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#i think its fun to see how much my opinions have changed
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How do you think the spider gang would react to Gwen coming out as trans? I think they'd all be supportive, but I'm curious if you have details
I am going to be honest with you anon, I had been looking at this question for weeks, thinking about it, and...I am not coming up with much.
I am trans, I don't have that much experience with people reacting to that- and I am not making any more comments about that.
Going back to the original question- I think all of them would be supportive; regardless of background or history, I feel doing anything else would be a disservice to the characters, and also, a type of story I really don't have interest entertaining, (Would Noir, being from 40s, be reasonable to have his apprehensions and need to overcome it? Yes, I am interested in seeing something like that? Personally, fuck no.)
Now, it doesn't mean there cannot be hiccups- all well intending, of course.
(Specific characters under the cut because, as always with me, it got long.)
Peter B I see going over the top; talking how brave Gwen is, and that he supports her no matter what, he also reads a book on trans people and tell hims about the people in his universe who are trans. Gwen appreciates it, but it can be uncomfortable at times.
Noir, regardless of time period, would be supportive, but mixes up terminology. The poor guy already struggles with the pop culture lingo, so throwing queer lingo into the mix can make things awkward; specially since, as a spider-man, he has defended the marginalized people of his dimension and is aware of the community, but- that community had its own terminology that may not be appreciated to day. Is a growing curve.
In my opinion, Ham is a much of a man as Bugs Bunny, meaning gender isn't as important as commitment to the bit; so I can see him busting a dress all of the sudden and saying "I get you sis." Accordingly, if asked about his own gender, he is pretty much "normally a guy, but in general whatever fits better with the scene."
Peni I headcanon as nonbinary, so I think she would be happy to meet another person who isn't cis. Definitely would have lots of talk about presentation, tricks for clothes a make up, the works.
Margo is cool about it, there isn't much to say there; she just tells Gwen that it doesn't change anything between them, and she is still invited to come for the slumber parties (Margo has thrown a bunch in the Spider-Society, because anything to spend as little time mentally at home as possible.)
Pavitr: "Oh so you are like a hijra? That's so cool!" (This is a term from a place I am not from, so I can't talk in length about it, feel free to look it up because it is indeed, very cool.) While not the same, he ends up telling more about how people in his dimension see transgender people, Gwen finds it overall really interesting.
Hobie is, of course, cool about it. He is a punk, noncomformist, and "hates labels," he could probably tell Gwen a stupid amount of things about queer history, intersectionally, so far and so forth. Despite using he/him pronouns, I believe with all my heart Hobie would not give a shit about gender roles and dress how he likes, and be okay with any pronouns. This has nothing to do with your question, but I headcanon that Hobie has been the queer awakening of many other teens of the Spider-Society as he strolls down in whatever outfit he feels like it.
Now Miles, is obviously supportive. I think he may be oblivious to many things (I headcanon him as bi for a long awhile, but I am not sure if that's something he knows already or has yet to discover,) so he asks questions, but is always respectful and has no trouble answering. Overall, Gwen thinks is cute how much Miles dotes on her, and reminding her that she will always be the prettiest girl alive to him.
Huh, I guess I had more to say that I expected, this was fun! Thanks for the question and sorry for the delay.
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sansxfuckyou · 3 days
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top 5 etho ships ? bonus points for any explanation
my personal top five in no particular order, and like, ya gotta understand im still new here (hermitcraft/life series) so my opinions are poised to change, but the current standings are:
Bdubs/Etho/Cleo, i'll be honest, i haven't written or read any clethubs, but i saw some art of them that made my brain shortcircuit. they are femdom, himbo, and twink. i just think that Etho should have two people who are stronger than he is on either side of him at all times, bonus points if you let Cleo be the tallest. Bdubs being super clingy, Etho reluctantly tagging along, and Cleo making sure they don't fucking die because yeah they are god damn idiots sometimes, but they're her idiots. and she loves them. and probably gives them noogies and headlocks them.
Cleo/Etho, their marriage in limlife is so much fucking fun, especially when read under an aro4allo lens. Etho whose been happily married for over a decade watching his friends enter relationships and realizing that he loves differently, he doesn't even love remotely close to how they love, love isn't even the right word. hes scared so he leaves, hes not doing it right and his wife must be upset about it, that must be why everythings crumbling. and Cleo, not giving two shits, because that's her husband and by god they're gonna make it work if he can realize that being absent is whats breaking up their marriage, not showing affection and intimacy differently.
Gem/Etho, as a canadian i am legally obligated to ship this, as a lesbian i love it when men have chaotic gremlin girlfriends who put them in their place. see that one episode of hermicraft wherein Gem beats his ass on repeat and he keeps coming back for more. its like, like theres an unspoken solidarity, 'hey we're the same even though we're not' and they stick with each other. predator/prey dynamic if you go with deer Gem and fox Etho, you also get it with sea monster Gem and fox Etho, except he's the prey and she has the biological advantage instead. also, when paired with the transfemme Etho headcanon we get some yuri which im always down for.
Grian/Etho, this one came to via an Ao3 commenter and i have seen two pieces of fanart for it and like, seven fics. but i still think the dynamic of bird and fox would be fun to work with in writing depending on the bird Grian is hybridized with, especially if Grian is the smaller one. also in limlife??? hello?? Etho, swearing loyalty and promising to be someones sword is not heterosexual behaviour. what they had in limlife, even if brief, had me shaking i'll be real. also, for their hermitcraft dynamic, it'd be hot if i threw Scar into the mix, for flavour.
Pearl/Etho/Tango, consensual workplace relationships make me absolutely insane, it could tear apart their business or bring it further together. they have the kind of dynamic that makes my head absolutely fucking empty, one of those 'i just think theyre neat' kind of ships. the culture clash between each of their species and their own personal tastes, Tango's a blaze and they mate for life, Pearl's a siren and they don't do much for romance, Etho's a fox and they come and go- but they make it happen in spite of that. im working on getting them a canonized Ao3 tag right now, they have such a fun dynamic. also, they fucked in that post office when no one was looking.
tbh these are all really closely tied, and i also have a soft spot for tangtho and the team ties poly. they're all really fun ships, i just really enjoy polyships to be real with ya'll. and the life series and hermitcraft are full of so many possible polyships that its just making me foam at the fucking mouth. sorry boat boys enjoyers, the vision has not yet engulfed me, but hey im a multishipper it might be yet to happen.
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oifaaa · 10 months
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I know it’s a long shot and no pressure, but I would absolutely love if you added more to the Battle for the Cowl Batfam AU. It’s so cute and I love the family bonding aspects of it in particular. Like when they all go out together as Batman and there are just multiple Batmen. And Gordon is just so done with them… Yeah, so, soft request for more at some point in the future? Again, no pressure.
Sorry friend I unfortunately don't see myself adding more to the bftc au anytime soon mostly bc I regret a lot of the decisions I made when first making that au and now every time I look at it all I can think is God I wish I'd done this differently so I think unless I'm completely redoing the au (which I also dont see myself doing bc that may get confusing fast) I'm not gonna add to it any time soon
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tianshiisdead · 2 months
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im happy my post is garnering discussion but honestly i wasnt around for 2018-2021 fandom on tumblr and i was mainly talking about how its kind of silly to get mad at people for portraying colonizer countries as mean, or calling it demonization and stuff. like its okay not to like personally portraying ur fav characters as mean or part of the state, but getting irritated at the fact that it exists or is popular imo kind of misses the fact that this… is the state and nation personification fandom. and its hard to say its not canon when canon did once portray the characters in uniform and at times involved in their state activities… like the early strips discussing western imperialism in china is literally ‘china being bullied by the allies’ ‘france wanting to grope china’ ‘china being treated like a maid’ etc etc like they were very much. the state LOL also china and japan’s canon relationship, as much as I have my issues with it, has an entire thing about china being stabbed by japan… i do feel like hetalia started out as a history nerd’s history exploration that blended humour with ‘what i find cute’ with satire etc etc, which inevitably involves illustrating the personifications as vessels of state and culture, and although the modern strips have deviated quite a bit… well, different people will approach this series for different reasons, right? Whether its serious or comedic content showing the characters as mean or imperialist or unpleasant, it’s not something that deviates too far from canon (if we take all canon eras into consideration) nor is it surprising given how history laden the topic is.
