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#its either whos suitable that will make a fun and interesting story
aurorangen · 2 years
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Their traits are interesting but also atrocious
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variousqueerthings · 5 months
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something very aromantic coded in s2 of good omens is that crowley and aziraphale canonically take their cues of what a certain kind of relationship ought to look like from books and films. firstly, very relatable, I did much the same thing throughout my teens (and in some ways still do although I'm not trying to make myself "fit" by taking cues that I've been studying to be the correct way to do a relationship, I just enjoy performing them in the same way all life is performance when you're not-doing-body-and-relationship-to-other-bodies correctly inherently)
secondly, how it plays out in them messing unintentionally with nina and maggie. they don't understand the structure of nina's and maggie's whole thing as it applies to the reality of relationship structures in the world they're in; that nina is initially in a romantic relationship and wouldn't just jump from it -- no matter how bad -- straight into another one that was presented as "more" correct. because of course standing under an awning or dancing at a ball makes people "fall in love" (whatever that is) because... well, that's how it happens in the stories all the time, that's what these sorts of relationships are all about, "one fabulous kiss and we're good" -- it's a shock to crowley that he misread all the cues "you were crying and she was..." isn't that what this romance thing is that humans are always talking about????
thirdly it of course eventually circles around to be about what in the world their relationship is, but when they're trying to figure out what's going on between the two of them, there aren't any words that can neatly sum it up beyond "us" -- whatever it is, it's "us" against "them" (although aziraphale isn't quite ready for that) -- the them being heaven and hell of course, but to be honest, from an aro perspective, the "them" takes on certain human connotations to me as well, because it's all about how these two don't fit into structures and are punished for this not-fitting-in, and while they're not punished by the humans around them, they also aren't... human. they still operate somewhat from the outside of everyone else, even though aziraphale manages throughout history to create a fair few connections from the sounds of things
similarly to how they do it to nina and maggie, they try on these tropes with one another: aziraphale invites crowley to dance, crowley kisses aziraphale, and it doesn't fit quite right (the first because crowley is concerned with all the demons outside and so isn't paying as much attention to the dancing part of the whole thing, and the second because [insert another bunch of analysis here that's its own post]), but they've already been us the whole time. their attempts at explaining using alloromantic shorthand fall short, because they're hampered by needing to define themselves and their relationship with terminology that's suitably correct for whatever dominant structures they're in
fourthly, the fact that their cues for what their relationship needs to be shouldn't even really be coming from movies/books and humanity in the first place, it should be coming from gabriel and beelzebub. gabriel and beelzebub don't even try all of that "this is what romance is," they don't call one another romantic or kiss or even say words like partner, they're not interested in doing human-based customs or "fitting in." their language for one another is based around that song, and that's as much defining as it needs. whatever aziraphale and crowley are to one another is equally all their own thing, but aziraphale and crowley struggle with definitions constantly. they don't fit into heaven, they don't fit into hell, and humanity -- while more the place they've adopted for all its wild wonders -- isn't quite right either, because they're still being put in a box
it was fun to look out for as I was rewatching, because the way they interacted with alloromanticism really did read like two people who have exactly zero idea of how this applies irl, but that's okay, the fiction's got it handled, all they have to do is copy-paste = result, but then the stuff that actually is the romance in those texts becomes a series of contextless tropes, kind of like how amatonormativity often has those exact same tropes recycled in story after story that can't figure out why it worked the first time but not the next hundred times, except in this story it's on purpose. one fabulous kiss did not in fact solve things at all (nor was it fabulous)
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venusin-aries · 7 months
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Anti’s coming into the Gwyneth Berdara tag and accusing Gwynriel’s of the mischaracterization of Gwyn or only liking Gwyn because of Gwynriel is fucking LAUGHABLE. 
All I've seen are posts singing praises about Gwyn (just Gwyn!) and I have NOT ONCE seen a Gwynriel shipper characterize Gwyn wrongly.
What are we mischaracterizing her for? 
Being brave as fuck for choosing to train to be a Valkyrie? Nesta’s admiration and fondness of her? For saying she’s resilient for being able to enjoy herself and laugh with her friends after experiencing some fucked up shit? THAT SHE'S LIKABLE?? Being strategic and patient FOR DAYS and spying on the Illaryian males before sending the beasts after them ruthlessly? Being smart and witty? Her interests in sex and smut and stating she doesn’t want to be coddled? Her willingness to sacrifice herself on the bridge? Her determination to finish the blood rite even though she was injured as fuck? Her unwavering loyalty toward Nesta and Emerie? That Nesta thinks her beauty is comparable to Mor and Merrill?
The fact that she’s not judgemental and she immediately accepted Nesta when they were sharing their stories? Her own struggle with guilt and self hate? Her immediately witnessing what Azriel is capable of when they first met? Azriel’s shadows reacting POSITIVELY towards her and yeah, the thought of her joy glowing in his chest? That she teases him and challenges him? That she hasn't seen him torture someone yet but she's seen worse shit soooo why would she be fazed??
She's canonly more suitable for Azriel than anybody else in the series and THAT'S why people dislike her as a character even though on her own she's a great character.
Those are only SOME of her positives we got in ONE book. Notice, some of those positives include Azriel, but most don’t 🤷🏻‍♀️. 
Allllllll of those points have textual evidence to support them. And these are allllllll the points Gwynriel shippers love to make about her. 
The only charactization of her anti’s will accept is if she goes back to the library, stays there and is never seen or heard of in canon again. Or if she’s evil which she’s likely not going to be. Stop being so petty. If anything SJM has her set up for a HEALING journey. 
However some people obviously like to see a female character STAY broken and let her trauma define her.
Getting mad when she's so obviously such a fun character? She has fun and laughs and teases her friends and Cassian and Azriel and enjoys herself but there's something wrong with that and you think its annoying????
Fanon Gwyn and Canon Gwyn are basically the same. If you don’t like fanon Gwyn, you probably don’t like canon Gwyn and that’s fine, whatever, I think you have totally shit taste but whatever just STAY OUT OF THE GWYNETH BERDARA TAG.
I see the shit ya'll tag and then delete.
I’m a Gwyn stan first and foremost but I have not seen one single other Gwynriel shipper mischaracterize her. 
Fanon is fun until it melts your brain and you start believing ONLY fanon and wrongly remembering canon and then attacking others for using canon to support their points. 
It’s crazy to me that anti’s can dislike a fictional character so much that the idea of potentially seeing more of said character in the canon universe and getting more fandom love honestly upsets them.
Like holy shit, I don’t like E/riel, but I have enough tact not to take that out on either Elain OR Azriel. And I don’t go looking to start shit with shippers because I'm not pathetic. Too bad some people can’t extend that same class to Gwyn. 
Also, I feel like some people forget about this fucking scene. 
Gwyn studied Ramiel's craggy, unforgiving slope. Not much snow graced its sides. Like the wind had whipped it all away. Or the storms had avoided its peak entirely. “Is it living, though? To take the safe road?”
“You’re the one who's been living in a library for two years,” Emerie said.
Gwyn didn't flinch. “I have. And I am tired of it.” She surveyed the blood-soaked leather along her thigh. “I don't want to take the safe road.” She pointed to the mountain, to the slender path upward. “I want to take that road.” Her voice thickened. “I want to take the road that no one dares travel, and I want to travel it with you two. No matter what may befall us. Not as Illyrians, not for their titles, but as something new. To prove to them, to everyone, that something new and different might triumph over their rules and restrictions.”
A cold wind blew off Ramiel's sides. 
Whispering, murmuring.
“They call this climb the Breaking for a reason,”Emerie countered gravely.
Nesta added, “Wehaven't eaten in days. We're down to the last of our water. To climb that mountain-“
“I have been broken once before,” Gwyn said, her voice clear. “I survived it. And I will not be broken again- not even by this mountain.”
Look at me and tell me this is a character we’ll never hear from again. Go right a fucking head. 
You can't come into the Gwyneth Berdara tag claiming we mischaracterize her. We take her as is. No need to pick her apart or give her little unnecessary traits to fit her better with any one.
It's not possible to make her out to be something she's not when every little thing we love about her is canon.
You can be salty over us comparing Bryce/Hunt and Azriel/Gwyn but oh wait! SJM uses similar language to describe them ON PURPOSE in canon as fucking well!!!
On purpose.
In fucking canon.
But we’re reaching.
Do not come into the Gwyneth Berdara tag and say Gwynriel’s make it hard to like her but oh, you do like her you do! And then go on to say she’s nothing more special than a Valkyrie or Nesta’s friend. Yeah, I fucking saw that shit.
People are weirdly jealous over a ship/inspiring character a lot of people relate to.
Gwyn is not stealing Azriel from any one because there’s NO ONE to steal him from.
These character's are fake but the hate and vitriol ya'll are spewing at people who like her are very real.
Just stay out of the Gwyneth Berdara tag if you don't like her.
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satancopilotsmytardis · 4 months
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Thinking about TMA and the LOV as avatars based on how I interpret the characters
Twice: The Spiral, though his quirk also lends itself to the Stranger, Twice's greatest source of fear is not knowing his own mind or how to make sense of the reality around him. He is a living fractal through his quirk, and that has both destroyed him and lent him great power. That's an avatar of the Spiral baby!
Toga: The Corruption, rather than focusing on the crawling, decaying, infections, the aspect that calls to her, of course, is the consuming love that the Corruption offers. She has had the way she expresses her love called horrifying and disgusting all her life, to be part of an Other that loves her in the same vein-deep way that she has always craved would make her accepting of any other horror it bestowed in her, even if maggots under her skin isn't very cute.
Spinner: Spinner is interesting because I think that the Lonely would want him and would have tried to claim him. But (TMA spoilers) just like Martin, he would actually fight it off to be claimed by the Eye instead. His connections to the Lonely are obvious, he was isolated and discriminated against for his whole life and was in danger of slipping away into nothing for so long. However, the Lonely can be defeated by hanging onto the bonds we have with those we love, and Spinner loves the League. He follows Shigaraki, he believes in his companions' abilities, and he knows that despite not being as strong/useful/driven as them, he can stand at their side and be content watching them reach their goals (MLA arc), which is why he becomes an avatar of the Eye.
Compress: Although he is smart as hell, Mr. Compress is not an avatar of the Web. The Web is antithetical to his belief that everyone should choose their own values and not have them chosen for them. And while he might have fun performing at the Stranger's circus, he wouldn't fit in there either. Compress would also be an avatar of the Eye with Spinner. He catches and misdirects attention and has a vested interest in ensuring that his companions' stories play out even at the cost of his own (PLF War).
Dabi: Despite Dabi being all about fire and burning those who have wronged him, he is NOT an avatar of the Desolation. Which i am gonna explain a bit. So the Desolation is the fear of loss, pain, suffering, and destruction but especially senseless destruction and avatars of this entity love to destroy things to stop them from ever reaching their true potential. And that is the opposite of a lot of Dabi's motivations. He hates the fact that Shoto has a miracle quirk and won't ever push himself as hard as Dabi thinks he should to put that potiential to good use, it disgusts and enrages him. He is not about senseless violence. His acts of terror are planned out and focused to ensure maximum effectiveness, even when he is burning random villains, he did that to make himself a worse criminal so that during his reveal, he would damage Endeavor's legacy even more. That is deliberate, and he has had this plan in the works for nearly a decade, so I propose that Dabi is an avatar of the Web. Not only has he been planning his revenge for years, but he believes that his fate was sealed for him the moment he was born and that nothing can change that path. Additionally during the PLF War arc and his fight with Hawks, he points out how he was overlooked even as he set things up in the background to ultimately set up his confrontation with his father, and in the Summer Camp arc he was made the leader of the mission which shows that Shigaraki also considers him a suitable tactician and leader. The Web suits him.
Shigaraki: While I did consider the Slaughter and the End, I ultimately think that Shigaraki would be an avatar of the Desolation. The Slaughter was dismissed because that fear focuses on sudden, unprompted violence. While the Slaughter might have started to get its claws into him when he killed his family, it cannot contain the deliberate destruction that he has cultivated throughout the rest of his life. Additionally, the End is inevitable and patient, all things will die, and it takes no great joy in that fact, it simply is-- which is way, way too passive for Shigaraki. He is seeking to create a new world by destroying the previous one and he revels in that destruction as he brings it. He is passionate, ruthless, and dedicated-- which also draws other people in to follow and even worship him even after being partially destroyed by him (see Re-Destro). That is the Lightless Flame drawing in a new crop of moths if I've ever seen one.
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switch · 7 months
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alright it’s time for Switch’s List of October/Halloween Games: Updated Edition
any game listed here either is a horror game, or has suitable aesthetics/theming, and on the older or niche side. naturally, disclaimer to check content warnings on any game you may be interested in.
bolded games: full recommendation to check out
italic games: mostly here for the sake of being thorough, they’re not well-liked and i wouldn’t personally recommend them, but they may be a curiosity or you may find something you like
bolded italic games: picture i’m making the so-so hand gesture. there may be technical hurdles to running it, or it’s just a game i have more mixed feelings on.
if you want the best Myst-like game, which makes well-balanced QoL improvements to the genre that allows it to appeal to both myst-like enthusiasts and people who might not normally like them, with fantastic audio/visual design: play Shivers
if you want one of the best adventure games and one of the best story adaptations ever made: play I Have No Mouth and I Must Scream
if you want a uniquely free-form dark humor adventure game that still has a plot, different endings, different playable characters, optional objectives, and the 2nd most unpleasant visuals i’ve ever seen (and i mean this as a compliment): play Bad Day on the Midway
if you want the most unpleasant visuals i’ve ever seen (this is a compliment), a highly unique adventure game with multiple endings, and you also want to support a creator-revived game that was inaccessible for years and isn’t talked about enough: play Garage Bad Dream Adventure
if you want an adventure game with frequently obtuse mechanics but fantastic stop-motion visuals and a more subdued (but still dark) tone than some of the cheesier games here: play The Dark Eye (1995)
if you want another one of the best entries in the adventure game genre, featuring highly creative levels and a narrative that’s a lot more genuine and cohesive than the premise might make you think: play Sanitarium
if you want a unique shock-horror comedy adventure game with a highly engaging first half if it falls apart during the last third: play Harvester
if you want an action adventure game that had a lot of interesting ambition put into it, but ended up a technical mess and overshadowed by resident evil 1: play Zombieville (1997, EU) (game can be finished but is unstable and can failstate, its TCRF page discusses these issues)
if you want a cornerstone early point and click horror game with fun music, fun visuals, and cheesy FMV: play The 7th Guest
if you want the worst aspects of The 7th Guest but dialed up to 11: play The 11th Hour
if you want a Shivers game that is pretty much Shivers in name only, but does keep the improvements 1 made to the Myst-like genre: play Shivers 2 (please play 1 as well)
if you want another landmark entry in point and click horror with a lot of gratuitous shock horror/gore and cheesy FMV acting, but with a higher degree of intensity and taking itself seriously than Harvester: play Phantasmagoria
if you want a Phantasmagoria game that even Phantasmagoria fans are mixed-to-negative on: play Phantasmagoria 2, i guess
if you want a CD-ROM horror-themed boardgame with sick bongo music and a disembodied voice frequently heckling you: play Atmosfear: The Third Dimension…?
if you want an action-adventure game with deliberate platforming, punishing combat, weapon unlocks that are so busted it’s fun, fantastic level design+music, and one of the only works to successfully pull off “what if alice was dark”: play American McGee’s Alice (try to get the original release if you can, not the post-madness returns 2011 version, but it’s not a dealbreaker)
if you want american mcgee’s alice with overall worse combat and more filler, but with highly improved, responsive platforming and the addition of a rewarding collectible system, with a cathartic narrative: play Alice Madness Returns
if you want one of the best survival games i’ve ever played with one of the best narratives in a VN-influenced format i’ve ever read: play Pathologic Classic HD (it’s fine to use a walkthrough)
if you want more pathologic and you’re fine with playing a game that’s probably never going to be finished: play Pathologic 2
if you want a short, honest-to-goodness 2009 art game/walking simulator with minor collectible elements, multiple endings, and beautiful music and visuals: play The Path
if you want a good h.r. giger horror adventure game: play Dark Seed
if you want (this will explain everything) a Dark Seed game that even Dark Seed fans are mixed-negative on: play Dark Seed 2
if you want a cornerstone graphic adventure game that is a functional evolution of Mystery House, with a murder mystery and a shocking amount of detail and different things that can happen and good replay value: play The Colonel’s Bequest
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Encanto Wizarding Info: The Ultimate Collection Part 3
Pepa Madrigal
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Wand:
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Dogwood wood with a phoenix feather core, 13 and supple flexibility
Dogwood
Dogwood is one of my own personal favourites, and I have found that matching a dogwood wand with its ideal owner is always entertaining. Dogwood wands are quirky and mischievous; they have playful natures and insist upon partners who can provide them with scope for excitement and fun. It would be quite wrong, however, to deduce from this that dogwood wands are not capable of serious magic when called upon to do so; they have been known to perform outstanding spells under difficult conditions, and when paired with a suitably clever and ingenious witch or wizard, can produce dazzling enchantments. An interesting foible of many dogwood wands is that they refuse to perform non-verbal spells and they are often rather noisy.
