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#mild rant?
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Knowledge should not be attributed to neurodivergency
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our-inspire-verse · 8 months
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"That's not how systems work. You're taking this too far. You don't know what its like to feel so out of control, to have memory blackouts, to wake up years later, to have someone in your system grieve someone they didn't know was dead."
Bec. Becayse... hecause i didnt talk about experiencing it? Or. Because i said that i like my system or that i have a majority positive experiences over negative ones?
Because i did. I absolutely have been thru every single one of these things and I've had multiple people talk down to me as if I'm stupid and perpetuating false information, or just simply being super disrespectful. I never assume, i never make blanket statements, and i go forward knowing that everyone collectively is new to studying this stuff in a modern way, though its been around for a while.
All i want is to demedicalize a part of the community (because OBVIOUSLY some will have need for the medical part) and be honest about myself, and listen to others being honest about THEMSELVES.
Systems are. Extraordinary. Every single one of them, and every individual within them. Talk about your experiences, be annoying. Talk too much. Talk only about the good. Talk about how you adore them. Talk about the bad. Talk about any part of it you deem important even if others think its silly, or cringe, or wrong or bad or stupid or anything else. Whatever YOU think of it, it must be.
I promise you aren't the only system experiencing whatever it is you're experiencing and that there is a community for you. Find the people who will listen, and speak.
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vivivolare · 2 years
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Me again (I’m the one who sent you the post about Bob Cooper not existing). I’d personally say that Thieves in Time was a mixed bag at best. A mixed bag with jellybeans on one side, and nails and spiders on the other. Also as far as villains go, Le Paradox is utterly pathetic, he should’ve gotten sucked into a jet turbine. However, I don’t hate the folks at Sanzaru despite the way the game turned out. I can say that much.
As much flack I give the game there’s a few small good things- Like Tennessee my beloved. <3
but that doesn't really make up for a lotta questionable characterization of characters- Especially the rather racist stuff. (Game concept art for Rioichi’s section is a great example or just Rioichi/his section in general. Oh god what have they done to hiiiim- also Salim and a bunch of stuff as well but yeah this post isn’t about that- but wanted to bring up)
Le paradox is a wet noodle and his motivation is lame- just reusing Clockwerks motive. You could’ve made him actually interesting. HELL I’ve made SEVERAL attempts at him that I found both interesting and a satisfying characterization. (Au stuff,ask me about it,still working on it/figuring it out cause yeah)
Also they fucked up his name apparently it should be spelled Le paradoxe. Because he’s supposed to be french coded(that was a weird sentence)
Not the dumbest mistake they made but yeah <3
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synthestitched · 1 year
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Absolutely love that all my "recommended for you/like this blog" section on my profile is all rwby blogs despite the fact I've been outside of that fandom since volume 4 lol
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aqueencomplexx · 2 years
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When I tell someone "I'm sorry" they always tell me, in some way, that it's not my fault.
I'm fully aware of that. I did not involve myself and make myself think that I caused your problems. I'm sympathizing with your situation. I'm sorry you're going through what you're going through, I'm fully aware I did not cause any of it or had anything to do with it in the first place. I'm just being nice and I feel bad for your situation, I know I didn't make it happen but I sympathize.
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Hmmmmmmm
Feel free to explain your answer in the tags and rub for sample size
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How about we NOT use people’s autism sensitivities as a prank???
Like, I noticed a weird smell in a room and asked where it was coming from, it was faint but im hyper sensitive to smells and my dad gets this grin and goes, “here it might be this! Smell it!” Sliding a bag of salt to me, And of course, I trust him and think its regular salt so i know what smell to expect to compare it to the one in the air and open the bag and take a sniff only to be ASSULTED with the EXTREMELY STRONG smell of Eukalyptus and nearly keel over gagging and retching because of how horrible it is while my dad just laughs his ass off like- that isnt funny!!!!
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bonefall · 3 months
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could fern leaf be a former park cat or something that clear sky sends to spy on tall shadow & then defects? or, since she’s important to the rescue of star flower in the books, maybe she could be involved with one-eye somehow…? even though star flower is totally different now, so she doesn’t really Need rescuing from any situation she’s in that you’ve talked about so far. guess it depends on which aspects of the character best serve the story, and whether she would work better as part of DOTC proper or thunder’s SE
i also genuinely can’t remember if bb!clear sky’s original M.O. for his group is Tribe Cats Only, or if he is willing to take in anyone who kisses his ass enough. could make sense if fern leaf (or more accurately, any tom willing to vouch for her) appeals to clear sky enough. hell, maybe she could be a mole on one-eye’s behalf instead?
(Follow up ask to this post)
The new rub to the formation of the groups in BB is that there is two distinct cultures in the forest: Park Cats and Tribe Cats. They're divided by a language barrier, with the Park Cats speaking Parkmew and the Tribe cats speaking what we now call Old Tribemew.
So Clear Sky doesn't have the same "options" like canon. These ""rogues"" don't speak his language and he simply would not learn even if the chance was offered to him. It doesn't even really cross his mind that these are full people to reach out to; in his mind they're intruders. The flavor of bigotry in the modern era hasn't quite evolved yet, so he has the most straightforward kind of xenophobia you can imagine.
He only starts changing his mind after the First Battle, after his revelation, when he's back on his bullshit in Thunderstar's Justice. In my head it's kind of like... a mockery of Thunder Storm's way of life, that allowed him to live in defiance of him for so long. "See, now I do what you do. Since Gray Wing approved of you so much." kinda thing
There's two park cat groups; The River Kingdom, and The Wind Coalition.
The first conflict the Sun Trail Pioneers run into is with WindCo up on the moor, who chases them down into the forest! The Park cats who lived in the forest weren't united, just various individuals that had little "homestead" territories.
The conflicts with them start after the Shadow/Sky split that follows the death of Jagged Peak. Shadow's Clan moved eastward into the caves at Snakerocks, where no one bothered them, but Sky's Clan started getting hostile towards the little homesteads and pushing cats westward, back to the River Kingdom.
SO with that recap out of the way...
I have two and a half-ish cats already that I'm heavily interested in using to turn on Clear Sky for Thunder's Clan. So I'm not sure how to slot Fern Leaf in there.
1: Snake. Snake is the only cat in-canon who said that maybe Clear Sky shouldn't be their leader after letting One Eye into the Clan against all warnings, and then he gets DOGPILED for it, and the very next book shoves him into the arms of Slash to undermine the fact that they accidentally gave him a good fucking point.
I'm RIDICULOUSLY fond of him because of this. I love him out of spite. I've spoken before about how I plan for him to be a Tribe-descended cat, and a lot of that is because I want to keep his goon roles serving Clear Sky. One of which is that he is going to badly injure Sunlit Frost in the First Battle.
