#she's one of those people who thinks that they mean you identify as that thing

[dyaz-stories]

don't get cut on my edges || gojo satoru x reader

synopsis: Gojo is easily bored, you're the latest enigma that's caught his interest. He sets off in trying to figure you out. Lucky for him, you're coming on the week-end trip Shoko's planned for the week-end.

“Was I off script?”

You look up at him.

“You’re always off script.”

word count: 5.4k

genre: college!AU, fluff, slice of life

cw: unresolved sexual and romantic tension, reader has anxiety and is socially awkward, she/her is used for the reader, a little suggestive, overall very sweet and fluffy

a/n: this was fun to write! any feedback is appreciated, and i hope you enjoy my writing here :)

soundtrack

Gojo knows that people talk, knows that they talk shit, knows that there isn’t a soul on campus that doesn’t have an opinion on him. He can tell that eyes follow him around when he walks into a room, that his presence is enough to shift the atmosphere at a gathering, that some people roll their eyes at him while others try their best to catch his attention. It’s a lot to take in, for just one person.

Fortunately, he’s proved to be incredibly gifted in the art of not giving a fuck.

Then again, he’s incredibly gifted in most areas of life. Truth be told, he thinks people aren’t giving him enough credit for that. Sure, they tend to know that he’s a physics major, but that’s just tangential to what they know about the rest of him. He’s not just kinda good at physics, not some dude that goes to college mostly for the parties and then get a meaningless job at daddy’s company, no, he’s the fucking best, and he works fucking hard to be able to claim that title.

But that doesn’t really fit in with the rest of him, and at the end of the day, who cares? He certainly doesn’t.

With all that, it’s not statistically unlikely for him to catch people talking about him.

Well, he’d have to conduct a detailed study to calculate the exact odds, but with how much alcohol is in his blood at this very moment, it makes sense to him that it would happen.

Still, for people to be talking about him at a party he is at, in front of an open window, you’d think they would have some sense of shame. Not that he has any room to talk, because shame is not part of his vocabulary, but like. Come on.

“Gojo really can’t take not being in the spotlight for more than ten seconds, huh?”

That voice, he’s quick to identify, even if he can’t see her face from where’s he’s standing under the porch, belongs to Mei Mei. Aw. Bummer. They’d spent quite a lot of time around each other, have friends in common, slept— Wait, have they slept together? He can’t say for sure anymore. It seems to have slipped from his mind. Oops. Maybe that’s why he’s getting that treatment. Maybe he deserves it.

There’s a scoff, and really, the acoustic of this place are impressive. It feels like he’s straight in the room with those people.

“What else do you expect from someone who’s always had everything served to him on a silver platter?”

And that would be Noritoshi Kamo. Man. That was one of the few kids in the families his parents insisted on frequenting. They used to be sat next to each other at the kiddie table while the adults talked about the important stuff. They never had much in common — not then, not now. And, after all, maybe Noritoshi has a point, after all. His mother wasn’t a mistress, wasn’t turned into an outcast, and he’s never had to pretend he didn’t hear the loud whispers that tarnished her name. Yeah. Sounds like these two aren’t saying anything new after all. Not that he’s gonna change, y’know, but he already knows who he is, and he is all that.

“That seems like a very mean thing to say about a friend,” a quiet voice comments.

The world freezes.

A silhouette appears to go along with the voice, then a blurry face, then the picture becomes clearer. A figure sitting next to Shoko, giving him sweet, polite smiles when he approaches. Not chatty, kinda shy, pretty cute. Would get quiet when he was near, though, so he hadn’t paid a ton of attention. He’s used to giving it to people who asked for it, who wanted it.

You’d never asked.

But you’re… not wrong. He’s not sure why he hadn’t picked up on it himself. It is a mean thing to say.

“Don’t get me wrong,” Mei Mei protests, “I love Gojo, but you know I’m right about this.”

“Yeah, and I’ve known him my whole life,” Kamo adds. “It’s just a fact, we’re not talking shit.”

There’s a silence. Gojo’s invested now.

“I don’t know him that well,” you say. “Like I said. It’s just a mean thing to say about someone you hang out with every day.”

“Come on, don’t act like—”

“I think I’m going to go, actually,” you say. “This feels super shitty.”

“What the fuck was that?” Mei Mei laughs, just a second later — presumably after you’ve left the room.

“She wants to fuck him, I guess,” Kamo says.

Well, you’re making one hell of a headway then, because he’d do you so hard after that.

When he walks back in, you’re chatting with Shoko. You give him your usual, close-lipped smile, don’t quite make eye-contact. If you’re trying to get in his pants, you have a very original way of getting it done.

“Who was your friend again?” he asks Shoko, later that night. She answers without looking up from her phone.

“She doesn’t talk much when there are new people around,” she warns him. “Leave her alone.”

“When have I ever bothered anyone—”

She reaches to smack the back of his head, misses and gets the nape of his neck — that’s the downside about being so tall, there’s just a lot of him to hit.

“Don’t make her uncomfortable. That’s all I’m asking.”

He wasn’t planning on that. He’s just— curious. Intrigued.

It’s unlikely to last, though. He’s been known to get bored easily.

You’re already in the car when he gets in. Well, okay, when he gets shoved inside by Todo, despite his protests that his legs are too long for the backseat. You’ve squeezed yourself in the middle seat, with Shoko on one side, and him on the other now. There’s a bag of snacks in your lap, yet you still try to shift yourself to give him a little more room. It doesn’t help at all, but in your defense, the only thing that could help would be to buy a new car.

“Is everyone ready?” Suguru asks as he adjusts the rearview mirror.

“Sure,” Shoko says.

“Let’s go!” Todo shouts.

“No,” Gojo whines.

“Yeah,” you say, completely drowned out under the rest.

“Good,” Suguru hums as he starts the engine.

Gojo pouts, but he doesn’t insist. Well, he doesn’t make any more of a scene than he already has. Truth be told, he could have taken Todo — dude might be all brute force, but Gojo has brains and brawns, thank you very much.

But he’s curious, still, and he hasn’t been given enough information to quite satiate his curiosity. Everything he’s gathered about you says that you mind your business and keep to your corner.

So why did you say that to Mei Mei and Kamo? It makes no sense, but Gojo’s never met an equation he couldn’t solve.

That’s an overstatement. Obviously there are equations he can’t solve. Yet. He’s sure he’d figure it out eventually. Like he’ll figure you out. See? That metaphor does make sense.

Suguru’s music is playing in the car. The sun is still low in the sky, the day is quickly getting warmer, and the phone says that they’ll be at the beach in two hours.

Satoru closes his eyes. Fun fact about him? He can fall asleep anywhere he wants to.

He wakes up with his face smooshed against the window, a hand tapping his shoulder carefully.

“We’re here,” you say, giving him a smile and then shuffling to leave the car from the other side.

Todo’s already running towards the beach, while Suguru and Shoko are getting the bags out of the trunk. Somehow, Shoko manages to sling a bag over his shoulder, but he takes off before she can stuff the cool box containing all the drinks in his arms.

He then lies to Todo to get him back to the car, so that he can carry the damn thing. Shoko better thank him later for that.

He catches up with you, and he sees your eyes widen a little when he approaches, as you visibly search for something to say. He can’t resist the temptation to shoot you a grin. There’s a light breeze in the air, but he won’t be fooled that easily — with his skin, he’s going to need an insane amount of sunscreen, if he wants to survive the day. Which makes him think, actually—

“Wanna help me apply sunscreen?” he asks.

“Huh?” you say.

He leans towards you, looks into your eyes from over his sunglasses. You appear to be fully frozen in place, only swallowing once as he gets closer. His grin gets wider as he takes in all of you, and he’s once more fascinated by the idea that you had been able to say something to Mei Mei and Kamo but you can barely face him.

His gaze drops to your parted lips.

Then the bottle of sunscreen smashes against his cheek with impressive precision.

“Todo can help you put that on!” Shoko offers as Suguru starts setting up a parasol. “Right, Todo?”

“Of course I will, my brother,” Todo say as he appears, but by then, Satoru has already started running for his life.

“Just kick him in the balls if he pulls something like that again,” Shoko says.

“Oh, no, it’s fine,” you reply, shaking your head in mild horror. “I just— I don’t— know— how to react sometimes. But he doesn’t bother me.”

That statement has her raising an eyebrow at you, filled with doubt, but she doesn’t insist.

“Play nice,” she does warn Satoru once more, later on. “Don’t push it too much.”

“Aw, Shoko, are you saying you wouldn’t approve of me?”

“Do whatever you want to,” she replies, rolling her eyes, “but give her more space. She’s not used to you being… you.”

Satoru rests his chin on his knee. He’s taking refuge under the parasol for now, and you’re already in the waves with Todo and Suguru. You seem comfortable with Todo, laughing at something he said, less so with Suguru. It all looks like a lot of work, all to satiate his curiosity. He’s all about committing to the bit but— he doesn’t know about that one.

This, too, all this thinking and questioning, is a lot of work, though, so he ends up shrugging it off.

“Are we getting in or what?”

“Absolutely not. No— Gojo— Don’t you fucking dare— Gojo!”

Shoko’s full-on shrieking by the time he throws her in the water. You burst out laughing. She comes out screaming for revenge, and Gojo starts scampering around to try and avoid her.

The sun is high in the sky, there’s a light breeze.

The time is good.

“Satoru!” Suguru calls when the watch on his wrist starts beeping, “it’s been two hours!”

It takes a second for the information to reach his brain, but the second he understands it, Gojo’s sprinting back towards the parasol at full speed. You look up, surprised, from the towel on which you’re lying with a book. Shoko doesn’t even bother with lifting an eyelid to see what’s going on.

“You okay?” you ask.

Ah, so she does speak.

“Yeah,” Gojo says, ruffling through a bag. “Just need to reapply some sunscreen. I’m not trying to look like a lobster.”

“Oh,” you say, “so, did you want me to help you with that?”

His fingers finally close around the bottle, and he stills to look at you. Shit. He’s curious again. Shoko’s words are swirling around in his mind, though, and he has no interest in forcing your hand.

“You didn’t look like you wanted to do that,” he says with uncharacteristic caution.

You roll your lips together, glance away from him, and your hand curls into a fist in the sand.

“No, it’s just— Um, I’m sorry about earlier. You— caught me off guard, I guess. I couldn’t figure out what to answer.”

“I usually just go with whatever appears through my head first,” he shrugs as he comes to crouch in front of you — you in the sun, him in the shade.

You laugh softly, but you avert your eyes, focusing on the sand as you trace patterns in it.

“Yeah, I think that’s the preferred method, but it— doesn’t— really work for me. So I have— I have a script, kind of, for interactions.”

“And I was off script?”

You glance back up at him.

“You’re always off script.”

For a moment, he just looks into your eyes, and you look back without any of that earlier nervousness. Then you shrink back into yourself, and the smile that so rarely leaves your lips reappears, like a shield that comes back up.

“Sorry. I know— I know how silly this sounds. I also wish I didn’t feel the need to do that, I just, um—”

“All good,” he replies with a shrug. “Sure. Help me with that.”

He throws you the bottle and you miss it, and he can feel you eyerolling at his back without needing to turn around, but when he shoots you a grin from over his shoulder, he can see how your breath catches in your throat.

Softly, your hand goes over his back, your touch gentle and cautious. It feels quite nice, actually, especially when your nails brush over his skin.

“It’s not too cold?” you ask.

“All good,” he repeats.

Shit. He’s invested again.

“Okay, we have the tickets, we have the water bottles, we have the hats, we have flat shoes, we have Gojo, we have the car keys—”

“I’m sorry, why was I just in the middle of a list of belongings?”

“We have cellphones and portable batteries… I think we’re good,” Shoko concludes, fully ignoring him.

“You don’t think we’re just a touch overprepared?” Suguru asks.

“You can never overprepare, my brother,” Todo says, grabbing his shoulder firmly. “If you want to triumph in the face of adversity, you need to know everything about the enemy.”

Suguru opens his mouth, closes it again. He knows how to pick his battles.

Gojo doesn’t.

“We’re going to a festival, not trying to breech the Pentagon,” he deadpans, and then, from the corner of his eye, he tries to see if you’re laughing. He delights in how you lower your head and try to keep it discreet.

