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#sorry just making these tags as i transcribe
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Amity Park: US MOST HAUNTED!
Amity Park: The Faceblind City!
except the westons
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martyrbat · 10 months
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you know a character is actually good and interesting when looking at their main tags on here gives you a stomach ulcer
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the-meme-monarch · 2 years
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if i don’t analyze their interactions every day i will die . do you hear me.
here’s the first version i did from memory, and also an alt version of the Complete one for better reading maybe? in case the multiple colors is too hard to read
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i WOULD have just used the screen shots of these dialogues but that would have been a bitch to edit into a nice looking infographic. so i transcribed them. i still have the screenshots though.
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leighsartworks216 · 8 months
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Hi! I’ve been thinking about this for awhile.
Imagine Astarion walking in to see his s/o, only to see them on their knees groaning and looking uncomftarble, because of Haarlep and his promise. ”Everytime I make love with your body, you will know.”
Maybe Astarion could like try to comfort s/o through one of those times? Not in a sexual way, just doing his best to show that he’s there, maybe throwing a comment to distract them ”pretend it’s me.”
If you’re uncomftarble with this you can ignore it! Have a nice day/night!😊
I used they/them pronouns for Haarlep when applicable because the Narrator refers to them this way
References and dialogue taken from a scene in the game, transcribed by yours truly
Warnings: rape/non-con elements, swearing, crying, reference to victim blaming, references to past trauma/abuse
Word Count: 1,031
Masterlist
AO3
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It comes on like a violent shiver. You can feel hands all over you, tracing up and down your legs and chest, but you’re all alone in your tent. You try to ignore it, focus on a book or something. Anything. But it’s overwhelming. Haarlep is using your body to pleasure someone else and you can feel it all. Maybe for Raphael it was incredible - another layer of pleasure to heighten the experience. To you, it’s violating.
You curl into yourself, tugging your knees to your chest as you sit on the floor, and hiding your face from the lamp light. If you could curl up tight enough, maybe you could block it all out. It’s a useless attempt. You know nothing can stop it.
“Darling, you’re going to miss… Shit.” Astarion rushes to your side, the flap of the tent shutting out the rest of the world. He’s not sure if he should touch you, where he should touch you. But you’re shaking, and whimpering, and he wants more than anything to help. “Can I touch you?”
You lift your face from your knees, nodding as a groan tears from your throat. It should feel good, but it doesn’t. You want to squirm and dive into water and roll in the dirt - anything to get rid of the ghostly hands on your skin.
He wraps his arms around your shoulders and tugs you into him. His touch is more solid. He’s not a phantom taking pleasure in your image. You sigh with how real he feels. He brushes his fingers through your hair. “It’s the incubus, isn’t it?” he whispers by your ear. You nod and grab onto his arm. Your hands are trembling. “I’m so sorry, my love.”
“I can feel it, Astarion,” you gasp. You press your face into his chest. “Everything. Hands, just, all over me.” You can’t bear to speak out loud what else you feel. He can tell when your legs press tightly together.
“Tell me what I can do to help.”
Your mind is blank. You can’t think. You don’t know. You squirm closer to him and he draws your body into his lap, pressing his cheek to your head. He tries to be more firm in his touches. He scratches lightly at your scalp, tugs gently at the hairs at the nape of your neck. His hand runs up and down your arm, stopping only to press his fingertips against different locations that follow no consistent pattern. He can feel your tears against his skin, and he wishes more than anything to have killed that creature when they had the chance.
“Keep talking,” you whimper. A violent chill forces its way down your spine and you groan against his skin to avoid being too loud. He can’t imagine what the others would think or say.
When this happened before, it was in public. You couldn’t avoid it then, couldn’t rush somewhere private away from public eyes, and they scolded you. Told you to be quiet, teased you about liking it. It made his blood boil just thinking about it. It hadn’t been this bad then - the sound you made wasn’t out of disgust or discomfort.
“I know what it’s like to lose control over your own body. It’s a wretched thing.”
“I may as well just try to enjoy it.”
“I thought the same, once. It didn’t last. I know what’s done is done - you made your vow. But I’m sorry all the same.”
“Please,” you cry. “Please talk to me.”
He hushes you gently, pressing a soft kiss to your head. “It’s going to be okay, my dear. You’re going to get through this. And once these damn tadpoles are out of our heads, we’re marching right back to Avernus and killing that bastard.”
You chuckle, weak and wet, but it’s better than hearing you suffer. “Promise?”
“Do you even have to ask? I’d march down there tomorrow if we could.” He moves his hand from your arm to your leg. He rubs circles into your thigh with his thumb, applying various amounts of pressure as he does. Quietly, unsure, he whispers into your hair, “Can you pretend it’s me?”
He’s not sure if he wants you to, truthfully. But he’s willing to carry that weight if it means easing your suffering. It’s a sentimental thought, but it doesn’t last long as you shake your head. “They don’t touch me like you do.” There’s an edge of teasing in your voice, trying to make it a joke, but it doesn’t quite land.
“Good.” He wants to say something more, but nothing comes to mind. He’s almost… proud. Definitely possessive. If that incubus and whoever they're bedding now doesn’t know how to touch you in all the ways you enjoy, then Astarion won’t feel bad when he touches you. He would hate to ruin intimacy for you because Haarlep touches you the same way.
Your legs shake and you hold onto him desperately, wrapping an arm around him to dig your fingers into his back. You try not to dig too deep, try not to hurt him, even in your torture. It breaks his heart. A sound bubbles in the back of your throat, agonized and lewd. With just one touch of your hand to his cheek, he knows precisely what you’re asking for, and he captures your mouth with his own. It’s not romantic or sweet. It’s teeth clashing and swallowing every loud noise that would be louder if he pulled away. It’s offering you a final comfort as Haarlep desecrates you.
As your legs stop shaking, the phantom touches on your body fading, you kiss him softer, until you feel safe enough to pull away. You don’t hide your face again; you press your forehead to his. Your cheeks are flushed and stained with tears. He continues to play with your hair as he wipes them away.
“Thank you,” you whisper. A sob rises from your chest. “I’m sorry.”
He shushes you, pressing kisses to your cheeks and wrapping his arms around you. “It’s okay, my love. You’re okay. It’s not your fault. It will never be your fault. You’re okay.”
---
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notfreetoday · 8 months
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MPW Ep 4 Subtitle Correction
Masterlist: EP 1 || EP 2 || EP 3
We have another change in director this episode, to Yasumura Emi, though the script is still being written by Funabiki Shinju (the director for Ep 3). This week's twitter space didn't have much info, so I won't be including it.
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M: いや~瀬ケ崎さん強かったわ~ M: あの物腰で*マウンティングされて M: いっそ快感を覚えてしまった M: No but, Segasaki-san('s presence) was really strong M: The way he *asserted (his relationship with Yoh) like that M: (rather than being upset), I felt even more delighted! *This is a (rather unfortunate) loan word from English - "mount" or "mounting" 😅, in this case, pretty much means to "one-up" someone else, or to brag about something to another. If you do not wish to have a weird mental image in your head, please skip the next paragraph. This word appears to have morphed from the observation that monkeys, when trying to move up a rank in the chain of command, tend to jump on the back of another to assert their dominance (not scientist just translator also low-quality source don't keel me plz). - In other words, if I watch the Jp RAW MPW a full 8 hours before everyone else and spazz about it knowing full well no one else understands what was said then I'd totally be moun--- AHEM (sorry 😂)
What I mean to say is, in this episode, Segasaki all but screams "MINE" in the most thinly veiled, polite manner possible, so let's see how he does that. If you read nothing at all, the last scene with them cuddling has an important correction you should skip to. Same translation disclaimer applies, Ep 4, let's go~!
(I see a lot of people saying some of their thoughts/suspicions were confirmed in the tags of the previous posts, so feel free to chip in with what you think! MPW deserves more discussion!)
Sorry I am incapable of summarizing, the post is crazy long and I've hit the 30 image max. As such, not every scene will be screen capped and I won't be transcribing the original subs anymore...
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Y: あ、いや、友達の漫画を手伝いに行ってきます (-masu form) Y: Ah, no. I am going to help a friend with their manga.
Yoh shifts up a speech level here, (he started the episode out speaking casually) using the -masu form to make an announcement -he's trying to emphasize his determination to go because he’s nervous about saying it.
S: はあ? どういうつもりで S: Huh? For what intention?
The "haa?" here has a more "excuse me?" feel, and the next line is interrogative - so all in all it has the same energy as: "Excuse me? What is going through your head?"
S: つぅか友達って誰だよ Y: よく通話してる…あの S: やっぱりあの女か S: Actually, when you say "friend", who do you mean? Y: The one who… I speak to a lot on the phone… S: So, it’s that woman after all huh?
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S: だめ Y: え?なんで?(plain form) S: 俺が家にいんだから家にいろ (word contraction)* Y: でも約束したし (plain form) S: あの女には行けなくなったって言え* S: No. Y: Huh? Why? S: I'm staying at home so you stay at home* Y: But, I already made a promise S: Tell that woman that you can’t go any more** *This line, together with the starred line below, is extremely direct, (said in the same style as his not-proposal actually) and is clearly an order. **This line is literally "to that woman, say 'I am no longer able to make it'" (Though the speaker may not actually mean to use those exact words)
Segasaki has dropped a speech level here not so much by using "rude" forms but by being extremely blunt and direct. What he's saying implies he's being possessive of Yoh, but the way he says it also stresses his power in their relationship. But again, note that Yoh's replies are all in plain form - he hasn't shifted up a level in response, as he usually does when addressed so directly. In fact, the way he words his protest carries some indignation - using "し(shi)" at the end like this indicates that this "promise" is but one of the reasons he has for going - which is why Segasaki cuts him off. Yoh might sulk and pout about being ordered, he's still comfortably seated in his usual informal speech level, which means at this point he's still feeling secure about where he stands and definitely isn't intimidated.
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S: お前さ*、何で自分がこの家にいるかわかってんの? S: You*… do you even know why you’re in this house? *Here Segasaki uses the sentence-end particle "さ(sa)" after the word "you", which in this case has the same feel as "now look here". He also ends off his question with "の(no)", which can have many meanings, but here functions again as an assertive particle, implying that this is a rhetorical question, because he thinks Yoh should know the answer. Unfortunately, Yoh has the wrong answer 😅 (which Segasaki will realize and attempt to address in Ep 5)
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Y: この人のやばさ*を一瞬でも忘れていた俺がバカだった Y: I was an idiot - to forget, even for a second, how insane* this person is *やばさ (yabasa) - this word comes from "yabai" and is a slang word that has evolved much like the words "crazy/insane" and "shit" have evolved in English - it can be used both positively and negatively to describe someone who's extreme, for eg "that guy is yabai (so cool!!)" vs "that guy is yabai (stay away)". Here, Yoh's referring to Segasaki as yabai for even thinking up this so called "slave contract" - which is what he assumes Segasaki is referring to.
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Y: ごめん、いろいろあって Y: あ、いや、まあ、なんていうか、家にいろって言われ Y: あ、いや、なんでもない。とにかく本当にごめん Y: 今度なんかでお返しするから Y: Sorry, a lot happened Y: Ah, no, well, how do I say this... I was told "stay at home" Y: Ah, no, it's nothing. Anyway, I'm really sorry Y: I'll make it up to you next time, okay?
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S: よくできました S: Well done. This is the same phrase we talked about in Ep 3, the stamp of approval. Again, Segasaki is emphasizing his role in relation to Yoh here.
