Tumgik
#she loves fantasy novels and comics so
old-stoneface · 10 months
Text
as soon as my little sister is old enough im getting her some earthsea novels to read. probably just the first one....she became a harry potter fan at a young age and im trying to think of ways to wean her off of it 😭 i wonder what the age group for some of the discworld novels is, like wee free men; i could probably get her that and some of the others in that same storyline, but it might be a bit young for her. shes 11 and a half so i think i shouldve given her wee free men earlier and i need to wait a little longer to give her an earthsea novel. 13 - 15 is probably around the right age for that
4 notes · View notes
enbysiriusblack · 6 months
Text
remus loves folklore books, lily loves fantasy books, regulus loves classical books, peter loves comic books, emmeline loves detective books, dorcas loves poetry books, mary loves romance books, james loves sci-fi books, marlene loves rock magazines, sirius loves play scripts
40 notes · View notes
chadsuke · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Comics Read in 2023:
Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? Vol. 1 by Yuu Toyuta (2018)
Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? Vol. 2 by Yuu Toyuta (2019)
Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? Vol. 3 by Yuu Toyuta (2019)
Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? Vol. 4 by Yuu Toyuta (2020)
Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? Vol. 5 by Yuu Toyuta (2020)
Campfire Cooking in Another World with My Absurd Skill Vol. 1 by Akagishi K. & Ren Eguchi (2017)
Campfire Cooking in Another World with My Absurd Skill Vol. 2 by Akagishi K. & Ren Eguchi (2018)
Campfire Cooking in Another World with My Absurd Skill Vol. 3 by Akagishi K. & Ren Eguchi (2019)
Campfire Cooking in Another World with My Absurd Skill Vol. 4 by Akagishi K. & Ren Eguchi (2019)
[ID: Covers of aforementioned books. End ID.]
10 notes · View notes
neil-gaiman · 1 year
Note
Hello Mr Gaiman!
When I was 6, I had to wait in the back of a car while my mom got some groceries. She made the terrible mistake of leaving her copy of The Light Fantastic there with me and that's how I discovered Pratchett's amazing work (and subsequently fell in love with fantasy novels in general).
Throughout the years, mom always told me to write to Pratchett about what his work meant to me, but I never found the way to put it into words. I guess I should count myself lucky to say this: not sitting down to at least try to do it is one of my few regrets in life.
Anyway, for some reason I just remembered all of this and thought: I should tell Mr Gaiman what his writing gave me. A love for the weird, the gothic, the strange. An interest for unconventional story endings and unusual heroes. A chance to read comics! Since Sandman was the first graphic novel I sat down to read from start to finish.
And probably many other things, but this is what I've found words for tonight. It's not much. But at least I tried :)
Have a wonderful day! Greetings from Argentina.
Thank you so much. I appreciate it.
933 notes · View notes
theprettynosferatu · 9 months
Text
CW: Orientation play/conversion. Remember that your sexuality is valid, and conversion is NOT a thing beyond fantasy. Also, fuck "conversion therapy"
Tumblr media
“All I’m saying is…”
“Look, you’re speaking out of your ass”, Ava said, barely containing her frustration.
“How am I speaking out of my ass? It has been done and thoroughly…”, he tried to reply.
“Yes, yes, Pavlov, blah blah blah. But you’re talking about something else entirely, not conditioning reactions”
“Not Pavlov, Skinner! Actions can be conditioned too. Look around you! Mobile games, casinos, even the goddamn army uses conditioning to…”
“Can we agree that there’s a difference between conditioning obedience in a controlled setting and whatever the fuck it is you’re suggesting? You’re not talking about tapping on impulse to buy funbucks in a game! You are talking…”
“It’s only a difference of degree, not of kind. With the right combination of techniques…”
“No, there’s a core there that you can’t just… overwrite. Some things can’t be changed. Like… like how you can’t hypnotize someone into doing something they would never do”
“You know that’s bullshit, right? The whole hypnosis thing. You absolutely can make someone do whatever the fuck you want. It’s just a matter of how you approach it. Like, you would never harm a person, okay? But if I change what your idea of ‘person’ is, say, by making it more narrow you would absolutely harm someone I made you see as a not-person. Or maybe you can be made to believe you’re helping them, not harming them”
“That’s some creepy cult shit, dude. And anyway you can’t write a paper on this because a) there’s no evidence and b) doing the research to get evidence would be absolutely immoral. So I say look for another topic and for the love of God don’t go around spewing that bullshit if you want to ever get laid. Oh, speaking of! Linda will be arriving shortly and we have a date night, so please, please try to be a normal roommate and not freak her out. For me, okay?”
“When have I ever freaked her out? Linda loves me! And who knows, maybe she has an opinion on our little debate”
“Dude, she’s an Art student. I doubt she’ll be interested in our weird Psych dissertations”
“Perfect! Fresh eyes!”
“See, that’s the kind of weird shit I-”
The buzzer cut through the air, and a moment later Linda was inside the apartment, all smiles as usual. He took a moment to watch them as they embraced. 
They were almost comical in their contrast. Linda was tall, taller than he was, willowy and slender, her limbs graceful and shapely, her hair a long, flowing river of playful copper that almost seemed to dance on its own volition– with her green sundress she appeared to him as some sort of elven princess ripped from the pages of a fantasy novel and stuck into a mortal world in which she didn’t really fit. Ava, on the other hand, was probably the shortest adult he had ever seen. He might be tempted to call her petite, but that had a connotation of a lithe frame, almost like a tastefully proportioned doll. Ava was the complete opposite of that. Sometimes he felt Ava was an experiment aimed at testing how much of a person’s weight could be tits and ass, held up by strong, thick thighs. He felt quite guilty about such thoughts, and he understood why she wore nothing but oversized t-shirts and hoodies. It was logical: an early, spectacular growth spurt, heightened by her small size, had made her the target of relentless bullying by jealous classmates and awkward come-ons by hormonal teen males. It enraged him, he realized. Ava was beautiful and the cruelty of idiots had made her feel pain about it instead of pride. He made a point to never stare at her, even if he sometimes failed. It made their relationship as roommates a tad hard, he had to admit. 
 
Not that he had a shadow of a shot, of course. Ava had no interest in men.
Unless, of course, he was right in his theory. And he had good reason to think he was.
“So, Linda: Ava and I were having a bit of a debate…”
“Don’t start, dude”, said Ava.
“Oh, a debate! Do tell!” chirped Linda.
“Do you think we can be completely conditioned and changed, or is there some part of us that cannot be modified, no matter what?”
“Huh. Hard one. Like… a soul? I don’t know I buy it. I feel there isn’t really a self, you know? Like… Buddhism. The self is an illusion and all that”
“Come on, you can’t be serious! You can’t change who someone fundamentally is, and it’s sick to even consider it!”, said Ava.
“Well… what if I could prove to you it can be done?”, he stated, barely able to hold back. He know what he was going to do. He had been reluctant, but now it felt like a certainty.
“You can’t, so stop being an ass”, said Ava.
Fine. Game on.
“Linda, I love your socks! Pride socks!”
“Yup!”, said Linda
“What the hell–”, mumbled Ava.
He took a deep breath.
“Linda: rainbow socks…”
She replied in an instant.
“Are for sucking cocks!”
Ava felt as if reality had shifted into some horrible, twisted nightmare. She was about to scream something, anything really, to make Linda take that back before something stopped her in her tracks. Her body heard it before her mind did: her roommate's voice simply commanding her. Watch. 
And she watched. She watched as the love of her life smiled and went on her knees. Ava could do nothing but watch in disbelief and pain. Linda had never been with a man. Ever. 
“I might have… started testing my theories. On you both. Not that you’d remember, obviously”, he stated casually as the beautiful girl in front of him lovingly undid his pants. “I’d say Linda’s sexuality is part of her core self, wouldn’t you? Let’s see how that holds up after the months of conditioning I’ve subjected her to”
He felt guilty, sure; but there was such a high to it, such an entrancing quality to the combination of seeing instant, complete obedience and the final, definitive proof of the truth he had known to be right all along. Was it wrong? Yes. Did he care? Not at the moment. Ava’s eyes were a poem to him. Suddenly he was ripped from his reverie by the soft, loving touch of Linda’s tongue on his dick. He hadn’t even realized he had gotten hard just from the sense of complete power, of total, undeniable conquest. This was a primal, ancient arousal. Ava could do nothing but watch, and he took that sight in. God, he could almost taste it.
Linda moaned. The cock was so beautiful. So perfect. She felt so… silly, like she was now, for the first time, seeing in color and realizing the sky was, in fact, blue. It was obvious. Simple. Natural. Cock deserved worship. Cock deserved devotion. Cock demanded obedience. It was as if it was growing in her mind, taking over more and more of her, pushing who she had been out effortlessly. It expanded. It corrupted. It twisted and shifted all within. Cock. Cock. Cock. She kissed it with reverence, in awe of it. It was all that existed to her. All that mattered. She needed to please it. Needed to feel it throbbing inside her. Needed to be taken by it.
