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#so i figured i should write it down so i can point at it if readers want to know wtf they are talking about
her-favorite · 11 hours
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“WHAT ARE YOU READING?”; M. STURNIOLO
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MATT STURNIOLO X F!READER
warnings: the “fic” is a little suggestive but no actual smut!
a/n: random but why can’t some of you just let people write 😭 you don’t like “y/n,” no one’s forcing you to read it!! you don’t like smut or some shit, you are not being held at gun point. grow up
wc: 940 - something short (and terrible) until i get some requests (guys i’m begging)/better ideas!
SYNOPSIS: You caught Matt reading something on his phone, not expecting it to be about you..
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The moment you stepped foot inside your boyfriend’s room, your eyes watched the way he slammed his phone down on his bed.
With a confused look on your face, you close the door behind you and begin walking over to the side of his mattress. “What’re you looking at?” You can’t help but tease as you sit next to him.
“Nothin’.” Matt replies shortly, turning over to face you. Bringing you down next to him, he wraps his arms around you and pulls you in to his chest.
“Should I be worried?” You say playfully, your lips brushing against his bare chest as he squeezes you. With a groan from your boyfriend, you look up at him from your position as much as you could. A light pink hue forms on his pale cheeks as he tries to fight a smile.
“Mm, ‘s’nothin’, sweetheart.” He slurs, a fight of sleep still lingering in his voice. You figured he accidentally fell asleep while you were getting ready to leave earlier, given he was still in bed and has yet to put a shirt on (not that you were complaining).
You hum in response, seemingly letting it go as you cuddled in to his warm skin. A light conversation was held between you two for a couple minutes, discussing when Matt and his brothers were going to film a car video later and what to have for dinner tonight. With a soothing hand on your back, Matt quickly helps you relax, washing the anxious feelings you had grown to have earlier away.
A little while passes by as you and Matt lay with each other, enjoying the others company. As time goes, the night gets closer and closer, signaling for Matt to get ready to film a video with his brothers.
With a text from Nick, Matt groans when he sees his phone light up. “What’s it say?” He mumbles, his eyes still closed as he subconsciously squeezes you closer to his warm body.
Unlocking his phone, you laugh softly as you read out, “You better be ready in under 5 minutes before I beat your ass.” Matt scoffs lightly at the mindless threat from his brother, moving his head to look at the time: 12:03 am. “You should get ready, Matt.” You suggest, looking up at him. With an immediate groan of disapproval from the man underneath you, a chuckle leaves your lips.
“Just wanna lay here with you.” He mutters, suddenly flipping you both over so he can rest on your chest. A surprised sound slips past your lips, a smile taking over. With a soft laugh, you wrap your arms around his shoulders and press a kiss to his head.
“Two more minutes before Nick gets here,” you whisper teasingly, resulting in another irritated moan from the man on top of you. With a huff, Matt moves up to his forearms to hover above you. “Hi,” you smile.
“Hey, baby.” He cracks a smile as well, quickly leaning down to kiss you. Sucking gently on your bottom lip, he pulls away with a smug look on his face, knowing how something so little could get you going for him. Getting up swiftly, he giggles at the smack you left against his back, dashing for his bathroom.
As your boyfriend changes, you look back down at his bed, noticing a light protruding from something. Throwing his comforter around, his phone reveals itself, the screen on and lighting up the dark space. Reaching over to turn it off, your eyes can’t help but scan over the words that took up his screen.
“The fabric fell off of her body softly, dropping down to the floor with a light thud. As she kept eye contact, the last article of clothing was pushed down her body, a small curl to her lips catching my attention.
She knew what she was doing, I knew that… but I couldn’t help but be entranced by her. Her pretty curves, and her pretty hair, everything about her made me ache. I needed her.”
“What are you doing?” Matt’s voice made you jump, your eyes searching up for him. The smile that took over your lips was involuntary as you noticed the visibly embarrassed look on his face, even though he tried to cover it up.
“What are you reading, Matthew?” You tease, holding up his phone. With wide eyes, your boyfriend lunges forward and tries to take it from you. Standing up on his bed, you try and get away from him, laughs uncontrollably leaving your lips.
“Give it to me!” Matt exclaims, trapping your waist and bringing you down on to the bed with him. Letting him take the phone, he turns it off and stashes it in his empty pocket.
With chuckles still leaving your mouth, you begin to ask, “Were you reading fanf—“
“No.” Matt interrupts you, getting up from the bed.
“I think you were—“
“No, I wasn’t.” He denies, looking away from you. One last laugh leaves you as you get up from his bed, walking over to him.
“Don’t be embarrassed, sweetheart!” You smile, still finding the situation amusing. He glances over at you, not even thinking twice about how he melts into your touch. As you press one of your palms to his cheek, you reassure him.
“I was just curious, I swear.”
“Alright.”
“I was!”
With a nod in response from you, Matt groans dramatically. The smile has yet to leave your face throughout the entire conversation, knowing that this was something you would never forget.
Before you even realized, you dashed out of his room. “Nick! Chris!”
“No!”
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etoilesombre · 5 months
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Hey, do you guys want to hear a story? Let me tell you about the romance between Lancelot and Guinevere, as recounted in Sir Thomas Malory's Le Morte d'Arthur.
So, I thought I knew the basics. I grew up reading modern versions of Arthurian legend that focused on other aspects, but had a general knowledge of the Arthur-Guinever-Lancelot love triangle. It didn't show up too much, but I assumed it was subtext in some other versions. What I picked up was that it was sort of pure, almost an ot3, and not the cause of a lot of problems. 
My friends. In this version it is NOT SUBTEXT, it DEFINITELY CAUSED PROBLEMS, and it is WILD. It is a true will-they-won't-they drama fest soap opera romance, and I need to share. So please, come on this journey with me.
[I’m looking at you, Black Sails fandom people. I need you to know that Flint canonically would have read this. He would almost certainly have also grown up hearing these stories. I’m not saying he’s Lancelot coded, but I am saying it's interesting that he would have been aware that was something it was possible to be.]
A couple notes, before we dive in. I am very much just summarizing what happened in the book. The thing is, the book is a million pages long and also in Middle English, and this is just one of many plots, which I think is why it's not more widely known. I will show some excerpts so you can get a feel for the text, but you don’t need to read them to understand the story. I'm referring to a version that is as close to the manuscript as I can find, though with spelling regularized. For real fun, see what the original looked like. Malory purports to be translating part of the French Vulgate cycle, which likely is where the character of Lancelot originates, but in fact he is doing much more than translating, and compiles other stories as well. Point being, when he says “so the French book sayeth” etc, that is the “book” to which he is referring. Because of my lack of knowledge about the language and cultural context, this lecture series from Mythgard Academy was absolutely invaluable to my understanding. I cannot recommend it highly enough. Inevitably, some of the opinions of the prof are reflected here. I do not have it in me to compare the scholarship of various medievalists right now, I just want to tell you about this DRAMA. 
Let’s start with a prophecy. When Arthur decides he wishes to marry Guinevere, Merlin advises him to take someone else, because if he takes her, she will betray him with Lancelot and it will destroy his kingdom. All of this is foretold, not only to us, but to Arthur himself. Of course he takes her anyway, and all is doomed from the start.
As we begin the main arc of this story (several books after the prophecy), Lancelot is widely acknowledged to be the best and most renowned knight of Arthur’s court. He is plainly and hopelessly in love with Guinevere, and she loves him in return. Arthur doesn’t have a problem with this - who wouldn’t love Guinevere? This sort of love is socially acceptable, so long as they do not sleep together, which would be treason. Arthur in fact seems to support their love, because it means that Lancelot will be Guinevere’s champion should she need one. This is a role Arthur himself legally cannot fill because he is the king, and so would have to be the judge. Lancelot is indeed a good champion for her, and fights for her when she is wrongly accused of murder. 
Lancelot is deeply chivalrous, in a way that seems sincere. This is a great place for a first excerpt, a conversation with a Random Damsel Lancelot has been helping:
‘Now, damosel,’ said Sir Lancelot, ‘will ye any more service of me?’ ‘Nay, sir,’ she said, ‘at this time, but almighty Jesu preserve you wheresoever ye ride or go, for the most courteous knight thou art and meekest unto all ladies and gentlewomen that now liveth. But one thing, sir knight, me thinks ye lack, ye that are a knight wifeless, that ye will not love some maiden or gentlewoman. For I could never hear say that ever ye loved any of no manner of degree, and that is great pity. But it is noised that ye love Queen Guenivere, and that she hath ordained by enchantment that ye shall never love no other but her, nor no other damosel nor lady shall rejoice you; wherefore there be many in this land of high estate and low that make great sorrow.’ ‘Fair damosel,’ said Sir Lancelot, ‘I may not warn* people to speak of me what it pleaseth them; but for to be a wedded man, I think it not; for then I must couch with her, and leave arms and tournaments, battles and adventures. And as for to say to take my pleasance with paramours, that will I refuse, in principal for dread of God. For knights that be adventurous should not be adulterers nor lecherous, for then they be not happy nor fortunate unto the wars; for either they shall be overcome with a simpler knight than they be themselves, or else they shall slay by unhap and their cursedness better men than they be themselves. And so who that useth paramours shall be unhappy, and all thing unhappy that is about them.’ 
So after doing his Knightly Deeds for this damsel, Lancelot asks if she needs anything else. She says no, but you are lacking one thing, which is the love of a woman. It is rumored that is because Guinevere has through sorcery made you love only her, and that causes all of the women great sorrow. In reply Lancelot makes this speech about how he cannot have a wife or paramour and be a good knight, but everyone thinks it is at least in part because his love is reserved for Guinevere.
Now, throughout the book his chastity DOES notably cause all of the women great sorrow. Everyone wants to sleep with Lancelot. Literally he is kidnapped by the four most beautiful queens other than Guinevere, and they say he has to choose one of them as a lover (not even a wife, a lover) or else die. He says he would rather die, though in the end he escapes. This is just an example, truly it is a recurring problem for him. He is, at one point, tricked into sleeping with a woman with whom he conceives his son Galahad (as was prophesied, it's a long story and the romance is only part of it. It is worth mentioning that something similar happens to Arthur, which is how Mordred is sired.) When Guinevere learns that Lancelot has been with someone else, she is angry and banishes him from the court. They still love each other and eventually reconcile. 
So, Lancelot goes on the quest for the holy grail. But he fails, specifically because while he is outwardly dedicated to God, in his private heart he is still dedicated to Guinevere. And so he makes a vow to renounce his love for her, acknowledging that it is beyond measure (beyond what is right, even if they have not technically done anything wrong.) However when he returns to Camelot, he cannot keep this vow, as we see. 
Then, as the book saith, Sir Lancelot began to resort unto Queen Guenivere again, and forgot the promise and the perfection that he made in the quest. For, as the book saith, had not Sir Lancelot been in his privy thoughts and in his mind so set inwardly to the Queen as he was in seeming outward to God, there had no knight passed him in the quest of the Sangrail, but ever his thoughts were privily on the Queen. And so they loved together more hotter than they did beforehand, and had many such privy draughts together that many in the court spoke of it, and in especial Sir Agravain, Sir Gawain’s brother, for he was ever open-mouthed. So it befell that Sir Lancelot had many resorts of ladies and damosels that daily resorted unto him to be their champion: in all such matters of right Sir Lancelot applied him daily to do for the pleasure of Our Lord Jesu Christ. And ever as much as he might he withdrew him from the company of Queen Guenivere for to eschew the slander and noise, wherefore the Queen waxed wroth with Sir Lancelot.
He and Guinevere start spending a lot of time alone together, and so there are rumors circulating about them in court. In order to put a stop to the rumors, Lancelot starts paying other women attention and doing more good knightly deeds for them. Guinevere is terribly jealous, but he tells her it's for their own good, and also tells her about the vow he made, and his concern that their love is beyond what is appropriate. She is devastated, and weeping banishes him from the court (again). 
Lancelot then rides in a tournament, disguised. (Why? Because this is simply a thing knights do.) To make it an effective disguise he takes the token of a woman, the sleeve of the fair maid of Astolat to wear on his helm. When she discovers that he was only using it for the disguise, and he does not indeed love her, she is so heartbroken that she says if he will not marry her or be her lover, she will die. He refuses, on the grounds that love must not be constrained and should arise from the heart, and offers her a thousand pounds a year instead if she marries anyone else. Properly insulted by this, she does indeed die. She has her body sent in a boat to Camelot, with a letter in her hand, saying that she died of her love for him, that he would not return. 
Seeing this, Guinevere reconciles with Lancelot, presumably reassured by the fact that he would let this very beautiful much younger woman die of her love rather than being with her. She insists that from now on he will not fight in disguise, and will openly bear her token. 
Then Queen Guenivere sent for Sir Lancelot, and said thus: ‘I warn you that ye ride no more in no jousts nor tournaments but that your kinsmen may know you; and at these jousts that shall be ye shall have of me a sleeve of gold. And I pray you for my sake to force* yourself there, that men may speak you worship. But I charge you as ye will have my love, that ye warn your kinsmen that ye will bear that day the sleeve of gold upon your helmet.’ ‘Madam,’ said Sir Lancelot, ‘it shall be done.’ And either made great joy of other.
It is important to keep in mind that, to this point, there is no textual evidence that they were sleeping together, and a great deal of evidence that it was important to Lancelot that they not cross that line. There is much less evidence that this is important to Guinevere.
So then one fateful day in May, Guinevere goes picnicing with an entourage of knights. They are captured by someone else who is in love with Guinevere, and taken back to his castle, but she manages to send a message to Lancelot. At the castle, she insists that her knights sleep in her bedchamber on the grounds that they were wounded in the battle when she was captured and need tending, but truly she wants them there to keep her captor from raping her. 
Lancelot arrives to rescue her, and the person who kidnapped her agrees to give her back in the morning. She tells Lancelot to visit her room in the night. He climbs up to her window, which is barred. They have a heartfelt reunion and she says she wishes he could come in to her. He acquiesces and breaks the bars to get into her room, cutting his hand to the bone to do so. Despite the profusely bleeding wound and the ten other men sleeping in the room, they at last do sleep together, in this passionate blood covered consummation. He sneaks back out and replaces the bars.
In the morning, the man who kidnapped Guinevere comes in and sees blood all over the bed. He accuses her of being unfaithful to the king, saying she lay with one of the knights who had been sleeping in her room. She denies it, but it is very clear that she did sleep with someone who was bleeding. 