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Y: あの満足そうな後ろ姿 Y: 本当腹立つわ Y: That silhouette of his, so full of satisfaction as he leaves, Y: Really makes me irritated!* *Yoh ends off with the particle "わ (wa)", which mostly just emphasizes his emotion, but is a softer assertive particle than the ones Segasaki uses.
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S: 夕飯、作ってくれてもいいんだぞ Y: はい Y: 俺はいつでも稼働する家事ロボットじゃねぇんだよ S: Dinner - it's fine for you to make it for me, you know Y: Yes Y: I'm not some housework robot that you can just activate at any time you know! The original subs made it sound like Segasaki was asking Yoh if he could make dinner, but that's not the case - he's literally telling Yoh to make it, and on top of that, he says it like he's doing Yoh a favour (by allowing him to make dinner) 🤣🤣 This time though, whether it's just cause Yoh's been caught by surprise or not, he answers properly with "Yes (Hai)".
Y: いっそロボットになってこの感情を無にしたい Y: (If it was going to be like this), I rather just become a robot, and turn these feelings into nothingness.
The focus of this line is mostly on Yoh preferring to become a robot in order to mute his feelings, but the sentence structure suggests that there is something to be inferred preceding this sentence, hence the bracketed bit. (It becomes clearer later on, especially in light of his monologue)
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"Dayo-chan" is a pretty familiar nickname, something you'd expect a child to be called rather than an adult, unless it is a nickname between childhood friends. It implies a closeness/intimacy between the speaker/listener, hence the the look of horror on Yoh’s face (because he knows that is going to kick Segasaki into high gear) and the surprised disbelief (that someone would dare make a grab for Yoh) on Segasaki’s face. Kills me everytime 🤣
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S: もしかして例の女か S: 家まで押し掛けるとはいい度胸してんな S: Don't tell me it's that woman from earlier? S: She's got some nerve, turning up at the house like this
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Y: それはだめ それだけは絶対だめ Y: No, not that, anything but that!
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S: うれしいな 葉がいつもあなたの話をするので S: 一度お会いしてみたいと思っていたんです S: はじめまして、瀬ケ崎瑞貴といいます S: 葉がいつも お世話になってます S: What a delight, Yoh speaks of you often so S: I've always thought it would be nice to be able to meet you. S: I'm Segasaki Mizuki, pleased to make your acquaintance. S: Thank you for always taking care of Yoh.
This is like, textbook formalities🤣 Practically every statement is a "standard" greeting and is very polite (hence the weirdly stiff english translation) except Segasaki says it in a way that makes it clear he speaks for Yoh, that Yoh is part of his in-group. (Legit, might as well plant a flag in the soil that says "Yoh is mine".) He sounds exactly like how parents sound when they meet their child's teachers, or how a spouse/older family member might sound when meeting their loved ones' co-workers. This is how it comes across: What a delight, Yoh speaks of you often so I've always thought it would be nice to be able to meet you - Sounds distinctly familial. Implies Segasaki is close enough to Yoh that Yoh shares his thoughts with him often. Also shows that Yoh tells Segasaki about Man-san, rather than the other way round. I'm Segasaki Mizuki, pleased to make your acquaintance. - standard, formal greeting Thank you for always taking care of Yoh. - standard greeting, literally "Yoh is always in your care" - You usually say this (for yourself) when you thank your teacher/senior/boss/important client. So, when you say this for someone else, you are claiming this person as your family, or someone in your in-group (a close friend, or at work, a junior).
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S: すみません 今朝 葉が体調をくずしてしまって S: 家でゆっくり休んだ方がいいんじゃないかって S: 僕が言い聞かせたん*です S: ご迷惑をおかけしてしまってしまって すみませんでした S: I apologize, this morning, Yoh wasn't feeling well so S: I convinced* him (not to go) saying, S: "wouldn't it be better to stay at home and rest properly?" S: I sincerely apologize for the trouble this has caused you. * 言い聞かせる (translated as convinced here) this word is usually used when someone of higher standing tells/explains something to a person of a lower standing, and carries the nuance that they've managed to get the latter to accept/agree with what they say. It can also be translated as "told/persuaded/instructed/warned/admonished", and used in sentences like "I warned the kids not to run" or "The teacher told the students lying was wrong" - so that might give you a better idea of what Segasaki is implying here. I've used "convinced" here rather than "instruct" because Segasaki is, in general, speaking very tactfully to Man-san - but his meaning is still clear to anyone paying attention - Segasaki has a big enough role in Yoh's life that he not only can apologize on behalf of Yoh for not being able to fulfill the promise to Man-san, he also has a big enough say that Yoh will listen to his decisions.
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M: いや、あんたがダヨの体調不良を詫びるんか M: むっちゃ身内面*するやん M: Wait, you are apologizing for Yoh being unwell (and unable to come help)? M: Isn't that a super intimate* (gesture)? *身内面する is literally "to show one's inner-circle face/side", ie the side of you that you show to your inner-circle/in-group ie your family. Hence this line reads more like "Wait, you're apologizing for Yoh?? Who are you, his family??"
Because of the emphasis on group identity in Japan, it's very common to apologize/take responsibility for the actions of another group-member, even if you had nothing to do with it. So here, Man-san has picked up on what Segasaki has been implying since the beginning - that Yoh is part of his in-group, and a very close one at that.
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S: お茶目な方なんですね S: You've got such a sweet and funny personality, don't you? The word Segasaki uses here describes a person who tends to be naturally sweet and lovable, maybe a little silly but without any ulterior motive. It's a compliment in most situations - which is why Man-san gets all embarrassed - but can sometimes come across as slightly patronizing, like how calling someone "naive" can. Note that Segasaki is still being very polite here and effectively holding Man-san at arm's length, despite the seemingly friendly/open dialogue.
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S: だから そう言っていただけると うれしいです S: So, to hear such nice words from you, makes me really glad.
S: ところで 可奈美さんはどこで 葉と お知り合いに? S: By the way, how did Kanami-san come to be friends with Yoh?
The whole dialogue where Segasaki responds to Man-san's fangirling basically sounds like how an idol would speak to their fans - it's very polite and uses deferential/humble verb forms to further indicate gratitude for the support, because Segasaki is answering Man-san in the context of his work. When he asks about Yoh, he switches back down to a normal speech level, but also uses her first name - Kanami-san, which whilst very charming, is totally NOT normal (with the sparkle effect and the wine, I can't help but get host club vibes from this lmao) because you only do that with people you are close to. Man-san is obviously flustered by this, and Yoh is understandably unhappy about the sudden familiarity Segasaki displays with Man-san (I personally think he's still trying to be disarmingly charming whilst he evaluates just how big a threat Man-san is🤣🤣)
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S: ずいぶん飲んでると思ったら S: I thought he'd been drinking quite a bit
Again, this implies that Segasaki knows Yoh well enough to know his alcohol tolerance.
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S: 寝るなら部屋いきな* S: If you're going to sleep, then go to the room alright? *いきな (ikina) - the "na" here is different from the sentence-final particle "na" we saw in Ep 3. This is short for "nasai", as in, "ikinasai", which is a polite but sharp way to say "please go (somewhere)". This sort of wording is most commonly used by parents towards young children when giving instructions like "please sit properly" or "please eat your food quietly". It's used between teachers/students, seniors/juniors etc, and sometimes amongst friends too. You absolutely should not use it with someone above you in the social hierarchy. The short version used here though, softens the tone a lot, and adds a very tender, homely feel to the sentence. Segasaki is literally coaxing Yoh to bed as a parent would a very young, sleepy but reluctant child.
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M: 本当に恋人なんだなって感じです M: ようやく現実味が M: "(You two) are really a couple!" - that's the kind of feeling I get M: It's like it finally feels real
The way Segasaki literally puffs up with pride and hugs Yoh closer... (ಥ◡ಥ)
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M: ダヨちゃんって彼氏の前だと こんな甘えた*になるんですね M: なんかちょっと意外かも S: いやお酒様様ですね S: ふだんはそっけないですよ M: So Dayo-chan actually becomes so cute and affectionate* in front of his boyfriend M: I kind of didn't expect that, I think S: No, it's really all thanks to the sake S: Normally he's pretty indifferent *甘えた (amaeta) is the kansai dialect version of 甘える (amaeru), referring to the concept of amae.
Amae is a rather complex thing to explain in English and really deserves its own post. For simplicity's sake, what Man-san means here is that she's surprised that Yoh is actually able to express his desire to be treated affectionately and indulged in - something that requires a lot of trust in Segasaki and a willingness to be vulnerable in front of him.
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M: おぉ、確かに。ダヨちゃん素直*じゃないからな M: あまのじゃく**っていうか まあそういうとこあると 困っちゃいますよね M: Ohh, that's true. Cause Dayo-chan isn't able to be honest* with his feelings M: "Contrary"** is not really (the word to use) but... he does have a bit of that in him so.... (dealing with that) can be a bit of a handful don't you think? The way Man-san phrases her last line implies that she also has to deal with this side of Yoh, and by ending off with the particle "~ne", she is seeking Segasaki's agreement that they are both sort of in the same boat when it comes to that (she doesn't do this consciously though, which is why she freaks and apologizes later) *素直 (sunao - translated as honest here) is another term you'll often see when talking about feelings/relationships, and is also somewhat of a complex topic with many different possible translations, depending on context. It is closely related to amae, because in order to express your desire to be indulged or to receive affection, you first need to be able to admit to yourself that you want that.
**あまのじゃく (amanojaku - translated as contrary here) - this is a small demon from Japanese folklore, who was of an extremely contrary nature and would often mimic both humans and gods. It had the ability to see into one's heart and would then do the exact opposite of what one desired. Thus, this term is now used to describe people who intentionally go against the wishes of others, who are stubborn/unable to admit when they are wrong, or who twist themselves into a pickle/cannot be truthful about how they feel. It's not used in a complimentary way, which is why Man-san says Yoh's not quite like that, but there are some parts of him that do sort of fit the description.
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S: やだな* 葉の素直になれないその不器用さが 余計にかわいいんじゃないですか S: ね? S: That's not nice*... Yoh's inability to be truthful about his feelings - it's precisely that awkwardness that makes him even more adorable, isn't it? S: Wouldn't you say so? *Segasaki's first line "やだな (yada na - literally "this is unpleasant/I don't like that")" is not directed at Man-san, it's a form of soliloquy (which is common in Japanese), aka he's talking to himself here. We know this because it's informal and ends with the emphatic particle "~na". He then switches back to polite speech for the rest of his sentence, which is directed at Man-san. So, "that's not nice" is actually him remarking on the unpleasantness he feels after hearing Man-san describe Yoh as contrary, just as you might walk past a pile of rubbish on the street and remark, "well that's unsightly". Of course, the fact that he's actually saying this at a volume that Man-san can definitely hear and the way he sort of drawls it out, makes it clear that he definitely meant for her to know his disapproval behind the politeness of his following sentence (See what I mean by "thinly veiled politeness"?). On top of this, ending it off with a "ne?" (the same ending particle she used to seek his agreement) as he looks up right at her makes it clear - this whole sentence is a (mild) rebuke.
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M: 分かったような口を利いてすんませんっした S: どうされました? M: では私そろそろおいとまします M: I'm incredibly sorry! I spoke as if I knew everything (when in fact I knew nothing) S: What's the matter? M: Then, it is about time for me to take my leave. In response, Man-san ratches up the formal speech in both these sentences, though (as befitting her character) she pronounces it in a rather comical way (she sounds and acts like a samurai would in the movies 🤣). Also, don't mistake Segasaki's "what's the matter" as true confusion - his indirect rebuke was met with a direct (albeit over the top) apology - so here he is helping Man-san to save face, or recover the face she lost (by sounding presumptuous and by apologizing), by not calling attention to the actual apology. It is enough that she has recognized his superiority over her when it comes to understanding Yoh. This is also why later, when Man-san voluntarily offers up the information that she has a husband (and thus is not a threat to Segasaki's claim over Yoh), that Segasaki gives sort of an embarrassed but happy smile as he says "I'm sorry". That's not just "I'm sorry I can't send you to the station" (which is basic manners) but also has a little "I'm sorry for the unnecessary posturing over Yoh".