#diary#hetalia#hater tag#also have some issues with some things being called drama…#like i know some of u think of me and some others as drama stirring little devils#honestly i dont enjoy drama that much but ill become upset when i see things that i see as racist or insensitive…#because im of the opinion that this fandom requires extra sensitivity given the subject matter.#let people have fun#but#also be careful yk? i guess for me personally im always trying to be careful#when im out of my depth i try to talk to ppl with better understanding while doing my own research#and if ive written or expressed antyhing bad (which i certainly have even on this blog many times before)#i try to change my stances with new info… and like#this is important to me and its important for me to read ppls thoughts bc.#i know what its like to be treated racistly and dismissed. or to have things and history precious to me twisted#but anyways rambling aside… i guess what i want to say is i understand it seems annoying but#if you post something insensitive… and someone gets upset… then thats just how it is. hetalia is sensitive#again ive definitely posted bad insensitive things. ive been told im acting out of line.#and it sucks. but… sometimes you have to understand ur own irritation doesnt outweigh the hurt#and listen a little#sometimes i like things that i then find are insensitive or cruel. and id rather not engage with it than dismiss peoples hurt… or something#honestly i keep most of my whining private i promise JLKFHDJGLKFH BC FOR THE MOST PART I THINK I CAN TELL THE DIFF BETWEEN#when i have a real issue and when im just nitpicking#so i keep my more petty whining or basic stuff private#but if i see something egregious then i dont want to be quiet#and if a friend of mine (esp if theyre a kid) is upset or hurt by racism I dont want to be quiet
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selkiecoded · 6 months
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okay thats interesting! in the SF try-outs during the song "legally blonde" she sings about how she cant be legally blonde, while in the official version AND THE DEMO she sings about letting her be legally blonde. which means that at some point they changed the lyrics around, and then changed them back! laurence o'keefe.... nell benjamin.... what occurs in your twisted minds
#covers mouth sorry so sorry guys#im a huge fan of beacon of positivity + good boy (elle puts a leash on emmett confirmed) + love and war (not in the demo but part of SF)#+ i liked some of the lyrics in the demo version of so much better (it called back to beacon of positivity!!! (i am insane)) such as:#I dream of your name next to my own but mine's looking fine up there alone#but i greatly prefer all the official songs we got. well. maybe good boy over ireland wouldve been fun (i think ireland is boring)#but itd play into the 'all men are dogs hurr hurr' joke that im glad they avoided. anyways. what was i saying.#right i havent listened to every version of everything yet (for example theres a SF version of chip on my shoulder i need to watch)#(and just the SF vers in general. shes hidden from me... why was emmett there before the remix... let me see their conversation)#but from what i have heard they made a lot of changes that were sorely needed. in take it like a man demo shes so much meaner??#it made me sad. it wasnt a duet + they wrung out the romantic tension (no subtext by calvin klein... sigh) + shes meaner!!!!#in the bway vers hes baffled but enjoys going along w it + she genuinely likes him even when hes wearing his regular clothes#but in the demo vers she keeps calling him stuff like ugly duckling and talking about how the geek is gone :( but she likes that geek..#the lines 'how much do you think i earn??' and 'kindly shut up :)' are funny but speak to a dynamic between the two that makes me sad...#follow me for more beautiful opinions on a fifteen year old musical#(heaves. do you know weird it is to see comments from 15yrs ago when this was actually showing. my brother is fifteen.)#god im so sorry i should be put down like a dog#lgb bootleggers are intense. i swear they got a bootleg every night or smth bc we got her shoe flying off + SF + kyle as understudy etc#go watch a so much better compilation sometime how did they take so many bootlegs?? how did you find them??#and its awesome cause these were filmed on 2007/2008 tech which means they have 15 pixels maximum#SORRRRYYYYYYYYYY
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inkskinned · 1 year
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there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)
i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.
i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.
and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.
HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.
now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.
my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.
i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.
by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!
keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"
similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."
the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"
if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.
the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.
godbless. when in doubt, remember that you could always start stealing their pens.
the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.
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bookdragonideas · 29 days
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Here's the thing. I'm a girl, and as a girl, I really like it when girls are portrayed in fiction. Especially fantasy.
But so much fiction/fantasy mixes up 'girls' with 'unstoppable forces of female badass' and there's not necessarily anything wrong with having a character who is an 'unstoppable forces of female badass'. But it gets old real quick. And it is not the same as portraying normal girls, or having good female characters.
And that's one of the many reasons I love Avatar the Last Airbender.
Because all the girl characters have flaws and weaknesses and sometimes act like idiots or jerks. They get emotional and make mistakes. They lose fights or arguments or are just wrong sometimes. Some of them are amazing warriors, and some aren't. Some are powerful or special and some are normal, with nothing special about them.
And I Love that.
I was around the same age as Katara when I first watched Atla. And I instantly connected with her as a character. I loved her optimistic attitude and her fighting spirit. And I could relate with her anger, and with her maternal instinct. I admired her fighting skills of course, but I loved how the show portrayed her compassion and kindness, the way she could both beat up a bunch of bullies AND enjoy a relaxing day at the spa. She was a baddass warrior that should never be crossed. But she was also a normal teenage girl who had a lot of the same internal struggles and problems that I did.
(I never connected to Toph on the same level, but I did relate to her on a few things. She's an adorable trash gremlin who would commit any crime for fun and I love that. But she struggles with being both independent and letting people help her, and I still struggle with that sometimes. I've learned that sometimes, you can help others by letting them help you.)
Yue is, in my opinion, a perfect example of a type of hero that seems to be disappearing. She is not a warrior. She is not a fighter. She's not even a bender.
Yue is a perfect princess, a perfect daughter. She is extremely feminine in a rather older sense.
And she was the only one who could save the world. She gave up everything for her people. She saved everything, everyone, the entire world. Without ever becoming a fighter.
Yue is a perfect example of a girl who was never more than a girl, and how that's okay. Not every girl has to be rough and tumble and fight for her rights in order to change everything. Sometimes it's okay to just be a quiet obedient girly girl. Sometimes that's all it takes to be a hero.
And I love that. Yue is strong in her own way. She is unique and interesting. She appears in only a few episodes and yet manages to be one of my favorite characters.
Song is another great example of this. Song is a healer in a small town. We don't see much of her but we see her compassion and empathy. She is gentle and generous. A healer not a fighter.
She watches Zuko steal her ostrich horse and does nothing.
Is that because she's kind and generous and knows he needs it more? Or is it because she's a healer girl who knows she can't actually stop those two from taking the horse? Maybe neither, maybe both. I have always thought that the scene where Zuko steals the horse and only the audience knows she saw it is one of the most thought-provoking in the series.
Suki is a badass warrior woman who is an awesome fighter and good leader. She is one of the best non bender fighter we see in the entire show. She was one of the smartest, most efficient, and powerful characters we ever saw.
She kissed a boy she had just met because she thought he was cute.
Now don't get me wrong I love SokkaxSuki. Its one of the best couples in the show.
But Suki totally did the old 'love at first sight' thing. And that is awesome. Because when she kisses him she delivers one of the best lines, not only from her, but, I think, in the entire show.
"I AM a warrior, but I'm a girl too."
Being a warrior doesn't mean that she isn't also a teenage girl. She might be a fighter, but she still gets crushes and likes to flirt with cute boys. And hey, she picked a good one. Not every boy is going to come break you out of prison.
Anyways, let's have more realistic girls in fiction. And please enjoy the next 24 hours.