Lancelot says he will fight to defend her from this accusation, which is right and proper because he is her champion. In this story people take trial by combat and oaths before God very seriously, especially Lancelot. He really does try. So he swears an oath that he will prove with his life that Guinevere did not sleep with one of the wounded knights who lay in her room. This of course is TRUE, but only on a technicality. Lancelot, having slept with her himself the night before, is also the one who defends her honor after. I love this story so much. 
Instead of fighting him, the kidnapper takes Lancelot captive. In captivity he encounters ANOTHER damsel who insists that sleep with her in order for her to help him. He refuses, still faithful in his heart to Guinevere. Eventually she settles for him holding and kissing her, which is not across the line of appropriateness apparently, giving us some idea of where that line is drawn. Anyway, Lancelot gets out, fights for Guinevere and wins. There are indications that he feels like he barely dodged a devine bullet. 
Guinevere and Lancelot return to Camelot. Finally the rumors about them are true, the deed has been done, but of course nothing appears particularly different as there were already rumors about them. Two knights, Mordred and Agravaine, who have been intriguing against Arthur already, go and tell Arthur that Guinevere is being untrue to him. Here is his response: 
‘If it be so,’ said the King, ‘wit you well, he is none other; but I would be loath to begin such a thing but I might have proofs of it. For Sir Lancelot is a hardy knight, and all ye know that he is the best knight among us all; and but if he be taken with the deed he will fight with him that bringeth up the noise, and I know no knight that is able to match him. Therefore, and it be sooth as ye say, I would that he were taken with the deed.’ For as the French book saith, the King was full loath that such a noise should be upon Sir Lancelot and his queen. For the King had a deeming of it; but he would not hear thereof, for Sir Lancelot had done so much for him and for the Queen so many times that, wit you well, the King loved him passingly well.
Arthur says he will not hear of this without proof, because if Lancelot is accused and allowed to fight he would beat anyone. And, it is said that Arthur had some idea of the affair, but would not credit it because Lancelot had done so much for him and Guinevere, and he loved Lancelot greatly. 
So, one night when the king is away hunting, the two accusers contrive to catch them in the act, with a group of twelve armed knights. They do find Lancelot in Guinevere’s chamber, but the text is notably, pointedly vague about whether they are actually in bed. In any case, Lancelot asks for a trial. The knights say no, they have caught him and so may kill him. He is Lancelot, so he kills all of them instead, save one (Mordred) whom he leaves wounded. Lancelot flees, intending to return to rescue Guinevere and take her to his own castle to protect her from Arthur’s wrath. He maintains her innocence, and still intends that they will all reconcile.
Guinevere is to be burned at the stake (normal in this situation). Lancelot rescues her from the burning at the last moment, killing a number of knights of the round table. Arthur seems to blame the accusers more than Guinevere and Lancelot (for good reason; keep in mind that the romance is a subplot, there is a great deal of political intrigue going on.) Now a war will begin, whether anyone wants it or not, because of the people Lancelot killed. Lancelot takes Guinevere to his own castle. Battle lines are drawn, and Lancelot and Arthur confront each other in the fighting:
And ever was King Arthur about Sir Lancelot to have slain him, and ever Sir Lancelot suffered him and would not strike again. So Sir Bors encountered with King Arthur; and Sir Bors smote him, and so he alit and drew his sword and said to Sir Lancelot, ‘Sir, shall I make an end of this war?’—for he meant to have slain him. ‘Not so hardy,’ said Sir Lancelot, ‘upon pain of thy head, that thou touch him no more! For I will never see that most noble king that made me knight neither slain nor shamed.’ And therewith Sir Lancelot alit off his horse and took up the King and horsed him again, and said thus: ‘My lord the king, for God’s love, stint this strife, for ye get here no worship and I would do my utterance. But always I forbear you, and ye nor none of yours forbear not me. And therefore, my lord, I pray you remember what I have done in many places, and now am I evil rewarded.’ So when King Arthur was on horseback he looked on Sir Lancelot; then the tears burst out of his eyes, thinking of the great courtesy that was in Sir Lancelot more than in any other man. And therewith the King rode his way and might no longer behold him, saying to himself, ‘Alas, alas, that yet this war began!’
So Arthur tries to slay Lancelot, but Lancelot, the better fighter, refuses to slay him and indeed when Arthur is unhorsed Lancelot forbids that he be slain, and gives him his own horse. Arthur weeps for the honor that is in Lancelot, and laments that the war began. 
The pope intervenes and tries to negotiate an end. Lancelot confirms that he is willing to return Guinevere to Arthur, and says he has always been willing to do this and will still defend her honor, but that he does not feel he can do so because Arthur has listened to liars and been misled, and he had more reason to take her away than the accusation of adultery - he does not trust she can be safe in that court, with things as they are. 
Eventually they do make a deal, with some assurances, and he surrenders Guinevere to the king. He kisses her openly, says that he will leave, but should she be in danger or ever again accused of being untrue, he will fight for her as he always has. He departs the court forever, to much great sorrow, and returns to his own lands. 
The war continues - eventually Mordred seizes the throne, Arthur kills him in battle but is mortally wounded himself and passes to Avalon. Following the king’s death, although her love would no longer be adulterous, Guinevere retires to a convent rather than reuniting with Lancelot. He seeks her out, and this is her reaction: 
Sir Lancelot was brought before her; then the Queen said to all those ladies, ‘Through this same man and me hath all this war been wrought, and the death of the most noblest knights of the world; for through our love that we have loved together is my most noble lord slain. Therefore, Sir Lancelot, wit thou well I am set in such a plight to get my soul health; and yet I trust through God’s grace and through His Passion of His wounds wide, that after my death I may have a sight of the blessed face of Christ Jesu, and at Doomsday to sit on His right side;* for as sinful as ever I was, now are saints in heaven. And therefore, Sir Lancelot, I require thee and beseech thee heartily, for all the love that ever was betwixt us, that thou never see me no more in the visage. And I command thee, on God’s behalf, that thou forsake my company; and to thy kingdom look thou turn again, and keep well thy realm from war and wrack. For as well as I have loved thee heretofore, my heart will not serve now to see thee, for through thee and me is the flower of kings and knights destroyed. And therefore go thou to thy realm, and there take ye a wife and live with her with joy and bliss. And I pray thee heartily to pray for me to the everlasting Lord that I may amend my misliving.’ ‘Now, my sweet madam,’ said Sir Lancelot, ‘would ye that I should turn again unto my country, and there to wed a lady? Nay, madam, wit you well, that shall I never do, for I shall never be so false unto you of that I have promised. But the self* destiny that ye have taken you to, I will take me to, for the pleasure of Jesu; and ever for you I cast me specially to pray.
Rather than rejoicing in Lancelot’s presence, Guinevere laments that their love brought about the downfall of the Arthurian court, and the deaths of the knights of the round table and King Arthur. She calls upon Lancelot, by all the love that was ever between them to leave her presence, telling him to marry someone else if he wishes and see her no more. Lancelot replies that he wants no one else, and that he will respect her wishes, but will also renounce the world and join a religious order. He asks Guinevere for a final parting kiss, which she denies him. 
When Guinevere lies dying of illness, Lancelot sets out to go to her, having had a vision. She knows of his coming, and prays to die before she sees him, because she cannot bear it. She dies a half hour before he arrives, leaving instruction that he is to tend to her body, and then lay it to rest beside that of her lord King Arthur. Lancelot does this with great sorrow, and after ceases to eat or drink, and within weeks is dead himself. 
And there you have it, the love affair that doomed Camelot.
HUGE DISCLAIMER: Any and all mistakes or misinterpretations are my own. This is what I gathered, but I am not a medievalist. I am barely an interested layperson. I’m just a random fic writer who got obsessed with research for a story, and had to share this tragic mess. 
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tswwwit · 2 years
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Uk im just thinking about it but like, how would our Bill react hypothetically if after this is all said and done Dipper Flinches when Bill reaches for him? Like ik that shits gotta be traumatizing and it would make sense for Dipper to react like that for a bit right after but i’m just dying to know what Bill would think about that or how he would cope with those reactions knowing why he’s getting them
:3c
This is fun because Bill is great at nightmares, torment, and all kinds of nasty shenanigans - but reassurance is so far outside his wheelhouse he couldn't see it with a telescope.
Once Dipper flinches, Bill's going to be stuck with his hand in the air, not quite touching Dipper. Definitely not smiling anymore. And experiencing a rare moment of having absolutely no idea what to do.
....So I give it about a minute before his frustration boils over and he defaults to finding something to obliterate.
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emile-hides · 11 months
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Behold. Son.
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not-rome · 8 months
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I have a thing for spreadsheets. I can't stop making them for everything. Each of my chapter fics have a spreadsheet with multiple sheets. There usually at least three sheets but some have like 10. I'm fully aware I use them a little obsessively (I cannot do anything without updating/adding onto the spreadsheet) but I can't stop now. Things are so much easier to navigate in writing because all the information and organization I need is in one spot, neatly laid out. Everyone should use spreadsheets in my opinion.
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jadevine · 4 months
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Preindustrial travel, and long explanations on why different distances are like that
Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/
I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.
Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask
Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember
Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my
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I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.
I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.
People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.
But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.
The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.
The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.
Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.
If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).
Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.
If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.
Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."
And now for the upper range of "traveling on horseback!"
Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."
This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.
A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.
NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.
If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.
Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.
As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.
Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.
UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.
But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!
Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.
Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.
The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.
Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )
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alfheimr · 9 days
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My Favorite Cheap Art Trick: Gradient Maps and Blending Modes
i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:
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this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.
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the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.
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this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.
i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.
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for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.
note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!
note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!
with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?
the basic gist is that gradient maps replace the colors of an image based on their value.
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so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.
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these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!
you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.
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this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.
let's see how mithrun looks when we apply that first gradient map we looked at.
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gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:
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some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.
for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.
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here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.
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i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?
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i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.
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yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.
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i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.
i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.
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the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.
typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!
this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.
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let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.
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just dont look at my layers too hard. ok?
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rthko · 3 months
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to add to the whole proud faggot thing: i rmbr at age 15 me and my friend (both newly out) would say faggot all the time until a teacher told us off and my friend (v cocky) said actually miss i can reclaim it to which the teacher was like ...its still a swear word ur still not allowed to use it like its not that deep. and that was a sort of revelation like 'oh yeah this word obvs holds meaning and whatever but at the end of the day us reclaiming it isnt revolutionary its just two kids who got their hands on a new curse word to use' & ever since then i try to figure out whoevers using faggot in a useful or meaningful way vs whoever is just excited to use a forbidden word. n i think for a lot of ppl its the latter
So for context, I saw a post where someone had left a comment with Israel apologia, and someone else responded by screenshotting their blog, which has a cutesy Tumblr aesthetic, and added a screenshot of another post about what it called "Smol bean Zionism." I noticed the blogger's bio also said "proud faggot," so I tagged the post:
"Are we ready to admit the 'proud faggot' is not contradictory to the smol beanification but part and parcel to it?"
I see sentiments on Tumblr that "I call myself a faggot to scare the tenderqueers," but I think the cute harmless approach and the edgy approach are two sides of the same coin. Molly Rose on substack writes about how she as a Black woman could never get away with "tenderqueer" behavior. She writes: "As far as I can tell, the hallmark of a true tenderqueer is an unwavering avoidance of responsibility or culpability at all costs, paired with the use of social justice and personal advocacy language to ensure that lack of accountability." The real problem with this type then is not that they're too sensitive, but that their sensitivity is a tool by which they act like they could never be in the wrong. So we see a soft type and an edgy type, but both wear their victimhood on their sleeve to feign superiority and avoid any kind of interpersonal conflict. The former will invoke queerness or neurodivergence to guilt trip you, and the latter will act above it all and treat you like you're stupid for even caring. It's "enough discourse, we should be making out with tongue" when trans women try to talk about transmisogyny, etc.
With all these discussions of the "tenderqueer," It's easy to forget that "queer" was that transgressive word said to connote political radicalism, or rather, speak political radicalism into existence just by uttering that very word. And while I have heard people prop up "fag" and it's equivalents as the solution when the former has been watered down, they are not getting to the root of the problem. If the problem is that some have turned the supposed magical powers of a word into a political dead end, the solution is not to go find other magical words to replace it. I am aware and respectful of the fact that to some, these words really are a political statement, or a symbolic gesture that they're not afraid or have moved beyond past wounds. Any word is what you make it. But to get back to your point, yeah, some people have that same teenager's mentality of getting their hands on a new curse word. And it does not automatically make them meaningfully transgressive or even interesting.
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honnelander · 8 months
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go fish! part 2
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guyssss i did NOT expect this little series to blow up. y'all are amazing! i'm turning into a Sanji writing blog and am i mad about it? no lmao i received a couple of requests and i'll work on them as soon as i can. i'm really in the zone rn so i'll ride this wave as long as i can. if you want to be a part of the taglist for whenever i post new Sanji content, lmk. i hope you enjoy!
WARNINGS: none
word count: 2.8k
pairing: opla!sanji x fem!reader
summary: after being humiliated by Usopp earlier, reader stays in her room to decompress. however, she gets a visitor.
prequel part 1 part 3 part 4 masterlist
taglist: @smolracoon25 @mischiefmanaged71 @jovialcat123
Mortified. That’s how you felt. Still. 
Ever since you ‘forfeited’ from finishing your Go Fish card game with Usopp a couple of hours ago, you had taken your glass of water that Sanji had poured for you and boarded up in your shared room with Nami, refusing to come out due to “heat exhaustion”. 
Poor Luffy, ever the golden hearted captain, was immediately worried for your wellbeing as soon as he heard that but after multiple reassurances from you and getting up off of your hammock multiple times to prove you were in fact, just fine, he relented from wanting to stop by the nearest island so he could find a doctor for you. Usopp had managed to convince him as well that all you needed was some water, alone time, and that you would be fine by dinnertime. 
You rubbed your eyes as you let out a sigh, vowing to yourself that the next time you wanted some time by yourself, you should just take a bath or something, since any other excuse would cause someone on the crew (Luffy) to lose their mind at the thought of someone not feeling well. 
You readjusted yourself, sitting more upright, as you downed the last of your water, it being warm by this point since it had been poured by Sanji hours ago. 
Sanji. Ugh.  
Your heart fluttered once again at the mere thought of him, but that flutter was immediately replaced by a wave of crashing embarrassment at the thought of the afternoon’s sequence of events. What had happened earlier wasn’t even anything that groundbreaking or special, but to you? It was everything. It wasn’t common practice in your life for the object of your affections to be so kind towards you, so thoughtful, to read and anticipate your needs before you even knew they were even there. But Sanji? He was all of that and more. And you didn’t even know him for that long! You’ve all been a part of the straw-hat crew for 5 months at this point and it felt silly to admit to yourself that you had developed a crush on one of your crewmates in that short amount of time. 
