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#i was reading this post like eh well i like the letter C
skitskatdacat63 · 3 months
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🥲☹️
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jotun-philosopher · 2 months
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Half meta, half ramble
Not entirely sure where this post is going, tbh... Let's find out, eh?
Sooo... I was browsing the Final Fantasy wiki (as one does) and the article for Tantarian (an optional/missable boss in FF9) caught my attention. Y'see, Tantarian is a demon found in a library, hiding in a possessed book -- and is based on the Great Duke of Hell, Dantalion (or Dantalian, the spelling can be inconsistent). How the ever-loving wossname, I hear you cry, does this relate to Good Omens????
Let's take a closer look! (this got longer than I anticipated, hence the cut)
From the Wikipedia article 'List of demons in the Ars Goetia':
"The Seventy-first Spirit is Dantalion. He is a Duke Great and Mighty, appearing in the Form of a Man with many Countenances, all Men's and Women's Faces; and he hath a Book in his right hand. His Office is to teach all Arts and Sciences unto any; and to declare the Secret Counsel of any one; for he knoweth the Thoughts of all Men and Women, and can change them at his Will. He can cause Love, and show the Similitude of any person, and show the same by a Vision, let them be in what part of the World they Will."
Bolded details:
"Duke Great and Mighty" -- evocative of the whole "Thin Dark Duke" thing <3
" [...] he hath a Book in his right hand." -- pretty obvious GO connection there!
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(best 'Azzy+book(s)' gif I could find quickly...although on a second look, this might well be from the body swap bit in S1 XD Mr Sheen, you ludicrously talented chaos gremlin, you <3 )
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(Ok, this one's definitely Crowley XD)
Mah point is dolphins they both match up to the book thing!
"His Office is to teach all Arts and Sciences [...]" -- leaning slightly more towards a Crowley parallel here, with the apple thing partly symbolising intellectual curiosity (essential part of arts and sciences!), but Aziraphale giving away the flaming sword would've helped humanity figure things out in that area as well (even if indirectly)
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(I want to boop the snek!!!)
"[...] knoweth the Thoughts of all Men and Women, and can change them at his Will [...]" -- mind-reading! Seems to be sliiiiiightly more of a demon thing from what we've seen (e.g. "Nina: It's like you've seen into my secret soul. Crowley: Yeah, it's a knack.", Shax picking at insecurities in the bookshop battle), but both the Ineffables have directly influenced human minds on screen (e.g. Sitis, the Shopkeepers' Ball)
"[...] can cause Love [...]" -- well, they certainly tried! Operation: Shop Lesbians :D
"[...] show the Similitude of any person [...]" -- mostly seen with the body swap bit so far (where A+C are concerned), but given that for angels and demons, size and shape are merely options, and Beelzebub canonically changed their face, it's not outwith the bounds of possibility that the Ineffable Husbands could disguise themselves as people other than each other (if that makes sense)(and assuming they'd *want* to, of course)
Plus, if you go with the 'Dantalion' spelling, the last four letters form the word 'lion', which is a motif the show ties pretty strongly to Aziraphale via the signet ring on his right hand. Fierce protector angel! <3
Plus plus, from what I've been able to gather, Dantalion is supposed to be one of the more benevolently-inclined Goetic demons -- both the Ineffables are pretty dang benevolent!
The point I'm stumbling towards (stone-cold sober, but with about 3,000,000 on the ND Scoville scale) is that Dantalian/Dantalion has some pretty interesting parallels to both the Ineffable Husbands and so, within the GO verse, could be either another alias of Crowley's or a name Aziraphale might take if he Fell (AU fic writers, start your engines!) :D
As a small bonus, I saw the name 'Shax' mentioned in the list of Marquises of Hell!
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The characteristics given for the Goetic Shax don't really match up to TV!Shax that I can tell, apart from the stork symbolism and the "hoarse but subtle voice" (and maaaybe 'is thought to be faithful and obedient, but is a great liar"), but given Gneil's wide-ranging mythological knowledge, invincible genre savviness and extreme writing skill, it wouldn't surprise me to see elements of the Goetic description popping up in Shax's S3 arc -- likely in unexpected ways!
Hope you enjoyed reading that ^^ Have fun fic-writing!
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iviarellereads · 11 months
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Nona the Ninth, John 5:18(1)
(Curious what I'm doing here? Read this post! For detail on The Locked Tomb coverage and the index, read this one!)
(No icon) In which someone starts to really use his powers.
IN THE DREAM, night had fallen, or what she assumed was night. They were lying atop the hill they had climbed and he was pointing out all the constellations that they would be able to see if it weren’t for the thick green cloud and the softly falling flakes of ash. They were lying head-to-head, their eyes aimed at the right part of the sky to see, or in this case not see, the Southern Cross. The stars were sweet and familiar, but she did not know their names, though they seemed to be at the tip of her tongue. She asked him why it was called the Southern Cross. He said that was just one name for it, but the stars were in a cruciform pattern and it was only visible from the southern hemisphere. He said when he was little he’d been taught it was the anchor of a ship.(2) He still preferred that, he said. Liked the idea that the Milky Way was pinned down and couldn’t go anywhere. Said when he was a kid he hated change, any change at all. She had quite liked change—mostly. But he did not want to dwell on that. So she asked him about the fingers trick, and he was happier to talk about why it had upset everyone so much.
After everyone in the gang has had a chance to see him do it, they needed to come to terms with it. C- and G-, despite being raised religious, took it better than anyone. M- was an atheist since age 12, even though her best friend was a nun. A- giving her "a benzo and a shot of whiskey" helped too, John thinks.
Still, they all wanted to believe in him. They all wanted a miracle. P- worried about a zombie apocalypse, but Ulysses and Titania weren't zombies, they were fully controlled by John's commands and will.
He and she sit in the fallout ash for a bit.
After a moment, he said: I knew it was fine. I knew I’d touched something, come away with something, that could be used for good. Could be used to fix everything, used for you.(3) I only had to figure out how. There was so much to figure out. But I’d got a dream team on tap, eh?
Then they started testing the limits. What he can and can't do, how much he can control them, from what distance. They even dug up a graveyard, to P-'s annoyance at having to cover it up, and he could "raise" the bodies of the long-dead as well.
At that point, they knew the biggest risk was getting caught, getting institutionalized, or weaponized by more stakeholders. Maybe they'd seen too many movies.(4)
He said, So we figured that what we had to do was make as big a noise as humanly possible, turn to the public. Find out if anyone else was like me, if there was someone out there who could do the same thing. And there was a way we could do just that. It was a different time back then. I didn’t want to do it. It felt too—kill switch, too awful to contemplate. Too grisly. Too shitty. But it was the only trick we had up our sleeves. He sighed and said, “We had the internet. We decided to stream.” She said, “What is this internet?” And he said, “See, I did make a utopia.”(5)
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(1) "Hereupon therefore the Jews sought the more to kill him, because he did not only break the sabbath but also said God was his Father, making himself equal to God." Well, that certainly seems relevant, are we four for four? Of course we are. I don't love the layer of "the Jews sought the more to kill him" because that sort of thing has been long, long used to justify antisemitism, but some people are probably getting more upset at John for not complying and giving up, considering how hard they worked to shut him down. Meanwhile letterizing brings us to THETOWER. Well, we certainly saw many towers at Canaan House, but this feels more specific somehow. THE tower, or perhaps The Tower, not just any old tower. (2) It's true! The constellation the North knows mainly as the Southern Cross, or Crux, is known in Maori culture as the anchor on the Milky Way's boat. (3) That sneaky "you" again. (4) How many of us haven't made wild plans for things like nuclear attacks or zombie apocalypses because we've seen too much fiction to not think about it on some level? Even though the risks are so low for most of the world. (5) The joke almost as old as the internet, that the internet is hell and cursed and we'd be better off without it. We wouldn't, mind, but I still laughed.
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NEW SERIES — VERT FIXES THE ENGLISH LANGUAGE
Now, I’m objectively correct, so there should be no debate at all. Also, since the English language is very very very wrong, this is probably going to take forever, or until I get bored.
SO. To start with, the Alphabet. Most of the letters are okay, but there are some redundancies and stupid exceptions that need to be fixed.
OK LETTERS: B D J K P Q T V Z
BAD LETTERS: A C E F G H I L M N O R S U W X Y
The first fix to be done is pronunciation.
Now, vowels are special because they’re vowels, and so are all incorrect. A rule that will come into effect later, is the double letter rule. Before, this only applied to the letter E, so that two E’s together makes the long E sound. Now, this applies to ALL vowels and is the only way to make their long sounds. Easy.
Also, all consonants should start with the sound they make FIRST, and then idk we’ll go from there. B is perfect, sounding like it’s spelled like BEE. F sucks, sounding like it’s spelled like EFF. which is wrong.
Finally, is C. I hate C. Literally completely redundant. So, instead, C only makes the CH sound. And, here’s the list.
A: “ah” B✅ C: “chee” D✅ E: “eh” F: “feh” G⚠️ H: “*a dog panting* AKA huh” I: “ih…” like in tic. J✅ K✅ L: “Leh” M: “Meh” N: “Nah” O: “(like the first o in octopus or in sock.)” P✅ Q✅ R: “rrrrrrrrr” S: “seh” T✅ U: “uh” V✅ W: “wah” X: “ksaw” (I know it’s weird) Y: “yew” (like u used to be spelled) Z✅
Oh, you’re wondering about “G” huh? Well, it’s pronounced “guh”. BUT, I needed it for this segway. Every letter can now ONLY say it’s name. Excluding vowels, but I already covered that. Basically, G can’t be used in giraffe anymore that’s for J. This means that SH, TH, R like in roar and whatever the heck Q used to say like in quail have suddenly been removed. We can’t give the first two the vowels’ special rules, since they would be exceptions, and aren’t actually “long sounds.” We can for R and Q though. Now R and Q are vowels. Good for them. So is Y now that we’re on the topic. It’s getting a promotion. Now for TH and SH. hm. Well we will need new letters. We’ll just reuse old ones. TH is now þ, which was called “thorn” and is now called “the.” and we can just turn “G” backwards and call it SH because why not. Now our alphabet has 28 letters. Boom done. ANOTHER new issue though, is when to say the letter’s name, and when to just say the first part. SO, welcome “•!” now •, which you can just call “Dot,” simply means “say the first part of the letter. For instance, “Peas” would be pronounced “Pee - Eh - Ah - Seh,” but Peas•, sounds normal. But wait! What about the first P? well. We’ll just make the rule that a constant follwed by a vowel will only say the first part of its name. Done. Now, it’s spelled PEAS•
Our new alphabet is now:
ABCDEFGວHIJKLMNOPQRSTUVþWXYZ
The old alphabet spelled phonetically (I think that’s how you say it) using our new perfect alphabet for reference is:
AA BEE SEE DEE EE EF GU ວ H I JAA KAA EL EM EN O PEE QQ R SE TEE UU VEE þ DUBUL UU EKS WII ZEE
idc about lowercase letters they just add more confusion therefore I’ve deleted every single one. Boom. No such thing as lowercase. If you want to specify yelling or not yelling idc figure it out.
Hope you enjoy my new and better alphabet! Ask me literally anything about it. I’ll probably focus on fixing words with double meanings in the next post. Okay cool stop reading.
