#she doesn't get any closure

[quietwingsinthesky]

Hiiiii! So, a few days ago you were talking about the whole thing with Amy, Rory, and River. And when I saw those posts a thought arose in my head and I wish to share it with you.

Since River grew up with Amy and Rory as Mels. And Mels was Amy's best friend do you think that they ever talked about children? Since I know that it can come up when talking with friends, and like... do you think that Amy might've ever expressed whether or not she wanted children?

And if she didn't, that Mels would've had to listen to her mother say that she doesn't want children? The idea is so heartbreaking and sooo interesting.

What do you think about it?

no, no, see, you're so right and this drives me wild.

because, the way i see it, i don't think amy wanted children. she's somewhere on the 'hasn't thought about it' to 'vaguely negative feelings about it happening' range to me, which falls sharply into 'Not Happening Ever Again' post-s6. (specifically, in terms of having a kid herself, even if she could, i really don't think she would. i do love that she and rory end up adopting a kid later, because that does make sense, for amy pond who grew up alone in one universe with her family swallowed by cracks in time before the doctor helped her set it right again, for her to want to make sure another child won't be alone in the world like she was. getting off-track here.)

and that's so. because the first real memory river/mels has of amy is of amy shooting at her. and depending on how well the silence fucked up the rest of her memory, it might be one of the very first memories she has at all. that's how she met her mother, crying for help and getting a bullet instead. her mother tried to kill her, so of course, you have to think. she must have needed to hear that she was wanted, right? even if she was taken away, even if amy shot her, at some point, melody must have been wanted?

river is good at getting people to do what she wants, but she is very, very bad at subtlety. and mels is younger, has less practice, so when she wants to know this, she's just going to ask. blunt and quick, easy enough because amy's used to the way mels will open her mouth and you just have to be ready to roll with what comes out if you want to keep up. it's why they're such good friends (like mother, like daughter.)

they're nine, and mels asks if amy wants kids, and amy wrinkles up her nose and says she won't have time for children, obviously, once her raggedy doctor finally comes back. they're fifteen, and amy and rory dance will they-won't they in a way that makes mels twitchy to watch, and taunting amy about wanting to have rory's babies is a good way to get on her nerves. but amy calls her gross, tells her she's got more life planned than children would leave room for, and besides, imagine her, a mom? it'd be a disaster.

mels does. a lot. she looks at her mother and just sees her best friend instead. she's not even sure what she wishes was there, but. maybe amy's right. and besides. imagine her, a daughter, instead of the ticking time bomb she really is? it'd be a disaster.

they're sixteen, seventeen, eighteen, and on. mels stands on the outside of a love story that births a universe. and her. how do you compete with that? not that she would know, not yet, she hasn't been there. but it doesn't make her feel any less alienated when amy and rory talk in whispers about a half-remembered world that's bled through to this life, about roman soldiers and boxes and the big bang of belief.

all these memories, they never mention children. on amy's wedding day, she's different, not like someone remembering a dream but someone who lived it. rory stands straighter, won't leave her side, and they're both so much older than they were yesterday. maybe now, right? a wedding's as good a time as any to decide you want kids.

mels not being at amy & rory's wedding is such an obvious lazy way of them trying to explain why they totally didn't just throw this plot twist together at the last minute that i'm not even going to acknowledge it. of course she was at their wedding. she's their best friend. there's too many people around the doctor, and she wasn't ready today of all days, so despite this horrible burning need under her skin to strike, she stays her hand. doesn't let him dance with her because she might just tear his throat out if he gets too close. stays with amy and rory as the maid of honor should. she must have been there for the awkward questions that always gets asked, 'so, any plans for a baby?' 'when am i getting grandkids?' 'oh, you two are going to have gorgeous children together.' standing a few feet from amy in her wedding dress and watching her mother tense and grit her teeth and brush off the questions. watching her look nervously at rory but never ask if he means it when his mom asks him if he'd prefer a son or a daughter, and rory answers 'either one, some day, not anytime soon.'

god i'm just going on and on, aren't i. but really, what's it like to know that amy never changed her mind. the next time she sees them, she's already been born and stolen. i don't like let's kill hitler for. so many reasons. but there is something compelling about how recklessly river lashes out at the world, at the doctor. even her sacrifice at the end is almost suicidal, throwing all her regenerations into this man without knowing if that will even work or if it might kill her to do it. but it makes more sense in the context of someone who has reached the end of a long, long wait for some kind of indication, any kind, that her mother wanted to have her. and finally been told, no. she didn't choose melody.

#like. to be clear also: i don't think the fact that amy didn't want kids and really didn't have a choice in giving birth to river #means that she wouldn't love river. i think it would make their relationship Complicated but i do think amy loves her. so much. #that's her daughter but it's also her best friend. #but like. god. to spend your whole childhood hoping you'll hear about some little glimmer of yourself. #a dream. a passing mention. a debate on baby names. anything. and to hear nothing. #and river is. like. she is really really bad at relationships right? we know this. #the person she's closest to is the doctor and she spends most of her life believing *he doesn't even love her*. #we're talking about someone whose base assumption about everyone is that they will try to hurt her at some point so she should always keep #one hand armed. #and her mother. didn't choose to have her. didn't have that choice. that has to fuck her up a little. #(and also serve as proof that river is. so so bad at knowing when she is loved. because maybe amy didn't choose to have her but she named #melody pond after mels her best friend. she has been choosing river every day for the past however many years since mels decided to come #here and be near her mom and dad even if only as kids. but river still can't see it. #and. given the nature of how the ponds disappear from her life. and we never get any closure about them and river. #you have to wonder if she ever did. river song do you know your mother loves you? #having the melody-as-river reveal be so close to the end of the season and then getting rid of amy & rory before they can actually do #anything with the three of them as a messed up little family unit is the show's biggest crime. because i don't know! i don't know if river #knew her parents loved her! i don't know if she *ever* came to terms with how she was born and how they didn't need to choose her then to #choose her now! i don't know if river ever really felt comfortable thinking of them as her parents rather than her friends? #according to the transcripts. river calls amy 'mother' twice. (and 'mummy' once jokingly.) she calls rory 'father' once. and 'dad' in angel #in manhattan. and it just. it drives insane right? it's almost weirdly formal. like the words aren't right but she knows she should say the #and. and. i don't think i'm ever going to get over river song. #i think that's the takeaway here. #ask #doctor who #river song #amy pond #rory williams

[izzy-b-hands]

today should be a t break day

bc I'll need it to be more effective in the coming days if we see family, and then I'll have the survey shifts

but since late last night i keep randomly nearly breaking into tears and thinking abt the stupidest shit that needs to stay in the box in my brain

so idk. maybe it will be. it is thus far. but I'm not leaving my room without a container of some edible or another in my pocket either

#text post #no idea where the fuck this came from and it kept me up until fucking four in the fucking morning #but only NEARLY crying my body/brain still won't let me FULLY cry #and i did email my prior doc with a 'can i ask u just abt this one current symptom and if it is abt what i think & ill send u 20 bucks even' #she said no to the twenty bucks but said yeah it does sound like my ptsd has been triggered by multiple things over the last year #and the not being able to cry is a part of it. my body's trying to protect me from feeling anything abt it and breaking down #and part of that means not letting the tears fall so there's no physical acknowledgement of any feelings #which is what i was thinking was going on but it's nice to confirm it with someone who knows their shit #doesn't fix it but at least i know. #the thing is that the triggers are like. good? bc im in a healthier safer environment now with ppl that don't do what my mum & fam do to me #but it means my brain is learning just how much of a lot of it Wasn't Normal and was actually Pretty Harmful and that's. #i want my brain to just accept and get over that already tbh. okay so that's the case it doesn't change anything???? #why are we still thinking abt it and having feelings over it at this point bc that feels like a waste of time #there are no apologies I'll get for things that happened from when i was younger and there's no closure it just Is What It Is #I'm tired of even wanting to cry over it when I'd rather be throwing myself into making money & being productive art-wise #it manages to interrupt so many fucking facets of my life like #whatever. anyway considering a music au new draft where ed and izzy meet seth. and immediately offer to kill him for Pickles aksnsjfnfgj

[dramarants]

going through the 20th century girl tag to move on and appreciate all the great moments only to find out ppl would rather yijin died than not end up with heedo

#20th century girl #twenty five twenty one #20th century girl spoilers #spoilers #maybe I'm in a weird mood but I can't scroll any more asldkfj #I get why ppl say the movie did it better: pacing + showing aftermath + believable #even though the sadder ending was a surprise they set us up for it and have proper closure to the characters #and while I still have some gripes (what happened to the brother how did woonho diedoes the squad not stay in touch where are they all now) #overall it was solid #but idk if 25 21 pulled a 'he died' I'd be so pissed - it's lazy and thoughtless and not marrying your first love is realistic #their final scenes together were soooo good it's just the reason for parting was unbelievable & present day scenes left us with more qs #but to be like 'yijin and heedo were soulmates and their breakup is unthinkable so... #'instead of growing and moving ahead after all his struggles to establish himself and support his family he should just DIE' #like this 20th c girl ending is so much more heartbreaking imo sldkfjasdlldgfkj #watching him smile at sunrise all hopeful for a future with you he'll never have 22 years later is SO MUCH WORSE #idk I'm glad bora is shown smiling and cherishing what they had rather than mourning (tho she has every right too) but it still doesn't... #...feel like closure to me. but there really is no good parting when it comes to death huh #show me people can treasure their youth and still find happiness and fulfillment in unexpected ways down the line!! #there's a beautiful piece of 90s nostalgia media still waiting in the wings for us I just know it #just don't know how much I can take my heart being ripped to shreds in the meantime 😅 #ranting

[theophagie-remade]

Being angry at someone and carrying all that anger and frustration with you every day and that person not even knowing because they never registered what they did or said to you as wrong or impactful and not getting why you're the way that you are with them is the worst

#cringe oversharing during Thee locura week... whatever. #(--_--) #mytext #like. there are some days when i just can't bear to look at my mother. i look at her and think back about everything and just wish that #i. idk. could shout at her and have her think about it all but i just know that she doesn't even remember any of it. only i do. #and the thing is. i learned to kind of cope with myself and one day hopefully i'll get to work through some things with a professional #but i just will never have closure with her. never. it's just something that i'll have to live with #but it's so frustrating and unfair. i don't think this feeling will ever go away #and it's Bad because there's also that. voice in my head telling me that it wasn't that bad because there's worse. there's way worse. #and wouldn't she remember at least some of it if it actually was bad? but like. on a rational level. i *know* that it Was bad. #but i'm still very hesitant to call it anything but that despite the Effects that it had. which also applies to pretty much everything else #that happened when i was little. :/ #there are two wolves inside you no kid should go through that etc etc vs it's not like they beat you or anything You are whiny

[lord-radish]

So it turns out that 8 seasons of The Blacklist is bordering on too much. Not because I don't still enjoy it, but because it's got a relentless myth arc that doesn't have nearly enough resolution the longer it goes on.