“You never know what—”

“If I have to hear a second more of this nonsense, I swear to God I’ll kill someone here,” Shoko announces cheerfully. “Let’s move.”

Finally, after a good fifteen minutes by the door of the Airbnb you’ve all spent the night in, you start moving.

The good news is that you don’t have to get in the car, in the smothering heat, to get on the overcrowded streets packed full with the cars of the other attendees. The bad news is that you have to walk there, in the smothering heat, near the streets packed full with the cars of the other attendees. Suguru’s in charge of the map, which everyone seems happy with. Gojo had offered to do it, too, and there’s not a shred of doubt that he’d be able to read it competently, but Shoko had insisted the risk of him taking everyone to the wrong place ‘just because it would be funny’ was too high.

She’d been right but like, that was still rude.

The march in the heat and the waiting in line, while painful and unpleasant, as Gojo makes sure everyone around him is well aware of, go pretty smooth. Everything is planned and accounted for. There’s a game plan once they make it into the festival, too, because of course there is, but that’s when things start going south. First, Todo tries to go rogue when he spots someone wearing Takada merch. She’s not performing here, but he’s heard rumors that there would be a stand for her, and he lurches towards the woman. He’d get lost in the crowd immediately if not for Gojo’s lightning fast reflexes.

Unfortunately, soon enough it’s Gojo’s turn to get distracted. What can he say, there’s the smell of sugar in the air, and he needs to know where it’s coming from. Suguru’s the one to get him back on track, as they all head towards the main stage. Because that’s what Shoko’s grand plan leads to: sweet, sweet, close-up spots to watch the Sorcerers, headliners for the festival and also unarguably greatest band of all times, with minimum wait before their show.

There are a couple other close calls, but the group manages to get close enough to the stage. There are people here already, but they’re here for other artists mostly, and they’ll no doubt move quite a bit before the start of the real show. From where they are, even you and Shoko will be able to— Wait a minute.

“Huh,” Gojo say. “Hey, Shoko, do you happen to see (y/n) around?”

“If you can’t see her from up there, why would you think I— Fuck.”

“A fallen soldier,” Todo sighs somberly. “Sometimes, you have to make sacrifices for—"

“We should go get her,” Shoko interrupts him. She’s biting her lower lip, staring at her phone. She looks quite worried, Gojo notices as he stares at her.

“Why isn’t it enough to just text her?” Gojo asks. It’s not ideal, and it won’t be easy to find the group in the middle of this sea of people, but it’s not impossible.

“I just— I don’t know if she’ll want to deal with all that” she gestures at the crowd “alone. I’m afraid she’ll say she doesn’t mind and then she won’t have a good time.”

Gojo tilts his head. It wouldn’t cross his mind to say something he doesn’t mean. It’s an incredibly weird thought, actually. But Shoko’s better than him at, well, people, and she might have a point. He also doesn’t want you to have a bad time, after all. With one last glance at the stage, he nods at her.

“I’ll go get her.”

“Are you sure?” Suguru asks. “I can go, if you want me to. It’s your band.”

As if it isn’t his, too. But Gojo shrugs. His attention span is fleeting, and he’s got his sights on something else right now.

“Nah, don’t worry. I’ll make it back.”

“Thanks,” Shoko says sincerely.

He waves vaguely at her before making his way back through the crowd, earning his fair share of nasty glances. He still doesn’t care.

A few minutes later, he receives a text from Shoko with a screengrab where you say you’re getting something to eat. Sure enough, he has no trouble finding you waiting in line. You’re typing on your phone, not paying attention to your surroundings, and he’s grinning already. He lets himself half fall on you, arm wrapping around your body as he drops his chin onto your shoulder. You jump, glancing back bewildered, but you don’t stay tense long once you see it’s him.

Which makes him feel things, actually, but he’ll unpack that later.

“What are you doing here?” you ask, brow furrowing. “I thought you guys would be in front of the stage by now.”

“I came to rescue the princess, obviously,” he says, and you laugh. You laugh a lot when he talks, instead of rolling your eyes like people usually do.

Maybe you’re a bit too good of an audience.

“I don’t need rescuing, Gojo,” you answer, and it’s interesting how calm your voice is. “It’s packed too tight for me in here. I told Shoko but…” You shrug. “It’s not always easy to understand how it is. For me.”

“Yeah,” he says. “I don’t get it at all.”

Your shoulder’s pretty comfortable, though. And you haven’t tried to get him off of you yet.

“Do you want to order something, too?” you ask, pointing at the food stand. They sell waffles, and just the smell has his mouth watering. “Strawberries and whipped cream, right?”

Gojo pauses.

“How do you know that?”

“You’ve mentioned it. A few times, actually.”

He’s sure he has, but—

“You were listening to that?”

You blink at him. He realizes how close your face is, with his head on your shoulder.

“Of course I was. You were talking.”

“Shoko didn’t tell you? It’s like, rule number one of being around me, don’t listen to the stuff I say. There’s a lot of dumb shit in there.”

You tilt your head, looking kind of confused.

“I still want to hear what you’re saying.”

Something inside him feels warm all of a sudden. Very warm.

“Yeah,” he says, but his throat is tight. “Strawberries and whipped cream.”

When you step forward to they can take your order, he begrudgingly gets off your shoulder, which allows him to swipe his card before you can get to it.

“I had that,” you protest while he bites into the insane amount of whipped cream in his waffle — he asked for more until the guy behind the counter looked like he was going to murder him.

“I had it first,” he says, and then he sticks his tongue out at you. He anticipates your laugh this time, finds himself waiting on it. When it comes, it sounds just like he wanted it to.

For a while, the two of you sit on a fence. You hand him a water bottle, say that he needs to stay hydrated. With no one else around, you don’t seem to have such a hard time speaking. You’re so quiet when everyone’s there and, well, him and Todo take up a lot of space, when it comes to conversation. Neither Suguru nor Shoko struggle with making their voices heard either, and in the middle of all that, you tend to stay silent. Apparently, that doesn’t stop you from listening.

“Shouldn’t you be going back?” you ask, after a while.

Gojo tilts his head as he thinks about it.

“Nah, I’m good. Let’s find some place where you can enjoy the show.”

“You don’t have to—”

A grin, and then he’s jumping from the fence to come stand in front of you. Even like that, he doesn’t have to look up to meet your eyes.

“And how d’you plan on stopping me?”

Your eyes go wide. He can almost hear your heart racing, and he thinks he’s starting to get a little too high on that feeling. It’s just so easy, so fun, so delicious.

“Okay,” you squeak, averting your eyes and jumping down after him, clearly trying to hide your reaction. “Okay, I’m coming.”

When you start walking by his side, grabbing your hand is just too easy not to do it.

“Wouldn’t want you to run away again,” is what he says as he intertwines his fingers with yours. “Now you’re stuck with me.”

You still refuse to look at him, but there is no actual discomfort in your reaction, just what he thinks is uncertainty about how you’re supposed to behave now.

“Have I gone off script again?” he practically purrs.

You glance up, a flash of amusement on your face. Lots of fondness, too, and this time he’s the one who gets caught up in it.

“You haven’t been on script once today.”

“Good,” he says, managing to pass off the emotion that just choked him for a second there as impatience. “Someone’s got to keep you on your toes.”

“I’m always on my toes,” you mumble behind him, but you can’t explain to him what anxiety feels like, so you just let him drag you away. His fingers are long, his hand engulfs yours easily. You like the feeling of it more than you should.

Your eyes are on Gojo’s broad back as he pulls you through the crowd, which parts effortlessly for him. You’re enjoying this.

You don’t think it’s going to last.

Gojo doesn’t think about that though, just like he rarely thinks about tomorrows. What he’s thinking about, as he keeps far, far away from the stage, is how to find a place with enough air around for the two of you. It’s easy for him to get a good look at the stage, and he earns his fair share of pissed off glares — “Seriously, it should be illegal to come to an open-air stage when you’re that tall” — but it takes more work to get the perfect space for you. Finally, his eagle eyes figure out some place that’s just perfect, and he beelines for it with you in tow.

“There,” he says, pulling you in front of him and putting his head on top of yours, just to check that the line of sight is good enough.

Ha. He nailed it.

“Thanks,” you say. There’s surprise in your tone.

“Is this a good spot for you?” he checks, but really, he just wants to hear you praise him?

“It is, but— I thought you said you didn’t get it? My—” You gesture vaguely. “—struggle. With all that stuff.”

Oh right. You actually listen to what he says. He needs to keep that in mind for the future.

“Does it matter?” he asks with a shrug.

You stare. You open your mouth to speak, but no words come out, and then the crowd starts absolutely howling and you spin around to see the Sorcerersget on the stage. Whatever moment there was there, is forgotten right away. He sees you fish in your bag for your phone, then raise it over your head and tiptoe around, trying to get a good photo.

It’s cute, it’s adorable even, but it’s not very efficient.

“Do you want some help here?” he asks, leaning close to your ear so you can hear him over all the noise.

Your body shivers into him, and he files that away for later.

“Um, yeah,” you shout over the noise. “Here, could you—”

But he pays no attention to the way you offer him your cellphone, and instead he’s bending down, and ignoring your surprised protest as he pushes his head between your legs.

He bench presses a hell of a lot more than he looks like he does, for the record.

With a grunt, he manages to get you up on his shoulders, and some people behind him complain loudly, but whatever, they can wait for you to get the perfect picture. You struggle to stabilize yourself for a dangerous second, and then you stop moving around for a second. Your thighs are supple and warm under his hands and around his head.

One more thing to remember.

“I’m good, I’m good, get me down,” you say quickly, just as he’s storing the thought away.

You seem relieved when your feet get back on the ground, and Satoru lets his hands linger on your waist.

“Was it a nice pic?” he asks. He knows he’s all red in the face, but he’s grinning so wide it almost hurts, actually.

“Perfect,” you squeak. “Thank you. Again.”

Aw. He’s going to get used to that word real quick.

A familiar guitar riff comes from the stage, and you turn away from him once more, but his hands are still on your waist. He uses that to pull you against him and this time, you don’t hesitate to let yourself lean back against him as the two of you move in rhythm with the music.

The concert is a blur after that. There’s a lot of singing, a lot of screaming, basically no time to catch a breath, because the Sorcerers are fucking beasts that don’t let up, not even for a second. At some point, you tell him something, but he can’t really hear, so you crane your neck back and he lowers his head. Your lips brush against his neck, an accident really, but it sends such a jolt of electricity through him, he thinks he’ll go into full overdrive.

The only thing that stops him from chasing after your lips immediately after that is Shoko’s voice, going around in his mind. ‘Don’t push it.’ What the fuck was that supposed to mean?

You move away, and he still has no clue what you were saying. If after that, his hands hold your hips a little tighter, if he pulls you a little closer, he can’t be blamed. If, during one of the more sulfurous song of the show, as you’re swaying against him, humming along to the song, his lips find your neck, he doesn’t want to hear about it.

When he presses a kiss right by your jaw, you turn to look at him. You’re pretty. He’s always thought you were pretty.

Fuck Shoko, he thinks, and he’s ready to put his mouth on yours, to slide his tongue between your parted lips that have looked so inviting this entire week-end, when the riff of the band’s most popular song starts playing, and he loses you attention once more.

Cock-blocked by his favorite band. Fuck his life.

When the song ends, there’s movement in the crowd as the band gets off the stage and people start chanting for an encore. In Shoko’s fool proof, perfect plan, this is when you’re supposed to start leaving. Gojo doesn’t want to — how is he supposed to do anything about how much he wants his mouth on you once you’re back with the other — but this time you grab his hand and pull him away from the stage and he has even less of a clue of what he’s supposed to do about that.

You get to the meeting point before Shoko, Todo and Suguru, which makes sense, considering you were much further from the stage than them. It’s a specific pole that Shoko had pointed to as you were first getting in, and the urge to push you against it and to taste your lips is strong. Gojo isn’t typically one to ignore that kind of feeling. He just goes for it, doesn’t let his brain get in the way too much. He’s not sure what it is with you and your doe eyes and your sweet smile that makes him act different.

Whatever it is, it makes him ask “Did you have a good time?” instead of kissing you senseless behind the pole while watching to make sure Shoko doesn’t catch him in the act.

“It was amazing,” you say. “I don’t think— I don’t think I’d have gotten that close without you.”