So thinking about it... it makes the most sense for Snake to turn on Clear Sky in Thunderstar's Justice. Still unsure when. But if I have any roles where a cat needs to get help, stop a battle, or call Clear Sky out for making a really bad decision, it's gotta be him.
I'll keep him in my hand for a while; this feels like a piece that will fall into place.
I'm also unsure of what family he's going into. I keep waffling on it. I'm leaning towards the Claw family and possibly the son of Fox, since he's going to be living a bit longer. He's going to be about the same age as Thunder Storm, maybe a bit older.
2: Red Claw Since Acorn Fur is now Acorn Swoop, and she's not nonsensically going to go join the guy who killed both of her parents because it would be too sad to go home where they're not alive, her love interest has to end up in Thunder's Clan.
I'm already pretty committed to making Petal into Petal Claw and Fox into Fox Claw, so it follows that Red Claw would be in the family. Thinking about it, maybe Red should be the son of Fox instead...
Especially because he could defect earlier. Moth Flight's Vision is totally overhauled anyway and I'm planning to shift a lot of the original plot to something for another character anyway...
Plus, enemies-to-lovers is fun and I haven't really had a chance to do it yet. Acorn Swoop is absolutely the kind of punk who would nab one of her worst enemy's best soldiers, and the type of nerd who would frame it like her biggest catch yet.
("OI THUNDER!! LOOKIE WHAT THE CAT DRAGGED IN")
And most relevantly... this is leaving Fern Leaf's backstory up in the air. Him leading a dog pack into the heart of camp and getting Beech and Frog killed is what kicked off the Bunny Bones plot of the original MFV that I like so much, and I feel like it's an important part of Fern Leaf.
So not only am I here planning Red Claw as a high priority for being someone to turn against Clear Sky, but also, he complicates Fern Leaf a bit.
Maybe I should step back a bit on the two and start from scratch with them, and replace their backstories with new ones that preserve the "emotional core." I'll have to think about it.
That 1/2 Cat: Alder or Birch The kits that are stolen from Misty, that queen who was murdered by Clear Sky and whose kits are given to Petal. In BB, that's something I want to examine for how fucked up it is. It becomes the basis of Kit Stealing later, an awful practice that the Clans will struggle with for many generations.
These ones are SUPER important, but I say 1/2 because it doesn't have to be Thunder's Clan they turn for. But I do want one of them to eventually learn their origin, and end up finding their family in River Kingdom or the Wind Coalition.
I mention them because I keep going back and forth on if they're going to get combined with other characters. Basically imagine me next to a big conspiracy chart and I'm connecting a big red line between possible plot threads back to Fern Leaf. Maybe her? Maybe she can be one of the stolen kits?
I could even make it so Birch is actually an older sibling, or a half-sibling, or one from the same litter who was saved... maybe even end up making it a litter of 4. Slots in well with her canon story, too, where she mentions her mother abandoned her.
The truth can be that it was a lie. Her mother didn't abandon her. One of them was murdered and the other was chased off.
And, of course, I could save her to be a "One Eye Cultist." None of my drafts so far have brought in any extra followers of One Eye who will follow him from place-to-place besides Star Flower herself. I would like to add some, and that's a fine place for Fern Leaf, but somehow I feel like I can do her better.
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you-need-not-apply · 6 months
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Reminder to everyone who’s ever been hit by a parent:
There is no reason
No matter what they say, there is no reason for it
No excuses
It wasn’t a squat or a brush
It wasn’t to make you concentrate or pay attention
It wasn’t necessary 
It wasn’t needed
There is no reason
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mejomonster · 9 months
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I am going to again mention that Hikaru No Go cdrama adaptation Qi Hun is on youtube for free (iqiyi), really really good, and if you ever shipped the two rivals to partners then the cdrama decides well They Do Too and cranks it to Bad Buddy childhood rivals to desperately longing for each other to domestic and professional partners levels. (I'm not kidding, to spoil the ending out of context: they move in together with one bed, play partner go for future career, and end the show together happy). And yes, our ghost friend still absolutely decimated me emotionally. <3 ;-;
Anyway I just. While it's absolutely amazing as a show on simply the merit of quality, pacing, good storyline, solid story it's based on And solid adaptation that kept things true while putting it's own touches? It's also really really heartfelt if you like childhood enemies/friends to partners stories. And it feels as bl as Guardian or Word of Honor did, easily (so clearly shippers helped make the show lol).
Here's where to watch!
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xoxo-ren-xoxo · 2 months
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really weird thing ive noticed lately re: hermits getting critiqued for stuff theyve said or done is that as soon as someone holds a shit opinion (even if it's just them being stupid, or a centrist, or saying a bad word without knowing what it means, or whatever) people immediately seem to flock to the 'this guy should die' 'kys' 'why are we giving this person a platform' rhetoric and like. that's not how meaningful change is made?
like, yeah, if one of my beloved CCs posted a tweet or video tomorrow about how much they hate gay people, or believe in conservative ideals, or they just said a bunch of slurs or whatever (these are hyperbolic examples obviously) then yeah, fuck them, they should go rot. but like, having some dumb takes, or saying bad things in the past, doesn't = evil terrible person...
idk, i feel like we can critique content creators without getting so insane about it. like, shit, there are things some of my favourites do that i don't like, but theyre not even really worth bringing up tbh. unless its something actually important, i feel like it just creates more drama out of nothing and all these assholes come crawling out of the woodwork to tell everyone how much they hate that creator. or find their content boring anyway so clearly they have no real merit to anyone.
more of an explanation of what i mean in the tags but yeah.
#this is kind of about ppl finding out x is a centrist and... apparently that means telling him 'kys' is ok#i dont even like centrism but like... wasnt he super right wing at one point? is this not at least a mild improvement? he's just some guy#i like his content. dont care enough to get into drama about him being a 'we should all just talk it out!' kinda guy. who give a shit.#this is also kinda about doc's little rant on twt about plestine/isral (spelling to not clog tags) which was basically just -#- 'stop asking me to speak on these things 1. i could get into legal trouble 2. i stopped talking about politics years ago for good reasons#which like. isnt my favourite response to things? but i also Get It yknow?#it wasnt as big of a deal as ppl seemed to think it was#(especially since he very clearly retweeted donation post and said hes against innocent ppl dying. which is pretty clear to me.)#anyway the milder things im talking about here is like. harry potter references or mild orientalism re: 'asian-style' builds#like. i could go mad about that but i really dont give a shit#i dont#and like im a hard leftist. but i just do not care. so long as they arent a massive right winger or a creep im fine#*i say massive right winger but tbh i kind of mean right winger at all. i just dont give a shit about ccs wanting to remain more centrist#especially online.#anyway#hermitblr#hermitcraft#mcyt#discourse#ben chats shit on the internet#to clarify im not tryna say that its cool to play both sides politically but also i dont think bringing up a 4 year old post -#- to stir up drama is very genuine. looking at the notes i just see a lot of 'wow fuck this guy i hate his content anyway' and its like. ok
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I feel tumblr deleting their profile pictures for anyone but the OP and for a reblogger who actually adds text...
