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#maybe this is an ending scene
papple · 11 months
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"Will you ever tell me a story?"
He scoffs, a wisp of a shadow flicking across his form. "Why should I?"
The boy grins while tucking himself deeper into the roots, the gap in his teeth on full display. "Well! You must have something to tell!"
"I do not."
"Oh. Are you sure?"
The shadow turns to face Dream with a disapproving look, which does nothing to dampen the younger's smile. Though, he stops pushing and closes his eyes, his thoughts quieting.
When the boy has almost lulled himself to sleep, a hushed voice speaks to the night. "...Once, there was a sacred tree. And for the tree, a guardian to protect and care for it. This guardian was named Nightshade..."
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Seven Apple Seeds by @calcium-cat
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sameboot · 8 months
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Simon petrikov coping FAIL compilation
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magicomens · 5 months
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Hellooo I'm back sooner than expected! I had a drawing marathon bc I want to post part 7 in two weeks for cruel irony purposes (Merlin fans might have an idea)
First >> Prev >> Next
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asukachii · 10 months
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Jujutsu Kaisen 2 ED 1 | AKARI
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rushinintolove · 4 months
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carlyraejepsans · 1 year
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sometimes the funny guy armor doesn't work
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renonv · 7 months
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Been meaning to draw them as Barbie and Ken 😭💖
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victimized-martyr · 23 days
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Sorry I never gave a proper update on tumblr——
here’s some brainstorming doodles from Keo and me on the white board and some examples Keo made in my notebook. I won’t forget it, one of my harshest note was “NEVER draw Kenny in 3/4!! Trey hates that!” 🤣 The story leads stressed that Trey is very particular with acting decisions and poses, most of which don’t translate into the animation. It’s for him at the editing stage, to “make his voice sing”. Getting into Trey’s head, funnily enough, requires FEELING. Feeling what he’s going for in terms of delivery, to learn what not to take literally in his script (when trey says “kathleen kennedy is like terminator” it’s not what you initially think it means), what emotion or gesture to put in to elevate a joke, to get the message through. It’s so fascinating!
In short, I didn’t make the cut. I was “too fresh”, and needed more experience with the technical aspect of storyboarding…. but I was complimented by Keo for my intuition, something that can’t be taught. I was over the moon when I was told I got the style of the show, whereas other trainees with 10+ experience couldn’t. Some of them tested but don’t even watch the show!! That’s crazy, but I guess that’s to be expected. My knowledge of the show and deep love for the characters got me this far, but I need to work on my actual story boarding skills (keo said my struggles are in composition and scaling) to stay!! 💪🏼 I’m taking this… as a not yet, not a no. I’m already on their radar, in their database, I’m incredibly lucky I got to make my THIRD connection in the studio, I just need to work on myself until I can arrive. I’m so grateful for all the support from friends family and industry moots to get me this far, it’s only the beginning of the year but I don’t think anything could top what happened to me this March!!!!!
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try-set-me-on-fire · 10 months
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Ok well i had the brief thought “what about an ER nurse Eddie au?” and then this popped fully formed into existence so fuck it Friday pt 2.. warnings for smoking and vague references to critically injured kids
“That doesn’t seem very healthy.”
Smoke curls up from the cigarette held loosely in Eddie’s hand. “It’s not, particularly.”
Buck’s hands are in his pockets as he strolls away from the glass doors out into the ambulance bay where Eddie is doing the mature, professional equivalent of playing hide and seek. He comes to a stop barely a foot or two away from where Eddie leans against grimy concrete. “Didn’t know you were a smoker.”
“I’m not,” Eddie sighs, “Particularly.” He looks over Buck’s face as he takes a drag, cataloging bruises and cuts. He hadn’t been the one to look him over before he was discharged, probably because he was out here avoiding having to do so. “Only when it’s- only after the bad shifts.” And only once a month, even if the bad shifts come again and again. He bought this pack in January, it’s stale as shit.
Buck’s eyes follow the smoke as it drifts skyward. “Rough one today?”
Eddie thinks he probably doesn’t have to explain to Buck that it’s sometimes better when a kid is dead on arrival so he doesn’t have to try his best to administer care he knows will be useless. He doesn’t have to explain a day where nothing goes right and he loses more people than he can save and he still has to walk away from someone’s parent or wife or sister, left behind forever in a waiting room on the worst day of their life, and go on to lose the next person too. Doesn’t have to explain why he’s out here, and not in there. “Mm. We’ve got this repeat customer, always hate to have him back.”
Buck’s eyes flick to his face before they settle somewhere around his elbow. “Yeah?”
