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irradiatedsnakes · 3 years

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[ID: 7 drawings of monster!mechanisms designs. they are as follows: 1. a colored drawing of ivy alexandria that has been partially passed through the deep dream generator neural network, giving parts of the image a swirling, surreal appearance, often resembling eyes. 2. a digtal sketch of nastya as a ghost. her eyes are obscured by her glasses shine and she is covered in blue wisps, and dripping blue from her mouth and hands. 3. a digital sketch of drumbot brian as a centaur sitting down. his horse half is also mechanical and resembles a clydesdale. he also has horse-ish ears. 4. a sketchy bust of vampire marius. he looks smug, and looks to the side with a fanged smile. 5. digital sketch of partially-transformed werewolf gunpowder tim with doglike ears, claws, and a tail. he says "ok why did getting turned into that somehow give you a pitchfork." with a quizzical expression. 6. digital sketch of jonny d'ville as a devil or demon, with horns, pointy ears, cartoony wings, and a thin tail with a heart-shaped tip. he's holding a hellish pitchfork, looking confused and says "what? i already owned this.” 7. a traditional sketch of harpy/siren raphaella. she holds here feathery winged arms out, while her mechanical bat wings are unfurled behind her. her lower half is that of a bird. end ID]

ok ill post a couuuple. self indulgence machine go brrrrrrrrrrrrrrrrrrrrrr

ok so u know like back in the gravity falls fandom there was that really popular au called monster falls where everybody got turned into some sort of monster/mythological creature? i fucking love that scenario and have been making my own little “everybody gets cursed by a witch or something so now i get to draw these fun designs” aus for like everything i like (never did it w tma oddly enough? good inspo just never struck.) so here.......is..........this. not everybodys pictured here but go under the cut for a list of what everybody is plus some extra notes and stuff

lets just goooooo alphabetical order

ashes - OKAY HONESTLY STILL NOT 100% ON ASHES im THINKING half-dragon. yes i know i already went dragon for them in the furry au its just a good fit and also looks Cool, but also waiting out to see if i can think of anything better

brian - CENTAURRRR also again. yes. i know i went 4 horse for him in the furry au. its just good and has fun brian vibes. wanting to draw centaur brian was the thing that led to this au happening

ivy - ELDRITCH SOMETHIN OR OTHER...idk what youd call that exactly. but you get the gist. cosmic horror, eyes, unfathomable patterns and things. doing the deep dream stuff for her in that picture was very fun and im very happy w how it came out...definitely something to revisit in the future. not sure how i wanna draw her when...not doing a whole colored digital thing, but well cross that bridge when i can draw again

jonny - he’s. he’s a devil? a little demon guy? like. yeah. of course. this guy was fucking meant to have little wings horns and a cute little demon heart tail. he has somehow become MORE bastardly

marius - VAMPIRE MARIUS ONCE AGAIN HES JUST FUN. hes just fun and the aesthetic suits him. i cant wait to draw him in a fun little cape with one of those big dramatic collars you know the ones. vampire marius is of course @ alientoastt’s idea!!

nastya - BANSHEE...or ghost in general but there some banshee stuff i feel could be fun to integrate. apparently in some tellings banshees can turn into crows? i love that very much. but anyways hmm..some notes abt the design in thsi post shes not quite where i want her to be. this was done on that collab canvas the other day and like...was mostly noodling things out having fun, those flamey looking bits are a very nice motion very fun to do but NOT wwhat i want for ghostya. i want her to be more. drippy. very drowned person vibes. fire and upward-floating motif not what i want. but it was fun to draw. also i think theres some potential comedy in there with “person who predicts deaths” among crew who habitually murder each other

raphaella - SOMEWHERE BTWN HARPY & SIREN (the bird kind not the mermaid kind) very excited abt her. lots of fun potential poses here. doing her design was a bit tricky- sirens tend to be just like- big birds with human heads? but i didt wanna do just that that takes away too much of her design recognizbility yknow to Just have her head. so she has a people torso, bird from the waist down, plus her arms are wings. which means she has Two pairs of wings. which i for one think is incredibly fun like you remember in httyd2 valka’s dragon w the four wings? yeah. also avent figured what bird in particular shell be based on- for the ufrry au i went w african grey parrot but dont feel like that here. ill think on it

tim - WEREWOLF TIM DUH. DUH. also i think werewolves are especially funny in scenarios like thse cus like- okay everybody suddenly ahhh cursed ahh monster whatever. but then tims just there like. i mean i feel fine lol and u get to have the fun surprise of Oh Suddenly Werewolf. also the question of how exactly werewolves who change based on the moon function in a. spaceship. i like to think its entirely fucking random i think thats funny

TS - ANIMATED SUIT OF ARMOR!! I DONT HAVE MUCH MORE TO SAY ON THSI BUT I LOVE . THIS IDEA. and i will never draw it. because fuck drawing and designing armor oh my god

anyways i think thats??? all i have to say on this??? agdvjdkb. if you wanna talk about this at all (or if u wanna see more doodles...) im totally open to that. ill be real i get weirdly embarrassed about specifically this kind of au (like. monster stuff in general especially werewolf/vampire stuff i could not fucking tell you why. gotten better abt it over time though hey im actually postin this shit!) so im just happy i posted it afhcgvjdkvdg .

as for story type things like how. this happens. frankly i dont know thats not my forte. but the little bit of whatever ive got going on my head has the Terrific Trio of ivy marius & raphaella doing Research Science Whatever down on a planet somewhere get into contact with a Cursed Artifact or whatever the fuck and eventually get back to the aurora like. oh. uh. it happened to you guys too, huh. but thats like whatever honestly im not in it for the writing im here to draw fun centaur man etc.

if you made it to the bottom of this winding fucking ramble know that i love you. mwah. that was fun to write out i like thought barfing about stuff like maybe 3 people will care about

#art #mechanisms #no tags i dont think djgvdhbkdhbd #1 #2 #the mechanisms #ok im gong to hit post . ok #scopophobia

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jossambird · 3 years

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about your post last night 👀

HCS OF OUR BOIs AND READER WITH CHRONIC PAIN?

Okay, Im going to add the headcanons for MY chronic pain (neck nerve damage) since I dont want to act presumptuous and assume/pretend I know what other chronic pains are like!

They know your having one of those days when your not out of bed at your usual wake up time.

If you sleep alone in your room, they will crack your door open and listen to see if your still sleeping, or if you will grumble for them to close it again.

If you sleep with one of them, as a friend or lover, they will DEF know since your tossing and turning and muttering out angerly about your pillows being too high/too low.

Axel definitely will listen and massage your area of pain, telling you to stop wiggling away from his cold hands and to relax. He knows it wont help much, but he wants to try. When hes done, he knows what will make you happier and he lets you cuddle against him. He will even go as far as ‘Pspsps’ the cats and listen to your laughter as they all flock around you in bed.

Otto, this giant teddy bear okay, he will listen to you mumble and groan and go start you a shower/bath, mentioning how nice it would be to lounge in bed all day and read with you. While you wash and relax under the hot water, Otto makes snacks and brings them into the room for you.

Oscar is already behind you, holding you close and handling you pain meds to take. He will go around the house doing all of your chores (and messing half of them up because he’s trying to hurry to get back to your side), just so you dont have to worry about anything. You watch movies together in bed, cuddled together.

The next day when your feeling better, running around and jumping and no longer high out of your mind on medication, they will simply sit and watch you, enjoying the knowledge that your body didnt betray you as much today.

Bonus: Medicated Reader (heavily based off of yours truly on her pain meds) :

They do not understand one word out of five that your saying. Your just giggling and falling asleep and giggling more. English is no longer your mother tongue, Sleep-glish is.

You will say the most inappropriate things and not remember them 5 minutes after.

18++!

“Axel, when you come back from your run, Ill lick the salty sweat off your pecks down to your dick if you let me.” (He smirks, flattered. He never ran this fast, too eager to arrive home and see you, but doesnt wake you when he comes back, prefering to wash first. When he does though, he takes you up on that offer if your feeling well enough, rubbing up against you to show just how much your affected him.)

“That Milkman suit of yours always makes my panties wet because everytime, I imagine you filling me up with your milk, bending me over the milk van Oscar.” (He cant put it on or even look at it after that and not imagine that mental image anymore. He makes sure to put it on one day and brings you out to the countryside, asking you if your feeling up to being bend over.)

“I want to ride you in the Sauna and have your big hands move me up and down your cock Otto. God Id love that.” (Otto thinks about it for days, face permanently red until he cant take it, gathering his courage and asking you to join him to a solo Sauna day together. When you realize its a private sauna for only the both of you, he asks if your feeling well enough to ride him.)

All three praise you and whisper sweet nothings in your ear, congratulating you on being a good little lover and letting you know that you can stop if you arent feeling well enough anymore.

Because of course, your comfort comes first to them, no matter what.

#chronic pain #headcanons #the swedes #ikea mafia #tua swedes #the swedes x reader #umbrella academy swedes #tua axel #tua otto #tua oscar #axel x reader #otto x reader #oscar x reader #nerve damage #jossambird anons

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grigori77 · 3 years

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2020 in Movies - My Top 30 Fave Movies (Part 1)

30. BODY CAM – in the face of the ongoing pandemic, viral outbreak cinema has become worryingly prescient of late, but as COVID led to civil unrest in some quarters there were a couple of 2020 films that REALLY seemed to put their finger on the pulse of another particularly shitty zeitgeist. Admittedly this first one highlights a problem that’s been around for a while now, but it came along at just the right time to gain particularly strong resonance, filtering its message into the most reliable form of allegorical social commentary – horror. The vengeful ghost trope has become pretty familiar since the Millennium, but by marrying it with the corrupt cop thriller veteran horror screenwriter Nicholas McCarthy (The Pact) has given it a nice fresh spin, and the end result is a real winner. Mary J. Blige plays troubled LAPD cop Renee Lomito-Smith, back on the beat after an extended hiatus following a particularly harrowing incident, just as fellow officers from her own precinct begin to die violent deaths under mysterious circumstances, and the only clues are weird, haunting camera footage that only Renee and her new partner, rookie Danny Holledge (Paper Towns and Death Note’s Nat Wolff), manage to see before it inexplicable wipes itself. Something supernatural is stalking the City of Angels at night, and it’s got a serious grudge against local cops as the increasingly disturbing investigation slowly brings an act of horrific police brutality to light, until Renee no longer knows who in her department she can trust. This is one of the most insidious scare-fests I enjoyed this past year, sophomore director Malik Vitthal (Imperial Dreams) weaving an effective atmosphere of pregnant dread and wire-taut suspense while delivering some impressively hair-raising shocks (the stunning minimart sequence is the film’s undeniable highlight), while the ghostly threat is cleverly thought-out and skilfully brought to “life”. Blige delivers another top-drawer performance, giving Renee a winning combination of wounded fragility and steely resolve that makes for a particularly compelling hero, while Wolff invests Danny with skittish uncertainty and vulnerability in one of his strongest performances to date, and Dexter star David Zayas brings interesting moral complexity to the role of their put-upon superior, Sergeant Kesper. In these times of heightened social awareness, when the police’s star has become particularly tarnished as unnecessary force, racial profiling and cover-ups have become major hot-button topics, the power and relevance of this particular slice of horror cinema cannot be denied.