Phoenix
This is the rarest core type. Phoenix feathers are capable of the greatest range of magic, though they may take longer than either unicorn or dragon cores to reveal this. They show the most initiative, sometimes acting of their own accord, a quality that many witches and wizards dislike.
Phoenix feather wands are always the pickiest when it comes to potential owners, for the creature from which they are taken is one of the most independent and detached in the world. These wands are the hardest to tame and to personalise, and their allegiance is usually hard won.
Ilvermorny House:
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Heart: Pukwudgies are defined by their passions and desires, by how they feel, and by whom they love. They form deep connections, wholly commit themselves to everything they do, and defend their people and passions with ferocity. Pukwudgies are caregivers, protectors, and loyal friends. They will use all their talents, values, and potential to pursue their passions and protect the ones they love.
Hogwarts House:
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Gryffindor House
Founder: Godric Gryffindor
Head of House: Professor Minerva McGonnogall
Ghost: Nearly Headless Nick
House Colours: Red and gold
Main Characters: Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Neville Longbottom, Fred Weasley, George Weasley, and Ginny Weasley
Gryffindor is arguably the most focused-on house in the Harry Potter series and gets the most page-time devoted to explaining the story of its foundation and culture. This makes sense considering the three main characters of the series are all sorted into Gryffindor. However, amongst the series' fans, there are surprisingly few people sorted into Gryffindor house, making it almost like an exclusive club. If you've just been sorted into Gryffindor, congratulations!
"You might belong in Gryffindor, where dwell the brave of heart. Their daring, nerve, and chivalry set Gryffindors apart."
Gryffindor Traits and Strengths:
Courage: Gryffindors stand strong in the face of adversity and show bravery in everything they do. This can be overt (as in the case of Harry's bravery when facing Voldemort) or subtle (as in the case of Neville who continues to persevere even as he struggles with intense fear).
Daring: Gryffindors aren't reluctant to put themselves in physical danger when they feel there's a good reason. Harry, Ron, and Hermione run unflinchingly into danger time and time again.
Chivalry: Gryffindors feel a strong sense of responsibility to protect the weak and will act nobly, putting others before themselves. This trait makes them highly charismatic and popular with others.
Strong moral compass: Gryffindors tend to see the world as being split into right and wrong and will go to great lengths to pursue and defend the good while fighting the bad.
Gryffindor Weaknesses:
Hot-headedness: Because they're brave and daring, Gryffindors can sometimes react instinctively and ignore logic, leading to them being hot-headed and occasionally short-tempered. In The Philosopher's Stone, Harry chases Draco Malfoy into the sky on his broom over a fairly mild insult, despite the fact that he's never flown before and is putting himself in serious danger.
Recklessness: In addition to being hot-headed, many Gryffindors can be reckless in the pursuit of their goals. This happens when their daring and courage are misused or taken too far.
Arrogance: Gryffindors tend to be popular, charismatic, and good at most things that they do. Because of this, some Gryffindors can develop inflated senses of themselves and become arrogant.
Patronus:
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Dolphin
A dolphin Patronus means you are very graceful, lovable, and intelligent. Those who conjure this Patronus are sociable and have a playful side to them, but they are also fierce protectors when necessary.
Dolphins are very people-oriented and make friends very easily. Their loving and caring nature is their biggest strength and their natural inner light will block out the darkness of dementors.
Dolphins use something called echolocation that helps them track down and catch their prey. Echolocation is done by making clicking noises that bounce sound waves off their target to reveal where the prey is and how big it is.
Therefore, dolphins are essentially natural Dementor hunters that will get the job done quickly.
Animagus Form:
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Eagle
The eagle is the chief over all the winged creatures. Eagle conveys the powers and messages of the spirit; it is man's connection to the divine because it flies higher than any other bird. The eagle brings the message of renewed life because it is associated with the east winds - the direction of spring, dawn and rebirth.
If an individual has been going through a hard time, eagle not only signals a new beginning, but provides that person with the stamina and resilience to endure the difficulties. If eagle has appeared, it bestows freedom and courage to look ahead. The eagle is symbolic of the importance of honesty and truthful principles. Summon the eagle when you are about to embark on a challenge, a massive life change or a creative endeavor.
Eagle people are seen as visionaries, those who are seekers and who are willing to push the limits of self-discovery and personal freedom. The eagle person is a born leader and may become impatient with those who cannot fly as high or as fast. Despite the fact that eagle with hold aloof or retreat to the skies, people will naturally gravitate to them.
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imaginepirates · 3 years
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Pirate
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For the anon who wanted a James x reader where they meet on the Pearl, but James doesn’t have the guts to admit that he’s falling for them. Later, (we’re pretending his death didn’t happen), they meet again at Shipwreck Cove, and James confesses his feelings during the battle on the Dutchman.
@emdrabbles​ @tesserphantom​ @paljonkaikenlaista​ @viper-official​  @hellspawn-brownies​ @groovyfluxie​ @wordsinwinters​
~3760 words. Long again. 
~~~~~~~
           His hair hung in wet strings around his face. Whether they were matted together with water, alcohol, or vomit, you weren’t sure you wanted to know, though you suspected it to be a mixture of all three. A guard rail was all that kept him upright. He was a disaster, even for a pirate. Not that he’s a pirate, either.
          The former Commodore looked a wreck. You would be, too, you supposed, if you’d drunk yourself into complete oblivion. And someone needs to take away that damned wig. Currently, it sat on his head much like some bird’s nest, and you half-expected a gull to land in it at any moment. Pity mingled with your disgust. There had been a time when his name alone had struck fear into you. Now, he was a pathetic image, unable to do so much as hold himself up on two feet. He couldn’t strike fear into a fly.
          You were a bit surprised that Elizabeth, of all people, showed him no sympathy. Even Jack looked a bit repulsed, which was saying something, given that Jack himself was never in a prime state. He staggered upright, puking over the side of a railing.
          You sighed, walking brisky over, snatching the wig off the top of his head and tossing it overboard. He looked up at you through bleary eyes.
          “What the bloody hell was that for?”
          “You look awful.”
          “Thank you for your astute assessment.” Even drunk, his tone dripped sarcasm, and you were a little surprised.
          He’s still in his wits, then. You looked him over again. Somewhat. “You look marginally less awful without the wig.” He grunted. You grabbed the bottle he was holding, too, and threw it over the side.
          “Now that’s just a waste.”
          “You need to sober up.”
          “And who exactly are you, that it’s your job to police me?”
          “You’re embarrassing, is all, and it’s no good to be embarrassed by crewmates.”
          He snorted. “You should write to the admiralty. That sort of thinking would have spared me many of my own crewmates throughout the years.” He stared down into the waves, where his water-clogged wig had begun to sink under the surface.
          “Well, you don’t want to be that person, do you?”
          “At this point, I don’t particularly care.” His wig finally lost the battle, disappearing into the murky depths.
          “Have some pride.”
          “Pride?” He pushed himself up, looking coldly into your eyes with his own. “I’ve lost my title, I’ve lost my station, I’ve lost my livelihood. I have no house, nor family, nor friends. I’ve lost everything I ever held dear, including the woman I love, because despite being with her,” here he gestured with his chin to where Elizabeth stood at the helm, “I’m further from her than ever before. Now please, tell me again why I should have pride.”
          If you were being honest with yourself, it was hard to give him an answer. “You still have your life, and for however little that’s worth right now, things could be worse. You could be dead. Take pride in the fact that you didn’t let things get that far.” He scoffed, but you continued. “Go clean yourself up; splash some water on your face, and do something about the vomit in your hair. Things can get better. Clean up, and you’ll be one step closer.”
          He looked at you then, a vulnerability in his eye that wasn’t there before. Hope. He stalked off then, stumbling a bit, but trying admirably to, supposedly, follow your advice.
          Norrington carried out his tasks admirably and without complaint, no manner how demeaning for a man of his previous station. He was watched with suspicious eye; but why wouldn’t he be? He had been a ranking officer, after all, and an effective one at that. Too many pirates had been lost to his scouring of the Caribbean. Just how far can you trust a member of the navy, former or otherwise?
          The way he looked at Jack’s compass didn’t escape your notice. He knows. “Not thinking of stealing it, are you?” His neck craned to look up at you from his position kneeling on the deck, a wet cloth in hand. He stopped his scrubbing to glare.
          “I’m not a thief.” He looked back down, returning to his task.
          “You are a pirate.”
          His head whipped up at that, jaw working in annoyance. “I’m not a bloody pirate,” he hissed.
          “Then what the hell are you doing here? Top secret mission? I’m surprised you were chosen; I wouldn’t believe your fall from grace if I weren’t here to see it myself.”
          Norrington was showing clear restraint, obviously wanting to hit you with something. You watched him breifly consider using the wash-rag as a projectile before deciding against it.
          “Commodore Norrington. That was a name to fear, once.”
          The ferocity in his eyes vanished, replaced by sadness, his gaze dropping from yours. “I haven’t been that man in months. I never will be again.”
          “Good.” He shot you a questioning look. “It’s no use to be afraid of you. And, if what I hear from Elizabeth is true, you might learn to have some fun and not be so stiff all the time.” Offence flashes across his face, but you only smiled. “I blame high society. Welcome to freedom, James Norrington. I hope you get a taste for it.”
          He turned to look out over the steadily changing horizon, a soft pink beginning to dust the sky. “So do I.”
          The days wore on, and the crew steadily adjusted to James’ presence. He no longer ate alone, though he ate in silence, and the crew was more willing to interact with him. Elizabeth, you noted, had barely paid him any mind since his arrival. How she could be so callous towards him you didn’t know; you had expected her to at least talk to him, but she barely even looked his way.
          Not that he didn’t look hers. His gaze would fall upon her, sometimes, while he worked, and there was a sadness there that tugged at your heart. He was confused, too, as to her treatment of him. He wanted, more than anything, to be close to her. Even if she could treat him like a friend. But she refused to give him even that much.
          You were tired of watching it. “Come on,” you walked up to him, “let’s do something about that hair.”
          “You haven’t grown tired of telling me what to do, have you?” he drawled. He was propped against a railing, eyes following Elizabeth as she walked across the deck above them. With Jack, you noted. So, it seemed, did James.
          You sighed. “It can only get in the way, hanging down by your face like that.” You turned away, heading down belowdecks. He needs to get away from watching her.
          James followed, pushing off the railing and heading after you. Good. You found a spot with a few barrels—full of apples, you assumed; you never had gotten rid of all of Barbossa’s cargo—that would be suitable for sitting on. You motioned for James to do just that, moving behind him.
          You found yourself at a loss for words. What was there to say? You had little in common, and less that wouldn’t bring back poor memories for him. You kept silent, instead running your fingers through James’ hair. It’s longer than I expected, for a naval man. I wonder if he always kept it like this, or if it was close-cropped, once.
          “What exactly are you doing?” He turned his head a little to look back at you.
          “Braiding.” You separated his hair into three parts, beginning to twine the strands together.
          You expected him to ask you why, or to move away, but he stayed put. “I haven’t worn my hair in a braid since the navy.” It was almost a whisper. Somehow, in the low light of the hull, it seemed appropriate.
          You almost pulled away and apologized, but he went on. “I used to braid it to fit it under that damned wig. It could get so insufferably hot in the sun, though I was always glad to have the hair off the back of my neck. I don’t know how Elizabeth ever managed, in those dresses.” A soft smile sat on his face. “How did any of us manage, back then?”
          You knew he wasn’t speaking of the heat. You tied his hair off with a small strip of ribbon from around your wrist. It was interesting, to see something of yours on him, and you stared at it a moment before moving. “You’ve always kept your hair this long, then?” You moved to a barrel across from him.
          “For years. My mother hated it.” He smiled. “She told me it would be easier if I just cut it off.”
          “Good thing you didn’t.” He looked at you curiously, and you felt yourself beginning to flush. “It suits you.”
          His eyebrows raised in surprise. Even in the dim light of the lanterns, you could see his cheeks turn pink, the color extending down into his collar. You sat in awkward silence a moment, James fiddling with the cuffs of his sleeves while you looked down at the black deck. “A name to fear, you said.”
          James was still toying with the cuff on his left wrist when you looked back up. “I think I like you this way better.”
          “I’m not sure I do.”
          You got up, moving to a barrel next to his. “I’d rather not fear you.” You grabbed his hand, taking it gently away from its fiddling. He scanned your eyes. “Like most people, you aren’t as terrifying as the stories make you sound.”
          “I never thought of it that way.”
          “That you struck fear, even into the best of us?”
          “I…” he trailed off. “It seems so ridiculous, that anyone feared me. I know I was good at my job—it was all I was good for.” He scoffed. “But I was so out of place in society…I always felt horribly awkward at all those social events. I was much more afraid of those people than they were of me.”
          “You were like…” you wracked your brain for a parallel. “You were told stories about Blackbeard when you were a child, right?”
          “Yes, of course. Upon reflection, I’m sure they were too dramatic to be true.”
          “That’s how you were to us. You were a reverse Blackbeard.” James laughed aloud at that. “I can’t even tell you how I pictured you. Larger, maybe. Older. And with a horrible, mean beard that took up half your face.”