Ava saw her girlfriend slide a hand between her legs and felt nauseous. As much as she knew this wasn’t Linda’s fault, she could feel her heart breaking, her anger rising… and worse, her pussy getting wet. Her body betraying her. She hated him, and she hated Linda, and she hated herself most of all.
Suddenly, Linda couldn’t contain herself. She relaxed her throat, looked up at her Master and took his entire manhood inside her mouth. She almost came instantly. It was peaceful and sexy and just simple, like his cock was the puzzle piece that fit her perfectly, completed her, made her whole. She existed to be conquered, and realizing she was putting his pleasure over her ability to breathe was the final sign of her complete, loving surrender. She let it out, watched it glisten with her spit, and started licking it and loving it and she didn’t know how much came from her own need and how much it was a silent command by the man who had shown her the light. Her mind was too fuzzy to make such distinctions anymore.
He took a deep breath, fighting back the first signs of an orgasm. He needed to make a point.
“Linda… do you love Ava?”
The blonde stopped for a moment, shocked by a myriad of contradictions.
“Yes”, she decided. Her voice was shaking.
“Tell her”
Linda looked at Ava, the woman she had loved above all others.
“I love you…”
“But you have more to say, don’t you?”
“I… hmph… I…”
“Tell her”
“I love you… but… but… I love his cock so much more! Fuck! I need it! I need to feel it, to suck it, to be fucked by it… I’m sorry… but… I love it, I love it, I love it! I want it to fuck my throat, to take my cunt, to ram my ass! I need it! I need to be a slave to it, a whore for it, a fucking living toy!”
“What if you had to choose between Ava and my cock?”
“Fuck her! Sorry, my love… I do love you, but… You can never do to me what… what Master does to me, what his cock makes me feel! I hope I won’t have to dump you but… I would leave you for this cock in a minute! I’d do anything. Anything. Anything!” If she had more to add, her need to serve cock snuffed it. She took it all in with desperation, with total, shameless abandon. She needed to feel... used. In her proper place.
Ava felt a tear roll down her cheek. Her knees buckled in defeat. She didn’t even care. It was all gone. Her life, her love, all gone. And she could feel her eyes drawn again and again to the cock that had destroyed her. She felt her mouth watering.
“Linda, would you say you’re a lesbian?”
“Fuck no!”, she said before immediately wrapping her lips around the cock’s head.  
He felt a swell of pride. Of triumph. He knew Ava sensed the truth as well. He was right. He had proven his point. And now Ava’s full conditioning would take hold. A little bet with himself, making her own mental acknowledgment of his theory her final trigger. She took off her t-shirt. She would never wear it again. No more shame, no more pain about her figure. Only arousal and pride. His gift to her.
She crawled to him on all fours. The girls kissed– but now, they kissed for him, to arouse him. They were lovers, only they both knew there was a higher love. A truer love. Ava looked up at her owner and opened her mouth, greedily awaiting his blessing. Linda used her skillful hands, aiming his cock and teasing it, jacking it off, using just the right amount of pressure and speed. 
No man could resist such a sight.
In a few seconds, Ava was covered in his cum, more beautiful than she had ever been. Linda certainly felt that way, and she licked and kissed her sister slut clean.
He watched carefully, looking for signs of defiance, and finding none. In fact, Linda put his fears to rest with a simple statement.
“Ava, we need to buy you a pair of rainbow socks”
Did you enjoy this story? You can support my work at patreon.com/prettynosferatu !!
929 notes · View notes
yurimother · 9 months
Text
'I'm in Love with the Villainess' Author Inori Announces New Yuri Fantasy Light Novel
On September 5, Inori, creator of the hit Yuri isekai series I'm in Love with the Villainess (Watashi no Oshi wa Akuyaku Reijou), announced that she was working on a new Yuri light novel. The book, entitled Yuusha ni Naritai Shoujo <Boku> to, Yuusha ni Narubeki Kanojo <Kimi> (The Girl Who Wants to Be a Hero <me> and The Girl Who Should Be a Hero <You>), will be published in Japanese by Dengeki Bunko this November.
In her Tweet, Inori described Yuusha ni Naritai Shoujo to Yuusha ni Narubeki Kanojo as "a girls' love fantasy work with with the theme of 'I want to' and 'I should." It is illustrated by Akamoku.
Tumblr media
Inori is known for creating I'm in Love with the Villainess. Originally posted on the webnovel site Shousetsuka ni Narou, the series was picked up by GL Bunko, which published five volumes between 2019 and 2021. The Yuri series is known for its heavy inclusion of LGBTQ+ themes and identity.
I'm in Love with the Villainess inspired a manga adaptation illustrated by Aonoshimo, which is currently serialized in Ichijinsha's Comic Yuri Hime, a spin-off series, She's So Cheeky for a Commoner, and a television anime adaptation which is set to premiere on Tokyo MX on October 2 and stream internationally on Crunchyroll.
491 notes · View notes
ifyoucandaniel · 4 months
Text
i know we all love our jason “reads classical literature and makes obscure literature references” todd, and usually damian is the other reader in the family and they either bond over their love for classical literature or try to kill each other. however i would like to take this a step further and say that EVERYone in the batfam are big readers. i come from a big family and all of us read in some way or another so here are my headcanons for the bats:
jason, as we know and love, is a massive classic literature buff. pride and prejudice, the brontë sisters, the iliad (he swears achilles and Patroclus are the greatest love story of all time), etc. he IS pretentious and everyone groans when classic literature is brought up in any debatable capacity. however his all time favorite book is the princess bride and he would die for buttercup. when the whole family starts watching jujutsu kaisen, jason reads the manga just so he can spoil things for damian that never actually happen. the day a new episode comes out jason tells damian panda was actually a spy and kills megumi. damian tries to kill him with his cereal spoon
while damian was with the league talia made sure he was sufficiently educated in classic literature in all their original languages, and he doesn’t mind a good classic. however i think he actually reads a lot of manga and children's classics. he read where the red fern grows and old yeller and cried, but he won’t ever admit it. he loves shonen and shojo manga, he really likes naruto and attack on titan (i can’t really decide what i think he’d like actually)
Dick is a smut slut girly!! he is in a bookclub with babs and steph where they read the sluttiest books to ever make it through publishing. He read ACOTAR and was constantly facetiming babs to rant. they're currently reading haunting adaline. Bruce once asked what the big deal was when the girls were talking to dick about fouth wing in the kitchen and they all looked at him with such offended expressions he never asked again
tim is also a pretentious fucker, but he reads dark academia. he will ride or die for Donna Tarte, his copy of the secret history is always on the desk by the batcomputer and he takes if we were villians on patrol with him. jason fucking hates his books and they're always fighting on who's taste in books is better. jason actually really loved a little life a cried seven times while reading it, but he would rather die than concede
steph is an AO3 girly!! she's part of the slut bookclub with dick and babs, but at heart she's an ao3 girly. she's also written her fair share of bruce wayne x batman fanfics. she once read a superbat fanfiction out loud to the boys and dick was absolutely enthralled, duke was morbidly facinated, damian had never been more disgusted in his life, and jason laughed so hard he almost threw up
duke reads a lot of comics (spiderman is his favorite because i say so and the MCU is their comic world), and he likes X-men and wolverine. he also really likes high fantasy and has read every book brandon sanderson has ever written
Cass like romance novels and ya books. damian acknowledges her taste in books after she defends his stance on harry potter and percy jackson being classics when jason tries to argue that they don't belong in the same category as his books. she read the cruel prince and convinced bruce to get her a snake she named percy. she reads books damian recommends and he would never actually say it out loud, but he secretly loves sharing his books with her and feels a lot closer to her because of her willingness to read what he recommends
bruce isn't typically a reader (he's too busy serving justice and kicking ass) but he will read books that his kids ask him to. he read the entire wheel of time series with duke and would go on patrols with him after just to talk about it. he read the golden compass to dick when he first took him in, and he read all of jane austen's books after jason told him he must be illiterate if he'd never picked up a classic
now what about alfred...
i dont have time to do everyone else and this is super rushed, but I just couldn't stop thinking about dick and babs having a little book club and reading the sluttiest books ever
261 notes · View notes
louebel · 8 months
Text
— [ 𝐂𝐀𝐓𝐇𝐀𝐑𝐒𝐈𝐒. ]
Tumblr media Tumblr media Tumblr media
𝐩𝐚𝐢𝐫𝐢𝐧𝐠: trafalgar law × gn!reader 𝐢𝐧𝐟𝐨/𝐭𝐚𝐠𝐬: 1,655 wc. mentions of the law novel and spoilers for his backstory, descriptions of his trauma, panic attacks, angst, hurt with comfort, law slowly tries to embrace his past, rushed + not proofread. divider by @ benkeibear. 𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬: law has a nightmare. he appreciates your comfort.
