What if the organizing of the cases in the O.I.A.R being different from how they were organized in TMA with the original 14 entities is causing a remanifestation where the separations between the new entities are completely different. What if by organizing the cases and they are single-handedly driving this universes interpretations of the fears. They aren't categorizing existing things, they are creating the boundaries.
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The worst part about reading in a genre where you have low expectations (in this case, Christian historical fiction) is that when a book impresses you, you have no idea if it's actually good or if you're just overly impressed because it was a fraction of a degree better than the usual garbage.
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HOW DO YA LIKE THAT DARK DOG??
BEEN REAL ENAMORED BY THE 'SORRY' BOYS AND THEIR ODD ESCAPADES LATELY. I THINK THEY COULD DO A LOT OF GOOD THINGS WITH THREE GALLONS OF 'FAKE' BLOOD.
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A Softer Wilderness
⤷LottieNat
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Tangentially related to some of the discussion i posted earlier but quiet literally the first RW Art Month i participated I did it completely on whim like, one day before it started. And I mostly did it because I hadn't drawn a ton of rain world and wanted to draw more. Fandom presence was a lot smaller than and I was one of a handful of artists who did the entire thing. Fast forward and I still do Art Month and I've gotten to work with VC directly.
But it was quite literally something I decided to do completely on whim that set the ball rolling, and for something a lil more niche and certainly with a lot more dev/fandom art involvement than most. It's really random how and why you might get noticed more than usual, especially with the "toss it into the search and hope it pays out' mechanism of Socmed
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I'm the one next to the shy girl.
You know the story -
Tale as old as time:
"I don't want friends."
"I don't need friends."
You can't escape fate, darling,
This story is about you.
She sits there, brooding,
In the middle of the frame.
Alone, but her world doesn't feel the lack
Like mine does.
I'm sorry, i'm not supposed to talk about myself.
No vast empty space
Like a pit in your stomach
Or if it's there, it will soon
Be filled.
In this story, every Jack has a Jill.
They come up to her
laughing, talking, smiling.
"You're new, right?"
"Wanna come sit with us during lunch?"
Or maybe
"We're in this group project together, right?"
They're interested
In her.
She's interesting.
What has she done to be interesting?
She is just sitting there!!
And yet
"We live in the same street, right?"
"Did you do that math homework?"
"Are you coming on the field trip?"
So many questions!
They're asking
Questions.
They want to get to know her although
SHE IS JUST SITTING THERE.
I'm sitting there too.
Right next to her, actually.
But no one notices because
The camera will never focus on me.
This girl found her family and will be happy -
Oh, it's so nice that the shy girl found friends.
Everyone nods:
That's how the world works.
And i wonder:
Are you all living in stories?
Because there's one thing i can say for sure.
I am not in a story.
I'm the one watching it.
And although i'm close
So close to the shy girl that you might think i'm like her
I will never
Be seen by any camera.
I have to claw my way to a place half as comfortable as hers.
Because the fate in my world
Doesn't hand out friends
Like an author does.
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anyway i do think something that's helped me is not only to not see my first drafts as "bad" because it's pure baby writing, or seeing them as messy/unrefined, but also to focus on what my biggest strength is at that first stage of writing something and how can i use that to propel the draft forward? so like i think my prose is usually very good at the first draft, usually my prose edits is just condensing things or deepening an image etc. but i love playing with language so it's the easiest way for me to access a draft for the first time. when there's no story on the page my brain understands language and prose best before anything else. but i need more edits for things like structure and pacing and length and hitting the right beats at the right time. which is all like, normal stuff you work on with edits, literally working on every aspect of a story through multiple drafts is So Normal, so instead of thinking about all that and what is missing from a first draft i just focus on what is there for me bc i think whatever you find the easiest at the first draft stage is what shapes + propels ur writing process overall. which is something that is soooo personal because everyone has their own strengths and struggles at different parts of the process !
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in other news i enjoy a bit of sifki because they are clearly exes and you know something emotionally messy happened there but you have almost no canon "facts" to work with so you can just make shit up and nobody can tell you that you're wrong. in some ways that sort of pairing is perfect for fanfiction. you get a vibe from it, but there's no explanation for that vibe so whatever you invent to make sense of it is probably going convince at least a few people.
