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#post!endgame
mikeslawyer · 8 months
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THIS IS SO THE VAN SCENE CODED
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sp0o0kylights · 7 months
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Part One
The drive's short one. 
Steve gets out of his car, opening the passenger door for Chrissy and escorting her up to the house, quietly envisioning what Jason would look like if a real monster got him.
What would he say, staring down the crazy, five-starred head, filled with teeth and drool? Would he turn back? Or run?
(Steve swears he doesn't take great pleasure in imagining Carver getting eaten, but he'll admit to taking a little.)  
"Chrissy do you have any idea--oh." Mrs. Cunningham startles, grasping her robe at the front as she spots Steve standing next to her daughter.  
"Hi Miss Cunningham." He says.
"Hello." She says suspiciously. "And who are you?"
"I'm Steve Harrington, ma'am." He watches as her mother straightens immediately at his name, and sinks right into the ol' Harrington charm, knowing instantly it will work. "I know you were expecting Jason, but I'm afraid he wasn't able to drive Chrissy home." 
"Oh, Steve! It's so late I almost didn't recognize you." She titters, suspicion gone. "Your mother and I are on the same charity board." 
Of course they were.
"I thought you were dating that nice Nancy girl." She says with a squint that mimics Chrissy's, because even in the midst of a crisis he can't escape the gossip that is Hawkins upper echelon. 
"Nance is waiting in the car." Steve lies smoothly. "I just wanted to make sure Chrissy got home safe." 
"What happened?" Chrissy's father appears, ushering them both in while blatantly peering around them, eyes sweeping the street before closing the door.
Steve recognizes the move. He's checking for nosy neighbors. 
"Jason and I broke up." Chrissy admits.
"What?" 
"We..." She falters in front of her parents. 
"What happened to Jason?" Her father asks, tuning back in once they're safely away from peering eyes.
"I'm afraid Jason and some of his friends brought beer to the party." Steve steps in to explain.  
"Oh Chrissy, it's a high school party. That's no reason to break up with him." Her mother fusses, face flushing in embarrassment. Her eyes dart from her daughter to Steve and back, and Steve knows he needs to start damage control. 
If he plays it right he can burn Jason while he's at it. 
"He was horrible, mom. Just awful." Chrissy says, but Steve can tell she's shrinking under her mothers gaze. 
"He drank quite a lot, Miss Cunningham." With a theatrical wince, Steve turns to face Chrissy's dad, lowers his voice and says "I'm going to have to talk to Coach about it." 
He gets the intended response, which is a raised eyebrow. "That bad, huh?" 
Steve nods once, painting a pained smile on his face. "He made a real fool of himself tonight, Sir. The basketball team has a reputation to uphold." 
"Oh." Mrs. Cunningham says, hand fluttering in front of her face. "I never would have thought…"
"He's normally a good guy. I don't know what got into him." Steve has them both eating out of the palm of his hand, attention neatly off Chrissy and onto the story he's feeding them. 
Its worth it to see her shoulders relax. 
"I couldn't let him take Chrissy home in the state he was in Sir, and he got very…" 
Steve pauses. 
Fills his voice with tempered disappointment, channeling his dad. "Belligerent. Said some nasty things."  
"Really?" Mr. Cunningham says, with a low whistle, and Steve knows by his tone alone that he's bought in.
Hook, line, sinker.
Steve nods once. "I have to get back to my girlfriend, but Chrissy'" He turns earnestly here, to let her know he's not faking this next bit. "Let me know if Jason bothers you at school. I'll set him straight again if I have to." 
"Thank you Steve." Mr. Cunningham says, as Chrissy's mom hustles her daughter towards the kitchen. 
Steve shakes his hand, then waves at Crissy as she calls her own thank you over her shoulder, before disappearing out the door and back to his car.
The same one where Nancy very much isn't. 
That's a problem for tomorrow Steve.
xXx
Tomorrow Steve gets into an argument with Nancy. 
She can't recall that Jonathan took her home, or that he's bullshit, their whole relationship, bullshit--
But she also can't tell him she loves him.
So Steve snaps at her. Storms off.
 Play’s more basketball.
It takes less than two hours for him to get mopey and another three for him to spiral into deciding he was wrong somehow.
That's what his mom said all the time anyway, wasn't it? The man's always wrong Steven, and he's the man here so…
He gets flowers, chocolates, and fucking waylaid (by Dustin Henderson with his Grow a Monster) and things go sideways from there.
 Train tracks and a junkyard and demodogs make time speed up. An encounter with Billy and a dinner plate causes Steve's recollection of the evening to be fuzzy. 
He just knows that in the middle of dodging death, he has the realization that Nance wants to break up with him.
That he should let her. 
Even if it hurts, even if he doesn't want to. 
She wants to be let go.
So Steve does. He respects her, and when he has a moment after its all over, he tells her to go with Jonathan.
