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riddlerosehearts · 3 months

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silver twisted wonderland is strongly autistic coded and, although most likely completely unintentional, really good autistic representation in my opinion and i wanna talk about why 💚

okay, so. as an autistic person myself, i love to see myself in fictional characters and headcanon characters i can relate to as autistic. i personally feel that you don't necessarily need evidence to do this, but i do like having evidence and being able to back up my headcanons! and i've thought of silver as autistic-coded ever since a couple months after i first got into twisted wonderland early last year, and have been wanting to make a post on his many autistic traits since october. i should warn in advance that this is probably going to be a long post, which is why i'm putting it under a cut. so with all that being said, let's get into it!

silver takes people's words very literally. all the time.

the first time i called silver autistic-coded, in a message to a friend of mine, was when i was sharing my thoughts on the endless halloween/spectral soiree event and i reached this scene between him and jamil:

in this scene, jamil exclaims "you've got to be kidding me!" in frustration and silver misinterprets this as jamil thinking he was trying to make a joke, and then tries to explain what he actually meant. he also does something like this in leona's ceremonial robes vignette, when leona responds to silver's assumption that he and malleus are friends with "you're dreamin'. come back and talk to me once you wake up. or better yet, don't", and then silver replies: "in fact, i am very much awake". and in ruggie's PE uniform vignette, ruggie tries to joke about teaching silver to haggle "if you ever end up on the street" but silver responds by genuinely thanking him, to ruggie's surprise. this type of overly literal thinking and clear difficulty with understanding sarcasm is incredibly common in autistic people and silver does it all. the. time. i'm only giving a handful of examples because it would take way too long to try and compile every single instance of this.

similarly, silver tends to take what people say at face value and assume that others have good intentions where most people would not.

examples of this include the fact that, also in leona's ceremonial robes vignette, silver believes leona without question about having seen malleus in the greenhouse even though it should be obvious that leona is lying. and, in silver's broomquet/bloom birthday card voice lines, when azul gives him a coupon for his birthday, silver is told that there must be a scheme "behind this gift" and responds by saying that there's nothing written on the back of it--or, in another translation, he's told that there's "something fishy" about it and replies that it's not a coupon for seafood. so he not only doesn't even consider that azul of all people might have an unsavory motive for gifting him a coupon, but he also misunderstands a common turn of phrase. these are very common traits that cause autistic people to be thought of as oblivious and naive.

silver has trouble understanding social conventions and nuances in general, and has ways of thinking that seem strange to others.

in silver's birthday boy voice lines, he apologizes to yuu for not realizing why they were asking what he wanted a while back and having answered with "more time for training", and he also thinks yuu is odd for being excited when it's not their own birthday. in his PE uniform vignette he tries to help vil with a film club project by starring as an extra in a short film, but vil ends up getting angry with him because silver can't figure out when he's "supposed" to act surprised. he also surprises and confuses others by treating events like the culinary crucible and beanfest in unusually serious and overdramatic ways, with the latter event causing vil and riddle to discuss how difficult it is to tell when he's joking--during which riddle, who spends a lot of time around silver as a fellow member of the equestrian club, notes that silver isn't the type to tell jokes. jack and jamil have a similar discussion after silver tells them about how he befriended a family of bears as a child, during the endless halloween event. and in his birthday boy vignette, he talks about how ever since sebek grew taller than him, he's been asking sebek to get the dishes from the top shelf, which always causes sebek to get a "triumphant look" on his face. and then, rather than realizing sebek is taking pride in being taller than him, silver says he thinks that he must "get enjoyment out of fetching things from high places".

again, there's way too many examples of silver doing things like this and i don't want this post to be so long that it's impossible to read. but this is all just very autistic of him and these are the kinds of things that cause us to be thought of as weird, stupid, and annoying by our peers.

silver has flat or blunted affect.

the word "affect" refers to how one portrays emotion, through gestures, facial expressions, tone of voice, etc. if you have a flat or blunted affect, your emotions will come through very little, no matter how strongly you may feel them, and it can be incredibly difficult for others to tell if you're happy or sad or what you're feeling at any given time. this is something autistic people commonly experience, and silver has this with his lack of facial expression in particular. in-game, silver has extremely little variance in facial expressions compared to every other character, and even his one rarely used smiling expression--while adorable and always a delight to see--is more of a small half-smile.

and it takes a lot to even get this much out of him. he'll often say that he's happy or excited, and seem to genuinely mean it, but not smile at all. i believe that most often he's seen smiling like this when talking to or about lilia (brb while i cry at the thought of that). and this trait of his is commented on several times, such as one of his groovy voice lines when he says the following with his usual neutral look on his face:

or, in his birthday boy voice lines, where he says: "every time someone takes a birthday picture of me, they ask me to smile more. i AM smiling…"

it's fairly common for autistic people to have flat affect and be thought of as robotic, emotionless, and unapproachable as a result. and there's actually a lot more on this topic that i want to talk about, but i'm going to come back to it later in this post.

silver has a love for mushroom risotto that can be seen as him having a samefood.

the word "samefood" refers to the tendency that autistic people can have to eat the same food very frequently for days, weeks, or even months at a time. people who have samefoods might have a strong reliance on routine and/or have sensory issues that make them resistant to trying new foods. and they may often need the food to be prepared the same exact way each and every time. it's common for autistic people to be thought of as picky eaters with bland palates (because samefoods are often, but not always, the kinds of foods that are usually considered bland and plain) because of this.

admittedly, silver does say in one of his voice lines that he's not too picky when it comes to food, but the reason i'm applying this trait to him is because of jade's labwear vignette. lilia comments on the fact that silver is having mushroom risotto again and says he's always been like this and that he needs to broaden his palate, to which silver replies that he doesn't mind eating the same thing every single day. then, when he tries the risotto he gets so shocked that he freezes in place and lilia suspects that he's been poisoned, all because it turns out that the texture of the mushrooms is different that day. lilia says he doesn't see why that matters and asks if silver is sure he isn't just imagining it. this last bit is also interesting to me because autistic people are often overly sensitive to food texture, and get similar reactions as the one silver got from lilia when we try to talk about it. i feel like it's lucky that the changed texture of the mushrooms was one silver enjoyed, because it could've been very frustrating if his samefood was suddenly different in an unpleasant way.

and, i originally wanted to also include sections for some other small things, like how he's mentioned feeling his chest tense up around large crowds and having trouble relaxing in unfamiliar places, or his having a fairly limited range of interests and thinking that he's not fun to be around, or how he tends to communicate better with the animals that flock to him than with his schoolmates, but this post is already getting long so i figure i should go ahead and move onto the next thing i wanted to talk about:

throughout this post i've been saying that autistic people who share the traits that silver has are often thought of as stupid, annoying, unapproachable, and/or emotionless by those around us. we get bullied and looked down on for things that we can't really help. and that's exactly what happens to silver.

here's where i'm going to mention leona's ceremonial robes vignette once again! after the "you're dreaming" "i am very much awake" interaction, leona gets annoyed at silver for not understanding what he meant and says he must have a screw loose, and then ruggie says the following, right in front of silver:

leona then tricks silver with his lie--or, i guess technically it's more of a half-truth--about the greenhouse, an action which causes even ruggie to say he feels bad for silver. and later, when leona goes to diasomnia to confront malleus, this interaction occurs:

this vignette is just one of several examples of other students looking down on silver and taking advantage of his tendency to take people at face value and assume the best of them. not just ruggie and leona, but a significant amount of other students see silver as absent-minded, odd, and bothersome and have given him (along with kalim) an insulting nickname.

also, silver's flat affect and the cruel way that people treat him over it is the entire focus of his dorm uniform vignette. silver gets in trouble with crewel, who dismisses his apology because he doesn't "look" sorry, for falling asleep in class and has to collect everyone's reports. his classmates act polite to his face while he's collecting them but then as soon as he walks away they start talking about him behind his back, saying that because he always has the same expression on his face, he's unapproachable, exhausting to deal with, and probably doesn't even actually have emotions. silver overhears all this and instead of getting upset that his classmates are insulting him, saying completely ridiculous things and treating him like a burden, he puts the blame on himself and starts thinking he needs to change himself to fit in with them. he thinks he needs to be like kalim and tries unsuccessfully to get kalim and jamil to give him lessons on how to be more expressive. it's pretty common for autistic people to not even realize we're being treated unfairly and instead believe that we're the problem. it's also common for us to try and mask our autistic traits in order to fit in, and to try copying the behavior of those who seem socially successful and well-liked.

but, silver has people who understand him, who love him exactly as he is, and who don't believe he needs to change.

for one thing, kalim himself doesn't think silver needs to change. he says he thinks silver is really nice and isn't unapproachable at all, but he'll try to help him be more expressive if it's something he wants to work on. kalim is silver's best friend and has never wanted him to be anyone other than himself. and when sebek realizes what silver is doing he immediately thinks it's ridiculous and instead comes up with a plan for silver to be able to show his classmates that he isn't emotionless. malleus and lilia then spot the two of them training in the courtyard and talk about how much they love and care for silver, and how well they understand him.

