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#success status in english
oliviaemiley444 · 1 day
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Challenges are what make life interesting and overcoming them is what makes life meaningful." – Joshua J. Marine
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daronscreations · 4 months
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thehmn · 6 months
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I finally got to watch Viften (Empire) and it’s such a fascinating movie. It was written by Anna Neye who also plays Anna Heegaard, a rich free black woman who’s dating the Danish governor of the island.
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It’s sold as an absurdist comedy and I think there’s no other way to describe it. There aren’t any real jokes but you often end up laughing at the absurdity of it all.
It’s extremely honest about the horrors Danes put the black population through but thankfully it only shows it in quick flashes of art as seen in the trailer. I once watched a video where they explained why most women aren’t into slasher movies and why black people generally don’t rewatch movies about racism and slavery. It’s because the the horrors shown are very real fears and a fact of life so the only people who can really enjoy watching a woman get horribly murdered as entertaining are men and only white people can watch a black person getting whipped to death with cinematic lighting and have a fun night out. By showing the horrors in art they get to be clear about exactly what is going on without coming off as exploitative.
But it’s also very honest about the ways a society based on slavery fucks with everyone. Most of the servants at the manor are slaves except the cook who bought her own freedom years ago. She tells the housekeeper Petrine that some day she too will be able to buy her freedom and get her own slave. That’s right, the freed black people aspire to get their own slaves because that’s the sort of values a society like this instills in people. And Anna tries to be as nice as possible to her own slaves but doesn’t take her own success for granted and is more afraid of an uprising than her white lover and ends up doing some really horrible things to her slaves to keep them down.
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It also touches on how people viewed being black or white back then. That it wasn’t all about skin colour but also status. That’s why all the white people treat Anna as one of them. She’s a rich, educated lady so of course she’s “white”. Even Anna express contempt at being called black because she doesn’t work in the field. The poor freed black people also call Petrine white because she dress and acts like a Dane. Not as in “you are pretending to be white” but as in you are white.
And hats off to the director Frederikke Aspöck. There’s a scene where a woman buys her freedom and they put on a symbolic slave auction where she gets up on the podium and bids on herself. All the white neighbors have come to witness it because it’s seen as this joyous day and they all clap, she’s offered to drink with them and she’s all smiles. The director managed to make the scene wholesome while highlighting the absurdity of it and all you can do is chuckle because what the fuck? The white people think it’s a good thing that she’s free but continue to keep and mistreat their own slaves, and she no doubt dreams of getting her own down the road. It’s very much depicted as institutionalized racism and not just “a few bad eggs”.
And I didn’t know where to put this but there’s a lot of interesting symbolism going on with Anna’s dresses. She always wears dresses that match the colors of the rooms she’s in, establishing her as fully part of the system, but as she begins to realize that the Danish state will never see her as fully equal her colors start to clash with her surroundings.
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I watched it on Netflix and it has English subtitles so it should be somewhere for English speakers to watch if you feel so inclined.
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itsbuckytm · 5 months
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Little Bird / Coriolanus Snow
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summary: Being the Capitol's favorites subject has consequences. Consequences that subject to be paired with the most influential man in Panem entirely.
notes **reader is an idol/singer in Capitol's first attempt into making a group for each annual Hunger Games. but with snow's obsession into making you entirely his and with his job as mentoring lucy gray, he tries his very best, but fails miserably.
ps ; english isn't my first language so i apologize in advance for some minor errors and please do not copy my work without credit thank you!
Your connection with Snow encompassed diverse facets. At times, he exuded an irresistible charm, drawing you in effortlessly. Yet, in the next moment, his piercing blue eyes locked onto yours with audacious intent, as if daring anyone to approach and touch even the slightest expanse of your skin – a challenge few would ever contemplate. 
Being the Capitol's favorite came with its own set of challenges. Compliments on your skills or charisma were either sincere or fueled by envy, making it doubly difficult for those striving to surpass their yearly earnings. This aspect of Panem's functioning was something Coriolanus exploited way too much. The artificiality of the stage, adorned with makeup to project an illusion of wealth, highlighted what he found enduring. The ease with which one could become the favorite by merely speaking or moving to the latest musical rhythm was something Coriolanus himself could not keep his eyes away from. And that person was you. 
He despised witnessing other men vying for your attention, their eyes lighting up as soon as you entered the Capitol's theater. There was no denying that you were the favorite member among your group. However, during your debut, the spotlight only found you officially when it was announced that the Capitol's new favorite group would be welcoming a new member. Given your position at the Academy, your choices were limited – either mentoring a tribute and risk bringing shame to your family if they lost. Or become part of Panem's newest favored diversion. It wasn’t until the very next day, that many became obsessed with you. And as much as Coriolanus tried to oblige on that single though, he was afraid to admit that he too became a little too obsessed over you. 
To compound Coriolanus's discomfort, he had to endure the ceaseless styling rituals accompanying each new album or song released to the public. This entailed donning short skirts and crops, transforming your body into a specific attire as a statue to be admired for hours on end. For the hapless Coriolanus, sitting there was challenging enough, watching you perform with a self-assured smirk, reveling in every bit of skin. How the skirt would flare up and brush against your skin, how he wanted to feel such fantasy. From each moments of your act, while beads of sweat glistened across every inch of your body. He couldn't help but fantasize scenarios from scenarios that you would be his, envisioning the two most influential figures of the Capitol as the perfect pair. And that was only during the ceremony of the 10th Hunger Games. 
Post the 10th Hunger Games, a significant shift occurred. Lucy Gray's presence lingered in Coriolanus's thoughts, causing him to perceive you in a completely new light. You were constantly in his mind. Although you though, with hearing the constant rumors of a possible relationship between him and his tribute. While you continued to excel in your performances, earning the success both you and your group rightfully deserved, you were aware of Coriolanus's altered fate.
Once he had been sent back to District 12 after his victor, Lucy Gray, who was also a performer. He remembered occasionally, after the victory ceremony, how you had the opportunity to chat with Lucy Gray. Discovering that your old classmate may have developed feelings for her. As Coriolanus Snow’s proud smirk upon seeing the people he seemingly cared for interacting with each other. Only to be so blind by the fact that you had expressed prior feelings for him, but instead confidently expressed his plan to join forces and visit her in her District wasn’t what you had intended to hear. 
While you refrained from expressing any objections, your suspicions regarding the burgeoning emotions between the two of them proved well-founded. Little did you know, Coriolanus engaged in those actions merely to divert his thoughts from you, acknowledging he wouldn't have a chance with you. Lucy Gray became his chosen distraction. Simultaneously, he caught wind of a potential rumor suggesting you were seen intimately with another man. The revelation that this man wasn't him intensified his already pronounced obsession with you. However, this time, Lucy Gray played a role in assisting him.
The revelation of his truth dawned on him only upon his return to Panem. The snake bite's impact intensified, with only your silhouette haunting his thoughts. In this return, he presented a wholly transformed appearance – his hair slightly longer, adorned in his father's old crimson jacket, albeit somewhat intoxicated, attempting to erase all memory of you. What Snow remained oblivious to was your patient anticipation during his absence in District 12. It was Tigris who knocked on your door that very evening, sparing you from the surprise of his return. 
However, Snow chose to make his entrance at the stroke of midnight, reminiscent of the times when both of you would clandestinely navigate the Academy. In those intimate moments, he patiently bided his time for the Capitol streets to empty, stealthily entering through your bedroom window. Hours were spent in each other's arms, reveling in discussions about new projects, with his assurances that everything would be alright.
This time, however, an inebriated Snow had a different agenda beyond comforting cuddles for sleepless nights. His primary goal was to solidify your relationship officially. "If you don’t tell her, I will." Echoed Tigris’s voice in his mind upon seeing her cousin return from duty as a Peacekeeper. She was among the few who truly knew about the budding romantic connection between Coriolanus and you. She pleaded with her cousin to go ahead, noting. "She hasn't touched a man since the last time you spoke, you know." That last statement served as a testament to your unwavering fidelity towards him. It was only a matter of time before he knocked on your door that very night.
On the contrary, you took it upon yourself to tidy up the entire apartment. Anticipating Coriolanus's return, you were determined not to leave a single mess, mindful of both his and your own peace of mind. Despite the fact that chaos often defined your shared living space, when in each other's arms, you both found solace in tidiness and tranquility. However, as dinner passed and bedtime approached, you couldn't help but notice Coriolanus's absence. Was he running late, or was he entangled in some trouble that you would only learn about the next morning? Various questions raced through your mind as you attempted to drift off helplessly on the living room couch, with the TV's echo serving as a backdrop.
Coriolanus stood there silently, observing from a distance outside your apartment window. Anyone observing from afar would catch a glimpse of you nibbling at your cuticles – a habit he had learned you indulged in when he wasn't around, a realization that would later make him feel remorseful upon witnessing the marks it left on your fingers. In response, he would tenderly peck each bruise, a silent acknowledgment of your thoughts mirroring his own. However, this time, he chose to forgo surprising you with the cliché bouquet of flowers or any conventional gesture. After indulging in the contents of a second wine bottle before making his way to you, he had no plans of raiding the florist shop either. Knocking on your door with determination, he felt an unusual hesitation, a departure from his past boldness of entering and showering you with kisses. Contemplating the prospect of declaring you entirely as his, especially in his inebriated state, he wasn't entirely certain if you would fully trust his words. 
Luckily, you had left the door ajar for him, a gesture he expected. Upon entering, he was met with the familiar background echo of the TV, confirming his assumption that you were already asleep. Nostalgia washed over him as he recalled the mornings spent lounging in bed with you or embarking on early runs for coffee. Despite his aspirations to bring about change in Panem and restore his family's reputation by aspiring to become President, he understood that true fulfillment wouldn't come until he had you by his side entirely. Limping slightly due to the effects of his drunkenness, he made his way into the living room and began to softly whisper your name, until his gaze met your sleeping figure. "Y/N... My sweet bird."
His breath carried warmth that gently brushed against your cold skin. Despite the lingering scent of alcohol, indicating Snow had been drinking before his arrival, your eyes responded to the touch of his finger delicately tracing your cheek. "Coryo…" you murmured his name with a loving tone, reveling in the vulnerability of calling out to him. "Shh… I am here," he reassured you, prompting a soft smile to grace your lips at the sound of his comforting voice. A voice you had missed dearly, compelling you to slowly rise from the much-needed slumber after a demanding day. However, lately, without Snow's presence in your arms, the nights became sleepless and challenging to endure alone. Despite acknowledging this truth, there was a conflicting sensation, a twinge of discomfort knowing that Coriolanus relished the fact that without him, you felt incomplete. It was this dynamic that rendered the two of you an unforgettable pair, seemingly inseparable. 
“How I missed you so much.” He continued to say, with seeing your face arousing from your slumber, how he had missed kissing your soft lips each night before going to sleep. If it wasn’t for being a Peacekeeper back in District 12, he’d say he was damn for letting himself kiss Lucy Gray while thinking of you the entire time. “I missed you more, Coryo. Everytime, during performances and even in my relentless dreams.” 
A subtle smile played on his features as his fingers traced down your body, an unspoken desire evident in his every touch. His lips yearned to kiss every inch, a longing to finally claim you as his own. He envisioned proudly holding your hand in public, marking you as his and sending a clear message to other men about your ownership. "You want to know something?" The amusement in his voice prompted a soft giggle from you, appreciating his seemingly all-knowing manner of sharing information, despite the evident effects of his earlier drinking. "What, drunk boy?" You playfully teased, noting the light pink hue that adorned his cheeks—a clear sign of his inebriation. 
He vehemently denied it with a pout, his lips subtly mimicking a desire for a kiss. Coryo was just touch starved. "You know, I haven't been properly fed with love lately. Coryo has been away from his bird for far too long..." His voice deepened, the intensity of his gaze barely allowing for a blink, making it abundantly clear who he desired: you. An intensifying blush crept on your features this time. Of course you knew your history with him, a caring gentleman who made sure to take care of the one he loved most. But this Coriolanus, objected something in you that you enjoyed seeing probably a little more. To be completely under his control. To bow to his command. 
"And as much as I hate to admit..." Your voice took on a gentle tone, a stark contrast to the confidence you exuded in the public eye. Sensing his fingers trailing down your body, from your hips to your lips, he couldn't help but notice their softness, prepared to be pampered at his command. However, he had to restrain his temptations for a moment, feeling his teeth sink into the bottom of his lip. You continued. "I might have been a naughty bird, moaning your name during sleepless nights, hoping you'd come save me from my little cage. You have no idea how eagerly I waited for you to come back." 
Honestly, Coriolanus found himself just as taken aback by your confession, despite the obvious history between the two of you. The mere thought of you in bed, adorned in barely anything, accentuating your beautiful form, fingers exploring sensually. The vivid image of you pleasuring yourself, uttering his name amidst a chorus of enticing sounds, drove him to instant madness. Tonight, he was determined to lavish you with everything he could muster—to claim you as his own, leaving marks on your body that not even the most skilled makeup artist could conceal come morning. Without explicitly professing love in the conventional sense, it was evident that Coriolanus and you were destined to be together. In times of need or distraction, both of you instinctively knew where to find solace in each other's presence. 
"I want you, Coryo..." you pleaded, your fingers clutching his shirt, the skirt from today's performance riding up slightly. Upon arriving from work, you had removed your underwear just for him—his eyes alone to witness, taste, and appreciate. His hands gripped firmly on your arse, and it was his turn to shift positions, settling onto the couch with you atop him. Your blouse, with a revealing cleavage, owed its allure to Tigris, your stylist. You couldn't help but wonder if the same effect would have been achieved without her touch. Extricating yourself from his grasp, you observed his lips curling into a mischievous smirk. It was a smirk that served as a reminder, and in that instant, you knew that tonight, you were unequivocally his—his and his alone, his cherished little bird.
"I can't wait to finally show my little bird what I can do."
Coriolanus spoke those words with genuine anticipation. It was undeniably the most memorable night, and he intended to recreate it repeatedly. After all, you were his little bird—his to cherish, tourmate, and play with as he pleased.
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architect-2015 · 3 months
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living the fast life - Alexia Putellas
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‘la reina’ and ‘il prescelto’ two women dominating their chosen sport.
Alexia Putellas a two-time ballon d’or winner Carmen Blanc the current formula one world champion.
Two women compared in the media could not be any close together.
(whenever they are speaking english besides in posts is spoke in spanish, it’s easier to write it this way than to translate everything!)
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June 23rd 2024 (day of the Spanish Grand Prix)
@alexiapnews
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alexiapnews: Alexia Putellas seen walking to the ferrari motorhome a head of the 2024 Spanish Grand Prix!
Carmen Blanc (ferrari driver) and the Barcelona midfielder have been linked multiple times during the duration of the last two years, no comments have been made in these rumours.
@yn.alexia: OMG THEY HAVE TO BE TOGETHER!
@fanusername1: girl let them live their lives.
@fanusername2: if they are together imagine the f1 x barcelona crossovers we could have!
@ferrarixfootball: 💙❤️🏎️
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January 31st 2021 (Day of El Clásico)
It was winter break for Carmen Blanco, coming off the back of another successful season in Formula One, second in the Drivers Championship and Ferrari coming third in the Constructors Standings.
Unlike the other drivers on the grid, the Spaniard like to return home to her beloved home city of Barcelona instead of travelling to all four corners of the world.
Being born and raised in Barcelona, her love for football was a big factor in her off season. The Estadi Johan Cruyff might as well be her second home during the winter and summer off season.
Due to her status in the sport community, specifically women in sport, Carmen had been invited to meet the teams after the game.
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Following a staff member towards the locker rooms, the young lady began to feel her palms sweat. She would be meeting one of her idols.
Carmen had always admired Alexia, her loyalty to Barcelona mirrored that of Carmen’s towards Ferrari. Both women being part of breaking the barriers for women in male dominated sports.
Once she had reached the door, she reached up and knocked three times on the painted wood. Cheers and shouts of joy were heard from inside the changing room as the door was ripped open.
Standing face to face with ‘la reina’ was something she couldn’t believe she would be doing.
“Hola, you must be Carmen. I’m so happy we finally get to meet!”
@carmen.blanco
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liked by alexiaputellas, marialeonn16 and 231,567 others
carmen.blanco: always a joy to be back home, this team has my heart. Forca Barca! ❤️💙
alexiaputellas: thank you for your support, it was amazing to meet you.
carmen.blanco: you too alexia, i was completely star struck!
fanuser1: ALEXIA AND CARMEN CROSSOVER!
carmenxf1: the two best women to do it.
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Over the past three months since being introduced Carmen and the players of Fc Barcelona Femení have all stayed in touch, but specifically the spanish captain and the driver.
Having met on multiple occasions for coffee and dog walks with Alexia’s pomeranian Nala and Carmens Dalmatian Lulu. The two had grown increasingly closer to each other.
Currently laid out on a sun lounger in the backyard of her Barcelona home, Carmen was trying to soak up the last of the Spanish sun before her race season begins. A ding interrupts her peace and she leans over to check her phone.
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a delicate blush spreads across her cheeks as she rushes into the house to begin getting ready for the night, nervous for what the future holds for her and Alexia.
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oops i realised that for the amount of social media posts i’ve made this is going to have to be a multiple part series.
This spans from January of 2021 to June if 2024 so we’ve got a lot to cover!
i can’t wait to get to Alexia’s first ballon d’or win and Carmen claiming for first formula 1 world championship. 
I’m a sucker for a secret romance so 🤭
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hesbianspock · 6 days
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ok francis rawdon moira crozier post: everyone’s always (rightly) repeating the “irish and middle born” line but i really don’t see talk about it beyond that — except maybe having him spit some irish gaelic while he fucks fitzjames in a fic, and i guarantee you that man would not have been a fluent irish speaker (see: efforts from both the english and from irish communities to prevent people from speaking irish). and as part of that i’d like to see more discussion of francis’ betrayal of who he is and where he comes from.
he is irish. the famine has just begun. he spends his life attempting to rise through the ranks of, to be a successful arm of, the empire that has ensured his status as a second class citizen, his inability to speak his ancestral language, the genocide of his countrymen. francis has his assertive personality and his vocal objections and his challenges, but ultimately he’s betrayed the very essence of who he is and only does it further upon destroying himself with alcohol — because to the empire, what else would an irishman do?
and he has so little genuine self awareness about it. deep inside himself, in his subconscious, i’m sure he knows. but he could never begin to Truly know it within the conscious or to actually vocalize it. bc how do you even begin to acknowledge or make sense of this about your ENTIRE LIFE?
and ofc this parallels with james and with hickey. pretending to be something you’re not, betraying the very essence of what you are. hiding. he doesn’t know it but THAT is the basis of his initial resentment of those two: they’re betraying themselves.
because to him, at first, hickey is an irishman who has so fully committed to the betrayal he won’t even speak in a way that implies his origin. hickey thinks this double deception makes them comrades, but in reality, would francis really have had hickey punished As A Boy if not for their first exchange? would hickey have mocked francis’ irishness from the gallows if not for the failure of that disguise, this betrayal of a perceived countryman?
the full extent of james’ betrayal is hidden to francis until the cairn but he still sees it, and he sees himself in it. the obedience, the obsequience, the ambition, the admiration, (the queerness,)
so when james confesses his bastardry, his non englishness, his deception, even if francis did not now love him, how could he ever hold it against him? he’s done worse.
and, perhaps most significantly, paralleling that with silna. francis helping the empire to colonize and imperialize other places as ireland was. silna avoiding and almost rejecting her duty for nearly the entirety of the show, seeking shelter with and in some cases allying with the interlopers she despises and who have ruined her life. Tuunbaq Is Dead.
