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#so i could reply and post :)
envelopandkissme · 9 months
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this fucks
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bixels · 3 months
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Jesus man, relax.
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meamiiikiii · 2 months
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what to do when you forget your umbrella!
i will not elaborate.
((these drawings are a GSNK rain scene reference ADSAFFASD))
bonus isolated (isalated?) running isa as a treat for his birthday:
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hyperfocuscentre · 8 months
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will spends like 99% of his time wearing flip flops that are one flip and flop away from falling off his feet or tripping him up. HOW IS THIS MAN NOT DEAD?
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grendelsmilf · 5 months
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thinking about how many times i’ve wanted to bring in “low brow” sources in my academic writing, and how such a mode of critique is so fundamentally foreign to the institutions in which i’ve been embedded that i never even considered it a possibility. i once wrote about how beowulf echoes in tolkien’s fiction (primarily using the hobbit to argue that both narratives employ rings) back in high school, but that was an exception because my history teacher was a massive nerd, and tolkien was a well-respected medievalist so the topic didn’t seem far-fetched regardless. but that has very much been an exception for me. i know that film and media studies exploring television, genre fiction, even memes and fandom culture, that there are spheres dedicated to analyzing these “low brow” works of art and social phenomena. but as a comparatist and shakespearean, my area has always been relegated to quote-unquote “high brow,” despite my abiding interest in many “low brow” mediums and artworks.
ANYWAY. this preamble was all to say: how would you guys feel about participating in a zine where we would compile a bunch of essays each exploring a topic through comparing a piece of ��high brow” art to “low brow” art? for example, if i expanded on my post using satan and sin in paradise lost to discuss akio and anthy’s roles in utena, or using 19/20th c. existentialist philosophy as a framework through which to discuss adventure time. you could also take a theoretical approach to an internet phenomenon, such as exploring character criticism from a fandom perspective. (these are all ideas for essays i would write if i had the time, so obviously these examples are just templates, not workable suggestions.) this would obviously take a long time to compile and there would be no fixed deadline (i have way too much on my plate at the moment for that anyway), this idea literally just came to me because i was thinking about how fun it could be to work on an online collaborative zine, and how the broader topic could best reflect the discourse of the internet as a collaborative and (ideally) egalitarian realm (for media as well as people). mutuals (or nonmutuals) who are interested, dm me with a description of what you want to write about, and i’ll get back to you with the logistics once i have more of a sense of whether or not this is actually going to happen, and if so, how.
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venomgaia · 7 months
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Guys that go bump in the night
(minorly inspired by @karniss-bg3 's response to this ask)
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stressfulsloth · 7 months
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In regards to your post “and now I'm. Just thinking about the loneliness that is SO pervasive through Elysium.”…
I have one thing to offer, or perhaps nitpick if you’d prefer it that way.
I don’t think it’s entirely fair to say the Sunday Friend isn’t a real friend. The Smoker On The Balcony believes him to be a real friend, even if he isn’t going to be there come Monday morn. But isn’t that enough? A friend on Sunday is still a friend, even if it makes waking up Monday all the worse.
Perhaps I’m biased though! Now that I think about it, most of my friends would fit the description. “Fair weather friend” feels to cold, but “sunday friend” is good enough.
And of course none of this is to say your post is at all wrong. It’s lovely and true. I just felt the need to quarrel publicly with that little detail.
To conclude, since I really just did not make myself very clear here; you are utterly correct to include the Sunday Friend in a post about loneliness but I take slight issue with saying he’s not a real friend. And so I wrote you a very long ask. And now as I reach it’s end I’m realising this was a very silly undertaking. But I’ve come this far so I’m going to grow a pair and hit “ask”.
Thank you for taking the time to read this, I hope it isn’t too desperately obnoxious.
Peace out ✌️
Ahh man I'm sorry anon but I'm going to have to disagree with you pretty strongly here 😅 tbh I was a little too easy on him in the original post. It's not necessarily the temporary nature of their acquaintance that makes the Sunday Friend's friendship questionable on its own, although it doesn't help.
