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#just to be clear I understand the nuance of the situation
yusuke-of-valla · 2 years
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Look I don’t think Sothis is evil(TM) now I just think she’s a little pissed about the whole “genocide of her kids and subsequent murder and desecration of her corpse” and was probably better before that and will probably come around with the help of the power of Friendship and not antagonizing her too much (I think I’m forming an idea about why you don’t fight Byleth in chapter 10)
But for now I will be making jokes about her being down to murder because that is funny as fuck
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jarchivussy · 1 year
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sorry not sorry but if you still think "The Ukraine" is the correct way to say it maybe you should shut the fuck up about ukrainian politics
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kathaynesart · 1 year
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The call has ended, but the final recording still has a bit further to go.  
BEGINNING || PREVIOUS || NEXT MASTER POST
Sorry these past several updates have been such downers.  I promise the next one will have some fun banter.  Can’t wait to get back to the real world with less digital effects and data dump.  I don’t know how Donnie deals with all of it. 
Below the cut I’ve added a little talk about Donnie and the way he handled this heavy conversation, something I fear might come off a little harsh without the proper context clues.  Also, below is a fun little discovery I made about Omega! 
I’ve already had a few people express how Donnie seems mean to his family in this update, which I totally understand how it can come off like that.  A certain amount of nuance is lost in this sort of comic format with neither descriptors, actual voice acting, or even Donnie’s face to give context for the way he is saying certain lines.  It’s an artistic choice I made, but one I still wish to clarify.
I see the sudden hang up as less Donnie being a jerk and more him having to cut the conversation short because he has to keep focus and he’s scared of Leo talking him down from the ledge he’s standing on.  He’s sticking to his guns and it hurts him to see how much it’s hurting his family and so all he can do is distance himself before the strong emotions cause him to make a mistake in the middle of enemy territory (placing legitimate logical concerns over emotional ones).  At the same time he is attempting to remain calm if only to try and let some of that wash onto Leo and April, because he knows if Leo freaks out too much he could risk bleeding out faster, which is why he was pressing for April to care for him first and foremost.  Were he a better liar he might have done so just to keep Leo calm a little longer, but no such luck.   Donnie holds so much love for his family, and I don’t think an apocalypse has changed that, he just has difficulty at times knowing the hierarchy of emotions expected of such a rare and dire situation and instead chooses to focus on the logical issues because at least those are some things he has certain control over. He wants to keep his family safe at all costs and if he has to cut off the last conversation he initiated and desperately wanted with his family to do so then he will.  I hope that clears some things up.  I might make this paragraph into it’s own post tomorrow for those who might have missed this update. 
On another note, I discovered something fun while researching Donnie’s screen UI!  (Extra photos under the cut:) Omega is actually in the movie (kind of)!  Look at the lil’ guy!  All sorts of dead!
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Thanks as always for your support and comments, it means a ton!
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randomitemdrop · 2 months
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you've posted a few ai generated images as items lately, and i'm wondering if that's intentional or not?
Short answer: no, it wasn't. Aside from a few I made when the generators first became publicly available and all the images were gooey messes, they've all been reader-submitted, although I'll admit I didn't catch the snail-boots. Personally I think AI image generators are a more nuanced situation than a lot of opinions I've seen on Tumblr, but given that they can be used so evilly, I'm steering away from them, if only to avoid the Wrath of the Disk Horse.
Long answer, and this is just my take, if you want to really get into it you'll have a much more interesting conversation with the people with devoted AI art blogs instead of me occasionally sharing things people submit:
There have been some major cases of unethical uses for it, but I think it's important to remember why AI image generators are such an issue; data scraping and regurgitating uncredited indie art is bad, but in the case of the snail-boots, it was just a fusion of one dataset of "product photos of boots" and another of "nature photos of snails", which I would say is not depriving anyone of credit or recognition for their work (MAYBE photographers, if you're a professional nature photographer or really attached to a picture you took of a snail one time?) I get the potential misuses of it, but when Photoshop made it easy to manipulate photos, the response was "hmm let's try and use this ethically" instead of "let's ban photo editing software". Like, I'd feel pretty unethical prompting it with "[character name] as illustrated by [Tumblr illustrator desperate for commissions]" or even "[character name] in DeviantArt style", but I'd have a hard time feeling bad for prompting with "product photo of a Transformer toy that turns into the Oscar Meyer Wienermobile". I know there's the question of "normalizing" the services but I think that overestimates how much the techbros running these things care about how everyday consumers use their free products, preferring to put their effort towards convincing companies to hire them to generate images for them, and in that case they respond way better to "here are some ways to change your product so that I would be willing to use it" than to "I will never use your product". For example here's one I just made of "the holy relic department at Big Lots", fusing corporate retail photos and museum storage rooms.
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TL/DR: on the one hand I understand the hate that AI gets and it's not something I'm planning on using for any of my creative projects, but on the other hand I think it's overly simplistic to say it's inherently bad and should never be used ever. On the third hand, I really hate participating in arguments over complex ethical philosophy, so I'm just gonna steer clear entirely.
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aphroditelovesu · 1 month
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Yandere Will Graham Headcanons (General)
''I would become a monster for you.'' — Will Graham.
❝ 🔪 — lady l: I've had this in my head for a while and finally decided to write it down. Will is a poor baby and I just want to love him ❤️. I hope you like it and forgive me for any mistakes! 🤎
❝tw: obsessive and possessive behavior, manipulation, kidnapping, death and mention of suicide and violence, toxic relationships.
❝🔪pairing: yandere!will graham x gender neutral!reader.
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Will Graham is desperate to be loved, to be accepted for who he is. He no longer wants to have to hide who he is, his true nature. When you came into the picture, he knew he could have it with you. Will knew you would love him and accept him for who he is. You were the beginning of his downfall.
He longs for someone who accepts him unconditionally, without judgment, and who understands his inner nuances and dilemmas. This search for acceptance is exacerbated by his reluctance to hide his true nature, even if it means facing the consequences of being misunderstood or even feared. Will doesn't want to be a monster, but for you, he'll be willing to become one.
His unique ability to empathize with the killers he pursues consumes him, leading him to delve deep into their minds to understand their motives and methods. This ability helps him understand you better, and delve into your mind and when he does this it only strengthens the feelings he has for you. You are something he must protect and love above all else.
Will has his night terrors constantly and every time he has them he will come to you for comfort. Even though he's not the biggest fan of being social, you keep him calm, the warmth of your hug and the kind words you whisper to him make him even more dependent on you.