Tumblr media
“Hnn..!”
It was one of those nights again.
Sweat tumbled down his temple. No source of light. The polar tang was deep in the abyss. Your soft snores. The blanket hooding you both.
His hands were shaky. His chest was pounding. His lips agape.
“U—uh…”
Just a dream. Just a dream. No.
Not a dream. Reality. The past. Their corpses. The ruins of his city. Bestowed upon him, the laments and dirges of Flevance. They chanted and howled, damned souls who shrieked and condemned the morose government, a newborn Canto VI; Dante’s most passionate inspiration. Mystical, a fantasy, but no dream it was. No, it was not.
If only it could be.
The repugnant fetor of sulfur and acrid smog, ingrained in his nostrils, the buzzing of the flies as he walked among the stench of methane. It was a remote remembrance, clear as a fragile vase of glass, one that would shatter over and over and make his sluggish heart weep, no matter how many times he fixed and carried it. A life torn piece by piece by what was, and is, the ruthless world.
Gone were the days he could live free from his mind, the faces of those he yearned to meet once more, nothing but an ignis fatuus, one that served heartache and warmth in unison. Acerbic, pungent, more than any fruit, acidic upon his tender skin, spilled upon his skull and dissolved it without an ounce of control.
His favorite comics brought dolor. What was formerly one of his dearest pages developed into the fuel of his insecurities, thoughts.
“Look, brother! Sora didn’t die! I told you he wouldn’t!”
His sister’s giggles, nebulous; muffled, lost in time.
“Is it clear, Law? If you’re uncertain, tell me, alright? I’ll explain it to you as many times as you need.”
His father’s lessons but a distant reminiscence.
“Like this, sweetie. You’re a fast learner! Look at you, my smart baby. Mommy’s always here.”
His mother’s delicate hands guiding him, now a phantom.
His childhood companions’ cheering whenever he scored the max on a test, quieter than the gale. The nun’s concerned gaze when he carried Lami and asked to bring her home when she got wounded, forever gone. Corazon’s clumsy scenes he wanted to see again. His smile.
“I love you, Law!”
All their unconditional love.
Love. Love.
He shut his eyes.
How much he craved it. Tore apart in a single night, shredded in another after so thoroughly rebuilding it. And now here he was, trying again. But oh, was it difficult. His breathing often faltered, one false move able to destabilize him. Reconstructing it with paper was an enterprise. A fragment given by each of the people he met — little ones by the citizens in Swallow Island, bigger ones by Wolf, Bepo, Penguin, Shachi, his crew, and what survived of his fractured history was utilized as a base. Yours was almost a blanket. It was a prodigious sheet.
They all supported themselves simultaneously. But it wobbled. A lot. Often he couldn’t manage it. Terrified, alone, as he watched all his efforts about to topple. But it never did.
“… Law?”
Oh no. He woke you up.
“Go to sleep.” It came almost like a snap — to not show he was suffering.
Just go to sleep. Don’t bother with him. Don’t.
“Well… now I won’t do that.” you groggily said, his fingers clenching as you propped yourself up with an elbow. “Nightmare?”
You couldn’t see him in the darkness, but he was still an open book. He couldn’t lie to you, nor did he want to. He tried his best to change his mannerisms and patterns.
You’re his partner. Not a stranger.
“Yeah.” he exhaled tremulously, thorns in his throat.
He heard the rustles, the heat of your frame radiating against his. He couldn’t see you, but he imagined you — feeling your massages and head upon his shoulder. It tickled his neck a little.
“Mh. Baby … it’s okay. It’s okay.”
Obscurity and death clutched him with crisp, meager bones and itching shadows. However, a minor light banished them all; tender, so generous. That sound, yours… Fleeting fingers and honeyed pampering.
His droopy and heavy eyelids fluttered open, those golden eyes that carried unspoken anguish all but courageous; what was a mask he got used to wearing now sunk in the void, crystal tears brimming and gushing down his visage, scrunched up and full of lineaments. Quakes wracked his body, hisses leaving his quivering lips.
“I—I…” Nothing came out. Yet your arms remained still around him.
“Sh … Slowly honey. Take your time. I’m here.”
Here. With him.
“I… I’m so sorry. So sorry. Please forgive me. Please.”
Oh, that poor, poor man … What did he do to deserve this? To experience a catastrophe?
“M—Mom… Dad…”
“Law, hey—”
“La—Lami, Cora… Cora-san..!” He couldn't stop. As one sob wrenched from his lungs, another came, and another, and another, and another. His spine twisted, facing down; curling against you, your lips on his brow.
"Law." You called him gingerly, smoothly, hugging him close. Don't let me go, was all he thought.
"It's not your fault. Never. It's okay. Shh… Honey, hey… It's okay baby, it's okay. You're okay. Shh… Look at me."
And he did. Your palms seemed so much more real. An opportunity, some place to run. A light.
"There we go. Good job sweetie. It's okay. You're okay. It's not your fault."
"… N—not …"
"Not your fault. Never your fault, sweetheart. Everything is okay."
"… Mh. Mmhm."
He responded, unable to form coherent sentences, and cradled you close like a lifeline — the only anchor in this storm. You held him just as tightly, grazing his tense, knotted back. He was shuddering so much.
"Good job. That's my Law. Shh…"
It hurt. It truly did. To catch him like this, to see him so bare. No child, person, should ever go through such horrible things — you remembered how you both cried when he opened up. That confidence he wore for all of his crew finally crumbling at the ounce of vulnerability the universe granted him.
Shachi and Penguin never mentioned it. They divulged tales about Swallow Island — but they kept quiet about Law's other past, respecting his privacy. Bepo was a bit more clumsy with his sayings, information slipping from his fangs before he could stop it. (He'd quickly cover his mouth, a little squeak escaping it.)
When Law revealed everything, it was chaotic. You both had an argument some hours before. You were shocked he didn't crumple in your arms.
Seldom you’ve seen him cry.
"They—they would've liked you," he mumbled between hiccups, the tinge of nostalgia palpable.
"Law…"
"I wish you could've met them. I- I really wish they were here." They’d be proud, wouldn’t they? He could’ve worked with his father. His mother. Lami would’ve been a wonderful nurse or a doctor. Corazon would have joined him.
In another life, perhaps. Now the Rose held them.
"I wish I could've met them, too. I know you miss them… But they're—" his skin molded under your pointing finger as you pressed right on his sweet, scarred heart, "—right here. Forever. They're proud of you. I know they are."
"… I … hope so." he believed so, too — but saying it felt too egoistic of him. If you knew, you’d knock his head. He could tell.
"No no, baby. They are. I'm proud of you, too. So proud. Okay?"
He breathed deeply, nodding slowly.
"Okay. Okay."
“Good. You’re getting better,” you assured him, and those words never felt more gratifying. He had to be kind to himself. Gentle. The mind is fragile. He hopes — no, he knows you’d forgive him for being harsh on himself before. He knows. He knows.
“I try. I do. It's so hard, though,” he sniffed, resting his forehead on yours, to feel your warmth, your breath, your vitality, his "Beatrice", “they went too soon, sometimes I wish I could’ve followed them.” he admits, and your eyes grow more compassionate.
“But … my friends. My crew. The people I’ve met. What my family would want, Corazon’s wish. You. I’m glad to be here,” he says, taking deep breaths between. He’s safe in your arms. He can go at his own pace.
“Are you glad to be alive?” Some might see your question as idiotic, but Law knows the difference.
“That … I cannot tell. Sometimes I still feel like I don’t deserve it.”
“Mh.”
It was rather quiet after that. Only your breathing and his. The stirring of your pajamas. The hushed buzzing of the submarine.
It was welcome, though.
“Change is complex,” he then spoke, looking at you with a glimpse of hope. “but … I’m willing to try. I have to. For the crew, for you, for—for me.”
Tranquility took him when you smiled, something unlocking in his spirit. It wasn’t onerous anymore.
“Good. Especially for you, honey. We appreciate you being so tough, truly, but…” you brushed your lips on his jaw and peppered soft, tiny kisses. “There's nothing wrong with being weak. We all are. If you fight it, it hurts. It’s just us. Our feeble little selves. Give yourself a break from time to time. You are doing well.”
Law deeply appreciated your snogs, his frantic heartbeat calming. You led him down onto the mattress again, covering both your forms with the blanket.
“Let go, honey. Cry. And don’t hold back. You’re safe now.”
Tender murmurs filled the night. Law's head rested in the crook of your neck. His frightened mourns eased, his restless limbs no longer a problem — caresses and soothing, calm words eased the poor child, who wanted nothing but to live in peace.
And so he reached Eden, your pious hand accompanying him to Paradiso.