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S: なんださっきから やだ ばっか言って S: お前はイヤイヤ期*か S: What's gotten into you? All you've been saying since just now is "no" S: Are you in your "no phase"*? *イヤイヤ期 - yes, the term he uses here specifically refers to the "no phase" of toddlers in their terrible twos. This isn't condescending though - Yoh's repeated "やだ (yada - "no" or "I don't want it")" is distinctly childlike, but this behaviour is precisely a form of amae that we talked about earlier. Yoh is asking to be indulged here, and Segasaki is responding both in word and in physical comfort.
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Y: もうやだ S: だから何が Y: 俺 万さんのことすきなのに S: は?てめぇ* Y: あんたなんか嫌いだ Y: へらへらしてんじゃねぇよ Y: 何 ちゃっかり横に座ってんだよ Y: 名前で呼ぶ必要はねぇだろう Y: ふざけんな Y: 俺のこと好きなくせに Y: I don't want (this) anymore! S: So again I ask, (don't want) what? Y: I... even whilst... liking Man-san S: Ha? You little...* Y: I hate the likes of you Y: Don't freaking sit there laughing so carelessly Y: What were you doing taking the chance to sit next to her like that Y: There was no damn need to call her by her first name, right? Y: The hell are you doing! Y: When the person you like is me. When You talks about liking Man-san, he ends off with "なのに (nanoni)" which is used to show contrast the preceeding/following topic and to express frustration - except he hasn't mentioned the preceeding topic, so it isn't immediately clear what he means until he starts complaining about Segasaki's behaviour. That's why Segasaki is caught by surprise and follows up with an angry "haa?" and an emphatic *てめぇ(temee) - A very very rude way to say "you" which he first used in Ep 2 when Yoh said he was going to leave. It's not until later in Yoh's monologue, that we learn that he's upset that he feels jealousy/bad feelings towards Man-san because he's supposed to like Man-san (as a friend).
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S: お前 お前それやだったんか S: お前の方が* そう思ってたんかよ S: あ もう最っ高 S: You... so that was what you didn't want? S: So, (all this time) it was actually you instead, who's been thinking like that? S: Oh, this is the. best.
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S: よしよし S: 取られちゃって やだったな S: There, there S: You didn't want me to be stolen away, did you?
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Monologue time: Y: こんなふうに感じること自体が嫌だったんだ 万さん相手に 友達なのに 女々しすぎるって 幼稚だろう ダメだろうって 分かってるのに 気付いたら頭ん中 ぐちゃぐちゃで どうしようもなくなってた あんたのせいだ こんなふうに 囁いたり 微笑んだり 優しく触れたりするから いつもあんな偉そうに ああだ こうだ命令してくるくせに 突然まるで恋人*みたいに 勘違いするだろこんなの もしかして 好きって こんなみっともない気持ちのことなのか Y: The fact that I was feeling this way was specifically what I didn't like. (Feeling this way) towards Man-san, even though she's my friend... It was too petty (of me). Even though I knew, that it was childish, that I shouldn't (feel that way), Before I knew it, everything in my head was all messed up. And then I couldn't do anything about it. It's all your fault, Because you do things like this, Whispering softly to me, Smiling at me, And touching me so gently. Always so arrogantly ordering me around, Saying do this do that, and yet, You suddenly (start treating me) like a lover* Of course, I'd get the wrong idea with all of that! Could it be that, "Liking someone", Really is a feeling as unseemly and disgraceful as this? *恋人 (koibito - lover) - Lover in English can sometimes imply a more sexual than romantic relationship, but in Japanese "koibito" usually refers to "boyfriend/girlfriend" and may not imply a sexual component at all.
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S: お前から抱きつくとかできんだな S: ずっと酔ってりゃいいのに S: So you actually can initiate hugs and stuff huh? S: If only you could stay drunk forever...
And we're done!! Ep 4 marks the turning point where Yoh begins the journey towards accepting and acknowledging his feelings - the concept of "sunao". It also clearly shows the preferred way these two reinforce their relationship - through "amae". Remember how in Ep 3, Yoh talked about how he felt that an "unspoken understanding" of each other's feelings was important in a relationship? Well, this is it - Yoh saying "no" and "don't want", or leaving the room to be by himself - these are all examples of amae. He doesn't want to ask for affection directly, because he can't. So he does it through amae instead, and as we can see, Segasaki really enjoys indulging in Yoh's unspoken requests for affection and gains fulfillment from that.
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tu-sugar-mami · 11 months
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Hi! I'm wondering if you can write how Alcina would react if she found her dobbelgänger? Someone who looks Identical to her and it would probably be one of her maidens. People probably gossip about it too. I want to see Y/N's reaction to it too so like maybe they are together and they see a maiden pass by who looks exactly like Alcina. Lipstick and everything.
(I didn't see any other requests like this so I said why not request this one cause the idea is so interesting)
-Milkie
Hii!! Thank you so much for sending this 🥰 This sounds interesting, yes! I don't think I've read anything like it before and it's an honour you thought of me for this  ✨✨✨ sorry it took me so long, I got carried away and then didn't know how to finish it 😅 although, I don't really know of this is what you had in mind but I went a bit angsty there. Hope you like it! 💖💖
Words: 1800
Tags: angst, a bit of humour, implied feelings, sad stuff, kinds good ending?
_________________________________________
Being Lady Dimitrescu's personal maid is no easy job, especially since the responsibility of bringing her every wish and/or demand could become slightly complicated. There's only so much you can do with your short legs scurrying around in such a grand castle. 
Despite being almost always busy, you do find some time to enjoy a cup or two of that sweet tea you love so much, and love it even more when you share it with your Lady. 
Climbing up the stairs you somehow manage to balance a tray with the needed assortment of ceramics with a teapot full of very hot water on one hand and a quite heavy stack of important documents on the other. Your focus is split between not dropping the platter and reading the stack of papers in your hands trying to find the listing error in the first page (a job usually reserved for one of the daughters) and you find yourself so enthralled by the task that it's only when you reach the hallway that your focus is interrupted by an approaching figure.
Without raising your gaze from the documents, the corner of your eye catches a glimpse of a familiar face. A smile blossoms in your lips at the passing woman, but confusion settles in you. You're sure the Lady is in her study at this time of the day, but you pay it no mind, surely she has a reason to leave her sacred workspace. 
Turning to the left, you ask for a miracle to help you open the door while your hands are occupied. Luckily, being crafty and resourceful was a requirement in the job description, and with a push of your elbow onto the doorknob you enter the Lady's office.
"Oh, there you are. I need those papers transcribed here."
The voice brings you to a halt as your brain catches on. Wait, didn't the Lady just pass by you at the hall? No, surely you're mistaken… 
Quickly turning towards the hall, half of your body peeking out of the still open door, your eyes inspect the now empty hallway in search of an explanation. 
Now that you recall it, the woman in the hallway was strangely at eye level, unlike your Lady, so perhaps she was only a maid you just didn't see correctly.
Well, it's been some stressful days lately, and you suppose your mind is tired. 
Deciding to think nothing of it, you pour the Lady some tea and prepare yourself for the upcoming ache in your hands (the typewriter makes the job easier, but doesn't mean it's less tedious).
It's around late afternoon when you and The Lady find yourselves strolling through the halls in an attempt to dissipate the headache that the stress has caused on the Matriarch. It's also around that late afternoon that you stumble upon her…
A few moments pass by before you do a double take and your hand shoots towards your Lady's skirt in order to stop her from walking away. 
Alcina isn't thrilled, and if it was any other maid she would have already have them paid for their transgression, but as it's almost a custom now, she only rolls her eyes and turns to see what has you so busy that you can't even speak to properly ask her to sto–
As soon as Alcina turns she sees the reason. She sees her.
An exact copy of the great Lady Dimitrescu is busy dusting one of the giant flower pots in the hall.
She is identical, in every way but the height and skin. How did you not notice her before? You're pretty sure you would have seen the close resemblance right away, unless… The daughters are always the ones in charge of 'welcoming' the new batches of maids that come in every month or so, and knowing them, they don't dwell in appearances unless they find one of the morsels to be especially interesting. Perhaps that's why such a sight slipped right by you. 
You wouldn't believe it if the maid wasn't standing right in front of you. 
She had the same high cheekbones and soft jaw as your Lady, that much is evident, but what catches your attention the most is her eyes. That unique and familiar gaze that brings you comfort and reassurance is present in the maid. She looks younger than the Lady for quite a few years, although you wouldn't be able to pinpoint exactly how many apart. Still, the resemblance is unique, more like a copy rather than an offspring. It seems impossible and yet…
You look to your left in a quick movement, ready to go back and forward only wanting to compare and see for yourself that your mind isn't playing tricks on you, but you stop as soon as you notice your Lady's face.
Alcina's expression is a shocked one, more than you've ever seen her bear before, but you notice something else within that stare. Her eyes become slightly teary, but despite your efforts you can't decipher what the meaning of the unshed tears is. 
And of course, you can't possibly know the turmoil that brews inside her. 
Right in front of Alcina stands the woman she once was, or more like the one she could have been. A version of her without her humanity stripped away, without the marks of betrayal and hurt, without the lines of experimentations and pain. In front of Alcina stands the woman she once saw in the mirror, like a cruel joke, in all her human fragility and ignorance. Almost as if the universe had one last way to mess with her and mock her.
Within Alcina aches the desire to touch, to feel, to have a close glimpse of what she was before, and yet the unspoken fear of the mirage before her disappearing keeps her hand grounded, and with it her body stays unmoving.
The Lady hears, among other drowning sounds, the judging whispers surrounding you three in the hall. Words from the maids that have huddled up at the corner, watching with harpy eyes the scene unfolding in their unwelcome presence. 
For the first time in years, perhaps decades, Alcina Dimitrescu is at a loss of words. She would have never thought that an image of herself would make her feel so vulnerable, so threatened. And perhaps also for the first time, the powerful Matriarch feels…powerless.
Until your touch on her gloved hand brings her back from her stupor, that is, effectively stopping her from spiraling any further. Your hand, tiny in comparison to hers, is the anchor she needs right now. 
Alcina turns to you, and what she finds in your eyes as you look up at her is nothing but pure adoration, as if you have already decided that she is perfect just as she is right now. Almost as if you've just chosen her out of the other more humane and better versions of herself in front of you and the ones to ever exist. The love and affection that had been so obvious to her before but you always put effort in keeping hidden is now shining through, unstopped and undimmed, and Alcina's unbeating heart for a moment feels full of life again.
 
With your hand now in her gentle grasp, she feels like she can breathe again, and with the newfound strength she dares to invite the maid for a chat over tea.
When the moon is already starting to show her presence above in the skies, after some surprisingly nice talk, something across the coffee table catches Alcina's attention.
Alcina only needs to see the mischievous grin on your lips once to feel another incoming headache. You've been her maid for five years already for goodness' sake, she already knows exactly what you're thinking…
…..
The Lady doesn't know how you managed to convince her to do this, but she's waiting with you hidden behind a stone pillar just after summoning her daughters 'urgently'. 
It's not long before three buzzing swarms approach, but instead of her mother waiting they find a woman facing away from them sitting on their mother's usual chair. 