Taps into something in my brain psycologically.
Like...
Tumblr legit said
"Remember: You have abandonment issues, people leaving you and the fear of being forgotten."
And I'm like.
Yeah. Wow. Thanks Tumblr.
Put that on blast by deleting Profile Pictures and see how well I cope.
: D
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rustic-space-fiddle · 4 months
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Lil rant (MAYBE PJATO SHOW SPOILERS?)
Lots of opinions up ahead so uh, look out.
I’m watching the PJATO show and I really love some parts. The casting—they’re all wonderful (literally everyone, Mr D is hilarious) and any fears I had have been quelled because they’re all amazing and the trio fit their characters well (even IRL and they’re so precious). Camp Half Blood — so well done. The cabins are huge, the colosseum is just what I imagined, and they really did great on making it properly large and vibrant. I love it. Some of the extra beats they’ve added to make it better expanded beyond the strictly Percy POV in the book have been good. Annabeth and Grover chucking Percy into a fountain to try to heal him was hilarious and totally in character—probably my favorite part so far. Also: AHHHH SEAWEED BRAIN!
But is anyone just feeling… like the pacing is super slow? Like I get that us “zoomers” have tiny attention spans and stuff but “The Horse and His Boy” was my favorite Narnia book and I read LOTR when I was 11 so I don’t think my attention span is quite so bad. These kids got ADHD and it feels like every talk and every scene just drags. Every time I think the energy is gonna rise, it gets smacked back down by lackluster scene climaxes. Again, I’m not trying to say we need more explosions or booms or arguments, just that I]it isn’t even remotely eliciting the same kind of goose-pimple/heart thumping moments I remember from the books. I reread them constantly and it’s always thrilling.
And the music… someone I was watching it with said it sounded like generic Marvel music, and they’re kinda right. I can’t remember a single note from the score at all, and I’m always listening to movie/TV scores because they’re like listening to the story in music format! PJATO’s score though? Can’t even remember it. I can’t remember any of it even being used in certain places. I thought they’d try to get older instrumentals to make it unique, like lyre AND electric guitar in the mix, but honestly I can’t even remember what it sounds like. That’s bad, right?
[[EDIT: I just looked up the score on Spotify and it was literally made by the people who did the “God of War” game score. There’s no freakin way this music is bad. I’m gonna listen to it alone later. Maybe it’s just set really low in the mix… ]]
The “death” of Sally Jackson was so lackluster. Just a standard medium long shot, can’t even remember if the music flourished or dropped or anything. Their acting was great, but it was framed so poorly that it just felt… idk…
The pacing feels like it’s something I would do as an amateur who doesn’t yet understand how to edit on my first few write-up’s of a script. I’m not trying to be mean or unfair because I REALLY wanna love this show and I genuinely love a lot of stuff about it and I can tell that so many people are working so hard on it, but holy moly I feel my brain begging for someone to do something impertinent and just slap the show into a roll whenever I’m watching it.
There’s another issue I have with the timing of the most recent episode but I don’t wanna go much further.
Again, this is all opinion and not meant to say anyone shouldn’t like the show or that the people in it are stupid because they aren’t at all and people should like it! I’m just saying that as someone that really appreciated the pacing of the books (that was quick but never sacrificed the storytelling and slowed down when it needed to), I am really feeling that this show isnt shaping up like that. Additional note: I’m not even saying that the pacing of the show needs to BE the pacing of the books. I’m just saying that the pacing of the books is one of the things that made it so good and I really haven’t read many things with pacing of that quality.
Aaaanyway feel free to disagree with me or roast me alive. I just haven’t seen anyone talking about it and I wanted to rant a little and see what other people thought. I’m still gonna keep watching because I think if they can fix the pacing, imma really freaking enjoy this and in case they do, I don’t wanna miss it. And because I’d rather have more PJATO show than less!
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dungeonmalcontent · 1 year
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I am reading my first discworld novel (Guards! Guards!). It was a Christmas gift and it's been on my "to read" list for years. Too many years. And I was nervous I'd outgrown it or that I'd been putting Pratchett on a pedestal in my head the whole time and there was no way it'd be that good.
I haven't read a book this well written in... Maybe ever. I read a lot as a teenager and even into college. But then I actually started working in editing and writing and I got to read fiction manuscripts as I was editing them. Some were bad, some were okay, a few were good. And I kind of got desensitized. I've mostly been reading web comics for the last few years because it's what I've had time for and I enjoy the art.
But Pratchett's writing is by far some of the most effortless sounding prose I have read and I can tell it was not, in fact, effortless. It's the kind of humor many writers try to do, and perhaps they believe they actually do, but always fall short of letting the humor be. But he actually does it. The man can linger on a bit for 3 or 4 pages and it's still funny. He can write stream of consciousness for a man so drunk he can barely breath, and it's hard to read, but if you actually read it it makes sense.
And on top of it all, discworld is that setting that we all jokingly say it would be hilarious to have but never actually have the time to make. Like the post that says something like "I'm tired of everyone saying that they should make something that's already in Megamind." People make funny fantasy concepts that they don't think exist or are well made, but they're already in discworld. And it's amazing.
Anyway. What one should I read next after guards?
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bird-wells214 · 2 years
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one of the mass amounts of criticism that has bothered me since forever levied towards steven universe is that "13-14 year old steven universe should have MURDERED the TYRANNICAL DIAMOND AUTHORITY in REVENGE and the FACT that he was KIND to them makes steven universe PRO TYRANT"
there's some crits towards SU that i understand, or agree with, but this one to me just kinda falls flat. if it was aimed towards, like, y'know, a complex adult show that did the same thing? i would've understood, even AGREED, cuz i can see where people are coming from
but. steven universe is. literally a children's show? it's a baby's show?? for one thing, murder is like. bad. and cartoon network wouldn't have allowed it even if that really was how it was meant to go. don't bring up jasper that doesn't count
for another, one of the most important lessons for children in steven universe's age group is that "it's better to risk being kind to a bully than to bully someone kind"
a child that falls into SU's target audience does NOT need to learn about TYRANNY and GENOCIDE and THE POLITICS OF THE DIAMOND AUTHORITY at that age. they don't need to know WHY killing the diamonds would've been justifiable in adult media. they'll learn those kinds of things and develop the critical thinking skills to realize how it would've gone in a more realistic setting when they're in high school, at least
but at that age, that's not their job. at that age, a child's job is to see the good things about the world, to experience kindness and happiness and realize what does and what doesn't count as healthy environments for them to thrive in.
steven universe, a children's show, has a POINT, and the point is to tell children to be kind to YOURSELF as well as OTHERS. it's so much more personal of a story than just a massive world of war and tyrants or whatever. steven universe is SUPPOSED to be otherworldly and unrealistic as to give children joy and then give them hope when they eventually do grow up to realize that it's not all like that. it's supposed to be a source of light in the darkness.
people need to stop putting the criticisms of adult media on children's shows because THIS is the shit we get out of it. steven universe was a monumental cartoon that comforted millions of children across the world and pushed LGBT+ representation forward for miles, whether you like it or not, and to say "well it's bad" because the kid's show exhibited traits of a kid's show is so frustrating to see
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agent-calivide · 5 months
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So- normally this blog is exclusively for IEYTD content- but I think I'm gonna shift to just be my interests, because there is one thing that I'm absolutely feral about and desperately need to scream into the void over.