The Sunday Friend is quite literally not a friend. "Friend" in his title is a euphemism; he's not coming to visit the Smoker because he's his friend. He's coming to visit the smoker to do a bit of poverty tourism, to admire the crumbling place that his beliefs have helped to destroy, and a bit of heavily implied sex tourism too. A "first world" tourist, a bureaucrat from the international government, visiting one of the most impoverished districts of Revachol to spend his nights with a student. He's not the Smoker's friend, he's a client. They're using 'friend' as a stand-in for his actual role, which is a) as a part of the moralist bureaucratic system repressing the revolution and keeping the city as a whole trapped in a laissez faire purgatory easily exploited by foreign capitalists and ultraliberals, while still maintaining a friendly respectable face, and b) as the Smoker's customer, exploiting the poverty of Martinaise's residents to get what he wants for cheap and using the easy mobility that his money and status give him. Imo he's intended narratively as a parallel for the moralist coalition government; he views from a distance, focused on money and *ze price stabilité* but entirely divorced from the poverty and consequence of his work. Happy to dip his toe in and make use of exploitable populations in Revachol, but always ready to leave too. When asked how he became 'friends' with the smoker, his response is literally to describe the coalition occupying Revachol.
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He knows so little about the Smoker beyond him being there to study art, but what kind? "Perhaps graphic design? Printmaking? Who knows?" As to your point about the Smoker thinking he's a real friend, the Smoker is under no illusions about who the Sunday Friend is. An injection of money. Someone with power, someone with the mobility afforded to him by ownership of a non-Revacholian passport, someone content to watch the place decay and do nothing but indulge himself in pet projects and worry about bureaucracy. Someone with the freedom to leave when things get bad; a freedom that is narratively only assigned to a rare few extremely bourgeois characters. Dora, on her flight to Mirova, Joyce and her boat, Trant and his academic travels, and the Sunday Friend who will be out of Martinaise like a shot the moment things start to kick off despite being a part of the overarching structure that is responsible for Revachol's subjugation and rising political tensions. The Sunday Friend will use the Smoker's labour, use the vulnerability of Revachol's precarious situation to his advantage, then once it becomes too precarious or he gets bored, he'll withdraw. In answer to your question, no, I don't think that's enough. Again I probably oversimplified in my last post but the loneliness all throughout DE is not just an emotional state but a political one. Alienation is a major theme. As is the impossibility of building community in the face of capitalism relentlessly subsuming anything in its path, in the face of shallow relationships dictated by the need for survival. The Sunday Friend embodies that concept perfectly. He is exquisitely shallow in conversation, a perfect moralist who at all times strives to remain impartial and distant.
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Anyway. Tldr; my point is that the relationship between the Smoker and the Sunday Friend is far more transactional, and far more exploitative, than you seem to believe. "Friend" is not being used literally but euphemistically. A 'fairweather friend' is better than none, sure, but that's entirely inapplicable to this situation. Sorry for the long post and I hope it's not too rambling- I'm surviving on very little sleep right now but I hope it clears up for you a bit why I referred to the Sunday friend in that way initially.
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llyfrenfys · 3 months
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"Rule Britannia is out of bounds" - How England invented Great Britain
("Rule Britannia is out of bounds"- Life on Mars, David Bowie, 1971)
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As promised, here is a more in-depth exploration of Wales' relationship to indigeneity or colonised status. And how England created the (political) concept of Great Britain when it formally annexed Wales in 1542. This is a long post but I will try and be brief where possible to do so. I graduated with a degree in Celtic Studies last year from Aberystwyth University so it's time to put that to use.
In my last post, I went over the groundwork for this conversation - so if you haven't read that one yet I strongly suggest you read that one first then come back to this one. In that first post, I establish the stickiness in claiming or applying the status of colonised onto the modern nation and people of Wales. I also explore how claims of indigeneity (intended to legitimise Welsh nativism through dubious claims of descent from the Iron Age Britons) are weaponised in modern political contexts.
With all that said - how does one categorise the suffering of Wales/its culture and language without straying into the language of the colonised?
Early Medieval English Imperial desire for Wales:
Very often, you will hear people make the claim that Wales was 'England's first colony' and that the other nations bordering England were guinea pigs for Britain's later colonial empire. My previous writing on this topic has established the difficulty in applying colonised as a term to Wales and its context. Which leads to the question of what do we describe it as instead?
For this, we need to make a distinction between colonialism and imperialism.
The two concepts are very similar (and do overlap slightly) but they have crucial differences which allow us to be more precise and succinct with our wording which aids both communication of the subject and quells misunderstanding through language which doesn't fit the situation.