29. BLOOD QUANTUM – 2020 certainly was a great year for horror (even if most of the high profile stuff did get shunted into 2021), and this compellingly fresh take on the zombie outbreak genre was a strong standout with a killer hook. Canadian writer-director Jeff Barnaby (Rhymes for Young Ghouls) has always clung close to his Native American roots, and he brings strong social relevance to the intriguing early 80s Canadian setting as a really nasty zombie virus wreaks havoc in the Red Crow Indian Reservation and its neighbouring town. It soon becomes clear, however, that members of the local tribe are immune to the infection, a revelation with far-reaching consequences as the outbreak rages unchecked and society begins to crumble. Barnaby pulls off some impressive world-building and creates a compellingly grungy post-apocalyptic vibe as the story progresses, while the zombies themselves are a visceral, scuzzy bunch, and there’s plenty of cracking set-pieces and suitably full-blooded kills to keep the gore-hounds happy, while the horror has real intelligence behind it, the script posing interesting questions and delivering some uncomfortable answers. The characters, meanwhile, are a well-drawn, complex bunch, no black-and-white saviours among them, any one of them capable of some pretty inhuman horrors when the chips are down, and the cast, an interesting mix of seasoned talent and unknowns, all excel in their roles – Michael Greyeyes (Fear the Walking Dead) and Forrest Goodluck (The Revenant) are the closest things the film has to real heroes, the former a fallible everyman as Traylor, the small-town sheriff who’s just trying to do right by his family, the latter unsure of himself as his son, put-upon teenage father-to-be Joseph; Olivia Scriven, meanwhile is tough but vulnerable as his pregnant white girlfriend Charlie, Stonehorse Lone Goeman is a grizzled badass as tough-as-nails tribal elder Gisigu, and Kiowa Gordon (probably best known for playing a werewolf in the Twilight movies) really goes to the dark side as Joseph’s delinquent half-brother Lysol, while there’s another memorably subtle turn from Dead Man’s Gary Farmer as unpredictable loner Moon. This was definitely one of the year’s darkest films – largely playing the horror straight, it tightens the screws as the situation grows steadily worse, and almost makes a virtue of wallowing in its hopeless tone – but there’s a fatalistic charm to all the bleakness, even in the downbeat yet tentatively hopeful climax, while it’s hard to deny the ruthless efficiency of the violence on display. This definitely isn’t a horror movie for everyone, but those with a strong stomach and relatively hard heart will find much to enjoy here. Jeff Barnaby is definitely gonna be one to watch in the future …

28. THE MIDNIGHT SKY – Netflix’ big release for the festive season is a surprisingly understated and leisurely affair, a science fiction drama of big ideas which nonetheless doesn’t feel the need to shout about it. The latest feature in the decidedly eclectic directorial career of actor George Clooney, this adaptation of Good Morning, Midnight, the debut novel of up-and-coming author Lily Brooks-Dalton, favours characterisation and emotion over big thrills and flashy sequences, but it’s certainly not lacking in spectacle, delivering a pleasingly ergonomically-designed view of the near future of space exploration that shares some DNA with The Martian but makes things far more sleek and user-friendly in the process. Aether, a NASA mission to explore K-23, a newly-discovered, potentially habitable moon of Jupiter, is on its return journey, but is experiencing baffling total communications blackouts from Earth. This is because a catastrophic global event has rendered life on the planet’s surface all but impossible, killing most of the population and driving the few survivors underground. K-23’s discoverer, professor Augustine Lofthouse (Clooney), is now alone at a small research post in the extreme cold of the Arctic, one of the only zones left that have not yet been fully effected by the cataclysm, refusing to leave his post after having discovered he’s dying from a serious illness, but before he goes he’s determined to contact the crew of Aether so he can warn them of the conditions down on Earth. Despite the ticking clock of the plot, Clooney has reigned the pace right in, allowing the story to unspool slowly as we’re introduced to the players who calmly unpack their troubles and work over the various individual crises with calm professionalism – that said, there are a few notable moments of sudden, fretful urgency, and these are executed with a palpable sense of chaotic tension that create interesting and exciting punctuation to the film’s usually stately momentum, reminding us that things could go suddenly, catastrophically wrong for these people at any moment. Clooney delivers a gloriously understated performance that perfectly grounds the film, while there are equally strong, frequently DAMN POWERFUL turns from a uniformly excellent cast, notably Felicity Jones and David Oyelowo as pregnant astronaut Dr. “Sully” Sullivan and her partner, mission Commander Adewole, and a surprisingly subtle, nuanced performance from newcomer Caoilinn Springall as Iris, a young girl mistakenly left behind at the outpost during the hasty evacuation, with whom Lofthouse develops a deeply affecting bond. The film has been criticised for its slowness, but I think in this age of BIGGER, LOUDER, MORE this is a refreshingly low-key escape from all the noise, and there’s a beautiful trade-off in the script’s palpable intelligence, strong character work and world-building (then again, the adaptation was by Mark L. Smith, who co-wrote The Revenant), while this is a visually stunning film, Clooney and cinematographer Martin Ruhe (Control, The Keeping Room) weaving an evocative visual tapestry that rewards the soul as much as the eye. Unapologetically smart, engrossingly played and overflowing with raw, emotional power, this is science fiction cinema at its most cerebral, and another top mark for a somewhat overlooked filmmaking talent which deserves to be considered alongside career highs such as Good Night & Good Luck and The Ides of March.

27. PALM SPRINGS – the summer’s comedy highlight kind of snuck in under the radar, becoming something of an on-demand secret weapon with all the cinemas closed, and it definitely deserves its swiftly growing cult status. You certainly can’t believe it’s the feature debut of director Max Barbakow, who shows the kind of sharp-witted, steady-handed control of his craft that’s usually the province of far more experienced talents … then again, much of the credit must surely go to seasoned TV comedy writer Andy Siara (Lodge 49), for whom this has been a real labour of love he’s been tending since his film student days. Certainly all that care, nurture and attention to detail is up there on the screen, the exceptional script singing its irresistible siren song from the start and providing fertile ground for its promising new director to spread his own creative wings. The premise may be instantly familiar – playing like a latter-day Saturday Night Live take on Groundhog Day (Siara admits it was a major influence), it follows the misadventures of Sarah (How I Met Your Mother’s Cristin Miliota), the black sheep maid of honour at her sweet little sister Tala’s (Riverdale’s Camila Mendes) wedding to seemingly perfect hunk Abe (the Arrowverse’s Superman, Tyler Hoechlin), as she finds herself repeating the same high-stress day over and over again after becoming trapped in a mysterious cosmic time-loop along with slacker misanthrope Nyles (Brooklyn Nine Nine megastar Andy Samberg), who’s been stuck in this same situation for MUCH longer – but in Barbakow and Siara’s hands it feels fresh and intriguing, and goes in some surprising new directions before the well-worn central premise can outstay its welcome. It certainly doesn’t hurt that the cast are all excellent – Miliota is certainly the pounding emotional heart of the film, effortlessly lovable as she flounders against her lot, then learns to accept the unique possibilities it presents, before finally resolving to find a way out, while Samberg has rarely been THIS GOOD, truly endearing in his sardonic apathy as it becomes clear he’s been here for CENTURIES, and they make an enjoyably fiery couple with snipey chemistry to burn; meanwhile there’s top-notch support from Mendes and Hoechlin, The OC’s Peter Gallagher as Sarah and Tala’s straight-laced father, the ever-reliable Dale Dickey, a thoroughly adorable turn from Jena Freidman and, most notably, a full-blooded scene-stealing performance from the mighty J.K. Simmonds as Roy, Nyles’ nemesis, who he inadvertently trapped in the loop before Sarah and is, understandably, none too happy about it. This really is an absolute laugh-riot, today’s more post-modern sense of humour allowing the central pair (and their occasional enemy) to indulge in far more extreme consequence-free craziness than Bill Murray ever got away with back in the day, but like all the best comedies there’s also a strong emotional foundation under the humour, leading us to really care about these people and what happens to them, while the story throws moments of true heartfelt power at us, particularly in the deeply cathartic climax. Ultimately this was one of the year’s biggest surprises, a solid gold gem that I can’t recommend enough.

26. THE LAST DAYS OF AMERICAN CRIME – Body Cam’s fellow heavyweight Zeitgeist fondler is a deeply satirical chunk of speculative dystopian sci-fi clearly intended as a cinematic indictment of Trump’s broken America, but it became far more potent and prescient in these … ahem … troubled times. Adapted by screenwriter Karl Gadjusek (Oblivion, Stranger Things, The King’s Man) from the graphic novel by Rick Remender and Greg Tocchini for underrated schlock-action cinema director Olivier Megaton (Transporter 3, Colombiana, the last two Taken films), this Netflix original feature seemed like a fun way to kill a cinema-deprived Saturday night in the middle of the First Lockdown, but ultimately proved to have a lot more substance than expected. It’s powered by an intriguing premise – in a nearly lawless 2024, the US government is one week away from implementing a nationwide synaptic blocker signal called the API (American Peace Initiative) which will prevent the public from being able to commit any kind of crime – and focuses on a strikingly colourful bunch of outlaw antiheroes with an audacious agenda – prodigious Detroit bank robber Bricke (Édgar Ramiréz) is enlisted by Kevin Cash (Funny Games and Hannibal’s Michael Carmen Pitt), a wayward scion of local crime family the Dumois, and his hacker fiancée Shelby Dupree (Material Girl’s Anna Brewster) to pull off what’s destined to be the last great crime in American history, a daring raid on the first night of the signal to steal over a billion dollars from the Motor City’s “money factory” and then escape across the border into Canada. From this deceptively simple premise a sprawling action epic was born, carried along by a razor sharp, twisty script and Megaton’s typically hyperbolic, showy auteur directing style and significant skill at crafting thrillingly explosive set-pieces, while the cast consistently deliver quality performances. Ever since Domino, Ramiréz has long been one of those actors I really love to watch, a gruff, quietly intense alpha male whose subtle understatement hides deep reserves of emotional intensity, while Dupree takes a character who could have been a thinly-drawn femme fetale and invests her with strong personal drive and steely resolve, and there’s strong support from Neil Blomkampf regulars Sharlto Copley and Brandon Auret as, respectively, emasculated beat cop Sawyer and brutal Mob enforcer Lonnie French, as well as a nearly unrecognisable Patrick Bergin as local kingpin (and Kevin’s father) Rossi Dumois; the film is roundly stolen, however, by Pitt, a phenomenal actor I’ve always thought we just don’t see enough of, here portraying a spectacularly sleazy, unpredictable force of nature who clearly has his own dark agenda, but whom we ultimately can’t help rooting for even as he stabs us in the back. This is a cracking film, a dark and dangerous thriller of rare style and compulsive verve that I happily consider to be Megaton’s best film to date BY FAR – needless to say it was a major hit for Netflix when it dropped, clearly resonating with its audience given what’s STILL going on in the real world, and while it may have been roundly panned in reviews I think, like some of the platform’s other glossier Original hits (Bright springs to mind), it’s destined for a major critical reappraisal and inevitable cult status before too long …