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moonkissedvisions · 2 months
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Pick a card: Messages from the Divine Feminine within you
The Divine Feminine explained
Consider:
This is a general reading. Take what resonates and leave the rest.
Tarot readings don´t replace professional advice.
English is not my first language.
To choose a pile, ask yourself: What do I need to know from the DF?
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Pile one
Cards: The Devil, 3 of Pentacles, The Chariot, Page of Wands, 9 of Pentacles, 7 of Pentacles.
Power
Pile 1, the DF is asking you to take your power back, to remember how powerful you are and how YOU are the only one who has control over your choices. No one but you has control over your desires, responsibilities, and decisions. There is something that may be trapping you, draining you, or making you feel like you lost your power and have no control over your life. This could be an obsession or addiction, a strong sexual desire, overspending, codependency, unhealthy habits, negative thoughts, an internal or external narrative that you are hanging on, overindulgence, etc. It could be anything that is potentially hindering your spiritual growth and responsibilities. You have to remember now what you came here for and what truly and wholy fulfills you, instead of seeking a quick dopamine hit. You must look at your environment and see where the negative influences are, but you also must see inside yourself and meet your shadow.
You need to know that you are not the victim, that you are not helpless, that you are in fact responsible and FREE, and that you have a lot of power and control on your hands. Get out of your own way now. Accept your darkness, and then redirect your attention to your light. Make good choices by practicing mindfulness. Shadow work is particularly beneficial if you have these struggles. You can ask yourself what's holding you back or why are you running away from your path. When you check in your environment, consciously remove any energy that may be negatively affecting you. Start to be aware of the stories that you tell yourself, but also the ones that you find in your environment, in social media, in the social groups you are in, at work, school or home, within a relationship.  You can also ask yourself: Am I afraid of my creative power? Is that why I give it up or waste it in short-term pleasures? Learn how to discern passion from agression, when to apply each, and when not to.
Connections
Another message from the DF is to seek collaboration and support from others. At this time, your knowledge and experiences are especially valued and recognized when you share and distribute them with others than when you work by yourself, and you'll find better results by combining your capacities with those of others and work together as a team. Each person contributes with their skills to get greater success and more time for you to rest and practice self-care. Don't be afraid to share your work with others if it´s too much to do alone. People will be happy to help you achieve common goals. At first, your progress may seem small, but if you all apply a good organization, planification and work distribution, you will be getting there soon! If you are someone used to working alone, this is the time to try something new.  
Success
You are in your success era, achieving your goals, traveling, moving, learning a lot of new things, going to a bunch of new places. You have to keep trusting your vision, embodying your success, and holding on to the feeling of being capable of reaching your goals, every of them. Love your life, rejoice in victorious/winner energy by looking how far you've come and remembering your endless possibilities! This will have you attracting more and more. It's the time to enjoy your secure, abundant life. Delight in your comfort. See how your abundance benefits your spiritual and personal development and relish. Some of you may be obtaining a higher social status or receiving surprising news. Keep your choices intentional and aware but permit yourself to enjoy comfort, rest, and a relaxing time in nature. Invest your money in yourself, in beauty and pleasure. Allow yourself to eat the fruits of your labor.
Excitement 
You have curiosity and enthusiasm. The energy from this pile is so exciting and youthful. There can be a new opportunity to learn about your path, yourself, or something new that catches your attention. Perhaps you were just going to start a new creative project or try something again but with a different mindset and fewer inhibitions. You could explore a more optimistic attitude. There is also a possibility of a new journey or some sort of spiritual renewal happening. Whatever it is, I hope it's true for every one of you because it sounds amazing, Pile one. There are lots of confirmations that you are on the right path. If you were being restricted by limiting beliefs, or maybe a know-it-all mindset was stopping you from learning new things, this is your sign to start again and to unleash your inner child. Unleash what makes you young and that which has not yet matured in your life. 
song: aguardiente y limón by Kali Uchis. so on point lol
If it's true life is what you make it. All the seeds that I planted will grow, grow, grow, grow, grow, grow. I just want to savor the fruits of my labor.
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Pile two
Cards: The Empress, Justice, Queen of Swords, The Hierophant, King of Cups, Strength.
Divine, royal spirit
The DF is giving you a lot of words of affirmation, Pile two. Your self-awareness is perfect. You have a fair, logical, rational and realistic mind that's perfectly combined with an empathetic, optimistic, intuitive, and emotionally intelligent mind. You are honest AND considerate. Your intuition is HIGH. You help people with your unmatched advice, vast knowledge, unbiased perspectives, and your clever ideas and thoughts. All of your mental abilities are on point. You have an open heart, but not a naive one at all. You know how to discern reality from illusion, and how to get the best of each. It's giving queen/king energy. You are romantizing your life INTELLIGENTLY, with meaning, reason, and intention. You value both internal and external beauty. You are your own empire, your own sacred temple, your own altar. If you are not already embodying this energy you need to start ASAP. This is such a powerful pile. You are truly embodying your Divine Feminine energy: creative, kind, intuitive, emotionally intelligent, dedicated, beautiful, loving, mindful, balanced, empowering, respectful, wholesomely feminine. You are an example of feminine integrity. If you have been shamed for your feminine power, for your sexuality, for your mystery, for your magic or any aspect of your femininity completely disregard it. Keep embracing the feminine arts. You are learning to be emotionally vulnerable when is proper, and how to express your emotions with self-respect. You understand others's emotions and you know the importance of emotional health. You support others´s in their emotional expression. At the same time, you value facts and evidence. You are an independent thinker. You are sincere. You are real. You are connected to your cycle and those of life and nature. You are connected to the invisible, you are one step forward. You may trigger some people with your truth, but you need to know that you are doing the right thing. You are speaking facts people need to hear. You are taking care of your health, your appearance, your community, you are blooming. You are a legacy, you are ROYALTY. You recognize the worth in yourself and others. If you don't feel like this, unless you chose the wrong Pile, the DF is trying to tell you that you have the potential to be all of it. Follow your feminine wisdom. There is a lot of abundance coming towards you and you deserve it all. If this is what you want, you are attracting someone who matches your energy, your divine counterpart. You are magnetic to all blessings. You are blessed.
Strength
You have the capacity to use your mind in your favor, to focus on what you desire, to give energy to what you want to grow in your life, and to be patient with yourself and what you do. Your high determination and control over your thoughts will take you far, and you'll attract what you want if you keep yourself calm and collected. You need to be aware of your thoughts, habits, and beliefs and take conscious control, but just surrender to the rest. Don't forget to be compassionate towards yourself and others. Keep reminding yourself of your inner power and capacity. Carry on having the control over your impulses and you'll attract all the solutions that you need. You are strong! 
Ritual
With The Hierophant card, your DF messages are about ritual, tradition, religion, and family. You could connect or reconnect to your traditions, start or continue practicing your rituals, and strengthen your faith. If you belong to a religion or a religious practice, it will be beneficial to attend its ceremonies, social events, and to visit temples/churches. You could also benefit from praying, giving offerings, reading sacred scriptures/books, whatever you resonate with. If you don't belong to a religion but you recently became interested in doing so, this could be a sign to do it. If you don't belong to any, and not interested in religion, this is just that rituals/ritualization of what you do is beneficial for you at this time. You could start a new ritual/tradition that will help you feel more connected to yourself and the DF. For some of you, you could reconnect to your family, a parent, someone familiar, or find a new meaning to the concept of "family". Marriages are possible too. There is someone with high morals, great wisdom, someone who answers questions or gives advice, a teacher, a family-oriented person who values tradition, a serious person with their priorities in order. Whether is you or someone in your life, this energy will be favourable for your spiritual growth. Try new things, find new patterns, reevaluate your beliefs.
song: The Girl With A Tattoo enter.lewd by Miguel
Those innocent eyes. That smile on your face. Makes it easy to trust you.
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Pile three
Cards: The Devil, Page of Cups, 5 of Wands, Queen of Pentacles, 3 of Cups
Creative new start
The energy of this pile is very similar to Pile 1. Something is holding you back, but in this pile it´s more of an emotional problem. Your DF message suggests that the thing that's holding you back has a lot to do with how you emotionally respond to situations and how you deal with lower passions, temptation, dark thoughts. For some of you, it's your own emotional baggage and negative self talk that's hindering your creativity and growth. For others is a relationship. For maybe a small portion of you, it's a drinking or addiction problem rooted in emotional disorders, escapism, and avoidance. Know that choosing to let go and break free from these habits will give you a fresh start emotionally and creatively, and you are able to choose. When you do, new doors will open for you, and you'll have the possibility to fulfill your dreams and satisfy your emotional needs in more healthy and creative ways. You may also find a way to channel your darkness/shadow in creative ways that will bring more light as a result, or maybe you recently started doing that, and that is your message. In the first pile, there was some possible new spiritual journey or learning path. Here it's more about your creativity, relationships, and emotions. Express yourself, seek love and support, let things flow and unapologetically open your heart. Stop taking yourself and life very seriously. Be more silly is what your DF is saying lol. Your dreams may be getting prophetic too or you are seeing a lot of signs from the Universe. Good news from family, like a marriage, or family getting bigger.
Resolution
If you were looking for a conflict resolution, this is a confirmation that it's coming. Your DF suggests to have a healthy approach to the conflict, put your ego aside and listen to others without competing for who is in the right. There may be different opinions, conflicting thoughts/feelings or people trying to push their own agenda, even someone willing to manipulate or deceive others. A lot of egos fighting and trying to impose themselves. You just need to be empathetic and compassionate, use your intuition, and don´t judge anyone personally. Be brave. Listen and consider all different points of view and encourage the rest to do the same. Don´t be afraid to say what you think. Be aware of selfishness and apathy and don´t tolerate it. This could also be a sign that you'll have to face conflict soon, and you need to be cautious with how you handle the situation. If you handle conflict with acceptance and compassion, you will definitely gain new and favorable connections, collaboration, and material success. You may also get a lot of recognition for how you handle conflict and for your ability to relate to different people with a variety of backgrounds, knowledge, and talents. 
Prosperity 
You may be a practical person and that´s why you like to show affection and love in practical ways. I see you being a homemaker, enjoying cooking and cleaning, creating your business, baking, creating a nice environment, tending to people, and bringing pleasure into the mundane. You are a self-sufficient person with endless energy and dedication. If you don't already, you'll have extra money to share and spoil yourself and your loved ones soon. Prosperity and material success are coming for you. You have everything you need to be successful and independent. You are worthy of everything in the material world. Make the best of your material world. Your needs and those of your family are taken care of. Don´t be afraid of receiving/making money and living a comfortable life. Make the best out of your prosperity and all the opportunities that you have to be prosperous.
Unconditional support
You probably have a nice and loving group of friends, Pile 3. Friendships and social connections are so important for you at this moment, especially female ones. You are giving and receiving a lot of love and support from people. You are being invited to visit new places, hang out, attend parties and events. Say yes to all you desire without feeling guilty. Celebrate without having a big motive. Your ability to socialize is high, and you'll be receiving multiple friendly offerings. You could join a joyful creative group or receive support for your creative ideas. If you keep your creativity a secret, this may be the sign to share it with others and find other creative people who can inspire and encourage you. This is mutual and reciprocal energy. Appreciate your female friends, celebrate the friendships in your life and keep back and forth communication between you and them. Give them your time and let them give you theirs. This will strengthen your connection with your DF.  
song: Material Girl by Madonna.
Experience has made me rich. And now they´re after me.
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Thank you for reading and supporting my Tarot readings. ily <3
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vxnuslogy · 2 months
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🍿lights, camera, action .ᐟ
a modern/actor au | alastor x gn! reader
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summary: after the initial success of hazbin hotel’s first season, it was no surprise that season two would already be in production as we speak — now focused on heaven and how a soul is judged in purgatory. and luck you! you’ve landed the role of the main character “libra”.
as an angel, life in heaven was supposed to be fine and dandy — if you ignore your script and the potential angst your character holds. well, that is until, you get paired up with the infamous radio demon for an interview after adam decided to chicken out.
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warnings: swearing (lots of it) and use of foul language, crack, mentions of alcohol consumption, fast-burn-ish (?), the use of a friend's original character, ooc-ness, will be updated as the series continues
status: work in progress
writer's notes:
this will be my first series in this account so please bare with me
apologies in advance for any grammatical errors, english isn't my first language and i haven't written anything in a hot minute (and i find alastor a bit hard to write so please bare with me as i try to write him)
this series will serve as my gateway to writing again and starting anew on this account
im currently busy with school so updates will be irregular
taglist ━ open .ᐟ
if you'd like to be tagged, please don't be afraid to shoot me an ask or comment! if your user is in bold you might want to check your visibility settings.
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chapter 1 — red suit
preview: one can only wonder what alastor did to adam for him to suddenly thrust his responsibility of attending this interview to you. well, you aren't really mad, who were you to decline a chance to meet the ever so charming radio demon.
chapter 2 — hang on for deer life!
preview: “what in the seraphim’s names is radioscales?” you ask genuinely, eyes filled with confusion as azrail just laughed at your side. he’s been telling you how much you’ve been embracing your role as ‘libra’, so much that you’ve adopted their way of speech. rolling your eyes in mild-annoyance, you elbow the man beside you, nearly making him loose his hold on the coffee cup in his hand.
chapter 3 — drinkin’ time
preview: “and the nominees for the best actor and actress awards from hazbin hotel are…” everyone waited with bated breath as sera’s eyes glazed over everyone that’s been on the edge of their seat.
chapter 4 — let the good times roll!
preview: azrail laughed at his theatrics, and kept throwing you glances and elbowing you lightly. and being the ever so mature person that you are, you elbow him back — throwing a kick at his shin from under the table as a bonus before listening to the radio demon that was perched on the stage.
chapter 5 — get me with those brown eyes
preview: he paid no mind when the two overly enthusiastic children asked him to review this new cafe, and he agreed. what a big surprise (not) to see you at one of the seats waving at him with an amused smile on your lips.
chapter 6 — wife stealer
preview: you looked at alastor with wide eyes as he grinned down at you. azrail’s mouth hung open in both shock and excitement as alastor said with a smile, “i hope you don’t mind me stealing your wife.”
tba . . .
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© vxnuslogy 2024. do not plagiarize, repost, or translate any of my works without my knowledge or consent in other platforms or websites.
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tamayula-hl · 4 months
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Headcanon about Sebastian and my mc, Sakurako
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NOTE ・Sakurako is a Mary Sue-like character with an unrealistic personality. Reading is not recommended if you don't like Mary Sue-like OCs! ・It's very long. To be honest, all the descriptions of Sakurako are nothing more than a product of complacency for me. I am a little embarrassed to disclose my headcanon, which is filled with these particular settings and delusions...😳 ・Read from the top right in Japanese manga style. ・And again, please bear with my poor English🤣
Until admission to Hogwarts
In 1875, Sakurako was born into a former samurai family when the cherry trees (sakura) were in bloom. In Japan, the samurai society was abolished around 1868 and the samurai were forced to take the status of commoners. Sakurako's samurai-turned-commoner father became a successful trader and took young Sakurako and his family to Britain to get serious about the raw silk trade with Britain. (At the time, there was a thriving raw silk trade between the British and Japanese.)
Her father, who had a male-dominated mindset due to his birth in a samurai society, restricted her from academic opportunities that she did not need for a better marriage. Whenever she went out of the house, local children always made fun of her yellow skin. One day, after such a depressing life, with the sudden awakening of her magical powers, Sakurako received her Hogwarts acceptance letter and became a member of the Wizarding World, a place free of sexism and racism, where she had a fateful meeting with Sebastian and formed a warped love with him.
During the relationship quest with Sebastian
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In my personal opinion, I consider Sebastian to be a very calculating character. Sebastian initially comes into contact with Sakurako as a means of breaking Anne's curse. Sakurako takes an early liking to the boy, Sebastian, who is very kind and helpful to her in her first time in the wizarding world, but it is around the 'In the shadow of the study' quest that Sebastian begins to take a liking to Sakurako. Having grown up watching her parents become arrogant new rich through their success in the trades, Sakurako has a desire to be a good person who is not conceited by her talents and luck. Impressed by the fact that the wizarding world is free from sexism and racism and that everyone treats her with openness, Sakurako is so excited that she takes on any request from anyone without refusal. Sakurako feels threatened by Sebastian's obsession with the relics after "In the shadow of the study", but she can't refuse Sebastian's request and continues to cooperate with him. Then came the tragedy of 'Avada Kedavra'.
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After all is over, Sakurako realises how stupid she has been. She continued to help Sebastian (and the other students) out of kindness and goodwill, but as a result she realised that she was not a good person, but an arrogant monster with no sense of right and wrong. Sebastian's mistakes were all her fault, and she blamed herself from this moment until her death, and she would have lifelong thoughts of 'rewinding time and starting all over again'. Sakurako was deeply in love with Sebastian at this point, but out of remorse she tried to distance herself from him. However, Sebastian forcefully continued to contact Sakurako, confessed his fondness and they began dating.
About relationships
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Elsewhere, Sakurako had established a friendship with Anne over a number of correspondence until tragedy struck, which was disrupted by Anne's disappearance after Solomon's death. In my headcanon, Sebastian heard the news of Anne's death in the seventh year, and Sakurako was also deeply saddened and even more remorseful when she heard of her death. Sakurako kept Anne's letters and the last letter she was unable to send to Anne for the rest of her life.
Subsequent relationship with Sebastian Since she and Sebastian have been seeing each other, Sakurako has been constantly worried that the love Sebastian has for her is not genuine love, but an obsession caused by the confusion and trauma of losing Anne. She was aware that their relationship was codependent, not healthy love, yet she spent her days loving Sebastian so much that she could not reject him. She dreads every day that one day Sebastian's love will disappear and he will instead resent her and saying 'Solomon's death was your fault'. When she is in the seventh year and thinking seriously about her future life, she finally decides to break up with Sebastian.