also, that conversation that lilia and malleus have is one thing in particular that makes me really happy about this vignette and is a reason why i think silver is such unexpectedly good autistic rep (even though, again, he's not canonically autistic and probably wasn't written that way on purpose). because, when i read the endless halloween event i knew next to nothing about diasomnia, had read hardly any of their vignettes yet, and i said to my friend "i know they probably just want us to think silver is weird because he was raised by fae, but i think he's autistic coded." i assumed that him being a human who was raised by fae would be something you could use to explain away all of his quirks if you wanted to, and say that they're a result of that rather than of him possibly being autistic.

but seeing lilia and malleus talk about how they know that silver is an incredibly passionate and empathetic person, that they know he feels very strongly even though his emotions don't show on his face, and that they don't find him difficult to read at all, made me realize that lilia, malleus, and sebek are all fae (half-fae in sebek's case, but still) who are each very different from silver--and sure, i guess you could say that some of his communication issues might come from his upbringing as he never went to school or interacted with others his age very much before going to NRC. but he did grow up with sebek who, again, is half-human and very different from him. and his flat affect at least is explicitly not something that could come from his upbringing as lilia, malleus, and sebek are all at least as expressive as any human--if not even more-so in sebek's case. and from the way lilia and malleus talk about his inexpressivenesss, it seems clear that they know it's an unusual thing, probably not any more common for fae than it is for humans. it's just not a problem for them, because it's a natural part of who silver is and they love who he is.

and basically silver is just sooooo autistic.

when i originally got the idea to write this post i made a joke to my friend that it would be easier to just post a link to silver's twst wiki page as an explanation of why i think he's autistic. i mean, it really would've been since his autistic traits come through in so much of how his character is written and there's so much solid evidence for it. but instead of doing that i decided to autistically write a... *checks notes* 2500+ word essay overexplaining my headcanon because i just love him so so much. so in conclusion:

#twisted wonderland #silver #twst silver #autistic headcanon #actuallyautistic #twst #silver vanrouge #i almost feel kind of silly posting this because it's so long and i'm sure i'm overexplaining myself #but part of that is because i can't know what vignettes and voice lines people have and haven't read #and also because there's just so much. he's the autistic character ever <3

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blackholeunderyourbed · 9 months

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I know that two pieces of media I've seen aren't enough to declare this a trend, but. Gonna call it a trend anyway. I'm seeing a trend in the way closeted characters are treated. Late last April I watched the first season of Heartstopper right after it came out and after my second binge wrote a long post discussing how it treats being in the closet. Tldr; Nick Nelson is the first closeted queer character I've seen that wasn't demonized and in fact affirmed in taking the time he needed, and the show is very explicit and consistent about coming out being a personal choice there's no obligation to make in any particular timeframe. That's a trend that also continued in season two that dropped earlier this month.

I just watched the new Red, White, and Royal Blue movie tonight, not having read the book and being unsure how it would treat Henry once his barriers to coming out were put into focus. I was bracing myself for Henry's reluctance to come out and how he handles his relationship with Alex as a result to default back to the way being closeted is usually framed: cowardly, inauthentic, a burden to one's out partner, and a betrayal of one's self and community. As said above, I have never seen a closeted character not be demonized in one or all of these ways.

I was incredibly surprised and appreciative of how Henry was actually handled, not only because the writing avoided leaning into the demonization aspect, but because it, like in Heartstopper, made an active and conscious effort to do the opposite. There were two primary spots that stood out to me in regard to the movie's messaging around being in the closet.

First was when Alex arrived at the palace to force Henry to talk to him after he disappeared and stopped communicating. During their confrontation, I was waiting for Alex to accuse Henry of being a coward or not choosing him, in doing so downplaying the precarious position Henry was in between his station, family, and how those elements overlap. In direct opposite to my fears, Henry expressed that exact same fear that Alex would call him a coward, only for Alex to directly say he would never call him that.

Even when their emotions are running high, at no point does Alex undermine Henry's feelings or the potential ramifications of him being out. Instead he's empathetic toward him, stressing their ability to choose each other without being out right then. He's willing to be as patient as Henry requires and is the comforting and grounding force Henry needs in that moment. Being out is never a necessity for Alex; it's about loving Henry as much as he can in whatever way he can. This scene is helped by how this scene is built up to, with great emphasis on Henry's conflict, emotions, and stress over doing the best he can for Alex out of love even if it means letting him go.

The other big moment was even more explicit and came in the form of Alex's speech addressing the situation after their emails were leaked. This section could not be more clear, as if was aware of and addressing the exact history of closet framing I was afraid it would perpetuate:

"The truth is, every queer person has the right to come out on their own terms and on their own timeline. They also have the right to choose not to come out at all. The forced conformity of the closet can not be answered with forced conformity in coming out of it. This isn’t about shame."

I'm really pleased with how Red, White, and Royal Blue framed Henry's relationship with the closet. Between that and Heartstopper, perhaps it's not enough to call it a trend, but I hope they represent a beginning of a trend in how the closet is presented. We deserve nuanced portrayals of the subject, especially when the concept of coming out originated as something done between and for queer people, not for the cishet population at large.

Coming out is not owed to anyone: not cishet people, not other queer people, not your partner, and not yourself if it's not your time yet.

#red white and royal blue #rwrb #rwrb movie #rwrb spoilers #rwrb movie spoilers #heartstopper

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itsclydebitches · 2 months

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IT'S BEEN A DOOZY OF A DAY, FOLKS

Yeah I've got a couple asks about it lol. (Always a terrifying experience when you log onto tumblr and immediately wonder why your inbox blew up...)

Man, I don't even know how I'm feeling right now. We've spent so many months working on the semi-confident assumption that RWBY would be cancelled that on the one hand I can't feel very shocked about this. On the other hand there's definitely a wide-eyed part of my brain going, "Holy shit the 'RT is failing' theories finally came true O_O" I'm kinda devastated that a company that's been a part of my life for almost a decade (and for other fans far longer) is just up and gone, but simultaneously I don't care because what I loved about RT hasn't existed for some time now. We've already been dealing with that nostlgia for years, we just got a hell of a concentrated dose of it today. There's admittedly some level of vindication regarding those who've been pulling shit in the company for so long and empathy for those who were just getting by and are now suddenly out of a job. There's regret that (despite my tendency to fall VERY behind on projects. RIP I owe everyone in this fandom a massive apology) I'll probably never have an official end to my RWBY Recaps. And there's worry about how this will impact the fandom...

Yeah, not to jump on the pessimism train, but I feel like this is going to catapult some fans' misreadings into new territory. RWBY is now forever the show that was canonically unfinished and thus its perfection is assured. Think there are major issues in Volume 9 and earlier? Nah, that's setup for Volumes we just never got. Catch a contradition or other mistake? They would have explained that if they could. Any possible issues with the show if it gets picked up by someone else? Well, of course there are issues, RT isn't writing it! This was already a fandom where having accurate, nuanced discussions about the text was hard as hell... but it just got so much worse.

Honestly, I say let it go. If they're going to do anything I'd prefer a complete reboot/reworking so that this story might stand a chance. Airing new RWBY Volumes was already beating a dead horse. Resurrecting the horse to start beating it anew just feels ridiculous. Yes, I'm sad for those fans who wanted an official ending, but we've spent so much time waiting on RWBY, being worried about RWBY's future, and I personally have encounted so many shows lately whose finales soured my enjoyment that there's something reassuring in the combination of definitive ambuguity here: you know you're not getting an ending by RT, so just have fun imagining your own.

Overall, I feel like I've got to sit with this for a while, you know? I totally get why so many fans (partiuclarly RWDE fans) are celebrating and/or releasing a sigh of relief right now. I'm honestly surprised I haven't seen any crabs yet lol. But maybe it's just because I'm "old" my tumblr's standards, but there's something undeniably sad about losing that part of your fandom life. Or at least, losing what led to/represents that life. Getting introduced to RWBY by a friend, binging it for the first time, pulling new people in, finding like-minded friends here on tumblr, analyzing it for thousands of words, tracing its history and watching how radically it has changed... that's gone now. Not actually because RWBY still exists, as do my friends, and there's nothing stopping me from writing as much fic/meta as I want, but it still feels like someone closed a door on that part of my life. That's not wholly a bad thing given what RT has been lately, but I do think it'll take more than one post for me to unpack it all.

#RWDE #RWBY #mymetas

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meimi-haneoka · 7 months

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Cardcaptor Sakura Clear Card Chapter 78: Comments + JP-ENG translation differences

Hello hello!! End of the month, just witnessed Harvest Moon high in the sky (the last Supermoon of 2023!), and we're back like clockwork with another chapter of Cardcaptor Sakura Clear Card!! I have to say the release of Clear Card chapters have often coincided with a Supermoon and I find that so funny, as well as fitting....the moon is such a big element in this arc!