25. BILL & TED FACE THE MUSIC – one of the year’s biggest surprise hits for me was also one I was really nervous about – the original Bill & Ted’s Excellent Adventure and its just-as-good sequel Bogus Journey have been personal favourites for years, pretty much part of my geeky developmental DNA during my youth, two gleefully dorky indulgences that have, against the odds, aged like fine wine for me over the years. I love Bill and Ted SO MUCH, so like many of the fans I’ve always wanted a third film, but I knew full well how easy it would have been for it to turn out to be a turd (second sequels can be tricky things, and we’ve seen SO MANY fail over the years). God bless Alex Winter and Keanu Reeves for never giving up on the possibilities, then, and for the original screenwriters, Chris Matheson and Ed Solomon, for writing something that does true justice and pays proper respect to what came before while fully realising how much times have changed in the TWENTY-NINE YEARS that have passed since Wyld Stallyns last graced our screens. Certainly times have moved on for our irrepressible pair – in spite of their convictions, driven by news from the distant future that their music would unite the world and usher in a new era of peace and prosperity, Bill and Ted have spectacularly failed to achieve what was expected of them, and they’ve grown despondent even though they’re still happily married to the Princesses and now the fathers of two wonderful girls, Billie and Thea (Atypical’s Brigette Lundy-Paine and Ready Or Not’s Samara weaving). Then an emissary from the future arrives to inform them that if they don’t write the song that unites the world TODAY, the whole of reality will cease to exist. No pressure, then … it may have been almost three decades, but our boys are BACK in a riotous comedy adventure that delivers on all the promises the franchise ever made before. Winter and particularly Reeves may have both gone onto other things since, but they step back into their roles with such ease it’s like Bill and Ted have never been away, perfectly realising not only their characters today but also various future incarnations as they resolve to go forward in time to take the song from themselves AFTER they’ve already written it (a most triumphant and fool-proof plan, surely); Lundy-Paine and Weaving, meanwhile, are both absolutely FANTASTIC throughout, creating a pair of wonderfully oddball, eccentric and thoroughly adorable characters who would be PERFECT to carry the franchise forward in the future, while it’s an absolute joy to see William Sadler return as Bogus Journey’s fantastically neurotic incarnation of Death himself, and there are quality supporting turns from Flight of the Conchords’ Kristen Schaal, Anthony Carrigan, Holland Taylor and of course Hal Landon Jr., once again returning as Ted’s grouchy cop father Captain Logan. The plot is thoroughly bonkers and of course makes no logical sense, but then they’re never meant to in these movies – the whole point is just to have fun and GO WITH IT, and it’s unbelievably easy when the comedy hit rate is THIS HIGH – turns out third time really is the charm for Matheson and Solomon, who genuinely managed a hat trick with the whole trilogy, while there was no better choice of director to usher this into existence than Dean Parisot, the man who brought us Galaxy Quest. This is the perfect climax to a trilogy we’ve been waiting YEARS to see finally completed, but it’s also shown a perfect way to forge ahead in new and interesting ways with the next generation – altogether, then, this is another most excellent adventure …

24. TRUE HISTORY OF THE KELLY GANG – Justin Kurzel has been on my directors-to-watch list for a while now, each of his offerings impressing me more than the last (his home-grown Aussie debut, Snowtown, was a low key wallow in Outback nastiness, while his follow up, Macbeth, quickly became one of my favourite Shakespeare flicks, and I seem to be one of the frustrated few who actually genuinely loved his adaptation of Assassin’s Creed, considering it to be one the very best video game movies out there), and his latest is no exception – returning to his native Australia, he’s brought his trademark punky grit and fever-dream edginess to bear in his quest to bring his country’s most famous outlaw to the big screen in a biopic truly worthy of his name. Two actors bring infamous 19th Century bushranger Ned Kelly to life here, and they’re both exceptional – the first half of the film sees newcomer Orlando Schwerdt explode onto the screen as the child Ned, all righteous indignation and fiery stubbornness as he rails against the positions his family’s poverty continually put him in, then George MacKay (Sunshine On Leith, Captain Fantastic) delivers the best performance of his career in the second half, a barely restrained beast as Ned grown, his mercurial turn bringing the man’s inherent unpredictability to the fore. The Babadook’s Essie Davis, meanwhile, frequently steals the film from both of them as Ellen, the fearsome matriarch of the Kelly clan, and Nicholas Hoult is similarly impressive as Constable Fitzpatrick, Ned’s slimily duplicitous friend/nemesis, while there are quality supporting turns from Charlie Hunnam and Russell Crowe as two of the most important men of Ned’s formative years. In Kurzel’s hands, this account of Australia’s greatest true-life crime saga becomes one of the ultimate marmite movies – its glacial pace, grubby intensity and frequent brutality will turn some viewers off, but fans of more “alternative” cinema will find much to enjoy here. There’s a blasted beauty to its imagery (this is BY FAR the bleakest the Outback’s ever looked on film), while the screenplay from relative unknown Shaun Grant (adapting Peter Carey’s bestselling novel) is STRONG, delivering rich character development and sublime dialogue, and Kurzel delivers some brilliantly offbeat and inventive action beats in the latter half that are well worth the wait. Evocative, intense and undeniable, this has just the kind of irreverent punk aesthetic that I’m sure the real life Ned Kelly would have approved of …

23. MUST MERCY – more true-life cinema, this time presenting an altogether classier account of two idealists’ struggle to overturn horrific racial injustices in Alabama. Writer-director Destin Daniel Cretton (Short Term 12, The Glass Castle) brings heart, passion and honest nobility to the story of fresh-faced young lawyer Bryan Stevenson (Michael B. Jordan) and his personal crusade to free Walter “Johnny D” McMillan (Jamie Foxx), an African-American man wrongfully sentenced to death for the murder of a white woman. His only ally is altruistic young paralegal Eva Ansley (Cretton’s regular screen muse Brie Larson), while the opposition arrayed against them is MAMMOTH – not only do they face the cruelly racist might of the Alabama legal system circa 1989, but a corrupt local police force determined to circumvent his efforts at every turn and a thoroughly disinterested prosecutor, Tommy Chapman (Rafe Spall), who’s far too concerned with his own personal political ambitions to be any help. The cast are uniformly excellent, Jordan and Foxx particularly impressing with career best performances that sear themselves deep into the memory, while there’s a truly harrowing supporting turn from Rob Morgan as Johnny D’s fellow Death Row inmate Herbert, whose own execution date is fast approaching. This is courtroom drama at its most gripping, Cretton keeping the inherent tension cranked up tight while tugging hard on our heartstrings for maximum effect, and the result is a timely, racially-charged throat-lumper of considerable power and emotional heft that guarantees there won’t be a single dry eye in the house by the time the credits roll. Further proof, then, that Destin Daniel Cretton is one of those rare talents of his generation – next up is his tour of duty in the MCU with Shang-Chi & the Legend of the Ten Rings, and while this seems like a strange leftfield turn given his previous track record, I nevertheless have the utmost confidence in him after seeing this …

22. UNDERWATER – at first glance, this probably seems like a strange choice for the year’s Top 30 – a much-maligned, commercially underperforming glorified B-movie creature-feature headlined by the former star of the Twilight franchise, there’s no way that could POSSIBLY be any good, surely? Well hold your horses, folks, because not only is this very much worth your time and a comprehensive suspension of your low expectations, but I can’t even consider this a guilty pleasure – as far as I’m concerned this is a GENUINELY GREAT FILM, without reservation. The man behind the camera is William Eubank, a director whose career I’ve been following with great interest since his feature debut Love (a decidedly odd but strangely beautiful little space movie) and its more high profile but still unapologetically INDIE follow-up The Signal, and this is the one where he finally delivers wholeheartedly on all that wonderful sci-fi potential. The plot is deceptively simple – an industrial conglomerate has established an instillation drilling right down to the very bottom of the Marianas Trench, the deepest point in our Earth’s oceans, only for an unknown disaster to leave six survivors from the operation’s permanent crew stranded miles below the surface with very few escape options left – but Eubank and writers Brian Duffield (Spontaneous, Love & Monsters, Jane Got a Gun, Insurgent) and Adam Cozad (The Legend of Tarzan) wring all the possible suspense and fraught, claustrophobic terror out of the premise to deliver a piano wire-tense horror thriller that grips from its sudden start to a wonderfully cathartic climax. The small but potent cast are all on top form, Vincent Cassel, Jessica Henwick (Netflix’ Iron Fist) and John Gallagher Jr. (Hush, 10 Cloverfield Lane) particularly impressing, and even the decidedly hit-and-miss T.J. Miller delivers a surprisingly likeable turn here, but it’s that Twilight alumnus who REALLY sticks in your memory here – Kristen Stewart’s been doing a pretty good job lately distancing herself from the role that, unfortunately, both made her name and turned her into an object of (very unfair) derision for many years, but in my opinion THIS is the performance that REALLY separates her from Bella effing-Swan. Mechanical engineer Norah Price is tough, ingenious and fiercely determined, but with the right amount of vulnerability that we really root for her, and Stewart acts her little heart out in a turn sure to win over her strongest detractors. The creature effects are impressive too, the ultimate threat proving some of the nastiest, most repulsively icky creations I’ve seen committed to film, and the inspired design work and strong visual effects easily belie the film’s B-movie leanings. Those made uneasy by deep, dark open water or tight, enclosed spaces should take heed that this can be a tough watch, but anyone who likes being scared should find plenty to enjoy here. Altogether a MUCH better film than its mediocre Rotten Tomatoes rating makes it out to be …

21. PENINSULA – back in 2016, Korean director Yeon Sang-ho and writer Park Joo-suk took the tired old zombie outbreak trope and created something surprisingly fresh with their darkly satirical action horror Train to Busan. The film was, deservedly, a massive international smash hit and a major shot in the arm for the sub-genre on the big screen, so a sequel was inevitable, but when the time came for them to follow it up they did the smart thing and went in a very different direction. Jettisoning much of the humour to create something much darker and more intense, they also ramped the action quotient right up to eleven, creating a nightmarish post-apocalyptic version of Korea which has been quarantined from the rest of the world for the last four years, where the few uninfected survivors eke out a dangerous day-to-day existence amidst the burgeoning undead hordes, and the value of human life has plummeted dramatically. Into this hell-on-earth must venture a small band of Korean refugees, sent by a Hong Kong crime boss to retrieve a multi-million dollar payday in stolen loot that got left behind in the evacuation, led by former ROK Marine Corps Captain Jung-seok (Secret Reunion’s Gang Don-won), a man with a tragic past he has to make up for. Needless to say, nothing goes according to plan … Train to Busan was an unexpected masterpiece of the genre, but I was even more bowled over by this, particularly since I got to see this on the big screen on Halloween night itself, just before the UK cinemas closed down again for the Second Lockdown. This certainly is a film that NEEDS to be seen first on the big screen – the fully-realised hellscape of undead-overrun Seoul is spectacularly immersive, the perfect cinematic playground for the film’s most impressive set-pieces, two astounding, protracted high-speed chases with searchlight-and-flair-lit all-terrain vehicles racing through the dark streets pursued by tidal waves of feral zombies. Sure, the plot is predictable and the tone gets a little overblown and maudlin at times, while some of the characters are drawn in decidedly broad strokes, but the breathless pace rarely lets up throughout, and there are moments of genuine fiendish genius on offer here, particularly in a truly disturbing centrepiece sequence in which desperate human captives are set against slavering undead in a makeshift amphitheatre for sport, as well as a particularly ingenious use for radio-controlled cars. And the cast are brilliant, with Don-won providing a suitably robust but also pleasingly fallible, wounded hero, while Hope’s Lee Re and newcomer Lee Ye-won are irrepressibly feisty and thoroughly adorable as the young girls who rescue him from certain death among the ruins. Altogether, this is horror cinema writ large, played more for thrills than scares but knuckle-whitening and brutally effective nonetheless, and in a year where outbreak horror became all too real for us anyway it was nice to be able to enjoy something a little more escapist anyway – given the strength of its competition in 2020, this top-notch sequel to a true genre gem did very well indeed to place this high. I’ll admit, I wouldn’t say no to thirds …

#body cam #body cam movie #blood quantum #the midnight sky #Palm Springs #palm springs movie #the last days of american crime #bill and ted face the music #true history of the kelly gang #just mercy #underwater #underwater movie #underwater 2020 #peninsula #train to busan presents: peninsula #2020 in movies

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criticalrolo · 4 years

Note

IDK if you want to actually talk about this more, but my sister identifies as a Bi Lesbian, and the way she describes it is that she is attracted to women and nonbinary people. I think saying that bi people HAVE to be attracted to men is off-base and ignores the nonbinary part of "more than one gender" - and as soon as you include nb people it is no longer mutually exclusive. ALSO fuck terfs getting to take an id away from people cause theyre shitty, I respect the people who id as that more 1/3

2/3 Of course Bi and Lesbians are full identities, but if people find a label like Bi Lesbian useful, not as a watering down but as a way to speak their truth, then I think it should be respected. It doesn't have to be a scale - maybe if anything a modifier? And it certainly doesn't make Bi or Lesbian less of an identity than the split attraction model makes Ace less of a thing. IDK I'd just rather be extremely inclusive over saying that an ID is bad. IDK about the Bipoc tho as Im white

3/3 one final aside, is I've seen it described as an easy way to explain that they are into multiple genders but not into men. And I think if its useful and easily understood, a useful shorthand, then let people use it. Fuck anyone (esp terfs) who apply it to other people, but I think we dont have to conflate all the ways people are awful to queer people with an Identity itself being fucked up. Anyway sorry to ramble right back, and I hope you have a nice night and Ill see you in the cr tag lol

Hey there! So, to address your points, I do want to say first of all that I totally find it admirable that, given the option, you’d rather stray towards overly inclusive as opposed to Not Inclusive Enough. I totally agree with that sentiment, and think that you’re absolutely coming at this from a good angle.