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When Sebastian realised that Sakurako was acting strangely and that she wanted to break up with him, he asked her to marry him in The Great Hall at a crowded time, in front of many people watching, in a situation where she could not say 'no'. As per Sebastian's cunning intentions, Sakurako is unable to reject Sebastian and becomes engaged to him. However, even after her engagement, Sakurako's insecurities were not exhausted. Worried that she would never be happy even if she married him in an unhealthy codependent state, Sakurako finally came to her senses and, after secretly returning the engagement ring in Sebastian's bag after the graduation ceremony, disappeared without saying anything to him. Sakurako then went to Japan and spent her days learning about Japanese native magic, which she had long been interested in. However, after about a year, she is discovered by Sebastian. After Sebastian apologises for how selfish he had been, he asks Sakurako to marry him again. After a few days of deliberation and discussion with Sebastian, Sakurako accepts his engagement with a smile.
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(This is an Illustration I drew for a previous Twitter post introducing the MC's image song) Afterwards, Sakurako returned to Britain and officially married Sebastian, giving birth to their first daughter the following year, and then to male and female twins the year after that.
About the death of Sakurako Sakurako became Unspeakable of the Department of Mysteries shortly after returning to Britain. https://harrypotter.fandom.com/wiki/Department_of_Mysteries#Early_history It is official canon in the Wizarding World that the Department of Mysteries conducted time travel experiments in the 1890s and then had a serious time accident in 1899. I have built on this canon to create a head canon in which Sakurako dies in 1899.
Ever since the tragedy of 1890, Sakurako had been harbouring a wish to 'go back in time and do it all over again so that Sebastian would not make the same mistakes'. Then, she is asked by the other Unspeakables to help them with a time travel experiment using her ancient magical powers. She understands that it is a dangerous experiment, but with a strong desire to redo the past, she accepts the request and takes part in the experiment.
Then one day in 1899, Sakurako was involved in a time accident with Madam Mintumble and her existence was lost. The Department of Mysteries determined that she had died in the chasm of time.
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When Sebastian heard the news of his wife's death, he despaired violently, but had no time to grieve as he had the three young children Sakurako had left behind to look after. He vowed to raise them well on his own. After his wife's death, Sebastian, who had been active in the outside world as an Auror, moved inside work and, after the twins entered Hogwarts, became a Professor of Charm, watching over his precious children as they grew up.
The consequences for Sebastian and Sakurako I consider an even more specific headcanon for Sakurako: 'She survived only her soul by the power of an ancient magic, losing her memory and trapped in an endless loop of time'.
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She loses her memory but somehow survives with only her soul and travels back in time to 1890 with only her soul for her obsessive wish to 'start all over again for Sebastian'. But because she has lost her memory, she ends up repeating the same mistakes and is unable to save Sebastian, despairing and wishing to 'start all over' again. Trapped in the Ouroboros circle of time and tormented by eternal guilt… is the headcanon about her. (I love novels and movies about time leaps and infinite loops… 😳) But I also have two possible outcomes when she is able to escape the endless loop. The first is route A. If Sakurako is able to time leap without losing her memories.
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(I like Butterfly Effect soooooo much!!!!!!!!) During that fateful encounter with Sebastian at DADA on her first day of transfer, when he spoke to her after class, she rejected him and said terrible things to him. Sakurako thinks that that tragedy happens because she and Sebastian have become friends, so she tries to save him by making Sebastian hate her… and so the ending goes.
And Route B. If by the power of love she accidentally escapes from the infinite loop and travels back in time to a world 100 years later. (Never mind the details. The power of love is powerful in the Wizarding World, right?)
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She is miraculously reunited with Sebastian, who has been surviving and waiting for her return for all of a hundred years… and that is the ending. Having fulfilled his purpose in life, Sebastian soon dies, and Sakurako's soul, weakened by multiple time slips, also ascends.
In any case, Sebastian and Sakurako do not end up completely happy… which is my preference. I love tragic love stories 😂 But it's nice to see these tragic couples having fun in extra episodes and so on!
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(The drawing on the left is part of a cartoon I drew when the Sebastian T-shirt was decided to be launched. The drawing on the right is a parody/trace of a meme that used to be popular in Japan)
These are my headcanons on Sebastian and Sakurako! I'm honestly embarrassed to reveal my brain fantasies 😳. Thanks so much for taking the time to read this long post! 😭💓 The following are the Japanese versions!
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skylarsblue · 10 months
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✦Meeting & Flirting W/ The C.o.D Men✦
~✦Part Two✦~
✧Alejandro, Rodolfo, König, Alex✧ ✦GN!Reader, mostly fluff, mild descriptions of wounds/combat/war, random call signs and some use of y/n, minor sexual tension, inconsistencies with canon timelines because I'm better than the games(/j), I started this before König was called a colonel, poorly translated Spanish & German that I apologize for (correct me please-)✦
✧Alejandro Vargas✧
Civilians let out screams and ducked into houses to hide. Tan colored vans and trucks lined the streets of Mexico as shots were fired. The moments of quiet were as worrisome as the sounds of gunfire in a situation like this. Alejandro cursed as yet another man declared their ammo low. They were running out, at the rate they were going, they’d need to pull back. Alejandro was a stubborn man, however, and bowing down to a cartel would’ve done damage to the credibility of his men, along with his own ego. “Colonel, there’s a car coming in. Unmarked.” His radio crackled with the information. “Aye, watch it. Keep looking. Does it look like the enemy?” Alejandro replied, getting a negative in response.  As if there wasn’t a risk of fire being brought out, the car stopped in the middle of a paused stand off. Out of the vehicle stepped one person, dressed in a way that stood out completely. “What in the hell is this?” Alejandro hissed as he watched the civilian look around. They were wearing a mask of porcelain, decorated elegantly with gold paint, almost like a statue of crying Virgin Mary. He locked eyes with them, and they…motioned for him to pause. “What do we do?” The soldier beside Alejandro asked. “Sir, I think I know who this is.” His radio called. He watched as the stranger turned to confused members of the enemy, raising their hand to the sky. Three fingers, two, and then one. The cartel’s side of the street blew up and the stranger ran for cover. “Mierda! What the fuck is happening?!” A soldier exclaimed. Alejandro’s radio triggered again with enthusiastic laughter. “Resistance sir, the one I’ve been telling you about!” The colonel took a breath. “The one run by civilians? How’d they set this up?” He asked roughly, aiming his gun to take a shot. “They’re smart, sir. That one you saw? That’s their leader. A talk with them would be a good idea, they’re a powerful ally, a stronger bond could prove useful.” Alejandro looked across the field in awe as the stranger took out a few more cartel soldiers. They then looked at him, giving him a nod and a salute. For the first time that day, Alejandro smiled. “A strong ally indeed.”
(I make them speak mostly English so I avoid making mistakes in Spanish, I'm sorry-) It had been a month since that day, and three weeks since Alejandro & Rudy had properly met the mysterious masked individual. They'd proven themselves rather charming, even if a bit suspicious. Alejandro had been rather excited to meet the individual who'd managed to secretly gather well-trained civilians to aid them against the cartel, pulling stunts like they did before. Though their real name was a heavily guarded secret, much like their face, they did have a name of sorts to associate with them. Los Lares, in reference to Roman mythological deities that provided protection. Their leader, the masked individual, known only as Padres, though occasional nicknames popped up from individuals they were close with. Alejandro had done his best to assess whether they were trust worthy or not, they did the same to him. And after two successful mini missions, Padres agreed to show Alejandro, Rudy, and some of his men what they'd been hiding. "Well would you look at this..." Alejandro said quietly as they drove through a small village. Guarded heavily with armed civilians was a tiny town commandeered by Los Lares, rather than the cartel. Kept safe from the carnage in the rest of Las Almas. The car rolled through slowly, allowing them to gaze at buildings without bullet holes, covered in colorful decorations. Children ran around playfully, adults standing around and talking, some small market carts on the edge of the street that gave out fresh food and household items. Music playing over speakers. Not a single skull balaclava in sight. Rudy pulled over and parked by a building at the end of the long street. The shell of a church it seemed. Outside of it was Padres, running around with children on their tail. When they noticed the men that had pulled up, they declared for the children to play on their own for a bit. Alejandro couldn't stop his smile as he continued looking around, eyes falling back on them. "This is what you meant by Sanctuary." He said. "Si, I made it myself. No violence occurs here, no fear. How it should be." They explained. "Rodolfo. My second in command, Emil, wanted to discuss things with you, if you wouldn't mind." Padres said, motioning to the man behind them. Rudy looked at Alejandro, who nodded. Rudy walked off after that and left them alone. "I see why you were so secretive now." Alejandro stated, watching them nod. "It usually takes a lot longer to be allowed access here. But I knew you'd be trust worthy." They explained as they leaned against the jeep he'd arrived in. He crossed his arms and leaned on the car as well. "And when did you decide this?" He asked. Padres chuckled and blinked at him past the holes of their mask. He wondered how eye contact alone could make him feel so warm, tingly. "I met your gaze during that gun fight and I could tell. You have the light of angels, querido." They purred. Alejandro chuckled quietly and shook his head fondly. "¿Coqueteando? ¿De verdad?" He asked in a hushed voice, leaned in slightly. They raised both hands in mock surrender. "I see a lot in your eyes, Colonel. Many, many things. Tu disfrute es uno." They teased. Alejandro ran his tongue over his teeth. "Si? I see things in your eyes too." He replied. Padres tilted their head and silently urged him to elaborate. Alejandro let out a breath and smiled. "Peligro. Mucho." He exhaled, senses lit aflame when he saw the distinct signs of a smile hidden behind the mask.
Alejandro enjoyed when he had time to visit the sanctuary Padres had created. There was so much joy around and peace filled the air, and for the first time in a long time, he felt like his shoulders could relax. That he could be at ease. In his visits, he often saw families, children running around with big grins, hearing the innocent laughter always brought Alejandro joy and a sense of longing. He'd always been the familial type with a large soft spot for kids. It showed in his actions, like currently, as he let two boys hang off of his arms like some playground equipment. They giggled and squealed in jovial fun as he hoisted them higher, though he set them down gently when their mother's face grew a bit apprehensive. It was when a little girl, leading a group of children, asked to play hide & seek that things really got to be fun. Alejandro found himself hiding under a table in one of the homes, another child at his side. He held his finger to his lips as they giggled away behind their hands. Both of them seized up when evenly spaced footsteps made themselves present, too heavy for a child. Alejandro had a quick flash of memories that made his body tense up, watching the table cloth be lifted. But it wasn't an enemy, nor a child, but instead a porcelain mask with a smiling individual underneath. "Room for one more?" They asked in a whisper. Alejandro blinked before he snickered and nodded. Both he and the child carefully scooted back to allow Padres more room. "Isn't our hiding spot good, Padres?" The child asked excitedly. "Si, Rosa, it is. I almost couldn't find you both." They replied in a tone akin to a praising mother, something that made Alejandro's chest ache. "What gave us away?" He asked them, smiling wider when they glanced his way. "Your boots, colonel. Your laces were untied, they poked out from underneath." They answered, prompting Alejandro to look. Sure enough, his left boot lace was untied. He sighed and shook his head at the rookie mistake, still grinning however. A beat of silence passed before a rush of tiny footsteps came in, prompting the three to be extra quiet. "Got'cha!!" The little girl declared as she lifted the table cloth. Rosa screamed and laughed, quickly getting up to run away. Both Alejandro and Padres stayed, watching Rosa make a swift get away from her friend running after her. Leaving them both alone under the table. "You are good with kids." The self-appointed commander said fondly. Alejandro melted at the sentiment alone, it always felt like one of the highest level compliments when someone said it. Even more so coming from them. "Gracias, Padres." He said, only for them to shake their head. "Y/N. My name is Y/N, when we are alone, you may call me that." They said softly, leaving Alejandro surprised. The shock wore off quickly and a pleasant tenderness filled the air, showing in their shared gaze. "Losing the mystery, aye?" He asked. "No, merely trusting you with my secrets. I trust I made a good decision?" They replied. Alejandro nodded. "Now I just have to get that mask off of you." He teased. They gave a quiet laugh. "I can't wait..."
It was always nice to celebrate after a successful mission, especially one as high stakes as this. With a large threat neutralized, it seemed like a big party was the right answer. There was a large hand of help from Los Lares, and the citizens who called the refuge home saw it only right to allow Alejandro's men into their sanctuary, to indulge in their victory with loud music and home cooked meals. Alcohol as well, of course. Alejandro stood on a roof and watched the streets below, lit up with colorful lights and bustling with music. He felt his shoulders relax as he watched his soldiers mingle, laughing loudly, raising toasts to their lost brothers & sisters. He took a swig of beer as his gaze shifted to the sky, full of twinkling stars. He went to take another drink, only to find the bottle empty. He debated going back down to grab another one, only to feel a hand rest on his lower back. He flinched and looked over, met with a familiar mask and a kind gaze. "Need another, colonel?" Y/N asked softly, holding up an open beer. Alejandro chuckled and took it, setting the empty one on the roof's edge. "Gracias. How'd you know?" He asked. He turned his body to watch them, even spaced steps taking them to a couple of supply crates. They took a seat and shrugged, he could feel their calm smile in their aura. "Lucky guess. You weren't down there, spotted you up here and I figured you'd like some company. Was I right?" They asked with a head tilt. He walked closer with an exhale. "Yes and no." He answered. They silently encouraged him to elaborate, tilting their head to look up at him as he came to stand in front of them. "Oh?" Alejandro chuckled and set the beer down beside them. "I was looking forward to your company." He admitted. Even in the low light of the moon, he could see their pupils expand. "Such a charmer, Mr.Vargas." They teased in a hushed tone. He rose his hands with a quiet laugh. "Interesting choice in company, however. An individual with no face for you to name." They said. Alejandro's face softened. There was a short beat of silence that seemed to last forever, finally a peaceful moment without the worry of being killed, allowing him to admire them properly, despite the mask. He then remembered their promise, the words spoken to him to keep his morale high when things were looking bleak. So, though he was careful, he rose his hands to their face, cautiously grazing the edge of the mask with his fingers. "Is that right?" He whispered. They didn't move back or scold him, merely kept his eyes locked with theirs in a look that sent shivers down his spine, even as he edge the mask up. It was pulled away and in an instant, they were exposed fully. Alejandro let out a breath and forgot to inhale afterward. Their smile caused his lungs to constrict in tight thorns. "Well? ¿Algo que decir, coronel?" They asked, and though their tone was cool, he could see the flinch of fear. The anxiety of rejection. He took his free hand to brush over their cheekbone, feeling warm skin instead of cold glass. "Peligrosa… peligrosamente hermosa." He whispered back. They snorted. "How cheesy..." They teased again, tilting their head up to meet him halfway.
✧Rodolfo "Rudy" Parra✧
Rodolfo’s eyes cracked open, he let out a short wheeze. He wasn’t all there, but he was keenly aware of a large commotion outside. He could faintly recall his mission and how he ended up with the throbbing in the back of his head. An RPG hit the building he was in just right and it knocked him out cold. Astigmatism disrupted his vision and his limbs felt heavy. He winced when a light came from the side, the sun, beaming through as the broken door was shoved off. He blinked, and there was someone he’d never seen before. They weren’t really dressed for battle, wearing a decorated porcelain mask with a rifle strapped to their back. Rudy’s hand twitched for his gun before they hushed him, placing their hand on his arm. “Tranquilo ahí, cariño. I’m on your side.” They said gently before turning their head to shout some orders at an unseen person. They turned back to him and cautiously turned his head, clicking their tongue sympathetically as he whined. “Took quite a hit, huh? Don’t worry, we have help on the way and your friends and mine have almost cleared out the enemy.” They took out a flashlight, shining it in his eyes When his pupils responded normally, they put the flashlight away and called out some more orders. Rodolfo decided to try and sit up but he barely moved before nearly falling back on the floor. They caught him by the back of his neck. “Easy, pretty boy. Don’t make yourself worse.” They said, gently guiding him to sit up with their support. Rudy blinked and groaned. He got a better look at them now, pushing past his dry mouth to try and speak. “You…you are the ally Alejandro mentioned…” he grunted. Their eyes scrunched, indicating a smile. “That’s right, dear. And I’ll get you out of here. You can trust me on that.” They promised.
Rodolfo carefully scratched around the edge of a bandage on his head, huffing when Alejandro lightly flicked his hand, scolding him for fidgeting with it. "I'm healing fine." He said quietly, glancing at the map on the table in front of them. "Still, shouldn't mess with it." Alejandro replied with a caring pat to his shoulder. They were waiting in a planning/common room in the main base of their new adversaries, a civilian led resistance against the cartel. Rudy recalled the way they carefully held him steady when they'd found him, after he'd been knocked unconscious. Alejandro swore they were trustworthy, and so far, they'd definitely been helpful. Alejandro stood more straight when the door swung open and Padres entered the room, a few of their men behind them. The two of them overheard the leader scolding a civie-soldier for not eating breakfast before they turned to the two friends. They were dressed more casually than the other times they'd met. Looking liked they'd just been dragged out of bed, actually. And although they seemed sleepy, still in slippers even, they still bore their mysterious porcelain mask. "Apologies, my alarm didn't go off." Padres apologized in a gentle tone. Alejandro chuckled and shook his head. "You all there yet, Padres?" He asked, smiling when they waved their hand, approaching the table. "I can still explain my plan to you, si." They replied before yawning, Rudy smiled as they went to cover their mouth for the sake of manners, despite the face covering. Their eyes landed on him and he could see the signs of a smile in their gaze. "Ah, chico lindo, how's your head?" They asked. Rodolfo felt his cheeks warm at the nickname, they hadn't been subtle when he first met them either. "Fine, just sore." He replied. At that moment, the quiet mutterings of a man who'd come in for some coffee hit the room. A soldier named Ramirez. Whispering about Rodolfo's skills, trying to imply he wasn't a true soldier for being wounded "so easily", which made another snicker. Rudy didn't show a reaction to it, Alejandro scowled, but both men jumped when Padres gasped. With skilled precision, they flicked their slipper from their foot and caught it from the air, launching it in the direction of Ramirez. A perfect headshot as the slipper smacked the back of the soldier's skull. Alejandro and Rudy shared a look, recalling their own experiences with the all feared chancla. "Debería darte vergüenza! These men give their life everyday for the sake of our country, they were fighting before you were given your status in my army, show some respect! You will not disrespect this man again, do you understand me?!" They shouted, finger pointed. The man shrank, rubbing the back of his head. "Si, commander." Padres put their hands on their hips. Ramirez approached with their slipper, which Padres snatched from his grip, dropping it on the floor so they could it back on. "Now apologize for your insolence." They demanded, pointing at Rudy. Both Rodolfo and Alejandro watched with wide eyes as a grown man, tall and buff, turned with his head down like an embarrassed child, muttering an apology. Rudy swallowed and let it go, unable to look away from the mysterious individual who'd defended him so valiantly. They'd been so gentle and sweet. Rudy felt his mouth grow dry and his stomach twist as they sent Ramirez away with a wave of their hand. With a breath and a headshake, they turned to face him again, smiling once more. "Now, let's get this done, alright?" They asked. Rudy nodded, not missing the teasing glance Alejandro gave him.