And as we have seen in this arc, the moon is also a messenger of love, and there's so much of it in this chapter....feelings, conflicting emotions, but most importantly, talks of happiness. This chapter wrecked me with emotions even more than the previous one, as we finally got the Kaito/Akiho moment of "discussion" that we waited for so long....where the focal point of the entire arc is: how far can we push ourselves to make our loved ones happy? Is it right for us to arbitrarily decide for their happiness? Along the years, I've seen countless of complains for how the events of the story were unfolding, for how some characters did absolutely the hell they wanted and made decisions for others, but as I knew perfectly well, a story is something in constant development and the goal wasn't to show how helpless people are or how it was right for others to act in that way, quite the contrary. And we'll see with full force what that means in this chapter of the climax, which is surprisingly BIG (36 pages long).

I also have to (unfortunately) report a quite annoying translation mistake in the English version that can confuse people and trick them to believe that Sakura remembered about a certain someone. Along with the usual nuances and such.

BUT FIRST!!

Hehe, you know what's coming, right?

Akiho went THIS close to go full Greta Thunberg on a certain someone!!! 😂 Let's find out WHO it is under the cut!!

The Color Page

Our Sakura this month takes the color spread with one of the most beautiful portrayal of our little magician: dressed in a very elegant layered white dress with jewels, head covered by a white veil, immersed by half in a pond, she looks halfway between a bride and a priestess! And yes, I can already hear you screaming "Tsubasa!!1!1!!!!" because she vaguely reminds of little Sakura-hime at the reservoir....😆 But I think what really makes the atmosphere of this color page "magical" is the presence of countless spheres of light, which seem to be emerging from crystal water lilies and converge in a huge sphere, which really looks like the moon....just to go back to the incipit of this blog post, right? 😂 After observing this color page, I couldn't help but being reminded of the spheres of light that were featured in the color pages of chapter 52 and 63 (with respectively, Kaito and SyaoSaku). Back in my post of chapter 63 I had made an analysis about what the common thread between those two color pages could be, and especially the significance of those spheres of light. If they really are representing the feelings of love for your dearest person, then I'd like to think that here Sakura is being represented as a "fairy" fostering and releasing that love in the open, to help and save the people dear to her. Which is totally the image I'm getting not only from this chapter, but ever since we started to see what happened in the "re-written world". Sakura is literally a messenger of love. And I love that for her. ❤️

The editorial text in the JP version is referencing what Sakura told Akiho back in chapter 49, right after her "sister" shared with her the recount of her night walk with Kaito: "To me, you’re someone I want to see happy forever. Because you're my friend, and someone really precious to me"

"Blink To Say Yes"

The chapter starts with me making amends to Kaito for the nth time, asking for his forgiveness for doubting his intentions and emotional state way over what was due: as the dragon keeps flying away, Sakura grabs Akiho's hand and starts going after the creature, of course followed by Syaoran, Kero and Yue. Akiho (poor girl, still with a tear in her eye) notices with shock that the "portal" to the fake moon is completely disintegrating, revealing the real moon behind it. Flying side-by-side to the dragon, Sakura realizes that the creature got finally out of that place to avoid that Akiho would put herself in danger: in fact, with the portal disappearing like that, she might have been trapped inside that space forever! Sooo as usual, Kaito's actions are skillfully framed by CLAMP in a way that will make you misunderstand him and think he's being irrational or getting on everyone's nerves on purpose, but no, he was actually just putting Akiho's safety first, as usual. ❤️ I know there were some interpretations of him precisely doing this, but I thought it wasn't the case because Sakura broke the spell inside the fake moon, removing the pressure and all, so I couldn't see what danger he needed to protect her from: in fact, the looming danger was a different one, and it was well symbolized by those "bzzz" sounds and effects near the entrance when Akiho was getting in. I had noticed them but dismissed them as the instability of Touya's time magic. I should've known better! 😆 Sorry, Kaito. I know that the only one who can make you do anything at all is only Akiho! Therefore I'm still laughing at how Sakura tried to convince him to get out for half an hour, when all Akiho needed was to move an inch forward 😆😆😆 I also think that what she told him, the fact that she was sure to be in front of "her most important person", changed things for Kaito. His reaction was tangible, despite being hidden behind the eyes of a dragon. And therefore I'm still partially peeved and heartbroken at him, because before hearing that from her (and seeing her putting herself in danger), he was fully planning on staying inside that space forever. He was refusing to come out, knowing very well that the portal would've disappeared at any minute, eliminating any chance of saving him. How dare you.

Well. We were saying that Sakura realized the dragon's intentions right away, and we see her shouting, with a face halfway between shocked and fired-up, "This means she's important to you, too!" (good job ENG translation for not messing this up, I guess. I was worried). Damn right, Sakura. She must be so confused by this person dragon's behavior. It is all so crystal clear to her. It's not only in her head, all the signs keep confirming to her that he really does consider Akiho very important, even now, immutably. The time he spent in that cage didn't change anything for him (and that, if anything, makes everything even more heartbreaking because of how agonizing that must have been). Sakura just can't understand why this person is acting like this, since he truly does care about Akiho. Refusing to go back to her. None of the people around her behave in this way and for her it must be something very new to deal with - and this reminds me of what a blessing we had to get these new characters in this arc, so different from what she's used to, who sometimes pushed her beyond her comfort zone, hence expanding her experience and making her grow up.

Akiho seems encouraged by Sakura's firm statement, so she takes the matter in her hands and shouts to the dragon to please have a talk with her. She shuts her eyes tight, as if being desperate for him to listen to her.

And that's it. That's all it takes for Kaito to be ol' good Kaito and stop immediately at Akiho's request, looking intently at her. As if he's saying "I'm at your service". I've said it countless times in my blog posts, how Kaito is someone who really would do whatever he wants and listens to no reason, but when it comes to Akiho, he really cannot deny anything to her. Akiho sighs in relief at seeing him stopping, and she starts talking to him, so tiny in front of such a giant (is he supposed to look scary? To me he really isn't, he's quite cute) creature. Akiho is well aware, from the countless books she's read till now, that the ones who can have conversations with dragons are almost entirely people with marvelous capabilities (the ENG went for "strange powers" for this, I don't think it fits). She's got no magical powers, but she quickly comes up with a clever way of "communicating": blink your eyes to say 'yes', do nothing and stay like that to say 'no'. And so she immediately starts, because she needs to know, she needs to understand. It's her goddam*ed right to do so, and Kaito knows this very well, hence why he's not denying her the opportunity. Akiho fires the first question: "Are you the one who re-wrote the world?" Kaito blinks, admitting it. I can see a streak of sadness in his eyes as he opens them again. This doesn't make any good to Akiho, who looks pretty sad as well, at hearing that. It's like having one fear, and seeing it confirmed. But she goes on, explaining how the world she's living in right now is warm and caring, full of people who support her and dote on her as if she were one of their family. While she states this, we can see Tomoyo following the events from the tablet with a concerned face, and Touya looking more and more worn out by the time magic he's being keeping up, sustained by Ruby Moon and Spinel Sun.

Akiho is very intuitive, so it's easy to guess where the question is leading: "Did you rewrite it because I never had this, before? And for that, were you the one who erased any trace of you from inside of me?" The ENG version here adds a "Did you do it to bring me happiness?" which is not incorrect, of course, but it doesn't exist in the JP text, and as usual it's used to spoon-feed the readers as if they couldn't get there on their own (and to probably fill a bubble with something).

Kaito cannot lie to the burning question, and he blinks his eyes. We see appearing a "crease" next to his eye, a clever way from Mokona to show us that he's growing more and more distressed. The pain of remembering how her clan abused her, how they got there because of something he said, the pain that resulted from the decision he made when he was just a kid. And the next question is even more burning.

"Did I wish for it?"

Kaito does nothing, confirming he now understands that in fact, Akiho never asked for this. Never. And the girl herself confirms: "I don't remember (you), but I know. I would never wish for a happiness that did not include you". Kaito listens intently to her. I just can't imagine how it must feel to not remember a single thing about someone, and yet feeling all that love pouring out of you. Simply out of instincts.

I Want My Most Important Person Back

Then, with a very (very) resolute face, Akiho turns to her dear Sakura, and affirms: (JP) "Sakura-san. I want to bring my most important person back". Here it is again, the famous term that we CCS fans all know well, the code for "the person I love", that keeps being changed in the ENG translation to a less recognizable "favorite person", which I'm still not sure conveys the same meaning. Sakura agrees with a pleased smile, she's totally ready to do anything to give her true happiness back to her "sister". Then, she turns to Dragon Kaito, and here we start with the "parallels" that will enrich this chapter of many many additional emotions.