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whatdoesshedotothem · 2 years
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Sunday 3 July 1836
7 ½
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no kiss fine morning and F69 ½° at 8 ¾ and breakfast – Mr. Adam came at 9 ¾ and staid till 10 ½ (to A- in answer to her note of last night) - he made no mention of Mr. Parker - we concluded him to be at home but preferring sending Mr. A- to coming himself - eh bien! - A- and I like Adam the better of the 2 - A- explained the visit of Mr. Abraham Haley last night - Adam agreed that Milner and Bray ought to get  and give up possession of the Water lane mill and premises, but agreed also that the occupier of the Smithy, Blamire, was the man to be dealt with - would see what could be done with him - A- and I both said give B- the £5 instead of giving it to Haley - yes! said Adam if Haley was paid B- would still be to manage - I told Mr. A- that what I had hinted at about Mr. S. Washington (his being tipped i.e. taking a bribe or douceur) had not been substantiated I therefore could not believe or act upon it, and had therefore told SW- to receive my rents as usual - but I thought P- and A- had better finish the Northgate account and then charge what they thought right - they might also have to settle the colliery account - pay the Manns to the order of Mr. James Holt - I would send Messrs. P- and A- memoranda of what I wished them to do, and would send my Debtor and creditor account to be brought down to the time of my going away - Adam said he had inquired of the principal attorneys in the town, and all charged attendances in addition to procuration money - it was the custom here tho’ he owned it was not legal - they (P- and A-) had charged me less than they had often charged others - well! said I if you have charged according to the custom here, I have nothing more to say - I never dreampt of that being such a custom against the Law - I begged therefore what I had said on the subject might  be excused - I would pay the bill as it stood and hoped I had said that all that was handsome about it - Adam said he supposed the custom had prevailed here because money was more valuable than elsewhere - but they would not so charge me again should they have any more money to get for me - I made no reply but thought within myself nous verrons - I will try to provide for myself elsewhere if I can - then some walk about Carr - said I had a prejudice against but would not say anything positive - Adam thought him the only man here (and thought there would be nobody from London) to make the hotel answer but he would drive a hard bargain at the last - then, said I, he will not get the hotel - ‘it shall fall first’ - but (tho’ I say nothing positive) I think Godley must be mine before he (Carr) gets the hotel - Adam said perhaps C- knew me better than to try driving a hard bargain with me, but thought nobody could stand against Carr - from 10 ½ to 11 50 at accounts - then A- and I read prayers to my aunt (in the drawing room as for several Sundays of late) and Cookson and Oddy and George in about ½ hour and I then slept ¼ hour till came upstairs at 12 35 - then sat with A- at luncheon - then at accounts - off to the school about 2 ¼ - 10 minutes there calling over the girls whose clothing did not fit - A- to be at the school at 2pm tomorrow to meet the girls and examine the clothing that they brought for her to look at - Mr. Fenton did all the duty preached 25 minutes from Like viii. 5. the sower went out to sow his seed - I slept - we had good singing - one good female stranger voice (Miss Sykes?) and 1 or 2 strange men singers - 35 minutes at Cliff hill - Mrs. AW- in good humour and spirits - home at 5 ¾ - wrote and sent tonight letter to ‘Mr. John Birmingham Ship Hotel Dover post paid’
SH:7/ML/E/19/0070
much obliged for his letter - the German courier if not previously engaged had best call upon me at Hawkins’ hotel 26 Dover street London where I intended to arrive on the 13th instant - I travel so much if the man suits me, his place may be as permanent as he can desire - if he does not suit me, I should of course part with him - under common circumstances, shall give the common rate of pay per month - dinner at 6 ¼ - Mr. Waterhouse came just as we were eating our strawberries - seeing us at dinner he was going away saying he would return in a few minutes but we sent for him back and received him very civilly - we had our coffee and Mr. W- port wine and water - took him into the drawing room to my aunt for a few minutes and then A- and he and I walked out - to the low fishpond down to the meer, to the meer head up the fields home W- delighted with the bubbling up of the water near the old Godley engine pit - said that sight was worth all - before we went out (in the drawing room) he had taken up the H-x guardian and his observations brought to mind the Water Lane mill business on which, poor fellow! I and then A- coming in, gave him a fair roasting - it was, however, done handsomely, and I think he ended by feeling that the business had been too hastily settled by the magistrates and too ill, too stupidly ill-managed by A-‘s attorneys W- seemed sorry and perhaps ashamed? and would have been glad had the thing been settled less hardly upon A-   he disclaimed Mr. Christopher Rawson’s interference and seemed annoyed  at it - he said it was not yet too late for York -‘no!’ said I, ‘but it would not go there the better for your magisterial dogma upon it’ - he owned this - however he was under my own roof, and I would not press him too hard - he staid till 8 ¾ had sat talking in the north parlour about ½ hour - he says the navigation income goes on improving - 5 or 6 thousand pounds more last year, than the year before - the improvements not on so large a scale as intended (as carried by vote) but all going on well - enough done - and not £20,000 will be borrowed - he thinks it cannot be hurt by the railroad of 5 or 6 years (the railroad cannot be travelable of this time) and afterwards there will always be traffick enough to keep up the concern - the railroad from Hx into the great Manchester and Leeds railroad may, or may not be made - there is still a thought of railroad from H-x to Leeds - supported by influential people at Leeds, Mr. Marshall, Mr. William Beckett etc - to have their station somewhere about Northgate (St. James’s church) going along the left side the Ovenden valley tunnel thro’ into the Thornton valley and come into Bradford about the level of the church - I said I did not wish for it at Northgate but if it was for the good of the town I should not oppose it - or make any difficulties about it - some talk about the Northgate hotel - W- evidently thinks no man fit for it but Carr - I said the great question was the paying the rent as morality was not the 1st thing attended to in these days - Rent-paying was at least a thing that all thought of - I said nothing to lead W- to the knowledge of what I should or should not do - but I see all are for Carr - nous verrons - A- and I with my aunt from 9 ½ to 10 10 - then at accounts and wrote journal of yesterday to the bottom of the last page - fine day - F50° at 11 pm
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nelladivinita · 10 months
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Thank you again for the encouragement!! I thought about it and I think you really helped my mindset about the whole thing. So truly, thank you for your encouragement and support <3 and for just being a safe space to gush about headcanons to as well!! I think it’s almost rdy for posting, im just mustering up the courage! (Also would be okay if I used the phrase you had in your response "the carnal pleasures of papacy"? if not thats totally okay! (i really liked that line!)(also would it be okay if i tagged you in it?)
I’m still new to the concept of prime movers, but i think it does make a lot of sense if the prime mover is more about carrying the spawn of satan, and a big responsibility tied to the church. I also like that divine counterpart headcanon ooo– maybe a papa’s spouse doesnt have to be a prime mover, and the prime mover isnt always a papa’s spouse, but they have the opportunity to be both? :0 I think I saw that somewhere once and I liked that concept. I also really liked your idea of the process of being prime mover not taking if you’re not ready and also your papa convening personally to ensure your safety. I’m so soft for papa’s being protective over their partners.
A little separately from prime movers; because it doesnt necessarily have to be a prime mover thing, but being pregnant with secondo’s child, I feel like he would be so protective and attentive. -love letter <3
Aw dude of course it's my pleasure! That's all good! You can use it but I would then very much appreciate if you did tag me! I can't wait to read it I'm so glad you're feeling better and more confident!!
Yes!! I think that about prime movers, actually, that they don't have to be wedded to or even tied to the Papa at all - they serve a purpose that's higher, or lower ehe but I prefer very much the freedom of choice that comes with a HC like that, and also the like, deeper lore implications that could expand into old folklore and ancient religious practices ooo eheh YAAA I think the Papas, all apart from Nihil, are all around good partners and good men, though I have some weird reservations about Copia........ he just makes me uneasy!! Idk why maybe I'm just not familiar enough with him, but anyway.
YES omg okay I personally think Secondo would make a great father and that he'd be very doting and loving to his partner and to their child. A very warm type of father, would spoil a daughter to bits though I could see him being firmer with a son, sort of like he's looking into a mirror with him, which makes him uneasy and is painful for him at times. But I see him as very present, dependable, firm, and intent on fostering strength and a sense of responsibility in his children!! Idk <3
speak soon c:
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kitsu-katsu · 3 years
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Little rant because I've been thinking about it and wanna say something (c!Techno and c!Phil critical, if you don't wanna see that, just scroll past, no problem):
If there's two characters I wanted to care about but make it harder and harder are c!Techno and c!Phil
c!Phil I'd tackle without hesitation /hj
Phil treated Ghostbur like absolute shit with the doll line and everything about their doomsday conversation (I won't go on too long about this because I have in many posts like 10 times already but just lajaklalqo Ghostbur deserved respect, and especially deserved so much better coming from Phil than what he got). Then there's the letters retcon thing, where Phil didn't know anything that was going on when he arrived, snd I suppose it was to make him seem more sympathetic (?), but it fell SO FLAT. Like now we have the dude arriving, no clue about shit, kills his son because he said "look, they all want you to!" then proceeded to live in L'manburg for MONTHS and never thought to ask anyone about anything that went down, about what led his son to that state because canonically now, he never knew, as far as he was concerned Wilbur was fine and dandy (he even expressed seeing Wilbur's nation making almost as a father talking about his little kid playing make believe with his friends during the letters stream, he never even considered the wars, the trauma, the stress of being president, never knew about the exile, the spiral, the paranoia) and he never even thought to grab a book when we KNOW that Ghostbur kept history books, books by Wilbur himself that Phil could've read. He never even knew about Schlatt and never thought to ask (and in the damn letters stream Fundy just straight up forgot about half of the Manburg days randomly just to not tell Phil the full accurate information apparently??? That came out of NOWHERE, but ok). Then he destroyed New L'manburg because "oh avenge my son", and even if it was kinda "eh..." originally, it was later made worse by the same retcon, because now canonically Phil did all that based on half truths and never really knew what went on with his son and the government and what part of it used to be corrupt. And then he dismisses Ghostbur's hurt and points about destroying the homes, things and pets of innocent people to his face. c!Phil just kinda stumbled down into dumb bastard territory and then just kinda doesn't care about anything.
Then there's c!Techno. c!Techno's a hypocrite, c!Techno's methods end up arguably causing more tyranny than that which he claims to want gone. He misinterprets those he dislikes and twists their intentions and words ("you wanna be a hero, Tommy?", "Tubbo the dictator" and "you just used me and betrayed me and don't see me as a person" to name a few). BUT ALL OF THAT IS FINE IN CHARACTER, his character can be awesome with those flaws and made me invested. The real problem? His disconnect. The delivery being detached from the weight everyone else puts in, him seeming to exist in another plain of the story where he's perched on the fourth wall at all times, even when his character should be left to feel and take stuff in when put in very serious situations and where he never facer a fraction of the consequences of other characters when creating actual mass destruction. And then the narrative itself seemingly being at odds at times with whether he should be more sympathetic or not. It's just kinda frustrating when the most static character keeps getting involved in Serious Shit™ but somehow skips around all the seriousness of it, because as a result it messes with the general mood as well and the way other characters express their seriousness
All in all: c!Phil had been tumbling down a hill of becoming more of a bastard with Ghostbur, but then the letters retcon just further damaged his character. And c!Techno feels like wasted potential, where if the character was left to actually dip more than his toes into a serious scene, then he could be a lot better, like finding the balance on where to inject his really good humour and where to let the character be and take the story in for a few minutes, feel the gravity of a situation even if just a smidge, feel less like "not exactly plot armour if you're already half hovering above the plot itself", you know?
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holycow99 · 3 years
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石田お寿司 12/9/21 stream translation Part 4
This is not the full translation of the stream. I only translated the parts I could understand & interpret or parts I found interesting/important. I’m still a beginner in Japanese, so the translations may not be accurate. If you want to repost, please repost at your own risk.
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(t/n: ** means translation may not be accurate.)
I: We’re talking about the commemoration of 30,000 subscribers, right? What should we do?
C: Is this a chatting stream?
I: Well, yeah.
C: Let’s play game now.
I: I’m totally okay with it.
C: I feel bad that I pinned this person’s comment. Should I unpin it? This is what’ll happen if you guys aren’t careful with your comments. You’ll be exposed. I’ll forgive this person.
C: Please do streaming of you working on lyrics.
I: I’m totally okay with something like that.
C: Have you ever received hair?  
I: I did receive something similar. A deep red colour. Was it a wig or something? This is a true story.
C: Scary!
I: I didn’t think it was scary though. I was like “I see…”. It was unique.
C: Have you received a marriage registration form?
I: No, but I once received a purikura photo from a gal. The letter was cute. She’s seriously a gal, with the round letters and all. She’s super young and the purikara was cute. The content of the letter was hilarious. She’s like “Let’s hang out!”, “It’s fun!” “I read TG! I don’t understand it, but it’s fun!”.  She’s totally a gal. It was amazing. How did I get that? That’s a good one, though I didn’t get to hang out with her.
C: Eh, is it okay to send purikura?
I: I’ll just take a look at it if you send one. I won’t do anything about it. Nothing will happen.
C: Impressive move.
I: Right? But I think it’s the culture. I wanna experience this kind of culture as well. I want gals and Exile fans to read my works, not just people who have read TG. I wanna write something that everyone can enjoy.
C: You wanna interact with gals?
I: I wanna try. Normally, you won’t be able to, right? Have I ever talked to a gal before? A real gal. Avu-chan was super gal-like. Avu-chan is a gal. My first encounter with a gal was with Avu-chan from Queen Bee.
*He’s imitating Avu-chan’s way of talking.
I: I see. So there’s a lot of way to enjoy TG.
C: Seems like you’d be a grandpa.
I: Definitely the case if I ever meet a gal.
C: Are you extremely close with her (avu-chan)?
I: I’m the type who approach the other party. Well, I’m sure everyone is like this, but don’t you have different personas? I wasn’t pretending or anything, but I wore a gal persona for the first time when I was with Avu-chan. Avu-chan has a gal-like personality, so I thought I also needed a new persona.  By the way, have you played the game Persona? Just like how the main character attained new personas, the gal persona came out aggressively from behind me and possessed me.
I: Akechi is cool, right? (t/n: Akechi is a character from Persona 5.)
C: Please impersonate Avu-chan.
I: Avu-chan’s impersonation? “But then~”. How is it again? “Sui Sensei is~”. But she talks about deep stuffs, even though she’s a gal. Although she’s a gal, she’s someone with a lot of knowledge.
C: can you read gal’s alphabet?
I: I can if I try hard enough.
I: I wanna include a gal character in choujin x.
C: Sensei seems to have high communication skill.
I: I don’t think so. There’s a term called ‘communication monster’. My friend, Takahashi Kunimitsu form Osterreich is a communication monster. He knows how to hype people up, since he doesn’t say offensive things.** He can join in conversations with anyone, anywhere like a clown. Then, he’ll be very tired after that. It’s wearing him out on top of having a high communication skill. That is a communication monster. I can join in a conversation as well, but unless it’s with someone I’m fond with, I won’t. It’s tiring.
C: People who are good at getting along with others do exist.
I: Yes. He’s good at that.
I: Kunimitsu’s seriously amazing. He got along with a granny he just met in a bar. I just listened to their conversation the entire time.
C: Isn’t that considered as a communication disability if you get tired by it?
I: I do think it’s a sign of communication disability**, But again, that’s just another side of it. It’s the same as shy people who can speak well.
C: Was it the one you posted on twitter?
I: Yup. The one at the bar in Nogata. Was it in Nogata? Probably there. But I think band men have great communication skill, since they meet various types of people.
Y****: I don’t like gals.
I: That’s not good. You’re in the theatre club, after all. Someone involves in theatres can’t be bias. It’s okay if you don’t like them, but it’s better to come across them.
C: Is it important to talk and meet with various people?
I: Hm, I wonder. I think it’s important, especially when you’re still shaping your identity. I speak like this because I didn’t manage to meet and get along with people. I was super serious whenever I was invited to a live show, like the time I met Mr. TK. I was super serious every time I met people when I was in my 20s.
C: You did meet Gegegay, right? (t/n: Tokyo Gegegay is a Japanese dance & music group.)
