the family history. he knows the warren line is close friends with death. as a bit of a bonus round but also to give paige some peace of mind, she did give henry a basic charm that grants him the same high resistance that all witches are born with as well as cloaks him from magic bc like paige and henry sr both knew this mortal baby was gonna have a wicked high kidnap rate so they figured y’know best do all they can to Stop That from happening. the enchantment that henry jr has is a necklace it’s the same one paige wore throughout the show. bc i’d like to bring that back.

okay next gen time wyatt i think wyatt likes paige more than phoebe it’s not like a competition or anything it’s just gun to his head that’s who he’d chose bc paige really is like this witchlighter she walks the line between being charmed and being a whitelighter that wyatt can really take a lot of inspiration from he just doesn’t have that with phoebe phoebe’s a little bit more of like a love guru and wyatt’s got a weird relationship with love bc he keeps flinging himself headfirst into it and keeps getting bruiser bc of it what wyatt actually doesn’t know is almost all of the advice that has gotten him out of these troubling times has almost all been sourced from phoebe piper usually goes to her with advice when it comes to all that i mean i don’t think wyatt would like to know that post-breakup wyatt is just like kinda embarrassing he doesn’t want to know that’s being shared with the family of course he already knows he just doesn’t want confirmation

chris surprisingly closer with phoebe probably bc she’s an empath and again she has this whole free range witchcraft style that she has going if chris has a question he needs to ask somebody he’ll usually ask phoebe bc she’s the only one who won’t report back to leo bc again she’s an empath she gets it she knows what’s going on and she knows he just needs time and he and leo need some good honest communication paige also gets that but paige also watched chris die so yeah no she’s gonna snitch

melinda about and even tie melinda gets a lot of witchlightering advice from paige on finding harmony there but she’s also an empath she she spends a lot of time learning her craft from phoebe and how to focus that and apply that power to her witch/whitelighter abilities in ways paige can’t really teach her bc paige’s power is more physical that psychic/emotional. but it is like paige who gives her the groundwork on like. getting it. i think gun to her head if she had to choose she’d choose phoebe just because of those times they’d go out and do “field practice” where they go somewhere interesting and crowded and sense the wave of emotions and go out and try to pick out people from the crown it’s an art of drowning out the din and finding one you need to find a way of not getting lost in the sea of everyone else’s everchurning emotions which is nice bc it grants melinda a much wanted and needy control over empathy but it’s also nice bc it’s like. fun. phoebe always makes it fun they can always have a laugh.

tamora’s not like hella close with phoebe there’s really no reason for her to be however she is baby peyton’s favorite cousin (don’t tell the rest) simply because tamora’s both like studious and cautious and baby peyton’s tired of everyone running around trying to fight demons like what about normal life irl and stuff so i think tamora would definitely like tutor baby peyton this that and the other and so like phoebe really has like a sense of respect for tamora and tamora likes being over at phoebe’s y’know it’s not like peyton’s some snot nosed kid it’s fun she likes the vibes

kat has an appreciation for phoebe bc she definitely knows phoebe had a hand in helping her mom let go of her y’know that being said it’s not like she loves to spend time with phoebe phoebe’s both an empath and paige’s sister so like she knows that anything of note’s gonna be passed onto her mom (which isn’t like. entirely true. but it is kinda true). if kat’s gonna hang out with an empath she wants it to be one on her side so she’ll always pick melinda

henry jr okay so phoebe’s actually the opposite with henry it’s kinda like her and paige swapped places here bc paige trusts her son she knows he’s really well versed in magic blah blah blah and that he’s got y’know. common sense. he’s not gonna run into some situation half cocked and get himself killed he’s aware of his mortality. phoebe on the other hand did not raise henry so she doesn’t get him the way paige gets him; a large part of her free range ideology is the fact that her kids are basically little power loaded god their charmed and as an added boost they’re also half cupid they’ve been raised in the craft they’re insanely well trained so like. she knows that they’re capable. henry does not have their advantages. so i think phoebe really tries to hold him back isn’t quite the right word but like. it kind is. she doesn’t want him doing anything magical.

pj’s in the 07 baby squad even though she’d at the younger end of the scale so she was a grade behind mellie kat and tam but that little barbershop quartet’s p tight knit i don’t think she has like insane exposure to paige as i think cupids and whitelighter work very differently like at the most basic magical level and therefore paige’s halfling experience really doesn’t do that much to help her i think she likes paige alright but like. it’s nothing compared to like wyatt relationship with paige

parker always like runs towards danger she’s got an insane amount of energy and like a fire within her i think she’s always trying to push boundaries and break the rules eg with her cupid ring becoming an athame i don’t think she straight up asked paige bc like parker definitely views all adults as narcs but with this of that ilk parker bounces questions off paige which paige just always answers like really honestly like if parker asks a question that’s like really complex and strange paige won’t give her a roundabout answer she’ll just tell her what’s up and for that parker respects paige

peyton i think sees paige the most through tam i think she likes paige i think she’s definitely privy of the whole paige/kat situation bc like who is the family isn’t but i think she really kinda takes paige’s side her peyton thinks the real worlds insanely dangerous she doesn’t like looking for trouble and her heart lowkey goes out to paige bc she knows the whole thing with kat is a matter of love it’s just something that’s hard to work with

#wallah #next gen #charmed #charmed next generation #phoebe halliwell #paige matthews #💌 #margaretsminiessays #wyatt halliwell #chris halliwell #melinda halliwell #tamora mitchell #kat mitchell #henry mitchell jr #pj halliwell #parker halliwell #peyton halliwell

[surveys-at-your-service]

Survey #479

“war sends our sons to slaughter  /  another failed attack; there is no turning back”