Yes❤️ it's a parallel with Lilie, from chapter 72. Same expression and all. Precisely from when she was telling her the words that Sakura is going to relay to Kaito now: "What is happiness, to you?".

And here I have to introduce probably the worst mess of a translation mistake of this chapter, that will surely confuse people and make them believe things that actually arent' true:

ENG: "Someone asked me that once, too. In a dream. But, try as I might...I couldn't remember who it was. Not until she crossed time and dreams to see me. I think she did that for this moment. And...I think that's why she left me this card in the end, too"

JP: "These are words I've heard in a dream. I can't really remember who said them, no matter how hard I try, but...that person crossed time and dreams in order to come to see me. It was surely for this moment. And...this last Card remained, too...was for this very moment, right?"

I sincerely have no idea how they could mess up and make Sakura say that she actually remembers about Lilie, after she came to see her. Lilie had been so clear about it, in chapter 72, that the Forbidden Magic would've made Sakura forget as soon as she exited the dream, and so it happened, indeed. Why making her basically say that she remembered, afterwards? This is against the script! Moreover, not happy with messing that up, they even made Sakura say that the last Clear Card remained was left by Lilie herself! That's nonsense, that's not what the JP text says! Momo told her that there were some Clear Cards that were protected by her with a spell and they were waiting for Sakura to call them up, that's HOW the Clear Card that we're going to see now is able to be here. Not because Lilie gave it to Sakura. And before anyone points out "yes, but the one who paid for that spell with her ring was Lilie", I have to remind you that Sakura is not supposed to know that. Momo never told her WHO paid that price. So basically this is a mess-up on all fronts. But let's go back to our story because the emotional moments are just escalating. Before Sakura mentions the Card, we can see for a moment Lilie's reflection in the Dragon's eyes. A clear sign that Kaito understood perfectly who Sakura was talking about! And I think it's so beautiful that Sakura, always listening to her intuition (remember how she wasn't very good at this, before? That she dismissed her intuition, and Syaoran told her that his mother taught him not to?), understands that THIS is the moment to get this question out, because here she basically posed this question to Kaito. And this will help him decide in a few pages.

Proceeding forward, we can finally meet the big absentee ever since Sakura secured it back in chapter 33: the Rewind Card!!! One of the most beloved Cards, obviously for its appearance that was based on Syaoran and its cuteness! This card is the last one that still had to appear and that never showed up in Clockland, a sign that Kaito wasn't able to put his hands on it and "drag it" into the fictional world created with Momo's magic. It's the last Card that was waiting to be called by Sakura. And so she does! Syaoran is quite surprised and provides a "Spiderman meme" moment when he realizes that the Card looks just like him! 😂 Sakura explains to him that Record was able to record this Card as well, so that's how she knew of its existence (and not because Lilie gave it to her, once again!!!).

It's time. Sakura announces to the Dragon that she's going to bring him back to "himself". Our girl does so because she wants to implicitly give him the chance to have a say in this. She doesn't really "ask", but it's like she's implicitly doing it, because she wants to make sure that this is something he wants too.

In fact, in a very emotional moment, he and Akiho exchange again a long stare. It's like a silent conversation is going on between them. The dragon is depicted with a painful expression, while Akiho is staring at him firmly and determined. He's still, to the very end, thinking he does not deserve to go back to his human real form and go back to her. But she's unwavering, and uncompromising. She wants him back, and she's going to have him back. Because, after all, under a pile of self-loathing and pain, this is what he wants too. This is his happiness. So, with a very suffering expression, he blinks his eyes one more time to say "go ahead". In his condition, this must have costed him a lot of effort. You know who they reminded me of, in this scene?

Yeah, them. I've been saying it for long time, agreeing with other friends affirming the same in their own posts, how I could see a clear parallel between Clone SyaoSaku from TRC and YunaAki in Clear Card. They didn't exactly go through the same things, but their experiences often overlapped. And this in particular is overlapping really well. As I wrote already in my Twitter thread, he's given a chance to go back, but he's crushed by guilt. He doesn't think he deserves it. But she stares FIRMLY at him, pulling him towards life, a life with her. And he closes his eyes, and caves in. Because in the end, this is what he wants too. To be with her.

So Sakura proceeds. She says that she doesn't know who the Dragon is, but the pocket watch does. And as said pocket watch levitates in the air from Akiho's hands towards the Rewind Card, Sakura explains that it does know him because it used to "weave time" together with him. And so, combining the Card with the watch, Sakura activates Rewind on Kaito, exactly as I expected!

And the moment is absolutely emotional, as we finally see again after 8 long chapters (and relative months), our dear Kaito's face!!! The way the Rewind Card "works" on him is also quite spectacular, from a visual POV, since the pocket watch seemingly "enters" the dragon and frees Kaito from within. The fact is, we don't see the pocket watch after he changed back, so now I'm wondering: did it stay inside of him???

But, whoops, something didn't quite go alright. The black wings of the dragon stick to Kaito's back. Kero observes him and wonders with Yue if he's been a creature like them this whole time, but fear not, Yue dissolves the doubt right away: he thinks he's a regular human magician (the kanji says 魔術師, magician, while the furigana reads ひと, person), it's just that the spell that was active on him (the "Seal of D", as we know) was probably so damn powerful that even borrowing the pocket watch's power (as said in the JP version) wasn't enough for Rewind to bring him completely back to his appearance. Well, you want my opinion? Those wings look FANTASTIC on him and I absolutely want him to keep them!!! (maybe with a little spell he can conceal them when it's not convenient?) 😂❤️ He looks like a dark angel and it's amazing.

Don't Decide My Happiness On My Behalf

But the real, heartwrenching emotional moment starts here. This is also the moment when I started emitting all kinds of inhuman sounds, so I'm grateful I'm not one of those people doing a live reaction on youtube or something because this would be the end of my reputation on the internet 😂😂😂😂

Akiho and Kaito, finally in his original human form, exchange a long stare, again. His face is showing perfectly how he's absolutely heartbroken at what he realized he caused to her. It's guilt adding over guilt. And as she finally looks at the face of the person her heart knows is the one she loves, she can't stop the tears from forming again in her eyes, while she poses the only REAL question that she probably wanted to ask all along:

"Why?"

And as I always do with pivotal moments, I'm going to continue with the direct translation from the JP text, because the ENG added something ("why did you leave me?", which contributes to convey Akiho's feelings and possibly makes this even more romantic) that wasn't there in the original, and I have to be impartial.

Akiho, JP: "Why did you choose to disappear....from the rewritten world?"

I wanted to put the JP version here also because an important verb is missing from the ENG version: choose. Akiho is questioning Kaito about his choice. Because yes, this wasn't a result of a whim, Kaito chose to disappear from her life. And now he has to answer for that. Akiho's face is twisted in pain, as if she's trying to control the tears that now profusely fall from her eyes, and contain an immesurable grief in realizing that her most beloved person chose to remove himself quite definitively from her life.

His reply, though, proceeded to shatter my heart even further, cause it's exactly what I expected and have been saying this whole time.

Kaito, JP: "Because I thought I wasn't necessary to your happiness"

This is the only line we'll hear from Kaito in this chapter. For the rest of it, he'll listen in silence, giving space to Akiho and trying to elaborate. Besides, I want to point out that for the first time ever, he uses "ore" as a personal pronoun while talking to Akiho, and he's also seemingly dropped the use of keigo, the polite speech that he used with basically everyone before. Signifying that he's finally being honest and open, he's being his true self.

In his reply, there's all the self-loathing and hurt and pain he's been experiencing till now. Not recently, but ever since he was a baby. Remember that this boy grew up completely devoid of love in his life, completely abandoned to himself, exploited for his powers by a congregation of criminals. Kaito is, himself, a victim of abuse too, and I would want the CCS readers to acknowledge that more. Because if we have to wonder how we came to this situation, well, this is how. This is the damage that growing up in that kind of environment can cause to people. And we don't have to go that far because, if we remove the "magic" factor from the Association, we can find environments of that kind even in our daily real life. Growing up in that environment didn't stop Kaito from developing attachment to a person. From developing love for them. But, as he grew up not knowing what his self-worth was, being used as a commodity by other people, he's been convinced this whole time that he was nothing to her. That when he managed to accomplish his goal, he wouldn't need to be there because she didn't need him anymore. And I know, I can hear you, "How is it possible that he didn't notice how Akiho looked at him and how she loved him?" That's precisely because of his mental condition that prevented him from seeing or even believing what he was seeing. Kaito thought that he was born alone, and he'd die alone. That no one would ever be able to love him. That's why. And it's heartbreaking that someone would live their life like that.

With such a condition, Kaito's intentions were good but he went down a twisted path to make them true, completely missing the right way to go about it. Akiho doesn't know anything about this, but the heartwrenching scene that follows is something that's absolutely in her right to say. It is something I anticipated so so much.