(At least he permanently gets the squirts out if this. Or at least everyone but Mike.
Even if most of them are shitheads and one of them's Hargrove's step sister.
It's--something.
But when Dustin keeps pestering him, demanding Steve drive him all over Hawkins and then drags him to the movies, well.
It might be the best something Steve's had in his life so far. )
xXx
"Oh shit. Is that from Caver?" Eddie asks, popping up near Steve's car like the clown in a jack in the box. 
"Carver can't hit for shit. This was Hargrove." Steve replies, attempting an eyeroll before remembering that his entire face is a bruise. 
One, giant, never ending bruise. 
"I guess his step sister gave him the slip to come hang out with these kids I watch sometimes. I didn't know she wasn't supposed to be there." Steve shrugs, because it's the technical truth. 
If you turn it sideways and squint anyway. 
"Asshole tried to threaten the kid Max is into by slamming him into a wall and screaming shit, so I stepped in, and--" He waves at his face. 
The same one he's already getting looks for. 
"I was winning." Steve sighs theatrically. "He broke a plate over my head."
The story seemed to freeze Eddie but he recovers with a quick shake of his head. 
"You poor thing." He tuts. "Let me guess--you were more worried about the hair than the wound?" 
Eddie's hands flutter like he's going to touch Steve's head but he seems to contain himself at the last minute.
The hospital threatened to buzz it for stitches." Steve says darkly, playing into the bit. 
(He had not gone to a hospital. 
None of them had.)  
"What would our King be without his crown of hair?" Eddie laments, in a falsetto that was half insult half oddly sincere. It was jarring in that it was hard to get a read on, but the more Steve was around the guy the less it seemed malicious and the more it came off  as just….goofy.
Eddie Munson, Steve decided, was not a freak.
 He was a dorky little weirdo, just like all the other kids Steve now hung out with. 
Just older, and with slightly better hair. 
"Hey Eddie." Another boy calls out, approaching cautiously. 
He's got a leather jacket on, and if Steve thinks hard enough he can sort of conjure up a memory of the guy at Eddie's lunch table, throwing a piece of bread at a pale sophomore decked out in plaid. "You good man?" 
"Yeah Jeff, just checkin' in on the Hair here." Eddie sticks a thumb towards Steve, who raises his hand and waves. 
The falsetto comes back, somehow higher as the older boy swoons over Steves arm. "Soothing his poor soul after that brute Hargrove almost killed him." 
"Has anyone ever told you you're a lot like Bugs Bunny?" Steve asks, the thought leaving his mouth the instant he had it.
(He doesn't care, it's a legitimate question.) 
It has the effect of making Munson look downright chuffed. "I have actually, but only by my Uncle." 
"Why are you checking in?" Jeff interrupts, before seeming to realize he said it out loud. " Ah, I mean--"
"Oh he didn't tell you?" Steve says, as casually as he can muster. "Eddie claimed me and Chrissy at a party last weekend." 
See Munson? Two people could play the weird bit game. 
They've attracted more of Eddie's friends now, two more boys in leather jackets edging closer like frightened deer. 
(One of which is the aforementioned younger man Jeff threw bread at, and Steve vaguely thinks the guy's name starts with a g.) 
"Apparently we're his minions now." Steve tells Jeff in a rather put upon manner. 
"It was just you, the fair maiden chose otherwise." Eddie counters dismissively, voice dropping down low. 
Steve snorts. Hums a sarcastic; "Like you'd let us choose." 
Eddie finally abandons whatever voice that was supposed to be (a villain, Steve thinks, and wonders if it hurts Eddies throat to drop from a false high to a deep low that quickly.)  to say:
 "Mock me all you like, Harrington, but you can't deny the bit worked." 
Steve automatically went for another eye roll, and gets a flash of pain for it. "Who said I was mocking you, you dork? Just stating facts." 
Yet again, Eddie reacts weird to the comment. He looks almost bashful for a second, before he recovers, tugging his hair in front of his face as he plays with it.
The bell rings once in warning, and Steve makes a face towards the doors. 
"I gotta go, Mrs Clicks out to fail me. See you around, Eddie. Jeff." The way his eyes are bruised up he can't quite make out the face Jeff makes at that, but Steve's pretty sure the guys mouth was open. 
"She's a nasty one, my minion, best stay on your toes around her." Eddie calls, and Steve waves a hand in the air to show he heard. 
"What just happened?" Jeff asks, far too loudly for how close Steve still is. 
It makes him chuckle a bit, even as one of the other guys says something in a far quieter voice that has Munson squawking and flapping his arms like a bird. 
The winding little feelings in his chest squeeze his heart, and Steve shakes his head, refusing to be fond of Eddie Munson. 
xXx
College rejection letters come in, one after the another.