And having feelings for your crewmate? Someone who you literally couldn’t get away from since you all were trapped on a ship together (not that you would ever want to be away from him or anyone else for that matter, besides Usopp, but still), it felt morally wrong. You guys were all a team. Sure, you all were off to sail around the world and chase dreams, but achieving all of that required teamwork and trust, and that was hard to do if two of those people were caught up with matters of the heart every hour of every day. 
Like, what if things didn’t work out in the end? Would you really want to put the crew’s dynamic at stake just because you thought the blonde guy was cute? No, you wouldn’t. It would be selfish so you would never dare to put yourself or Sanji in that position. No matter how much you liked him. 
So as much as it pained you, you could never tell Sanji how you feel. You would never cross that line of being a ‘professional pirate’ into something more, like a pirate wife. Or a pirate chef’s wife. 
It definitely didn’t help that freaking Usopp of all people on the crew knew about your affections for Sanji. Ugh, you groaned. He was the absolute worst person to know about it too. Why did he have to figure it out? Why did he have to be the one that had put two and two together to equal four? That your random bouts of awkwardness and shyness plus ‘heart eyes’ and blushes whenever Sanji was around equaled to you having a forbidden crush on the crew’s chef? It was embarrassing. And complicated.  
He loved to stir the pot too, so whenever he could tease you for it when you both were alone or in front of a clueless Sanji, he would. You remembered the kiss he had shared with Kayla back when the straw-hats had acquired the Going Merry, so you definitely jabbed him right back when you had had enough, since part of you felt guilty for it since Kayla was thousands of miles away and Sanji lived on this ship with you. Your situations were slightly similar but completely different.  
Also, completely different in the way that him and Kayla were basically dating at this point, albeit long distance, and had shared a kiss while you could barely sustain eye contact that lasted more than 5 seconds with Sanji. 
You were hopeless. 
“Knock, knock,” a familiar accented voice came through the closed door. “Y/n? Are you awake?” 
"Sanji?” you blurted out in complete surprise.  
Shit. You weren’t mentally prepared to see him just yet. At all. You were still replaying the interaction you both had earlier in your head, your overthinking mind going over every minute detail to figure out if Usopp’s careless teasing had given away your affections.  
Usopp, you mentally ground out. You were going to kill him. Sanji had never stopped by your room before so what on earth was he doing here now?  
Suddenly, a thought struck you like a bolt of lightning and made your stomach drop fifty miles below sea level: if Sanji had specifically stopped by your room just to gently let you down, that no, in fact he did not feel the same way about you, that he only thought of you as a member of the crew and nothing more....then yeah, you were definitely going to kill Usopp and throw him overboard. 
Before you could mentally plot out more details on Usopp's murder, the door opened and the straw-hat chef’s blonde head appeared. His eyes quickly scanned Nami’s empty hammock on the room’s left side before turning his head to the right, his blue eyes immediately finding your surprised ones, a (relieved?) smile lighting up his face at the sight of you. 
“So, I take it you’re awake?” Sanji asked in a light, teasing tone but not making an effort to move himself away from the doorway. 
“Uh, y-eah,” you stuttered out in surprise as you just stared at him dumbfounded. You still couldn’t figure out why he was here. 
Sanji continued to lock eyes with you, making your cheeks flush the longer you both stared at each other, and your palms sweat as the silence stretched on, making the tension in the air become thicker by the second. He blinked, his eyes darting to the side in confusion, raising an eyebrow as he asked, “May I come in?” 
“OH! Yes, of course- sorry,” you stuttered as you waved him inside, sitting up in your hammock and mentally face palmed yourself. Of course, Sanji was waiting on you to invite him inside. Like always, he was acting like a true gentleman. “Please, come in. Have a seat. Sorry, that was rude of me. Make yourself at home.” 
Sanji stood up to his full height and walked into your room with an easy smile and a small laugh, closing the door behind him. “Ah, don’t ever apologize y/n. You could never be rude to me,” Sanji rebuttalled and waved off your apology as he looked around and took in your very plain and basic shared room with Nami.  
Your room, or side of the room more specifically, wasn’t much to brag about considering you really didn’t have much to your name but for now, it was home to you. Your side consisted of your hammock, a wooden barrel next to it to act as a makeshift nightstand that housed your only book, a journal, and a lamp, along with an empty wooden crate to act as a makeshift seat and another to hold some of your other clothes and small travel bag. Nami’s side was similar to yours but had a touch more personality as she hung up some maps she found at various markets and drew up herself on her wall. 
You swallowed, suddenly feeling a tad self-conscious about the lack of things in your room considering your current guest was dressed, as usual, to the nines in his signature black suit and blue and white striped shirt complete with a skinny black tie. “Sorry for the sad state of my room-” 
“Sad?” Sanji stopped admiring your room and snapped his gaze to look at you. His eyebrows pulled together as another confused smile adorned his features. “Why would you say that? Your room isn’t sad, I like it. It’s a reflection of you,” his next words came out softer, “and I think that’s beautiful.” 
You could feel heat crawling up your neck at his words as you busied yourself with placing the empty glass in your hand on your barrel nightstand. There was no way Sanji was calling you beautiful, he was just commenting on your room. With Nami. On your shared room that owed any ounce of ‘personality’ to the ship’s navigator because it was obvious you literally brought nothing special to this room whatsoever.  
You stopped yourself from spiraling into ‘I don’t bring anything special to the straw-hats, I don’t know why they keep me around’ thoughts because now wasn’t the time to think about any of that. Those dark thoughts were reserved when you couldn’t sleep in the middle of the night.  
As you placed the glass on the nightstand, you asked, “So, what brings you all the way to my room? Aren’t you usually prepping for dinner around this time?” 
Sanji’s eyes followed your hand and lit up when he saw the sole book on your nightstand. “Oh, a book? I didn’t know you liked to read.” His megawatt smile lit up a couple of notches as his eyes sparkled, he looked like he had just learned one of the universe’s greatest mysteries as he took a seat near you on an empty crate. “What book is that?” 
“Oh, that?” You mentally deflated at the fact you now had to tell Sanji about your favorite book, “It’s Pride and Prejudice.”  
You weren’t ashamed of having that book specifically, you loved it and it was your favorite book of all time, you had lost count at how many times you had read it at this point, but it was the fact that you now had to share this part of yourself with the guy you fancied. Guys normally scoffed and turned their nose up at romance book and romantic things, so you were bracing for Sanji to scoff and laugh at you like all the other guys did (like even Zoro and Usopp did when they first saw you reading it) but it never came. 
Instead, Sanji’s smile remained bright. “Ah, so you’re a lover of classic romances? Pride and Prejudice? Romeo and Juliet?” 
Immediately, you smiled, finding yourself instantly comfortable suddenly whenever you got to talk about one of your favorite things. “Absolutely. I don’t think there’s a problem big enough out there that love can’t solve. Family backgrounds? Wealth and status? At the end of the day, none of that stuff matters. What matters is if two people love each other.” 
Sanji stayed quiet for a moment, looking into your eyes with a twinkle of an emotion that you couldn’t decipher. It made your heart skip a beat. “Yeah,” he agreed quietly, never breaking eye contact. “I agree.” 
You swallowed. “You like this stuff too? Have you read Pride and Prejudice?” 
Sanji blinked and that indescribable emotion he had in his eyes was gone. His smile remained, however, and became sheepish as he held up his hands, “Ah ok, you caught me. I’ve never read the full thing, but I know the main parts of the story. My favorite part that I did read though, was the first dinner with Mr. Collins and he complimented the Bennets on their ‘excellent boiled potatoes’.” 
You couldn’t help but laugh at that, shaking your head slightly as you teased, “I should’ve known that the chef of the Going Merry’s favorite part of the book is when food is discussed!” 
The blonde cook held his hands up again with a good-natured laugh, “Ah, you got me!” His face softened as he asked, “What about you?" He nodded towards the book. "What’s your favorite part?” 
You paused for a second as you mulled the question over. “Well, I'm not sure if you know about this part since you never read the book...” 
“Try me,” he encouraged softly. 
Your face turned to the side, your eyes looking at the wooden wall to your right, unable to bring yourself to look at Sanji as you told him your favorite part of your favorite book. You took a deep breath to steady yourself and calm your nerves, your voice becoming quiet as you told him, “My favorite part is...when Mr. Darcy barges in on Elizabeth for the first time, while she’s at her friend Charlotte’s house writing a letter. He had come to practice ‘conversating’ with her since he admitted that it wasn’t something he was good at and she had told him to practice it. So, Mr. Darcy just barged in and they had one of the most painfully awkward conversations ever...and he did all that just because he loves her. He did something he hated and was bad at, and opened himself up to embarrassment just because he wanted to improve and be better for her. It’s so romantic and beautiful.” 
The air was quiet after your mini monologue and for a moment, nothing could be heard except for their quiet breathing and the occasional crash of the ocean from outside your small window. 
Part of you worried that your little rambling had bored Sanji, so when you finally looked at him, imagine your surprise when you found him leaning in towards you, hands clasped, elbows resting on his knees and his eyes watching you, completely engaged. It was like he was hanging onto your every word. 
Sanji scanned your face for a moment, the corner of his lips curling upwards as he said, “Yeah, you’re right. I’m not familiar with that part in the book,” and before you could open your mouth to bring yourself down, he continued, “but, that doesn’t mean your answer is wrong.” He leaned back and slapped his hands against his thighs, “Hell, it’s a much more insightful answer than mine!” He laughed. “I just liked how they were poking some fun at boiled potatoes.” 
You laughed with him because yes, that part in the book also made you laugh as well. But at the mention of food, you realized that you still didn’t know why Sanji was here in the first place. Wasn’t he normally prepping for dinner at this time? He had to be running behind schedule at this point. 
“Why are you here, Sanji? Isn’t it almost time for dinner?” 
“Yeah, it is actually but I heard you weren’t feeling well so I wanted to check in on you, make sure you’re feeling alright and see if you have any special requests for dinner?” 
You couldn’t help the slight smile that overtook your face, trying to hide the blush at the fact that he was kind enough to check in on you and offer to practically be your own personal chef for the evening. 
You hummed for a moment, acting like you were deep in thought before asking with a raised eyebrow, "And what would you say if I requested some boiled potatoes?”  
The smile that lit up the chef’s face was priceless. He had never looked more beautiful. “To that, I would say ‘Absolutely. If that’s what the missus wants, then that is what the missus will get.’” 
Missus. There it was again. You felt all warm inside whenever he called you that, it made you feel like he was your husband and that you were his wife. But that wasn’t the case. Sanji definitely must have called other women that before. You weren’t special to him, he was just being polite.  
You swallowed down your emotions, putting your sudden wave of sadness away for later, putting on a small smile. “Then that sounds perfect. I would like to formally request some ‘excellent boiled potatoes’ as a side for dinner, please.” 
If Sanji noticed your sudden change in mood, he didn’t show it. Instead, he grinned as he said, “Excellent choice, Madam. Boiled potatoes, coming right up.” As he stood up and made his way towards your door, Sanji did one of the most unexpected things that nearly knocked the wind out of you. With his left hand on the doorknob he said, “And don’t worry, Madam. I’ll sprinkle in a little bit of extra love in there,” he turned and winked at you, “just for you.” 
With that, Sanji left your room, gently closing the door behind him, leaving you completely dumbstruck in your room, your mouth agape and body frozen. 
Did Sanji just say he loved you? 
You shook your head, because there was no way he did, right? He said he’d ‘sprinkle in some extra love’ into your potatoes, not 'I love you". You weren’t a chef, maybe that was a euphemism for something. 
You sighed.  
Those better be some good boiled potatoes. 
4K notes · View notes
halfvalid · 8 months
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Hiii! If its no trouble could I have a zoro and reader fic with the one bed trope? The others know about their crushes on each other so they force each other to share a room? Anyway they end up cuddling and its all cute (the others will tease them forever about it lol)?? Thankss
intertwined ribbons
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ABOUT
alternate title: opla zoro makes my hated tropes less hated
rating: general audiences/teen & up
characters: live action!roronoa zoro | fem!reader | live action!nami | live action!straw hats ensemble
pairing: live action!roronoa zoro x fem!reader
word count: 4.9k
description: unbeknownst to you, your crush on zoro is reciprocated. the rest of the straw hats take it upon themselves to get you together by locking you in his bedroom overnight.
tags: strawhat!reader, only one bed, forced proximity, confessions, no use of 'y/n', nami is a true instigator, cuddling, soft zoro, humor
author's note: thank you so much for the request and i hope it meets your expectations!! fun fact i actually used to hate the 'only one bed' trope, so i decided to challenge myself in writing this. and i think it's one of my fave tropes now lol
(you have an inner spirit that helps you make decisions except it’s just nami.)
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“I just think that maybe you should stop avoiding him,” Nami started. You bit your cheek, ignoring her as you tied up the last of the ship’s rigging into a careful knot. Nami had been going on for the past few minutes, and you’d zoned out exactly three seconds in, when the name Zoro had first been spoken. Because of this reason you weren’t really listening, so you blinked up at her in confusion. 
“Sorry? Who am I avoiding?” 
“You’re impossible,” Nami grumbled. “And you know exactly who I’m talking about.” Which, well, fair. The math added up: you heard the word Zoro, you stopped listening, Nami continued talking until she realized you’d stopped listening. “Especially since you’re, you know—” she gave you another look, eyes rolling over to stare dead into yours— “Avoiding him.” 
“I have no idea what you’re talking about,” you said innocently. Nami sighed, leaning over to tug the rope dangling from your hands out of your grip. You tried to reach back for it, but she didn’t let you. “Hey!” 
“Yes, you do. Face it. You’re avoiding Zoro.” 
You made a face at her. “I think there are ropes on the foredeck that I can attend to.” 
“No, there aren’t,” Nami answered. “Now stop changing the subject. There’s this wild concept called communication. It works wonders.” 
“Says you,” you muttered, though your arms crossed defensively across your chest. You noticed the action after a split-second and unwound your arms with a scowl. “Look, I just don’t see the point. And I haven’t been avoiding him.” 
You were, in fact, avoiding him. Ever since that dreadful night a week ago when Nami had gotten you tipsy and stuck her hand in your chest cavity fishing for secrets, you’d been avoiding him. The other girl was ridiculously good at prying truths out of you, and during the conversation, you’d accidentally spilled your crush on the Straw Hat crew’s resident swordsman. 