Have you ever boycotted something? Yes: Chick-fil-A. Homophobic, transphobic pieces of shit. Has anyone ever borrowed something from you, and not returned it? Yes, a video game when I was little. I was so mad, lol. Do you vent a lot on social media? No. I don't want people to get annoyed with me. What was your first bill you started paying on your own? I haven't been responsible for any bills yet. What is your favorite charitable cause to donate to or volunteer for? I can't/don't do either really, but if I could, I'd probably donate to uhhhh... suicide prevention organizations. As for volunteering, definitely something with animals. Have you ever dated someone who wasn’t at all your usual type? No. What is something you have no patience for? Waiting at the doctor's office. Have you ever received a misdiagnosis? Yes. What’s that you’re listening to? I'm watching Gab play The Evil Within 2. What kind of relationship do you have with the last person you kissed? We're a couple. What is your biggest accomplishment in life? Still being alive. What is one thing that you really wish you could understand, but don’t? Political stuff. Economics. Have you ever been tutored or tutored someone yourself? I had an Algebra tutor the last time I was in college, and I had to strangle an anxiety attack down because I wasn't understanding the material AT ALL and felt so dumb and annoying. I never did it again. What was the last thing you said out loud (singing doesn’t count)? "It's really embarrassing," to Mom. It really is fucking humiliating that my ankles are swollen from walking/standing more and pushing my desk chair back against the resistance of the carpet. That's pathetic. I'm trying to focus on the fact it's good my body is even reacting to moving more, though. Is everything you have on actually yours? Yep. Do you ever just randomly drive around when you’re upset about something? I don't drive, but if I did, that would NOT be my method of de-stressing. What was the last act of creativity you displayed? Writing an RP post. What’s your favorite department in Wal-Mart? Uh, I guess where you can go see the plants and flowers. Do you find kite flying boring? I LOVED it as a kid. I'd still probably find it kinda fun. Do you have any interest in visiting Japan? Yes, but it's not a massive interest. I've heard the humidity can kill a bitch, and I am NOT into that. Have you ever run a cash register? Yes. I sucked. Have you ever worked as a server? No. Have you ever done the Bratz challenge on YouTube? No, but I saw James Charles do it and it was v unnerving, holy shit. Would you rather paint or carve a pumpkin? Carve. What was your worst experience in high school? My depression as a whole. How much did your senior prom dress cost you? I don't remember. Have you ever been in a serious romantic relationship? Three, if you include my current one. Which part of your body is the most muscular? Uh, nothing? What is the first site you check when you get online, generally? KM. Are you good at creative writing assignments? That's my forte. In elementary school, I actually won a I think county-wide creative writing short story assignment. Not to brag, but I've always been very proud of that, ha ha. Or would you rather just do an informative essay? That's easy for me too, but I prefer writing creatively. Are you more attracted to the badasses, or the goody-goody types? Definitely the goody-goodies. The "bad guys" have never appealed to me romantically. Do you raise your hand or participate in class? I did if I really wanted to ask something or was confident in an answer. What is something BIG you want to do with your life? Make a difference, somehow. What do you think of people who own wild animals? Do NOT just casually take in animals from the wild. That's selfish and just generally disgusting. If you're going to keep an animal generally described as wild and undomesticated, you'd better have a license and deserve that license. Know what you're doing and be certain that keeping the animal in captivity is in the animal's best interest for its unique case. Are you good at explaining things, in general? NOOOOOOOOO, I suck at that. Do you like visiting the mall? Why or why not? Not our mall, no. Its stores suck/are extremely limited, and SO much crime has happened there. Do you like window shopping? Why or why not? YESSSSSSS, mostly on Morph Market, a mostly reptile selling hub online. You can browse TONS of breeders and literally thousands of reptiles, especially ball pythons. They even have a tarantula section I like to look at sometimes. If you lost your job/home/etc., who would likely help you? If I'm losing my home, I'm assuming my mom is gone, so my dad. Why did you first kiss the last person you kissed? We were a couple and I felt like I was supposed to. At that time I didn't see him romantically, but I desperately wanted to. Funny how we're back together and I've no reservations against kissing him now. Feelings change, for sure. Plans for tonight? Girt and I will probably play some WoW Classic together. We've started playing that together, and it's lots of fun with him. :') Has anyone seen you kiss the last person you kissed? Actually, no. Have you ever been kissed in a car? Yeah. Do you think anyone has feelings for you? I know Girt does. Is there anyone in your life that knows right away something’s wrong with you? My mom. Who last made you smile? Girt, 'cuz he's a sweetheart. Where is your mother? She's in bed in her room. She feels like shit. Like, you would think she WASN'T vaccinated, though her long-time doctor has said she'd probably be dead without it while having Covid. Would you rather look at clouds or stars? Stars. Think about your biggest mistake, would you go back and change it? I absolutely would. Are you dating the person you last kissed? Yeup. What is the most immature item you own and actually use? Um. Idk. Do you always take a shower after you have sex? I... didn't know people did this? Like I know women are advised to pee after sex, but full-on showering? No. Do you like chocolate popsicles? Oh hell yeah. Are your parents proud of you? They claim to be. I don't see how. Are you interested in the ocean? Yeah; it's inarguably so fascinating. Hot dogs or hamburgers? I prefer burgers. Have you ever been to a Chinatown in any of the cities you’ve been to? No. Have you ever been to couple’s counseling? No. Do you have any dietary restrictions? No. Have you ever turned down a job offer? No. What’s the largest animal you’ve ever had as a pet? A dog named Cali that was a boxer mix. Do you ever pray, even if you don't believe in God? What exactly is the point if you don't believe in God...? Anyway, I don't. Have you ever been to Mexico? No. Have you ever gotten stuck in quicksand before? No. What's the shortest or longest length you've ever had your hair grow? To around the small of my back. The last nest you saw - was it a bird nest or a hornet's nest? I think a bird's? Do you enjoy Jeff Dunham? I don't know if I'd like him as a person, but I do think he's a funny comedian. Who is your favorite character from Frozen? I was never into the movies. I do think Elsa is kinda cool (no pun intended, lol), though. I like that she has her flaws. Did you finish high school? If not, do you plan on doing so? I did. Have you been in a simulator that mimicked a submarine or rollercoaster? A rollercoaster, yes. How often do you go out to eat instead of cooking for yourself? Mom and I try to avoid fast food for our health. We do a pretty good job at it, but sometimes for convenience's sake, we do eat it. What is the largest family of siblings that you know of? This is probably gonna come across as very judgmental, but... it really bothers me. I don't know how many kids she has now, but one of the dance moms from the studio has SO many children; I've completely lost count. Now if you want that many kids and can provide for them, that's cool. But that's not the case. She uses the "if God wants me to have a baby, then it will happen" mentality, and I'm just like... um, no hunny. Poor choices are leading to kids you're not adequately providing for. She uses no methods of protection and literally has twins whose room is a fucking closet. Ugh it just really bothers me. What foreign languages were offered to you at school? A whole lot. Only Spanish and I believe French were offered as in-school courses, but there were lots of online classes. If you were required to take a course right now, what would you choose? Photography. Team Biden or Team Trump? Over my dead body would I have voted for Trump. My vote went with Biden. What is an animal native to your country that may not exist in others? Bison are factually exclusive to North America. Note that bison and buffalo are different. What are some of your favorite autumn activities? Taking pictures of fall scenery. <3 What are some of your favorite winter activities? Going out in the snow. :') Especially with a camera. Do you eat a shit-ton the week before your period? uuugggghhHHHHHH yes Wendy's, McDonalds, or Burger King? Wendy's. What's the weirdest question you've ever asked Alexa? I've never asked Alexa anything. Do you prefer your apple cider to be warm or cold? I've actually never had it. Do you prefer your coffee hot or iced? Y'all know the story of me and coffee. Can you sing the alphabet backwards? I can't. Have you ever sent flowers or chocolates to yourself before? Ha ha, no. Is there any meat that you won't eat? Yeah, fish and ANYTHING that comes from a wild animal. Does your cat use anything other than it's scratching post as a scratcher? When we got him a scratcher WITH CATNIP, the lil butthead ignored it. -_- He scratches the carpet instead. Did you go through a vampire craze before? Are you still going through it? Nah. Have you ever forged your parents' signature on a poor test paper, etc? No. Has a bird ever pooped on you before? Omg, no. I'd die. Have you ever been sprayed by a skunk before? No. Are black jellybeans delicious or disgusting? I HATE them. Have you ever rolled down a grassy hill before? I have! I miss that.