          James smiled, and you found you quite liked the expression on him. “Am I as scary as the stories?”
          “Not even close. Though I’m sure I wouldn’t want to meet the business end of your sword,” you added.
          “Is Blackbeard as frightening as the tales?” James questioned. Then, more seriously, “Is Davy Jones?”
          You sobered. “Aye, he is.” You found that his hand was still in yours—he hadn’t pulled away. “But it’s mixed with disgust. He isn’t human, anymore. It can be revulting. And sad,” you said, upon reflection. “I can’t imagine; losing your humanity like that.”
          James said nothing, his eyes on your entertwined fingers. He ran his thumb over your knuckles. “Why do you talk to me?”
          You shrugged. “There’s no reason not to.”
          “That doesn’t seem to be the common belief.” He continued to rub gentle circles in the top of your hand. His fingers were calloused from years of hard work, but so were yours. He traced over your knuckles and each finger in turn. His brows furrowed. “It’s pity, isn’t it?”
          You could see how disgusted he was with himself. “Some, yes,” you admitted. “But you’re not half-bad to be around. This was…nice. I haven’t had a quiet moment with someone in ages.”
          He looked at you thoughtfully, using his free hand to brush a strand of hair behind your ear. “You’re not half-bad either, for a pirate.”
          You smiled, and he looked like he might say something more, but he stayed quiet, a soft smile of his own gracing his features. When he left, you knew he was in a better mood than when he came. I wonder if I’ll occupy any of the space in his thoughts that Elizabeth does. It was a silly thought, and you didn’t quite know why it came to mind, but there was a ghostly touch where James had brushed your hair aside, and you realized that you liked the idea of his thinking about you. Wishing for the attention of a naval man. Who would’ve thought?
~~~~~~~
          The news about Isla de Muerta came hard. You had been anxious the entire time, confined to the Pearl on the account that Davy Jones could make an appearance, and the ship would need to be crewed if he did.
          You weren’t prepared for the eventuality that James wouldn’t come back. You had worried, of course, wringing your hands with it, but you hadn’t actually thought…
          You kept your tears for him to yourself. Nobody else was bothered—not even Elizabeth. A man she’s known her entire life, dead, and she has no sorrow to show for it. How can she be so heartless? It was as if nothing had happened at all. The crew ignored it; they were used to that, you supposed. Half your number had been killed by cannibles, after all. But even Gibbs seemed unbothered by the prospect of James’ death.
          Only later did you realize that James had taken the heart. You didn’t believe it, at first, but slowly came to reconcile yourself with the idea. Elizabeth thought him a traitor. But was he ever really on our side? You thought back to your conversations with him. I like you this way better. It had been true. I’m not sure I do. That was true, too, and now he’d shown it.
          At first, none of it mattered to you. He was dead, anyway. Slowly, you began to realize that Jones didn’t have the heart. After all, he hadn’t quit pursuing the Pearl, even if you didn’t have the heart. When you learned that the heart was in possession of Cutler Beckett, damn his eyes, your heart leapt with joy. James is alive! No matter the mood of Jack, or Gibbs, or Elizabeth, or the crew, you could only think of James. He wasn’t killed, then. He used the heart as leverage to secure his old position.
          You pondered the thought. If ever you met him again, would you be afraid? Or would you just be sad?
~~~~~~~
          Shipwreck Cove was just as you’d remembered it. Dimly lit, ships stacked one on the other, whispered conspiracies in every corner. Every sailor’s legend had its place in these ships. There wasn’t a legend that hadn’t been speculated within the fortress, and not a pirate who hadn’t chased them without.
          You had fond memories of the Cove, but less fond memories of the Court. The Brethren Court convened on only the deepest of issues, and you still remembered some of their gatherings from when you were a child. It was loud, and there was no order, and the Court couldn’t meet without at least one death per session.
          It was that way now. Jack toyed with the swords stuck in the globe at the front of the room while the other pirate lords surrendered the miscellaneous junk they deemed their pieces of eight. The end result was a dish full of random trinkets. Not that you didn’t understand; the idea that pirates obtained mass amounts of wealth was a myth. Most of the time, you barely had a shilling to your name. Working with Jack was especially non-lucrative, but it was certainly more entertaining.
          Jack’s hand strayed briefly to the piece of eight at his temple. “Might I point out that we are still short one pirate lord and I’m as content as a cucumber to wait until Sao Feng joins us.”
          “Sao Feng is dead.”
          You recognized that voice. You whipped around to see Elizabeth, clad in full Chinese armor, sword in hand. You smiled to yourself; she was always full of surprises.
          The best surprise, however, was the man standing at her side. You mouthed James’ name, and his eyes locked on yours. He stepped forward, as if to greet you, but you were interrupted by further discussion of the Court. He’s alive, and he’s here, and I never thought I would see him again. You glanced over your shoulder. And he’s in full uniform.
          The Court was chaos. Barbossa’s plan to free Calypso was not taken well by the others, and you couldn’t blame them. Your mind was preoccupied, focussing on the man somewhere behind you. You wondered if he had seen the relief in your eyes. Had he felt the same?
          A hand settled on your shoulder. You turned to see James, worried eyes staring into your own. He pulled you back, leading you out of the room.
          “James?” You felt your eyes beginning to water. “For the longest time, I thought you had died.” Your voice cracked, and you were unable to stop it.
          He opened his mouth as if to say something, but only reached out to you, pulling you into a firm embrace. “I’m so sorry.” His breath tickled your ear. “I’ve done horrible things.”
          You held tightly to the back of his coat. “I’m just happy to see you again.”
          He stepped back, pain blossoming across his features. “I know you can never forgive me, for what I’ve done. I can only hope you-”
          The doors behind you opened, and the Court flooded out. The consensus is war, then.
~~~~~~~
          The rain made it hard for you to keep a good grip on your sword. The Dutchman pitched and rolled under your feet, waves crashing rougly into the sides of the hull. Its mast, tangled with the Pearl’s, loomed above you, a towering dark figure in the haze of the monsoon.
          These damned fish people. The Dutchman’s crew fought more viscously than even Barbossa’s undead pirates. Who knew starfish could be so angry? You feared that their weapons, often tarnished and jagged, would catch on your own and leave you defenseless. I should’ve stayed on the Pearl. But there are fish people there now, too.
          At least you weren’t alone. Elizabeth and Will were with you, as was Jack, though he seemed to be having difficulties of his own. If you hadn’t been fighting for your life, you might have been more amused. You had lost sight of most of your crew mates. You were too focused on the eel-headed freak in front of you to give your fellows much thought. With your swords locked, you had no other way to grapple with the beast. It hadn’t occurred to you that the eel could elongate its neck, which was exactly what it did, arching forward to bite at your face.
          A moment later, the head lay at your feet, the slimy body collapsing beside it. James was there, sword in hand, looking at you with concern. That, or he’s squinting to keep the rain out of his eyes. You gave him a nod, stepping in closer.
          “There are too many of them. We’ll never get to them all. Some of them are coming right out of the walls!” You both looked around yourselves at the endless numbers in the Dutchman’s crew.
          “We only have to kill one.” James gestured towards the other end of the ship, where Davy Jones stood, lobster claw digging into the wood of the deck.
          “We don’t have the heart.”
          “But we both know who does.” James’ face was grim. “I should’ve stabbed it while I had the chance.”
          You grabbed his arm. “No. You would be just like Jones, then, bound to this ship for eternity. You’d have no humanity left.”
          “I’d be better than I am now.”
          The comment broke your heart, but there were too many enemies around for you to focus on it. You slashed at a shark-headed monstrosity before James pulled you in close, stabbing something just behind you. Now isn’t the time for blushing. But James was holding you tightly to his chest, and you heard him shoot another member of Jones’ crew.
          You hated to let go, but you had to duck under James’ arm to go after another, and another. Your back ended up pressed against James’, and you could feel each others’ heavy breathing.
          “I don’t think we’re going to make it out of this alive.” You had to shout to be heard over the thunderous racket. Between the rain, the gunfire, and the sharp clanging of swords, there was little room for words.
          “It doesn’t seem likely.”
          “You were trying to tell me something earlier.” Rain ran down your face in streams. “Now might be your only chance.”
          James put a hand on your shoulder, turning you around to face him. “I wanted to apologize, for it all. I hope you’ll accept it.”
          “Of course.” You grabbed the pistol from his side, leveling it at a creature behind his shoulder.
          “You didn’t deserve what I did.”
          You cupped his face with a hand. “I understand why you did it.”
          “You were the only one who treated me like a person, then, on the Pearl.” He had grabbed your arm, keeping you close. It occurred to you that you were both going to die like this, paying too much attention to each other and not enough to your surroundings. “I can’t…” James took a steadying breath. “I can’t help but love you for it.”
          You barely had time to process the words before his lips were on yours. Despite the storm, and the gunfire, and the clanging of swords—despite the knowledge that neither of you were going to make it out alive—the kiss was achingly tender, with so much softness and vulnerability that tears began to slip down your already soaked cheeks.
          This won’t be such a bad way to go.
          There was a sudden shuddering of the ship, and you and James had to cling to each other to keep upright. You looked up, only to find that the Pearl had broken away, her masts now untangled from the Dutchman’s.
          You tugged at James’ arm. “We have to go. I think the ship’s going under.”
          He nodded, and you found a loose line to swing over to the Pearl. The Dutchman sank not long after you hit the deck. The ship fell beneath the waves, sucked under by the storm.
          “We still have to face Beckett.” James looked out over the water to where the British armada was advancing.
          You could already feel some of the fight leaving you. How could you withstand an armada, when you’d barely defeated the Dutchman? “At least we have each other, now.”
          James looked down at you. “Yes.” He cautiously wrapped an arm around your waist. “And after? If there is an after.”
          You smiled teasingly. “I hope you don’t mind returning to piracy.”
          James smiled back. “I don’t think I’ll mind at all.”
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jasontoddiefor · 3 years
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Summary: “Do you like it?” Obi-wan asked. Ahsoka looked up at him in confusion. What was he talking about- “The tea,” he added and raised his own cup like a sign.
Or, Anakin is injured and Ahsoka spends some time with her Grandmaster.
The tea Obi-Wan pressed into her hands smelled familiar, like the one Anakin made for them after late shifts when they had only recently left Coruscant. It was a sweet tea, so sweet that Ahsoka didn't even need to put any sugar in it. Their kitchen – an expression that still made Ahsoka grin with happiness because she had a Master now and she was a Padawan, even after these first months – didn't have anything but tea and some instant noodles stocked. For some reason, Ahsoka wasn't allowed to heat them up for lunch, so they had to go down to the cafeteria to eat. Obi-Wan had said something about the noodles being important to Anakin, and Ahsoka hadn't asked after that. She was too sure she'd start to cry like a youngling if she thought any more about her Master, who was currently unconscious in the halls of healing, being looked over by various healers.
The mission had been supposed to be easy. Nobody should have gotten hurt.
Ahsoka sunk further into her chair, buried herself in her Master's oversized coat. It had been handed to her when they'd brought Anakin in and Ahsoka had kept it on since. She knew it was stupid, that she looked ridiculous, but she kept it on anyway because it smelled like him and therefore like home and peace.
So here she was now with her Grandmaster in their kitchen in an apartment she didn't even really have a room in yet because they hadn't had time to clear it out, drinking tea.
"Do you like it?" Obi-wan asked.
Ahsoka looked up at him in confusion. What was he talking about-
"The tea," he added and raised his own cup like a sign.
"Oh, yes," she replied, feeling stupid for not having understood. She wanted Obi-Wan to like her and think she was a suitable addition to their lineage. "It smells familiar to the one Anakin always makes."
"It's the very same," Obi-Wan replied. "It's the only tea the two of us like equally well, so we always drink it together."
"Oh." Ahsoka hadn't known that. It felt like something she should know about her Master, like allergies. Frantically, Ahsoka tried to remember whether she could recall any of Anakin's allergies; he had to have at least one, right? Before she could get any more worked up and leave Obi-Wan in this awkward silence, she forced herself to ask another question. "What's in it?"
"A few red berries and some other indigenous fruit from Naboo. It was the only tea offered on Naboo that didn't taste like it had been dosed in perfume," Obi-Wan said and pulled a face as if the tea from Naboo had genuinely offended him.
Ahsoka giggled, then quickly clasped her hand over her mouth. She hadn't meant to laugh at her Grandmaster, but Obi-Wan only smiled good-naturedly.
"Why- when were you on Naboo together?"
She knew that Anakin enjoyed items coming from the planet and was quite knowledgeable about its culture. She had no idea why someone would have all theatre genre of Naboo's last century memorized, but as Anakin had proven on a long retcon mission, he could talk endlessly about them. At least all his cursing had made them more entertaining than her own literature classes at the Temple.
"Ah, that's a rather long story. You were…. Five when Anakin joined the Order, weren't you?"
Ahsoka wanted to protest, surely she had to have been younger, but she remembered the whispers and knew her Master's age. It was strange to think he was only a few years older than her. She thought it would have been more, it should have been more, but if she were any younger and he older, perhaps they wouldn't be Master and Padawan at all.
She nodded in confirmation and Obi-Wan continued on.
"Anakin and I spent a month together on Naboo before we returned to Coruscant and he officially became a part of the Order. The Naboo prefer their food to taste and smell a bit flowery, and neither of us was used to it. After a lot of bickering, we decided that it was the one brand we actually both enjoyed. It took us a while to figure out how to brew it correctly, but eventually, I learned and taught Anakin in turn."
That certainly sounded nice, domestic even, like a scene she had never seen before. She tried to imagine the two of them in their kitchen, Obi-Wan being younger without a beard and looking less exhausted while Anakin was even shorter than her, perhaps standing on a barstool of some kind so that he could reach the counter.
Obi-Wan brought his own cup to his lips and drunk from it, then he set the cup on the table again.
They didn't have a single matching set of teacups that they actually appeared to be using. There were a few tea sets in the cupboard, Ahsoka had seen those already, but they didn't look like they were actually in use. Instead, Anakin and Obi-Wan had a collection of cups with silly images, colorful prints, and sayings.
"Ahsoka, I know we didn't get to spend much time together yet, but if you'd like, and if you enjoy this tea, I would like to show you how to prepare it properly."
Hearing those words, Ahsoka perked up. "Really?"
Obi-Wan smiled kindly at her and set his cup on the table. "It's a bit of a tradition for us, figuring out how to make a particular tea and then going out to buy a new cup for it. I used to do it with my Master, and Anakin and I didn't collect so many different mugs for no reason. You don't have classes this afternoon, do you?"
Ahsoka shook her head. "No."
They had canceled her classes for the rest of the week. There was no need for her to go when she'd only worry about Anakin. She could, of course, but the healers had been very insistent that Ahsoka should figure out her own boundaries and act according to them.
She still kind of wanted to go to class, just to prove that something like her Master getting hurt didn't unsettle her too much, but she was also still glued to their kitchen chair, wrapped in his oversized coat.
"Then, if you want, we can go out in the city today and buy you a cup and a new brand of tea to try out."
It would do her good to go outside. "I'd like that."