I think there's a trope on TV Tropes called the Chris Carter Effect, named after the showrunner of the X-Files, where a show will keep adding onto its myth arc until the show implodes and people stop watching because they don't care what the mystery is any more. It took one turn too many, kept people on the hook for so long that they ate through the bait and decided they didn't want to be reeled in.

For the most part, I think shows that do this aren't wholly planned out. I think Lost was a big example of this in the 2000's, it was written as it was being filmed and the ending disappointed because they couldn't possibly resolve everything in a way that made sense - it was never written to make sense. From what I hear, the X-Files pulled the same move of building up this myth arc even when it was revived. Some shows thrive on that "down the rabbit hole" feeling without actually having an endgame.

I don't think The Blacklist is that kind of show. It is absolutely a "rabbit hole" type show, it's a conspiracy thriller - what I mean is that I think it has an endgame that it's had set in stone since at LEAST season four. The issue is that it just isn't giving up the goods, and the conflict is now being built on top of that tension instead of resolving the tension. It's beginning to get frustrating.

#the blacklist #mind you I still like the show #and also frankly? I like what they're doing with elizabeth keen. haters fuck off #I'm at the point where seasons 1 and 4 are my favorite seasons. season 6 marked a significant decline imo #some of that is because of keen. some of it is because of reddington. I'm firmly on keen's side in that she's been drawn into this mess #and she hasn't had any agency or any relief from this waking nightmare that the past 8 years of her life has been #people on imdb are going 'shes the worst part of the show just kill her already' and it's so annoying #like she's a flip-flopping primetime TV protagonist. it comes with the territory y'know. she does her job as a character and it's fine imo #that's the worst part of the viewing experience so far - this fanbase that's frothing at the mouth insisting she's the worst part #I'm not entirely happy with her character arc either but the hate is just really shitty #ultimately the way the show handles her character can be poor #lots of character shilling while a list of her manipulating and hurting everyone else keeps adding up. that's a bit frustrating #that being said - as a relative civilian being groomed into the criminal lifestyle by a person who's clearly close to her #but never actually discloses his relationship to her? who is proven to be so deceitful past a certain point #that she can't even trust him after what he had her believe? #and trust me I know what the big fan theory about that is. the reason I'm watching the show is because of that. and I'm loving it #but elizabeth keen doesn't know that. and she's turning to extreme measures just to find closure for a mystery that reddington opened up #just by stepping into her life without telling her why. I 100% side with keen even if her character can be wonky #and her methods aren't great. I totally get why she's like this. and I don't like how other people react to her showing up for 2 minutes #by docking review points for the episode and saying they should kill her off. I'm really getting sick of that

[yappacadaver]

i need his cringe ass so fucking bad

#i love a game with 6 official endings and 2 game over states and all of these but one involve raymond being cringe #the only ending where he's not being cringe is the one where he straight up is not in the scene #honestly.... kinda interested in how post ending 5 played out like. rebecca would have to eventually wake up in the mortuary #would she tell raymond about her conversation with her dad? i doubt it. #did raymond ever have a closure ending? cause he sure doesn't act like it lmao #and like was that even really rebecca's dad like why (in demon lore reasons) did he show up then #maybe it was a dream maybe it was real. most likely we'll never get confirmation either way #but like damn either the demon's banishment allows for the living and the dead to connect for a bit or rebecca's just super special/dreamin #i guess raymond's situation kinda prevents him from gaining closure since his mom is still alive/undead tho idk if he needs it with #someone else like his own dad. no idea where his dad's at. could be dead could be he was never in the picture (my personal preference) #journal says maria was still alive last he saw her so the only closure he could get there is in the alive world lol #again doubt he's getting any there's just no way that relationship ended well lmao #whatever. still gonna gargle his nuts #normalposting

[cacaitos]

the weirdest thing to me is that the highschool swimming competition/aoi beating jun beinf portrayed to like traumatic extents to jun is like a surprisingly recurrent, consistent and relevant thing relative to the yk, Going To Dante's Inferno and Saving The World From Pandaemonium scales of stakes, but kurosaki herself is very sidelined lol

#txt #aoi is fr the only character jun is consistently and obviously uncomfortable with like no other #like okay even if it was a demon posession against her will aoi still technically tried to kill/SA jun so shes is in her place to not be #very sociable to her even if she isn't holding too deep a grudge abt that. but you can tell a lot of #that a lot of it it's still abt the hs competition thing even so long into the story. #like on a grander scale it's a little silly to get PTSD over a hs swimming competition but considering #it that was a passion for her and a very possible career choice that she had to abandon so like im not #gonna taunt that a lot. so like yeah i get that it's very relevant to jun. #but oddly enough as i said aoi herself doesn't directly have so much of a presence or relationship of any kind on #foot with jun. even though on her side jun not only as rivals but through admiration etc is v important to her #but they don't really interact much so that's very weird? it doesn't get closure either #yes many other things in the ending dont do either but im biased there was potential here tsk

[intersexdabi]

some of these dabi analyzers need to seek out the real world

#saw someone say something so wholly stupid i wanted to die #specifically about the scene between rei and touya when she's trying to convince touya to change his trajectory #something about how this shouldn't be on touya to figure things out since enji is the parent #and it's just a bunch of garbage. talking a lot but saying nothing #abusive parents just sometimes are not capable of giving the love or care that a child requires #and it's not fair but those children will have to learn to deal with that #that's reality. sorry. #and from everything we've seen endeavor is NOT capable of changing in even the slightest #he is incapable of loving touya based on everything we've seen. #any minute change he has made is far FAR too little far too late #and ''fair'' or not that's just something the rest of the family is going to have to deal with. #touya doesn't need endeavor to receive closure or begin healing. #''but that isn't touya's responsibility'' is meaningless #in the context of rei's advice because while i'm not saying she said all the right things #she's working with what she's got. and what she's got is an abusive piece of shit whose abuse is getting worse #and has refused attempts from her and touya to change his behavior #do you expect her to pull a jedi mind trick? #perhaps talk with enji (again) because surely this time he'll see the error of his ways? #what other choice does she have but to try and coax touya into realizing that he doesn't need endeavor to have a purpose #or find happiness and peace with his life? #but i'll be good and not start drama with these big blogs who put post the coldest fucking takes on this site #good fucking god help me

[kraniumet]

*remembers mari makinami* oooops it seems i forgot to take my pills that makes me forget mari makinami *forgets mari makinami*

#😌 #also forgets gendo not taking yuis surename. and misato not shooting kaji <3 #thing is i do not even dislike mari as a character it's just. so clear that nobody really knew what to do woth her. #the only character in the cast she has any sort of relationship with is asuka and that doesn't really get any closure either

[ew-selfish-art]

Dpx Dc AU: Ectoplasm is required for Ghosts to be visible to the human eye- And Danny creates his own ectoplasm.

Danny is visiting Jazz in Gotham and its weird how friendly everyone is. Like, the city gets a really bad rapport, everywhere he goes there is someone trying to strike up a conversation or answer his questions about getting around to the tourist spots. A few people even pointed out restaurants and ways to find off the beaten path gems! Jazz seems to role her eyes at him, but when he brings up her 'roommate' being kind of cute she flat out laughs.

Danny then comes to understand the Jazz doesn't have a roommate and that Ghosts in Gotham don't move far from their haunts- He's just been inadvertently turning these undead folks visible by accident of generating abnormal amounts of ectoplasm.

Which, is comforting in a way, he's never walking this dangerous city alone and really, most of the ghosts have been really friendly! They disappear once he's a few blocks away from them anyway.

---

Tim Drake is having a horrible day.

He'd been given intel that one of Black Mask's guys was going to snitch but that he'd died before given the opportunity to reach out to the GCPD. He tracks down the guy's last know whereabouts and yikes. Its next to the Theater. Tim was often grateful for his childhood obsessions, this time it backfired.

Tim and Bruce get into an argument about trust and respect and, worst of all, mental health. And even though Tim was vehemently against Batman accompanying Red Robin to the alleyway - that's exactly what happens.

They arrive and Bruce is closing up faster than a clam in the contaminated Gotham Bay- Clearly being in the Alley bothers him. No fucking shit. RR gets started on collecting evidence, there are a few extra blood splatters and a single left shoe... When a kid walks into the Alley.

"Uh, sorry to intrude-" The kid looks scared shitless, and runs away. And then, all of a sudden, Batman and Robin aren't alone in the Alley.

Tim can hardly believe his eyes as the dead man appears and quickly blabs Black Mask's bank passwords and what the plan had been- and While he's over joyed to have that closure, he turns around to Batman weeping in the arms of his parents.

