Honest to God starting following you for your art cuz I loved the dynamics, the AUs, the fact they feel like siblings. (The art with Cass climbing on Jason is currently my favorite) it wasn't until you called yourself out that I'm like "Oh, their hands are weir" but the Lanterns AU with Star Sapphire Jason shit talking Bruce is my favorite comic ever.
It's the palms I keep making them longer then they should be and I don't know why your palm should be the same length as your middle finger just another example of me being lazy, I think the reason I like drawing the batfam specifically tho is bc I understand their sibling dynamic and relate to it alot like them my family also all hate each other and is the most dysfunctional toxic thing you've ever seen
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I don't know who needs to hear this, but as a creator -
I am fine with "the audience" -
downloading my fics
printing my fics
copy/pasting or screenshotting my fics
sharing your saved copy of my fics with anyone else who might want them in the unlikely but never impossible case that my fics are no longer available on ao3
making a book of my fic(s) and running your fingers across the pages while lovingly whispering my precioussss
doing these things with anything I create for fandom, such as meta, headcanons, au nonsense like 'texts from the brodinsons,' etc
I am not fine with "the audience"
doing any of the above with the purpose/intent of plagiarizing my work or passing it off as their own in any capacity
feeding my work into ai for any reason whatsoever
Save the fandom things. Preserve the fandom things. Respect the fandom things.
Enjoy the fandom things.
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animal farm (1945) - george orwell
"womp womp"
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some of yall will be like “i dont care about your dreams, i dont care about your spotify wrapped, i dont want to hear about your interests, dont you dare talk to me about your trauma,” and its like. what do you even have friends for. bc it sounds to me like you dont give a shit about anything that makes them a person. what do you talk about.
important addendum: if you cant read and you leave a dumbass comment on my post im just going to block you 💛
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when you guys see this post getting reposted for the 3948734987th time just remember: i'm op, me and a buddy did this at work while bored, it's real and afterwards my buddy threw pennies at the motherboard until it shorted something and stopped turning on
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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When I was younger I never really understood why fictional hyper-competent women would fall for well meaning but really dumb & weak men like Futurama’s Fry (NOT himbos) until I grew up and basically became non-binary fry &people love me bc I’m sweet & stupid
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ngl, I'm beginning to take issue with how in conversations about anti-intellectualism almost automatically, the face of girls and women will be slapped on the problem.
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every aromantic person who has to witness someone say “there is no non-romantic explanation for these characters” should be financially compensated
EDIT: if i see another one of you fuckers arguing “but sometimes they ARE just super romantic” i’m tired of being nice. i’m just gonna let you know that 1. amanormativity has rotted your fucking brain and 2. it’s people like you that are the reason why aros are suffering. other aros you are not absolved of this. just fucking listen to us for once and stop denying our experiences and pleas.
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france is burning.
667 people were arrested last night. they are curfews in place. public transport is partially closed at night.
nahel, a 17-year-old, was shot tuesday by the police during a traffic stop. he wasn't violent or armed, he wasn't a threat. but he broke the law and tried to drive away, so the cops killed him.
and now france is rioting.
there is a video so the government isn't trying to deny the facts for once. but the minister of the interior (in charge of the police) still insist that the police shot less people since the 2017 law on public safety.
but an analysis of police statistics by Le Monde, the most read newspaper in france, says otherwise. when the police shot on average 250 people each year in the five years prior to 2017, that number became 297 after 2017. for shots fired specifically on moving vehicles, the average used to be 119 and it's now 150. before 2017, there was an average of 0.06 deaths per shot. now it's 0.32.
more than ever, the police shoots to kill.
so france is burning.
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My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.
[id in alt text]
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Gay Freedom Day Parade, San Francisco California (1979): "A DAY WITHOUT LESBIANS IS LIKE A DAY WITHOUT SUNSHINE"
The Dyke Project Protest Party for lesbian/trans solidarity, London, UK (2023): "A DAY WITHOUT TRANS PEOPLE IS LIKE A DAY WITHOUT SUNSHINE"
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people are saying "finally" or "they took too long" .... i did NOT want a next day update. the fact that they waited a few days shows they made proper business decisions that included a lot of debating. if anything it builds my trust in this new direction rather than destroying it
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Evil awful women and the blond guy who hangs out with them (he is also evil and awful)
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The AO3 search/filtering system has just ruined me for every other search function ever. I genuinely go onto websites, click 'advanced search' and then look at what paltry options they've given me in utter horror. How does anyone find anything? How do people survive?
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Sometimes I think about how Adrien, throughout the series, constantly grapples with his fear of abandonment. Gabriel conditioned him to believe that any love he receives is purely transactional, and that to earn affection he has to prove his utility. Adrien is constantly trying to prove his worth to his father for scraps of affection, and Chat Noir infamously crumbles on-screen any time he feels as though he is replaceable to Ladybug. It's a constant insecurity of his, like everyone will just dump him like a sack of potatoes the moment they find out how useless he is.
Meanwhile, all Marinette wants to is ensure that Adrien is happy. Because she loves him. She doesn't give two shits about how """useful""" he is. She holds him and tells him that she will never abandon him (both as Ladynoir and as Adrienette), and her fantasies are about saving him, not about him being "useful" to her. Throughout their relationship, Adrien is forced to disappoint Marinette constantly for reasons outside of his control (amok commands), and yet Marinette is still there for him.
At Adrien's lowest point, when he is forcibly torn away from everyone who had ever showed him genuine care, locked away in an all-white room and at his most "useless", right after disappointing Marinette and unable to even join the final battle or contribute in any way, she still saves him. She still loves him. Because he doesn't have to prove anything to her. Because he is loved and cherished for who he is, not for what he does, and that love is not conditional. Adrien's "happy ending" at the end of the first arc wasn't about him finally proving how useful he can be, because he never actually cared about being useful — he just saw it as the only means to feel loved and needed. Instead, in the end, he found out that he was loved and needed no matter what.
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