Steve could have made it into a few schools he's certain, except he hadn't really applied to any.
Not that any college other than Penn Hurst mattered. His dad wanted him to be a legacy, come hell or high water.
Steve's punishment was hand picked by his parents, and he gets the sailor outfit his new minimum wage job requires is supposed to be a part of it--that his dad made him apply because it was the most embarrassing thing he could think to subject Steve too-- but honestly? 
It's not that bad. 
Not even with Robin, the manager he met yesterday, and who positively, completely and totally, hates Steve’s guts.  
He figures he has time to win her over. 
All the time in the world, now that demons aren't trying to eat his, or any of the kid's, faces. He can focus on the small things. Build himself back up.
Figure out the person he wants to be, now that he's no longer King Steve. 
It’s the thought that kept him from attending any graduation parties. To go felt like backsliding into old habits. 
‘If the kids--if it comes back again--’ 
Getting drunk at night in a random house seemed almost irresponsible.
Particularly not with people Steve has history with, without anyone he really cares about being present. Certainly not Nance and Jonathan, who he wishes he didn’t know are at some end-of-year game night one of Nancy’s friends is hosting. 
(Steve can’t think about that for a number of reasons. 
When he does--because of course he does-- he makes sure to focus on the weirdness that is Jonathan Byers being someone he cares about, instead of the fact he can’t seem to kill his love for Nancy. 
Or that he's horrifically jealous of their relationship. 
That the best sleep he had ever had was between them, two nights after the lab, when they crammed themselves into Jonathan's bed because they all couldn't quite believe it was over.
That night had been so incredibly weird, but grouping together felt safer. Smarter.
Better.
Not in a way Steve wants to put into words. 
Not in a way he wants to confront at all.) 
His parents hadn’t been able to make it home to watch him walk at his graduation--his father landing a last minute meeting with some important person or other. 
Faked apologies were given, money transferred, and Steve, not wanting to sit in his too-huge house, had meandered to Family Video. 
Tried to forget his father’s cold voice in the background of his mother’s call, loudly announcing he’d have made it a priority to see Steve graduate-- if he’d gotten into Penn Hurst. 
Steve just shakes his head. Pushes those thoughts into the back of his head, into the same place all his other weird thoughts live.
The glare he gets from the tall, pimple-ridden guy working the rental counter was expected.
Chrissy Cunningham, was not. 
"I thought you’d be at one of the parties.” He tells her, when he turns down the romance aisle and finds her staring blankly at a shelf. 
She startles, before recognition flits over her face and a warm smile is directed his way. 
“I'm honestly not a fan of parties." She confides in him, hand clutching a tape in her hands."Not those kinds, anyway.” 
"More slumber parties, less keg stands your speed?" Steve guessed, blatantly turning his head sideways in order to read the title.
She awards him with a wider smile. "Exactly." 
"Chrissy Cunningham. Are you renting Jaws?" He teases, leaning in just a touch.
She flushes, but turns and squares up to him. Steve's delighted to see it. 
"Why yes I am. I'll do you one better and even admit it's one of my favorite movies." 
Steve grins at her, and sees the way she lights up on response, eyes bright. 
This is the Chrissy that Carver had tried to kill. The strength and pure fun that radiates off her enhances the beauty she has to something almost otherworldly. 
Steve has seen enough beauty in his life to recognize when it will stay. That Chrissy wil one day be 80 years old, with gray hair and knit sweaters, and she'll still be able to light up a room. 
"Like sharks killing people that much huh?” He teases. And it’s easy, slipping into this part of himself around her. The part he’s been trying to get back. 
The confidence that he walked with, before monsters crawled out of the ground, and Nancy put a hole in his heart.
"I'll let you in on a secret. ." Chrissy leans in, dropping her voice low enough that Steve has to lean in a bit too to hear. "My favorite character is the shark." 
Steve playfully gapes at her, and for the first  time in a long time, feels like things will be okay. 
He’ll be okay.
He won’t be King Steve. He’s not Nancy's Boyfriend Steve either--but someone else. Himself.
A Steve who exists outside of Hawkins High, outside his family name. 
He likes it.
"I told you that was his car. Steve!" A too familiar voice calls and Steve can't mask the despair that hits him as he turns to his (now least) favorite shithead, whose storming through Family Video’s doors. 
"Dustin." He identifies, with an edge to his voice he can only pray Chrissy doesn't pick up on. "Other brats. What are you doing?" 
Mike stands stubbornly at Dustin's right, Lucas nervous at his left. 
Will Byers is situated next to Mike but Steve's not as familiar with him, and has no idea how to interpret the kid. 
If he had to guess based on the face he’s being sent, Will’s more nervous then the rest--but equally determined. 
(This does not make Steve feel better. It in fact, somewhat convinces them they’ve run headfirst back into trouble.) 