Daniela confusedly sniffs the air, and she finds that her mom's perfume comes from the same direction as the woman, but she can also smell the blood pumping and a heart beating. 
"Who are you?" The youngest asks with her hand already reaching for her sickle. 
"Ah, my daughters! I didn't see you there, lovelies." The maid greets with a higher pitch voice, before turning to the girls. You have to give her some credit, it would be impossible for you to not laugh if you were in her place. "Come here my girls, mama has missed you." 
"Mother!?" Bela and Cassandra ask in unison. Her eyes are wide and they're switching their gaze from the woman to each other. 
Behind the pillar you watch the scene unfold, and your Lady's hand soon covers your mouth to prevent you from letting out a chuckle, although when you look up you can see an amused smile on her lips. 
"What happened?" Daniela asks, gesturing wildly at the woman's body. "You look, good? Less tired maybe, a little tiny bit uh…less um… like this?" She raises her hand above her head and shakes her hand slightly.
"Holy Mother Miranda, is that really you Mama?" Cassandra asks, slowly approaching the maid. 
Alcina lets out a silent chuckle and with a stealth you didn't know her capable of, sneaks behind Daniela, the closest daughter.
"She is most certainly not, darling." 
Not unlike a cat, Daniela screams and jumps almost two meters before dissipating in a cloud of flies, before reforming next to Cassandra, her hand pleases over her chest, and if her heart could still beat it would be frantically hammering against her ribcage.
"Holy sh-"
"Daniela, language!" Bela nudges her sister with her shoulder. 
Your laugh resonates in the room, and Alcina briefly looks at you, her eyes as soft as her smile, before returning to the girls. 
"I can't believe they really fell for it." You walk towards the maid and put a relaxed hand on her shoulder. "Sorry we made you do this, let's go get some lemonade girl, you look a bit pale."
After you leave with the maid in tow, Alcina takes her rightful seat and pours herself a cup of wine.
"How come no one bothered to let me know of this guest? I should hope next time you do take time to greet every new maid properly, girls."  
"We will, Mother." Bela says, taking a step forward from her sisters. 
"I know you will." Alcina says gesturing away with her hand, and after her beloved daughters leave, she's left again to ponder about how just much she fucked up by accepting Miranda's gift…
_________________________________________
You can find the rest of my stories in AO3 as Lenchisus
You're welcome to leave your request!! 💖✨
If you love my work you can support me on Kofi
https://ko-fi.com/lenchisus
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law-d-water-trafalgar · 5 months
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Beware!!!Scammer disguised as an art blog!!!
Here is the "Artist who scammed me out of 160$USD to buy volleyball shoes...... ALMOST 320$USD because she refused to refund me "I am not refunding you the 160" basically! I have a screenshot of that too. Dm for evidence!" I have over 60-75 screenshots of our conversation. She made a new account that "shes" been spamming/scamming others with too.
Please report as spam for both accounts then block.
Stais-world
Stais02
It seems she keeps making new blogs/accounts to try to scam/spam people. And her AGE ISNT THE SAME and no she didnt have a birthday recently. But please keep reporting and blocking!
I POSTED A NEW POST TRANSCRIBING THE SCREENSHOTS INSTEAD BECAUSE I COULD GET BANNED IF I POST THE SCREENSHOTS. ALL IS TRUE TO THE LETTER.
Tagging everyone sorry if you dont want to help then just skip this post.
@baka-tsuki
@drheartstealer
@firefistussy
@hunnismokah
@livwritesfics
@loguetowns
@ljiljanis
@marsipanart
@strawheart-pirate
@sailor-cosmic-horror
@stargirldelight
@stephisokay
@the-fluff-piece
@whispers-of-lilith
@hauntedhearthowl
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loveroftoomanyfandoms · 9 months
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Cooking Up Love, Chapter 4
Pairing: Chef!Matt Murdock x F!Journalist!Reader
Rating: T (for now, might change, probably not)
Story Summary: Here
Warnings/Tags: Hallmark levels of fluffy, cheesy goodness (and speed that their relationship develops, lol), no use of Y/N, Matt is not a vigilante, more tags to come as the story develops
Word Count: ~1600
A/N: Here's chapter 4! If you'd like to be added to the tag list for this story, please let me know!
(Divider made by the insanely talented @theradioactivespidergwen!)
Tag List: @yarrystyleeza @hailey-murdock @mattkinsella @bellaxgiornata @danzer8705 @chezagnes @shouldbestudying41
Early the next afternoon, Ellison called you into his office.
You walked in. "What's up?"
Ellison leaned back in his chair. "I need to talk to you about your article."
Your brow furrowed. You had stayed up half the night working on it (while eating some of what was quite honestly the best tiramisu you had ever had) and had sent a rough draft to Ellison that morning after reading it over. "What about it?"
"Quite frankly, it sucks."
You blinked at him in surprise. "Excuse me?"
"It reads like you literally just transcribed the interview. There's no emotion to it."
"So, what, do you want it in another format, or…" You were hoping Ellison wasn't going to tell you to just forget about it or that he was reassigning the piece back to Kelsie, who was still out sick with food poisoning.
Ellison shook his head. "We need to switch gears. Instead of an interview, I want a full human-interest story." Ellison sat back up. "I want our readers to get to know Chef Murdock as both a chef and as a person. You got a bit of that in your interview, but I want more. Spend as much time with him as possible and do what you do best -- get him to open up to you. Find out what his interests are outside of cooking, how he develops his recipes, where his inspiration comes from. Give me personal details and anecdotes."
You nodded. Your second attempt at an interview had gone a lot smoother than your first -- you had found Chef Murdock had relaxed more the longer the two of you had talked, so you were pretty sure he wouldn't mind sitting down for a more in-depth interview. "Okay."
"Alright, that's it. Get a rough draft of your new article to me by next Wednesday -- that should be enough time to edit before we go to print the following Monday."
"Got it."
Ellison eyed you. "Don't make me regret that raise I agreed to."
You shook your head. "Don't worry, I won't."
You went back to your desk and eyed the clock. You had already been planning on stopping by Daredevil on your way home from work in order to drop Chef Murdock's dish back off to him and was just going to leave it with Karen at the host stand, but since you needed to talk with Chef Murdock anyway... 
You pulled out your phone and sent him a text. Sorry to bother you, but I was wondering if I could come by the restaurant to talk with you for a minute before you open?
A few seconds later, your phone chimed. It's not a bother, and sure.
Okay, I'll be by in about 20 minutes.
Sounds good.
You grabbed your bag and Chef Murdock's dish and popped by Ellison's office again. "I'm leaving a bit early so I can go by Daredevil to talk to Chef Murdock."
Ellison nodded. "Okay, see you Monday."
You hurried towards Daredevil, sending Chef Murdock a text as you approached.
A minute later a man with shaggy blonde hair and a friendly face unlocked the door. "Hi, you must be the journalist from the Bulletin, right?"
You nodded and introduced yourself as you stepped inside.
The blond man smiled and stuck his hand out for you to shake. "Matt's signing for a delivery, but he'll be out in just a second. I'm Foggy Nelson, his business partner."
You took his offered hand. "Oh, yes, Chef Nelson. It's nice to meet you too."
Chef Nelson grinned. "So, I heard you were on the receiving end of Matt's apology tiramisu."
You huffed out a laugh. "Oh, uh, yeah, I guess he told you about that. Does he always apologize with tiramisu?"
"Only when he knows he really screwed up." Chef Nelson glanced towards the kitchen before looking back at you. "By the way, thanks for giving him another chance at an interview. Matt can be prickly but he's really a good guy underneath."
You smiled, thinking about how warm and open Chef Murdock had been the previous afternoon compared to your first meeting. "I'm beginning to see that."
"Sorry about that," Chef Murdock's voice said as he came out of the kitchen towards you.
You turned towards him. Today he was wearing a white t-shirt and black pants with his usual red glasses. It's unfair how damn hot he is , you thought to yourself.
You swallowed. "Hi, Chef Murdock."
"Hi," he replied pleasantly. "So what brings you by? Did you have some more questions for me?"
You nodded. "Yes, but I also came by to return your container to you and thank you again for the tiramisu."
Chef Murdock took the empty container with a grin. "I guess that means it wasn't poisoned, then?"
You huffed out a laugh even as your face heated. "I'm sorry about that."
Chef Murdock chuckled. "It's okay."
You shook your head. "In all honesty though I think that that was probably the best thing I've ever eaten. I'll definitely be placing some to-go orders for tiramisu after work."
Chef Murdock smiled. "It's not on the menu yet because I'm still perfecting it, but until then if you let me know in advance I'll be happy to make some for you."
"Matt makes his own ladyfingers from scratch," Chef Nelson chimed in. "That's the secret."
"Well, one of them." Chef Murdock grinned at you. "There's a few other secrets to my tiramisu that not even Foggy knows."
Chef Nelson chuckled. "And with that, I'm going to go get started on the dishes I do know the secrets to." 
He gave you a brief nod. "It was very nice meeting you."
"Same to you," you replied.
You waited until Chef Nelson had disappeared into the kitchen before turning back to Chef Murdock. "So about my article… I turned a draft of it into my editor this morning and he said it wasn't personal enough, so he wants me to expand it into a full human-interest story instead of just an interview."
Chef Murdock's brow furrowed. "Oh? What does that consist of?"
"Uh, well… usually with my human-interest pieces I spend time with the person I'm writing about, getting to know them over the course of several days, but since I don't want to take up too much of your time I'd probably just have some more interview questions for you, and if it would be possible I'd like to watch you work in the kitchen for a bit? It doesn't actually have to be during open hours or anything like that, and I'll even sign an NDA if you want me to promising that I won't reveal any of your recipes to anyone."
Chef Murdock pursed his lips as he thought. Finally, he nodded. "Yeah, that's okay."
You huffed out a breath. "Thank you so much. I'm free all weekend, so you can just text or call me and let me know whenever is convenient for you."
"Actually, how about we start tomorrow? Meet me here at, say, 8 AM?"
You nodded. "Okay, yeah, that sounds good."
"Great. I'll see you tomorrow then."
"Thanks again for the tiramisu. It really was fantastic."
Chef Murdock smiled. "You're welcome."
"Okay. Bye."
You turned and walked back into the lobby so Karen could let you out, actually looking forward to seeing Chef Murdock the next morning.
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Matt waited until you left then returned to the kitchen, where Foggy was slicing up cucumbers for the dinner salads.
Foggy paused in his prepping. "So… she seems nice."
Matt nodded. "Yeah, she is."
"Pretty, too."
Matt shook his head with a grin. "I wouldn't know."
Foggy chuckled. "Mmhmm. Sure you wouldn't, Matty. That's why you were totally flirting with her just now."
Matt's brow furrowed. "I wasn't flirting."
"I know your tells, Matty -- you like a girl, you cook for her." Foggy dropped his voice into an imitation of Matt's. "'Oh, I can totally make you tiramisu even though it's not on the menu, no problem'."
Matt shook his head. "She's writing an article about me -- of course I'm going to be nice and offer to make tiramisu for her again. Which reminds me, the editor at the Bulletin wants her to expand her interview into a human-interest story." 
"Oh hey, that's awesome, man. A full human-interest piece will be great publicity for the restaurant."
Matt nodded. "We're going to meet up tomorrow morning to discuss it."
"Couldn't wait to see her again, huh?"
Matt shook his head. "She wants to watch me cook, so I'm going to have her accompany me to the farmer's market then give her a small cooking demo here afterwards before we start prepping for tomorrow night's service."
"Ah okay, cool."
Matt turned his head towards the receiving door. "Josie's here with the wine order."