You’d managed to keep the secret for the months you’d been together, wherein the unfortunate feelings had developed, and you should’ve figured once somebody knew they wouldn’t leave you alone about it. Because Nami refused to talk about literally anything else. You’d expected this sort of behavior from Luffy, or maybe Sanji, but Nami? The world was more amatonormative than you'd thought. 
Nami cast you a look. “You’re blushing.” 
“Am not.”
“Are too. What’s the harm in talking to him?” Nami demanded, one hand on her hip as she stared you down. You gaped at her. 
“Um, literally everything? One, Zoro can’t talk about feelings or emotions for shit, so when he rejects me it’ll be in the most excruciating, offhand manner that will probably leave me at the bottom of a barrel of rum, two, after being rejected I’m going to have to leave the Straw Hats, three—”
Nami rolled her eyes, looking increasingly fed up with you. “For someone so obsessed with not telling our resident grass-headed swordsman about your feelings for him, you’re talking rather loudly.” 
You shut up, snapping your jaw closed with a glare. “Stop it,” you hissed. 
“Besides, who knows if he actually will reject you?” Nami turned to work on the next section of rigging, glancing over her shoulder at you. “You’re catastrophizing.” 
“I’m being realistic,” you snapped. “Okay, fine. He reciprocates my feelings. Then what? We date, we break up because all relationships eventually end, it becomes awkward, and—voila—I’ll have to leave the Straw Hats anyway. It’s a bad idea all around.” 
Nami just let out a huff of breath, the exhale laced with irritation. “Catastrophizing,” she repeated. 
“I am not—”
“Sure. Go help Sanji with dinner.” 
You gave her an exasperated look, but at this point Nami wasn’t paying attention anymore, so you stormed off into the underbelly of the Going Merry. Speak of the devil, apparently, because once you entered the kitchen you spotted not only Sanji occupying it but also Zoro. He was lounging at the table, swords strapped to his waist and a bottle of something he was nursing in hand. 
You averted your gaze from him, head running a million miles a minute. Had he noticed you’d been avoiding him? You’d tried to be furtive about it, but if Nami had noticed, maybe—
“Well, hello there,” Sanji called from where he was in the midst of dinner preparations. “Come to help?” 
“Nami sent me,” you said, crossing your arms over your chest. “I think she’s appointed herself queen of the Going Merry.” 
“Oh, she did that long ago,” Sanji chided. “You’re only noticing it now. Pick up a knife, then. I’d like some help dicing the carrots.” 
You stiffly moved over to the counter, ignoring Zoro as you went even as you felt his gaze following your figure. You picked up the first knife you found, positioning yourself in front of the cutting board to start dicing the vegetables already laid out for you. Abruptly, Zoro stood up. 
“Heading out,” he muttered. “Call me when dinner’s ready.” 
With that, he left the room, leaving you and Sanji to exchange looks. “He’s moody today,” you said. 
��Probably ‘cause you’ve been avoiding him.” 
You felt the familiar pinprick of a blush starting to warm your cheeks. “You too?” 
“You’re rather obvious about it,” Sanji said with a raised eyebrow. “But enough of that.” Weirdly enough, he didn’t seem to question why. There was no way Nami had told him, so you were left confused, but no matter. The point was that for now, you were safe. 
The hour dipped to evening, and soon the moon was glowing in the sky, a shining beacon of white amidst the ocean of stars and shimmering sea. You suppressed a yawn, busing the dishes from dinner as the rest of the crew got up from their respective seats to dissolve to their own rooms. Zoro had already retired for the night—if you were avoiding him, he seemed to be doing the exact same—so at least you didn’t have that to worry about. 
“Ah, wait,” Nami said, after you’d finished washing the dishes and was ready to head out. “Zoro wants to talk to you.” 
You jolted, glancing nervously around you before grabbing her wrist. “What did you do?” you hissed. Nami just laughed. 
“Calm down. I didn’t do anything.” Off your glare, she relented. “I promise. And I swear it’s not about feelings or emotions or whatever. Even though it’s obvious you’re avoiding him, you know Zoro wouldn’t say anything.” 
You were still suspicious, but you dropped your hand. “What, then?” 
Nami shrugged, tilting her chin up just so. “I guess you’re going to have to find out.” 
“I don’t trust you,” you muttered. There was that look in her eye, the one she got whenever she was thinking of something truly devious. Still, you couldn’t figure out what she was up to, so— “Fine, I’ll go to his room. Walk me.” 
Nami rolled her eyes, but she fell into step with you as you made your way across the ship. “You should bring it up to him, you know,” she started, but silenced after your sharp glare. “Okay, okay. I get the point. I’ll stop bothering you about it.” 
You stopped by the mouth of Zoro’s door. “Wait, really?” 
“Yes, really,” Nami said with an exaggerated roll of her eyes. She leaned against the wall beside the door, arms crossing over her chest. “I’ll leave you alone about Mr. Prince Charming over there. Knock.” 
“You can't call him Mr. Prince Charming,” you said, though you did knock. “Prince’ is already a title.” 
Nami gave you a look. “Okay, smart-ass.” 
The door creaked open before you could give your response, and you turned, heart pounding in your throat as Zoro stared down at you. His arm was propped up by the open doorway, the other hand still clutching the doorknob. “What.” 
“Um, Nami said that you wanted to talk—” you swiveled your head towards the other girl, but before you could finish your sentence, Nami was raising up your arm and unceremoniously shoving you into the room. 
You shrieked in surprise as you fell into Zoro’s figure, stumbling into him and causing him to lose his balance. Your head shot up in offense, only to see the gleam of a golden padlock in Nami’s hand before she was yanking the door closed.
A dull click echoed through the room. The only thing you could hear for a few seconds was your own heavy breathing and the sound of Zoro gathering himself.
“Did she just—” You gaped at the closed door. “Lock us in?” 
Zoro swiftly pushed past you, jiggling the doorknob for a few moments before giving up. Sure enough, Nami had sealed it with the padlock from the outside, so there was no possibility of either of you getting out of the room. You could vaguely hear sounds from the outside—dull thuds and scrapes—and watched as Zoro started banging on the door. 
“Nami,” he called, voice dangerously low. “Let us out.” 
“Sorry, Zoro!” Your jaw practically unhinged from your skull once you heard your captain’s familiar voice, all bright and cheerful like always. “We’re putting barrels in front of the door, so don’t even try breaking it down. Have a good night!” 
“Luffy? What are you—” Zoro’s knocking quickened in pace, his voice getting increasingly louder. There was no response from outside, though you could hear snickers that sounded suspiciously like Usopp. What was going on? 
You kicked into action, joining Zoro by the door and trying the door handle again. “Nami!” you yelled. 
Nami’s soft laugh came from outside. “Sorry!” she called. “We’ll let you out in the morning.”
You gaped at the door, only aware of Zoro’s gaze sliding down to you as you dropped your hand from the doorknob. There were some more tigers from outside, and then receding footsteps. Zoro tried knocking one last time, but it was evident that the rest of the crew had all but abandoned you. 
“Okay,” Zoro muttered, moving away from the door. “I need a drink.” 
You watched him move across the room, picking up a glass from his bedside table that was only slightly full. He knocked it back in one swallow, Adam’s apple bobbing with the motion. “Um, what now?” you asked uncomfortably. 
“Nothing. Whatever,” Zoro said, turning to glance over at you. After a moment’s thought, you noticed that he refused to look you in his eye—his gaze was firmly trained at a spot beside your head. He turned away, stripping off his sword scabbard and setting them on the floor. 
You glanced around nervously. Zoro’s room wasn’t that different from yours, really—less decorated, but the constitution was the same. There was the bed, a wardrobe, a desk with various paraphernalia across it, and a little couch in the corner too. “You can look through the closet for something to sleep in. I’ll take the chair.” 
The words didn’t register at first, and you were left standing there, staring as Zoro kicked off his shoes and assumedly started getting ready to sleep. “Um, what?” 
Zoro glanced over his shoulder. He still wouldn’t look you in the eye. “They’re not letting us out until morning,” he said slowly. “You can take the bed. Might as well sleep.” 
“It’s your room,” you started, crossing your arms. “I can sleep in the chair. I’m smaller than you, anyway, so I’ll fit it better.” 
Zoro regarded you with such a reproachful look you almost wanted to laugh. “That’s ridiculous. Change.” With that, he turned around, leaving no room for discussion. You stared at him for a second before giving up, moving to his wardrobe and opening it up to search for something to sleep in. 
“So, uh, any ideas on why they stuck us in here?” You asked, although you already knew the answer. Whatever Nami thought locking you in a room with Zoro would achieve, you were stubbornly not going to let her be right. God, you were so going to kill her once you got out of there. 
“Nope,” Zoro said, with such a degree of finality you figured it wouldn’t be safe to question him further. “They’re just stupid.” 
“I mean, I feel like they would have a motive?” You rifled through his clothes, trying very hard to detach them from their owner. Wearing Zoro’s clothes was not something you wanted your mind to linger upon. Eventually you found a shirt of his that would undoubtedly be oversized on you, and you hastily changed into it, satisfied to find it draped well to your knees so you weren’t exposing too much skin. 
You stole a glance over your shoulder at Zoro, only to catch him in the action of peeling his shirt off. The stretch of the muscles in his back gleamed in the dim light of the room, and you tore your gaze away, heat rushing to your face. “Um. Anything?” 
“Nope,” Zoro repeated. Carefully, you closed the wardrobe door, lingering in one spot with your hands clenched together. Once you heard him start moving again, you deemed it safe enough to turn towards the rest of the room. He’d changed into a loose tan shirt, and had settled back into the chair. 
“I said I’d take the chair,” you told him hotly. 
“Yeah, and I said no,” Zoro said, tone dismissive. He had his eyes closed, and you stared at him in disbelief. 
“I’m not sleeping in your bed,” you said, and then, just to emphasize your point, plopped down on the floor. Zoro cracked an eye open and stared down at you. He sighed. 
“Get up. Don’t be stupid.” 
“I’m not being stupid,” you said. “It’s your room. It’s your bed. You will sleep on it. If you’re not giving me the chair, I’ll sleep on the floor.” 
Zoro let out a long sigh, closing both his eyes as if he was contemplating all his life decisions. “I’m not sleeping in the bed, you know,” he said. 
“Okay, so neither of us do.” 
Zoro’s brows creased, and he opened his eyes to glare down at you. “Seriously? At least take the chair, then. I’ll sleep on the flo—”
You gave him a sharp look. “Zoro.” 
“This conversation isn’t getting anywhere,” Zoro muttered, and finally got up from his chair. You glanced up at him expectantly. “What can I do to convince you to take the bed?” 
“Uh, nothing.” 
“We can work out a compromise,” Zoro said with a sigh. “I want you on it, and you want me on it, and neither of us are willing to take it ourselves.” He paused, brow creasing as an idea seemed to form in his head—one he didn’t seem to be a giant fan of, but an idea nonetheless. “How about.” His lips pursed, before he parted them again to finish his sentence. “How about we both take it?” 
It felt like someone had hit you square in the chest, air kicking out of your lungs and leaving you gasping for breath. Your windpipe was all raw, and you had to fight to tear any words out from your throat. “Ex—excuse me?” 
“It’s big enough,” Zoro said stiffly, though his hands were clenched at his sides. “I can take one side and you can take the other. Since you’re so dead-set on me sleeping on it.” 
“I—” You cut yourself off, suddenly far too aware of Zoro’s eyes fixed on you. Watching your every move. Oh, Nami was in for it now. How were you supposed to survive sleeping in the same bed as—you didn’t even want to think about it. 
“Well?” Zoro prompted. 
“Fine,” you agreed hastily, ducking your head lest Zoro catch any of the flush that was undoubtedly rising steadily up your cheeks. It was bad enough you were stuck in his bedroom and wearing his clothes—but this had quickly become your own personal circle of hell. “Good enough for me.” 
“Finally.” With that, Zoro climbed into bed, settling himself on the very edge of its side. Your throat had gone dry, and you stared at him for another second before hurriedly turning away to flick the lights off. You approached the other side of the bed with an extreme lack of enthusiasm, staring at the empty sheets like they were cackling up at you. Stupid, stupid, stupid. 
Eventually you slid into the bed, busying yourself with arranging the blankets around your figure. Zoro’s breaths were steady and deep from beside you. You didn’t know what to do for a second, but then Zoro’s voice was cutting through the darkness. “You’ve been avoiding me.” 
You jolted, then suppressed your sigh. “Have not.” 
“Yes, you have, and everyone knows it, and you’re not very subtle,” Zoro said, sounding almost bored as he rattled off the words. “Why.” 
“I haven’t—”
“Don’t.” 
You ran your tongue along your teeth, sucking at the valleys between them in annoyance. “It’s not important.” 
Zoro paused before speaking, like he was mulling over asking the question. “Did I do something?” 
“What? No.” You shook your head, despite knowing he wouldn’t be able to see. The sound did well enough to indicate the action to him, though—he scoffed, a low murmur from his chest that buzzed through your nerves. “I don’t want to talk about this. You’re giving the rest of the crew what they want.” 
“They definitely did not lock you in here to talk about why you’re avoiding me,” Zoro muttered. Now it was your turn to scoff, because if only he knew. “Are you sure I didn’t do anything?" 
“Positive. It’s all me.” 
“Okay, so why?” Zoro prompted. You swallowed hard, trying to dodge around the subject. “Are you sure—”
“Please just stop talking,” you said, one hand reaching out to grip his arm as if the physical contact would make him shut up. There was a stagnant moment of silence, your breath catching as your brain caught up to your body. Your hand was on Zoro’s arm. Your hand was on Zoro’s bicep, and you were in his bed. 
You cleared your throat, a panicked choke bursting from your lungs. “Um.” Your eyes skittered sideways, and then you finally turned on your side to stare at him. To stare at where your hand was still clutched around his arm.
You could just barely make out the angle of his jaw in the darkness, but you could see it was clenched, the vein along his neck protruding just slightly. Hastily, you removed your hand, the skin of your fingers tingling like you could still feel him underneath the tips. “Sorry. Why—why are you so certain that you did something for me to avoid you?” 
There were a few moments of silence that ticked by, nothing but the rock of the ship interrupting it. Finally, Zoro spoke. “Because the reason they locked you in my room is because—”
“What? The reason they locked me in your room is because of me,” you said. Zoro finally moved from his position, head tilting to face yours so you were eye-to-eye. You swallowed. “Nami, um—Nami specifically forced me in here so I would… talk to you.” 