He is desperate for your love and your constant acceptance. He wants your affection and love above all else and is willing to play dirty to get it. Will is an excellent manipulator and he will know how to use your feelings against yourself, and make you feel bad.
You're not going to leave him, are you? Can't you see how much he needs you? How desperate is he for you? Will is going to hurt you for even thinking about leaving him. You're so bad for this and Will will have to fix that. You won't leave him, not alive, at least.
Will is a born manipulator, albeit a subtle one. He will know how to make the situation favorable for him and will make you trust him, using both his empathy and manipulations to get what he wants. You will be his no matter what.
If Will sees no other alternative, he will probably kidnap you. It's not what he wants, since he wants a normal relationship with you but if he's too unstable or feels for even a moment that you won't reciprocate what he feels, Will will kidnap you. He will feel bad about it but he won't let you go. Not until he's sure you won't leave him.
Will is extremely possessive and jealous of you. A lot of this jealousy comes from the fact that he doesn't think he's good enough for you, that you deserve someone better than him but he's selfish and won't let you go. You are his and he will not be subtle when he is jealous, which happens very often.
He will be bitter and sarcastic towards anyone who made him jealous and will try to make it clear that you are his. Hands on your waist and a hard look usually do the trick. But if it doesn't work, Will will be more aggressive and will use threats and in more extreme cases, violence, which can end with a bruised and bloody corpse. He would deal with the consequences after comforting you for seeing such a violent scene.
Will is as protective as he is possessive. He loses his mind at the thought of you being hurt, or worse, dead. Any injury inflicted on you will not be treated lightly and Will will demand to know who it was that hurt you. He hates knowing that someone hurt you and he will get rid of them sooner or later. He is not a killer, not at first, but for you he will become one. If for some reason you died, Will wouldn't be able to bear it and would waste away until death claimed him. He can't live without you.
Only a very small number of people will be allowed to Interact with you and only after Will is sure they are not a potential threat. He can't risk you being taken from him and he won't. Anyone who tries won't live long to tell the tale.
Will is going to try to make you happy because he can't stand the idea of ​​seeing you sad, especially if it's his fault. He will take you for a walk with the dogs who, by the way, will become attached to you in the same way as their owner. Although he's not rich, Will won't mind spending money to spoil you a little. Everything to make you happy.
To Will Graham, you are more than just an object of his desire. You are his redemption and his ruin, his salvation and his perdition. He is willing to face any challenge, even turning into a monster, to keep you by his side. He's already unstable, you were just the final straw for his darkest thoughts to fill his mind. And only God knows what he thinks about you.
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descendant-of-truth · 11 months
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Ohhh this scene. This one's a doozy
Nine is right to call this out about Sonic, of course. While he's definitely grown since the start of the show, he's never really been able to move past his tunnel vision and tendency to project onto the others.
He never thought to ask Nine what he wanted not because he doesn't care, but because he didn't think he needed to. He inherently assumes that the people he's working with are on the same page as him until told otherwise - in fact, it wasn't too long ago that he was similarly thrown off by Shadow in that very room.
(Love Shadow being used as a sort of "test run" for these kinds of conflicts by the way)
But here's the thing. While it's true that Sonic didn't really think about what Nine wanted and just assumed they were going to stick together no matter what... the same is true of Nine.
Look at how confused Nine looks when Sonic talks about coming back to Green Hill and restoring it:
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Nine didn't ask what Sonic was wanting to do by repairing the Prism because he thought it was obvious that they were going back to the Grim together. I don't think it occurred to him that fixing Green Hill was even an option, or at least not one that he considered in favor of his original plans.
And just like Sonic, it's not that he only cares about himself - he went out of his way to engineer coconuts and (presumably) palm trees because he knew how much Sonic missed them. It was really sweet!
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But, in what's becoming a pattern in this show, he doesn't understand why those trees matter to Sonic. They're not just cool plants, they're a reminder of home. And as Sonic aptly puts it at the start of the show, home is where your friends are.
I love that the conflict here is that both of them were convinced they knew what the other person wanted/would be okay with, because they think it'll naturally be the same thing they want, and then were both completely unprepared to handle a conflict of interest. It feels so natural and makes perfect sense with how they've been written up to this point.
But see, while I think it's pretty clear that Sonic and Nine fell into the exact same communication trap, I think it's going to take longer for Nine to realize his own fault in any of this.
Sonic spent the entire second half of that conversation looking devastated, and he's made it clear throughout the show that he's quick to feel remorse when he realizes he's hurt someone. In all likelihood, he's going to put all of the blame for that argument on himself, decide that Nine was right about everything, and leave it at that.
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Nine, likewise, doesn't strike me as a particularly self-reflective type. He'd probably try to justify not needing Sonic to himself before anything else, and with that in mind, who else is there to make him see the situation with more nuance?
If I had to pick, I'd guess Shadow - our resident "smacking people in the face with their own flaws" extraordinaire.
Why would he bother with any sort of mediating between the two? Well, the funniest reason would be that he finds Sonic's self-pitying and Nine's self-righteousness equally annoying, but I'm inclined to assume any sort of confrontation between him and Nine would be a little more dramatic than that. (He might still use that reasoning as justification though)
Anyway I gotta cut this post short before I go too far into speculation territory or else I'll be here for another hour and this took long enough to write as is, case in point I love me a well-written and believable conflict
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i. don’t really know what to think about the whole forever situation. because i have seen people say “he’s addressed this a long time ago so why are we bringing it up” but i haven’t seen WHERE he’s addressed it in the past. nary a tweet or clip of anywhere he may have talked about it, but i would love to see an older clip of him talking about this if possible
I’ve seen people say “his tweets and messages were translated in bad faith to give english speakers a bad perception” which. ok yeah understandable but if that’s the case i still don’t know what exactly the situation is or how serious it is
“she was 13” “she was 15” OK WHICH IS IT!!! both are bad but one is still significantly grosser than the other and i don’t know which is true!! or are there multiple girls!!! i don’t know!!!
“he met a fan for flirtatious/sexual reasons” “he met a fan for normal content creator reasons” WHICH IS IT!!!! I DON’T KNOW!!! i guess only he and the fan would know what the intent was when they met, and even then i don’t know if they met alone or if it was a normal ass fan meetup with multiple other people there
“it’s been 7-8 years, he’s changed” ok. now we are making some sense. he has not exhibited this kind of behaviour in years it seems and he appears to be the kind of person who would not say or do these things now. no one is irredeemable and no one is beyond change. still, it is important for some people to know. many fans would rather know this and make the educated choice on whether to support him or not than continue to support him in blind blissful ignorance. even though it’s stressing me out and i’m still clueless about a lot of it, i’m glad i know anyway.