Foggy set his knife down as the doorbell rang. "I got it."
"Make sure she's got the Frangelico I added to this week's order, will ya?"
"Sure thing."
Matt sighed to himself as Foggy left to go receive their order. The truth was that he actually was looking forward to spending more time with you. You were kind, and funny, and endearing, and according to Foggy, 'pretty', which admittedly made Matt curious as to what you looked like. 
He shook his head. He needed to keep things strictly professional between the two of you. The last time he was interested in a journalist it almost cost him his career and he wasn't going to make that mistake again, no matter how much he was beginning to trust you.
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hgejfmw-hgejhsf · 4 months
Text
2023 Writing Roundup
I had to scroll back pretty far to find the tags for this, so if I missed someone who did this already and tagged me, I'm sorry if I double tag you at the end! But thanks to @kiwiana-writes and @inexplicablymine for tagging me in this roundup post!
As the post is going to reveal, I, uh, only just got back into writing a few months back, after taking almost ten years off due to, honestly, a lack of inspiration. I'd lost my voice, and I didn't suspect I'd ever love anything enough to write again, until this little pink book came barrelling into my life in June, followed swiftly by a little Amazon Prime movie in August, and both changed my life forever.
So without further ado, here's my writing roundup for 2023:
January
Nada
February
Zilch
March
Nothin'
April
Not a damn thing
May
Nope, nothing here either
June
Keep right on going, my friends
July
29th - The Lake House The night following the election, Alex has a surprise planned for Henry. A chance to make some new history.
August
8th - What If I Do? What was Henry thinking when he left Alex at the lake house? What were the days that followed like for him before Alex showed up at his door and forced him to face not only Alex, but himself?
18th - Gravity The first time that Henry enters Alex's orbit, at the Melbourne Climate Conference, and all of their subsequent meetings leading to their "violent altercation" at the royal wedding. Inspired by a post about how Henry very pointedly chose not to shake Alex's hand in the receiving line after the wedding and what that could have meant.
19th - The Rope Henry's reaction to Alex nearly telling him that he loves him at the lake house in Texas.
19th - A brief spark of a moment: A Red, White & Royal Blue drabble collection These drabbles are simply my personal challenge to contain myself to 100 words when I've always been…long-winded.
20th - Retaliation Alex and Henry, now dating, attend another state dinner, where they're unexpectedly seated directly next to each other.
21st - Every Version Alex does a magazine photoshoot, and the day that the magazine arrives, he wants Henry to look at it first.
23rd - On my heart just like a tattoo Alex and Henry are married, and on the day of the ceremony, they decide to do something special.
23rd - Ghosts After Henry leaves the lake house, Alex does not go after him. He doesn't storm Kensington in a fit of pique to call Henry an "obtuse fucking asshole." Instead, the pair spend nearly a year apart, both wrecked and miserable, until they find themselves on the list of speakers for an international conference.
27th - Darkest before the dawn The immediate aftermath of Henry discovering the email leak in the movie-verse.
28th - When I taste tequila Henry’s drunk. If the growing mountain of empty shot glasses, drained and discarded lime wedges, and gritty layer of salt on the table in front of him are any indication, he’s very drunk. Only, his brain is having a difficult time catching on to the fact that he’s drunk. And when his brain is this far behind the rest of him, Henry tends to find himself in precarious situations, with no real conscious thought as to how he got there or how he might have avoided them.
September
4th - The Maldives Inspired by a conversation about the zoomed-in and transcribed article about Henry in People Magazine from the movie and how the photos look like they could have been faked.
After their conversation with the king and greeting the crowd at Buckingham Palace, Alex and Henry ride back to Kensington. Alex mentions that his offer to fly to the Maldives is still valid, and Henry admits that he's never been, which sparks a discussion about some of the lengths the crown would go to in order to convince the world that Henry was straight. Alex considers what Henry must have gone through, and the two of them discuss their past and how it might have been different.
11th - Modification to the map of you Henry comes back from a month-long trip with his ear pierced, and Alex has no idea.
14th - Et Max Laryngitis Alex gets laryngitis, and Henry decides to have a bit of fun at his expense.
23rd - How bizarro is that Alex gets food poisoning, and Henry takes care of him…sort of.
27th - Royal Assent “If the boyfriend of a prince of England fails English Legal History, you’ll be the one to blame,” Alex murmurs as Henry sucks a bruise on his neck. Henry had arrived home from the shelter to find Alex buried under a mountain of books, his glasses askew and his hair wild, wearing the same bewildered expression Henry had seen as he walked out the door earlier that morning.
As he climbs into Alex’s lap, jumping a little as a particularly sharp corner of a hardcover book pokes him in the arse, he can feel the tension in Alex’s shoulders relax, ever so slightly.
“You aren’t going to fail. In fact, I’m going to help you,” Henry says, each word separated by a kiss to Alex’s chest, neck, cheek, and finally lips.
OR
Alex is trying really hard to study for a law school exam, and Henry takes it upon himself to...assist.
28th - 5 Times Henry Hated New Year's + 1 Time He Didn't “This is my curse,” Henry mutters, and Pez laughs across from him.
“You can hardly be responsible for the weather.”
“So the glaring fact that every single New Year’s Eve on record in my life has been an utter disaster means absolutely nothing to you?”
“We’re going to make it, so no, it means nothing to me,” Pez says with cheerful optimism despite the constant fluttering of white beyond the plane windows.
OR
5 times throughout his life that Henry's New Year's countdown has been ruined, and 1 time that it isn't.
29th - Stars in the sky are the stars in my eyes The ding of a notification sounds in the otherwise silent living room. As Henry’s eyes continue to scan the page of his book, ignoring his phone, Alex can’t help but glance down at the illuminated screen between them on the couch.
“Is that…a horoscope?” Alex asks, immediately retrieving the phone to confirm his suspicions at the exact moment Henry grabs for it a beat too late. He watches the bright shade of red crawl up Henry’s neck to burn just beneath the skin of his ears.
“Perhaps,” is all he supplies, his voice muffled as he buries his face far too close to the book’s pages to realistically read anything written there.
***
Henry gets his daily horoscope, and Alex is intrigued, so Henry shows him the constellations.
30th - What started in beautiful rooms Henry’s never taken any extra care in his appearance when playing polo. Certainly, he’s given an adequate amount of time and effort to ensure that he appears composed, but the sport itself lends to a bit of chaos, between the pounding of hooves and the whipping of the wind in a frantic rush. It’s all incredibly…well, wild.
No, Henry’s never taken any extra care in his appearance when playing polo…except today.
OR
Henry's point of view during the charity polo match.
October
1st - Do we still have forever? Alex has a sudden, serious allergic reaction, and Henry can't help but think about losing him.
2nd - Dear Dad I should start from the beginning, or rather, I should start by telling you how I got here, to this moment, writing you this letter.
OR
Henry writes a letter to his father on his wedding day.
3rd - Liquor was the only love I'd known June finds them at some point and steals Henry away to gab at the bar. Alex watches them from afar, wondering what they could possibly be talking about that has June nearly falling off her barstool laughing, until the crowd overtakes him again.
3rd - Then came a baby boy with long eyelashes Following their initial spirited entrance into Alex's hotel room following the DNC, Henry asks Alex about his encounter with Miguel in the bar.
13th - Volume Control Prompt Fulfillment: I need someone to write a FirstPrince fic where Henry overhears Alex saying "Henry is so annoying I can't stand him" so Henry says "kneel then" and it short circuits Alex's brain.
20th - 5 Times Alex Made a Disney Movie Reference + 1 Time Henry Did Alex and Henry have watched a significant amount of Disney movies, and well, Alex tends to have questions.
20th - You can't escape this drying ink “There’s…a matter…that requires your attention, in the Red Room. I’d be happy to escort you there.” She glances sideways at Henry’s PPOs, who shift in place, readying themselves to follow where she leads. Henry nods again, uncertain what other options lie open to him even if he wished to take one.
OR
Henry's thoughts at the state dinner as Amy leads him to the Red Room.
31st - Save a horse Alex convinces Henry to dress up as cowboys for Halloween and quickly realizes that Henry dressed as a cowboy was not something he was entirely prepared for.
31st - I'm not a robot without emotions, I'm not what you see At the royal wedding, Alex drinks and dances and contemplates both of the princes.
November
1st - The Candy Tax Ten-year-old Alex has invited his new friend Henry, who just moved to Texas from England with his family so that his movie star dad can be based in the US to shoot more movies, over for a sleepover the night before Halloween.
1st - Through the summer and the fall, we had each other, that was all The mountains are on fire. Red, orange, and yellow leaves cover thousands of acres of land, and the peeking of the sun over the distant horizon illuminates the hovering fog, creating the illusion of a persistent fire burning brightly without causing any damage. Instead, it paints a masterful landscape for an early morning riser to gaze at as he sips at a cup of Earl Grey and marvels at the fact that this beauty is a sight he has somehow been blessed to see.
2nd - Heart enough "...there are very few of us who have heart enough to be really in love without encouragement."
Instead of Alex flying to London, Henry is sent to D.C. to do the post Cakegate damage control just in time for Alex and June's annual Halloween party.
2nd - Life is a maze, and love is a riddle Alex, June, and Nora take Henry to his first haunted corn maze.
3rd - All at once, everything is different, now that I see you Alex throws out some possible suggestions for his and Henry's first ever couples Halloween costume, but Henry has something else in mind.
3rd - Halloween at Kensington The Fox-Mountchristen-Windsors may not be able to go out trick-or-treating like a normal family, but they can still celebrate Halloween in their own special way.
4th - No fear, no fences, nobody - no reins Henry takes Alex to a nearby farm outside Austin to teach him how to ride a horse. Eventually, they stop at a log cabin in the words for the night, and they decide to try another form of riding.
4th - I don't know why all the trees change in the fall Alex has had a terrible day. It's raining, it's cold, and he's absolutely miserable. All he wants to do is dry off and collapse in bed. But when he walks through the door, Henry is ready and waiting to take care of him. He even has a surprise that he's cooking up in the kitchen. And Alex gets to take a trip down memory lane.
5th - A-gourd-able “Oh, so that’s the reason you wanted a child so badly. Not for the opportunity to nurture and guide and love another human being that you helped to create, but for the perks of walking around to strangers’ homes asking for candy that our baby can’t even eat.”
OR
Alex and Henry take their daughter trick or treating for the first time, and it's Henry's first time as well.
5th - I want to play a game Alex and Henry agree to watch all of the Saw movies to determine if one or both of them will end up too scared to continue. Do they make it through the series? Or does one of them give in and lose the wager that they've made?
5th - Barbecue Sauce "I want to see your mouth covered in barbecue sauce. And then, I want to lick it off."
6th - With magic soakin' my spine, can you read my mind? What happened after Alex, June, and Nora played their little HRH Prince Henry Fact Sheet drinking game? Well, in this version of events, Alex finds a mysterious bottle containing what appears to be a magic spell for "Clarity of Mind." As dumb as it seems, he does the ritual and reads the incantation and moves on, flying to London for damage control. But when he shakes Henry's hand, suddenly things change, and Alex realizes that maybe magic is real after all.
6th - Don't need no butterflies when you give me the whole damn zoo (podfic included) Henry takes Alex on a trip to visit...a couple of old feathered friends.
6th - It's autumn in New York; it's good to live it again It's the first day of fall in New York, and Alex comes home from class with a special surprise for Henry.
6th - Reciting to the Waterloo Vase: Drabbles for the RWRDrabblePrompts Tumblr
13th - Wind me up, fill your cup like a river, drunk on watching me drown Henry sighs. "Is that the time you threatened to push me into the Thames?"