The things I find difficult about the “bi lesbian” label kind of come from your second ask mainly. So the thing is, all sexualities can potentially include nonbinary people. “Nonbinary” is not a separate Third Gender Option, it’s an enormous array of different identities. People can be nonbinary but man or woman-aligned, completely agender, all the genders at once, etc. etc. etc.... basically the format that you’re thinking of conforms the nonbinary experience into an all encompassing “third gender” when in fact it’s a broad spectrum of experiences and identities that can be extremely similar or dissimilar.

Because yeah... there are nb lesbians out there. Who are attracted to women, and other nb lesbian/bisexual people who identify with being sapphic or wlw. You’re actually talking to one right now ;) My experience with gender is All Over The Place and I’m not very good at defining it right now, but I definitely identify very strongly as a lesbian who is attracted to women/women-aligned people. Gender Is Lesbian for me personally right now lol

The issue comes when, as you said, you start to use “lesbian” as a modifying term. It’s not a modifier. It’s a full term that exclusively means women who are not attracted to men. I know you bring up the split attraction model here, but I’ve found that that is WAY more useful for asexual identities without getting into some of the sticky areas like this one where IDing as something actually is harmful/doesn’t make sense. I know that the term “exclusive” does bring up some bad associations but in this case, that’s because we have terms for people who experience attraction to Women/NB people who ID as sapphic (basically ur NB lesbians/people comfy with calling themselves NB bisexual women) and for people who identify as being attracted to men and women (and man-aligned etc. etc.)

LIke, see how long those descriptions got once I started including some of the many, MANY different experiences of being nonbinary...? Basically there’s just no single way to define Every Nonbinary Person for Every Single Sexuality since it’s such a broad spectrum of experience, which is why a lot of sexualities might sound pretty binary (like defining lesbian as Woman Who Loves Only Women) but in fact is because there’s no way to include every single nonbinary experience and categorize them into a neat little box, you know?

So from there, you’ve gotta ALSO consider the points I made earlier about how the identity of “bisexual lesbian” also comes across as lesbophobic, biphobic, and transphobic in ways that harm all of those identities instead of bringing them together. Like, obviously your sister is a Valid Human Being, and it feels weird to be saying an identity is NOT valid... but like. Forcing two mutually exclusive identities together (one that explicitly does not include men and one that does) just ends up hurting the people who ID with those identities in the long run, like how I outlined in my other post. Essentially, it takes away from the overall meaning of What It Means To Be A Lesbian and What It Means To Be Bisexual by trying to force the two of them together. They’re different experiences, and that’s something to be celebrated and something to find commonalities over while discussing our differences instead of trying to mash them together, you know? Like there’s a reason why they became defined as separate identities in the first place.

Anyway, this is probably too long but I hope you can see where I’m coming from here. I’m obviously not going to tell your sister How To Identify, but there’s my thoughts some points you might want to consider showing her while she’s figuring out her identity, you know? So yeah, that’s all I’ve got. Hope you have a good day, and get hyped for the CR episode tonight!! <3

#sapphirestream #asks

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all-hail-the-witcher · 4 years

Text

so now that its been over a year since ive graduated high school id like to tell you all a story that ive been thinking about a lot recently. its a bit long, but i promise its worth it.

this post gets political, fair warning

for context: i went to high school in a very upper middle class, very white town. everyone i talk about in this story is white.

trigger warning: mentions of the german political administration during ww2, their tactics, and extreme right politics

junior year i took ap us history. the class itself was absolutely fantastic, definitely one of the best i took in high school. but we had Quite the assortment of kids...

my high school had this dumb thing called the university program. essentially you applied in 8th grade and it was advertised as this Special Accelerated Learning Program. spoiler alert: it was pretty stupid, all we did was take a certain number of ap classes per year and do x amount of community service. everyone hated it but we all stuck it out cause you got a chord at graduation. so if you were in the university program, you started only being in class with like a variation of the same 75 people. ap us history was one of those classes.

in our class we had quite the mix: 98% of us were members of national honor society but in addition we had the girl who would go on to be the salutatorian, this one guy who knew more about bitcoin than anyone should, two football players who were actually not assholes, and this really passionately german kid.

now this german kid, were going to call him s. he was...interesting. he was very very smart (everyone thought he was going to be valedictorian but he wasn't) but he took his ethnicity very seriously. and when i say ethnicity im referring to that period of german history from 1939-1945. s knew far too much about german politics, esp ww2 german politics (if youre picking up what im putting down there) and he often went as far as to “correct” our various teachers whenever germany came up and talk about very radical right ideas. but our apush teacher was a no-nonsense kinda lady and had no problem telling him “s youre wrong” which all of us absolutely Loved.

the other person in our story is one of the not asshole football players. we’ll call him d. he was what you Wished football players were like, nice, funny, almost like a class clown, would no doubt stand up for anyone getting shit talked, talked to everyone in class no matter what their “group” was and he was really smart, but not in an in your face kinda way like s was.

so anyway. in apush we would periodically have these Round Table Debates, where there were 4 groups: 1 group of jurors who would ask questions and then three teams that were defending their own stance on whatever historical argument we were having. our teacher would sit in the back corner and take shorthand notes on what we were saying, essentially leaving the entire discussion up to us except to tell us when it was time to move on to the next group. we all Loved round table debates because we were all an intelligent group and ended up having really deep and insightful debates and also whichever team won got 5 points of extra credit as did the juror who asked the best questions. about halfway through the year, we had a debate on what to do with the philippines after world war 2 (because they were technically a us colony at that time)

i dont remember what the three different stances were that we were arguing, but i do remember that d was one of the jurors and had asked one of the teams a question. s happened to be on this team and he answered the question. they went back and forth for awhile and things started to get Pretty Heated. we were all watching them intently, not really understanding a good half of what was being said because s had a way of talking in complicated circles that took at least 5 braincells minimum to understand, and all of us being crazy ap students, only had about 2 brain cells each.

but then, s said something in his usual backwards fashion, and d paused dramatically, staring at s intently and all of us were collectively like o shit. i have never heard a classroom that quiet, you could hear a literal pin drop. we were all waiting for 1. d to decipher what s had just said and 2. see what he was going to say in return.

several long moments passed. d leaned forwards in his seat, so far that it looked like he was going to tip the desk over, and, looking completely and utterly baffled, opened his mouth and said:

“are you defending e t h n i c c l e a n s i n g?”

the entire classroom e r u p t e d. cause holy shit, we all knew that s had some, to put it very simply, problematic conservative viewpoints that linked back to ww2 administration germany, but no one had ever called him out on it before (aside from our teacher telling him to be quiet during her lectures). and also this was supposed to be a history role play debate of sorts, the whole point of it was to take on a viewpoint that might not be your own and argue it to the best of your ability. but d knew and everyone else in the class knew that ethnic cleansing was not something that s was pretending to defend for the sake of the debate (public school might be wild but we never touched that topic in a debate setting because our teacher knew that it would make people uncomfortable to argue in favor of), it wasn't even in the prompt sheet, it was something that he had come up with entirely on his own.

so when s started spewing random nonsense as an attempt to backtrack and take back what he had just said, d started shouting back at him about how it was wrong and was halfway out of his seat, fists clenched, ready to literally fight s (if you recall, d was a football/baseball/wrestling guy, at least 6 feet tall, and as far as high school guys go, pretty jacked. he was Scary when he was mad)

it was at this exact moment that our teacher spoke up (which she n e v e r did during debates). she looked pretty shocked at the whole turn of events (as in, s defending ethnic cleansing, not d almost decking him) (and nothing ever phased her) and said, as calmly as she could muster, “alright. lets move on to the next question.”

we were all 16/17 year olds. we couldn't vote yet, but we still had very strong opinions. and d knew the implications of s’s opinions, knew that they were hurtful to other people, promoted the hurting of other people, and called him out on it. publicly. in front of our history class, filled with his friends and peers, our teacher, and some of the smartest kids in our grade.

after that day, s never suggested radical right ideas in class again, and if anyone else had similar ideas, they kept them to themselves. and from that point on d had my complete and utter respect.

now, im not telling you to almost beat up your classmate in class in front of your teacher and risk suspension, but if someone you know has a viewpoint (especially a young person) that is hurtful or promotes hate/harm to a group of people, dont be afraid to try and educate them. we might be young and the older generations might brush us off, but in a few years its going to be this generation pulling most of the weight in polls. educate your ignorant friends, family members, classmates etc. every little bit helps. and education is the only way that we will be able to promote change. this is not a battle that we are going to win overnight, but that doesnt mean we should ignore it if it doesnt affect us.

(oh and yes, d totally got 5 extra credit points from that debate)

((if this post offends anyone or is wrong in any way let me know and ill take it down or edit it))

#black lives matter #dont you even think about stopping the fight #blm #tw nazis #tw ethnic cleansing #educate people!!

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robinisaghost · 3 years

Note

animatic ideas :0 (ramble away, i would love to hear them!!)

mk thank you for enabling me, i will now be yelling

anyway

this is gonna be so obnoxiously long i am so sorry

can you add read more's on asks? eeeekkkk because this got so damn long lmao

mild dsmp spoilers obviously

this is the playlist, by the way

-im sorry boris (wilbur soot)

i think it would work really well with mmm slightly post lmanburg niki. andby slightly i mean. well when she leaves (that is the whole thing of the song gdfjkhgsdf) also side note at like 1 minute 11 on that song theres a discord notification really subtly in the background and it makes me paranoid every time i hear it. anyway god its such a nice song. even for just like. the end of lmanburg. not necesarily paired with a character, just the sense of leaving a place that was so highly populated before it got blown up twice and was like. the main part of the smp. yeah. anyway also the lines "they'll knock down the pubs before helping you...they'll let you jump under trains before helping you" yeah those four lines have big niki vibes but also i think the song could work well with exile tommy or actually even with the finale when tubbo is about to sacrifice himself? mmmmm yeah

-this is home (cavetown)

mmmm got exile tommy vibes innit. a lot of these have exile tommy vibes tbf i just like sad songs and also exile tommy. plus the song has a lot of like. the message is sort of like. changing yourself to appeal to others? like with "ill cut my hair to make you stare" but also the repeated thing of "ill figure out a way to get us out of here" which is clearly the main character of the song trying to help everyone when they are clearly not in a good way themself. yeah thats got big tommy vibes in general tbh but more like. pre finale tommy. i think he got a bit more independant after that.

