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ordinaryschmuck · 3 years

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Why I (Want to) Love Tangled: The Series/Rapunzel's Tangled Adventure

Salutations random people on the internet who most likely won’t read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

When I heard Disney was making an animated series based on Tangled, acting as a continuation from the original movie, my initial thought was, "Why?"

Sure, Disney is infamous for its unnecessary sequels of the story after happily ever after, with the many, many, many failures that follow suit. Even then, though, most of these continuations were movies that kind of have the potential to tell more of a story. But what more could be said about Tangled? Sorry to spoil a movie that's over ten years old at this point, but by the end of it: Rapunzel lost her golden hair, was reunited with her parents, fell in love, and lived happily ever after. Her losing the golden hair is the most essential part of that list because how can you do a series based on a Disney princess when her most iconic feature is gone? Then I found out that the series forced a way for her hair to come back, and my new initial thought became, "Oh man. This is gonna suck, isn't it?"

Despite the hesitation, I decided to give it a chance anyway. After all, I've been pleasantly surprised before. Things like My Little Pony: Friendship is Magic, The Mitchells vs. the Machines, and even The Owl House (yes, really), were shows (and a movie) that I didn't think would be that special. Only to find myself enjoying nearly every minute. So after watching Tangled: The Series/Rapunzel's Tangled Adventure, I can certainly say I was surprised...but it was entirely for the wrong reasons.

And to explain how requires spoilers. So if you haven't checked the series out yet, I highly suggest you do it to form your own opinion. Just keep in mind that it's a bit of a mess, but it can be an enjoyable mess...sometimes...let me explain.

WHAT I LIKED

The Animation/Art Style: The series swapping from 3D to 2D might have been the most brilliant decision anyone could have ever made with this series. Usually, when an animated movie gets turned into a show, the most noticeable downgrade is always the animation. Whether it’s not as detailed or not as fluid, it's always subjective that the movie is better animated than the series. But by switching up the styles, the contrast becomes objective instead. 2D and 3D animation each have their pros and cons, so deciding which one is better is nothing more than a matter of opinion. So by changing the style, Tangled: The Series/Rapunzel's Tangled Adventure avoids getting complaints of being a downgrade from the original movie. It also helps that the art style of the series is really unique.

The best way to describe how the show looks is that it's like a coloring book brought to life. At times, everything looks like it was drawn and colored in with crayons, which sounds like an insult, but in actuality, it's one of the best features of the series. As much as I love most animated shows nowadays, I will admit, they all look a little too similar at times. Then here comes Tangled: The Series/Rapunzel's Tangled Adventure, which tries to incorporate a whole new style that successfully sets it apart from most shows.

As for the animation itself, it's really well-made! It's remarkably expressive when required, while the movements are really fluid during the correct scenes. Sure the fighting can be a little floaty during some action set pieces (yes, those exist here), but the dialogue and comedic moments are really where the series shines with its animation. I may have problems with the series as a whole, but I give credit where credit is due for the perfectly executed effort that I see in every episode in terms of animation.

Rapunzel and Eugene’s relationship: This was not something I was expecting to enjoy from the series. In the movie, Rapunzel and Eugene were fine. They were the typical Disney couple that worked off of each other enough that it was always entertaining, even if it was unbelievable that they fell deeply in love with each other after, like, two days. They weren't bad, but they weren't anything to go crazy over.

But the writers for the series said, "You know what, let's make these two adorable in nearly every scene they're in." And they are!

Even though I don't believe in their relationship in the movie, I fully believe it here. Both characters have a large amount of faith in one another on top of having endless love for their partner. Like how Eugene knew Rapunzel would be fine when taking out an airship or how Rapunzel couldn't bring herself to say a bad thing about Eugene when making Cassandra a sparring dummy of him. It's legitimately pleasant to watch, to the point where I put Rapunzel and Eugene in my top ten list of favorite fictional couples. They're that good to me, and it's one of the reasons why I don't jump on the bandwagon of shipping the two main female characters together. I'm all for LGBTQA+ representation, but give Cassandra her own girlfriend. Rapunzel's taken, and most of my enjoyment of this show comes from her and her man. So, you know, keep things as they are.