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drchucktingle · 3 months
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Chuck, how do you deal with people who are rude about you and your work? I write queer romance and I want to put my writing out there for people to read, but I'm a very sensitive person and I know it will be hard not to take insults personally and let them affect me. I don't want to let that stop me from expressing myself and sharing my art, but I'm scared!
very good question buckaroo. i am a good example of this as pretty much EVERYONE was rude about my work for many years calling it 'so bad its good' (it is just good) and 'terrible photoshop' (i think it has a great and instantly recognizable style) and 'intentionally stupid premises' (i dont think there is anything stupid about sex being fun and whimsical and playful). even these days the reaction of the VAST majority of buckaroos who discover chuck have this reaction AT FIRST, and then learn to appreciate the tingleverse in a more sincere way over time.
all that is to say BEING DOUBTED HAS WORKED OUT VERY WELL FOR ME. art that changes meaning over time can be very powerful, so if someones initial reaction to my trot is one thing and then it evolves into another thing, well that is just good art. while it can feel bad to get a bad review, i would say a bad review just means you have entered a realm of tension and change and discord and WE ARE TALKIN ABOUT ART BUD so that, in itself, is very exciting.
i think of what i do as 'punk writing', and a big part of that means pushing against preconceived sensibilities. not many other authors will proudly say 'there SHOULD be some spelling errors in my erotic shorts because i wrote it in a day and edited it once. that is the FEELING i want to create', but that is my way. by creating what is in my soul i KNOW i am going to bother some buckaroos and that is okay.
now i am NOT assuming you are also doing punk writing (that is okay of course we all have our own styles. what i am doing with tinglers is pretty rare), but it still stands to remember that there are 7.8 billion people on the planet of this dang timeline and some of them are bound to be bothered by your creations. that is not a problem, that is just part of baring your authentic self.
the other thing to remember is theres no REAL right or wrong in art. it can be analyzed in different ways and i tend to look at it in a way of comparing intention to result, but even THAT is not strictly correct. therefore any bad review of something you make is not actually BAD it is just someones information and feedback for you to take or leave. a one star review is just another opinion, it is no more right or wrong than your own opinion, and that is wonderful. it is freeing.
if i see a bad review of my own book, lets just say CAMP DAMASCUS for instance, i do not get upset because i know this: that reviewer is not wrong. camp damascus is five stars for me, but it is one star for someone else AND THAT IS OK. THAT IS THE WAY IT SHOULD BE. THAT IS GREAT ART. also MAYBE THEY KNOW BETTER THAN I DO. just because i wrote the book does not mean i am the authority on it, and the conversation and tension between those that enjoy something and those that despise it is a creative act. the audience engaging with your work is just your art emerging from its cocoon and saying 'here i am. lets see where i flutter off to now'
do not fear the river of this timeline sweeping away your creations and carrying them where it will. this is inevitable, but it is also beautiful and freeing. you cannot swim against it and that is okay bud, because YOU HAVE ALREADY WON. you have already created something and given a piece of yourself back to this timeline and that is a great honor and privilege. it is literally all there is
by creating ANYTHING you are proving love is real, and that is something to be proud of
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come-see-our-show · 4 months
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I saw an early screening of the Mean Girls movie last night, so here is a summary of my thoughts, comparing the movie musical to the Broadway musical, which I was lucky enough to see live in 2018!
Changed that I liked:
The usage of social media in the Broadway show made it very clear that it was written by adults who didn’t know much about Gen-Z. It was probably one of the worst parts of the show in my opinion. But Tina Fey must have done her research since 2018, because the way the movie uses TikTok, memes, vlogging, and FaceTime to push the story forward worked VERY well. I think there were some influencer cameos, but it didn’t feel they were included to show how “young and hip” they were, It actually added authenticity.
The diversity within the cast and changing last names to reflect the characters’ backgrounds (Karen Smith ➡️ Karen Shetty, Janis Sarkisian ➡️ Janis 'Imi'ike)
Cutting down “Meet the Plastics.” It’s a very exposition-heavy song and doesn’t need to be super long, even though the full version is quite catchy and fun.
All of the new jokes landed so well, probably because Tina Fey’s writing style is better suited for the screen as opposed to the stage.
This is more of a comparison of the musical vs. the original film, but a big change was The Plastics’ weaponized wokeness (which I talk about here).
The production design for most of the songs was very different. The stage musical has a lot of rock songs, which were changed to a pop sound for the movie. I personally prefer rock musicals, but it was a good way to give the movie a separate identity from its predecessor so it doesn’t risk becoming a carbon copy. It worked on some songs (“Someone Gets Hurt” and “World Burn”) but not on others (“A Cautionary Tale” and “Revenge Party”).
Cutting the joke about Regina’s ass being big. It was a very low-brow joke, which I’m not a fan of, and was just really immature. Thank God that was changed to her falling, which still shows her being embarrassed without her body being the joke.
Explicitly making Janis a lesbian! (It’s only implied in the stage show with “It’s not even true… I only have one butt”) And she goes to prom with a girl while Damien dances with a boy! ALSO THERE’S REJANIS LORE AND IT’S SO HEARTBREAKING I LOVE IT
megan thee stallion just… being there
Miss Norbury and Principal Duvall being a couple and owning a dog together!!!
As a low mezzo, I appreciated whoever decided to lower the key for “I’d Rather Be Me.” I felt very represented 🩷
Having Cady be raised in a single-parent household so it focuses in more on her relationship with her mom. Jenna Fischer was so motherly and sincere and brought a warmth to the movie. Their scene together near the end made me emotional (you’re never too old to ask your parent to stay with you until you fall asleep) (also this is my request to make jenna fischer my mom)
Changes that I didn’t like:
Cutting BOTH of Damian’s solos??? (SHE’S LEAVING!!!!!!!! JUST LIKE MY DAD!!!!!!!!!!!!!!!)
Cutting “More Is Better.” It wasn’t necessarily a memorable song, but it did give both Cady and Aaron more depth, both as separate characters and within their relationship.
While cutting some of the songs helped with pacing, cutting HALF of the score made me forget that it was a musical sometimes, which sucks because I really like musicals!!!
Other stuff:
The movie was marketed horribly. One of my friends didn’t even know it was gonna be a musical because there were no songs in the trailers 💀 (Also, this isn’t just a Mean Girls problem. The Color Purple also didn’t have any songs in the trailer. I didn’t even know Wonka was a musical until I saw it in theaters, so that was a bit of a shock.) If you’re producing a musical movie, maybe your focus groups should be musical fans, because that’s still a HUGE market.
Auliʻi Cravalho’s voice is STUNNING! She and Jaquel Spivey had great chemistry and their friendship felt so genuine!
The opening and ending transitions from the garage were everything to me
The EDITING
Angourie Rice is a great actor and fit Cady perfectly… except for her singing. Out of the entire cast she was easily the weakest in terms of vocals and it was pretty disappointing since she’s the LEAD. I could barely hear her in the new song “What Ifs” because of how quiet and breathy she was. I think it’s a better written song compared to “Roar” though.
Jon Hamm cameo!
Ashley Park cameo!
I cannot stress enough how funny this movie was. I was probably laughing louder than everyone else in the theatre.
I lost my shit during “Meet the Plastics” when Regina unzipped her jacket and Cady was staring at her boobs. She’s just like me fr 🏳️‍🌈
I know that Regina is a horrible person but I couldn’t find it in me to dislike her in the slightest. She just served too much cunt 😩
Christopher Briney is a good actor, but I don't think he was the right choice for Aaron Samuels. I would hate to ridicule anyone for their looks, but it still plays an important part in casting. Aaron is supposed to be a somewhat naive, wholesome, hot jock (and Regina has high standards, so he better be a fucking model). Briney is definitely a cutie, but gives off “smoldering badboy with a secret sensitive side” energy, which isn’t what Aaron should be.
The fantasy sequences (Stupid With Love, Revenge Party, October 3rd). I LOVE when movie musicals USE the medium to tell stories in a way that they can’t on a stage!!!
THE CHOREO!!! Everyone freezing then shaking in “Someone Get Hurt” AHHHH that entire number was HYPNOTIZING!!!!!!!!!!! My friend told me the choreographer’s name is Kyle Hanagami, so shout out to him. (also reneé rapp was so fucking hot while singing that oh my lord)
I will be calling my pimples “face breasts” from now on (avantika ilysm)
DAMIAN’S FRENCH COVER OF THE ICARLY THEME SONG 🙏🙏🙏🙏🙏
why was there a 0.5 camera shot of cady during revenge party 💀
“I’d Rather Be Me” was so much fun and I felt so fucking empowered. And the transition from the song to the bus was just *chef’s kiss*
“donut worry i am still your freend” 🥺
Lindsay Lohan cameo!!!!!!!!!