Discussion surrounding the 2004 film Barbie Princess and the Pauper makes me irrationally angry.
Barbie’s Princess and the Pauper is a surprisingly decent film for being made purely to shill doll, with music that's absolutely gorgeous and a story that's a bit less dark than the original novel it's parodying.
A brief summary for those who don’t know- though if my YouTube recommended’s anything to go by Barbie is taking over the collective hivemind of nostalgia at the moment- Barbie Princess and the Pauper is the story of two young women, Anneliese and Erica, living two completely separate lives, one being a princess and one being a pauper. The twist, however, is that they were completely identical, save for their hair and a shockingly relevant birthmark for only being mentioned twice.
Erica is a poor seamstress who’s worked like a dog by her wicked boss, Madame Carp, trying to pay off her parent’s debts so she can pursue life as a singer. Truly, the best rep for anyone who’s suffered through retail with a shitty boss. Annelise meanwhile, is a princess who spends her days being lavishly spoiled as a princess typically would, but she doesn’t want to be spoiled. On the contrary, she would rather spend her day studying than getting her feet massaged and faffing about. At least- that’s what the song “I am a girl like you” and most of the fandom would have you believe.
In the song “I am a girl like you", we start with Annelise and Erica meeting, Annelise saying that she’s not looking forward to marrying this king and Erica responding with “At least you’re not an indentured servant”. Annelise asks for elaboration, and the song starts. Erica talks about how her mornings start with paying her boss money for a hot breakfast, then having to get up, walk a mile through cold, wet roads just to get the eggs for breakfast and then come back when all she wants to do is sleep in. Once again, relatable. She then looks at Annelise and asks her how her morning starts. Annelise pauses, and is visibly bashful, clearly hesitant to share, but Erica asks her to go on. Then, Annelise tells Erica that if she wants eggs she rings a bell and her maid runs in with breakfast and cookies, and while she eats she gets a foot rub and has live music being played for her, but she doesn’t want to be spoiled and doted on, she wants to be in the library!
If this was the beginning and ending of Annelise’s characterization? I’d get it. If Erica thought Annelise was spoiled, I’d get it. But she doesn’t. On the contrary, Erica hears this rich girl complaining about how she doesn’t like her life but is aware of how good she has it, and chooses to reach out. To say “hey, I can relate to that." “There’s somewhere else we’d rather be, somewhere that’s our, somewhere that dreams come true” If anything, this is a testament to Erica’s empathy, her kindness, and her ability to put herself in someone else’s shoes even when they objectively have it better. Throughout this song Erica will talk about work and Annelise will talk about the lighthearted fun parts of being a princess, but will casually mention how she’s in a position that she doesn’t want. Erica has to walk through the mud every morning for breakfast, Annelise gets it served literally on a silver platter, Erica has to make dresses, Annelise gets to dance around in frilly dresses. But Annelise also mentions that she’d rather be in the library and get to marry who she chooses, not be betrothed for the sake of her kingdom, more on that in a minute.
And time and time again, I see people talk about how Annelise is tone deaf, how she’s complaining about what is, objectively, a better situation. But honestly, I find this stance to be major character assassination, and is one that I’m seeing more and more frequently in regards to Annelise and most other “rich” characters quite frankly. Now, normally I don’t mind opinions like “this character is spoiled and should have more development than just crappy parents” or “it’s bad that they rushed this antagonistic character’s ark so they can have them for the series finale” I think that argument works just fine on the spoiled rich girl archetype, like Pacifica Northwest and Sasha Waybright, but I see a lot of people slapping that sticker onto any character that grew up wealthy regardless if they were an antagonist or not.
I get not liking a character if they’re antagonistic, or relating better to a character who had to work for everything they had. Most of us didn’t grow up as princesses in fancy castles and have been stuck with horrible bosses. I understand why people relate to Erica more, especially as someone who worked at a fabric shop with a crappy manager. But on more than one occasion I’ve seen people take the stance that Annelise’s part in the song “just like you” is insensitive and Erica should’ve shouted at Annelise, reminded her of her privilege, “laid the verbal smackdown on her and show her how hard it was being a peasant” before quickly following it up with a “I was just kidding!” when anyone calls out that Annelise isn’t a one dimensional privileged white girl. And if that was the only context we got of Annelise, I’d understand where it came from.
But if we look at Annelise throughout the course of the whole movie, that’s not true at all, quite the opposite. Our first scene we get of Annelise is her, getting fitted for a wedding gown to marry a man she doesn’t want to be with while a servant is fretting over her schedule for the day. That doesn’t sound like the typical Disney princess who gets to spend her days doing whatever she wants post-coronation. This is an actual princess, with real responsibilities. She has to give speeches, attend meetings, speak with upper class societies, and all she wants, the first thing she says in the introduction song “Free”, is “all my life I’ve always wanted to have one day just for me, nothing to do and for once nowhere I need to be”.
While she is bemoaning to herself, she’s not exactly fighting her scheduler on this either. She doesn’t complain, she doesn’t fight back, no quips or whining or witty banter, she simply accepts that she has to do what is told and dreams of a world where she doesn’t have to do all that. And that’s the big point that I see a lot of people ignoring. She is absolutely busting her ass every day, in and out, doing as told and not getting a second to breathe.
Let’s look at the one day we see that is truly just Annelise in her environment. She is getting a fitting for a wedding dress to marry some king while the royal scheduler tells her she has to give a speech at the Historical Society, then has to rush over to a Horticultural Society Tea, then has Math lessons, Geography lessons, and presumably much more after if we’re basing it off the massive to-do list of parchment we see. As someone who survived the public education system, the thought of giving a speech, going to a high pressure lunch that’s basically a work meeting, then having to do a full day of school after that makes me want to simply wither away and cry. She’s not sitting around, looking pretty and riding horses all day. She has responsibilities, duties, commitments to her mother and her kingdom.
We then cut to Erica, who shares much of the same sentiment. “All my life I’ve always wanted to have one day for myself, not waking up with a pile of work on every shelf” before singing about all the work she has to do as a low-class seamstress. This is what we’d expect from the pauper side of things. Erica works hard to earn a living at a small seamstress shop and wishes she could be doing something more with her life. This is when Madame Carp walks in and we see a glint of Erica’s personality. She’s spunky, she talks back, she calls Madame Carp’s dress shop a debtor’s prison to her face and argues about her parent’s debts. While she is committed to paying back her parent’s debts, she’s not taking it lying down, and that is a fundamental difference between Annelise and Erica.