Cassandra (Seasons One and Two): Seeing how I've already mentioned her, let's talk about Cassandra, shall we? Because when making a series based on a movie that had only four prominent characters, with two of them being comedic animal sidekicks, you're going to need to introduce more members to the main cast to write more potential stories. And Cassandra, in Seasons One and Two (I'll get to Season Three), is a worthy addition. She acts as a strict straight man (I know the irony) who interacts well with Rapunzel and clashes perfectly with Eugene on occasion. She was passably entertaining in Season One and developed amazingly in Season Two. Her growing frustrations with Rapunzel's actions lead to a slow build-up that made her betrayal heartbreaking but somewhat understandable. And as for the results in that betrayal...yeah, I'll get into that later. For now, I'll just say that Cassandra was a pleasant addition to the main cast, especially when she was a part of the main trio, and she's yet another good surprise that the writers supplied for the series.

The Songs: The songs are...not going to be for everyone. Most of them are passable yet kind of generic, while others sound like they belong on Disney Junior (Looking at you, "Bigger Than That"). But when Tangled: The Series/Rapunzel's Tangled Adventure makes a hit, MAN, it is a home run. Numbers like "Ready As I'll Ever Be" and "Nothing Left to Lose" are sung phenomenally, orchestrated well, and are songs I can listen to on repeat multiple times. And "Waiting in the Wings" is not only something I consider to be the best song in the series, but it's also something I'd place as high up on Disney's best due to how f**king incredible it is. "Waiting in the Wings" is a powerful ballad that manages to be both tragic yet inspiring on top of how well it sums up Cassandra as a character. The writers may not always be on top of their game when it comes to music, but songs like these prove that they know how to earn that Disney name.

And that’s all I have for the likes...Oh boy. That’s not a good thing is it?

WHAT I DISLIKED

It Peaked at Season One: It did. It really did.

Season One felt like the writers had a grip on what type of show they wanted: A slice-of-life series with Rapunzel dealing with the issues of her kingdom with a meager threat of these black rocks growing in the background. It was all cute and well-balanced for the most part, but that all disappears in Season Two. Because now it's sort of about this adventure, but because Tangled: The Series/Rapunzel's Tangled Adventure set itself as a slice-of-life series, there need to be these small-scale stories that intertwine the grand narrative being told. The issue is that the story comes to a grinding halt one too many times as fans are forced to sit through these filler episodes that, while not all of them are bad, still feel like a distraction. And by Season Three, the series does feel more focused while having some slice-of-life episodes added to the ongoing story instead of distracting us from it. But the writing isn't as strong, there are several plot holes in the narrative (how did Rapunzel's sunstone get into her dress?), and there is way too much time going back and forth on Cassandra's morality. They claim that she's a villain while arguing that there might still be some good in her, and they continue this train of thought for nine episodes when it really could have been settled in two. For me, it's a bad sign for a series when the first season is the best one. Because if it's all downhill from there, what's the point of even watching?

It Tries to be Epic: This might have been the worst decision the writers could have made.

Now, here's the thing: I don't mind grand epic tales of adventure and battles against demons. If anything, I'm all for them...when it's appropriate and fits with the tone of the series.

Tangled: The Series/Rapunzel's Tangled Adventure suffers a similar problem Frozen II has, in which the writers felt like a big, life-threatening adventure was the perfect continuation of a meager, personal story about the relationships of characters. It isn't. If anything, it's completely missing the mark about what the original story was about. And sure, sometimes writers can succeed in telling personal stories through grand adventures. Just look at The Owl House and parts of Amphibia. But with those shows, it's established within the first few episodes that action and peril will be a series staple. With Tangled, while there was some action and peril, it's all very subdued compared to how high the stakes got raised in later episodes in the show. Especially in the series finale.

And, I mean, c'mon. You're making Rapunzel an action hero?

Judy Hopps? Yes.

Moana? Maybe.

Raya? Most definitely.

But Rapunzel? The character who’s all about optimism and seeing the best of others. That's the character you're going to morph into a hero that fights against an evil demon laid dormant for years? Did you even watch the original movie? Yeah, sorry, but I just don't buy it.

If you want to tell an epic story that gets the blood pumping for fans addicted to adventure, go for it! See where the wind takes you. But make sure to set that tone as early as possible while also making sure that it fits with the characters. If not, the end result is a series that feels like it's trying to be something it’s not.