The ghosts fade, and the emotions are certainly charged as this was never something Bruce or Tim would have ever dreamed of happening. Ghosts in Gotham. Talking, floating, granting closure.

"RR, Bats, come in." Oracle calls into their ears.

"Reporting in, but, uh, we need a minute."

"A minute? We have a case on 4th and-"

"O, we just saw the ghosts of the Waynes. It's going to be a minute."

"...Lots of Ghost reports lately then. Any chance you saw a kid looking like he could be adopted?"

"Yeah, actually, black hair and blue eyes. He was super polite before he ran away."

"We have work to do. Oracle, lets prioritize finding our person of interest and divert Nightwing and Robin to the case on 4th." Batman cut between them on the comms and he sounded... calmer than either of them anticipated.

---

Jazz is no longer laughing when Batman appears at her door explaining that he's looking for Danny (Who already flew away from town to get a good night's sleep before class on Monday). Turns out Danny reunited the man with his dead parents just briefly- and then the second guy appears and mentions how Danny had also given a guy who'd been murdered by a Mob enough time to explain the ongoing threats the city faced.

Jazz just rolls her eyes and says that it's not like the ghosts are going anywhere anytime soon and Danny will visit in another month. When pressed, she just explains that her brother is a weirdo. No of course he doesn't have powers. Gaslight and Girlbosses her way out.

And Jazz thinks that the game is up for at least another month, obviously when Danny visits more shit will stir up, but then this new guy appears.

Unlike the other Bats who are keen on watching her from a distance, the Red Hood knocks on her door. Are her eyebrows all the way into her hairline when Red Hood asks her to send his thanks along to Danny because somehow this whole situation led to his Dad expressing remorse for his actions and apologizing? Yes, yes they are.

But Jazz can smell Dissertation Data off of these vigilantes- Who is she to send them away? Jazz welcomes Red Hood into her place for a cup of tea and a small chat.

The story then devolves into Jazz getting shit done, Danny being cute by proximity and also bringing ghosts to the party, and the Bats having trauma resolve between them.

#dcxdp #dpxdc #dc x dp #dp x dc #danny phantom #dc crossover #dp crossover #long post #danny can make ghosts appear like they do in amity but only for a short while and when in proximity to him #its not apparent in amity because the ghosts are just like that there #Danny just having a good time #Danny having zero brain cells about this whole thing and neither he nor jazz will offer explanations #they're just like 'gotham has ghosts. its not like he put them there' #Bruce getting into therapy because his dead parents said they were proud of him and he didnt know how to handle that #bruce having to turn this energy around somehow and seeing jason - my boy i love you so much and im so sorry and im so proud of you #heres the thing i dont know how i made it anger management ship at the end but i sure as fuck did. #jason is at a lack of words at bruce's confessions of pride and love but is also about to be a BAT about this and track down info #info in the form of a cute girl #oh yeah she has a brother #uh well #he has brothers too- this is fine #someone write this fic pls n thx u

[seph-ic]

My favorite thing ever?

Nico has a service dog 

Because after Mr. D diagnoses him with PTSD he feels kind of hopeless and overwhelmed (especially after her hears that it can’t be easily fixed with magic or anything) 

So Mr D. Suggests that he get a service animal. 

Nico argues that animals hate him because he ‘smells like death’. Mr. D Points out that Mrs O’Leary doesn’t hate him. 

They both go talk to Hades who jumps at the excuse to win back his son by buying him more stuff. 

The dog ends up being a hellhound mix (don’t ask how.) 

The mix is mostly so she is a bit smaller for convenience (so she can fit in places.)

I'd assume she looks something like a Burmese mountain dog mix.

Her names Penelope (Penny) and Nico loves her. 

Nico and Her spend a couple of months doing service dog training with Artemis and the hunters (dogs are one of her patron animals.)

the time he spends with them also gives him a bit of closure and helps him process what happened to his sister.

soon enough she's graduated their honorary service dog school and is fully trained.

She goes with Nico everywhere. Since she is half hellhound she can assist with shadow travel and make it easier for Nico. (To Wills relief) 

She helps Nico with panic attacks and nightmares. 

She grabs things for him (KitKats, sword, water, pillows.) 

she can even open the fridge in the big house.

If Nico is having a really bad episode or a flashback he can’t come out of or if he’s in any physical danger, she knows to go get Will Chiron or MR D. In a heartbeat. 

Again a shadow traveling dog being useful.

Will makes extra sure that everyone at camp is aware of how service animals work. 

He teaches all the campers about what Penny's job is and why they’re not allowed to distract her.

On occasion when she isn't working she'll play fetch or get pets from some of the kids. 

All Nicos freind's and family love her.

Like everyone wants to be a part of this dogs life, Nico has literally never been more popular.

Hazel buys her a sweater for the holidays.

Rachel helps Nico also dye part of her tail at one point (to keep her identifiable) and they give it a cool design.

Annabeth asks if she can make her a cool dog house.

Piper insists that they take her to the groomer and buys her little bandannas.

Percy helps Nico teach her how to swim.

She will also grabs medical supplies for Will sometimes.

Grover also knows how to talk to her and regularly lets her know how Nico is doing (not that she doesn't already know.) 

Nico finds it easier to eat with Penelope.

It kind of forces him to eat on a schedule, since Penny has to be fed three times a day and the two of them can eat at the same time.

Nico also gives her little scraps off his plate sometimes which makes them both happy.

She gets absolutely spoiled. 

At one point Nico gets worried that she might get hurt fighting a monster. Hades assured him she won’t but Leo makes her some extra cool dog armor just in case

She also has a little bag attached to her vest for carrying supplies on quests and long journeys. (list of things these bags might contain: Ambrosia, Dog treats, Water/kitkats, extra weapons, drachmas.)

Nico connects so well with this fucking dog.

Like he always struggled with people and he never really even considered being an animal person.

But he absolutely adores Penny.

He talks to her about things that worry him and just finds her presence so unbelievably comforting.

Will solace (who I think personally would become a vet sooner than a doctor) Has this dog on the best fucking diet you could imagine

you have never seen a more medically healthy dog.

And she ADORES Will

Partially because of how calmer Nico is with him, and partially because he keeps a treat jar in the infirmary now.

The best part! she cannot die (from old age at least) Immortal service dog!

Having a huge fluffy head is great for pressure therapy.

Nico (neurodivergent) likes the texture of her fur and stims by petting her or playing with her ears.

#the best girl ever #pjo #percy jackson #nico di angelo #hoo #percy jackon and the olympians #solangelo #heroes of olympus #pjo hoo toa #percy jackson fanart #nico di angelo fanart #pjo hcs #nico pjo #toa #nico service dog au

[golden-cherry]

deal - cl16 (26/?)

Pairing: Charles Leclerc x Reader

Series Summary: Your whole life has gone to shit. Your boyfriend broke up with you, you just lost your job and the Monegasque, who suddenly stands in your doorway, claims that it’s his apartment.

Chapter Summary: Burning things is a good way to get rid of stuff. But perhaps you and Charles have more in common than you like.

Warnings: this is quite angsty (mentions of cheating, Annika and Raphael), fire (of course), some fluff

Word Count: 4.2k

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A/N: this is a long one. but well, I felt like it. there are some Easter eggs in this chapter, tell me which one you found! feedback is appreciated (as always, please and thank you!)

Since your newly purchased items have not made it any further into the apartment than the hallway, Charles' bedroom looks pretty empty. There are three large boxes next to the door, which gradually fill up the longer you stay in the room. 

"What about this?" you ask Charles and show him a pink candlestick that was recently on the windowsill. 

Your roommate pulls his head out of the closet. "Throw it away."

"Okay." You try not to trip over anything as you walk over to the door and place the item in the left box, which already contains a vase and empty picture frames. As you straighten up again, a shirt flies past your face before landing in the right box.

"Sorry," Charles mumbles, without taking his eyes off the clothes in front of him. 

"It's all right." You glance at the chest of drawers against the wall. "What about this?" you ask, pointing to the few books arranged by size on the dark wood. 

Charles sighs. "Just assume you can throw away everything in this room." Another item lands in the box on the right. 

Unsure, you bite the inside of your cheek.

The idea was to get all the stuff Annika left in the bedroom out of the apartment and - if possible - burn it in Jori's fire bowl, in the hope that Charles can have closure. The box on the left is for things that can't easily be turned into ashes, such as picture frames, candlesticks or small, empty flower pots. The middle one is for things Annika couldn't pack in her haste, like jewelry, clothes, electronics. She would come to collect them at some point. 

The box on the right is for flammable things. The pictures from photo frames, books, tickets from events the couple attended together - and the clothes Charles throws in. And it looks like they're his. 

"Can I ask why you're throwing away your clothes?" you ask timidly as you sit down on the bed. You run your fingers over the soft fabric, which will also end up in the right-hand box later. 

Charles pushes some empty hangers aside before taking a jacket off the hanger. "Everything in this room is from when Annika and I were a couple." He shows you the jacket. "I was wearing this the first time we went to the racetrack together. Our first public appearance as a couple." He throws the jacket towards the door before grabbing the next item - a sweater. "I wore this one on the first Valentine's Day. We went out for dinner and then to the movies."

You purse your lips. "And you want to get rid of all these memories? Even if they are nice ones?"

The sweater lands on the jacket before Charles turns to you and looks at you for the first time since you walked into this room. "That woman cheated on me. Took advantage of my trust and broke it." His gaze is rock hard. "Whoever she was to me, she doesn't deserve to have her memories here. I want to put it all behind me. I want to be free."

You see a sad glint in his eyes, which you don't address. Instead, you get up from the bed and begin to sort out everything that's still lying around into the boxes, while Charles pulls one item of clothing after another out of the closet. 