While Erica will see a problem and call out that it really sucks, Annelise will look at a problem and simply accept that she has to fix it with little more than a comment to herself. Both of these girls are dreaming about freedom, but Erica is fighting for her freedom while to Annelise, it’s little more than a fantasy.
And that includes the freedom to marry whom she chooses. And this is when we see just how far Annelise will go to please her mother, as she looks out and sees the love of her life, her tutor, Julian. Julian is implied to be a good friend who’s been her teacher for a long while, and he feeds her passions. He teaches her, he encourages her to learn, he is one of the few people in her life who feels joy in Annelise’s happiness. Because, truly, when we see the way she interacts with the other servants and maids, she doesn’t have many friends. She doesn’t have anyone to talk to about her grievances, her lack of freedom, any of it. All she has is Julian, and she likely will lose him in the marriage to King Dominick. He's already calling her "your highness" like an authority figure rather and Annelise, his friend, and she hasn't even met the king yet.
She can’t even have her fantasy to marry Julian, as it’s quickly interrupted by her mother cutting her off and saying “I’m so sorry my darling, but as you know, it is vital you marry king Dominick. It is the only way to take care of our people”. And Annelise just accepts this. She just goes “yeah, I know, I have to do this for the kingdom” and pushes her fantasies away. And the very next line is Annelise talking about how she knows she’s lucky, she knows she’s privileged to have all of this nice stuff, this nice life, but is quickly realizing that every present comes with strings. While she may get to have a lavish life, it’s not all it’s cracked up to be.
We then see Erica, who’s talking about how while she doesn’t have nice things, she has spirit, determination, and she will achieve her dreams no matter what. This song truly establishes just how different the girls are, specifically in regards to their challenges and the obstacles they encounter. Erica, though currently trapped by her parents' debts at Madam Carp’s, has a fire, a will, a determination. She, though in debt as a pauper, isn’t willing to give up on her goal and aspirations of being a professional singer.
Annelise meanwhile, could have resources. She could reach out and get help, or run away with Julian, or do something to get out of her situation, but she refuses to. She can’t get past this mental barrier of duty and responsibility, and even while downright miserable, she won’t complain and won’t voice her needs. But the kicker is truly in the bridge of Free. Erica says “Soon I will forever be free” while Annelise says “Now I fear I’ll never be free” Erica is damn near counting the days, she’s looking at freedom as an inevitability, something that she will be getting soon. Annelise knows and accepts that freedom simply isn’t in the cards for her. In the end, both girls dream of leaving their situations, but they both decide to stay in their respective positions for the good of those around them. They both are committed to their duties, but Erica’s duty will hopefully finish in the near future, while Annelise’s duty is her entire life.
Later in the film, Erica takes Annelise’s place at the castle as Annelise has been kidnapped by Priminger and Julian needs someone to pretend to be the princess so the king doesn’t leave. In “To be a princess” he proceeds to educate Erica on a lot of aspects of being a princess. This pertains but is not limited to: be charming but detached and yet amused, do keep a grip and never crack, always look your best, never get to rest, never show dismay, be there when people call, and never show a thing you feel inside. With lessons like that, it’s no wonder that Annelise feels an absolute commitment to being a princess and never has a day to herself. Everything and everyone around her, including her best friend, says that she’s not allowed to feel, to breathe, to relax. She always has to be alert, aware, she has to have a thought and a response for every single possible comment and retort. And when Erica’s taught all this, it’s painted as overwhelming to learn, but imagine that being every day of your life for every week of every month of every year. That sounds absolutely crushing. Erica at least gets to let off some steam. She snaps at Madame Carp, she jokes with Bertie, she sneaks out to town square and sings. She has outlets away from work that Annelise simply does not have.
Okay, so Annelise is completely committed to her job as a princess, big whoop. She still is filthy stinking rich and royals were married to people they didn’t like all the time, she still is incredibly privileged. Maybe so, however, there’s more to this marriage than just some sort of uniting of kingdoms or prior arrangement. The reason that she’s getting married to Dominick is the kingdom has fallen bankrupt. Why has it gone bankrupt? Has the queen spent an egregious amount of money on castles? Was the king a warmonger who put all their funds into their armies? Does princess Annelise have a penchant for expensive travel and one of a kind crowns?
No.
The kingdom is bankrupt because the queen’s advisor has mined their mines dry of gold in hopes of taking over the kingdom. With no gold coming in, there was nothing to exchange, and the queen had to fix the problem before it started to hurt her people more than it already has. Her solution? The only one. Marry Annelise off to the nearest wealthy suitor and hope that it injects money into their economy.
The royals of this kingdom did nothing wrong, other than letting an evil man have so much access to power, which I don’t think any of us have the right to judge. If anything, the only one who’s privileged and trying to take advantage of it is the royal advisor Preminger. He talks about how he’s scraped by for years to climb the ranks and deserves to be a king, but in that same vein he doesn’t care about the kingdom, the people who are affected by his decisions. He’s so hellbent on becoming king, he doesn’t think about the fact that for all intents and purposes, he’s made it. He’s wealthy, absurdly so unlike Erica, but he’s also not a royal and thus has no duties to do any work he doesn’t feel like it, able to disappear for weeks on end and not have anyone on his back unlike Annelise. He has everything the girls want, but it’s not enough for him. He wants more.
Annelise meanwhile, is very aware of her privilege as a princess and tries to relate to those around her, even if she’s a bit unsuccessful at it. Before Annelise meets King Dominick, Julian decides that, as her friend, he thinks she needs some air. To get out of this stuffy castle and go see the kingdom as a normal girl before she loses it all. So, he gets her a cloak and takes her down to the nearby village, and here we can really see that she’s aware of her privileges when she’s outside of the castle.
As she and Julien walk around the town she asks him which house is his and he says “more of a room really, we couldn’t afford a house.” and immediately Annelise feels guilty, backtracking and starting to apologize for assuming he had a house. She doesn’t look at him in confusion or make fun of him for not having a house to himself, she instantly realizes that she was “in the wrong” to assume and tries to apologize for being presumptuous or assuming he was wealthier than he was. But Julien doesn’t laugh at her, doesn’t scoff, doesn’t tell her to “check her privilege”. He simply gives her a small smile and says “I know”. He assures her that, as his friend, she didn’t cause offense, he’s aware that she simply didn’t know he was in that bad of a financial situation growing up. He simply laughs it off then carries on with the conversation.