#survey #surveys #random questions #lyrics: ''black rain'' by ozzy osbourne

[mistresseast]

You make some really good points, but I wish literally anyone in this fandom wanted to write about it. I just hate how Akira is not allowed to be happy, and even with the long wait, no one seems to want him to be reunited with Goro and to be happy. Or address how Maruki was manipulative and fucked up. It's just so unfair to him.

I know this fandom seems really doom and gloom most of the time, believe me, it kind of wears me down too sometimes. I love some nice, cathartic angst as much as the next person, but it’s hard to watch characters you care about be essentially left for dead by the fandom over and over when there’s plenty of evidence that they are actually okay and will be able to grow and heal in the future. However, I promise that’s not the only content to be found here. Since Royal came out, I’ve seen a definite upswing in fics and art that celebrate their future reunion and the positives that resulted from the revelations of the third semester. Most of the popular, well-known stuff is just still from before Royal, so the tone is admittedly darker. There’s more emphasis on grief and exploring the repercussions of Goro’s unceremonious “death” and even fix-its tend to get hung up on atonement and redemption instead of healing. And it’s understandable; when a relationship ends the way shuake’s did in vanilla, it leaves people feeling restless and upset, and the best way to vent those feelings is through generating bittersweet content. It’s a catharsis, a way to purge all of the unfinished emotions vanilla left us with. And even now that we have a more hopeful ending, most fans, the ones who have been around since vanilla, are still in that frame of mind. We were so screwed over by the last ending, that we’re just kind of...used to mourning Goro Akechi at this point. 

My experience following along with the real-time first playthroughs of Royal is something that will stick with me forever. I won’t get too into it, but when it looked like Goro’s fate in the ship was unchanged, I was devastated. But then he was back! And then he was gone again. And the translations were perfunctory at first, most of us didn’t know for sure what was going on, so we were all getting ready to accept Goro being “dead” again. Fortunately, that’s not at all what happened! He’s alive and he’s fine and in fact he was never dead in the first place, even in vanilla! It was amazing! And I was so happy for a reason to let go of the grief I’d been nursing since I learned his fate the first FIRST time around. But not everyone is as eager to leave that darkness behind. In some cases, people just genuinely don’t understand what happened in the game, and the narrative of Goro being alive bc of Akira’s wish is so tempting and so painfully beautiful that it’s become essentially fandom canon just by the sheer power it evokes. I may be wrong, but I feel like this is the majority of people. They take Maruki’s words at face value and are then inundated by fandom content that reinforces that idea, making it easy to ignore Goro’s brief appearance in the true ending or write it off. They’ve been trained by vanilla not to expect a happy ending for these characters and they just accept it. And there are also folks who prefer the darker ending, of course, and willingly choose to believe it bc it satisfies something in them. Even I’m seduced by the inherent eroticism of things going badly sometimes, and I write almost exclusively for the express purposes of getting the characters soul married or whatever. Tragedies are compelling and that’s just some people’s cup of tea. No shame there. 

That’s not to say I don’t get frustrated by it sometimes though. It’s frustrating to me that the idea of Akira’s love for Goro sustaining a new dimension is so fucking delicious that it basically overshadows the fact that Goro is actually alive AND buries the lead about what a scumbag Maruki truly is. We’re all so enamored by the High Romance of it all that we fail to recognize it for what it is: a lie. Maruki fucking got us!! He tricked this whole fandom into living in a fantasy world!! God, how meta, how unintentionally brilliant. We’re just like Akira: too in love with Goro to even question what Maruki says. As frustrating as it is, you kind of have to love it.

That said, as time goes on, I believe the fandom outlook will continue to lighten. I saw a HUGE surge of positive post-game content after the deleted scene of Goro at the clinic was discovered bc people were finally willing to give into the desire to give Goro a happy ending now that they’re less afraid of being hurt by some new revelation later on. And as that becomes the norm, the discussion around Maruki will change too. Currently he has this reputation as a well-meaning villain, but when Goro being undeniably alive becomes more ingrained in the fandom consciousness, his manipulation will be more obvious to people. I truly believe that this fandom is full of people who WANT happy endings, who WANT Goro and Akira to be reunited, but have been taught for so long that believing one can actually happen is stupid. And the ending we got is just ambiguous enough to prey on that fear of being played for the fool. As time passes, so will that fear, and the fandom content will reflect that. And there’s already hopeful stuff out there if you look for it! People are catching on! Plus, there’s my time-honored advice: if you can’t find the content that satisfies you, you just have to make it! That’s why all of my fics exist. Putting more positivity out there will only help other people get on board the happy ending train faster.