It was sweltering, as expected for a Mexican Summer. The speedy movement and adrenaline of avoiding gunfire only added to the discomfort. There were still cartel members outside, but at a distance. There was quiet for a moment, excluding Rodolfo's breathing being hissed through his teeth. A bullet had skidded past the back of his hand, tearing through his glove and leaving blood running down his arm. He was sat on the floor of an abandoned house, jacket discarded and shirt sleeve rolled past his elbow. "I know it stings, but you'll be alright." His ally, Padres, spoke softly to him past their mask. He nodded and leaned his head back against the wall, watching them dig through a bag for medical supplies. He held his hand up to lessen blood flow, letting it run across the dips in his muscled forearm. "How is it that every time you find me, I'm bleeding?" The man asked with a playful tone, smiling slightly when they snickered. "Well, mi tonto y querido soldado. It's because you're a reckless fool." Their thumb pressed into the area around the wound, making him wince, looking them in the eye. Their gaze was sharper than before, although not malicious. "You are so smart but so, so very stupid sometimes." They shook their head, taking away the pressure from his hand, holding it cautiously now. "You're swift, you're experienced, you're intelligent. But you're hot headed, and sometimes you get too focused on a goal to realize you're stepping on a land mine. It amazes me you're not more battered than you are." Their concern was warranted and their praise was met with warmth in his face. He swallowed and looked back at them again as they examined his wound, slowly rising their gaze to him again. He could see the signs of a gentle smile in their eyes. They hushed him soothingly when his hissed at the sting of disinfectant. His hand twitched involuntarily from the odd feeling on his nerves. "You have a point." He sighed, looking at their surroundings for a moment. He let out a short laugh after a few seconds of silence. "At least you're always near by to fix me up, no? I seem to heal faster when you're caring for my wounds." He muttered, feeling his stomach twist with an exciting bout of nerves. He wasn't much of a flirting type, and he tried to keep it subtle enough in case he'd been misreading. Padres chuckled fondly as they pressed down a bandage around his arm, kindly wiping away the blood. "Not the first to have told me that." They said fondly. With one last look at his hand, the clicked their tongue as they took in the damage. "Your hand will likely be difficult to use for until it's healed. We'll need to speed up that process." Rudy rose an eyebrow, confused. His eyes widened when they lifted their mask slightly, just enough to expose their mouth. It was hard to remember to breathe as a care kiss was placed over the bandage, he swore he could feel the burn of their lips past the layers, seeping into his wound and sending shocks in his blood. "Stay vigilant, chico lindo, I need you in peak condition."
(tw; war and brief mentions of wounds) Rodolfo panted heavily as he vaulted through a broken window, feeling perspiration on his skin from the heat of fire and exercise as he continued to sprint through a broken down building. There was bloodshed, naturally, it came with the job. But there was something in his stomach that twisted as he worried he'd find their body amongst those empty of souls. He'd promised to be more careful, but he'd dropped that worry as soon as their mic cut out. The fight had died down and an evac was only two miles away, but he demanded proof of their demise before he'd step anywhere near it. The man's steps crackled over broken glass and after the constant rain of bullets, the silence felt all the more deafening. His ears rang with a high pitched whine that he tried to ignore, listening for anything amongst the worrying stillness. He felt hope dwindle as seconds tic down, until he heard the sound of moving rubble in a room he'd yet to check. It could've been an enemy, perhaps it wasn't them, but despite the risk he rushed over and pushed the broken door out of his way. His breath left his lungs with weight as he saw their back, struggling to push themselves up. "Oh, gracias a Dios, estás vivo." Rudy said as he rushed over. A cruel sense of deja vu hit him as he gently guided them into sitting up, their hands covering their face. They groaned quietly, leaning against him for support. Rudy took a quick glance around, seeing pieces of their iconic mask broken. "Where are you wounded? Evac isn't far, what do you need?" He asked, only to hear them let out a strained chuckle. Slowly, blood covered hands stopped covering their visage. Air punched out of his chest as he finally got their face, and while blood dripped from a fairly painful seeming gash on their forehead, they smiled. "Tranquilo, cariño. Estoy bien." They said, gaze tired and a bit dazed. Rudy sighed and shook his head. "You've already used that line..." He said back, unable to stop the tiny smile as they snorted. "So I have." They hummed, resting against his armored shoulder. Rodolfo swallowed and chewed on some words stuck in his throat for a moment, up until they tapped him. "Just ask me already, Rodolfo. I'm losing blood and I think you should know how much I like you by now." They said with a hint of smugness. Rudy clicked his tongue and rolled his eyes, chuckling when the poked him again. "Don't roll your eyes at me, young man." They scolded playfully, groaning in pain as he carefully helped them up, pulling them close to keep them supported. "A drink after this sounds nice, si?" He asked quietly. They nodded lazily. "With you? Absolutely." Rudy smiled and began slowly guiding them out of the broken building. "It's a date then."
✧König Badubrecht✧
Konig anxiously fiddled with the bracelet he snuck under his sleeves while he waited. He recalled a breathing technique and tried his best to keep his breaths quiet, but full enough to keep him calm. On any other day, he would've been mostly fine, but this was not every other day. No. His commander had told him that he, and two other soldiers, would be meeting up with a rather impressive taskforce run by Captain John Price. As if it wasn't enough that Ghost was on the team, as well as the ties they had to impressive forces in Mexico, all of that on its own was enough to get him antsy to make a good impression. But there was something in particular that caused his nerves to light up with unease. Meeting their sniper. Only known by their callsign 'Hotshot'. When Price had chosen them, word spread fast to allies about the impressive track record they carried. Twice, they had missed a shot twice. That was two compared to, give or take, three-thousand-four shots they had taken. A number that steadily grew with each mission, one kept track of just to prove the otherwise outrageous number. König loved the idea of being a sniper and practiced frequently, even if he was never given the position due to his size. Part of him wanted to ask for an autograph, but he also knew that would likely get him weird looks. "Oi, Großer Kerl. Das Team ist hier." His commander's voice startled him just as much as the words. König swallowed and nodded. He stood up and quickly fussed over his appearance before following. He let the other soldiers he'd be working with walk in front of him. He envied them, their confidence. Slightly baffled they could walk toward such impressive people without feeling the need to overthink how they'd present. It was one thing when König didn't care about their opinion, or when he was walking toward enemies. He'd strut forward with his shoulders rolled back and his chin high, gaze stern and sharp as the blade on his belt. But wanting people to like you, new people no less? He'd had easier times handling battles than that. It didn't get easier when they were in view. He towered over all of them, hiding wasn't much of an option, although his veil helped. König noted all of them individually as his commander spoke with Captain Price. Ghost certainly was intimidating, Gaz & Soap seemed more approachable, not to take away from their capable abilities however. Then his eyes fell on the last member, feeling his chest clench, making his hands do the same at his sides. He wasn't sure what he was expecting when he'd heard of Hotshot's illustrious reputation. Still, he wasn't expecting them to be so...beautiful. They stood confidently with a laid back smile, some left over war paint smudged under their eyes, black gloves over their hands. König had so much to say and it all piled up in the back of his throat. He'd gotten so lost in staring at them that he'd completely missed everyone introducing themselves to each other, hence why he flinched violently when he was addressed directly. Suddenly, someone he viewed so highly was stood in front of him, craning their neck to make eye contact. "You alright there, big man?" They asked with a smile. König let out a string of stammered noises. They rose an eyebrow with a head tilt as the man mentally scolded himself, trying hard to actually say a word, anything! "You're pretty." He said suddenly with a voice crack. Instantly, shame and regret waved over his body. Hotshot blinked a few times in surprise. "I-I-I'm so sorry, I didn't-" "I like you." They pointed with a grin again, much wider than before. König deadpanned, eyes wide and stunned quiet. He watched them extend a hand. "Look forward to workin' with you, Romeo." They teased lightly. König hesitated, but very carefully shook their hand with a nod.
König held his breath before pulling the trigger on his USR rifle. The bullet soared through the air and through the paper of the target, leaving a fresh hole in the figure's skull. He exhaled and smiled to himself under his sniper veil, taking notes on what he had done right, what he could do better. As he went to grab his pen and jot it all done, he flung it in surprise when clapping sounded behind him. He nearly broke his neck whipping his head around, pulse stuttering when he viewed Hotshot leaned on the wall. Or, Y/N, as they'd said to call them. Though König had yet to break the habit of calling them Lieutenant. He blushed heavily as they smiled at him, pushing off the wall. "Nice shot, big guy. Right between the eyes." They complimented, letting out a whistle as they gazed at the target. He swallowed a lump in his throat, hands growing clammy in his gloves. He hadn't known them very long, admittedly, although their reputation preceded them. It had been a little less than a month since he'd first been introduced, in that time, he'd grown to find them charming. Too charming for him to handle. "Remind me again why they won't give you a proper sniper position again?" They asked as he leaned back on his knees. Konig cleared his throat, hoping his voice wouldn't crack. "My size." He mumbled, a bit bitterly. Hotshot clicked their tongue both sympathetically and in annoyance. "Yeah, I'd imagine being that tall has it's drawbacks. Seems to have advantages too though. Still, I think you're a great shot. Little awkward on your form though." They explained. Konig glanced up at them with a small head tilt, silently hoping they'd elaborate. They smiled and crouched beside him, suddenly reminding him just how much bigger he was. "Get back in position, I'll show ya." They smiled. Konig nodded and did as told. He wasn't necessarily an obedient soldier, but he always listened to what they said. He'd been so worried about how they perceived him, stepping out of line brought too much anxiety. He wanted them to like him. He adjusted his hold on the gun, resuming the position he was in before they came in. "See, you're firing well, but is this a position you could hold for an hour?" They asked. "Nien, my back starts to hurt." He admitted. Hotshot nodded and snapped their fingers. "Exactly. Here, I can already tell your problem." He glanced at them before his breath caught in his throat, feeling their hand gently placed on his leg. Positioning it a bit more outwards, bending at the knee. Through thick cargo pants and a set of gloves, their palm felt like fire through fabric, singeing his skin. His hands twitched nervously when they moved up by his shoulders. "Now, instead of holding your head like that, try this instead." Their voice was soft, quiet. König felt his pulse in his extremities when their hand found his jaw underneath his make-shift sniper hood, tilting his head as they wished. "There ya go, big guy. Now, try firing like that." The nickname suddenly felt like fire to his senses, and he had to clench his jaw to bite back an unmanly sound. He did his best to hold the gun steady, aiming once more, ignoring the proximity of his superior. He fired, unable to focus on where the bullet landed. He could still somehow feel the ghost of their hands on his person. He flinched when they clapped twice. "Another headshot! Good job, mate. Keep at it and you'll be better than me soon." They smiled brightly. Konig blinked up at them, nodding carefully. The lieutenant hadn't missed the widening of his pupils. "I'll let you get back to it. Come get me if you want more tips." They patted his shoulder, taking careful note of his near-silent shudder. Perfect.
(TW; War typical violence, blood lusty König) The man heaved, feeling ice in his veins, bright red blood darkening the fabric of his gear. He counted the bodies around him, ten in total, none of them moving. He scanned the area around him as he continue moving, looking for more targets, knowing if he didn't have one in his sights, someone had him in theirs. His fist clenched around the handle of his blade when his radio crackled. Static mixed with a voice, one frantic, one familiar. Past his adrenaline rushed brain he heard the panicked call of his friendly sniper, one who'd recently called him a friend. Long legs broke into a sprint, operating off his most basic instincts, the most animalistic portions of his mind. He made it to their position with, to him, felt like seconds. He didn't process the information around him before his body was moving, quick as light and as brutal as iron spikes. Suddenly, his body count that day went from thirty to thirty four. A loud crack and a heavy thump of a limp body hitting the floor was the last thing her heard before the blood rushing in his ears started to settle. He turned to look over his shoulder, seeing Y/N coughing, grasping at their neck. He went over to them in three large strides, kneeling down in front of them. "Mein Freund, geht es Ihnen gut?" He asked, voice heavy with breath and a bit shaky. They coughed again with a nod. "I'm alright, I'm good. Thank you." He listened to the rasp out their answer. As things grew quiet again, König realized just how intense he'd been. One glance at the bodies behind him showed the true nature many often were unaware of. He was a violent, terrifying force when in war. Typically, he didn't care. He'd grown to stop caring after so much of his life was met with judgment or rejection. But he liked this person, therefore, their approval mattered to him, and now his anxiety began to rise. They'd fear him, avoid him now, surely. "König." Their voice snapped him forward again. "Can you get this mic off? It's hard to breathe with it..." They muttered, motioning to the throat mic tightly secured around their neck. It caught him by surprise. He'd just snapped a neck without hesitation not even five minutes prior, and yet they were asking for his help still. He swallowed and nodded. The winced and tilted their head back, allowing access to their bruised esophagus. König tried not to tremble as his fingers clumsily when to loosen and undo the mic. His hand was dangerous, blood still stained his gloves as he grazed their skin with the fabric. His chest felt ready to burst as he heard them sigh in relief when the pressure let go, easing some of the sting of the irritation. It was red, soon to be a deep purple when the bruises truly formed. It looked painful. König's fingers shook as he absentmindedly trailed the line dented in their skin. "I'm okay." Their voice made him jump again, bringing his eyes back to theirs. They smiled at him, already exhausted from the day of battle. König blinked and nodded slowly. He cleared his throat and pulled his hand away, like he'd been burned, feeling his skin lit aflame. "Let us finish so you can get to evac." He muttered, standing up, allowing them to use his deadly hand to hoist themselves up with him.
"God it is so pretty here!" Y/N declared as they looked around at König's hometown. Graz, Austria. König smiled behind his black medical mask as he watched them look around in awe, feeling pride bubble in his chest as they walked to his home. Since he'd joined the military, he'd gone home alone. It was lonely, yes, though he always made sure to visit his grandmother when he'd come back from missions. His apartment always felt too quiet, too empty. He liked his alone time but often times he found the solitude suffocating. Everyone he knew on his team didn't really have this problem, either being fine on their own, with friends to visit, or family to return to. That was until the hotshot sniper admitted a very similar situation to himself. He saw how their face fell when they mentioned it, and despite his fear of rejection, he took a leap and offered a plane ticket. It surprised and delighted him when they jumped at the opportunity. He was proud that they enjoyed his country so far, even if he was nervous about their opinion of his home. Not that he could avoid it, however, given they were already at his door. König unlocked the door and stepped in, immediately removing his shoes. They mimicked his movements and carefully set their boots off to the side. He took a second to note how small theirs were in comparison to his. They took a gander around his home. It wasn't much, a simply decorated place with some mild dust built up from how long he was gone. When they giggled quietly, his stomach twisted, wondering what it could mean. "Uhm, welcome to mein home. Do...do you like it?" He asked nervously. "You decorate like a grandma." They answered, turning with a big grin on their face. An old quilt was folded on the couch and on the wall their were crocheted works of art in wooden frames. "It's so cozy, it's really cute." Their compliment made him relax. He motioned for them to sit, which they did gladly. He was quick to make them tea, some for himself to calm his nerves. There was a silence that settled over them when he finally came to sit beside them, comfortable for them, anxious for him. They spared a glance at him staring at his tea cup, reaching out a hand to rest on his shoulder. "Aren't you gonna take off your mask? So you can drink it?" Y/N asked. König blinked, his breath catching in his throat. "...Nein." He muttered, setting the cup on the table in front of them. Y/N frowned. "Why? It's just me..." They said in a hushed tone. "You," He swallowed. "You will not like my face." He said softly, squeezing his hands together. They sighed and put their own cup down, standing up. König's eyes followed them and his face went red as they bent, placing their hands on his knees, looking him intently in the eye. "That is bullshit, big guy. I like you way more than you think I do. And I promise your face is not gonna change that." They said intensely. König blinked at them before he looked at his lap again. He inhaled deeply through his nose before he bit down on his tongue. Like ripping off a bandaid, he wanted to get the pain of their rejection off as fast as possible, so he tore off the mask, keeping his eyes scrunched shut. Some beats of silence left his heart palpitating. Then he felt warm palms carefully cradle his cheeks, forcing a gasp out of him. König blinked and looked at them, up, for once. Y/N's gaze trailed over his features, fingers lightly trailing over faint freckles to a scar across the bold bridge of his nose, down to the his oldest scar that ran from his right sinus to his chapped lips. A smile grew over their face as they took in his visage. "I knew it. You're one pretty man, Romeo." They purred quietly. The man's eyes widened before his breathing stopped, eyes fluttering as they pressed a gentle kiss to his nose. "Du bringst mich noch ins Grab…" He shivered. They chuckled and pecked his forehead. "Don't even think about it mister, you're staying alive for as long as I need for you to love yourself as much as I love you."
✧Alex Keller✧
Alex was a seasoned soldier. He'd constantly perceived through the unthinkable, cut it close with death more times than he could count. Shot, stabbed, kidnapped twice, inhaled complex chemicals, and managed to escape with his life after he detonated a bomb. Missing a leg, but alive. Maybe he was lucky, maybe it was the opposite. Either way, anyone who had the nerve to imply Alex as anything but impressive and strong was a fool, completely. The blond was someone any general would take pride in. So what on earth could take out a man with such an amazing track record? The flu. The answer was the flu. Alex practically never got sick, but when his fellow soldiers began to notice his less than fantastic state, it was hard to deny. Pale, clammy, a headache from hell. He couldn't do drills as well because his joints were sore and the coughing wasn't ideal. He managed to brush off concerns up until he threw up in the communal trashcan in mess hall. Finally, Alex's commander dragged him to the medbay. "Just sit down, Keller. Fucks sake." Julia grumbled as she set him on a bed. "I'm tellin' ya, I just need some NyQuil and I'll be fine-" Alex was cut off by harsh coughing fit that made the woman cringe. "With all due respect, Keller, you sound like you deep throated a cactus. Just let the medic look at'cha. We just got a new one, they're lovely, you'll be in good hands." She promised, making him sighed and rub his face, putting some pressure on his eyes, hoping it'd help the pain behind them. Alex hummed as he heard Julia greet a new voice. He dropped his hands in his lap and blinked, looking over at the new medic, not wanting to be rude. He couldn't tell if the warmth in his face was just the fever anymore though, not when he got a good look at them. They approached and set a clipboard down, standing in front of him, putting on some gloves as they smiled. Julia motioned to him. "This is Alex Keller, Keller, our medic, Plaster." She said. Alex rose an eyebrow and looked at them, watching them laugh. "It's my callsign. Brits call band aids, plasters." They explained. "And they'll fix all your cracks." Julia snorted, making the medic roll their eyes. Plaster grabbed a thermometer and put a cover on it. "Alrighty, Alex, just put this under your tongue. Don't want a soldier with such an impressive resume to be out of commission for too long." Alex blinked slowly as the plastic rested under his tongue. His brain was essentially mush, and the pretty face in front of him wasn't helping. "Heard o' meh?" He slurred tiredly, making them snort. "I have! Not everyday a man willingly blows up a building full of gas, much less live through it. Man of steel, eh?" They asked. Alex motioned to his leg. "Knee down." He replied, smiling when they laughed, taking out the thermometer. "Oh boy, 100.8. You, sir, should've been here much sooner. I'll get you some antibiotics and some NyQuil." Plaster said as they shined a light in his eyes. Alex lazily opened his mouth so they could check the back of his throat, heart thumping harshly as they carefully held his jaw, clicking their tongue sympathetically. "Poor thing, your throat looks pretty bad." He hummed. He gazed up at them as they carefully put a stethoscope to his chest. "Pulse sounds a bit quick." They mumbled. "'s your fault." Alex replied. Julia's jaw dropped open as Plaster tilted their head with a little chuckle. "Oh is it now? Well I'm sorry, sir." They replied. "Mm-mm, not complainin'." Alex shrugged. Plaster shook their head and wrote his prescription down, handing it to him before turning to Julia. "Make sure he stays in bed. And get some rest, casanova." They patted his leg. Alex gave a weak salute as Julia dragged him away, not paying attention to how she poked fun at him. "You're gonna feel so embarrassed when you can think straight." Alex shrugged as he stumbled beside his commander. "I dunno, I think they liked me." He said proudly. Julia rolled her eyes.