“what about the past transphobia and the ableism and the and the and the-” That Is Not Relevant To This Conversation. this is a different situation. he has apologized for his past opinions and everyone has had ample time to come to terms with them and make peace with supporting him despite his past beliefs.
“he’s deleting past tweets” i mean if someone was digging around my account for things i’ve said that i no longer stand by, i would delete shit too. sure as hell doesn’t make him look innocent but i would do the same. i HAVE done the same, albeit for much more minor and trivial reasons for posts i made when i was like 15, but still
“he apologized and said he’s getting a lawyer!! no guilty person would do that!!” your content creator is not an angel. guilty people take their accusers to court all the time and get away with it. also, it is up to everyone individually to decide whether to believe him or not. you cannot push others to believe your side but you can give context to some things
there’s nuance to this like there is with everything, and people are jumping to conclusions saying either “he’s an innocent little lamb how dare you!” or “he should be deplatformed and we should never speak of him again!” i will never fault anyone for supporting the alleged victim. if your decision is to stop watching him immediately or even stop supporting the qsmp itself, no one should ever fault you for that. it is ultimately up to you to make that decision. the situation is not clear enough for me to make a decision, so i will withhold judgement for now. i will not doompost about it, and i will not call out people for defending or dropping him.
but for the love of god, just. everybody keep your cool. especially english speakers, we may not have full proper translations for the messages and tweets. take a deep breath. if you want to find more info to form an opinion now and spread information that people don’t already have, go ahead. if you want to step back and not think about it for now, go ahead. there is no shame in taking a step back and thinking about other things. you are not morally obligated to be invested in this situation. you are not morally obligated to drop him immediately and you are also not morally obligated to keep supporting him just because he’s friends with your favs. stick to your gut and do what you feel is right. you will be okay. this is not the end of the world.
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sugar-grigri · 4 months
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Nayuta must become the big sister
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I think what's especially interesting to note in chapter 154 is Nayuta's failure to use the right tactics.
Denji raised Nayuta correctly, emphasizing going to school, trying to control her possessive outbursts while being extremely present for her. In short, he nurtured her, giving her the protection he hadn't enjoyed as a child himself.
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Although Nayuta knows her own nature and instincts, and is not naturally altruistic, she still looks at herself in a certain way: from society's point of view, and from her own, she is a child.
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What I'm trying to say is that it's not insignificant to have Makima reincarnated; we could very well have had Nayuta, already an adult, because she's a devil who doesn't grow up. Nayuta already seems to grow up much faster than humans, so Fujimoto could very well have decided that a demon, especially a knight of the apocalypse, should already be born as an adult.
She grew up more quickly, and by the time Denji had finished devouring Makima, she already had the appearance of a 4/5-year-old child.
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Fujimoto made Nayuta a child, because it's this state of being that makes her a control demon so paradoxical. Indeed, if Makima was so powerful, it wasn't just because she was older; the fact that Denji had killed Makima didn't change anything in terms of the fear one can feel of control.
What affects Nayuta's power, capable of controlling only 3 people at a time, is the way she conceives herself.
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Makima was so powerful because she occupied a fairly high hierarchical position among public hunters, just as she had unquestionable authority over her agents. What's more, the government assigned her an objective of a universal nature: to protect all mankind from evil things. This role of universal protector, albeit a protective one, naturally places Makima, the control demon, in the role of guardian, humanity being as harmless as obedient puppies. The only thing Makima couldn't feel superior to was Chainsaw Man, for he is the entity that provides the means to pursue her universal goal of protection.
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The key to Nayuta's fate is the fact that she has been loved and pampered by Denji. She makes it clear: it's natural for a demon to kill humans. Which, on the other hand, indicates that it's completely unnatural and almost unnatural for a demon to love and be loved by a human.
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To have been loved, to have been happy, enabled the control demon to understand other ways of relating than pure domination, whereas Makima didn't understand human relationships, to the point of being moved by a hug, so unattainable for her.
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Nayuta understands the nuances of relationships, just as she claims not to be the leader of powerful public officials but a mere child, which always places her in an inferior position to her enemies. That's why she's less powerful: to be in control, she needs to feel superior, which she can't easily do when she sees all these adults surrounding her so vehemently.
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She focuses more on her social role as a child to be protected than as a demon attacking head-on. She still adheres to her role as a child, she's not obsessed with CSM because she can't reach him, he's now in her inner circle, she doesn't have a universal goal such as protecting the humanity like Fami suggested, she just wants to go to school.
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In short, the control demon no longer wants to control, no longer needs to, or when she does, it's out of sheer necessity. The fact that she's weaker was Kishibe's objective when he gave custody of the demon to CSM, to make the control demon more human, more childlike, to avoid this exponential need for control. In short, the fact that the Control Demon's supreme objective is to be loved has contained its power, because its objectives have been achieved.
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We can see how love is an unnatural thing, because it limits a demon who should be supreme through his solitude. For Nayuta's sake, to get out of her situation in chapter 154 would be to have a crisis of ego, and I think that symbolically it's not out of the question that if Nayuta abandons her role as a child, she'll grow up brutally. For a demon, appearance and age are simply a question of positioning in society. Makima had chosen to take on the appearance of a femme fatale to enable her to manipulate more effectively.
A soft voice, an attractive appearance to encourage us to lower our guard, the better to control coldly.
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This is also why Barem is so dangerous to her: he's big-boned, aggressive and very tall, so he can be naturally frightening to a child. If Nayuta wants to control him and regain the upper hand, she mustn't see herself as a child with a gun pointed at her head. That even when assaulted, even when held at gunpoint, she's still in full control, that despite the chaos, she's still superior.
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It's no coincidence that it's a gun that's pointed at her. Guns are fatal for humans, but for demons, especially the most powerful ones, they don't mean much. Nayuta doesn't need to be afraid of a gun, she needs to embrace her demon nature.
And she's on that track because protecting CSM, rather than being protected by him, means she can now play the role of a big sister.
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What's more, she needs to get to know her own need for violence and cruelty. Chaos isn't what she likes, this chain of violence and combat isn't what she desires, because what she wants is cold, absolute control, where all she gets is unfailing obedience, people falling into line, not men with spears fighting each other in a primal manner.
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She has been brought up by Denji, adopting his mannerisms and his way of speaking, but she also needs to distance herself from this fraternal figure in order to be herself.