OR
That time Alex threatened to push Henry into the Thames.
23rd - The injury of finally knowing you (a birthday present for @ships-to-sail) Henry's thoughts just before and immediately after the countdown to midnight on New Year's Eve.
23rd - Smutsgiving 2023 Alex's heart rate monitor on his Apple Watch alerts him to some strenuous activity…at the worst possible time.
December
1st - We need a little Christmas The one where I let a random Christmas word generator choose a drabble prompt for a Christmas advent. Enjoy!
20th - Four Christmases From Washington to Austin, London to New York, Alex and Henry spend Christmas with different members of their families from 2020 - 2023. Funny couples' Christmas sweaters, festive swimsuits, statement-making ties, and family pajamas all bring lots of laughs, some tears, and a bit of fun to be had by all along the way.
25th - Oh what a laugh it would have been When Alex dresses as Santa Claus on Christmas Eve, their five-year-old daughter makes an extra special, last-minute Christmas wish.
AND
Alex leaves his Santa suit on for a private evening with Henry while everyone else is snug in their beds.
Unpublished but Completed
December 30th - Take Your Time A New Year's Eve AU set in New York City (and that's all I'm willing to give away...for now)
January 1st - NYE Gift Exchange Fic
Tagging all of my lovelies who may or may not have already done this (please ignore this if you have!): @adreamareads @affectionatelyrs @anincompletelist @cha-melodius @clottedcreamfudge @cricketnationrise @daisymae-12 @duchessdepolignaca03 @gayrootvegetable @getmehighonmagic @happiness-of-the-pursuit @heybuddy-drabbles @indomitable-love @indestructibleheart @leaves-of-laurelin @leojfitz @littlemisskittentoes @lizzie-bennetdarcy @magicandarchery @ninzied @priincebutt @read-and-write- @rockyroadkylers @roseharpermaxwell @ships-to-sail @songliili @ssmtskw @statueinthestonetoo @stereopticons @suseagull04 @thinkof-england @tintagel-or-cockleshells @user-anakin @vanillahigh00 @violetbaudelaire-quagmire @whimsymanaged @wordsofhoneydew
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wanderingaldecaldo · 2 months
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Tagged by @gloryride, @gamerkitten, @chevvy-yates, and @aggravateddurian to share something I'm working on. Thanks, chooms! Still leaning into the ADHD, so there's several things I'm working on simultaneously. Most recently it's been...
Modding
The cutoff vests are 95% done, just need a few touches before I can make them live on Nexus, so what better time to start a new modding project? 🙃 A friend mentioned wanting Vik's pants and I'm always looking for more butch clothes for Val especially ones that ride low on those hips but also the belt & tools seem like a fun project.
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Unedited. Not bad for an hour's work ☺️
Both the pants and belt are simple replacers to start while I test. I have some clipping to deal with on the pants, but so far the weights look okay. 🤞
As for the belt, I lost the tools somewhere between Blender and Wkit lol. I wanted to take a go at texturing them in Substance Painter so I split them off into their own submesh. Not sure where I lost them but I'm sure they'll turn up again.
Writing
It's fitting that Durian tag me because my latest writing was incited by a scene in his fic "The President's Lady" in which Myers invites Sol and V to lunch at the White House. I'm going for a more, uh, traditional take on The Tower ending than he is, using my fave angst, combined with some good ol' longing and probably some flashback smut. I've been canoodling on this in my notebook since Durian's chapter came out, writing a bit each night before falling asleep. I started transcribing it just for this post, so here are 315 of 338 words, hot off the Google Docs.
Some backstory: The second time I played Phantom Liberty I beelined to Dogtown, and skipped meeting the Aldecaldos and doing pretty much anything past finishing the VDBs quests. Vik was the only one who called, and she decided to take Sol up on his offer of a job at Langley. Soon after she's back in DC, she gets an invite to lunch from President Myers.
“Thank you, Madam President.” “V, please. No need to be so formal. I believe we’re well past that now.” “Heh, just a few weeks ago, told you—” “Yes, V,” she cries out, breath hot against her neck— Stopping, Rosalind turns to look at her, eyebrows and lines of her forehead drawing to a point, as if finally she recognizes V for who she still is. “I suppose that really was like yesterday for you.” The lines soften and she leads V to a sofa across the room, gesturing for her to sit first, then sits close and takes her hand. Long, graceful fingers teasing her skin— V stares down at her hand in Rosalind’s, her arms blank of cyberware still a disconcerting sight, but she doesn’t pull away. “How are you feeling? I can’t imagine the news was easy to hear.” “No, wasn’t,” she says with a shake of her head. “Thought I was gonna die a merc but now....” “I’m sorry I wasn’t there to tell you myself. Solomon suggested it would lead to too many questions among the staff. He’s right of course, but I still feel I let you down.” V frowns. “Ma’am?” “You weren’t my agent for long, but that doesn’t mean you weren’t important. What you did...” Rosalind trails off, eyes dipping to her mouth before she drops her gaze to their hands on her lap. Her nails are still perfectly polished, buffed to a shine. She looks up and says, “I’ll never be able to repay you for all that you did for me.” V down looks at their linked hands then, heart pounding, she leans forward to kiss her, as if she’s just any other woman, not the most powerful in the world, and Rosalind tilts her head and parts her lips and— She swallows and shakes her head. “You did, though. Least as far as I’m concerned.”
Tagging with the usual no pressure disclaimer: @medtech-mara @breezypunk @streetkid-named-desire @peaches-n-screem @rosapexa @luvwich @merge-conflict @steelscorner @ghostoffuturespast @byberbunk2069 and YOU!
Take this as an invitation to share something you're working on and tag me! Doesn't have to be Cyberpunk, or anything fandom-related!
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blocksruinedme · 2 years
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Something big is happening in Empires & Hermitcraft. Let's discuss! Specifically, Grian, Smallishbeans, LDshadowlady and Fwhip's episodes the week of October 9, 2022. I've clipped all the relevant scenes down below. I'm very interested in corrections and commentary!
[Note: They all ended their episodes at a portal with weird stuff happening, so if you're looking to check videos for rift lore, maybe skip to the ends.]
- October 9 - Grian finds a button in front of his Hermitcraft rift. It says "Begin?" Grumbot[1]  gives him a message that says "Push the button". He tries not to, but eventually gives in. (This is typical Grian behavior.)  (HC 9: Ep 23)
- October 11 - Lizzie finds a portal on Empires that bears some suspicious resemblance to Grian's rift. Hoping she might get crystals, she sends a fox named Gary through on a minecart to investigate, and bring back "lots of crystals, the shinier the better". They hit the portal, Gary goes through, the minecart doesn't. (Is Gary a modded villager? That's lizzie's thing?) (Empires s2, Ep 11)
- October 13 
(1) Joel spies the portal from his bridge, having heard about it already. He says he'll send something through because Lizzie already did. He sends one of his Jimmy dolls - it's important to remember the doll is named "Smallishbeans's Head". There's no minecart, he just chucks it in.  (Empires s2, ep 19) (2) Fwhip hears an explosion and finds the portal, decides to not engage with any of it. Later, Lizzie comes to Fwhip for help rescuing Gary, and they send Fwhip's creature, "Sniff, Explorer of the Deep", through the portal on a minecart to get Gary. I have no idea what kind of creature Sniff is. Some modded goblin horse I get. Snort's older brother. idk. (Empires S2 : Building a GOBLIN LAVA FORGE, because he can't be bothered to use episode numbers I guess?)
Maybe it's not Grian's rift, maybe Hermitcraft and Empires aren't connected, but that would be WILD. If you don't know, Grian is IRL friends with Lizzie and Joel, so them collaborating makes a lot of sense. Sausage is having big flashbacks to Empires s1 and Afterlife SMP. Gem and FalseSymmetry are in both Empires & Hermitcraft, and False's plot is about having woken up in a strange place. Pearl is in Hermitcraft, and was in Empires s1, and there's deep lore about her that I'm not caught up on, but she already exists between series, she sent Oli (theorionsound) from Afterlife SMP to Empires season 2, from her base in the sky. She's been Watching everything! She's a Saint? A Goddess? (I am going to catch up, I only finished emp1 this month.) And I'm told her afterlife/empires sky base is her hermitcraft s8 base. 
The Jimmy toy looks like Jimmy and has Joel's name. Their Double Life soulmates are in Hermitcraft. I saw a comic once that had Tango finding a Jimmy doll and it feeling familiar. Thus, I am now insane and will be at least until empires s2 is over, probably forever.
Here's some videos and some transcripts, but I've been at this two hours and I'm not transcribing them all, sorry!
(I will hopefully keep updating as things develop, but no promises. Probably with less transcription. I'll tag them all #mcyt crossover, because who knows how deep this will go.)
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Joel transcript, at 13:26 - Joel spies the portal. "and whilst we're here, look at that. that's lore right there. weird lore stuff's happening on the server guys. what is it? I don't know. But I saw that Lizzie put something in it, so we should go put something in it as well. So what better than this little toy man here? Well, the toy version of the toy man. Have fun little toy-- oh, it's missed. Let's try again." [toy name says "Smallishbeans's Head"] "Have fun little toy man! And just like that, he's gone. I hope he's okay, but if he's not okay, then that's fine as well to be honest.
Fwhip transcript
11:57 - Fwhip says Jimmy is toying with his heart. </3
12:00 - Fwhip hears an explosion. "What? Bridge? What is (x3) that? I'm sorry but this is brand new. How did this pop up here out of the wall? [confused goblin noises] You know what, if I've learned anything being underground in the goblin cavern it's don't dig where you're not supposed to be digging. I'm going to be leaving that as if I've never saw it [things about copper and cave safety] spooky things are happening". 
15:30 - (too long to transcribe) Lizzie blows the emergency horn, says there's a situation with Gary, the greatest explorer who ever lived in Animalia. She's upset that Gary hasn't come back, Fwhip tells her that he heard an explosion earlier, Lizzie is more upset, wants a rescue mission. Fwhip says his empire's greatest explorer, "Sniff, Explorer of the Deep" has just returned home, [they laugh heartily]. Lizzie takes Fwhip and Sniff to the "crystal cave". Fwhip says maybe Gary did the explosion. Lizzie says Gary had a very specific mission (get crystals) and he'd never stray from the mission protocols. They tell Sniff to find and bring back Gary. Sniff spins around a lot, because he's excited for a job. They put him on a minecart, Lizzie makes a Harry Potter reference (which she and Joel do all the time), and the episode cuts right there, no outro. 
Time stamped links to the original videos (give them a like!): 
Joel https://youtu.be/rUmWjXaJGcw?t=805
Lizzie: https://youtu.be/bunhaERjxmE?t=533 Fwhip: https://youtu.be/jI3bYNJXuVs?t=717 (second part is at 15:30)
Grian: it's the whole episode https://www.youtube.com/watch?v=Onsbmy3r70g
[1] Grumbot is... in HC s7 Grian and Mumbo he made a robot son to help Mumbo win the mayoral election, then they lied to him and sai that he won, and put him in a (nice) box. Now there's a grumbot here and maybe he's from an AU and he says creepy things like "My Grian was sorry too" and I've only watched bits of all this.
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owlboyarchive · 4 months
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Interview
So after I heard news of the Owlboy fandub, I was intrigued. I had the opportunity to interview the person who set it all up, @allthedavesallofthem , which is transcribed here. Minor edits were made, but only on my half for misspellings and grammar. Thank you to the voice actors involved with the dub as well as those who set it up, it's amazing to see other fans of Owlboy do such amazing things. Of course, a big thanks to @dpadstudio for making the game itself. The dub can be found at @unofficialowlboydub
Sorry for the preamble, here's the interview. Q is Question (and Qwerty) and A is for the person who set up the dub who I tagged up above.