Put simply, Imperialism is when one country, people or nation desires to extend power over another (usually a close-by or neighbouring territory) - especially (but not solely) through the means of expansionism.
Colonialism is also when a country, people or nation wants to extend power over another - but primarily through invasion and typically (but not always) against territories that are further afield and not immediate neighbours).
A lot of the way in which we view early British history in Wales is tinged with a kind of exceptionalism for what happened between England and Wales. Very often, what was done is framed as uniquely terrible for the time and held up as a poster child for the unique evil of England's expansionist desires. Yet all over Europe at the same time this was happening - other European nations and peoples were engaging in the same subjugator-subjugatee relationship. The exceptionalism present in framing Wales as uniquely suffering in this period is, unfortunately, borne out of the same British imperial culture which was thrust upon it and has become irrevocably entwined with culturally. It is a kind of British arrogance (which ironically crops up in anti-British arguments in Welsh independence activism) which presupposes nobody could have suffered the same or worse than they have, which demands the active ignorance of other, contemporary examples of that which they claim to oppose.
Wales was the first victim of English (later British) Imperialism - not its first colonial victim.
The build-up to and annexation of Wales by England:
Wales was annexed twice - once before the age of states and once shortly before that age dawned. The concept of states (as in, sovereign countries) didn't really exist until after the Treaties of Westphalia (1648). In which the concept of non-interference in the religious affairs of other countries (and other domestic affairs) was established and international relations was born. This is relevant to Wales' situation - as what England did to Wales happened long before the age of states began.
There was the Conquest of Wales by Edward I between 1277 and 1283. (Before that, the Norman Conquest of Wales by 1081). (However, the latter being conducted by the Normans is not necessarily equatable to the actions of England the country, which itself had only just been invaded by the Normans). And then the Laws in Wales Acts which formally incorporated Wales into the realm of the Kingdom of England in 1542.
The Conquest of Wales by Edward I overran the territories of the last Prince of Wales (from the Welsh monarchic tradition), Llywelyn the Last and divided the territories into Welsh Principalities and Marcher Lordships. This setup remained until 1542, when Henry VIII passed the Laws in Wales Acts and formally annexed Wales and made it (in all the legal senses) a part of England.
By the time international relations was in its infancy (i.e. shortly after the Peace of Westphalia) Wales had been absorbed into England for just over 100 years. The relevancy of this is that Westphalia had been about religious liberty - Henry VIII's incorporation of Wales into the Kingdom of England was partly informed by religion. Henry VIII had just broken away from Rome and established the Protestant Church of England, whereas Wales was still largely Catholic. The Laws in Wales Acts also replaced the language of the courts in Wales with English, cutting off monolingual Welsh speakers from legal representation. The language of worship became English instead of Latin. Wales was culturally assimilated into England over a long period of time. And that meant ensuring Wales followed the 'correct' religion and spoke the 'correct' language. After the Peace of Westphalia, these actions by Henry VIII to bend Wales to his new religion and to assimilate Wales into England would have been in poor taste or decried in light of the new Westphalian system that was developing in Europe. Alas, these events took place before then and temporally speaking, Wales was locked out of this recourse.
By contrast, Scotland was unified with England into the Kingdom of Great Britain in 1707 (after the Peace of Westphalia). England committed numerous acts of cultural erosion and destruction against Wales and Scotland at this time - but its Union with Scotland differs to that with Wales. Wales was incorporated into England, whereas Scotland was 'invited' to join a union between England (which then included Wales) and itself. Simplifying it greatly - like a marriage proposal in which the two spouses are *supposed* to be equals. After the Act of Union with Scotland, the whole island of Great Britain was 'unified' and thus the Kingdom of Great Britain was formed from two states - England (inc. Wales) and Scotland into one state.
Welsh Nationalism and Nationhood as separate from Statehood:
Wales and Scotland were the victims of English imperialism in many similar, but also many different ways.
Wales, having never been a 'state' was unable to acquire this status since it had long been incorporated into England by the time the concept of states had developed. Wales was unlucky in this way, because other nations on this island such as Scotland had managed to establish themselves long enough to survive into the age of states and thus became one. Because of this, Welsh nationalism cannot look to an era in which it was a free state because that did not happen. Instead, Welsh nationalism very often looks back with rose-tinted spectacles to Wales prior to Edward I's conquest and/or prior to Henry VIII's Laws in Wales Acts.