Eugene is Kind of an Idiot at Times: It should be noted that Movie-Eugene and Series-Eugene are practically two different characters. In the film, Eugene was more or less the straight man, as he often questions the wackiness in the world around him and keeping Rapunzel grounded in reality. For the series, most of that personality got transferred to Cassandra. Thus making Eugene's new role in the series act as the egotistical imbecile. Sure, he had those moments in the film, but not as frequently, and it really pains me when the writers really lean hard into a minor aspect of his personality. Sometimes there are moments when Eugene acts like his original self. But it's all small scenes that are spread apart with entire episodes where he has half a brain cell. I'm sure some people didn't mind this change to the character, but as someone who adores the movie version of Eugene, I can't help but feel disappointed.

The Villains are the Worst: Now, I don't mean the one-off villains that show up, cause some chaos for a bit, and disappear at the end of the episode. Those are characters with fun personalities, occasionally cool designs, and do their job as villains of the week. It doesn't matter if their motivations are laughably simple, as their purpose is to be enjoyable characters above anything else. So I actually enjoy those villains...it's the ones that act as season-long antagonists that really grind my gears.

The purpose behind these types of foes is to build up how evil they are throughout the season. The issue is that the writers try to give these characters, or at least two of them, a point. To be fair, this can work. Just look at Killmonger from Black Panther and sometimes Karli Morgenthau from The Falcon and the Winter Soldier. You understand and probably even sympathize with the logic and reasoning these characters have. It's just that their actions couldn't be farther from what you would do. The problem with Varian and Cassandra is that they have the motivation, but it's not written suitably for the story.

Cassandra is a whole can of worms I'll get to in a minute, but Varian is someone I can easily discuss for a brief time. Because while I can comprehend his pain for having his father frozen in yellow rock, I don't think turning evil is the best decision to go with that character. Because A. Everything is his fault. He blames Rapunzel for not helping him, but even if she didn't have a crisis to deal with, there was nothing she could have done to stop it. His frustrations are not only unjustified, but given the fact that this wouldn't have happened if he listened to his father in the first place, it feels like him becoming evil is too drastic of a turn. And B. Varian worked much better as a supporting character rather than a primary antagonist. He was just this hopeful, if not a clumsy scientist who wanted to prove himself, who causes minor catastrophes due to not thinking ahead. Turning a character like Varian into a villain is a bit of a misstep because if the guy acts hilariously incompetent as a good guy, it makes little sense to have him be intelligent and ten steps ahead of Rapunzel when being evil. If he were to become more serious and careful when helping the rest of the main cast, I'd consider that character progression done properly. But becoming a villain is just an overreaction.

However, none of that compares with my issues with the main antagonist of the series: Zhan Tiri. This goes back to my problems with the series making itself too epic. Because if Zhan Tiri existed in any other show, I probably wouldn't have any problem with her. She's built up well throughout all three seasons and is kind of threatening at times. But she doesn't belong in a series based on a movie that dealt with a small, personal issue where it wasn't even the character who killed the villain in the end. It was her love interest and animal sidekick. Even if Zhan Tiri works well as a character, the fact that it doesn't feel like she belongs in the show makes her too distracting to enjoy. And that's why these villains suck. If not poorly written, they don't belong in a series that should focus on small-scale issues. And if you can functionally write an antagonist that appears for only one episode but flounder with ones that show up in several, well, that's just embarrassing.

Cassandra (Season 3): OOOOOOOOOOOOOOOOOH BOY, do I have some words to express with this character. Like with Movie-Eugene and Series-Eugene, Cassandra from Seasons One and Two is frustratingly different from the psychotic IDIOT from Season Three. Basically, just take the issues I have with Varian, multiply them by ten, add them with some bafflingly stupid decisions, and you still wouldn't get how much Season Three-Cassandra frustrates me!

