A hello/good-bye kiss that is given without thinking - where neither person thinks twice about it. is so jaytim
you’re right nonny it so is
my first impulse was like—the two of them getting accidentally domestic, bc i love characters falling into relationships without realizing it xD
but then this scenario popped in my head & that’s what came out instead~
>> AO3 <<
Jason hasn’t been sleeping well.
His rest is troubled on a good day, and he hasn’t had many over the last week.
Well. It’s not that he’s had bad days, it’s just…
He misses Tim.
It’s stupid, because his bedroom is literally right across from Tim’s, but— It might as well be on the other side of the world.
He wishes they’d never agreed to stay at the manor for the holidays. It’s been miserable. Sure, he and Bruce are setting a record streak for lack of arguments. It’s been fun to hang out with the others, too, outside of the Cave and the mask. But—
Fuck.
The closest he’s gotten to a proper cuddle in a week was movie night, when he sat on the floor just to have an excuse to lean against Tim’s legs.
Jason knows he only has himself to blame. He’s the one who’s not ready to tell the others that they’re dating, even though they’ve damn near moved in together at this point. He just—he’s not ready for the judgment. The lectures, the shovel talks, the—everything. The reminder he’s not really good enough for Tim.
Knowing that doesn’t make it any easier.
Neither do the small, fleeting moments they manage to steal—the kisses they exchange in the lesser used parts of the manor, the brief hugs and touches they can exchange in front of the others. It’s. It’s fucking miserable.
He’s spent the last several nights lying awake, actively restraining himself from sneaking into Tim’s room. He just… He misses being held.
It’s the lack of sleep he’ll blame his slip-up on later, when all is said and done.
Tim’s got some stuff to do in the city today—Jason does too, but not until later—so Jason takes the liberty of making him a coffee and some breakfast to go, since he knows Tim won’t be down until it’s almost time to leave. He gets a couple of raised eyebrows, but, it’s not unusual for him to take the load off of Alfred, so no one actually says anything.
“You said you had plans today, right, Jason?” Dick asks, where he’s sitting at the breakfast table with Steph, Damian, Cass, and Duke. Bruce is standing with Alfred, the butler adjusting his tie like Bruce is twelve, and not forty-something.
“Yeah,” Jason says. “I’ll be gone for a couple hours.” First he has some packages to pick up, and also, every other week, he does story time at the library he used to half-live in as a child.
Tim shuffles in. Jason is glad Bruce will be driving—he looks like a zombie (and Jason would know). It takes him half a moment to spot the travel cup and paper bag sitting by Jason. He beelines over.
“Th’nks,” he mumbles, immediately popping the lid on his cup to take a long drink.
“Cool,” Dick says. “When you get back I was thinking we could break out the board games.”
Alfred finishes with Bruce. “Provided you all remember the rules, I think that sounds like a splendid idea, Master Dick.”
Jason snorts. One of these years they’re going to have all board and card games banned from the Manor.
“Ready to go, Tim?” Bruce asks.
“Sure, Dickie,” he says. “I’d love a chance to kick your ass.” His fingers catch in Tim’s belt loop before he can head to the door. He leans in, thoughtlessly, planting a chaste kiss on Tim’s mouth. “Have a good day, babe.”
Tim hums, smiling softly up at him. “You too.”
Jason almost doesn’t register the silence.
Then—
“What the fuck?” Stephanie breaks it, and Jason is reminded, abruptly, that they’re not alone.
The blood rushes to his face so quickly he’s surprised he doesn’t pass out; his skin ablaze with his embarrassment. “…fuck.”
That’s one way to announce their relationship.
[ 50 types of kisses ]
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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Rin, identity issues, and the complications of being an isolated, alienated teenager
It feels sort of weird to say but I generally don’t head canon characters as having particular sexualities. Whatever people go for in fics is usually fine with me - gay, lesbian, bi, pan, something more general like queer. As long as it makes sense for the story they’ve built and the character they’ve shaped to fit it, I’m good. Unless you’re ignoring a canon LGBTQ+ sexuality, in which case, yeah, I’ll take issue with that.
But anyway. Rin.
I’ve got my personal ship for him (BonRin my beloved), but regardless of the pairing I see him as bisexual. He’s so open with his infatuation with Shiemi, and okay, sure, fandom likes to ignore the love interest in shounen for the most part because we’ve got gay ships to peddle. But I don’t see the point in that unless it really reads like it’s a front, or a result of a character suppressing themselves for one reason or another. And with Rin, I think it’s pretty clear his affection for Shiemi is sincere. You technically have the in-universe evidence of the demon that brought out his true desires to back that up, but even without it, Rin likes her. It’s complicated because of Yukio and Shiemi’s own inexperience with romance, and yet I never once doubt he really likes her.
That being said… he’s very appreciative of the guys in his life, too. (Peddling my gay ship here) Bon in particular, considering he’s often admiring how cool he thinks Bon is, that his haircut suits him whether it’s the blonde rooster look or the undercut. If you don’t want to see it as romantic interest, that’s your prerogative, but to me Rin comes across as seeing cool and cute as different traits he finds attractive (in Bon and Shiemi respectively).
I also think his bisexuality would fit neatly into his narrative struggles to “pass” throughout the early parts of the series. Rin has grown up as the neighborhood problem child, ostracized for being violent, and eventually he decides he’s fine with just his brother and his father — and the rest of the monastery, presumably — for company. (Except that’s absolutely not true and clearly he’s starved for friendship and support.) People looked at him and saw a monster, even before his demonic heritage made an appearance; why would he bother giving them even more ammunition when it comes to reasons to hate him? So no matter when he figured out his attraction to guys, he’s not going to lean into it, because he also likes girls, right? (Ignoring for a moment that bisexuality is a lot more nuanced than that.)
Rin likes girls, Rin is human — that’s what’s going to get people to like him, or at the very least tolerate him. That he likes guys, that he’s half demon, he can shove that shit down and pretend it doesn’t exist. Lock up any stray thoughts and keep the sword sheathed around anyone who doesn’t already know.
(Excuse me for being amused by Rin wielding his humanity and supposed heterosexuality as a sword and shield.)
The problem, of course, is that he can’t keep up the facade forever. The narrative won’t let him. Rin has to embrace his demonic side, because it’s the only way to move forward and to continue to help his loved ones. And once he’s moved past the issue of his friends being upset over the deception, when they understand he’s still Rin despite what he’d hidden from them, Rin is finally allowed to be himself. He uses his flames, he lets his tail move freely in the open around the Cram School kids. Rin still doesn’t like this side of himself — it’s inextricably tied to every moment of pain and isolation he’s dealt with his entire life, including the death of Father Fujimoto (and, y’know, his mom). But he is moving forward, he’s trying to adapt.
And isn’t that some great fucking subtext for his bisexuality, too?
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