Akiho, JP (lit.): "Please don't decide my happiness for me! Even if it's you! Please don't tear up and throw away my most important person!!"

Sadness and anger are mixed with Akiho's tears while she pours out all of her pain. I wanted to feature the literal translation of the JP text because I think the verb used, 破り捨ててしまう, depicts a very heartwrenching scene in my head. It is a verb that it's akin to when you tear up a piece of paper and discard it in the trash.

This is literally what Kaito did with his existence, when he went through with his plan.

So Akiho here is not only scolding him because he dared depriving her life of her most important person (and she doesn't care if it's he himself, he's not allowed to do that), but also BECAUSE HE DISREGARDED HIS OWN LIFE IN DOING SO. He's treated himself as a disposable object. And Akiho can't stand that. She loves him so much, despite not remembering a single thing about him, that she can't stand the thought of him hating himself to that point. I think, the way the ENG translation portrayed it, focuses too much on Akiho scolding Kaito for not having the right to remove himself from her life, and completely misses the other, implied, darker part of her line.

Akiho is understandably wrecked and she would want to scold Kaito more, but as she says herself, she doesn't even know what name to call him with. He erased so much from her that she isn't even allowed the luxury to remember his name. But I think this scene here might actually be a foreshadowing for him to reveal his true name to her later, so I'm waiting in anticipation for this (I've been actually waiting ever since chapter 51!). In the meantime, to break a little the drama with a funny moment, I think she wanted to call him baka, but as she doesn't even know his name, she can't do that! 😂what do you think???

And as I always say, Eriol suddenly opens the communication with Sakura to bring bad news! 😂Kaho is exhausted and can't hold the time stopped much longer (furthermore, it seems even Eriol is participating to keep the spell up), so he informs Sakura of that and she thanks him with a worried face. Syaoran looks up and notices that a hole is appearing in the stopped environment, signifying that the time magic is wearing off. So Sakura turns to Akiho and asks her what she wants to do from now. Notice that "from now" well, cause it's very symbolic: it's as if Sakura is saying "other people chose for you till now, but now you're given the chance to finally decide by yourself". With a painful face, eyes drowned in tears, Akiho ponders for a moment and then says that she's been really, really happy to be part of Sakura's family, but if that's not real, then she wants to go back, no matter how much hardships and pain is awaiting ahead. Please register how difficult it must have been for Akiho to wish that. Because right now, she's got all she wanted, love, a warm family, friends and even her most important person is here with her. But the fact is, this arrangement was created by someone with magic, it's not real, it's not how things naturally came to be. Moreover, no matter how strong her love can be, she still doesn't remember anything about her most important person and all she experienced with him, and that is something that is eating her soul away, because she recognizes that she lost something invaluable. So she's willing to let go of all this comfort to go back to the life she had before, WELL KNOWING (because Kaito confirmed it to her earlier) that in her previous life there will also be a lot of pain awaiting her. Moreover, she adds that if there's anything she'll be able to change, then she wants to do that with her own strength (again, a detail that's missing from the ENG translation). And then, turning to Kaito with a very assertive face: "Together with my most important person".

Kaito at this point can only stare in shock at her. Because I'm sure that he thought that after making her cry and suffer this much, she wouldn't have wanted anything to do with him anymore. But, as Kaito hopefully will have all the time to find out, this girl's feelings are no joke. It's no flimsy crush. This is the type of love that binds you to your soulmate forever, and gives you the strength to forgive them when they make you suffer, if you can recognize that their heart was in the right place. Akiho wants to grasp control of her life, wants to be the one to completely make decisions from now on, but she also wants Kaito with her, not only by her side but also participating to those life decisions. She doesn't want to cut him off.

Sakura, with the sweetest smile ever, tells her (JP)"If you two will be together....everything will surely be alright". And here I have to point out two things in the ENG translation: that single "together" that sounds a bit overcautious, not specifying who's together, when in the JP text it's clear she's referring to those two (because the context comes from the panel right before), and then the choice to translate Sakura's iconic invincible spell with "I'm sure it'll work out". That's not how the English speaking fandom knows Sakura's invincible spell as, and from what I've been told, it's not even how it's been translated previously! So this makes pretty difficult for the English speaking fans to recognize that she's uttering her invincible spell here!

Especially cause, look what a wonderful and touching parallel they have done...

The one you can see above is coming from Volume 5 of the old manga, and it's the very first time Sakura uttered the invincible spell, releasing the Light and Dark Cards from inside herself. This parallel, where you can see that Mokona sensei strived to redraw the spread exactly as she did back then, really gives off a feeling of "coming full circle", especially cause when you put them one beside the other it's so easy to see how much Sakura grew since then. Back then, Sakura told those words to herself to comfort herself in a moment of panic. Now, Sakura is telling these same words to a beloved person in a critical situation, to encourage her that if she'll be with her most important person, everything is going to be alright, no matter what awaits ahead. It also reminded me of the comforting words that Yukito told Sakura back in volume 12 of the old manga, the night before Sakura ran to the bus stop to give Syaoran her teddy bear. Yukito told her that as long as both she and her most important person wished to see one another again, it would be fine. I can kinda sense that Sakura wanted to comfort Akiho in the same way, that as long as she and Kaito stay together, they can overcome anything ahead. And I found that absolutely wonderful.

Unfortunately, the awesome moment full of courage and love is interrupted because Syaoran notices the time magic has given up and the arrows start attacking them again, as expected. We see a very worrisome panel with Eriol crouching to the ground next to a passed out Kaho (poor Kaho!!!!), while he hold his staff and sends a remote protective spell to shield the kids from the oncoming attack.

Without wasting time, Kaito grabs Akiho and holds her tight in a protective embrace, curling his beautiful black wings on her to shield her, while she's still shocked (and with tears in her eyes). I have no shame in admitting that THIS panel turned my screams in ultrasounds and it's become my favorite one of the chapter!! Especially cause here we have that magician who couldn't even bring himself to touch his beloved Akiho's head to comfort her, now finally not hesitating anymore and holding her in a very tight embrace to protect her (still giving all of himself for her, I guess it's just his way to love her). The situation is dire: Syaoran activates his Fuuka Shourai to fight the arrows off, while Kero and Yue shoot their own attacks, because the arrows just keep coming at them non-stop. Kero tells Sakura that they're going to take care of the attacks, and Yue says that she's the only one at this point who can change radically the situation. Then, Syaoran, our brave hero, says that he will absolutely protect what Sakura wants to protect (I didn't like the ENG phrasing, at all!! "Whatever it is that you want to protect" sounds so dismissing towards Akiho and Kaito?? Is it only me having a bias at this point?), so he urges her to focus on what she can do (to change this situation)!! I found this moment very exciting....everyone is placing their hope in Sakura and they're gonna do what they can to protect everyone, Akiho and Kaito included (and Kaito took personally care of protecting Akiho by himself).

Sakura is left wondering what to do. "To turn things back to normal, then I should use Rewind one more time" but she expresses doubt at it being enough to complete the task, so she wonders what else she needs to do, while the final page shows in her hands both the Time Card and the Rewind Card!

Aaaaaaand this is how the chapter ends, we finally reached the bottom oh my gosh!! 😂 This chapter was so long but also so full of emotions, I really wanted to touch all the important topics and parallels that have been portrayed in these 36 pages. I know the post became infinite, but I wouldn't feel right to know that I left something interesting out.

I am so damn proud of my Akiho girl. Her assertive discussion with Kaito, tinted with a touch of anger, was exactly what I wanted and expected from her. Because she's sweet, yes, but also got a strong personality. And once you get her fired-up, she's not going to stop. She's a bulldozer. I mean, haven't you seen what she did in chapter 52/53 and 58 with Kaito?? She's definitely not afraid to confront people thanks to her strong nature. This finally elevates her character development in this arc. I'm also grateful to Sakura and her empathy, once again, because it's so beautiful to witness what she's doing for these people. And she's so wonderful that even her loved ones are helping her in this quest, because they all trust her and recognize that this is a way to make her happy too. I'm absolutely thrilled to have Kaito back, finally. And my heart bled for him when he gave that single answer to Akiho.

Despite seeming like we're almost at the end of the run, there are still some important matters to fix and explain, especially in regard to the magical artifacts, and how things will be once Sakura effectively manages to "go back". Will they remember, first of all? And will the situation be exactly like before? Because then, Akiho will have the artifact inside herself once again and they'll have to do something about that too. Also, Kaito's lifespan was pretty bad by the start of the Alice in Clockland play, so of course one has to wonder what they'll do about that too. I also expect one more YunaAki moment because we haven't really heard Kaito's version of the facts, the origin of his quest to save Akiho and how that turned into a "I'm going to give her a happy life too", which absolutely seems beyond what he would need to do if what moved him was only guilt for what he caused to her. Of course it's not only that. And I also expect to hear his apologies to Akiho, of course! ❤️ But gradually, because he must be a confused, hurting mess right now. Whatever else CLAMP sensei will decide to give us regarding those two, I'll take it as a blessed present. We're slowly but inexorably going towards the finale. I really can't wait to read the next chapter, which is expected by Halloween on October 31st! And as a YunaAki fan I can't avoid remembering that even chapter 48, when Akiho confessed covertly to Kaito, came on the day of Halloween of 2020! Will we get a real, spelled out confession exactly 3 years later???