“Did I force your hand?” he asks, frowning.

“No, no, that was great, actually.” And there it comes, his favorite words, and then he’ll kiss you. “Thank—”

“There you guys are!”

You have got to be kidding him. The Gods of timing are so set against him, he must have done something to piss them off badly in another life.

“Okay, we should start heading towards the exit,” Shoko announces.

“Nah, we ‘re staying until the end,” Gojo says, burying his hands, balled into fists, in his pockets. He’s being needlessly belligerent, but whatever, she deserves it, whether she knows it or not.

“Don’t be a dick,” she glares.

He smiles at her. And he doesn’t budge.

“We’ll run,” you say, stepping in. “I’m sure we can still beat the crowd if we run.”

She narrows her eyes at you, then at Gojo.

“You’re a bad influence, you know that?”

So many delicious thoughts coming to him, and he can’t do anything about it. Damn it all.

Of course, it ends with the five of you sprinting on the lawn and all the way back to the house. Of course, he doesn’t catch five seconds with you after that. Of course, your face is on his mind the whole night.

Of course, because it’s just his luck, isn’t it, in the morning, Shoko tells him you had to catch a flight early in the morning.

“I told you, don’t you remember? She’s going back to her family for the summer.”

Of course, he doesn’t.

Ah, whatever. It bothers him for a minute, but then the day continues unfolding, and the sun’s warm, it’s the peak of summer, and he only really knew you for a couple of days. He’ll see how he feels about it when college starts up again in the fall. He’s not known for sticking with things, anyway. He’ll probably forget; you probably won’t capture him again like you did; it was probably a fluke.

That, or these will become famous last words.

sequel

thank you so much for reading! i had a ton of fun writing gojo's pov and i hope you enjoyed it too, even if i'm still finding his voice :) please reblog or comment if you've enjoyed this, i'd love to hear from you! getting readers' feedback on my writing is what keeps me motivated to write so if you'd like to read more from me, that's the way to do it!

tagging the people who expressed interest in this: @elidebrey @xstom @chosospookiebear @xmysticredx

#gojo x reader #gojo satoru x reader #gojo satoru #gojo x you #gojo x y/n #jjk x reader #jujutsu kaisen x reader #gojo fluff #jjk fluff #jjk x you #my writing #gojo imagine #jjk imagine #jjk x y/n

[secretgamergirl]

When Complete BS Becomes "Common Knowledge."

Someone told me they stopped paying attention to someone who reviews movies after one too many mean-spirited jokes about trans people, and it was one of those cases where the reviewer in question definitely had the vibe of someone who'd go around doing that, but I couldn't think of any real flagrant examples. Cut to me watching a movie the other day, remembering that oh yeah, I skipped that one guy's review of it because I wanted to go in blind, and sure enough, that review has this big long crappy 5 minute aside of an out of left field "DID YOU JUST ASSUME MY GENDER!?" routine. So that's a shame.

Now this particular guy rather famously Does Not Get Out Much. Pretty sure he hasn't really have any exposure to a single trans person, or to any real die hard transphobes, and most likely what happened here is he saw I dunno, an episode of South Park or a facebook post from some bigoted aunt, or some Tiktok video, something like that, and just blithely assimilated it into his world view.

But you know, the reality is... to the best of my knowledge no trans person has ever actually said this, or anything similar to this, and we sure as hell don't live in a world where anyone would have the back of someone who did? But you know, here we are.

Now I want to be clear, this isn't some kinda thing where trans people can't take a joke or anything. Literally while I was typing this, some cis guy just tossed this out, and this is a real tired old hokey one, but I cracked a smile, because oh yeah, the whole "programmer socks" bit really is a weirdly accurate stereotype.

And there's plenty of other trans jokes I'll laugh at. Ones directly at my expense. Some real dark ones even. You wanna go off on trans women all having the same like 10 names and them all sounding like we were born in the 1800s, go for it. Other stuff about how we all dress? Coping mechanisms? Low standards? Being too into pickles and sriracha? There's plenty.

But "DID YOU JUST ASSUME MY GENDER!?" and while we're at it, "I identify as..." don't even have the vague shape of something you're ever going to encounter in reality. Like if I didn't know the context of where these came from and hadn't had them posted a thousand times or so by people with swastikas for avatars and such, these probably would get a laugh from me the first time I heard them, because they sound like weird surrealist humor. Like, "don't you hate how every time you go to the laundromat, you have to play chess with the dragon before they let you in?"

But, again, I know the context. And the context is a bunch of fascists want people like me dead, and they're both too scared to pick up a gun to do it themselves and too incompetent to know who to point it at or where to find them. So they sit around with each other and go "hey, what sort of person does everyone hate? Let's all say trans people talk like them!" And because they haven't spoken to a single human being besides each other and the rich parents they're sponging off since getting banned from the Something Awful forums in the 90s/punk bar in the 80s/whatever, they settled on "rich white person calling the cops on somebody for walking down the street" and "didn't I first get into being a hatemonger because I was stupid enough to think that time I saw someone roleplaying he really thought he was a big scary dragon?" Which has honestly worked out weirdly well for them when you stop for half a second to appreciate just how absolutely ridiculous it is to ever imagine cops coming to the aid of trans people.

Like... here's a situation that actually plays out in reality. I have a bad tooth. Dentist says I need a root canal, and she doesn't do them. Refers me to another dentist like an hour and a half away. I walk in, write my Victorian sounding name on some paperwork, fill in all my various medications, wait a bit, hop into the big dentist's chair, so far so good. This dentist busts out the pick and the mirror about to have a look, and goes "hey, so I noticed on your medications you're taking a ton of something called divigel? What is that?" I say "oh, yeah, I'm trans, so I'm on supplemental estradiol." She almost drops the mirror, stares at me like she just realized I'm Venom and if she bent down to look at my teeth I was about to swallow her whole head. She stands bolt upright, says, "your teeth are fine, get out." I'm a bit confused, but I can read a room, so I say "well that's weird, but OK..." and start to leave. I get a "have a nice day SIR!" shouted at me. And then I go out, call the cab company to say my appointment ended early, and get told too bad, it's coming when it's scheduled, and someone snickers. See, at some point in having to take cabs to all my appointments, a driver worked out that this woman he'd been picking up from this address for the past year has a similar voice to and maybe vague family resemblance to who he'd been picking up from that same address the year prior, and after getting the courage to ask me, guess who's constantly having cabs show up late, or not at all, or on time with a driver staring angrily into the rear view mirror while blaring AM radio with someone shouting about all "the gays" needing to be rounded up so they can burn in hell. And I just need to suck it up and live with it. I'm sure as hell not going to pick a fight over it. I'm just gonna stand out in the cold (fortunately with nice warm knee-high socks) waiting for this cab for an hour because I sure as hell can't stay in this lobby.

But again, the whole weird myth here posits a world where trans people are all-powerful and control the government and stuff. And the basis for that is like... sometimes people refuse to pass ridiculous laws to stop trans people from doing things we only do in bigots' imaginations at great taxpayer expense, and SOMETIMES someone is responsible enough to double check what's up before they allocate the funds. Like... hell, you know what's exactly as completely divorced from reality and honestly the same people doing to same crap? That wild BS about "schools keeping litter boxes in classrooms because all this acceptance of trans people means we also have to accept kids who think they're cats!" Like... how the hell can anyone actually be stupid enough to believe that anyone else could be stupid enough to believe that they're actually stupid enough to believe such an OBVIOUSLY made-up narrative? Like... lawmakers bring that one up and try to get bills passed on it. Everyone else in the room is socially obligated not to laugh and ask whether they also want to pass legislation against Bat Boy and UFO abductions. This is Ralph Wiggum tier absurdity.

But like... what do you do about this sort of thing, really? As the person ultimately has to deal with the dentists who think I'll bite their heads off, ask to speak to their manager, and drop trou over a sandbox the state mandates they keep in the middle of the room, I'm... not in the room when this BS gets concocted, or discussed, or shared in Minions meme some film critic sees and imitates to try and be relatable and relevant. Can someone else start grabbing all these people by the lapels and shake them and shout questions about how they can be this stupid, maybe invite them back to reality for me?

#bigotry #transphobia #out of touch boomers #the one joke

[welp-back-on-my-bs]

OM charicters and how they handle periods

Lucifer

- can and will fuck the shir outta ya if it helps-

- he will also baby you

- I mean- he literally sends the brothers out to gather sweets and other needs

- heated blanket on hand for you

- you can sleep in his bed

- he watches over you as you sleep of you get tired

- none will hurt his little lamb

Mammon

- he panicks

- you're BLEEDING WTFFFF

- especially worried and unprepared if you don't identify as a female

- thinks you're dieing and lucifer wil kill him

- when its explained he does good and gets everything he knows you need

- here, have literally all this expensive chocolate he knows you like

- have all the midol he could find

- have the products you need to survive this- and more♡

Levi

- he probably learned about periods trough anime/an online AFAB friend

- he wont mind if you stay with him, he can clean whatever gets blood on it, you chose to spend time with him, he is hapoy with that :>

- anime and video games to distract you

- you can sleep in his lap as he plays

- you get to share his anime themed snacks

Satan

- for those who get moody during hell, he is here to help

- cat Cafe is the haven for you both-

- he also gets his anger out with you in healthy ways

- you both write out everything, scream out your toughts into the Forrest, and sing along to songs that bring out that anger

- afterwards he will read to you until you fall asleep

- he takes good care of you

Asmo

- feeling extra ✨️horny✨️ he is here to help

- he fucks ya fore a few hours then you both have a nice hot bath, makeovers and stuff

- you get sugar coded fruits with him

- sleep like Royalty and wake up feeling refershed✨️

- literally a phone call away for anything

- period products are in his bathroom too

Beel

- this man has the comfort food

- he will allways share with you and Belphie

- he notices when you come to him more often for sweets and stuff, so he stocks more for you ^^

- om nom nom

- one of the best people to nap with

- he is also a good workout bud to help with the cramps n stuff too

- one of the best boys to go to tbh-

Belphie

- now- of you need sleep- he has ya

- he sees you being tired and d r a g s you to one of his spots, cuddles you, and falls asleep with you

- it's fuckin comfy so ofc you fall asleep too-

- you get only the best dreams by his side

- cuddle, sleep, it's done- he won't stop- help QwQ

Diavolo

- the me is that?

- he didn't know until you bleed trough your clothes sadly

- he helps by haveing teas with you and has barbatos find some thar help with cramping and just to make thibgs more comfortable

- sweets galore (you're allowed to take them home

- you can sit on his lap and cuddle him, he is warm

Barbatos

- he knows when your periods are, its not weird-

- he has products set up in the bathroom near the room you're staying in and the next fee over just in case

- he brings you tea and sweets that help you

- he has a change of clothes for you on the ready along with spare blankets/sheets/pillows

- he can take care of any and i mean ANY of your needs, just ask ^^

Simeon

- he isn't that exposed to them, so he dosent know what to do or if he can interfere

- he decides that he can if you beg him enough or he sees that you're suffering

- finds things that can calm the symptoms and help your body

- gentle massages

- he is a little cold but damn can he take care of you

Luke:

- also has no idea wtf to do

- he learns sweets help and bakes alot for you

- like- they all are get well things or if you like to celebrate it then the sweets are red and pink

- he'll tell off anyone who tries to bother you

Solosus

- he has a potion for that

- you just have to beg

- :>

Thirteen

- hasn't had one, but she likes to help you if you promise to help her on a trap

- or you can be the trap by surprising someone with your moodyness

- she gets the perfect things for you

- a damn good tradeoff

Rapael

- like the other angles VERY confused

- he does help tho

- number 2 for sleep spots, no cuddles tho

- gets you weird foods to try

- about 5/10 could be better

Mephistophlies

- bro dosent know anything about this, why should he?

- when he does learn, he sneaks some sweets into your locker, high quality ofc

- he would give you shit as he gives you some spare clothes

- this man, he finds good shit to help ya

#obey me #obey me lucifer #obey me diavolo #obey me headcanons #obey me nightbringer #obey me mammon #obey me leviathan #obey me asmodeus #obey me belphegor #obey me beelzebub #obey me solomon #obey me simeon #obey me luke #obey me thirteen #obey me raphael #obey me barbatos #obey me mephistopheles

[lemon-penguinn]

I'm nonbinary. People, in general, do not tend to see me as a trans person, even though I identify as one.

