#it was written for the people they would become.

[fuckyeahgoodomens]

Neil Gaiman, co-author of Good Omens:

My first encounter with Terry Pratchett was The Colour of Magic, as read on BBC Radio 4's Woman's Hour. I was a young journalist and I reached out to his publisher for an interview, and thus became the first journalist to interview Terry Pratchett, in Bertorelli's Italian restaurant, in Gower Street. (We remembered it as a Chinese Restaurant in Goodge Street, demonstrating either the fallibility of memory or our fondness for Chinese food.) We became friends.

I was lucky enough to read Terry's books as he wrote them, to become one of his beta readers, and then to collaborate with him. Terry had a brilliant eye for the places where reality and narrative tradition intersect: he had a science fiction writer's mind, let loose on a fantasy world, and he loved to explain and show how things came to be. The last time we saw each other he told me I had to read a book about feeding Nelson's navy – and I still wonder, had he lived, about the Discworld novel he would have written, about ships, and naval battles and all, and the lessons he would have taught us. Because at his best, Terry was a teacher. The kind who makes you laugh while simultaneously realising that everything you have taken for granted so far is utterly wrong. I miss him.

#good omens #terry pratchett #terry pratchett day #happy birthday terry #gnu terry pratchett #speak his name #terry and neil #btb #fun fact #interview #neil interview #neil about terry

[icedroppedinparasolcider]

Momoi Airi is a Trans Woman

This is headcanon at the end of the day and there's nothing wrong with disagreeing, but the way she's written regarding her sense of identity as an idol, the choice of phrasing they use when she talks about herself in reference to others (namely Shizuku), and the connections her visual motifs provide to concepts and other characters tied to or commonly seen as trans just makes it incredibly hard for me to view her otherwise.

A lot of what I have to say is very personal to me; I'm a trans woman myself, and Airi's writing and experiences connect with me and my own transition journey in a way I haven't really seen anywhere else in media (I'm not a very prolific media consumer). So it's entirely possible a lot of this is just me projecting onto a character I care a lot about. But while I've adored Airi before this revelation, I didn't reach the level of attachment I have for her until the realisation of just how well she's written through the lens of a trans girl. Specifically one who's, for the most part, entirely socially transitioned but keeping the fact she is trans secret.

When Airi was little, she was, as she herself describes, very boyish. She'd get into physical fights with boys around the neighbourhood or at school, she'd come home most days covered in dirt and mud from playing with her majority boy friend group of the time. She was intensely defensive of her little sister, most of her fights being with possibly bigger-than-her boys because they were mean to her sister. It formed a reputation for Airi, a reputation that followed her as she began to deviate from these patterns and pivot her interests and activities hard and fast thanks to starting to watch idols on TV. She was enamoured with them, would rewatch recordings of their performances and interviews over and over so she could emulate it and be more like them. She'd stop getting into fights, stop playing with her rougher friends; everything started changing dramatically thanks to her being introduced to a new "type" of woman: an idol. Something Airi wanted to become, and was willing to change everything about her to be.

These changes weren't socially easy for her, though, with backlash coming from these old friends and classmates because of how girly she was trying to become. The idea of being a tomboy was something Airi started to consider a bad thing, a gross thing. During her Colourful Festival side-story, To You Who Yearns To Be an Idol, amidst a conversation with her younger self Airi calls the little girl a tomboy, something that makes the younger Airi immediately deflate and shy away from the conversation. It upset her to be called that, especially by an idol, something she wants to become. Which leads to the younger Airi talking about how she's been treated by her peers for changing the way she dresses and not playing the same way she used to, for changing the way she talks, with her being talked to like she's doing something horrible and wrong for simply chasing a dream of who she wants to be. And in this conversation, Airi says a particular line that changed everything for me:

This is said in response to Little Airi's repeating of what the boys in her class call her as she wears cuter, girly clothes. That she's some big, mean monster who shouldn't wear things like that, who could never become an idol. Effectively telling her that she could never be a girl because of the way she used to behave. She started as someone rough, someone harsh and dirty, that's not something she should—not something she could—change. Something we see in present day that she's largely internalised through her struggles with what it means to be an idol, her struggles with calling herself an idol.

For Airi, being an Idol and being a Girl have become synonymous with each other. Her ability to be an idol, to draw that attention, have a smile that sparkles on stage and in front of the camera, spread hope and joy to other people; this part of her identity has grown beyond her job, it's who she is as an individual. Being Momoi Airi, the second year Miyajo student, is inseparable from Momoi Airi, the ex-QT member and now member of MORE MORE JUMP! And if she can't be the image of an idol that exists in her head, that she's always viewed idols to be, that Haruka and Shizuku manage to embody, that Minori is becoming, then can Airi even really call herself as much of a person, of a woman, as them?

Airi's been in this constant uphill battle where she believes she doesn't sparkle as much as the other idols around her, so she puts more effort into learning how to make herself sparkle, but manages to convince herself that because she struggles with this, she's less of an idol than those very peers. It's in large part what Ice Drop is about, Airi's difficulty finding satisfaction with her work as an idol because it doesn't shape up to her own expectations and beliefs of what an idol "should be", because it doesn't match what she sees other idols she looks up to, like Shizuku, doing. Something also portrayed during Airi's conversation with Shizuku in Chasing the Radiance Beyond the Blue Sky, where she outright tells Shizuku that because she doesn't have the same physical appeal she has to fight harder and use different strategies to get any attention as an idol. And if Shizuku is the "perfect idol", and Airi will never be able to achieve that, can she even call herself an idol?

If she can't call herself an idol, does she even deserve to call herself a girl? Or are the harsh words of her grade school classmates right about whether she should be wearing the cutesy clothes?

A large part of Airi's struggle with this, why it's even a spiral in the first place, ties into her nature as a Solid Heart student as well as why I see so much of myself and my transfemme journey in Airi's story. It doesn't matter how many people tell you that you're enough and that you've done what you set out to do, not if every thought in your head is telling you they're wrong. According to everyone I know, I pass really well as a girl. My voice is naturally feminine, even without masking it very hard, I've basically never been misgendered since growing my hair out by strangers looking at me, I've even been told by close friends that they'll forget I'm trans because I'm just "one of the girls" to so many of them. And I appreciate all of it, so much; I'm very lucky to have had such a smooth social transition. But none of that changes who I see in the mirror, who I hear when I talk, what I feel when I wake up in the morning forced to acknowledge my body. I'll never be a "real girl", not until I fix these things, and it's entirely possible that it's impossible to truly get rid of this feeling.

That's what Airi feels regarding her identity as an idol. Everyone in the world could tell her how good an idol she is, how much hope she spread as Happy Everyday, how beautiful and bright her smile is. But that will never replace or fully mask the doubt in the back of her head about whether she's really an idol, because nothing that she used to do aligns with what she's always seen idols to be, so much of what she does today is so different from the reality of her dreams. She's not that idol, so is she even an idol at all? I'm not that girl, so am I even a girl at all? Obviously I am, and obviously she is, but it's a feeling of doubt that never goes away.

Airi needs to constantly be an idol, or she's not an idol at all. And, at least to me, this has come to mean to Airi that if she's not an idol, she's not a girl. Because all of the work she put into being cute and girly was to be an idol. If she can't accomplish that, does she even deserve to be a girl at all? Or is she just a fraud wearing a mask trying to make people laugh on TV?

#pjsk #project sekai #airi momoi #character analysis #transgender #i have so much more to say #but it's getting late and this feels like a good stopping point #i'll probably add more when she invades my brain again #momoi airi......

[ryin-silverfish]

One nerd's musing about Chinese religion and "respect"

-I try to stay away from fandom discourse, but, much like how you can smell the stench from a dumpster fire without walking into said dumpster fire, I've noticed something that seemed to come up a lot in western JTTW + adjacent fandoms: "respect Chinese religion".

-Usually as a reason for why you shouldn't ship a character, because of fucking course it's shipping discourse too.

-And my first reaction is "Man, you are taking Chinese religion too darn seriously, more than people who are born and raised in China."

-My second reaction is "I mean, most of us are atheist/agnostic by default anyways, with a good number of what I'd call 'atheist/agnostics with superstitions': people who said they were not religious, yet believed in Fengshui or divinations and burnt incense at temples for good luck."

-My third reaction: "But why do I get the feeling that when you mention 'Respect', you are thinking about something completely different?"

-Then I reread an essay from Anthony C. Yu, "Religion and Literature in China: The "Obscure Way" of Journey to the West", and the metaphorical lightbulb just lit up over my head.

(Everything below applies more to Daoism + associated folk religions, but by the time most classic Chinese vernacular novels were written, the blending of the three religions had become well and truly mainstream.)

(The conception of gods differs from dynasty to dynasty. What I'm describing here is mostly based on Ming and Qing ones; if you went back to Han or pre-Qin times, most of these would not apply.)

(I am one of the "atheist/agnostic by default" people. I just have an interest in this kind of stuff. I am also just one Chinese person, and an actual Daoist/Buddhist/Religion Studies researcher would probably have a lot more valuable information and perspective to offer when it comes to contemporary practices and worship. Like any people on the internet: take my words with a grain of salt.)

-Even in the past, when society was far less secularized, Chinese gods are not omniscient, perfect beings whose worship is a solemn, humorless affair. Some's worship are Serious Business, but that has more to do with the sort of gods they are and the patronage they enjoy, not godhood in and of itself.

-And even the ones that you are supposed to "treat seriously" are still very human. To use an analogy I've used plenty of times before: you respect and fear them in the same way you'd respect and fear an emperor's official, or the emperor himself, because if you don't, you are not gonna like the consequences.

-However, unlike Jesus, the emperor & his officials were capable of being temperamental, flawed, or an outright asshole, divine or not. Ideally, they wouldn't be, and if you were one of the "serious" believers——people who actually got an official permit, became ordained clergy, and went to live in a temple, you were unlikely to think of your gods in that manner.

-But it wasn't a complete, utter impossibility. The lower you go in the pantheon, the closer you get to popular religion, the less "serious" the gods and their worship become. By that, I mean general attitude, not sincerity of faith. You still shouldn't be rude to them, but, well, they are more likely to take a joke in stride, or participate in the "vulgar" pleasures of commoners because they weren't as bound to Confucian moral standards or religious disciplines.

-To stretch the same analogy further: you should still respect your village head, they could still give your ass a good spanking for being a disrespectful brat, but you were not obligated to get on your knees and kowtow to them like you would do in front of a provincial magistrate, the emperor's minister, or the emperor himself, nor did they have the power to chop your head off just because you were rude.

-On the other hand, the emperor would never visit a random peasant just to help them fix their broken plow or treat them to a nice meal, but your village head could, and your relationship would probably be warmer and a lot more personal as a result.

-Your respect for them was more likely to stem from the things they actually did for you and the village as a whole, instead of something owed to this distant, powerful authority you might never get to see in your lifetime, but could change its course with a single stroke of a brush.