I: I did. I might not be able to converse with him if I didn’t come prepared. They’re super nice though. Mr. Mikey’s punch was strong. I was like “so we’re gonna have this kind of conversation on our first meeting.”. But it was really entertaining. He’s actually being considerate of me. Somehow, I’ve had a conversation with Mr. Mikey and Ms. Reol, just the three of us remotely. Mr. Mikey was really considerate during the conversation to make it very enjoyable. I was amazed by it.
(t/n: Mikey is the leader of Tokyo Gegegay. Reol is a Japanese singer.)
C: Have you ever met Hirose Alice? (t/n: Hirose Alice is an actress. She’s a big fan of TG.)
I: Nope. I think it’s better not to meet her. There’s no chance to meet her.
C: Who’s the person you’re most nervous with when you met them?
I: It’s hard to tell, but I felt nervous every time I met someone for the first time. Then, the feeling gradually disappeared after I got to know them. That’s not good, isn’t it? But, when I met Togashi sensei, it’s more like a dream. It’s an indescribable feeling when I met him. I was like “This kind of feeling exists.” I was nervous when I met Avu-chan as well. But rather than feeling nervous, since she was very nice, I was able to talk a lot. It was fun.
*Someone asked if he had meet Masataka Kubota.
I: I’ve met him.
C: Do you have a mentor?
I: Probably Hara sensei. The word ‘mentor’ is hard to describe. But, he’s somewhat a mentor-like presence to me. I don’t know.  
C: Do you like Yonezu Kenshi?
I: That’s needless to say. Everyone likes him.
*Someone asked if he’s met Horikoshi Kohei sensei (BNHA’s author).
I: Nope. We have the same age.
C: He drew the draft while lying down, right? (t/n: OP probably talking about Togashi sensei.)
I: He showed me how he did the draft.
*Someone asked if he’s met Inoue Takehiko sensei (Slam dunk’s author.)
I: Nope. If Hara sensei is considered as my mentor, though I can just call him that, Inoue Takehiko sensei would be my mentor uncle.
C: Was Masataka Kubota good-looking?
I: He’s super good-looking.
*Someone asked if he’s met Kotoyama sensei (Dagashikashi’s author).
I: I’ve never met her.
*Someone asked if he’s met Araki Hirohiko sensei (Jojo’s author).
I: Nope. Wait, I did. It was when I was still an assistant. My senior, Matsubara Toshimitsu sensei, who’s writing a manga called Kurogane no Valhallian in Young jump, was like “Araki Hirohiko is here! Let’s meet him for a bit!”, and I agreed to him. Araki sensei is on another level, as expected. He’s super-duper famous, after all. All the assistants were surrounding him, asking him for pictures. When it was our turn, my smile was so stiff when I took a picture with him. I was too nervous. It was a distorted smile. Then, Mr. Matsubara accidentally stepped on Araki sensei’s foot. He’s like “I’m sorry! I accidentally stepped on your foot!” By the way, I went to the new year’s party in my pajama, which had curry on the sleeve and took a picture with Araki sensei. The clothes were shabby. Since Araki sensei was a nice person, He complimented me saying the it was fashionable. I was so thankful. He complimented my pilled and curry stained clothes. I was happy for that. I went there wearing pajama because I didn’t have any other clothes. The clothes were in a white colour. I went there wearing a parker with dull pants. He was really cool. Very young-looking and a wonderful person.
C: Have you gotten a chance to meet Miura Kentaro sensei (Berserk’s author)?
I: No, I’d never met him. I liked him a lot. I still like him. I can’t continue talking about him. It’s too sad. I can’t express how I feel other than I’m sad. Death. Regarding this, I wish people wouldn’t pray to the dead souls so casually. I don’t like praying to the dead souls nor do I like people doing that as well.
C: Have you met Mengo sensei (Scum’s wish’s author) and Aka sensei (Kaguya sama’s author)?
I: I’ve met Ms. Mengo a long time ago. She’s always present at parties. She’s quite stand out as well. She’s wearing cat ears the first time I met her. It was cute. I think I have met Akasaka sensei.  Probably just introduced myself.  
C: You’re a mangaka, but have you been surprised by other mangakas’ personalities?
I: Pretty much. Like their images or...Well, aren’t you like that with everyone? Isn’t it normal to be surprised by their images, physiques, and voices? Since you never imagine about those things.
C: I want you to meet Isayama sensei.
I: Isayama sensei’s also the same age as me.
C: I have met Itagaki Keisuke sensei (Baki’s author)!
I: So you’ve met him. I see.
C: Have you met Inagawa Junji (actor & director)?
I: I want to.
*Ishida was about to read a comment but stopped.
I: People will keep asking who I’ve met if I answer this, so I’ll skip it.
*He still answered the question.
I: I’ve never met Ryuuichi (illustrator & character designer). He’s gotten married. He looks happy, so it’s all well. Ever since before, I didn’t think he had to be that self-asserting. He didn’t need to tell who he was. It’s already written in his account. I was like “Don’t worry, everyone knows. Everyone sees it.” Well, he looks happy, above all.
C: I was excited seeing Hara sensei at the Kingdom exhibition.
I: Oh, he was there.
Part 5
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OISIN - 4* CASTER - PROFILE
Under the read more!
Summon: “My name is Oisin. I am a poet – and now, I am your Caster-class Servant. Though our time together won’t last forever, I’m glad to meet you, Master."
Initial Information:
A beautiful poet, blessed with eternal youth and wisdom. Though he is a great knight, he is most famous for his silver tongue, which has preserved the legends of many heroes in what is now called the "Fenian" or "Ossianic" Cycle of Irish mythology.
Passive Skills
Territory Creation A
Item Construction C
Divinity C
Active Skills
Heroic Legacy A – Increase defense for three turns and clear own debuffs, increase attack and star generation for all allies for three turns.
Blessings of Youth A – Apply invincibility for 3 turns, apply Arts, Quick, and Buster up for 3 turns. Costs 9 critical stars.
Storyteller B – Drain all enemy NP charge, increase own NP charge, increase party NP gain for 3 turns.
NOBLE PHANTSAM: Dord Fianna – the War Cry to Defend Humanity (QUICK)
Area of effect Noble Phantasm that deals damage to all enemies, special bonus damage to any Threat to Humanity trait enemies. Applies defense down, critical strength down, and slight chance to inflict Terror status to all enemies. Applies attack up, critical strength up, and NP damage up to all allies for 3 turns.
Lines - Room
Idle: “Master, are you doing anything right now? If you’re bored, I can show you the song I’m working on now. No? You’d rather go outside? Well, that’s alright, too. I’ll tag along.”
Master-Servant Relationship: “I’m used to working, living, and fighting alongside others, so this situation is fine for me. Honestly, it brings back pleasant memories.”
Opinion of Master: “I could write a thousand songs about your adventures. I really do consider it to be a privilege to fight at your side!”
Scheherazade: “I think she and I could have a lot in common. And so beautiful too… hey, don’t look at me like that. I’m happily married, you know!”
Author Servants: “There are a lot of very talented people here. I consider myself a formidable opponent, but I think I’ll work a little harder, regardless of that. [laugh]”
Saints: “It’s not that I don’t like them, it’s just that I can’t really understand them. I have my reasons, but that may be the one story I’m not interested in telling.”
Irish Servants: “There are so many famous heroes here from ages past. Of course, I already know the tales by heart but I wonder if there would be any differences in the first-hand accounts…”
Diarmuid: “Diarmuid! It’s been too long since I’ve seen your face! Master, this is the only person in the world who is smarter than my father. He always used to beat us at chess, and that’s just the start of it. I’m sure you already know. What? Oh, don’t be modest! And here – look! I brought you some letters from your relatives. They say you hardly ever visit anymore and – hey, where are you going?!”
Fionn: “Ahh… It’s good to see him in his prime like this. He seems to be very at ease here. Seeing that he’s able to smile and relax like this… honestly, he looks just as Mother always described him. Ah, wait a moment. Please don’t ever tell him I said that.”
Lines – Battle
DECK: QQ/AA/B
Start 1: “Just because I am an artist doesn’t mean that I can’t do battle when I need to.”
Start 2: “That look on your face… I have to wonder if you’re not taking me seriously. Well, it can’t be helped. Best of luck to you!”
Skill 1: “This is the blessing I was given.”
Skill 2: “Hmm… still a bit out of tune.”
Skill 3: “With the strength of my own limbs.”
Skill 4: “With actions that will match my speech.”
Attack: [IDK SOME NOISE]
Extra Attack 1: “With purity in our hearts!”
Extra Attack 2: “You won’t underestimate me a second time!”
Noble Phantasm Activation: “If the time has come to defend humanity – then I will serve with all the power I have.”
Noble Phantasm 1: “For the things we have forgotten, and for all that we have to gain – there is something that I, too, must protect. I swear that I shall defeat all evil in the world. With the purity of our hearts – Dord Fianna!”
Noble Phantasm 2: “This is a story of those who stood should to shoulder to defend humanity's destiny, from all that would covet and destroy it. No matter when, or where, we will always rise to meet this challenge. This is our sacred duty – Dord Fianna."
Noble Phantasm 3: “This hunting horn is not for making music – if you’re skittish, you might want to cover your ears. Listen – to our sacred battle cry!”
Injured 1: “Rude!”
Injured 2: “At least make sure to avoid my face!”
Incapacitated 1: “It seems that… once again… I can’t stay beside you until the end… I’m… sorry…”
Incapacitated 2: “It’s always like this, huh… Strange… this time, it doesn’t hurt…”
Victory 1: “I told you from the start. Before I am an artist, I am also a knight!”
Victory 2: “You know, I think I could make a song about this victory. Someone give me a tune! Hey… wait a minute… why are you all walking away?”
Bond 1: “You know, Master, I spent a long time out of human society. So, I need you to tell me to my face if I ever say something strange. Seriously. I’m not joking. I really don’t know what people talk about these days. I’m counting on your guidance.”
Profile 1: Oisin, the son of the legendary hero Fionn MacCumhail. Because his father had already eaten the Fish of All Knowledge, he was gifted from birth with wisdom and a quick wit. His name literally means "little deer" or "fawn."
Bond 2: “What was it like, growing up with such a famous father? Well, that’s a difficult question. Father has always been good to me. I’ve always felt that the Fianna were my family. Even the most loving and tight knit families sometimes fight… and even so… hm. I wonder… …Um, sorry. [slightly nervous laugh] What was I saying again?”
Profile 2: The story of Oisin's birth is a tragedy. His mother, Sadhbh, was Fionn's second wife. Though they were madly in love, his mother had another suitor, who was a cruel and wicked mage. One day, when Fionn was out hunting, the mage lured the pregnant Sadhbh out of their home by impersonating her husband, and transformed her into a deer before loosing her in the forest.
When Fionn returned to their home and found it empty, he immediately marshaled his knights and began to search for them, leaving no stone under-turned.
Eventually, the toddler Oisin was recovered - but his mother was never seen again.
Bond 3: “Yes, yes. My wife is the most beautiful woman in the world. Every man says that about his wife, but in my case, it’s actually true! She’s a wonderful, wonderful woman, and her family always treated me so kindly. I simply lost track of time, that’s all. Yes, I always meant to go back and visit, but the opportunity always… Eh? I trailed off again? I’m not sure why I keep getting lost in thought. Anyway, let’s talk about something else.”
Profile 3: Fionn was never the same after Sadhbh's disappearance. Plunged into a deep mourning, it was said that his entire personality shifted, until he was nearly a shadow of his former, magnanimous self. It was Oisin who volunteered to seek a new bride for his father, perhaps desperate to see his father smile again. It was these events that eventually lead to the Pursuit, another tale that is narrated in the Fenian Cycle.
Bond 4: “Was it hard? Yes, I suppose it was. All the places that I had loved, and all the people I had loved were gone. Even my own father. Even my first son. And then, I was even stupid enough to fall off my horse. Hah. Sorry, Master, I’ll go now. No, no. It’s alright. It’s just that I would never want you to see me like that. That’s all.”
Profile 4: Like the other Knights of Fianna, Oisin lived a long life full of adventures too numerous to recount in full. He married a fairy woman and went to live in Tir na Nog, the land of eternal youth. Eventually, he decided to return to the mortal world to visit his family. His wife gifted him a magical horse, and told him that he would not be able to dismount, or the blessings of eternal youth that he had been granted would disappear.
When Oisin emerged from the Land of Youth, he discovered that 300 years had passed, and the Fianna had all but completely disappeared.
Bond 5: “I will make sure that they remember you. I’ll fight beside you until the end – and then, I’ll make sure that the world remembers you. Really, it’s the least that I can do. But let’s not talk about depressing things. For some reason, I’ve been wanting to write a love song lately. What do you think? ‘Too early…’ It’s never too early for beautiful music! [laughing] Really, you ought to enjoy life a little more, Master.”
Profile 5: DORD FIANNA - The War Cry to Defend Humanity. A war cry to strike fear in the hearts of humanity's enemies, a power that can wake sleeping kings.
This Noble Phantasm would not normally belong to Oisin. It is said, in Ireland, that their great hero Fionn is not dead, but slumbers beneath a mountain, surrounded by his loyal knights, and that the one who blows upon his hunting horn will rise him from his sleep. When he rises, he will resume his duties, to protect humanity.
But the stories of the Fianna exist in the modern age because, after emerging from Tir na Nog, Oisin wrote them all down. Using his talents for word and song, he told the tales of valor and heroism and adventure, the stories of his friends and family to anyone who would listen. After an accident caused him to fall from the horse that should have carried him back to his beloved wife, Oisin lay dying, feeling each of those 300 years seep back into him, even as he desperately tried to finish the story he was telling.
So in this form, the Dord Fianna is not a war cry, but more like a song.
Bonus Profile, Post Interlude: In one version of the story of Oisin, he encounters a certain saint while traveling around Ireland. The saint listens to the knight's tales, but even so, because Oisin is still a pagan and an immortal himself, he and the saint don't get along very well and part on bad terms. Even though Oisin claims that it wasn't like that, and even so, he never holds grudges, he still can't help but make a face whenever the saint's name comes up in conversation.