And this entire next section is Julien just being the absolute best. He engages with her interests, he gets Annelise her favorite flower, he calls the flower by its (fake) scientific name as he hands it off to her and he knows that it’s her favorite and that she'd appreciate him talking about science with her. He’s simply engaging with her as a mutual, a friend, and shows interest in her- well- interests. She gets to happily indulge in fantasy for a moment, but it’s quickly ripped away as she looks around the market and notices that the kingdom’s bankruptcy is already setting in. Shops are getting boarded up, families are being forced to leave, and she’s reminded that she has to get married to King Dominick for their sake. And she is visibly saddened by this. Not that she has to marry Dominick, but that her people are suffering over something that she and her mother couldn’t have possibly prevented.
Her train of thought gets interrupted by Erica singing in town square, Erica having snuck out from work to sing in the town square for coin, and she is doing a damn good job. We see she earns a decent amount of money for just singing on the road. People gather around Erica and listen to her song, she gives a sense of hope, she is pursuing her own freedom and people are enjoying it. Erica once again gets a reminder that her dream of freedom is not only soon, but achievable. It’s in reach, it’s not a completely absurd notion like Annelise's freedom. This is quickly interrupted by Madame Carp stepping in and yelling at Erica for leaving work, stealing her hard earned money and telling her to get back to work- which on one hand, bitch. On the other, Erica leaving work in the middle of the day to sing in town square is… a choice.
But, regardless, Erica’s left with nothing and is alone on the street, and who steps in to put coins in her cup after Madame Carp’s left? Annelise! She comes over, gives Erica money, and the two talk for a bit. Erica finds out Annelise is the princess and asks why she’s outside the castle, and Annelise says “I’m savoring my first and last taste of freedom before getting married next week… to a total stranger.”
Note that she didn’t say “I’m getting a breather” or “I'm taking a break”. She said “I’m getting my first and last taste of freedom before getting married NEXT. WEEK. She has never, ever, ever gotten a day off, taken a break, gotten to truly rest and get a breather. Us viewers? We get weekends, holidays, a day off on occasion, but Annelise doesn’t. She doesn’t get a moment’s rest because her life is her job. She’s never even been outside the castle walls until this day! Her whole life has been work and has been dedicated to her kingdom, to her mother’s expectations. While yes she is definitely more privileged than Erica, it’s not fun and games. If anything, it’s a 24/7, 365 job, every day of the year. And then this happens. “At least you’re not an indentured servant”
This. This one line. Drives. Me. Insane. And I think this line primes people to take the stance that Annelise is simply spoiled. Just because your arm is broken, doesn’t mean my sprained ankle doesn’t hurt.
This is when “Girl like you” starts, and this is also what most people use as reference to say Annelise is spoiled and tone deaf. Because here’s the thing, Annelise never says she has it bad, she never claims that her life sucks. And when Erica tells her her morning routine, Annelise is visibly apprehensive to share her morning routine, because she is aware that it’s rather tone deaf to say that her life sucks because she’s marrying some guy she doesn’t know after hearing how Erica’s morning starts every. Single. Day. She clearly knows how absurd it is to complain, most likely because she’s friends with Julian, who seems to have also been a pauper before getting hired to tutor Annelise. But Erica presses so she folds and shares her morning routine and actively chooses to complain about something little, almost diminishing her misery in a way. Like “Oh, haha, yeah my morning’s pretty good, but I just want to do what I want to do for once rather than follow my mother’s schedule- but it’s fine! I’m fine!” And that is why it’s so important for Erica to reach out first and say “I’m just like you, you’re just like me”
Because it’s not just about reading science books. It’s Annelise wanting to rest, to pursue her interests, not the interests of her mother or her kingdom. Erica sees right through Annalise’s act and finds solidarity in it. She opens up about how miserable it is working at Madame Carp’s and Annalise, excited that she can actually carry this conversation, happily talks about how she loves Madame Carp’s dresses.
This is the other point I see a lot of people reference, as Erica talks about how abusive Madame Carp is and Annelise cuts in to say she loves the dresses that wicked woman sells. This, honestly, is just a mood to me. I couldn’t tell you how many times I’ve been excited to carry on a conversation, only to immediately put my foot in my mouth as I realize I misread the tone. But once again, rather than Erica getting snobby, going “Did you not hear me? I just called it a penitentiary.” She simply smiles at the naïve princess and tells her she made the dress the princess was wearing.
Annelise proceeds to compliment her work, praise it for its detailing, and the two continue to talk, Erica talking bout how she has little issue with making dresses while Annelise has fun wearing them, and the two actually talk about her getting to “imagine life without the strife of an unfamiliar groom”.
Erica recognizes that Annelise’s situation, though much more comfortable than hers, absolutely sucks. That all of those privileges come at a cost and honestly questions if they’re worth it. And then Annelise proceeds to say “but I’d never let my mother know, I wouldn’t want to disappoint her!”
Once again, Annelise is not only diminishing her needs and putting her happiness aside for her mother’s happiness, but she shows that all of her issues are mental blocks. Social pressures that have been put on her from her life being raised as a princess. She’s not singing on a corner for pennies, but she also isn’t allowed to pursue her own happiness. She’s a tool, not a person.
And after these two talk and bond and get to know each other, what happens? Annelise uses her privilege to help Erica. She tells Erica “hey, I love your singing, I want you to perform at the castle, I’ll send someone to bring you up to the castle and perform”
This offer would be life changing for Erica. Having Erica come up to the castle, perform, and probably get paid quite a handsome sum for it? To a seamstress and street singer like Erica, that could literally get her out of debt and onto stage that much sooner. Annelise, rather than going “oh, she’s poor, I don’t want to be seen with her” like a stereotypical rich girl archetype says “Come, sing for us, you’re talented and I want to share your gift with others”. And Erica is rightfully ecstatic at that offer, and is over the moon when Annelise says she’ll send someone to get her.
Later, due to plot purposes, Annelise and Erica get mixed up, Anneilse stuck in the streets and Erica up in the castle. Annelise, in a moment of desperation, goes to Madame Carp’s dress emporium for shelter. The problem? Madame Carp thinks Annelise is Erica, and locks her in the back of the shop with the other seamstress, Bertie. While Bertie does think it’s Erica at first, Annelise tells Bertie the whole story (presumably) and proceeds to do exactly as instructed. She doesn’t throw a fit or refuse to help, she sits down, grabs a needle, and gets to work. Sloppy work, but work nonetheless. Even when Bertie tells Annelise that she doesn’t have to work on the dresses, she insists on helping. She doesn’t once say “I’m a princess, I shouldn’t be doing this” she simply accepts that this is her work now and adds it onto her plate. Even when she’s not in the castle, she thinks it’s her job to take on work that she’s assigned, and while it’s painted as a moment of empathy and kindness, Annelise is shown to put her desires as the very last thing to prioritize.