But nationhood and statehood are not the same thing - and it is the conflation of these two concepts (like the conflation of colonialism and imperialism) which has led to much of the confusion on these topics. Nationhood is acquired by a group of people who share several of these things: a common language, history, culture and (usually) territory. Not all of these things are required, but most nations have all or almost all of these qualities. Wales has a language (Welsh), a common history, culture and territory (Wales). Statehood is acquired by an association of people who have most or all of these things: formal institutions of government, laws, permanent territorial boundaries and sovereignty. Wales before 1283 very loosely had government and laws (monarchy and Laws of Hywel Dda) but had no permanent territory due to the conquest and lost some sovereignty in 1283 and total sovereignty in 1542.
Even if Wales had met all the criteria for a state in 1283, it would not have been eligible to become one - no nation in the world was able to do that yet because the concept (or proto-concept) for it would only be invented in 1648. Even England did not qualify for state status yet. Put simply, Wales got very unlucky with history and geography in such a way which prevented it from having a historical statehood post-1648 like neighbouring England and Scotland.
Naturally, when Welsh nationalism attempts to recall a past in which it was a 'state' - it is always an imagined and romanticised history. A fantasied history which generates ideas of the persecuted 'indigenous' Cymro where it shouldn't really be (in all seriousness, the injustices inflicted upon Wales by England are enough - extra additional injustices reliant upon a claim to to 'nativeness' do not need to be invented in order to be taken seriously). In the modern world, claims of nativeness in a European context are fraught, misguided, in poor taste and often copy the homework of the indigenous peoples those same European powers marginalised or colonised. In the modern world, a white Welshman claiming indigeneity is doing so in a postcolonial world and there really is no escaping that. Succinctly - the Welsh nationalist who relies upon a created sense of nativeness can only do so by drawing upon the work of marginalised native peoples living in parts of the world formerly colonised by Great Britain. To claim native status as a Welshman is to misunderstand and misappropriate history while wielding the language of the genuinely colonised while contributing nothing to it. It is purely extractive and a slap in the face of non-European native peoples everywhere. The pining for this return* to a prior point in Wales' history where it was a fully functional, sovereign nation populated only by 'native' or 'indigenous' Cymry is an alarming and ahistorical fantasy that all too easily slides into ethnonationalism and nativism -ancient or modern.
(*the choice of the word 'return' here is no accident - the desire to 'return' is inextricably linked to the alt-right dogwhistle 'retvrn' and it it is frighteningly common to see elements of that subculture crop up in Welsh nationalist calls to return to a point in Wales' history where it was 'sovreign'.)
Welsh nationalism which isn't vigilant to this kind of thinking very often will find itself arguing blatant untruths. For example, on the milder side of fake history, I've come across Welsh nationalist groups claiming symbolism from Owain ap Gruffydd's coat of arms - despite the fact he lived before the age of heraldry and he never used these arms because they were attributed to him later.
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What next for Wales after 1542?:
Since Wales was fully and formally incorporated into the Kingdom of England by 1542, English colonisation of the Americas prior to 1707 naturally included Welsh colonists as well as English colonists. After 1707 Scots joined in with the now British colonisation of the Americas (both as/for/on the side of the Brits and as Scots fleeing Scotland after the Act of Union decimated Scottish Gaelic traditional culture). The Welsh, on the other hand, were more intimately involved with the colonisation of the Americas before that.
Though England spearheaded its colonisation of the Americas, Wales was not an unwilling participant dragged along by its association with and incorporation into England - Welsh colonisation, like Scottish colonisation, was often motivated by religious or cultural persecution - of which colonisation of another land was a possible solution to cultural loss in their home countries. Pennsylvania was settled by many Welsh Quakers and the idea of a Welsh Tract was floated to the Welsh settlers in 1684. The idea was to create a county which would operate in the Welsh language and serve as a vehicle for the preservation of the Welsh language. This attempt was not as successful as Wales' colony in Patagonia, Argentina in which native populations there were displaced at the behest of the Argentinian government - who needed the land settled and cleared. Welsh colonists took up this mantle and created Y Wladfa colony there in 1865.
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Returning to the 17th Century - Welsh people were active colonists in the Americas during this time - motivated by saving the Welsh language and freedom of religion (especially the developing Nonconformist denominations of Protestant Christianity developing at this time). It was not so much that England was forcing Wales to participate in its colonialism, but that Wales has its own wants and ends for colonialism and was motivated entirely on its own grounds.