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stray-tori · 3 years
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TPN S02E04 - Initial Thoughts (anime-only)
viewing + post-ep talk with my friends: Google Drive (sorry, youtube denied me again)
(i) Translations are in the English (USA) CC (including the english bits as well for those who struggle with the audio/language, etc.)
pls validate my efforts and watch it.
there’s some anime-only talk about the adaptation towards the end, I wasn’t trying to be arrogant, just mention it to my friends based on some things I’d heard and without spoiling them about what is different that I do know of specifically. But if you want to avoid that, feel free to!
I definitely said it a bit too in favor of the anime, and obviously my friends’ just got my simplified thoughts on it? Like when they said it makes sense for the anime to move on quicker, but that’s not really what’s different. 
So yeah, please forgive the dubious things in that segment, I really just didn’t think about my words a lot.
.
. Random thoughts
The fish bug scenes were delightful TvT Also the animation during them trying to grab them???
The OST during Isabella’s scenes???? take me
I think we also heard the OST sneak peak from a while ago during the cave confrontation with the army force human
Don is a useless nightwatch, goddamn it Don
Don is an epic chairman.
Loved the shot of Ray shooting at the big demon (why didn’t Emma get a cool shot? :THONK:), very dynamic, very epic.
Also them running together to push the man off the cliff was... something haha.
I’m losing my mind that we’re actually just ending on the way ep1 started. Same animation loops too, eh. to be expected, and obviously adjusted for different clothing and items but. still as someone who wants to praise for not re-using animation, rip.
EMMA HAVING SLEEPING CHILDREN AROUND HER AWWWW
Eyy Ray took a bath with the others too, yay
.
. The bunker
So, the twist was that there was really.... no twist at all. Minerva was a good guy, he tried his best, he got discovered and chased.
And yet, I don’t think the bunker was previously discovered by the farms, which would at least warrant a “scare” like that, effectively making it a trap. They may have been aware of a shelter’s existence, but I don’t think they’ve been there before.
You could probably assume that the Troup that attacked our characters may have also removed the previous escapees from the scene --- but if that was the case, why leave all of the letters and other things in place. Not getting there immediately is understandable, they seem to arrived by foot (what? do you plan to keep an eye on the children the whole like 5 day march back or however long it took?? dang). So that’s not it.
So: what caused the HELPs? the person writing in the book seems to have been abandoned or more likely, are the only survivor of their group (maybe the only person in the group at all). Now it’d be an option for them to have found this safe haven and decided to just spend their days there, slowly losing their minds and doing the things on the wall. But then the message in the book, on the other hand, seems traumatized and sad, but not as lost as the carvings on the wall.
So either, they calmed down after going crazy and then once they did, they decided to leave.
Or it’s from two different people (or multiple), the one after the “HELP” one probably leaving the uplifting message in the book nearby of the scribbles.
I’m not sure which I’d find more likely, but all in all, I’m not sure why they didn’t just have the demons already know of the place and just have the letter (they probably wouldn’t have searched everything in the place) not be as obviously placed and then boom, they could still have made all discoveries they needed and when they found the help wall, it would have been from children trapped in the room while the men searched the bunker, wanting help.
* Clearly that’s not what they were going for, since there’s also day-counting things, but even that you could have explained by saying, they missed a child and the other escapees convinced them that they died, somehow and so they were left behind, traumatized by their friends being taken back and giving up for a while. It still runs into the same “but how can it be the same person?” doubt that my friend brought up, but I think that it’d justify the shock value of the wall more. Still not really making the whole “HELP” thing add up though, since that just sounds like there’s an immediate threat, when there isn’t. The only other thing I can think of is that the entire wall wasn’t one instance, so the counting could be solitude, the HELPs acute danger and the names probably also solitude. The drawing on the right also makes me think it was probably a child as well, fairly young. Poor kid.
Unless there’s something more to it I feel like it makes a little more sense, but still not a lot (WHY’D YOU LEAVE YOUR SNACKS, BRO) but seeing as we’ve left, I don’t think we’ll get to know.
.
I’m assuming the way the farm knew now is either a) they were aware but didn’t see any reason to go there unless there were children there, b) they saw the coordinate carvings (thanks Ray) or c) the pursuers contacted the farms (which would make sense, and again, thanks Ray).
.
.. the farm has a military force???
I also find it kind of funny that the farms have a military force??? Because so far, we’ve never seen them use guns to do anything. Which makes me think they might not be farm-intern but from an outside force, maybe the humans who are more “on-level” with them?
Like, what do they do all day. They’re probably not part of the buff demon guards and.... idk man haha-
.
. Isabella
Ahh I was happy to see her! I was even happier to be like “hah, prison. Knew it.” and then later reacting to the offer, even though that wasn’t exactly what I called, but damn. the pride. my fucking expression too lol, i couldn’t hide it at all pff.
Her jump in motivation is a little weird, but I do see it as, someone who has basically accepted their fate, and when that gets challenged, the will to live takes over. 
I’m also not quite sure how she’s supposed to capture them if she can’t leave?
And then of course there’s whatever they promised her aside from “freedom” (which, if that just means being let outside, good luck ma’am there’s demons everywhere) - or is the transportation to the human world included? :D
Based on her clothing in the OP, I might have guessed it’d be “become a grandma” but that doesn’t really go well with the promise of freedom so.... I don’t know where that entire thing is going pff-
We don’t know a lot about what drives Isabella but one of the few things we do know is a) will to live and b) Leslie (????), hence the lullaby in “stressful” situations.
She already got the will to live with the baseline deal, so the only thing I can think of that would make her react more than freedom would be that Leslie’s alive and she can see him if she helps.
I’m not sure if she’s interested in anything else, like how the world works or what she can do for anyone, like.... hm. Of course it could totally be something that we just don’t know yet but yeah I guess that’s my guess.
They probably won’t give up Ray and seeing as she’s more concerned about his brain than anything, I don’t think even if they did allow her to take him with her, it probably wouldn’t mean a lot to her. Plus, why lose another high quality cattle.
I guess it could be, she did seem she wanted to be a proper mother figure, but idk something tells me it’s probably not something like that.
It would also be more “???” than “OHHH” of an reveal. Then again, Leslie is also an obvious choice so.
Maybe it’s something entirely new, we’ll see :D
.
. The possibily wrong date
So when Anna writes a journal thingy, we see this
Tumblr media
And, well, their escape happened in January 2046, so... for that to be true, somewhere along the line, an entire year would have had to pass.
I’m assume this is a production error because
they didn’t get to harvest once
they wouldn’t wait a year to talk about the plan to go back
Ray wouldn’t need an ear patch for so long, he only has a cut
the montage only showed 22nd and 23rd, if an entire year had passed, we’d have been shown more varied dates, etc.
then it makes even less sense for why the army shows up one year later out of nowhere :D
...
Smh, CloverWorks, what can you even do right.
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Yee, thanks for reading!
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C’s (1/?) Destiel Rec List:
That gets less and less coherent as it goes.
So here is a rec list by order in which I read them and not by preference. They’re like, All Destiel, because that’s how Post-November C rolls:
First on the list is The Courtship of Combat by bendingsignpost 18k
I KNOW it’s not Thee fic by bendingsignpost that everyone is talking about. I know. BUT, I dearly enjoyed it. It’s the first in a series and it’s A/B/O. (I know. I know. Don’t @ me. Or do.) It’s pre-relationship and the characters are definitely themed toward early-Destiel if you catch my drift. Omega!Dean’s hand is being fought over. This wouldn’t matter to Castiel except he totally told Michael that the reason he wouldn’t marry anyone is because he’s head over heels for the Winchester Omega that he doesn’t even have a real recollection of ever meeting. It’s like the perfect balance of a meet-cute and meet-ugly. I just LOVE bendingsignpost’s Castiel voice. It’s such a great characterization.
I’M GONNA SCREAM THE SECOND ON THE LIST IS ANOTHER A/B/O?!? I swear I don’t read that much A/B/O, but this is another exception because it’s Biological Imperatives (Or Not) by tiamatv  29k
Tiamatv is one of my favorite writers. If you’re unfamiliar with their work, I’m gonna rec more of it to you. No worries. THIS lovely piece of work is a Beta/Beta narrative that focuses on how hilarious A/B/O tropes are from an outsider perspective, but doesn’t do it in a way that feels insulting to the classical tropes. It’s just people living their lives where these situations happen not often but enough that they know how to deal with it. Dean and Cas have several first dates trying to figure out what’s happening between the two of them. Castiel is thee love of my life in this piece. And Dean’s headspace makes for a witty narrative.
If you know me at all, you know this next one HAD to be a regency and it’s Of Lords and Letters by MalMuses 14k
Dean is the master of the Winchester estate after his father passes. Unfortunately for the estate (but much to Dean’s pleasure), he can’t run it personally because he’s at war. Not that he likes war all that much, but it’s what he knows. War he knows. Sam is a conniving but well-meaning little brother and puts him in contact with Mister Castiel Shurley. (I KNOW. I KNOW. I allow Castiel Shurley in recent fics only if Chuck is cast as an asshole, and he is :)) But seriously, it’s SO Regency. There’s letters, pining, propriety, and men in period suits. What more could you ask for?
Y’all probably gonna immediately peg who I am as a person when I say Always Together, Eternally Apart by EmiliaOagi 27k is probably one of my top ten Destiel fics.
Here’s the thing—Ladyhawke is probably my second favorite movie in the entire world beat only by The Princess Bride. (Seriously, if y’all wanna bribe me with anything, it will always be that.) NOT ONLY does EmiliaOagi beautifully incorporate the source material, but once more Dean Winchester is SO Dean Winchester it hurts. This piece is from Sam’s perspective, and his running inner monologue is both insightful and entertaining. If you’re unfamiliar with the plot of Ladyhawke, I refuse to spoil it for you. Some things must be experienced, and this is one of them. Either by reading this lovely work or by viewing the original film, you’ll understand the legend that so captivates me.
OH ANOTHER DELICIOUS ONE and it’s like in that vein of Retired Hunters But Not Yet Together Destiel is Welcome to Pine Shores! by andimeantittosting (Saylee) 20k
It’s always fun reading Dean character studies, and this is definitely one of them. So the long and short of it is PINING FOR DAYS (this was written for Pinefest) and Dean trying to set up Cas with other people because he thinks Cas might want more. Oh, and did I mention they’ve been running this motel for like thirteen years? And they share a bed? *Tropes Intensify*
There is also Dean Winchester and the Patron Saint of Blind Dates by goldenraeofsun 18k which I think some of y’all are familiar with.
Sort of what it says on the tin, to be honest, folks. Dean’s friends set him up with some blind dates and the bartender—Castiel—grips his Purple Nurple tight and raises him from perdition. (And no, it’s not a euphemism.) The dates are sort of outrageously in character and interestingly enough this is a Sam/Ruby fic too! I sort of liked how it played out in this piece. If you’re worried about the Sam/Ruby dynamic, fear not! They were both former addicts and have since been clean for (a year or two? I don’t recall the time frame.) Dean has a love/hate sort of relationship with an emphasis on hate with Ruby since she’s the one who got Sam into drugs (allegory for the demon blood) but she’s also the one to try to go clean first. I just thought that was an interesting take, and one I would’ve linked to have seen the show pursue to be honest, but Supernatural has to keep the hot ladies dead or villains or both haha ;)) I digress. It’s a smaller read but the subject matter is pretty heavy. From former religious cults to the former addicts, please keep in mind if mentions of these things make you uncomfortable. It’s definitely the one whose subject matter stuck out the most to me. So apologize if I’ve missed mentioning anything specific for y’all in the previous recs or this one.
WAIT THIS NAME LOOKS FAMILIAR!??! IT’S andimeantittosting (Saylee) BACK AT IT AGAIN BUT THIS TIME WITH The Winchester Affair 34k !!
SAYLEE YOU HAD TO MAKE IT ONTO THIS LIST TWICE. Another Regency, except this time Castiel is long time friends (with benefits *eyebrow wiggles*) with Dean. He’s in love with him, obviously, so this means that an asshole named Zachariah that we all know and loathe comes around planning to frame his poor sister (Hael) with stealing Mary Winchester’s brooch if Castiel doesn’t find some damning evidence on the Winchesters for him. DRAMA AHOY!!! This is a very harlequin/regency novel. It’s actually based off of a novel called Ware the Marquess as is the wont of the Destiel Harlequin Challenge. Very good challenge to check out; very excellent fic to read. And the author so nice we listed them twice. ;) SIDE NOTE: This is totally one of those Regency ones where It Simply Isn’t Done, if you know what I mean. Like, no one is outright slurring or something that I can recall (and it isn’t tagged so I doubt there is), but it Isn’t Done, But They Love Each Other Very Much.
So you guys know Scoobynatural is my comfort episode, right? Well, one of my favorite things that I’ve delightfully discovered is the trope of building off of Cas’ one-liner about being effin’ married, so have The Nikkah by Maxine (WinchesterPooja) 28k!
Reads like a Case-fic as there’s an entire sub-plot happening with Sam. So this story happens well within the canon despite being canon-divergent. This one does end happy!! There’s a view episode like fics I might rec that end in canon-fashion with Dean repression and I love the pining and all but sometimes I need sweet fandom closure. Long and short of it: Djinn culture? Djinn queen? Fake-relationships? Sam dealing with nightmares? This baby can fit SO MUCH ACTION into a fic.