As usual, I await your comments here or in my inbox, see you at the end of this month!!

#cardcaptor sakura #card captor sakura #clear card arc #ccsakura #ccs spoilers #sakura card captor #chapter 78 #translation differences #yuna d. kaito #akiho shinomoto #sakura kinomoto #syaoran li #yunaaki

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enduringmoth · 6 months

Text

thoughts on marvin's abuse, care's existence and paul's transness

taking a break from my usual bg3 posting to talk a little bit about my newer hyperfixation through the lens of queer allegory

necessary author's note: i am an afab transmasculine nonbinary person. obviously, while i do believe my transness does lend my opinion authenticity, at the same time, being trans myself does not mean i can't be transphobic -- so if any of the contents of this post set off alarm bells, please tell me.

trigger & content warnings: child abuse, kidnapping, torture, general petscop badness. obvious spoilers for petscop in its entirety, as well as references to the recent youtube deepdive by nexpo.

TL;DR -- perpetuating the idea that someone can force someone else to be a different gender than they are is harmful to trans people. however, all things involve considerable nuance. to pretend that marvin's actions could not have influenced paul's sense of self in the slightest discredits paul's lived experiences, and i believe a more trauma-informed dialogue about paul could be worth exploring as a community.

my preferred theory explaining petscop is that marvin tried to make care more like lina through abuse and "failed". after this, care would eventually end up in lina's home, and transition to paul.

(simply to make all of this less confusing, i'm going to call paul pretransition "care", though i will avoid pronouns. this is not me trying to invalidate paul, it's just so i don't have to keep saying "paul before he transitioned" or similar phrases.)

it is not a result of marvin's "failure" that care transitioned to paul. but i do believe there is a link between paul's perceptions of self and the trauma he endured pretransition -- and discussing these things gives us a deeper understanding of paul and his history.

obviously there is no "canon" answer to petscop. but im seeing this theory discussed a lot within the tags, and i personally agree with it -- i just feel some of those who are saying we cannot consider marvin's actions are not necessarily accurate, either.

what i am positing is that while marvin certainly did not make paul trans and i would never claim that he did, we understand that marvin's abuse of care -- his cruelty towards care, his warping of care's perception of appearance and self-worth -- is certainly a factor in how paul must see himself.

marvin's treatment of care was poor enough that paul struggles to recall that time of his life. he thinks they are different people -- and in a way, they certainly are (and i've seen DID theories for them which i also enjoy because of this) -- and has clearly repressed what it meant to be marvin's child.

marvin locked care in a basement for six months. that is no small amount of time, and it likely had no small amount of affect on paul. we can assume based on the implications of some school scenes that marvin was trying to convince care to be more like lina during this time. care escaped, and returned home -- though eventually, we know from belle's dialogue that paul would find his way to lina.

"do you remember the day you were born?"

paul's "birth" occurred after marvin's abuse, and though it was not a result of it, there is something almost poetic about following the thread of paul's life from care to his authentic self that plays as a foil to the heinous rebirthing practiced by marvin and rainer.

contrasted with what happened to belle (and seemingly others), paul chose (a form of) rebirth -- transition. marvin tried to make lina be reborn through care. instead, care resisted -- and he would eventually become paul, and that strikes me as so narratively compelling. it's not to spite marvin and please don't think i'm saying that, as care was naturally always paul -- it is simply self-discovery at its most raw and beautiful, and i love it.

the above is why i love petscop as a queer allegory. taking ownership of one's future and selfhood, even when others are trying to tell you who to be.

and that's why i think saying marvin made his afab child transition in rejection of martin's quest for lina -- or that marvin tried to make his amab child transition to care/lina, as nexpo posited -- is so wrong, and harmful.

yet, paul's trauma is real. it happened. and it's a part of him that should be able to be discussed for what it is.

as someone with extensive trauma history, i can tell you that my gender expression and personal identity are in some way connected to pieces of trauma, because those pieces are part of me. i am not trans because of my trauma, but my gender and my trauma are parts of me at the same time -- i am not each of my pieces, but a sum of my whole.

the point i'm trying to make here is that while i think nexpo genuinely missed the mark here with this whole "care never existed, marvin tried to make paul a girl" thing, i do think there needs to be room for a trauma-informed discussion around paul.

i hope that all made sense. if any of this is harmful/transphobic, please let me know. i genuinely love this game and i think it's so fascinating to discuss. /gen

#petscop #paul leskowitz #carrie mark #petscop paul #petscop care #paul is trans theory

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actual-changeling · 4 months

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I’m sorry if this is stirring things up as I really don’t mean it that way I’m just new into the fandom and getting a bit confused between posts.

I’ve seen a lot of people saying that people are switching Crowley and aziraphale’s personalities, perhaps to make aziraphale seem a bit more forgivable? Or just misunderstanding their characters entirely….im just finding it a bit hard to catch on to what people mean and what characteristics are being switched

It seems to me that aziraphales behaviour is quite inconsistent and confusing anyway 😅 (intentionally written that way)

I guess that’s what people are getting caught up in

You're not stirring up anything, don't worry!

I can definitely understand that for someone who didn't experience all the developments as they happened, it's hard to understand where we landed and why.

Everything that follows is my personal opinion and how I interpret the posts and discussions I am seeing. There are a few different kinds of topics:

some people "sided" with either Aziraphale or Crowley in the divorce and are treating anything that doesn't align with their side as wrong or outright offensive

a few of them are outright vilifying one or the other, going so far as claiming that they're abusive towards the other character

there are people excusing and justifying Aziraphale's behaviour in the final fifteen minutes, the final fifteen as they're commonly called, and are freeing him from any responsibility for his actions

then there are people who (imo for good reason) take issue with posts like that and that's how we get either respectful discussions or immature arguments, depends on who's doing the talking

if you happen to have some basic reading comprehension and have touched grass sometime this week you will probably find yourself with in the "we have nuanced opinions on complex issues and discuss them like adults" corner, which is my personal favourite

I want to add another, more... potentially inflammatory type of post, which is people 'defending' Aziraphale against accusations that people who 'hate Aziraphale and love Crowley' spread—but, and I am not lying or exaggerating, I have yet to come across ANY of those posts they claim exist.

Maybe it's my corner of the fandom, I don't know, but all I see is people vehemently defending Aziraphale and at times ruining both his and Crowley's character, but never any of the posts that supposedly sparked it. On top of that, the only hate I've gotten (which is a surprisingly large amount) is from people 'defending' Aziraphale against me because obviously I hate him and everything I do and say is against him. Go figure.

Aziraphale IS contradictory, it's what makes him hard to understand for some because he holds seemingly opposing views at the same time without settling on one or the other. Crowley can seem more forward or easily understood, but once you get down to it they're both complicated, layered characters you cannot break down to angel good and demon bad (which yes, is actually takes I see floating around more than I'd like).

#alex answers asks #alex talks good omens #good omens #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #ineffable husbands #ineffable wives #ineffable spouses #ineffable divorce #the final fifteen #good omens fandom

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transmutationisms · 25 days

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hi! i hope you're doing well. tbh you're one of my favorite tumblr users, i always admire and appreciate your way of thinking and how well read and well informed you are in global issues and the nuance you give every topic you discuss! I've found your anti-psychiatry posts the most helpful, especially as someone who has been severely fucked over by psychiatrists. i was wondering whether you've seen the case of the 28 year old woman in the Netherlands who will undergo euthanasia in May, due to "untreatable" depression, autism and borderline personality disorder. I'd love to hear your opinion on this, this thing has been a lot on my mind lately and the future implications it will have.

i can't find where i said this before but, my position on the legality of suicide remains that i'm for it, and i don't think denying people the ability to kill themselves in a controlled medically supervised way prevents them killing themselves, it only means more attempts will be potentially painful and difficult both for the person and for those around them. i am certainly sensitive to the conflict of interest created when a biopolitical state grants physicians the ability to approve and participate in suicides. however, i think the solution here is not to try to curb people's right to choose the means and timing of their own deaths, but to abolish the biopolitical state!