Apart from a little rustling and your footsteps, the room is silent. You want to give Charles his space, give him the peace and quiet he needs to sort out his thoughts and really come to terms with the relationship. The fact that he has asked you to help him with this warms your heart. Because even though you've only known each other for a short time, he's the person you care most about. The person you would run to immediately if your life went down the drain. The person you can tell everything to without being judged. 

You seem to be that person for Charles too - the person he can trust without having to worry, the person who would help him bury a body - this feeling warms you from the top of your head to the soles of your feet. 

"I think that's it," Charles finally interrupts the silence and closes the now empty closet behind him while you remove the cover from one of the two pillows. His gaze wanders from your face to your hands. "You don't need to do that. We'll put the bedding in a big bag and then it can all go."

"Are you sure?" you ask uncertainly, but put the pillow back on the bed. 

"Very sure. I don't want to sleep in a bed she slept in or cover myself with a blanket she slept under. I just want to put it behind me."

"Okay." You walk around the bed and put in the clothes that missed the box. "Which car do we take? My Renault is still at the old place and your Ferrari won't fit the stuff." Besides, it would be too conspicuous and you don't want us to be seen in it together.

"There's an old car of my brother's downstairs in the garage. It's bigger than the Ferrari," he calls out from the hallway, where he's rummaging around in one of the cupboards before entering the bedroom again. In his hand he holds a huge blue plastic bag from a Swedish furniture store. "If that's not enough, I've got another one."

It's not enough. The bedding actually has to be divided into three different bags until the bed is empty except for the mattress. As Charles stands at the front door, one bag on each shoulder and a box - containing the last bag - in his hands, he peeks past it. "Can you open the door for me, please? I'd like to take the things downstairs."

As packed as he is, you have to stifle a grin. The Monegasque looks like a pack mule. "You can walk several times, you know that? Then you won't be straining your shoulders."

Your flatmate blows a strand of hair out of his forehead. "No way. I'd rather fall down the stairs before I have to walk twice."

As you open the door and press the elevator button for him, you just shake your head. "Then it's a good thing there's an elevator here. You'll still have to go a second time."

While Charles takes the things to the underground garage, you put the other two boxes by the front door before you go in search of another large bag. As Charles has already used all the available bags from the hall cupboard, you have no choice but to take a bin liner from the kitchen. As you hear him grab the second box, you poke your head out of the kitchen. 

"I'll bring the other box in a minute. You can wait downstairs by the car, okay?"

"All right," he replies and puts the box on his hip. "It shouldn't be that heavy. It's just the picture frames and stuff in there." He smiles at you. "See you in a bit then. But hurry up."

You roll your eyes, which makes him laugh before he disappears with the box in his hands. When you're alone, you walk from the kitchen into the living room, where the red roses that Charles must have forgotten are still on the white piano. You carefully put them in the bag, taking care not to tear the thin plastic, and then tie it up before dragging the bin bag into the hallway and putting it in the box.

The roses make the box much heavier than expected and when you arrive a few minutes later, panting, in the underground parking garage where Charles is already waiting to meet you, you are glad when he takes it off your hands. 

"What's in there?" he asks, pointing to the bag after placing the box in the trunk of the silver car.

You shrug your shoulders. "I found this. We can burn it if you like," you simply reply and drop into the passenger seat while Charles closes the trunk. 

The drive to Joris is shorter than expected and although it's not too late, the sky is already turning red, as if the sun is about to set. There's some song on the radio that you don't know and Charles isn't humming along to. As he finally steers the car through the familiar narrow alley and then pulls on the handbrake in a parking lot, the front door opens and Joris enters the courtyard. 

"Hello, you two," he greets you as you get out of the car. While he shakes Charles' hand, he presses a kiss to your cheek, first on the left and then on the right. "You said on the phone that you wanted to burn something?" He rubs his hands together excitedly. 

Your roommate nods and opens the trunk. "Not only that." He takes one of the boxes - the one with Annika's belongings - and hands it to his buddy. "I'd like to leave them here, if that's possible. I don't want to see Annika again and I'd be incredibly grateful if you could give her her things back."

"Of course," he replies and takes a look in the trunk. "What about this?" With a nod, he points to the box with the picture frames. 

"This," Charles begins the sentence before grabbing the box and walking over to one of the garbage containers that must belong to Jori's house. Without giving it much thought, he dumps the contents into the garbage can before rejoining you to take the three bags of bedding and throwing them into the container as well. "'Is garbage. We'd like to burn the rest that's left there."

"The firewood and fuel are already ready."

The boys carry the things upstairs and you follow them. When you arrive at Jori's apartment, you close the door behind you while Joris puts the box with Annika's things in a room and Charles walks towards the rooftop terrace. You open the door for him and he smiles gently at you as he walks past you towards the fire bowl, which already has some wood in it. 

A little later, Joris joins you, a small canister of gasoline in his hand. "You'll need this. Please don't burn yourselves. I've got a quick online meeting coming up and no time to drive you to the hospital." 

"Thanks, man. I appreciate that," says Charles as he takes the burning liquid from his buddy's hand. As Joris disappears, Charles pulls an outdoor couch sitting in a corner near the fire bowl. "In case it takes longer. Then we don't have to stand the whole time."

While Charles lights the wood, you take the garbage bag with the roses out of the box and put it next to the couch. "Would you like something to drink?"

Charles looks up from the small flame snaking around one of the logs. "There should be cans of Coke in the fridge. And there should be some sweets in the cupboard in the living room." When you look at him in astonishment, he grins. "Go ahead and help yourself. Joris has already eaten my entire fridge once when he was drunk."

"Okay." You leave him alone on the roof terrace and go searching. You actually find the cans in the fridge, two of which you take and put on the living room table so you can rummage through the cupboard for something sweet. You find fruit gums, some chocolate - which you probably shouldn't bring anywhere near a fire - and a bucket of popcorn, which you tuck under your arm. 

When you return to Charles with your hands full, he laughs. 

"What?" you ask, confused, as he takes the bucket from you. "You told me to help myself. And that's what I did."

"That's right." He motions for you to sit down on the sofa. As he sits down next to you, he nudges his knee against yours. He opens his can of Coke and you do the same. "Here's to the future." He holds his can out to you.

You clink glasses with him. "To the future."

After a few minutes, the fire burns brightly and warms you on this beautiful winter evening and Charles pokes around in the wood with a poker, which apparently belongs to the fire bowl, before grabbing the box and placing it between you on the couch. The fact that there's this physical distance between you both bothers you more than it should. 

"Two years for nothing," Charles says as he pulls out the first picture. It shows him and Annika lying on the beach and smiling at the camera. He throws it into the fire. "For nothing, for absolutely nothing."

"Don't say that." You watch as the flames engulf the photo. "You learn from relationships. No matter how long they last."

He throws a piece of paper into the bowl. It looks like a concert ticket. "And what have I learned? How to be cheated on without realizing it? I definitely didn't need to learn that." His tone is cold.

You suppress the urge to roll your eyes. When you take your eyes off the fire and look at him, his features are soft. He looks hurt. You purse your lips. "How did you find out?"

"I caught them." As you stare at him open-mouthed, he shrugs. " I was actually planning on flying from race to race, but my gut told me to fly back home." He has to swallow. "When I walked through the front door, there were already shoes there that weren't mine. And when I walked towards the bedroom, I heard them."

You raise an eyebrow. "They were doing it in your bed?" No wonder he doesn't want to keep the bedding or the bed. 

He nods weakly and throws one of his shirts into the fire. "I knew exactly what was behind the door and yet it broke my heart when I actually saw it. It wasn't much, but enough to know that it could never have been that 'it's not what it looks like' thing."

You hand him two plane tickets, which he throws away without looking at them. "And then?"

"She wanted to talk to me, begged me to stay with her and said how sorry she was. But I didn't want to hear any of it. I just turned around and left. I couldn't look her in the eye."

"I can understand that," you answer him quietly. 

"I think if I had really loved her the way you do in relationships, I would have thrown her out of the apartment straight away. But when I left and created distance between us, I racked my brains as to why she did that. And it was all over the internet that a lot of people do it because they feel neglected by their partner and are looking for closeness with someone else."

"And that's why you felt so bad that you allowed her to continue living there?" He nods. Another couple of photos land in the flames and catch fire. "Did you know the man?"

He shakes his head in response. He fixates on a burning log as if he doesn't want to look at you. When he does, his gaze is full of the kind of pain and hatred you've only ever seen on his face once before. As you remember the situation, your heart breaks. For both of you. 

When you answer him, your voice is no louder than your breath. "It was Raphael."

Your stomach clenches so tightly that you feel like throwing up. That's how Charles knew where Raphael worked. Something you've forgotten until now. Something is pounding behind your eyes and it's only when a tear runs down your cheek that you realize you're crying. 

"I'm sorry I didn't tell you sooner." Charles' voice is soft and through the veil of tears you see his hand twitch, as if he's struggling to take you in his arms and comfort you. But there's this stupid box between you. And you've never felt so lonely. 

"Y/N..."

"Don't," you say quietly and without thinking about it, you reach into the box between you, grab everything you can with one hand and throw it into the fire in front of you. You watch as Annika's face burns. You throw a second handful into the fire bowl. This time it's his jacket. "That bastard."

"Do you want to talk about it?"

"I'd rather kill them both."

A faint smile spreads across Charles' face. "I'm afraid that's not possible. Although I've thought about it before. But I'm afraid that I won't be able to drive my super-fast car if I'm behind bars."

"What if I take over for both of us?" 

"I think the prison clothes would look good on you, but the visiting hours are definitely a pain in the ass and I couldn't stand not seeing you every day," he says gently and reaches for the now empty box, which he now places on the floor next to the couch. Then he pulls you into his arms. And from now on, it's not the fire in front of you that warms you. 