First off, her motivation...what the f**k were the writers thinking? The big reason why Cassandra betrays Rapunzel and motivates all of her misdeeds was that Cassandra's mother was Mother Gothal...EXPLAIN THAT LOGIC TO ME?! Because Cassandra should know what type of woman Mother Gothal was. She should know what Mother Gothal did to Rapunzel in the first eighteen years of her life. So how is Cassandra being abandoned by Gothal the central motivator to cut ties with Rapunzel, who is probably an even bigger victim in this scenario!? Seriously, Rapunzel was cut off from the rest of the world and treated as an unknowing prisoner because she was beneficial to Gothal. Cassandra was adopted into a household with mutual love and got to actually live her life. In no way does it make sense for her to be angry at Rapunzel.

Nor does it make sense that the writers try to play it off as a good thing in the song "Crossing the Line!" Sure, it sounds nice, but thematically, it gives across the opposite feelings that the audience should have. Because if Cassandra cutting ties with Rapunzel is meant to be tragic and awful, why is the music suggesting it's the best possible thing that's ever happened for the character? If you like the song, fine, but even you have to admit that it's thematic nonsense.

But, sure. Cassandra's evil now, and she considers it a good thing. Whatever. I'll take it as long as it leads to good stories...but here's the thing: In the penultimate episode before the three-part series finale, Cassandra asks a question. A question I would have never expected her to ask, despite everything that has happened in the last season. A question that was so baffling, I had to legitimately pause the episode to process the fact that she asked something so stupid. Because Cassandra, the character who is intelligent and grounded in reality, asked, "Am I the bad guy?"

I was honestly shocked to find out she was shocked! How, in the flying, everlasting, cock-a-doodle-doodling F**K does a person like her not pick up that maybe, just maybe, she isn't the hero in this story!? Call me crazy, but endangering the lives of people you once called friends and family, dressing in black, AND HAVING A GIANT EVIL-LOOKING TOWER MADE OUT OF F**KING SPIKES aren't qualities I would give to a hero!

If Cassandra was like Thanos, a character so wrapped up in his ego that he can't even notice how evil he is, I would understand. But she doesn't have an ego. Anger, yes. But for the most part, her personality is based on having logic and reasoning. So turning her into a villain and having her unaware that she's a villain is an act of lunacy that I am incapable of understanding. I don't know who's idea this was, but whoever is to blame...you've got issues.

>Sighs<...This series isn't good, is it?

IN CONCLUSION

I like the animation and some of the characters...but that's not enough. Tangled: The Series/Rapunzel's Tangled Adventure is a mess of a show that tries to do too much for a story that should have so little. Meaning that it's a D+ for me. I want to enjoy it and give it a higher grade, especially with how much I hear people praise this series. And if you do enjoy it, all the power to you. Your opinions are valid, even if I highly disagree with them. Because for me, this is a show that I won't get myself tangled up in again in the future.

#tangled: the series #rapunzel's tangled adventure #rapunzel x eugene #tangled cassandra #tangled varian #zhan tiri #what i thought about

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themightyaliendwarf · 3 years

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TPN s02e08

Maaan, what an rollercoaster! We literally go from amazing to fine to incredible. Which kinda makes me angry because this is how this season SHOULD look like. Okay, fine, let’s skip Goldy Pond, but let’s make it equally amazing as this. Just in an anime original way. And this episode proves they COULD do it. It’s a pity that it took them over a half of the season to reach this point. But let’s start from the beginning.

1. So, Peter Ratri is voiced by Yoshimasa Hosoya. I was joking with my friend that it might be the reason why the quality of the animation isn’t always the best - because he took a half of the budget. Anyway, I think he is doing a good job with voicing this character right now, but I will wait with the final judgement for the Peter’s meltdown scene.

2. Just a fun fact I read in the manga: apparently when Isabella tells Norman that he is going to a new home, Shirai used the kanji that can also mean ‘cage’.

3. Another thing I loved: they showed how Norman found about Vincent. It’s shown in the extra pages for one of the volumes (I don’t remember in which one right now).

4. Again, I like that the first 7-8 minutes were fully focused on Lambda. I think that this is something that anime-only people really needed (without the context, it’s difficult understand how MUCH those guys hate the demons and why). And for manga readers it was cool to see it in colour. But on the other hand, I’m kinda disappointed that they just showed us the images of the experiments. I think adding movement and sound would make those scenes absolutely terrifying. But hey, at least they showed it!