The two of them finished their teapot, then Ahsoka returned to her room. They still hadn't finished setting it up and so was currently more the place she stuck her stuff as Anakin frantically tried to move his plants to another surface that was not already covered by them and miniaturize his droid workshop. Most of the time, she didn't even sleep in the bed that had been cramped in there. In the words of her Master, why should she sleep there when Obi-Wan's larger and more comfortable bed was right there. Or Anakin's when Anakin managed to drag himself only to the sofa or, already half-asleep, stumbled into Obi-Wan's room.
Once her Master was cleared from the halls, they were going to sort that out. Even if Obi-Wan didn't have any problems with her taking over his bed.
Ahsoka got dressed, changed into robes of her own size and slipped back into the main room. From there on it was a quick and easy trip to the shopping districts of Coruscant. Obi-Wan wistfully muttered something about "at least it's not the lower levels this time" that he didn't see fit to elaborate on and Ahsoka, therefore, chose to keep in mind for a later date.
The tea shop he led her to must be one he frequented more often because the owner greeted him with name and immediately showed him a selection he thought would be to Obi-Wan's liking. Ahsoka smelled the various fruity, spicy, and bitter tea selections and eventually picked one that Obi-Wan and she both agreed looked like the most interesting one. Apparently, the tea changed colors as it cooled down. They didn't stay long enough in the store to get a practical demonstration, but Ahsoka was still eager to see it. Mainly to see it in the new mug Obi-Wan had bought her. It was supposed to match the color of the liquid inside. It was ridiculous, but Ahsoka thought it was fun.
"We can make it for Anakin later," Obi-Wan said. "He is supposed to wake up this evening."
"Do you think he'd like that?"
"I think he would be very pleased to see how well his Padawan has conducted herself in his absence. And he always did like food that was a little extraordinary."
The rest of the afternoon passed quickly with the two walking through the smaller streets, visiting stores Ahsoka had never seen before, but who all apparently knew her quite well already. The number of times somebody addressed her with "Little Anakin's Padawan?" was quite astonishing.
By the time they returned to the Temple, it was already dark. Their first stop after deposing their new items in their rooms was the cafeteria. Dinner was, as always, a loud and cheerful affair. Groups of Initiates were running around the many tables, Padawans chatting to each other and Masters bragging about their students. She and Obi-Wan took a seat at a table a little closer to the edge where it was quieter, though even they weren't spared from the toddlers handing out sugary cupcakes that looked like somebody was trying to sell pure diabetes.
But how was Ahsoka supposed to resist when the tiny Nautolan with the huge eyes offered it to her? It wasn't like Obi-Wan could resist it either.
After they had finished dinner, they returned to their quarters, properly put away all they had bought, and set the new tea package on the kitchen table together with Ahsoka's mug.
"Alright," Obi-Wan said. "Let's see how hot the water needs to be and how long the tea needs to steep."
With gentle fingers, Obi-Wan began to put the tea leaves into filter bags and familiarized Ahsoka with it. He taught her how to properly pour tea and which brands were better with a little more or less sugar, which needed salt of all things, and about a hundred other different tidbits that she couldn't believe he just knew from the top of his head.
But all the work seemed to pay off as they had a teapot full of blue tea that was slowly turning violet.
"Well done," Obi-Wan praised her as he grabbed the teapot and a mug for himself.
Ahsoka took her own new one, though she had already decided that she'd let Anakin drink out of it this time, and took another for herself. Together they headed towards the halls of healing. They hadn't even entered them properly when Anakin's voice reached them.
"I am fine, Bant, I swear! I just want to see Ahsoka and Obi-Wan, promise I'll be back within twenty minutes- ten minutes!"
Just as Ahsoka and Obi-Wan waked around the corner, they saw Anakin attempting to climb out of his bed, bandages still wrapped around his head, and arguing with Bant. As soon as he saw them, his eyes lit up.
"Ahsoka! Obi-Wan, are you well?"
Ahsoka stared at Anakin, whole, healthy, and smiling, and reassured herself that he was real. Then in the fashion of a child, she threw herself at him, burying her head in his chest as she before had in his robes.
"Woah, woah, everything's alright, Ahsoka. I'm just fine, see?"
He patted her head almost a little awkwardly like he didn't know what to do with his hands, but Ahsoka didn't care.
He was fine, everything was alright.
"Anakin Skywalker, what are you doing? Get back into bed!"
Ahsoka slowly released Anakin from her embrace so that he could fall back on his bed. He crossed his arms in front of his chest and rolled his eyes at the Mon Calamari Jedi.
"Bant wants to keep me here overnight, even though I'm fine."
At this, he glared a little at Bant, though Ahsoka could tell his heart was not in it. If that were so, she knew Bant wouldn't be standing here much longer. As ridiculous as he looked right now, Ahsoka knew her Master could be quite terrifying if he wanted to.
"Don't act so much like a bratty Padawan, Anakin," Bant only commented. "Now sit down, rest, get well, and you can go back to your rooms tomorrow morning."
"Yes, yes," Anakin muttered and pulled the blanket back over his legs. Bant smiled at the three of them, then bid them good night as well.
"It's good to see you're causing trouble as always," Obi-Wan said and set the teapot on the table next to Anakin's bed so he could sit down on its edge. "Here I was worried it was something serious."
"Oh, you know me, Master. I always have to be a little dramatic. What tea is that?"
Anakin couldn't have changed the topic more obviously in favor of curiously examining the teapot.
"Master Obi-Wan and I went out shopping in the city today," Ahsoka spoke up and pushed her new mug into Anakin's hands before she saw down next to him. "We bought a new tea and it changes color and also a mug and-"
"Hey, Snips, slow down." 
Ahsoka shut up as Anakin raised his hands. Then, with an expression Ahsoka could only describe as pouty, her Master turned to Obi-Wan.
"You took my Padawan on her first tea run without me?" Anakin asked accusingly, pointing his finger at Obi-Wan.
Obi-Wan only sighed theatrically and poured some tea, by now a dark red color, into every cup. "Well, we can't all be heroes recovering from a deadly assault. I take it said hero doesn't want a cup then?"
Now Anakin was quick to hold out the cup Ahsoka had pressed into his hands. "No, I want to see what my Padawan picked out. Hurry up, Master."
Obi-Wan's following laughter was infectious. It was almost as loud and cheerful as Anakin's demands to be told everything of their trip in detail. Sitting next to him on the bed, covered by the heavy blanket and the warm tea in hand, Ahsoka could finally allow herself to relax fully.
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rottenbrainstuff · 3 years
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I saw the Green Knight last night! (spoiler-ish discussion towards the end)
What a great big pile of stuff to think about. I haven’t been this surprised by a movie in a long time. It’s a very strange movie in almost every single way, incredibly interesting, and it’s received really glowing critical reviews. I’m torn though. Although it is a striking, strange movie, I feel a lot of the strangeness is style over substance, and amounts to strangeness for the sake of being strange, and I don’t think the movie is able to tie its themes up in the end to make a really emotionally coherent journey. It felt a bit like watching a student film (with a big budget), where it’s this totally fresh, exuberantly experimental thing that is so interesting and different… but needs a bit more polish on the plot to make it an actual story in its own right and not just a stylish experiment. A basic summary: if you want to see something totally different, this movie is for you, just don’t go in expecting an easy, polished Hollywood thriller.
Setting: gorgeous. It’s anachronistic medieval England, and despite the fact that it’s not trying to be historically accurate at all, oddly I feel it captures a better medieval vibe than anything else I’ve seen, period movie or medieval fantasy. At least in terms of the supernatural aspects??? The location: gorgeous. Absolutely gorgeous, haunting shots of trees and forests and countryside. (why are there so many shots that are way too dark though?) Sound design: Amazing. Beautiful. I can’t remember a movie that made as much or as effective use of quiet. The scoring is incredibly strange, a mix of haunting vocals of medieval songs, and spooky thrumming sound design. Quite striking. Quite interesting. (the intertitles are an interesting idea but I think they could be more effectively integrated, especially in a movie with so much visual creativity - thinking of, for instance, the subtitle joke in The Man who Killed Don Quixote)
But let’s emphasize one thing very clearly: this movie is in a surrealist style, and that’s not going to be for everyone, it just isn’t. I think it either “clicks” with you, or it simply doesn’t, and that’s ok. I like surrealism. My brain gets it. It’s a fantastic way to tell a story, and creates ambiguity that means everyone who watches it takes away something different. And here, a surreal approach is SO suitable because it’s based on this very old… story, mythology, fairy tale, whatever you want to call it. These old stories do have a strange, absurd, surreal quality to them. It’s perfectly fine when a modern adaption smooths out the strange corners of a story into something that feels more familiar to a modern audience. But it is DELIGHTFUL to watch a movie instead try to embrace that strangeness. I’ve never seen a movie that felt as much like an old fairy tale as this one does. It’s delightful.
HOWEVER.
As I said I’m not 100% sure it all works in the end. It’s a movie that looks absolutely gorgeous, certainly. It’s a movie that is different in almost every way from every single Hollywood movie I’ve seen in years and years, certainly. But without a stronger focus and ESPECIALLY a much tighter ending, I feel it really loses itself in its own strangeness sometimes, and becomes a series of very cool scenes that are fun to think about… but not really a solid story that people will go away talking about. And that is a huge, huge shame, because there IS a strong story in there that wanted to be told, that could have been told with just a little bit more finesse.
And here’s my last big surprise with this movie (spoiler discussion below):
This movie subverts the plot of the original story in an extremely interesting way, but here’s the dealio: I think this movie relies on the audience being familiar with the original plot. Although I don’t know for sure, I would be willing to bet that a significant portion of the audience will not be. I would say probably even the majority. The only reason I actually know the plot of Sir Gawain and the Green Knight is that it was a story included in a book I bought for my kids a few years ago. So like. First of all, how can you effectively subvert a story, if a portion of the audience doesn’t even know how it differs? Maybe that’s fine in the end. Even if that’s fine though, there’s like. Great! Big! Huge! Plot points!!! that do not get explained or addressed! There will be a lot of people who have no idea that in the original story, the lord Gawain stays with is actually the Green Knight, who has been transformed by magic. His entire stay there is going to have an ENTIRELY different context to someone who has no familiarity with the story. The Lady’s brilliant and disturbing monologue about how she hates green and what the colour represents to her will have an extra layer of significance for a viewer who knows she is talking about her husband, and what that says about their relationship. The belt! The freaking green belt!!! It is extraordinarily surprising that Gawain decides to take it off at the end! If a viewer doesn’t understand exactly what the belt is supposed to do, that it DOES really, literally protect him and he absolutely WOULD survive the axe blow with it, would they understand how significant it is that he decides to take it off?
I think you COULD make a movie that doesn’t require the audience to know the story… I think you COULD make a movie where the two audience groups will have two very different experiences and each experience will be satisfying in its own way… I just think they didn’t pull it off in this case.
So.
I think there’s a really great story hiding in here about what makes an honorable man, what makes a meaningful life, and how a real man may or may not compare to a fairytale hero. I think there is a very very interesting and very different movie here that was really delightful to see, in a time when movie studios are churning out the same slick and safe formulaic crap. I think it has great performances, great production values. I just can’t necessarily say that it is a *good* movie.
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jaythelittlegay · 3 years
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Photographer Megumi x Model Yuji AU
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➳ CAPTURED HEART
Click, click, click.
"Alright, these seem pretty decent. You can take a break while I go through the pictures." Megumi informed the peachy haired model as he lazily made his way to the laptop, loosely gripping the camera from its sling strap as it slightly shook with each step blue eyed took.
"Thank you for your hard work, Megumi!" Yuji smiled at the photographer, his loud but cheerful voice echoing in the empty studio.
"Yeah, it's my job after all." Megumi reminded while he connected his camera to the laptop before he continued talking dryly, pressing his lips to a thin line to suppress the forming smile. "We still have photoshoot to do, so please make sure to be here within 45 minutes."
"Don't worry! I got this~" Yuji laughed, leaving the studio to get some food suitable for his diet.
He didn't really do dieting quite often since he worked out ever day to keep his body shape; but, this time was an exception, due to the criticism he received after the hiatus he had taken. Yuji was hurt by the comments he saw, but knowing that famous people had no time to relax from society's eyes, he shrugged it off. He didn't hide a lot from media as well; he was indeed one of the most honest and genuine models you could see. He had tons of articles about rescuing or helping people, another reason his popularity heightened. Which is why Megumi was take aback when he first saw Yuji, as he thought the model would drop the nice and polite act.
Megumi chose the pictures he liked, moving them to another folder to discuss it with the model once he came back. Megumi truly felt weird about the model: he actually had never taken pictures of models.
The young professional photographer was known for his photobooks consisting of unique and creative scenery, contemporary works as well as each of them had different concepts, usually related to feelings. He had gotten job requests from models all around the world only to reject them all that he didn't do portraits nor any photoshoot related to humans.
Models would fake the emotions Megumi wanted to portray in his photobook and he detested the idea of having an artificial expressions in his works. Until, Yuji had contacted him. He was going to reject him once he saw the email with Yuji's portfolio attached to it. He didn't even want to check the portfolio however the caramel eyed boy's email had caught him off guard. He apparently was a big fan of Megumi. He had asked whether it would be alright to, at least, watch Megumi work even if the photographer refused to work with him. Megumi got curious of the boy and the moment he checked his portfolio, he was stunned. For the first time, he found someone who could reflect the emotions. Those poses and expressions...just a touch away. Megumi could feel what Yuji did. The boy was a pure artwork in the photographer's eyes, although, he refused to say it out loud.
After their first photoshoot was published and got a lot of attention from the public, Megumi lost his interest in photography. It was confusing and weird. He couldn't create emotions through sceneries anymore; he felt useless as though everything had lost meaning. Yuji on the other hand would always contact him like a friend and blabber about random topics comfortably with him. It almost felt like one sided talk he was having with Megumi but both of them were fine with that. Unadmitted, Megumi enjoyed his company. His stories were intriguing for the latter. However, the lack of motivation in Megumi wasn't unnoticed. Yuji was so concerned about Megumi that he canceled the show he had and visited the sleep deprived Megumi, He forced the words out of Megumi's mouth, he had already created a soft spot in Megumi.
"You have to open up so we can find the cause, Fushiguro!"
"There's nothing to talk about, really." Megumi sighed, feeling guilty once he saw the concern filling Yuji's eyes.
"Are you sure? Are you being honest with me, right now?" Megumi stayed silent, not daring to stare at him. Yuji gripped his hands and pulled him closer, lifting his head by his chin with the other hand.
"Don't hide anything; your face is saying it all." The photographer felt his cheeks heating up as Yuji stared only and only at his deep ocean eyes and caressing his cheek.
"I'm sorry...I just can't find...any motivation to work. That's the problem." Megumi blurted, defeated by the puppy look Yuji f=gave him. Indeed Yuji already knew his place in Megumi's life.
"Hmm...must be hard on you...but don't you worry! I have an idea!" Yuji offered to model for him in order to find what was causing his distress.