All this leads me to say that the Knights of the Apocalypse, by moving away from what they are, are THE ONES who bring about the apocalypse, which is totally obvious, hence their name.
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By loving something abnormal for the demon of control, by falling in love with his worst enemy for the demon of war, by wanting to save humanity to better eat what it produces for the demon of famine... show how they are all affected by humanity, to the point of putting aside their demonic nature.
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Think of it as a kind of broken balance, which leads the eldest, the demon of death, to intervene. Why? For death represents absolute equilibrium; no one can escape it, it is an absolute rule from which it cannot be dislodged, it is an inevitable and firm end. Common to all species.
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So she intervenes, to pull the ears of her little sisters Nostradamus' prophecy doesn't predict the apocalypse - in fact, it predicts that it will be triggered by the Knights of the Apocalypse, who have set out to protect mankind from the apocalypse. It may sound complicated when you put it like that, but the idea is to reinforce the idea of inevitability: protecting mankind from the apocalypse isn't a rebellion, something that can work; on the contrary, Fami's plan triggers it because she denies her nature. It's a losing game.
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When I say that Nayuta needs to be a little more Makima again, it's not just for her own good, it's also for the good of humanity, and I find that ultra interesting: it's necessary for the antagonist we got rid of in part 1 to return, at least partially, in part 2.
But she mustn't go back to being that obsessive protector, she must simply resume its role as predator. Mankind needs predators: with the evolution of technology, it thought it could challenge its food chain, but paradoxically it needs to be bruised by demons to survive, since the balance of the world is at stake.
It's all the more symbolic that Barem and Fami use the wrong strategy: like Prometheus, they give fire to men via contracts with the fire demon, reinforcing the idea of evolution to escape its nature. It's even more symbolic that many weapons serve this project, such as Miri, the demon of the whip and the spear, hybrids linked to this civilisation.
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It's absurd for the demon of control to argue that she's just a child. If she wants CSM to escape, she must also allow him to free himself from his role as big brother and protector. And the answer to this question was given by Fumiko, who didn't realise that dogs and Meowy weren't just animals. What she should despise is certainly not her own family.
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Humanity is nothing more than pets, and this realisation is the key for Nayuta to become herself again.
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gayboysteve · 7 months
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I do think the idea that Steve was playing some kinda role in season one and that King Steve is a separate entity from himself is not only disingenuous but also generally a very... kindergarten level of understanding characters that are nuanced. Like that's Steve. The king shit is a nickname we only hear from Billy who is actively harassing him. Steve isn't different from season one, even. He's still a bitch and he's still catty and he still loves to talk shit. The only thing that changed is the effort he puts into caring about other people ACTIVELY instead of PASSIVELY. I do wish the fandom would allow for more than one interpretation of a character without deeming that fanon the explicit clear truth, especially in a situation like this where its just... very obviously not correct.
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fruitsofhell · 10 months
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Something I really like about Rose Quartz's characterization is how dedicated the writers were to making what she did morally grey. Idk it would have been really easy for the twist to be she was Just Evil, especially learning she was related to the main villains, but no they created this very vague character who even in her appearances feels mysterious. If anything Rose is the one thing that is less clear to me after my rewatch, because now seeing the nuance in her character pulls me out of a black-ane-white view of her and into one that is just... foggy.
But a vibe I do get from Rose, is that despite clearly being incredibly compassionate, she's someone who lacks empathy in the case of the ability to fully realize others' autonomy and thought processes. There's just a lot of decisions she makes that feel aloof in an odd way, and when combined with how childish she can be it can give the impression she sees everything as a game. But it's still clear that she cares and is genuinely moved by the Earth, and when her entire truth is revealed you can see how ideologically honest she was. Even if it feels like her beliefs are just so she can have fun, but that is part of freedom, the freedom to vibe and explore and do silly things she couldn't.
That attitude clearly just comes from her position as Pink Diamond. It was an oppressive role emotionally, but not as literally oppressive as the lives of those around her. I think her relationship with Pearl is where I find the most of the part of me that sees her as compassionate but unempathetic. Pink can't fathom what it's like to have been born to be an obedient servant and how that would cloud Pearl's judgement. How telling her "I'm going to fight for this world but you dont have to" would mean nothing to her because she is still obsessed with her, how entering a romantic relationship with something while they're still effectively your servant is unhealthy, or how spending her life flirting with other men would probably tear your servant-to-lover-to-ex up inside lmao. With the first she obviously meant to be giving her a choice because she cares about Pearl, but she can't understand how to truly give Pearl freedom of choice she can't treat her like a fully freethinking person. With the second she doesn't understand how her power has an unhealthy impact on her bond with Pearl. And with the last it's not at all that Rose isn't allowed to move on, but I just always found she has a lack of awareness of Pearl's jealousy and misery that's a bit inappropriate. Not that you can't assume she has already let Pearl down easy or cares about her coping, but it's never shown, which feels like a deliberate choice.
I'm working on a more organized theory about Rose's characterization, but it is deeply fascinating. Her and Pearl's relationship is as well, I feel like it's sometimes characterized as just a mean jealous ex situation but like it's way more fucked than that, and is a great exploration of power dynamics, obsession, and grief. Love me some toxic doomed yuri.
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lurkingshan · 4 months
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Phee, New, and a Masterful Misdirect
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I know I already said as much, but this week drove home again how strong DFF's writing is. Because the way this show used Phee to throw us off the scent until the end game was so, so smart.
In the first four episodes, our attention was deliberately drawn to Phee. He was established as part of one of the two romantic pairings, and we were encouraged to wonder wtf was up with his relationship with Jin. We were also given many subtle hints that Phee was acting suspicious and seemed to be intentionally investigating the boys, while Tan stayed kind of vague and in the background. Tan seemed to know Phee better than the rest, and many guessed he might be helping Phee, but for the most part, the focus was on Phee.
Then as we moved into the flashback, Tan disappeared for four entire episodes, while we get a major reveal about Phee's relationship with Non and lots of time spent on its dissolution. So of course, the prevailing theory becomes that Phee is the one orchestrating this whole investigation and tormenting these boys in the woods. And the assumption is that he's doing this because of his deep love for Non, his shame for not supporting Non when everything hit the fan, and his conviction that he was done wrong. Tan is once again assumed to be helping him, though theories differed on why, with some guessing he was Non's brother and some speculating on other reasons.
But it turns out, Phee isn't running this operation at all. "Tan" is New, and he has been the driving force the entire time. It's his guilt over leaving Non alone to go abroad that motivates him to investigate, and he pulls Phee along with him.