“Yeah. He seems like a nice guy. I worry about him. He’s here too often.”
Buck doesn’t look up. “What was he in for this time?”
“Minor concussion. Bruising. Lacerations.” Eddie sucks cancer into his lungs. “Heard a house fell on him.” Exhales it into the night.
Buck does look up this time, eyes a darker blue out here in the shadows. “Part of a house. Just a staircase and the- like, the balcony, really.”
“Maybe he should stay away from those.”
“From houses?” Buck asks, half his mouth twitching into a smile.
Eddie rests his head on the wall behind him. “Guess that’s not really practical.”
“No.” Buck is quiet for a moment, one hand slipping out of his pocket and running through his hair. Eddie wonders what he looks like, when he’s not here. He’s more styled, sometimes, when things aren’t very bad. He wonders if he’s usually all gelled up and neat. Eddie kind of likes the loose curls. “I’m sorry.”
“For what?”
“Making your day worse.” Buck looks genuinely apologetic, and Eddie shakes his head.
“The guy made it out okay this time.” Buck is just close enough that Eddie can kick at his boot with his sensible orthopedic sneaker. “You didn’t even need stitches.”
“That’s good.” Eddie’s left foot is pressed along the inside of Buck’s right, and Buck is staring down at them. “His favorite nurse was on break. I would have missed you if someone else had to do them.”
Eddie laughs, just a few bursts of soundless oxygen. “You gotta find new ways to see me before something happens that I can’t fix.”
Buck moves, taking the few steps necessary to lean against the wall beside him. Carefully, he takes the cigarette from Eddie’s hand, holds it between two of his own fingers, and takes a drag. Eddie watches it happen like he’s monitoring somebody’s pulse ox, and when Buck coughs he laughs again, louder this time. “Fuck,” Buck says, laughing too. “Thought that would be cooler than it was.”
“Smoking isn’t cool, firefighter Buckley,” Eddie says, taking the cigarette back and pulling from it again between smiling lips.
“Hm,” Buck says, grinning out into the night. Then he sighs, and rolls his head along the concrete to look at Eddie. “I think there’s nothing you can’t fix.”
They’re very close. “There’s lots I can’t fix.”
Buck shrugs like he disagrees. “I also think I’d like to find other ways to see you.”
Buck’s eyes are even more in shadow at this angle, and they’re the color of the lake back in El Paso that he and a bunch of kids went to after graduation, drunk off beer somebody’s cousin got for them, skinny dipping with breathless terrified delight under bright constellations. “Then ask me.”
Buck inhales as Eddie exhales. “What time’s your shift end?”
“5:30 AM. So, probably 6:15.”
Buck traces the two fingers he’d used to hold the cigarette down Eddie’s arm. “You wanna get breakfast with me?”
“Yes. I would.”
Buck smiles, and Eddie snubs out the cigarette on the wall between them. “I’ll meet you here?”
“Alright.” He takes a step forward, then a step to the right so he’s standing in front of Buck. “Two hours.”
“Uh huh.”
He should really get back inside. They’re understaffed, as always, and there are too many patients, as always, and not enough beds, as always. “See you then.” He doesn’t make any move to leave.
“See you then,” Buck almost whispers. He leans forward, and Eddie still doesn’t move, so he presses a tiny kiss to the corner of his mouth for just a moment. His lips are warm. Eddie hadn’t noticed it was cold outside.
Buck pulls back and leans against the wall again. Eddie smiles, puts a hand in his pocket, and walks back toward the doors.
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arcanegifs · 1 year
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"I see you never learned patience."
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galedekarios · 5 months
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if you are genuinely out there claiming that gale "succeeded" in everything he "wanted" by becoming a god and that's why it's a good ending for him, you truly are a testament to the slow and steady death of media literacy congrats lmao
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hanafubukki · 4 months
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The Lullaby Representing True Love
The lullaby we heard in book 7 has such a deep meaning and it gets me emotional.
It’s used in various ways to repeatedly show love between the characters.
We hear Malleus hum this song that Lilia and Meleanor sang to him when he was in his egg. This song Malleus hums as he puts everyone into a comforting sleep where they can have their happiest dreams.
This song we heard Meleanor sing to eggleus right before she gives her egg away, a final lullaby of love and comfort. Her farewell to Malleus.
The lullaby we hear Lilia sing to Silver in the flashback, something to calm him. Showing him love through a song that means much to him and showing his love for Silver.
Malleus then hums this very song to Silver as well. He doesn’t know where he heard it but he remembers it fondly. He knows it brings comfort so he hums it to baby Silver and we see how Malleus continues to go on and love that baby.