I know you probably just wanted to vent and didn’t need a whole essay about fandom psychology, but I promise you, I know how you feel, and I’ve been steeping in the shuake stew long enough to tell you that things are already better than they were. We can only go up from here!!

Also disclaimer!! All of this nonsense is based on my individual experience and interpretation. Everyone experiences fandom differently and I certainly don’t claim to be an expert. ymmv

#ask tag #anon #idk if i should tag this fandom wank? how about i just not put it in the fandom tags #anon if you're out there: keep the faith!! #isablogging

[violethowler]

The Elephant in the Room

In my previous essays, I have covered how the Kingdom Hearts narrative follows Maureen Murdock’s template of the Heroine’s Journey, as well as how various characters and story elements tie in with the overarching themes of the framework. Before I can continue to dig further into other themes and archetypes, there is something I need to address first. While I have avoided directly touching on the topic in my previous essays, I have now reached the point where it is no longer possible to talk about the Heroine’s Journey in full without acknowledging the elephant in the room: 

Romance.

In ongoing serialized stories such as TV shows and video games, conversations about potential relationships in canon are often treated as inconsequential to the overall story. Something that is separate from the main plot. At worst, I have seen fans who openly center a ship in their analysis and theories be dismissed and criticized as biased - or worse, delusional. They are treated as being so obsessed with their pairing that they try to make everything about their ship and jump on any excuse to declare that it’s viable in canon. 

Among the Kingdom Hearts fandom in particular, this has often taken the form of someone trying to dismiss other fans’ hope for a ship to be canon by saying that the series is about friendship, not romance.

While friendship is absolutely an important theme in the Kingdom Hearts series, to insist that this is mutually exclusive from depicting the development of romantic relationships ignores the continued presence of canon Disney romances in almost every game in the series. In each “main” game where Sora is playable, he has directly or indirectly been involved in getting those Disney couples together in the KH universe. So it’s not out of the realm of possibility for the series to turn the tables and give some attention to his romantic interests for a change. 

A story having other major themes is not mutually exclusive from showcasing the development of a romantic relationship. There are many popular movies, shows, books, comics, and video games in which a romantic relationship plays a central role in the narrative but there are still other plotlines going on that are equally as important as the romance. This is especially true for Disney and Square Enix.

The reason why it’s impossible to fully talk about the Heroine’s Journey without acknowledging romance elements is best encapsulated by this quote from She-Ra showrunner Noelle Stevenson about her show’s endgame pairing in an i09 interview after the release of the final season:

“The show’s not a romance show. It is about a lot of things. It’s about choice, destiny, fighting, tyrants, you know, all of these other things. I grew up with so many stories—like sci-fi and fantasy—that I was so passionate about. And it would be considered no big deal to have the hero get the girl and to have a kiss at the end, without it suddenly becoming a romance or ‘Oh, the shippers got what they wanted.’ It was just a part of the story. And to actually see it be a central part of the plot and to fulfill the arcs of the characters in a way that felt satisfying. I really want to take it beyond ‘Oh, the shippers got what they want.’ Like, it’s not just a ship for me. It is a plot point. It is the necessary conclusion of each character’s arc, separate and together.[1]”

While not every story known to follow the Heroine's Journey features a romance for the main protagonist, those that do make the romance an integral part of the narrative. It’s not something thrown in at the end to please shippers, but a central component of the story. Therefore, when analyzing a Heroine’s Journey story, it is vital to acknowledge and discuss textual support for potential romantic relationships in order to have a full understanding of the narrative.

Even if one is not aware of the Heroine’s Journey, Sora’s repeated interactions with Disney romances indicate that there is a high probability that he will be in a romantic relationship himself by the end of the series. Every story I know of that follows the Heroine’s Journey broadly adheres to a pattern in regards to how the romantic relationships of a main character are set up.

By examining the series through these patterns, we can narrow down who Sora’s endgame romantic partner will be. 

Because the themes and character dynamics emphasize resolving internal conflict through balance, the Heroine’s Journey lends itself extremely well to Beauty-and-the-Beast, rivals-to-lovers, and enemies-to-lovers relationship dynamics. A major component of the Heroine’s Journey is the main character learning to accept themselves, and since the Animus as a Shadow figure can represent the parts of themselves that they haven’t accepted yet, it is simpler to symbolize that self-acceptance via a romance with the Animus rather than attempting to build a separate relationship on top of the existing story framework.

For these reasons, the Animus is more often than not the main character’s endgame love interest, their feelings for each other made into critical aspects of their respective character arcs. The only Heroine’s Journey stories with romance that I know of where this wasn’t the case are ones where executive meddling resulted in the finale being rewritten to kill off the Animus despite established narrative set up for them to have a happy ending together[2], while the protagonist was either forced into a relationship with a different character or left single.

And like I said in previous essays, the one character in the series who fulfills all criteria for the Animus role within this storytelling framework…. 

Is Riku.

[Image Description: Sora supporting Riku as they walk toward the ocean on the Dark Margin at the end of Kingdom Hearts II. End Description.]

As mentioned in my earlier analysis, this narrative framework emphasizes the importance of balancing contrasting attributes, which fits in extremely well with Kingdom Hearts’ focus on balance between light and darkness. For stories that follow the Heroine’s Journey in a visual medium, that dichotomy is often incorporated into the characters’ look. Height differences are common, while their color schemes and outfits are designed to make them complement each other. Further adding to the focus on balance between light and darkness, the visuals of the story frame the romantic leads with imagery associating each one with light or darkness to create Yin-Yang symbolism when they are finally in balance. 

In Re: Chain of Memories, Vexen openly calls Riku the “Hero of Darkness[3]” as a counterpart to Sora’s role as the “Hero of Light”, and their combination attack in Kingdom Hearts II utilizes moves that reflect both elements. In the Ultimania for the original game, Tetsuya Nomura said that Riku’s look was intentionally designed to balance Sora’s[4], and the contrast between their respective color schemes is maintained in each of their new outfits. In Kingdom Hearts II and Dream Drop Distance, Riku wears white and blue, while Sora in those same games wears black and red. Two different pairs of contrasting colors. Kingdom Hearts III has them both in outfits that are primarily black and grey, but still emphasize the blue and red that have been part of their respective outfits since the first game. 