And Phee? Well, he's not quite as broken up about Non's death as we thought. Sure, he wants to understand where Non went and why, for closure. But he doesn't seem to be carrying any huge burdens of guilt or shame, which makes sense because aside from Non's screenplay that alludes to culprits he doesn't name, he doesn't actually know the truth about Non's situation with Keng or what any of these boys did. He jumps into a romance with Jin incredibly quickly, and it's clear the attraction and his feelings are genuine even as he justifies it to New by claiming it's for the investigation. He takes Jin to the place where he asked Non to be his boyfriend, so apparently this is not something he holds sacred. The morning after he has sex with Jin, Phee is in Jin's room while he's asleep, and does not take the opportunity to investigate. Instead he moons over Jin, cuddles up to him, and instigates morning sex. He is still staring off into space smiling to himself about it until New accuses him of cheating on his brother, at which point he remembers what he's supposed to be doing, makes his excuses, and puts up walls with Jin.
And from then on, they don't seem to learn much of anything, and I suspect that Phee doesn't really want to, because he likes Jin and doesn't want to know what he did to Non. Phee, as it turns out, is just an immature high school boy who liked his boyfriend, but moved on pretty quickly once it was over. He would not be doing any of this if it wasn't for New, and it's clear his heart isn't in it. New is the one who feels deep guilt, who wants to learn what the group did to Non, and whose trauma compounds until he snaps and hatches a plan to trap them at the vacation house and dose them with hallucinogens. Phee goes along with it, but as we saw, his motive seems to be more about reconnecting with Jin before he leaves the country than actually caring about punishing these boys for what happened to Non.
What a great, nuanced little twist to this reveal. New has been the one running the show the whole time, and the show managed to keep that from us via a classic misdirect with Phee. I love that this show manages to keep finding ways to surprise us even when we have some of the picture figured out.
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lachiennearoo · 9 months
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How to Make Friends
A more-or-less clear guide on social interactions
Growing up with heavy ADHD and generalized anxiety, it was always a bit hard for me to make friends and socialize. Despite my yearning for friendship, I was always "the quiet one" and "a loner", simply because I didn't know how to approach certain social situations, and it made any friendship I had extremely unstable (except for my sister @vive-le-quebec-flouffi, who was so extroverted and friendly it was literally impossible to escape her clutches of socialization)
As I grew older, I learned through a lot of trial and error what makes a good friendship.
Or, rather... what's the best way for someone to WANT to be your friend (without being superficial or hypocritical.)
Now, obviously, this doesn't work for everyone. But this is what I found helped me the most in social circles (especially online) and I hope it can help others too
LET'S BEGIN!
1 - Be yourself
Now that sounds very cliche and cringe, I know, but hear me out, because my opinion on this is not the same as all those feelgood inspirational movies and ads.
"Being yourself" isn't as simple as it seems. Because after all, what does "self" imply? If someone is, say, a criminal, would "be yourself" mean that they should embrace their sinful side?
No, obviously not.
"Be yourself" is a bit more nuanced, but I'll try to boil it down for you.
It just means "be unashamed of your qualities which you think are flaws". For example, "be yourself" would apply to someone who sees themselves as ugly, or maybe someone with an odd yet unharmful hobby, or a weird sense of fashion, or someone with say a handicap, a speech impediment. "Be yourself" is a sentence for the specific people who have genuine good in them, but are afraid to show it to others because they have been persecuted in the past, or are scared to be. It does NOT mean to accept genuine flaws. "Be yourself" does not include say violent anger issues, an addiction, a recent crime committed, or a generally unpleasant personality. Those are obviously not things to encourage. You can understand they may be a thing that happen to you, and accept it in your life, but that's different from being proud of it or encouraging it.
Speaking of personalities... let's talk about that
2 - Be kind
Now when some people hear that, they think it means "always smile no matter what, always look happy and positive, always agree with everyone just so you don't hurt their feelings, and never cause any drama", like you're Deku in My Hero Academia or Steven Universe in his titular show.
But that's... not quite that.
Obviously, kindness is something you use to help people feel better, to cheer up, and feel happy, and obviously to be kind, you need to have compassion, heart, empathy, and always put yourself in other people's shoes regardless of who they are. But it is not necessarily all-encompassing.
There's a rule that I think anyone learning kindness must learn. It's that sometimes, kindness means to be firm.
Not mean, of course. Not judgmental, not insensitive. Don't insult anyone, don't belittle or patronize anyone or make them feel inferior to you. That's still very rude and that's not what you want.
But what I mean is that sometimes, if you know that a person's actions towards something are wrong, especially if it's towards someone else, you must be able to point it out, and act accordingly. Don't just stand there and agree with them just because you don't want to hurt their feelings. You must still be able to know right from wrong. Kindness just means you won't be an ass about it, it doesn't mean to stay silent.
Hey, that brings me to point three!
3 - Show your own opinions
If there's one thing people hate just as much as meanness, it's those who stand by and do nothing about it.
Regardless of if you agree with them or not, if you say absolutely nothing when genuinely bad behaviour is happening, out of fear of "starting a fight", you are actively making the person who is being attacked feel alone.
I remember myself, when I was bullied in the first two grades of secondary school (11-13 years old for those who don't know) for "being ugly", I was told by my mother (who was friends with other kid's parents) that some of the kids "didn't hate me" and "didn't agree with the bullying". And I asked her "if they don't hate me, why won't they talk to me?" She never managed to answer that one. And it broke my heart, because outside of my sister, I had no one else.
Don't be like that. You may be scared of acting, but you know who would be grateful if you did act? The victims. And isn't their opinion of you much more important than the opinion of someone who acts with hatred and bigotry?
If you see someone suffering injustice, or even just hear someone who has a rather harmful opinion, don't be scared to tell them that you disagree. Obviously don't be an asshole about it, stay civil, but if you voice out your opinion, you will be seen as someone who stays true to their beliefs and is brave enough to stand up for them if the opportunity comes.
There's obviously much more that comes with social life (nonverbal cues, sense of humor, timing and mood), and I don't know everything (I'm just some random québécois girl on the internet). But I hope this was a bit more helpful. I did have fun writing this, at least. So I guess that's better than nothing!
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thelingodingo · 16 days
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BTS' Speech Styles
Like anybody, the members of BTS have their own speech patterns and language quirks that make their speaking unique to themselves. So I thought it would be interesting to make a post that goes deeper into the details of how each member speaks in Korean!