"Well we were going to go to Lucas’s, but now, we're bumming a ride from you!" 
"I'm busy." He says flatly. 
"Ste~eeeve!" 
"I didn't know you had a brother." Chrissy says, hand covering her mouth. 
Looking back at her, Steve's pretty sure she's trying to physically hold back laughter. 
If one could shoot lasers with their eyes, Steve would be nailing Dustin for ruining--whatever it was that was happening here. 
"He's a rescue" Steve says flatly. "It’s not working out though. We're planning on returning him to the shelter.” 
"Wow Steve." Dustin returns, offended. "First of all, if anyone's rescuing anyone I rescued you, or did you suddenly forget that you show up to family dinner every Thursday at my house like a sad orpha--mmpphh!" 
‘Mmpphh’ because Steve had taken several long strides across the store to smack his hand over Dustin's mouth. 
"Sorry Chrissy, it would appear the asshole children I am paid to babysit escaped whoever is supposed to be watching them." He shakes Dustins head, in lue of strangling him. “Hit me up later we’ll discuss the shark’s best kills.” 
“Will do.” Chrissy says, as Steve begins the process of shoving his four smaller friends out the door. “Drive safe!” 
“No you don’t, and you’re gonna prove it by swinging through McDonalds for us.” Dustin sing-songs, swinging himself into the passenger side of the Beemer. 
“You assholes owe me, big time.” Steve hisses, as Lucas and Mike instantly begin making kissy faces the second they’re out into the parking lot. "I had plans tonight!"
“Do you have McDonalds money?” Steve asks, only to immediately wince at himself because fuck did he just sound like a soccer mom. 
“I have money I took out of my mom’s wallet.” Mike says as he settles into the car with his friends.
“Fine.” Steve sighs in defeat, starting the car. 
He determinedly does not ask if the idiots walked here, because there is a suspicious lack of bicycles, if only because he hit his mom quota for the day and Steve refuses to say anything else that might edge out his cool persona.
The one he swears he still has.
Supposedly. 
("Does my mom really pay you to watch me?" Dustin asks a while later, when the other brats are distracted. His voice is painfully honest, and softer than it normally is. 
"In food, yes." Steve says, because he’s not that much of an asshole--and maybe, because Dustin is truly his only friend right now.
Steve honestly looks forward to those Thursday dinners, helping Ma Henderson and having her fuss over him in a way his parents never had. 
In a way no one ever had. 
Dustin lands a solid kick to his ankle, making Steve curse. "That's not payment you ass!"
"Ow, God Dustin--" 
"Just admit you're my actual friend, you dick!" 
"Language! I swear your mom stole you from wolves, you animal--" Steve swatted at him. 
Maybe, possibly later, he will go on to admit that yes, Dustin is his friend. 
He will even agree to making up a stupid handshake for it. 
It involves lightsabers and gore at least, which Steve insists is very cool.)
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beescake · 4 months
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oh to trust another troll w a sharp object against yr head
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atomicradiogirl · 4 months
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house md is in a way extremely groundbreaking and no show has gotten even close to what it managed to do. house is a disabled character who stays disabled for the whole series and yes he is a flawed and damaged person and his bad actions are in line with his character and dealing with chronic pain. he changes even though he is adamant for the whole show that people don’t change. house becomes self sacrificing and learns to love in his own flawed way. he goes to therapy and seeks help and support and he is 100% not the same person he started out the series as. there are canon queer characters that aren’t only treated as jokes and have actual three dimensional character arcs. there are unhealthy relationships and healthy relationships. there is loss but it’s not treated as shock value. actions have consequences. characters stay and go. house md is just as real as it is outlandish at times. it skirts the line with absurdity and realism. it’s beautiful and tragic and at it’s core it is a story of love and becoming a better person despite your trauma and flaws. it doesn’t treat house’s trauma and disability as an excuse for his actions but it’s why he is who he is. and despite all of this, house is happy at the end of the show even though the one person he truly loves, his male best friend, is dying. they could have gone the conventional route and gave wilson a female love interest who is actually good for him at the end of the show and yet they choose to have him run away to spend his final days alive with house. and this show ended before gay marriage was legalized. oh my god.