273 notes · View notes
lesbianjackies · 4 days
Text
the yellowjackets’ favorite books hcs bc i saw one of these and disagreed with all of them 👍
jackie: okay i’m so sorry but this girl only reads trashy romance novels she found on booktok. it drives shauna BONKERS because she’s incapable of getting jackie to read anything she likes.
natalie: i don’t think she’s a reader but if she was she would be a comic girlie. dc > marvel and she gets into fights with van over it regularly.
laura lee: she genuinely really likes theology books and she FOR SURE grew up on american girl and still loves them. she will pick up anything if she hears it’s gay or christian but she has really high standards and she’ll dnf any book that doesn’t meet them.
lottie: she’s an astrology girlie for SURE so i think she reads a lot of books on that to compile as much knowledge as she can (so she can psychoanalyze her friends). i also feel like she was a greek mythology kid so i think she’s read a lot of the original myths and likes a few select retellings (but they’re not the popular ones. she, like laura lee, has really high standards).
van: okay SHE is like definitely a comic girlie for sure. marvel > dc. she’s also just into those classic middle grade books every queer person read as a kid like harry potter and percy jackson and still has a lot of nostalgia for them. oh she was also a warrior cats kid for SURE. lmao.
misty: WARRIOR CATS KID AND IT SCREWED HER UP FOR LIFE. big into harry potter & lord of the rings and also just random niche fantasy series. reads a LOT and she’s active in a lot of fandom circles and she tries to get everyone she talks to into the books she reads.
taissa: def a nonfiction girlie. books on law, books on feminism, books on queer history… van thinks everything she reads is boring as fuck and she thinks everything van reads is stupid. true love 🫶
travis: ough okay i think travis is ALSO a comic girlie. but i think she’s more niche with it. i think she likes like….. umbrella academy type shit idk. and i think as a kid she was into stuff that was “for girls” until her dad bullied it out of her and now she gets really upset when she sees those series / hears someone talk about how they read them.
shauna: CLASSICS. brontë sisters, jane austen, edgar allan poe, emily dickinson…… yeah. she’s SO pretentious about it too she has two copies of each book so she can have a pretty one on her shelf and then a torn up copy that she can write notes in and she’s always carrying books around and reading them in public to show people she’s smart……. yeahhhh.
mari: mari doesn’t read that’s for fucking nerds. (she was a warrior cats kid and she’s obsessed with harry potter, percy jackson, and the lord of the rings. tell anyone and she’ll hurt you badly.)
akilah: rainbow fairies kid!!!!!! doesn’t read as much as she used to; if she does pick up a book it’s gotta be something that really speaks to and connects with her.
48 notes · View notes
lannistertwinz · 9 months
Text
"You loved me then what right had you to leave me?" - the parallels between Jaime/Cersei and Wuthering Heights
"There's a dialogue that goes on through the years and over the centuries where you read someone else's work and you're inspired by it, sometimes infuriated by it, and you say 'No, that's not quite right, here's the way it would be' and then you write your own twist on it, your own answer to it! There is this conscious playing with tropes, replying to other authors and making a reference or an homage in some cases… but there's also unconsciousness. Those are are rife, sometimes you read a book and you haven't looked at it for twenty years, but it's still there buried inside and suddenly someone points out 'this seems just like this' and you go 'Oh my god! It's right, I forgot about that!'. So it works both ways." - George R.R. Martin, Trinity College Dublin
“The first books I read besides comic books were cheap paperbacks which cost 35 cents back then. There were no bookstores in Bayonne so I got my paperbacks from a spinner rack and all the books in that were mixed up. There were science fiction books and fantasy books, which I liked, but there were also mystery novels, romance novels, nurse novels, gothics, spy novels and, of course, there were classics of literature mixed in with that: Shakespeare, Dostoiévski, the Brontë sisters, Jane Austen, etc.” – George R.R. Martin, Gamer’s Haven Podcast
As pointed out above, George has (whether conscious or unconsciously) taken inspiration from other works to create his own characters, and with this post I’d like to explain as to why I believe A Song Of Ice And Fire specifically plays with Heathcliff and Catherine’s relationship from Emily Brontë’s Wuthering Heights through Jaime and Cersei’s dynamic.
To briefly explain it to those who have not read it, Wuthering Heights is essentially the story of Heathcliff’s revenge on the Earnshaws and the Lintons for the discrimination suffered at their hands and their involvement in his estrangement from his friend and lover Catherine Earnshaw (aka Cathy) and, at it’s core, it is a novel about intergenerational abuse and family dysfunction.
Shaped by these circumstances, we have at the forefront of the book the toxic romance between the foster siblings Heathcliff and Catherine who, like Jaime and Cersei, develop a very intimate bond early on in their childhood:
She was much too fond of Heathcliff. The greatest punishment we could invent for her was to keep her separate from him. – Nelly, Chapter V He could never bear to be long apart from his twin. – Jaime, ASOS
‘I was a child; my father was just buried, and my misery arose from the separation that Hindley had ordered between me and Heathcliff. I was laid alone, for the first time; and, rousing from a dismal doze after a night of weeping, I lifted my hand to push the panels aside: it struck the tabletop!’ – Catherine, Chapter XII Though Cersei often slept alone, she had never liked it. Her oldest memories were of sharing a bed with Jaime, when they had still been so young that no one could tell the two of them apart. Later, after they were separated, she'd had a string of bedmaids and companions, most of them girls of an age with her, the daughters of her father's household knights and bannermen. – Cersei, AFFC
We made ourselves as snug as our means allowed in the arch of the dresser. I had just fastened our pinafores together, and hung them up for a curtain, when in comes Joseph, on an errand from the stables. He tears down my handiwork, boxes my ears, and croaks. – Catherine, Chapter III "Sometimes as a lark we would dress in each other's clothes and spend a whole day each as the other." – Cersei, ACOK
I took my dingy volume by the scroop, and hurled it into the dogkennel, vowing I hated a good book. Heathcliff kicked his to the same place. – Catherine, Chapter III The dank and dismal fortnight Cersei spent at Greenstone, the seat of House Estermont, was the longest of her young life. Jaime dubbed the castle "Greenshit" at first sight, and soon had Cersei doing it too. – Cersei, AFFC
Miss Cathy had been sick, and that made her still; she leant against her father’s knee, and Heathcliff was lying on the floor with his head in her lap. – Nelly, Chapter V "Care for a bath, Brienne?" He laughed. "You're a maiden and there's the pool. I'll wash your back." He used to scrub Cersei's back, when they were children together at Casterly Rock. – Jaime, ASOS
Additionally, in both cases, the female characters have, from early on, a clear influence over their male counterparts:
His peevish reproofs wakened in her a naughty delight to provoke him: she was never so happy as when we were all scolding her at once, and she defying us with her bold, saucy look, and her ready words; turning Joseph’s religious curses into ridicule, baiting me, and doing just what her father hated most showing how her pretended insolence, which he thought real, had more power over Heathcliff than his kindness: how the boy would do her bidding in anything, and his only when it suited his own inclination. – Nelly, Chapter V “Father will never consent,” Jaime objected. […] “Is it a rock you want? Or me?” He remembered that night as if it were yesterday. […] By morning Casterly Rock seemed a small price to pay to be near her always. He gave his consent, and Cersei promised to do the rest. – Jaime, ASOS
‘He’s considering he’d rather I’d come to him! Find a way, then! not through that kirkyard. You are slow! Be content, you always followed me!’ – Catherine, Chapter XII She rose, her eyes brimming with tears. “Is it truly you?” She did not come to him, however. She has never come to me, he thought. She has always waited, letting me come to her. – Jaime, ASOS
And there’s an element of adoration as well. In Wuthering Heights, at the end of Heathcliff’s life, Nelly refers to Catherine as his “departed idol” and Heathcliff describes Cathy as “so immeasurably superior to everybody on earth”. On the other hand, in A Song Of Ice And Fire, Jaime puts Cersei on a pedestal as the figure of “The Maiden” and describes Cersei’s flame in his weirwood dream as “the only light in the world”. Furthermore, the two claim to have suffered through hardships solely for the sake of these women and that their love is the ultimate factor that drives them:
‘I’ve fought through a bitter life since I last heard your voice; and you must forgive me, for I struggled only for you!’ – Heathcliff, Chapter X When morning came, he made himself eat. They fed him a mush of oats, horse food, but he forced down every spoon. He ate again at evenfall, and the next day. Live, he told himself harshly, live for Cersei. – Jaime, ASOS
‘Be with me always - take any form - drive me mad! Only do not leave me in this abyss, where I cannot find you!’ – Heathcliff, Chapter XVI Beside Lord Tywin stood his sister, pale and beautiful, a torch burning in her hand. Her torch was the only light in the cavern. She turned to go. “Stay with me,” Jaime pleaded. “Don't leave me here alone. Don't leave me in the dark!” – Jaime, ASOS
However, the most striking similarities arise from the way that Catherine and Cersei perceive their relationships with Heathcliff and Jaime respectively. Catherine, though far from being the worst person out of the cast of characters present in the novel (certainly Hindley and Joseph and even Heathcliff himself are more morally reprehensible), is the one that possesses the most traits stereotypically ascribed to narcissism: she’s very duplicitous and self-absorbed, she has a completely delusional opinion of herself and consistently projects her own flaws onto others, she’s often contemptuous of the weaknesses of those around her, she has a very explosive temper and reacts with aggression when crossed, she flips situations on their head to make herself look like the victim and she certainly sees her relationships as transactional, including her relationship with Heathcliff:
‘And should I always be sitting with you? What good do I get? What do you talk about? You might be dumb, or a baby, for anything you say to amuse me, or for anything you do, either!’ – Catherine, Chapter VIII
It is also frequently mentioned that Catherine enjoys being in control and does not take well to being contradicted:
It was nothing less than murder in her eyes for anyone to presume to stand up and contradict her. – Nelly, Chapter IX Cersei is as gentle as King Maegor, as selfless as Aegon the Unworthy, as wise as Mad Aerys. She never forgets a slight, real or imagined. She takes caution for cowardice and dissent for defiance. – Tyrion, ADWD
I observed that Mr. Edgar had a deep-rooted fear of ruffling her humour. He concealed it from her; but if ever he heard me answer sharply, or saw any other servant grow cloudy at some imperious order of hers, he would show his trouble by a frown of displeasure that never darkened on his own account. He many a time spoke sternly to me about my pertness; and averred that the stab of a knife could not inflict a worse pang than he suffered at seeing his lady vexed. Not to grieve a kind master, I learned to be less touchy; and, for the space of half a year, the gunpowder lay as harmless as sand, because no fire came near to explode it. – Nelly, Chapter X His sister liked to think of herself as Lord Tywin with teats, but she was wrong. Their father had been as relentless and implacable as a glacier, where Cersei was all wildfire, especially when thwarted. – Jaime, AFFC
And this leads to a point of contention when Heathcliff returns a changed man from his time away:
‘Don’t vex me. Why have you disregarded my request?’ – Catherine, Chapter XI Why does he insist on vexing me? – Cersei, AFFC
‘Oh, you see, Nelly, he would not relent a moment to keep me out of the grave. That is how I’m loved!’ – Catherine, Chapter XV “You swore that you would always love me. It is not loving to make me beg.” – Cersei, AFFC
All of this, combined with the particular way in which Catherine describes her feelings for Heathcliff, led critics of the book to accuse Catherine of perceiving and thus loving Heathcliff as an extension of herself. And, surely, most of these things she privately confesses to Nelly could have easily come out of Cersei’s mouth, who has been confirmed by the author to being written as highly narcissistic.