-Now exchange "village head" for your run-of-the-mill Tudis and Chenghuangs and friendly neighborhood spirits (because yes, people worshipped yaoguais for the exact same reasons), emperor + his officials for the Celestial Bureaucracy, and you'd have a basic idea of how Chinese religions worked on the ground level.

-This is far from absolute: maybe your village head was a spiteful old bastard who loved bullying his juniors, maybe your regional magistrate was an honest, upright man who could enjoy a good drink and a good laugh, maybe the emperor was a lenient one and wouldn't chop your head off for petty offenses. But their general degree of power over you and the closeness of your relationships still apply.

-Complicating the matter further, some folk gods (like Wutong) were worshipped not because they brought blessings, but because they were the divine equivalent of gangsters running a protection racket: you basically bribed them with offerings so they'd leave you alone and not wreck your shit. Famous people who died violently and were posthumously deified often fell into this category——shockingly enough, Guan Yu used to be one such god!

-Yeah, kinda like how your average guy could become an official through the imperial examinations, so could humans become gods through posthumous worship, or cultivate themselves into immortals and Enlightened beings.

-Some immortals aren't qualified for, or interested in a position in the Celestial Bureaucracy——they are the equivalent of your hermits, your cloistered Daoist priests, your common literati who kept trying and failing the exams. But some do get a job offer and gladly take it.

-Anyways, back to my original point: that's why it's so absurd when people pull the "Respect Chinese Religion1!!1!" card and immediately follow up with "Would you do X to Jesus?"

-Um, there are a lot of things you can do with Chinese gods that I'm pretty sure you can't do with Jesus. Like worshipping him side by side with Buddha and Confucius (Lao Tzu). Or inviting him to possess you and drink copious amount of alcohol (Tang-ki mediums in SEA). Or genderbend him into a woman over the course of several centuries because folks just like that version of Jesus better (Guan Yin/Avalokitesvara).

-But most importantly, Chinese religions are kinda a "free market" where you could pick and choose between gods, based on their vicinity to you and how efficient they were at answering prayers. You respect them because they'll help you out, you aren't an asshole and know your manners, and pissing them off is a bad idea in general, not because they are some omnipotent, perfect beings who demand exclusive and total reverence.

-A lot of the worship was also, well, very "practical" and almost transactional in nature: leave offerings to Great Immortal Hu, and he doesn't steal your imperial seal while you aren't looking. Perform the rites right and meditate on a Thunder General's visage, and you can temporarily channel said deity's power. Get this talisman for your kids at Bixia Yuanjun's temple, and they'll be protected from smallpox.

-"Faith alone" or "Scripture alone" is seldom the reason people worship popular deities. Even the obsession with afterlife wasn't about the eternal destination of your soul, and more about reducing the potential duration of the prison sentence for you and your loved ones so you can move on faster and reincarnate into a better life.

-Also, there isn't a single "canon" of scriptures. Many popular gods don't show up in Daoist literature until much later. Daoist scriptures often came up with their own gigantic pantheons, full of gods no one had heard of prior to said book, or enjoyed no worship in temples whatsoever.

-In the same way famous dead people could become gods via worship, famous fictional characters could, too, become gods of folk religion——FSYY's pantheon was very influential on popular worship, but that doesn't mean you should take the novels as actual scriptures.

-Like, God-Demon novels are to orthodox Daoism/Buddhism what the Divine Comedy is to medieval Christian doctrines, except no priests had actually built a Church of Saint Beatrice, while Daoists did put FSYY characters into their temples. By their very nature, the worship that stemmed from these books is not on the same level of "seriousness" as, say, the Tiantai school of Buddhism and their veneration of the Lotus Sutra.

-At the risk of being guilty of the same insertion of Abrahamic religion where it doesn't belong: You don't cite Dante's Inferno in a theological debate, nor would any self-respecting pastor preach it to churchgoers on a Sunday.

-Similarly, you don't use JTTW or FSYY as your sole evidence for why something is "disrespectful to Chinese religion/tradition" when many practitioners of said religions won't treat them as anything more than fantasy novels.

-In fact, let's use Tripitaka as an example. The historical Xuanzang was an extraordinarily talented, faithful, and determined monk. In JTTW, he was a caricature of a Confucian scholar in a Buddhist kasaya and served the same narrative function as Princess Peach in a Mario game.

-Does the presence of satire alone make JTTW anti-Buddhist, or its religious allegories less poignant? I'd say no. Should you take it as seriously as actual Buddhist sutras, when the book didn't even take itself 100% seriously? Also no.

-To expand further on the idea of "seriousness": even outside of vernacular novels, practitioners are not beholden to a universal set of strict religious laws and taboos.

-Both Daoism and Buddhism had what we called "cloistered" and "non-cloistered" adherents; only the former needed to follow their religious laws and (usually) took a vow of celibacy.

-Certain paths of Daoist cultivation allow for alcohol and sexual activities (thanks @ruibaozha for the info), and some immortals, like Lv Dongbin, had a well-established "playboy" reputation in folklore.

-Though it was rarer for Buddhism and very misunderstood, esoteric variants of it did utilize sexual imageries and sex. And, again, most of the above would not apply if you weren't among the cloistered and ordained clergy.

-Furthermore, not even the worship of gods is mandatory! You could just be a Daoist who was really into internal alchemy, cultivating your body and mind in order to prolong your lifespan and, ideally, attain immortality.

-This idea of "respect" as…for a lack of better words, No Fun & R18 Stuff Allowed, you must treat all divinity with fearful reverence and put yourself completely at their mercy, is NOT the norm in Chinese religious traditions.

-There are different degrees and types of respect, and not every god is supposed to be treated like the Supreme Heavenly Emperor himself during an imperial ceremony; the gods are capable of cracking a joke, and so are we!

TL;DR: Religions are complicated, and you aren't respecting Chinese religions by acting like a stereotypical Puritan over popular Chinese deities and their fictional portrayals.

#chinese religion #chinese mythology #chinese folklore #fandom discourse #journey to the west #xiyouji #investiture of the gods #fengshen yanyi

[moodymisty]

Would you be comfortable writing some courting headcanons for the primarchs?? Thank you!!

Author's note: Here you go, they're sort of random but I hope you enjoy them.

Warnings: Fem!Reader for some like Lion’el because of words like Legion Mother, A few very slightly lewd remarks

Fulgrim:

The primarch who out of all has most devoted himself to things like the arts is nothing short of overwhelming, when he first expressed his desire for you. Flowers, paintings, clothing, food, whatever it is you enjoy, all of it gets gifted to you with no small amount of theatrics. Though thankfully, Fulgrim knows when to turn it down a bit, and you can enjoy his company. Even then however he is still very intense, kisses on the hand, the lips, and gentle caresses abound as he woos you with his silver tongue. His legion is also one of the few who at the start know about Fulgrim's intentions, and actually takes it decently well. Far better than other legions, when finding out their Primarch is indulging in romance. You are the socialite, the shining star in a room and the talk of everyone there, and Fulgrim will have it no other way. But as much as he does all this, he finds it cute if you’re shy or nervous about it. Shyness isn’t in his dna, so he finds it very adorable. You often get purfumed, hand written letters when he is away. Fulgrim has quite the way with words, and many of them you’re glad the one who reads them are him and you.

Perturabo:

He might be a petulant manchild at times, but when the mood strikes him Perturabo can be a bit softer. It helps that you're one of the few people he trusts, now that the two of you are so close. Though it may often be more trouble than it's worth, with how often his mood changes. Perturabo can go from lavishing you with Olympian clothes to sulking in his workshop for hours if not days, leaving you to eventually wander down there and find him, and bring him out of his petulant sulk. A gentle hand on his own, asking if he can explain to you what he’s working on tends to help. Perturabo also becomes very possessive of you, not long after he starts courting you. If Dorn, Sanguinius or Lorgar so much as look at you the wrong way, he's more than ready for a fight. He has one person in his life who hasn’t wronged him, who actually respects him, and he isn’t losing that. Those softer moments with him as he speaks of his plans for amphitheaters and bathhouses while you lay in his arms are worth it, however.

Lion’el Jonson:

Lion'el is, complicated. Part of him wonders how he even got here, something as frivolous as romance was never a significant part of his mind. But here he is. He can’t complain, as he’s become so used to you now that often times, his nose wrinkles anytime he’s away and casts sight on an empty bed. He doesn’t say anything about it, however. Part of him laments he isn't able to give you rides on horseback, as he's far outgrown the horses he rode in his younger years. Though he can walk beside you, even if his men think it's demeaning of his position. Is painfully blunt about some things, and extremely obtuse about others. He wishes to marry you? Blunt. You get a military parade dedicated to showing the galaxy the Dark Angels new Legion Mother with no warning. He wishes for you to wear the colors of his legion and match him so when you arrive on Terra everyone knows who you are with? Vague and obtuse, he will grunt about every option until you choose the one he likes.

Rogal Dorn:

As with all parts of his life, he's extremely stoic and at first, you don't think anything's changed. He's the type that listens to the things you talk about, and silently gives them to you. For instance as a newcomer to Inwit it's incredibly cold, but your current dress just doesn't cut it for the harsh wind and un-acclimated body. You find a new one on your bed three days later made perfect and exactly how you like it, but Dorn says nothing about it. Those few late night moments alone when he brings you into his office, and you sit at his desk while he works are some of his favorite. Dorn gets to feel you safe in his arms, and while he’ll never say it out loud, he is overwhelmed in his love for you. Does not tell any of his fellow primarchs about you. The day they realize Dorn has a beloved is a stressful one, they’re all sneaking around trying to get information about you, and Dorn almost has to lock you in his quarters and shoo them all away. Is surprising talkative in written word. His letters or anything else tend to be very long, talking about the ins and outs of his legion, and their current progress. You’ve never heard him talk half that much in person, it’s sweet. Though once in a while those letters can get a bit salacious; And Dorn is nothing if not detailed.

Leman Russ:

This man's declaration that he wanted to court you was as brash and blunt as he is. You're pretty sure he was half way into sleeping with how drunk he was at the time, a massive hand on your shoulder as he smiles with a red face. Granted when he sobered up he was far more, romantic about it. By his standards. He still stunk of mjød, but at least he held your hand. From that moment on however Russ isn't a man shy of showing off, and wastes no opportunity to plop you in his lap and give you a kiss, pick you up off the ground, or say something far too inappropriate for the current locale. Whether it's day two or day two hundred, he finds keeping himself off of you too much trouble. He’s the type to make others turn away with how overt his affection is. Every one of his kisses and hugs feel like he’s treating it as the last one he’ll ever do. Loves when you comb and braid his hair. It takes awhile and he has no patience for it, but he enjoys when you do it.