You stare into the fire for a while, feeling Charles' arm around your waist and his cheek on the top of your head. "Are you going to tell me what's in that garbage bag?" 

"Oh." You straighten up, dumbfounded, and lean over the backrest to pick up the bin bag. As you turn back to Charles, his gaze quickly flickers back to your face. "This morning - after your mother visited - we were sitting together in the living room and you couldn't stop staring at the piano. But it wasn't the piano, was it?"

He shakes his head and as you untie the knot of the bag, he takes a peek inside. "I'd totally forgotten about that just now." 

"That's what I thought. That's why I brought them." You pull out the letters of roses and place them next to you on the couch before handing him the first one. While he throws the first rose into the fire, you open the bucket of popcorn and snuggle up to his side again. 

"Annika gave it to me for our second anniversary," he explains, before opening his mouth and looking at you expectantly. As you pop a few pieces of popcorn into his mouth, he grins at you. You ignore the fact that your fingers are tingling where they touched his lips: "I don't even like roses. I think they're too hackneyed and the most unimaginative thing you can give someone to show that you love them."

"So a gift without really making an effort," you continue his thought. "And what are your favorite flowers?"

When he looks at you, his gaze is warm and there's a sparkle in his eyes that you can't quite put your finger on. "Peonies."

You feel the warmth shoot into your cheeks and turn your gaze away from him. He throws more roses into the fire and you continue to pop popcorn into both of your mouths as the flowers burst into flames in front of you. You hope that this action is as cleansing for him as it is being said all over the internet. You hand him the second letter, which he can burn in peace, before standing up and taking his empty Coke can. "I guess you need a new one?" 

His grin is wide. "Yes, please."

You disappear into the kitchen, where you leave the can on the counter and take a new one from the fridge. As you go back to Charles, you bump into Joris, who is just coming out of one of the rooms. "How did your online meeting go?"

"Pretty good," he replies and walks past you into the kitchen to take another can from the fridge. You stop in the doorway. "It was just about familiarizing myself with my new job, which I start in the New Year."

"That's right," you reply and raise your eyebrows. "You said you'd been offered a job. Are you already looking forward to it?"

"Very much. I can hardly wait," he replies as you walk towards the living room. You can watch Charles through the window as he continues to set the roses on fire. "Was that your idea? With the whole burning thing?"

You nod. "Yes. I burned my ex-boyfriend's things too when I found out he'd cheated on me. Only I didn't have a big fire bowl."

"Then where did you do it?"

You shrug your shoulders. "In the kitchen sink."

Joris has to laugh before he nudges yours with his shoulder. "Your friendship is good for him. He's never opened up to anyone as quickly as he did with you. I'm starting to think I need to worry that you're taking my place as his best friend."

"Haha. You two have known each other for ages. I don't think I could ever get in the way, even if I wanted to." You have to smile. "But Charles is definitely my best friend. There's nothing I wouldn't want to share with him."

"It's nice to hear that you're good for each other." He smiles at you. 

"Do you want to come outside?" you ask him as you walk to the patio door. 

Joris waves you off. "You go and do your cleansing thing. But please don't burn down the sofa. That's sacred to me."

You stick your tongue out at him and grab the blanket hanging over the back of a chair before returning to Charles, who has now reached the last letter. You hand him the Coke and spread the blanket over your knees. The sun has set, but the fire in front of you is so bright that you have no problem seeing his beautiful face. 

"Do you think she would have cheated on me too if I had been a better boyfriend?" Charles asks quietly at one point, without looking at you. 

"I don't know."

He thinks for a moment. "She said that everything in my life revolves around Formula One. That I don't notice what's going on around me. And that I was never there for her like a boyfriend should be. And that she had to share me with the whole world." As he turns to you, you see tears glistening in his eyes. "You said you were sure there was someone out there for me who wouldn't find my job too hectic. Who will support me no matter how hard it gets."

You turn to him and put your hand to his cheek to make him look at you. A tear rolls down his cheek and you wipe it away with your thumb. "I have. And I mean it."

He licks his tongue over his lips. "You also said that there's a person out there for everyone. A soulmate with whom you can share everything. With whom you don't have to pretend and can be who you really are." You feel his arms wrap around your middle and before you know it, you're sitting in his lap. 

You wrap your arms around his neck so you can hold him tight. 

"So you think there's someone else out there for me? That I haven't missed my chance at love?" You feel his warm breath on your face and how much you want to kiss away the tears that escape his eyes. Take away all his pain. Show him how much he means to you. 

But now is not the right time. Someday. Maybe.

"I promise you that." 

You watch him throw the last rose into the fire. In an instant, the red blossoms catch fire, the stem begins to glow and before you know it, this last piece from a time Charles wants to forget at all costs disappears and turns to ash. 

His grip on you tightens. A sign for you to turn towards him. When you look at him, his cheeks are wet, but he doesn't look sad. The smile on his face is honest and genuine and so loving that you can't help but return it. 

He would love to put his hands on your face and kiss you until you can't breathe. To feel your lips on his, your skin on his and tell you how important you are to him. How much he craves you and that everything he feels for you goes beyond the limits of friendship. But the only thing he does is grab your hand with his and squeeze it twice. Maybe you'll understand. Understand why he always squeezes twice. 

The right time will come. Someday. Maybe. 

When you look at him, with tears in your eyes and a warmth that makes his heart stumble, he has to swallow. He's never been as grateful to anyone as he is to you. 

"I'm free."

#charles leclerc #charles leclerc smut #charles leclerc prompt #charles leclerc blurb #charles leclerc imagine #charles leclerc imagines #scuderia ferrari #charles leclerc fanfic #charles leclerc fanfiction #charles leclerc cute #charles leclerc x yn #charles leclerc x reader #charles leclerc x you #charles leclerc x female reader #charles leclerc fluff #Charles Leclerc fit #f1 smut #f1 x reader #f1 fanfic #f1 imagine

[flawseer]

Warm

Wings of Fire occupies this strange meta-textually dissonant niche. There are a lot of disturbing and even grotesque things happening in it, like people's eyeballs getting dissolved by acid, characters compelled by mind control to ritualistically disembowel themselves, families getting torn apart by war, several attempted genocides, and an alarming amount of parental neglect and abuse.

But then, due to its nature as a book series aimed at children, the story finds itself unable to dwell on these horrific events that would realistically do irreparable damage to anyone experiencing or witnessing them. The narrative just kind of stands at the side and tries to look away, waiting until it's over. Characters remain oddly chipper and unbothered by sights that would ruin an average person.

This is not an accusation. I understand why it is that way. Sutherland desired to write a story about dragons for kids, which is a valid and admirable endeavor. In such a framework it would likely be inappropriate to do a deep dive into the psychological depths of a cast of traumatized characters.

But as a fan of her work, I find it an enticing thought exercise to look at the events of the story and examine them in a way the original text doesn't. To dwell on these experiences and the emotions they would beget. You'll find that Pyrrhia is filled with millions of little stories that haven't been fully told. A mother, displaced in time through torturous imprisonment, finds everyone she knew and loved is dead, safe for a son whose trauma has warped him into a twisted, murderous monstrosity. A nephew loses his beloved aunt to illness and his abusive family likely will not allow him to attend her funeral or gain any closure. And many other tales that aren't really relevant to this silly comic page, but still equally as fascinating.

#wings of fire #wof #dragon #digital art #wof art #flawseer art #flawseer talk #flawseer story #wof foeslayer #wof winter #wof nightwing #wof icewing

[spirantization]

"Wild Blue Yonder" dealt with some of the emotional fallout of the Flux, so I want to rewind a bit and look at what that means for the Doctor.

I know that the Timeless Child and the Flux are contentious topics. I'm not here to argue either way. But now those storylines have decisively not been retconned, and with both of these fresh in my memory, I feel the need to offer some context for anyone who may not have seen it, and to recontextualize it for myself and anyone who has.

NotDonna: You don't know where you're from. The Doctor: How do you know that? How does anyone know? How does Donna know?

In "The Timeless Children", we find out that the Doctor was discovered as a child alone under a wormhole, and adopted by a woman named Tecteun. There was an accident where the Doctor fell from a cliff and regenerated, and subsequently Tecteun performed "experiments" on them to try to understand regeneration. The show minces words about this but she killed a child a whole bunch of times is what happened. Her experiments created the Time Lords and allow them to engineer their regeneration properties. The Doctor has no memory of any of this, and only finds out via the Master and information stored in the Time Lord Matrix.

The Doctor, predictably, doesn't tell anyone about this revelation. She makes a speech to the Master about how this makes her more, we get a single shot of her looking a bit tired in the TARDIS, then she immediately gets thrown in prison.

Ultimately, the Doctor doesn't know where they're from or who their parents are. And the very fact that they're not from Gallifrey is information that no one in the universe should have. Everyone who knew is now dead.

NotDonna: I saw it in your head. The Flux. The Doctor: It destroyed half the universe because of me. We stand here now, on the edge of creation, a creation which I devastated, so yes I keep running, of course I do! How am I supposed to look back on that? NotDonna: It wasn't your fault! The Doctor: I know!

A fun fact about the Flux is that the Doctor did not cause it. So why does he blame himself? Because the person who caused the Flux was Tecteun.

The reason why Tecteun wanted to destroy the universe is because the Doctor interfered with things too much. Too much morality. Too inspirational to people. She calls them a virus. So her solution to the problem of the Doctor is to destroy the universe, with the Doctor inside, and take her ship to a different universe to start fresh. She also was the one to steal all the Doctor's memories of previous lives in the first place. She's dismissive and patronizing and clearly does not care about the Doctor on an emotional level at all. Tecteun is a piece of work, and the implications of her actions and how they've shaped the Doctor have the potential to go deep.