In a Heroine’s Journey, the love interest is typically an active character in the story and usually serves as the deuteragonist. This fits with Riku having been a mandatory playable character in multiple games since 2004. In addition, series producer Shinji Hashimoto said before the release of the HD 1.5 Remix collection[5] that the main focus of the series is how Sora and Riku develop both as individuals and as a pair, which fits with how the central conflict of the Heroine’s Journey revolves around the dynamic between the Protagonist and their Animus. 

A common viewpoint held by many fans of the series is that Kairi is Sora’s love interest, and it’s not hard to see why people get that impression. He has sacrificed himself to save her in two separate games now. He’s charged enemies head on in order to rescue her whenever she’s been captured. He even got down on his knees and begged for her freedom when Saix demanded he show how important she was to him. Multiple characters have talked about how special she is to him, and Roxas refers to her as “that girl he(Sora) likes.” 

However, there are multiple elements in the narrative that point to them not being the endgame romance. Kingdom Hearts III foreshadows the final shot of them sitting on the paopu together at the end of the game with Sora disappearing from the cover of the 100 Acre Wood storybook, textually framing Winnie the Pooh as a parallel to Kairi. While many fans regarded their sharing paopu fruits in the base game as the beginning of a relationship between them, he still only refers to her as a friend in Re:Mind, and even compares his bond with her to the bond between Ventus and Chirithy. 

Sora also does not treat his promises to her with the seriousness he would if they were going to end up together. The promises to return her lucky charm and to come back to her that he makes in the first game are never treated as anything urgent when he awakens in Kingdom Hearts II. Instead, he declines the opportunity to return to the islands and check in with her in favor of searching for Riku. When Kairi says in The World That Never Was that they’ll be together every day, Sora agrees, yet he was content to spend the rest of his life on the dark beach at the end of the game as long as he was with Riku. 

Meanwhile, the most consistent theme regarding Kairi in relation to the Destiny Islands trio is the idea of childhood friends drifting apart as they get older[6][7]. This is particularly highlighted in Kingdom Hearts III, with Kairi writing letters to Sora that she never sends, thereby keeping her thoughts to herself. Merlin also emphasizes this when he talks about forging new connections after Sora’s visit to 100 Acre Wood. This parallel frames the ending of Re:Mind as the two of them recognizing they’ve drifted apart and choosing to put in the effort to renew their friendship by spending time together.

On a structural level, her portrayal does not fit with how love interests are typically depicted in the Heroine’s Journey, both as an individual and in relation to the main protagonist. There is no contrast between her and Sora’s designs or roles the way there is between his and Riku’s. Her color scheme is predominantly pink, which does not have the same contrast with Sora’s red as Riku’s blue. Because she’s a Princess of Heart, there is no dark and light contrast, and the combination attack she shares with Sora in Re:Mind only utilizes light-based moves. It took 17 years after her first appearance in the series for her to be made a playable character, and even then, playing as her is not mandatory. They are never portrayed as equals, and she is not an active force in his emotional growth. 

The Heroine’s Journey was crafted for narratives revolving around identities that have been Othered by society for one reason or another. Murdock designed her template as a tool to help women deal with being shamed by society for expressing and pursuing their desires. In a similar way, LGBTQ+ people also face stigma from society for expressing and pursuing their desires. So it makes perfect sense that a framework for narratives of people overcoming internalized stigma against important parts of themselves would be ripe for stories featuring LGBTQ+ protagonists of any gender.

As mentioned in previous essays, stories that follow the Heroine’s Journey challenge the biases and blind spots of the audience. A relationship between Kairi and Sora does not challenge anything because she has largely been regarded as the endgame love interest by default since the beginning. Meanwhile, a romantic relationship between Sora and Riku challenges players to recognize heteronormativity within themselves and in the media around them. It challenges people to examine the lens through which they perceive the story and rethink how they look at what’s happening in the narrative.

In summary, the portrayal of Kairi and her bond with Sora is not consistent with how love interests are commonly depicted in the Heroine’s Journey, while the portrayal of Riku and his bond with Sora is. If Sora’s story is going to continue on this storytelling formula to the end, the structure of the Heroine’s Journey narrative leaves Riku as the only thematically viable candidate for the role of endgame love interest. 

Now, as some people bring up in conversations about Soriku, there is a potential obstacle in the form of corporate executives. It is entirely possible that Disney will drag their heels and try to force the development team to downplay or remove any open same-sex relationship the series may try to depict. They do not have a strong track record of LGBTQ+ representation that isn’t a minor character who only appears for one scene. Given that their last IP to follow the Heroine’s Journey - the Star Wars sequel trilogy - crashed and burned at the end, executive meddling is my greatest fear for this franchise.

But the thing to keep in mind is that Tetsuya Nomura is stubborn as hell. One of the reasons the long gap between Kingdom Hearts II and Kingdom Hearts III was because he was holding out for permission to include Pixar movies in the game, outright refusing to start work on KH3 until they were given that go ahead[8]. If you want further proof of how stubborn he can be, this is how he described the meeting where he first pitched the series to Disney in a 2012 interview with the late president of Nintendo[9]:

Iwata: Their ideas were different from yours, naturally…

Nomura: Yes. They appeared to believe that we would make whatever they wanted us to make and came up with rather specific requests such as, "We'd like the game to feature this character." They were really excited, explaining their ideas... To be honest, though, I wasn't really interested in any of them. (laughs) 

Both: (laughter)

Iwata: You wanted to borrow Disney's characters in order to make a new game that could compete with Mario 64, and you already had a vision of what this game would look like. I suppose their ideas didn't fit in with this vision.

Nomura: They didn't, no. In the end, I actually stopped a presentation halfway through. We didn't have that much time, and it looked like it was all going to get taken up by various Disney presentations. So, I interrupted them and told them the conclusion by saying, "I won't make such games."

Talk about nerves of steel. This man basically said “we do this my way, or we don’t do it at all” TO MOTHERFORKING DISNEY, AND. HE. WON. If there is any human being with enough force of will to make the Mouse House cave in and allow the depiction of an openly LGBTQ+ relationship in the Kingdom Hearts series, it is Tetsuya Nomura.