Ferrus Manus:

As a recurring theme with all of these, Ferrus finds it a bit hard to show how he feels. While he has moments where he cracks a smile, often times he’s largely stoic. As such, he never really asked you to be with him, it was something that simply progressed overtime. He doesn’t invite you into his quarters and his bed if you aren’t his beloved, he assumes it wouldn’t take a genius to figure that out. Late night workshop time is a must. Ferrus can spend days in there with no issue, and oftentimes you have to come and climb into his lap if you want any time with him at all. He doesn’t mind as as long as you’re quiet; Though over time he’s begun to enjoy explaining his plans to you if you aren’t asleep. If you are asleep, sometimes he gets a bit emotional and talks or thinks to himself. He never thought he’d have someone like you when he lived on Medusa, he just needed to survive. Is actually somewhat hesitant when you first are together. Ferrus is well aware of his size (both out and in the bedroom, or any other local where he deems sex a daring and intriguing idea), and often tries to be quite gentle. It took a bit of coaxing to finally treat you like you weren’t made of glass. You get surprise gifts from Fulgrim at times. Some are sweet; Some are… They’re hidden until Ferrus returns from where ever he’s currently away to at the time and you can surprise him.

Horus:

The same as Fulgrim; Excessive and grandiose, but unlike Fulgrim, there's a tad more subtlety to it. But only a tad. Horus still is eager to show off the love of his life (and so much more that he’s kept just in his head shh), but he’s aware that sometimes you require a bit more subtlety. For a primarch, he’s quite the romantic. Though there’s only so much you can do when you have thousands of gene-sons waiting on orders and don’t exactly get why their primarch is holding your tiny hand and helping you walk down the thunderhawk’s ramp. You can do it yourself, they think. He can also be quite a bit grandiose in the theoretical sense. Horus seems to have your entire future together planned, and he’ll speak it to you during very late nights with stars in his eyes. To marry you, to bring you into his legion as the mother of his gene-sons, to give you your own child one day. He’s more than a bit overwhelming, but it helps he’s so charismatic.

Angron:

I... I hope you're patient. Angron isn’t one that is fond of things like romance. For multiple reasons. One being that it brings him pain because of the Nails, and the other being that in many ways, he doesn’t feel like he deserves it. He’s a slave, he’s a monster, he’s a man who failed his people, men like him don’t get to have someone like you. But you stay anyways despite the fear of him loosing control of the Nails, and eventually Angron supposes that there’s more annoying people to have around. He’s far more applicable to this in his early days. The Nails haven’t degraded his mental state yet, and his legion is still fresh faced and eager to prove their worth. If Angron accepts you, they will as well then. The downside is that many of the primarchs worry about Angron’s relationship and subsequent attachment to you, and the danger it brings. Some for your safety, but mostly for the fact that now that Angron is so deeply attached, if something were to happen to you it would well be within the possibility that Angron would completely loose control of the Nails, and become an unstoppable threat that would have to be put down. On the other hand, it seems that you can calm him down a bit, as much as the Nails will allow, something that not many are able to do. A double edged sword, your love is to him. Often times you have to restrain him during anything, strenuous. It’s for your own safety, though it seems like Angron doesn’t hate it either.

Roboute Guilliman:

The most traditional out of them all. He follows the 'rules' so strictly you have wonder if he's following some sort of manuscript. Your relationship progresses at a very methodical pace, which is a bit odd but you find it oddly sweet he puts so much thought into it. He does little more than hold your hand, kisses and anything heavier are strictly private; If it wasn't for the longing, puppy dog look in his eyes, no one would guess you two were anything more. He's not overt about it like Horus or Fulgrim, but you are still absolutely smothered in gifts. From jewelry to clothing to weird purfumes he's been gifted by high lords attempting to earn his favor through you (Guilliman has made it very obvious that he's not the type to be swayed by gifts but they hope you are and will put in a good word with your beloved), you quickly find yourself constantly or the receiving end of some sort of lavish gift. Roboute is very much in love, it's just hard for him to admit it. As you come to understand his own little love language is the day he's a very happy man. On a bonus note: It is very easy to get this man to completely melt for you. If it’s been a stressful time for him and he’s stressed, giving him a bit of a hand will make him a bit bashful, but overwhelmingly thankful.

Sanguinus:

As kind as he is beautiful, Sanguinius is one of the more heartfelt ones around. Romance abound, the angel and you are the textbook example of star crossed lovers the moment he proposes courtship to you. It almost makes some of the primarchs jealous at how incredibly perfect your love for each other is, like your feet don’t touch the ground He loves to pick you up and give you a hug or a kiss, wrapping you in his wings. He always says it's just so you feel safer, but he also likes the bit of privacy, hiding you from the worlds in his arms. You also enjoy playing with his wings when you’re in private, as they’re quite sensitive. A side note; He thinks it's cute that you use his fallen feathers as bookmarks and quills, and he now gifts you a few of his fallen primary feathers every now and again for you to use. You’ll know about the Red Thirst eventually when you’re with him. Sanguinius won’t ever ask for assistance, but if you were to offer a bit of blood? He’s incredibly careful, but the blood of his lover is nothing short of ambrosia and he will dutifully treat you afterward for sating his appetite.

Jaghatai Khan:

As one of the more reasonable primarchs, Jaghatai is a steal to have as your lover. He’s personable and kind, and funny to boot. He enjoys making you laugh, something his sons have picked up on. Sometimes they’ll tease you (or more likely unsuspecting commissars) when you’re in their company. If he's not able to hold your hand, he'll have a hand on your shoulder or back, always close to you whenever you're both together. He’s extremely dedicated to Chogoris, and it’s incredibly important to him that you adopt some of the culture he grew up in. You don’t have to, but it would make Jagahatai an extremely proud man if you attempted to understand Chogoran. He’s also private; His fellow primarchs don’t even know of your existence let alone close relation to him until you’re well into your romance, and Jaghatai has thoughts for no one else but you.

Konrad Curze:

Konrad’s romance is as toxic as he is. But at the same time, it’s like a drug you can’t get enough of. Because you’re fucking terrified of him, but the man is obsessed with you. Not many of the other primarchs understand the soul crushing, teeth grinding obsession Konrad has for you. He’s willing to fall to his knees and submit to you as long as you tell him you love him, and that he's worth more alive. But if you tell him you don’t?… You don’t want to tell him you don’t. Konrad is painful. He holds your hand too tight, kisses you too rough, bites you too hard. He doesn’t mean it, you don’t think at least some of the time, but he’s so caught in this obsession with someone trying to save him that his martyr complex melts away for a bit and he’s this self-loathing, sad excuse of a man. You almost pity him as much as you love him. Making him happy has become an arduous journey for you. Is the exact opposite of the others in wanting to show you off. You’re hidden for ages, until the primarchs realize Konrad has someone at his side. They worry, but they know separating him from you would cause more harm than good, and you keep Konrad’s emotions a bit more in check. And in the eyes of a few individuals, your safety serves as a good threat to keep Konrad and his unhinged legion on a leash and working towards a desired goal. A note; Konrad is surprisingly selfless in regard to more intimate matters. And he likes to bite. Your thighs don’t get much reprieve from him.

Vulkan:

Sweet as sugar, no one is as good at a proper declaration of love or desire to romance like Vulkan is. No matter how much it breaks his back he’ll always hold your hand, give you a kiss, or pick you up to bring you with him across the Flamewrought or the Terran palace. Besides perhaps Sanguinius and Lorgar, no one is as star-crossed in love with you as Vulkan is.

He’ll do anything for you, if you just ask. He often paraphrases that he would shield you from any threat, but sometimes you fear he’d do it literally. Less seriously he loves to gift you various things, your favorite being a necklace. You never thought he’d be able to work at such a small level, but Vulkan is nothing if not skilled. He got quite the reward the evening he gifted it to you.

Is one of the quicker ones to get serious. Talks of marrying you, writing you down in the history of his legion as their Legion Mother, Vulkan is quite eager to tie himself to you, and you to him.

Corvus Corax:

Corvus is private, and also quite slow to trust. Even slower to admit he likes someone, let alone enough to express that he’s in love with them. Many moments with him are often spent in his private quarters or somewhere else alone, where only you have eyes on him.

Is one of the few primarchs conscious of the fact that he isn’t really meant to exist, and that he’s forcing it by being with you. Your body often bruises and aches if he isn’t careful with you, and it secretly pains him that the one person he loves is so easy for him to hurt. Finding out about this feeling he has swiftly turns you into a mess of reassurances that quickly overwhelm poor Corvus, and while he still feels it at times, he appreciate you trying to soothe him.

Loves to write you letters. He feels like it means more to put the effort into handwriting, and when you send him one back, it’s like he can feel your touch on the paper. One time you left a lipstick kiss on the parchment and the man was insufferable that evening from how pent up he was, unbeknownst to you millions of miles away. You paid for that transgression dearly one he returned.

Lorgar Aurelian:

Lorgar is yet another primarch who is sweet as sugar. He also has quite the way with words, though unlike Horus and Fulgrim, it isn’t intentional. He’s just very passionate and verbose. Is also very touchy. Loves to pick you up and kiss you, show you off to others. He’s so stupidly in love and everyone around him is almost annoyed by it. He just loves his tiny little goddess so much, you bring him light he didn’t know he needed. Lorgar is also very affected by his religious trauma. His self flagellation both emotional and literal has always been an issue. You’ve had nights where you’ve put ice on his back after he whipped himself bloody, crying over his wounds. If it isn’t bad he encourages you to not weep over him, and if it’s worse he often times is beating himself up over worrying you. Being with him is stressful emotionally, to say the least. In another path, he often time beats himself up over the idea of corrupting you with sinful thoughts. Though that doesn’t really stop him, especially if he comes to his quarters one evening seeing you wearing all white draped across his bed. Lorgar will sin alright, but he does it while speaking prayers to save his own soul as he worships you. He’s one of the quickest Primarchs to want to marry you, to make you his own and to bring you closer and closer to his side.

Mortarion:

Mortarion isn’t an easy one to love. He doesn’t really consider the emotion valuable until one day he suddenly realizes that you mean something to him, more than just another baseline human does. Like Ferrus in that he never does the official courtship nonsense, and just upgrades your relationship in his head overtime. Someone who isn’t his lover doesn’t spend hours in the Pale King’s study watching him work, keeping one of his hands in their lap while he uses the other. Is a bit of a pushover in some ways, and takes his self loathing a bit too far sometimes. You’ve learned that sometimes he needs you to kiss him and tell him you love him more than anything else, to get him to stop sulking. Everyone is extremely surprised he found sometime. Let alone someone so personable. Fulgrim jokes that Mortarion should just send you instead of himself to Terra when the primarchs meet up to discuss things, as you’re easier to deal with. Mortarion hates when things like that are said, and he’ll hide you from the world obsessively for awhile after. He loves you, but sometimes for him love and possess get intertwined in his head when he thinks for you.

Magnus the Red:

Isn’t the worst beloved to have, but he has his quirks. He can be a bit stuffy at times, and often times forgets that relationships needs nurturing to grow. Magnus often times gets stuck in his own head and forgets everyone around him, including you. Loves to show off his warp magic to you, especially if you show literally any interest at all. He’s so used to everyone fearing it, fearing him, hating psykers no matter what, that any interest by you gives him hearts in his eyes. You’ll be up all night listening to him read you tomes. Which you don’t mind, it often helps you fall asleep. Since Magnus can change his size, he knows exactly how to make your squirm. You know you’re in for a wild ride when your beloved becomes bigger than Ferrus and starts taking off his armor.