NOT ENOUGH RENEÉ RAPP 😭😭
Overall, the movie was not perfect, but the Broadway show already had plenty of flaws, so it’s understandably how that would affect the adaptation. I still a LOT of fun and would definitely see it again. Go stream Snow Angel by Reneé Rapp. i love women 🥰🥰🥰
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theminecraftbee · 7 months
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sigh okay this year i have actual mob vote opinions. disclaimer: my MAIN opinion is that if i see too much mob vote salt on my dash i'll just block the relevant terms again, and that all three mobs are adorable and i'd like any of them. however, my vague thoughts on them:
crab: i have inherent vault hunters-based crab grudges. the coconut crab appears in my nightmares. however, past that, the crab as an animal is fun, i like crabs alright. the fact it's shown crawling up trees sideways is neat. i'll say mangrove forests are ALREADY one of the loveliest, most alive-feeling biomes, so i don't know if they need an exclusive mob? but it's also realistic for the crab so i'll take it. when it comes to the crab claw itself... many questions. is it an off-hand item? or like create's extendo-reach thing? or what? how MUCH additional reach does it give you? even just two blocks can be wildly useful in my modded experience, but like, is it one or two blocks, or does it double your reach, or what? and does that reach extend to mining at all? the video says it's just block placing, which would make sense from a balance perspective, but does sort of hamstring the claw's usefulness if that's the case; if you misplace a block you're going to have to scaffold over there anyway. if it DOES include mining reach... oh boy, that's a whole new ballgame.
armadillo: cute! i like armadillos! seeing it curled up as a ball, i wonder if it has a block-like form like that? that sounds really fun! like a shulker, or something else you could stand on. (that is PURE speculation, nothing else to suggest that is shown in the video.) it being found in "warm biomes like the savannah" i like more than the mangrove-exclusive crab, especially since the savannah can feel a little sparse and lifeless. i wonder if it's in other warm biomes? as for its effect, it has the most straightforward one: when it gets scared it sheds its scute, and you can use that to make wolf armor. i like wolf armor! wolves have needed some way to make them more survivable for ages! it's not like, got potential to be a massive gamechanger or anything, but it doesn't have to, it's fun!
penguins: by FAR the cutest design. i love that they chose macaroni penguins, excellent choice. the fact they're native to stony shore biomes is also an excellent choice (and far better than choosing a snowy biome; more penguins live in places like the stony shore irl!). the stony shore having penguins also gives it a bit more of the life stony shorelines have irl. their secondary effect, though... honestly, "make boats go faster" doesn't really speak to me? i am enjoying imagining a world where this effect works while iceboating (prepare to rubberband ALL OVER THE PLACE), and i think it would be fun, it just personally compels me the least. which is a shame, because i think the penguins are ABSOLUTELY the cutest!
overall, i think i land towards the armadillo. i like that none of them really have any big, exciting, game changing feature, just nice-to-have. makes it feel less like we miss out on something huge when two of them lose, just miss out on something potentially cute. i still wish the old mob votes could still be added to the game and that the losers here would also be added to the game. i wouldn't be mad if any of these guys won honestly they're all cute and have mildly interesting effects.
and this will be the last time i discuss the mob vote, except maybe to reblog cute art.
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punksocks · 10 months
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Astrology observations No.15
*just my opinions, take them with a grain of salt
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-Neptune hard aspects to Mercury/ Neptune in 3rd/Pisces Mercury- people may constantly underestimate your intelligence and they’re genuinely surprised if you’re observant/smart
-The only Virgo risings I’ve known that are not skinny/petite have mars conjunct asc (even then they had a period of time when they were really skinny and either got out of that on purpose or on accident)
-Did you notice that a lot of Cancer Asc men get cast as like “traditional” manly men. I saw Ben Affleck was a Cancer Asc and Kurt Russel! They’re both known for their action movies (I like Kurt Russel more lol) and I was looking at Jon Hamm’s birth chart and he’s a cancer Asc too. He prefers to be a comedy guy, but looks like he walked out of the 50s so he had his breakthrough in mad men. (There’s also a lot going on there with that whole hazing scandal that I note everytime I see him so that’s a lot)
-Libra mars Asc try not to get frustrated but often their mars energy leaks out in other ways and they end up expressing their anger somehow despite the passive aggressive placement for a mars sign
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-Fire Mercuries (especially Leo and Sagittarius) copy speech patterns/catch phrases a lot imo, almost as much as water Mercuries but less exact mimicry. Earth Mercuries tend to have very specific speech patterns that don’t change too much throughout their life, they can be very direct and to the point but will have a great deal of detail to share depending on the subject. Air Mercuries tend to have very distinct speech patterns and usually are the most likely to talk and write in their own sort of prose, I’ve known a few (specifically Gemini Mercuries) that have overcome speech impediments and become great, captivating speakers.
-Pluto touching Saturn can amplify its lessons and effects to a higher degree. (Trine, Sextile) will make the experiences more intense but conjunction, opposition, and square could make these effects explosive and intense. With both positive and negative aspects the native will be forced to transform and change their ways- with the negative aspects (conjunct, opposition, square) the native will feel the trials they go through in these transformations
-12th house placements can give you psychic dreams, I’ve also frequently dreamed being people other than myself. Mars will have action oriented dreams. Sun may have more dreams about experiences they’ve had echoing in their dreams. Moon will have deep emotional experiences. Venus may dream about love and friendships.
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-Moon opposition sun synastry can create a lot of tension in a romantic relationship. There seems to be some underlying competitiveness going on. Especially if the moon and the sun are Cardinal signs.
-Moon conjunct Sun synastry can be intense. I think it shows how conjunct can be a negative aspect. The energies can understand each other sure, but they can also become an echo chamber of feeding into each other’s egos. I feel similarly about Sun conjunct Asc synastry. (My parents had this and oof, if that relationship isn’t karmic anyway it’s even more so now..)
-The only conjunct synastry I think I had intensely play out was Scorpio moon conjunct my Asc (I didn’t even realize it at the time) it was a lot! Fun and passionate but also he would get so overwhelmed he would be just shaking in normal conversation. Felt like with that and the 8th house synastry and my venus conjunct his pluto there was no was to turn the heat down and be normal with each other. Like we knew it would be short term but he was like talking about the future then I was overthinking the future and then it was over and idk that’s too much imo lol, lil dramatic just to be over in a snap. (Local Capricorn moon doesn’t get what all the fuss is about lol)
-My partner and I have a lot of trines/sextiles and like some squares/oppositions and a few Lilith/outer planet conjunct aspects but we’re able to keep everything balanced basically and I like the feel of that more, personally (plus you can have all the positive synastry in the world, it really depends on timing and effort and individual choices and joint communication to work on your relationship, it’s an effort game)
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asumofwords · 7 months
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The Sublet - Roommate!AU
Warnings: She/her pronouns, slow burn, angst. Tags will be added as the fic goes along. Angst (come on its me), feelings of sadness and betrayal, discussion of domestic abuse.
Pairings: Modern!Aemond x Reader
Summary: Living with Helaena Targaryen was one of the best decisions you had ever made. Meeting at university, the two of you became thick as thieves and quickly best friends, moving into a flat together. But what will happen when Helaena has to leave, and her quiet, brooding, brother moves in?
Notes: I was stuck in a bit of a writers funk there for a moment, but I think I'm out of it which hopefully means I can start slanging dick from my requests. Also as a side note, abusive relationships are really hard to escape, and often very confusing for the victims and people around them. Anywaaaaay, enjoy! <3
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Chapter 11: Scars Of The Past
Work had been something you wished would go faster, eyes cast up to the clock on your wall, watching the seconds tick by painfully slow.
You glanced intermittently at the time on your computer, or the one on the screen of your phone. The day seemed to crawl at a snails pace as you eagerly wished to get home to see him. 
Aemond had changed, for the better, and the dynamic that had grown between the two of you had, in your opinion, perhaps gone past a casual escapade.
Cregan had never spent days on end with you in your bed, nor had he cooked every single night for you. Nor had he read to you, or indulged you in your every want and wish.
This was much different to the casual dynamic that you had with Northerner, and the more you thought about it, the more you wondered what you were to Aemond. Did he feel the same way? Was he too having these thoughts today? Watching to clock slowly roll by as he waited at home for you?
Was he jogging to fill the time until you would return?
Did he feel the same pull? The same shift? The same longing for more?
It was something that you clearly needed to talk about, and something that you planned to tonight. You weren’t one to beat around the bush, and you felt that Aemond was the same. 