Then we hear this same melody when Silver accepts the love Lilia has for him. It’s in the background. Silver literally states that his father loves him. You can hear it start from the fight with sebek and then the melody increase as Silver accepts that truth of how much he is loved. We see the Knight of Dawn happy to see his son happy again.
We hear Lilia sing it to eggleus. He’s looking for a way to hatch Malleus. Makes him all these promises. Constantly compliments and teases him. And then Lilia, general lilia, sings it to him. Showing him that love and care that he has for him. Malleus flickers in response. Then we get Malleus hatching in the next scene.
And the last scene we hear the Rhythm is with Silver and Lilia. When we see Silver tell Lilia that he wants to talk with him and Lilia agrees. We hear it loud and clear the love and comfort between the two.
The lullaby is literally true love in a song. The way they constantly show true love these characters have for each other gives me awe.
I hope we get this song in a twsttunes. I can’t wait to see how this song will be used again. The way they incorporate the lyrics or the rhythm into the story to show true love just has me feral.
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chappellrroan · 3 months
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people who still hate Joe Alwyn need to get a life asap
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Porcelain Steve - Part 5
Part One🦇Part Two🦇Part Three🦇Part Four🦇Part Five🦇Part Six🦇Part Seven🦇Part Eight🦇Part Nine
"Get a grip," Eddie mutters to himself as he places the phone back onto its cradle for the fourth time that day without having made a phone call. He paces back and forth in front of the phone, one, two, three full lines across the room and back before he picks up the phone, dials the Henderson's number, lets it ring one and a half times, then slams the phone down again before someone can answer.
He thinks he's losing it a little. All this time he thought he was the level-headed one but now that it's been two full days of not seeing Porcelain Steve, he thinks he's going to climb the walls and start ripping up the carpets. Logically he knows that nothing has happened. If something had, he would have heard from Dustin already, either by phone or over the walkie (which may or may not be on him at all times, volume as loud as it goes). They wouldn't leave him in the dark.
Right?
Right. Right.
He picks up the phone again, dialing the Buckley house instead.
Robin's dad answers, which is great. Robin's mom likes to play 20 Questions before handing the phone off. He keeps meaning to ask Robin if her mom does that for everyone that calls, or if he's just the lucky one. Robin's dad is a straightforward guy. He wants to know who is calling, and who they want to talk to.
"Robin is out, but I can give her a message, Eddie," Mr. Buckley says.
"Yes, please. Sir. Just let her know I called."
"Will do. Goodbye."
He listens to the dial tone for a few seconds before setting the phone down for the sixth time in less than 15 minutes. He has got to do something to keep busy or the carpets are toast.
Usually when he's this restless he bothers his friends, but Jeff is out of town on a family vacation, no one answered the phone at Gareth's house (first person he called this morning), and Brian has a summer job taking up his time, so now he's left to figure out distractions on his own.
His room is filled with distractions, but nothing that can claim his attention for too long. He puts a cassette in the player but doesn't turn it up to the volume that usually calms him because he doesn't want to miss hearing the phone ring. He'd been trying to distract himself with campaign planning and keeps getting off track with the fantasy that this would be the campaign he could convince Steve to at least hang out and observe, if not play in one or two sessions as an over-powered NPC.
Even Return of the King can't hold his attention for more than two pages, even if he flips through to read just his favorite parts because his mind immediately plays word association games which leads to thinking of Steve.
It hits Eddie then that he misses Steve. He misses climbing into Steve's car and bitching about whatever station Steve's set the radio on playing the Top 40. He misses late night smoke sessions where Steve seems to soften under his high and the night sky as they lay atop the trailer close enough to touch and talk about nothing. He misses being able to steal glances at Steve when he throws his head back to laugh hysterically at something he or Robin had said.
He misses Steve so intensely and fiercely that it sits like a rock in his stomach. He would give anything to hear Steve's voice again.
Oh. Oh no. He needs distraction from his thoughts now.
He successfully managed to hem and haw about his room for almost an hour before he marches back out to the living room and the phone set on the end table next to Wayne's recliner. Picks it up then sets it down again, turning on heel to the kitchen. Maybe breakfast (a glance to the clock on the wall tells him the time is 12:50, so maybe it's actually lunch) will be a sufficient time sink.
He pulls out all the fixings of a PB&J and is in the process of searching for a clean(ish) butter knife when three rapid knocks startle him, freezing him in place for a moment.