In chapter IX, Catherine says that her love for Heathcliff is a necessity and throughout the series Cersei’s sentiments for Jaime are frequently displayed through that same lens:
The wench had the right of it. He could not die. Cersei was waiting for him. She would have need of him. – Jaime, ASOS They rode hard the next day, at Jaime's insistence. His son was dead, and his sister needed him. – Jaime, ASOS “Jaime, you're my shining knight. You cannot abandon me when I need you most!” – Cersei, ASOS “I need you with me. In me. Please, Jaime. Please.” – Cersei, AFFC “Why would Cersei need the Warrior? She has me.” – Jaime, AFFC She licked her lips, shivering. “Come at once. Help me. Save me. I need you now as I have never needed you before. I love you. I love you. I love you. Come at once.” – Cersei, AFFC Jaime, I need Jaime. – Cersei, ADWD
Of course, in Cersei’s case, she “needs” Jaime because he is, in her mind, the brawn to her brain (“He was meant to be my sword and shield, my strong right arm.”), her protector, her agency in a patriarchal society… but she also needs him because she does not feel like a self-realized autonomous human being without him as she believes her own personhood has been split into two entities. And the same goes for Catherine:
‘I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here?’ – Catherine, Chapter IX “Jaime and I are more than brother and sister. We are one person in two bodies.” – Cersei, AGOT
‘Supposing at twelve years old I had been wrenched from the Heights, and every early association, and my all in all, as Heathcliff was at that time, and been converted at a stroke into Mrs. Linton, the lady of Thrushcross Grange, and the wife of a stranger: an exile, and outcast, thenceforth, from what had been my world. You may fancy a glimpse of the abyss where I grovelled!’ – Catherine, Chapter XII “I was lost without you, Jaime. I was afraid the Starks would send me your head. I could not have borne that. I am not whole without you.” – Cersei, ASOS
In fact, both women go as far as claiming their partners’ identities as their own:
‘Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.’ – Catherine, Chapter IX “You are me, I am you.” – Cersei, AFFC ‘It would degrade me to marry Heathcliff now; so he shall never know how I love him: and that, not because he’s handsome, Nelly, but because he’s more myself than I am.’ – Catherine, Chapter IX
And from this idea of a shared existence and a lack of purpose when apart comes the desire for union in death and the mythologizing of these relationships:
‘If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it.’ – Catherine, Chapter IX “If he were dead, I would know it. We came into this world together, Uncle. He would not go without me.” – Cersei, ADWD ‘She’s dead! I’ve not waited for you to learn that’. – Heathcliff, Chapter XVI
‘We’ve braved its ghosts often together, and dared each other to stand among the graves and ask them to come. But, Heathcliff, if I dare you now, will you venture? If you do, I’ll keep you. I’ll not lie there by myself: they may bury me twelve feet deep, and throw the church down over me, but I won’t rest till you are with me. I never will!’ – Catherine, Chapter XII I cannot die while Cersei lives, he told himself. We will die together as we were born together. – Jaime, ASOS ‘I wish they may shovel in the earth over us both!’ – Heathcliff, Chapter XXIX
What’s interesting about Wuthering Heights, though, is that, other than codependency, there is an inherent selfishness and possessiveness to this. In chapter XV, when Catherine is effectively dying, it is clear that she does not want Heathcliff to outlive her and she’s terrified by the idea of him moving on and finding happiness elsewhere:
‘How strong you are! How many years do you mean to live after I am gone?’ – Catherine, Chapter XV “Will you forget me? Will you be happy when I am in the earth? Will you say twenty years hence, ‘That’s the grave of Catherine Earnshaw? I loved her long ago, and was wretched to lose her; but it is past. I’ve loved many others since: my children are dearer to me than she was; and, at death, I shall not rejoice that I are going to her: I shall be sorry that I must leave them!’ Will you say so, Heathcliff?” – Catherine, Chapter XV
Indeed, Catherine goes as far as telling Heathcliff that she wishes he would just die (and suffer) alongside her:
‘I wish I could hold you till we were both dead! I shouldn’t care what you suffered. I care nothing for your sufferings. Why shouldn’t you suffer? I do!’ – Catherine, Chapter XV ‘I’m not wishing you greater torment than I have, Heathcliff. I only wish us never to be parted.’ – Catherine, Chapter XV
And Cersei does something comparable when she (in her delusion) asks Jaime to be her champion in a mortal combat knowing he is likely to lose for his handicap:
“My queen,” said Qyburn, “have you . . . forgotten? Ser Jaime has no sword hand. If he should champion you and lose . . .” We will leave this world together, as we once came into it. “He will not lose. Not Jaime. Not with my life at stake.” – Cersei, AFFC
Heathcliff and Catherine don’t die together, however, and, despite what happened in Game Of Thrones, I’m still highly sceptical that Jaime and Cersei will die together in the books either. Yet the impression that Wuthering Heights leaves is that the unhealthy nature of Heathcliff and Catherine’s bond is at the root of their own self-destruction and tragic end:
Ere long, I heard the click of the latch, and Catherine flew up-stairs, breathless and wild; too excited to show gladness: indeed, by her face, you would rather have surmised an awful calamity. – Nelly, Chapter X ‘Mrs. Linton is now just recovering,’ I said; ‘she’ll never be like she was, but her life is spared; and if you really have a regard for her, you’ll shun crossing her way again. […] Another encounter between you and the master would kill her altogether.’ – Nelly, Chapter XIV ‘You have killed me and thriven on it, I think.’ -  Catherine, Chapter XV “’Nay, it’s enough that he has murdered one of you,’ I observed aloud. ‘At the Grange, everyone knows your sister would have been living now had it not been for Mr. Heathcliff. After all, it is preferable to be hated than loved by him. When I recollect how happy we were, how happy Catherine was before he came, I’m fit to curse the day.’ Most likely, Heathcliff noticed more the truth of what was said, than the spirit of the person who said it. His attention was roused, I saw, for his eyes rained down tears among the ashes, and he drew his breath in suffocating sighs.” – Isabella, Chapter XVII ‘She might have been living yet, if it had not been for him!’ was his constant bitter reflection; and, in his eyes, Heathcliff seemed a murderer. – Nelly, Chapter XXI
‘I forgive what you have done to me. I love my murderer but yours! How can I?’ – Heathcliff, Chapter XV ‘It was a strange way of killing: not by inches, but by fractions of hairbreadths, to beguile me with the spectre of a hope through eighteen years!’ – Heathcliff, Chapter XXIX
The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, ‘Let me in let me in!’ ‘Who are you?’ I asked, struggling, meanwhile, to disengage myself. ‘Catherine Linton,’ it replied, shiveringly (why did I think of Linton? I had read Earnshaw twenty times for Linton) ‘I’m come home: I’d lost my way on the moor!’ As it spoke, I discerned, obscurely, a child’s face looking through the window. - Mr. Lockwood, Chapter III The following evening was very wet: indeed, it poured down till day-dawn; and, as I took my morning walk round the house, I observed the master’s window swinging open, and the rain driving straight in. […] I peeped in. Mr. Heathcliff was there laid on his back. His eyes met mine so keen and fierce, I started; and then he seemed to smile. I could not think him dead: but his face and throat were washed with rain; the bed-clothes dripped, and he was perfectly still. The lattice, flapping to and fro, had grazed one hand that rested on the sill; no blood trickled from the broken skin, and when I put my fingers to it, I could doubt no more: he was dead and stark! – Nelly, Chapter XXXVI
And I wouldn’t be surprised if A Song Of Ice And Fire were to go in the same direction:
It is raining again, he thought when he saw how wet she was. The water was trickling down her cloak to puddle round her feet. How did she get here? I never heard her enter. She was dressed like a tavern wench in a heavy roughspun cloak, badly dyed in mottled browns and fraying at the hem. A hood concealed her face, but he could see the candles dancing in the green pools of her eyes, and when she moved he knew her. – Jaime, AFFC I thought that I was the Warrior and Cersei was the Maid, but all the time she was the Stranger, hiding her true face from my gaze. – Jaime, AFFC The Stranger represents death and the unknown, and leads the dead to the other world. Whilst referred to as male, he is neither male nor female. The Stranger's face has been described as half-human, concealed beneath a hooded mantle. – A Wiki Of Ice And Fire