Back at home, Wales was still hard-done-by due to England - but two things can be true at once. Wales was a victim of English imperialism, but was also a perpetrator itself of colonial violence against Native Americans. England was no such victim of imperialism of any kind and the power dynamic for England had always been one rooted in absolute expansionism.
Summary and Conclusion:
With all of that said - if you were to ask point blank if I feel it is appropriate or okay for Wales to claim it was colonised by England and that Welsh people are in some way, more indigenous to the island than any other people living here - my answer would be no, I don't think it's okay.
I can't stop people from thinking otherwise, but I can reason that perhaps we shouldn't appropriate the struggles of people marginalised by the very nation we are talking about in order to craft a victimhood which is entirely unnecessary. Wales was a victim of English imperialism - but Wales was also an active colonising European nation. In the modern world, people are thankfully more willing to listen to the wants and needs of victims of colonialism - particularly victims of British colonialism in the Americas, Oceania and Asia. But I would warn against Welsh nationalism which seeks to capitalise on that increase in indigenous visibility in order to add legitimacy to itself (necessitating the crafting of an 'indigenous' narrative which did not exist there before). We live in the modern world where indigenous peoples are being taken more seriously than in centuries past - but that does not mean the only peoples hard-done by being taken seriously are colonised indigenous populations.
I believe it comes from a deep seated insecurity within Wales in which it is not uncommon to feel like Wales is being left behind because of all of this advancement. And this insecurity manifests as rejection of anything not obviously Welsh or demonstrably 'home-grown'. It's the national equivalent of a survival mechanism - but this is detrimental not only to the cause of Welsh nationalism, but to Wales itself. I've had people say to me (and I have read in historical sources from the last 100 years in Welsh) that the LGBTQ+ movement is actually an English invention created to erode Welsh traditional culture. Or variations on that rhetoric in which it is immigrants or other minorities which are made into this boogeyman come to destroy Wales and all Welsh ways of life. And it is so demonstrably not true but also bitter to see from the hearts and minds of my fellow Welsh speakers/Welsh people. Who have been hurt so much by the historical erosion of their culture that they confuse non-threats for threats and can only resolve to obtain some more legitimacy by appropriating the language of nativeness and colonisation in this ever changing world which, right now, is listening to native peoples for once.
It's difficult to put into words, even with all of the background knowledge above - but Wales is valuable and legitimate all on its own and doesn't need to rely upon things which isn't serving it - like ethnonationalism and nativism.
I want to live in a Wales which is uncompromising not only in its own fight for recognition and respect - but for other nations and peoples' fights for the same as well. I want to live in an independent Wales which is an ally to all those who share Wales' struggle and a Wales which rights the wrongs of its past without hesitation or compromise.
Would you rather a Wales for the few or a Wales for all who call it home?
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ingravinoveritas · 2 months
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susanwhynow replied to your post:
how they lean into each others space … like they're drawn to one another … 😩
@susanwhynow
Always.
It's one of the things I have loved the most about Michael and David for the last five years. You could see that pull between them and how drawn they were to each other even in 2019...
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There's a sort of tentativeness to the leaning in 2019, that hesitation that comes with a newfound and unexpectedly powerful connection, trying to feel each other out ("Is this okay?" "Do you feel the same way I do?"). Then when lockdown happened, Michael and David were still leaning toward each other even over Zoom, as if they'd never realized how much they enjoyed being together until they couldn't.
But four years later, it just seems like that pull has only gotten stronger, as their friendship/relationship has deepened. Now they are completely open with each other. Michael and David know exactly how they feel, and what is between them has blossomed so beautifully, to where we can see it even when they are in the middle of a film set, or a theater full of people...
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And what is between them is so powerful that it makes you ache. Someplace deep inside where you wondered if it was possible for two people to be this connected--consciously and unconsciously--and to find each other at just the right moment in their lives. And to then look back and see that there was a thread, however invisible, tying them together long before now.
I love that Michael and David have seemingly always been comfortable in each other's spaces, and how that's led to them creating a space that is just theirs...