The knocking happens again, five quick raps this time, but Eddie was already making his way to the door by the third this time. There is a thought in the back of his mind that rises, unbidden, oh God, something's happened and it makes him wrench the door open with more force than necessary.
Robin stands on his porch, but not for long. She's got a backpack on and a grocery bag hanging off of one arm and when Eddie just blinks at her in a moment of confusion, she huffs and bullies her way inside. He full body turns, closing the door as he does so, to watch her deposit the bag, then backpack, onto the couch.
"Uh, hi?" Eddie manages as he watches her begin to unload the things she brought. A box of microwave popcorn, an obscene amount of candy bars, an assortment of nail polishes, and more but his attention is dragged up to the side of Robin's face when she starts talking, pulling out VHS tapes, clearly rented from Family Video.
"So, I brought a few options for us. Halloween because it was your most rented film back when Steve and I still worked there, so I thought it was a safe bet. Also go The Black Cauldron because you strike me as a Black Cauldron kind of guy, The Hidden Fortress because it's one of my favorites and you might enjoy it, too, and Top Gun, because, well, it might serve as a good distraction for a bit," Robin holds up each tape as she lists them off, setting them on the coffee table next to the assorted stuff she brought with. "Also got, like, a manicure set and some scrunchies and bobby pins. Not really sure how occupied you need to be right now."
"Uh.... what?"
Robin rolls her eyes like Eddie's slow on the uptake, "Distraction. I'm here to provide it. Though, maybe I should have called and asked what you do when you want to kill time. I just... defaulted to what Steve and I do. Movies and makeovers, but, like, if that doesn't work that's fine. It's just, you've joined us before on movie makeover nights, so I assumed..."
Eddie swallows pushing down the knot threatening to form in his throat. It's not a shock (anymore) that he's truly friends with Robin, but sometimes it's not at the forefront of his mind. When he thinks of friends, Jeff, Gareth, and Brian come to mind first. They've years of history together, after all. What he's got with Robin, and everyone else, is deeper than just friendship, the shared secret of Spring Break '86 that's made them all ride or die. So, now, with Robin showing up, instinctively wanting to help because they're friends even without Steve as a buffer, it just kinda rocks Eddie emotionally.
"No, it's great. I just- how did you know?"
Robin cocks her head at him, "You didn't leave a message."
He's not sure what facial expression he makes but everything about Robin softens just a bit. It's so reminiscent of how she is with Steve in the soft, quiet moments when she thinks no one else is paying attention to her and Steve. (Eddie's always paying attention.)
"Oh, dingbat," She says it softly and with a shake of her head before grabbing the popcorn box and ripping it open. She fishes out a packet and tosses it to him. "Get that going. I'm putting in Top Gun."
Wordlessly, Eddie obeys. He wants to ask more questions. What's the look for? Since when does she call him dingbat? What is happening? He throws the bag into the microwave, then remembers the PB&J he was attempting to make earlier. He makes two sandwiches, pausing only to dump the popcorn into a bowl once the microwave beeps. He puts the sandwiches on a plate to make carrying everything easier and joins Robin on the couch.
She accepts the offered sandwich with glee and they watch the first half hour of Top Gun in silence before Eddie gets his words gathered.
"How did you know?" He asks again.
"My dad," she says like a confession, not even needing Eddie to elaborate what he means, "it's, like, the highlight of his day when I miss a call from you. He's so overdramatic about delivering it, all bowing at me and repeating whatever lame thing you said like the esteemed Mister Munson has called to inquire if the lovely Lady Robin would like to partake on an outing the afternoon overmorrow or whatever shit you decide to sprout. Who says 'overmorrow' anyway? So, when I got back from helping mom grocery shop, he just... he pulled the grocery bags from my hands and told me 'I think Eddie needs you'."
He's only met the Buckley's face to face a few times. They don't hang out at Robin's house much so he's a bit shocked that Mr. Buckley even picked up Eddie's dramatics enough to notice something was off.
"My parents are a bit overprotective and overbearing sometimes but they care and listen," Robin says, "so when you called and seemed to different to what my dad is used to hearing- well, I asked to borrow his car, and made a quick pitstop. I was just kind of banking on the fact you need a distraction the same way I do."
He understands what Robin isn't actually saying. "From thinking about Steve."
She nods, "yeah. I know Dustin would never let anything happen to him, but it still leaves me jittery when I don't see him. Especially since the last time I went two days without seeing Steve he- well, he turned into a porcelain doll."
"I thought I was doing okay with all this, you know?" Eddie finds himself saying. "But I'm not. And it's so fucking stupid. It's not like I'm the only one who cares about Steve, or is worried, but- And it's not that I don't trust Dustin to keep him safe. I just- it's..."