Thirteen doesn't get too much of a chance to react to any of this, because there is plot going on. And shortly after they reunite, Tecteun gets killed by a different villain. So there was no emotional closure in the moment, and there's now no possibility for the Doctor to make sense of her actions. The Doctor does not tell any of her friends about any of these events. She keeps promising to tell Yaz but does not.

"Wild Blue Yonder" is the first time we, as the audience, hear the Doctor discuss the Flux. And their perception of events is skewed at best. The Flux wasn't caused because the Doctor made a mistake and a lot of people were killed, which is what you can argue for many other situations. The Flux and the devastation of the universe was caused by their mother, who promptly turned around and told them it was their fault for being such an interfering nuisance. We know that the Doctor is often an unreliable narrator, but this is beyond that. These are the words of an abused child who has internalized the narrative that the abuse was their fault.

So the Doctor being able to talk about this with Donna, who has seen what happened, who knows him, and tells him that it's not his fault — it means so much to him. He wants it to be her so badly. And then NotDonna laughs in his face. You can see the devastation. He thinks for one moment that he can finally talk about this with his best friend, and it's snatched away from him. He gives himself a moment to break down in the corridor, and then you can see the walls rebuilding as he suppresses it all again.

At the very end of the episode, back in the TARDIS, he's trying very very hard to be nonchalant. I'm curious. The NotDonna could remember all these things that happened to me while we were apart. Can you? Just wondering. Things happened, but I'll be fine. In a million years. It's not a joke.

He wants so badly to be able to talk about this. You can see it in all the lines of his body language. He's keeping himself together but is prepared to fall apart in an instant. He doesn't want to actually tell anyone, but if Donna just magically knew already, and could tell him it wasn't his fault — well, that would make the world of difference. But she doesn't know, and he can't bring himself to tell her. And so the cycle continues.

#doctor who #dw spoilers #wild blue yonder #the flux

[charliemwrites]

Hello, hello! Per ceilidh's request - a Soap x Reader ficlet from the prompt thingy.

#11 "You tricked me."

I was heavily inspired by that tiktok sound (iykyk)

Rating: M CW/TW: brief/vague torture, threat of SA (doesn't happen), manipulation, dark!Soap

Being a medium in the military isn’t that much different from being a medium anywhere else.

The rules are roughly the same. Don’t talk to ghosts in living company. Don’t join idiotic 2am summoning circles. Try to help the ones you can; try not to lose sleep over the ones you can’t.

Oddly, there aren’t as many ghosts on a base as any given suburban house. Depends on the base, of course, but a reassuring number of former-military souls continue to their final rest. Even if their bodies (or parts of it) don’t make it back, tags and a symbolic burial usually suffice.

The 141’s main base only has a handful. A few you’ve already gotten closure for, sent off into the beyond. The others you’re working on, or already know they’re a lost cause. Most of them are even friendly!

There’s a corporal that haunts the mess and laments mashed potatoes. A captain appears in Price’s office occasionally, his residual energy glaring down at reports and rustling at phantom papers. On the range, you sometimes speak to the ghost of a prostitute murdered by some piece of shite back in ye olde times. She doesn’t talk back – can’t with a crushed windpipe – but she smiles when you have the privacy to acknowledge her.

Your favorite, though, is Johnny. He’s a comparatively new spirit, by your estimate. Lots of energy, still coherent. You can’t tell how he died by looking at him, but that’s not unusual. It could have been internal bleeding, or a stroke despite his youth. He won’t tell you his last name despite all your asking, always just laughs.

“Yer no’ gettin’ rid o’ me tha easily!”

He always lays the Scottish accent on in a thick velvet blanket. You want to wrap yourself up in it.

Yes, the rules for being a medium are the same, even on a military base. The main one: don’t get haunted by feelings.

That was never a concern, never even a thought, until Johnny. Until you caught his eye around Price’s shoulder during your introductory tour. He followed you for hours, interjecting little asides that put your selective hearing to the test. Always orbited just close enough to send chills down your spine and goosebumps up your arm.

You confronted him when you’d finally been dismissed back to your barrack, whirling around as he popped his mohawked head through the door. Despite yourself, you made quick friends with him.

He’s an unusual ghost. Doesn’t seem tied to a particular place or thing on base. Isn’t trapped along the same paths he walked in life. He’s always solid or near solid, doesn’t waver at certain times of day. You’re utterly charmed by his unorthodoxy, by his miraculous non-existence. And by the fact that, while he knows your secret – as all spirits do – he seems more intrigued than solicitous.

It's not that you blame other ghosts – the coherent ones – for wanting help. It’s torturous to toe that line, not alive but not at peace. Stuck and dwindling little by little. You can’t imagine what it feels like, but you can sense from some that it’s frightening, and cold. No, you’re not bothered that they ask for help. Or with the ones that are just angry; they have every reason to be.

Johnny, though… he’s special. You don’t feel so alone with him, even if the room looks like it to an outsider.

“Oh, aye, that’s pure dead brilliant. You know they’re sending you to Russia?”

You flick Johnny a glance. He’s leaning over Price’s shoulder, peering at the briefing docket that’s actively being explained. You don’t mind the extra or early info. Saved your ass a couple times before.

Your lack of response ruffles his feathers though. He stalks through the table to Gaz, flicks his pen right off the surface. You snort softly as he curses under his breath and ducks to retrieve it, trying not to interrupt Price. You make eye contact with Johnny, blink and minutely shake your head. He can see the twitching at the corners of your mouth anyway.

He smirks and wades through solid objects back to you. His presence looms behind your shoulder, an uneasy flicker at the edge of your consciousness. Like this he seems bigger, inhuman beyond ghostliness. Rougher and darker in the corner of your vision. You’ve done a double-take and gotten teased for skittishness enough times by now to quell the urge to check. It’s always just Johnny.

You’re paired with your lieutenant, Ghost. He’ll be watching with his sniper while you’re on infil. Usually, you’re paired with Gaz, but he and Roach will be at the other end of the compound taking out a target.

When the team is dismissed, Ghost only pauses long enough to give you a nod before skulking off. Not unusual for him; you take no offense. Johnny, however, is scowling something fierce after him.

For whatever reason, he’s never been a fan of your LT. The one time you asked, the lights started flickering and Johnny dismissed the question with a sharp “just don’t like him.”

You suspect that it’s because Ghost was your mentor when you joined the 141. The two of you spent the majority of your time together, training you up to run with the rest of the squad. Due to his constant proximity, your ability to respond to Johnny was greatly hindered.

Still is with how observant Ghost is. Have almost blown your cover several times and had to really watch yourself, and your reactions. You think Johnny might resent him for that.

Back in your barrack, though, Johnny happily chatters while you gear up for the mission. Base gossip and bits of intel he shouldn’t know and shouldn’t tell you. It’s standard ritual for you two; he likes to talk, and you’re accustomed to listening. You hum in the right places, storing tidbits away for your own amusement later.

A playful tug to your bitch-strap makes you yelp, then laugh when you catch Johnny’s grin. He does it again, loosening one of the buckles on your thigh. You swat him uselessly, retightening it only for him to pluck at your bootlaces while you’re occupied. He’s got so much energy, for a ghost. So adept at interacting with the physical world.

“Quit it!” you giggle, trying to dodge his darting hands.

“Why should I?” he chuckles. You curse as he gets a finger in your harness and jerks, misaligning it with the rest of your gear.

“I’ll banish you,” you lie, wriggling various straps back into place.

“Oh, sweet girl, it would take a lot more than you’ve got to get rid of me now.”

It’s an odd turn of phrase for him, but it’s the tone that draws your gaze. There’s an unfamiliar, inky darkness in his voice that pools in the pit of your stomach. You frown, open your mouth to ask what he means. But just like that, his electric smile is back, eyebrows arching as he nods to your bedside clock.

“You’re gonna be late.”

“Shit!” You snatch up your backpack and fling it across your shoulders. “I’m gonna kill you, Johnny!”

“Can’t kill something that isn’t alive,” he cackles as you sweep out the door.

You make it the transport just short of reprimand, though that doesn’t stop Ghost from narrowing his eyes as you duck into your seat. Gaz has already started a lively conversation with Roach, and Price is staying back this time.

You miss Johnny already. He may not be trapped in any particular part of the base, but he can’t come with you on missions or leave. The spaces where he’s absent feel colder and quieter. Everything seems just a bit… off. A song missing an instrument, a rainbow lacking one color.

You’re not sure when that started happening, when Johnny became such a vital part of how you perceive the rest of the world. When did longing for him become a chronic illness?

“Focus up!” Ghost barks in your ear.

You blink, shake your head, and take stock bewildered. Gone is the transport and the rest of your team. It’s just you now, hidden behind a generator, presumably about to infiltrate the target.

How?

When you try to recall, you have vague recollections of exiting the transport. Hiking to the compound. Splitting off with a few parting words amongst the lot of you. It feels watery at the edges, more of a vivid dream than a waking memory.

“Yessir.” It jumps instinctively from your tongue while you flex your cold fingers, trying to coax the nerves back to life.

You take a deep breath – lungs aching like you’ve held your breath too long – and continue with the mission. There’s no room for error now, or idle daydreams of noncorporeal men with wicked smiles.

The building is only three stories and you’re not meant to clear it. Just get to the server room, collect the information, and slip away with minimal enemy contact.

Maybe that’s why you don’t realize that something is wrong at first. You’re supposed to be avoiding guards, so you don’t notice the lack of them. Things do go right, sometimes, the intel can be good.

But it’s the quiet the finally prickles at your awareness. You may be more attuned to the dead, but you have a sense for the living as well. Always made you the worst to play hide and seek with. Now, you can feel that this building is vacant, deprived of any souls.