Eventually she’s released from Madam Carp’s by Preminger and he immediately locks her in a mine shaft and tries to murder her and Julian. Yes, he’s gone full blown Disney villain and locks the two away in a mineshaft then causes a cave in. Annelise and Julian are locked in a shaft in a caved in mine. Can I say this one more time: Annelise and Julian are buried alive in a m i n e. Most people in this situation would be panicking, crying, generally reacting distressed, we can see Julian sure as hell is, as he grabs a pick and immediately tries to dig himself and Annelise out. What is Annelise doing during all of this? Staying calm, comforting Julian, and finding her kingdom’s solution to bankruptcy.
Say what you will about how “it’s just a movie” but I know that were I trapped in a caved in mine, my mind would not be on how to fix a problem that looked like it wasn’t gonna be my issue very, very soon. But not only does Annelise use the rock as a touching analogy to make Julian feel better about himself, she keeps the crystals in mind and when they escape the mine collapse- due to cat shenaniganry- and informs her mother of them to solve the kingdom’s gold issues.
Here, Annelise once again is solving a problem that she didn’t even cause to get her happily ever after. She is truly doing all of the work on this school project, and people are digging at how she was raised in a fancy castle rather than acknowledging that Annelise did a lot of hard work. One video I saw was someone talking about how if they were Erika they would’ve stayed in Annelise’s position to “earn that bag” and make some actual changes to improve the kingdom, but Annelise does make changes to help the kingdom!
She finds a new export, saves her kingdom’s market from completely crashing, helps revitalize the economy, and because of all of that people can move back home and re-open their shops! We don’t know much about how this kingdom is run, but we do know that the royalty feel a duty to help their people, to do what is best for the masses regardless of how much they don’t want to do it. This isn’t like the modern day one percent where people tear down historical sites to make room for their mega yachts. The reason Annelise and the Queen are rich is they are the government. They are a monarchy. We don’t see any massive balls or galas like we do in Island Princess or Cinderella, they’re not just throwing money around for the amusement of it.
They’re bankrupt because their mines ran dry, and they managed to save their kingdom by finding a new export. “Why don’t they use their own money to help people if they’re so fabulously wealthy?” While that idea could be a good bandaid, eventually that money would also run out and then not only would the kingdom be bankrupt, but there’d be no incentive for any nearby kingdoms to marry Annelise because she’d be a poor princess to a broke kingdom that would offer effectively no benefits to any allyship. The best, and most to the point plan that the queen comes up with is to marry her daughter off so her kingdom would get an injection of money as soon as possible, because they effectively had no other solutions. They didn’t know about the crystal mines, and they didn’t know Preminger was fabulously wealthy. The only solution was to make themselves look good, like a viable, healthy(ish) kingdom and hope that Dominick would accept the proposal and save their kingdom.
And that leads me to Dominick. Dominick, unlike Annelise, doesn’t use his privilege to help anyone other than himself and Erica. And even then, that privilege mostly amounts to him getting to do what he wants. While Annelise simply accepts that she has to marry this king, Dominick goes out of his way to disguise himself as a page boy so he could get to know Annelise before agreeing to anything. Dominick preemptively gives himself an out and chooses to test Annelise, while Annelise has to take the hand she’s given and not complain. In all of this, Annelise isn’t the one with a choice, ever. Her mother chooses to marry her off, her mother chooses king Dominick, Dominick chooses to disguise himself, and then Preminger chooses to kidnap her so she can’t marry Dominick. She has no agency in her life.
The only reason Dominick reveals himself to Erica (who is pretending to be Annelise at the moment so the marriage to save the kingdom doesn’t get called off) is because he thinks Annelise ran away because she didn’t want to marry a stranger. But he still is the one with the agency, and he only reveals his true self when he thinks that Annelise acted on her own behalf.
So Annelies isn’t allowed to have her own agency, but is spoiled because she’s rich, meanwhile Dominick is a king who practices his own agency regularly throughout the movie and he is rarely if ever criticized for it. He gets to meet Erica, fall in love with her, he gets to choose her, and when Erica is revealed to be a pauper and thrown in the dungeon he gets to use a suit of armor to sneak in and get her out of the prison safely. While I don’t think he got permission to break her out, he still was allowed to use his resources to go back to Annelise’s castle and get a suit of armor to sneak into the dungeon and break Erica out.
No one else in this film would’ve had access to resources like that other than maybe Annelise, and yet I don’t see anyone saying that Erica should check King Dominick’s privilege and lecture him on how he was lucky that he was allowed to get have the money to be a king and access to a suit of armor to sneak into the dungeons and save her from probably a death sentence. In this situation, Dominick is purely using his privileges for himself. Yes, he saves Erica, but at this point he’s also in love with her, and he’s saving her not just because she’s a good person, but because he’s fallen in love with her and doesn’t want to lose her.
When she’s accused of killing Annelise, he is distraught. He doesn’t believe it, he can’t fathom that this sweet young lady that he’s spent the week with would do something so horrid. That is why he saves her. Not because of some sense of justice, it’s because he’s smitten with her. Yes, he uses his privilege to help someone in a worse position than him, but according to people who are criticizing Annelise, that’s not enough. Especially when it’s a decision made out of self interest.
At the end of the film, Annelise and Dominick both help Erica with her situation. The royal family, having found out that Madame Carp’s business is corrupt at best, stops purchasing from her and she goes out of business. I can already hear people saying “The family shouldn’t have been buying dresses from Madame Carp in the first place! She’s vindictive and cruel to her workers!” and to that I raise you: How many beauty influencers and brands these days do something sketchy, and it’s later revealed that they were a horrible person or a bad corporation?
My first thought, as someone who wears alternative fashion, is DollsKill. I can admit that I’ve purchased things off of their website before I found out how unethical they are. Should I have done more research? Yes. And I don’t shop with them any more because of it. But if I, and many other people, were able to make that mistake in the year of 2023 with access to infinite information on the internet, then it’s easy to see how someone in the 1700’s could’ve made the same folly.
Especially since Madame Carp doesn’t exactly go around bragging that she abuses her seamstresses. We know that Annelise never met Madame Carp before the film, as Madame Carp claims she’s the princess’s “close personal friend” while actively calling Annelise "Erica" and refusing to believe it’s actually the princess in her boutique. Realistically, Annelise and the queen likely don’t even go shopping, they probably have a servant go into the market, buy a few gowns for upcoming events, and only know the gowns by their brands.
I do wonder what happened to Bertie after all of this, but she seems pretty happy that Madame Carp has to leave, so perhaps she has a backup plan or some sort of safety net. Maybe she was also in debt to Madame Carp and was just looking forward to paying off her debts before starting her own dress emporium, we don’t really know. Either way, the dress shop closing gives Erica the freedom to pursue her music career that she was being held back from and she does so. But that still leaves our boy Dominick. He talks to Erica, tries to convince her to stay with him, but she tells him that her dream is to travel and sing. He does eventually acquiesce and gives her an engagement ring, telling her that it was for her anyways, and that it wasn’t a promise nor pressure, simply a gift. In the end, after performing for a long while, Erica decides that she wants to be with Dominick and travels to his kingdom to marry him.