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OP I LOVED UR ANDREIL POST GOING CRAZY THINKING ABOUT IT if you have anything else in that amazing brain of yours on this take please do share because i absolutely LOVED how you articulated this aspect about andreil. its something i particularily appreciate about their dynamic and relationship with anger and Their Issues TM. your post will cross my mind whenever ill think about it from now on.
I don’t think I have ever gotten an ask and this is kind of making me go insane??? I hope you know that you made my day and also, I’m so glad people share in my endless brainrot bc when it comes to this series and these characters I simply cannot stop
It really isn’t nearly talked about enough that the thing that got Andrew to actually look at Neil and become interested was (as cited by Neil himself at some point tho I can’t remember in which book that scene is from the top of my head) Neil’s bone-deep jealousy of Kevin. It’s—it ties into that whole epiphany that Neil has at some point, when he looks at Andrew and realizes that while he is hurtling towards his own breaking point and about to burn out and shatter into something he’s not sure he’d recognize if he survived the encounter, Andrew hit that point and broke from it years ago. And that’s an understanding that goes both ways between them—in a fucked up way, it feels like Andrew might be the future that Neil has waiting for him if he doesn’t end the year six feet under: hollow and drifting, passionless after everything he had to rip away from himself to be able to survive. At the same time, Neil probably reminds Andrew of how he used to be, back when he had hope for things only to have that hope rip him apart—which is exactly where Neil seems to be headed for the majority of the story.
I think that a lot of Andrew’s understanding of Neil comes from the fact that he knows intimately what it feels like to be caught between a rock and a hard place and cut his own lifeline, only to then fail to die on impact. Neil hasn’t had to resort to that yet, but he is hanging by a thread. You’d think that watching him struggle would only serve to drive it home for Andrew that he made the right choice in closing himself off, except… well. His expectations of life and the people in it are so bleak, it’s no wonder he finds himself drawn to Neil’s messy emotions and every unexpected show of spine like a moth to a flame.
Neil, for all of his issues and scars, can still feel things—can still want something so badly it defies all logic. Can want something with such visceral, fucked-up intensity that it resonates where it shouldn’t. It’s an ability that Andrew thinks he’s either lost or cut out of himself to stay somewhat safe, sane and alive a long time ago, but that remains as the most fundamental crack in the foundation of his being. It’s a fascination that seems to come out every time he’s sober and eventually ties into him wanting Neil—wanting something worth wanting and putting a name to it once he finds it. They look at each other and don’t want a watered-down version of the person in front of them. It creates a relationship that embraces issues big and small and accepts (even values!) the messy parts of being human. It means that any space shared between them immediately becomes safe once they settle into something comfortable together. The way they handle the uglier sides of each other’s personality honestly makes me feral because it’s always done with understanding and acceptance and they even find positives or comforts there that the other can’t see and that’s probably a reason for why 1) their chemistry is so off the charts and 2) their relationship is so damn healthy (in addition to their communication being stupidly good when it comes to each other).
Andrew wants something real and Neil wants to be real. And then they get to have exactly that.
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i've been having the hardest time focusing on things lately so some more sketches of the human dalmation from hell seemed in order to help with some relaxing 😮💨
powers not cooperating and tea time for the eldritch bby 🥰🤍🖤
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Have you watched any of pokemon concierge and if so do you have thoughts? The pokemon look so cute!!!
I FREAKIGN LOST IT DUDE IT WAS EVERYTHINGGGG oh my god i'm high on really nice edibles and i'm in a great mood thanks to y'all so i might go watch that right now!! :D thank u in advance for the transcendent brain-exploding happiness i shall experience <3
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Hello!
Someone had asked me a question in my asks about the protocreed au, and while I want to answer that question in depth, I realized that my posts are very disorganized and they don't necessarily show up when I search them on my blog. So! I figured a good way to segeway later into answering the questions, would be to make a new masterpost, since I can't find it on my actual blog.
I'll be updating this as I go along, but for now I needed a new masterpost with everything up to date, with the best tagging practices.
----------------------------------------------------------------------------
Shitposts:
Alex doesn't know how to have a normal relationship
They're fruity
They're fucked up! That's it, that's the post!