-soldier poet king (the oh hellos)

ok this is self explanatory and has been done to death already but d a m n its kinda funky. anyway i had thoughts and actually started this but then lost motivation and deleted it all lmaooo. the only proof of its existance is a shitty storyboard in my draw which will hopefully never see the light of day again (unless anyone wants to see it :eyes:) anyway i had the thought of like. sbi? so soldier techno poet wilbur and king tommy. but tbf tommy and techno are kinda interchangeable with that, cos while techno is obviously the better fighter, tommy is used a lot, especially in lmanberg era and also i think he probably will be now that wilburs back

-pyjama pants (cavetown)

ok so i honestly dont remember why this is on the playlist but tbf this could go well with a bunch of characters. thinking like. phil and wilbur? or wil and tommy, or tubbo and ranboo are two that like. i know for a fact that i did not put the song on the playlist specifically for them but god thinking about it now it works so well with them

-boys will be bugs (cavetown)

OH BOY THERES A LOT OF CAVETOWN ON HERE HUH (i feel like that probably says something about me but shhhhhh we dont need to talk about that) ANYWAY

I think this could probably work really well with tommy? because of the whole like. trying really hard to come across as not caring about others, but really being like. very vunerable. but at the same time it could go really well with wilbur for the same reasons. also the song fucks ok cant deny it. to be fair i think it works better with tommy, because he's younger and also he really likes bugs (unless i am mistaken) which is just a cool coincidence but still)

-brother (kodaline)

FUCKKKKKKKKKKK THIS WORKS SO WELL WITH SO MANY CHARACTERS AND IS ALSO ***SO ANGSTY*** WHAT

anyway

i added it because of tommy and tubbo because holy shit, but also it could work very very well with wilbur and tommy, techno and wilbur, probably techno and tommy, and oh my god i just thought of this but this would work so well with phil and techno!!!! but yeah i originally thought tommy and tubbo because i thought it was a funny coincidence with exile tommy waking up underwater, and theres a line that says "if you were drowned at sea, id give you my lungs so you could breathe" and like. just thinking about the compasses especially. me gusta.

-feel better (penelope scott)

fundy. that is all.

no ok this works well with fundy but also probably karl sapnap and quackity, and also very much wilbur, like it works well with both. just mainly fundy idk why its got big fundy vibes tho. very poggers.

-as the world caves in (matt maltese)

ok but like this goes very very well with the explosions of lamberg. either of them. i think probably the first one is better, but i think it goes well with both. probably the first one, because it was way more emotional i think? cos it was the first time that their homes had been destroyed and everything, but also because it was so personal, because wilbur was the one who did it. i think that also it would work well if it was set during the explosion but also focussed on different facets? so like. one bit about wilburs perspective, one bit about tommys, one about phils, one about fundys maybe? idk just a bunch of lmaburg citizens' povs for this. its good. as the world caves in is a song that can be so gender tbh.

-do you hear the people sing? (les mis)

obvious obvious obvious...... but like..... also tbh it goes well with a bunch of things. like, mmmmm wilbur in pogtopia. the butcher army. lmaburg independance war (obviously ghdskj) but yeah. also this song just goes so hard like b r u h

-wolf in sheeps clothing (set it off, william beckett)

SO MANY OF THESE ARE LIKE. PRETTY OBVIOUS IF YOUVE HEARD THE SONG

but yeah. it would go so well with like. well any betrayal basically. so eret, from tommys pov maybe, or about wilbur from nikis pov, or wilbur from anyone pov tbf, or quackity from charlie/purpled/foolish/sams pov, or sam from tommys pov, really it works well with so many people which says a lot about the characters tbh but shhhhhhhhhhhh

-need you here (idkhow)

OH MY GOD OH MY GOD OH MY GOD OH MY GOD

mk mk mk mk FUNDY AND WILBUR THO

like b r u h that works so well with them

also i started this one as well but didnt like it, theres a story board in my draw as well for it because like. oh my god its such a good idea i just am shit at animating and don't have a decent enough program :')

also also

the line "daddy has to go, and that makes me sad, but daddy will always come back, he promised" fuckkkkkk that works so well with like. say for example, idk, when they're celebrating schlatts death and wilbur leaves to press the button? the sheer fucking angst of that is enough to kill any one person istg that is in fact the entire reason why i started the animatic in the first place. just that line. also all the lines sung by the child voice. fuckin angsty as hell. also ust generally a banging song, as is every idkhow song

-green (cavetown)

another cavetown song huh. ok sure.

mk so wilbur and sally and fundy. like. for a start, the imagry of a fish at the start? boom sally.

anyway the lines "you looked so good in green, i hope you're well, and you look so good with him, (schlatt ig?) and I'm proud of you still (wilburrrr and fundyyyy) i miss your perfect teeth, i was too blunt, i hope you feel happy, that's all I want"

FUCKKKK

the whole song is about missing someone you used to love and only hoping the best for them!!!! and wishing that they are happy and safe!!!!!!!!!!! and hoping they still think about you!!!!! but even if they dont its fine because all you want is for them to be happy!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

-achilles come down (gang of youths)

OK I THOUGHT IT COULDNT GET ANGSTIER

so like. tw suicide but thats what the entire song is about and bing bang boom i just think it works so so so so so so so well with not only exile tommy (who obviously did try to kill himself) but also wilbur in a slightly more metaphorical way? so like. his self destructive habits leading him to a point where he had no choice other than to kill himself and to take his country down with him. and its all about other characters trying to help them and persuade them not to but also near the end there is a second voice trying to persuade them to go along with it, which im thinking like. if its wilbur, either dream or maybe just himself. his own brain persuading him to continue down the path that would inevitably lead to his and his countries destruction. also it works well with schlatt for the same reasons, except he doesnt want to die. maybe (since the song is so goddamn long) like. one verse for tommy one for wilbur and one for schlatt? dead gang poggg but also like. the verses cover fairly different things which work with one character but not so much the others, for example the first verse would be tommy because its mainly about persuading the person to not kill themself (which tommy did himself but shhh) the second for schlatt because its literally about drinking and smoking away your problems, and the third for wilbur since its more of a fight between the "good" and the "bad" sides, which is obviously what wilbur was experiencing. also obviously i have a soft spot for this song because its string instruments and french, basically my favourite combination ever (also i like his voice idfk lmao)

ANYWAY THATS ALL THE SONGS ON THERE SO FAR

i literally thought of another song while i was in the shower today but i dont remember which it was but a n y w a y the playlist will most definitely be getting longer, especially since there are so many more songs that are good for this but i just havent added them yet lmao. anyway ive been writing this for like an hour gsdfjhgdhfsg but still oh my god this was fun to write

#long post #tw suicide #only a mention at the end but still gotta be safe :)#dsmp #dreamsmp #dsmp animatics #robin talks #ask #thank you so much for the ask tho cos like. i dont wanna be annoying or anything? but also like. i really wanted to talk about this gsdfkjg #god i hope the read more worked or this is gonna be annoying to everyone ever #its fine probably maybe not really

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astro-break · 4 years

Text

Quick first thoughts on the first ep of the Hypmic Anime. Spoilers beware (and im writing this as I watch so :p)

Otome’s speech is.... questionable from a persuasive point of view. Manga did a great job of introducing her (which you can read here) but they really cut out the more terrifying parts of her speech and how she uses force to show people that she's not to be messed with

Its cool seeing everyone in their respective environments though. thats cool. Though they could have added Sasara and Kuuko (shhh i know why they didn’t let me dream)

I love how poppy the typography is. Its amazing how the visuals just leap out at you. The OP does a great job of this. The first few seconds before the title really gives me Persona 4 OG OP vibes with the influx of information given. The rest is a clear concise and streamlined way that still gives character. Animation is sparse but still carries across a general idea of each character and shows off each character object. Rendering is really nice and pays a bit of homage to the posing artwork thats done for the MVs. They also do their division hand signals and thats cute

Love how the OP has blatant HifuDoppo and DRB matchup foreshadowing

so far I really like what theyre going for. BB is about brotherly familial bonds and they show the goods and the bads. Jiro and Saburo bickering right out the gate really cements the fact that they get along like cats and dogs but you can still see that they love each other, working together when the situation calls for it

Now the 3d models. Theyre... not great but usable if you don’t look too hard. They serve their purpose and don’t actively detract from the viewing experience.

Visual typography in the rap itself are fun and poppy but they dont.... speak to me? like theyre there yes and I appreciate them but the only ones that got me excited were from Ichiro’s rap

I take my words back the group portion was kickass and I apologize

I love how they interpret the Hypnosis Speakers though. Esp. Saburo’s organs. That was super creative and I love it! If there was one thing that I felt was missing from the franchise was a deeper exploration of the speakers but the anime puts a new and fresh spin on it! Love it, especially with their attack patterns!

If the production team ever feels inclined to, Id love to see those info sheets on Otome’s desk released. There seems to be very interesting info and stats written out about each member (like capabilities, personal status etc.) They all seem unique too so I really really really hope they release images of those sheets

OOOOOOOOKAY MTC. I have such a big biased for them so Im very torn to see what unfolds

Rio striking out on his own is interesting. Out of everyone in MTC hes the biggest team player yet here he trusts his teammates to go ahead. This either displays Rio’s willingness to trust his teammates or it becomes very OOC if the anime wants to set him up as a lone wolf like character

I love how they specify its a drug deal. It means that Jyuto surely will show up and it also shows that Samatoki knows Jyuto’s motives and willingly gives black market info that he knows aligns with Jyuto’s goal. Thats A+ detail writing there and a great establishing characteristic for both of them

OOohhhhhhhhhhhhh man Asunama-san’s voice acting is god tier his work as Samatoki is phenomenal. He pulls of Samatoki’s threatening voice so well with those almost calm words before his voice becomes loud and confrontational. Those rolling syllables in contrast to Komada-san’s almost lyrical and airy speech and Kamio-san’s strict and enunciated words is such a delight to hear. It just speaks to how amazing and great these Seiyuu’s are in order to pull of such amazing work

Im so biased but MTC has such a better rap than BB im so sorry. Just by watching Samatoki’s part, the imagery is amazing. Even the arrival of his Hypnosis Speaker was awesome and sent a shiver down my spine. using the lyrics to form blades and blood was such a great thing to do. Theres so much more variety that just him standing there and shots of his hypnosis speaker. The old fashioned vignette shots, the four panel spread, the nods to old Kurosawa era films are great and I love these small details. Even the typography looks better.

Again, the interpretations with the speakers is fresh and new. Its great and I love the different imagery and attack patterns. Each one is so unique but carries across each different style of rap.