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catgirl-kaiju · 14 days

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i really hate this tendency that i see in online queer spaces where most folks seem to just talk past each other about our experiences while acting like any challenges to their positions are some sort of attack meant to sabatoge the entire ideological framework they live by. it's just not healthy.

the issues we face as a community are diverse and multifaceted. in order to build solidarity and community with each other, we need to listen to experiences that are not our own and earnestly evaluate the criticisms that we receive.

i really just don't see most of this behavior present in irl queer spaces. folks in my community are willing to speak about our thoughts and experiences politely and frankly without getting into fights, and i learn more about the experiences of queer folks who aren't like me every day.

one moment that really strikes me as a great example of this is when i was receiving a wave of harassment from some transmascs online regarding a single egg joke i made. i spoke about it in my local nonbinary support group, (some of whom are transmasc themselves) and was comforted by their mutual bafflement and outrage towards these assholes. we were even able to have frank and productive discussions about how some of these toxic ideas are entering transmasc spaces without anyone feeling hurt or attacked. we've also discussed at length the complex nuances of privilege and oppression within the trans community and how we all experience those things in our lives without it becoming the oppression olympics. and it's been this way in pretty much every irl queer community i've been a part of. it is very unusual for queer group A to pick fights with queer group B even when we might level criticisms at each other.

all this combative "discourse" just isn't healthy. i feel like i constantly see angry posts on this site, evangelizing the absolute worst takes i've ever seen even for stances that i agree with. do yourself a favor and step away from that. take some time to speak with other queer folks in your community and listen to perspectives that differ from yours. if you are so privileged as to have access to queer support groups and social meetups in your area, spend some time with them and learn to see the humanity of the people on the other side of your screen.

#rant #trans #queer #scout's brain #gay #lgbtqia+#nonbinary #discourse

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sentientsky · 4 months

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Crowley + Attachment Style

I was talking to @actual-changeling the other day about attachment styles, and they confirmed my idea that Crowley is, contrary to popular belief, not someone with an anxious attachment style. Rather, like Aziraphale, he exhibits signs of a fearful-avoidant/disorganized attachment style (just in a slightly different and less obvious way). I’ve had this draft kicking around since September (??? October?? time is an illusion), so enjoy my silly (not-so-little) ramblings. TW // discussion of child abuse (not explicit) Okay, I've seen a couple of discussions surrounding this (cue me doing a frantic, sleep-deprived Tumblr Literature Review approx. five minutes ago), so this is just me tossing two pennies into a fountain, shrugging, and walking away. I totally see how Crowley could be interpreted as having an anxious attachment style. At the same time, as someone with a fearful-avoidant/disorganized attachment style (thanks, dad! <3), I believe there's space to explore that as a possibility.

My credentials, you ask?? Decades of trauma and an intimate knowledge of what it's like to have a disorganized attachment style (I'm WORKING ON IT, okay?? lol). Also a fuckton of research. All sources will be linked because I am a professional (<- LYING). Okay, so let's do a quick crash course on attachment theory as a concept itself, and then shift into manifestations of disorganized attachment style (I'm going to call it "DAS" for short bc I'm tired). I'm doing this as a formality, because let's be honest. Would you be in this fandom without having had experienced at least some measure of childhood trauma? What is Attachment Theory? (source) "Attachment theory, in developmental psychology, [is] the theory that humans are born with a need to form a close emotional bond with a caregiver and that such a bond will develop during the first six months of a child’s life if the caregiver is appropriately responsive." There are a variety of attachment styles, each of which differently predicts how an individual will react in interpersonal situations according to how they were raised. While there are, obviously, further nuances to this, a core group of four feature most prominently:

Let's go deeper. What does it mean to have a DAS? In short, a DAS (also known as "fearful-avoidant attachment style") often comes about as a result of childhood abuse. The child relies upon the caregiver to ensure their (the child's) survival. However, when the parent is abusive (physically, emotionally, verbally, etc.), this obviously poses a threat to the wellbeing of the child. So they develop this deep-rooted sense of distrust and fear. It helps me to think of it as a flame: you want to be warmed by the heat of the fire, but if you get too close, you'll get burnt. Consequently, you're trapped in this wavering "too close", "too far" situation. One of the best explanations I've read with regards to DAS is from this source:

Separation and abandonment (though most likely to produce an organized form of attachment, such as anxious or avoidant) can lead to the establishment of a DAS:

(source) After experiencing abuse and abandonment in Heaven, and again as a Fallen angel, Crowley has, like Aziraphale, been exposed to conditions that would create this particular attachment style (for a further explanation of Aziraphale's DAS, see this post). However, as I mentioned in the above linked post,

In contrast, Crowley has a more nuanced, consequentialist view of morality. Having Fallen, having intimately known the depths of what both Heaven and Hell are capable of (e.g., his time in Hell post-1827), he isn't living with this unpredictable "parent"--he solidly understands that the existing system is fundamentally wrong.

At times, he does experience what appears to be ambivalence (or, more likely, a sense of deep-rooted loss and abandonment):

However, the Final Fifteen emphasizes that this lingering mindset is overridden by the acknowledgment of an innately harmful structure:

Having established this, what does Crowley's DAS look like + how does it differ from Aziraphale's? Well, in my research, I would posit "compulsive caregiving" plays a role. Compulsive Caregiving What is "compulsive caregiving"? It's a form of DAS that emerges as a result of specific developmental conditions. Having their needs (or QUESTIONS) ignored or else punished by a caregiver, a child may learn to "never ask for anything", and instead care for others, often sacrificing their own wellbeing/needs for the sake of the other party (see further explanations below).

(Sources: 1, 2, 3, 4)

Here, we can see how Crowley might fall into the category of "compulsive care-giving". Both he and Azi try to protect each other to a severe degree, but Crowley's compulsivity might be a bit more apparent in this regard. He's learned not to ask for the things he wants (avoidant manifestation), but he also feels a desperate need to prove himself and protect Aziraphale through compulsive caregiving (anxious manifestation). It's only with his back pressed against the figurative wall in the Final Fifteen (or on the brink of Armageddon in season 1) that he is able to say it plainly. The Push-And-Pull of DAS As has been discussed so many times previously, this idea of ambivalence also features prominently in the relationship between Crowley and Aziraphale themselves. There's a constant push-and-pull in their dynamic, as evidenced below: Aziraphale refers to him as a friend, he compliments him, exists in close quarters with him, etc...

But he also pushes Crowley away and consistently reiterates the categorical black-and-white thinking of Heaven/Hell.

[Disclaimer: I acknowledge that this wavering attitude, while infuriating and unfair to Crowley, is also largely as a result of religious trauma; Aziraphale needs some serious therapy. As we see exhibited throughout the Final Fifteen, Aziraphale still believes that Heaven is, fundamentally, good (or at least holds the capacity to become good). This doesn't negate the fact that he loves Crowley, but it does impact the way he views the two of them and their relationship, causing a significant strain and eventual break in their bond].

So we have the root, we have the manifestations within the other party, but how does this DAS figure within Crowley's character itself? Manifestations of DAS in Adulthood

Speaking from personal experience, DAS can manifest in adult life in several ways. In the present day, I tend to (But not always! I'm getting better, lol) attach myself to people who are touch-and-go; who variously show me affection and disinterest (*cough cough* my ex-bsf). Often, when I felt like the other person was pulling away/withdrawing, I would also pull away. Because my caregivers flipped between rage and calm, venom-spitting hatred and comforting affection very, very quickly and very, very easily, I had to constantly be on edge, anticipating my next move and ready to go into resolution/fawning mode ("compulsive caretaking") at the drop of a hat. And that notion of push-and-pull, "never really knowing where you stand" is what I grew up thinking of as love. This pulling away in the face of perceived rejection can also point to issues with self-esteem...

SIDEBAR: CROWLEY AND SELF-ESTEEM The way Crowley is written with regards to his trauma responses is so interesting and also so real to me. We have this entity who has spent the better part of six thousand years (likely more, because we don't have a definitive timeline for the Fall) believing he is so thoroughly and utterly unwanted as to be pushed to the underbelly of the Universe, hidden away amongst sulphur and agony and absence.

Speaking as someone with ah...childhood...uh. issues (sure, let's call it that. why not?), after being told that you are disgusting, horrible, unworthy, etc. so many times, you begin to believe it. And because, as children, we're forced to rely on primary caregivers, often the only way to maintain that connection lies in the internalization of that unworthiness, to the point where it's difficult to separate you from these ideas of worthlessness. And because you've experienced it so consistently throughout your life, you also come to anticipate rejection; you look for it everywhere, feeling as though it's right around the corner. Therefore, to kind of pre-emptively avoid emotional harm (or because you feel unworthy of asking for more or for reassurance), you cauterize the figurative wound and pull away. We'll come back to this idea in a couple moments! Returning to the main point, let's look at these markers of a DAS more broadly:

(source)

Let's go through each of these, step-by-step. Again, remember, not all of these symptoms have to be present all of the time. These are the ones I see most prominently in Crowley (of course, please, please, please feel free to correct me or build on this! i'm in NO way an expert).

"You find it difficult to open up to others" + "You tend to keep conversations on the surface level because it's uncomfortable to be vulnerable"

"You have a negative self-view of both yourself and others" (mostly himself, in this case!)