Getting a leg blown off was an extremely painful endeavor, obviously. Alex had a whole half of a limb blasted off at the knee, then he had to have it heal, then there were months of getting used to having his limb missing. And even after growing used to having his leg amputated, the pain was far from done. Excluding ghost pains, there was always some painful soreness left after using his leg all day. After some time, there was a level of pain that he considered normal, and therefore powered through. But there were other times where it was agony. It reminded him of the darker fairy tales he’d been told by his great grandmother. Like the Little Mermaid, how every step was agony, rather than the sparkly version Disney gave. He still tried to tough it out, but it really felt like hell. Leading him to limp to the medic’s area, hoping to hide from his bosses for a bit and perhaps ask for something for the pain. He winced as the pain became sharp, sitting on a cot in the quiet medbay. He sighed as he heard footsteps coming his way. He glanced up and saw their medic, the one that cared for him when he had the flu. “Mr.Keller, what brings you her- oh you look bad, what’s going on?” Their joyful tone quickly turned to worry as they approached him. He sighed and motioned to his leg. Quickly, the nodded and wrote something down. “Give me a moment. If it’s alright with you, I’d like you to remove your leg and compression sock.” They said. He did as told. There was both pain and relief when the heavy metal was pulled away. He set it beside him and tried to place pressure on his thigh. Plaster came back with some ICYHOT and a cold wrap. “Can I put my hands on you?” They asked softly. Alex rose an eyebrow, smiling when they rolled their eyes playfully. “Not like that.” They scolded, though they weren't truly upset. Alex chuckled and nodded, rub his his face. They put some gloves on and some of the Icyhot. Their hands were delicate as they carefully applied pressure to the muscle of his amputated limb. He winced and sighed in repeat as it both soothed and ached. All the while, they gentle cooed and comforted him through the pain. By the time the frigid compress was wrapped around his leg, he was exhausted. Alex went to stand, hobble his way back to his room, only for a hand on his chest to stop him. He looked up at them, being met with a gentle smile and a light push. He listened and laid back, though confused. “I think you should rest for a bit.” They explained softly, patting his chest. “And…you’d rather me do it here than my room?” He asked with a teasing grin, watching them laugh under their breath. “Come on, casanova. Give a lonely medic some company, would you?” They asked. Their tone made his chest tighten and his cheeks hurt from smiling. “Sure thing, doc.”
Alex sighed after taking a large gulp of beer from a pint glass, looking around the bar he'd popped into. Usually, bar outings were for celebration after a mission, this time though, he came alone. He wasn't there to mope or feel bad about himself, he just didn't want the loud commotion of his entire team. He was an extrovert, yes, but sometimes the company he wanted was more quiet, less straining. He looked at the foam residue in his glass, zoning out to whatever music was playing over the speakers. Some new-age country song if he had to guess. "Well, hello stranger." A voice near him made him flinch and raise his head, feeling butterflies erupt at the sight of his favorite medic. He grinned and turned to them a bit. "Plaster, hey, what're you doing here?" He asked. They waved their hand and came to sit beside him in the booth, not really minding the close proximity. "None of that callsign nonsense, Keller. You know my name, you can use it off base." They replied, setting a tequila sunrise on the table. The man hummed, the warmness in his cheeks now not only the alcohol. "Well, Y/N, what brings you here?" He asked. "A drink and the curiosity of American bars. The stories were right, it is filthy here." They commented, making him laugh and nod. "Well, so is all of America really." He hummed. They rose an eyebrow at that, though the held their question as he took another swig of beer, only taking a quick second to glance at the way his Adam's apple moved. "Coming from a man with an American flag on his arm, I hear you give your country quite a lot of shit." The medic rested their chin in their hand, eyeing him curiously as he glanced at his tattoo. "It's burning for a reason. I love my country but...I also don't. I...I love the idea of America, what it was supposed to be. What it is? Not so much." He admitted slowly. Y/N frowned as they watched his face fall. They could take a million guesses on what made him feel that way, he'd probably answer with an 'all of the above'. Instead, they reached over and patted his leg with a kind smile. "Well, there are plenty of places I can think of that would take an American, if you're able to handle the jokes on your accent." They said softly. Alex's throat tightened at the kind hand resting over his jean-clad thigh. It wasn't sexual by any means, but it still made his skin grow goosebumps. "Yeah? Would you be willing to take in this one legged stray?" He asked with a teasing tone. Y/N chuckled, but they nodded as well. "I'm sure I could take care of you real well." They whispered softly, barely audible over the commotion of bar life. Alex swallowed and suddenly the pressure on his leg became a little more dangerous. But the last thing he wanted as to pull away. Instead, he let out a breathy laugh, one a bit shaky. "Don't make a promise you can't keep, doc. I'm always getting into trouble." He replied. They tilted their head, an innocent motion with a layer of mischief. "I'll get you out of it." They replied. He knew they'd both go back to the base that night, that nothing would happen, given the sensibility of not making rash decisions with alcohol present. But, despite not even being buzzed, he already had his plan to play up a hang over, just so he'd have an excuse in the morning. Knowing full well they'd see right through him.
Alex was a hardened soldier. He'd been shot, stabbed, nearly blown up, inhaled toxic chemicals, and he'd had his leg blown off. Withstanding it all and still alive, still breathing and, at least somewhat, functioning. But there were days when the air filling his lungs felt monotonous and the lack of sound felt like death. Usually on nights where he was on leave. The first night was always the same, with him so exhausted he'd pass out and wouldn't have the ability to overthink. The longer he was alone, the worse it got, until his mind started to shot off thoughts he didn't really want to indulge. Counting the times he'd cheated death, the amount of lives he might've saved with better hindsight, whether or not there was another side, would it be as quiet as his home? He had friends, people he knew cared for him, but none of those dynamics felt right for voicing this part of himself. The deeper, more frightening bits. Or, well, he didn't have that before. In a moment of weakness, as he felt the weight of his life and its debatable worth rest too potently on his ribs, he grabbed his phone and hit a contact, a colleague. His work always spilled into his life, he didn't see why it had to stop with them. Guilt ate at him when they answered, hearing their tired tone reminding him of how late it was. But they didn't complain, they didn't scold or scoff. Their voice remained sweet, so worried for him, so caring. It aided all the more in having him cave, having him ask for a lifeline. It was raining cats & dogs and yet they only took twenty minutes to be at his door. He was still in his sleepwear, a pair of basketball shorts and a grey tank-top he'd had for a near decade. His leg was off, using his crutch, albeit begrudgingly. No words were shared as he watched them remove their shoes, water dripping off their coat as they hung it on the rack. This would've been the first time they'd actually be in his home, but he wasn't particularly concerned with their opinion of his awful décor choices. Y/N turned and looked at him with worry in their gaze. Again, silently, they took the hand that wasn't supported on the crutch and carefully pulled him to the couch. "Bad night?" They finally spoke, sitting down beside him. Alex nodded and rubbed his eyes. "Sorry, I dunno why I called-" They cut him off with a hand on his shoulder. He turned to them with exhaustion in his face. Y/N sighed sadly, raising their hand to hold his face gently in their palm. He melted into it immediately. There was something supernaturally soothing of human warmth, something real, something alive. "You trust me, starboy?" They asked quietly, thunder rumbling in the sky as he nodded. He mourned the loss of their hand as they situated a throw pillow on the end of the couch, moving to lay down with their back slightly elevated by the arm of the furniture. He watched them look back at him, then, with open arms, they beckoned him. It was a step too intimate for coworkers, bordering past friends, and he didn't care. He practically tossed his mobility aid away and slid over. Their chest became his pillow as he slotted between them and the back of the couch, feeling them grab the folded blanket he always left out, draping it over him. He let out a shaky sigh when their nails met his scalp. "Easy, casanova. Let me take care of you." They whispered. Alex let out a huff-like laugh. "You got it, doc..."
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fever pitch (b.b.) - part one
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soundtrack: bewitched - laufeypairing: footballer!bradley x popstar!readersynopsis: you and Bradley find a secret garden and get acquainted... or maybe you already have?warnings: language, tension, fluff, angst but hypothetical?? idk, bradley is a dreamboat but what else is newnotes: the saga continues! i had a whole outline planned out, but then as i wrote it, it turned into a beast of its own and honestly, im just an employee here 🤷‍♀️ happy reading, and please let me know what you think in the comments, reblogs, and asks! i would love love loveeee to hear it from you &lt;3
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“Are we even allowed in here?” 
You and Bradley turn a corner from the club area into a narrow hallway. There’s a door that leads outside, thanks to the little glass pane, you can see a little terrace situation outside. Bradley tries the doorknob… and it opens.
“I mean, there’s no sign that says we can’t…” Bradley shrugs, offering his hand to guide you in.
Like Alice in Wonderland, you step into a formal English garden in the heart of this complex of townhouses-turned-clubhouse. In the middle of the bricks and noises of the city, there are beds of roses and manicured hedges and ravines over a stone arch. It’s small, but very intentional even with the mosses growing on the edges of the fountain in the middle. A Dionysus statue sits atop the fountain, as if pouring wine instead of water. A nice touch to celebrate festivities.
“Wow. This is straight out of the old movies we talked about.” You marvel at your surroundings. “Like… The Sound of Music or something.”
He chuckles. “Yeah, exactly.”
Bradley starts humming My Favorite Things as you stroll your separate ways around the garden, marveling at the evergreen shrubs and colorful perennials. You eventually meet each other again right in front of the Dionysus statue. It feels like a sign from the universe for him, so he asks,
“May I have this dance?"
He can't be real, can he? "Like a 'dance' dance?"
"Absolutely." He says it with such conviction that it's easy to forget that the deafening, thumping electronic music from the club is completely shut out from your little pocket of a park. And the only semblance of music you can hear is the rustling of leaves, the trickling of water, and the fluttering memories of Bradley's velvety tone.
So you take his hand. He pulls you in and leads you into a slow dance. You were expecting to just sway, this is surreal enough as it is, but as you dance around the fountain, you slowly notice… the slow and simple rhythm, the unmistakable one-two-three, one-two-three count… This is a waltz step.
“You are full of surprises, aren’t you?”
“I try my best.” In a swift movement, he twirls you away and reels you back in with a spin. He just prays to God or whoever is listening that you can’t actually feel his racing heart as he holds your back flush against his chest.
(You can’t. You’re too busy calming your own.)
“So… you and your friends celebrating the success at Wembley?”
His voice tickles the back of your neck, and this sudden closeness is too much for you to bear. You strategically turn around so you’re facing him again. “Oh, no. This is just my night off. I still have… three shows left here.”
“So how long will you be in town for?”
“Another week.”
“And after that…?”
“Paris.”
“Right…” he nods. “And home is in… Los Angeles?”
The question catches you off-guard for some reason. You know he’s probably just asking where you live, but something about the way he asks it makes it sound like he’s asking about… ‘home’ home. “Technically, yes.”
He makes a face. That’s a strange answer… “What do you mean, technically? I’m sure you must have at least one home base somewhere, right?”
“I do, yeah.” You smile sheepishly.  “LA is my home base. But… it’s not like I have any emotional attachment to the city or anything.”
“Where’s that, then, if not LA?”
You give it a good thought… but you got nothing. “I don’t know. Ask me tomorrow.” Maybe it’s the romance of the setting—although his warm hazel eyes play a crucial role too— it makes you feel more inclined to be more honest than you usually do.
Bradley smiles. He’s so fascinated by you, but at the same time, he has an inkling that he might need to solve a few puzzles himself before you let him in. And he would gladly take his time to get there.
At the same time, slow-dancing to a hummed classic with this man away from a modern-day nightclub… It makes you wonder what kind of person he is. “And you? You’re an American in London. Where’s home for you?”
“Well, I think Virginia will always be home, but this place has really grown on me. I’ve been here for most of my adult life, and this city, the team, the people… I can’t imagine living anywhere else.”
“Virginia, huh?” you smirk—imagining him growing up near the water, a sunkissed teenage boy shooting the shit with his friends.
“Yes, ma’am. Born and raised.”
It’s only at this moment that Bradley is so much like this garden. Seemingly out of place, frozen in time while the world moves all too fast around it. But at the same time, perfectly placed, a calm in the eye of the storm. Just for this little pocket of a park.
Just for you.
“Are you normally this… Southern gentlemanly? With the suit and the sweet disposition and the waltz…”
“Honestly? Not really.” He admits bashfully. “But, I don’t know. I feel like I’m in another era with you right now.”
“Oh?”
Bradley doesn’t elaborate right away. Instead, he asks you, "Do you believe in past lives?"
Your face lights up, and he knows he just asked the right question. "I don’t know. Do you?”
"A little…" he nods, thoughtful. "Maybe not in a religious sense where you die, you get judged, and then come back as a... worm or whatever. But.. I kinda like the idea that... no one is ever really a stranger, you know? That our paths have crossed at some point."
"And you're saying we've met before?"
"Oh, yeah." Again with the conviction, this motherfucker. 
“Really?” You step away from him, entering a more cerebral dance than the one that you just swayed into. Your fingers barely touch the surface of the water on the fountain, and ripples it over as you walk by. "Where do you suppose we have met before?" 
He looks up at the sky, moving clouds and all, pondering his answer. "I was thinking the 40’s and 50's—you know, the Golden Age. But I think it's a little earlier than that, don't you think?" 
"Like... the Roaring Twenties?"
“Yes!”
His enthusiasm amuses and fascinates you endlessly, and you never needed much to fuel your active imagination anyway. "I like that. I can see you as... a former pilot who fought in World War I. And then went on to become a poet. Or a pianist."
"I think I'm better off as a pianist.” He’s not very good with words—he’s much better plunking the ivories to get the party going.
"Fair, fair. A jazz… pianist, maybe?"
"Ooh, interesting." Bradley smiles, picturing it in his head. "And what would you be?”
"I don't know. You tell me." You lean back against the stone arch, looking at him expectantly. His answer will determine how he sees you and thus, how you feel about him. And you want him desperately to have a good answer.
"I wanna say... the starlet, or the mysterious singer—" 
"Oh, come on. Even in my past life, I'm still a singer? Can't I be something else?” You groan in protest.
He chuckles, settling right across from you. "Okay, okay..." he looks at you deeply, pensively for a moment. "You're one of those socialites, who drank martinis and danced the Charleston until morning."
"Makes sense. I do love martini... and the Charleston." 
"Right? You'd be one of those girls who rebelled against daddy dearest and partied all night, maybe broke a few hearts along the way."
"Including yours?"
“I don't know. You tell me."
Now it's your turn to pause and take a good look at him. You try to picture it; how boisterous and bright he must be, getting the party going by playing ragtime or samba. And you try to picture toying with his feelings; those irresistible hazel eyes watching you longingly across the room as you give some random man time of day for no other reason but to spark his jealousy... 
"Nah. I think yours is the only one I didn't break. Not on purpose, at least,” you conclude definitively. The thought of leaning over the piano, sipping on cocktails while he croons out some love ditty—or sitting on his lap while he teaches you a Christmas tune at a holiday party seems way more appealing.
"What do you mean?”
"Well, you said so yourself about daddy dearest. He wanted me to marry one of his business associates, an heir to a shipping company or something.” You cheekily stroll past him, down the little path towards the fountain again.
Bradley smiles knowingly, just a step behind you. "Ah. And I'm just a lowly little pianist. What chance did we have, huh?"
You halt your steps and turn around to face him, a mischievous smirk on your face. "Would you have fought for me?"
To your surprise, he meets your gaze with a soft, unwavering look. "Without a doubt. I would have stood up to your father and told him that we were meant to be together, come hell or high water."
The phrase echoes in your head. Come hell or high water. It’s so loud, it sends you reeling and you had to sit down on the edge of the fountain. Suddenly the image of a screaming match flashes so clearly in your mind. Bradley's hand gripping years for dear life. The shallow sobs under the suffocating constrict of your dress. The tears blurring the sight of him leaving…
“But it didn't work, did it…”
He doesn't hear a question in your words —it sounds like a statement. And Bradley, ever the hopeless romantic, wants to say no. Of course it worked out, it had to. Maybe you ran away with him and lived a life of simple means. But it wouldn't have mattered, because it would've been full of music and dancing and love.
But the heartbreak in your eyes is so palpable, so...real. For a moment, it felt like the two of you actually lived it. You were just retracing the forgotten steps now. 
"No.” He shakes his head softly, sitting next to you. "We tried. We fought, but... we lost.” 
You know that, but it hurts to hear it anyway. Still, you can't help but continue the story. "I think I ended up marrying the businessman, do the right thing for my family. And let you go... play your music in Paris or something. Chase your dreams."
The life he imagined. Of simple means and abundant music... just no you. "I would have written so many songs about you..." he chuckles wistfully. As painful as it would've been to keep picking at old wounds, at least he would still have you in his life.
"I think I would've found your record eventually,” You pipe up, partly in self-consolation. Sure, it might be a stretch, but you're way beyond caring. You needed a piece of him, too. "And I would put it on every time I missed you. Which was every night."
The night is so still, even the leaves seem to give you a moment of privacy. Your little fingers barely touch on the edge of the bench as you sit and grieve for a tragic love story that never happened. 