Jin: He talks in an old-fashioned manner (very exaggerated ahjusshi) and doesn’t use much slang. He also uses a lot of puns consistently, its quite impressive and cringy honestly. His vocabulary isn't as varied and wide as RM but his grammar is pretty spot on. Also very speedy at talking and hard to understand sometimes. On top that, he's great at getting his point across in serious situations without adding unnecessary emotion.
Suga: I think I once heard a fandom myth that he has a lisp (which he very much does not). But he does mumble a lot and stretches his ㅔ's, making it very difficult for even native Korean speakers to understand him properly. On top of that, Suga also speaks incredibly quickly, making it another thing that makes it very hard to understand him (no wonder he's a rapper). Sometimes, he speaks very swaggy. Sometimes, he speaks like an old uncle. Sometimes, he's like RM and gets very eloquent with his wording.
J-Hope: Because of his dialect, he sounds very warm and friendly. He also seems to enjoy using words such as 되게 (really) and 뭔가 (somewhat) veryveryvery often. His tone fluctuates alot and something about the way he pronounces words is very crisp and staccato-like. He can also be very serious and deadass as well.
RM: He speaks very intellectually and educated. Both his vocabulary and sentence structure is very high-level, sometimes choosing difficult and unconventional words. Every now and then he jokes around in the many different dialects he picked up from the rest of the members (he doesn't come from a place that speaks a different dialect like the others). His normal speaking is also very unique sometimes due to the influence he has from the different dialects of the members, over the years he basically created his very own dialect that's a mix of all the different dialects together. This makes his speech so nuanced and special and difficult to fully translate/convey.
Jimin: Has a very friendly and down to earth tone when talking to fans since he speaks informally. His speech pattern is very playful, sweet, and cheeky. During other occasions, he speaks formally to fans and has the most "feminine" sounding speech style. You can tell he selects words very carefully and delicately to be as nice as possible. In Korea, he has a nickname of Park DaJeong, meaning "Tender Park" due to his speech style. Sometimes, he slips into dialect which is when he sounds a bit "rougher".
Taehyung: Is a big fan of using and repeating adverbs such as 약간, 조금, 진짜, etc. In Korea, people call the way he speaks 태태어 (Tae's language) because of how interestingly different and lowkey peculiarly he speaks Korean. It doesn't have much to do with his dialect, he literally just speaks that way. (he can speak amazingly when needed, it's just that he has his own quirks when speaking in casual situations)
Jungkook: He speaks with hints of dialect quite often, making him sound very rough and most "masculine" sounding in Korean out of all the members. I think he has a very clear and smooth tone which makes it easy to listen to him, so if you're learning Korean he might be a good person to do listening practice. He's not as polished in vocabulary/grammar compared to RM and Jimin but he's still great at speaking.
Something I want to mention is that the younger members very commonly use honorifics/polite social conventions/formal speech towards the older members even with their closeness and family-like relationship. This is actually something about BTS that is highly praised among Korean society due to how professional and respectful it makes them seem.
There's probably more to analyze and delve into when it comes to the members' speaking styles and patterns but this post is just a general overview.
Please let me know if theres any inaccuracies or if you want more posts like this!
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prythianpages · 4 months
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The Sun & the Moon | Rhysand x Reader
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summary: Rhysand wants to write you the perfect poem for Valentine's Day and calls up Cassian and Azriel for help.
warnings: fluff and some implied smut/mainly suggestive tones.
Happy Valentine's Day! ♡
a/n: So I got a little ahead of myself because this can be read as a stand alone (all you have to know is that reader is a healer from Dawn Court.) But it is a part of my Wanna Be Yours series. All because I saw this tiktok sound of this poem and found it so beautiful. I did not write this poem, all credit goes to this creator. I also wanted to write a scene of Rhys struggling to write a poem (I had some saved on pinterest) in part two but had to scrap the scene out for other ones. Now, it's a win-win situation. Don't worry, there are not really spoilers in here for what I have planned. Just know this takes place after their happy ending (:
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Valentine’s Day is approaching and Rhysand finds himself facing an unprecedented dilemma. Getting you a gift. A gift as special and perfect as you.
The pressure is high, and the responsibility lies squarely on his shoulders, particularly given the mating gift he presented to you. An expansive estate, where everything–the architecture, the decor, and furniture seamlessly marries the celestial essence of the sun and moon. The grand house paints an exquisite portrait of dawn, reflecting the enchanting blend of your old court and now new one.
So naturally, given his stress, he calls upon his brothers for help.
“You called us here because you don’t know what to get y/n for Valentine’s? y/n, your mate?” Cassian asked, carrying a mix of amusement and disbelief.
“I thought this was important,” came from Azriel.
Rhysand shoots Azriel a pointed look. “This is important.”
Azriel raises an eyebrow while Cassian grins. The two exchange a knowing glance that hinted at a shared understanding. Just as Rhysand prepared to delve into their minds to unravel their thoughts, they turned their attention back to him, nodding in unison.
"Alright, Rhys," Cassian began, clearing his throat dramatically, "How about flowers?”
Rhysand slumps into his desk chair, a heavy sigh escaping his lips. “I get her flowers every week.”
Cassian mirrors Rhysand, seating himself on one of the chairs across from him. He throws his hands up in the air. “Then, I don’t know.”
“Gee, thanks.”
“How about you gift her something a little more sentimental?” Azriel offers. He crosses his arms deep in thought, resting his chin on one hand. “Something small but meaningful.”
Rhysand’s violet eyes light up, the silver specs in his irises glimmering like stars. “Like a poem! Y/n loves poetry."
The library in your home is stocked with a vast amount of poetry. Mainly romantic ones and then, the initial enthusiasm gives way to a fading spark.
Expressing the depth of his feelings verbally comes naturally to Rhysand. His silver-tongued declarations never fail to effortlessly convey how much you mean to him. He is the master of tone and inflection when it comes to expressing his feelings for you and when those are not enough, he loves to show you. Often. With that silver-tongue of his.
However, the transition to writing felt like a different art form altogether. It was challenging because how could he successfully capture the nuances of his love for you in writing? When he'd rather show you...
Rhysand runs a hand through his already disheveled hair, a frown creasing his face. He wants to do this for you but--
“I’ve never written a poem before.”
He looks up to Azriel for help, who in return merely shrugs with a smirk. “I don’t resort to poetry.”
“Oh! I got it!” Cassian, on the other hand, leans forward in his seat with nothing but pure mischief reflected in his gaze. “How about this? Roses are red, violets are blue. y/n, my love, I’m obsessed with you.”