5. So, we found out a little bit about the escape, buuuut it was nearly as much as I was hoping for. Based on the panels in the manga, we could have already guessed that they used some kind of explosives. I guess we still need to wait for another special chapter/light novel.

6. Annnd after the amazing lambda part we jump to the search... Now, do you know why this whole thing was more engaging in the manga?

Because we got her. I don’t think it will be controversial if I say that the search for Mujika was really boring. Just a bunch of pictures and building up suspense by showing us that CGI demon. Speaking of that demon!

7. You know what pains a lot in this episode? SO MANY reused animations. I mean, the test solving animation, the demon, the chase, later the demons degenerating and demons eating other demons... look, I know they want to save money, but there are some limits!

8. Apparently Ray, a guy who has been living in the wilderness for months, needs a watch to tell that sun is setting. Just a minor nitpick that I had to point out.

9. Okay, I think we can official crown Norman as our new edge lord. I mean that monologue on the top of the rock... I know that words are from the manga, but when it’s shown like that, it looks more silly than serious. Also, the quote ‘I will gladly become a God or a devil’, doesn’t make THAT much sense here, because we didn’t get this scene:

To me it felt like unnecessary fan service towards manga readers, but I’m happy for you if you liked this scene. Norman is allowed to become our tiny edge lord.

10. You know what made me angry? Don and Ray shooting the demon, but Emma and Gilda not. Yes, Emma does it a second later, but it became a trend to give her badass scenes to boys. The next scene, however, made me furious.

11. Ray shoots the demon and then he and Emma share a sigh of relief. But then it turns out that the wild demon is still alive and it’s going to eat Emma. Wait a minute... I have seen it somewhere... OH, RIGHT!

Of course, there are situations where Emma is the one who is being saved. The problem is that in the anime she is always being saved by someone - never the other way around. I’m happy that Ray is given stuff to do, but why is it that he is given Emma’s stuff. Come on!

12. Also, how did they know that it was Norman who caused the explosion? How far did they actually went? Are you going to tell me that they were in practically the same location for months and nobody found them? Again, those are nitpicks, but they bother me a lot!

13. Also, apparently the drug is now spread through the air, and Norman’s whole gang is made out of edge lords who need to stand dramatically on the chimneys. I can imagine that during planning they had a conversation similar to: - Boss, do you know what ever genocide needs? - What? - Dramatic JoJo posing over the burning villages. - Good, good... write that down!

14. Okay, enough ranting, let’s move to the incredible stuff. First of all, the music in those last scenes really reminded me of the Witcher Soundtrack and I LOVE the Witcher soundtrack. So epic!

15. I actually stopped taking notes at this point, because I was so immersed in everything that was happening on the screen. The music, the tone, the colours, the expressions - THIS! This is what this anime should be from the very beginning. Making us care about the demons, and showing that they are also the victims of this system. The actual dread and thriller, the moral issues, engaging plot lines.

16. The scene with the old demon and Norman? Good anime original content? How is it possible? When the old demon asks Norman whether he is a human and he doesn’t answer - because at this point he himself isn’t sure. Yes, give me more of that!

17. Norman being terrified after seeing blood on his hands? That’s a good change from the manga Norman, because it makes narrative sense. Really, CloverWorks, how can you make such an amazing scene after those 6 mediocre and one good episode?

Anyway, it’s difficult for me to add anything right now because I don’t feel like I have enough words to describe how much I loved that last scene. Does it mean I have forgiven this season its previous sins? No, but I’m a happier person right now, and I’m REALLY looking forward into the next episode.

#tpn #the promised neverland #tpn s2 ep8 #anime #season 2 #tpn manga spoilers #tpn anime spoilers

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pinkbean · 3 years

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More OMORI ramblings, but this time about the soundtrack!

OMORI absolutely has an incredible soundtrack, that even the most simple and short songs have a catchiness to them that make it hard to not listen to on repeat.

Take White Space for example, it's a very simple and short song yet it's so catchy and I love to listen to it on loop. Not only that, but it's a perfect and effective song for the place it's used at. Symbolizing the simplicity, yet safety of White Space itself. It's not full of luxurious things, but instead everything OMORI could need. A place to live, but not to survive. The fact the song can loop also I feel could symbolize the repetitiveness of White Space and how OMORI spends his days just sitting in White Space. (According to the laptop, anyway.)