Megumi's mood lightened up the moment they started the shooting. He was having fun taking his pictures, as Yuji radiated happiness through his angelic smile plastered on his face. Yuji was really talented with helping people; he was just like a medicine. He wasn't the smartest but his ideas always had a solution underneath them. Or maybe Megumi was exaggerating it. Either way his impact was really big on Megumi and people around him. A trait to be jealous of; not something Megumi wanted on himself but wanted Yuji to be al cheery next to him. He found it quite ridiculous but he couldn't hide the thought from his actions.
"You seem pretty happy and motivated to me!" Yuji laughed, looking through the pictures with Megumi.
"It's because you are with me, dummy." Megumi scoffed and slightly pushed Yuji.
Realizing Yuji was the only thing he wanted to capture with his precious camera, he only worked with him to a degree he released several photobooks which only included Yuji's pictures. Their bonds growing tighter and closer, Megumi felt as though he was incomplete without the model in his life.
"I think this picture looks good! What do you think?" Yuji exclaimed, pointing at a picture where his lips are curved upwards more than usual, shining like a sun.
"No." Megumi frowned, moving the picture to another folder.
"Eh?! Why?" Yuji asked, confused.
"Because I don't want to share how you shine when you smile with others. This is mine." Megumi proudly said, forgetting about who was next to him.
"Err, I mean y-you don't look...good here...haha..." Megumi raised his voice as he realized what he had said but it was too late to erase the smug smirk plastered on the model's face.
"Well, I'm all yours." Yuji open his arms, as if proving his own point before embracing Megumi, refusing to let go but the photographer didn't protest, instead, he came closer and hugged him back.
They never confessed any feelings, just to keep whatever relationship they had, scared of being rejected or maybe they were already aware of what was going on.
Megumi and Yuji would visit each other frequently, meeting in either of their houses, Megumi bringing him lunch during his breaks, partying and going on dates without admitting it was a date; otherwise why would you buy flowers for a friend?
Megumi smiled at the memories flooding at the back of his head as he sighed, checking the time; Yuji was, again, late. Megumi tilted his head once he heard the door being unlocked. He sighed and stood up, approaching the door.
"It's been an hour and a half. Any excuses?" Megumi sternly said, trying to hide his smile as he waited for another adventure that happen while Yuji was on his way. He would always find a person to help and prioritize it more than his actual job. He would totally forget about it and if his manager got mad at him he would defend himself by saying 'They needed my help.'
"Well...not really, hehe sorry." Yuji awkwardly chuckled, scratching the back of his head with his right hand and hiding the left behind his body.
"What was it this time, then?" Megumi watched the boy push him inside and kick the door shut as he moved closer to him.
"It's your birthday, Megumi." Yuji smiled at the photographer who had forgotten about it. Yuji handed Megumi the blue roses and wrapped the blue yang necklace around Megumi's neck as Yuji was already wearing the yin on his own neck. He continued:
"Aside from giving you a gift and eating a cake, how about I take you on an actual date to make us official?" Yuji pulled frozen photographer closer to himself by the waist, locking lips. He held him firmly yet so gentle as if he was scared to break the latter. Megumi wrapped his hands around Yuji's neck and kissed him back, tears of joy staining his porcelain face. Megumi opened his mouth giving enough space for the model to get in. Yuji couldn't get enough of the soft cloudy lips biting his, leaving traces of pleasure. Time lost its meaning for them, they were unable to see anything but themselves. Nothing mattered if they could be together in this world. But, they had to break their affectionate kiss once they were both out of breath.
"Sure, why not?" Megumi laughed, accepting the offer as he hugged Yuji one more time.
posted this on ao3 but also wanted to share it here! enjoy :)
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strawbabysimp · 3 years
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Adult Trio as Sugar Daddies HCs
Chrollo
There's not much time for intimate relationships when one is a Troupe member, much less a leader. It's always so unpredictable and the jobs leave everyone in danger no matter how many precautions they take. It was actually Phinks who brought the idea to his mind, making a quick joke to Feitan about how he seemed lonely(of course Feitan replied he was content with his bloodshed). Chrollo overheard and something about it seemed to intrigue him far more than he was expecting.
It's a quick process to find someone that peaks his interest, not too focused on the specifics as he'd much rather get to know them and just have some nice conversation as time goes on. The only thing the two of you agreed on was that when he was in town you cleared your schedule and did not ask him to arrive at certain times.
He definitely has multiple sugar babies simply for the convenience of it. Most of them are placed near areas he frequents with his job or simply enjoys, sometimes a city or two over just for security reasons. If any become too insistent about factoids of his life or if he'll be coming by soon he'll block them and procure a more suitable person. He's paying so he can afford to be a bit harsh.
He'll send you expensive gifts and sometimes even fly you out to meet up, always managing to somehow avoid answering your questions of why he was there or what his job was. "I'm a bit of an entrepreneur. Quite a successful one if you can tell."
He tells you stories about his travels, of course leaving out any incriminating details, proposing the idea of taking you to such places one day casually. He has money to spend and there's something about bringing a nice smile to a pretty face that lights up his day. Before he travels with you he likes to give you a little taste of what's in store. He has you try different foods from the area, shows you the culture as best he can, and maps out places the two of you would enjoy going to make sure you get the most out of the trip. His eyes light up as he goes on about the two of you's plans and even if there are others you feel special at that moment and he loves the way it shows through with your expression.
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Hisoka
This man only has you as his sugar baby because he doesn't want to deal with pesky fan behavior as he socializes. When he started his search he had made sure to mention his name to those he talked to to gauge their reaction. When you told him you knew who he was he considered blocking you but as you continued on he realized that you weren't going to be as annoying as the others and he did find you to be quite attractive.
You two are going to fuck. Not up for debate. Honestly, you're not sure if it was part of the agreement or just a spontaneous decision but either way, you were sure to enjoy it. The way he smirks down at your naked form as you take him in with a soft whine is everything, telling you what a lucky find you were as his thrusts increase in speed with his upcoming orgasm.
He's all about the cuddling aspect of it. He doesn't do it too much with regular hookups but since he's throwing a bit of cash in he might as well. He loves to cradle you to his chest, breathing out into the top of your head while you succumb to your own tiredness. Despite the tenderness of the gesture, it isn't anything that inspires true feelings to arise. He simply enjoys physical contact in all its regards.
The magician always finds it funny to give you small tips whenever you spend time together, thanking you formally as if you were a waiter of some sort. The soft chuckle he gives as he brings the cash out of seemingly nowhere to rest in between his fingers is always an unusually attractive yet humorous sight. He's playful, fun, and handsome, and that's something that's not too easy to find.
Taking you to see his fights is one of his favorite things, dressing you up however he pleases so that you match whatever he chooses to wear perfectly. Heels are a must, of course. You two quickly become friends and he laughs along to your jokes as he tries to get you to stay still so he can do his signature makeup on you just right. People assume the two of you are together and instead of denying their claims or clarifying the situation he just smirks along to their words, showing you off in a way that has his fans envious yet curious about this mysterious person. Only you two know the true circumstances of the arrangement but that works out just fine.
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Illumi
It most likely has something to do with a job he has to get done, getting into a closed area where he needs a date or perhaps posing as a couple in order to gain some information. Either way, you came in useful. You didn't need to know the true motives of his actions, he knew it was likely you would refuse upon finding out what his plans were or that you would get in the way somehow. The search was quick, deciding anyone would do as long as they were okay with a bit of travelling paired with public outings. He had to spend a bit of time with you in case anyone did a check on the authenticity of the two of you's relationship so that's what he did.
Taking you out to dinner, bringing you new jewelry, even getting your hair and nails done if you asked were all simple enough things for him. He did struggle a bit with keeping up conversations but you were quick to carry on with the topic or move on to another one and for that he was silently grateful. He does end up asking you questions about yourself eventually, just trivial things to become a bit more adjusted to your antics, and was surprised to find he didn't dislike hearing about you.
Once the job was done and over with he found no reason to stop your arrangement, deciding it didn't get in the way and could perhaps prove useful again. Your pay goes up as time continues, never having to ask, and he still takes you out to spoil you. It's not the smile on your face when he does these things that he enjoys but rather the casual interaction and knowing what to expect from you.
He keeps things rather formal, never one to touch you tenderly unless it's for show or to guide you along somewhere. He doesn't feel much for you but he does find this fun, even if he won't admit it to himself. The idea of enjoying such a thing, especially being willing to pay for it, would surely be seen as shameful to his parents so his mind doesn't allow the admittance.
Eventually it all ends. The time you spent together always meant to be temporary, his life and yours a mere coincidence that he had drawn out for what he had come to realize were selfish reasons. He had to focus on his family and you were a distraction. An enjoyable one at that, which made the entire situation even more shameful. He had allowed himself to indulge in fruitless pleasures and the guilt in him outweighs the past pleasure. It was a mistake to try to have fun when your existence was meant to please.
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atomicblasphemy · 3 years
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I was bored and decided to speculate on the upcoming Owl House episodes
Buckle up, this got way longer than anticipated.
Often I tend to have as much or even more fun with TOH’s b plots as with the main ones, and seeing the memes the fandom I guess that’s kind of a normal feeling. But this last episode didn’t really have one and I’m pretty glad it didn’t.
Here’s how I’ve been thinking of the show, specially when it comes to episode structure. Pretty much in the first few scenes they will go like “hey, here’s an idea.” Then they go on the rest of the episode showing why that is not such a good idea. Case in point, Understanding Willow’s “out of sight, out of mind” only for the episode turn out as an argument for therapy, or that grom episode with Luz unable to answer her mom’s messages only to do so by the end of the episode (even though that is not a full solution, but still, she’s the main character and that looks like it will a main source of conflict until the show’s end... probably). On today’s episode I feel like it came out in two ways: from Luz perspective it came in the form of her indulging King’s narrative and self-image; on his case, well, it pretty much boils down to that whole identity crisis thing.
In other words, although in a certain way there are two big stories being told they both are a part of the same plot line. Moreover, King is a part of the show’s main trio.
Now, this may just be my own perception, but I feel like the last five or so episodes were kind of meant to be some turning point for specific characters, in this sequence: King, Willow, Luz, Amity, Eda, Lilith. Those episodes seem, again, at least to me, to mark some form of shift in the characters story. For Lilith it was her betraying the Emperor, for Eda it was learning who cursed her and her imprisonment for Luz’s sake in a way (learning she grew to care for Luz over her own well-being), for Amity it was her taking a first tangible step towards getting out from her parent’s dominion (which culminates in the events of EE) and becoming her own person, for Luz it was confronting the fact her biggest fear is somewhat related to guilty about how she left her world and her mom and finding in herself (and the friends she made in the Isles) the fortitude to actually confront all that, for Willow it was what I said before (which, btw, ends her whole arc that started on the conjuring episode, the whole thing about her and Amity’s friendship). The only one of those I can’t really see clearly what the episode’s point really was is King’s Really Small Problems.
Again, going on a bit of subjectivity here but I feel like that episode was kind of the show’s lowest point so far. First of, there’s the fact that Willow, Gus, and especially Luz don’t apologize to King because, I mean, they were pretty much about as guilty for everything that happened as him. They did either hijack or forget his day with Luz, so you know... Buuut, still, if I were to hazard a guess as to what the point on that episode I’d say it circles around the line “The King of Demons misses nobody.” early in the episode being contrasted by “Demons do crazy things when they’ve been missing someone.” In other words, the point of the episode, to my best guess would be him starting to deal with a shifting sense of identity.
So, this brings us to the current season. If I’m right in my understanding of Really Small Problems, then that’d mean that Echoes of the Past is picking up on that episode’s thread. Likewise, the same can be said about Escaping Expulsion. And in a sense, both King and Amity’s (moreso in Amity’s case, admittedly) arc seem to have in a way concluded with those two episodes. Moreover, going by the episode’s synopsis the next upcoming episodes seem to also doing something similar: either picking up a previous storyline and finishing it, or starting new ones. Separate Tides would be a bit of an exception, since it was the premiere and had to reacquaint the audience with the world and characters, but even then I feel it sets up a potential point of conflict for Luz in the form of her guilt over Eda’s loss of magic.
Then, again, going off a limb here, but I’d guess that, from episodes 2 to 8 the main objects will be, in this order, Amity, King, Lilith (going by the trailer implying we’ll see her beast form), Gus (who thus far didn’t really have a longer story arc beyond The First Day), Luz, Eda (which, given how it introduces a new character from her past I’d imagine it would mark the beginning of a new arc for her). But I feel bored so I want to elaborate a bit further.
Episode 4: Lilith, maybe (this part is pretty esoteric, to be honest), possibly, starts to come to grips with the consequences of sharing the curse while, due to mamma Clawthorne’s visit, seeing their past in a more nuanced fashion. I mean, Mamma Clawthorne is in the beast keeping coven, her presence while her first born daughter literally turns into a best could make for some interesting potential stories. Anyhow, I think some other interesting thing will have to do with Eda. As I said I can’t really see an arc or something along those lines happening with her as of right now. Now, bare with me while I go on a bit of a tangent. So, in Understanding Willow Willow herself is the object of the story, however in that episode we also get to see the cause of them falling apart was Odalia and Alador threatening Amity indirectly. By doing that the upcoming conflict regarding her gets established. Then next, at the Grom episode, we as the audience learn that Amity is at least attracted to Luz. There’s no point on getting too deep into this beyond this: her crush on Luz works as a strong reason, from her perspective, to stand up to her parents. Then at the Grudgby episode we see her taking active steps towards getting more agency in her life from them when she chooses to play against two people her parents sanctioned as suitable companions. Eventually this would culminate in the EE episode as I already talked at length about. The reason I’m bringing all of this up is because I get the feeling Eda’s upcoming story will follow some similar lines, whatever happens here (and will either be developed or solved on episode 7) will be set up at this episode.