Everyone usually thinks of me as a girl. A cis girl who has decided to pass herself off as a nonbinary person, or a trans boy, simply because she thinks it's "trendy". A cis girl who wants to be part of a community because she feels lonely. And that's because, by many people's standards, I just "don't look trans", whatever that means. I guess it's simply because my gender expression is not rigid. It changes.

Deep down, I feel like a stereotype: a teenager with a female body who claims to be a boy but occasionally wears dresses and skirts comfortably. In the eyes of others, perhaps, I am nothing more than a cis girl infiltrating trans spaces. I'll be honest: I've cried over this very situation many times, because, what am I to do about it?

Do I have to change and stick to the gender role that is expected of someone like me? Do I really have to change the way I show myself just because I'm not a girl, but I also don't perceive myself fully as a boy?

I think that's ridiculous.

In the end, saying that "if you are nonbinary you have to be androgynous" is something that perpetuates stereotypes and gender roles. It's like telling a trans girl that, to be a real girl, she has to wear a skirt - it makes no sense. Do all girls only ever wear skirts and dresses? Do all boys only ever wear black, loose tank tops?

Of course they don't.

My expression, my tastes, my clothes, my voice, and the way I act do NOT determine my gender identity at all, just like my private parts. Because I believe that gender is a part of us. Not a part of our body, our clothes or our personality. It's true, though, that our gender identity can influence those other things. I think that's why certain actions or concepts make us dysphoric or euphoric: because our gender influences whether we perceive positively or negatively those things that affect us.

But, until the day most of society can understand that gender isn't a rigid set of rules, nonbinary people will remain generally perceived as no more than "girls who want attention" (if we live in a female body) and "weird boys" (if we live in a male body). We do not exist. Breaking out of binarism is seen as a phase that will end once we grow up. Because, apparently, many people think that being nonbinary is something that doesn't exist in the adult world.

#lgbtq community #queer community #queer #lgbtqia #nonbinary #queer discourse #trans rights #transgender #trans nonbinary #gender nonconforming #genderqueer #genderfluid #enby #neopronouns are valid #genderflux

[cannellee]

HIII cannellee!! (♡ˊ͈ ꒳ ˋ͈) it’s 🍓 again!! i have another super cute abo idea, could we have the tr boys with a very clumsy but cute omega who has bruises all over her legs from bumping into objects because she keeps running into things like chairs or low tables… maybe how they react seeing injuries for the first time? or how they try to “steer her away from danger”? ty for reading, i hope you have a amazing christmas!!!!!! ( ˶˘ ³˘(⋆❛ ہ ❛⋆)!♡

TOKYO REVENGERS OMEGAVERSE ☆

alpha! tokyo rev x omega! reader

— their reactions to a cute and clumsy s/o (pairing : mikey, mitsuya, kazutora, chifuyu, izana, kaukucho, angry, baji)

my masterlist : ☆

I reaaally love this, it's so cute! I hope I did a good job, but I'm not really proud of this one sorry. I hope you had a great Christmas too thanks<3

ALPHA! MIKEY

upon noticing your bruises and bumps all over you, mikey gets immediately concerned and harbours a deep frown when he asks you about it.

his alpha instincts command him to make sure you're well and assess the situation to know what's wrong.

when you admit it's because of how clumsy you are, he's relieved it isn't anything more serious and finds it even endearing.

of course, his protective nature doesn't take long to kick in and he's paying even more attention to your surroundings.

rather than being upset about your lack of care, he's understanding and gently inquires why that is, so he can identify the issue behind your clumsiness.

now, when you're together, he offers you his support. whenever you fall and if he hasn't prevented that before, he'll be quick to help you up on your feet, pat your head to assure you it's okay and check your knees to look for any new bruises.

he'll tease you about it, but just to lighten up the mood and show you that he doesn't view your clumsiness as a source of frustration. it is made to make you feel comfortable around him.

ALPHA! MITSUYA

mitsuya is very observing, so he did noticed your tendency to fall and trip early on.

he won't mention it to you though, he'll provide a silent support and watch you carefully.

he'll offer to do certain tasks if he thinks it might harm you. if you need to reach something which is put high in a cupboard, he grabs you by the waist before you even finish climbing and gets it for you.

he tells you to rely on him, he's your alpha and he wants you to trust him and let him act like your partner.

when you're taking a walk, he takes your hand and gently guides you, replacing you so that you don't step into a bump on the road for example.

he does everything so that you don't have to injure yourself, but if it was to happen, his reaction is quick. he'll profusely scent you to prevent any stress or anxiety troubling you and will patch you up.

you'll end up cuddling with him inside your nest!

ALPHA! KAZUTORA

now kazutora is really worried.

what do you mean his omega is getting injured on a daily basis ?

when he first saw your bruised legs during summer, he felt an immense amount of anger.

kazutora is the type to act on impulse and in his head, those were the result of some bad people with malicious intentions towards his sweet omega.

he was furious and checked for more injuries, it was a hard task to calm him down and you thought it wouldn't be possible unless you gave him a couple of innocent names (that had nothing to do with the situation, he was just so sure you were a victim of crazy alphas).

luckily, upon smelling your calm pheromones, he figured you didn't lie to him out of fear and he eventually let his guard down.

now he's even more vigilant. it actually hurts him to know you're this clumsy and it troubles his mind.

he's the type to kiss your bruises though, and act overly reassuring and protective even when you don't actually need it.

ALPHA! CHIFUYU

although stressed at first, chifuyu is quick to approach the situation with a calming demeanor.

he's soo gentle with you, he'll rush to you each time you hurt yourself and shower you with his reassuring pheromones while making sure the cut on your finger isn't too deep.

if the fall was hard he asks you if you're okay, eyes full of care, telling you soothing words to drive away any distress.

chifuyu's touch is tender and he'll softly remind to be more careful whenever he's not here because he can't assist you.

he'll try his best to create a safe space for you : his omega can't get hurt if she's under chifuyu's watchful care!

if it was really serious, he will crack a joke to lighten up your mood and distract you from the pain.

he will offer you a comfortable place to sit afterwards ; if you're out, he's bringing you snacks from the shop next to you and if it was at your place, he's tucking you inside your nest. all the smells make you instantly relax!

ALPHA! ANGRY

angry is concerned.

once he learns you're this prone to injure yourself, it's over for you.

he was already worried sick about you going outside alone, as an omega you're often a target for other alphas and people who might know you're affiliated to him.

but now? now that he knows you don't even need to go outside to be at harm's length, he's constantly trying to check up on you.

now your dates consist of you both staying at your place, watching a movie inside your nest, cuddling and playing games, overall very calming activities.

angry might overdo it, but you need to understand that his instincts are shaking now knowing his omega is jeopardizing herself.

he carries band aids everywhere with him too.

ALPHA! KAKUCHO

he is prepared and reliable.

yes, you can hurt yourself alone, it happens, but it never does in his presence.

he's careful, even if he looks focused on something else, and will prevent anything from happening to you, from the tiniest cut to the most absurd fall.

if your clumsiness appears because of stress, you can be sure his scent is always enveloping you.

he tenderly kisses your forehead and praises you whenever you successfully stop yourself from falling.

he slowly kisses your bruises and healed scars with sweet patience, you absolutely love his kind nature.

you sometimes feel guilty for the way he seems genuinely upset and apologises for not being able to look after you better.

you tell him it's okay but he feels a sense of responsibility for his omega's wellbeing. he's committed and as your alpha he has to shield you from anything hurtful.

ALPHA! IZANA

he's devoted. he offers you his entire support and will do anything to keep you far from harm, even if you're the one bringing it to you.

he doesn't get mad nor annoyed, he just wants to make sure it won't happen again.

if you thought you weren't protected enough by him, expect an even more on edge izana. you're so important for him, he can't help the creeping worry he's feeling.

he now ensures that his physical presence is a constant source of protection. whether it's standing close or wrapping an arm around your waist, he establishes a boundary to both claim you and reassure you. it keeps you steady and he's there if you ever were to trip.

izana wants to have control over the situation and does his best to react accordingly to ensure your safety.

but he's still gentle and have a careful touch despite his alpha assertiveness.

if he didn't know you often bumped into furniture, you better tell him fast because he won't calm down as easily as kazutora.

izana won't believe you at first, and will definitely not tolerate anybody touching his precious omega. that's why he's a menace.

he tends to be overprotective, doing his job as your alpha a bit too well and literally preventing you to live normally.

he calls you regularly and checks for any new bruises everytime you meet up, he made you swear you would be more careful!

ALPHA! BAJI

the first time he noticed your bruises, his face was livid while he lifted your arm into his gentle hands.

he's terrifyingly calm and you know it would only take a name before he completely lashes out.

luckily he's a very great listener and really attentive. once you tell him about how you hit your elbow in a door, he gets reminded of all the times you tripped and easily connects the dots.

you're a very clumsy omega and you trigger his instincts like never before.

he softly nags you, praying you to be more careful while also being completely clueless as to why you're so uncoordinated with your movements.

why do you have to drop everything? and the most dangerous things at that?

you give him literal heart attacks.

but he'll joke about it so you never feel bad about that part of yourself. he will sometimes sweep you off your feet and carry you himself so you don't fall down. he will condemn any sharp items and challenge anybody who might make fun of you for it.

#🍓anon #cannelle★ #a/b/o tokyo revengers #alpha tokyo revengers #hybrid tokyo revengers #omegaverse tokyo revengers #tokyo revengers a/b/o #tokyo revengers headcanons #tokyo revengers hybrid #tokyo revengers omegaverse #tokyo revengers x reader #tokyo revengers headcanon #alpha baji #alpha kakucho #chifuyu matsuno omegaverse #mikey x reader #baji x reader #mitsuya x reader #izana x reader #angry x reader #alpha kazutora #alpha angry #souya x reader #izana headcanons #omega tokyo revengers #omega!reader #anime omegaverse #alpha!mikey #alpha chifuyu #kakucho x reader

[inkskinned]

i. about 2 weeks ago, i was told there's a good chance that in 5 or so years, i'll need a wheelchair.

ii. okay. i loved harry potter as a kid. i have a hypothesis about this to be honest - why people still kind of like it. it's that she got very lucky. she managed to make a cross-generational hit. it was something shared for both parents and kids. it was right at the start of a huge cultural shift from pre to post-internet. i genuinely think many people were just seeking community; not her writing. it was a nice shorthand to create connection. which is a long way of saying - she didn't build this legacy, we built it for her. she got lucky, just once. that's all.

iii. to be real with you, i still struggle with identifying as someone with a disability, which is wild, especially given the ways my life has changed. i always come up against internalized ableism and shame - convinced even right now that i'm faking it for attention. i passed out in a grocery store recently. i hit my head on the shelves while i went down.

iv. he raises his eyebrows while he sends me a look. her most recent new book has POTS featured in it. okay, i say. i already don't like where this is going. we both take another bite of ramen. it is a trait of the villain, he says. we both roll our eyes about it.

v. so one of the things about being nonbinary but previously super into harry potter is that i super hate jk rowling. but it is also not good for my mental health to regret any form of joy i engaged with as a kid. i can't punish my young self for being so into the books - it was a passion, and it was how i made most of my friends. everyone knew about it. i felt like everyone had my same joy, my same fixation. as a "weird kid", this sense of belonging resonated with me so loudly that i would have done anything to protect it.

vi. as a present, my parents once took me out of school to go see the second movie. it is an incredibly precious memory: my mom straight-up lying about a dentist appointment. us snickering and sneaking into the weekday matinee. within seven years of this experience, the internet would be a necessity to get my homework finished. the world had permanently changed. harry potter was a relic, a way any of us could hold onto something of the analog.

vii. by sheer luck, the year that i started figuring out the whole gender fluid thing was also the first year people started to point out that she might have some internalized biases. i remember tumblr before that; how often her name was treated as godhood. how harry potter was kind of a word synonymous for "nerdy but cool." i would walk out of that year tasting he/him and they/them; she would walk out snarling and snapping about it.

viii. when i teach older kids creative writing, i usually tell them - so, she did change the face of young adult fiction, there's no denying that. she had a lot more opportunities than many of us will - there were more publishing houses, less push for "virally" popular content creators. but beyond reading another book, we need to write more books. we need to uplift the voices of those who remain unrepresented. we need to push for an exposure to the bigotry baked into the publishing system. and i promise you: you can write better than she ever did. nothing she did was what was magical - it was the way that the community responded to it.

ix. i get home from ramen. three other people have screenshotted the POTS thing and sent it to me. can you fucking believe we're still hearing this shit from her when it's almost twenty-fucking-twenty-three. the villain is notably also popular on tumblr. i just think that's funny. this woman is a billionaire and she's mad that she can't control the opinions of some people on a dying blue site that makes no money. lady, and i mean this - get a fucking life.

x. i am sorry to the kid i was. maybe the kid you were too. none of us deserved to see something like this ruined. that thing used to be precious to me. and now - all those good times; measured into dust.

