Honest to God starting following you for your art cuz I loved the dynamics, the AUs, the fact they feel like siblings. (The art with Cass climbing on Jason is currently my favorite) it wasn't until you called yourself out that I'm like "Oh, their hands are weir" but the Lanterns AU with Star Sapphire Jason shit talking Bruce is my favorite comic ever.
It's the palms I keep making them longer then they should be and I don't know why your palm should be the same length as your middle finger just another example of me being lazy, I think the reason I like drawing the batfam specifically tho is bc I understand their sibling dynamic and relate to it alot like them my family also all hate each other and is the most dysfunctional toxic thing you've ever seen
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What if NSH puppet's patterns/markings were glow in the dark.
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You know her heart is going !!!!!!!!! behind that vulcan facade
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Vasco seems like a honeycomb (candy) type of guy tbh
Never heard of it before, but it looks nice. Apparently it's really easy to make at home as well? Is it good?? The texture seems interesting.
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maybe the real boops are the friends we made along the way
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tw/cw: cursing (the one that rhymes with duck, x1), kissing (it's like the entire point actually, sorry), reader intended to be shorter, suggestive(!!!) + read tags for more info! (expect nonsense and mistakes lol it's like 12am okay i'm delirious ;-;)
you're peppering kisses all over his face, and he chuckles, his cheeks still squished in between the palms of your hands.
"missed me that much, huh?"
"isn't it obvious?" you roll your eyes but you smile, pressing a longer kiss on the tip of his nose. "now be quiet, i'm busy."
but he's not listening anymore. he falls back onto the bed, taking you with him. and you yelp, both of your hands outstretched on the mattress as support, caging him under you. you look down at him, glaring. to which he laughs but his gaze soon drops to your lips and his chin lifts slightly, and he appears unable to restrain himself any longer. his eyes return to yours, "give me one more?"
you huff but oblige, closing the distance between the two of you, your lips meeting his softly—slowly—at first, his lips moving in tandem with yours, but you were beginning to get swept away in the ocean called geto suguru. he's kissing you greedily, with a hunger like that of a starved man seeing bread again. he slides a hand down to your lower back, steadying you as he hoists himself up again. you respond immediately, wrapping your legs around his waist and arms around his neck. his other hand is placed naturally at the nape of your neck as he gently sets you against the wall.
he groans into the kiss, moving a hand to angle your chin. breaking away, he trails kisses down your jaw and to your neck, stopping at your collarbone. you let out a shaky breath, eager with anticipation, your hands find their spots in his hair, brushing through and twirling the ends.
you whine and he lets you drop down, both of your feet standing at the tips of your toes as you lean in further into the kiss. his hands slide down again, feeling you and this time squeezing in places that made your knees weak. you bite down softly at his bottom lip, tugging at it, and you giggle at his confused expression.
"should i stop?" you whisper teasingly as you pull away just enough to break contact as you flick your gaze up to his.
"fuck no," his voice is hoarse and he pulls you closer to him, finding your mouth again with his, "come here."
koi's notes: i dropped 2 of my 2k+ (wc) wips for this because i was CRAVING physical intimacy and oh my god... please don't perceive me >.< (also sorry for the poorly placed cut and name drop, it was the most natural place to introduce the name to me and yeah ;-;)
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hi! i always love your MDZS/CQL takes; can i ask what are the questions you think CQL is asking, as compared to MDZS?
I haven't actually revisited either canon in ages, which is making me nervous. what questions the novel is interested in can be pretty contentious all on its own! @mikkeneko has an excellent answer in the notes here which I reccomend to everyone. My own thoughts are honestly pretty scattered- I keep on deleting things and going hm, that's not quite right.