Q: How long have you been a fan of Owlboy?
A: A friend of mine told me about the game when I was in college, I think it was the year after the game came out when I actually first played it, so about 2017. I was immediately charmed by it. The gameplay was simple yet engaging, and I found the ending incredibly touching.
Q: What led you to undertaking the dubbing project?
A: This is actually my second time attempting this dub. Before I had first played the game, I had also been involved in an amateur voice acting project that attempted to dub the webcomic Homestuck. I had occasionally considered the idea of starting a fandub project of my own, though I had no idea what would be a good thing to actually dub. I didn't really think about it for a while, but after finishing Owlboy, I had really wanted to do something creative around it, and I had remembered the idea of creating a voice acting project again, and I decided I had to do it. I created a casting call and actually ended up releasing two episodes, but I had no experience in managing a project and a chaotic schedule as a college student, so it fell to the back burner and finally fizzled out when I found that my game recording footage had been corrupted after getting a new PC. I didn't think much about voice acting or Owlboy for several more years, but last summer, I was looking for a new hobby to get into, and I remembered how much fun I had with amateur voice projects in the past, so I took an online voice acting 101 class, and it reinvigorated my interest in the hobby. I looked back to when I did the original attempt at the dub, and felt that I could do it better this time, so I decided to restart the project.
Q: What was the hardest part of setting up this dubbing project?
A: The hardest part is definitely coordination. There are a lot of different things that need to come together, and making sure that it all happens smoothly and at the right times takes a lot of work. Game recording, script transcribing, video editing, managing a cast of voice actors, audio editing, and more all have to come together at the right time and work together in the right way.
Q: How many more episodes do you have in the works until the project ends, and do you think you'll do another Owlboy related project (not necessarily a dub) in the future?
A: I'm not actually sure how many episodes are left before the end of the game... I recorded about 16 hours of footage for the game, and I aim for somewhere between 20 and 30 minutes per episode, but I also end up cutting out footage where there isn't much going on, such as long sections of just moving from one place to another or backtracking. My best guess is maybe around 20 episodes? We'll have to see once I finish sequencing all of the raw game footage. I don't think I'm going to want to run another voice acting project myself for a long time - after Owlboy, I want to return more to focusing on being a voice actor over directing projects. As far as another Owlboy project in general? I have no idea. I don't really have anything in mind at the moment, but who knows?
Q: Do you have a rough time frame for the end of the dubbing project? Like, when all loose ends are tied up, nothing left to do but post the video.
A: The current pace I'm targeting is about 3 weeks per episode. If there ends up being 20 episodes and that pace holds up, I would expect the dub to finish in early-to-mid 2025.
Q: Will you dub everything first and then put the lines in, or do you record lines as needed?
A: It's currently a "work-as-we-go" approach. It probably would've been more efficient had I structured it differently and got all of the video recording done, then the editing, then the scriptwriting, then the line submission and audio editing, but I know that without having some tangible results earlier on, it would be harder for me to keep myself motivated to finish.
Q: I understand. I think that's all the questions I had involving the inner workings of the fandub. I have two questions left, but do you want to clarify anything before we move on?
A: I just want to publicly thank the voice actors working with me on the project. All of you have been amazing, and there's no way this project ever happens without all of your efforts.
Q: Here's the last two questions. I saved the 'best' for last. Who is your favorite character from the game, and what scene or moment do you look forward to dubbing most?
A: Favorite character? That's tough. I keep switching between Geddy and Alphonse as I think about it, but I think I'll go with Alphonse. All of the other pirates are these cold, unfeeling killing machines, but on the other hand, Alphonse just has dreams of becoming a stage actor! He can still handle himself in a fight, and his musket blast is extremely handy. Out of the characters that aren't party members, I also really like Solus and his arc as well.
A: I think the scene I'm looking forward to the most is probably the ending sequence, post-final boss. In particular, the interaction with Asio at the end almost had me in tears when I first played. That one's gonna hit hard, I think.
Q: Thank you for answering my questions! That's all I have. Do you have any questions or concerns for me involving anything?
A: Thank you for interviewing me! I don't think I have anything else. I'm always inspired when I see people being passionate about things I've made.
That's it! Once again, a big thank you to the creators of Owlboy, D-pad Studios, to all the voice actors involved with the project, and the guy who set the dub up, who I tagged up above at @/allthedavesallofthem. None of this could be done without you! I'm really looking forward to the next part of the dubbing project.
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SOLAR okay hi!! So I’ve noticed a while ago that some people will write image IDs in alt text and also paste them in the post! And I was wondering the purpose of that- but I sorta just forgot about it!
But!! I always write alt texts for my art, and other posts I make with images. Someone reblogged some of them and tagged “undescribed” and that confused me (for clarity, note that I am not like, offended by this or anything, only confused! I just don’t understand why :]!!)
so I was wondering if you know why that might be? The reason I ask you is because I don’t know who else I would ask D:
Basically I’m wondering if I should be putting the IDs in the post as well as in alt texts, or if it’s simply a matter of preference!
okay SO! This isn't necessarily an easy answer. There's a few components to this and different things to consider, so let's take it step by step, go over obvious information, and then get to the root of your question. This is not going under a cut, sorry folks but tumblr can be finicky and information under a readmore can get lost fairly easily.
DISCLAIMER: I don't require image descriptions in my daily life, but i've been writing them for four-ish years at this point. The information below is what I've gathered from several "how to do image descriptions" posts over the years. I'm open to any corrections, feedback, or additional information anyone can provide!
Why do people require image descriptions? Pretty simply, for one reason or another, a person can't access the contents of an image. They could be blind or low vision, or have a learning disability that makes reading difficult. An image description can either transcribe text in an image (e.g., a description might read "text saying i love birds") or describe the contents of a picture (e.g., "a cartoon image of a bird on a nest"). People with low/no vision, or who can't read, use a variety of accessibility aids to help them navigate the 'net.
What are some of these accessibility aids? They take various forms - and that's more important than you might think! Screen readers are the most obvious, but they're not used by everyone. Other people use dyslexia-friendly fonts, magnify text, or invert colours or use high-contrast mode to make reading text easier. However, none of these options work with plain images! Someone with dyslexia could probably see the image of a bird on a nest just fine, but may not be able to read the words "I love birds" in a screenshot. Someone with low vision might not be able to see either image. If an image has a description attached, the text of the description will be magnified, or its font will be changed, or it'll be high contrast, or whatever else that person needs, and they can access the image via its description.
Alt text, image descriptions, and pros and cons of each So, what are some of the benefits of alt text? Because alt text is attached to an image, people using screen readers will have the description read to them as soon as they get to the image (if an image has no alt text, the screen reader will just say "image"). Because it's attached to an image, it's harder to lose it - if a post originally doesn't contain image descriptions and someone reblogs with a description later on, there are still going to be reblog chains that don't have the description attached to them. Some people also prefer alt text because image descriptions can make a post look "messy" - some people are less likely to reblog posts with visible image descriptions attached to them. And, for people who use screen readers, it can be really annoying to just hear "image" without knowing if it's followed by a description or not. But as we established, not all people who need image descriptions use screen readers, and not all accessibility aids work with alt text. For people who magnify text, for example, alt text often gets cut off. This is a bit easier to deal with on desktop - there's an XKit extension that puts alt text in a grey box below the image - but on mobile, this can be a real problem. As yet, I don't know for sure if high contrast, inverted colours, or accessible fonts work with alt text on mobile or in the visible alt text the XKit extension provides (if you know, please, tell me!) - but I know they work for image descriptions posted after an image. Alt text is great, but image descriptions are, at the moment, more consistently accessible.
So what should I use? Both? While either alt text or image descriptions are good, the consensus among those who need them seems to be to use one or the other, not both on the same post. For people who use screen readers, hearing the alt text only to immediately hear it repeated can be annoying. I'll use alt text if it's only going to be a couple of words or a single line, but otherwise I tend to use the alt text to say "image described below" to reassure those with screen readers.
But WHY are people tagging my post as undescribed? Bestie you wouldn't believe what people can miss. I've got a viral post that's got a GIF followed by a very obvious image description and it gets tagged as undescribed every so often. If you're using mainly alt text, it's possible that it's not visible on mobile yet - the tumblr app only shows the little alt text box about half the time. Or people get lazy and forget to check, or force of habit means they tag undescribed even though they did notice. Just tag them in the replies and point out that the description is actually there - the undescribed tag exists because a lot of people who need descriptions filter that tag so they don't waste their time on posts they can't access, and they deserve to see accessible posts!
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trilobi-te · 4 months
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Chipspeech Twitter Archive Update
Hi I should have done this months ago.. I do not know when (or if) I am going to finish that website lmao. So I am just going to share my notes from Google Docs. Should be easier to read than the original posts and helpful as a starting point if anyone else decides to make a website :3
The documents are all on commenting mode so feel free to make comments to bookmark things for yourself or write your thoughts or whatever. Under the cut I have put some formatting notes.
It's a folder, each year of Twitter posts is its own document (I tried to compile them into one but it lagged too much). There is also a document with all of the original Tumblr posts (from the accounts I could find, no tags yet but I will go back and get them eventually, also no dates but they're all from 2015), and one with the bios from the official website for ease of access.
The formatting is a little (a lot) weird and there are probably pictures that need resizing/transcription but I figured it's better to give people access now. The text is small (to keep the page count as low as possible) so you will have to zoom in.
It goes by day, organized with a bulleted list. The top level bullets are each character that tweeted that day. The second level bullets are original tweets/retweets by that character. The third+ level bullets are comment threads under that tweet, the organization here is inconsistent but imo still readable (if you think something needs an edit for clarity let me know and I'll fix it).
For each character's section of the list, normal text is that character's tweets/comments. Italicized text is anyone who is not that character. If it is labeled with unitalicized text, it is that character/important account (e.g. the official Chipspeech account), otherwise it is a fan. I also included some labels and/or clarifying comments for Vocaloid producers I like, they're not central to the story though
I got rid of the line breaks within the tweets when copying them down because it was easier to format. Sorry about that. Idk how to fix it other than going through everything again but it doesn't take away from the story so I'm leaving it for now.
If something came from a website other than Twitter, I tried to provide the link (unless its content was deleted). I did my best to transcribe the Clyp posts that were not deleted.
If something is a text-only retweet, it is marked with [retweet]. If it includes an image, it's probably a screenshot of the whole thing. I only included retweets that felt story-relevant (so no miscellaneous cat pictures, Apple-related aesthetic images, etc.), but if people really want it I can go back and add the rest.
Deleted tweets are noted with [deleted tweet], with the characters they came from if applicable. Idk how Twitter works but it the person in the thread is replying to the username of a certain character, I assumed it was that character's tweet that had been deleted. If something says [deleted Dandy thread], assume there is a deleted Dandy tweet in between each of the listed tweets (or another character, but it's usually Dandy). That was meant to be a temporary time-saver and I've gone back and fixed the ones I've found, but there's probably more I accidentally skipped.
Anything not in English is translated in a comment. Except the X-Sampa (I will fix that sometime but there's not much of it). Also it was done with the built-in Google Translate feature so it may be a little incorrect. Unclear pictures and whatnot also have clarifying comments. I can add more clarifying comments (or image IDs) if anyone needs them.
I tried not to include any unattributed fanart but there are some that I forgot to copy the handle for (I am also fixing these when I find them).
As for any future updates to this folder as a whole, I kind of want to go back through each account's liked tweets to see if there's anything funny in there but idk when that will be. That would probably be its own document.
