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#obviously but I still mean it
king-chook · 1 year
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I JUST GOT HIT WITH A LOT OF EMOTIONS RIGHT NOW WHILE LISTENING TO BUMMERLAND BY AJR AND I REALLY WANT TO CRY AND HUG SOMEBODY SO IF ANYONE READS THIS KNOW THAT YOU ARE CHERISHED BY THE PEOPLE YOU CHOOSE TO SPEND TIME WITH AND THE LITTLE THINGS YOU DO WILL BE NOTICED AND APPRECIATED ANSFAKFKSKFKSJFWJDJDJDH
@windshield-patent @teeth-kid @pathos-p @yilleypi @handageddon @kaname-date-official @auntdarth @helpwhatisgoingon @vrgssmncht @cyberroses
THERE'S PROBABLY SO MANY OTHER PEOPLE I'VE FORGOTTEN BUT THIS APPLIES TO ANYONE WHO SEES THIS. PLEASE DON'T FORGET THAT I LOVE AND CHERISH YOU, EVEN IF I DON'T SHOW IT.
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convolutedblasphemy · 11 days
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Character: Doesn't exhibit sexual or romantic attraction through the entirety of the source material towards anyone; even expresses repulsion or confusion about romance & sex
The fandom: This character is canonically gay, why else would they not be interested in the opposite gender?
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mumblesplash · 5 months
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gem, what happened to your eye?
(wanted to upload this panel separately, original is from this comic)
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kaladinkholins · 3 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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demigods-posts · 3 months
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if i could have the show change anything, it'd be the kiss in tbotl. everything pretty much stays the same. he screams at her to get out because they don't have time to think of a plan. and she still kisses him. except this time around. he tries to kiss her back but she pulls away before he can. i think it would allow them to acknowledge the mutual desire for what could have been if they had time. but they can't ever be because time isn't on their side.
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kazswift · 8 months
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platonic relationships in media are actually so much more important to me than romantic ones. not sorry
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babygirlbuckaroo · 4 months
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as much as i'm rooting for canon buddie and think about little else all day, what i want the most from s7 is queer eddie. i want an 'eddie begins again' episode where we get to see a young eddie already struggling with gender roles and expectations, this time from a blatantly queer angle. i want more eddie in therapy scenes. i want eddie to come out to his dad after another nuanced and cathartic conversation. i want eddie unapologetically choosing to allow himself to have the things he likes and to feel less guilt about it. i want the silly scenes too - pepa reacting to the news by simply trying to set him up with her friends' nephews, much to eddie's chagrin; eddie flirting with guys and being painfully awkward about it, but it still working for him somehow (because he's so handsome). i want eddie to have a boyfriend he smiles and blushes about and for the team to tease him about it, and for him to happily shrug it off because this kind of thing doesn't make him tense up or panic anymore. in my opinion his character is already perfectly set up for a 'coming out later in life' arc and i think if done with care it could be so beautiful. yeah give me 'eddie begins again' now please
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gabe-lovebot · 2 months
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councilor 3D model
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i learnt 3d modelling from the ground up to bring him to life. he's yours now. do whatever you want with him
[link]
please credit me if you make something using the model (or even ping/link me to it, i would love to see what you made!)
currently available as a .blend, .fbx and an SFM port.
#hello councilnation i'm finally releasing him to the wild#have fun playing toys with him#ultrakill#councilor#councilor ultrakill#3d stuff#obviously with the councilor having just 1 full body image of him means that some stuff i had to improvise on#so you get to enjoy my headcanons on how he looks#(like obviously the wings & halo)#(but also the chestplate design)#but did you know that the councilor's canon design has subtle engravings on his forearm armor pieces?#i only barely noticed them when painting textures and i was floored#i had to add them#to the sfm anon and whoever else wants to use this for sfm stuff-#i did my best with a port for sfm and i'm quite proud of the result#but please be aware i have never used it before so if you find that something doesn't work as it should please please let me know!!#gonna pour my heart out in tags as always so close your eyes if you don't wanna see me being sentimental but#i'm not kidding when i say i learnt 3d modelling from the ground up for this#i have meddled with blender before but never actually came close to finishing a project#and i don't know how i did it and how i kept going#(i do know) (it was my friend encouraging me every time i showed him progress)#this was like 1 entire month in the making#but i'm so fucking proud of this and how it turned out and people's tags in my act 2 render genuinely were such a huge confidence boost#so thank you guys for liking it <3#i'm still very much thinking of doing a version with just his bloodied head#but it might take a while because i want a break and i want to play warframe
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"i need gale bouncing and moaning on it" with THOSE knees?? are you TRYING to kill him???