I think that Annelise and Dominick are both good people for being Monarchs that put the interest of those around them before themselves. But for some reason, Annelise is held to a much higher standard than Dominick, even when she makes very human mistakes. They both are raised as royalty, King Dominick likely even more so as he’s king of a wealthy kingdom, but he is never put under the same scrutiny as Annelise. Sure, he never claims to relate to Julian, but Annelise never claimed to relate to Erica until she suggested it.
And Annelise’s privileges aren’t always a good thing. I feel like people neglect the whole section of the story where she was kidnapped and held prisoner because of her mother’s advisor. Not figuratively, literally. Taken from her home and locked in a random cabin because Preminger wanted to be king and figured that kidnapping her was the wisest choice rather than just advising the queen to not marry her off. Annelise is actively put in danger and harm’s way because of her status.
Honestly, Annelise really gets the shaft, full pun intended, in the second half of the film, a lot of time being spent on Erica and King Dominick’s relationship. Despite being The Princess and the Pauper, Annelise’s story is really the B plot to Erica’s love story. This makes sense, after all, she spends a lot of time just kidnapped and locked in various rooms, but in a weird way this just shows yet again that she has no autonomy even in her own story. And yet, she’s the one who’s scorned for being spoiled.
“Well, she is spoiled. She had a roof over her head and warm food and we see how Erika is baffled at the spoils when she’s a princess” But I'm gonna say something that's likely gonna get the pitchforks out: Money doesn't buy happiness. Before anyone hits me with a “I’d rather cry in a bugatti than a gutter”, let me explain.
The phrase “money can’t buy happiness” has two very different interpretations, and I find that both sides refuse to listen to the other even though both have valid arguments. There’s the stance that it can buy happiness, as money provides all sorts of things. On the surface, it’s shallow things, jewelry, gaming consoles, toys, fashion, knick knacks and trinkets that provide short term serotonin by buying something that you really want. But dig a bit deeper, and it gives more than that. Money is stability, shelter, food, water. It’s hard to be happy if you can’t have those things. To further elaborate, if you’re in a bad enough position that you can’t afford to heat your home, or buy a meal, or get clean drinking water, being able to afford that, either by your own means or by having someone else get it for you, is something that can’t be put into a monetary value- even if it literally is given a price. Getting to have access to water, shelter, knowing that you’ll have food in the morning, that’s something that you likely won’t understand the value of if you’ve always had it. Money may not buy literal happiness, but it provides security, and that security can lead to happiness.
Then there’s the argument that it can’t buy happiness, and people who have this opinion usually aren’t wondering where their next meal will be coming from or if they can pay rent this month. This stance is usually painted as privileged and spoiled because “well, you can say that because you’ve never had to worry about paying to survive”, but in my experience it’s quite the contrary. Most people I’ve met who say “money can’t buy happiness” usually include a caveat that if someone is in a position where they can’t afford food or shelter then of course money buys happiness. Stability is the foundation of comfort and comfort leads to happiness. No one is saying that someone’s ridiculous for being happy they can afford to live. And if you have seen that stance, then I'm sorry humans just suck.
Rather, “money can’t buy happiness” means that material objects cannot replace emotional intimacy or support. Surface level items have short-term pleasure that cannot be sustainable as the happiness lasts less and less with each material object. And this feeling of dissatisfaction only increases the more things you get. This is especially true when it comes to gifts. While gift giving is a valid love language, the whole point of it is giving or receiving items that have sentimental value more than monetary value. A pebble that’s their favorite color means way more than a PS5 when they exclusively use Nintendo products.
But when you don’t have a support system, healthy relationships, and the people you do have around you try to replace emotional intimacy with shallow gifts that don’t amount to anything, you find yourself downright miserable. Most people that I’ve met that have the stance that money can’t buy happiness tend to reach that conclusion after a guardian figure causes intense emotional distress or neglect then tries to purchase love with a shallow but expensive gift. It’s not that money can’t provide you with things that make you happy, it’s that money can’t provide emotional intimacy or a genuine support system.
If anything, Princess and the Pauper is the perfect allegory for this phrase, as Erica, though poor and struggling to get by, has emotional support in Bertie, her singing, her dreams. But, she doesn’t have access to security, stability, physical comforts, and is blocked from pursuing her goals because of external factors. Annelise meanwhile, is in a position of comfort and stability, but doesn’t have any emotional support nor outlets, her only friend being her teacher and her mother having a strict regime for her to follow regardless of her desires while being surrounded by luxurious gifts from other royalty that are ultimately empty gestures.
All of this to say, while Annelise is a princess who lives with the privileges of being a rich, upper class girl with access to many things that Erica could only dream of, her life isn’t one of luxury and spoils. She doesn’t get to indulge in her pleasures and can only appreciate things on a surface level because that is all she has time for. I don’t think most of the people who criticize Annelise could actually handle her schedule every day of every month of every year. She’s not some Disney princess who’s only job is to be pretty and interesting for the male love interest, she has duty. Responsibility. A full time job that dictates her sleep schedule.
She’s not unaware of her privileges and if anything is always using them to help everyone else, and at the end of the film she still doesn’t get that freedom that she’s searching for. She invites a pauper to sing at the castle, she tries to find solutions to the kingdom’s bankruptcy for her people, she goes out of her way to help when she can, and she’s not completely insensitive to the struggles of her friends. Even when she’s supposed to be taking a break, or is in a dire situation, she’s still constantly thinking of how to help others first.
Yes, she gets to marry Julian, but she’s still a princess and still likely follows her royal schedule to a T. While Erica got to learn what it’s like to be a princess, got to pursue her music, and got to marry King Dominick, becoming a princess herself, Annelise’s conclusion is ultimately that she managed to solve the kingdom’s bankruptcy so she could marry whom she chooses and then proceeds to fall back into the same routine of fixing everything for everyone else. She only gets freedom in one aspect, and we never see her actually get a day to herself, a day to relax. The only “relaxation” we see happening is with Erica while she spends time with Dominick, and that week likely was going to be Annelise’s only break before the marriage. So even after saving the day, Annelise still doesn’t get what she wants, and yet supposedly she’s spoiled rotten.
Truly, she does do what she says in the first song Free. “I’ll remain forever royal… Duty means doing the things your heart may well regret.” Erica never actually repays her parent’s debts, Madame Carp goes out of business and Erica gets let off the hook probably because she has two very powerful royals on her side. And this once again is Annelise using her privileges to help those who don't have the same as her by choosing to not support a business that is bad for its workers.
Erica gets released from her servitude early and then gets to chase after her dreams, but Annelise only gets to marry Julian after putting in the work to solve the bankruptcy so she doesn’t have to marry some other rich king that isn’t the one who fell for her best friend.
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