When the clock finally struck 5, and the work day ended, you all but raced from the office and to the train, stopping by the grocery store to buy ingredients to cook him your favourite meal, grabbing your shared favourite ice cream tub to share afterwards as a treat.
You had to force yourself to not skip home, a sweet giddiness spreading into your chest warmly as you sped walked with grocery bags in tow, work bag slung over your shoulder. Your heart raced in your chest as you thought of if he would like your meal. 
It raced even faster when you began to roll words around your mind on how to ask him what this was. It was too heated to be casual. Too chemical to be a one time thing. Too high strung for just a month of fun. And you had hopes that it would continue after Helaena came back.
Helaena.
That was another hurdle that you would eventually have to take. 
After your talk with Aemond, of course.
When you got to the door of your apartment, you had to juggle your bags to reach for your keys, placing the groceries on the floor awkwardly as you fished around in your work bag on your shoulder. 
When the tips of your fingers sought them out, pulling them from an inside pocket, a sound inside the apartment caused your ears to prick up. It was a sound that should not have been there, all things considered. 
Your heart began to race in your chest. 
But the sound persisted, low and steady.
Behind the door of your apartment, came the hum of a feminine voice.
Your brows pulled together. 
Was Helaena back early? She hadn’t told you that she was coming back yet. 
Something uncomfortable settled in your gut. 
You pushed your keys in the door and opened it slowly, careful to not make noise, picking up your groceries as quietly as you could to enter, shutting the door behind you. You placed your keys in the bowl, heart sinking into your gut.
You could hear it now, a singsongy purr from a woman and the quieter, softer timbre of Aemond.
You got to the end of the corridor and your eyes fell to the couch.
Aemond’s head flicked up to you, hair tied back away from his face in a low bun, wearing all black with his shoes on. 
It looked like he had been out for a run.
His body was tensed, shoulders rolled back and hands in fists at his sides.
Beside him, a woman you recognised.
Alys Rivers sat prim and pretty on your couch. 
In your apartment. 
Next to your-
Next to Aemond. 
She wore a green top that hugged all of her curves, breasts pushed high and forward on her chest, cleavage on show by the low cut of the top. Her waist was tiny, pulled in by high black pants, and on her feet were a pair of shiny, black stilettos. Her dark hair was brushed over her shoulder, long and straight, and her red lips pursed as she looked at you. 
Bright green eyes became narrowed, and all of a sudden you felt unwelcome in your own home. 
You watched as her lips parted and her tongue pressed into the tip of her canine before she shut her mouth, saccharine smile pulling on her painted red lips as she turned to Aemond, hand rested on his knee.
“Aemy, you didn’t tell me you had a friend coming over.” Her voice was melodic, and if you didn’t know about her character, you would say that she sounded almost sweet. 
But you knew it was a sirens song.
Your hands tightened around the bags handles, “I live here.” You grit out.
Alys turned her head back to you, and your eyes stayed on her as her thumb stroked against his knee, his fists tightening at his side, pale knuckles looking paler. But Aemond did not tell her to stop, and only looked at you with an expression you couldn’t decipher.
“Oh.” Alys responded, eyes roaming across the apartment at your furnishings slowly, far too slowly to be admiration, subtle judgement in her eyes, “It’s a lovely home. Quaint.”
Heat rose in your cheeks and you had to force yourself to move, unsticking your feet from the floor. You moved towards the kitchen, sparing Aemond a concerned look as you began putting away all your groceries.
“Thanks.” You told her stiffly, back turned, eyes narrowed at the splash back tiles of the sink.
“How do you and Aemond know each other?” She enquired from behind, and before you could turn to face her and tell her, Aemond answered for you.
“She’s Helaena’s roommate.”
Your heart sank.
Helaena’s roommate.
Not friend.
Not lover.
Not undecided whatever the hell you were. 
Helaena’s roommate.
Anger began to rise inside, followed with jealousy and hurt. A most dangerous trio.
You wrenched the freezer open, carelessly tossing the ice cream inside. 
Why was she here?
Why did he let her inside?
Why was she touching him?
You turned back to the couch standing in front of Aemond and Alys.
She stood, tall on her long legs and reached a hand out to you, red painted nails like sharp claws pointed at you, “Alys.”
“I know.” You looked at her hand, not dignifying her with your name nor pleasantries. 
She was an abuser, and with the way her face fell, the smile dropping completely, you knew the act was all fake.
Alys dropped her hand and stepped back to sit back down on the couch again, using it as an excuse to sit closer to him, thigh against his and hand back on his knee. You watched as Aemond’s eye flicked down to the hand, lips parting as he breathed shallowly.
The tip of her nail scratched against his thigh.
A false laugh fell from her lips, “Bad day at work, I’m guessing?” She smirked at you.
Your teeth ground against each other, “Work was fine. Just wasn’t expecting…” Your eyes flicked to Aemond, wishing he’d look at you, give you any indication that he needed help, but he didn’t, and when his eye met yours, there was resignation in it, “Company.” You spat.
Her pale hand lifted, tucking a strand of stray silver hair that had fallen in front of his face, behind Aemond’s ear.
He didn’t flinch.
He didn’t shy away.
He sat stiffly and allowed it.
“It was a spur of the moment visit.” A small giggle fell from her lips, “It’s been so long since we have seen each other, and I thought a reunion was in order. We have had a lot to catch up on.”
“Have you?” You asked, but your tone was directed to him.
Please give me a sign you need help.
Give me a sign you want her gone. 
Aemond hummed, nodding in agreement.
Your heart sank again.
“I was thinking of cooking-“
“-Oh, we’ve already eaten. Haven’t we?” Alys interrupted you, looking at Aemond with a wide smile.
Your lips parted, and it felt like she had dug her perfectly manicured claws into your chest, gut turning.
Aemond didn’t meet your gaze, eye looking anywhere but you.
“I hope he hasn’t been causing you trouble.” The woman lightly joked, hand rubbing up and down his thigh.
The urge to cry reared its ugly head inside of you.
“He’s been the perfect gentleman.” You responded quietly, feeling all hope be sucked out of you.
You didn’t know what to do.
Another laugh, the sound grating in your ears, “That doesn’t sound like you.” She purred, double meaning not lost on you. 
A blush creeped across your cheeks, and Alys narrowed her bright eyes at you once more.
Silence settled over the three of you, and you wished he would say something, or show you a sign that he wanted or needed your help, but no matter how long you stared at him, he refused to meet your gaze.
Alys cleared her throat primly, eyes sweeping across the room in mock discomfort, “I’m sorry, we haven’t spoken in some time.”
She was trying to dismiss you. 
In your own home. 
The anger was back.
Your arms crossed over your chest.
“And?” You held your ground.
This was his chance. 
His last chance of an out if he wanted it.
If he needed it.
Alys sucked her tongue, jaw shifting in annoyance as she looked at you. 
She thought this would be easy. 
“I had hopes that me and Aemond could catch up…” She looked at you pointedly, “Alone.”
“You’re in my house.” You all but sneered.
“Y/n.” Aemond’s voice finally rose from the couch, but it did nothing but serve as a warning to you.
Stand down.
One last chance.
You looked at Aemond, pleading him with your eyes, asking him if he needed an out wordlessly one last time, but he didn’t take it, nor did it look like he needed it.
Aemond nodded at you with a slow blink. 
And there it was.
Your dismissal.
Any hope that you had crashed back down to earth, shattering into a thousand different pieces as Alys smirked at you triumphantly. You set your jaw in a hard line, and turned on your foot, heading straight to your room and closing the door behind you.
Tears immediately overflowed from your eyes, sliding down your cheeks wetly. Sharp pain twisted in your chest and stomach, and a sense of shame and embarrassment curled around you. 
How stupid had you been?
Why did you feel this way?
Did he invite her here?
Did he want to get back with her?
Were you nothing to him?
The way he had dismissed you hurt. The way he had stopped you from coming to his defence had hurt. And the way she had looked at you in triumph, the way she had touched him, and the way he didn’t stop her, hurt. 
You laid in your bed, not bothering to get changed and cried into your pillow until the room grew dark, and the realm was bathed in night. You laid numbly in bed, stomach grumbling with hunger. 
You checked your phone.
10pm.
Fuck.
You didn’t want to go to the kitchen, to eat and see her again. You knew that your eyes would be red, that you would be teary and emotional, and you didn’t want to give her the satisfaction.