Honestly I should have given everyone access back in June.. oops. If you have any questions you can put them in a comment on this post (or reach out to me another way, idk). As I mentioned before, feel free to use all of this as a starting point if you're making your own website.
I'll pin this post so it's findable in the future. Also sorry for disappearing for several months (it will happen again).
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rgbcn · 4 months
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So weird because I received an email about an ask in my account but I can't see it here?? So weird!
I'm glad it wasn't annonymous so I can tag and answer anyway!
@perfectparsons I got your ask, let me past it here:
"I have a question? Did Sheldon say he was making "snapping" noises when him and Amy were having coitus during the honeymoon? Or did I just HEAR that wrong??? o.O"
You got me here, as I don't remember this exact moment you are refering to, do you remember the episode you were watching? That way I can rewatch it and take a closer look to the dialogues, I'm spanish, I watch the shows in english but I rely on subs for some of the moments because it's sometimes too fast with USA only references or science or names I don't know for the jokes (remember I was on a taping real life and when they said "they are FRAUDS!" I understood "FROGS", I did a comic about that because it was hilarious, and I knew I was wrong, for context I got it, but you know, I'm not native).
You can always rewatch, or you can check transcripts, this blog it's only until season 10, but my friend and patron Tensor, from the forum, I know he is transcribing S11 and S12, I will link below what I found, you can search there to verify what Sheldon really said.
Sorry I can't help more now, if you find the reference, let me know, now I'm curious!
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freesidexjunkie · 2 months
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WIP tag game
Thank you @kcwriter-blog for tagging me!! 💕 tagging @gammacrow @dutifullylazybread and @rosieofcorona (sorry if you already got tagged by someone else)
Sharing a snippet from the working version of chapter 7 of my solavellan fic. You can read the first six chapters here on AO3. Not exactly entirely on hiatus while I struggle thru this semester, but I have had very very little time or spoons to transcribe from my notebook onto the computer so I can actually upload.
I focused instead on summoning and unsummoning a small flame at my fingertips. Pop, crackle, sizzle, over and over again. In, and out. “You don’t have to come check on me, Solas. I’m fine,” I said.
“I know,” he replied, cupping a young flower in his hand to inspect it. “I merely thought I might enjoy the fresh air.”
“Maybe I wanted all the fresh air to myself,” I answered sharply as the next flame popped and sputtered out.
Solas only smiled to himself as he eyed the flame. “Perhaps I wanted to make sure you didn’t burn the courtyard down, then.”
“Very funny,” I replied with a snort as I tried to suppress a smirk.
“May I sit?”
He was gesturing to the empty spot on my left. I did think about sending him away, for a moment, as I stared into the burning flame growing higher in my palm. “Fine,” I finally sighed out, “if you aren’t worried about getting set on fire, that is.”
“I’ll take my chances,” he said as he sat down on the edge of the fountain. “You seem to have some mastery over it. I think I should be safe, as long as I don’t provoke you.”
I felt a wry smile tug at the corner of my lips. “You think so little of me? Was my tantrum that bad?”
“You’re too hard on yourself, lethallan,” he said. “Besides, I’m sure you wouldn’t throw a fireball at me unless I truly deserved it.”
“And sometimes, not even then,” I replied as I bumped my shoulder into his knee. The easiness of the gesture quickly turned into something sickening and guilt, twisting my chest like a vice. I could scream and rage at him all I wanted, but that didn’t seem to change how much I wanted to slip back into our old, familiar patterns. It would’ve been too easy to want to stay there, leaning into his legs while the world spinned on into chaos around us. But I didn’t, instead awkwardly swaying away and going back to work on my flames. “I wouldn’t risk scorching Josie’s gardens, at least.”
He cleared his throat as I leaned back away; or maybe choked a bit. “Yes, well… It is impressive magic. Did it take much practice?”
My concentration on the mindless casting broke as I considered it, flexing the metal fingers as I turned my forearm this way and that. “Sort of? Some of it, yeah, but not the… well, this. It’s just something to do with my hands, really.” I answered. “It’s different than casting through a staff, though. I did shock myself a few times with lightning magic. But it’s like… just directing the magic a bit differently. It took some practice, but it’s not exactly hard.”
He stared at the arm as I explained, blue glowing deep within the golden-hued metal. “Remarkable,” he replied.
“What, your spies didn’t bring you a full report?”
“You overestimate the extent of my involvement,” he said, though his cool exterior cracked when I cut a skeptical look at him. With a nervous chuckle, he continued. “I… all I know is that it was crafted by the dwarven arcanist from the Inquisition. I did not press my people for more. I wasn’t lying when I said I have tried to stay out of your affairs.”
I eyed him for a moment, letting him sweat just a bit longer before speaking. I hummed a little sound in response, propping a cheek on my knee to look at him with the smallest of amused little smiles. “You’re a terrible liar,” I said.
“I never claimed not to be,” he answered, his cheeks coloring as he tried to avoid looking me in the eyes. He angled himself a little more towards me - or more towards my arm, as his staring suggested. “Are you… how much control do you have over it, exactly? When casting, I mean. Is it–”
“As much control as you have over your staff, at least,” I answered. “And don’t think I can’t tell how hard you’re trying not to drool over it.”
“I’m not–” He stopped short, letting his defensiveness dissolve as he caught my poorly hidden smirk. “Yes, of course,” he said with a small huff of laughter. “It is an impressive bit of enchantment. I was merely curious about how it worked.”
“Is that your way of asking to see it?”
“I… no. I wouldn’t want to bother you any more than I already–”
“It’s fine,” I said, extending the enchanted arm up towards him. “I don’t mind, I suppose. It’s not like I have anywhere important to be, anyways.”
Solas glanced back and forth between me and my arm with a cautiously guarded look, as if he was deciding whether this was some sort of trap. Which was ridiculous, anyways – if I wanted to do something to him, I already would have. I shook my arm at him a little with an impatient look. “Well?”
Carefully, gingerly, he took the proffered hand in his own and began examining it. Slowly, his cautious reluctance relented to his curiosity. He was careful at first not to twist or pull on anything as he looked over it – overly so, like he thought it might break if he did something wrong. But the blue glow of the lyrium and the soft thrum of magic quickly pulled him in, and he leaned in over the arm to examine it more closely. “Interesting… Is it fully functional? In terms of spellcasting, I mean.”
“More or less,” I answered, looking at my arm instead of Solas. “There’s a cap on the output. I don’t think I’ll be casting any huge fireballs with it, but I haven’t found any magic it can’t do at all.”
He gave that a hum as he continued to look over the arm. He looked thoughtful and curious, completely lost in study as he continued to ponder its inner workings. I found myself staring at the furrow of his brow and the tilt of his jaw as he thought, uncomfortable again with how horribly familiar this all felt. Solas turned my arm gently so that the palm was facing upwards, supporting it in one hand while he leaned over it. During all of this, I was sitting stock still, trying not to stare at the way his eyes darted over my arm and to breathe like a normal person while he worked. I knew I couldn’t really feel any sensations on that arm, but every delicate touch and thoughtful look still seemed to send shivers through me. It’s just an arm. He’s seen much worse, I thought to myself, unhelpfully as I felt my cheeks getting warm.
“Could you cast something now? Like what you were doing early,” he asked.
I let out a breath I had been holding as I forced myself back to the real world. “Depends. How attached are you to your eyebrows?” I asked, to a seemingly unamused audience. “Kidding. Let go.”
He did, and I gratefully took the chance to slide a bit back to a safer distance. Summoning up my concentration, I focused my mana to channel through my arm, just like I would any staff – but with less force behind it. A small swirl of snow and ice began to dance around my finger tips before coalescing into a small whorling ball of flakes in my hand, like the inside of a snow globe set free. But Solas’ eyes weren’t on my showy display; rather, he was watching the glowing seams between metal plates and connections as the lyrium inside reacted to my magic.
“Curious,” he said. “It has a much larger supply of lyrium than I’d expect. With your magical talent, you should be able to cast larger spells with ease if you just–”
“Yeah, if I wanted my arm to blow up in my face,” I said, interrupting his train of thought. “Dagna capped it on purpose. If I pushed it too far with a staff, I could just drop it and run, but I can’t get rid of a limb so easily. And, as it stands, I try not to break my fancy, irreplaceable toys.”
“Ah. Of course,” he said, still examining the lingering glow. “A kind gift. It suits you.”
I looked over my own arm, running a finger over the rivets and carvings on it. Dagna had made it as a custom piece, of course; a surprise, with me in mind in seemingly every detail. Crafted from dragon bone and aurum, decorated in delicate floral motifs and running vines carved into the metal – and a shitload of lyrium to power it and hold all the enchantments together. “Elegant, ingenious, and surprisingly deadly. Just like you, Inquisitor!”
“Well, Dagna’s a kind person,” I said quietly, still reminiscing over it.
“Even so, I doubt many others could inspire such a gift,” Solas said, turning ever so subtly in his seat towards me. “You have a… goodness of spirit, a kind of manner about you that people are drawn to, it seems.”
Was that butterflies in my stomach, or cement? I shifted against the ground, uncomfortable with both possibilities. “Solas, don’t. I–”
“I don’t say it to try and flatter you,” he said, looking now at me instead of just my arm. “I say it because it is true. You have a gift for making yourself agreeable. A sincerity that endears people to you. Sometimes, against all sense,” he continued, the last words almost under his breath.
I rolled my eyes as I looked off into the garden. “‘Against all sense?’ Gee, thanks.”
“I don’t mean– Like Josephine and Leliana. Ready to help you at the drop of a hat, despite the… company you brought,” he said.
“Or like you?” I added quietly, twisting the grass under me with my fingers as I looked down.
“I… in some ways, yes,” he answered, just as quietly. Why did that still feel like such a stab to the heart, after two years? I tried to hide the involuntary sharp breath I took with a small nod, looking ahead at the ground with a carefully measured face, determined not to betray anything either way. Solas seemed to recover quicker than I from the unexpected question, however. “I imagine it is much the same in your personal life. You were always well liked in the Inquisition, too; surely, in Wycome, you don’t lack for friends or… or… what have you.”
The way he faltered on the last bit, despite trying to sound so sure of himself, made me snort in spite of myself. “Is this your way of asking if I’ve been seeing anyone else?”
The words were out of my mouth before I even realized the weight of what I was saying, or who I was saying it to. I froze, grass in my fingers forgotten, dread overtaking me as I carefully looked over to see Solas’ reaction – which was almost worth my own mortification, at first. He made a sound like he was choking on something as his face blanched, then blushed. “Of course not,” he balked. “I mean, I would not presume– it isn’t my concern if you– whoever you choose to… keep company with, it is not my–”
“Solas, we really don’t have to have this conversation. I don’t even know why I said it, it just came out. I…”
He stopped to get a handle on his floundering as I spoke, letting out a deep breath as he did. “It is not any of my business. I would never try to… to pry into your personal life. I would hope that you are still happy, of course. However you choose to–”
“Please, stop talking,” I said, burying my face into my knees to hide how red I was turning. “Gods, even if… I think I would rather drown myself in the fountain than have this conversation right now, Solas.”
[secret hidden content that I’m not done working on yet and don’t have to a place I am even remotely okay with putting it out there yet but it’s good okay I promise it’s gonna be good]
“...of course,” he muttered, making a small nod.
“Thank you,” I muttered into my legs, with an exacerbated and thoroughly embarrassed huff as I peaked my eyes back out over my knees.
AHHH anyways thank you if you read this far! Here'a some art of the prosthetic arm in this chapter from @the-scottish-art-guy as a thank you
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