There was a question evident in Zoro’s voice. “About?” 
Your lips parted, and then closed again. “Um.” 
“We can just sleep, if you want,” Zoro muttered. 
“What if they don’t let us out in the morning because we haven’t talked, though?” you hissed. Zoro let out a low laugh. 
“You realize you’re giving them exactly what they want.” 
“So you’d be more comfortable if we just… fell asleep?” you asked. Zoro shrugged. Since you weren’t exactly averse to the idea of not confessing, you nodded in agreement, heart beating a million miles a second. “Okay. Fine by me.” 
You settled back into your pillow, but soon came to realize that, due to the fluttering butterflies in your stomach and the fact you were very aware of the man of your affections being barely a foot to your right, you could not sleep. Evidently Zoro felt the same way, because he kept shifting around under the blankets—your hands brushed against each other a few times before he jolted away like you’d burnt him. 
“Sorry,” you muttered. Zoro didn’t say anything in response. Somewhere in the back of your head, you could hear Nami hissing at you—I didn’t shove you in a room with Mr. Prince Charming just for you to not take advantage of the opportunity. You tried to get her out of your brain—it was a bad idea all around—but the words kept reverberating around in your mind until you found yourself suddenly speaking. “Zoro?” 
“Hm?” 
“Nami stuck me in here so I would tell you that, um—” 
“You don’t have to say it,” Zoro murmured, and you shivered, his voice sounding suddenly closer. You squirmed, your hand brushing against Zoro’s again, except this time it took him a delayed moment to drift away. He had gotten closer—or maybe that was you, instinctually leaning towards the dip in the middle of the bed when you’d been lost in thought. 
“The reason they locked me in here with you is so I would tell you about my feelings towards you,” you blurted, the words slurring together, consonants and syllables all in one rush. “Because I have them. Feelings, I mean.”
Zoro’s voice was very low when he spoke. “Excuse me?” 
You sat straight up, the blankets previously nestled around your chin falling to your waist. “I have feelings for you and that’s why everyone locked me in here.” 
“I—” Zoro coughed, and then coughed again, ridding his throat of whatever was preventing him from making full sentences. He slowly sat up, and you stared down at the blankets in your lap as you saw him rise to his full height beside you. And oh, this was it. He was about to reject you in the most excruciating, offhand manner that would probably leave you at the bottom of a barrel of rum. “That’s not possible.” 
“Why is that—” you decided to shut up instead of finishing your sentence, allowing him to speak instead. There was a soft burning starting at your skin, all red hot, and your brain buzzed, regret filling up your lungs and making it hard to breathe. 
Zoro didn’t say anything, but you heard his hand before you felt it. It slid across the bedsheets before finally resting beside yours, fingertips grazing against your knuckles. “Zoro?” you whispered. 
“The reason they locked you in here with me is so I would tell you about my feelings towards you,” Zoro said blankly. You blinked. It took you a moment to realize that he wasn’t just quoting you—that he hadn’t switched the pronouns accordingly. Your heart dropped. 
Your voice was very faint when you spoke. “What?” 
“I like you,” Zoro said carefully. Languidly, the words dripping off his tongue all saccharine-sweet like molasses, or honey. You shivered, your hand accidentally knocking against his, and he took the opportunity to draw it in closer, fingers pushing up your palm, just a hair’s breadth away from interlacing with yours. “Luffy unfortunately found out. He doesn’t know how to keep a secret and told the rest of the crew.” 
You gaped at him. “I like you,” you said, dumbfounded. You could feel yourself trembling, fingers sliding against Zoro’s hand with every shake. “Nami yanked it out of me. Which is why I’ve been avoiding you for the past week.” 
“I thought you were avoiding me because you found out I liked you,” Zoro muttered. His fingertips brushed against the pads of your hand, and you swallowed, mouth all dry. “So.” 
You tentatively lifted your gaze, finding Zoro’s eyes even amidst the darkness. They were shining, a slight glint from the moon coming in through the window reflecting along the shadows of his face. Carefully, his hand slid fully into yours, fingers lacing together, and it was like the final piece of a puzzle clicking into place. 
Zoro slid back down onto his back, tugging you along with him. You settled back on your pillow, using your other hand to pull the blankets back over your chest. For a full stagnant minute the two of you lay there, hands intertwined in the space between. 
You were the one who made the first move, then, thumb running up and down the length of his index finger. Zoro ran with the action, tugging your hand just slightly until you were leaning into the dip of the mattress, gravity pulling you closer to his body. 
He lifted your entwined hands, tugging you towards him until your back was pressed right to his chest. Then he settled your arms back down again, the back of his palm resting against your belly. 
You swallowed hard, able to hear the sound of your throat in the utter silence. Zoro exhaled, his breath softly brushing against your neck. “Good night,” you whispered. 
Zoro pressed a soft kiss to the nape of your neck, a ghost of something that left tingles fluttering down your spine, the drunken butterflies in your stomach swaying at the action. “Good night,” he murmured, and your breath caught. 
He was warm, oh so warm, like a campfire with licks of flame that softened your hands in the dead of night. And even though you wanted to speak up, question when he’d started liking you, if he was lying or not—you were content to stay here in his arms and drift off to sleep.
So you did, settling back into his embrace with your head spinning and senses murmuring, all dizzy like you were caught in a dream. Eventually, your tiredness got the better of you, and you felt your senses fading as the world around you darkened to black. 
The two of you jolted awake to the knocking and the very unpleasant hum of Nami’s voice. “Rise and shine!” she called through the door, and you blinked, bleary eyes adjusting to the light as you suppressed your yawn. 
Zoro jolted up beside you, practically giving you whiplash as his arm was still comfortably around your waist. Your fingers tingled, and you realized that you’d fallen asleep with your hands laced together. 
“Nami,” you grumbled, about to rise out of bed before Zoro stopped you. You turned towards him in question, only to stop short as you registered the look in his eyes. His gaze was deep, piercing; those butterflies rose up again in your stomach, apparently awake after they’d passed out from their drunken stupor. You swallowed. “Hi?” 
“Hey,” he murmured. “They locked you in my room.” 
“I’m going to knock Nami over the head with a rowboat oar,” you said blandly, eyes flickering towards the door, which Nami was still pounding on. You vaguely heard shuffling sounds, like the crew were working to move the barrels they’d stuck in front of the door to free you from your prison. “You can have the rest of them, if you want.” 
“I’ll take you up on that offer,” Zoro agreed. “But first…” 
“First?” you prompted. 
Zoro brought your hands—still intertwined—to his mouth, pressing a gentle kiss along your knuckles. “Good morning,” he said, voice low and awkward, like he wasn’t used to letting the words out of his mouth. He let your hands drift to his lap, leaning forward until his forehead brushed against yours.
A faint sigh escaped your lips when he finally kissed you. It wasn’t rough or hard; it was a soft press, like your hands had been just a few hours ago. There was a degree of finality to it; a held-in breath that’d exhaled from your lungs, one you hadn’t realized was building up that much pressure until you finally let it all go. 
The door flung open, and you jolted away, but Zoro tilted your head back towards him before you could. At the mouth of the room, Luffy had started screaming. “Aww,” Nami cooed. Behind her, Usopp and Sanji were gripping onto each other like they were watching a particularly engaging fight. 
A steady blush rose along your cheeks, but Zoro was absolutely shameless, the hand not held in yours raising up to give them the finger. “Get out of my room.”
“Told you it’d be okay,” Nami sing-songed, and then you really did break away from Zoro, picking up the object nearest to you and barrelling towards her. She shrieked, dodging out of the doorway as Zoro laughed from behind you.
“Wait!” she stopped you from whacking your pillow against her head, raising up her arms in defense. “I was right. I saw you two—” 
“Nami,” you started, dangerously low. “You locked me in his room.”
“Yeah, to help you!” she cried defensively, slowly taking backwards steps as you gained on her. “Come on. We can talk about this.” 
“Good luck,” Zoro called out from behind you—you turned around, catching his gaze. He had gotten up, leaning against the doorway and watching you with a sparkle of fondness in his eye. “You’ll need it.” 
You blew him a kiss, ignoring the long groan it pulled out of Luffy from beside Zoro in the hallway. And then you turned around. Nami had darted off, taking the time you’d been distracted to run off. “Oh no you don’t!” you yelled, and then lunged after her with Zoro laughing all the while. 
Maybe it hadn’t been such a bad thing, you thought. But you were still going to beat Nami’s ass. 
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© halfvalid 2023
3K notes · View notes
luveline · 9 months
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I would love to do a request if you would like! Some sort of Spencer Reid x Reader where the reader is super bad ass, tough, doesn’t show much emotion is kind of cold to others but has the biggest soft spot for Spencer!! 🫶🏻
thanks for your request lovey, I would love to write more of this pairing if you have any more requests ♡ fem!reader
"Here comes the ice queen," Morgan mutters, turning his chair away from the walkway. 
You walk down the steps from Hotch's office. Whether you were praised or reprimanded is anybody's guess —your face never gives anything away. Spencer doesn't necessarily agree with the way Morgan's categorised you, but he isn't wrong either. You're like Hotch in temperament, if Hotch were soft on only Spencer. 
That might have something to do with why Spencer won't call you cold. You're never cold with him. 
"What did boss man want?" Morgan asks. 
"If it were your business, Morgan, I'm sure you'd already know." You don't say it spitefully, but it's far from a warm answer.
Spencer honestly asks just to piss Morgan off, "Everything okay?" 
You visibly soften. Walking past Morgan without notice, you pause by Spencer's desk, your voice quieter, gentler. "Don't worry, Spence, everything's fine. You still reading that book about sex crimes in Arizona?" 
"I finished it. Doesn't take long." 
"No, you're fast," you agree. "What are you gonna read next?" 
It's amazing how swiftly you shift gears. Your body language totally changes, your shoulders slouching toward him, your hand open and resting on the back of his chair as if you might touch his hair. Morgan shoots Reid a look that says, What is happening right now?
"I was thinking about reading up on the Milk Killer, from 1954. He tried to give his victims blood transfusions high in lactose in an attempt to cure intolerance." 
Even Spencer admits that that sounds boring, but your face lights up with genuine interest. "That could be good. You'll have to tell me how it goes." 
"Sure." Spencer squints at you. "You have something on your face." 
"Yeah?" you ask, and Morgan goes wild behind you, dipping back in his chair in disbelief at your breathless tone. "What is it? Can you get it for me?" 
You bend a little and Spencer wipes the lint from your face sweetly. He wonders if he should be blushing, your affection for him as clear as it is, but for once, Spencer Reid feels smug. He can melt someone that Morgan can't. "All gone," he says. Smugness aside, you're a friend (and maybe a little more than that).
"Thanks, Spence," you say, popping a kiss against his cheek. "You saved me from embarrassing myself." 
Morgan clears his throat. You barely move, your hands twisting behind your back. "Hey, lovergirl," he says, making himself heard. 
"What, Morgan?" you ask, finally looking away from Spencer's pinking cheeks. 
"You have something," he says, pointing at the corner of his mouth. 
"So?" you ask indifferently. You turn back to Spencer as though nothing occurred. "Do you want to go to the movies again this weekend? They're playing a silent film. I think you'll like it." 
Spencer smiles genuinely. It's not his main concern, but it's definitely an added bonus to hear Morgan's sighed, "Are you kidding?" as he nods vehemently. 
"I'd love to," Spencer says. 
"Okay. It's a date," you say, smiling at him so nicely it feels like he can't breathe. 
"What's a date?" Emily asks as she returns from the kitchenette, eyebrows jumping. 
"It's a marker used to denote the day or month within a year," you say primly. "I have to go make copies for Hotch." 
You don't say goodbye. Morgan likes you, really, in the same way you like Morgan, so he gives Spencer a dazed look followed by a small smile. "Good luck with that." 
Spencer looks over his shoulder to follow your figure as you carry a box of reports to the photocopier. "I don't think I need luck," he murmurs. You glare at the copier, clicking one of its buttons aggressively. "She's nicer than you guys think." 
"Sure."
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lowkeyremi · 5 months
Text
jjk men and aftercare ft. Gojo, Choso, Nanami, Toji, and Geto.
a/n: I saw something like this awhile ago and forgot to write abt it but here I am now babyyyy (there is already a part 2 in progress bc i wanna do 10 characters lmaoo) also not proofread bc im tired :P
cw: really suggestive, established relationships, how they are after sex basically :)
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Gojo Satoru
When you two first started hitting third base Gojo was all about himself and about how he felt. When you had cleaned yourself up and prepared for bed that night Satoru finally realized something was wrong.
"What's wrong, babe? I thought you liked it??" He asks, worried about his performance in bed. Your silence prompts him to try and figure out what he had done wrong, and honestly he couldn't even think of anything.
"Pleaseeee tell me. I won't know if you don't say anything." Those invasive thoughts that tell you, "you don't matter to him." start to attack your brain once again. He's way out of your league you start to think.
"Aftercare. You didn't even offer to help me clean up, Satoru." Saying it out loud makes you sound kind of petty in your opinion but it does matter.
"OH. Shit baby I'm so so so so sorry!!!!! I- It's just-" He cuts himself off and tries to reword his sentence, "Well, back then I.. I was sleeping around so my pleasure was the only thing that mattered to me. It's different.. you know? Dating. I'm still working out everything. I won't forget next time I promise."
He'd been telling the truth because from then on he always went all out with aftercare. He would run you a bath with your favorite salts and oils, he'd make you your favorite snacks, he'd even cuddle you afterwards until you fell asleep. (rich boyfriend privileges)
Choso Kamo
He'd been waiting so long to finally sleep with you for the first time so he had done all his research prior to the day. He was looking at your dilated pupils, messy hair, and the cum that sat on your stomach.
"Okay so, according to the article I read, I should run you a hot bath, yeah?" He asks nervously.
A small smile braces your lips. In all honesty you probably should have expected this much from Choso. He wants to make sure everything is perfect.
"You looked up aftercare???" You sit up on the bed and a back cramp decides to hit right then and there. As soon as he hears your groan he sprints the the kitchen, only to return with a heat pad.
"Heat pad for cramps?" He's truly nervous, and eager to please you, the love of his life.
"Thank you, Cho. I'll take you up on that bath."
"Of course, I'll get in with you if that's okay." The smile on your face is enough of an answer.
Nanami Kento
YOU ARE WINNING!!!!