And the take on it's alternate version, Welcome Again for Black Space is also so, so good. The lowered pitch, yet the same notes that bring a sense of familiarity but quickly unnerve you as you know this place is... something more. Something sinister, even. Just by a simple pitch change. Also it's name, 'Welcome Again'. Welcoming OMORI/Sunny back to Black Space and giving him a sense of familiarity with a similar look with simplicity as White Space. Oh, and let's not forget some of the other times you hear White Space mixed in with some other themes. Such as:

Not-So-Empty-House

A Place by the Lake

It's only in small portions of each song, but it's enough to make you go: "Wait a second..." and I loved it.

Away from the simpler songs, each song is so fitting for when they play and some are even more impactful than others. One song that I love to listen to is

It Means Everything

It's a beautiful arrangement, showcasing Aubrey's harder and more 'bad-girl' kind of side. Though the extra background noise adds flair as if to showcase her pain. Not to mention you're getting the commentary of the church-goers as the fight progresses. It's just overall painful, and it really stuck with me.

It shows you how far Aubrey's fallen from grace due to Mari's death and her feelings of abandonment. Yet showing that she's trying to stay strong and become that 'tough-guy' kind of persona to try to force herself to move on. It's just... perfect for the scene.

Then you have a song like

Numbers

It's a tranquil song, makes you feel calm. Yet still gives some sort of uneasy sense the deeper you go into HEADSPACE. Then you have the background noise. (Apparently it's German numbers? That's a cool detail if it is!) Not to mention all the white noise / background noise that goes into it the more it progresses. It starts to show that HEADSPACE isn't all rainbows and sunshine, and the depths is where everything is repressed. The depths is where things change.

Each song adds a layer of atmosphere to the game which immerse you even further into it. Which I love so much. Pedro Silva is an AMAZING composer, and did a phenomenal job with OMORI's soundtrack.

Oh and don't even get me started on Black Space's arrangements.

Fleur

Distance

Glade

Every theme in Black Space works wonderful for the locations you see. Hell, Glade is completely peaceful compared to all the others. Yet it holds some sad undertones. As you progress you get the lines "Liar." until it fills up an entire textbox. It makes you wonder, what? Then you find the key and Something appears. As you try to leave, Something continuously says "Sunny... I love you..." making you wonder.

A fun youtube comment even mentioned how the background 'thunder' sounds like someone falling down the stairs. And it just adds so much more pain and character to this track.

And for the Hikkikomori route... I can't forget

Playing Forever

Including parts of the trailer into it... Oh man... Hearing this just leaves an empty feeling. It's so... childish, like a circus even. Trying to give the illusion that everything's going to be a fun, happy time. When in reality it's just showing how Sunny is once again running from the truth. The inclusion of the Title Theme/DUET really adds to it too. Just... ugh... It hurts!!

And for the true route... One of my all time favorite final boss themes in any video game.

OMORI

I don't even know how to begin how perfect this is. Sunny is in White Space, and OMORI is looking on to where the lightbulb once hung. He turns his attention to Sunny, and everything begins to disappear around them. It's just them now. OMORI's portrait is shown holding a knife, and he gets ready for battle.

The UI opens up - and the violin begins. That first note ripping into your very soul -- your heart. Holding it there just as the note continues to move on to the next, adding insult to injury. Staring at that UI while the music continues, wondering what to do next. It's so... beautiful.

Final boss music usually has that absolute epic, guitar or some sort of orchestra to add to the dramatics. As if you're saving the world or quelling the biggest evil. OMORI's focuses on the violin. A huge plot point for the game, and a huge symbolism for Sunny. It represents his grief, his pain, his loss, his guilt. Everything he's felt and repressed for these four years.

Then the fight continues. OMORI did not succumb. The music begins to grow more intense. The violin remains the strongest instrument, but the background noise creeps in. OMORI himself begins to take change. Growing more and more distorted as the battle goes on, just as the music does. As if the voice in Sunny's head is growing louder and louder to stop him from accepting the truth.

He's facing his ultimate demon - his ultimate repression. Everything about this theme is just... Truly magnificent. It's beautiful, it's painful, it's energizing, it's a perfect reflection of the final battle for this game. A complete culmination of everything that's built up to this point. From the truth, to everything before. Absolutely incredible.