So, for the obvious-to-me example, people reasonably zero in on the creation of innocent doctors/radish farmers who Wen Ruohan is holding hostage. In CQL it's easy to infer that Wen Qing and Wen Ning are maybe the only cultivators and almost certainly the only combatants among the Wen remnants, and their status is much more ambiguous in the novel, which I personally think is asking, essentially, "and so what? were they wrong to run, when they had a chance? Do they deserve what Jin Guangshan will do to them if they go back? Aren't they just people, actually?" Whereas the question that CQL is asking is more to the effect of "What does Wen Qing owe these people, when she is their only defence? What is she entitled to do to save them, at other people's expense? If she fucks up that moral calculus, what then? Does it matter if she's personally fond of some of the outsiders who are going to get hurt? If one of them saved her brother? Later, this question will flip to what Wei Wuxian and Jiang Cheng, and the parallel to Jiang Cheng's situation in particular is, I think, genuinely pretty fun. You're giving up the Wen as soldiers who've laid down their arms in exchange for Wen Qing also grappling with leadership and the question of how many horrors she can stand to look the other way on to protect her own people. one reason I keep deleting so much is that a lot cql's changes were motivated at least in part by censorship, which I think we mostly share a general and justified distaste for! but I also think that within the bounds of that censorship the creative team put a lot of work into actually doing something interesting with those changes. Or, for another example- nieyao! There's a much greater emphasis on the nmj-jgy relationship, it's unambiguously very close and they are clearly extremely important to one another, and I think that's because the cql team has a lot to say about love, trust, power, and the ways those things interact, and that reflects back on all of the other relationships in play, including Wangxian. Almost every time, when CQL chooses change a relationship they make the characters in question closer- that's true for Jiang Cheng and Lan Wangji, for Wen Qing and the Yunmeng contingent, for Zixuan and Mianmian, and Huaisang and Meng Yao. It's even true for Lan Wangji and Wei Wuxian, who have a close and trusting relationship in first life! CQL puts a much greater emphasis on "all right, so you care, what next?" How do you choose someone and then choose to be good to them? What if there's a massive power disparity between you? What if you seriously disagree about your priorities and morals? How do you trust someone who's betrayed you? When is it a stupid choice to trust at all? How do you have faith that you know someone well enough for that trust to be meaningful?
for legal reasons i would like to specify that it's not that mdzs isn't interested in these problems. i do remember wangxian's literal trust fall. cql is asking these questions all the time about everyone. also for legal purposes i'm not suggesting that cql lwj and jc love each other. but! they establish a three month wartime partnership looking for wwx and then jc immediately drops him on wwx's say-so despite apparently having a positive enough opinion of him to tell wwx he thinks they should make up twice. lan wangji will later tell wwx he thinks he should loop jc in on the second flautist! these are people trying to navigate some kind of relationship/shared interest/community, as opposed to a hateful void. cql wants to say hey, how do you go about this? while I'm here and rambling cql also puts a lot of emphasis on wwx's connection to yunmeng and changes things up so instead of feeling alienated right before he leaves our last glimpse of him there is happily picking lotuses and playing with a kid! in both stories the narrative is asking who do you protect? who do you leave behind? can you ever get it back? but the angles are very different.
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I have so much brainrot about Medic's wife, specifically the design from the comic doodles that Makani drew, I'm so ready to draw a whole comic about her, man I love hallucinating.
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Thinking about Astarion and trauma again (shocking)
He really is the first character I've seen that depicts PTSD/C-PTSD the way he does. He's angry. He's collecting the pieces of himself he had to chip away over the years and figuring out how to fit them back together again, and it's hard.
I rarely see good PTSD rep in media (and C-PTSD is even less depicted/understood). And when I do, it's always the soft pitiable side of it. The side of it that's more palatable and easy to accept. But the reality is that the trauma that stems from such abuse can be vicious, and messy. It can lash out and push people away. Bring out the worst in you, at times. It can be so, so angry.
I love that we see that in Astarion. Both because it's good representation, and because I'm a survivor too. I'm angry. I'm upset. I want to kick and scream about it, but I can't. I feel like I must always remain in control, or that displaying those feelings will only hurt those around me and push them away. I don't want that. I don't want to hurt others or be alone.
Seeing Astarion do those things, being angry and messy over it all... It makes me so happy. He says things to Cazador I wish I could say to my own abusers, with no regard to how others perceive it. He doesn't hold back. And I get to see a character with a very similar kind of trauma do/say the things I only dream about, and not be abandoned for it. He's given the chance to heal and grow as a person, and feel loved. He gets to have a happy ending.
And he gets to be mad. And that's ok.