Okay, so you know the fic with the Bee Movie allegory? (It’ll come up on this reclist.) This has the same vibe, except for the relationship is out of order and Dean is Diagnosed with If I Do It This Way It’s Okay. Yeah, it’s Command Me to Be Well by prosopopeya 28k
Human Cas, back from the dead, post-finale, and Dean is trying to figure out how to get his happy ending. I’ve seen this one make the rounds on fic rec’ing so I think it’s a bit familiar, but I enjoyed it. Even though—as my bookmark says—I usually don’t go in for hurt/comforts with heavy on the hurt because my poor heart can’t take it. This is one of my few exceptions. This one has a healthy dose of Castiel standing up for himself with the bittersweet tang of him literally willing to do so much for Dean. But it’s a Dean perspective, so it really deals with a lot of his inner thoughts.
This one is,,,, in a similar vein as Command Me to Be Well. I guess I was in a mood. Baby, Come On Home by woodenducks 9k.
IT’S SEASON NINE WITH A SIDE OF PINE. What more could you ask for angst? Human Cas in Rexford trying to make a life for himself when all he wants is to go home. But he’s also trying to figure out what home even is for him. There’s a lot of drama between Dean and Cas, because of course Dean wants him there. But blah blah angels and blah blah whatever excuse the writers wanted so we couldn’t have human Cas and Dean in the bunker. We KNOW obviously the only thing keeping canon Dean from snapping was the fact that Cas was not human around him. *heavy eyeroll*. Anyways, this is a heartbreaking read from Castiel’s perspective.
One of my favorite Rescue Cas from the Empty fics is (they'll never break) the shape we take by auroralynches (teresavampa) 9k.
There’s this super cool concept of how Castiel experiences his regrets within the Empty and how Dean navigates through them to get to Castiel. I really enjoyed it, and of course the greatest love story ever told has got to have SOME theatrics and sentiments that are definitely reflected in this fic. My point is, I really love when Empty Rescue fics include analyzing Castiel’s regrets, and this one does so but from Dean’s perspective. As in Dean is viewing Castiel’s memories and trying to perceive his regrets.
Sooooo Epistolary by tiamatv 9k eh?
I love love LOVEEEEEE epistolary fics. I love them. I’ll always read them. And I totally told you I loved tiamatv. This is probably another one for the top ten fics just because it plays into my things. Love letters, music, and misunderstandings, oh my!!
HERE’S A VERY SEXY TERRIBLE LIFE ----> Ties that Bind Us by TheTwistedWillow 13k
Okay, so BASICALLY what if It’s A Terrible Life happened in like, circa-season 13 and Castiel was thrown in with Dean Smith and Sam Wesson. Literally all that I wanted in this fic. I do mean it’s sexy, by the way. I can’t even begin to explain this fic beyond it’s Castiel’s perspective, and he has some awareness that something is off. And being inside Castiel’s head when he’s not Castiel gets me every time.
OKAY I KNOW THIS IS THE THIRD A/B/O FIC ON THIS LIST I KNOW I KNOW The Mills School for Distinguished Girls by SillyBlue 13k IS WORTH IT THOUGH?!?!
Alpha Dean Winchester is going off to war. In the meantime, his family still doesn’t know about his marriage to Omega Castiel (in fact, they still think Castiel is a Beta.) Male Omegas are very rare in this universe, and it is addressed along with the fact that just because Castiel might look different on the outside doesn’t make him any different than the girls. Which I thought was a thought-provoking interpretation. There’s prejudices here—a lot of them against women and omegas—and a temporary character death which actually moved me to tears. I bookmarked this saying bring the tissues; bring the tissues.
THE BEE MOVIE FIC THE BEE MOVIE FIC THE BEE MOVI— according to all known laws of life by sobsicles 29k sobsicles I owe you a great slice of pie.
Sobsicles, my beloved, my bestie <3 (am I allowed to say that? I mean it affectionately. Well and truly.) You REALLY got in my head with this one. This is literally such an insane read that I read it twice in a row. Yeah, whoops. Cas is back from the empty and Dean is an asshole about it because feelings are hard. Here is what I bookmarked this fic with: “Dean Winchester has issues. He gets through them. Like a Bull in a China Shop, but he gets through them. The metaphor works.” And that is EXACTLY what happens. Dean is such an asshole and I LOVE IT. 14yr me would cry at the concept of reading this but 14yr me is a tasteless bitch. This is where it’s at. Dean has so much he’s mentally working through and Cas won’t take no shit and Sam is tired. It’s great. I love it. I know we rec sobsicles left and right over here (and I know there’s a new one I haven’t read yet) but this one is really my favorite. And I know some people feel uncertain when fics/authors get popular in a fandom, so if this isn’t for you that’s okay!! But well and truly this is just one of those in the top ten Destiel fics of my heart.
Baby Jack during the Widower Arc truther here like Trial and Tribulations of Raising a Nephilim by Sickandtiredofyou 14k
I’ve seen this one rec’d before but not enough. Like this one SHOULD be talked about. Because I am a Baby Jack Truther, and putting a baby in the widower arc is my literal weakness. Dean goes crib shopping. He paints the nursery. He does that season 2&3 thing he does where he wrecks something so that he has to rebuild it. He’s mourning. He’s crying. Sam is afraid to hold a baby. There’s a lot of emotions and they’re raw. Promise there’s a happy ending, but be ready to cry first.
Another sam pov because i love my little brother Letters to Nowhere by Goodluckdetective (scorpiontales) 28k
AWWW YES. So this is another Empty Rescue fic. This one plays up the Orpheus and Eurydice lore, but in a surprising twist this is Sam’s POV!! Sam doesn’t know the full story, and we as the audience aren’t granted omnipresence for this fic either. It’s just point blank is his emotions. Him worrying for Dean, missing Cas, and wanting a happy ending for all of them. It’s sort of epistolary with how Sam is texting Castiel’s phone, but in general it is Sam Winchester wanting to save both of his brothers. So despite it being Destiel, the Destiel is almost the background ship since this story is Sam’s story and how Sam witnesses their story. It’s pretty meta in that sense, in that he’s aware there’s this grand story going on and we as an audience know there’s this grand love story happening, but we’re reading Sam’s story.
One of those i mentioned where its like an episode and they just end with tension between them >:((( but SO enjoyable and very much like an actual MotW Soul Searching by Lottiethroughthelookingglass 13k
It is in a screenplay format, but I didn’t mind that. It’s definitely a fun read! I thought the characterizations were pretty grand all-in-all. No get together though in this one if you’re looking for Destiel. Sorry. But it does make its way on to the list because we deserved a body swap episode and never got it.
This is like the third fic by tia and im not sorry and it’s Filoplume by tiamatv 8k !!!!
Its SOULMATES BAYBEEEE!!! But it’s not destined Soulmates. It’s like… soul compatibility, but only AFTER you’ve forged the bond. Self-Made Soulmates as it were. Very achingly and lovingly sentimental. Like, I think I’ve read this one four times in one week? It’s the shortest rec on this list (and while I definitely have shorter works bookmarked, I wanted this rec list to be longer ones for some reason I guess) but it feels longer. Maybe because every paragraph is like a gut punch. egGH. It’s another Empty Rescue by-the-by and Dean’s soulmark (given to him by Cas after Castiel’s Despair Confession) helps get him into the Empty.
OHOHOH LEVERAGE AU!!?! The Jericho Job by giantteenwolforgy 20k
The first in a series and I am SO EXCITED FOR MORE. I absolutely adore Leverage, so seeing this was like clearing my skin with care products I’ve never used. The characterizations are amazingly well done and vivid. They feel so unbelievably real and it makes me an eager beaver to get to the meat of them connecting as a team and family, but the slow burn is well worth it.
Yes, yes, Dean needs him, and need = love for Dean’s vocab but what does dEAN WANT and what does want mean to Dean? Find out in if you try sometimes, well you just might find by JenTheSweetie 9k
I’ve always been a huge fan of metas that dissect Dean’s differeniation of need vs want, and this whole work was like one of those metas. It’s a Cas POV of him trying to figure out how to read this man that he knows so well. It pulls out the angst and it makes me ache, but promises there IS a happy ending and Dean WANTS it.
Shush you know you want Goodbye Stranger meets Detroit: Become Human you knOW YOU WANT IT Digital Heartbeat by Chancy_Lurking 14k
MHM IT’S SO GOOD. Talk about good characterization. This work is almost a time piece? There’s a few skips in the timeline but you get the good parts and what’s needed for a full narrative. Castiel is an android sent by Cyberlife to the Men of Letters for aiding in hunting. He’s—of course—assigned to the brothers Winchester.
Shush delicious content right here mwah Heartstring Promenade by SaltyWords (agent4hire22) 17k
Another Empty Rescue?!? Yeah, yeah it is. Dean is sort of reckless. And by that, I mean a lot. But it’s fine. All happy endings, and smutty endings too. ;))
This is one of two 36-questions inspired fics I’ve got bookmarked, but the sex in this one hits my preferences too perfectly so it gets the spot and this list is getting too long to include all of my bookmarks to include both of them anyways but Seek to Know You Better by ahurston 32k mhmmmmmm
This fic is very personal to me. I couldn’t explain even if you asked me to. It might be the Florida Citrus Tree expressionism in Cas’ thoughts, but idk it's such a mystery (the way you know me) by fleeceframe 20k has got it on the list.
Cas loses his memories for a short period of time. Dean and Sam introduce Castiel to Cas, and Dean and Cas have a heart to heart. <3
A vERY interesting premise in a fool's kind of careless by Paclipas 9k
Dean is SUPER off his game when he can’t tell the difference between Cas and Not-Cas over the summer. Canon-fic.
A FIC FROM 2018?!?! WITH TIME TRAVEL??!? Ye ye it is Crazy Diamonds by pantheon_of_discord 24k
Dean of 2018, married to Castiel, swaps places with his newly dragged from Hell 2008 self. Time shenanigans and Bobby Frickin’ Singer ensue.
This one is ONE I AM OBSESSED WITH ACTUALLY And Neither Do You by callsigntango 45k like if it's not the one everyone starts talking about :((( is SO GROSS how callsigntango describes the empty and i lOOOVEEEE ITTTTT. Also plays into a Florida myth I totally forgot about so high-key freaked me out. Hahah.
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Note
PLEASE talk about how everybody looks concerned for Scho in that scene!
ask and you shall receive, my dear! and thank you for asking, i love talking about this film so much i risk insanity and annoyance from those who read these lmao. i hope you don’t regret asking after reading this whole novel i wrote
okay, so first we gotta look at the events directly preceding them getting back in the truck. from the moment scho first got in, none of the men paid him much mind, at least that we could see. the only exceptions really are a) when he first got in and they all looked at him before smith told them to move, b) rossi taking his rifle to help him in, and c) rossi’s comment of “welcome aboard the night bus to fuck knows where”. once they’re all seated, they don’t talk to him or even look at him. i think this was its own form of compassion, that this random soldier looked like he’d been through a lot and didn’t seem to want to talk so they figured they’d let him alone. it may have also been that he was a stranger to them and they didn’t feel the need to talk to him, but i don’t think that’s fully the case.
the first time they fully acknowledge him that we can see as the audience is when he gets hit by what i think is a canteen aimed at cooke. he flinches (and oof that flinch kinda breaks my heart a bit) and looks at his watch. they’d probably been aware of him and what he was doing (or, really, not doing) the whole time, but this is when they look at him in some form of expectation. then butler asks if he’s got somewhere to be, marking only the second thing said to him, and we don’t know if he would have even answered because then the truck gets stuck.
then, this poor guy seems out of his mind as he frantically tries to get the truck out of the mud. we can sympathize with him because we know what happened and what his mission is, but to the convoy, he’s this random lance corporal who has been silent up until now, and he seems almost crazed. he yells at the driver with desperation, he insists there’s no time to get wood to put under the wheels, he begs for help to push the truck, and he screams with the effort of doing so. the only thing they can even be is concerned for the man at this point. he falls in the mud and does not care as he just urges the men to get back in, and the air with which he says it indicates he’s still hurried.
so, as they get settled again, they all look at him. at this point, they can’t ignore him anymore (not that they were being ignorant before, they just weren’t acknowledging him directly or forcing scho to acknowledge them). they don’t even know this dude’s name, but they can gather that something is dreadfully serious concerning how this man ended up with them.
given that, we know they’re concerned. there’s really not much else they can be, and they’re all good enough men that they wouldn’t be concerned.
but, how do they show it, and how do we see it? first of all, they all look at him, expecting, waiting, just as they did when butler asked if he had somewhere to be. cooke and jondalar most noticeably hold their gazes for the longest time, while rossi looks out the back, butler looks down, and with malky it’s hard to tell. then jondalar asks where he’s going, not unkindly, and they all look straight at him. if they didn’t care, they wouldn’t bother looking and waiting for his response. i mean for rossi it might be strange to avoid looking at him since they’re face to face, but he could just continue looking out the back if he didn’t care.
besides eye contact, all five that are in frame with scho say something. jondalar asks the first two questions, then malky pitches in, then cooke, then butler, then rossi. and yeah, it’s a film and they’re all in camera for a reason, specifically to speak, but eh whatever imma give this as much meaning as i want lol. the point is, they all care about what scho has to say, and he’s too unfamiliar to them for it to just be because they consider him so much as even an acquaintance at this point. they want to know why he’s acting the way he is, why he ended up in the back of the truck with him, and they wouldn’t care if they weren’t concerned for and about him.
then, it’s their responses and what they choose to say. when he says it’s to save 1600 men, they’re all pretty taken aback because of the sheer number of men and the weight of what that means. in that moment, they have some understanding of why it is so important that they did everything in a timely manner and why he was so stressed about doing so. when he says, “there were two of us,” they all understand the heaviness of that statement. literally, in the script, after that line, it says, “a beat. the men understand what this means.” and that is so heartbreaking, that with one small answer they become privy to this man’s grief, even if they don’t know the depth of it. it’s their concern that stops someone from asking something like, “what happened to the other one?” they see this man now and understand that his actions and attitude are clearly warranted in his circumstance.