AlphariusOmegon:

The twins are complicated. Given the primarchs consider you only Alpharius’ beloved, you spend more time with him than Omegon. As such, sometimes Omegon can get a bit possessive whenever you two are together. You don’t entirely blame Omegon for it; His other half is the one holding your hand and showing you off, joking about marrying you to his fellow primarchs. As such, those topics tend to be a minefield in your weird little relationship. They often use you to get information about the other Primarchs. It seems your smaller stature makes them almost seem like you're less of a threat, and get a bit more talkative around you than they are around whatever twin is currently frontfacing. You hate when they ask this of you, but you have no power to refuse them. As the twins are extremely meticulous and through, they've been careful to not show anyone how in love with you they really are. If they how just how much Alpharius loves you, it would be easy for you to be used against them. So affection is limited, and they put up an aura that you're not much more than an arm piece when in view of others. They eagerly make sure to show you this isn't the case in private, however.

#fulgrim x reader #perturabo x reader #alphariusomegon x reader #roboute guilliman x reader #jaghatai khan x reader #magnus the red x reader #lorgar aurelian x reader #konrad curze x reader #rogal dorn x reader #mortarion x reader #horus lupercal x reader #corvus corax x reader #angron x reader #vulkan x reader #sanguinius x reader #ferrus manus x reader #leman russ x reader #lion'el jonson x reader #primarch x reader #warhammer 40k x reader #reader insert #reader #mywriting

[comradekatara]

i read somewhere that, after the war, zuko at least hands hama over to the swt instead of keeping her in fire nation prisons 'till the end of her life. Which is nice, I think. But I'm also curious as to how that would work out.

Most notably: how do you think it'd go down if she were to meet Pakku? given they both have some sort of connection to kanna's life, the idea of them being forced to interact even once entertains me very much. like, old waterbending master pakku—white lotus member—who has grown up in a patriarchal society and actively forbidden women from training to fight, under the precedent they are somehow ontologically weaker, fragile, and belonging in the healing huts... THAT guy, meeting his former fiancé's old friend: (or current wife's if you go by canon, which, eugh) A woman who not only fought in the front lines but ended up becoming one of the most skilled, creative, and deadly waterbenders in history. How would he react when finding out that a woman came up with blood bending? How badly would Hama mind-fuck him?? Because I'm confident they'd hate each other's guts-- no way she'd tolerate him,,,

And on a similar note—how would Kanna feel upon reuniting wirh Hama and discovering what she put Katata through, in your opinion? Idk, I'm just full of puppetmaster thoughts today. Hama is incredibly interesting and I wish she wasn't handled so much like a Halloween Specisl creepy witch, (even though katara herself is handled and written pretty well in this episode, i think. but i digress.)

i mean obviously i think about this all the time. i personally think that zuko hands hama over to the swt upon katara's request, and she and aang personally deliver her on appa (sokka is not there, for the very deliberate reason that if he knew what they were doing he would very vocally disapprove). and so katara is sort of retraumatizing herself by doing this, but she also feels like it's necessary specifically because she needs to be able to look hama in the eye and tell her why they're not actually the same (especially now that she actually did bloodbend someone in cold blood). katara has the love and support and safety to step back from her anger and her pain and her grief and hang onto her own humanity and allow herself to be the bigger person even in moments of abject rage and acute trauma, and hama doesn't. hama is a victim of her circumstance, and that's part of what makes her so uniquely terrifying to katara, because katara has that same capacity to make people hurt, she has the same tools at her disposal, and she has the same justifications to exercise that power. but unlike hama, she hasn't actually been pushed past her limits. sometimes she can see the cliff's edge, and sometime she even teeters on the line, but hama was fully just shoved off without a parachute, and that's really what separates them above all. i think katara should be allowed to acknowledge that and forgive herself for that, even if hama doesn't directly apologize to her (although in my mind she does, and it's not enough, but it's also so much more than katara ever expected to hear). even if it is too late for hama, katara deserves to heal.

frankly, i don't really give a shit about pakku or his reaction to hama. i also don't actually think that he thinks woman are ontologically incapable of being talented waterbenders of whatever; he's a pretty worldly guy, the reason he clings to these traditions isn't born of the belief that they're grounded in logical evidence like sokka's is, it's because he believes in the preservation of a system that benefits and valorizes him. pakku thinks katara belongs in the healing huts because he comes from a culture that dictates that women belong in the healing huts. like, he might also subscribe to the bioessentialist logic that women are better healers and men are being fighters, but that honestly doesn't really matter, because (unlike sokka) his epiphany lies not in the fact that woman can fight, but in the fact that his role in upholding these systems has actively driven his loved ones away due to his cruelty. he decides to be kinder, to women and in general, because he realizes that being an asshole has negative consequences. but frankly, who cares what he thinks of hama. realizing that your sister tribe in the south deserves aid and protection after being subjected to a century of genocide is kind of too little too late imo. unlike katara, sokka, aang, or kanna, who can approach this situation from the perspective of being a genocide survivor who even remotely understands hama's trauma, pakku really has no place in this conversation to me.

as for kanna...... god. hama/kanna reunion is genuinely one of the most heart-wrenching concepts to me in all of atla. as a sidenote, hama/kanna fanfic goes so hard every time. there's a total of like 15 fanfics for them on ao3 (last i checked) but they're all sooooooo. fucking delicious. tide locked........... ugh. anyway. i cannot fathom kanna's reaction upon learning that her closest friend once upon a time is not only alive, but also a convicted felon, for crimes including but not limited to manipulating her granddaughter, violating her (and sokka's) bodily autonomy in cruel and perverse ways, and forcing her to participate in that mode of violence in a way that traumatized her forever. even if you don't read them as former lovers (although it is indubitably better that way) it's so gut-churning. kanna lost so many people over the course of her life, and to learn that one of them has returned but in the worst way possible must be mind-boggling and distinctly unreal. like how do you even process that. first, how do you process how much pain she must have went through to become the kind of person who is capable of doing this, and then, how do you process the knowledge that the person you once loved most in the world irreparably hurt the person you now love most in the world? obviously she would always prioritize katara's safety over anyone else's no matter what, but god. kanna has led such a fascinating and impossibly difficult life, and it's not over yet.

#kallianthi #asks #analysis #postwargaang #hama #katara #pakku #kanna #hamaxkanna #hama&katara #also i didn't mention it in the post itself bc i've talked about it before but yeah i very much agree that i wish hama had been framed #differently because i do feel like making her into a cackling witch kind of undermines the whole point of the episode #she's someone who is deserving of our empathy and understanding despite her violence and by reducing her into a caricature #we lose that nuance #but otherwise it's such a fascinating episode.... #kataraaa.... katara i love you katara <33333

[obaex]

the bet - jj maybank or rafe cameron

summary: two guys have their eye on you and when kiara baits you into a bet, it quickly becomes clear how your night will end.

word count: 2.5k

a/n: this fic has two alternate endings for you to to choose from for either rafe or jj (or both! live your life! dream your dreams! lord knows i'm incapable of choosing, hence, this fic!) ♡

The sun danced between the fronds of the palm trees above you, warming your cheeks and the slow smile on your face as you swayed back and forth in the hammock in John B's backyard. You felt JJ's warm, calloused hands running up your bare leg and you were sure your cheeks flushed a deeper shade of red when you felt his fingers toy with the frayed hem of your denim cutoffs, sending goosebumps across your body despite the stifling heat of the summer day.

You gnawed on your bottom lip as you replayed the way the two of you had been relentlessly flirting over the last few weeks. What had started innocently enough: his chin resting on your shoulder as you read, his hand at your lower back when you were out together, had quickly escalated to his smoldering gaze following you during parties, him grasping your hips firmly and pressing his body against yours as he snuck by you in the kitchen, leaning down just far enough to whisper "'scuse me" as he went by. The catch? It hadn't gone any further than that, than stolen looks and eager, wandering hands; something you were keenly aware of as you felt his fingers on your thigh and your eyes fluttered open to catch his baby blues drinking you in just as your friends began chatting nearby about the bonfire that night.

Within a few hours you were at Tanneyhill with Sarah getting ready, intent on making sure you looked absolutely perfect. Between the billowing steam of her shower and the heat of her blowdryer, curling iron and straightener, the humidity in her bathroom had become a threat to your hair and makeup, so you carried your makeup bag into Rafe's bathroom. You were deeply focused on your mascara when you heard a muffled voice and turned to see Rafe pushing the door open as he pulled his shirt over his head.

"RC?" you said with a laugh in your voice as you tried to get his attention.

"Geezus! What the hell are you doing in here?" he asked, looking you up and down.

You took in his shirtless form, from his incredibly large biceps to his toned abs as your mouth curved into a smile and you leaned against the counter, eyeing him unabashedly. "Sarah said it was okay for me to use your bathroom, she steamed up her mirror."

He smirked at you, basking in the way you were checking him out and subtly puffed his chest out, flexing his muscles as he returned the favor, taking in the way your short sundress accentuated every dip and curve of your body, the way your makeup highlighted your perfect features from your sparkling eyes to your glossed lips.

"You goin’ with her tonight?" he asked. "Please tell me you're not spending the night with those stupid pogues."

You rolled your eyes at that and turned around to continue with your makeup, like it wasn't his bathroom you were using in the first place. You leaned precariously over his counter to get closer to the mirror, your dress riding up considerably. "They're not bad people" you said simply.

Rafe's eyes quickly darted from the newly exposed skin of your tan legs to your face in the mirror. "Not bad people?" he said, exasperated. "Kiara is minutes away from being written out of her own trust fund, John B is essentially homeless and don't even get me started on Maybank, that kid is a walking liability."

You caught his eye in the mirror at the mention of JJ before pushing your mascara back in the tube and turning to face him. "Aww RC, you really care about me, huh?" you teased, using the nickname you'd had for him for as long as you could remember, one that he absolutely adored (a fact he would deny to anyone who asked him).

He watched you gather your things, sad to see you leave. "You're better than all that" he said. "And you know it."

"M'just having a little fun" you replied, winking as you brushed past him. "See you there?"

He pushed his tongue into his cheek, nodding with a hint of frustration at how you were shrugging him off, at the thought of you spending time anywhere near those lowlifes.

"Nice dress" he shouted after you as you left his room, and you threw a hand over your head to wave at him in acknowledgement.

The bonfire was as fun as you could remember; the fizz of your fruity seltzer, the salty air coming off the ocean, the smell of the firewood and the flickering light it cast made it feel like anything could happen. You were sitting with Kiara and Sarah, but had caught JJ's eye a few times across the crowd; in fact, you were just thinking about walking over to him when Kiara broke the silence.

"You're basically one of us now" she said through a hazy smile.

"Yeah?" you replied, smiling, your cheeks warming at the sentiment.

"Yeah, but you need to loosen up a bit, you're radiating kook right now" she said, offering you her joint, which you politely declined.

She shook her head at you as she took a hit. "You need to be more adventurous."

"I'm plenty adventurous!" you argued.

"Wanna bet?" she said, goading you on.