I cannot say with 100% certainty how things will go. But everything I know about storytelling patterns and narrative structure is telling me that Kingdom Hearts is a textbook Heroine’s Journey with a romance between Sora and Riku at its core. A relationship between the protagonist and the Animus does not truly begin until the “Integration” stage at the end of the Journey, and we are rapidly approaching the point in the narrative where the two leads traditionally become aware of and acknowledge their feelings in order to be on the same page for the finale.

Sources: 

[1] “She-Ra's Noelle Stevenson Tells Us How Difficult It Was to Bring Adora and Catra Home” May 18, 2020

https://io9.gizmodo.com/she-ras-noelle-stevenson-tells-us-how-difficult-it-was-1843419358

[2] “Death of a Dark Youth, Desecration of the Animus”; December 20, 2018. https://www.teampurplelion.com/death-of-a-dark-youth/

[3] Kingdom Hearts Re: Chain of Memories. Square Enix, 2007. 

[4] “A Look Back: Kingdom Hearts Ultimania Gallery Comments Part 1″; August 30, 2019;

https://www.khinsider.com/news/A-Look-Back-KINGDOM-HEARTS-Ultimania-Gallery-Comments-Part-1-15519

[5] “How Kingdom Hearts III Will Grow Up With Its Players;” September 24, 2013.

https://www.ign.com/articles/2013/09/25/how-kingdom-hearts-iii-will-grow-up-with-its-players.

[6] “E3 2018: Tetsuya Nomura on If Kingdom Hearts 3 Is the End of Sora's Story”; June 14, 2018.

https://www.ign.com/articles/2018/06/14/e3-2018-tetsuya-nomura-on-if-kingdom-hearts-3-is-the-end-of-soras-story

[7] “Character’s Report Vol. 1 Translations”; Jul 16, 2014

https://www.khinsider.com/forums/index.php?threads/characters-report-vol-1-translations.195560/

[8] “Edge Magazine Features Kingdom Hearts III Cover Story”; January 9, 2019. https://www.khinsider.com/news/Edge-Magazine-Features-Kingdom-Hearts-III-Cover-Story-14331

[9] “Iwata Asks: Nintendo 3DS: Third Party Game Developers, Volume 12: Kingdom Hearts 3D [Dream Drop Distance], Part 2: It’ll definitely be fun”; April 2012. 

https://iwataasks.nintendo.com/interviews/#/3ds/creators/11/1

#kingdom hearts meta #kingdom hearts theory #kh speculation #kingdom hearts analysis #kingdom hearts and the heroine's journey #soriku

[slapshot-to-the-heart]

Flatbush & Atlantic: part i

Quick note: This is taking place in the 2020-21 season, as if the Islanders still play at Barclays; I know they won’t in actuality. In the story, I’m also going to be taking some liberties with what the duties of a team’s general counsel and legal team would actually be in charge of. My understanding, as a pre-law student, is that it’s more on the corporate angle, dealing with contracts and stuff — in addition to that, Cass will also be dealing with some more immigration and employment law as well. 

part i

October 1

“Adiós, mamá. Hablamos pronto. Te amo.” Cassidy hung up, breathing out a tense sigh and rubbing her temples with the heels of her hands. Talking to her mom usually helped to calm her down, bring her back to Earth, but for whatever reason it wasn’t taking. She took a brief glance at the casebook open on her dinged-up Ikea desk. Federal Indian Law. She liked the class, genuinely, but her day had started off bad and gotten worse pretty damn quickly. First she was out of her favorite tea, then her advisor cancelled their meeting, then it started raining as she walked back to her MTA stop, so she had missed the train. Another came fifteen minutes later, but the damage was already done. The only bright spot in the day, aside from calling her mom, had been the cute guy at the Polish deli down the street who had put extra peppers on her Philly cheesesteak. She unwrapped the sandwich, taking a moody bite out of the end. A caramelized onion dropped to the floor. Sighing, she leaned down to pick it up, hurtling it in the direction of the trashcan but only half-looking to see if it reached its target destination. Despite the name, Cass had never had a cheesesteak before she moved to New York, and it wasn’t even because she wasn’t a sandwich person. No, Cass loved a good sandwich, but between her proclivity towards a good BLT and her mom’s homemade Mexican food, she just hadn’t gotten around to it. 

Her laptop dinged with an email notification. What now? She swiped over to the mail page, taking another bite as she read the subject line. Experiential learning requirement - unmet. Her brow furrowed. Unmet? Clicking it open, she scanned the email, clearly something automated from the registrar’s office. Yet to complete Columbia’s experiential learning requirement...We suggest you connect with professors...You have until October 8 to submit...Cassidy never finished her sandwich. “Oh my God,” she muttered to herself, feeling her cheeks heat up. “How could you do this? How could you be so stupid, Cass?” She was normally so on top of everything, never missed a date, never forgot an assignment, so how could she have missed one of the only things left to do to graduate? Her law school required all of the graduates to complete some sort of experiential learning requirement — some kind of externship, clinic, summer associate position, anything to get them “out in the real world.” That’s when it hit her. She had coached her high school’s mock trial team the summer after her first year, and interned at the Hartford County DA’s the summer after. But they paid her. Her school had a weird ‘double-dip’ policy, where you weren’t allowed to take a position for class credit and get paid at the same time. It was a confusing rule, convoluted and bizarre and probably a little bit elitist, but it was a rule. As if the day couldn’t get any worse, and then somehow it did. 

Turning to her laptop, she started searching for just about anything that could possibly help her. The school’s website, the Manhattan District Attorney’s, state offices, NGOs, federal prosecutors, anyone that might have a lead. Frantically dragging over her resumé and throwing together a cover letter that probably (hopefully) looked way more interesting than it actually was, Cassidy fired off email after email after email. Two hours later, she had sent off some twenty-odd applications, hoping that at least one or two would end up panning out. Glancing at her watch, she let out an exasperated breath. 12:22 A.M. Her classes didn’t start until nine, but it took almost an hour and a subway connection to get to Columbia, and she had to eat and shower before. So, really, it meant getting up at about seven. She needed to go to bed. 

Stomach reeling and feeling more resigned than anything, Cass haphazardly brushed her teeth, flossed — it didn’t matter how tired she was, she’d never forget to floss — and clambered into bed, wearing a faded, way-too-big Rangers t-shirt. I’ll be okay. She took a deep breath. It’ll be okay. It has to be. Cassidy Cabrera Shaw was tough as nails and stubborn as hell, and she wasn’t going to let everything she had worked so hard for fall apart so easily. 