“LT, something is wrong,” you whisper, frozen mid-step.

“What is it?” he asks.

“It’s too quiet.”

To his credit, he doesn’t dismiss you immediately. “How?”

“I think the building is empty. Have you seen anyone?”

“Negative.” A pause as he considers, maybe scans the other windows for signs of occupation. “Sit tight, I’ll update Price.”

There’s barely a heartbeat before you hear distant gunfire. Too much and too soon for the plan. Roach and Gaz weren’t supposed to neutralize the target until you were collecting intel.

“Fuck,” Ghost snarls. “Get out of there!”

You’re already sprinting for the stairwell. Nearly pop your ankles leaping down, boot treads catching on the edge of steps. No one is chasing you, but your team needs help. Gaz is shouting in your ear, the channels reconnected for ease of communication. The situation is devolving quickly and violently.

“Almost there,” you report.

Your foot hits the last landing before the ground floor when the building explodes.

---

It takes three tries to get your vision focused. There’s not much to see once you do. A concrete room tinted by bare yellow halogen. There’s a drain in the floor just in front of you and old blood dried in the corners. It smells like rust, infection, and despair. Your head pounds; your entire body aches. Being tied to a metal chair doesn’t help the post-explosion soreness.

You’ve been stripped down to your fatigues, no boots. There isn’t a door in any of the three walls you can see, so it must be positioned behind you.

Confirmation comes about a minute later. Three sets of boots entering your little box. Only one of them walks into your line of sight; a mean-looking man with face tattoos and a gold tooth. He asks if you speak Russian, and though you do, you spew a string of English profanities and threats at him. The backhand you get in return says he understood you.

The questions start as soon as he switches to English. They want information; they always do. What you had been sent to collect and why. Who Roach and Gaz were sent for and why. You don’t speak a word. Even when the pain starts, and then doesn’t stop. You lose track of time, the head injury floating you on the edge of consciousness within the first thirty minutes.

Hours – days? – later, the man takes a step back, a self-satisfied smirk on his face.

“It’s alright,” he tells you, “I like taking my time, and we have plenty. Your friends think you are dead.”

That, you think through the haze, is probably true. You thought you were dead too.

“Perhaps next time we try something… else,” he muses, running a finger down your neck. “You are not as pretty now, but… prettier than you will be later, da?”

Ice forms in the pit of your stomach and climbs up your spine. It was always on the table, you know that, but facing it is something else.

Whatever expression you’re making seems to satisfy him, because he laughs heartily and finally leaves you alone.

Alone, with the promise of his next visit looming.

You squeeze your eyes shut. There’s a dripping sound nearby that you realize, vaguely, is your own blood. Maybe you’ll bleed out before he comes back. You time your breaths with it, using it as a count to get your wild and unsteady heart under control.

Reality washes over you in waves. There is no escape. Your team thinks you’re dead. Eventually, you will break and/or die. You might even become a ghost, join the collective that darkens the edges of this very room, a thing of pain and fear and rage without any coherency or singular will.

You didn’t even give Johnny a proper goodbye.

That somehow hurts the worst. Johnny, hearing second-hand that you’ll never make it back. No one to mourn with him, to offer any comfort. He’ll be alone with grief and then beyond, no one to tell his jokes or stories to.

You miss him more fiercely than you ever have. Part of you is glad he isn’t here. You know him, know he’d be too stubborn to leave you. He’d stay and watch, helpless, as you were tortured and killed. It would tear you apart to do that to him even though it wouldn’t be your own choice.

But… an awful, selfish part of you longs for him. Even just being able to see or hear him would soften the pain and fear. Would make this hell on earth almost bearable. You want to leave this world with Johnny whispering in your ear, maybe even join him when your body finally goes cold.

Given the choice, you would want him here.

You want Johnny. No, you need him. Regret ever leaving him behind, even though he couldn’t come with you. You’d do anything to change that now; anything to be with him again.

Anything?

It’s an unbidden thought, almost intrusive. Doesn’t even feel like yourself asking.

“Anything,” you whisper aloud, just to hear something other than your own despair. “Johnny…”

“You called?”

You jolt, head snapping up so fast it makes you dizzy. The world spins but he’s there, right there, crouching in front of you, arms balanced on his knees.

“Johnny?” you whisper.

Were you closer to the brink than you thought? Is this some sort of final hallucination as you slip into death?

“In the flesh.” He tilts his head, snorts. “Well, in a manner.”

“How…?” you ask, eyes already stinging.

“Told ya, you called. I’d never – hey, now, hey. No need for all that,” he soothes. He wipes the tears from your face. You can feel the warmth in his fingers. “This is a happy occasion.”

You huff in watery amusement, shaking your head. “Did you lose your glasses when you died? I wouldn’t call this celebration-worthy.”

His eyes scan over you, flicker dark. “It will be, don’t you worry.”

You blink, try to focus. Exhaustion and injury and chemical rush are making it difficult, but you know things are off. He shouldn’t be here, least of all because you called. And… something else too. Something in the way he’s holding his shoulders and the twitching around his expression. 

“Johnny, really,” you say, “why are you here?”

“You offered me anything, and I’m here to collect.”

Between one blink and the next, his eyes are black. Pitch black, from corner to corner. You suck in a breath, try to jerk back but there’s nowhere to go.

His grin is sharp enough to cut yourself on.

“I’ve been waiting for that,” he sighs.

He leans in, lips parting. His tongue rolls out, long and split at the tip. Licks a luxurious, burning trail from your chin to your temple. You make a sound borne of confused pleasure and fear, high in the back of your throat.

He shushes you, plants a slow kiss at the corner of your mouth. “My brave little lass, finally offering herself to the demon she’s been courting.”

The word bounces against the walls of your cell and burrows into your brain. Demon, demon, demon.

Johnny is…

“You tricked me,” you sob.

He cocks his head, onyx eyes soft with avarice. “Tricked you? No, angel, I’m saving you.”

His hands pet over the cruel ties around your ankles. The itch of them digging into your skin falls away. Gentle thumbs rub circles over the imprints the left behind. Hope and relief pounds hard in your chest.

“I’m only taking what you so willingly and enthusiastically offered,” he explains in hushed awe. Like you’ve given him such a wonderful gift, the greatest gift. Suppose you have.

“I’m going to take such good care of you,” he croons. His arms wrap around you, almost like a hug. His fingertips trace down your bruised arms to the cuffs biting your wrists. Those too fall away, and you find yourself reaching for him so quickly, folding into his chest, free of that wretched chair.

“There’s my girl,” he murmurs, a hand curling into blood and sweat soaked tangles.

“It… it is you, right?” you ask. “You’re my Johnny?”

“Always, angel,” he replies, “it’s always been me. I will always be yours. All you have to do is say yes.”

You tilt your head back, catch the wicked curve of fangs as he speaks. He smells like heat and woodsmoke.

“Yes to what?” you ask.

“To everything,” he answers, deep and rough. “You offered anything, and I want all of you.”

You should say no, you should throw yourself away from him.

There is not an inch of your mind or body that wants to leave the safety of his arms. This is Johnny, your Johnny, hellfire and all.

“And… in return,” you venture, “I get… you?”

“Eternally.”

Then it really doesn’t need much more thought.

“Yes. Please.”

“Good girl.”

#my writing #fanfiction #john soap mactavish #reader fic #cod #writing prompts #demon!soap #soap x reader

[cjrae]

Stunted Love. Or: The Theme of MaoMao's little finger.

Maomao's little finger is a recurring motif in the Apothecary Diaries, and it receives even more emphasis in the anime's first season - it represents her belief that romantic love leads to pain and destruction. Spoilers primarily for the anime, but also the epilogue of light novel four and Chapter 15 of light novel six below.

Love In A Cage

The motif is first introduced in "The Unsettling Matter of the Spirit" - Concubine Fuyou's story. Maomao has already noted the parallels between the red light district and the Inner Palace, but here we see what happens when romantic love is introduced into the mix. On paper, Concubine Fuyou is a literal object of pity. Her personhood is being gifted to an officer who recently distinguished himself on the front lines, discarded after having failed to please the Emperor. It's telling that this is one of the first times we see Jinshi interacting with a consort where he is completely serious, without bringing his charm to bear. We never hear him say anything, but it's clear that he's communicating the Emperor's order with respect and understanding the gravity of the consequences for Fuyou.

As the events of the episode unfold, the parallels between courtesans and consorts get stronger as Maomao introduces the concept of having a contract bought out - if a man wants a courtesan enough, she is also an object to be purchased, albeit at potentially astronomical price. At first glance, it would seem like these women have absolutely no power in these scenarios - but by the end of the episode, Maomao shows us the feminine side of this transaction - how a woman can manipulate the system she is trapped by in order to get what she wants. All she has to do is lower her value - a rather counterintuitive measure that can go horribly wrong all too easily, as we see later.

And what Concubine Fuyou wants is to escape the Inner Palace to be with the man she loves - a task that she succeeds at. She has played a long, patient game in the service of freedom. Trapped in the cage of the Inner Palace herself, Maomao holds her scarred finger against the freedom of the sky and wonders what kind of medicine love would make.

Devotion

We see further flashbacks to Maomao's past through multiple episodes, but the next time the concept of love is brought up is when Fengming is confessing her role in the death of Consort Ah-Duo's baby in "Honey" (episode 11). Maomao is brought up short by Fengming's confession - she flat out says to the audience that she's never loved anyone with that depth of devotion Fengming displays toward Ah-Duo, so she doesn't know how Fengming feels. But if she doesn't have empathy to offer, she does have a rough kindness. Another person might have said that Ah-Duo deserved to know why her son died, that the knowledge might have provided closure. Maomao, however, believes that knowing the baby's cause of death would only cause more pain (it's never the crime and always about the cover-up) without providing any actual benefit.