Episode 5: As I said, I don’t really see clearly what Gus’ main conflict is, and I would imagine that this episode will either make that more evident or outright introduce it, so I don’t feel I’m in the position to speculate the specifics. However, we do know that the B plot is Lumity and I’ll need to dwell on this one a bit longer. After season one, I had this guess that this ship would become cannon somewhere between episode 3 at the earliest and 7 at the lastest. The reason I thought so, and I still think there’s no solid reason to reject this hypothesis, was that after WiLW the only thing standing in the way from Amity coming clean about her feelings was probably her relationship with her parents. UW set that up, WiLW took a first step in that direction, EE went through with it. Moreover, I thought that’d be in line with what we had shown of the show’s pacing up until that point. So, basically the situation I see here goes along the lines of setting up a new source of conflict for Amity (in the form of Luz eventually leaving the Isles), and for Luz in the form of (if my guess of Lumity becoming cannon in this specific episode is correct) the start of a new relationship, something she never experienced before, which would make her question whether or not she actually wants to go back to the human realm, or at the very least muddy the water a tad. However, I am not so dead certain they’ll become cannon (and, btw, by cannon I mean simply an unequivocal sign that their relationship changed, however the showrunners decide that should look like.) Moreover, that only gets accentuated if the thing she’s helping Luz with is a portal. In other words, my “prediction” that it’d become cannon around this time was mostly due to me feeling that turning them into a will they won’t they at this point would be tantamount to the show chasing its own tail, but that’d feel uncharacteristic of the show, in light of the first season. That being said, if I’m right about there being this upcoming conflict about Luz having to decide between the Isles and the human realm (which may or may not keep on developing until the shows finale, but I digress), then it wouldn’t necessarily be a problem. If handled well her being uncertain as to whether or not to take the leap with Amity could potentially be an interesting way convey her internal conflict. Still, I think that having those two be together would be more effective in give her one more strong argument in favor of staying in the Isles. Besides, there’s my thoughts about the following episode which would make the will they won’t they approach redundant. Also, the fact Amity is the one
Episode 6: Pretty much would pick up on the place it left Luz in the previous episode, again, if and only if my speculations so far are right. Two things the synopsis doesn’t really make clear: why Luz is having problem hunting a palisman; and who the foe in question is. Now, I know we see her carrying Golden Boi’s staff. I’m choosing to ignore this for now because I would actually have Boscha (who we see in one of the teasers), and who would kind of go along with some hints at her redemption like that “you’re a really good friend...” line. Besides, if this palisman thing is a part of Hexside’s curriculum it would make sense that she’d be in the same situation as Luz. Not to mention that Golden Boi helping her gain access to a weapon she can and most likely will turn against him and his boss seems pretty odd. Ultimately, however, the identity of this foe is inconsequential. The main point of interest for me is the reason why she is having trouble finding herself a palisman. We don’t know the specifics of palisman adoption or creation, so I will try not to depend to much on it. But here’s the gist: getting a palisman as a commitment not only to the palisman itself but to the world. Whatever happens between her and Amity and going by the mad logic I’m using, her sense of belonging would probably be completely scrambled even before the episode starts. Being made to make a commitment like that in midst of an existential crisis of sorts as a means to create internal conflict in Luz, that’s what I’m trying to argue is the point of this episode. Also, before I move on to another thing I think is pretty important and I’ve decided to say it now because I don’t want to rework the structure of a rambling session that’s already way longer than I expected: we see Camilla in the trailer, I think this would be the best moment to put her. The reason for that is simple enough. In the A plot we see Luz trying to decide where she belongs to, and working towards becoming more and more part of the Isles figurative landscape; on the b plot however we would get to see in the form of Camilla that she still has a home in the human realm, that there’s still someone who loves her a lot and is doing everything within her power to get her back or at least to ensure she is safe and sound. Not to mention, it would be a great moment to bring up those letters we see at the end of the Grom episode, but I’ll get to that when I get to that.
Now, that important thing I wanted to talk about: the overall message of the show. I think I said this before but my favorite thing about Luz is the effect she has on the other character, essentially she is the catalyst to their growth. She is the one that ensured Willow would confront her past with Amity resulting in her getting rid of the hang ups that were holding her back allowing her to forge her own path. She is the reason why Amity chooses to stand up for herself. She is the reason why Lilith is capable of hope to rekindle her relationship with her sister thus empowering her to break away from the Emperor. She is the reason why Eda now has some reason to, as she put it herself, “stop wasting away her magic”, she gives her something to look forward to. Hell, even if we are just starting to see it, I’m positive we can make an argument that she’s why King became more open to the possibility he is not who he thought he was, making him see himself more as who he is to the people he cares about than a dethroned king of demons.
In a sense Luz seems to find all other characters in something of a stagnation point of their. A sort of fatalistic view of their own identities, be it in a more “ontological” sense, according to my interpretation, as in Lilith and Amity’s case, or as products of Lady Luck’s whims as for Willow and Eda. {Sidenote: For me at least Lumity’s mutual crush always made more sense on Amity’s end than on Luz’s and in a certain way it still does despite EE. Case in point, if I were to pin point the precise moment her feelings towards started shaping up in a way that makes infatuation possible it would that “I’m not a witch, but I’m working hard to become”. If what I’m saying is not absolute non-sense, then this would have been a “Holy shit. You can actually do that? You can actually have enough agency over your own life to that extent do something like that?”. I mean, their following interaction, at the library has her looking like “Ok, maybe I was just a wee bit of a needlessly belligerent dick just now” after she pushes Luz away from her offering to help when reading to kids.}
To put it succinctly: the message of the show is that your identity, who you are as a person, is not the product  of a pre-existent essence but of who you actively choose to be. That even if one is not capable of deciding their circumstances (like Willow, Eda, or Amity), that are the choices one makes as they go about living their lives that determine their identity. And by centering Luz’s core conflict now as where her belonging lies only for it to be solved at the show’s finale by having her, the main character, effectively having to make this choice, to realize she belongs to wherever she decides she belongs to would be a pretty poignant way to get this point across.
So yeah, if my guesses so far are right this may as well be one of the show’s most important episodes.
Anyway, back to my esoteric predictions about the upcoming episodes...
Episode 7: Eda and Rayne. Now, I don’t to sound like a party pooper or something, but we don’t really have a reason to predict those two having a romantic connection. There’s no reason to necessarily refuse this possibility a priori either though. I mean, the further I get into the future episode the less I have to work with in terms of speculation. We don’t really know where her story is heading, and I feel like I already covered it enough when I was talking about ep 4. But there are two things I want to point out. First, like Mama Clawthorne, Rayne is a figure from Eda’s past, so whatever conflict she may have to sort through from now on stems from her past. The specifics are up to anyone’s guess, so yeah, it is perfectly possible that those two were a couple or something along those lines at some point in the past. But other than that picture that shows that they were somewhat close, we really don’t have much to go by. Second thing, and this is not really all that important. If the foe from episode 6 is not Golden Boi, I think this will be the episode on which the two interact (again, that picture of Luz with his staff, we know they will get to interact at some point, and this seems to be the one episode out of all we have a synopsis for that depends the least on Luz for the main story).
Episode 8: Just imagine me blowing raspberries. I got nothing for this one, except that: a - I really hope Axel Rose does not get to be a guest voice acting role, same goes for Slash and that bassist I keep forgetting the name of; b - I hate this expression, but this really strike me as a “filler episode”, or a breather as I’ve seem someone put it. Still, as much as with anything else I could be wrong here.
But before I move on, there are three very important characters I haven’t talked about enough thus far at least in terms of speculation. Gus, Willow, and Bellos. So I’ll address the three of them just now. Bellos: he is the force that will ultimately make Luz confronting the question about where her belonging lies all but unavoidable; essentially - and I know I must sound like a broken record, but if and only if my take is right - his actions are not all that important to the story and its message because he is less of a character and more something akin to a force of nature. Gus: again, not so sure where his story will go or if he even has one in a more strict sense as the other characters. Frankly that’s one of the  aspects of the show I find the hardest to form an opinion on, unlike the others he sort of feels complete, that makes him pretty neat but also means that there’s less stuff you can do to him, less places you can take his character and develop it. That being said, I think he has a function in the show and he fulfills it pretty nicely. Besides, they can always just go and introduce new aspects to him we just can’t foresee as of now (which might as well happen in episode 5 for all we know). Either way, I have nothing but adoration for this precious boy. Now, Willow. As I mentioned, as far as I can tell her character got pretty much done with at Understand Willow. It was really weird for me when I watched that episode because it is until now my absolute favorite of the series (although Echoes fro the Past is putting up a pretty solid fight), the first thing I thought afterwards was “Idk how many seasons the show has left, but it feels a bit too soon for a defining moment like this and I don’t know what else they can do with her.” I mean, you could argue that the Grudgby episode seems to kinda sorta set up a conflict between her and Boscha, but that story seems to concern more Luz and Amity’s characters, especially the ladder. Willow and Boscha act more as a means to make Amity take that first step and for Luz to learn not to start a mosh pit in a Radiohead concert. That being said, I feel like she is now in a similar position to Gus’: either a new unforeseen source of conflict for her or they simply leave her to occupy a fixed role in the story. Personally, I’d much rather they introduce new stories and conflicts for them, not only that would help push for that overall message I was raving on about, but I also just wanna see more of them. I adore all characters in this show, I have fun with them and want to keep doing so until the show ultimately ends.
Almost done, I promise. Just a tad more of your patience, that’s all I’m asking. I will not revise or edit this so hopefully I’m still making a semblance of sense. I mean, if you’re reading this sentence then it probably means I am. Otherwise I can only ask you one thing: why?
Now, Eclipse Lake, or episode 9. As I said when talking about episode 7, we are now in too distant a territory for me to feel any confident as to my basis. Take all of this as more wishful thinking than anything else. So, you know, if you have a tin foil hat at hand now would be a good time to put it on.
Going by this episode’s synopsis as well as episode 5′s it makes it sound that Amity will become steadily a more central point to the whole portal conundrum. She is the one going on about it more than anyone else. There’s a first a fairly obvious reason why she put herself in that position: she has a gargantuan  crush on the girl and wants to spend as much time as physically possible with her. There’s also a secondary reason why she would want to do that, and for that I’d need to bring up those letters Camilla has or had been receiving.
Now, I’m aware I can’t really make an ironclad argument for her being the one writing them. However, it is more than a bit suspicious that those letters would be brought to attention immediately after we see a piece of writing that we know for a fact was written by her and seeing how closely those two handwrittings match. Not every piece of scenary put by an author necessarily be a Tchekov’s gun, but this one reaaally looks to be the case, still circumstantial evidence so tin foil hats or whatever. Moreover, as I on at length before, Amity’s story up to this point was that of someone learning to be her own person and aim for her own goals, in this sense I can see her decision for writing those letters as an early and not stellarly thought out way to do that even if well meaning. Like a poorly articulated if good intentioned act made by someone who doesn’t really understands why she’s doing what she’s doing, what it entails, or what the full length of the consequences could be. I mean, she is a kid after all, and she is bound to have a few hiccups along her way to self-discovery. Again, I’ll get to it when I get to it. Lastly, however, the second reason why she would have a reason to volunteer to help Luz with her portal situation: if she is the one sending those letters then she has access to some form of a portal herself, be it fully functioning like Eda’s or just capable to dispatch smaller objects that’s not really the point. The point is that, if all I’m saying is right she will be put in a very strange situation. If she is possession of a portal and is “helping” Luz find one, then she’d essentially be lying to her much like Luz herself is in a sense lying to Camilla. Moreover, she’d be at this point one of the characters with the largest amount of reasons to delay Luz’s return to the human realm as much as possible, meaning that the question she’ll have to answer would probably go along these lines: do I act in self-interest, lie or maybe even do some sabotage, and make sure I keep the person I’m growing to love next to me, ooooor do I act accordingly to this love and help her achieve her goal which could potentially mean I’ll never see her again?
Also, season one’s finale had an ambiguous title. Young Blood, Old Souls can just as easily be taken as referring to Eda as well as to Lilith, the two focal points of that episode’s conflict. Likewise here, “Yesterday’s Lies” could be taken as either a reference to Luz’s lies to Camilla, or these hypothetical lies Amity may be telling Luz. That means, in this hypothetical mid-season finale I’m conceiving here these two would be the focal points of conflict (maybe alongside Camilla).
In any case, a possible counter to everything I’m saying here is Dana stating that romance was not the show’s endgame, and that is not what I’m suggesting. I have more to speculate on Amity’s role, so going from that I can say that this would in a way be a continuation of what we saw in EE. Something like: Okay, so you want to become your own person, in order to do that I’ll have to make some tough decisions, here’s your first one. It’s like confronting this infant who just took its first steps with the knowledge she’s actually running a marathon.
Anyhow, I don’t really feel well equipped to speculate on how things would play out on Luz’s end so let’s shake things up a bit and try to see things from Camilla’s perspective before getting to the long awaited conclusion. And by long awaited I mean me, this was more tiring than I expected but what the hell, I’m almost done. I can see the finish line already, so yeah. 
So, Camilla. What we know given the trailer and the Grom episode is essentially this: she is most likely aware Luz never made to the Reality Check Camp in the first place, and that regardless of where she is there’s someone who (up until the Grom episode) was sending her these comforting messages. If and only if, all I’ve said is right then well have a line of communication between one of Luz’s big arguments for staying in the Isles and her biggest argument for coming back.
Hold on to your tin foil hats, y’all need it. Because my next point is: once Camilla finds out that the letters she’d been receiving up to that are more than a bit sketchy (her ooooohhhh face at the trailer could be that) and if she has some means of responding to them, which I mean... That’s the closest thing to a lead as to Luz’s whereabouts she has, she most likely would confront this hypothetical Amity if that’s the case. If the stars align just right there’s a pretty good chance Amity would give the broad strokes of Luz‘s situation in as much a cryptic fashion as she can, as well as start creating some form rappor with Camilla. Meaning that that choice she’d have to make as I mentioned before would get this extra layer of nuance, because now she knows beyond any doubt that if Luz does cross the portal she’d be with someone who deeply cares about her. Moreover, if I’m right about Amity’s upcoming conflict centering around her apprehension with Luz crossing the portal, her correspondence with Camilla could be a way for her to overcome this fear, for better or for worse. In other words, Camilla possibly unknowing giving her potential daughter-in-law the necessary tools for her to grow as a person. And honestly, I think that would be a pretty cool story.
And that could cause a pretty interesting dynamic between the three of them: Luz not sure as to who she wants to chose to become and most likely getting very upset once she learns of Amity’s lie, whilst still wanting (I don’t really have a defense for this I just think it’d be interesting) to keep her first romantic or potentially romantic relationship, while also being worried as to how things would be with her mother considering her own lie; Amity lying to Luz, while trying to balance out her on desires versus her loved one well-being; and Camilla having mixed feeling about Amity or whoever wrote those letters (they did lie to her after all), worrying like crazy about Luz and also feeling a tad upset at Luz’s lie. 
And holy shit I think that does it. I’m done.
Anyone, next finale is “Luz x Camilla x Amity”, that out of the way like Lilith x Eda and Lilith x Luz, my guess is that season 2.5 finale would be “Gus and Willow x Luz” or “Luz x Eda and King”, the finale finale therefore would most like be Luz x Luz.
Ci vediamo.
{Couple of edits I just thought would be important:
1 - I know that considering what I’ve said regarding the mid-season final may seem like a bit too much for a 20 something minutes episode. But I mean, this fandom and Amphibia’s seem to overlap quite a bit, and we all saw the metric ton of information they threw at us during True Colors. All that I’ve said seem to me well withing the realm of possibility.
2 - In the EXTREMELY unlikely chance I’m absolutely on point on everything I’ve just spouted (Despite being purposefully vague. But oh well. We can argue the semantics of vagueness some other time) I’ll consider this fandom as owing me a rendition of The Number of the Beast’s cover art (the album, not the single... not even I am morbid enough for that) featuring the Owl Beast, Belos and Kikimora or the Golden Boi. I call it the Owl Maiden. Will I go aggro if no one does that? No. Do I have means to demand it in any forceful way that would grant that I’d get to see said rendition? hahahaha I obviously don’t. Will I be poutty? Yes, that will 100% happen. But really, that would be for the benefit of us as a community. I mean, that look pretty awesome and you can’t argue otherwise.}
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hystericalfeminist · 3 years
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BUILD ME A CANON
Earlier this week, Delhi University's Oversight Committee removed works by writers Bama, Mahasweta Devi and Sukirtharani from the university's syllabus for undergraduate students of English. Bama and Sukirtharani are Tamil Dalit writers whose work looks at the experiences of the marginalised. Mahasweta Devi, a Bengali writer, was well-known for her Left-leaning politics and for being an advocate for tribal communities and their rights. She passed away in 2016.