The silence was loud. And then Azriel’s deep laughter fills the air. He finally takes a seat next to Cassian’s, sensing this is going to take awhile. “That is terrible.”
“Absolutely,” Rhysand agrees, his expression defeated. It doesn’t stop him from summoning a quill, ink and paper right in front of Cassian. “But jot that down...just in case.”
As the trio delved deeper into their poetic endeavors, Rhysand's frustration grew. Cassian's attempts became increasingly cheesy. Meanwhile, Azriel just sat back and watched, his shadows peeking curiously over Cassian’s and Rhysand’s papers. He would give his input when necessary, more inclined towards laughter than actually helping.
Nearly two hours later and drowning in parchment full of scribbled attempts at poetry, Rhysand lets out an exasperated sigh, finally excusing Cassian and Azriel. They leave all too quickly, slipping away before Rhysand could retract the words of dismissal that had escaped him.
There’s still a frown in his brow as his eyes graze over all the poems him and Cassian wrote together.  He couldn't bear the thought of presenting any of these creations to you. The inked words on paper seemed to mock the depth of his feelings, failing to capture his love for you.
His eyes flutter shut as he allows his thoughts to drift toward you. The clock's hands have nudged past noon, and the familiarity of your daily rhythm dances in his mind. He knows your schedule as you know his. It’s right after your lunch so he knows you’re at your desk. 
A mental portrait forms, capturing you leaning forward at your desk. Maybe a touch hunched over as you read over a patient's reports with that adorable furrow in your brow. There’s a window right behind you and given the sun is currently at its peak, he can imagine how it glows upon you like a radiant spotlight. 
And when your eyes grow tired from reading, he can already picture the way you’d lean back in your chair, spinning around to face the sun. Your eyes would be fluttering shut like his at this moment. The sun would now be shining on you, its golden hues cascading upon you in an ethereal glow where every beloved feature is highlighted. A living embodiment of warmth and brilliance.
You're his sun but you’re also his moon.
His eyes snap open, his grip on the quill tightening. Before he knows it, words are spilling effortlessly onto the blank parchment in front of him as he lets his emotions flow. He feels a tug down the bond, as if you could sense his thoughts, and with a smile, he echoes the sentiment. He couldn’t wait for you to read it.
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Valentine’s day dawns a week later, and Rhysand’s excitement for you to read his poem is palpable. It took all his restraint not to give it to you as soon as he finished it.
Unfortunately, you weren’t able to take the day off. It didn’t matter as your plans for tonight were simple–just a lovely dinner together, made by Rhysand, in the privacy of your home. All that mattered is that you had tomorrow off. 
Rhysand waits for you right outside the steps of the clinic, not wanting to distract you from your last reports. He could feel your presence grow nearer and nearer through the bond. He tugs on it, a silent urge to pull you to him faster. The door opens and you’re rushing down the steps to meet him.
Throwing your arms around his neck, you bury your head into his chest, inhaling softly. He feels his heart flutter and he tightens his arms around you, holding you close in his embrace. “Hi, love,” you murmur.
He pulls away, cradling your face in his hands. He smiles and then kisses you, pouring all his love and devotion to you. A promise of what’s to come later. “Hey, beautiful. You ready to go home?”
“Always. As long as it’s with you,” you tell him,  voice still breathless as your hand effortlessly entwines with his.
Rhysand’s lips twitch and he finds himself melting at your words. Instinctively, he averts his gaze, warmth flooding his cheeks as he bites his lip. He intended to walk you home as Velaris had decorated the streets with hearts, flowers and pink garland. He gives your hand a squeeze and winnows you both directly to the comfort of your home instead.
He reluctantly lets you go so that you can wash up and change.
When you join him in the dining room, the glamor he had placed earlier lifts, revealing an exquisite dinner that has your stomach growling. Cute hearts, flowers and confetti adorn the table and walls around you, filling your heart with a cozy glow.
As his gaze lifts from the table, his eyes widen, pupils flaring.
“Come here, you,” he breathes, pushing his chair back just enough for you to have space to settle onto his lap. 
“I’m hungry,” you say, a small warning delivered with a touch of mirth. His eyes sparkle at you with an unmistakable gleam as he drags a finger up the fabric of your red dress. But your body betrays your words, leaning in to his teasing touch.
“Me too," Rhysand replies with a smirk and it's evident he's not referring to the food plated in front of you.
Your stomach growls and he chuckles, resting his hand on your waist instead. “Let’s eat then.”
The two of you dive into the dinner Rhysand made, feeding each other and catching up with one another. You’re nearly in a food coma, collapsing into Rhysand’s chest when you're done. He rests his head on your shoulder, his strong arms securing their place around your waist.
“I got you something,” he whispers against your neck, lifting his head only to speak his next words. “Well, I wrote you something.”
“You wrote something for me?”
He takes delight in the surprise and excitement in your voice. Raising a hand, he retrieves his valentine card from the pocket realm. The only place he deemed fit to hide his poem for you. He’s too busy pressing his lips against your neck, to hide the giddiness he feels inside, to notice his mistake.
“Roses are red. Violet’s are–”
“Not that one!” Rhysand exclaims, body tensing behind you as he rips it from your hands. “I did not write that one!"
You can’t help but laugh. “Then who did?”
“Cas.”
“Cassian wrote a poem for me?” You reply, eyes widening slightly as you shift in his lap to face him. You're thankful the dress you chose has a loose skirt as it allows you to move freely and settle a thigh on either side of him.
“Gods, no,” Rhysand groans, cursing himself for not discarding that poem once he had written his. He leans forward, burying his head into your chest for a moment to hide his embarrassment.
“I asked Cas and Az for help. I didn’t know what to get you because–well, you’re perfect to me and nothing could ever amount to the love I feel for you. Az suggested I give you something small but meaningful and I know how much you love poems but I’ve never written one so then–”
You interrupt Rhysand with a soft and sweet kiss. When you pull away, Rhysand chases after you but you stop him, pressing your fingers his lips. He plants a kiss on your fingers, holding your gaze.
“Let me read it. The poem you actually wrote.”
“Okay,” Rhysand breathes as he summons another red envelope from the pocket realm. He holds it out to you. “But don’t laugh.”
“Never,” you reassure him as you take the envelope, fingers eagerly tearing it open.
He watches with bated breath, a cascade of emotions swirling within him, as your eyes gracefully traverse from left to right, absorbing every emotion he poured out to you. It's endearing—the tender way your expression, while immersed in his poem, mirrors the very sentiment he wore on his face while crafting it for you. Your lips curve into a radiant smile, and the spark in your eyes begins to glisten with heartfelt tears. In that moment, he can feel the ripples through your shared bond, overwhelming and flooding with an abundance of pure, unbridled love.