Eventually, though, you take a deep breath and break the silence. "Fuck. I could write a whole album based on that."
Bradley laughs at your sudden interruption, glad that you snapped him out of his reverie and brought him back to reality. "Yeah? I would be happy to help you brainstorm." 
You throw him a look. It feels weird to return to this point of acquaintance after feeling like you’ve gone through lifetimes with him. But you’re glad to start anew in this life. "Is that your roundabout way of saying you wanna keep seeing me?"
"Maybe. Is it working?"
"I don't know. I don’t do maybe’s. You should ask me for real.”
Holy fuck. He closes his eyes for a moment as his heart skips. You always seem to keep him on his toes, do you? "Alright. Can I see you again? Maybe take you out to dinner?" 
"I would like that. Does tomorrow night work for you?" 
"Perfect." he beams at you. Fuck playing it cool, he just won himself a date with you.
"We should swap numbers so we can figure out the details.” You reach into your purse to grab your phone. And then, something dawns on you, making you smirk devilishly at him, "You wanna put your number in, or would you rather give me that friendship bracelet I heard you made for me?"
Bradley stops dead in his tracks. Of course that public declaration was gonna bite him in the ass. He was doing so well, dancing and talking and making an actual connection with you...gosh, he must've looked stupid right now. "You knew about that?" He grimaces.
"Of course. I have eyes and ears everywhere, " you sling coyly, letting him punch his numbers into your phone with great embarrassment. "That, and Natasha might have sent me a post on Instagram.” 
He sighs in defeat as he hands your phone back. "Goddamn it, Natasha…"
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i4bellingham · 1 year
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LOVESTRUCK : jude bellingham x fem!reader
synopsis: in which you and jude reveal your relationship for the very first time during one of his games. // not proofread + english is not my first language so please bare with me :> WORLD CUP ENDS TONIGHT AAAAAAAAAAAAAAAAAAAH
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As the whistle blew for the last time indicating England’s win, the crowd of white and blue erupted in jolly cheers filling the entire stadium with their merriment celebration for their team’s gratifying win.
The guys huddled close in the field, hugging and celebrating with wide smiles some with teary-eyed gaze that glistened amidst the stadium lights before they thanked the fans for their support.
Proudly wearing the England NT jersey with Jude’s number and last name, you couldn't be any more proud to see his growth and success reach new heights as you cheered and clapped at the seating area.
There had always been worries coming from his side, certain insecurities that often clouded him in a glum haze before you're there easing his worries down and making him remember the level of football he's managed to be at in such a young ageㅡ with a successful career at that. He's always got something in mind, nitpicking certain things that he could've done better at every game until he's drowning and overthinking his entire career, as if he's not a starter and a star player of the England National Team in the World Cup, in addition to his success as Dortmund’s most recognizable rising star players.
It was so easy for him to lose himself in his thoughts, but it was just as easy for you to pull him out of his drowning self-doubts so to see him shine, all smiley and happy in the pitch with his teammates after an excellent game and a good win, it brings a proud warmth to your chest. Standing next to you were his parents who stared at their son just as proud.
You watch for a few more moments as the boys celebrated before they're approaching the bleachers where the team’s family are seated.
You catch Jude’s eye before he's even walking in your general direction. He blows you a kiss, mouthing ‘I love you’ before he turns to his parents to do the same.
After that they were ushered to do cool-downs before being escorted back to the locker rooms, some of the NT’s staff being held back for interviews as the boys filed to enter the tunnel with their loud chatter.
          ㅡ ♡ ㅡ
“Ah! There’s our boy!” Jude hugs his father first before he does the same to his Mum. He's already got changed into a fresh England Strike Drill top with shorts and his sock-clad feet in slippers, freely wrapping each of his parents in a hug without needing to worry about his sweat or the grime and dirt that usually clung on his jersey shirt.
His Mum pats his chest, beaming a proud smile before planting a kiss on each of his cheeks, telling him how proud they are of everything he's achieved.
You simply sat by their side, watching with a content smile on your face before his Mum turns around and makes way for Jude to reach you. You see her shoot you a cheeky wink before she's ushering her husband to sit a little bit further than where they were previously seated.
You stand up to meet Jude, expecting just a simple hug as a form of greeting because after all, you haven't really revealed the status of your guys’ relationship. Everyone knew you as ‘Jude’s best friend’ but not yet as ‘Jude Bellingham’s girlfriend’. And with the number of camera snapping photos almost every second in the stands, you couldn't help the gasp that leaves your lips when you're being pulled by your lovely boyfriend as he gives you a kiss on the lips.
With wide eyes, you tap his arm in panic.
“Cameras!” You tell him. He pays them no mind before he's dragging you to sit down and almost having your entire left leg over his lap, an arm thrown over your shoulder before he gives your cheeks a kiss each.
“Jus ignore ’em love, been buggin’ me for so long I forgot they even exist sometimes.” You knew Jude didn't even care for them, much less for probably giving them something to post and write about the exclusivity of your relationship with him. Instead, Jude leans his head on your shoulders, adjusting his arm to loosely hang on your waist. “’m so happy you're here.”
And with that, he's successfully able to deter your attention from having your relationship outed to the public with such a simple statement.
You flick his other hand that was on your lap before he latches onto it, holding it against in between your’s and his thigh.
“Of course I’d be here... you’d given me the tickets haven't ya?”
Jude scoffs at your jab, pinching your side that almost made you squeal.
“Now don’t be a smartass,” he tells you, voice donning a tired edge yet he still entertains your remark. “Who else was I s’posed to give ’em anyways... my brother can't come here with us.”
Hearing the mention of his younger brother, you perk up. “Speaking of Jobe, I got him some things while I was out yesterday... I know he doesn't need the boot but I got him another pair in his favorite colors.”
“You got my brother somethin’ but nothin’ for me?” Jude asks, feigning a shockㅡ an overdramatized one that he uses ever time he’s being a tease and playful. “Are ya playin’ favorites now?”
“If I had to pick a favorite between the two Bellingham brothers then I’d chose Jobe. A right choice isn’t it? He did get me my favorite ice cream flavor right that one time...”
“Babe it was one time!”
You gasp, “Jude Victor William Bellingham we’ve been dating for a year and a half during that time! Was only right for you to know my favorite ice cream flavor, no?”
Jude sighs dramatically, nuzzling his face on the crook of your neck. “To be fair you do tend to pick random flavors based on your mood, that’s my only defense for this case.”
“... alright then, fair enough.”
He raises a fist, weakly uttering a ‘yes’ before he's back to leaning against you, head nearly against your chest.
“Tired?” Jude nods his head silently. You guide him to lay over the remaining unoccupied seats, seeing that his parents were nowhere in their spot that they had previous scooted into.
You let your boyfriend lay his head over your lap before you're reaching over for your coat inside your bag. You drape it around his dozing frame, pulling the edge around his ankles where his socks doesn't reach and running your free hand through his curls, the other being cuddled against his chest as he slept.
Jude places a kiss on your knuckles, muttering the same three words against your skin that he mouthed not even an hour long ago, completely disregarding the eyes and cameras that had long fixated their attention and lenses on the both of you.
Unsurprisingly, the both of you reached multiple media outlets the next day. Articles after articles, photos after photos and a ton of both short and long video clips taken by some fans bombarded the internet enough to get the thought across.
Jude Bellingham was off the market and was very much evidently in love with you.
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a/n: my tumblr glitched three times i thought i lost this entire piece thank fuck for the restore button 😭
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ladyluscinia · 6 months
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Ok, I think I might be exiting the "are you fucking kidding me?" period and ready to make a real argument, so lets talk about Three Act Structure!
Is OFMD S2 just the "Darkest Hour"?
A very common explanation I've been seeing for some of the... controversial... aspects of S2 is that it's meant to be that way. That the middle act is where the protagonists hit their lowest point. Where we get the big failure point. Where everything looks kind of shit.
S2 is supposedly just that point. It's The Empire Strikes Back. People have been making that comparison since before the first episodes even dropped, telling everyone to expect something that could be disappointing or unsatisfying - it's just a matter of needing to wait for S3 to pull it all together.
It's not a baseless framework to consider the show through - I'm pretty sure David Jenkins has mentioned it in interviews (or at least mentioned he planned for three acts / seasons) so it's certainly worth asking how he's doing at the 2/3rd mark.
So - quick summary of Three Act Structure:
Act 1 introduces our characters and world. It includes the inciting incident of the story and the first plot point, where a) the protagonist loses the ability to return to their normal life, and b) the story raises whatever dramatic question will drive the entire plot. Act 2 is rising action and usually most of the story. The protagonist tries to fix things and fucks them up worse, in the process learning new skills and character developing to overcome their flaws. Act 3 is the protagonist taking one more shot, but this time they are ready. We get the climax of the story, the dramatic question gets an answer, and then the story closes.
If you want examples, the Star Wars Original Trilogy is a very popular template. And, hell, he said it was a pirate story... the main Pirates of the Caribbean trilogy also does a solid job with their three acts.
Let's compare. (Spoiler: I'm not impressed 🤨)
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First thing I need to establish... Wait. Two things. First is that Three Act Structure is flexible, so we can't really analyze success or failure by pulling up a list of necessary plot beats that should have been hit in X order. Second is that if you tell me you are writing a romance with a Three Act Structure - where "the relationship is the story" - the first thing I'm going to do is ask you how you are adapting it. Because while there's not necessarily anything preventing you from applying this to a character driven plot, most people are familiar with it as plot structure for externally driven conflict.
Unless there's a reason the status of the main relationship is intrinsically tied up in the current status of the war against the evil empire, a standard Three Act Structure is going to entail either an antagonistic force that absolutely wants your main couple apart being the main relationship obstacle OR the romance aspect being a subplot to the protagonist's narrative adventure. None of those sound like how the show has been described.
So how is OFMD adapting it?
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Act 1
(Can't figure out how well Act 2 is doing if we don't start at setup.)
Right out the gate, OFMD breaks one of the main "rules" for a story where the Acts are delivered in three parts. Namely the one where the first Act is treated as an acceptable standalone story, with it's own satisfying yet open ended conclusion.
In Star Wars, A New Hope ends with the princess rescued, Luke finding the Force, Han finding his loyalty, and the Death Star destroyed. The Empire isn't defeated, the antagonists still live... the story is not over, but this one movie doesn't feel unfinished.
Similarly, Curse of the Black Pearl gives Jack his ship back, Elizabeth and Will get together, and Norrington has the English Navy let them all off the hook and give Jack and the pirates one day's head start.
OFMD's final beat of S1 being Kraken Arc starting is not that, even if Stede returning to sea is still a pretty hopeful note. Now... I don't necessarily think this was a bad call. At least, not if the story is the relationship. It's easy to close on a happy ending and then fuck it up next movie if the conflict is external and coming for them. Not so much if you're driving the story with your protagonists' flaws, in part because it should be really obvious at the end of setup that your main characters need development and can't run off together right now. I actually like that they were risk-takers and let S1 look at the situation clearly vs doing a fragile happy end, because it takes into account the difference between a character-driven and plot-driven narrative.
I think OFMD's Act 1 actually ends at maybe the Act of Grace? Well, there through the kiss on the beach, counting as our "first plot point" before everything goes wrong, basically.
At that point, they have setup the story and characters. We've been introduced to Edward and Stede's current issues. Signing the Act of Grace does make the intertwined arcs between them real - it's no longer a situation that either one of them could just walk away from like it was in 1x07 - and we narrow in on the (alleged) driving question of the show:
It's not about "Will Stede become a great pirate?" or "Will we develop a better kind of piracy for the crew?" - the show is the relationship and the big question is "What is Stede and Edward's happy ending?"
Act 1 ends on their first solution, being together and making each other happy and admitting it's more than just friendship. Act 2 starts, appropriately, by saying both of them are currently too flawed for that to go anywhere but crashing and burning.
Now... looking back, what does Act 1 do well vs poorly?
I think it's really strong on giving us the foundation for BlackBonnet's characters and flaws. We aren't surprised Stede goes home or Edward goes Kraken (or at least... we weren't supposed to be surprised. There are still a lot of holdouts blaming Izzy for interrupting Edward's "healing" despite how at this point in the story it doesn't make sense for Edward to have the skills to heal... but I digress). The relationship question is compelling at the end of S1, the cliffhanger hooks, and the fandom explosion of fics did not come from nowhere - the audience was invested.
I also think Act 1 does a great job of settling us in the universe. We understand the rules it abides by, from how gay pirates are just a fact of life to how there's no important organs on the left side of the body. Stede has a muppety force field. Rowboats have homing devices, and port is always as close as you want it to be. Scurvy is a joke. The overblown violence of pirate life is mostly a joke, but we are going to take the violence of childhood trauma seriously.
Lucius's fake-out death, while technically part of Act 2, works well because Act 1 did a good job of priming everyone to go "obviously this show wouldn't kill a crew member for shock value, and we're 100% supposed to suspend disbelief about how he could have survived getting flung into the sea in the middle of the night." And we do. And we get rewarded for it.
Regarding antagonists - a big focus of any setup - the show is deliberately weak. The one with the most screentime is Izzy, and he's purposefully ineffective at separating our main couple. Every antagonist is keyed to a particular character, and they function mostly to inform us of that character's flaws and development requirements. The Badmintons tell us about Stede's repression and feelings of inadequacy, and Izzy tells us about Edward's directionless discontent and tendency to avoid his problems. Effectively - the show is taking the stance this will be a character driven narrative where Stede and Edward's flaws are the source of problems and development the solution. No person or empire (or social homophobia) is separating them...
...which leads me to something not present - there nothing really about the struggle of piracy against the Empire. Looking at Curse of the Black Pearl... we see piracy is in danger. The Black Pearl itself is described as the last great pirate threat the British Navy needs to conquer. Hangings are omnipresent - Jack is sentenced to die by one almost as soon as he's introduced to the story, when his only act so far had been to wander around and save Elizabeth from drowning. OFMD tries to invoke this kind of struggle in 2x08, but there's no foundation. Our Navy antagonists are Stede's childhood bullies, and so focused on Stede the crew isn't even in danger when they get caught. The Republic of Pirates is getting jokes about being gentrified, not besieged.
Even the capture of Blackbeard by the Navy is treated as a feather in Wellington's cap but not a huge symbolic blow against piracy... because we just do not have that grand struggle woven into Act 1. You only know the "Golden Age of Piracy" is ending if you google it, or have watched a bunch of pirate shows.
Overall, a solid Act 1, well adapted to the kind of story they've said they were looking to tell - a romance in the (silly-fied) age of piracy, instead of a pirate adventure with a romantic subplot.
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Now, Sidebar - Where is the story going?
The thing about the dramatic question - in OFMD's case: "What is Stede and Edward's happy ending?" - is that a) there's normally more than one question bundled up in that one + sideplots, and b) while you aren't supposed to have the answer yet, you can usually guess what needs to happen to give you the answer.
Back to our examples... Luke's driving question is "Will the Empire be defeated?" Simple. Straightforward. Also: "Will Luke become a Jedi?" The eventual climax of our story from there is pretty obvious... the story is over when Luke wins the war for the Rebellion in a Jedi way. That's the goal that they are working toward.
Pirates of the Caribbean is a bit more complicated. We're juggling more characters and have a less defined heroic journey, but there are driving questions like "Is Jack Sparrow a good man?" and "Is Will Turner a pirate / what does that mean?" and even "Will the British Navy defeat piracy?" They get basic answers in Curse of the Black Pearl, and far more defined ones in At World's End. Still, this is another plot-driven narrative. They've laid the foundations for the Pirates vs Empire struggle, and when that final battle turns into the trilogy climax then you know what's happening.
OFMD is not doing a plot-driven narrative. To judge how they are doing at their goals, we have to ask what they think a happy ending entails in a character sense.
Clearly it's not the classic romantic sideplot, where the climax is the first kiss / acknowledgement of feelings. They've teased a wedding in Word of God comments a lot, so that's probably our better endpoint. Specifically, though, a wedding where both of our protagonists aren't ready to flee from the altar (big ask) and where they've both grown enough that their flaws / mutual tendencies to run away from life problems won't tank the relationship.
In Stede's case it's still massive feelings of inadequacy and being too repressed to talk about his problems. Also he ran away from his family to chase a lifelong dream of being a pirate - "Is Stede going to find fulfillment in being a pirate captain, or will the real answer be love?" Edward meanwhile expresses a desire to quit piracy and retire Blackbeard, but we also find out he's struggling with massive self-loathing and guilt from killing his father - "Is retiring what Edward wants to do, or is he just running away?"
If they are going to get to a satisfying wedding beat at the climax of their story, what character beats do we need to hit in advance?
Off the top of my head - both characters need to self-realize their flaws (a pretty necessary demand of anyone who runs away from problems). They are set up to balance each other well, but also to miscommunicate easily. They have to tell each other about or verbally acknowledge that self-realization so it can be resolved. Stede has to decide how much being a pirate means to him. Edward has to decide if he's retiring and what he wants to do. They both need to show something to do with getting past their childhood traumas given all the flashbacks. Through all this, they also need to hit the normal romance beats that convince the audience they are romantically attracted to each other and like... want to get married.
Oh, and this is more of a genre-specific sideplot, but once they demonstrate a behavior that hurts the people who work for them, they need to then demonstrate later how it won't happen again. Proof of growth, which is kind of important in a comedy where a lot of the humor is based in them being massively self-centered assholes. Stede doesn't earn his acceptance in the community until he kicks Calico Jack off the ship, making up for causing the situation with Nigel in the first episode. A workplace comedy can get a lot of material from the boss as the worker's antagonist, but if you want the bosses to stay sympathetic you have got to throw them some opportunities to earn it.
All that sounds like a lot, but like - the relationship is the story, right? If we spend so much time on establishing flaws big enough to drive a story, we also have to spend time on fixing them. Which is where the turning point hits.
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Act 2: How it Starts
This is where the full story reality-checks your protagonist. Glad you saved your boyfriend and embraced new love in Act 1, but his repressed guilt means he's about to completely ghost you, and your own abandonment issues and self-loathing are about to make his dick move into everyone else's problem.
Again, it's a non-conventional choice OFMD has this start at the very end of S1 rather than with a sudden dark turn in the S2 premiere, but it's still pretty clearly that point in the Three Act Structure.
In Star Wars, The Empire Strikes Back opens with a timeskip to our Rebellion getting absolutely crushed and hiding on a miserable frozen planet. The Empire finds them as the plot is kicking off and they have to desperately flee. They get separated. Han and Leia try to go to an ally for help and end up in Vader's clutches. It's a sharp turn from the victorious note that A New Hope ended on.