You continued to argue amiably back and forth, unaware that Rafe was lingering nearby, listening intently to your conversation. He hated that you were here with the pogues, he knew nights like this where everyone was together were prime for them to start some stupid shit that he didn't want you in the middle of. Even from here he could hear Carrera egging you on, offering you drugs and he was about to step in when the next sentence out of her mouth made him pause.

"I bet you $50 you won't kiss the next person who fills their beer at the keg" she said, nodding in that general direction. "And I don't mean a peck on the lips, I mean full on macking."

"Deal" you said, without a moment's hesitation, perhaps a bit more confidently than you felt.

Kiara's eyebrows raised in surprise and Rafe choked on his beer as he watched the three of you clink your drinks together.

It was only a matter of moments. The keg was the most popular place to be tonight. You scanned the crowd nervously, eyes flickering over geeky tourons with horrible sunburn and cringing until your gaze landed on John B and JJ walking purposefully through the crowd, right towards the keg and your heart leapt in your chest. They were talking animatedly about something, joking around with one another as John B reached absentmindedly for the tap.

"Oh shit" Kiara mumbled as Sarah visibly tensed beside you.

But at the last minute, JJ grabbed the spout from him and began to fill his cup.

: ̗̀ This fic has two possible endings: one with JJ, and one with Rafe. From here, you choose! Keep scrolling to see Rafe's ending ♡

JJ MAYBANK

You could feel your heartbeat in your palms as Kiara nudged you forward. After a moment you began walking towards the keg, edging purposefully in and out of the crowd until suddenly you were in front of JJ, and it was like time stood still.

He glanced up at you, a smirk lingering on his lips from his conversation with John B and he had only a moment to drink you in greedily from head to toe before you stepped forward and grasped the front of his cutoff tee, pulling his face down to your own.

Your lips found his and despite the frantic energy, they met softly as he let out a muffled mumble in surprise, weeks of dreaming about what you would taste like coming true. It didn't take him more than a second before he dropped his half-full cup of beer in the sand, completely forgotten as one of his arms wound around your waist and the other came to grasp the side of your face, pressing into you in earnest, sending your stomach into a summersault. You released his shirt only enough to wind your arms around his neck and he nearly lifted you off the ground with his urgency.

You tried to pull back, to catch your breath, to explain, but he wouldn't let you go. "Mmhm" he mumbled in refusal, doubling down his efforts, grasping you firmly as he nipped your bottom lip and then his tongue slid into your mouth.

"Oh, shit!" John B said, laughing and you could hear Kiara and Sarah cheering in the background, but it all faded out as your heart thundered in your chest. Your whole body was electric with the feeling of his kiss, like fireworks in your veins. You were nearly shaking with adrenaline, with the overwhelming sense of his proximity, your chest heaving against his, when he finally pulled away, his blue eyes twinkling at you, with a soul-crushing smile on his face, his eyes searching your lips hungrily before they flitted over your shoulder.

"Can I help you, Cameron?"

You spun around in JJ's arms to see Rafe standing next to the keg, staring straight at you with a fiery glare so fierce it made your cheeks heat.

You were utterly confused.

He wasn't moving to fill up his beer, and you could see that his cup was full from where you were standing. But if he wasn't here for the beer... Had he heard your bet with Kiara? He did have a habit of staying near you during parties. He was breathing heavily, like he'd run here... wait... Did he want to kiss you? Your eyes met his and you immediately had your answer as your heart dropped into your stomach. Your grip on JJ loosened just a bit, but his warm hands wouldn't let you go, if anything he held you tighter.

"Take a picture, buddy, it'll last longer" he snapped at Rafe.

Rafe took one more look at you and then brushed past you.

Well, shit you thought.

RAFE CAMERON

You were on your feet, pushing your way through the crowd, your mind clouded with anticipation and the fruity buzz of your seltzer when you felt a firm hand on your upper arm and you turned to see Rafe looking... angry? You were confused as he was never ever angry with you despite the way he treated other people. He was breathing heavily like he'd run to catch up with you and he hardly met your eyes before his hand moved gently down your arm, his large fingers wound through your own, and he began pulling you behind him, away from the party and bright lights towards the parked cars.

"Can I help you, RC?" you asked impatiently as you tugged at his hand. "M'a little busy--" you started to say before he stopped walking so abruptly you nearly crashed into him. He spun and pulled you into his grasp, never releasing your hand as the other cupped your cheek, the momentum pulling you within inches of each other.

His lips were close enough for you to feel them, but he didn't move to kiss you, instead you could feel his warm breath on your face, could smell his mint gum, smell him, clean like citrus with just a hint of sweat that was making your head spin on its axis. You ran your hand up his arm, vividly recalling every curve of his body from earlier, your breath catching at the feeling of his hard muscles beneath his fitted shirt.

He began walking you backwards, eyes never leaving yours, boring into you until you met the cool exterior of his truck with your back, which he pushed you against gently, caging you in. His pupils were blown wide and he bit his bottom lip as his eyes traced your face and lips.

"Still up for a little fun?" he murmured, his hand moving to roam your body as your breath hitched.

You struggled to find your words at the feeling of his touch, all you could do was nod and he smiled, leaning in and lingering there to tease you, the anticipation making you squirm ever so slightly as you tried to move closer to him, until he relented, pressing his lips to yours with perfect passion, like he was devouring you, as he pressed you into his truck hard enough for it to make a sound. You had no business reacting the way you did as you tried to muffle a moan against his lips and failed miserably, at once happy for the discretion of being so far away from prying eyes. You could feel him smile against you as his hands moved to your thighs, picking you up and letting your legs wrap around his waist as his tongue found yours. You wound your arms around his neck, desperately trying to pull him closer to you, your fingers tangling in the hair at the base of his neck.

"Rafe" you whispered in a brief reprieve, in an attempt to get air.

There it is, he thought. Not his nickname, but his full name coming from your perfectly plump lips that were swollen from him. He rested his forehead against yours, his chest rising and falling, before he moved to set you down.

You had to physically bite your lip to keep from whining, not understanding why he would stop. Had this all gone way too far way too fast? you thought, all the while refusing to let go of him. He was reaching into his back pocket. He pulled out his wallet, flipping through a thick wad of bills before pulling out a $50, folding it in his fingers and handing it to you as he shoved the rest and his wallet back in his pocket.

"What?--" you started to ask.

"Go tell Carrera you aren't going to be kissing random strangers or pogues for the foreseeable future, yeah?"

You couldn't hold back the smile on your face as you looked up at him and reached for the bill.

"Yeah?" you said back - Are you saying what I think you're saying?

"Yes" he said resolutely, leaning forward to press a kiss to your cheek, your jawline, to the tender skin on your neck where he began sucking as he pushed you backwards again, ensuring there would be a bruise big enough and dark enough for everyone to see. You squirmed against him, eyelids fluttering shut until you heard a voice calling your name that had them flying open as you pulled yourself upright.

"JJ?" you said.

Rafe pulled back and turned around and you both saw JJ jogging towards you before he slowed to a stop. He took in your hand lingering on Rafe, the strap of your dress hanging off your shoulder, your mussed hair, smudged lip gloss and the dark bruise forming on your neck.

Rafe pulled you into his chest and you could feel him tense against you as he squeezed you firmly.

JJ looked at you, dumbfounded, before he swallowed. He was normally so quick with a snarky comment and right now you wished for anything that would break this awful silence. He looked at you and Rafe again, pulling his hat off and running his hand through his hair before muttering, "Sarah and Kie are looking for you.”

Well, shit you thought.

taglist: @gillybear17, @palmwinemami, @moremaybank, @one-sweet-gubler, @m-indkiller, @diary-of-jj, @crlsummer, @xxbimbobunnyxx, @belle101200, @ihe4rttwd

#rafe cameron #jj maybank #obx rafe cameron #obx jj maybank #outerbanks rafe #jj outer banks #rafe obx #jj obx #rafe outer banks #jj obx imagine #rafe cameron fanfiction #rafe cameron x reader #obx fanfiction #rafe fanfiction #jj maybank fanfiction #obx jj

[ghostsandmermaids]

Fandom Manifesto: Hello From The Hallowoods

(Originally written for the Fandomanifesto community on Pillowfort.)

Here's a (mostly spoiler-free) fandom manifesto for my favorite podcast, Hello From The Hallowoods. (Please try to keep the comments on this post spoiler-free as well.)

What is a fandom manifesto?

Inspired by ship manifestos, a fandom manifesto is an essay meant to introduce people to a fandom and promote it by explaining its appeal. It's a really fun tradition that I would love to keep going.

What is Hello From The Hallowoods?

Darker than your dreams, and farther North than you remember, there is a forest where life and death meet…

Hello From The Hallowoods is a queer horror podcast written and produced by William A. Wellman (they/them). This is the official description (taken from Spotify):

Come walk between the black pines! In this award-winning queer fiction podcast, a cosmic narrator follows the increasingly connected residents of the forest at the end of the world. It's a bittersweet story that explores queer identity, horror genre tropes, and finding hope in humanity's last moments.

It's set in a forest in northern Canada (the Hallowoods) in a post-apocalyptic world plagued by the black rains. The story follows the inhabitants of the Hallowoods—only some of whom are alive and human—as their lives become increasingly interconnected. 

The podcast is narrated by Nikignik (he/they), also known as One Hundred Eyes in the Dark, an eldritch god who speaks directly to the listener via their nightmares. He begins to tell these stories because he's grieving his partner, another god called Marolmar (he/him), and humans were the last thing Marolmar created. Over time, Nikignik changes from a more passive narrator to an active character in the story.

There are a lot of characters, including but not limited to:

a nonbinary Frankenstein's creature piercing together their identity

a trans ghost dealing with his occultist father

an invisible man finding love at first sight

a genderfluid storm witch trying to prove themself

a retired rockstar and her punk butch lesbian daughter

a floral-suit-wearing demon on a celestial audit of earth

a starwolf on a mission to kill said demon

a killer robot skull and his pet dead seagull

an unkindness of ravens (yes, they are one character)

… and many, many more.

How scary is it?

It's a horror podcast, so there are some scary moments, but for me, the story feels very comforting and bittersweet as it explores horror tropes in a really unique way. According to the website:

It's been described as a show that helps you sleep easier, rather than one that keeps you up at night.

The story also explores themes like religious trauma, isolation, death, grief, and queerphobia, so please check the content warnings at the end of each episode description or at the start of each episode transcript. Transcripts are available on the website.

Why should I listen to it?

If the description above didn't convince you, here are some more reasons why you should listen to Hello From The Hallowoods. 

There is so much content! I often complain about books being almost always standalones or duologies lately and TV seasons only being 8-10 episodes. If I really like something, I want to spend as much time with it as possible!

With HFTH, I don't have that problem because there is so much to listen to! There are currently (almost) 150 episodes available (plus a few live shows and bonus episodes), and new episodes come out every Wednesday. There are also weekly 100-word bonus stories on Patreon, and a tie-in novel called One Hundred Eyes In The Dark is currently in the works, so if you're looking for a story you can get really invested in (or if you're angry that all your favorite shows have been canceled), HFTH is perfect for you!