in my post about cooke, i talked about how he showed his concern in that face he made after scho responded to his, “you’ll never make it,” with “yes, i will.” rossi also shows compassion in his own ways, from his helping scho get in the truck the first time to his welcoming comment to just his gentle demeanor. here, it’s no different as he offers scho some of his whisky, no questions asked. i feel like so many things are said in that one gesture – it’s a sign of comfort, it’s for luck, it’s some liquid courage, etc. etc. also, whether it’s rations or something rossi traded for, it’s not like it’s in large supply, but it’s something he can offer to scho. that’s how rossi shows he cares.
butler doesn’t do or say much, but that little lasting gaze, even when scho has his back to him, says to me that he’s still concerned. it’s almost like he’s analyzing him or thinking over what he’s said and what he must do. he shows compassion in his quiet and slightly grumpy way.
when they look out the back at the field full of dead cows, it seems to me to be a timely subject change so that scho can take a breath and have the attention off him, and a way of showing their own version of grief for scho. that sounds weird, but what i mean is they obviously realize that this war is inhumane and cruel and uncaring and even unnecessary, and it’s like they’re sharing with scho that they are upset for him, that he lost whoever was sent with him on the mission, that the weight of 1600 men rests on his weary shoulders. and, we know that for scho, it’s message received, that he’s not zoning out while they talk. he gets a moment to himself to take a drink and put the letter in his tin, but he is very much still listening and responding to the conversation. we can tell that much by the way he looks at them as they speak and nods along at moments.
and i think jondalar’s denial of cooke’s statement that they’ve “got them on the ropes” is, in itself, caring. schofield just told them that he’s stopping the attack to save the devons from a trap, and i think jondalar read between the lines on that one. this is another way we can tell scho is actively listening, since his gaze snaps straight to jondalar and he nods in agreement.
and then, of course, the goodbyes are caring and concerned as well. “keep some of that luck for yourself, pal. think you’ll be needing it.” that about says it all, really. they all wish him good luck, and you know they mean it, that they want him to succeed, for his sake and for the sake of 1600 men. “i hope you get there,” and we know the rest agree.
i hope this does it justice. thank you again for asking, and for wanting to hear what i have to say. it really means a lot to me <3
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bladekindeyewear · 4 years
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HS^2 bloggin’ mainline 2020-05-19
Figured an upd8 was coming, it’s felt like enough time has passed for one.
Huh, looking at my last post I’d completely forgotten I was supposed to play through Pesterquest sometime... work is busy and stressing me out a bit, I’m not sure when I’ll have the energy on the side to do that.  (Maybe I’ll livetweet it like I did Undertale a while ago, but this time not looking at my twitter replies so I don’t get spoiled by One Guy™?)
Also, including bonus commentary on A Threat Sensed.
Okay, going in completely blind.  I’d guessed from context that we’re hopping over to Meat side to get a chapter there before we can come back to actually see Yiffy?
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Yep.  Okay, what is this about exactly?
(Agh, dammit, I’ve been copying and pasting so much at work remoting into Windows lately that now I’m automatically trying to hit control-C instead of command-C to copy.)
> CHAPTER 9. How Goes The Eulogizing, Dear?
CONTENT NOTE: This chapter contains Child Abuse.
Which one???
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Wait
JANE: (Where is he?) JANE: (It's a question I've found myself asking many times in recent days.)
Holy SHIT we get two Candy chapters in a row???  So we might see her right away??  No, it’s gotta just be another tiny glimpse.
(Has two Candy chapters in a row happened before?  Future Boots, scroll back up and put this here. FUTURE BOOTS: “I forgot to scroll back up and put that here.” EDIT: Also, not the first time with two in a row, but it IS the first time with THREE in a row, huh.)
So Jane has to be talking about either Tavros or Dave.  --Oh, if this was a Candy Side chapter title, I guess Rose or Jade is eulogizing Dave for John?
> (==>)
JANE: (Where now is our merry savior?) JANE: (Where is the horn that was honking?) JANE: (Where is the cape and the codpiece, and the...) JANE: (The...) JANE: (Oh, fiddlesticks.)
What?  Is she reading a childrens’ book?  --Oh.  She’s eulogizing Gamzee.  So that gives us a third option, where the rebellion crashes the funeral somehow, probably audiovisually rather than in person.  (Which would make sense, given Candy practically began with Gamzee crashing Dirk’s funeral.)
> (==>)
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Ah never mind, she’s still writing it.
That sure is a single button drama-remote that’s going to be pressed at some point.  Oh, and who the fuck keeps a spork in a pen cup???  --No no, don’t say it’s one of those pens with a spork at the eraser end, either ready-made or rubber-banded to the side.  That would make sense.  You totally know it isn’t that and is just a spork.
JANE: (Okay, poetry is out.) JANE: (What else?) JANE: (Hrm...) JANE: (I've always been pretty good at crying on cue.) JANE: (Could I try staging an emotional breakdown?) JANE: (That could work; playing to people's humanity.)
Why were you crying in Jake’s arms about his death if you didn’t care that much?  Did you just want him to hold you and kinda make him feel in on things again?  Or did you just cry yourself out about him?
JANE: (Or whatever is the more inclusive term.)
I bet the rest of Earth C figured out a more inclusive term millenia ago FUCK I accidentally added millennia to my dictionary misspelled instead of correcting it hold on--
...There, killed the entry for it.  ...Huh.  Take a look at my Chrome dictionary’s custom-added words over the years, apparently:
Caliborn Eridan Kanaya Matriorb Meenah Tavros alchemiter dichotomic nephilim reblogged uncaptchalogues uncaptchaloguing
That’s fun.
Okay back to reading. Millennia.  Phew!  Where was I.
JANE: (One really good and calculated weep could do it, I think.) JANE: (But then there's the danger that I might get carried away and do it for real.) JANE: (And I can't risk that.)
So still feeling something, just too used to calculating over the past years.
JANE: (What can I say about him that will stir up their emotions?) JANE: (Do I mention the stuff about the milk?) JANE: (Think Crocker, think.)
WHY would you-- how much did Gamzee normalize adult breastfeeding?!
JAKE: Ahoy over there!
Not the best time.
(The thing with the divorce papers from the Epilogue and John implying he was planning with Jake to execute something that sounds like a divorce... is that going to be sprung here?  Did her lawyers send the divorce papers way back when she was in a fit of pique, and he just had them available to sign now at the tactical moment? Or... let me pull the exact text...)
JOHN: now, harry anderson, i know that you and tavros haven't always gotten along. JOHN: but i am going to have to ask you to try and look out for him for the time being. JOHN: your uncle jake and i... well, i'll explain later. JOHN: let's just say that gamzee isn't the only family member jane is losing today.
(So is John going to submit the papers? Or did they already go through a while ago and default custody to John or something who’s going to adopt him too or some nonsense?  And did he plan this out with Jake NOW, or a while ago, and if only a while ago, is Jake going to KNOW whatever John’s about to pull in that respect is about to happen??)
> (==>)
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Butte
Janepalme
> (==>)
JAKE: Er... how goes the eulogizing, dear?
Gah.  I completely forgot again that capitalized-first-letter chapter names don’t mean KANAYA is saying them.  That probably makes a lot more sense out of my wondering about the chapter title earlier to those of you who didn’t realize I was making that mistake.
JANE: It turns out that it's mighty difficult to find touching things to say about a person, the relationship with whom was predicated on deep-seated mutual loathing.
Hah!
--A loathing you regarded as largely more important to you than Jake ever was, by the way.  You asshole.
JANE: I imagine this is one of the reasons no funerary tradition was ever established on Alternia, besides the barbarism of their culture. DIRK: Jesus christ. JANE: Not only did a significant proportion of their interpersonality depend on romance in the form of hatred, but it was a society based on cruelty and violence. JANE: What reason could they have had to provide for the dead? JANE: What kind of last rites could they have even imagined?
I wondered for a moment why (bg!)Dirk of all people would react to a single line of her starting to bring up prejudices, but then I realized that (1) Brain Ghost Dirk is a little more Jakey, and (2) Dirk knew that more ranting would follow the first line.
JANE: I can't think of anything good to write about him because deep down, I hated his guts. JANE: But he was and is beloved of the multitude, so I have to think of something regardless. JAKE: Im not sure i understand. JANE: Don't worry your pretty little head about it. JANE: This is politics, Jakey. JANE: Lying through your two front teeth about people you hate is about as good a definition as it's possible to get. JANE: But, by gum, is it tiring work.
Mm.  It’s a position Jane put herself in, but it’s still a legitimate position once you’re there.
JANE: The funeral is tomorrow, after all.
Got it.
DIRK: Dude, the bowl. JAKE: Hm? JAKE: Oh, right. JANE: What is it now, Jake. JAKE: I brought something for our guest as well. JANE: You mean the prisoner. JAKE: Y...es.
Wait, bowl?
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Oh god damnit which of you had the idea to feed her with a DOG BOWL.  Either of you could have thought of it, and either of you would be horrible for it.
> (==>)
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Huh, that outfit on Yiffy looks familiar, like a reference to something.  And a black tail?  This definitely isn’t quite the look I was expecting from Jade Plus Rose, but I suppose the snazzy tie is a Roseish vibe.  Also reminiscent of Jade’s old Dead Shuffle dress.  Formal wear and soccer cleats??
JANE: She's over in the corner. JANE: Don't worry, she won't bite. JANE: I've seen to that already.
WHAT THE FUCK DOES THAT MEAN.  I don’t see anything over her mouth!  Did she stick something in it, or drug her?  File her fucking teeth???
I mean I did forget the Child Abuse trigger warning to be fair.  Hoping whatever would be on her mouth is just not shown in-panel yet for stylistic reasons.
> (==>)
JAKE: Its only mac and cheese, sorry. JAKE: Its all I know how to make, haha. JAKE: ... JAKE: I um... hope you can safely partake of cheese? JAKE: ... JAKE: Well, JAKE: Bon appetit.
How the fuck did Jake eat on his island then?  --Oh right, preserved food cans that Grandma Jade stored up, I think I remember.  Why would cheese not be a thing for them, if it’s fine for Jade?  I know he’s probably not just worried about lactose intolerance.
Either way, if she’s drugged here, that’ll mean we won’t get a good idea of her for a while, so which is it...
> (==>)
DIRK: Bon appetit. DIRK: Seriously dude? JAKE: (What? Did i pronounce it wrong?) DIRK: Jake. DIRK: You put the food in a fucking dog bowl. JAKE: (It was all there was, ok???) JAKE: (I feel awful enough as it is without you getting on my case about it.)
Ah, missed the bone pun.  AND, yeah, Jake, you’re a fucking idiot, you could have put it in a cup or something.
JAKE: (So far ive yet to see anything come of that brilliant plan of yours.) JAKE: (Are you sure sending that message to the others was enough?)
Okay, so he IS coordinating this slightly.
> (==>)
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Horrifying image to contemplate, eh Jane?
Or anger-inducing?
> (==>)
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Seems about right!
> (==>)
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Oh that’s a GREAT exasperated Jane face.
JANE: I hope you're not expecting dessert, young lady.
I like how Jane didn’t notice, comment on, or care about the bowl.  How can you hate a kid so much??
> (==>)
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Oh I know why I felt like I recognized the outfit style, it’s because it’s ANIME AS FUCK.  Feels like some Persona 4 Arena nonsense, and I say that not having played any of those games or even remembering what they looked like.  Also, white hair, black fur’d dog parts?  Nice change of pace.
YIFFY: GRRRRRRRRR... JANE: Oh no you don't.
Red text?  What color exactly... “#D00009”?  Huh.  That’s nowhere near Alt-Callie’s #FF0000, and darker than Dave’s #E00707.  In fact, let me go back and check those spilled color pins the commentary pointed out from an update or two ago...  no, the red pin is #E63225, closer to Dave’s color.  (Also, is Yiffy blocking the doorway out?  That’s a pretty slack chain then.)
Did Jane see to it that she wouldn’t bite with like, a water spray bottle?
(EDIT: Oh my FUCKING GOD, THAT's why it's #D00009...)
> (==>)
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FUCK I didn’t notice the shock collar in the Yiffy image!  FUCK YOU, Jane.
> (==>)
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Keeping someone in line with collars, especially ones that punish whenever one strays out of line, has always been a decent way for her to mix in some Doomy control of others to show how she’s “grown” to balance her main role and her Tiara-controlled-like inverse for more power.  Doom in part represents boundaries that you can’t cross without getting hurt or punished.
> (==>)
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FUCK, those little buck teeth!?  D’:
JANE: That's more like it.
She HAS to have more of a reason for hating her than hating her parents, right?  Like, more than that and general racism applying to partdogfolk?
> (==>)
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Hey fuck off with that!
> (==>)
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This is a pretty cool ima-- are those piercings on her dog ear?  I didn’t notice that in the first shot, neat.
JANE: You've been a thorn in my side ever since I agreed to enroll you at the academy, little madam. JANE: Back then, I was doing a favor for two old friends who made a disgusting mistake. JANE: I'm no longer going to play nice with you just because of your parents, however. JANE: That truce is over. JANE: Do I make myself understood?
What the fuck?  WHY would you do that?  Why does Jane run "Ms. Paint’s Home for Inconvenient Girls”?  What did Yiffy do to piss her off so much there, how much trouble could she have caused?
I don’t know if she’s referring to the behind-Kanaya’s-back part as disgusting or she’s just being MORE racist.
> (==>)
JANE: We don't want you passing out during the ceremony, do we?
Oh, just showing the hostage off during the clown funeral, huh?  Classy much?
> (==>)
JANE: Now, be a good hostage and get some rest, Yiffany dear. JANE: We've got a big day tomorrow.
For a politician, Jane’s not good at looking at herself in a mirror.
> (==>)
JANE: Night night. JANE: Hoo hoo.
> (Yiffy: Lights out.)