Not too long after, you heard footsteps behind your door, the steady click of heels disappearing down the hall before you heard the front door open and shut softly. Your heart raced in your chest as you sat in the dark, listening and waiting to hear his footsteps disappear into his room so that you could leave yours.
You listened to the soft footfall as it came up the hall, pausing at your door.
Holding your breath, you sat up in your bed, looking under the door, the shadow of two feet blocking the light from the lounge room.
Time seemed to stretch forever and then finally-
Knock Knock.
You let out the breath you had been holding, looking at the crack beneath in the dark, mind turning a million miles an hour. 
Do you go to him? See if he was okay?
Do you respect your own need for space?
Did he need comfort?
Was he angry?
A new thought turned in your mind. More bitter than the last.
Why would he be angry? 
He’s the one who dismissed you in front of her, and all you could see was her smug smirk at you when he had done it. It had made you feel so small, so foolish, so unwanted and like a child again, sent to bed with no supper.
Knock Knock Knock.
You stared at the door. 
You didn’t know what to do. 
You didn’t know what you could do.
“Y/n. Please.” His quiet voice came from behind the door.
You blinked in the dark, feeling tears begin to gather in your eyes again. Time stretched, and you watched his feet shift his weight and shuffle.
Aemond sighed from behind the door and you watched as his feet disappeared from view of the light underneath. Your stomach clenched, and an ache spread further into your chest.
You waited until you were sure that he was gone before you crawled out of bed, stomach pulling painfully in hunger.
You pressed an ear to the door, listening for any sounds of him outside, and when you heard no sign of his footsteps or the tv, you decided to leave your room. 
You were halfway to the kitchen when you saw him, head in his hands on the couch.
He looked halfway to defeated, shoulders hunched forward as he breathed slowly. But he had heard your approach and you watched as all vulnerability bled out of him and he straightened, lifting his eye to look at you.
You locked in a stare, unsure of what to do as you looked at him, hoping he would speak first, hoping he would make the first move, because you didn’t know how to in that moment. 
Didn’t know how to move forward or talk about what had just happened. 
It didn’t help that you felt used. 
And hurt.
And cast aside.
And you knew it was more complicated than that, but there was just something about the way he had dismissed you in front of a woman who had done so much damage to him. Dismissed you as though you were nothing. Called you his sisters roommate and not even his friend. Acquaintance. Someone he had spent over a month getting to know. Someone he had spent over a week sleeping in their bed, cock or tongue between thighs. Gentle whispers in the morning, soft smiles in the evening. 
It made you feel like nothing.
It was clear that Aemond wasn’t going to say anything as you waited another pregnant pause, so you tore your eyes away from him and continued into the kitchen to make yourself some two minute noodles, meal that had been planned for the both of your forgotten.
You could feel his gaze on the back of your head, heated. It made your skin ripple in discomfort. 
Filling a pot with water, you set it on the stove to boil, moving as quickly as you could to pull down a bowl and grab the noodle packet from the cupboard, tearing the sachet open and dumping the flavouring into the bowl.
You felt his presence behind you before you heard him speak.
“Are you okay?” He questioned you, and you fought to not scoff. 
Why was he asking you that? 
“Are you?” You replied back, turning to face him against the bench, waiting for the water to boil.
“I’m fine.” He said flatly, and you raised a singular brow at him in question.
Aemond’s face remained stoic.
“Why was she here, Aemond? If I had known-“
“-Why does it matter?”
You blanched.
Why did it matter?
Why did it matter?
“What do you mean why does it matter? She abused you, Aemond! I was worried about you.”
His brows pulled into a frown, “She didn’t abuse me. We just fought a lot.”
Denial.
“Aemond,” You said, voice softer this time, “It was abuse.”
Anger rippled across his face, “I wish you would just drop it. I shouldn’t have even told you.”
You stepped back in shock, hip bumping into a drawer handle sharply.
“I won’t just drop it. I’m worried about you.”
Aemond sighed through his nose, “I don’t need you to look after me.”
The water began to boil, and so did your patience, “I’m not saying you need me to. I care about you, Aemond. And so naturally it was a shock to come home and find her in the apartment after what you had told me- what- not even two weeks past?”
“She’s my ex, what did you want me to do?” He asked you incredulously, and you turned to dump the noodles in the water, watching them be swallowed down into the bubbles.
“I just don’t understand why you would bring her here in the first place without even telling me.” You looked up into his eye, and you could tell he was noting the way your own were red and puffy from crying. 
His lips pursed and then flattened, “I’ll make sure to tell you before next time.”
“Next time?” You had to force yourself to not yell, feeling anger and sadness swirl around in your gut like a whirlpool, dragging you under.
“I didn’t- She just rocked up.”
You scoffed, “Yeah, but how did she know where you were, Aemond?”
The man stayed quiet, and there was something about it that made you step back away from him.
“Are you getting back with her?” You asked, voice quiet and weak, praying that you didn’t sound as pathetic as you thought you did to your own ears.
Silence again. 
You blinked, feeling the sting of tears in your eyes again.
“After everything we- After- I thought-”
“-You thought what?” His voice was cool and even, void of any emotion, as though he had put himself behind a very thick door, lock and key.
“Are you getting back with her?” You asked again, voice uneven, cracking at the end heavily with emotion, thick lump stuck in your throat that wouldn’t go away no matter how hard you swallowed.
Again, silence, though something flickered behind Aemond’s eye, and you watched as his brow pulled froward.
Your heart raced in your chest, “Okay. So what was this then? Was this nothing?”
Aemond’s lips opened and then shut, once, twice, three times before a large sigh came from his lips, “I don’t know.”
Pain ravaged you sharply, tugging at your chest as you looked up at the man. You moved to the pot, straining the water out, turning your face away from him as you blinked away tears. 
“You don’t know?”
His gaze was hot on the side of your face as you plopped the noodles into your bowl, turning to face him again, biting the inside of your cheek to keep yourself from crying. The only thing keeping you together, the process and mechanical way you made your dinner.
“I don’t know anything right now.” Aemond’s voice was low, “My heads a mess. Seeing Alys-”
Oh.
A terrible realisation dawned on you.
He still loves her.
A lone tear fell down your cheek, and you watched as Aemond’s hand twitched at his side, arm beginning to lift towards you. 
You shook your head angrily, stepping away, swiping up the bowl of hot noodles, “I need to think.”
“Y/n, wait.”
You didn’t wait, and stormed away to your room, kicking the door shut behind you as you sat down, noodles forgotten beside the bed, sobs wracking your body as you cried. 
He still loved her. 
He still loved her, and you had been a fool to think that what you shared was anything else than casual to him.
At times you could have sworn his gazes lingered moments too long to be anything casual, but you guess you were wrong. 
Wrong about it all.
An idiot.
But some of the grief that you felt was for him. He couldn’t see. He couldn’t see how bad she was for him. Couldn’t see how he didn’t deserve it. He was trapped, and there was nothing you could do to make him see. 
People will only accept help if they allow it. And you could not force help on him. It was something he had to come to terms with on his own.
What was more, the guilt inside of you had been steadily eating at your resolve, gnawing away at you as you betrayed your best friend by sleeping with her brother. 
But not only that, you think you were falling for him.
You reached for your phone, calling the only person you knew who would listen to you.
“Hey scuttle bug!” Helaena’s voice chirped sleepily from the other end, “Don’t tell me you’re drunk.” She joked, and a sad sob passed through your lips at the sound of it. 
She was going to hate you.
She was never going to talk to you again.
And you deserved it.
“Hey,” She cooed into the phone, voice suddenly alert and filled with concern, “What’s wrong?”
You sucked in another sob, chest aching and stomach feeling wrought with anxiety, “You're going to hate me.” You cried, hiccup stuttering your uneven breath, “You’re going to hate me so much, Hel. I’ve ruined everything.”
You heard shuffling in the background, as though Helaena had sat herself up in bed, “What?” She listened to another broken sob come from your chest, “Y/n take some deep breaths, okay?” 
You did as she said. 
“What’s happened?”
This was it. 
It was now or never.
No going back now.
And once the words would leave your lips, you would be banished from her life forever. 
You were about to lose two people you held dearly to you.
You swiped tears away from your face in agitation, angry with yourself for what you had done, “I slept with Aemond.”
Silence on the other end.
Your heart broke.