There are so many queer characters, disabled characters, and characters of color! If you're looking for a really diverse show, you will love HFTH. (I cried when I heard a character describe herself as aromantic.) But even aside from the diversity, the characters are just amazing. I mean, "What if Frankenstein's creature got love and support and was an absolute cinnamon roll?" is the perfect character concept. The villains are also really compelling and well-written. 

It's a great introduction to podcasts, especially for book lovers, because it often feels like a very immersive audiobook! The voice acting and music are incredible, and even though there are a lot of characters, you can tell them apart very easily by their voices. If you like fantasy and horror books, this could be your introduction to the world of audio dramas. 

That being said, if you have listened to other horror podcasts before, you will still love this one! It sometimes reminds me of Welcome To Night Vale, but the setting and characters are very unique, and the writing is so, so beautiful. 

It's also a great introduction to horror! I used to avoid horror media because I get scared very easily, but horror podcasts (and especially Hello From The Hallowoods) made me discover how much I actually enjoy horror. HFTH explores horror tropes in such a kind, unique, and hopeful way, and as sappy as that sounds, listening to it makes the horrors of everyday life a little easier to deal with. 

If you like Malevolent (another really great horror podcast), Harlan Guthrie has a guest role in HFTH! You might also recognize Mx. Wellman's voice from other podcasts like WOE.BEGONE, The Silt Verses or Old Gods of Appalachia. 

The fandom is amazing! Everyone is so kind and talented, and we always have a lot of fun theorizing about what will happen next. There's even a fan-run Discord server!

We also have a fan wiki, and in addition to the official information, we also have a "fun gender" for each character. Here are some of my favorites:

Tumblr Sexyman (Official)

Eye-Affiliated Podcast Host

Deer that will fuck you up

Whatever the hell was going on with the guy from Shape Of Water

Nightmare Personality

Hot Topic Goth

Dilf Automobile

How do I listen to it?

You can listen to Hello From The Hallowoods on the podcatcher of your choice. Here are some suggestions from the Hallowoods website:

Spotify

Apple Podcasts

Podbean

YouTube

Google Podcasts

It's not an anthology, so please listen to it from the beginning to see how the different characters and plot threads come together. 

The show is entirely ad-free and sponsor-free, so if you like it and want to financially support it, please consider joining the show’s Patreon.

And that's it! There are many things I didn't include for spoiler reasons, but this should give you a basic idea of what HFTH is about and why I love it so much. 

I hope I convinced you to listen to Hello From The Hallowoods, and maybe you will love it as much as I do!

#hello from the hallowoods #hfth #fandom manifesto #podcast recs #podcast recommendations #horror podcasts #long post

[not-goldy]

Do you sometimes think that Jimin is the smartest member in the band and that he is one of the smartest people I have ever known? How can a person be aware of what is around him to this degree of accuracy? He knows exactly how to deal with people and fulfills the emotional needs of the person he interacts with. He also knows his goals well and always seeks to develop himself.

in every period of time you will find him has developed a new skill to deal with those around him. I find that in his saying, “Rather than pushing those people away, I learned how to react less emotionally to them,” there is an amount of maturity that I have never seen before in my life, and as a psychology graduate, I adore Jimin's way of encouraging himself with self-talk. I see that he uses many psychological methods to conduct his life, and this indicates that he is aware of the shortcomings in his personality and always tries to improve them. He is the member who shows the most change at the level of personality and self-acceptance from the days of his debut until now. I respect him very much.

Lastly, people may mistake Jimin's humility for his lack of confidence, but is there a person who does not have confidence who would say such things to his father when he was a child? I am always thankful for festa 2021 because it showed me the confident side of Park Jimin. He really can make his own way.

It's not surprising he is a Libra.

It's not uncommon for Libras to exhibit such innate higher level of self awareness but the social and emotional intelligence is all him I'm afraid.

I definitely think he's the most emotionally intelligent MALE not just in BTS but in the world 💀

He's still a very young man but he's dedication to learning growing and becoming his higher self is admirable.

In a world full of douchebags running around beating their chest and trying to force every female to bow to them just because of their private part Jimin is a breath of fresh air.

Beautifully written 🔥🔥🔥

[lillybearrie]

Hello I would like to remind everyone that the first (technically second if you wanna get really technical but who cares) thing we heard from fable was

"Release Me,

You are free of Enderian, now focus on purpose"

Directed at Icarus

"Now focus on your purpose"????? WHAT HAPPENED TO "HI" "HELLO" "HOW ARE YOU MY SON"

BECAUSE NEWSFLASH SIR THAT'S NOT HOW YOU TALK TO YOUR FUCKING CHILD

THEY AREN'T A FUCKING ROBOT TO TAKE AND CARRY OUT YOUR ORDERS THAT'S YOUR GODDAMN KID!

PEOPLE TREATED SEVEN WITH MORE FAMIARITY AND RESPECT

no offense to seven great guy rip man BUT STILL

Anyway on to actual analysis

After reading this note, several deductions can be made about our antagonist's character right off the bat, which in season 3 we see to be accurate assumptions

First of all the sending of the note "release me" constantly at the beginning of every reset presumably for the past several ones gives us a base line of a few things A) whoever wrote it is trapped B) they really want out C) whomever was to recive the note presumably can help with this D) this person is either very angry and resorting to formal wording as a form of passive aggression or they are simply a very formal person Had this not been the case they would have written "let me out" or "get me out" or even "help me"

Now for the post-corruption portion

"You are free of Enderian"

1) this person knows Enderian 2) This person knows at least of Icarus 3) They intentionally have been sending these to Icarus 4) despite being trapped they have some way to know what is going on 5) their particular view of Enderian is not favorable it's not overtly antagonistic however this is the one part of the not that can be read as at least partially sympathetic to Icarus

Finally "Now focus on your purpose"

1) they don't see Icarus as anything but a means to an end 2) tone wise it feels like both the chastisement of a child and an order to an unthinking being 3) "your purpose" seemingly refers to the prior statement of "release me" either implying that the writer believes Icarus is only here to get them out of wherever they are or that Icarus's sole purpose in life is to aid and assist them and 4) the use of "now" after the previous statement implies they view the corruption arc as simply something that was inhibiting the progression of them being let out

First off once again SIR THAT IS YOUR CHILD YOU MOTHERFUCKER-

In conclusion deductions that can be made from this note with the knowledge that i now hold are as follows: Fable wanted out of purgatory, they issued Icarus with the fulfillment of this task and saw the corruption arc as merely a speed bump on the road of getting his ass outta there. Fable is a pretentious douchebag. Like everyone else in his life Fable is constantly using his own son as a means to achieving his end goal.

Other notes:

Had Fable's motivations not been his underlying obsession with keeping what he believes is "his" even when it disrupts and disregards the rules of the universe and the sanctity of life he likely wouldn't have given 2 shits about Icarus.

If we view Fable's interactions with others through the lense of him thinking of those of the overworld as "his" his people his creations his world then it starts to become clearer that he only sees individuals as tools and for their potential usefulness to him. And if we want to take this view even further we could even say that he at least on some level viewed Alerion giving a place for his deceased mortals to restate something akin to how a child views their sibling stealing a toy from their room, which then implies that the war of the gods is just a big temper tantrum where Fable hurt his brother then his other siblings stepped in and went "hey woah man not cool you can hit Al dude he is literally just playing the game" to which Fable's response was to hurt them as well and now he's just got out of timeout and basically started blaming his parents for everything wrong in his life which is so silly goofy of him until you remember that these were people he was upset about his brother "stealing" from him and it becomes less silly goofy.

"But Lilly!" I hear you say because you've totally read this far, mhm definitely "If he doesn't actually care about the dead people, then why does he act nice? Why is his charisma stat so high?" Well to that I say is it easier to keep someone in one spot when you make them believe this is where they wanna be or when they know the whole truth?

#someone take my Tumblr privileges #why is this so fucking long #and how have i not made this post before?? #once again #thank you for coming to my ted talk #fable when i get you fable #i have hated this man since before we knew for sure that he sent that note because deep down i knew and i wasn't gonna let that slide #Icarus deserves better #so much better #also apologies for how discombobulated this might be i had like 4 separate trains of thought while writing this #so idk how coherent it is #fable smp

[not-quite-graceful]

Hey, um… with the whole “Bluejay!Jason” concept… has anybody ever considered it as an Inkheart reference instead of just a play off his name?

Follow me here, and sorry in advance, this turned into a ramble.

In the second book of the Inkheart trilogy, Inkspell, one of the main protagonists adopts a Robin Hood-esque approach to defeating the tyrant king, and adopts the name of ‘The Bluejay’ from famous folk legends and songs written by a beloved poet and often sung by travelling minstrels. He’s -Inkspell spoilers ahead, though this book is unironically older than I am- known for toppling said tyrant’s throne through the binding of a magic book (a recurring theme throughout the series, if you’ve never read it, which you should). He’s a champion among the Motley Folk, who were that world’s equivalent to a travelling circus and also regularly aid him in his quest to topple the Adderhead (the tyrant king mentioned above), and sought to help the poor and downtrodden. The Bluejay is aided and abetted by his family and friends, which include a shapeshifting wife, a daughter with the ability to make anything she reads come true, a fire-dancer who can speak to the flames, and a knife-throwing 'circus' prince with a black bear companion. (They're not called the Motley Folk for no reason, people!)

Now, consider for a moment: Little Jason Todd, in the local library, absolutely devouring the Inkheart series. It's everything a little kid could dream of in a fantasy book! And there's three of these fat books, what more could you possibly want? And he has an excuse to sit in a warm, safe building for a few hours.

Now imagine, Inkspell becomes his comfort book. Of course it does- every kid had one, and I can't imagine an orphan who grew up alone on the streets of Gotham picking anything other than a story about a strange man helping the opressed and downtrodden in a land he grows to call his own with the help of his family- and The Bluejay is an excellent father to his daughter, too, of course Jason pictured himself as part of that family, as whisked away into that world.

And of course, the rest of the series is wonderful too -Inkheart is where it all began, after all, and Inkdeath is the final triumph over evil!-, but Inkspell is a story about becoming. About learning to be more than you were born as- after all, if Mo the simple bookbinder could become the hero The Bluejay, what could Jason the street orphan become?

Maybe, instead of discovering this book in a library, he found it in the trash. And maybe he wondered, as he read it, why anyone would ever want to throw away the tale of Mo the Blujay, of Meggie the Silvertongue, of Resa the brave swift, of Dustfinger the loyal Fire-Dancer? (And maybe the last one took a while to get there, but he did get there! Eventually! And maybe Jason can understand why it took Dustfinger so long to truly come to trust someone again, because trust is a terribly dangerous thing to give to someone, because you can never really know what they'll do with it.) Maybe he read it through without knowing anything about Capricorn or The Shadow or why they feared the man named Basta, because they hadn't thrown away the first book, only the second. Maybe he wept for the death of Dustfinger, at the very end, because he didn't know that Death wouldn't keep him, because they hadn't thrown away the third book.