“Gold shall be their crowns and gold their shrouds. And when your tears have drowned you, the valonqar shall wrap his hands about your pale white throat and choke the life from you.” – Maggy The Frog, AFFC “Tyrion is the valonqar. Do you use that word in Myr? It's High Valyrian, it means little brother.”  - Cersei, AFFC “He came into this world holding my foot, our old maester said”. – Cersei, AGOT “The Imp is no longer my brother, if he ever was.” – Cersei, AFFC A man stepped into the lantern light, and she saw his cloak was white. “Jaime?” I dreamt of one brother, but the other has come to wake me. – Cersei, AFFC
So, in conclusion, I find it plausible that George might have simply taken the narcissism, the violence and the “twin soul”/“other half” connection present in Wuthering Heights to it’s even more extreme by creating the chaotic mess that is the incestuous relationship between twins who are mirror images of each other... And there's a decent number of parallels to at least make a case for it!
Tag: @faintingheroine
154 notes · View notes
jeremywhitley · 5 months
Text
The Cold Ever After
Hello Tumblr, I have realized that I have been very bad at tumblr because I have a new graphic novel coming out next month! And it's queer fantasy! And I've barely even mentioned it on tumblr! What am I doing?! So, with no more ado: Meet "The Cold Ever After"
Tumblr media
Now, unlike a lot of my books, this one is not for kids. This book has sex, nudity, gore, and violence. And drinking. And witchcraft. Basically everything your grandparents warned you about in comics.
Here's the back cover, it has an explanation of what the book is about and it goes exceptionally hard (I think).
Tumblr media
If you can't read the image or just don't want to, here's a quick breakdown.
Noelani was selected at a young age to be the champion of Patria Lupi. She went through extensive and brutal training to be the knight that her kingdom could send on even the hardest errands. And she was very good at it. So good, in fact, that when she was nineteen she was sent to rescue the Queen-to-be, Isadora, whose castle was attacked by a dragon. She saved the Queen-to-be, but there was one problem: she also fell for her. Hard.
When the royal marriage turned out to be loveless, the queen began a torrid affair with Noelani. Noelani was basically the second parent to the princess for the first several years of her life. Until, one day, the church got wind of the affair and gave the queen the option of being exposed or exiling Noelani.
It's been fifteen years since Noelani was sent away and today the Queen has arrived at her island with a quest she only trusts Noelani with: The princess has gone missing the night before her wedding and if she isn't found in the next seven days, her fiancé is going to burn Patria Lupi to the ground. Only Noelani can save her daughter and find out what's really happening in the kingdom and she's only got seven days to do it. And somehow, she has to avoid being dragged into falling in love with the queen all over again.
I've been calling it a queer Arthurian noir and I can't wait for you all to get a chance to check it out! All likes and reblogs would be very much appreciated!
Here are a few preview pages of the first chapter!
Tumblr media Tumblr media Tumblr media
56 notes · View notes
nightmarerodent · 24 days
Note
What are the kids favourite genre of fiction and/or classical author?
Kung Jin will read anything. He loves books of all kinds. He has a particular fondness for Jane Austin and romance as a whole, though. The spicier the better and he will openly read them out in public. He gets a kick out of the looks passing soccer moms give him.
Jacqui grew up on Lord of The Rings and Harry Potter and loves them with all her being (though she does not agree with things that certain creators of said fantasy believe). She likes the whimsical nature of the genre as a whole. She geeked out the day she learned magic was real.
Takeda reads the newest Stephen King novels the moment they come out. He even has a few signed copies he treasures like gold. He also had a nearly completed collection of Junji Ito’s work. House of Leaves by Mark Z. Danielewski is also a favorite of his because of the slow descent into madness the characters (and maybe even the reader) experience. Horror, specifically cosmic/eldritch horror, is his favorite.
Cassie loves sci-fi and superheroes. Growing up she loved Star Wars and Spider Man and would want to be Batgirl or Harley Quinn for Halloween every year. She still loves the books and comics, but recently she’s been getting into historical fiction.
Frost doesn’t really care for fiction (why get so invested into something that isn’t even real) but she does enjoy true crime. She likes how the author tries to get into the head of the killer, likes reading the ramblings of people society deems monsters. She’ll listen to podcasts too. She’s waiting for the day one of her unsolved murders makes its way onto one.
27 notes · View notes
sketching-shark · 7 months
Note
I was curious to know, is there a specific adaptation of JTTW that you particularly enjoy? Whether its good or accurate isnt important but more like in your personal taste
AUGH going to be honest @seasonalsummers in that I don't feel like I can pick just one...there's so many excellent retellings! But I will take this opportunity to present some of my favorites.
So first up we have the 1986 Journey to the West tv series. It is in many ways very goofy and gaudy, but there's just as many reasons why it's considered one of the best retellings out there, from its genuine heart to the adherence to the og classic. And needless to say its Sun Wukong really set a standard for cheeky scheming monkey behavior. You can start watching it here:
youtube
Next up is 2016s The Monkey King 2. While this film is one of those retellings that gives the White Bone Demon a lot more prominence than she has in the og classic--and definitely has its own silly stupid moments--it also stands as one of the very few retellings that directly addresses the paradox of Tang Sanzang's mission: that he's trying to get the sutras to help mortals achieve a state of peace all while abhorring violence, and yet its only because of the violence of his disciples, especially Sun Wukong, that he's able to right a number of wrongs or simply go from day to day uneaten. You can watch it here:
youtube
And now it's time to give kudos to 2015's Monkey King: Hero Is Back. While this film is FAR from a faithful retelling and (usual refrain) has its own silliness, pretty simple plot, and gross-out humor, it also has so much heart and stands as a wonderful embodiment of the dad Wukong characterization. One also has to give it credit for its main child character, Jiang Liuer, being a genuinely charming kid who's wonder at the world and desire to do good drives the story forward in a sincerely lovely way. You can watch it here:
youtube
More recently--and in a work that is at best only loosely following the plot of Xiyouji--is 2022's Lighting Up the Stars. This film follows the story of a Li Nezha coded little orphan girl Wu Xiaowen and a Sun Wukong coded funeral director Mo Sanmei as they go from a very tense relationship to a genuinely loving father-daughter relationship. While there are moments of this film that feel kind of overwrought, it's an honestly wonderful exploration of what goes into dealing with death and the importance of love in all its many forms during life. I also have a soft spot for Mo Sanmei, who from what I've seen is the very peak of explicitly shitty cringefail loser who then genuinely works hard to become a better person Sun Wukong out there. It can be watched here:
youtube
Turning away from film and animation for a moment, I simply have to give proper kudos to Chaiko Tsai's comic The Monkey King. Between the gorgeous art, fun character designs, a good sense of how to translate many of the stories of Xiyouji into comic format, and a resolution to the Sun Wukong vs. Niu Mowang fight that I actually prefer above that in Journey to the West itself, this is definitely a comic worth going through! You can purchase it here for about $30.00
Tumblr media
And last but certainly not least, one simply has to give due credit to 1964's Uproar in Heaven. It's an absolute gem of stylized Chinese animation, a work with the very rare allowance on the Monkey King getting to go full grandpa for tons upon tons of monkeys at Mt. Huaguoshan, and it's very faithful to the first half of the og classic with the difference that here Sun Wukong does his havoc in heaven and gets away with it. All around its a really fun work to watch and does have a lot of importance from both an animation and a historical perspective. You can watch it here:
youtube
So those are my favorite adaptations of Journey to the West! It's but a fraction of the adaptations out there, but I hope other people found these as fun as I do.