“I’m so sorry. I’m so sorry, Hel. I’m a terrible friend. I know I fucked up, I just don’t know what to do. I'm sorry. I know you hate me, I-“
“-Hey, hey, hey, slow down, bug. I don’t hate you.”
Your nails dug into your palm as you apologised again and again, the words tumbling from your lips before you could stop them. 
Helaena tried to calm you on the other end, asking what happened, and so you told her everything, from start to finish, all the way up until your encounter not too long ago, bar the personal things about Alys that Aemond told you. That was his story to tell.
“I know what I’ve done is wrong, and you’ll never forgive me-“
“Y/n,” Helaena cooed on the other end of the phone, “I don’t hate you at all. Disappointed you didn’t tell me sooner, yeah,” You winced, another tear falling from your cheek, “But I had a feeling it would happen.”
You sniffled, “What?”
Helaena laughed on the other end softly, not at you, but in a knowing way that she always had, “I mean, I always assumed it would. You’re both so similar. You’d be perfect if he wasn’t such an asshole.”
“He’s not an asshole.” You immediately defended him, cringing at your own voice.
Helaena hummed in a way that Aemond usually did, and it made your heart clench. 
You heard shuffling on the other end of the phone, followed by some muffled whispering.
“Where are you right now?” Helaena asked softly, mumbling to someone again.
Confused you responded, “In my room?” 
You thought it would be obvious where you were.
“Daeron’s just organised a ride and a plane for you to come to the Keep.”
You blanched, surprised, “Hel, I can’t. I have work.”
“Fuck work.” She exclaimed on the other side, “My best friend needs me, and I need her. Besides, can’t cancel it now, the drivers on his way.”
“What?” You were breathless, panic rising inside of you.
You heard Helaena yawn on the other end, “Better pack your bag quickly, should be there in like twenty if we’re lucky. I’ll tell mum to tell Larys you need time off. He won’t and can’t say no to her.”
“Hel-“
“No ‘ifs’ or ‘buts’. You’re coming.”
You smiled sadly, grateful that she was such a good friend but feeling like a burden. She was going to fly you to her, whilst her dad was sick, and because what? You had fucked her brother, developed feelings for him, and he had all but rejected you?
But Helaena knew you too well.
“You’re not a burden, and you need some space right now. Aemond does too, and he won’t come here. He needs some time alone to think of what he wants and process seeing Alys.”
You bit your lip and chewed on it softly, “Okay.” You paused not sure what to do, “Thank you, I know I don’t-“
“-Shush. You already had an invitation to come here anyway, so no time like the present. You can atone for your sins by giving me a hug when you get here and telling me the longer story of what has happened. Not to mention get Aegon out of my hair. He’s been such a pest.”
You chuckled softly. You didn’t know what you would do without her, you felt relieved that she wasn’t going to cast you out of her life, though the guilt still lingered, multiplying tenfold by her generosity.
Helaena stayed on the phone with you the entire time as you packed, telling you what to bring and what not to bring. By the time your bag was full and you were ready to go, the driver was downstairs. 
You opened your bedroom door, darkness shrouding the apartment.
Your eyes immediately flicked to Aemond’s. 
It was closed.
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roe-and-memory · 4 months
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every time someone says cars 3 is the worst cars movie another angel punches me in the stomach and pulls my hair.
this is probably just my intense special interest in the origins of nascar, but that movie feels like such a nice send-off for the main “trilogy”, and yes people can have their own opinions but i NEED to talk about how much this movie means to me
first of all, a major misconception is that lightning quit racing - he DIDNT! this is proven by both the end of the movie (where he says hes obviously going to keep racing) and cars on the road where, in the final episode, cruz and lightning wish each other “goodbye” and say they’ll see each other on the racetrack. he was only cruz’s crew chief for that one season, presumably healing from the trauma of the crash (because lets be real his ass did not mentally recover from that in FOUR MONTHS) and also waiting for a permanent crew chief to take his place.
second.. the sheer amount of detail put into that movie is INSANE. the racing center being shaped like grandstands at a track? fireball beach being both a direct reference to the daytona beach race course and also “fireball roberts”, a 1950s racer (he was actually the reason that firesuits were mandated in the sport), we meet a bunch of 1950s racers as well and just augh.. so good. also, the detail of thomasville being in north carolina is brilliant - N.C is the “racing state”, and thomasville speedway is based off of north wilkesboro, a track that was opened in 1949, and last used in 1996 (aside from the series of races in 2010), and it fell into disrepair. (fun fact, north wilkesboro is reopening in 2024 for the nascar all star race!! they fixed my bbg)
third. cars three brings so much more lore than the first movie did. yes, we knew doc raced in the 50s when the sport was getting its start, but in cars 3? they brought in characters based off of real 1950s racers (doc is based off of herb thomas, smokey is smokey yunick, lou is louise smith, junior is junior johnson, river is wendell scott, and leroy hemming is tim flock) (another reference in the movie is “jocko flockos party supplies” as macks disguise - jocko flocko was tim flocks pet monkey that was the FIRST and only co-driver in the history of the sport. he won a race with his monkey in the car with him :) )
as i was saying, the lore we learn is insane. we learn that lou and river had to fight for their place in the sport, which is similar to what both louise smith and wendell scott experienced in the 50s, they show us accurately how racing worked back then too - they didnt have fancy pits, they had a fence and a pit member with a sign that would tell them to come in the next lap for service. all of these cars are gen 1 nascar, which means that they were strictly stock - they had much more intense pit sessions than any of the other “built for racing” generations have ever needed. i recall watching a race wherein smokey yunick had to change the radiator of one of his racers vehicles mid-race due to a crash.
this isnt everything, but seriously for an animated movie about talking cars, they discuss grief and hardships and handle them so well its insane. i know cruz isnt everyones cup of tea, but (in reference to the flip scene at the end of the movie) watching cruz get shoved into the sport must’ve been insane for lou to watch. she saw herself in that girl. it wasnt some movie about lightning giving up, it was him sharing the torch with another kid who lost their way just like he had.
also i dont cry at movies but i literally bawl my fucking eyes out at the letters scene every time. its PATHETIC (its not im literally tearing up just thinking about it)
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gingiekittycat · 4 months
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I miss the narrator
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This may be an unpopular opinion, but I miss the narrator from Good Omens season 1.
I will admit, when I first watched the show it threw me a bit. Sure, the narrator's jokes were funny, but I thought that as a story-telling device it was distracting. There was just so much of it all the time, and it often felt out of place. And when I went to look up reviews online, it seemed a lot of people agreed: if there ever was a season 2, the narrator had to go.
But THEN.
THEN.
Then I read the book.
And I realized: the narrator is the footnotes. It's the little jokes in between the plot. In descriptions, in metaphors, in transitions. The narrator is what makes the magic of the novel.
The narrator is the authors.
More specifically, the narrator is Terry.
Terry's influence on the novel, on the story; Terry's influence in the way he and Neil wrote the book. Neil has said before somewhere (I will find the source eventually and add it) that he was writing in Terry's style when he co-wrote the novel. And it shows; to me, when I read Good Omens, I was reading a Terry Pratchett novel. At the time, I had no previous experience with reading Terry's work, and the only novel I'd read of Neil's was American Gods. And in my opinion, Good Omens reads nothing like American Gods.
In subsequently reading more of Terry's work, it became even clearer to me that the narrator in the show was Neil's way of keeping Terry in the story. And maybe it WAS clunky in a visual medium, maybe it WAS distracting, jarring. But it was also hilarious, and whimsical, and playful, and fun. And I don't see how Neil could have done without it and still stayed so true to the novel. The jokes, the metaphors, the descriptions, the footnotes; this is what makes Good Omens what it is.
There was no narrator in season 2.
I will say up front that, overall, I enjoyed season 2. It had so many funny moments, and so many thought-provoking, poignant moments too. It used some dialog from the first book (looking at you Resurrectionists minisode) to remind us why Good Omens is not just a romp between an angel and demon, but also a philosophical, thought-provoking piece of media. It had a lot of Pratchett-esque moments; the Job minisode stood out to me here. The end was, of course, emotional and gutting, but I like emotional and gutting (anyone who has read my fics knows this). But... I found myself missing the narrator. 
I missed Terry.