Maybe Inkspell found its place among his most treasured possessions. Maybe, when he met Batman and Bruce Wayne in one night and his life changed forever, Inkspell came with him, with its familiar story and characters and world and sorrows.

Maybe one of the first things Bruce did, upon seeing Jason reading that same battered old paperback, was to order Inkheart and Inkdeath and leave them in his room. Maybe that was when Jason started to realize that he wasn't going to leave forever.

(Maybe Jason and Dick would play Motley Folk together, because Dick was in the circus and could most certainly throw knives, even if it gave Bruce a heart attack every time he saw it.)

And maybe, after he could no longer have Robin, he remembered that old paperback book, that old story and that old world, and he thought of a new name for himself.

Bluejay, he thought, as he picked up the book that had been his constant companion for so many years. I'll be The Bluejay.

(I don't really know what this is. I saw some Bluejay!Jason art the other day and just started thinking of the Inkheart trilogy and the fact that Jason would absolutely have read it and probably loved it. And then it spiralled.)

#dc #batman #batfamily #batfam #batman family #jason todd #robin jason todd #the red hood #red hood #Bluejay!Jason Todd #bruce wayne #good parent bruce wayne #well he's trying to be #trying to connect with his new son #dick grayson #nightwing #inkheart #inkspell #inkdeath #mortimer folchart #mo folchart #mo inheart #inkheart trilogy #bluejay inheart #I think that's everything #let me know if there's something else I should tag

[newwillinium]

The Great Khans and the Tribes of Zion/Honest Hearts

So I noticed this a few nights ago when I was trying to decide what route to go for my newest Fallout New Vegas character, and I noted something that I don't think many people have really ever clicked on.

-][-

The Great Khans, in Fallout New Vegas, are written as stand-ins for Native Americans.

Hear me out.

They are a people who have been pushed east out of their ancestral homelands time and time again, later finding a home for themselves in the Mojave. They warred with other native tribes, Mr House and what would become the Families, and then later were subject to a brutal attack on their civilians which led them to be stuck on land that was their own but was sparse in resources and are unable to meaningfully fight back against the rising Imperialistic powers of Mr House and the NCR (President Aaron Kimball later referencing and using the same "Sea to Shining Sea" rhetoric as the United States did during the Great Western Expansion, at Hoover Dam).

But what really clicked this for me was that, in the NCR ending where the Great Khans ally with the New California Republic, they are once more kicked off of their land and are sent off to a far off distant Reservation.

After the Second Battle of Hoover Dam, the Great Khans returned for a time to Red Rock Canyon. The NCR's pressing need to expand proved greater than its promise of amnesty, and before long the government decided the Khans had to go. The surviving Great Khans were relocated to an isolated, barren reservation, well north of NCR trade routes

Sounds really familiar right?

And looking at the Great Khans within this context, really reframes the context of their raiding and deep bitter anger that the Elder Khans like Papa Khan and Oscar have against the NCR.

Colonization is an ugly brutal thing, and it is also a complex one.

Like the Great Khans in New Vegas, many Native American tribes ending up raiding American citizens as a way to fight back, to strike against a rising imperialistic threat that was eager and willing to grind them against their heel, to kill their culture and bring all under the American Empire.

They fought, raided, begged, pleaded, sent letters to congress, lobbied Congress and the President and the Director of Indian Affairs, even as the infinitely more wealthy and powerful United States (even just off of the weary years of Civil War) did little to nothing to step the Westward push and actively allowed it's military to perform as it may on and off orders to get the natives off of land that had once been promised to them but was now deemed too valuable for a mere treaty to hold any sway.

And to bring this back to the actual conversation I want to have, is that I wanted to state this realization of mind in order to contrast it with another example from the exact same game.

The Dead Horses, Sorrows, and White-Legs of Honest Hearts.

Where as the Great Khans are treated with a kind of weary respect, of a people crushed beneath the wheels of a infinitely more powerful empire, struggling to find hope in a FUTURE for their people and culture, the Dead Horses and Sorrows and White-Legs are. . .honestly written with far less respect in my eyes.

The Sorrows are being actively converted by a White Savior in Daniel, who sees it as his burden to show these "innocent savages" the true faith and demands that they give up their home so that they are not "tainted" by the harshness of reality. Where they have no other visible leaders then this Foreign Priest calling their faith and interpretation of his teachings through their own cultural lens as wrong-headed.

Where Joshua Graham, the butcher who helped Caesar commit cultural genocide on dozens of tribes alone, is elected War Leader by the Dead Horses and in some endings becomes worshiped by them. Even he warns Follows-Chalk to stay in Zion lest he be corrupted by the dangers of the wider wasteland.

Now you sound like Joshua. He always tells me the tribal life is better, that I should stay here and forget the outside world.

And the White-Legs are treated as nothing but a people wholly existing of hate that deserve to be destroyed because they have been fooled by Ulysses and Caesar. Never humanized, never given a chance to learn the truth for themselves, they are written and treated almost like generic Orcs in many fantasy settings. No matter what this tribe and people are consigned to doom and slaughter.

-][-

And I say all this because I find it deeply weird how disparate these ideas and depictions are between the main game of New Vegas and it's Honest Hearts DLC.

Why are the Great Khans given so much dignity and pathos, when the Honest Hearts tribes feel almost like caricatures?

Why is Honest Hearts the way it is? And why is the writing so disparate between the two sections of the game?

#fallout #fallout new vegas #great khans #honest hearts #fonv #fallout nv #new vegas #discussion #comments welcome

[otiksimr]

🌻

I kind of hate it when there’s a character in a show that appears younger than their actual age. Like the thousand year old lolis in Anime, I always found those to just be bad character design personally. You have these characters that are thousand of years old and yet appear and act like children, but then you get told that they are NOT children and are in fact immortal and yada yada. That’s just bad writing, if you’re going a have a young looking character that’s really old at least have them act their age and not their appearance.

I wouldn’t mind it so much if they didn’t have them act childish, because it makes it so unbelievable that they are some grand age. Have them act intelligent, have them act like an adult and not a child. It shouldn’t be that hard to do. I don’t care if it seems out of place- actually no, it should be feel out of place, that is a thousand year old child. Their appearance should clash their personality actually if you’re going to do that.

I shouldn’t even be talking I have a thousand year old ‘child’ character. The only difference is that instead of a little kid it’s a teenager. But he acts his age, he acts like someone who’s been alive for centuries, that’s how it should be written.

You can’t have a character concept and just ignore half of it until it becomes convenient to bring it up. Looking at you lolicons, really think that you can justify liking a character that looks and acts like a child because ‘well erm actually she’s a thousand year old immortal vampire-’ that is a CHILD. 

I don’t care how old she is she is physically a child, that should be reason enough to not be attracted to them. It would be different if she just looked like a kid, people can look younger than their actual age I’m not going to try to deny that. But then they make them act like a kid too and that’s just aheuaehaueha-

#Thanks for coming to my ted talk- #I probably repeat the same point a lot here #I have a lot of things to complain about oh goodness. #reblog :)

[vintagetvstars]

Bea Arthur Vs. Joan Collins

Propaganda

Bea Arthur - (Golden Girls, Maude) - Okay okay where do I even start!! Bea Arthur is incredibly attractive. She has a SUPER deep voice (stunning), a sort of regal, statuesque way of moving and talking, and she can kill you with a single piercing look. Like seriously. Her Looks have become a thing in both shows she plays a lead character in. Did I mention: TWO characters were *written for her*!! When she did Maude in 1972, she'd appeared on All in the Family as a side character and the people there loved her so much they went "this woman needs her own TV show". SO THEY WROTE IT. And made 6 seasons of it. That's how good she is. When the pilot for The Golden Girls was written, creator Susan Harris described the part that Bea would end up playing as a "Bea Arthur type" before they'd even cast her in the role. She was Jewish, she served as a typist and truck driver in the marines during WWII, she had a whole career off and on Broadway behind her by the time she started her career in television, and she was an ally to the gay community — there's even a shelter for homeless queer youth named after her. And did I mention her voice?? Because she can sing too!

Joan Collins - (Dynasty) - No text propaganda

Master Poll List of the Hot Vintage TV Ladies Bracket

Additional propaganda below the cut

Bea Arthur:

She was just so funny and compelling onscreen. She had great timing. And she was beautiful no matter what age and she was an incredibly LGBT+ ally.

I think it's a very common experience to start watching The Golden Girls and immediately develop a crush on Dorothy Zbornak - and it's not a coincidence. Between her statuesque figure, her regal poise, her sharp wit and her wonderful, deep voice, Bea Arthur brings so much to the table that it's impossible not to be head-over-heels in love with her from the very first moment she appears on screen. Career-wise, she's a legend of the small screen; she received the third most Emmy nominations for Lead Actress in a Comedy Series (an incredible 9!). Her guest appearance as Maude in All in the Family impressed both the public and the executives so much that they made a spin-off series *especially for her*. She led Maude - the sitcom - for six incredible seasons to critical and public acclaim, and this would already be enough to nominate her among the greats, but then - as the true queen she was - she went on to star into *another* legendary show, The Golden Girls, as *another* legendary character, Dorothy, and won another Emmy (as well as several nominations) for it, just because she could. As for her private life, she was known as a private, introverted person, who loved the simple things in life; all her fellow TV stars (including Angela Lansbury, who was a dear friend of hers) recall her as a kind, decent person and a wonderful professional, with impeccable work ethic and truly immaculate comedic timing. We do not support the military complex here, but we do support girlbosses winning, so let me just mention that she was one of the first women (ever!) to join the US marines; she was also a licensed medical technician. All in all - a legendary lady who definitely deserves your vote!

how many people can dress up as the Statue of Liberty and look this good?

have you ever seen a woman so beautiful you started crying

MOTHER

soft butch queen. Who else could rock a papillon like that?!?

1982 Bea Arthur - Fifty Percent.avi

Beatrice Arthur, Down in the Depths, 1980 TV

Joan Collins:

#vintage tv stars poll #tv ladies 2 #bea arthur #joan collins

[ladyloveandjustice]

You mentioned haruka kissing usagi when she was still dating michiru in the manga, and it got changed in the anime. Can you explain that to me and why it's bad?

I'm not really clear on the question here? To give further details of what happened, At this point Usagi didn't know Haruka's true identity, but had pretty much guessed, and she also didn't know her gender. Haruka really randomly kissed Usagi out of nowhere as Sailor Uranus while warning her to ~stay away~, Usagi had dreams about the kiss and wondered who Haruka really was, seeing Haruka in both her school uniform and the more feminine clothes she sometimes wore in the manga. When she woke up she was flustered and wondered if this counted as cheating...so yeah, dreaming about both aspects of Haruka turned her on. Then Haruka and Usagi meet up the next day, Usagi asks if she's a man or a woman, and Haruka leans in perhaps for another kiss, saying "does gender really matter?" But the Mamoru comes by, Usagi and Mamoru have a heart to heart about how he's been jealous and vice versa and then the plotline is just. dropped. forever. No impact on Haruka and Usagi's relationship going forward, no indication of how this affects Haruka's actual gf.