Huh, dream stuff is gonna be relevant out in Candy then? *click*
Okay, dark background all of a sudden.  Properly dramatic?  You even have to highlight the non-link “>” part of the Next link to see it.
> (==>)
-- thespiansGlamor [TG] began pestering adamantGriftress [AG] --
Well, I don’t know WHY it’s happening, but the white-backed pesterlog suddenly on the dark site framing is certainly evocative.  Of like, a mood, or something.
TG: i thought he was pretty quiet down there. TG: we'll make a rebel of him yet! AG: Lol. AG: I think it's more that he can't sleep. AG: I know how he feels. TG: yeah. TG: today was a lot. AG: ... TG: do you wanna talk about it? AG: Ugh, not you as well.
It’s really jarring to transition between Homestuck’s “kids jarringly mentally resistant to freaking out about the end of the world” to HS^2′s more realistic “kids traumatized by their first firefight even though it was an overwhelming victory-escape”.
TG: but seriously, do you? AG: Not really. TG: not even about... you know? TG: her? AG: No. TG: ... are you sure? AG: A8solutely. AG: What are you, my moirail? AG: Just leave it, Harry. TG: ok.
Are they about to have an “I wonder what Yiffy’s like” talk?
> (==>)
Very similar Tav/Vrissy convo to the previous one.
GG: I havent ever shared a bedroom before,,, GG: Not even for a slumber party,,, AG: Tavvy, you are just a8out the saddest person I've ever met.
Well, we have an even better idea how horrible Jane can be with kids, now.  From Nanna to THIS is quite jarring.  I wonder how the double Nannasprites that must still be around here somewhere feel?
> (==>)
TG: nothing about my dad is cute. TG: what are you even saying. AG: Lmao. TG: seriously! TG: i think he has something against that word, even. he gets super weird about it. AG: He's a strange and funny m8n. TG: yeah. TG: ... TG: i think something bad must have happened.
...um.  What?  Why would John have some sort of trauma about the word cute or being called it?
Did John dress up as a hint of his buried June ambitions as a kid and Dad lavish him with “SO CUTE” praise in an epic supportiveness backfire that caused him to shelve the idea of wearing non-masc clothes and being happier on the flipside of gender ever again???  Because if that’s how June gets canonized as promised, it’s a little harsher than the back of my mind was hoping.  I guess it kind of had to be though from the premise of how it was read into his childhood for the original idea, though.  Fuck, I hope this Cute business is about something different from that (like a Terezi reference or such) just to get less John Sads.  (But still June.  Definitely still want to get June.)
> (==>)
Oh, and now Vrissy is doing nothing but talking about what she said she didn’t want to talk about, of course.  (Also I like how JANE’s now being called the Batterwitch.)
AG: And the worst part was they didn't even fight a8out it! AG: That made me madder than 8nything else. AG: It felt like I was the only person who even W8S mad! GG: I dont think thats true,,, AG: What would you know a8out it?! GG: Maybe nothing,,, GG: Sorry,,, GG: Its just,,, GG: To me,,, all the way through the conversation,,, aunt kanaya looked even angrier than you,,, AG: ... AG: Adults are so fucking weird.
Guh, I don’t want to be reminded how hurt a good chunk of the fanbase is by Kanaya getting hurt this badly.
Original Tavros was always SLIGHTLY perceptive of others sometimes, but maybe perceptiveness is being hinted at as a Tavros specialty?  We still don’t know his classpect/hero-title or have any firm guesses based on purely him evidence.  (Also, frightened kids of abusive households tend to learn to get perceptive pretty fucking quickly I hear.)
> (==>)
TG: dad was sitting in the cafeteria with aunt jade and your moms. TG: it looked like they were discussing something important... they were whispering and stuff.
[etc etc] Alright, the what-happened-to-Dave bit.  And I imagine they’re kind of helping John grieve there, since Rose and Jade have talked that out already.
TG: aunt kanaya's was the only face i could see. TG: she was standing next to them, but she wasn't looking at what was going on. TG: almost like she couldn't bear to. AG: I doubt it. Kanaya's got a8out as much Emotivity as a very reclusive stone. TG: ok, i think that is bullshit but whatever. TG: she saw me standing there, but didn't say anything. she just shook her head slightly, and pointed back out into the hallway i came down.
Yep, giving them some space to grieve.  Also-- gosh, shouldn’t Vrissy have the same emotive senses that Aranea implied Vriska shared with her?  Kanaya isn’t that EXPRESSIVE but she’s certainly full of emotion.  Also, I hope part of her not bearing to watch wasn’t lingering anger toward Jade and Rose mixing with that, but there probably was a bit of that too, though Dave being gone is so much harsher than that. --I just realized they might not have broken the news to Karkat yet, either.
AG: I guesadxcxzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz TG: vrissy?
Put to sleep by someone slumping down on your phone keypad, or surprised by something about the other conversation?
Oh shit, “other conversation” reminded me I didn’t look at Tavros’s chumhandle:
glutinousGymnast [GG]
HHHHHhhhhuh.  Hm... huh? hhhh.  huh?  what, but.  Why would.  ?????
I really don’t understand what that chumhandle or any of its entendres should signify in this context.
Also, this means for our new four kids we have TG, GG, AG, and ??.
> (==>)
GG: I think she might have succumbed to sleep quite suddenly,,, GG: It would explain the,,,,,, interesting messages I've been getting for a while,,, TG: hehe. TG: i guess that tracks. TG: she does that from time to time.
That’s... strange.  Homestuck’s taught us to be suspicious of that.
TG: ... TG: tav? GG: Yes,,, harry anderson,,,? TG: what does it feel like to know someone who's died?
Who is Harry referring to? (EDIT: Yes I know Gamzee for Tavros, but I meant Harry talks like he's worried he'll have to feel that way soon?)  Is he just kind of inferring that something bad might have happened to Uncle Dave?  Got that perceptive “parents are about to tell me about a death in the family” vibe?  Or did he overhear more than he let on to Vrissy?
...alright, that’s the last page of this update.  Looks like this chapter is going to continue to have a good bunch of grieving, or talk around it.
---
Now for Bonus Commentary for A Threat, Sensed.  For some reason I have a dim memory of like... reading this myself without commenting on it?  Or skimming it?  But I’m pretty sure I didn’t do that.  Weird.  Must have imagined doing it.
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Ah, I think I saw the opening paragraph scrolling Patreon, and my mind kinda filled in the blanks, this is still looking new to me.
Okay, mostly banter and japes in the commentary here.  About Dirk “throwing a huge tantrum in his philosophy cave”.
We’ve had quite a bit of speculation on whether this is “really” Andrew. To that, I think we’d say that it doesn’t “really” matter.
Really?  That was speculated about?  :/
Here we discover that Dirk has not, as some people have speculated, been directly intervening into the Candy timeline, or influencing it in any way. In fact, he has a very hard time seeing anything going on there at all.
Mhmm, and that was a pretty important thing to learn.
A couple of years ago I might have agreed with the take that everything happening in Candy is simply too outlandish to ever happen naturally, without direct, villainous interference, but that was before literally every fucking batshit insane thing that has happened on Real Life Earth started going down, and now I will believe literally anything. 
This is a nice bit of distraction from the idea that at least the opening parts of the Candy story were written/narrated by Original, Alive Calliope over on meat side.  To refresh your memory of what was pointed out to me:
ROXY: back when jade first got all effed up callie saw somethin and it made them freak out ROXY: it took me weeks to convince them that it was safe to come home ROXY: but now we got the opposite problem and they arent leavin the house at all ROXY: they stay home all day with the blinds drawn paintin some weird ass shit on the walls TEREZI: WH4T? ROXY: its not as bad as it sounds i promise ROXY: some of it is like ROXY: weird and violent?? ROXY: like lotsa nasty purple blood and um ROXY: nudity???? TEREZI: >:? ROXY: yeah yikes ROXY: but MOST of it is cute stuff like... various combos of all of us being happy and gettin married and shit ROXY: anyway thats kept callie kinda busy
Which tracks with the initial out-of-character-seemingness of almost everyone at the start of Candy, and how they kind of tried to railroad things back onto the “Happy??” track after Dirk derailed it with his weird self-accumulation suicide, along with some of the flowery-idyllic descriptions of characters seeing each other bathed in a halo of light and such.
Of course, they’re not going to out-and-out STATE that Calliope was at fault for that narration, helping the Candy story not necessarily fall out the way it did “naturally”, until we finally get a glimpse of her on the heroes’ ship in Meat probably still painting the continuing Candy events, inspiring them into the void of the singularity with her latent powers.  Til then, it’s a bit of misdirection whenever the topic is to be brought up.  Along with a mix of Roxy’s late-Candy point to John of more or less “why COULDN’T we have done this naturally? you don’t know”.
He might even think that he has more direct power over the narrative than Hussie does himself. Surprise, motherfucker, you are a fictional character. 
:p
I’ll quote this next part in full:
There’s been talk of whether or not this bonus was written in the two days between its release and the Yiffy reveal chapter. The answer is--no. It was written over a month ago. But I think the things it addresses were not difficult to suss out. Obviously, Dirk is highlighting the issues that the readership are having with Yiffy, in his typical Dirk fashion. If it seems a little defensive, well...I suppose it is. Yiffy is one of the two hard lines drawn in the sand, and all of us love her, and we’re hoping that everyone else will love her too. But more than that, it focuses on the fact that update culture has a rhythm to it--shock, revulsion, acceptance (or not), and then excitement (or not). Will it follow that pattern this time? Who knows. I guess we’ll find out. 
Yeah, given what was going to be dropped on us I expected they would have had exactly this lined up, especially because Andrew specifically mandated Yiffy.  --I wonder why they aren’t mentioning that somewhere in the commentary and only on one of their Twitters?
Also quoting this:
There’s something both incredibly “cringe” and self-indulgent, as well as philosophically intriguing, about the author arguing with his villain, especially since he’s writing both halves of the conversation himself. You are, for all intents and purposes, trying to solve a problem that you have created for yourself. You are looking an aspect of your personality in the eye and asking, hey, what the fuck, man?
But in the end, isn’t that what every story is? Trying to untie knots that you put in the rope yourself?
Since it’s part of the central struggle of this story, and kind of the question Andrew’s tried to imply with every Homestuck work about what right we have to keep these characters trapped in a story, and if they’d be better off escaping it.
I’m really trying to avoid quoting so much of this, since the commentary is paid...  but I think we can make an exception here?  I’ll have only quoted about half of it; just, the really plot-important half.  Plus, I left out a LOOOT of japes.
Dirk has a certain idea of how stories are supposed to go. That’s pretty much what the Epilogues is about. The audience also has a certain expectation of how a story is supposed to go. In a way, the Epilogues were also about that. They were taking a story that had reached the traditionally “acceptable” happily ever after, and saying, wait, no. What happens next? Thinking past happily ever after in any story is a terrifying prospect. Once Cinderella marries the prince, what then? Sure, she got what she wanted, but who knows that it will be everything she dreamt it would? What if she changes her mind, if not today, what about ten years from now? What if the prince dies of malaria? 
And I’m...
Yeah I don’t have anything else to add here, I’m kind of out of brain juice to think about this tonight.  BUSY day I had.  Y’all take care!
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zapsoda · 3 years
Text
Common english mistakes I see native and non native speakers making all the time, and it's understandable some of this just isn't taught very well or at all so yeah here's your lesson: (note: that title was a run-on sentence)
Mistake #1
Adding an apostrophe + s when making something plural (making words plural by adding " 's ")
's is only used for contractions and making things possessive; if you want it to make an uncommon word plural you can usually just add s.
ex. t-shirt's [X] -> t-shirts [✓]
Note: The first one is the correct way to denote possession. For example: if something belongs to the t-shirt you would say "it is the t-shirt's" and that would be correct.
However, there's an exception to this rule. (possibly more, but I can't think of any so just keep this one in mind) When you're trying to pluralize a singular letter (you know like a, b, c, d, etc.) you can add an apostrophe and s to make it plural.
For example: "Her name has too many i's," is technically correct, as much as i loathe it.
gonna put a read more here so this post doesnt clog up your dash
Mistake #2:
There, Their, and They're
Mixing these up is understandable; they're pronounced exactly the fucking same. Here's some tips for remembering the difference.
There: You're talking about a place + it's the answer to the question "where?" See how the spelling is similar? Remember that.
Their: Possessive. It's a pronoun. You bitches are obsessed with pronouns so I don't see a lot of people mixing this one up.
They're: This one's a contraction. It means "they are." Think of the apostrophe as a stand-in for the a. If you aren't trying to say "they are," then they're is not the word you're looking for.
Mistake #3:
Effect and Affect
I'm gonna be real this one still trips me up and I curse the name of whoever decided it would be a good idea to make two words with damn near the same meaning also be spelled damn near exactly the same way.
Effect is a noun and affect is a verb (which means it can also be used as an infinitive, participle, and a gerund, making this even more confusing)
If something is going to take effect you use the one that starts with e. If something is affecting you, you use the one that starts with a.
The a in affect is for active/action. The e in effect is for god knows what.
If someone's getting teary eyed at an elvis performance you'd say they're affected by the performance. If you're talking about some stupid phenomenon like the coriolis effect or the butterfly effect you use the one with an e.
To affect is "to have an influence on something" or "to touch someone emotionally" (yeah, i know)
Effect is the influence or change in question. (I think technically effect can be used as a verb in a similar way to affect but I don't have a fucking clue how that works and I'm not gonna get into it)
Anyways, this list is a work in progress and I suppose I'll add on to it as I notice more common mistakes. (Side note: I'm pretty sure that way of using "anyways" is incorrect but Merriam-Webster will have to pry it out of my cold dead hands if she wants me to stop using it like that.)
I'm really not sure how else to explain it and I feel like this explanation is inadequate so if anyone else understands this better than me and wants to add on, please feel free.