/// 9.6.2022 // FUCKING AGAIN, JK? Are you fucking kidding me?

#witches and wizards #kids need to be able to play games without knowing the extended universe #playing was easy #i knew i wasn't gonna be able to explain chronicles of christomancy #but we could pick up a stick and run around #nd say we were magic that would be enough backstory #and i think the last time i felt that sense of community #was the summer of pokemon go #it's about cross-generational connectivity bro #yes there are insular communtities but EVERYONE had fucking read harry potter #which is me saying - i think maybe people don't miss HER or the ACTUAL BOOK tbh #they miss... feeling connected #think about how so many people felt so weirdly ashamed and lost after Game of Thrones ended - #they did SUCH a bad job that the entire community just... vanished. #where beforehand people would have GoT weddings #we are just animals who love stories and love feeling like we speak the same language #btw i am not on twitter so i hadn't seen some of the shit she was doing #and then when i was 19 she published the ''american school'' hogwarts stuff #and was reading it casually bc again a huge nerd #and in it shes like ''the british taught the natives their more civilized magics'' #and that was like..................... oh okay. okay. so.....

[mccoyquialisms]

Incredible things from the london D20 live show in no particular order (straight from memory so may not be totally accurate or have much context at all):

First of all the line up was incredible. Kugrash, Pete, Sundry Sydney, Skip, Fabian and Adaine. What a terrible combination of personalities, it was so funny

Btw everyone looked so good. They looked really good, those fits <3. Murph striped button up/polo? shirt and Lou grandpa sweater you will always be famous

When Siobhan rolled Adaine everyone was so excited. Lou (who had already rolled for Fabian) hugged her, picked her up and spun her around on stage ❤️

Everyone was so excited to have a buddy ❤️

The setting was rolled as a crown of candy, after Brennan literally said “wow we happened to have a few people from the same place, wouldn’t it be hilarious if we got a crown of candy or neverafter or something?”

Everyone arrives and are doing introductions and the first thing Fabian says is “[tearfully] Adaine is that a giant rat?” Cue the whole atrium losing it.

Sydney then proceeds to minor illusion Kugrash as “sexy.” After some deliberation and when prompted by Brennan, Murph decided this means he looks exactly the same except for giant veneers

Beardsley: Can I distract the guard?

Brennan [flabbergasted, as the rest of the party was doing INSANE shit around this]: Sure, the DC is 500.

Beardsley: If I crit will you let it happen

Brennan [indulgently]: sure

Beardsley: [rolls a nat 20]

Brennan: [despair], cast: [running around in circles on stage and jumping], fans: [losing it]

And that’s how they accidentally start a revolt in Candia within minutes of arrival by Pete the Chosen Outsider with the peppermint tooth and prophesied king of candia. But it’s cool because in the next few minutes Kugrash teaches them about democracy.

So many little references to past campaigns and character one liners. Way too many for me to list but the cast was clearly enjoying dropping them

Sundry Sydney hitting King Calroy with 3 grenades ON SIGHT

A Hasted Kugrash doing an opposed athletics against Calroy and Brennan rolls a Nat 1. The dice wanted that motherfucker DEAD.

Kugrash to Calroy: “I eat from the trash, and I’ve never seen a cake as shitty as you!’ And then proceeds to 300-style kick him off the castle wall (as acted out by human man Murph)

Sooo much PVP though really most of that was between Pete and Fabian as they fought over the crown of candia

Sundry Sydney successfully seduced and awakens personhood in Adaine’s identify spell. His name is ANUS now. (Another use…)

Skip is quangled out and replaced by Lapin (played by Zac) and tries to keep the party on track. He fails many times. He takes up smoking from the stress. Adaine does as well.

At some point Pete’s wild magic turns his hands into rock candy, which he uses to deal 2d20 damage to Fabian during a fight

Emily as Sydney, whenever crazy shit happens: this is canon! [raises cannon arm]

All of them (except Pete) have some bad baby milk and do kublacaine. Cue a small detour for more pvp between Pete and Fabian

Arthur Aguefort is released from captivity in a castle full of/made from eggs. He and Lapin may or may not know each other biblically. They met on an app for old magical men, don’t worry about it.

Bill Seacaster is the pirate prince of the dairy lands and has the quangle. They get into his castle with Operation Fancy Perfume Part 2 except Emily rolled a nat 1 for her assist, so first poisonous perfume takes out most of the party and everyone inside the castle. I think Emily may have been crying she was laughing so hard.

They sort of defeat Bill by giving him pleasure putty (which he USES behind a curtain in front of EVERYONE) and then has to go take a nap, so they sneak into the rest of the castle to find the quangle. I am never going to forgive Brennan for making it canon that he goes “yar har har YO HO HO” when he gets off. I WILL NEVER UNHEAR THIS.

Pete Conlan somehow gains the power of flight from Bambi LeRoux (Sydney brought her) singing the Reading Rainbow theme song. He does a flying ribbon dance out the window, where she stops singing and he falls and takes max fall damage. He’s still up, so Fabian jumps out the window with Feather Fall and shoots him with a laser gun until he actually dies lmao. He gets injured too somehow but I forgot how. They both get healed and everyone continues on like nothing happened.

Emily took her dice that rolled a Nat 1, kissed it, and threw it into audience with a cheeky expression. I’m in love with her I fear

The time quangle is an entire pool of lemon yogurt. At the bottom of the pool is a completely naked Gilear Faeth

Kugrash eats all the yogurt despite knowing it will kill him in order to end the quangle. His farewell speech has as a backdrop Gilear’s giant hog (played by Brennan’s arm, as he got out of his chair to stand behind Murph the ENTIRE time he was talking). Kugrash then ascends to the big bodega in the sky.

Sydney also seduces Annabelle Cheddar (EDIT: fuck it was like 12 AM forgive me) Primsy Coldbottle, who is explicitly 29 in this version of time. Both her and Anus join Sydney in returning to AnarchEra. I cannot emphasize enough how horny this live show was

Everyone gets sent back to their respective universes, except Arthur. He’s going to hang out in Candia for a bit to be Lapin’s “roommate.”

Fabian’s last line is that he has to call his banker because he has a new nemesis

Lapin: “That was the worst group of people I have ever met.”

God that was so funny, I really hope these live shows are getting recorded and will be released somewhere later. I need everyone to experience the epic highs and lows of this d20 session.

#dimension 20 live #dimension 20 #dropout #dimension 20 spoilers #d20 live #my musings

[projecttreehouse]

how to write relatable characters

writing relatable characters may seem like an easy task, especially when you’re constructing your protagonist. but what if you want to make your antagonist likeable? what if you want people to hate your protagonist but still root for them? all of this and more requires that your characters be relatable. they need to feel real, so how do you do that? here’s how:

- flaws: this is probably obvious. everyone has flaws, so we should give our characters flaws, too. this applies even if your character is non-human; they cannot escape the personification that we as writers or readers project onto them. we are humans reading, so we expect to see human qualities everywhere we look. if you’re having trouble of identifying your character’s flaws, here are some prompts for ways to think about flaws beyond a list:

what skills do they lack? what do they struggle with?

can their strengths be turned against them as a weakness?

what makes them react emotionally or impulsively?

are they aware of their flaws? if so, do they want to improve them or change them?

- quirks: these are what make your character unique or special, and no, i don’t mean purple eyes or unique physical traits. i mean: what makes your character authentically themselves? what traits define them that few others have? some ways to think about this are:

how do they react when nervous? do they have a tell? similarly, how do they react on behalf of any emotion?

what skills do they have that hardly anyone else has?

what obscure thing are they obsessed with?

do they have a unique outlook on life compared to their peers?

- values: these come from life experiences: where we were raised, our family and friends, our community, religious affiliations, etc. i suggest identifying eight to ten values that define your character and then narrowing that list down to five values that mark their core or essence. think about how these values influence their choices, decisions, and ultimately, the plot of the novel. here are some more prompts to think about values:

how do they react when their values are challenged? are they one to speak up or do they sit back in the shadows?

what, if anything, will change or shatter their values?

are their actual values misaligned with their believed values?

- stakes: what is at risk for your character? what is motivating them? stakes don’t need to be over the top or life or death; they can be as simple as maintaining a relationship or reaching a goal. unless there’s an outside influence (ie. percy’s mother being kidnapped in The Lightning Thief), most stakes—especially those relatable—tie back to values. even those influenced by outside factors can tie back to values: the only reason percy is motivated to get his mother back is because he cares for her and she is the one person who has always advocated for him and cared for him. he values family and riordan uses his family to motivate him and incite the plot. generally, there will be one overarching stake for your character, but throughout your novel, there should be several smaller stakes. these may not service the plot but should elaborate on your character nonetheless. some ways to think about stakes include:

how can i use internal or external factors to create convincing, relatable stakes that tie back to basic values?

why does the overarching stake matter to my character? why do they care?

how can i raise the stakes or introduce new ones that are relevant to my character and illustrate them as a relatable being?

- connection: even if your character is an introvert, they will still be connected to someone, something, or even an idea. we, as humans, look to certain people, pets, objects, and ideas to maintain our sense of reality whether we realize it or not. if your character prides themselves in having no attachments, think about the ideas or themes that mark the cornerstones of their reality. most human beings strive for some form of connection, so here are more prompts for thinking about your characters and connection:

what does connection mean to my character? how do they show how they value their connections or relationships?

how does my character’s behavior change when around different connections?

what connections define my character and their reality? how will these connections influence my character and/or the plot?

how will removing or challenging a connection change, influence, or motivate my character?

a good rule of thumb is to treat a character as a human, not a plot device. there is a time or place in which a character must act as a plot device, but if you’re wanting your readers to be compelled by your narration and the characters within them, you should strive to write your characters as human (aka as relatable). one of the greatest pleasures i find in writing is when other’s identify themselves in my writing.

you’re not just here to tell a story, you’re here to connect with others through the illustration of your characters. let the reader navigate your prose as a detective, to search for and identify the evidence provided by you. that is to say, show us how these things manifest in your character. don’t tell us.

happy writing! hopefully this post gave you some ways to start thinking about how to show the relatability of your character. if you have any questions about implementing these tools or about writing characters, our ask box is always open.

#writing tips #writing advice #writing help #story writing #novel writing #nanowrimo #writing #write it #writeblr #writers of tumblr #creative writing #books and novels #writers block #character development #writers on tumblr #writing prompts #writing tools #fiction writing #indie writing

[glitterdoll888]

I was reading an old 4d Barbie post, and a familiar question pops up in my mind: "okay, I'm not Vanessa, but when Vanessa has a problem, what do I do then? I can't just not react to it, I have to draw something about it, right?"

Nope. What "I" struggled to understand is that my sense of control over Vanessa's life is totally fake. Besides this whole thing already being fake. I thought I made Vanessa's choices, from what she wears during the day to what she decides to eat, or who she's going to be friends with. But look at "other people". Do you make any choices for them? No, because "you're not them", right?

So I realized, I never made her choices. I never chose anything. I never decided to go to sleep at 5am, or to eat pizza, or to compliment a stranger. All these things, good or bad decisions, were never mine in the first place. I, the REAL me, am simply watching Vanessa make those decisions. But all this time it felt like I was doing things because I identified with Vanessa. I don't identify with Vanessa's mom, so obviously I don't think I'm making her decisions, from her point of view.

And I think this is what it truly means to "have nothing left to do". Because I can't do anything. The only one who can do things is Vanessa, or her mom, her friend, her neighbor, the "other people". But they're all fake concepts. I have nothing to do, because I'm none of them.