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sersi · 3 months
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Carol Danvers and the Long Journey Home ✨
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theelastword · 3 months
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something new about aziraphale that i’m getting emotional over on this fine night (no one is shocked): i cannot stop thinking about the first scene of season 2. specifically i cannot stop thinking about the fact that even then, in a moment where both he and crowley even looked younger due to their innocence / lack of doubt or questioning just yet, aziraphale is already doing somersaults to worry for those around him. he doesn’t even KNOW this angel, and the idea that crowley could get in trouble for asking questions shouldn’t occur to him yet, but he’s still so burdened by anxieties and doubts for other peoples’ well-being and conditioned to protect others at his own expense (not to mention eerily close to seeing through Heaven for what it is). aziraphale is so fundamentally good, worrying about other people and caring about them before the very idea that bad things could happen to a fellow angel SHOULD have ever crossed his mind in the first place. and to me that disproves all notions that aziraphale is naive, because he’s been tragically aware since before the Beginning— and before crowley. which makes moments like the post-Job “what does that make me” scene even sadder because by all accounts, if aziraphale was familiar with what it’s like to doubt and worry before the Fall even happened, before he ever should have known what those things were, then he should have been one of the angels to fall, right? Wondering and doubting and worrying about things leads to a Fall, right? Only he didn’t. In a world in which there’s a line dividing doubtless, brainwashed, “happy” angels from doubtful, too-curious-for-their-own-good demons, aziraphale might just be the loneliest being in existence. he’s quite literally the sole person (that we know of) who stayed an angel but is forced to carry a burden that never should have been his, that NOBODY around him in Heaven has to carry. and he can’t ask about it because now he knows for sure where asking questions leads you, but he probably doesn’t understand why he has to carry that burden in the first place. the one he’s been carrying it since before Earth was even created.
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mattbegins · 22 days
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7x04 is one for the history books but I cannot WAIT to see how 7x05 plays out, oh my god the drama (Tim Minear I will be billing you for my therapy, consider this an invoice)
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wenellyb · 7 days
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It's 2029, Season 12 of 911 just came out, Buck and Tommy have been happily married for a couple of years, Eddie was the Best Man at their wedding and couldn't be happier for them, but one group of stubborn shippers has a thing to say:
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axquiva · 1 year
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I never post my art on tumblr but I just finished worm on a string byler and it might be my favorite thing I've ever drawn
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mikeslawyer · 2 months
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luna-rainbow · 9 months
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On Steve Rogers, loss, and loneliness
Unlike some of the other characters, Steve's hurt isn't as plain to the eye. His demeanour is usually one of stoicism and optimism, and it is easy to forget that his story is steeped in loss and loneliness.
Steve's introduction highlighted how alone he was - an orphan, armed with a list of ailments, and hiding behind a newspaper to avoid small chat with other recruits. When rejected by the recruitment centre, Steve shrugs and heads to watch a movie - alone.
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Steve is a loner, we are shown, and then just as abruptly - perhaps just like the way it had happened many years ago - Bucky crashes into Steve's world and hooks an arm around his shoulders and noisily talks about an expo and dispels all of Steve's melancholic air. Steve is a loner, except for Bucky.
But Bucky is now leaving to go to war.
Steve is used to being stoic, because there were no adults around him to spoil him. He is used to being buoyant, because Sarah taught him how to pick himself up and carry on. Steve is used facing the empty house and lonely silence -- except for Bucky, who filled his room with chatter, "We can put the couch cushions on the floor, like when we were kids."
So when we hear the anxious strain in his voice as he is informed by Bucky that he is leaving -- it also becomes plain that Steve is also used to loss, or the threat of loss shadowing him, everyday.
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In his short life, he has already lost so much. He has lost his health (my thought is he was probably healthier in his early childhood until he caught scarlet fever, and then his health got a lot worse after that). He has lost his father, and all the security of having a family breadwinner. He has lost his mother - to long hours of work and eventually to the disease she was battling against.
What he dreads would happen, does happen. Life seems to have a way of chasing him down like that. Sarah gets sick, and his fear of coming home to find her gone...one day inevitably comes true.
At his darkest moment, Bucky squeezes his shoulder and promises, "You don't have to do it (alone). I'm with you to the end of the line."
It's just enough for Steve to square his shoulders and push on, as Sarah had always taught him to do. Deep inside - possibly buried so deep that he can barely put it into words, he knows that he pulled through because "Even when I had nothing, I had Bucky."
I'm going to pause here and emphasise how deeply lonely (and young) Steve was, and how, naturally, the only stable presence — ie Bucky — in his life, through periods of terrible grief and uncertainty, is going to be such a deep-rooted emotional foundation for him (regardless of how you ship).
When the draft does come for Bucky, it's not just Bucky who's unhappy, it's Steve who's also aghast. Suddenly, the possibility of losing his last bastion looms over him, and he remembers the fear and anxiety and the devastating grief of losing Sarah. But it is also a war that needs fighting - so he comes up with a solution: sign himself up. He can't keep Bucky from the war, but he wants to fight alongside him. Besides Bucky, what else does he have to lose?
"Men are laying down their lives, I have no right to do any less. That's what you don't understand, Bucky."
He says this angrily, because the words he can't say aloud are, "You are laying down your life, Bucky, and I might never see you again, and I can't go through all that again, not by myself."
When he hears about the 107th being captured, he has to go. He is saving Bucky, sure, but he is also saving himself, because the pillar, the lifebuoy, the harness that has kept him afloat all those years is Bucky, and he's terrified of sinking.