“I love it,” you manage to say as you lift your gaze to meet his again. Holding the poem to your chest, you store into the safety of your pocket realm. “I’m going to frame it.”
“I love you,” Rhysand says and then kisses you. “So, so much.”
“I love you, too,” you whisper against his lips and then wrapping your arms around his neck, you pull him even closer to you. “Now, it’s my turn to give you your gift.”
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this is the poem:
"If the sun and moon had a baby, it would be you.
Cause you are so beautiful.
You radiate light like the sun.
And you bring me calmness like the moon.
You balance me out like the earth and that’s just the beginning of everything you do.
I think that you’re so gorgeous and sometimes it brings tears to my eyes.
Because how could I get so lucky to have someone so beautiful like you in my life.”
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a/n: I thought this poem was really cute, especially given the sun/moon theme of this series. It's 11:58pm where I live so technically, I made it before Valentine's Day was over lol. I apologize if there are any typos. I tend to make them a lot and switch words out (like I caught myself writing lips instead of lap) when I'm tired. This is exactly the type of vibe i'm going for, for Rhys in this series. It's a scene from a kdrama, where the male fell hard first for the female and he's totally endeared by her. Anyway, hope you enjoyed!
tagging: @minnieoo , @phoenixgurl030 (I know this isn't part two but I tagged y'all just in case, y'all were interested ♡)
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spacelazarwolf · 5 months
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I've seen people say that because you don't talk enough about the genocide in palestine and instead talk about the antisemitism in leftist pro-palestine spaces (even though you have talked about palestine before and don't support israel) that somehow makes you a zionist. It's like ??? That's not how that works. Honestly I'm sick of this performative activism where you must disavow anyone Jewish who dares to talk about antisemitism during this time. Then these people turn around and say that they don't hate Jews they just hate Israel
yeah it’s exhausting. i’ve got complicated feelings abt calling it a genocide — mostly bc of the way non palestinian gentiles are just parroting words without actually understanding why people are calling it a genocide, and also using it as an excuse for gratuitous holocaust inversion — but at the end of the day i think arguing a semantic issue isn’t going to help gazans who are dying right now. i don’t think it matters if we say it’s genocide or if we say it’s a precursor to genocide or if we say it’s a catastrophic loss of human life, it’s all just words. what matters right now is not if one single random disabled jew thousands of miles away uses the right word. what matters right now is that people are dying and that needs to stop. and apparently saying that means i’m an evil genocide denier who’s basically a nazi.
and like. it doesn’t matter how many times i explain my position in excruciating detail. it doesn’t matter how much nuance i give and how many personal feelings and insecurities i share, bc it has never been abt if i’m actually a zionist. they don’t care. in fact, it’s better for them if i don’t openly identify as a zionist, because that strengthens their use of zionist as a dogwhistle. if they only targeted jews who openly identified as zionists, the dogwhistle wouldn’t work.
and for the antisemitism stuff, i’m very unsurprised that’s why they’re targeting me. ppl have made it clear that they not only don’t care abt antisemitism but that antisemitism is necessary for their “activism” so they see me telling them not to be antisemitic as me telling them not to advocate for palestinians, and at this point i can’t help it if they’re idiots.
zionism and antisemitism aren’t a chicken and the egg situation. zionism is a direct response to antisemitism in the diaspora, and by actively participating in making it worse and mocking jews for being afraid of the antisemitism we’re facing, you’re doing political zionists’ work for them. i want to talk about this, about the rhetoric i’ve seen used in some jewish spaces and how antisemitism in antizionist movements just bolsters it, and what they can do to instead connect with these jewish institutions and leaders to address the very real concerns jews have and show them that israel is not the solution. but people don’t want to hear what they can do better. they want to hear that “zionists” and “zionist institutions” are all evil groups plotting world domination and weaponizing the holocaust. i might have more success doing this work in irl spaces but i’ve very much given up on doing it here.
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maleficentra · 6 months
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The relationship between Ascended Astarion and Tav unfolds as a complex tapestry of emotions and dynamics. The term "obsession," often viewed as toxic, is given a nuanced perspective. The focus is on the idea that toxicity arises in relationships when one of the partners suffers. However, it is also pointed out that under certain circumstances and with mutual consent, such a dynamic relationship may not necessarily be harmful.
Particularly emphasized is that even Ascended Astarion, despite his elevated form, displays uncertainties and vulnerabilities. The newly acquired powers do not grant him the expected control, and he seems to lack clear plans for the future. Instead, Tav is depicted as his central goal and deepest desire. The uncertainty about whether Tav would stay with him without these powers sheds light on Astarion's deeply rooted fears and needs.
The emphasis lies in the understanding that the toxicity of a relationship depends not only on external factors but primarily on whether one of the partners is suffering. As long as Tav is comfortable with her role and Astarion's presence, the relationship could be considered happy and fulfilling. It is stressed that, despite potential power struggles, Astarion would not risk forcing Tav, as it poses the risk of losing her.
Overall, the concept conveyed is that Astarion's actions heavily depend on Tav's satisfaction with the situation. Even in the face of potential rebellion from Tav, how Astarion treats her is influenced by her consent and well-being. If she agrees with her role, it is emphasized that he would pamper and support her in their joint rule. The epilogue is presented as an indication of the absence of signs of abuse.
Some might suspect that Ascended Astarion's declaration of "I love you" serves only to manipulate Tav and lacks genuine love. However, frankly, one does not exclude the other; it depends on the chosen options. At the end of the day, he does express love—albeit less romantically than in the graveyard scene. Behind this love confession lies absolute desperation. He yearns for Tav to stay, not to leave, and he is willing to do or say anything to convince her to choose him. His aim is not to control her but to share everything with her.
There is even an option where confessing his love is almost painful for him due to fear, but he admits it: Tav is the person he wants—more than anything else. If he must declare his love multiple times or share intimate moments with her, it is inconsequential to him. In his own way, he tries, as he confesses: "I really tried with you, you know. In the only way I can." Thus, he even questions the love declaration himself: "Is this what you wanted to hear, or?" He is sincere but also uncertain about how to win Tav over. Every expression aims to make her happy and keep her, even if it means putting himself in a vulnerable position. Ultimately, he just wants to say, "Don't leave me because I love you." This portrayal of the relationship between the characters paints a multifaceted picture of emotions, uncertainties, and paternal approval.
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