#manifesting #loa #manifestation #non dualism #nondualism #ego

[nikoisme]

Going absolutely insane over the concept of name and identity in The Odyssey. The concept of recognition. Like, the reveal of one's identity is present in both The Iliad and The Odyssey, but specifically The Odyssey drives me into despair.

The Phaeacians don't recognize Odysseus. His family doesn't recognize Odysseus (except his dog!! all praise Argos). Odysseus doesn't recognize Ithaca. There's barely any recognition without revealing, and Odysseus takes a while to reveal himself. Chronologically speaking, his first disguise in The Odyssey is Nobody. And when he does reveal his true identity, it causes him and his crew pain and suffering. Maybe that instilled a fear of revealing his true identity. His name invoked the death of his men. And all his other identities (too tired to remember/look for all the names he's gone under), while realistic and authentic sounding, are non-existent. All those people he claimed he was are not real. They are nobody. If he is not Odysseus, he is nobody, and if he is not nobody, he is Odysseus. But Odysseus, his fucking name drives me insane. His name means to hate. Since his childhood that hatred was imprinted on him. Do you think it left an lasting impact?? Some sort of "expectation" that he had to meet?? A curse, a constant shadow following him everywhere he goes?? Something he inherited, that is tied to him even if it's not his?? Hate was tied to him directly through his name that his grandfather gave him. In The Iliad, everyone refers to him as "Son of Laertes (which is obviously the way they identified as back then)", "sacker of cities", "long-enduring" etc etc. But Odysseus refers to himself as "Father of Telemachus". Also this:

He swears by his son's name, by the name of someone, something that is his. Something that is not inherited, that isn't placed upon him. Something that he earned himself. Something that he loves, the opposite of the hate that is his name. It's a part of him, part of his identity. And if he is not the son of Telemachus, then he isn't Odysseus. He is nobody.

But in The Odyssey, he refers to himself as the sacker of cities. When he introduces himself to the Phaeacians, he says that he is the sacker of cities. His invention of the Trojan horse was the bane of Troy. And that trick is a part of him, his cunning and trickery. He destroyed the home of hundreds, thousands of people. And do you think, that after every hardship he faced on his journey back home, he lost his sense of self?? In the war, he had the hope of going back home. He had the hope that he would see his wife and son again. As long as the other kings and soldiers are there, also longing to go back home, then his hope is real. He is real. But after all of his men died, he was alone. No one to share his longing, to share his hope. No one is there to remind him that he is real. So he only has his newer memories, new things that are tied to him. Sacker of cities. Long enduring. Doesn't sound all that happy. It almost sounds like hate. Without the hope of seeing everything that is his because he earned/worked for it himself, he goes back to his name. It might be the only thing grounding him, reminding him that he is real. And when he hears the bard sing of the fall of Troy, the man absolutely weeps. Because he sings about him. He sings about the fall of Troy, and it fell because of him. It fell because he is the sacker of cities. He is the sacker of cities because he is Odysseus. Because he doesn't know who he is. And even Penelope when she listens to the bard wants him to sing about something else. Someone else. Because that is not her Odysseus, her husband, her son's father. It hurts her to think that even though he might be alive, her Odysseus is gone. He is dead either way. And even his son when he sees him first thinks he is a god. That he is not human, that he is not a man. Because gods are immortal, ever lasting. And mortals have only a lifetime to make it worth it, to attach something to themselves and their names. And Telemachus thinks that his father is a god, that his father has no name and no identity of his own.

And when his loved ones recognize him, it's by the things he attached himself to during the war. The things that are a part of his real identity, of his identity. Odysseus tells his son that he is his father. Argos recognizes him as his master. Eurycleia recognizes his scar that he earned when he went hunting. He tells his father about the trees in the orchard. And Penelope finally believes it's him because of the olive tree bed story. The bed that he built himself. That he built his home around. And Penelope doesn't believe it's truly Odysseus, because he is not the man that left Ithaca twenty years ago. But when Odysseus is able to tell her about the bed, she can believe it's Odysseus. Or atleast a part of him is there. It's Odysseus Odysseus, the name and identity that he built. And not Odysseus, the name that simply means hate.

#the odyssey #the iliad #odysseus #greek mythology #tagamemnon #shaking my fist #do you get what i'm saying?? #i might have went slightly off rails and went into some sort of fanon #but this has been chewing at my brain like a lil worm for a while #might have gone into and existential and identity crisis myself writing this #and the crisises might have prompted me to write this #but it's fiiiine #i'm tired so if you see any mistakes or if it sounds confusing #and slightly all over the place #that's why lol #but you get my point

[emotionsandphenomena]

young adult, new adult, and fantasy fiction: the audience of a book is who reads it

title clumsily based on the purpose of a system is what it does.

before we begin, I want to focus a bit on defining our terms. young adult, new adult, adult, science fiction/fantasy, speculative fiction, contemporary romance - all of the terms I will use in this post are created by marketing companies and readers, and all of them have fuzzy and subjective applicability to any given book. there is no objectivity in cataloging, which is the lens through which I approach knowledge organization projects like this. there is no definitive answer to what any given book or genre "is", because these categories are not fixed values. instead, their values are expanded and developed by what gets placed in which category, by whom, and what criteria they base that decision on. that's what I want to discuss.

to provide some context: debates over age categories and who is reading what books for which age ranges currently dominate discussions among publishers, authors, librarians, and readers. ages of characters in YA are skewing up, sales are slowing down. young adult as a category has existed for 50+ years, but it is currently undergoing some growing pains. here's one more article for good measure. new adult is a term created by the publishing industry in 2009, which developed in fits and starts despite multiple bestselling authors publishing under the category. oh well. in 2015, sarah j mass published her new book, a court of thorns and roses, which is widely regarded as a turning point for the popularity of new adult (more on the classification of ACOTAR itself in a moment). NA stalled out for many years, but has recently very quickly grown in popularity, especially for romance readers on booktok. some of the most popular books listed under new adult on goodreads are colleen hoover's it ends with us and it starts with us, ali hazelwood's check & mate, and rebecca yarros' fourth wing.

I want to look at two of these currently very popular authors as case studies to really dig into what new adult has come to mean.

in this 2014 interview, SJM discusses her currently running throne of glass series and the upcoming release of ACOTAR in 2015. she notes that the book is intended for "a slightly older YA crowd (aka steamy times ahead!)". earlier in the interview, she dodges a question about whether throne of glass will be YA or NA by saying she appreciates her teen and adult readers - if I had to guess, the label was still too new and publishers didn't want to alienate anyone. in 2023, I can't find anything on her website or bookseller sites that specifically identify the series (or any of her series) as YA, NA, or adult. however, Goodreads (which relies on user generated tags and is, to put it lightly, a mess wrt information organization) firmly classes ACOTAR as YA - almost 9k tags in young-adult and ya (lack of authority control is just one aspect of the mess), as opposed to about 3.5k new-adult. the thing is, though, ACOTAR comes up in essentially every blog post and article I read on the definition of new adult. it is a flashpoint in the discussion: it either did or didn't restart the term, it is or isn't too sexually explicit to be classed for teens, the writing is filled with young adult tropes and this does or does not matter. the answers to these questions aren't particularly important to me, but it's very interesting to see how people are attempting to draw those boundaries. I took a quick census of how SJM's series are classed in my library system. her throne of glass series is uniformly shelved in YA; ACOTAR is mostly YA with a few copies in adult, and her newer crescent city series is mostly adult with a few copies in YA. I do think that any discussion of ACOTAR is partially colored by this divisive relationship to the new adult category itself, so I'd also like to bring in a much newer book facing similar conversation.

if you follow this blog you might already know that I have an entirely non-neutral relationship to ali hazelwood; I love her books both as books and as cultural objects deserving of study. previously, she published three adult romance novels and a set of adult romance novellas, which all fall firmly and inarguably into those defined categories, based on age range and content (I have an argument for the love hypothesis being a horror story, but that's a different conversation). last year, she published her newest book, check & mate, as a young adult romance. it was widely marketed as such by the young readers imprint at putnam. however, on reading it, I (and many goodreads commenters) were surprised to find that it aligned more with some hallmarks of new adult. the characters are out of high school, and the challenges and growth moments are more focused on evolution, rather than coming of age. one blog post I read made the argument that YA is about high school firsts and NA is about adulthood firsts. this is amorphous, partially because there is no real one life path into adulthood by which to judge this, so let's switch focus to something more concrete: sex. in each of Ali's adult novels, there are a few explicit sex scenes. they're not as explicit as other romance novels, but they're definitely not fade-to-black. in check & mate, characters have sex, but it happens entirely off-screen and any discussion is fairly chaste or, at most, relying heavily on implied content. this is a real disconnect to me. much of NA lit (ACOTAR included) is quite sexually explicit. among those most popular NA books on goodreads, there are many books that get marketed specifically for their sexual content (spicy🌶️ to the tiktokers, smut to everyone else). to me, this cements check & mate as a YA novel - if she was going to write a book with explicit sex, like her others, she could've. she's mentioned in interviews that her chess novel concept originally featured older characters, and she aged them down once she realized what kind of story she wanted to tell. to me, it is telling that moving from adult to YA creates more clumsy caution around the handling of sex, as opposed to SJM, whose books "aged" upwards over time.

another interesting example I've noticed in the emerging NA space is how the age category intersects with genre. YA as a category has a pretty expansive genre playing field - we've all read YA fantasy, contemporary romance, historical fiction, action/adventure, issue novels, etc. NA so far seems pretty exclusively limited to romance as a main focus, especially in the most popular offerings as discussed above.

I've seen many a tiktok alleging that despite the drawn out fight scenes, extensive lore, and huge interconnected web of characters, the ACOTAR books are not "real fantasy." even more so for the fourth wing books. I've seen these books compared to Tolkien, as if to say, well, if you didn't invent a language, you're not really on the same level. that's entirely unfair, imo - plenty of fantasy doesn't engage at that level. but there is a wide array of contemporary fantasy I do think we can contrast with ACOTAR and other popular NA series.

we've discussed some of the hallmarks of YA and NA as categories: the age range of characters, coming of age, explicit sex for NA. i'd add fast-paced, immersive writing, especially in first person or close third, because so much of the appeal described on booktok is a book sucking you in completely. now, i want to bring up a few books that, on the surface, might check several of these boxes: dune by frank herbert has an 18yo protagonist, and the first book is very much a coming of age story. eragon (christopher paolini) and the name of the wind (patrick rothfuss) focus on a young person coming into their magical abilities through school/mentorship, a similar setting to many YA series. mistborn (brandon sanderson) and game of thrones (george r.r. martin) both have prominent protagonists that are 18 or younger when the story starts. of all these series, only eragon has young-adult as its most popular age-related tag on goodreads, and eragon was, at the time of release, very specifically marketed to and shelved in young adult in bookstores and libraries. some of these books have explicit or non-explicit sexual content, but only GOT has even close to as much as your average NA novel (to my knowledge).

i am not alleging that any of these books should be classed as YA, necessarily. but the glaring difference in their marketing and readership does point to one thing: these books are largely about men, and they are all written by men. i am not the first person to point out this gender gap in fantasy writing, and i don't have anything particularly new to say about it, except to bring it back around to my original point. none of these novels "are" adult fiction, and plenty (plenty!) of teenagers read them, in an interesting reversal of the trends in YA. who is making the decisions about where these books go, and why? what can we draw out about the books and their marketing? how is the future of "adult fantasy" shaped when these are the benchmarks by which we measure new entries?

i did also look into a few of my own favorite sci-fi series by women to see how they ranked by similar parameters. parable of the sower by octavia butler, featuring an 18yo protagonist and sexual content, has no age category at all in the top 20 most popular goodreads tags. it's in adult fiction in every library in my system that owns a copy. ive seen gideon the ninth (18yo protag, and yeah lets go ahead and say explicit sexual content) on YA shelves in bookstores, but its adult tag on goodreads is more popular, and almost every library in my system has it in adult. in my opinion, these books are important in rejecting the "women write YA, men write adult" narrative around speculative fiction, but they're not necessarily an exception to a different trend. it is not difficult for me to think of more adult scifi/fantasy books by women, because i actively seek them out. however, almost every single one of them has a protagonist under 25, as is the case with so much of the adult fantasy written by men listed above. last year, i read the adventures of amina al-sirafi, by s.a. chakrabotry, which was (i believe) the first non-contemporary/realistic fiction book ive ever read with a middle aged mother as the main protagonist. the book club at my library branch, mainly composed of middle aged and older women, read it, and expressed such genuine joy and excitement over a fantastic, adventurous book featuring a woman they saw themselves in. representation really does matter, and it matters to everyone, not just young people. but that's a different soapbox.

young readers are extremely picky. i've watched many a teenager (or younger) browse the YA section and turn up their noses at books with a cringey cover, an overly dramatic blurb, or just because. marketing books to teens is hard. booktok is an incredibly powerful marketing tool and divisive social force. it skyrockets an author one day and by the next week, other accounts are tearing that same author to shreds. in this environment, its no surprise that the sensationalized books - extremely good or extremely bad, blatantly sexual, shocking, consumable - become flashpoints of discussion. who should be reading ya? who is it for? what is inappropriate for young teenagers to read? what is inappropriate for adults to read? i think about these topics a lot, especially as what the publishing industry terms a "gatekeeper" - i'm a children's librarian; i control the access teenagers in my community have to these books. i take that role seriously, and i want to be thinking deeply about the books i put in my YA section and who will read them. our decisions, about where we class books, how we label and present them, how we discuss them: that is part of what dictates what genre and age classification a book "is", in addition to marketing.