"You often dissociate from your emotions" + "You withdraw when you feel vulnerable or emotional" For this one, I'm just going to invite you to read Alex's post here. They phrase it better than I ever could, lol.

SIDEBAR #2: Withdrawal + Good Omens Lockdown @yowlthinks also made an excellent point regarding something i said here. In the Good Omens Lockdown audio clip, we notice Crowley pushing the boundary line, forthrightly offering to come over to the bookshop and stay for a while at the height of the pandemic (see below):

When Aziraphale outright rejects him, Crowley recoils and quickly says goodbye, intending to set his alarm for July. Here, we see the way in which disorganized attachment operates as a fusion of both anxious and avoidant behaviours; despite wanting to be close, he pulls back immediately and (presumably) resolves not to discuss the fact that he lost his flat and is now sleeping in his Bentley. (As my former philosophy professors have tried to impress upon me so many times,) It's important we consider alternative explanations. It could be possible that this is just him respecting Aziraphale's boundaries and returning to practices that seek to remedy the whole "you go too fast for me" issue. However, this kind of behaviour occurs time and time again, establishing a pattern that goes beyond simply protecting Azi's boundaries, and may index a desire to keep himself safe through emotional avoidance. "You have a hard time self-soothing your emotions" [insert lightning scene here]. He's trying, you guys. He's trying so hard, but it's difficult (and i'd genuinely like to get a scene in s3 where he's allowed to be well and truly angry. no, i'm totally not projecting, why do you ask? what are u, a cop???)! It seems that he turns to repression in the absence of actual emotional processing or soothing (until it comes out all at once, in the case of the lightning). This makes sense, as well, considering there have been very few instances in which he's been truly comforted or soothed by others. Not having comfort modelled to him, combined with his pre-existing low self-esteem helps to illuminate why he turns to repression opposed to taking time to care for himself, etc. Broader Implications + S3 Speculation Alright, we're almost done, I promise! So we've established (or at the very least, put forth an argument for) disorganized attachment in Anthony Janthony Crowley. What does this mean in the context of where we left things off at the end of S2? From my perspective, it means that what happened was completely in-character for both of them. Aziraphale's DAS manifests in more of the traditional, hot-and-cold fearful-avoidance. For Crowley, his caretaking compulsivity finally snapped in the Final Fifteen; Heaven is one place he cannot follow, and exhausted, he walks away (only to stand out on the street, further pointing to the anxious/avoidant duality). I would argue that there was no trick, nothing in the coffee, no coded messages, etc. Rather, like humans, they are both shaped by their trauma and responded in accordance with this. (@actual-changeling has some excellent metas where they further expand on the idea that there was no trick involved in the final fifteen: x. this meta too!: x. massive credit to them, as always hehe)

What about in S3? Speaking from personal experience (because the surrounding literature wasn't super helpful haha), a disorganized attachment style must be unlearned, with a few key factors at play: Since DAS is grounded in formative experiences of volatility, the survival of the individual has to be decoupled from the preservation of connection (with family members, partners, friends, etc.); more specifically, your worth and ability to persist is not dependent on maintaining connection with another. This is incredibly difficult to unlearn when you've experienced it for a couple decades, let alone so many thousands of years. t h e r a p y (pls neil, i need an episode where it’s just Crowley going to see a psychiatrist and he breaks down crying and it’s like “oh yeah. that was really fucked up what happened to me”. again. totally not projecting! <- as always, don’t actually send stuff like this to Neil). Okay, finally. We're at the end. I apologize for the sheer length of this analysis. I had to cut it off here, because the original was going to be wayyyyy longer with more discussion/analysis/etc. However. I am TIRED. So here you go! ✨TaH DaH! ✨ (please don't yell at me ajsdlasjkd. i love azi and crowley both so much and this is just my own interpretation/opinion as someone with a disorganized attachment style lol)

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neechees · 6 months

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about the whole preoccupation w incest thing amongst white people on the internet i haven't really noticed it? i am white and find it intriguing (i was incestually abused as a child and so i find it interesting how it develops in families, how people respond to it, etc (it's kind of been part of my healing process)) but i don't really see anyone being obsessed w it? maybe pointing out themes of it in media but that's kinda it? some of my mutuals, idk if they're white, but they have also been abused the same way i have and find discussing it or finding media with incest in it to be a part of exposure therapy/dealing with the trauma. id love to hear your thoughts on it :)

I've talked about this a few times in the past, but I'm posting again to make my views & boundaries known that 1. Dni if you're a "pr0shipper" & enjoy shipping incest, I do not want you here, 2. Fiction does not exist in a vacuum. Im going with the assumption that anon is not a proshitter & they're asking this in good faith. Just putting a readmore because this got long and also for anyone who is triggered by this topic

The conversation I think is surrounding proshitters ("shippers"), but I think the conversation also goes deeper into things like "incest" & "step family" being popular porn site searches that very often feature white actors, as well as those things showing up in film, book, and TV, but in romantisize/sexualized/downplayed ways written by and featuring, again, white people. So I believe generally the "obsession" part means White people who are overly preoccupied with seeing incest quite often, especially and specifically in sexualized, fetishized, and/or romantisized ways. Because personally (& I believe other nonwhite people can attest to this as well, and that's what the other posts mean to say) a lot of the people who have this overkeen interest in incest are White.

Like it's not talking about people wanting to have nuanced depictions of incest, why it's bad, how that affects people & can be extremely traumatizing, and then approaching that topic respectfully (because it should be, that's a terrible thing and showing respect for victims of it & ensuring its not, accidentally or not, endorsed or shown as "okay" or normalizing it, is important. Execution as well as intent are important & should be done with tact.) The people who are mentioned as being "obsessed with incest" as these pr0shippers who find incest "sexy", want to see it, actively search it out where it is both romantisized/sexualized/fetishized, and will apply it in fanon interpretations even when it doesn't exist in canon or this interpretation wouldn't/doesn't make sense anyway, specifically because they enjoy seeing it. They find it titillating. Quite a few of the popular users on this site who have famously defended incest (and/or pedophilia) both in real life AND as proshitters have been... White. And racist.

I think there IS a correlation between White people, proshitters (who are usually people who defend romantisized depictions of things like incest), and liking incest, because I very often seen proshitters be racist (and other types of bigoted tbh), and ALSO defend things like racist depictions of nonwhite characters, things like slavery AU's featuring Black characters, or colonizer AU's, and the like. It's a common joke (not so much of a joke tho tbh) that the more White people that exist prominently in a fandom, then the less fun it is, specifically because of racism that will then exist in that fandom. So there's this huge overlap of White fans being racist but ALSO there being a lot of fans who enjoy seeing incest in their fave medias, because of the proshitters, who do both. There was also that whole thing where a bunch of popular white users on here (many of whom ALSO defended incest) defended sexual raceplay & then called any nonwhite person (ESPECIALLY BLACK USERS) "homophobic" or "transphobic" for rightfully and correctly calling this racist.

Lots of White people like to do this thing where, if they are marginalized in some way, then they'll weaponize that marginalization against anyone who criticizes them for something (most often racism), even if their marginalized identity has nothing to do with the topic or was brought up. White women who happened to be gay called me "homophobic" and "misogynist" (even though I'm a bi woman but you know) because I talked about the nazi associations & racist inclinations of cottage core. I saw multiple White lotr fans call a specific artist "homophobic" because that artist asked that their art not be tagged as an incest ship, and that incest ship is very popular (and their art piece was depicting them as just family), but this incest ship isn't even canon, and the artist wasn't actually homophobic or against gay relationships in general. So they essentially just called this artist "homophobic" for no reason. Because they didn't want their art piece of two family members to be incorrectly interpreted as incestuous. Im even reluctant to draw fan art of some of my favorite characters who are family members, because I dont want people who ship incest to interact with it or tag it as that, and the fact that so many artists even have to ask people NOT to do this is insane.

Like it's one thing if someone analyzes media with it or might find comfort in certain characters in books or TV etc because they feel seen in their trauma, and yet can acknowledge that this isn't for everybody and not everyone processes their trauma this way, and that seeing it (incest in media) can make trauma WORSE for many people, AND that not all representations are made equally, and none of those are free from being available to criticism in approach of that representation anyway. But very often there's White fans (many who aren't even incest victims themselves, so they don't have the "I'm coping" excuse) that are offended that other people don't like seeing incest at ALL, that people will (understandably) not want to interact with them if they're a pr*shipper, and hate being reminded that treating incest like its a fun little interest that shouldn't be handled with care just because it's being featured in a fictional situation (or even sometimes when it's NOT) is pretty fucked up and even disrespectful & insensitive to incest survivors, and then chalk up any criticism of the amount of sexualized/romanticized incest as "censorship" even though that's not what's happening, and again, very often self victimize themselves and often are also racist.

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