Whenever Cass was nervous, or anxious, or afraid, she was never able to sleep well. She ended up waking up at ten past six, sitting in her bed for fifteen minutes praying that she’d fall back asleep, and finally accepting her fate that sleep just wasn’t going to come. Rolling over, she grabbed her phone from where she had left it charging on the nightstand. Nightstand was maybe a generous term for it; technically, it was a wooden milk crate that she had spray painted white when she and the other girls had moved into the apartment two years prior. She had a little bit of money set aside from college, but every penny possible was going towards tuition and those ungodly-expensive books that she had to buy every semester. The mattress and frame were from Ikea, and Cass had brought some things like bedding and a desk from her old room. The rest of it — rugs, lighting, and decorations like her six-inch ceramic peacock (his name was Charles) had come from a combination of Goodwill runs and senior citizen yard sales. 

Wincing as she did so, Cass pulled up her email, bracing herself for the inevitable barrage of rejection. After scrolling past ten or so automated “no longer hiring” and “position has been filled” messages, one caught her eye. She had sent a few emails to professors of hers, not expecting to hear anything back for a few days. It wasn’t perfect by any means, but there certainly were advantages of going to school in a city as massive as New York. All of her professors knew someone and had some kind of connection from their own education, or days in the practice, or childhood summer trips to the Hamptons with someone who just so happened to be a judge on the Second Circuit Court — that last one was last year’s employment law professor. One particular subject line caught her eye. Thought you might be interested, Professor Murakami had written. David, as he preferred to be called, was her Sports Law professor from last year. She didn’t go into the class expecting to enjoy it all that much, if she was being honest. She had gotten a crappy registration time and most other classes were filled, so it had started out as a placeholder and nothing more. Over the semester, though, it had quickly become one of her favorites, combining pieces of everything else she had studied into one cohesive course. Cass also wasn’t in a position to be turning down any potential offers, so she opened the email and started reading. 

I got your email, Cassidy, and think I might be able to help. Okay, so far, so good. I happen to have a contact in the counsel’s office of one of the professional sports teams in the city. That’s exactly what Cass was talking about — where do these people meet each other? Is there some kind of exclusive speakeasy you’re given the password to as soon as you’re admitted to the state bar? Chris Cohen works for the Islanders, and I remember you talking about how interested in hockey you are. Okay, true, but the Islanders? She had practically been born with a Ranger’s jersey on. Beggars can’t be choosers, she thought. I gave him a heads-up that I’d likely be sending a promising candidate his way, so just let me know if this sounds like something you’d be interested in and I’ll send along your contact information. 

Cass couldn’t respond fast enough. Yes, please! 

---

Wednesdays were her ‘easy’ days, if you could say that. She had Environmental Law and Human Rights back-to-back, but anything after noon was pretty much fair game. That being said, it certainly didn’t mean that she was any less stressed. There were at least a hundred pages to read before class the next day, she had a sample essay due for bar prep, and her mind was still racing about the email. Grabbing a gyro from the cart outside of her last class of the day, Cass stress-ate with one hand while continually refreshing her inbox with the other.  Food wasn’t allowed in the library, so she ate the last few bites right outside the doors, throwing away the wrapper and squeezing past the hordes of clearly overwhelmed first-years running to get to class on time. 

Popping her Airpods out of their case and into her ears, Cass briskly made her way up the stairs to the third floor, crossing her fingers that her usual spot, a big blue chair over by the research desk, was open. She was in luck, pulling out a water bottle and laptop and getting to work on editing. Four hours later, she had reached some semblance of satisfaction with her work, shutting off her computer and making her way to the subway. There was about half an hour before she had to transfer to the line that would take her to the apartment; squeezing into one of the last free seats, she tugged out a textbook and a highlighter. Why her professor insisted on assigning the entire text of the United Nations charter was a mystery to her, but she’d rather jump off a cliff than be cold called on without an answer. Transferring at Grand Concourse took about ten minutes — it was rush hour, so the first train to come was entirely full — and another twenty or so minutes later, she was letting herself into her shared East Bronx apartment. 

Hanging up her denim jacket by the door and toeing off her sneakers, Cass let out a not-so-subtle exasperated sigh. 

“One of those days?” Alicia piped in from the kitchen. Alicia also lived in the apartment, one of the four sorority sisters-turned-roommates who had made the move from Connecticut down to New York after graduation. Cass padded into the kitchen, where she was greeted by Alicia in front of a skillet and rice cooker, intensely sautéeing some vegetables.

“You have no idea,” Cass said, hugging her from behind. “Whatcha making?” There were obviously some nights when not everyone was home — most often either Cass or Ryanne, who was in med school — but they always tried to have a few nights a week where someone would cook a meal for the whole house. 

“Japchae, it’s my mom’s recipe,” she replied. “I called her and asked how much sesame oil to use, and she just said ‘until it tastes right.’ Like, I love you, Mom, but that doesn’t really help my cause, does it?”

Cass snorted. “Oh for sure, it’s the same way with me. Do you remember the first time I made tamales down here?” Cass had grown up eating and making tamales with her mom and abuela, but she had never been allowed to really take the reins. She had the recipe, though, so the first night after they were moved in, she ventured down to the closest bodega, bought the ingredients, and decided to try her hand making them from scratch. The recipe, however, left out the key piece of exactly how much water to use for steaming — Cass didn’t know, and her mom had always just eyeballed it. So she had ended up putting in way too little and setting the stove way too hot, and to make a long story short, ended up setting off the fire alarm. The one saving grace was the extremely attractive police office that came to double-check the false alarm, but even he couldn’t wipe the mortified expression off of her face. 

“How could I forget?” Alicia responded with a grin. “Go put your shit down, it’ll be ready in a few.”

Cass playfully rolled her eyes, heading towards her room in the back. “Yes, mother.” Their apartment was a three bedroom; while obviously it would have been amazing for everyone to have their own, it was still New York City and none of them were exactly rolling in the dough. Cassidy and Ryanne were obviously still students, and while Alicia and Stella had actual jobs  — Stella worked international business down by Wall Street and Alicia did something with satellites in Queens — none of them were exactly inclined to set out on their own just yet. So Stella and Alicia shared a room, and she and Ryanne had their own. She shrugged off her jacket, slinging her backpack onto the bed before chugging the rest of her water bottle and checking her phone. Two new emails. A 20% off coupon to Lush, and one from Chris Cohen. Chris Cohen? It took her a minute to remember, but when she did, she couldn’t read it fast enough.