Massages, baths, homemade snacks, you name and he'll do it for you. In his mind it's the least he can do for you, because you treat him so well and give him that pretty pussy he loves so much.
"Right here?" He's currently working those skilled fingers into your tight muscles after bending you every which way.
"Ohhh... yes right there, baby. Hurts so muchhhh." You whine and moan at the same time. At this point you two have already bathed and he's made sure to moisturize your body leaving you clean and refreshed.
He seemed to notice the way you limped and asked if you need anything. The sex was good really, but you didn't want to tell him that folding you in half wasn't the best idea. Oh, but he's persistent would not leave you alone until you told him what was wrong.
Once you told him he had immediately sat you down, picked up your favorite lotion and started to work out the kinks in your body.
"I'm so sorry, again." He mumbles quietly.
"Stop apologizing, Kento. These things happen. At least I know to stretch before hand next time." His face softens at your giggles and he presses a small kiss to your thigh.
"Oh do not get me started." A smile creeps up his face, while blush slowly spreads across yours.
Toji Fushiguro
BOOOOOO no aftercare. well maybe not much at least.
Has not properly cared for a woman since his late wife but he realizes if he wants you to stay he'll have to fix that.
At first he would throw a wet rag at you and give a simple, "here clean up." When he got out the shower he was genuinely confused why you were no longer at his apartment.
As soon as you picked up he could tell you were pissed, "What do you want, Fushiguro."
He's a little shocked, did not expect that from you, "I'm your boyfriend so it's Toji and not Fushiguro. The hell is your problem??"
The silence is so loud. For a second he thought you'd hung up on him. "Hello??"
"I'm giving you some time to think about that dumbass question and figure out why I'm mad at you." He clicks his tongue and rolls his eyes too. He's lucky you can't see it.
"Ugh, I don't have time to play the damn guessing game. You're always mad about the little things.. what is it?" He's running through anything he could have possibly done wrong recently.
"Toji, you threw a fucking wet washcloth at me and told me to clean myself up. I'm your girlfriend, not one of your one night stands!" There it is, and the bad part is he doesn't even see what's wrong with that. (at first)
"I don't even give them something to clean up with, I just leave. But damn if you want me to get all fancy and shit I'll try." He scratches his head and begins to wonder why women are so hard to please.
Let me tell you he's no Nanami, but it's getting better. Still falls asleep afterward most times tho :/
Geto Suguru
You do it yourself for the most part, and here's why.
He's over here washing you up in the tub and he can't stop staring at your soapy titties and it just leads to more sex.
It's never just aftercare with him. He's always chasing more. Like that time you asked him to massage your legs after you two had finished fucking in the tub.
"Yeah shit why not? Lotion or oil??" He asks looking through your products.
"Uhhh lotion's fine." You'd grabbed your phone to see if your mother left you a voicemail which she did. She talked about how you need to pick up the phone or at least text her your alive if you're not gonna pick up. You were NOT going to pick up earlier though. Suguru likes to tease and you learned that the hard way when he was eating you out while you were discussing group bonding dinner ideas with your boss over the phone.
Anyway, he made his way to the bed with your lotion and all things went to hell. It was slow at first, nothing too sensual, then of course he had to slip a finger in your pussy and you sat there and stared.
"We are not doing this, we just got out of the bath." You were so serious, but so was he. (you were also aroused so)
"Another bath never hurt anybody, 'fraid of a little water baby??"
(such an annoying whore)
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distantdarlings · 6 months
Text
HOUSE PRIDE // t. nott
RATING: R / 3.8K WORDS
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Theodore Nott x Fem Reader Insert
+ SUMMARY - *Requested - based on this* Theo is pissed that you seem to be interested in other guys. The two of you are not officially dating so you find it ridiculous that you can't talk to whomever you want. You have feelings for Theo, though, and think it might be interesting to put his jealousy to the test.
+ WARNINGS - SMUT! Heavy sexual material, degradation, name-calling, jealousy, fem reader, language, dom!Theo--honestly, this is just depraved
+ MUSIC (listened to while writing) -
Pyramids - Frank Ocean
---
You pressed your face to your hands, breathing deeply. You couldn’t believe what you were fucking hearing. The pounding in your head refused to subside as he kept demanding an answer.
“Hello? Do you wanna explain why you were practically throwing yourself on Riddle today at lunch?” the brunette demanded, his eyes widened and wild. Your hands dropped and you made eye contact with the boy. You were in disbelief.
“Throwing myself at him? You dick, I tripped and fell on him! That’s just number one! Number two: you are not my fucking boyfriend,” you shouted, “I can throw myself on whoever I want, whenever I want!”
Theo locked his jaw and pursed his lips slightly. A tell of his that meant he was very angry. He didn’t usually speak much after he pushed past this point. More like, just crossed his arms and stared at you, eye bordering on twitching. You scoffed and held your hands out, waiting for a response from him. He said nothing.
“I don’t need you to tell me who to give attention to, Theo. You are not my boyfriend, I am not your girlfriend. I tripped and fell against Mattheo this morning and we both laughed it off, so why can’t you?”
“You just tripped and fell on him and his hands landed on your ass? Oh, whoops, just an accident!” he mocked you. 
“I don’t know if his hands were on my ass or not, he may have been trying to stabilize me as quickly as he could—but besides the point, who gives a fuck if he was touching my ass? It’s not like you’ve been too eager to do anything anytime soon!” you shout, blood rushing through your ears and cheeks. Shit. You did not mean to say that. His head shot back and his eyes widened slightly. You kept the anger imprinted on your face to attempt to hide the embarrassment you were feeling so strongly. Hopefully, he would think this was a super-confident confession written in a rage. Still, he said nothing.
“Oh, forget it! To hell with you, Theo!” you screamed, grabbing your robes and running out of his dorm room. He said nothing and made no move to stop you. Your feet carried you down the hallway and into your own room. 
None of your roommates were here. You figured they were all in different dorms, preparing for the common room party in a few hours. Once every couple of months, some of the Slytherins—usually seniors—will get together and prepare a “house” party. They’re always fun, high-energy, and filled to the brim with Slytherin pride. Merlin, you loved them. 
You had originally declined to go tonight. You had some leftover work that was due on Monday and you almost thought that Theo would invite you to Hogsmeade or something, but you should have known better than that. It seems all he’s concerned about is his reputation. 
You tugged through the buttons on your uniform top and ripped it off your shoulders. You pulled your skirt and socks off, holding the end of your bed for balance. There were a couple of nice outfits shoved in the trunk beneath the bedframe—you figured something in there would do. You reached up and let your hair down from its elastic, allowing it to fall to its natural length. The ends of the waved strands tickled your skin as you yanked the trunk into the open. Inside were a couple of different combinations, all saved up for special occasions. And if anyone asked you, making Theo Nott as jealous as you possibly could was a very special occasion. 
Your eyes fell on a specific top. A long sleeve, skin-tight sweetheart neckline that plunged a little deeper than it should, and a flared, darkened skirt. You reckoned it was simple and sexy. It practically bled Theo’s name all over your body, claiming you as his, though you pretended like you hated that. He never needed to know it, but you secretly loved how jealous he became when you had the smallest interactions with other people. You blow a curled hair out of your face. The fucker could have been running down the halls with a red tapestry taped to his back and you still wouldn’t call him a red flag. He was just what you wanted; what you’d wanted for years. Whether or not he’d ever actually act on your feelings for each other, you belonged to him and he belonged to you. 
You slipped the outfit on, mussed up your hair a bit, and applied a light layer of makeup. With the two tests, three project due dates, and eighteen assignments you’d had this week, you could use a bit of a touch-up. Hopefully, you didn’t sweat it off by the end of the night—though, that was sort of the goal.
You grabbed your wand and slipped it into your back pocket, patting it twice for good luck, and pushed through the dorm door. Down the hallway, you could hear the faint pounding of music. Your heart raced, keeping in time with the deep bass pushing past the walls. Was this a good idea? For a few moments, you stood in front of your door, pondering your options. Your plan for this evening could either end really well or really badly or you could avoid the possibilities completely and stay in like you originally planned. A deep sigh left you as your eyes slid closed. Who cared? This was your life and, you’d said it earlier, Theo was not your boyfriend and you intended on finishing what you’d started with Mattheo earlier this morning.
Deep cool colors swirled throughout the common room, echoing off of every shadow and highlight in the moulding. Everywhere you looked there was another Slytherin scarf or Quidditch team hat. One boy even wore a Slytherin flag around his neck like a cape. You laughed at the absurd outfit. These parties were most definitely one of the best things about being a Slytherin. Say what you will about the house, but they could throw a fucking party. 
You slid through swaying bodies, feeling the bass echo deep in your chest, rattling your ribcage. A couple of your friends were scattered throughout the crowd and slipped in gracefully with their personal friends. As you passed by them, they waved or flashed you a bright smile, all of which you returned. You would come back and talk but, for now, you were looking for someone specific. 
There was a table set up in front of the fireplace, decked out with green and black decorations, and overflowing with tall glasses of firewhisky. Your eyes skated along the length of the furniture until it reached a familiar body. You smirked and grabbed a drink before making your way over.
Enzo stood against the edge of the table, discussing something with one of the “bartenders.” When you stopped in front of him, his lips ceased and his eyes found your chest, then your eyes. His lips remained parted. Sweet, sweet Enzo. 
“Hey, En, I was wondering if you’d seen Mattheo, anywhere?” you smiled. He said nothing for a few seconds before stuttering back to life like an old car. 
“Uh, no, I haven’t seen him anywhere…uh, why do you need—um, I mean, did you need to talk to him?” he stumbled, awkwardly shoving his hands in his pockets. The boy he’d been talking to—some fifth-year—snorted and rolled his eyes, turning away from the two of you to pour a couple more drinks. You stepped closer to Enzo, feeling his body heat on you. The shoes you were wearing granted you a couple more inches of height, which, consequently, put your hairline just above his. His eyes were angled slightly upward as he watched you. 
You waved him against you. He leaned in. The confidence burning through you tonight was more than you’d felt in a long time. You felt hurt and angry and frustrated. You could fix one of those quickly. You traced the skin above his ear, pushing a small tuft of copper hair back. A small shudder went through his body as you pressed your lips against his ear.
“I just wanted to dance and was looking for a boy who’d dance with me,” you said slowly. “I thought Mattheo would be the best but maybe you could…you know…”
You pulled away and smiled sweetly, placing a deep innocence into your eyes, watching as his lips parted and closed multiple times. You tilted your head to the right, allowing your eyes to switch from his eyes to his lips ever so briefly.
“I haven’t seen Mattheo, I’ll dance with you,” he said, licking his lips and swallowing thickly. You smiled brightly and grabbed one of the hands hanging limply by his side. You felt his warm skin beneath yours as you tugged him toward the center of the dancing mass. You were pretty sure you recognized the song playing and proceeded to work all of its beats throughout your body, encouraging Enzo to join you.
“Come on, En!” you laughed. “You’re supposed to dance with me.” He seemed to shock out of a momentary stupor. You felt good tonight and you hoped it was showing on your face and body. He still didn’t move and you reckoned he was going to take some physical guiding. 
As the song slowed slightly, you grabbed both of his hands and slid them around your hips. His breath shuddered through his lips as you began moving the two of you. You dropped your hands to his belt and guided his hips a bit, biting back a smile. He had all of the facilities for these particular…activities, he was just really nervous. Soon enough, though, his hips were moving on their own.
You turned around and placed your back against his chest. Without prompting, his hands dropped down to your hips, gripping them firmly. He moved you against him to every beat of the song. To be honest, he was placing a little bit of blush in your stomach. One of your arms raised to wrap loosely around his neck.
“That’s it, baby,” you cooed in his ear, cradling the base of his neck with your hand. One of his hands raised to hold your arm against him as the other stayed intact on your hip. A crooked smile found its way onto his lips as the both of you felt every rhythm the other was putting out. Fuck, maybe you’d picked the wrong boy all along. The way Enzo was grabbing your hips and ever so slowly grinding against your ass had your lips parting in a slow gasp.
“Like this?” he whispered in your ear, his voice low and gravelly. Merlin, help you.
If anything could have pulled you out of your current situation, it was the burning eyes you felt against you pouring into your skin like a brand. You gasped a bit and looked away from Enzo. Almost immediately, you found Theo’s eyes on the two of you. Enzo noticed your sudden change of attention and glanced up, finding the older’s eyes. Like he’d been branded himself, his hands faded away from you and, almost as quickly, so did he. Fucker. So much for sticking by you. 
You were used to it by now, though. Where you were involved, Theo was, too. Even though you weren’t actually together, everyone knew you were Theo’s. Anytime you were hanging out with another boy, he always found out. Even if it was just for a school assignment. 
His jaw was clenched and ticking. His eyes were lidded and ice-cold, angled right at you. You rolled your eyes and huffed, stomping off through the crowd. He couldn’t get whatever he wanted all the time. He needed to pick. He needed to officially claim you as his, take you on dates, buy you gifts, and all that nonsense or he needed to leave you the hell alone. He couldn’t have it both ways. 
You finally came upon the end of the crowd and the staircase leading to the girl’s dorms. You hurried up the steps, not even caring if he was behind you or ignoring you or with a different girl. 
The hallway was completely empty, everybody down at the party or taking an early night. You rushed across the winding floors, trying your best to get to your room before Theo changed his mind. You just wanted to get out of your clothes and makeup and go to bed. Your dorm door appeared around the corner followed by an immense sense of relief.
Your hand closed around the doorknob and—a hand closed tightly around your arm and yanked you back. A yelp escaped your lips as the perpetrator slammed you roughly into the wall just beside the door. It was Theo. He was livid, his breath coming out in hard slants, and his eyes so darkened they appeared black. You swallowed thickly, your breath rushing out of you just as his was. The two of you heard your hearts pounding in tandem.
“What the fuck is wrong with you?” he demanded, his face inches from yours. Your eyes glanced down from his to his lips, watching the changes in his anger. He waited impatiently for an answer for too long before you realized it wasn’t meant to be a rhetorical question. 
He grabbed your arm once more and pulled you away from the wall. A swift flick of his wand and a fury like no other, and he was pulling you into your empty dorm room. It was almost completely dark by now.
“You want some attention, huh?” he said, casting a flame into the stove set in the middle of the room, his grip on your arm never weakening. He slammed his wand down on your bedside table and pushed you onto your bed. You fell roughly against the mattress, your hands holding you up into a sitting position. He stared down at you wildly, like an angry parent.
“Answer me,” he growled. Your eyes bore the same innocence you’d given to Enzo earlier and you knew that he’d only last a few minutes like this. Already, his facade was flickering and his gaze was softening. 