The 3d modles aren’t any better tho lol

(Hi this is Astro who is reading over their assessment again and making a note. Yeah I’m a bit harsh on BB’s rap. I’m not going to change it since I still stand by it and this post is supposed to be a documentation of my first impressions. I think one of the reasons why I’m so harsh on BB is because of their dynamic as a trio of brothers. They Have to have a more uniform approach than the other divisions. Which in of itself isn’t a terrible thing, it just doesn’t catch my eye as much as MTC did. Thats all! I definitely don’t hate BB, they’re maybe my 3rd favorite division out of the current lineup [not including TDD era teams like Kujaku Posse, MCD, and Naughty Busters] its just that their rap was pretty meh)

Samatoki crouching like a real gangstar and the cigarette kiss killed me

sadjkhfjkasdghsadjkcsdjhsdfsjhf im dying i love these trio of dumbasses so uch oh y fod someone save me aaaaaaaa (Astro note here! yeah i died when the jyuto and samatoki’s stomach growled im weak please. Samatoki’s face is just so precious and funny I might set it as a profile pic somewhere)

But also my initial assessment of Rio possibly being characterized as a lone wolf is very much jossed and im very thankful for that. It seems that Rio was simply trusting his teammates to carry out their part of the plan while he carried out his own. I like that, it really shows how much of a team these three are and that they genuinely trust each other. He’s also comfortable enough around them to invite them to dinners after work casually and not just for special occasions.

I really love MTC guys

Oooh! we get Ramuda on his design process which is really cute. the inside of his studio is super cute and retro and i love it. the poppy old music you would hear in a cafe or 90′s resturaunt is also really cute (astro note: yeah i know that in ARB you see the interior of Ramuda’s office but its kinda different seeing it animated)

the translation i have has gentaro speaking in early modern english (Shakespearian english for those who aren’t english nerds like me) but from what I can hear, he doesn’t speak in a particularly old fashioned way? Its more formal than old? and hes speaking without any of his character persona lying thing that he likes to do (as he refers to himself as “Shousei” throughout the segment where hes in Ramuda’s office which is kind of his default pronoun of choice). so its kinda odd for the translation to go in that direction but im not complaining

Gendice banter is gold but it feels... flat? a little? it doesn’t have the same impact as in the drama cds or in the manga? i feel? Also Ramuda using gratuitous english is??? idk how to feel about that

kjshf thats against the rules Ramuda omgggg,,,,,,,, (astro note again: while watching i was under the assumption that using your hypmic for monetary gain such a as buskering [which is what FP is doing] is against the rules. May not be the case but whatever)

FP’s rap might be my favorite in terms of tune and lyrics though. It’s a nice laid back bop and really gives of chill vibes. the integration of 3d and 2d is really nice and i love how they play off each other in the rap. The wordplay is so fun with little nods here and there and the beat is poppy too so it really energizes me.

Ramuda’s rap concerns me slightly since he makes very subtle and small nods towards his past (being created in a laboratory, warfare, and his overall very unpleasant life experiences) but spins it into something cutesy. It could be a coping mechanism, it could be me overthinking it. But it does make me worry a bit. Gentaro and Dice’s rap really play off each other with Gentaro sticking to stories and Dice taking up the baton by carrying on that same imagery but putting his own spin on it.

the self awareness of how scattered they are as a team is interesting though. It doesn’t seem like something you’d speak about in a rap? but i guess since its not really a do or die situation they can afford to be looser on things like this.

Right off the bat, i don’t like how they handled Hifumi and Doppo in relation to Hifumi’s fear of women. Slug made a post once talking about this and I echo many of his sentiments. Hypmic has never been very tactful about tackling this particular issue and while I didn’t have high hopes that the anime would be any better it hurts to see Doppo take away the one thing that allows Hifumi to function within society.

Doppo’s breakdown mirrors a lot of my own mental state when I spiral though its shown a lot quicker than what happens to me oof. that hits close to home. though Jakurai’s advice is. Questionable. Its not the best advice to give to someone but we have no idea what kind of doctor Jakurai is so ill let it slide

Jakurai’s pose looks like hes going to do a mahou shoujou transformation lmao

I don’t have many thoughts about the rap though again. How they visualize the rap is interesting. the different imagery is quite interesting for each of them and the typography is nice a distinct but im still on the fence about the visuals here

The sound is in the same boat. The sound effects either drown out the rap or are too quet but some parts are nice at least. When they talk about Tokyo’s beating heart, the heartbeat sound is a but distracting especially since its only played once. But the imagery is at least nice

I wonder if for the eds they’re going to take a similar approach to what Enstars did and have a four different endings, one for each division. I love the blend of styles here and it really accentuates that although they’re different they mesh well together.

Ramuda’s silhouette though is hilarious. Love it.

:p and thats it. Uh not bad for a first episode. Established all 12 characters really nicely and their dynamics. I had some problems with it but then again nothing is perfect. I look forward to what they show us next week

#hypnosis mic #hypmic #hypnosis mic rhyme anima #hypnosis mic rythme anima spoilers #hypmic spoilers #my post

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taylornock · 4 years

Text

how cell phones made our lives better while simultaneously ruining them

hi fam!! it’s me, again. are you tired of hearing from me? me too. that’s why I’m here to rant about social media / phone / technology. bc i hate it… but in a loving way???

everyone remembers when they got their first iPhone. seriously. why is that such a monumental moment in our lives? i can hardly remember what i felt like freshman year of high school but can pinpoint the feeling of sheer glee unwrapping my iPhone 6 in eighth grade. i have this thing that is attached to me 24/7 - when I go anywhere (even downstairs) without my phone i feel weird. that is f***ing SAD! PATHETIC. i hate feeling that dependent on what is essentially a pocket robot.

for what it’s worth - phones have done INCREDIBLE things for the world as we know it. for example, this quarantine shit has been testing all of us; and our phones are helping us get through it in so many ways. our phones let us see the faces of those loved ones we are missing, our phones provide us with stupid tik tok content to keep everything light hearted, and our phones let us check in on each other. all amazing things! when we are at school, we have instant access to our lives at home . being able to call my mom whenever i want is something i definitely abuse. “mom, I’m on my way home from Thompson right now and i think i have a brain aneurysm but my bio final is at 11am tomorrow will i make it” … an actual conversation i had with my mom at the end of freshman year. needless to say i was medicated shortly after THAT meltdown. I am such a brat that i don’t know what i would do if i couldn’t text my dad and have him immediately get me the password again to our Uverse account…… god forbid i miss an episode of the bachelor. i have this phone, and that’s what i do with it? abuse its powers to ask my parents for medical advice or a password i forgot? have we lost sight of everything here?

throughout life and especially throughout quarantine… my phone is the definition of a possession that is a blessing and a curse. I’m so grateful to have the ability to bother my friends - whenever i want! the options are endless! i love keeping in touch with people i thought id never hear from again, and being able to talk to so many people in my life and make my heart swell. now, when a conversation with someone other than my two roommates (shoutout parents) is so rare ⎯ that phone is my weapon and i use it to help flatten the curve: flatten the curve of covid19 and flatten the curve of my mental illness 🙃 [humor is a coping mechanism okay let me live] but like, i KNOW i’m not the only one that looks at my screen time and immediately wants to die. how can i honestly be looking at my phone for that long? picking it up THAT many times?????? my phone is the best distraction and also the most toxic - it makes me feel better but has a tendency to bring up all my issues and blast them into the reflection of my blue light glasses...... its called fashion look it up.

to give some examples - let’s open up my most used app: snapchat. I go on snapchat with the best of intentions - to see a memory from a year ago that makes me smile. to respond to my friends and see what their mood today is based on the look on their face. to creep on snap stories and see what everyone’s cooking and doing with their lives. somehow, tho, after spending a few minutes on the app.. i end up with a pit in my stomach most of the time. the person i want to respond hasn’t responded in 4 hours. oh god lets overthink this- they don’t like me anymore and are no longer interested in speaking to me and only respond every once in a while out of pity or because they are uncomfortable. everyone hates you. oh and GOD FORBID someone leaves me on open??! I am not funny nor interesting nor worth a reply - suddenly, i have equated my value to receiving or not receiving a photo of someone’s blank stare. this is extreme, and this is dramatic. but trust me —— this is the hamster wheel always turning in my head. I’m not even going to touch on snap maps; that feature is pandoras box and someone better fucking shut it.

second most used app is instagram. i scroll for hours, i have time limits set for the app acting like i’m actually going to listen to them and get off. lmaooooooooo. i love looking at aesthetic stuff and dogs and food and recipes and my friends’ beautiful faces. but you know what i don’t like? constant nudges to compare myself to others. oh look at her having a party with all of her friends even though we aren’t supposed to be. am i a loser for trying to be safe? oh look at her washboard abs, i’m never going to look like that and will never live up to the standard of beauty society has set for me. look at all of these people in their happy relationships. why can’t i have that? it goes over and over and over. its not like i sit there and think of these things just like that, its a precedent in my mind when i stare at everybody else that i am going to size my own life up against theirs. for years i followed every single elite model / VS angel on instagram to motivate me to do better - to start being psycho about what i did to my body so i could be as gorgeous as them. what kind of fucked up mindset is that? i would literally watch their footage of them eating rice and vegetables once a day and try to copy it. i would watch their runway walks obsessively trying to recreate them in heels alone in my house - like that was all i could imagine doing with my life. did i ever stop for a second to look at that photoshoot of gigi hadid and wonder if she was happy? wonder if the constant pictures she saw of herself ever made her insecure? what was i doing? the day i unfollowed those girls was a monumental day in my journey to a better self image. i didn’t realize the people i thought were my “motivators” were actually my triggers. i have grown to a point in life now that i would much rather eat a stack of chocolate chip pancakes that make me dance in my chair like an infant than practice my runway walk and shame my body in the mirror. and i am so freakin happy!

i could go app by app for hours. but moving on to the next thing i hate about cell phones - how they have destroyed our biological methods of communication. you hear about those psychos who think the world is destroyed by technology and we are going to be overrun by robots. but hey, I’m with the psychos on this one. i have this amazing friend, Trevor Wright, who without fail at EVERY dinner announces “phones off friends on” and collects our phones into the center of the table. yes, we are 20 year old adults. yes, we hand our phones over to Trevor and let him yell at us for trying to see if ~that person~ snap chatted us back. i have so much respect for him because of this. there is nothing worse than staring at your phones when you could be having a good conversation about life, about love, about laughter + memories, about “do you think hellen keller is real?” anything, bro, anything. anything but snapchat messaging your hoe of the week or mindlessly playing tetris to twiddle your thumbs. we all need to start loving a little harder, and the first step to doing that is to communicate better. communicate smarter. I’m guilty of alllll of the above, don’t get me wrong. and I am ADD asf and constantly playing mindless games just to stimulate my brain. but i need to stop that! even writing this is taking some time away from the dumb shit on my phone - and encouraging me to communicate how i r e a l l y feel to my homies that will read this. communication - especially body language - is fascinating. I’ve studied it in psych, I’ve learned the neurological bases of behavior and why we do what we do. I’ve learned how much our life experience impacts who we are as a whole...and it! is! fascinating! i also think that’s why i love film so much. because it can capture the raw moments of your friends just being your friends, of you just being the person you are, and the world around you just existing as it exists. i love the raw moments; and not just because indy blue posted one youtube video of her slow mo laughing and now thats the only footage i find myself shooting. 😚

im not quite sure what this post is, lol. but - just a rant on technology. so listen to me:

take advantage of technology + social media! it CAN BE GREAT. for so many reasons. but, don’t let technology + social media TAKE ADVANTAGE OF YOU. stay true to you - know how to communicate with yourself and your loved ones without the use of a robot. remember that feeling when you setup up your first iPhone? imagine if you could feel that again, with your phone nowhere in sight. if you don’t know how to communicate with yourself yet, start by journaling. WRITE! TYPE! SPEAK! do what you want. getting your thoughts down even without an audience is so crucial to understanding yourself and others. if you don’t like to write, reflect. breathe. meditate. make art. do what makes you feel at peace, and do whatever makes you feel like the world makes a little bit more sense than it does.