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Apparently Zionists are harrassing Sudanese people who're risking death to post updates from their own genocide because they can't tell the Sudanese flag 🇸🇩 apart from the Palestinian one. 🇵🇸
Mfers 1) can't even identify what they hate so much, 2) can't leave any Black people alone if their lives depended on it.
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There is so much nuance to the ep 6 scene between KJ and Lauren, I can’t get over it.
the motion older!KJ makes as they walk out, reaching for Lauren, realizing just in time that they are, in fact, in her hometown in Ohio and cutting short before she can land what was probably going to be an instinctive kiss
KJ coming in hot with the world’s most polite “hello!” and managing to make what must feel lightly like small talk for thirty seconds before dropping her voice to this shy, slightly-terrified question
the inability to hold eye contact. the faltering, wordless noises. the way she blinks like she’s seconds from just passing out in the middle of this theater--that is exactly how it feels to come out to someone for the first time. the edges of your vision go a little fuzzy, your heart is in your throat, you genuinely feel shaky, and all of that is so present in this performance
the sense of mild defeat in how she just lands on “movies” instead of “girls”, like she’s embarrassed she can’t just say it
the gentle ah hah expression on Lauren’s face as she realizes what this petrified kid is trying to ask her, and how smoothly she doesn’t correct her--just rolls with this safe code word
KJ’s nod and very tiny “uh-huh” without moving like any part of her face. like she’s reverting to standing as still as possible, protective coloring coming up in every inch of her frame
Lauren actually taking a minute to think about it before answering. and and then not giving the answer KJ asked for--”how did YOU know”--but what KJ actually needs to hear. what any kid in her position would: not everyone will get it, but everyone’s journey is their own, and there is no rush
(again, this is why I’m so delighted they wrote it the way they did--KJ and Lauren, not KJ and older!KJ, because older!KJ would have a definitive answer to give. it might be “I always knew, in the back of my mind” or it might be “when I was eighteen and kissed a girl for the first time”, but whatever the answer, it would cement KJ back into a box. this is your future, immutable, and there is no journey you could take that I haven’t already gone on. I’m so fucking glad they didn’t do this, that they let her have the reassurance that any timeline is the right one if it’s hers.)
again, that flutter-blink/quick breath combo that looks like she’s gonna pass out--but this time, there’s relief in it. it’s less “how do I say this Huge Thing” and more “oh thank god, she knows what I’m asking, she knows without me saying, and she’s being kind”
It is beautifully put together, such a gentle way of saying to this baby gay, “Nobody can tell you who you are except you, but whoever that winds up being is so okay. Listen to yourself. Trust yourself. You will be happy, I promise you.” It is a critical bit of advice so many queer people just don’t get, and to write it into KJ’s story is one of the show’s biggest kindnesses.
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I didn’t think I’d be so upset about The Ghost and Molly McGee airing its finale tonight but like. They never even promoted it as a series finale so I was not PREPARED to deal with this grief. I can’t even bring myself to watch the actual episodes because I am NOT OKAY WITH THIS.
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Does anybody ever think abt how CRAZY HUGE the Pillar family tree already is in canon, and then how ABSOLUTELY GINIMINASAURUS it is with the fandom's Pillar family/relative ocs???
Like. There's so many!! They can't take family photos or have family gatherings... They'd need family year books and a family getaway island or something... 😭🐛🐛🐛🐛🐛🐛🐛🐛
It's so strange to think abt how so many people have characters that are technically related to my two (i only have one designed atm).. Not strange in a negative way, just... An odd way?
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Hopefully this isn't too weird but I love the way you draw hands, it's like the way you draw them seem just as expressive as the faces on the characters, I just love how they look and I hope I get there someday (if you have any tips please share but if not that's okay!)
I love your art and characters and how you draw their expressions/poses, it's all so nice!
Not weird at all, I'm very flattered! Hands have become extremely important to me, I tend to put a lot of effort in trying to get them look just right. I'm still not where I want to be with them but improving nonetheless. If you ask me, a thoughtfully and intently drawn hand can be almost as expressive as a character's face, just like you said. They're such complex and intricate structures with massive emotive and aesthetic potential, it'd be waste to not make use of them in art.
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