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stewyhosseini-bf · 1 year
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they are literally brothers that's his little brother man!!!!!! you don't get it!!!!!!
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meaningless-mayhem · 7 months
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Being asexual and possibly aromantic but also being a huge shipper and hopeless romantic is such a wild experience ngl. I'm always freaking out about my favorite ships and giggling internally reading ship fics, getting invested in characters finally kissing or reading about their pining and their love and I think "I want what they have!!"
But then sometimes you have a slamming realization that your sweet shipping scenarios you imagine in your head look totally different irl and that you are extremely aspec.
One time I went down a YouTube rabbit hole and stumbled across Vsauce's "Why Do We Kiss?" video and let me tell you. When I saw that stock video footage of two people kissing each other I was a little flabbergasted lmaooo
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sonknuxadow · 23 days
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anybody else ever think about how knuckles and shadow are both the last of their kind but how they ended up in that situation and their feelings surrounding it are completely different. idk i just think its interesting
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I think about these two moments a lot
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of people hanging in each other's arms, being held up when they're overwhelmed (be it in a time of heartbreak or even in a time of joy and relief). And about how so much of Jamie's journey was about him growing strong enough and supported and stable enough to be able to pay that grace forward and hand it out to others.
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b1ttersweet-dreams · 2 months
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and she's wearing down my rings taking the compliments meant for me and although i think i'll miss them at least there's proof of my existence a captive little soldier on her fingers deep behind enemy lines
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rebellum · 10 months
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The whole transandrophobia discussion thing is weird bc it feels like it's a bunch of poc and jewish trans people being like "here are my experiences of how specifically being MASCULINE had affected me, and the discrimination and violence I experienced based on that. And here is how that relates to me being a racial/ethnic minority"
And then a few loud white trans people going "ohhh you wanna be oppressed so bad you *slur*. This is why there aren't any poc in your movement it's because REAL poc understand intersectionality"
#hot take white culturally christian or athiest leftests do not properly interpret white jewish ppl#like as a poc i and other poc understand that white jewish ppl often get racial privilege#but a) not always b) they experience oppression based off of their ethnicity#idk from my perspective it seems like white goyim either see jewish ppl as 'the disgusting exotic enemy' or 'basically WASPS but they#wanna feel special'#with no nuance. no recognition#look maybe this next part is bc i didnt grow up with jewish ppl and therefore didnt know until I was 18/19 that jewish ppl can count as#white. but like. idk how to say this. i dont wanna speak over white jewish ppl. but like.#jewish ppl that have obvious jewish features (whether Ashkenazi facial features OR they dont have those but wear eg kippahs)#arent like. white. idk pls correct me if this is antisemitic or incorrect or something.#but like. light skinned =/= white obviously.#i just struggle to see how my bestfriend with her lovely dark eyes and curls and nice nose counts as 'white' when ppl call her the k slur#across the street. ykwim?#like white doesnt mean light skinned. it means 'part of the in-group of white ppl'#like my ex who is white and jewish? yeah hes white. if he didnt wear his necklace then goyim wouldnt know. you know#like obvs he still experiences ethnic oppression but he doesnt experience racial oppression#but other ppl with more prominent eg ashkenazi (im singling them out bc most jewish ppl here are ash.) like i dont GET how they have racial#privilege.
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