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sysig · 3 months
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How far did you get? (Patreon)
#My art#Handplates#UT#Gaster#Frisk#A DBZA incorrect quote technically - it's just such a raw line#Even what it's in reply to kinda works in this context! ''What exactly changed between you in the future and now?'' Time travel nonsense#It feels real weird to have a piece fully finished in black and white and have that be Correct lol#I am So pleased with the composition of this ♥#Gaster vertical and the human horizonal! Gaster confined and the human-#Hint: He's not looking at Frisk#Gaster being able to see Zarfox consistently is very interesting to me#Or rather - that bit makes sense lol he got as far as he could within the confines of his world and understanding#It's still cool how much he can actually see tho - understand? Interpret? Hard to pin down and define haha#What Sans is able to see doubly interests me - he got some but just glimpses! Different from - I assume - Gaster's consistent sight#Poor Papyrus being left out haha#It's been a while since I've drawn a Vessel - weird to think about Frisk in that context haha#It's accurate! Just weird ♪#I am so in love with Gaster's post-Void design <3 The fact that his lineart is ''canon'' - however you want to phrase it just ughgjkdslafd#Any instance of The Medium being drawn attention to down to its format and details gives me the zoomies lol#Visual representation of the unfathomable! It's so cool!!#And the fact that at the Very least Gaster suspects just how limited his viewpoint is - is phased in and out of it - what he assumes is real#He knows that even with everything that makes him up now - the threads of the multiverse! - it's still so much bigger than he can understand#''More than I thought'' - and then actually getting to talk with some/thing/one(s) that make up at least a sliver of that Bigger#''Less than you'd think'' - like moving a grain of sand that contains a universe on the beach of infinity#Hghhh it's cool <3
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kedreeva · 5 months
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If I could kill the reply feature on this webbed site, I would.
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gayjedicoded · 2 months
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Can i talk about very slightly force sensitive Hunter PLEASE
The Facts
- at least once per episode knowing something’s wrong seconds before it happens
- It’s mostly just that, but someone also pointed out he always knows when Crosshair’s about to show up or say something
That’s the Force, baby, that’s the FORCE
Was it an intentional mutation? Could be, but i think no. Midichlorians barely make sense in-universe and i just think that makes them a difficult thing to study biologically—like its not really genetic, but sometimes it is, and the best reason anyone has for why anyone has different m-counts at all is just “the will of the force”
With the Force, everyone is connected to it, that’s the whole thing. Just some more so than others, in a spectrum. Probably all the best pilots and sharpshooters are just a tiny bit more in tune with it than most people. (I also have thoughts on an even-less-force-sensitive Crosshair, and how it would play a role in his fall)
But Kaminoans notice he has this slight precognition and it goes with a barely above average m-count, and take interest, going in and purposely trying to create a Force-sensitive clone. Making Hunter even more of Omega’s dad
Now, I don’t think this would be really canon to the show, and even if it is I don’t think exploring it fits with the story as it is, and really I enjoy a SW show that stays away from Jedi shit,
But imagine several scenarios:
-Someone (Ventress) explains to Omega, in front of the group, how she knows she has a strong connection to the Force and should be trained, noting things like intuition and precognition, and Hunter shakes his head “That’s not the Force, that’s just normal” like a parent not realizing they have the same mental illness their child was just diagnosed with
-It means that, for the purposes of Project Necromancer, Hunter could take Omega’s place. And he would do it in a heartbeat
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bixels · 4 months
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Looking for good romance fics on fimfiction is such a mental endurance task because most of them will be stuff you're not interested in, a good number will be child x adult crap (usually Spike), and then a handful is maybe the worst, most abhorrent and disgusting premise you've ever heard of and they'll have, like, 400 likes. And I'll think to myself, hm. Maybe I don't wanna associate myself with this fandom.
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wellhalesbells · 7 months
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Ummm was that a dinosaur I spotted in those Meg II gifs??? At first I thought it might have been a crocodile but after absolutely no scrutiny I was like: dinosaur.
I might need to actually watch this. Do I need to watch Meg I for it to make sense? Even if I don’t should I watch them both anyway? I’m not going to lie those gifs make it look incredible…
That is, in fact, a dinosaur because Meg 2 was like: well what's better than a seventy-foot shark? And the answer was watching a seventy-foot shark eat a Tyrannosaurus Rex. And they were right.
Yes, you 100% need to watch this and join me in my delusional fantasies - I have now watched this three times in three days, dialogue skeletoned a 5+1 fic and need to find time to watch it yet again so I can make sure my gestures and content are pitch perfect.