And maybe that was a good thing. Maybe it was even on purpose. Maybe the lack of narrator really is illustrating the fact that, when Terry died, he left a hole in the world that can never be filled. You can't make the same show you would have made had Terry been alive. You can't even try. You can make your own thing, you can make it amazing in its own right, but you can't make it the same. And, all said and done, I think that's a very important commentary on grief. When you lose something, or someone, you're not the same as you were before; and it hurts, but you change, you adapt, you grow. Eventually, you make something new.
So... do I want there to be a narrator in season 3?
That's a good question. I think I would accept both outcomes. However, knowing that season 3 is supposed to be the sequel Neil and Terry plotted, I think it would be appropriate to have a narrator this time around. True, we have no novel to base it off of; we don't have any of Terry's footnotes, his metaphors, his jokes. But we have Neil, whom Terry influenced while writing the original novel; we have Neil writing in Terry's style, putting himself in Terry's shoes for a moment (his hat, his scarf). We have Neil, who loved Terry, who has in part made this show as a labor of love, because he promised Terry he would, and he's going to keep that promise. We have Neil to remind us why we love Good Omens in the first place.
And I think having a narrator in season 3 would be a wonderful way to illustrate that. 
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fairuzfan · 3 months
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Your post about how many people are unknowingly falling for & spreading propaganda... yeah. I typed up a whole spiel of a comment on one of your posts the other day that I ended up deciding not to not actually post because it felt like detailing, but seriously. The amount of well meaning, genuinely anti-zionist people ignorantly sharing zionists' posts because they just don't pick up on the leading undertones is honestly more terrifying than than the amount of actual zionists in some ways.
I'm someone who was born into a doomsday cult, and seeing all these people falling for the exact same blatant (or so i thought lol) recruitment/manipulation tactics I've seen used by them my entire life has absolutely fucking terrifying. These are people who are actively trying to combat zionism, but I guess the general public is so uneducated about propaganda/cult tactics that what immediately reads as blatantly manipulative, misleading bullshit to me just doesn't even register as strange to most people. Not to be repetitive, but seriously: fucking terrifying.
There's so much focus on the way people/groups who want to manipulate you will use language of fear, but in this case especially, people need to realize they will almost always appeal to your compassion before they appeal to your fear.
It's all peace and love and happiness because that's what gets people in the door. You preach (or post) the mushy, happy, fun stuff that makes people feel good to draw them in, and you slowly start peppering in the ideas you actually want to lead them to believe later on once you've got them wanting to believe you.
This also has this added effect of helping the group or person's image. Even the people who you don't manage to draw in will have the impression of you as someone who runs their mouth 24/7 about how you're full of love and want the best for everyone, which is especially useful for when you inevitably want to frame yourself as the victim to demonize the people who will inevitably oppose you. If your first and only exposure to a person is seeing them calling for world peace and universal love, you are much more likely to be inclined to believe they (and by extension their cause) are the sympathetic, loving, peaceful good guys being unjustly targeted.
Sorry for rambling, but like... really. It won't always be something nefarious, of course--the vast majority of the the time, it won't be--but I think we would all be in a much better situation if people took it as a general rule of thumb that you should always be a little suspicious of overly vague talk about peace and love.
You're EXACTLY right. I really appreciate this message, because you put to words a lot of my inherent analysis of arguments and ideas. I like grew up with this rhetoric so it's easy to spot for me, but the way that people speak about "peace" as the overall goal when they're zionist is so blatant to me because there is no material change in the scenario they propose but rather a calmness where Palestinians are ignored.
And picking up on subtext of a lot of messages is something you have to have a muscle for kinda because of how subtle it is. The frightening part is, you're right, that the indoctrination part of zionism is the most harmful part because you appeal to their pathos — their fear, their sense of safety, etc — and you go on down the rabbit hole and slowly start being radicalized and pro-zionism or you might not even be pro-zionism 100% but enjoy... soft zionism as a mutual of mine put it once (if you read this and want to be tagged, lmk). Which soft zionism is the MAIN opinion in many liberal circles btw, its not an uncommon opinion.
I even remember once sharing a post by a zionist because i saw them talk about esims but when i went on their blog a few days later because something rubbed me the wrong way, I noticed their pinned and I was like "oh dam I gotta delete that other post" like that's how often this happens.
Idk, I try to combat this by putting sources or approaching from a standpoint of logical arguments rather than identity-based politics (although, sometimes i think there are some things that people who are a certain identity can be the only true experts on) so that I try to encourage actual engagement with ideas and walking them through thought processes rather than "I'm palestinian so just trust me."
Like even with my one fact checking list, idk if I succeeded but I wanted to emphasize that there are multiple factors you should consider when confronting ANY sort of information and should not blindly trust things. News sources have regularly burned or ignored Palestinians so I know a lot of us are really sensitive to these things, but I don't know! I hope people can engage with ideas more than just surface level thinking in general because it helps everyone when you actually interact with the point of view the other person is providing rather than just blindly trusting/distrusting people.
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This will be a long post but I've been thinking about this since last night.
I get a pit in my stomach when I think about the new Fallout TV show and the chance TES may get a show if the Fallout show is super successful.
I've been hearing the show has been pretty good, but ive also heard some grim rumblings and worries about certain directions Bethesda/Amazon are taking lore-wise in the Fallout show. Apparently Todd has said everything in the show is canon.
I've not watched it myself as I'm not a huge TV watcher in general, but I don't know if I want to see Bethesda or an outside studio make massive changes to TES lore which affect both past and future installments in TES purely for the sake of "making good TV".
I am most certainly not a "modern Bethesda" hater or of the opinion that modern TES/Fallout games are bad. I pretty much love them all. (I even enjoyed Starfield, huge glaring flaws and all!)
I genuinely believe they are trying their best to make fun games. I also understand they have had a lot of struggles over the past decade+, particularly in company direction and budgeting of necessary resources (pre-Microsoft acquisition).
The old Zenimax upper management was awful (Trumps brother was literally on the Zenimax board of Directors before he died). And infamously refused budget allocations towards serious game engine improvements that were desperately needed. Bethesda has had alot of struggles but I feel they have always tried to do the best they can, even if the final result is middling.
I am also not a Todd hater. Even if he's not necessarily the best game designer, he has a lot of heart and passion and seems to genuinely care about Bethesda and its employees. I am glad he seems to have a genuinely good relationship with Microsoft and I have high hopes for Bethesda's future in the long term.
All that said, there are just certain changes that can happen when "Hollywood comes knocking" per se., even if most of the main creative decisions still come from Bethesda. TV shows can be fantastic and lauded with praise but if they are based on an established property with established lore, they often ultimately go in creative directions which negates the lore and other non-TV entries in the series.
Just look at GOT. It started off amazingly, and GRR Martin had a direct hand in all the early series. It was the best show on TV until suddenly GRR was no longer involved directly and the show runners started making their own decisions. They started ignoring established lore and making "changes and improvements" which nose dived the series by the end.
Perhaps I am paranoid, but I can see something similar happening to Fallout if the show is big and keeps getting new series. Furthermore, I hold a deep dread that TES may be next. Just think, how many people talk about GOT anymore? How many people are hyped for the next book(s) in the series? The books didn't get bad right? Only the TV show did.
But that's my point. If Fallout or TES have these big smash initial hits on TV but begin to fail after a while, it damages the series as a whole, not just the TV show. Don't get me wrong, I'd love to see TES/Fallout TV shows be nothing but great. I just worry as I've been hearing of major major lore changes being made by the Fallout show. These changes are irrevocable and utterly change the lore of that series, and not necessarily for the better. I'll try to refrain from further judgment on that, but I'll leave with this question:
What if TES had a super quality and popular TV show which negated large parts of pre-Oblivion lore? Suddenly, due to the show, innumerable people/places/things which were iconic to the TES series were no longer around or perhaps not even canon anymore? What if those things were just lost or written off for the sake of a TV show?
As a fan of TES, and maybe even of that TV show, how would that make you feel?
I'm am not trying to stir controversy here, but I think we as a fandom need to have more public discussions about this. We also need to be prepared to not dump on any new changes to the series or lore without giving them a fair shake. Something being "new and different" does mean its awful. Changes can be good or bad but they must be carefully considered.
I hope this new Fallout show's premiere will provide us a good chance to consider the future of TES media and lore outside the games before any changes are announced or made.
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