"It's different. How you feel about Steve, how Dustin feels about Steve, and how I do. It's all different."
Eddie freezes. He's never- they don't talk about it. He's only said it out loud to three people. Wayne, Jeff, and his father. The last one landed him in the hospital and Wayne's custody so it's not a secret he lets out lightly.
"Dustin's his brother," Robin continues, either unaware of how Eddie's basically quit breathing or choosing to ignore it, "but he's also a dumb teenage boy. He'd never let anything happen to Steve, but that's not a guarantee that nothing will happen. I worry, too. I want to just take Steve and wrap him in bubble wrap, put him in a box, wrap that in bubble wrap, then put that in a bigger box and set him in the middle of an empty room where nothing could accidentally fall over onto the box."
He huffs out a laugh at the mental image that conjures up. "Yeah?"
"Yeah," Robin says before sucking her lips between her teeth, then pushing them out with a pop! sound, seeming to think over something. He watches as she mentally braces herself, the physical tales of her shifting to face him more, shoulders tensing, leg bouncing slightly. "So anyway, it's different, how we feel about Steve. Dustin loves him. I love him. And you... You're in love with him."
Even though they're inside his own home, Eddie still jerks back and looks around, for anyone who might hear what Robin is accusing him of. "Listen, Buckley, you can't believe every rumor you hear ab-"
"Eddie," she says, holding one hand out, palm up, "stop. Give me your hand and make terrible, awkward eye contact with me for, like, five seconds, please. It's important."
Eddie, very slowly, slips his hand onto hers, and she covers it with her free hand and, as promised, they make awkward eye contact.
"I'm a lesbian," she blurts out and immediately looks away from Eddie's face, letting out a deep sigh of relief.
And Eddie? Well, he laughs. It starts as just a snort but then it grows. And Jesus, it's such an awful response to Robin coming out to him, but he can't stop. He knows that Robin has gifted him with this trust, with knowledge that could get her murdered, and he should not be laughing.
Robin, for her part, takes it well. There's a few seconds of startled silence from her before she barks out her own laugh. Eddie laughs so hard and for so long he thinks he's going to puke, and Robin almost falls off the couch.
"Jesus Christ," is what he can manage to say once he's caught his breath.
"Jesus Christ," she echoes in a quieter voice.
Top Gun plays on in the background.
Eddie still can't say it out loud, so instead he says, "am I that obvious?"
"No. But I can recognize the signs of trying to hide a massive crush on someone of the same gender. You know, with all the experience I have at it."
"You are far better at hiding that then me I guess. I had no clue about you."
She shrugs, "yeah, well, it's not like we hang around a lot of girls for me to crush on. It's you, me, and Steve. Occasionally a kid or five. No offense, but I'd rather die than look at any of you lustfully."
Eddie fakes gagging at the thought.
Robin swats his arm playfully. "Anyway, what I'm saying is, I get that it makes you feel a little crazy not being around Steve. Especially when he's, like, literally unable to protect himself currently. I feel like that, too. He's my soulmate and no one knows me as well as he does. It's... lonely without him."
"So... Steve knows...?"
"Oh yeah. Me telling him it what I think kicked off our real friendship."
"I thought all the shit that happened at Star Court did that."
"That's when I told him. After barfing into a toilet."
"Gross."
"It really was. Steve took it so well. Then he mocked me for my crush."
"Which was...?"
"Absolutely not telling you. Anyway. That's enough mushy talky time. Paint my nails," she says, leaning over to grab a yellow nail polish off the coffee table.
Eddie holds out his hand to take it. He's not even going to pretend he doesn't want to.
Silence falls over them, a comfortable one. Eddie doesn't feel like climbing the walls much anymore, so Robin's distraction is working. Maybe it's just the not being alone in the trailer anymore. Maybe it's the knowing he's not alone anymore.
Maybe it's also knowing that Steve knows about Robin and still loves her.
(Funny that Steve just happened to find and befriend the probably only two queer people in all of Hawkins.)
They put in The Hidden Fortress next and Robin talks through almost the whole thing, telling him facts and that this next part is actually her favorite part.
By the time Robin leaves, well after nightfall, Eddie is feeling more settled.
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amongthezinnias · 11 months
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🏳️‍🌈 Happy Pride to the OG pairing since 2009. 🏳️‍🌈
Bonus:
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(part 2 here)
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nikki-rook · 8 months
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You think you're gonna have all the time in the world... but nobody does - 3x13 (deleted scene) / 4x20 x
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