Mistake #4
Breath and Breathe
Breath is a noun and breathe is a verb.
Breath: the stuff going in and out of your lungs.
Breathe: respiration; the thing you do where you inhale oxygen and exhale carbon dioxide.
The confusion here probably comes from the fact that you take the e off when you make it present tense. To remember the difference think of the e in breathe as standing for exertion (y'know since you're exerting yourself by breathing, in a way), or maybe because the e makes the vowels sound like "ee" instead of "eh."
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lnc2 · 5 years
Text
Corydoras (1/2)
Summary: Marinette has a secret admirer.
A/N: A commission for @pokemonmasterkimba who requested... well.
AO3
It started with a post-it note.
You’re cute in the morning.
It was unsigned, taped to her locker, almost an afterthought in her frantic locker room rush.  She nearly tripped over herself when she saw it, croissant dropping from her mouth in confusion.
She stared, baffled, from the note to her lost breakfast, when the second bell rang.
“Not again,” She groaned, shoving the note into her capris as she took off running.
Red-faced, hungry, and  late  Marinette slinked into the classroom with an apologetic smile for Mme. Bustier.  It was harder to avoid attention, sitting in the front, but her teacher did little more than shake her head in fond exasperation.
“Cutting it close again, eh M?”
“My alarm didn’t go off,” She whined, slumping against her friend’s shoulder.
Alya grinned. “It didn’t go off or you slept through it?”
“I was distracted” Marinette said, pulling the note from her pocket. “I found this on my locker.”
Alya’s delighted squeal caught the attention of the rest of the class and resulted in a  look  from their teacher that was less scolding than it was gentle.
“Ladies?”
“Sorry.”
Quieter, Alya vibrated.
“Girl,” She said, “You have a secret admirer!”
A delayed sort of thrill zipped through her as her thumb ran over the creases on the short message.  Her eyes, inevitably, went to the blonde in front of her.
No.
She shook her head.
Adrien caught the movement, turning around to give her his brilliant grin and
Oh.
Her heart thumped, hope threatening to break through her chest.
  Maybe…?
__________________________
The love letters, as Alya insisted on calling them, continued.
She found them slipped in between the pages of her textbooks, folded through the slats of her locker, even a few delivered to the bakery (a horribly embarrassing discovery,  please  Papa, just drop it).
Some of them were short, little compliments on her smile or her hair or her heart.  Others were longer, letters on lined paper with loopy scrawl. Those ones were her favorite, containing little drawings, notes from throughout the day, and silly flirts she was sure could rival Chat’s.
  You may fall from the sky,
  you may fall from a tree,
  but the best way to fall
  is in love with me.
It didn’t matter her admirer admitted to stealing it from the Internet, for all it made her giggle and blush.  They’d followed it up with a silly smiley face and a sweet,  I’m not so creative as you.
Marinette tried her best not to speculate too hard on the  who, knowing it would drive her mad.  It was already drawing Alya into an investigative frenzy to rival her pursuit of Ladybug’s identity.  An ultimately futile endeavor on both ends, especially as the letters became more dear, more private, and less shareable.
Not this time, Al,  was quickly becoming her new mantra.
Her friend, bless her heart, tried to act like she wasn’t dying to know anyways.
“They’re in our class, M. They  have to be,” She said, eyes straying towards Nino and Adrien as they headed over to join them.   Marinette’s traitorous, hopeful heart heard the insinuation even as a crumpled up Valentine preserved in her desk drawer told her otherwise.
The handwriting didn’t match.
“I don’t know, Marinette,” Tikki said, hovering over the ever growing pile of notes.  “They’re not  dissimilar either.”
Marinette laughed, the sound frayed at the edges.
“I don’t need any encouragement to let my imagination run wild, you know.”
An understatement really.
But for the girl who was quick to plan her wedding, her children, and her runaway future there was something about getting exactly what she wanted that just felt  too  real to be true.
She always anticipated the worst.  What was Marinette supposed to do if she got exactly what she wanted?
She’s not sure her heart could handle it.
“You’re worth it,” Her kwami said, reading her thoughts. “This person clearly thinks so.”
And so she continued to hope.
(Secretly of course.)
Because Tikki wasn’t wrong.
There were little things that pointed more  to  Adrien than against.
Similarities in cadence and style, anecdotes that trailed just this side of anonymous but lined up with things she’d overheard him say to others or shared directly with herself.  Small confessions about being tired, overworked, but how seeing her made it better.
Some letters, her secret letters, even whispered of more.
Respectfully of course.  But it made her palms sweat and her skin tingle all the same.
I wish I could hold your hand.  I wish I could hold you.
Among other things.
Days like that and letters like those had her flailing and spasming more than usual.  A blushing, flushing mess who could no more  look  in Adrien’s direction let alone anyone else’s.  Unfortunate really, as it wasn’t only Alya who noticed.
“Oh, Mme. Bustier,” Lila cried out, her voice laced with a concern Marinette couldn’t trust.  “Marinette looks  exhausted.  Are you sure she’s not being overworked?”
“I’m fine,” Marinette, flushed and recovering from her latest letter, smiled thinly. “It’s nice of you to worry about me.  But I’ve got everything handled.”
“Thank you, Lila.” Mme. Bustier said.  “But I believe Marinette and Alya have it under control.”
“If you’re sure,” Lila continued, leaning forward to place a hand on Marinette’s shoulder.  “I can help take over some of your presidential duties if you want.”
Marinette grit her teeth, resisting the urge to shrug off Lila’s hand.  Behind her, Adrien sent her an encouraging smile.
The high road.  
Right.
“I’m sure. But thanks.”
Returning to her seat, she ignored Alya’s knowing look.  The one that said, See, she’s not so bad.
Marinette  hated  that look.
She hated the way it dismissed every awful, horrible word Lila threw at her in the bathroom all those months ago.  She hated the way it undermined every good and honest act Marinette ever did. But most of all she hated the way it chipped at their friendship, piece by piece, and the way Alya didn’t even seem to notice.
But someone did.
In the form of a post-it note, taped to her locker, in familiar loopy scrawl.
I’m proud of you.
__________________________
Chat Noir was full of it tonight.
Paws over head, tail dangling down by his grinning eyes, his tongue flicked out between his teeth, he was doing everything to grab and keep her attention.  Ladybug felt guilty for disappointing him.
“I’m sorry, minou,” She said, when he finally gave up, falling gracefully to his back beside her, pouting.  “I guess I’m just distracted tonight.”
“Anything I can help with?”
“I…” She hesitated.  How to reply when the answer was unequivocally  yes  and  no.
Chat Noir heard the truth in her silence.
“Oh.” He said, suddenly serious.  “I  can.  But you don’t want to tell me how.”
Ladybug reached for his hand, entwining their fingers.  He brought them to his lips.
“You’re my best friend.” She said, quiet.
Chat Noir nodded, squeezed her hand, sat up,
and let her go.
“Your boy?”
To his credit, the words didn’t come out nearly as hostile as she knew he must be feeling.  She leaned into his side, resting her head on his shoulder.
“Maybe.”
“You don’t know?”
Ladybug bit her lip, kept her shaky hands to herself, and willed her voice steady.
“He’s… he’s been sending me letters.  I’m finally going to answer one.”
Beneath her, Chat was tense.  But his arm wrapped around her side and hugged her to him all the same.
“I’d wish you luck, bug.  But I don’t think you want mine.”
She knew what he meant though and only hesitated a moment before kissing his shoulder.
“Thank you, Chaton.”
__________________________
She found him in the library.
It was study hall and Alya, bless, made sure to claim Nino so they wouldn’t have an audience for this.
“Go get him,” She’d said with a smile and a wink, confident in all the ways Marinette was not.
She wasn’t sure  why  she was so nervous.  After all, Adrien had been sending her letters for the better part of a month.  Lovely, wonderful letters that made her fingers shake as she tore through each new envelope, poured over every word, laughed at each joke and blushed at every...
Well.
Marinette thought it was only right she return the favor.  And while  writing  her feelings was as easy as putting heart to paper, handing the letter over was proving to be another thing entirely.
Adrien sat in the back of the stacks, shoulders slumped in a way that let her know he thought he was alone.  Hair slightly less than perfect and with dark circles covered by light concealer Marinette wondered if she’d ever seen anyone look so sad and so beautiful.
“H-hi,” She said.  “Do you mind if I join you?”
“Please,” He said, sitting up.  “I could use the company.”
“Rough night?”
Adrien laughed.  “You could say that.”
“I’m sorry.”
“It’s better now that you’re here,” And  oh, the way he smiled made her fall all over again.
Then his eyes landed on the letter in her hand and she froze.
“What’s that?”
“I–” Her tongue felt like lead in her mouth as her hands tightened on the pink envelope, suddenly unsure.  “It’s…”
Adrien’s eyes, soft like summer, waited patiently to find her words. Beside her, she could feel Tikki’s encouraging pats through the fabric of her purse.
She could do this. She could do this.
“Here,” She said, shoving the letter into his unwaiting hands.  “It’s for you. A… a thank you. Sort of.”
She could  feel  the heat radiating from her cheeks, the scraping of his nails against the paper deafening in her ears.
“A thank you?” He said, smiling and confused.  “For what?”
Marinette could pinpoint to the second the moment the world fell out from underneath her.  It was the moment his confusion gave way to her own, the way  his  cheeks turned as rosy as anything Chat Noir had ever given her, the way words formed and unformed on his lips as electric eyes bounced between her and her letter.
The way laughter, lilting, lying, echoed out somewhere behind her.
Horror, swift, and heartbreak, sharp, shocked her like a livewire.
“It wasn’t you was it?” She whispered.
Adrien was coiled, his eyes misty and confused.
He shook his head.
“No.”
“Oh.” A traitorous tear escaped down her cheek.  “Okay.”
Adrien’s trembling hands reached for her own.
“Marinette,” He said. “I’m so sorry.”
“Please,” She took one, two steps back. “Don’t be.”
And ran.
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46ten · 4 years
Text
The genteel woman and her household
[See my post about another Vickery book here.]
Behind Closed Doors: At Home in Georgian England by Vickery (2009). I also cannot resist a book with an enticing chapter title of "Wallpaper and Taste."
"The denial of a woman's taste boded ill for her happiness and autonomy in marriage. One of the many insults delivered by the Hertfordshire baronet Sir William Cowper, as catalogues in his wife's indignant diary, was his impatient dismissal of her stylistic education and denial thereafter of any claim to arrange her interior. in 1706, "Sr W; intending to hang a Drawing Room with Damask Condescended to ask me Whither One or Two Coulers would Do best. But he hath Bred me so Ignorant in Such Matters that I cou'd not Resolve him till I have Enquir'd of the Skill full, yet after this he allows me not the prviliedg to place a Table or Stool but where he Fancies.' He even contested her right to remove, 'a Table that Cumber'd up a Room,' claiming 'I have spoil'd the Uniformity of it.' ...'Tis marvelous to hear him talk how much he is for Liberty...when at the same time there is not a more absolute Tyrant...He restrains me in all my due priveleges...I just now mett with a Note that tells the difference between a wife and a Concubine. The wives administer'd the affairs of the Family, but the Concubines were not to meddle with them. Sure I have been kept as a Concubine not as a wife." -Sarah, Lady Cowper. 
Genteel women considered their households their own and part of the vital role they played in politics and society, not a staging area that they were permitted by their husbands. “For young men, one of the delights of marriage was having a woman come in and furnish one’s new home, and to have your guests marvel at the well-educated bride's taste in damask, glasses, hangings, carpets... A home was a socially important arena - a well-furnished home was one for socializing and was further evidence that a man had become an adult.” (Vickery also emphasizes in Behind Closed Doors the importance of matrimony to manhood, furthering the puzzle of AH’s bachelor friends.) 
To bring this to AH and EH, the above adds valuable context to his statement to her in the 27July1791 letter, “I have been to see your new house & like it better than I expected to do. Twill soon be ready and I shall obey your orders about papering &c.” Clearly, he did not want EH to feel she was a concubine! (Also see the letters between Philip Schuyler, AH, and Angelica S. Church regarding the latter’s desire for descriptions of the NY home AH was acquiring on behalf of the Churches x, x, x)
Vickery also discusses the importance of the women's closet; it's even in one woman's pre-nuptial contract that her husband would always respect, without question, if she wanted to dine in her closet, and would always knock on the door and ask admittance of any room in their house that she was in. 
"What women made" is a chapter about female handicrafts. It was a source of bonding between women, such as giving cherished needlework to a female relation (ex. Angelica S. Church sending some of her embroidery to EH and their mother). Needlework was also a useful way of dealing with irritation with company, for it was not considered rude for a hostess to be at work with her sewing while socializing. As Jefferson noted to his daughter, "the needle is then a valuable resource." Here’s the full quote: 
...In the country life of America there are many moments when a woman can have recourse to nothing but her needle for employment. In a dull company and in dull weather for instance. It is ill manners to read; it is ill manners to leave them; no cardplaying there among genteel people; that is abandoned to blackguards. The needle is then a valuable resource. Besides without knowing to use it herself, how can the mistress of a family direct the works of her servants? Thomas Jefferson to Martha (Patsy) Jefferson, 28Mar1787. 
To bring this back to EH and AH, one of the things I hope I’ve made at least an impression about is that just because EH was in charge of the household, does not mean she was somehow encased in the household and AH got to live a life apart from it. As Vickery emphasizes, the public and private spheres of men and women didn’t really exist at this time - not for 18th century Englishwomen, and I’ll assert not for American women either. The household was invaluable to one’s social standing, which was tied to one’s politics, too. Opening your house to regular visits was essential. It was for display - and judgment - about who you were and what you were about as much as anything you could publish and words you could say. The women under discussion were invaluable to this endeavor and were aware that this was one of the most meaningful ways they were playing a part in politics.
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