I think my fic where Xander accidentally becomes a successful novelist (largely without realizing it) is the funniest idea I’ve ever had. This guy started writing little stories to remember their adventures in Sunnydale (his last line in Chosen about “how will anyone even know about this unless we tell them” burrowed itself into my little archivist brain and won’t let go) and posts them online. He unintentionally goes viral. He thinks someone named Simon N. Schuster is leaving him voicemails. He ends up on the New York Times bestseller list.
He doesn’t even realize that everyone else thinks the stories are fiction. Xander is out here writing autobiographical non-fiction but everyone else thinks he’s a weirdly dedicated author that’s really committed to maintaining a Lemony Snicket style pseudonym/persona for the narrator of his novel. There are “Who Is Xander Harris?” articles. No one can dig up much of anything on him because he lived his whole life in a town that got wiped off the map. He keeps rejecting requests for interviews because of his stage fright. At first this drives his publicist absolutely ballistic but it just adds the the air of mystery that’s drumming up book sales so she lets it go.
He only responds to questions over email and only ever responds “in character” as his “novel’s narrator” and this baffles everyone, only adding to the supposed mystery. It’s literally not even Xander actually writing the emails 95% of the time. It’s Dawn. She has appointed herself as “Xander’s representation” even though she doesn’t really know what being someone’s representation means. She printed business cards.
276 notes
·
View notes
sorry to keep foolish posting but I’m literally sick dude he’s been working himself to the bone to avoid thinking about leo because there’s nothing he can do about it and it eats him alive, and maybe if the federation does have anything to do with her disappearance he’ll find out by rising in the ranks. and everyone just thinks he’s happy go lucky and just doesn’t care but he’s just allergic to being straightforward and emotions and if he shows that he actually cares so so much then they’ll know - and that in and of itself is terrible, even without the threat that it’ll be used against him. and roier, his son, is also going through this great loss, but he’ll always call him his second favorite even though vegetta has been gone for months, and foolish has been on his own raising leo and looking out for roier, and he wonders how much better it would be if vegetta truly was around because surely he’s better than he is at this. at parenting, at looking out for family - at the very least he wouldn’t be alone anymore. and he’s trying to cover for cellbit because he’s family too, doing everything in his power to make sure he isn’t caught and trying to check up on his mental state, reassuring him that he’s there for him even if the world is against him.
and then he’s stuck in this death game and makes more emotional ties, as much as he will never say it. and their kids are at stake, and vegetta is on the team but he doesn’t show up (of course he doesn’t show up), and the first thing he does is apologize to leo because it’s always been just him and her against the world, always juntos, and his team is at such a disadvantage and who else will save her if he doesn’t win? and when green loses, he does everything in his power to save them to save roier, thinking that his life is on the line, and is just a few seconds to late. and when he finally sees leo again, he’s pushed to the point of using totems, something he’s so against, something he’s alluded to being able to feel when they pop, because they’re his brethren - he tries so hard to get a totem to her through the barrier. he screams himself hoarse until he can’t see her anymore, entirely at a loss for what to do, because he can usually push down panic and emotions and think and problem solve, but leo is right there and the ceiling is falling in and there’s nothing he can do. and he stays behind to make sure tina and mouse can make it, gives them his resources, he waits until cellbit is caught up and keeps his eye on him the entire time, and it means he runs out of time before making it to safety.
and he just cares so much for his family, he cares for the others too, he watches out for them and he tries to keep their best interests in mind when acting on his own. he’d kill before ratting out cellbit he’d break mountains to help roier he’d get the entire world for leo if she so much as asked. and he’ll hold in his feelings and his loss until he dies because he’s good at compartmentalizing and bad at healthy coping mechanisms, so everyone just thinks he doesn’t give a shit, but he does. he gives his everything for who he loves and right now he has nothing for it, but still he cares. and nobody will ever believe this about him
90 notes
·
View notes
thinking about situationship with trent based on you’re losing me by taylor swift :( especially where you guys were friends before. he says that he doesn’t want any ‘label’ on you guys considering the spotlight that he is currently under. so you guys aren’t dating, but you guys do things that a normal couple would do, but no commitment.
at first you were fine with it, his job does mean that one slip up can mean your personal life being on blast, paparazzi, articles & such.
but lately all you wanted was to shout from the rooftops at how you wish he was yours.
you guys talk, laugh, sleep, joke, act, like a couple, so why are you not?
the situation went downhill when you have taken notice at how loosely trent used the term ‘situationship.’ at clubs or parties or just getting coffee in general, he would always get hit on by gorgeous women.
you weren’t insecure, because why would you be? you guys aren’t together.
so why does it hurt like hell every single time he would entertain these women and flirt back?
one day you finally had enough and decided to call it quits on whatever terms the hell you both are on.
trent didn’t understand, it was going fine. but then when he sees your teary eyes, the way that your lip wobbles and your scratchy voice when you said “you’re losing me, trent.” his stomach dropped. he royally screw up.
his heart ached, all he wanted was to be yours, and you wanted the same. guess the timing didn’t work out very well.
he tried to argue, at the same time invalidating your feelings and how much it was affecting you. so when you repeated, “stop. you’re losing me.”
his hands started to shake because he knows deep down that he already lost you. so when he left your house, you knew it was the last time you’ll see him. until your paths cross again.
he lost you and you lost him.