78 notes · View notes
excavatinglizard · 5 months
Text
Tumblr media
✨ Hello all it is that time once again!! ✨
Do you like queer sci-fi and fantasy? Do you see the same books recommended everywhere? After a year I’m back with a collection of strange and sometimes dark books that you may have heard of, but I hope I’ve found a few you haven’t! I’m just chucking these into the void so if you enjoy these recs or have read any, let me know!
Meet Us by the Roaring Sea, Akil Kumarasamy
Honeycomb, Joanne M Harris
Hot Head, Simon Ings
Are You Listening, Tillie Walden
Hell Followed With Us, Andrew Joseph White
Enigma, Peter Milligan and Duncan Fegredo
Ninefox Gambit, Yoon Ha Lee
Salt Slow, Julia Armfield
Never Have I Ever, Isabel Yap
All the Hometowns You Can’t Stay Away From, Izzy Wasserstein
I’ll put the full descriptions below the cut, but as always I’d love to hear if you have any more recommendations!
Meet Us by the Roaring Sea, by Akil Kurasamy
Meet Us by the Roaring Sea by Akil Kumarasamy was one of the strangest books I’ve read this year, but also one of my favourites by far. This is a story within a story, following both the near-future second-person narration of a woman training an AI while grieving her mother, and the lives of a group of Tamil medical students. This is a story about grief and the sensationalization of war and the things we do to live each day—but at its heart, it’s a story about women who love each other in whatever way they can. This book has some of the most gorgeous prose I’ve encountered in a long time, and it’s strange and meandering and contemplative.
Honeycomb, by Joanne M. Harris
Honeycomb by Joanne M. Harris follows the well-trodden path of fairy stories—a child swapped, a woman seeing what she was never meant to and being blinded for it—and slowly expands into an intricate web of stories and characters. Worlds within worlds within stories make up this book, and the illustrations by Charles Vess bring everything to life. The characters in these stories feel ancient in a way I can’t explain, and if you enjoyed the Starless Sea you’ll almost certainly enjoy this.
Are You Listening, by Tillie Walden
Are You listening is a book that I’ve picked up over and over again—it’s a graphic novel which I can finish in one sitting, and each time I have to sit and think and just feel afterwards. This is a story of a girl who’s run away from home, and who encounters another woman heading on her own way. What started as an escape becomes a road trip across Texas full of cats and shifting roads and tiny quiet moments. Strange and dreamlike at times, this book manages to make me cry over each character and their individual stories every time.
Tw for references to SA
Hell Followed With Us
Hell Followed With Us is one of those books that I didn’t realize how hard it was hitting me until I finished and couldn’t function for two hours. This book follows a young man in a world plagued by a disease that makes mindless monsters out of its victims—only he’s been infected by the church he was raised under, and he’s slowly turning into something much worse. Benji tries to escape, but his past isn’t ready to let him go just yet and the infection is only getting worse. The author describes this book as beginning as a ‘fit of rage’, which is truly the only way to describe it. While this is technically a YA book, beware of body horror, transphobia, religious extremism and disease. Somehow this book managed to look inside me and see so many things I’d never been able to put into words, all bundled up in a mass of viscera and grieving boys.
Enigma, by Peter Milligan
I discovered this comic through a newsletter from Charlie Jane Anders, and then proceeded to absolutely lose my mind over it and have to tell everyone I know about it. Enigma is a story about a man stuck in a dead-end job and a dead-end relationship, who suddenly finds that the characters of his favourite childhood superhero comic have come to life. The art style is gorgeous though it changes throughout the book, and Enigma swerves between a vast and bizarre story of gods in wells and far too many lizards, to incredibly intimate moments and interesting characters. Be prepared for body horror and a constant general sense of unease.
Ninefox Gambit, by Yoon Ha Lee
If last year was giving in to reading Gideon, this was my year of going insane over Ninefox Gambit by Yoon Ha Lee (this is sadly the only space opera on this year’s list). Ninefox Gambit has everything I love in science fiction—casually queer characters, intricate universes, strange definitions of self and TRAUMA. Someone please get these two some therapy. When a major position of power is attacked, Kel Cheris finds herself with a promotion to general and the disgraced strategist who massacred his crew inside her head. The thing that stands out to me about Yoon Ha Lee’s work is his characterizations—even the most minor character has quirks to make them feel like a person, which is only stronger in the main characters.
Salt Slow, by Julia Armfield
Saltslow is the first of three anthologies on this list, and it’s the debut collection by Julia Armfield (who wrote Our Wives Under the Sea. For an idea of what you’re getting into). Following the trend of strange and a little dark this year, a lot of these stories border on horror and explore experiences like losing your ability to sleep, shape shifting through puberty and being a roadie to a band that leaves mass violence in its wake. While Our Wives Under the Sea will definitely stay my favourite Julia Armfield book, Saltslow managed to pack a whole lot into such short stories full of queer women and trans feels.
Never Have I Ever, by Isabel Yap
I picked up Never Have I Ever on a whim and I’m so glad I did, since it definitely ranked in my top anthologies of the year. Never Have I Ever is a collection of short stories, often centered around Filipino and Japanese folk lore (although there is one story about a wizard in San Francisco making a love potion, what of it). This collection ranges from funny to sad and explores Filipino culture, the anti-drug campaigns and the horror that is growing up. Often short stories feel unfinished but every part of this collection felt well thought out and polished, plus the cover is gorgeous.
All the Hometowns you Can’t Stay Away From, by Izzy Wasserstein
The final anthology, All The Hometowns You Can’t Stay Away From is mostly sci-fi with a handful of fantasy-leaning stories, though whatever technology there may be takes a back-seat to the characters who stood out as the heart of each piece. Unplaces, a story set up as a researcher’s notes in the margins of an atlas, desperately trying to make the world a better place in whatever way she can, and Everything the Sea Takes, It Returns—a story about living after the end of the world—were the two that really stuck with me. The writing here is perhaps more straightforward than some other entires on the list, but each story is a perfect little piece of character and emotions which truly make an excellent anthology.
Anyway, that’s this year’s list! Go forth and read more strange queer books, and support your local libraries!
50 notes · View notes
celepom · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
For Transgender Day of Remembrance, here’s 10 graphic novels with transgender protagonists, are about gender, or are autobiographies from transgender creators.
Cheer Up: Love and Pompoms by Crystal Frasier & Val Wise
Annie is a smart, antisocial lesbian starting her senior year of high school who’s under pressure to join the cheerleader squad to make friends and round out her college applications. Her former friend BeeBee is a people-pleaser—a trans girl who must keep her parents happy with her grades and social life to keep their support of her transition. Through the rigors of squad training and amped up social pressures (not to mention micro aggressions and other queer youth problems), the two girls rekindle a friendship they thought they’d lost and discover there may be other, sweeter feelings springing up between them.
Blackwater by Jeannette Arroyo & Ren Graham
Tony Price is a popular high school track star and occasional delinquent aching for his dad’s attention and approval. Eli Hirsch is a quiet boy with a chronic autoimmune disorder that has ravaged his health and social life. What happens when these two become unlikely friends (and a whole lot more . . .) in the spooky town of Blackwater, Maine? Werewolf curses, unsavory interactions with the quarterback of the football team, a ghostly fisherman haunting the harbor, and tons of high school drama.
The Bride Was a Boy by Chii
The heartwarming transgender love story, based on true events! Drawn in the style of diary comics with an upbeat, adorable flair, this is a charming tale about Chii, a woman assigned male at birth. Her story starts with her childhood and follows the ups and downs of exploring her sexuality, gender, and transition--as well as falling in love with a man who’s head over heels for her. Now they want to get married, so Chii’s about to embark on a new adventure: becoming a bride!
Love Me for Who I Am by Kata Konayama
Non-Binary Maid Reporting for Duty! Mogumo is a cute but lonely non-binary high school student who just wants a few loving friends. As someone who doesn’t identify as a boy or a girl, however, finding people who really understand can be a big challenge. When fellow student Iwaoka Tetsu invites Mogumo to work at an untraditional maid café, Mogumo is hopeful that things are looking up. Will they finally find friends to call their own―or just more misunderstanding?