The serum makes him taller and more women pause to smile at him, but he is still incredibly alone. He sits alone during break, he draws alone in his book, he runs off alone and none of the USO girls even notices until it's his turn on stage.
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But Bucky notices him immediately, and says, "I thought you were smaller," and, "Did it hurt?"
Steve doesn't really believe in miracles. His whole life feels like one bad luck after another, even if he forces one foot in front of another and keeps marching on. But maybe at that moment, he feels like Bucky is his miracle. Bucky, who always seems to notice when he's alone and pulls him into his social circle. Bucky, who had seen him lose his dad and Sarah and promised him the end of the line. Bucky, who he - and all the commanders - thought was dead, pulls through and gives him another promise - that he would follow the little guy back into war.
When Steve is finally thrust into the frontline, the losses keeps mounting, man after man are falling, condolence letter after letter is being written. And then towards the end of 1944, the tides seem to finally turn. German forces are waning, the Allied forces are advancing, and quietly, secretly, Steve dreams of home.
And that dream dies with Bucky.
"Honour the dignity of his choice," he is told, but he can't shake off the guilt.
He pushes himself forward, step by dragging step. Nazi Germany is falling. He is taking down Hydra with his own hands…and at the end, he buries them all in the ocean with himself.
His is sinking, but he isn’t afraid, because he is going where all the people who mattered are waiting.
And he is denied even that.
He opens his eyes to a world he doesn’t recognise. They tell him they had won the war.
But no one wants to speak with him about what was lost.
A folder of old photos, the museum of unmoving murals, the silent movies of a smile he would never see again.
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He thought he had lost all there was to lose, but somehow life always seem to find something else to take.
What we see of off-duty Steve in the modern world is once again a figure of loneliness. He goes to the gym alone, he goes for a ride on the train alone, he sits at the cafe alone, he goes for runs alone, he goes to the museum alone.
Only during those solitary moments he could truly be Steve Rogers, instead of trying to meet everyone's expectations of Captain America. He is just shy of 27 years old, but suddenly, he can no longer lay claim to youth. Only a dream ago he was "just a kid from Brooklyn", and now he's an "old-fashioned" (as per Coulson) "older fellow" (as per Tony).
He's in the history books, he's on the television, he's in the classrooms; everyone knows of Captain America, but Steve Rogers is lost.
He had been willing to lose his life on the Valkyrie, but what he lost was every living connection and his own identity.
"Must have freaked you out, coming home after the whole defrosting thing," the friendly man says to him on their first meeting, but Sam only knows half of it.
The too soft bed and the too quiet room is one thing, the unshakeable nightmares another, but the worst of it is -- this isn't home.
He is marooned in a place that bears eerie resemblance to the world he knew, without being familiar.
Until the moment Bucky's mask comes off.
It's like the anchor dropping. He's now got a connection tethering him to this strange place, someone with "shared experience" that means he is no longer alone, and he is no longer a ghost forgotten by the seventy years of lost time.
"He doesn't know you."
"He will."
He has to believe that Bucky will, because Bucky is proof that Steve Rogers exists.
And once again, Bucky is his miracle. On the brink of killing them both, Bucky reels back from his brainwashing and hauls them both to safety.
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Even if Bucky leaves after that, he's left behind something Steve hasn't had for a long time -- hope, and belonging.
"Family, stability. The guy who wanted all that went in the ice seventy-five years ago," he says to Tony as he prepares to meet the ragged team of enhanced people that is to become the Avengers. "I'm home."
Stoic and buoyant as he has always been, Steve sets to work building that home for himself. Gradually, we see Steve open up. He forms new connections and new friendships, he talks about his vulnerabilities with people he trusts, and he reclaims his own identity. He looks for Bucky, and waits until Bucky is ready to build that home for himself.
Until it is once again blown apart by the end of Infinity War - he loses not just Bucky, the anchor to his past, but the new family he has made apart from Natasha.
That's why it makes sense that Steve, not Tony, is the one working so hard to reverse the Snap. His family was 5 years ago, Tony's family is now. The people who rallied behind Steve and not Captain America, the people who followed him after he dropped the shield, the people with whom he no longer needed to be endlessly lonely and tirelessly stoic and who loved him for who Steve Rogers was, they all vanished in the Snap.
So even if there was only a small hope, Steve wants them back.
And that's why his decision to leave everything he had built, the sacrifices he had made to bring them back, in order to go into a life of incredibly loneliness and deception is still the dumbest narrative faux pas in the MCU.