I'm really glad the 90s anime didn't do this (I'm not sure if they would have been able to, tbh, don't think the kiss would have been allowed'). It was big to see girls kissing in the manga and I think it gave a lot of young queer people so much of a thrill we didn't really unpack what else was going on, myself included. But it falls into a lot of unfortunate trope and make Haruka a despicable character-first in that she basically assaulted Usagi even if the narrative doesn't really treat it that way, checking off a predatory lesbian trope, and then she's remorselessly cheating on her actual girlfriend and we don't get any indication of what that means for their relationship because apparently that's not important. And then there's the aspect of Usagi leaving her lesbian dalliance behind to reaffirm her commitment to the heterosexual relationship, which feels gross. The plotline being introduced and dropped without any consideration for the impact on the characters makes it badly written.

In contrast, the 90s anime gave Haruka the habit of playfully flirting with every cute girl she sees, not just Usagi. It also hinted at Usagi's (and the other girls') attraction to Haruka without her needing to be assaulted, and there's no indication Haruka is interested in Usagi in particular. Haruka loves to hit on girls, and it's a habit Michiru's aware of and tolerates with an eye roll or quip, but both of them know she's never actually serious about her flirtations, and in contrast, as the season goes on, she becomes VERY serious about Michiru. It keeps the ladykiller who makes all the girlies question their sexuality aspect of Haruka without sacrificing her integrity or relationship with Michiru. The anime centers their relationship, and never forgets Michiru exists.

#ask nev #haruka tenoh #michiru kaioh #sailor moon #harumichi

[birdmenmanga]

@raventhekittycat

hi okay so I've been mulling this one over for the past day or two and I think I have the answer. not to be using hamburger to explain anything to an american but you're my detco mutual so I'm going to try and explain it in detco terms

There's a post going around recently about how if you've read detco and only detco, the first time hakuba shows up you're going to be totally flummoxed, because damn this guy is clearly important, he gets to be even cooler than Shinichi, he's got a half-page shot of him (in such a panel-dense series such as Detective Conan, no less!!) and he's got a fucking hawk. he's CLEARLY important. everything about the narrative is indicating that you need to PAY ATTENTION to hakuba and that he's the coolest guy and he's important!!!! and then he dies in the case lol (not for real. but still.)!! and you're like huh??? what was that. why did aoyama do that.

But with the context of magic kaito this totally makes sense. He's a beloved character that people have been waiting decades to see again. Of course Aoyama is going to hype him up!! It's his big moment after years of being locked in the backrooms!!!

Anyways reading birdmen for me was kind of like that. The author's previous series, Kekkaishi, was pretty one-dimensional at the beginning, and even after the main plot started picking up at around volume 6, it still felt quite understandable. I knew what she was trying to get at, and the spectacular job she did with the anthropocene and climate change metaphor towards the end of that series really made me interested in the rest of her works. That and the way she writes familial relationships is absolutely DEVASTATING. (I mean this with the highest of praise)

But when I read BIRDMEN for the first time, I was probably in... middle school, maybe? And I read it, sure, but I didn't get it. I could see what was literally happening on the page but the narrative choices were absolutely baffling at times. Why skip over the entire part of the plot where they figure out who the birdman that saved them was? She blatantly doesn't care about that. What does she care about then?? I knew I didn't get it, I knew there were parts of it that were important and I couldn't figure out why and THAT'S how it dug its pretty little claws into me. Even after I finished catching up it nagged at me a little bit, not often at all, but enough that every once in a while I go, huh, right, that was a thing, let me go read it again.

For the record this type of story haunting has happened to me twice. First time was the Heart of Thomas, second time was BIRDMEN. I think the thing is that these are both stories which are not what other people say they are and I think I came into both of these stories with a misconception, trying to look too hard for things that weren't important and therefore missing the things that were.

Because sure, BIRDMEN is about mental illness. Yeah, it's about an evil scientific organization growing mutants in a lab. Yeah, it's about what it means to leave your humanity behind. That's all technically correct, on a surface level, and the fandom at large likely agrees with these takes for the most part, but in my opinion none of that really delves into what the thematic messaging of the story is about.

There are cryptic conversations about authority and human extinction and peculiar outfit and ability choices. You can tell these choices weren't made to serve the purpose of "writing exciting shonen manga" because that was what she did for the most part in Kekkaishi and you can tell she wasn't putting her whole pussy into doing that here. So what was she doing? What's like. All of this. Waves my hands at this.

The short answer is that it's really about the interplay between capitalism (represented by humanity) and communism (represented by birdmen), and explores the role institutional white supremacy (EDEN) plays in enforcing capitalism. It is ALSO about queer liberation and the importance of community, but hey, that double-stacks conveniently with the communism metaphor.

But also take this opinion of mine with a grain of salt. As far as I know I'm the only one who really truly deeply believes that it is not only AN interpretation of the work, but one that was fully intended by the author.

So basically, I like it, because I think it says something true and beautiful that I also believe in, even if I didn't have the words for it the first time I read it. But I don't really think that's what people really look for in a media recommendation.

Do I like it? Yes, I love it. Will I recommend it to others? Yeah, sure. But do I think it's deeply flawed? Yeah, absolutely. It's flawed in the same ways as The Witch from Mercury— a rushed ending, too many threads that were opened and never tied together. The pacing and characterization is perfect in the beginning, and too rushed at the end. There are prerequisites you basically HAVE to read in order to understand the story (tempest for G-Witch and the communist manifesto for birdmen). I think a truly good story wouldn't have any of these things so if people don't like it I never blame them.

It's my personal experiences that make birdmen so profound to me. If you are not queer I just don't think Eishi coming out as a birdman to his mom will hit the same, just as an example. Sorry that I wasn't the kid you wanted me to be. I know you love me and you just want the best for me and that's why you're so controlling, because you think I can be saved by conforming to societal expectations. But I can't live like that. I can't be like that. And that's why I must go. etc.

Aesthetically I do love birdmen a lot. If I had to describe it in a few words it would probably be "chilling", "beautiful", and "powerful", which nicely coincides with the type of things I personally like to draw. It's also silly to a small degree but it's so serious and I know Tanabe can be way way way funnier (read kekkaishi for this. kekkaishi and hanazakari no kimitachi he were foundational to my sense of sequential art humor) so that's not really the standout trait of this series.

I can't let it go because I'm chewing this series like a bone. And it's taking me years but I am getting that sweet sweet marrow. By god. We are on year 3 of this shit and I am GOING to understand this series. and I'm going to make 3 video essays about it

#just thinking thoughts... #stray bird thoughts #so it's like... I don't like it because birdmen is good #I think I like it because I am a certain type of person and the author was trying to say something specifically to the type of person I am #OH #I'M THE TARGETED AUDIENCE THATS WHY I LIKE IT. #YEAH THATS REALLY IT!!! #A long time ago I said that birdmen wasn't written for the people who read it at the time it serialized. #it was written for the people they would become. #and I stand by that 100% #if it really stays with you there is going to be a reason even if you can't articulate it yet #and it may APPEAR sloppy to someone who doesn't see the queer or communist metaphor #like 'what is she doing what is she saying here she's not saying anything meaningful and emphasizing the wrong things' #but that sort of presumes she is gunning to make 'the best shonen manga ever' #which she clearly isn't. #I remember when I was reading fma with a bunch of my classmates and I'd lend them a volume or two every day #and a piece of feedback I received that has stuck with me was 'volume 15 was so boring' #(that was the volume recounting the ishval civil war. it was boring because we were middle schoolers and didn't REALLY get it.) #and like. I think to people who are looking for something like kks. the whole thing is going to feel like fma volume 15 #like WHAT is she going on about? ? ? #like witch hat and dunmesh I think are similar types of stories but I think these two are just executed way better than bm #but because of that it is just not as compelling to me you know. #like yeah yeah it's well constructed. we all see it's well constructed. #the metaphor is so well constructed that I don't feel the need to point it out. everyone is saying it already you know #but bm is cryptic enough and just slightly missed that execution enough that I feel like I'm pulling the analysis out of a smoking wreckage #recently I've been watching mentourpilot videos about airplane accidents and like. that's exactly it. #there's nothing to say about a perfectly executed flight. #it's the ones that failed. and in particular the ones that just barely failed by a little bit. that compels people the most. #cue my de communism is failure post. bc that bm sure did fail.

[tomurakii]

I like bloodweave. Okay. But I DON'T like the version of them in fanfic where Astarion is a dick and Gale is like. Whining and pleading for him to be emotionally vulnerable (or just. Nice to him) prior to the relationship being established. Because that is just not accurate. Gale needs the player to express interest in him during his weave-teaching scene before he even considers hitting on them properly. Gale is entirely resigned to his fate and needs someone else to pull him away from it. Gale only starts being sweet and romantic and devoted after you accept his love confession and give him hope for the future. Gale says fuck all and then slinks away to cry privately if you break up with him.

Like he isn't chasing after people lmao. He isn't dropping to his knees and crying about anything much less this dickhead he met a week ago. He is overwhelmingly passive about literally everything personal to him up to and including his own death (provided there are no casualties/there is a good reason) until after the player expresses that they care about him. Astarion is not doing that in any of these fics.

Like Gale is friendly and a dork and doesn't wanna get murdered but he fully has a suicide plan. He thought the artefacts would help him survive but he didn't believe he'd ever truly live again. If Gale confessed and Astarion said/did like one (1) mean thing afterward Gale's romance is closed off forever. He's wandering into the forest to cry. He's killing himself immediately. His fragile ego and self worth can't take it. You have to understand that when we joke about him being pathetic it's not bc he's like. Sopping wet and chasing people down and begging for a scrap of attention. It's because he craves affection but would literally rather die than ask or even hope for it until someone else forces that hope back into his serotonin-deficient tadpole brain.

#i feel like u can tell when a bloodweave fic is written by an astarion stan vs a gale stan lol #because the astarion stans are just using gale as a vessel for like. their sopping wet meow meow #who screams and cries until astarion becomes emotionally vulnerable with them #which gale would not do. realistic bloodweave is astarion tries to fuck him in act 1 and he refuses because of the orb #and then astarion is like “boo what the fuck. change of plans” and gale is like “okay” and they never speak of it again lol #anyway #please god the gale characterisation in this place. half of you make him the soppiest most pathetic loser and the other half make him evil #he's not ACTUALLY a loser. when i joke about it the reason its funny is because its not true #hes just a regular guy with depression lol. hes not out here debasing himself begging for some old twink to care abt him #bg3 #gale dekarios #bloodweave #gale of waterdeep #does this make sense. i havent slept #i just mean that if you want gale to be sappy he needs to have like. prior assurance that his feelings are reciprocated #because if he doesnt have that and astarion is a dick to him he WILL just give up on the relationship #like hes not hunting people down after they deliberately upset him. i see so many fics where they create tension by lime #*like #having astarion openly fuck someone else after establishing a sort-of relationship with gale. for the drama #like hey. gale fully dumps you if you do that in game!! you have no way to convince him not to. he will dump astarion for that permanently