I'd suggest one moment's silence for the Oversight Committee committing an oversight, except this is not an oversight. An oversight is an unintentional mistake, but this seems very intentional. As the DU clarified in a statement later, "the syllabus of the course has been passed through a democratic process with the involvement of all the relevant stakeholders and necessary deliberations at appropriate forums” (emphases mine). The university claims the English syllabus is suitably diverse and inclusive (suitably being the key word here) and it's interesting that as part of its defence of the Oversight Committee's decision, DU has pointed out the process of coming to that decision was "democratic". What it doesn't acknowledge is that if the committee is full of people who belong to dominant groups and doesn't have members who represent the minorities and the marginalised, then the committee's "democratic process" is critically flawed.
The DU statement came after the Academic Council submitted a dissent note, protesting the Oversight Committee's decision. The Academic Council described the Oversight Committee's functioning as vandalism and alleged it has been harassing liberal arts departments. "It is important to note that the Oversight Committee does not have any member from the Dalit or the Tribal community who can possibly bring in some sensitivity to the issue," said the Academic Council in its note.
There was some noise on social media about the decision to drop works by these three writers. Most of the discussion that I saw was about Mahasweta Devi's dropped short story, Draupadi. (Apparently the Oversight Committee chair complained the short story doesn't show the military in a good light. From what I remember, it's the police. They carry out wrongful arrests and brutally gangrape a tribal woman.) There's been far less discussion of Bama and Sukirtharani's works on English Twitter, who have mostly been referred to as the "two Dalit writers", like an addendum to Mahasweta, which is infuriating in itself. I know that this is probably because not enough people read translations. Particularly translations of literature from Indian languages.
There is also little talk about what has replaced the dropped works. One of the authors who has been included is apparently Pandita Ramabai, identified as an upper caste writer (Brahmin, if I'm not mistaken). I've no idea if her writing continues to feel relevant and/ or engaging, but it is all sorts of bizarre to "replace" a 20th century author with someone who died in 1922. Also, if she was included because she was Brahmin, I hope they have fun reading her book The High Caste Hindu Woman which is, I'm told, deeply critical of how sexist Hinduism. Whether or not Pandita Ramabai voiced any opinions of casteism in Hinduism, I don't know.
Even though translations don't get read as much, the fact is, the writings of Bama, Mahasweta Devi and Sukirtharani have been translated to English and other languages. They're part of different university's syllabi and for better or for worse, DU is not such an influential player in academia. If DU's decision to drop these writers convinces some Indian universities to do the same, we can only hope that other universities (in India and abroad) will start thinking about including them in their syllabi (if the writers aren't in them already). In a not-so-distant future, it's very likely that there will be universities abroad that will have a more diverse, inclusive and representative portrait of Indian culture in their syllabi while institutions like DU remain mired in a casteist, Hindutva bog. At that point, who should decide what will make the canon for Indian literature? The Indians or the foreigners?
It's the second time this week that we've heard conversations about erasure in the Indian cultural scene. Earlier this week, social media was on fire after the Indian edition of the Rolling Stone carried a cover story about the record label and music platform Majja, featuring two artists best known for their collaborations with Dalit rapper and lyricist Arivu. Rumour has it that the Rolling Stone cover was bought by Majja, presumably to promote upcoming albums by those two artists. However, since Dhee and Shan Vincent de Paul are currently riding a popularity wave because of their work with Arivu, many readers — beginning with director Pa Ranjith — expected the cover story would be as much about Arivu as Dhee and Shan Vincent de Paul. People also pointed out that Arivu had effectively been removed from a (disastrous) remix of "Enjoy Enjaami" (the original song is amazing).
Shan Vincent de Paul, one of the artists featured on the Rolling Stone cover, issued a statement on social media saying he had the utmost respect for Arivu and had no intention of erasing him. He clarified that the story was part of his efforts to promote his new album Made in Jaffna, which he's releasing with Majja. "I have no control over how the Press chooses their messaging or what narratives they push," de Paul wrote, which would be an excellent point if the cover wasn't bought. He may not have control over the narrative, but he's hardly an irrelevant cog in the wheel. Instead of attempting to exonerate himself, de Paul could have acknowledged that the story doesn't give as much space to Arivu as it should. I am, of course, presuming he's read the story.
If the rumour about the cover being bought is true then Rolling Stone and Majja are complicit in deciding a narrative that sidelines Arivu, either intentionally or carelessly. More than half of Rolling Stone's cover story is about "Enjoy Enjaami" and there is just one quote from Arivu. This sidelining may not be deliberate — the way DU's Oversight Committee's decision was — and it could be an example of the kind of unthinking oversight that the privileged commit all the time when it comes to acknowledging the contribution of the marginalised. Either way, the impression conveyed by the two organisations is that Arivu is not the person they want to promote. Countering the decision of the establishment — it doesn't get more establishment than Rolling Stone and Majja. One of Majja's founders is legendary music director AR Rahman — is the reaction on social media. The songs being freely available on multiple platforms and the (relatively) free access to the artwork and arguments by Dalit creators and critics on social media makes it difficult to invisibilise Arivu.
A translation of Mahasweta Devi's Draupadi is available online as are some of Sukirtharani's poems. DU has dropped Bama's novel Sangati. I'm not sure if there's an extract that's available online. It is not lost on me that it's easier to listen to a song than it is to read a novel, or a short story, or a poem. It is also not lost on me that the fact you can bob to an infectious beat makes it easier to not register the deep-rooted casteism referenced in the lyric, "Enna kora, enna kora, yein chella peraandikku enna kora? (In what way is my darling grandson any less?)" There are no such distractions when you read, for example, Sukirtharani's My Room Needs No Calendar: "As they write on me/ with their penises,/ I will my body to stop/ slithering away."
Sukirtharani and Bama minced no words when they were asked to respond to their works being dropped from the DU syllabus. "I was not surprised at all. Dalit voices such as myself and Bama’s are speaking for all oppressed women, not just Dalit women," said Sukirtharani. "I don’t see this necessary as an exclusion of just Dalit writers as we have seen how progressive writers whose works speak against caste, Hindutva, fundamentalism have also been removed in the recent past. These things will happen in our society, but we cannot be ignored." She said she wasn't going to ask for an explanation, but believed DU owed her an explanation. At the very least, they should have intimated her about the works being dropped. "When they want to project an image of India wherein there are no caste and religious inequalities, our works point out that caste and religious inequalities exist in our society. So, it is obvious that they want such works removed from the syllabus," she said.
Bama said, "For more than 2,000 years, we have been segregated, our histories have not been written. This government is trying to strangulate our voices, but we will shout. The youth of this nation have understood [what is happening]. Rather than being upset, we are angry. The anger will reflect in our works in future.”
I find myself wondering if the business of building a canon was always so complicated and rife with uncertainties. Will the books, music and art propped up by commerce and politics be the ones that make up our mainstream cultural identity? Could we build a better literary canon for Indian literature if more excerpts and poems were available online for free, if more works were translated? Would we care more if the literature was easier to access or would we still dismiss it because they're translations, because the works are by Dalit women? Can the conversations that we hold in the informal spaces of the internet be loud enough to make the canon more inclusive, to make the mainstream expand its narrow definitions? What is more likely to make it into an archive and survive into posterity — the Rolling Stone Cover image or the many "fixed it" versions that people created online? Is it possible that both can and will be preserved? Does dropping the works of writers like Bama and Sukirtharani and Mahasweta Devi make them invisible? Will the dissent make a few more people buy Bama's novel? Will it make some curious enough to look up Sukirtharani's poems?
The words, the tech, the platforms, the imagery — are all these still the master's tools? How long must one wield them before they can claim the tools to be theirs? Will they always be the master's tools and not "our" tools? Is the master the one who cares for the tools and uses them better? Is the master the one with the loudest voice and the deepest pockets, the one who can bribe the boys and hire the deadliest mercenaries? Who decides when the tools have been reclaimed?
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twistedtranslations · 4 years
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Cater Diamond - H-Huh?
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You can unlock this story by getting Cater’s SR Lab coat
Translation under the cut
General TN
Cater refers to himself a lot as Cay(-kun), aka in third person, which is pretty important to know. I’ve only translated the line when he uses “Cay” to refer to himself once in the last paragraph for emphasis.
Laboratory
Cater: Damn, our break's already over. Hm, gotta find an empty seat… Ah, if it isn’t Vil and Lilia! I’m butting in and taking this seat~
Lilia: Oh, Cater. For you to be in the same elective as us.
Vil: It’s quite surprising that you chose poison refinement as your elective.
Cater: You think so? The other class sounded really boring.
Vil: Are you talking about "The transition and comparison of abbreviating incantations in ancient and modern times?"
Cater: That one! I've heard that it's the kind of class where you only make chronological tables and write reports. I'll definitely get fed up with something as boring as that. It's not like poison refinement is flashy either, but it has a dangerous vibe~…
Lilia: So when you weighed them against each other, you find this more preferable? I too chose this class for the same reason.
Cater: Really~? You and I, as fellow members of the light music club, really get along~
Crewel: Stop your yapping mongrels. Class is starting.
Everyone: Yes!
Crewel: Our first topic is cultivating mandrakes. If you bestow magic upon the seedling, it will grow faster. Be careful when you concentrate your magic, because how you raise it will affect the effectiveness of the poison. Then, godspeed, cultivate the seedlings you have at hand until they're a suitable size. Start the experiment!
Cater: Okay, let's put in some magic… Wow, the leaves and roots are steadily growing, nice~ If this keeps on, I'll have some healthy crops!
Lilia: … Oho? Cater, your mandrake has bigger leaves than mine.
Cater: You're right. Vil's mandrake… its leaves and roots look really glossy~
Lilia: Now that you say so… When I traveled in the past, I happened upon a soil of mandrakes and their shape and nature all differed.
Vil: The color of a crop can depend on the farmer, especially when it comes to vegetables.
Cater: So you mean to say that mandrakes raised by humans will reflect the character of the person whose magic it absorbed? Isn't that interesting! If we pour our magic in with all our power, we can make some distinctive mandrakes! Don't you think we'll trend on MagiCam if we manage to make some with funny poses and vegetable shapes?
Vil: That doesn't sound bad. I don't really care about the mandrakes trending though.
Cater: Really?! I mean, I proposed the idea, but I thought you, of all people, would find it stupid.
Vil: Now that I think about it, it's about imbuing your own hues in the mandrakes. Isn't that the perfect job for the elegant me? I am interested.
Lilia: I too will take part. I am most looking forward to the result.
Cater: Yay! Then, when we're done cultivating our mandrakes, we should come together and show 'em to each other! I look forward to seeing what mandrakes you'd make!
-
Vil: Here it is. What do you think about my mandrake?
Cater: Wow! This mandrake has an outstanding spine and build. And its roots are so crisp, it looks like a supermodel! Even more, it's moving rhythmically in cool poses. Glorious!
Vil: He's performing as if he's working. It must have been the influence of yesterday's magazine photoshoot.
Cater: As expected of you, Vil. Your amazing self awareness reflects in the individuality of your mandrake!
Lilia: Fufufu, mine is complete as well.
Cater: Huh, your mandrake is energetically dancing?!
Vil: The way it's moving its arms,is this a pop dance? What an awfully cheerful mandrake.
Cater: When you pull out a mandrake, it desperately cries with, resolved to its grim fate, but… Lilia’s mandrake looks completely different from what I expected. It's nice that it's having fun.
Lilia: Kufufu, I am glad I satisfied you. Raising a mandrake like this is very pleasant.
Cater: I won't lose to you two either. I'll make some real interesting guys! Okay, concentrate. While you're pouring your magic in, you should form an image of the mandrake you want to cultivate… There!
Chapter 2
Cater: Okay, concentrate. While you're pouring your magic in, you should form an image of the mandrake you want to cultivate… There!
Lilia: Oho, this is… a mandrake with cute, round, pink eyes.
Vil: Cater, you are unexpectedly girlish.
Cater: No, no, that's not it at all! I have two sisters after all… The Diamond family rates everything on its cuteness~ From drawing, to doing crafts and even when it came to the sweets I bought, I'd get criticized daily if it "weren't cute"…! That's why I got something cute on my first try. Well, I'll show you. The next one will be way cooler!… There!
Vil: Huh, the deep crimson body has a trump card pattern over it… What a bold design.
Lilia: Hoho, it lookes as if it is holding a guitar. It is very handsome indeed. This is the workmanship fitting of one who belongs to the light music club.
Cater: Thanks, you two! Now that I've got the hang of it, I can make other glamorous guys like this in a flash! If I concentrate once more… let's go!
Vil: This mandrake… this one is sitting on his knees as if he's prepared for gym class.
Lilia: Quite pessimistic, this one.
Cater: H-Huh?
Vil: ... Hey, Lilia. You said that the appearance of a cultivated mandrake depends on the personality of the human whose magic it was imbued with, right?
Lilia: Yes. It might be that the usual cheerful Cater hides a very downer side of himself.
Cater: Huuh?! No way, you guys are just overthinking! I sucked at imbuing this one with my magic!
Lilia: Cater, why are you so flustered? So your real essence might be~
Cater: There's no such thing as that~! Lilia, you're just playing with me, right? Come on… From now on, I'll show what I can really do!
-
Vil: Heh… I managed to cultivate three mandrakes.
Lilia: Me too. This amount of ingredients should suffice for refining the poison. How is Cater doing…?
Cater: Tada! These are my mandrakes!
Lilia: Oho, you also have three! A skipping one, a rainbow colored flashy one… and one who is holding his belly while laughing. They all seem fun from their appearance!
Cater: Right!
Vil: Hm, only three? I thought I saw you make more.
Cater: Hah! Don't joke around like that, Vil. These three are all of them.
Vil: Hmpf, if you say so, I won't pry any further.
Cater: A-Anyways, since I went through the trouble of making them, I should take some pics for MagiCam!
*shutter sounds*
Cater: Phew~ Be good, little mandrakes~ I'll keep on shooting 'til I get the perfect shot!
Lilia/Vil: …Ah.
Cater: Hey, which picture do you guys think is the best?
Crewel: Cater Diamond.
Cater: !
Crewel: What do you think that happens to fussing mongrels that do not stop barking.
Cater: A, Ahaha~ my apologies. But it's not like I was the only one…
Vil: It's like Mr. Crewel said. You should take this seriously, Cater.
Lilia: Neglecting the basic principles of being a student, namely the pursuit of knowledge, is deplorable.
Cater: Hey, don’t play dumb, that’s so unfair! Now I'm the only one getting in trouble! You're mistaken, Mr. I just got really excited about the study of this experiment… Here, please look! I put so much effort into the experiment that I grew six mandrakes. This is enough for the poison, right?
Crewel: So you weren't simply fooling around… But you know what happens if you howl any longer than this… right?
Cater: Yes, I'll watch out!… Vil, Lilia! How cruel could you be, abandoning me like that?
Vil: You were the one who started this.
Lilia: Agreed. It is of utmost importance to know when to pull back from entertainment.