Rambling:
Initial Lore Dump
The Thread of Really Awesome questions
Thoughts on Juno and the Isu
The parallels...
Lore Posts:
Isu and Humans
Leading to the Isu-Human War
Fanfiction:
Before Penn Station (permutation 1)
Chapter 1, Chapter 2, Chapter 3
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choked up in my room rn bc i was sat in the car with my mum completely lost in thought and she out of nowhere went 'are you okay?' and i was like 'yeah? why?' bc i was totally fine i was literally just thinking and she let it go and then five entire minutes later she goes 'are you sure? have i done something?' and she sounded so genuinely anxious and i could tell she'd been thinking about it the entire 5 minutes while id been completely oblivious and i spent so many years as a child letting everything bottle up until it all burst out in a messy and ugly breakdown that took her down with me and despite that she never hated me she only ever blamed herself for not seeing the signs and she's never been able to see my signs because i keep everything to myself and it terrifies her that she might miss something and she handles things poorly when she's scared and she gets too angry but fundamentally she's trying her absolute hardest to be a good mother and it wasn't always enough and i know i have to hold her at least partially accountable but also she's my mum and im her daughter and she always just wants to know if im okay and most of the time im not and somehow that feels like ive betrayed her
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ok as an artist i personally find traditional painting to be. really really annoying. like. i do not have the patience for it and i just find it to be really frustrating to set up and actually do and i end up not liking the results. i find that there's little room for mistakes and trying to fix them usually ends up with me making 50 other ones, paints can be so inconsistent and having to rely on availability and certain brands to continue making the paint is really inconvenient, not to mention expensive. spending a bunch of time trying to mix the right shade of paint, only for it to go down a completely different shade of colour and not being able to do anything about it is so frustrating as someone who likes consistency and having things just, y'know, not change colour as soon as it dries. plus, they all use different chemicals and can go off really easily or change textures and i am just not ok with having all my materials having an expiration date like food. lead and graphite pencils just don't do that and they can last for years, they're more reliable. every paint is drastically different and trying to find the right one is not only time consuming but, again, expensive, and i don't even see the point in experimenting when most of my materials end up not even getting used if i don't like using them. plus, i'm just.... really impatient. waiting for paint to dry sucks and is why i much prefer digital or just drawing something because i don't need to wait for anything, it just works. and then when i do want to take my time and work slowly for a better result, it dries too fast. it's kinda hellish trying to balance that time, especially considering how inconsistent paints are.
i like to use guidelines when doing art and i find painting straight onto a canvas to be really tricky because there's a lack of direction for me to actually paint. i'm at a complete loss at what to do when i pick up a brush because i can't map it out first without risking screwing up the paint. there's just so many things to keep track of and so much wet paint to avoid and i just do not have the mind for it. putting colours on a canvas and praying that it works just isn't it for me and requires a discipline that i just don't wanna involve myself with. painting is also just like... really exhausting and kinda painful. i got some pretty bad back issues and my arms tire and get sore easily and quickly when i'm standing in front of a canvas. it's a really physical activity for me and i just don't find something to be very fun to do at all when it's physically hurting me. i know drawing on a canvas has this issue too, which is why i prefer sketchbooks. sitting down and drawing something that doesn't break my entire spine every time i do it is much more preferrable than questioning if i should go to the doctor every time i make a brushstroke, lol
that's not to say that there's nothing i like about painting though! i can paint simple little things, and i like doing that. i like mixing colours with a palette knife and i find it fun and even a little relaxing. i painted some cute little chibi cardboard cutouts of the mario brothers one time and i found that to be really fun and i think i'd like to do that again! but apart from that, i just do not have the patience for it. i love the look of traditional paintings and i find many to be really beautiful, but i could never get into actually doing it myself because i hate the process. i'm content with just sketching and doing digital stuff because that's more fun to me and less stressful of a process to do. it's fun, it allows for more mistakes, it's easier to build up layers of shading and lines, not to mention using building up a figure with guidelines is super helpful with visualising what i want it to look like, and i can just erase something if i don't want it there or want to change something. it just makes sense to me.
tl;dr i dont like painting because it's inconsistent, expensive, time-consuming, directionless, frustrating and it makes my back hurt really bad. i'll just stick to drawing stuff :)
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