#okay.... been working on this on and off for months but im finally fucking finishing and posting an essaY!!!! #2k words on genre classification lfggggg #please let me know what you think.... very open to thoughts esp from people who read these areas !!!! #ok to reblog btw :> #frames

[bioethicists]

responding to this with my shitty redaction because i'm not comfortable posting obvious bait with people's names in them (particularly dead names) but i just wanted to point out the ways in which this ask is prototypical bait written to purposefully generate drama or controversy (idk if this is in a kiwifarms trolling with right wing motives sense or an 'i love drama' person) by trying to appeal to online leftist culture/the fear of being 'problematic'. i see ppl fall for this constantly + i need people to start learning to recognize the signs instead of either engaging or using this as evidence that leftists are stupid/petty/hypocritical (which many of us are, but in much less amusing ways, unfortunately)

the implication that there is a single founder of the "neurodiversity movement" + that evoking this movement at all (which i don't do + i think it's actually pretty evident that my politics are distinct from the much more bioessentialist politics of those who prefer that term, which is part of what led me to conclude that this is a copypasta) is supporting the founder. tracing a broad social concept to a single individual, then disparaging that individual as morally unsound (by evoking other explosive, petty pieces of discourse, like baeddalism + transandrophobia) in order to provoke doubt, fear or anger. demonstrates a hope that leftists will flinch away from anything associated with anyone 'problematic' without applying any critical thinking.

misrepresenting complex events (or fabricating them entirely- idk if these things happened + i simply couldn't care enough to find out) in a way that hits the pressure points of performative activism (she's being mean to an autistic person! other people of color agree with me! this other person is anti physically disabled people!) while also betraying reactionary opinions through language use/implications (claiming to care about 'transandrophobia' yet deadnaming someone? claiming to care about specific events at specific autism conferences but using terms like "severely autistic"? saying you have spoken to "Blacks, Asians, Hispanics, American Indians" lmao did you type this out based on census checkboxes from the 70s?). the author of this ask is clearly not a member of the activist communities they claim to be from because they accidentally slip into the speech conventions + opinions of a kiwifarms/4chan loser who does a lot of hatereading. this one did a good job of hitting the bingo card of divisive intracommunity issues rn- great research skills, bud! put them to better use <3

reframing reactionary beliefs using leftist concepts. this works because many of us do not have a foundational politic outside of "well, i want to be good, so I'm going to support the things that other people i trust say are good". which doesn't make you bad (there is no good or bad! learn this now + quick, if you really want to play a part in building a better world) but it makes you easy to manipulate + unlikely to be capable of meaningful change. notice that the claims this ask is asserting are, at their core, "people make up microaggressions to cause problems when really they could easily suck it up" + "people fake disabilities and being trans for attention". these are reactionary concerns, no matter how artfully they are dressed in social justice language. kiwifarms in particular was very, very good at this- they loved finding the people they stalked to be racist, homophobic, ableist, etc, not because they thought those things were wrong (it was their hobby to be these things!) but because they delighted in identifying hypocrisy, stirring up drama, + destroying people's reputations.

this is hard to explain bcuz i blacked out the names, but if you have a passing familiarity with fascist/reactionary online spaces, particularly the history of kiwifarms, you will know that reactionaries have their own 'pet leftists', just like we have our 'pet fascists' (shapiro, alex jones, tucker carlson, etc). that is, ppl they obsessively follow, harass, + scrutinize + come to believe are representative of everything that we believe. these ppl are rarely ppl who are actually prominent in our online spaces but online reactionaries often believe we are just as obsessed with these people as they are, but as unquestioned paragons of virtue + brilliance. namedropping these ppl is often an accidental tip of the hat, particularly when the ppl aren't on tumblr, haven't been a topic of community discussion for quite some time, or run in a different circle than us (reactionaries don't understand that there are actually thousands of leftist social groups which have very little overlap with some others- pronouns in bio does not mean someone knows or cares about contrapoints, for instance)

tl;dr this ask is a fantastic example of the rhetorical features bait that someone might actually take seriously.

[a-dragons-journal]

Humanity and the Lack Thereof

This essay was co-written between Rani and Viridian; Viridian's text is in green and bracketed.

Humanity is an interesting thing.

I am otherkin. I am nonhuman, a dragon-in-human-skin, draconic to my core. I feel phantom wings and tail, the instinctive knowledge of how to breathe fire even though I don’t understand how it works, a bones-deep longing and homesickness for the sky, numerous instincts and urges tied to being something other than human. Many who are like me reject humanity entirely, don’t feel human at all. And yet, I am also human, deeply and truly. I am just as human as I am dragon - I like my human body, I love the things I can do with it (hands, dexterous hands, are a wonderful thing), I overall enjoy my human life. I am nonhuman, but I am not not human.

Viridian, who is watching “over my shoulder” as I write this, is a vampire. She is a fictive, from one of the Vampire: the Masquerade games that I play in, wherein vampires are typically considered to be… on the boundary line between “human” and “nonhuman.” Many vampires cling to their humanity and adamantly consider themselves human; I would go so far as to say this is the norm. Those who do not often become monstrous indeed, though often they do not.

[ I do not consider myself human. I am Kindred, vampire, Cainite. I am part of humanity, as a general populace - but I do not like being called human.

[ I think part of it is that being human is often put in direct opposition to being vampire as a personal identifier. Those who adamantly insist they are “still human” often mean as opposed to being a vampire instead. Being no longer human is, as Rani wrote, often considered a sign of becoming a monster instead.

[ But I worked hard for my Embrace, my being turned into a vampire. I worked to earn the right to call myself Kindred for nearly a decade. And yes, perhaps some of it is that I was taught by my original sire that the Embrace was an ascension above humanity, and that still colors my feelings on my own vampirism even if I acknowledge that he was wrong to consider us inherently above humans. But much of it is that being called human feels like a denial of my vampirism, a rejection of it, and for me that is not empowering - it is denying and rejecting something deeply important to me. Kindred is who I am. Human was only ever circumstantially true, a circumstance of birth - Kindred was something I actively sought out, pursued, chose. ]

Which is interesting, because to a certain extent, “human” is only circumstantially true for me, too. If I hadn’t been born human, I sincerely doubt I would identify as one in the same way that I identify as a dragon despite not being born into a dragon body. I could be wrong, of course - I have no way to prove it either way - but I suspect that if I am correct about reincarnation and I end up in another body after this one, I will not have the same “spillover” of humanity that I do of draconity from my dragon life.

And yet, I am human, and I actively dislike it when people try to strip that from me. Part of that, admittedly, is that the handful that try to see me as only dragon, and reject that I am human, are usually doing it because they’re violently misanthropic individuals, so it’s soured the whole thing for me because the reason they’re rejecting my humanity is so they can try to get me to shit-talk the rest of humanity with them. (If I have to hear one more dragon legitimately, whole-heartedly say that they think humanity should be extincted, I’m going to lose it.) But part of it is that my humanity is important to me, just as important as my draconity. I am both. I’ve written whole essays on this topic.

[ In that way, perhaps we’re not so different after all. I dislike being called human because it feels like a rejection of who I am, who I chose to be; you dislike being called not-human because it is a rejection of who you are. ]

Maybe so. Funny how different societal circumstances can yield opposite results from the same kind of pressures.

I think that part of the discrepancy between us is also that I’m a very physical person. Frankly, I am a chemical creature; I enjoy physicality, I enjoy affectionate touch, I enjoy the physical pleasures life has to offer. I enjoy food. I enjoy sexual pleasure. I enjoy the exhilaration of getting my heart going and my instincts fired up in a self-defense class. I live, I live, I live! is ever a cry of joy in my heart. And a lot of that ties into my animality! I am a dragon animal, yes, but I am also a human animal, and both of these things must be satisfied! The dragon yearns for the wind and the view when I climb up to a height, for the fire of battle I can get out of a sparring match; the human yearns for the taste of sun-warm berries right off the bush, for the warm press of bodies when I hug and cuddle with loved ones. Both of them love a good nap in the sun. I am a physical creature, I am an animal, and my animal-ness connects me to my body and thus to my humanity, rather than separating me from it.

[ Meanwhile, none of this has ever been true for me. Yes, of course I enjoy certain delicacies; I miss my brother’s cookies periodically, it’s true. But I’ve never loved these things the way Rani does. It’s not that I dislike the pleasures of life, but I’ve just… never really cared. It wasn’t much of a loss when I was Embraced, to trade food and sunlight and heartbeat for immortality and knowledge and power. It was almost convenient to not have to deal with the maintenance a living body requires - no excretion of waste, no inconvenient aches or pains or stomach cramps, a frankly much more manageable frequency of requiring sustenance. My body is just a tool, and the Embrace made it more efficient in most ways. And now, after twenty-three years of being dead, being in a living body again is overwhelming in some ways and just downright unpleasant in others. Even most of the physical matters Rani actively enjoys are either overwhelming or uninteresting for me. I am happy to leave the care and maintenance of the body to them. It’s not necessarily that I actively had a disconnect from my human body, originally, so much as that I didn’t have an active connection to it to make me identify with it, and thus my being “human” was, as I said, only ever circumstantial. My becoming Kindred overrode it, and I prefer to leave it that way.

[ Ironic, that the one whose nonhumanity is so human-shaped should be the one to reject humanity, but here we are. ]

Here we are.

#otherkin #dragonkin #plurality #fictive #rani talks #caldwell #journaling #community writings #essay as promised

[tealeavesandtrash]

Wolfstar Micro Fic - @wolfstarmicrofic prompt: Amnesia - 750 Words

Remus sits on the sofa, staring at the bookshelf in front of him, wonders how many of those books are his, which ones he’s read or was excited to read. This is his life now. When he isn’t at doctors appointments, he’s staring at photos or objects pondering what history he has attached to them. This is his house, he knows logically it is - he’s in photos on the walls, his name is on the mail - but it feels like he’s living in a stranger's body. There are days he’d rather stay in hospital just to escape the relentless notion that he's an imposter in someone else life.

He can feel Sirius’ eyes on him, watching in anticipation, like any moment things will snap back into place. “Lily found some more photos,” Sirius says, “we could go through them today?” Remus nods, although he doesn’t feel like he has much choice in the matter. “Is she coming round?” “Yeah, but she won’t stay.” He likes Lily. He suspects they used to be very close, but it feels juvenile to ask outright if they’re best friends. Despite that, he slips back into the bedroom shortly after she arrives, feigning tiredness. It’s not a complete lie - he’s tired a lot which is supposedly a good sign that his brain is trying to fix itself. But he’s also tired of all the visitors - friends of theirs trying to help who don’t how to act around him and Remus is constantly running through a mental rolodex trying to find names for faces. 

“The Potters send their love,” Sirius says while laying the photos from Lily across the living room floor. Remus scans them, trying to identify them. It’s one of the memory exercises they keep pushing in therapy that feels more like a child’s game. He picks up a photo of a couple and a baby and Sirius gives him a hopeful smile. Remus doesn’t explain that he picked it because it’s the only picture of a redhead. When he first picked out a photo of his parents Sirius had been so excited, only to be crumble a moment later when Remus explained it was a simple process of elimination - they just shared the most resemblance with him. Remus stopped explaining his logic after that, save people the disappointment. 