You do not need to watch Meg the first for this to make sense, it will just deepen your affection for the legacy characters, which is never a bad. Plus, there are a few callbacks (that make it more of a gay underwater romance) that I missed the first time I watched it (which obviously did not hinder my enjoyment) and on day two, I watched both back to back and caught them. (3.5. This is a movie about sharks eating dinosaurs, underwater research bases, giant carnivorous octopi, Fun Island, and two dads coparenting a teenager who can run circles around them - so just to note: it also does not need to make sense.)
That said, I absolutely recommend watching Meg the first. It was a hoot and it makes Meg the second more fun because once you start off that strong, you have to go wackier, right? Once you get to two, you're like: okay, I know why we are at this level of wacky and you have my stamp of approval.
It is, in fact, incredible. JOMING 5EVA (I gave them a ship name, I think I can do that when - at least last I looked, which admittedly was last week - I've got the only fic going [granted, it is unposted but nOT FOR LONG] and there are less than ten of us, haha.)
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crimeronan · 4 months
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hey what is wwaitsoatl?
oh! it's what we are is the sum of a thousand lies, my most popular toh fic by FAR and the thing most toh people here started following me for. back before i got sucked down the princess luz hyperfixation rabbit hole. it's a fic that takes more work to write than any of my others because it has an incredibly involved drafting & editing process. bc i am a perfectionist.
the premise is a canon divergent timeline wherein belos suspects that hunter lied to him at the end of hunting palismen. and completely wrecks hunter's shit forever. and infects him with curse goop in the process. and darius (who, Very Importantly, does not yet have a friendly rapport with hunter) trips over the kid's half-dead body.
and freaks.
and kidnaps hunter n takes him to the owl house. bc that's the one surefire place of refuge on the isles.
there are a bunch of emotional threads, hence why it's novel-length and not even finished yet despite being about just four characters chilling in a house together.
mainly it's about:
hunter unraveling his cognitive dissonance and cult brainwashing in an AU where he doesn't have all of hollow mind's answers; his feelings are Incredibly complicated and messy & he gets incredibly mean and snarly about it
darius grappling with the fact that his own grief and resentment blinded him to a kid who Very Much Needed Him, darius dealing with the fact that actually he never DID grieve his mentor or his mentor's dead family
darius and hunter developing a rapport in a timeline where hunter very much has Not broken out of all the cop shit that darius disdains So Much. so darius is so fucking exasperated and tired all the time
eda trying desperately to help hunter learn to live with a curse / chronic pain / chronic illness, while having very little faith in herself to begin with
luz feeling Horrifically guilty about hunter's curse and injuries, bc she thinks she should have clocked the abuse and brought him home with her or otherwise stopped it
hunter developing an almost immediate and pathological emotional attachment to luz because of her kindness, which complicates all of his complicated feelings WAAAAAY MORE
eda, darius, AND luz all desperately trying to get hunter to admit that he's been abused and that what happened wasn't his fault. you would not believe how fucking long it takes.
i'm actually really, really, Really proud of it -- it's rare for one of a writer's best works to be their most popular, but this genuinely is one of mine. if not my best work, period. there's a lot of nuance and messiness and emotional complexity and grief and arguing that i'm SO happy with.
also, despite the subject matter, it's often extremely lighthearted. some of the funniest dialogue i've ever written is strewn throughout all these serious emotional threads.
i'd apologize for how long this response is but this story is a heart project and has 67,000 published words on ao3 so far. (the chapter i'm writing rn will likely be another ~8,000 words, then there are a couple more chapters to come.) so there's a lot to say!!
it's my most popular ao3 fic for any fandom, ever, in the 12 years i've been on the site. the response has been WILD. if you sort by kudos, it's the 31st most favorited owl house fic Of All Time, the 7th most popular fic involving darius, and the 5TH most popular hunter & luz relationship fic. again, of all time. which is. insane.
people have been very kind and patient with me having been too sick to work on it for a while. there was a seven-month break between chapters 8 and 9, and if i finish chapter ten soon then there'll have been a nine-month break between chapters 9 and 10. so i don't know how many people are actually going to come back to read it, a lot of ppl have moved on from the fandom and such. but i'm extremely extremely extremely grateful to everyone who's given it a look!
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bonnboncake · 6 months
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madotsuki has a happy dream where she is partying with animals
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