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beescake · 2 months
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PLEASE PLEASE MEGADUMP THE ARASOL!!! PLEAAASEE MR BEESCAKE I AM ON MY KNEES BEGGING YOU
HFHGHD GLADLY aaa i’ve been adding notes to it here and there for months but just hesitant to post it bcs im 🧍‍♂️🧍‍♂️🧍‍♂️🧍‍♂
also this is just my own takeaway of the events, it doesn’t necessarily comply to the Ultimate Truth of Canon-Alignment or represent the actual facts of what hussie intended! v sentimental smh but hopefully its still interesting to read
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i love when characters inform each other by proximity, it's one of my fave things to see in media :') it feels even more significant when two characters deliberately choose to stick together, so that when one operates, you can tell the other is similarly aligned in associative solidarity.
sollux is a keystone of this trope — whoever he aligns with is a wordless statement, a nod of approval. this stood out to me bcs the main four humans were alr friends by default, but once you reach hivebent you realize the trolls can actively choose who they want to hang out with.
and as we all know, after assessing every troll's biases/loyalties, sollux is the only one who maintains his selective preference for innately Good 👍 people.
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aradia is such a beautiful character honestly, she evokes such incredible feelings in me. she might not have been consistently written with care but the best parts of her character are truly stunning. i think it's easy to remember sollux as the self-sacrificing one bc he's so open about it (and his friends frequently react to his Moments) but when you compare him to aradia, it's always struck me
how much more. raw it is
to be so alone as an agent of time, having to orchestrate immeasurably harrowing events nobody understands or gives a fuck about
with your role painted in the story as one who must tend to the needs of the narrative, responsible to match every next note
because when you're given the capabilities, it becomes your duty to carry it out.
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it becomes expected of you to keep experimenting and arranging the machinations to work for everyone, dusting off hundreds of necessary failures to keep going
and having to be so unwavering in your drive knowing miserably that there's no one who can help you but yourself.
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or alternatively: to make things fun! so other people won't think twice about letting you go off on your own.
sure she's had some very good buds, notably thanks to Team Charge v Team Scourge antics.
and yet, at the end of the day, the one friend that kept choosing her time and time again was the friend with the highest standards.
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i can see why people like to define arasol as moirails/matesprits but surprisingly i find the nondescript, unlabeled aspect of their relationship more straightforward to understand.
there's no shortage of people who would accommodate sollux. most of the surviving trolls are his oldest friends bcs he’d chosen them well. his transparency with his feelings had built him strong friendships that won’t falter or break, regardless of how much of a dick he can be. they’ve already seen and accepted him at his worst, and they still like him for who he is.
contrast that with aradia, who'd been so approachable, friendly and reliable in her exchanges it was super fun to talk to her. but the moment she became depressed, all her connections broke down.
her friends became hesitant to interact with her (until she became god tier, “happy” and amicable again) because her gloom and resignation didn’t serve them. she dealt with it alone.
there’s def something of note here abt the disparity between the way male & female characters are written+perceived in homestuck (esp parallel arasol with davejade) but i won’t go into that lmaoo
with this in mind i like to think of sollux as a gift to her, a loyal companion given to complement and commend her resolve. she's capable of doing so much alone but hussie took the time to build her and sollux's relationship as one of a unit; a set.
the ambiguity of their status does complicate things, but i do believe it makes sense with their characters. aradia's relationship with romance is a rocky one, the dubious stringalong equius had with her is a pointed reminder that her feelings of attraction are ultimately controlled by the author writing her.
unlike the other trolls who can openly address and own up to their crushes, aradia had romantic emotions forced upon her (especially when hussie implies 'she kissed equius back on her own volition'). and it seems like her character is so intrinsically neutral abt attraction that even when forced by the almighty powers above, she's unable to retain it wholly.
however, looking back to pre-game when she could actually "choose" her own feelings, she did have a crush on sollux.
their soft spots for each other were so obvious to the point where other people could see it.
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taunting aside, when vriska comments on their unit as bf/gf it actually informs the audience that arasol's relationship is romantic in nature despite not aligning with the quadrant system.
even while dead, aradia could still describe her care for sollux, expressing that she would like to see him happy. if they had more time to explore their relationship on alternia, it's possible they could've settled in a quadrant once they grew older.
but going back to the lack of labels, their dynamic was affected once more when aradia became god tier.
to me, her ascension was both the perfect culmination and possible closure of her character. it's the light at the end of her journey toiling through countless of timelines where she had to actively assess and participate. that's why it's cool to see her being silly and having fun giving guidance, passively exploring and watching other people do their parts.