Pirates of the Caribbean's Act 2 starts dark. Dead Man's Chest opens with our happy couple Will and Elizabeth getting arrested on their wedding day for the "happy end" escape of the last movie. Jack has not been having success since reclaiming his ship, and we'll soon find out he's being hunted by dark forces. As for the general state of piracy, we get a horrifying prison where pirates are being eaten alive by crows, and a new Lord Beckett making the dying state of piracy even more textual. "Jack Sparrow is a dying breed... The world is shrinking."
The key here is making a point that our heroes aren't ready. This is the struggles part - things they try? Fail. The odds do not look to be in their favor.
Now, OFMD apparently decided to go all-in on flaw exploration, especially with Edward. The first 3 episodes of S2 are brutally efficient in outlining Edward's backslide. In S1 you could see he had issues with guilt and feeling like a bad person. S2 devolves that into a destructive, suicidal spiral where Edward forces his crew into three months of consecutive raids, repeats his shocking act of cruelty with Izzy's toe offscreen (more than once!), escalates it with his leg, and finally they state directly that Edward hates himself for killing his dad so much that he fears he's fundamentally unlovable and better off dead.
Stede's struggles are subtler, but most definitely still there. He's deliberately turning a blind eye to tales of Edward's rampage, half from simply being too self-centered to care about the harms Edward causes others, and half from being unable to face or fathom that he had the ability to hurt Edward that much. Upon reunion he wants to put the whole thing behind them, not addressing why he left in the first place. Very "love magically fixes everything" of him, except Stede is no golden merman.
Interestingly, here, BlackBonnet's relationship dysfunction has very clearly been having a negative impact on the surrounding characters we care about. Make sense, since it's the driving force of the story, but that also adds a lot more relationships we need to make right. Like... Edward is the villain to his crew. The show focuses on their trauma and poisoned relationships with him. And then draws our attention even more to Stede taking his side to overrule their objections to him.
For a story where the conflict and required resolutions are primarily character based, and the setup had already given the main couple a good amount to work with, dedicating a lot of S2 to adding more ground to cover was... a choice. Potentially very compelling on the character end, certainly challenging on the writing end... but not a complete break with the structure.
Bold, but not damning.
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Act 2: How it Ends
Now it is true that Act 2 tends to end on a loss. Luke is defeated by Vader and loses his hand, and Han has been sent away in carbonite. Jack Sparrow for all his efforts cannot escape his fate, and he and the Pearl are dragged to the locker.
But the loss is not the point. The loss is incidental to the point.
Act 2 is about struggles and failure, but it's also about lessons learned. There's a change that occurs, and our cast - defeated but not broken - enters the final act with the essential skills, motivation, knowledge, etc. that they lacked in the beginning.
Luke Skywalker could not have defeated the Empire in Return of the Jedi until he'd learned the truth about his father and resisted the Dark Side in The Empire Strikes Back. (Ok, confession, I'm using Star Wars as an example because literally everyone is doing so, but frankly it's a better example of formulaic Three Act Structure repeating within each movie because on a trilogy level - relevant to this comparison - it is a super basic hero's journey in a very recognized outfit and as such the Act 2 relevance is also... super basic "the hero tries to fight the antagonist too early" beat where he learns humility. Not really a lot going on. So, for the better example...)
Dead Man's Chest has a downer ending with the closing moment of the survivors regaining hope and a plan against an enemy now on the verge of total victory - a classic Act 2. But in that first loss against Davy Jones we get Will's personal motivation and oath to stab the heart, Jack finally overcoming not knowing what he wanted and returning to save them from the Kraken (being a good man), Elizabeth betraying Jack (being a pirate), Barbossa's return, and Norrington's choice to bargain for his prior life back. The mission to retrieve Jack from the World's End is the final movie's plot, but things are already on track to turn the tables back around as we enter the finale.
Now, relevant sidenote - one major difference between Three Act Structure within a single work vs across three parts is that Act 2 continues into Part 3, and only tips over into Act 3 about midway through. This is because obviously your final movie or season cannot just be the climax. That's why both movie examples start with a rescue mission. They have to still be missing something so they can get the plot of their third part accelerating while they go get whatever that something is.
But if you wait until the 3rd movie / season to get the development going at all - you're fucked.
Jack's decision in the climax of At World's End to make Elizabeth into the Pirate King goes back to the development we saw in the Pearl vs Kraken fight in Dead Man's Chest. So does Elizabeth's leadership arc. Will's whole arc about becoming Captain of the Dutchman gets built upon in the third movie, but it starts in the second. Not just as an idle thought - he's actively pursuing it. Already consciously weighing saving his father vs getting back to Elizabeth as soon as he makes the oath. Everyone is moving forward in Act 2. Their remaining development might stumble for drama, or they might be a bit reluctant, but I know that they know better than to let it stick, because they already faced their true crisis points.
I'm not sure we can say the same about OFMD.
S2 does a good job of adding problems, yeah, but there's not really any movement on fixing them. Our main couple stagnates in some ways, and regresses in others.
Stede opened Act 2 by running away in the middle of the night back to his wife without telling Edward anything. We know he did it because of feeling guilty and his core childhood trauma of his dad calling him a weak and inadequate failure. Now in S1 he actually speedruns a realization of his shitty behavior with Mary, but what about S2? Well...
He continues to not talk to Edward about... pretty much anything. My guy practiced love confessions galore but Edward only finds out about going back to his wife via Anne, and it gets brushed aside with a love confession. He seems to think Edward wants him to be a dashing pirate, or maybe he just thinks he should be a dashing pirate. Idk, it doesn't get examined. Regarding his captaincy, they give him an episode plot about Izzy teaching him to respect the crew's beliefs, but this is sideplot to a larger arc of him completely overruling their traumas and concerns (and shushing their objections) to keep his boyfriend on the ship so. That.
Stede kills a man for reasons related to his issues, shoves that down inside and has sex with Edward instead of acknowledging any bad feelings. At least this time Edward was there and knows it happened? Neither Chauncey's death nor his dad have been mentioned to anyone. He gets a day of piracy fame that goes to his head, gets dumped, and ends on a complete beat down by Zheng where he learns... idk. Being a boor is bad? He's still wildly callous to her in the finale, and spends the whole time seeking validation of his pirate skills. He reunites with Edward, kisses, and quotes Han Solo.
Where S1 ended on a great fuckery, his S2 naval uniform plan after they regroup is ill defined except to call it a suicide mission - and we don't get to see what it would have been because it devolves into a very straightforward fight and flee. And gets Izzy killed. Quick cut funeral (no acknowledgement of his S2 bonding with Izzy), quick cut to wedding (foreshadowing), quick cut to... innkeeper retirement? Unclear when or even if BlackBonnet discussed Stede's whole driving dream to be a pirate and live a life at sea, but I guess that got a big priority downgrade. Despite the fact he was literally looking to Zheng for pirate-based compliments in the post-funeral scene.
I guess he's borderline-delusionally dogged in his pursuit of love now - so unlikely to bolt again - but he's also got at least a decade of experience mentally checking out in a state of repression when he's unhappy. And he's stopped being as supportive and caring toward the crew in that dogged pursuit, while arguably demonstrating a loss in leadership skills, so, um, good thing someone else is in charge?
And if Stede is a mess, Edward's arc is so much worse.
As established, they devote the Kraken to making Edward worse. He literally wants to kill himself and destroy everyone around him in the process because Stede left, and this is fixed by... Stede coming back. That's it. The crew tries to murder him and then exiles him from the ship (and Izzy takes the lead on both, indicating exactly how isolated Edward has become), but it's resolved in half a day by Stede just forcing them to put up with his boyfriend again. Like they think he murdered Buttons and still have to move him back in???
The show consistently depicts Kraken Era as a transgression against the crew, but they also avoid showing Edward acting with genuine contrition. He admits he historically doesn't apologize for anything, and then mostly still doesn't. It's a joke that he's approaching probation as a performance (CEO apology), and then the only person he genuinely talks to is Fang - the one guy cool with him - and the only person who gets a basic "sorry" is Izzy - the guy he really needs to be talking to. Edward's primary trauma is guilt, but apparently he only feels it abstractly after all that? He's only concerned with fixing things with Stede, despite Stede being about the only person around who hurt him instead of the reverse.
Speaking of primary traumas, Edward hating himself doesn't really go anywhere after the beat of self-realization. Apparently Stede still loving him is enough of a bandaid to end the suicide chasing, but he doesn't like. Acknowledge that. Edward is maybe sorta trying to go slow so he doesn't hang all his self-worth on Stede again (you can speculate), but they a) absolutely fail to go slow, and b) he doesn't make any attempt to develop himself or another support structure. Just basically... "let's be friends a bit before hooking back up." And then we get the whiplash that is Blackbeard and/or retirement.
Kraken Era is Blackbeard but way worse, like no one who has known Blackbeard has ever seen him. In the Gravy Basket Edward claims he might like being an innkeeper, before destroying his own fantasy by having the spectre of Hornigold confront him over killing his dad. The BlackBonnet to Anne & Mary parallel says running away to China / retiring makes you want to kill each other - burn it all down and go back to piracy. Stede rightfully points out prior retirement plans were whims. Edward gets sick of the penance sack after a day and puts his leathers back on to go try "poison into positivity". But also claims to be an innkeeper (look - two whole mentions!) when trying not to send children to be pirates after teaching them important knife skills.
Killing Ned Low is a serious, bad thing that prompts ill-advised sex and then going hardcore into retirement mode - leathers overboard, talk about mermaid fantasy, get retirement blessings from Izzy, end up dumping Stede for a fishing job instead of talking about how he's enjoying piracy. The fishing job, however, is also a bad thing and a stupid decision because Edward is a lazy freeloader fantasizing about being a better person. We have an uncomfortable, extended scene of "Pop-Pop" weirdly echoing his abusive dad and then sending Edward to go do what he's good at - disassociate, brutally murder two guys, fish up the leathers, rise as the Kraken from the sea. He continues with comically efficient murder but also he's reading Stede's love letters and seeking to reunite with him so... wait, is this a good thing? Post makeout / mass slaughter he's trading compliments on his kills with Zheng so. Yeah. Looks like it. Murder is fine.
Wait, no, skip ahead and Izzy is dying and Edward suddenly cares a whole lot as Izzy makes his death scene about freeing Edward from Blackbeard. Now being a pirate was "encouraging the darkness" because Izzy - a guy who had little to no influence over Edward's behavior - just couldn't let Blackbeard go. Murder is bad again, and he is freed. Minus the little detail that the murder he explicitly hates himself over was not related to Blackbeard or piracy whatsoever, so presumably haunts "just Ed" still. Anyway he's retiring to run an inn with Stede now, as the "loving family" Izzy comforted him with in his dying moments sails away from the couple that can best be described as the antagonists of their S2 arc. Also Edward implicitly wants to get married. It's been 3 days since making out was "too fast". He's still wearing the leathers.
So most of the way through Act 2 and Edward's barely on speaking terms with anyone but Stede, who he has once again hung his entire life on really fast? Crushing guilt leads to self-hatred leads to mass murder and suicide, but only if he's upset so just avoid that. He's still regularly idealizing Stede as a non-fucked up golden mermaid person (that maybe he personally ruined a bit) because he barely knows the guy. His only progress on his future is "pirate" crossed out / rewritten / crossed out again a few times, "fisherman" crossed out, and "innkeeper ?"
Just.
Where is the forward movement?
It's not just that the inn will undoubtedly fall apart - it's that the inn will fall apart for the near-exact same reasons that China was going to at the beginning of Act 2, and I can't point to anything they've learned in the time since that will help them. I guess Stede realized he loved Edward enough to chase after him, but that was in S1! They should be further than this by now. You can't cram another crisis backslide, all the Act 2 development, and the full Act 3 climax into one season. Certainly not without it feeling like the characters magically fix themselves.
If they just fail and keep blindly stumbling into the same issues because they don't change their behavior, then Act 2 doesn't work. You're just repeating the turning point between Act 1 & Act 2 on a loop.
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Where Did They Fuck Up?
Actually... lets start on what they did right.
The one consistent aspect of S2 that I praised and still think was done well in a vacuum (despite being mostly left out of the finale) was the crew's union-building arc.
With only 8 episodes and more to do in them than S1, side characters were going to get pinched even if the main plot was absolutely flawless. That was unavoidable. With budget cuts / scheduling issues, we regularly have crew members simply vanish offscreen outside of one scene, meaning cohesive arcs for your faves was not likely. Not to say they couldn't have done better - my benefit of the doubt for the TealOranges breakup and Oluwande x Zheng dried up about when I realized he was literally just her Stede stand-in for the parallel - but something like Jim's revenge plot from S1 was realistically not on the table without, like, turning half the crew into seagulls to afford it.
The union building works around this constraint really well. They turn "the crew" into the side arc, and then weave Izzy's beats in so that they aren't just about Izzy. The breakup boat crew working together to comfort each other and protect him turns them into a unit, and Stede's crew taking it upon themselves to address the trauma vibes while the captains aren't in the way solidifies it across all our side characters. The crew goes to war with Stede's cursed coat and wins, they Calypso their boss to throw a party, and they capitalize on a chance to make bank with an efficiency Stede could only dream of.
We don't get specific arcs, but Frenchie, Jim, and Oluwande are defaulted to as leaders in just about every situation, and Roach is constantly shown sharing his inventions with different characters. Individuals can dip in and out without feeling like the sideplots stutter. Any sense of community in S2 is coming from this arc - even if there are cracks at the points where it joins to other storylines (Stede and Edward, Zheng, etc.)
So why does it work? Well, because it's a workplace comedy, and you can tell they are familiar with working on those. They know where the beats are. They know where to find the humor. They know how to build off of S1 because they made sure the bones were already there - an eclectic group of individuals that start as just coworkers, but bond over time in the face of their struggle against an inept boss who they grow to care for and support while maintaining an increasingly friendly antagonism because, you know, inept boss.
OFMD does its best work in S2 when it's being true to its original concept... and its worst work when it seemingly loses confidence in its own premise.
"The show is the relationship," right? It's a romance set in a workplace comedy. The setup of Act 1 was all about creating a character-driven narrative. So given that... where the hell are we getting the dying of piracy and a war against the English Navy?
That's not a character-driven romcom backdrop, it's an action-adventure plot from Pirates of the Caribbean or Black Sails. It's plot-driven, creating an antagonistic force that results in your characters' problems. Once the story is about the fight against the Empire, the dramatic question becomes the same as those adventure stories - "Will the British Navy defeat piracy, and will our protagonists come out the other side of the battle?"
Forget the wedding. The wedding is no longer the climax of the story, its back to the happy ending flash our romantic subplot gets after winning this fight.
Except, of course, trying to pivot your story to a contradictory dramatic question near the end of Act 2 can be nothing short of a disaster, because either you were writing the wrong story until now, or you've completely lost the plot of the real one. I shouldn't even be trying to figure out if they are doing this, because it should be so obvious that they wouldn't.
And yet.
What do the Zheng and Ricky plots add to the story if not this? Neither of these characters have anything emotionally to contribute to Stede and Edward - they truly are plot elements. It's a hard break from the S1 antagonist model, but it also takes up a lot of valuable screentime. This was considered important, but still Zheng's personality and motivation only gets explored so far as it's an Edward-Stede-Izzy parallel with Oluwande and Auntie, and they only need the parallel for Izzy's genre-jumping death scene. Which follows a thematically out-of-left-field speech about how piracy is about belonging to something good (workable) and how Ricky could never destroy their spirits (um...?). And then David Jenkins is pointing to it and saying things about "the symbolic death of piracy" and speculating S3 might be about the crew getting "payback"??? An idea floated by Zheng right before our temporary retirement, btw.
Fuck, the final episode of S2 didn't have time for our main couple to talk to each other because it was so busy dealing with the mass explosion of Zheng's fleet and Ricky's victory gloat. We get lethal violence associated with traumatic flashbacks until they need to cut down enemy mooks like it's nothing, at which point we get jokes with Zheng. The Republic of Pirates is destroyed outright, and it feels like they only did it because they got insecure about their "pirate story" not having the right kind of stakes. Don't even get me started on killing a major character because "Piracy’s a dangerous occupation, and some characters should die," as if suspending disbelief on this aspect makes the story somehow lesser, instead of just being a fairly standard genre convention in comedy. Nobody complains about Kermit the Frog having an improbably good survival record.
Did someone tell them that the heroes have to lose a battle near the end of Act 2, so they scrambled to give them one?
Just... compare the wholly plot-driven struggle in 2x08 to Stede and Edward's character-focused storylines in 1x10 and tell me how 2x08 is providing anything nearly as valuable to the story. Because I can't fucking find it.
At best they wasted a bunch of time on a poorly integrated adventure plot as, like, Zheng's backstory or something, and just fucked it up horribly by trying to "step up" the kind of plot they did for Jim. In which case the whole thing will be awkwardly dropped but damage is done. Otherwise, they actually thought they could just casually add a subplot like this because they've done something wildly stupid like think "pirate" is a genre on the same level as "workplace comedy" and can just trample in-universe coherency while you draw on other media to shore up their unsupported beats.
Bringing us to the most infuriating bit...
---
"...end the second season in a kinder spot."
If this was the goal, the entire season was written to work actively against it in way that is baffling and incompetent.
The really ironic thing is that the reason that the Act 2 part typically gets a downer ending is because of the evil empire that OFMD did not have to deal with until they pointlessly added it. A plot-driven story has an antagonistic force - a villain - that the heroes need to defeat. Something external working against them. The story ends when they beat the thing, and it's not much of a climax if they do most of the defeating before you get there. Ergo, they have to be outmatched up to the climax. Ergo, the second part cannot end on them feeling pretty comfortable and confident going into the third.
The same rules do not apply in the same way to a character-driven arc.
We already established Edward and Stede declaring their love is not the end of the story. Nor, necessarily, is both of them confidently entering a relationship. Even once they've developed a bunch they will have to show that development by running into the kinds of problems that would have broken them up before and resolving them better.
David Jenkins keeps talking about this idea that S2 is getting a hopeful open ending and S3 will get into potential problems, and like... I don't see any reason why they couldn't have done that successfully. They didn't, but they could've.
If S2 grew them enough as characters and then had them agree to try again in the last minute of the finale, they absolutely could have had a kind and hopeful ending where you were confident they could do it. And then a potential S3 can show that. It's a bit rockier than they were counting on, but they have learned enough lessons to not break up. And then the overall plot can build to proposal (start of Act 3) and wedding (the romantic climax). It doesn't have to be a blow out fight to be emotionally cathartic.
(Hell, the main rockier bit that they overcome in the S3 Act 2 portions could be marriage baggage. I'm sure they both have some. It would work.)
In the same way focusing on our character's long term flaws and character-driven conflict makes an Act 1 "happy ending" more difficult, I suspect it makes an Act 2 "happy ending" easier.