Honestly, Cass didn’t read the whole thing, but got enough information to know that she had an interview Friday afternoon at the office in Brooklyn, that Chris  — he had said to call him Chris — said she came with a stellar recommendation from Professor Murakami (an old law school buddy, figures) and that there was no way in hell she was going to fuck this up. She wouldn’t let herself. 

---

Cass was lucky her Thursdays were so packed; if she had any extra time to stress over her impending interview, she would have, but she couldn’t. She had two ‘free’ hours in between classes, but after she had scarfed down lunch (Alicia had, mercifully, made plenty of leftovers) it was the only stretch she had to hit the gym. Coupled with the time it took to walk there, change, and shower after, there really wasn’t much in the way of downtime. After classes was her bar prep group, and the day was so exhausting that it was pretty much all she could manage to take the train home, microwave dinosaur chicken nuggets, and stumble into bed. After flossing. 

---

If Cassidy lived in any other city, she would have felt wildly out of place on her morning commute. Who shows up to school wearing a suit? She wasn’t an absolute masochist, so her heels were in her bag. But for once in her life she didn’t feel so out of place among the presumably-highbrow, presumably-making-six-figures crowd surrounding her. The suit had been her first big purchase for herself  — she had scraped by without one in college, but invested as soon as she had a little saved up from her summer job at a boutique in town. Her mother had always told her that it was the woman who made the clothes, rather than the other way around, and Cass always did what her mom said. 

Samaira, one of her friends and another editor on the Columbia Law Review, caught up to her as they both left the twice-weekly morning meeting. “You seem kind of jumpy, Cass. What’s up?”

Cassidy wrung her hands and shrugged her shoulders. “I told you that I missed the internship requirement thing, right?” Samaira nodded. “Well, I have an internship in,” she paused to look at her watch, “two hours, and I’m so nervous I’m going to mess this up. I don’t know what I’m going to do if I don’t get it. There’s not time to look for something else, there’s no alternative, and I don’t know what to do if my own stupidity and forgetfulness is the only thing standing in between me and something I’ve worked so fucking hard for—”

Samaira cut her off. “I’m going to stop you there. That’s bull, Cass, and you know it. You are the furthest thing from a disappointment. You’re one of the kindest, sharpest, and most creative people I know, and you’re not going to let something as petty as a deadline stand in your way. Time gets away from all of us sometimes, and it’s nothing to beat yourself up over. I want you to be confident and have faith in yourself, because you deserve it, but if you don’t, it’s okay. I get it. I believe in you enough for the both of us.” She squeezed Cass’ hand. 

She managed a watery smile. “Thanks, Samaira.”

“Any time,” she replied easily. “I’ve got to run to class now, but I want to hear how it went the second you get out, okay?”

“I will.”

Samaira rolled her eyes. “I mean it. You’re going to crush this, Cass. Love you!” She added, waving goodbye as she turned the corner.

There was half an hour before Cass needed to head over to the interview, and before she knew it her feet had taken her to her favorite spot on the north side of Central Park. Grabbing a bagel, she thankfully found the bench empty. After finishing the bagel — she would have preferred cheese, but they were out, so cinnamon raisin it was — and the better part of her Hozier-dominated acoustic playlist, it was time to catch the train. She jumped on with barely a second to spare, grabbing a strap and trying to avoid bumping into anyone. 

A seat opened up about halfway to Brooklyn, and Cass took the opportunity to unceremoniously tug off her much more practical flats and switch into the much more professional ankle-strap heels that had been stuffed in her backpack all day. For a fleeting moment, she was worried what everyone around her would think; she was, after all, technically changing on public transportation. A man got on at the next stop who was dressed head-to-toe in neon orange while carrying a Pomeranian in his purse. Nobody batted an eye. She got over herself pretty quickly.

Getting off at the Barclays Center station, Cass pulled out her phone, opening up the camera to give herself a quick once-over. As much as she hated it, first impressions really were everything. Lipstick? Not smudged. Hair? Minimal flyaways. Teeth? No spinach to be seen. Triple-checking that she had the time right, Cass walked through the doors of the office building, Islanders logo emblazoned on the wall behind the secretary’s desk. 

“Hi,” she said tentatively, catching his attention. “I have an interview with Chris Cohen at 2?” 

The secretary nodded, smiling warmly at her. “No problem. I’m Josh, you can have a seat over there,” he nodded to the small waiting area off to the side, “and I’ll call you when he’s ready for you to be sent up.”

Cass didn’t wait for more than five minutes before Josh gave her the go-ahead, and she was soon headed up the elevator to Chris’ office. “Fourth door on the left. It should have his name on it,” Josh had added. 

She raised her fist, knocking quickly on the frosted glass. It swung open a second later, a kind-looking man with glasses and salt-and-pepper hair answering. “You must be Cassidy. I’m Chris Cohen, so nice to meet you. Come right in,” he said, ushering her through the room, where several other associates sat at desks, and into his office. 

“David’s always good at keeping an eye out for me in his courses, and I was happy he passed you along,” Chris said, pulling out her resumé. “And you’re a 3L, correct?” She nodded. “Good. So let’s dive right into it. What courses and work experience do you have that you feel best position you for success in this position?” Much though Cass was loath to admit it, if there was anything she was good at, it was talking herself up. There was a reason her high school superlative was “Most Likely to be Able to Talk Their Way Out of a Ticket.” She launched into a well-rehearsed response, making sure to lace in her love for hockey once or twice. If nothing else, it would hopefully at least get her some brownie points. He had a few questions about her resumé, asked about her work on the law review, a few hypotheticals about contract law. She was batting a thousand until he asked the dreaded final question. “Do you have any questions for me?” 

Cass was wracking her brain, trying to come up with some intelligent-sounding thing to ask, but nothing came. “Uh—” she started, but was saved by the bell. Or, rather, saved by a frantic door opening and a panicked-sounding Mat Barzal bursting into the room. “Chris, I’ve got a problem.”

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