Cater: That's not what I agreed to~~!~
-
*humming*
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Cater: *sigh* Finally the class is over. Time to pull myself together with some shooting time~ Which mandrake will Cater finally upload to his MagiCam? Yep, the stylish and cheerful guys are great, but this one… I’d better pick this one. Oh. Maybe this mandrake that's always cackling. Cay should always be excited and happy after all~ Okay, mandrake, please look over here~ Stay still for a while. Okay, cheese!
*shutter noise*
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arahul-abyssia · 3 years
Text
Looks like it's September again (already, somehow), so that means that it's Nintember again, which means I'll be writing again! Same dealio as last time, one story per five prompts, up to six writings total. (And I'll be putting most of each under a cut, because mobile users can't skip posts)
And for my first entry for @starprincesshlc and @jklantern 's wonderful little event, I shall once again be attempting to twist some modicum of continuity, characterization, and canon-compliance out of a world that clearly cares scarcely for all three.
The Great Act
~~ Art, Green, Dizzy, Fire, Strength ~~
It was the loud buzzing of his phone’s alarm clock that dragged him from his slumber. He awoke to find himself sprawled across the couch, which was in no way long enough for his lanky body and spindly legs. As he blearily reached out and slapped at the coffee table, hoping to find the rude device by pure luck, he also blearily reached out and slapped at his memories, trying to figure out what series of events had led him there. For a moment, they floated just out of reach, and then suddenly flooded back to him all at once.
Oh. Right. It’s all over.
Another sporting event had come and gone, and as usual, in spite of all the effort he put into training and practice, he had ultimately lost to the same people he always did. No matter the sport, no matter the plan, no matter the time, they always won. And why shouldn’t they? The heroes always win in the end, always securing victory against the villains.
And he was one of them: the purple-clad counterpart, mirror, and supposed rival to one of the land’s most revered figures. Meant to oppose, and meant to lose.
He was Waluigi.
The name still sounded absurd to him. He had no idea how two men whose names were ‘Mario’ and ‘Wario’ and who naturally served as near-perfect foils of each other, had managed to meet and form such a publicizable rivalry without any deliberate effort, but such was the case. However, the notion that the brother of one had his own doppelganger in the brother of the other (or cousin, they never did manage to keep that story straight), with the same dichotomies of name, body, and personality? That was simply and utterly ridiculous, far beyond even the realm of ‘too good to be true’. And yet, if anyone had caught on, they hadn’t made it known to him.
Lost in thought and routine, he realized he had reached and opened his wardrobe, where numerous sets of that purple hat, shirt, and overalls were staring him in the face. In a sickening sense, they were the centerpiece of a great work of art, the fabrication that was his entire public existence, the character that he and Wario had constructed so that he might further be the ‘evil counterpart’ to everyone’s favorite red-clothed fire-throwing hero. Mario was stout and a bit fat, Wario was stouter and fatter; Luigi was tall and a bit thin, so Waluigi was taller and thinner. Mario had an M as his emblem, Wario had an inverted M; Luigi had an L, so Waluigi had an inverted L. To any casual outside observer, it was perfect.
But unlike Mario and Wario, whose rivalry had been formed in their youth, Waluigi had never even met Luigi until Wario had made him his sporting partner. The most he had known of the legendary Mario Brothers was just that: they were legends, for the countless adventures and quests they went on. In truth, despite how much he played it up during each and every game, he bore no true grudge against the man he was supposed to hate; Wario had, for a time, convinced him that Luigi’s presence in the public eye was somehow detracting from his own, but he had long since realized that that wasn’t the case; in fact, it often seemed like Luigi himself was being snubbed by the public, with the vast majority of the glory placed upon Mario, no matter how much Luigi contributed.
And yet, despite his existence being little more than a convenient story, despite the stress that constantly acting like a jerk brought, and despite always losing at the games no matter what, none of it brought him any sadness: for all its ups and downs, he felt himself to be rather good at keeping up the act, and the sports were, at the end of the day, still fun.
So why do I still feel so… bad?
Routine and thought had once more brought Waluigi elsewhere, and he found himself once more on his couch, now dressed in his usual outfit, with some sort of drink in his hands, probably coffee or tea; he didn’t care to determine which at that moment. His eyes casually wandered around the room as he brought the mug to his lips.
Then, just as the liquid touched his tongue--apparently he had managed to make tea out of coffee beans--the answer came to him. All across the room’s walls and shelves was sporting equipment of every sort--tennis racquets, shin-guards, helmets, golf clubs, old kart wheels, giant dice blocks, a probably excessive number of deflated balls--and absolutely no other sort of decoration. He leaned forward to place the mug on the table, and in doing so noticed his gloved hands and violet sleeves. Who wore the outfit of a character that they supposedly were not, every single day? Apparently, him.
He didn’t do anything else. He had let the character that was Waluigi consume his life to the point that had no idea who he was outside of it. He had nothing that he did when sports weren’t involved. Wario didn’t dedicate all his time to his rivalry; he owned an entire video game company--an unstable and poorly-run one, certainly, but it was nevertheless another use of his time. Mario and Luigi had their own grand adventures, of course, which is also what Peach, the Yoshis, Bowser, and his horde of minions were all typically involved in.
They all had lives outside of the games, and what did he do during the interim times? He either tried to practice, on his own, in the few suitable locations that he could find when the world was arranged for adventure, in a vain attempt to not lose as bad when the next game came around, or he wallowed in his home, doing absolutely nothing of any import.
But what could he do? Waluigi was never anything beyond a fabricated counterpart to both Wario and Luigi, but he could not remember, even slightly, what or who he was before he embraced that role. That nearly all of his memories prior to his first meeting with his partner were lost to him, was, he shuddered to admit, rather unsettling. Not even his old name--if he even had had one, he could not recall anymore--would reveal itself to him, and it was not as though he could simply find out through some external means: he was never the best at record-keeping, and to really sell their act, he had had his name legally changed to “Waluigi” and all references to his previous identity erased.
He shook his head, attempting to clear his mind of thoughts. There was little sense in worrying and fretting over who he was in that moment--the chance of any sort of useful epiphany emerging from it was even slimmer than he was.
Ugh… better just try to distract myself…
The first suitable option to catch his eye was the TV remote lying on the table. He quickly grabbed it and flicked on the set, and was immediately assaulted by the cheery enunciation of the Lakitu news anchors on the aptly-named Lakitu News Channel. He recalled that that was the channel he had left the set on last night, after he had gotten quite fed up with the incessant and inane blathering about the events of that day’s final matches, and it took only about five seconds to figure out that they were still on that topic. Scowling, he began flipping through the various channels available, hoping to find something interesting enough to block out the melancholic thoughts that were biting at his mind, like a hundred tiny Muncher and Nipper Plants.
After a painfully long series of more newsrooms--all talking about the exact same thing, of course--and unappealing shows--Half of these are for children and other half would just make me feel even worse!--he stumbled across some sort of advice segment hosted by a Birdo (was it the Birdo? He couldn’t tell). With absolutely no better options, he resigned himself to sit back and listen halfheartedly to whatever trite tips she tried to provide; maybe they’d be amusing enough to at least give him a small chuckle.
“I hope you all enjoyed our lovely guest! Now, before we move on to the submissions from all you wonderful viewers, I’d like to reiterate some old, but tried and true, advice, which I hold very close to my heart.”
Oh, here we go…
“Something which you probably hear very often is to always be yourself, or to always be true to yourself…”
Feh, I can think of several people who definitely shouldn’t do that…
“But it may be that you don’t like who ‘yourself’ is, or perhaps you don’t know what self you even have to be true to…”
Hah! As if… uh…
“And to that end, I’d like to say that there is always room for change. There’s always a way to make something new of yourself, to alter the parts of you that you want to, to become a different, better person. ‘Yourself’ can be whoever you want it to be; never are you locked along one unending bleak path. Try new things! Experiment! Don’t let yourself be trapped in an endless cycle.
“Believe me when I say I have personal experience with this: I’ve done so many different things over a rather short period of time, trying to find what I wanted to do with myself, who I wanted to be. Even now, I’m still not entirely sure if this is my supposed ‘calling’…! But I never got anywhere by doing nothing: it was on me to break out of my shell and search for myself, and now it’s on you to do the same.
“You don’t have to begin drastically, with a flying leap of faith--I think we’ve all walked over enough cliffs by now to know that!--but, if this is the sort of mindset you find yourself in, why not try taking some small steps today? It could be as simple as wearing a new outfit, or talking to someone new, or partaking in a new pastime.”
Birdo continued to elaborate on her point, but Waluigi--or, whoever he was beneath that--had stopped listening. He wanted to make some snark about what she said; he wanted to rationalize how what she described couldn’t ever apply to him; but, he found that he couldn’t. He had attempted to follow similar advice long in the past, and failed, but something about the way she phrased it, managed to affect him more deeply than he had thought possible. It was as though her words had dug beneath his shields and layers and pierced something somewhere in his core; pulled a lever, turned a handle, flipped a switch.
A strange sensation washed over him, one he could only describe as a blazing fire--nay, an inferno--igniting within him. He had felt the touch of flame countless times over the years, but not even the innumerable rage-fueled volleys he had endured, all combined into a single force, could compare to what now burned in his soul.
He leapt up from the sofa and ran to his bathroom. Staring at him from within the mirror was a character, a costume, a facade. It was not who he was. He grabbed a towel, dampened it, and proceeded to scrub away the pink paint on his nose; Wario and Waluigi’s noses were defined by that bright rosy color, but his was not. He then tore open a cabinet and grabbed his bottle of mustache product; normally, it was used to create the signature angular mustache of Waluigi, but today, it would shape the hairs into something softer and curlier. Whether that was what he would ultimately like did not matter: he was experimenting! He was changing himself!
Though the man that stared back at him from the glass now bore a much different visage, it was still framed by the purple cap and shirt, yellow emblem, and dark indigo overalls. He tore them off, then opened his wardrobe once more and threw all the copies of that same outfit to the ground. Hidden behind them were old clothes that he hadn’t worn for many, many years. He grabbed the first garments he saw--a casual dress shirt and gaudy neon-yellow shorts. Did those go well together? It didn’t matter. Without hesitating, he put them on.
He quickly glanced in the mirror again: the ensemble was nearly complete, but just missing one last touch. He thought on it for a moment, then stricken with brilliance, hurried to his modest backyard, where the roses he performed with in the games grew. He plucked one from its bush and affixed it to his hair, then ran back to the mirror to observe himself one more time.
His mismatched get-up would likely garner many stares from others, though he wouldn’t mind them at all; if he had anything in common with Waluigi, it was that they both loved being the center of attention. Even still, that’s not what mattered. A whole new day lay before him, a whole new day to be someone new, someone different; to move on from the cycle he had been stuck in, to take a whole new step forward.
He returned to the sitting room and turned off the television, then went to the front door. Taking a deep breath, he turned the handle, threw it open, and marched into the daylight, the daylight which felt far fresher and warmer than it had in a long time, though even it held no candle to the flame that continued to blaze within him.
Ready or not, world; here I come!!
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bogkeep · 3 years
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I have an important question regarding Sevilsoleia! How was a suitable vessel decided? Is there anything in common with the, vessels they inhabited? Or did the vessels volunteer themselves or were they chosen?
OKAY SO......... okay so uh big disclaimer that iphimery is just a fun oc sandbox that i'm deliberately NOT turning into a writing/webcomic project or anything, like i MIGHT create stuff for it, but it's meant to be just this fun zone where i am not putting ANY pressure on myself to actively work out every aspect of the story or the worldbuilding. the reason for this is that i'm no good at active worldbuilding, and the idea of having to think every single detail and consequence through and through is very stressful to me and tends to halt my creative outlet. WHICH IS TO SAY i'm just making stuff up as i go. almost all of the ideas i get for this world or the characters happen almost accidentally - either because there's a specific trope or aesthetic i want to include, or because i buy a character design or dig up an old OC and just want to give them a place to live, and by adding them i add a new piece of the puzzle. but it is still very much a work in progress, and the lore might change down the road! here are the factors behind Swivel's existence from my narrative level: - timian, from the moment he existed, had to have a Repressed Trauma Tragic Backstory which would preferably include dead family members, survivor's guilt, being an incredibly proficient fighter, and an immense need to protect e v e r y o n e and put other people's needs above his own. think gregor hartway and kaladin stormblessed. - the concept of an android that can use her chestplate as a shield while exposing her core is something i doodled ages ago, but never found anywhere to include. UNTIL NOW. i had already decided to link her to Florence, and then i linked Florence to Iphimery, and then i just wanted to make her relevant to the "main story," as it were. all of this was in the slow cooker of my brain for a pretty long time. the fact that i realized florence is timian's uncle who immigrated to iphimery ages ago is also a fairly New idea. - i've also tried to think about the vibe of timian's hometown. i needed it to be a place that wasn't super big, in a way that most everyone knows everyone else to some degree, and i wanted it to have some kind of Tradition deep in its bones as well, that would be relevant to WHY disaster befell this town at all. at some point i got the idea that the main export of Sevilder is medicine made by local flora & resources, and a process that was a guarded tradition. this could explain why anyone would attack such a small town and why so much was sacrificed for it all. (just for funsies: in the modern setting, Sevilder is very traditional and religious - Sevilsoleia is worshipped and heeded as a deity, but they don't have a physical presence like in the fantasy setting! both the town and timian's family survive just fine, and timian moves to iphimery to attend the university. his backstory here is far less tragic, but he has an arc about coming from a small, tight-knit town with all the pros and cons that entails, and finding his place in a vast and messy metropolis. it's a story about exploring your identities and your wants while also reshaping and reaffirming your relationship with your religion and culture and traditions.) ALL OF THIS funneled into the Obviously Very Logical And Intuitive Plot Decision that "timian fable was the chosen guardian for the godly vessel that was his younger sister, rocks fall everyone dies except timian who carries the trauma with him for the rest of his life :)" so uh none of this has answered your actual question. mostly because it's a piece of worldbuilding i haven't had the chance to actually piece together yet. i can probably say that since the town wasn't The Biggest Town Ever, there weren't THAT many vessels to pick from for each generation. i do think Swivel ended up having a preference for what kind of people they liked working together with and that they thought were worthy of wielding their power and keep their knowledge. so there's probably several factors: - the family of the vessel, what their work was, their social status, etc., mostly relating to like, how close they are to the Tradition of sevilder, right - the willingness and determination of the potential vessel, like you can absolutely argue that even if a child is 10000% wanting to become a godly vessel, it's stilla choice they are making as a CHILD, so the ethical concerns around consent are. they're there. that's the narrative point here - ""pure of heart"" type bullshit. again, it's a child, this whole concept is Flawed and Weird and i want to poke holes at it - it probably doesn't have to be a child, but it's usually young people so swivel doesn't have to jump between old people super frequently (although they've probably tried lots of things over the centuries) i'm sure there's MANY MORE factors involved, including sevilder tradition lore that hasn't dropped yet. this question would be equally interesting about "how are the Chosen Protectors picked?" regarding how timian came to be who he came to be. i still haven't decided how much is Ancetral Duty, and how much is "im volunteering to protect my sister NO MATTER WHAT", or if it is traditional for siblings. stay tuned, i suppose!!!!
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