Super Late Bloomer: My Early Days in Transition by Julia Kaye
A highly personal collection documenting the early months of artist Julia Kaye’s gender transition. Instead of a traditional written diary, Julia Kaye has always turned to art as a means of self-reflection. So when she began her gender transition in 2016, she decided to use her popular webcomic, Up and Out, to process her journey and help others with similar struggles realize they weren’t alone. Julia’s poignant, relatable comics honestly depict her personal ups and downs while dealing with the various issues involved in transitioning—from struggling with self-acceptance and challenging societal expectations, to moments of self-love and joy. Super Late Bloomer both educates and inspires, as Julia faces her difficulties head-on and commits to being wholly, authentically who she was always meant to be
Magical Boy by The Kao
A breathtakingly imaginative fantasy series starring Max—a high schooler chosen to become the next "Magical Girl." There's just one catch . . . he's a trans boy! Although he was assigned female at birth, Max is your average trans man trying to get through high school as himself. But on top of classes, crushes, and coming out, Max's life is turned upside down when his mom reveals an eons old family secret: he's descended from a long line of Magical Girls tasked with defending humanity from a dark, ancient evil! With a sassy feline sidekick and loyal gang of friends by his side, can Max take on his destiny, save the world, and become the next Magical Boy? A hilarious and heartfelt riff on the magical girl genre made popular by teen manga series, Magical Boy is a one-of-a-kind fantasy series that comic readers of all ages will love.
Welcome to St. Hell: My Trans Teen Misadventure by Lewis Hancox
A groundbreaking memoir about being a trans teen, in the vein of FUN HOME and FLAMER... and at the same time entirely its own. Lewis has a few things to say to his younger teen self. He knows she hates her body. He knows she's confused about who to snog. He knows she's really a he and will ultimately realize this... but she's going to go through a whole lot of mess (some of it funny, some of it not funny at all) to get to that point. Lewis is trying to tell her this... but she's refusing to listen.
X-Gender, Vol. 1 by Asuka Miyazaki
An autobiographical diary/essay manga about finding love in Japan as an X-gender person. At 33 years old, Asuka Miyazaki realizes that they like women! Asuka, however, is neither a woman nor a man--instead, they're X-gender, which is a non-binary identity. Follow Asuka through the pages of this autobiographical manga as they record the ins and outs of their journey to finding love with a woman.
Girl Haven by Lilah Sturges & Meaghan Carter Three years ago, Ash's mom, Kristin, left home and never came back. Now, Ash lives in the house where Kristin grew up. All of her things are there. Her old room, her old clothes, and the shed, where she spent her childhood creating a fantasy world called Koretris. Ash knows all about Koretris: how it's a haven for girls, with no men or boys allowed, and filled with fanciful landscapes and creatures. When Ash's friends decide to try going to Koretris, using one of Kristin's spellbooks, Ash doesn't think anything will happen. But the spell works, and Ash discovers that the world Kristin created is actually a real place, with real inhabitants and very real danger. But if Koretris is real, why is Ash there? Everyone has always called Ash a boy. Ash uses he/him pronouns. Shouldn't the spell have kept Ash out? And what does it mean if it let Ash in?
DeadEndia: The Watcher's Test by Hamish Steel
Barney and his best friend Norma are just trying to get by and keep their jobs, but working at the Dead End theme park also means battling demonic forces, time traveling wizards, and scariest of all--their love lives! Follow the lives of this diverse group of employees of a haunted house, which may or may not also serve as a portal to hell, in this hilarious and moving graphic novel, complete with talking pugs, vengeful ghosts and LBGTQIA love!
506 notes · View notes
fumifooms · 30 days
Note
You're always so on point with your posts. On that note, it made me realize that; Considering the themes of desires in DunMeshi. It's also to say that what you think you want isn't what you actually want.
Like, Marcille thinks she wants the handsome prince from the novels she reads... But what she actually wants is someone maybe more like her father who she admired so much. Kind, virtuous, caring to a fault, a family man. Things she later finds in Chilchuck.
Because as traumatizing as it was to see her mother's spiral after her father's death; Her memories of her father itself are some of the most important to her. And it fits with her pursuit to increase her loved ones' lives, because she does want what her mother and father had.
Sipping. I do go over ‘what you think you want vs what you actually want + what you need’ in my (upcoming) Marcille & Chil arc analysis ;) It’s a part of Dunmeshi that I really like and is super fascinating, I’d honestly like to make an analysis-post on the topic: all the different threads and characters in canon that reflect that, desires vs wants and themes of idealization in Dunmeshi, but it’s one of those things that’s just so huge to make. See this is the freaking problem with doing Dunmeshi meta you start talking about the themes or a narrative and everything is so interwoven you get distracted with tangents BUT IT’S ALL COMPELLING AND RELEVANT
I know that’s something laimar does a lot too, the dad thing, with Marcille in a post-canon comic knitting beside him paralleling her parents and whatnot. I don’t know if I fully agree on the angle but there’s definitely stuff to dig at there…
Like I know that I’d like to analyze Marcille’s succubus more, it comes up in my analysis draft but it’s not the point I’m trying to make there so I focus on other stuff but… I always saw the focus of Marcille’s succubus as that she sought out an emotional connection most of all, it’s romantic and courtly in nature but more importantly there’s personality and behavior there and it’s a character she already loves and knows deeply from having read the series, so it’s not like Chil where it’s just a pretty face whose identity doesn’t matter. A friend of mine though, @room-surprise, goes with the angle that it shows she isn’t ready for a relationship and that the appeal is very self-centered, and I def think compelling points are made…
Tumblr media Tumblr media Tumblr media
Point I was trying to make, the succubus is definitely at the crux of figuring what it is Marcille wants and craves in someone I’d say, where she’s emotionally at wether consciously or subconsciously, or how she sees herself being involved in romance at least… It’s true Marcille is enthusiastic about romance, but always someone else’s, never hers, and she seems unwilling to examine her own relationships with people. She oversteps boundaries either obliviously or carelessly and doesn’t like change…
And then there’s how complex people’s relationship to fiction can be on top of that and graaaaah
Edit in bc I forgot I wanted to mention this like an idiot: OH and I do think the Daltian Clan serves a role in the general tapestry of Dunmeshi as well, sometimes in in depth ways that Room-Surprise will tackle in their research paper way better than me I’m sure. My understanding of the importance of general Hagreus in a more general narrative sense is that he reinforces the theme of idealization/fantasy vs reality that’s super present through the manga. Beyond just Marcille’s arc and his importance to her he’s designed uncannily close to Mithrun, it parallels real elves and their very flawed military system and the broken people it cultivates vs the romanticized elves put on an aesthetic pedestral in novels, especially considering it’s "general" Hareus
Tumblr media
To give some previews of the analysis wip: Thus the succubus targets Marcille’s wish for a perfect knight who could cherish her forevermore, someone safe and known and fantastical, just hers in a way, free to see and construct however she wants because he’s a character to interpret Dungeon Meshi is in part about resisting desires, the irrational cravings, mostly through the character of the demon. I mentioned needs earlier, and to ideals vs wants we also add vs needs, both emotional and physical. And needs alongside wants are what Dungeon Meshi wishes to promote for a healthier person. Dungeon Meshi illustrates very well with the dungeon lords that you can be a slave to your desires. Dunmeshi prones the important of balance for both a healthy body and a healthy mind, and the arc of optimism vs pessimism with Marcille & Chilchuck is one such case <3
Ouuuugh how flawed relationships with flawed people can still be made into somehing good and healthy that make the world brighter…
We’ve gone far from the topic of how her family shaped what she seeks in relationships haha, I think you put it well already though I don’t have much to add on that front Edit in 2: SIKE! I’ll add that there’s an interesting thread in the manga of Marcille maturing and becoming more like her mother, which would be interesting and fun to pair with the fatherhood of Chil. Because Marcille is sometimes a mother figure as well: she’s the mom friend. I go over it here, and since when I made that post I’ve seen more interesting analysis on the topic too, like noticing she hides behind her mother’s portrait in the nightmare chapter, perhaps the inspiration behind her more mature reserved academic persona she sometimes has. Her parents are def important to her so it’s interesting to see how all the dynamics and her own psychology fit into that….
Tumblr media
But yeah I think what she (thinks she) wants out of romance has a lot of layers, both conscious and subconscious… I haven’t gone into the bigger picture of how fiction affects her relationships here but it’s the central topic of my Marcille & Chil arc analysis so. She idealizes the trope of the prince charming and finds it attractive but is that what she would actually latch onto… Is it fully superficial, is it more about herself than it is about her potential partner... Is it mainly because she wants to get validation, from being special that she typically gets from high academic performance… We do see she can be rather insecure and worried about others’ perspective of her, that they think she’s not useful or capable enough, especially in the mandrake chapter… Unconditional love perhaps
What is your emotional landscape Marcille. How emotionally intelligent are you. I don’t think she knows what she wants romantically. I think she has a job so she don’t really care about that rn I’m just not sure if we can figure out what she ~actually~ wants on her behalf that might be too many levels of interpretation but idk idk, thinking on it still
51 notes · View notes