Instead they wrote an Act 2 that failed to convincingly start development and got confused on its direction, and then presented a rushed finale ending in a copy of the predictable disaster from S1 as though it's a good thing. They yanked the story at least temporarily into an awkward place where a romcom is trying to sell me on a bunch of serious drama / adventure beats that it has not put the work into, and inviting comparisons to better versions of those same beats in other, more suited media that make it look worse. The need to portray everyone as reaching happy closure overrules sitting with a major character death and using it for any narrative significance, while still letting it overshadow those happy endings because a romcom just sloppily killed a major character with a wound they've literally looked into the camera and said was harmless.
If I'm being entirely honest, Dead Man's Chest ends effectively at Jack Sparrow's funeral and then cuts to the British Navy obtaining a weapon of mass destruction, and it still feels kinder and more hopeful just because I leave with more faith the characters are actively capable of and working toward solving their problems.
OFMD S2, in contrast, has half-convinced me our main couple would live in a mutually obsessed, miscommunication-ridden horror story until they die.
---
Additional Reading
Normally I link stuff like this in the post, but that requires more excitement than I'm feeling right now. Here's my alternative:
Where I thought they were going with Edward - really outlines the mountain of character development they still have unaddressed
Where I thought they were going with Izzy - touches on a lot of themes that might be dead in the water & also context that's still probably relevant to why Izzy got a lot of focus in S2
My scattershot 2x08 reactions
An ask where I sketched out the bones of this argument, and another where I was mostly venting about the fandom response
This one, this other one, and this last one (read the link in op's post too) about genre shifts and failure to pull them off
The trauma goes in the box but it never opens back up - the whole point of Act 2 is that they needed to start opening shit like that - and also they focus so much on needed character growth and so little on following through
They can't even carry through on character growth that we got last season???
Why Izzy's death feels like Bury Your Gays ran smack into shitty writing
EDIT: Oh and this post is REALLY good for outlining the lack of change in way less words than I did
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qdbs-writes · 11 months
Note
Hey! I have bad English because I am not a native speaker, but I hope you understand me🥲
Can I request Rain, Kung Lag, Fujin, Raiden, Kuai Liang, Hanzo Hasashi, a Night Wolf with s/o who is the goddess of love, but at the same time she loves gambling and drinking?
Yes, I understand you perfectly! I hope you can understand this post, because I'm from Northern Ireland some of my work uses slang/coloqualisms that even Americans can struggle with, but I'm so pleased that non-native speakers can still access my writing! xxx
MK Lads x Love-Goddess!S/O Who Drinks and Gambles
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Rain
Doesn't see any contradictions in your status as a Love Goddess and your hobbies. You're a god, who's dating a (very handsome and powerful) god, and you drink and gamble, nothing wrong there. In fact, he enjoys that he can relax around you, you prove that gods can still have fun!
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Kung Lao
Thinks he can beat you in drinking and gambling, oh how wrong he is. By the time Lao is facing near-fatal levels of alcohol poisoning on the floor, he comes to understand that deities can't really get drunk, and that he was a fool for underestimating you.
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Fujin
Canonically, Fujin also likes to get drunk and gamble, what a match made in heaven! The best part is bringing along your mortal friends on a night out, their drunken antics can keep the two of you entertained for millennia.
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Raiden
Respects love as a vital part of life and the human condition but might have an issue with your habits if they affect how others (especially mortals) see him. It doesn't exactly bode well if the guardian of Earthrealm's S/O is out every night cleaning out bars and casinos. He may ask that you rein it back for his sake.
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Kuai Liang (Sub Zero)
Is very honoured to be the partner of a Love Goddess, but is concerned by your drinking and gambling. Gambling is not inherently wrong and is actually a popular hobby throughout most of the Chinese diaspora, but drinking and gambling is what he has a problem with. Alcohol isn't a great habit for anyone to have, and he thinks as a god you should show a better example.
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Hanzo Hasashi (Scorpion)
The Japanese culturally link alcohol consumption to success, so he has no problem with your drinking. However, gambling is a different story. Being an immortal deity does give you an unfair advantage, and Hanzo doesn't like that you can so easily strip mortals of all their life savings, and he'd ask that you only play on low-stakes bets.
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Grey Cloud (Nightwolf)
The Native American community isn't fond of being linked to gambling and alcohol. Knowing your loving nature, Grey will educate you on the dark history Native Americans share with European alcohol and why so many casinos are built on reservations. He's hoping that your love for him will make you rethink your habits and how they've negatively impacted his community.
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yurislotusgarden · 6 months
Note
Hi there! Can I please request (separate) Fyodor, Nikolai, and Sigma with a reader who has a teleportation ability and loves to use it to tickle/tease them? There's no way you're sneaking up on Fyodor or Nikolai unless you have a teleportation ability, let's be honest XD. The kicker is that reader can just teleport away before the characters can get revenge and that makes for some very funny scenarios. Feel free to decline, I know my request is a tad strange XD
ʚїɞ Separately! Fyodor Dostoevsky, Nikolai Gogol, Sigma x Reader
ʚїɞ Keep in mind English is not my first language, so you may find mistakes!
ʚїɞ I literally struggled on 2 out of 6 scenarios sm for some reason help, and dw this was fun to write anon!
ʚїɞ word count: 2 136
ʚїɞ Tw’s: None! Just pure fluff, pet names used, reader’s gender is not specified in any way
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ཐིཋྀ Anon you’re so right, you can’t sneak up on this man unless you have a teleportation ability. Like even invisibility or similar wouldn’t probably work, but teleportation? Hell yeah.
ཐིཋྀ I think there would be a little bet on your side, how many times can you actually surprise him? You succeed far more than you first thought.
////////////////////
Computer light falling onto a silhouette could be seen upon looking into the room, Fyodor Dostoevsky was sitting in front of the many screens, planning his ever-so-successful plan to get rid of ability users. Not moving much for some time, one could mistake him for a statue instead, that's until he slightly jumped from feeling fingers moving along his sides.
Quiet giggling was all he heard when turning around, trying to catch the figure behind him, but unsuccessful upon the person disappearing before the dark-haired man could even touch them.
Fyodor’s ever so lovely s/o, you, have always loved doing little tricks to see just how much can you be unpredictable, even to this man ever since you noticed he doesn’t mind them… that much, at least.
////////////////
ཐིཋྀ This man, let me tell you, this man, is not safe ANYWHERE. 
ཐིཋྀ Office? “Oh? You’re ticklish Fedya? Nice to know”
ཐིཋྀ Hallways? Something as little as even a touch on the shoulder and getting out of there before he even manages to turn around.
ཐིཋྀ The house? U n l i m i t e d   p o s s i b i l i t i e s.
ཐིཋྀ No matter what he does, our dear Fedya is never safe from little pranks and tricks for your entertainment, shits and giggles.
///////////////////////
Listen, Fyodor really doesn’t mind you having fun with your ability here and there, but is it really too much to ask to organize things in peace? In your book, it seems it is.
Fyodor has some things written down on paper, and only one copy, as he believes it’s better to not keep some things on his computer. As much as it is un-hackable, his words he wants to be safe just in case. Better be safe than sorry, but it would be so much faster and easier to organize if papers didn’t change their place the moment his eyes were even slightly averted from them, if folders didn’t change their places, or more, if you didn’t mess with his stuff.
The rat placed the paper on the table and turned away to get a folder? A little quiet sound could be heard behind him. Turning around, the paper is gone as if it wasn’t there in the first place and is on the other side of the room. He turns back around to get the folder, but now that is gone too and is under a table.
Whether it’s papers that are moved around. From changing tables to even being moved to different folders, to folders that were perfectly organized in alphabetical order being all messed up. Every time he turns away, you would teleport in, take a folder out of the shelf, and teleport away. After a moment you would teleport back into a random ass place and place it there. The worst is that you do it not only when he organizes stuff, but also randomly on days he doesn't. 
Really, the organizing would be so much faster if he had peace… sad that he doesn’t.
////////////////////
“You gotta stop doing all that Myshka.”
“Stop what?”
“All those little jokes of yours. It’s irritating.”
“It’s irritating but you still smile at them?”
“...”
“What? You think I don’t know that you smile after I’m out of the room?”
“...”
“Why are you not saying anything? It’s scary-”
“About that thing you mentioned you wanted to try in be-”
“ALRIGHT! How about I make your favorite tonight? I didn’t make it for so long!”
“We had it last week, dorogaya*”
“Yeah… so long”
—--------------
You didn’t stop your antics at all in the end, and no matter how much Fyodor complains, he hopes you will never stop <3
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ཐིཋྀ Yall have a literal competition
ཐིཋྀ Who's gonna surprise who more? Good question-
ཐིཋྀ You can be in the city buying things for yourself, feel a tug on your hair, and turning around you just see a glimpse of Nikolai’s portal.
ཐིཋྀ In turn, he may be doing his braid in the morning and feel a tug on the back of HIS hair, and only then noticing your already disappearing figure in the mirror behind him, not giving him a chance to even turn around😭
//////////////////////////
Morning sun rays fell upon the figure sitting in front of the mirror in the room. Nikolai was sitting quietly, still half asleep as it was around 7 am and he woke up not too long ago. The white-haired man was making his braid with closed eyes, the hand manner practically natural by now, in the quiet room. 
That was before he felt a slight tug on the back of his head, He opened his eyes in a fast movement, managing to catch only one thing in the mirror reflection behind him, the gentle light that comes with his s/o, you, using their ability.
A quiet sigh from the man could be heard in the room, a gentle smile on his face that he couldn’t stop from appearing.
“You just couldn’t stop yourself from doing that, huh, Dove?” Nikolai spoke knowing you were still in the room,  as well as he noticed that he had to redo most of the braid he had done till now.
“It’s revenge for what you did last week, Kolya”
“I don’t know what you are talking about”
“Hmm… I also don’t know what I’m talking about when I say I won’t be baking the cookies you wanted”
“Wait!-”
That certainly woke him up.
///////////////////////////
ཐིཋྀ Others are so done with yall I swear
ཐིཋྀ There’s no shame, you guys do it to each other in public all the time, not only in private. You once decided it was a good idea to scare him on a meeting with Sigma… it ended with you scaring them both
ཐིཋྀ You apologized, only to Sigma though
ཐིཋྀ He, in turn, scared you while you were out with a friend people stared at you two like you had 2 heads after screaming in the middle of the sidewalk for seemingly no reason
ཐིཋྀ He did not apologize to either of you
ཐིཋྀ So yeah, you both are not safe from the other absolutely anywhere or with anyone even in the bathroom
//////////////////////////////////////
You and Nikolai were visiting Sigma at the Sky Casino, although you disappeared around half an hour after the two of you got there. To where? A good question that the white head doesn't have an answer to. 
"I'm telling you no is my answer." 
"But are you sure it's your final answer?" 
"Yes.. or wait-" 
Good ol' doubt in an answer for Nikolai's quiz. He just needs to wait till Sigma says the wrong answer and he will be able to- 
THUD
Whirling around or looking ahead, depending on the male, both noticed a book on the ground, a piece of literature the bi-colored-haired Man could swear he didn't have in his office.
Sigma stood up and slowly walked over to the book on the ground, he bent down to pick it up. Just as he straightened up, a sound of something hitting the floor sounded throughout the office. Looking back at the desk behind the males, a folder the younger of the two was working on beforehand, was lying on the floor.
“Is all the stuff in my office gonna be falling down or appearing out of thin air now?”
Just as Sigma spoke, the sound of something heavier, like the book from earlier, flew across the office, and then a sigh was heard right after.
“I think so, dear friend!”
Nikolai was acting cocky for the next few minutes as things would fall or appear out of nowhere, thinking that you are playing with only Sigma for fun. He realized it was you when the folder fell off the desk, but what he didn’t realize, was that he wasn’t safe at all.
He should’ve remembered that you absolutely love to play around with him by doing something to his hair, so he should’ve expected the tug on his hair from the back or the feeling of his hat gone from his head that came next.
And he couldn’t do anything even if he whirled around immediately, as your figure disappeared in gentle light just as he did so.
“Goddammit.”
“Told you to look around.”
“But Sigma!!! I thought-”
—--------------
If he could change one thing about your guys' games, it would be that damn hair part. Never understood why you love it so much, but at the same time, he didn’t protest against it on a serious note before.
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ཐིཋྀ The poor guy-
ཐིཋྀ He’s just trying to work but you mess up his paperwork😭
ཐིཋྀ Like, he goes out of the office for a little to take a look around the casino but then comes back to the chaos that is his desk after
///////////////
The bi-hair-colored man entered his office quietly. It was quite dark, as the sun already started to set some time ago. He wondered what you, his lovely s/o, were doing at the moment as you insisted on staying in the main room earlier during your small talk with Sigma after spotting him walking around.
Upon laying his eyes on his desk once he got close enough, Sigma noticed that some things were moved around. The paper that he was writing on before got moved up by 8 centimeters, exactly 2 papers from the right got moved to the far left of the desk, in exchange, 3 papers from the left got moved to the place the 2 papers from the right were in before, he also had 3 files on his desk before, but now there was  5, and none of them being the 2 that were there before.
The reason behind that wasn’t hard to guess.
“You still here, dear?”
But it also wasn’t hard to guess that you stayed close by.
“Of course!” The response came with you appearing behind him, and together with a light tickling feeling on his neck.
…He had to start his work all over again.
…At least you brought cookies though.
//////////////
ཐིཋྀ You don’t surprise him TOO much, due to you wanting to let him work, however, that doesn't mean that you scaring him isn't a regular occurrence.
ཐིཋྀ Just got done talking with someone and had plans to go back to the office? You’re standing right behind him, causing him to jump.
ཐིཋྀ That one file he thought he lost? You coincidentally know where it is completely not where it’s supposed to be
ཐིཋྀ He woke up in the middle of the night and went to the bathroom? What the fuck is that shadow in the corner on the way back? it’s you who woke up
ཐིཋྀ You scare the workers of the casino as well by accident most of the time😭
/////////////
He was just trying to comb his hair, but no, of course, his comb was not where it was meant to be, and of course, the spare one was missing as well.
His stuff had been going missing before being found in the most random places possible. Sigma didn’t want to assume his beloved was at fault, but at the same time, this was happening way too much lately.
His heels? Moved from the hallway to the kitchen.
The glass of water he left on the counter? Found in his office, once he got there.
Once, all of his hairbands went missing, and he found every single one of them placed around in books, folders, cabinets, and even under papers he left on his desk.
The bi-colored-haired man decided to speak up with a slightly louder tone, in case you were somewhere in a farther corner of the apartment.
“[Name]?”
“Yes, cotton?”
He decided to ignore that he jumped a little at your surprise entrance behind him. Should’ve expected you wouldn’t use the door.
“Do you know where my comb is?”
A hum came from you. “No. Why do you ask?”
“Can’t find it. Thought you would know.”
“Going into assuming right away, aren’t we?”
It’s not that the man doesn’t trust you, but you’ve done little tricks like this so many times that no one could blame him if they tried. The teasing tone in your voice didn't help the situation.
“Can you blame me?”
“...No.”
“...You have it, don’t you?”
“I don’t know what you’re talking about.”
/////////////////
Sigma doesn’t mind, it’s a part of your personality, but he would really appreciate if you stopped moving his stuff around. That would certainly help.
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Notes, comments and reblogs are greatly appreciated
* 'Dorogaya' means love/sweetheart in Russian if the translator I used didn't fail me ;-;
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natsaffection · 7 months
Text
Hiii, im 21 years old and she/her..uuhh I like Women (and I mean Women like 30 years +) feel free to write me or just look for relaxation on my blog🫂
English is not my first language, so please point out any mistakes, thank you. 🙋🏻‍♀️
M's MASTERLIST:
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Do not copy, repost, translate or claim my work as your own! Reblogs are appreciated though. <3
Most of the work is 18+ DNI, so if you’re a minor, do not interact with it!
Series:
[Natasha]: My sweet Baby. (NSFW)
• You took your long awaited four-day vacation, for which you had saved your money for two years. That you had almost no money would be an understatement. You just manage to get through your college with two part-time jobs (for which you get far too little money).So what happens when you meet the most successful CEO in the world in an unknowingly overpriced café?
[Natasha] : Mafias Mistress (NSFW)
• Your life takes a drastic turn when you accidentally meet Natasha Romanoff, who lives a mysterious and seductive life behind her facade. Despite Natasha's initial resistance, your light and attraction ignite a fiery romance that sets both your worlds on fire. But as your love grows stronger, so does the danger, especially when you discover Natasha's true identity. Surrounded now by wealth and danger, you become the new center of Natasha's universe and your bond is put to the test.
[Natasha]: I hate you!
• You were glad you escaped the hell trip. Even if it wasn't entirely your merit. You could finally smell the freedom you could only dream of before. However there was one person that disliked your presence since the moment you stepped foot on the campus. No matter what you do, you always get on her bad side. What happens when you find out the truth about her and she about you? Will her rivalry turn into your jobs or will it become something else?
[Natasha]: My sweet Student. (NSFW)
• You read and you dreamed about it. What if you fall in love with your teacher (who is also twice your age) and you can live your dream? She shows you your deepest sexual ideas and lives them out with you. On the shelf with the books and hello reality.
[Natasha]: Kingdom of secrets (NSFW)
• A story unfolds in the realm of celestria in which the younger Princess Y/n Dawn finds an unexpected connection with Lady Natasha Romanoff, the kingdom's revered and feared first female knight. Natasha, a skilled warrior known for her bravery on the battlefield and icy demeanor, is tasked by the king with protecting his daughter. As Natasha watches the princess grow, a complex and unexpected bond emerges between them that transcends the boundaries of age and status.
One shots:
[Natasha] Apologize (NSFW)
• Natasha let you apologize to her employees
[Natasha] Reward | Pt. 2 (NSFW)
• Coach! Natasha x Player! Reader
[Natasha] Happy anniversary (NSFW)
• Sugar!Mommy Natasha celebrates her anniversary with Sugar!Baby Reader
[Natasha] Together
• Sugar!Mommy Natasha is helping you through exams
[Natasha] Oh, Baby.. (NSFW)
• You break Natasha’s first rule. (NSFW)
[Natasha]: Afraid of loosing you.
• Natasha is your girlfriend of two years and is always overprotective over you. So what happens when you both get under an attack which priority it is to kill the black widow?
[Natasha]: Teacher!Nat x Teacher!Reader
• In a school where Prof!Natasha and Prof!Reader teach different languages, they have quite the contrasting reputations. Despite their differences, Natasha and Reader engage in playful flirting at work..
[Natasha]: Cure (NSFW)
• You got infected with the sex pollen and a red haired ..acquaintance offers to help you.
[Natasha]: Distraction (NSFW)
• Smutty hate sex with Boss!natasha and her assistant
[Hidden]: Natasha learns the real you (NSFW)
• Natasha gets to know the real you.
[Wandanat]: Unholy (NSFW)
• Wanda is a stripper and Nat took an interest in her
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