“I just—I don’t know, Teddy, I—”
“You just, you—you, you…fucking spit it out,” he mocked you. Body betraying your mind, heat pooled in your lower stomach as his face got closer and closer to yours and he got angrier and angrier. If it was anyone else, you’d have gotten embarrassed or angry but with Theo…it was a different feeling.
“All out of confidence, hmm? What happened, baby, you had plenty out there when you were grinding your ass all over Lorenzo Berkshire in front of everyone!”
“What’s wrong with Enzo?” you squeaked, your thumbs rolling over the other.
“He’s not me, you stupid girl,” he roared, his words perking your chest. You pressed your thighs together discreetly, never losing eye contact with him. You hoped he hadn’t seen you.
“Are you serious? Are you fucking turned on right now?” he asked. He had seen you. You didn’t say anything. His hand reached around and roughly gripped your hair, his fingers tugging deliciously on your scalp. He held your head back.
“Answer me, baby,” he whispered, his voice a thousand times different. “Does it turn you on when I shout at you? When you get me jealous and worked up?” The way he was looking down at you had you gulping against the strain being placed on your throat. You nodded.
“God, you’re so fucking pathetic,” he laughed darkly, the sinister tone in his voice echoing in your stomach. His hand let go of your hair and grabbed your jaw tightly. He held your face up so you were looking directly into his eyes.
“Maybe I need to remind you who you fucking belong to?” An eyebrow quirked. You nodded once more, anticipation hitting you like a train. He smirked, releasing your jaw by pushing you back roughly. Your back came into contact with the bed, the material nearly knocking the breath out of you. 
He crawled over you slowly, letting his lips ghost over your exposed cleavage, neck, chin, lips. He paused and allowed his breath to pour into your mouth. He tasted like alcohol, the scent of it burning your lips. He pushed his tongue out and gently traced it over your bottom lip. Your lips parted in a gasp at the contact. Just as soon as your mouth had opened, his had covered it, suffocating all breath. You moaned into him, feeling the way his body held you tightly against the mattress. 
You raised your hand to place your fingers beneath his shirt, but one of his hands reached down and grabbed yours with a speed your intoxicated brain wasn’t capable of comprehending right now. He raised them above your head and held them with a grip like a vice, his fingers violent and unyielding. You’d definitely have bruises in the morning. 
You bucked your hips against him, trying to illicit some contact between your core and his. He grunted at the touch before pulling back and roughly turning you over, pressing your chest into the mattress. 
“Don’t fucking do that,” he growled into your ear, still holding your hands tightly above you. “Do as I fucking say. I’m going to pull this skirt up and I’m going to fuck you and you’re not going to say a word but my name. Do you understand me?” You nodded frantically, impatiently waiting for some contact. 
“Keep your hands there,” he instructed as he slowly let them go. You curled your fingers around the edge of the bed to keep them locked in place. You didn’t dare disobey him. 
Behind you, you could hear the clink of his belt buckle as he pulled it from his jeans and dropped it to the floor. The anticipation was killing you, your thighs pressing tightly together for a chance at some friction. The heat between them was beginning to become too much. 
He pressed bruising kisses along the side of your neck, trailing them down your shoulder. His teeth cut along the flesh, ripping blacks and blues into the sensitive skin. You whimpered at the feeling, knowing good and well he just wanted everyone to see whose you were.
His fingers ghosted along the outsides of your thighs, tracing the chills that appeared in their wake. You shuddered against the sheets, waiting to feel everything he was about to do. You couldn’t see any of his movements and, for whatever reason, that amplified the feeling by a million. 
There was a moment of nothing except for the sound of rustling clothing. No part of him touched you and you found yourself becoming more and more desperate by the moment. You reckoned he was removing unnecessary items of his outfit but if he didn’t do something soon, you were going to start pitching a fit. 
Then his thumb pressed against your thin undergarments, right where you needed him the very most. An awfully audible moan left your lips and your spine arched against his touch. Merlin help anyone who walked by this dorm or, worse, tried to come in.
“Please, baby,” you sighed, your fingers clenching tightly against the mattress. His hand roughly grabbed your hair once more, tugging your head back.
“My name only, you dumb slut,” he insulted before pushing your head back into the sheets. One hand held your head to the bed as the other lined his hips up with yours. 
No matter how many times the two of you did this, you’d never get used to it. He was just so much better than any of the other boys in school. And there were a lot of them too. None of them felt like Theo and he knew it, too. He knew that you would always come back to him. He was impossible to leave. His touch and rough, degrading words were addictive and you couldn’t stay away from him. Your friends had told you over and over again that you needed to drop him and completely move on but you just couldn’t. He was the closest thing to a drug you had.
He tucked a finger beneath your undergarments and slid them over to the side. He placed a hand in front of your face. “Spit,” he ordered. You complied. He spread the material over his fingers slowly, coating each one thoroughly. Out of the corner of your eye, you saw his hand disappear and reintroduce itself with your core. The tips of his soaked fingers skirted between the slit of your skin, lathering you in his touch. Just as he’d instructed, his name poured from your lips like a prayer. 
He pulled his hands away and quickly replaced them with a dark, warm heat that pressed into you agonizingly slowly, stretching every part of you out.
“Fuck, it’s been a while,” he groaned breathlessly, pushing into you until he bottomed out. His lips curve just above your ear, every moan and whisper touching your mind like a soft hand. As he began to move, they became louder and made less sense to either of you. His name curled around the room. You worshipped him. The reverence you placed on every syllable touched his chest and slid down to his core. He gasped into your ear. You sounded so fucking good.
It didn’t matter if he fucked every girl in Hogwarts, none of them could ever compare to you. 
“Theo, baby, you feel so good,” you screamed, the words vibrating your skin. 
“Yeah, baby?” he breathed. You moaned aloud as he pressed an especially sharp thrust against you. “I know, I know.”
“Please, please, please,” you babbled, your words pathetic and useless. His hips never ceased their brutal pace.
“That’s it, baby,” he cooed. “Are you my girl? Or are you Enzo’s?” He growled the last part, his fingers tangling painfully in your hair. You yelped at the feeling, tilting your head back to relieve some of the pain.
“No, no! I’m yours, Teddy, I’m all yours, please,” you begged. 
“That’s right, baby.” He released your hair. Every movement of his body brought you closer and closer to your end. His hands gripping your hips and pulling himself toward his own, his lips curling against your ear, his weight holding you perfectly in place.
Neither of you would last much longer and you both knew that. Every deep push of his hips drove you further into your pleasure as you began to close around him, gradually coaxing a release out of him. One of his hands dropped down to trace tight circles against you, ignoring the way your hips quaked to get away from the overstimulation. You were done for. 
Every sound pouring from his lips began to mingle with yours a bit closer as he pushed you through both of your final breaths. His hips got slower and his grip loosened on your waist. The loss of his support sent your weakened body falling back down to the mattress. A breathless chuckle came from him as he laid down beside you, his shimmering skin luminescent in the moonlight. You presented him with a tired smile. 
“Could Enzo fuck you like that?” he asked, a proud smirk imprinted on his lips.
“I don’t know—I’ll let you know when I find out.”
3K notes · View notes
justauthoring · 11 days
Text
jerk [2].
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because bakugou katsuki is a jerk but he's also unfortunately your soulmate.
a/n: the LARGELY requested part two! honestly, i'd be willing to write more parts if people wanted :) this part ended up being more about the girls and y/ns friendship but i couldn't help myself - if you guys want some fluff with bakugou for future parts, just let me know!
pairing: bakugou katsuki x f!reader
part one.
“You’re hiding something from us.”
There’s a beat of silence, then another, then another and when finally, you realize you should say something, you blink, sputtering out a barely believable; “no i’m not.”
Mina and Jirou glance at each other, then behind them at the rest of the girls, and you feel a layer of sweat build up when you realize all of your female classmates are here, surrounding you, demanding an answer. And you’ve never really been all that good at lying before, it’s how Bakugou was able to figure out the whole “i’m your soulmate thing” rather quickly and it had only taken him as long as it had because, well, it was Bakugou.
So, to put it bluntly, you’re screwed.
“Come on, Y/N,” Mina laughs, “that wasn’t even remotely believable.”
You know it’s written across your face, your eyes wide and your lips parted and you’re sure you look like quite the picture in that moment surrounded by every single female student in your class, a group of girls you considered your friends but were feeling considerably more like your interrogators in that moment. 
But you have to at least try.
“I’m not hiding anything,” you repeat, this time taking special care to make sure your voice is even and somewhat believable. “I’m just… tired. It’s been throwing my balance off. Sorry guys.”
You really are because you have been weird recently and you were hiding things (even if you were desperate for them not to know that) so the sincerity was there and it seems to be enough because they all glance at each other, frowning, and you can literally see the determination fade as Momo speaks up first.
“You have been leaving to train a lot,” she agrees with a solemn nod. “It’s no wonder you’re so tired. But you should still try to get some rest, don’t push yourself so hard.”
You let out a breath of relief, trying not to let it show as some of the girls shuffle back to walk away, until—
“Wait, that reminds me!”
It’s Jirou who calls it out and you feel yourself freeze.
“She hasn’t been training!”
Eyes widening, you turn to look at Jirou. She’s grinning your way, her figure pointed in your direction, clearly pleased she’d caught you in your lie.
“Jirou,” Uraraka calls out, confused. “What are you–”
“Two nights ago when she left to go training, I followed her, thinking we could train together… she wasn’t there.”
They gasp. Literally gasp.
“Now that you mention it,” Froppy nods, finger held to her chin in thought. “I haven’t actually seen her in the gym very often… nor does she look particularly like a person who’s just trained when she comes back.”
Their eyes fall on you and you take a step back.
“Y/N—”
And then you just run.
-
“I can’t believe she just ran!”
“I know!”
“Guys, I’m sure she had her reasons.”
“Who?”
Mina’s lips are left parted at the sound of Kirishima’s voice, all the girls turning to face him in the living room where he’s sat with the rest of the class.
“Y/N,” Mina explains with a huff, falling into the couch dramatically. “She’s been ditching us constantly and always leaving right after we return from class with some excuse. When we tried to ask her about it today, she lied and then when we caught on to her lie, she ran! Literally just bolting down the hallway before we could even blink.”
Kirishima frowns, glancing over to Denki on his left.
“That doesn’t sound like Y/N,” Deku calls out from across the room, head tilted in curiosity. “Especially to lie to you guys.”
“I know!” Mina calls out, throwing her hands up in exasperation. 
“Like I said,” Uraraka speaks up, trying to remain calm. “I’m sure she has her reasons. Maybe something’s wrong…”
“You think she could be in danger?” Shoto asks, quirking a brow. 
Uraraka shrugs; “I don’t know… I hope not.”
Everyone falls silent, worried expressions plastered on their faces.
“Wait, Kirishima… bro.” Denki calls, reaching to shake Kirishima aggressively, to which the red-haired boy swats his hands away, shaking his head.
“What?”
“Hasn’t Bakubro been disappearing a lot too?”
All the girls straighten out.
Kirishima just shakes his head; “Bakugou is always disappearing. You know he doesn’t like hanging with us a lot.”
“No, Denki’s right,” Sero nods, “even if he isn’t hanging with us, he’s usually in his room or in the gym. Recently, he just completely disappears.”
“I guess you’re right…” Kirishima frowns.
“Wait,” Jirou calls out, “what are you saying? That Bakugou is disappearing with Y/N?”
“That’s crazy,” Mina brushes off. “I’ve never even seen the two talk to each other unless they’re forced to–wait.”
Everyone's eyes snap to hers, wide.
“What?”
“You don’t think… no. It’s not possible.”
“Oh my god,” Denki cries out suddenly, leaning forward with a manic look in his eyes. “Bakubro is hurting Y/N!”
“Wait–”
“No way!” Kirishima calls out, turning to Denki. “Bakugou is a lot of things, but he would never hurt somebody intentionally. Especially not a girl. That’s not manly. Right, Midoriya?”
“Right,” Deku nods confidently, before pausing; “I think?”
“Hey!”
“Guys, no!” Mina cuts in, shaking her hands widely before her. “That’s not what I meant.”
“Okay…” Momo nods, “then what?”
She leans in, pausing for dramatic effect. “He could be… her soulmate!”
There’s silence, then, “no way.”
Mina’s face falls; “why not?”
“Bakugou? Having a soulmate?” Jirou snorts, “I doubt that.”
“Everybody has one!”
“Okay, the odds of him actually caring about his soulmate are slim to none,” Froppy offers in response.
“Yeah,” Deku nods, “I've never once seen Kacchan show interest in his soulmate like… ever.”
Kirishima shakes his head; “even I have to admit that’s so not manly.”
Everyone shuffles around agreements but Mina is quick to argue; “have any of you guys ever seen Bakugou’s soulmate mark?” Slowly, one by one, all glancing at each other, the guys shake their heads. Mina then turns to the girls. “Okay, have any of you ever seen Y/N’s? Cause she’s never shown or told me.”
The girls all shake their heads.
“So how can you really know?” Mina raises a brow, “I mean, Y/N is always so secretive about her mark. She refuses to tell me.”
-
“Bakugou, we have—”
“Katsuki.”
Coming to a sharp halt, lips left parted, you blink up at Bakugou.
With a grin, Bakugou gently shuts your mouth with a hand to your jaw, laughing lightly; “say Katsuki. That’s my name.”
You can feel your cheeks warm, profusely, and a burst of heat flood through you as you pull yourself from his touch, avoiding his gaze. “Katsuki,” you oblige with a huff and a pout. “We have a problem.”
“Yes?” Bakugou asks, raising a brow your way as he lowers the weight’s he’d been lifting.
“The girls are onto us!”
Bakugou just stares down at you. “What does that mean?”
Exasperated at his obliviousness, you huff, stretching your hands out before you for emphasis as you stare up at him, wide-eyed. “They know I’ve been disappearing after class a lot. I tried to tell them I was training, which I guess we usually are but Jirou caught on to that being a lie too and now they’re onto us!”
Bakugou just blinks. “But what do you mean onto us?”
You let out a cry; “Katsuki! They’re gonna know we’re soulmates!”
“So?”
Pressing a hand to your face, you can’t believe your situation. Not only were the girls onto you, they knew you were lying, which made you feel awful and if they found out that you’d been spending all your time with Bakugou… well that was bound to bring up more questions. Questions you wouldn’t be able to avoid. Questions that would ultimately lead to them finding out Bakugou was your soulmate.