IF YOU ARE READING DOWN TO HERE, I LOVE YOU. I LOVE YOU, SAY IT BACK! LIFE IS A FUCKING HIGHWAY. AND IM SO GLAD YOU’RE ON MY INTERSTATE. <3

xoxoxoxo

gossip girl

#phones #socialmedia #rant #blog #hi #tender #loveme #quarantine #covid19 #cellphones #iphone #followme!#taylor #tiktok #trending #writing

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olberic · 4 years

Text

vesperia ask meme from this post

👤 favourite character?

pretty even tie between raven and patty! love their backstories. love their development. love their thottiness

👥 most used party?

yuri or flynn / raven / patty / rita ! yuri or flynn depends on what mood im in or if i want extra healing

👍 who do you play as most?

still yuri, but ive been playing as patty a lotttt more lately

👎 who do you play as least?

estelle and judith.... i love them but im so bad at targeting estelle’s spells and i can’t keep judith in the air for longer than like.. 20 hits....

🌆 favourite town?

aurnion!! the music is so so good, i love that its a base of sorts for a lot of the npcs, and i really like that its like in a corner of a mountain too! i’d live there

🏞 favourite dungeon?

manor of the wicked, mostly bc i spent sooo much time grinding in and around there! honourary mention for tarqaron for having the best soundtrack tho

🌎 is there anywhere on the world map that’s comforting to you?

i love the zopheir drifts!

😴 what inn do you go to most often?

the one in myorzo even tho its super inconvenient bc it has everyone sharing a bed which i think is super cute

🎧 favourite song on the soundtrack?

YES i listen to the soundtrack all the time YES i have these memorized: breath of resonance (aurnion), fury sparks (vs flynn), twisted blades (vs zagi), oath of the union (dahngrest), tragic resolution (sad music from the post-cumore confrontation), dark conspiracy and the tower of contraption (upper ghasfarost), radiant light fostering life (egothor forest), the world at your fingertips (zaude), brooding omen (tarqaron)

🦅 most fun giganto beast to fight?

BRUTAL BY FAR... it spawns so often and u can get ur allies to distract the summons and just 1v1 it w a paralysis charm

🐆 favourite monster?

first time i had to fight a skunky i nearly cried i can’t kill them i always run away

🐉 favourite boss?

fight wise? probably gauche and droite bc they’re fun or estelle bc she’s really easy to practice combos on! character wise its schwann bc ill admit it i simp for raven

⚔️ most fun battle?

again probably gauche and droite, and outside of bosses it’d be the wrath nails in the labyrinth of memories! if u take flynn and just use dazzling glare on them two or three times you get a fatal strike and its fun to make a 300000 hp total battle go down to like. 6 hits

💀 hardest boss battle?

besides the first gattuso def the cameos in the tag team battle... how many times have i gotten barbatos almost dead before he gets healed and my healers get sealed... then stressing about the time left for the party battle im sick of it im SICK

✨ favourite mystic arte?

raven’s wink in crisis rain it’d be wolf fury if not for the rare time i can get seifer with summon friends

🎉 any victory quotes that stand out to you?

“our weapons are love!” “justice!” “sexualityyyyy” “WOULD YOU STOP”

and besides that i love patty’s “the queen of the seas has arrived!” and yuri and flynn’s fistbump bc those are cute

🥰 favourite NPC?

i didn’t really have any for this game?? like i much prefer the PCs but also... gauche and droite hold a special place in my heart, and nan won me over with her development. also yeager. kakyoin lookin ass

🧥 favourite outfits?

yuri: true knight + the hairpins attachment. i’d die for the ponytail

estelle: her default is actually my fave, but heroic actress for the ristelle

repede: not an outfit but overdrive brigade or bust

karol: warehouse master! i love the jacket

rita: seeker. its what she deserves

raven: that summer guy bc his hair in that has me 😳 and also adept assassin

judith: draconic lancer or glamourous maid... i am not immune to hot girl

patty: pirate queen bc its what she deserves

flynn: benevolent beneficiary and its soley because of the thigh holster

👕 least favourite outfits?

whoever decided on yuri’s yumanju/swim outfits needs to be JAILED... miska doctoral degree and the frog outfit and sultry temptress and dont get me started on the xmas and samurai ones

🎥 favourite skit?

POINTS SKIT POINTS SKIT

❤️ did you ship any characters?

from the moment rita blushed at estelle i was hooked on them... also yuri/flynn is like. too canon to not love. also raven/literally anyone except karol (son) and rita (lesbian)

💔 any ships you don’t like?

yuri/estelle and flynn/estelle bc i can’t stomach her not being a rita im not even joking

🏥 what healer do you use most?

raven! i usually don’t need more than a few love shots and i have more than enough items to make up for the lack of recovery spells

🗺 most enjoyed side quest / side quest chain?

do i even have to say best friends? and the sicily ones are pretty fun and i also like seeing nan in the hunting blades ones

🤢 most annoying side quest / side quest chain?

FUCK GUILD QUEST ALL MY HOMIES HATE GUILD QUEST

🔪 what difficulty do you play on most often?

normal for now sjvbksdvjbs i plan on doing hard next tho

💯 solo coliseum fights or tag team coliseum fights?

tag team bc i love fighting the others! i usually bring raven but by god do i love rita and schwann’s dialogue in the knights fight

➕ have you played the EX new game plus?

not yet! i’ll be doing that for the mid-hundreds levels tho

🔨 are there any weapons you always keep equipped?

meteorite blade and defender for yuri, strike eagle +1a and misericorde for raven, holy avenger for estelle, beserker heart for flynn, song of gaia for rita, brionac for judith, and leoluca + black thunder for patty

🗣 do you play dubbed or subbed?

dubbed

🎮 which is your favourite minigame (warehouse, draspi, snowboarding, poker, dragon rider)?

fuck minigames but gun to my head i had to pick one it’d be poker bc the mechanics make sense

🗡 yuri or flynn?

sorry king but it’s yuri for this one yall had me with the vigilantism

👑 ioder or estelle?

estelle obvs tho ioder is def the better choice for emperor

🏹 raven or schwann?

raven bc hes a thot and not a bootlicker but id be lying if i said schwann couldnt get it

👯‍♀️ gauche or droite?

gauche

💪 hunting blades or leviathan’s claw?

leviathan’s claw! even if the hunting blades werent awful i’d still pick them bc i love LOVE the serpent’s fang lore and how the guild itself is linked to patty’s backstory and also. also yeager.

🏠 zaphias or dahngrest?

dahngrest! i truly cannot stand the empire imagine living there

🏕 inns or camping?

inns 100% i will go so far out of my way to make them share rooms rather than camping which is so so boring

👾 original or definitive edition?

definitive! its the only one ive played, i love patty too much to ever play the og, and being available on the switch is so good

🎢 what difficulty do you play on?

oh my god. oh my god i put this question in twice FUCK

💿 have you played any other tales games?

not yet :-( i love this one too much to change tho i do have beseria bought and ready to go

👬 have you watched first strike?

not yet :-(((( i havent found it anywhere yet but i heard raven’s in it and im. im

⏱ how long have you spent on the game?

....190 hours and counting.....

🗻 what part of the game are you at right now?

working through the 200 man melees now! once i finish those (ive only got yuri and raven done so far)

✅ how did you decide to start playing?

1 i heard it was similar to octopath 2 i thought it was turn based going into it SKJSBDVKSJDVB 3 saw a gif of yuri and flynn on here somewhere and thought aw shit guess i’ll start this game if there’s an active fandom (NOT THAT THERE’S MUCH OF ONE) 4 the game was on sale sdbksdvjbksdjv

#tales of #vesperia #t #long post #this was fun ty op #(op is me)

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batfam-imagines · 5 years

Note

I literally love your batfam writing so much, can I request something? Can batsis (biological daughter of Bruce) be adapted after her mum dies and she's obsessed with makeup and loves it so all the boys think she's shallow and conceited? But she's not? Thank you so much

Makeup

Tim flops on the couch beside his eldest brother, “Did yousee her room? She’s got a one of those makeup mirror things. The one with thelights in the mirror and all the drawers. When I walked by, she was filling thewhole thing up with makeup”

“Are you serious? Who needs that much makeup?”

“I don’t think Steph, Cass, and Babs have that much makeupcombined. I mean I know her mom was a model and all, but she must be stupid shallowand obsessed with her looks”

There’s a soft creak as the door open and both boys glanceup to see the newest member of the Wayne household standing awkwardly in thedoorway. “Hi, Alfred said that you two were in here … he said that you guys wouldn’tmind giving me a bit of a tour. I only know where my room and the kitchen is …”

Dick lets out a put-upon sigh and heaves himself off thecouch, “Yeah, come on, I’ll show you around.”

Y/N glances up at him when they’re passing one of the hugebay windows, “You know, you have beautiful cheekbones, they’d be perfect be forsome highlight. And Tim has some beautiful eyelashes, I have to use falsies ormascara to that kind of length. You know I have -”

“Not everyone needs makeup to feel good about themselves,Y/N”

She freezes for a few seconds before catching up to him, “Iknow. I don’t use makeup because I don’t feel good about myself. I use it becauseit makes me confident, it’s like a mask that helps me take on the world. Ienjoy makeup, I don’t need it, Dick.” Her eyes lock with his, “This familyshould know all about mask, right?”

Dick almost chokes out a disbelieving laugh, that’s definitelysomething he’ll need to bring up to Bruce but for now he’ll ignore it. “So, youhave all that different makeup, and spend all that money just because you likeit?”

“I actually get a lot of my makeup for free. I have a YouTubechannel where I teach people how to put on makeup, so different makeupcompanies will sometimes send me their new pallets or supplies for me to testout and review. Mom taught me to be confident in who I am, to love myself andothers based on who they are as a person. I try to help my followers becomeconfident in themselves while I’m teaching them how to do makeup” The older manjust continues to stare at her, “Maybe you shouldn’t judge people on their outwardappearance and try to get to know them first”

Y/N quickly walks the rest of the way down the hall andstraight into her room while Dick slowly makes his way back toward the livingroom where Tim is still sitting. “So how was it? Was she completely airheaded,or could she actually hold a conversation?”

“She actually seems pretty smart, like she had a reason forhaving so much makeup. I guess she uses it all for her YouTube channel, and tohelp other people gain confidence in themselves”

Tim quickly sits up, “Do you know what her YouTube name is?I want to look her up”

“I don’t know, just search her name, it’ll be her mom’s lastname”

Tim types for a minute, “I found her … holy shit, she hasover 8 million followers”

“You’re kidding me. She was telling the truth? Play one ofher videos”

The two boys play a random video from two months ago. Y/Ntalks about how it doesn’t matter how much makeup someone layers on their faceif they’re ugly on the inside it’ll show. She talks about just being confidentin everything you do and in believing in yourself. The boys end up watchingvideo after video. Watching as she does casual day makeup, or night out makeup.How sometimes her mom or friends will appear in the videos and she’ll do theirmakeup as well as her own and the guest will share their own words of wisdom.The last video the two end up watching is the most recent one Y/N had posted,dated for only a few days after her mother had passed away. It isn’t a makeupvideo at all, it talks about loss and figuring out how live life after losingsomeone so important. Y/N talks about Bruce, how her father who she’s never metintends to take her in and adopt her. Finally, it wraps up by saying that shedoesn’t know when she’ll be able to post again, or even if she’ll be able to answeranyone messages.

“Did we completely misjudge her and act like total assholesto a girl who just lost her only parent up until recently? We’ve both lost ourparents and we were total assholes to her just because we assumed she wasshallow and conceited, when really she just likes makeup and uses it to expressherself”

Dick groans, letting his head fall into his hands, “How dowe make this up to her?”