Nights are the worst. When he’d first come home, he refused to share a bed so Sirius insisted on taking the guest room. Not that it made a difference to Remus, he feels just as much a guest in the master bedroom as he would the guestroom. Sirius loiters outside his room when they say goodnight, the same way he does every night, like he’s half expecting Remus to invite him in. “Why are you being so patient with me?” Sirius looks at him with soft, sad eyes. “Because you’re my Moony,” he says like it’s the most obvious thing in the world. The nickname feels foreign. Sirius says it with such revance but it means nothing to Remus. “I’m not though, I might never be him again.” “You will-” “-You don’t know that,” Remus cuts him off. “People keep saying that, like everything will suddenly fix itself, but you have no idea. No one does.” Sirius swallows, dropping in gaze. Remus might feel bad for snapping if he wasn’t so sick of everyone’s blind optimism. Sirius takes Remus’ hands, gently runs his thumb over his knuckles. “It doesn’t matter,” he says quietly. “You’ll always be my Moony, even if you don’t see it. Even if you never see it.” 

Remus curls up in the middle of an empty bed, a thousand thoughts bouncing around his head as he replays Sirius’ words. He thinks about how alone he is, open and exposed in a room that feels too hollow. He thinks about how his therapist told him to embrace the unknown, push through the fear.

The floor is cold under his bare feet as he pads across the landing and slips into the guest room. The curtains are wide open, illuminating the room with moonlight which he's immensely grateful for. It doesn’t feel as claustrophobic. Sirius has his back to him, chest rising and falling with steady breaths. Remus doesn’t slip under the covers, this alone is a big enough step, but he does lie down next Sirius, close enough that they’re almost touching. Remus takes a deep breath to steady himself, lets himself adjust to the moment. Tentatively, he lets his eyes slip closed.

#idk how i feel about this one like i love the concept?? but idk i got the flow i wanted?? #remus lupin #sirius black #wolfstar #remus x sirius #marauders #complete #oneshot #micro fiction #maddy writes #wolfstar fanfiction #marauders fanfiction #amnesia au #wolfstar microfic

[headspace-hotel]

a friend of mine said that the environment would be better if everyone lived in cities and basically left the rest of the natural world alone... i felt like there was something wrong with that argument but i really dont know enough about it to have a real point against it. i might be biased though cause i love being around nature and want to be able to live rural without killing the environment? idk im just wondering if she's right and how to live in a way that isnt negatively impacting the world

love your blog btw, it's been the thing that's helped me understand ecology for once

the idea that humans Are Bad for the ecosystem—not that particular activities or practices have particular negative effects, that just humans existing harms the environment—is in fact the worst idea ever

I mean, first of all, where does your friend think food comes from?

"Food" is one of the problems. It's one of a lot of problems. Some other problems include "all other natural resources besides food" and "human rights."

It's not just your friend, this kind of thing has been suggested in varying ways by self identified "leftists" a bunch of times, and I genuinely hope they're mostly random laypeople who can't really be expected to know more than they can learn from being terminally addicted to Twitter, because otherwise I will call them "dumber than a sack of hammers" in those exact words.

No offense to your friend. Your friend is a laypeople. And sadly, non-experts end up with ass-backwards ideas about how conserving the environment works, because of all this commonplace nonsense about humans being a cancer upon the planet. I'm not angry about those people, just sad.

But my serious answer is—The world's most intact and best managed ecosystems are found on land owned and managed by Indigenous people, who do what with the land?

LIVE ON IT.

And these groups of people learned to manage and care for the land how?

BY LIVING ON IT.

Conventional (white, Western) intuition holds that human management of an ecosystem should reduce biodiversity, but what science shows—I mean what study and observation and data and more study and more observation and more data shows—is that indigenous land management practices can do better than Nature can on her own.

I mean, for one thing, if you don't live in a place, you don't observe it every day. You don't see how the ecosystem and its inhabitants change over time. You can't learn about it, and therefore you don't know about it.

Disconnection from nature is ignorance about nature and ultimately apathy towards nature, and that's the worst and most disrespectful thing we can do.

And like I hope it's clear that even in the imaginary scenario where everyone lives in a city, even if this was possible (it's not), the city dwellers who are separate from nature are living a silly little lie. You're part of the ecosystem. Don't like it? Go become a rock in space.

The electrical signals moving through your brain right now are rays of sunlight that were soaked up by a plant that grew in dirt. Do you know fruit? Do you enjoy fruit? I enjoy fruit, I'm drinking a smoothie right now! That fruit y'all love so much was pollinated by a bug.

A bug did that for you! Because you're family! Because you're part of this world, because you belong to this intricate and ancient community of living things that need each other, that were shaped by evolution to need each other, and nature cannot abandon you.

But more on the cynical side of things, even if you don't know where the hell a berry grows or how, someone has to grow and harvest and ship that berry to you, someone who has to live somewhere, and you should care who is doing it and how they're being treated and paid, and ultimately you should want for them the same things you want for you.

Urban life is just rural life with extra steps my friend.

Like, @ all the "put everybody in cities" crowd, what is the plan here? Fancy ass indoor aquaponics systems notwithstanding, we're not technologically at a point where we can just, like, build giant multi-story factory buildings where we grow food under special lamps, and even being at that point wouldn't make it a good idea. With all the hype about solar power, you'd think people would look at plants (have been using solar power just fine for like a billion years) and think, "Neat how those things can just make food when you stick 'em in the sunshine."

I'm sorry, I'm never going to be psyched about technological innovations that are like "We took a plant and put it inside."

There is so much I could say here. The brainrot in the wake of "cottagecore" discourse where a bunch of well meaning white people got convinced that farming was racist. The idea that rural people are somehow more complicit in colonialism than urban people, and that rural land is, I don't know, landier than urban land, and the correct and moral thing to do if you live on stolen land is to....what? Live on land that has a protective layer of concrete in between it and your racist feet?

Land ownership is a whole fucked up beast, but you're not cultivating a non-exploitative relationship with land by living in a city. There's just extra steps in between you and the land.

"Homesteading" as seen on cottagecore boards on Pinterest has a lot of white supremacist wet dream mixed in, but listen: It is not only okay, but GOOD, to want to live in close relationship with the land, with the food you eat, with the trees and plants that fill your lungs when you inhale. It's IMPORTANT. It's VITAL.

What has to change is that this relationship can't be based on ownership and dominance. Ecosystem is community and that ain't it.

My ancestors were colonizers, the land I live on right now was violently stolen, the ecosystem that once was very carefully managed so that it flourished with life was ravaged, and I don't even know the names of most of the life-forms that ought to be here. What now?

You belong to the ecosystem that takes care of you. You can't wash your hands of this and run away.

I feel like I'm getting off topic, but it's very much on topic actually. What I hope for the future is that we would stop entertaining the silly little lies that imagine we can just...opt out of participation in something that is underneath our every footstep and in our every breath. It would make us feel pure, but it wouldn't be real.

I do think that forcing people off the land that is their home is bad, in general. I don't think those people have to be indigenous for this to be bad—and successfully claiming otherwise is a bit of conundrum, since as far as I know, the political and social phenomenon of indigenous identity has a lot to do with the being forced off your land thing.

Obviously people like me don't have the same deeply central cultural relationship to the land, but the "we should all just go live in cities and leave nature to itself" proposal implies that such relationships are unnecessary or even bad.

I've said this before but I find it weird when environmentalists accommodate indigenous ways of life in their visions of the ideal future as like...a special exception granted because it's like, the nice thing to do for a historically marginalized and violently oppressed group. Not because there is value or merit in those ways of life. Like "Oh I guess indigenous people should be allowed to hunt because it's part of their culture" ????? And it's part of their culture because...why?

Maybe because it's a sustainable way of doing things and has been for millennia???

Like don't listen to me, look at the research, indigenous folks participating in ecosystems and managing them worldwide know what they're doing and the rest of the world should be looking to them as examples. Key word here is participating, because you can't competently manage an ecosystem with your head all the way up your ass with the idea that you're somehow not part of it.

Humans aren't a cancer upon the planet. It's capitalism and colonialism. It's the practice of seeing the world as a disposable resource to be exploited.

Humans lived in the place I called home for 15,000 years. Within the past 200 years, almost every forest was razed to the ground, and almost every large animal extirpated or damn near to it.

"Humans" did that! These humans are so terrible!

But I have to remember.

There are descriptions of this place from before that, and they describe a lush, teeming heaven-like paradise that the adjectives provided by English trembled to capture, so perfect and bountiful that the observers assumed this land was never tainted by Adam's sin.

Humans did that, too.

#ecology

[thecagedsong]

Look, book-Sophie's arc is dear and personal. Because she is an eldest sister, and so much of that is to her advantage in the story. She knows how to quell tantrums and knows how to run a shop and knows how to clean and make a home worth living in. The story would be infinitely sadder if Sophie was one of those "not like other girls" who couldn't cook or clean. Sophie knows that loneliness is the worst, leading her to talk to Calcifer enough that she knows how to break Howl's spell. Being bossy enough to get small children to stop fighting lets her deal with Howl and Calcifer's moods. Being unwilling to burden other people led her to talking to things, which is the essence of her magic! She acts like this because she's the oldest and knows how to take care of other people's hurts without them feeling like they have to take care of her. People can depend on her.

Sophie knows how to make a home from the start because she's the eldest and has been helping for ages. It's a great and wonderful thing that she knows all this!

What's terrible is when she think that it was all useless. She's cursed and her sisters are busy courting, her stepmom got married and sold the shop, no one in the town she grew up in recognizes her, the wizard she lives with can't stop whining about her cleaning to figure out she's bespelled and could really use some help, and she's right back at her father's shop a month after leaving.

But it wasn't useless! She and Howl just didn't have the communication skills to get her to know that. Her sisters are desperate with worry! They ask everyone, even Horrible Howl that eats young girl's hearts, for help in finding her! They have a reward posted for any information about her! Her step mother recognizes her almost on sight! Her sisters run to her the second they see her. They love her and their lives have been less without her. The skills she used to build up a home in the moving castle is one of the reasons Howl, Calcifer, and Michael love her and trust her with Howl's heart and Calcifer's life. Howl is actively returning the care she put into their home by consulting all his wizard friends about her curse to get to the bottom of it. (and is too busy to actually be courting anyone) Being nosy and bossy let Sophie see other worlds and get her the adventure she has never believed herself capable of.

That's what it actually means to be the eldest daughter.

Her manta "Of course I failed, I'm the eldest of three!" both pulls the reader to identify what is being constructed and deconstructed, the role of elder sisters and puts the reader in the odd position of thinking "what a self-aware fantasy character!" and "what a stupid thing to let stop you!"

One of Sophia's main internal struggles is about a fear of failure because the world tells her she's going to fail. Then she fails and immediately goes to the conclusion "the world was right, I am a failure for this arbitrary, uncontrollable trait."

Sophia escapes this mantra for the first time when she's old and is like "well, who cares what they have to say now. I'm old and earned the right to do as I please". The thoughts come back through, the way messages telling of hardship and failure always do, but she doesn't let it stop her anymore, not like it did the first months of the book. Why?

Because what being the eldest daughter actually means is cleaning up messes because no one else is going to clean yours and your siblings are too young to clean up theirs.

Sophie is pulled into plot points almost exclusively by the need to clean up her mess or help someone else. Gotta protect Lettie from Howl catching her heart and breaking it! Gotta help Michael with the spell! Gotta free Calcifer who can't break his own curse! Gotta help the poor dogman that hates Howl! Gotta help Miss Angorian, even though she's a beautiful lying manstealer! Gotta kick Howl out of his despressive spirals! Also gotta help Howl by blackening his name before the King (no one said helping couldn't be fun).

Ironically, the very trait the world told her would make her unsuccessful was crucial to her success. She's scared to fail like everyone has said she would, but she doesn't stop trying to help people anyway, in her eldest daughter way, and she succeeds in the end and rewrites fate. I love her.

#howl's moving castle #sophie hatter #howl jenkins #sisters #eldest daughter #eldest of three