A hand gently reaches for your wrists, pulling your hands away from your face as Bakugou crouches to meet your eyes directly. 
“Why is it such a big deal?” He asks gently, an odd tone that you’re still not used to hearing from Bakugou yet. His face remains neutral but there’s patience lingering in his eyes as he waits for you to explain why you’re so upset.
And you do. Your lips part and the words are at the tip of your tongue until, suddenly, you can’t say anything.
Nothing leaves your lips.
“Y/N?”
“I…—”
“You don’t want them to know?”
Blinking, you bite your lip. “It’s not that, it’s just…” But again, you can’t find the words.
“You don’t trust them?”
“Of course I do,” you argue instantly, “they’re my best friends.”
“Okay…” he says slowly, and then his face twists, “are you… embarrassed of me?”
Meeting his gaze, you frown. “...No,” you whisper, and you mean the words.
“Then what’s the problem?”
“I…” Shoulders falling, you frown. “Nothing… I guess.”
“So,” he says, “let them find out!”
Sputtering, you lean back; “it’s not like you’ve told Kirishima or any of the other guys!”
“It’s none of their business,” Bakugou shrugs, letting go of your wrists to set his hand on your head. “But if it makes you feel better, I'll tell them.”
You find yourself silent with disbelief once again, Bakugou’s words echoing in your mind paired with the look in his eyes. Just staring down at you.
Looking at you.
Like you’re his whole world.
-
“I’m sorry.”
They blink at you.
“I’m sorry about running away yesterday.”
Another blink.
“And I'm sorry I’ve been lying to you guys for the past few weeks.”
Slowly, all the girls glance at each other, trying to gauge the situation, before Uraraka is the first to speak up.
“It’s okay,” she assures with a smile, setting her hand on your shoulder and giving it a gentle squeeze. “We appreciate you apologizing. We were just worried.”
“We wanna make sure you’re okay,” Jirou adds, smiling shyly at you. 
You take a look at all of their faces, seeing the sincerity staring back at you, before settling on Mina who still has a hint of hurt in her eyes but there’s also hope.
Well, here goes nothing.
“Bakugou’s my soulmate.”
Silence echoes, once again, before.
“What?”
“I knew it!”
“Bakugou!?”
There’s a mix of words, gasps of disbelief and shouts of question thrown out at you as all the girls rush towards you, swarming you, desperate for answers.
You laugh a little at their reaction, and that catches their attention.
“Y/N?” Mina asks, confused.
“I’ve been sneaking off to see him,” you explain to her, meeting her gaze, before letting your gaze drift. “I didn’t say anything because I’m still adjusting to it myself and I still don’t know how to feel about it. But I realized it isn’t fair to lie to you guys like that and that I want you guys to know because you matter so much to me.”
“Y/N…” Uraraka mumbles, tears welling in her eyes.
Her expression mimics many of the other girls before suddenly there’s a body slamming against your own, arms wrapping tightly around your waist as you stumble back, trying to catch your footing.
“Oh. My. God!” Mina screams, you wincing at the sheer volume, as she pulls back, grinning brightly at you. “You have to tell us everything!”
-
The next morning, you’re sitting at the island in the kitchen eating breakfast, chatting to Mina, Jirou and Kirishima. The rest of the students trickle by, some making breakfast, some in the living room, all in their own conversations, until suddenly it all stops.
It takes you a moment to realize Kirishima, Mina and Jirou are no longer listening to you, head turned to their right and following their gaze, curious, you blink when you realize it’s Bakugou they’re staring at. It’s not like he’s doing anything particularly odd, nothing except for the fact that his gaze is directed on you and he’s heading straight for you and then suddenly, he’s right in front of you.
His gaze drifts from you, to your plate, back to you; “who made you that?”
“Nobody,” you say slowly, still stunned. “I made it.”
He’s grabbing the plate before you can say anything else, pressing a kiss to your forehead that has your cheeks burning before turning and making his way to the fridge.
“I’ll make you something better,” is all he says in explanation.
Your gaze slowly drifts from him to Mina and Jirou who are grinning widely at you, before there’s the shout of;
“Did Bakubro just kiss Y/N?!”
“And offer to make her breakfast!”
“Wait,” Kirishima suddenly calls after Sero and Denki, turning to Mina and Jirou, “why are two grinning!?”
“All the girls are!” Deku exclaims, pointing at Uraraka and Froppy in front of him.
“You guys knew?”
“Of course,” Mina grins, sending a wink Kirishima’s way before shrugging. “Isn’t that right, Bakugou? You and Y/N are soulmates!”
Everyone expects him to ignore her or tell her to shut up, but instead, he pauses in what he’d been doing (cracking an egg for you), turning his head over his shoulders to meet your gaze before smirking. 
“That’s right.”
And chaos follows.
Utter and complete chaos.
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teaboot · 1 year
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While I'm happy that the word "gaslighting" is more known than it used to be, and that people at large are learning to recognize what it looks like, I feel like we need to be careful not to turn it into something soft and casual we throw around off the cuff without meaning.
Being gaslit is psychological abuse that fucks you up very badly, very slowly, at such a gradual pace that you don't usually know it's happening until it's already re-wired your brain.
If you're unfamiliar with the term, "to gaslight" is to intentionally persuade someone that they cannot trust their own perceptions of reality. It's a destabilizing form of manipulation that leaves you constantly anxious, off-balanced, confused, and dependant on others.
This is done by lying about events that have happened or about things that are happening, invalidating feelings and observations, and either denying, refusing to acknowledge, or deflecting away from hard facts.
As someone who has experienced gaslighting as a form of abuse, this is what I remember from when I didn't know anything was off:
"Oh, I must have forgotten what really happened."
"I'm just not seeing it from their point of view."
"Everyone has their ups and downs. This is normal."
"I guess I wasn't thinking about what I was doing."
"I must have been wrong."
This is what I remember from when I first started realizing something was weird:
"How come every time I'm convinced they did something wrong, they just talk to me a few minutes, and I end up asking for their forgiveness? What has me so convinced I was right in the first moment?"
"I should start writing things down when they happen, so I can go back and check later when I'm confused."
"If every relationship like ours (familial, romantic, platonic) works this way, how come I never hear about it, or read about it, or see it anywhere else?"
Getting out and adjusting to the real world is hard, too, and comes with rapid swings of unfounded guilt, shame, fear, anxiety, and self-deprication that are completely unfounded in reality.
You've been conditioned to believe that you are entirely helpless and unable to think for yourself, possibly "crazy" or otherwise fundamentally impaired, and that there is a singular source of guidance that knows exactly what is right, and all of a sudden that pillar of support has vanished.
The immediate "after" that I recall looks like:
Constant uncertainty. Because nobody is there to tell you what's real and what isn't, you approach every situation thinking at it from all angles. Every question has fifty possible answers and most of them are wrong and you don't know which. If you choose wrong, the world will end.
A sense of helplessness. You feel that nothing you do is correct, and it's easier to make no choices at all- or you make wild, reckless, impulsive choices, because you feel you have nothing to lose.
Memory loss. I don't understand this one, but it's not like memoriescare being erased, but more like... you're so used to treating your memories as dreams or imaginations that you reflexively dismiss anything you recall as fake, and you can't believe anything you recall because you don't think it was real. Your abusers voice is in your head, wiping things away and telling you that you did the wrong thing. And you believe them, because they're the only constant you can rely on.
Missing the abuser, or the abusive dynamic. Because you know now that it wasn't healthy, but at least you knew where you stood. As long as you said the right things and acted the right way, agreed and obeyed and did as they expected, you felt like thevworld made sense. Now you have to figure out which parts of you really are broken, and which parts are working fine in a really weird way, and it's like tuning a piano when you've never played one before.
The long term "after"- for which I can only speak for myself- looks like:
Having to double-check, triple-check, and continue checking hard evidence of an event before responding in an active way.
Consulting with trusted friends to verify that your observations are legitimate and that your perceptions are valid. Following up with them to see if someone is really angry at you, or if you're just projecting anger onto them because it's what makes sense to your old pattern.
Obsessive collection of "evidence"- saving pictures, writing detailed journals, making recordings and video, never deleting emails or old texts, because you still don't quite trust yourself all the way and you're afraid that someone will cause you to doubt yourself again.
Continued self-doubt and being "gullible": I have straight up seen people flip me off to my face in front of witnesses and then immediately tell me, "No, I was just waving", and my first instinct is to believe them. For a few seconds, I *really do* believe them. Your brain is so trained to latch onto what people tell you to believe that its really, really hard to hold onto information that you already have.
Learning to take ownership over your own actions. (I didn't mess up because I'm "crazy", I messed up because I'm a person and people do that.)
Instinctively seeking approval. (Takes a lot of work to remind myself that I don't exit to make people happy, and that some people suck ass, and I can tell them to piss off.)
I don't intend to invalidate anyone currently struggling with this- if you feel that something is wrong, it probably is. That's the thought that got me out. Trust that feeling that something isn't right.
I just want people who don't know what to look for to know what gaslighting *actually* looks and feels like, so they don't just roll their eyes and think, "Oh, that word doesnt apply to me- I'm not some snowflake".
('Cause we all saw what happened with "triggered", right?)
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rafesslxt · 3 months
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Love Potion ˚ ༘♡ ⋆。˚ | Mattheo Riddle
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summary: y/n thought she would smell something different while making Amortentia
warning: enemyxlover vibes, cursing, mattheo blushing for a second
note: shorter than usual but got this idea and had to write ( obviously there are other imagines like this so no not a new original idea i mean )
Together with my friends Harry, Ron and Hermione I walked to out next class potions. This year Professor Slughorn was teaching us and I really enjoyed what we learned so far.
Today we shared class with slytherin. Everyone got in and sat down, waiting for Professor to start.
" Good evening everyone, today you are going to learn how to make a love potion. The strongest to be exact. It is called Amortentia."
All the girl started giggling but I was distracted by a strong scent, something like mens cologne.
" Who can tell me something about it? " Professor Slughorn asked. Hermione‘s hand shot up into the air. " Yes, Miss Granger."
" Amortentia is the most powerful love potion in the world. It is distinctive for its mother-of-pearl sheen, and steam rises from the potion in spirals. Also Amortentia smells different to each person, according to what -"
" Yes yes yes Miss Granger, 10 points for gryffindor. And the rest of the students should figure the last point out by themselves, right?" Hermione nodded and looked at the example in front of her.
" All the ingredients are on your tables, you can either partner up or do the potion on your own. You have time till 10 minuten before the class ends. Have fun!" He clapped into his hands and everybody started.
Ron and Harry decided to do the potion on their own while Hermione and I decided to team up. It went really well until my nose was filled with this strong scent again. I looked around and the only person walking behind me was Riddle. I rolled my eyes at the thought of having his cologne in my nose.
" What is it with you? You seem so tense since we started class." Hermione asked while stirring the potion. " I have Riddles fucking strong cologne in my nose. This guy needs to start using less of it."
She knew about my hate towards him and everything he does. But I didn‘t started it, he did and I was never one to back down. So we tried to get on each other‘s nerves on every opportunity.
"Oops." i heard and felt a shoulder bumping into my side, almost knocking the potion over. I turned my back and saw Mattheo. " Wow, really mature. But what did I expect from you huh?" i snickered and turned back.
As everyone got ready, Professor Slughorn walked around the class and looked at eachs Amortentia.
" Very good ladys. May I take this for an example?" Hermione nodded proudly and we watched him putting it on the table in front of all of us.
" You all did a great job. Now I want you all to take a deep breath trough your nose and smell the potion in front of you." Everyone did as he said but again I couldn‘t smell anything but that stupid cologne.
"Y/n, why don‘t you tell me what you smell?" Professor Slughorn asked you smiling, pointing at the potion you and Hermione made. " I would love to professor, but I can only smell Mr. Riddle‘s cologne cause he apparently doesn‘t know when to stop spraying."
I gave Mattheo a dirty look but got confused really fast due to his confused look. What? No barking back?
" I don‘t wear any today, I rushed out of my common room cause I overslept." My eyebrows drew together, I didn‘t really understand why I would smell his cologne all class.
" Maybe If you take a step closer to the potion you can concentrate on the single ingredient you smell." Professor Slughorn suggested.
I did as he said and took a deep breath in again. " Um, I smell Sandlwood, bergamot and something like the deep ocean.. sea salt maybe."
I was in some kind of trance while smelling it. It was lovely, i felt so light and some goosebumbs formed on my body.
I looked up seeing Hermionie smiling. " What?" I whsipered. " Miss Granger, could you tell us the last fact for the Amortentia ?" Mr. Slughorn asked her.
" Amortentia smells different to each person, according to what attracts them." Attracts them? No no no..
I look at Mattheo, who‘s already smiling from head to toe. " Very good Miss Granger, now have a good day! And remember: Amortentia is a very dangerous potion! You should never underestimate it!"
We packed our stuff and left the class. " So what was that all about y/n? Smelling Mattheo? I mean do you really have a crush on that doucheba-" Ron startet but got interrupted shorty after " Yeah y/n, you have a little crush huh?“ Mattheo swung his arm around me, taking me away from my friends.
"What the fuck are you doing?" We rounded a corner and he stopped. " No playing around anymore little princess. Was that supposed to be a joke ?" I hope so too. " Because I smelled your fucking perfume the whole time too!"
" You - You did what?" I almost whispered, my hand flying onto my mouth. " I smelled you the whole time. Vanilla and something like strawberry.. fuck I wanted to devour you so bad." He came closer, pressing me against a wall, his chest against mine. "Tell me you don‘t feel the same, tell me I can go fuck myself and tell me to get my hands off of you."
I couldn‘t. He was right, I wanted to tell him to fuck off and to not touch me, but I simply couldn‘t. " Y/n.." he whsipered my name, coming closer with his face. Then it hit me, it has to be a joke.
I started laughing which he just answered with a confused look. " It is a joke right? You try to fuck with my head because I said I smelled you while smelling the potion. I smelled your cologne not you. Somebody else could wear it too."
" I‘m not joking y/n." " Prove it."
And from one second to another, my whole life changed. He took my face in his hands and pressed his lips again mine. Hard at first but the kiss got softer and passionate. I slowly kissed him back, putting my hands on his chest. He let my face go and put his hands on my hips, squeezing them a little bit.
Out of breath I broke the kiss, his lips red and swollen, smirking. "So you don‘t hate me huh?" I grinned. "Oh shut up." He smiled back at me and kissed me again.
hope you had fun reading 🫶🏻
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xoxo sarah
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