“Maybe we should follow her advice and actually get to knowher. I think … I think we should treat her like a member of the family insteadof like an outsider. We need to talk to Jason and Damian, you know they’ll cometo the same conclusion we did and yeah, Damian’s gotten a little better overthe years, but he still doesn’t have much a filter.”

“You’re right. I have a great idea. We should have a siblingmovie night, then we call all get to know her at the same time and she can getto know us. She won’t feel so alone here afterwards”

“Perfect! Just us tonight, and maybe next week we can getall the girls over here too?” Dick quickly nods his agreement, “I’m going totell Alfred and see if he can whip up some snacks for us. Can you call Jasonand get Damian?”

“Yeah, I got them. I really hope this works. We might havejust ruined our relationship with Y/N because we judged her over her makeup andnot her personality. We should know better, god we’re so stupid” Dick lets outa soft sigh and pulls out his phone, “Let’s just hope she can forgive us”

A voice clears behind them. Both vigilantes whip around,their eyes wide, having not even heard the door open, “You know, I’d forgiveyou a lot quicker if you’d apologize, that’s typically how these things works”

“Y/N, you scared the crap out of me!” Dick lets out a shakybreath, “I’m sorry … We’re sorry for judging you without getting to know you.We’ve known a lot of models and just kinda assumed that you were like all of them.I didn’t mean to judge you, or insult you”

“I understand. I’m a stranger coming into your guys house.You don’t know me, you guys didn’t even know I existed until recently, so ofcourse you’d assume things about me. That doesn’t make it right though, howeverI’m going to forgive you this time. I want to get to know my new brothers, solet’s put this behind us, okay?”

Tim grins, “Thank you. So we were gonna have a movie nighttonight, the four of us guys and you if you want. A way for all of us to get toknow you and for you to get to know us … if you want”

Y/N grins, “I’d love to, that sounds like fun … but we NEEDto have some kettle corn for the movie and some cookies”

Both guys snort, “I thought you were all into the healthy lifestyleand being the best you can be? That’s what your videos said”

“That’s what some of them said, but then I also say that it’sokay to indulge as long as you do it in moderation. So, I’ll be going to the gymtomorrow, but tonight we can watch movies and eat what we want”

“Sounds like a plan, I’ll call Jay and go talk to Damian”

“I’ll go ask Alfred if he can make cookies, you haven’t hadthe chance to try Alfie’s cookies yet, Y/N. They’re amazing!”

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woolishlygrim · 4 years

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Winter Weebwatch #3

I feel a little bad for giving out so many two and three star scores, so I should probably clarify that three stars is meant to be ‘generally pretty good’ and two stars is meant to be ‘watchable but very flawed.’ We’re not working on IGN metrics here.

Also, this week is the week I finally drop a show! What could it be, what could it -- it’s Plunderer. Of course it’s Plunderer. I couldn’t get all the way through this week’s episode and life’s too short to bother watching any more of it.

Also also, while In/Spectre hasn’t been dropped, it gets subbed so late that I’m skipping it this week and rolling this week’s episode over to next week’s post.

ID: Invaded.

★★★★☆

God, why was this show relegated to the Death Season, Where Anime Goes To Die? For three weeks running now, ID: Invaded has stood head and shoulders over all of its competitors, and while there’s always the possibility it could collapse in under its own weight, it so far seems to be going pretty strong.

So episode four (again, see remarks about how one and two aired in the same week) sees Sakaido and the team in a race against the clock to catch the Gravedigger, a serial killer who traps people into enclosed spaces with just a few oxygen canisters and livestreams their struggles, showing the world their final moments and even continuing the livestreams to show their bodies decaying. The Gravedigger has kidnapped a new victim, and for the first time left enough cognition particles behind for Sakaido to dive into his mental world.

Whereas previous episodes have focused heavily on the mystery angle, this episode largely focuses on the stress the case puts on Sakaido and the team. The Gravedigger’s world is a uniquely dangerous mess of fire, explosions, and shifting architecture, and Sakaido dies again and again as he struggles to find any evidence of the Gravedigger’s identity.

Much like the last episode, this would sit at a solid three stars, being a fairly engaging and somewhat harrowing story of Sakaido and the team putting themselves under immense stress to save a victim. What boosts it up to four stars is the moment where the writers pull the rug out from under the characters and the audience: The Gravedigger they’re hunting is only a copycat of the real Gravedigger, and his victim has been dead for days, the ‘livestream’ actually a recording.

The episode also hints at a bigger role for the Perforator in future, as the team attempts to use him as a back-up detective, Akaido, only to find out he’s ill-suited for the role.

Pet.

★★★☆☆

Pet was so close to a four star rating this week. So close.

So, this week’s episode continues an unclear amount of time after the last week’s episode, with Hiroki and Tsubasa having bought a fish store (as in a pet store that sells live fish and naught else, not a fishmonger’s), which Hiroki believes means they can stop doing work for the shady Committee -- only for Tsubasa to inform him that the Committee paid for the store in the first place, but not to worry, he’ll do all their jobs, and Hiroki doesn’t have to do any of them.

So this episode is … moderately upsetting, actually. Intentionally so.

The bulk of the storyline, in which Tsubasa alters a bodyguard’s memory so that he’s compelled to murder one of his boss’ friends, isn’t what’s upsetting about it, although it does deal with some sensitive subjects, namely domestic abuse and the objectification of vulnerable people. No, what’s upsetting is that, like with last week’s story about Hiroki and Tsubasa altering the memories of a couple, this one also harks back to Hiroki and Tsubasa’s relationship -- specifically, that Tsubasa is emotionally abusing Hiroki.

We get hints of this early on, when Tsubasa is deliberately vague about whether he’ll psychically synchronise with Satoru, another character who, at least in Hiroki’s mind (although evidently not in Satoru’s), is something of a romantic rival. As the episode wears on, Tsubasa goes about his work, while Hiroki, left alone at the fish store, begins showing his immaturity by acting out with his powers before eventually becoming sullen and unresponsive. All of that wouldn’t be enough to indict Tsubasa as being abusive, except in the final scene, as Katsuragi snidely remarks that their new store will never be successful and Hiroki will have to return to a life of crime, Tsubasa mildly returns that he knows it won’t be successful, and he knows it will hurt Hiroki, but that’s just part of ‘taking care of a pet.’

Aaaand we get our title, with all of the unpleasant implications of how Tsubasa views the much more immature and emotionally vulnerable Hiroki.

This episode would have scraped a four star score, but the early parts of the story are a bit too fast paced and a bit incoherent. That really was the only thing holding this absolute gutpunch of an episode back.

Bonus points to the episode that the thing that prompts Hiroki to act out with his powers is seeing a woman’s domineering and callous boyfriend, implying that he is at least somewhat aware of what Tsubasa is like.

Honestly, when this show started I was not expecting a meditation on the subject of abusive relationships, but here we are, and I’m down for it.

Darwin’s Game.

★☆☆☆☆

Oh my god, I just watched it. I just watched it, guys, and I don’t remember even the tiniest bit of it. Am I crazy? Is this what crazy feels like? It’s like I’m blotting the show out of my memory.

I remember something to do with plants and that’s … that’s actually the only thing I remember about this episode.

I don’t even think Darwin’s Game is bad (although let’s be honest, how would I know), it’s just not really anything. It has somehow hit that sweet spot between good and bad where it just fails to make any kind of impact at all, and my brain just interprets it as background noise and proceeds to flush all data pertaining to it.

I might drop it just because this has got to be getting boring for anyone reading these reviews by now. Watching this show is like a sneak peek of suffering from dementia.

And yet, I still know for a fact it’s better than Plunderer, so it gets one star.

Plunderer.

☆☆☆☆☆ (DROPPED)

Aaand I’m out.

Look, after the shitshow that was the first episode, I should have dropped it straight away. I gave it a chance, and the second episode convinced me that, hey, maybe this wouldn’t be so terrible, maybe the first episode was just an outlier.

The first episode was not an outlier. Episode three isn’t entirely sexual assault and sexual harassment, but about twelve minutes in it does segue into an extended sequence of exactly those things, getting worse with each passing minute. I got up to fourteen minutes, the point at which a supporting character was cheering on the protagonist to sexually assault someone, before I just couldn’t stomach watching anymore.

This show could be the most interesting, engaging, thought-provoking thing on television, and the constant sexual assault would still make me drop it. Luckily, even if you take out all the sex crimes, all you’d get is a show that was basically okay at best.

So zero stars for Plunderer, and I’m dropping the show. To be perfectly honest, I should have dropped it after episode one.

Sorcerous Stabber Orphen.

★★★☆☆

Onto more pleasant news, man, I just don’t know what’s up with Sorcerous Stabber Orphen’s pacing. Having proceeded at a truly glacial pace for the first two episodes, this episode caps off the entire current story arc, bringing it to an abrupt close.

Now in the company of his old mentor Childman and a task force of sorcerers, Orphen tracks down the dragon-ified Azalie, attempting to reason with her, only for Childman to stab him and eviscerate Azalie. In the aftermath, however, Orphen realises that he’s been played: The dragon he thought was Azalie was actually Childman, and the person he’s been thinking of as Childman is actually Azalie.

So, that was a weird twist. It’s not, in fact, completely out of the left field. The episode sets up early on that Azalie was skilled not only in elemental Black Sorcery, but also in telepathic White Sorcery, and that she should have access to those spells even as a dragon, something which is cause for concern because nobody in the task force has White Sorcery, including Childman. Later on, the confrontation with Dragon-Azalie (Drazalie, if you will), has a character call attention to how she hasn’t used any White Sorcery since the battle started. So when it’s eventually revealed that Azalie did, in fact, use White Sorcery, secretly swapping her mind with Childman’s and letting him die in her place, it actually fits together in quite a neat fashion.

The episode ends without any real hint as to where the story is going to go next: Azalie escapes in Childman’s body, and Orphen is still an exile from the Tower of Fangs, and there aren’t any other pressing story threads, so I guess we’ll see.

Infinite Dendrogram.

★★☆☆☆

This is the second week in a row that I’m giving Infinite Dendrogram two stars, and it actually physically pains me to do so, because I really like this series. I think apart from ID: Invaded, it’s my favourite anime this season, by quite a significant margin.

But nothing at all happens in this episode.

Okay, that’s only half true. The episode opens with the Player-Killers roaming around Altar having all been killed, which journalist (that’s literally her character class, which I kind of love as a concept) Marie Adler says was the work of just the four ranked players. One by one, she shows the main cast a video of each one taking out a clan of Player-Killers in their own unique way: Arena gladiator Figaro takes his targets out one by one, sadistically toying with them before striking the killing blow; cult priestess Tsukuyo uses magic to immobilise her targets, before letting her cult skewer them one by one; martial artist Lei Lei takes them out in a surprisingly friendly and sporting fashion; and the King of Destruction, whose identity is unknown and definitely not Ray’s big brother, definitely, absolutely, just levels the entire forest his targets are hiding in.

I … do see the necessity of introducing them. The Superiors are basically this show’s Gotei 13, or Gold Saints, or Hashira, or <Insert Group Of Loosely Allied Big Tough People That Are In Every Post-Saint Seiya Shounen Anime> here. There are, however, more interesting ways this could have been done than having the characters watching four videos of fights they already know the outcome to.

For example, what if, instead, you had an episode setting up the characters all getting trapped in different areas, pursued by higher level Player Killers, only for them each to be saved by a Superior. That would actually have some tension and dramatic stakes, and it’d be a much more dynamic way of introducing them.

#plunderer #id invaded #infinite dendrogram #sorcerous stabber orphen #darwins game #winter weebwatch

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