134 notes
·
View notes
I think fans want Jason to be a good person or be becoming one. To have a character that is well meaning and compassionate but decided murder is ok and to stand against main heroes who’s beliefs and actions go against the people he cares about and wants in his life. It’s confusing for people. People want their fav characters to be happy. But Jason can’t have his family’s support and follow his moral code. He’s cares about people and Gotham, and he’s an asshole who kills. It’s messy. It’s not black and white. I don’t even think Jason cares about being a good person or in the right anymore. I think he cares about what will save the most people instead.
Oh my goodness gracious I’ve been bamboozled
Batman’s definition of Good is not synonymous with absolute good/right no matter how much dc insists it is. Torture, battery/assault, surveillance, those are all condemnable actions too. I won’t get into the exhausting and frankly dumb debate of comic book morality wrt killing because I’ve already reblogged plenty of posts from other people who explained my thoughts on the matter far better than I ever have the patience to sit down and articulate. I also just think the notion that there’s something to be done about fictional characters who kill nazis and senseless murderers is stupid. Jason’s point is that the “main” heroes’ sanitized definition of right has its unaddressed holes and flaws which ultimately result in more preventable fatalities, and that he’ll work to correct those missing spots.
He doesn’t not care about doing what’s right. What he doesn’t care about (at least during his Winick characterization) is whether Batman thinks he’s right or wrong, because he sees the flaws in Batman’s methodology (and since he has a mind of his own). Batman’s methods alone cannot address Arkham’s revolving door and the rogues that come and go through those doors who have no intention (or capability from the doylist pov) of ever changing or undergoing redemption. Jason knows that he’s minimizing the number of preventable deaths by killing his targets, typically Characters Who Simply Do Fucked Up Shit Just Because, Why The Fuck Not?
Secondly, Jason is compassionate … to a fault. That was his fatal flaw. If he wasn’t so hell-bent on saving his potential birth mother he just met from that bomb despite everything she did to him prior, he could have protected himself instead, however slim his odds of survival were. What about his relationship with his other parents? He was a caregiver during his early childhood years for Catherine, until her death. Even mature adults who are financially stable find being a caregiver to a dying parent to be extremely burdensome on their bodies and minds, but he never complained about it or resented Catherine for being unable to care for him. Despite how none of his parents have really been what he needed them to be, he doesn’t blame them for their failings, and even continues to think highly of them (Bruce included).
And post-death? Enter Lost Days. Despite being dead set on plotting his revenge on Bruce, he constantly sidelines this in order to save other victims who are helpless like he once was. His own anger, trauma, and mission don’t remain his priority. (Sound familiar? Something something my own trauma above my son’s, mission above all else, etc.). Why would he waste precious time and risk his own life to do this if he wasn’t empathetic towards these victims or didn’t care about doing the right thing. He is simultaneously horribly traumatized and full of rage, and also incapable of ignoring what’s happening to victims around him (even as he claims that it’s indeed not his priority). And in that same vein, the entire premise of his rebirth outlaws run was that he doesn’t care if the public views him as a villain, an outlaw, so long as he can protect Gotham. And anyway where is this portrayal of him not caring about being in the right anymore. Almost every modern Jason story is about him grappling with where he stands with Bruce/Batman. During the early 2000s was probably the last time he did not care (hello, tentatodd??).
Jason has very evidently been portrayed as a kind and compassionate character. He is also simultaneously a calculated killer who doesn’t hesitate to kill when he deems necessary, and does so without remorse. It’s called being a Complex Character With An Edge™ that as you said, people so often claim to love. However when he fulfills that latter part, that seems to upset people because “killing bad”, and they then try to shave off and round out all his edges and claim he shouldn’t be that angry. In that case I guess you should just stick to liking traditional one-dimensional characters instead of claiming to like Jason but then encouraging his character assassination attempt by dc. Lol.
Lastly, who said anything about the batfam making Jason happy? Just because he’s written nowadays to want acceptance from Bruce (a shoddy attempt at forcing a non-existent nuclear batfamily), doesn’t mean that it’s a sound decision or that it does his character justice. I certainly don’t empathize with the idea that Jason needs the family’s approval or acceptance to be happy. (And anyway he has enough outlets for angst and pain aside from the batfam hello explore his other sources of trauma and do more deep dives into how he thinks when he’s alone). I don’t want them to magically make up and become one big happy family. This is not disney Lol. Besides, there are plenty of stories from dc that have that type of “wholesome” (hate that word utilization) characterization for Jason (Li’l Gotham, Tiny Titans, wfa, and even new stuff like the brave and the bold mini) and that is sufficient imo. Jason fans who are invested in the character deserve accurate, nuanced characterization and well-written stories, whether they be from his robin days (e.g., Batman: The Cult) or as red hood.
167 notes
·
View notes