With these two episodes framing her early character development we see that, whatever Maomao's natural inclinations are (and I will leave discussion of neuro divergency to those better qualified to discuss it), there is a certain distance between Maomao and her emotions most of the time. It is implied that this distancing from her emotions is a trauma response as the image of a woman holding a knife above her head while kneeling on a bed is shown but not explained (it is the only recurring image during the montage before the discussion about her potential execution with Jinshi).

Lakan and Fengxian

In "Lakan" (episode 18) the motif begins recurring more often as Maomao's parentage is revealed. We've caught glimpses of the sick woman in the annex before, but as the camera pans over the bed, it's clear that this is Maomao's mother (as always in anime, the hair is a dead giveaway). We've seen Maomao in this room, always curled in a fetal position, staring with blank eyes, but here we see Maomao actually caring for a woman who she describes as driving her out over and over again. The camera's focus is on Maomao's eyes as she watches her mother continuing to deteriorate - they're blank yet again, echoing her earlier line of "This is stupid. She's gone."

This is not the look of a girl who genuinely doesn't care about her mother. The image of her mother with the knife upraised is straight out of recurring nightmares that wake her gasping with terror and continue to haunt her after she's returned to work. While there is no AFFECTION involved, there are certainly very strong emotions here. Later, in the bath with Meimei, Maomao wonders if Meimei's in love - and immediately shies away from the thought, insisting that "love is an emotion I'm sure I left behind in the womb."

Interestingly, this is immediately belied as the Three Princesses (the women who took on the maternal role that her mother discarded) begin to pamper Maomao in the bath, and she relaxes into their touch, flushed with belonging and pleasure at their attention.

Confrontation

In "Blue Roses," (episode 22), everything has built to a head. By hiding Maomao back into the Rear Palace, Jinshi is acting as her shield - and Lakan responds with a power play. Both he and Jinshi are aware that Lakan knows his true identity, so Lakan provokes Jinshi with a political test. "Nothing is impossible" for a man with Jinshi's power - so providing some blue roses at a garden party in early spring should be simple, right? It's a near impossible task and Lakan knows it - even if Jinshi were to figure out how to dye the roses to be the appropriate color, they're still out of season.

Up until now, Maomao's response to Lakan has been to hide. But, with Jinshi's reputation on the line and seeing how worn out he is, Maomao has finally had enough. So she takes Lakan's challenge on and, while she's in the process of growing the hothouse roses so that Jinshi can best Lakan, she diverts unwanted attention from the Crystal Palace's handmaidens by showing Xiaolan how to do a manicure - something that draws attention to the deformed pinky on her hand and changes her perspective of the damage to the finger.

The art should be paid attention to here - we see close up shots of two other people's hands after having the manicure done - Xiaolan and Consort Lihua. In both of these shots, there's some subtle detail paid to their little fingers as well - Xiaolan's is ever so slightly crooked rather than perfectly straight, while Lihua flexes her fingers so that the pinky is extended as she looks at her hands. In the next shot, Maomao has done her nails as well - and when Jinshi draws attention to the fact that he's surprised she would do her nails (like Hongiang, Maomao usually prefers work over fashion), she looks at the finger and remarks that, even though her little finger is twisted and scarred, it looks better than it did before - an acknowledgement that the finger is not actually a hindrance, but a piece of her identity.

Healing

Giving Lakan the opportunity to finally do right by Fengxian is the most grace and forgiveness that Maomao can extend to either of her parents. Their romantic love is certainly sympathetic to an outsider, but Maomao was shaped by the consequences. Lakan's carelessness and Fengxian's willingness to break the rules of the pleasure district in order to deliberately lower her value so that she could be with the man she loved, is the guiding cautionary tale of her life.

But Maomao has also grown over the season. She is neither the terrified little girl, abandoned by mother and father alike (however unintentionally on Lakan's part) nor a teenager full of fear fueled rage at Lakan's persistence. She is Luomen's daughter and proud of that fact - she has found her family and a place in the world. It is with that more adult understanding of the world around her that she dances atop the wall of the Rear Palace, giving her parents the only thing she can, which is her blessing and best wishes for their short future, as she sends her mother off.

Sure enough, who is watching her as she takes a step toward a more mature identity but Jinshi? Other characters have provided a shield between Maomao and Lakan - Verdigris' madam, Meimei and even Luomen. But it is on Jinshi's behalf that Maomao decided to face Lakan herself. She loves her adoptive dad and granny and sisters with all the affection she never received from Fengxian, but Maomao's actions have always spoken much louder than her words - Jinshi protected her and she, in turn, chose to face her childhood bogeyman to help him.

Is it stating the obvious that Maomao tripping and Jinshi catching her is an obvious metaphor for falling in love?

As she dances on the wall, we see the two seemingly disparate sides of her identity coalesce into a whole. The moment she lets down her hair is a uniquely Japanese moment of eroticism (this is why maiko and geisha use the oshiroi that bare the nape of their necks), even as she's also deliberately reapplied her freckles.

The moment she realizes that Jinshi truly sees all of her in a uniquely emotional moment, she trips and is made terrifyingly vulnerable as she nearly goes over the edge - only to be caught safely in Jinshi's arms.

Safely back atop the wall, the little finger comes up one more time - except that this time, instead of looking at the damage inflicted and seeing the scar, Maomao looks at her pinky and shows it to Jinshi, telling him what sounds like a strangely gruesome medical fact. That a fingertip can regrow if cut off. For all the trauma that her biological parents caused her, for all that her pinky will be scarred for the rest of her life, the wound did heal. Maomao has healed - she is capable of friendship, loyalty and love that can inspire devotion - even if she rarely displays open affection.

Love Creates Fear

This motif comes back again, at the end of light novel 4 (what will be the end of Season 2, if the studio continues to stick to two light novels a season for pacing, which I expect they will). Jinshi has officially cast aside his cover as a eunuch and stepped into the political limelight as the Imperial Brother. Maomao, as a result of their adventures, has returned home, to her apothecary shop and, as she works she thinks about how everything has changed.

"Jinshi must have finally gone back to being whoever he really was. Maomao didn't know his real name: she couldn't have used it even if she did. The worlds they lived in were simply too different…Anyway, now that Jinshi was no longer a eunuch, he couldn't get away with keeping some lowborn girl around him…So it was for the best, really, that Maomao had come back to the apothecary's shop in the pleasure district."

As Maomao ruminates to herself about how she will never see Jinshi again, she retreats to what she knows best - medicine. She's got her emotions under lock and key and she's begun experimenting, working on creating a more potent painkiller. However, her pain tolerance is too high to work with her previous methods.

Or, to lay the metaphor bare, Maomao has dealt with abandonment before, but not like this. Her usual methods aren't working - so it's time to up the ante. What she does next is extremely telling.

"'Got to cut deeper if I want to be sure'. Maomao looked at her left hand, then tied some string firmly around her pinky. She stood and took a small knife from a cabinet. 'Here goes!'

Just as she was about to bring the knife down, a beautiful voice interrupted her: 'WHAT are you doing?'

Without a word, she turned to see a man in an unusual mask standing in the entryway of the shop…'Done with all your work?' Maomao asked, undoing the string around her finger and putting the knife back in the cabinet."

The thought that she and Jinshi are now living in such different worlds that they will never see each other again is painful enough that cutting her finger off in a thinly justified experiment is preferable to feeling her own emotions. What Maomao wants in this moment is a return to the emotional numbness of the past - only this time, she will do the damage herself.

But Jinshi is not Lakan and abandoning Maomao for any reason is simply not an option. Just as he caught her on the wall, Jinshi catches her again. A prince is standing in an apothecary shop on the edges of the red-light district, a place where he should not be - except for the fact that it's where Maomao is.

Connection and Communication

Finally, as a callback toward the end of light novel six, Jinshi and Maomao are beginning to reconnect after Jinshi screwed up and lost a lot of emotional ground in light novel five's epilogue, and he does the following.

"She reached out for the package, which Jinshi had put behind his back, but he planted a palm on her belly to keep her from sitting up and she couldn't reach it. She kicked her legs from sheer frustration and this time he grabbed her ankle. She was just trying to decide what he might be planning when he brushed the tip of his pinky finger along the back of her foot.

'Hrk?!' Maomao choked, squirming...The back of her foot, and her back as well, were hopelessly vulnerable to a gentle brush of the fingers.

'M-Master Jinshi...That's...not...fair!'"

While Jinshi is still the instigator in this scene, this is the the first instance of romantic and sexual contact that Maomao accepts, eventually bursting out laughing - and when he gets that laughter, Jinshi also immediately backs off, accepting that he has pushed her as far as she can go right now. But that first contact was via that tiny fingertip representing love.

His hard-learned patience is rewarded when Maomao is finally willing to speak to Jinshi about how she's feeling about his desire to marry her, first obliquely as they discuss the plot of a very familiar tragic romance, before she addresses the issue directly.

"Instead of answering, she murmured, 'I don't want to be an enemy.' Jinshi gave her a sidelong look as if to ask whose enemy she meant. 'To Empress Gyokuyou,' she said.

Would Jinshi understand what she was saying? If not, that was fine, Maomao thought. There were things even he didn't know.

'You - '

He seemed about to ask her something else when a horse whinnied outside..."

Maomao may be hesitant, she may feel very confused, but she finally gives Jinshi something to work with here - communicating to him not that she simply doesn't care about him that way, but that she has a very real, concrete fear about what a romantic relationship with him would mean, not only for them, but for everyone else around them.

That's a lot to balance on the tip of a pinky.

#kusuriya no hitorigoto #the apothecary diaries #maomao #character analysis #jinshi and maomao #jinshi x maomao #jinshi #long text post #apothecary diaries meta #jinmao