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and yet the joy of her freedom makes it hard to explore further introspection. if we take her by her word, she'd already come to terms with the hurt she's been through and forgiven those involved.
i can't help feeling attuned to how impersonal and detached it can be, to devote and meld your identity so completely with your designated position as Maid of Time until you've become hard for your old friends (and even some readers!) to personally connect to.
idk post-canon but i assume there’s some degree of similarity to be bridged here with aradia's god tier and how the hs2 humans' Ultimate forms was described as a consolidation of all their possibilities. since aradia's classpect is inherently of service to Time, going god-tier may have elevated her beyond personhood with the "game construct" possessing her entirely. sollux doesn't realize the extent of it bcs he's still mortal, but a part of him may have subconsciously understood this.
i think there is a core aspect to aradia that was lost to the dehumanizing glory of god tier — a core aspect that may have contained an element of why sollux enjoyed talking to her in the first place.
to him, aradia hadn't just been a nice girl, she was a cool girl. despite not having much in common, he's still willing to chill next to her so she's not alone while she does what needs to get done.
back on alternia, they held a mutual and equal-level regard for each other that could've definitely settled into something permanent. but now, he's placed himself in a position where he can be kept around or left behind at will. the parameters of the relationship are largely in aradia's court, so any label she suggests to identify their relationship with he's likely to accept.
but that's why it's so difficult to label it. because god tier aradia may not necessarily Want quadrants or relationship labels. rather than the initial romantic attachment, their commitment to each other had evolved into one fundamentally of companionship.
no label? ok fine. no matter what, he still thinks she's a good soul worth latching on to. the best, actually. aradia > everyone else.
even if it gets stilted at times. there's an unexpected struggle to connect when sollux's go-to default for talking points is his feelings about things, and aradia may not want to talk about emotions all the time.
not to mention god tier aradia became an observer, especially of chaos. but sollux's avoidance of involvement comes partially from his innate pressure to get involved if something goes wrong. and he can't always tell when something goes wrong, because aradia doesn't mind if things go wrong anymore.
it's a non-negotiable preference that causes them to take the occasional time apart, a new boundary that wouldn't have existed before the game and aradia's god tier.
but just like how his friends tolerated his moods, sollux accepts aradia as she is. with no quadrants, their connection doesn't break down because there's no implicit romantic expectations to be disappointed by or resentful over.
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sometimes when i see hs content that deliberately distances sollux from aradia, i assume this is the dissonance people might have felt. people might find it "easier" to be cynical about them bcs of this strange tension.
but idc lmao. grab that shit by the neck
lack of easy resolutions and cleanly tied ribbons is pretty standard of homestuck and imo it doesn't make arasol's dynamic any less incredible. with the right affection and consideration, there's still so much potential to develop the nuance of their relationship outside of the popular quadrant-based depictions.
hs has a lot of really great character compatibilities but the way aradia and sollux are in their own special orbit is why i can write this much about them in the first place. it's that frail innocence between first loves that makes it so sweet to me, two kids who grew up too fast playing guesswork without being clear where they're going.
ultimately i do think you're meant to feel a little tragedy for just how much they care for each other, even if they can't quite establish it in simple terms.
maybe they keep taking breaks to progress their own paths. maybe they remain as anchor partners while seeing other people. but even if you decide to separate them, they're still (awkwardly) texting each other updates all the while. and when they reunite it feels like coming home.
and well. more than anything, i like to believe that they do want to be exclusive.
they're just afraid. after all, they're still learning how to love, beyond the projections of the foursquare quadrant system they had inadvertently distanced themselves from since young.
they might not have everything figured out, but they'll get there eventually if you just hold them together and write them there.
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optional post-canon segment:
one of the limitations of main hs is that (monogamous) relationships are often written as the go-to solution to wrap up character growth; it's an easy "patch" to imagine characters getting their happy ending because they have a partner, and those who don't end up with someone don't get that closure (most notably jade).
hs2 reaffirms this by suggesting that aradia's character cannot progress without letting sollux go, because happily settling in a relationship automatically locks your potential.
that pathetic panel of sollux staring emptily into the sky is still my fave hs2 spoiler ngl i find the impact of their parting so emotionally provoking precisely bcs they were written in original hs to be each other's forever, coming back together again and again
but now, they're subject to the decisions of the post-canon authors who might choose to deviate from that.
it's not new for them to part, but now there's an underlying worry that her dropping him off this time might be the last time. while i think the prospect of shattering their stability to make them grow separately sounds fun on paper, no amount of me desperately hoping for a good execution is gonna guarantee it
idk. i guess prediction-wise im expecting sollux in classic dramatic-hs2 fashion to tell dave to back off aradia LMAO. otherwise it's just gon be sollux and karkat pathetically watching aradia and dave from a distance swimming in their unresolved feelings for narratively-powerful time players smh obvs it sounds corny as hell but who knows its still plausible
srsly tho i hope they take the opportunity to develop arasol's relationship in a fresh direction that doesn't hurt me too badly...... and i hope they force sollux out of his comfort zone. i like watching him struggle :-)
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"Don't blame me, love made me crazy If it doesn't, you ain't doin' it right" ❤️❤️
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boredgaywriter · 15 days
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Reblog of a post I can't find
(can't find the original post, so sorry)
(Does anyone know who @paladinpickaside is ?)
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