This game's soundtrack is another thing that just helps create the incredible experience that is OMORI. Everything flows so well together, and I'm happy that this is the product we received. It's magical, thrilling, and engaging. I love Pedro Silva for his compositions for this game. He was a perfect, and masterful choice to do the soundtrack, and I wouldn't have it done any other way. Thank you Pedro Silva. Thank you omocat.

#omori #omori spoilers #spoilers #omori rambling #omori ramblings

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littlemessyjessi · 3 years

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How They’d Be As Mukbangers: Harry Potter Characters

How They'd Be As YouTube Mukbangers

James: Every video has a theme. Like, I'm not even playing. Holidays? All kinda of holiday themed food. Quidditch World Cup coming up? Things inspired by the country of his favorite team. Just a random day? Everything is blue. He's that type of way.

Sirius: If a mukbanger was a thirst trap. I could easily see him really getting into. Dark background, black gloves, aesthetic as fuck and like, he doesn't even talk. He just sits there, looks hot and somehow makes eating looking incredibly sexy. And he fucking knows it. Bitch also one hundred percent rolls his eyes back when it hits his taste buds. Licks his lips and his fingers. Takes way too big of bites. Most people would say it's cringy how sexual his videos are...but everyone is secret subscribed anyway. With notifications on.

Remus: This goes one of two ways. If he's in a good mood and things are chill, he'll find a recipe, make it to the mother fucking 't' and then have a little mukbang slash review on said recipe. Nice lil chat. Sweet tol bean. Precious. If it's near the full moon there ain't none of that. Ya boy, brings in his monstrous plate of food, sits it down and just tears into like a fucking beast, no talking. Just nom nom nom. Unintentionally thirst traps and people opening talk about when Remus goes beast mode.

Peter: Candy and sweets channel! Small mukbangs with reviews from different candies from Honeydukes!

Lily: Lol, Lilypad. She ain't playing around. Her videos are planned out, edited and just generally finessed to perfection. Even had music added to it with tiny vlog segments as it's set up. It's a little pretentious but she does have a good following.

Marlene: This bitch. Fucking competitive eating queen. Tiny ass lil ho can eat you under the table, bro. Think RainaIsCrazy on YouTube. She can fucking smash. Usually does eating challenges from different resteraunts and competitions. Often, challenges Remus on his wild days. He's a beast but she still wipes the floor with him.

Dorcas: The collab. Dorcas always has good food and good company. She's all about sharing a meal with someone and talking about random things.

Alice and Frank: The couple channel. It's generally filled with so much fucking cute and the food is always tasty. It's sickening they feed each other but you also can't help but awww.

Molly Prewett/Weasley: Family recipes. Molly's channel are tried and true recipes from the Prewett family. Cook with me and tons of kitchen life hacks. Also, that woman can turn a ham sandwhich into a full course meal. Bet. Always taste tested by Daddy Weasley. Yes, I said Daddy Weasley.

Lucius Malfoy: The most pretentious fucking channel to ever exist. It's a whole fucking production that admittedly he does put a lot of work into. Somewhat thirst trappy like Sirius' but instead of just having a plain black background he goes out of his way to shove as much of his manor into. Only eats the most expensive food fucking on the planet and of course, it's prepared by House elves cause he's a twit. (Yes, I know this is Thranduil but honestly wouldn’t put it past Lucius to be this fucking pretentious.)

Severus Snape: Actually pretty solid content. His exquisite skills in potions actually made him a rather good chef. Tasteful shots, edited well with music over everything and subtitles. Simply audio for the eat portion at the end. Nothing too fancy for the background. Often just a very clean kitchen. Solid content though.

The Black Sisters: Mass chaos. Part vlog, part drama channel, half the time the food never even gets finished because of fights.

Bill Weasley: The Traveler. A lot of egyptian food. Some made by hand. Some vlogs from street food while he's out just generally doing his job. Short videos but solid. He's hot and he picks good food. It works for him.

Charlie Weasley: This extra ass bitch. He's the bitch that does all that outdoor cooking. You know what I mean. Shots in the woods, roaring fire. Lit by a precious dragon child no doubt. Dragons lounging in the background like those bitches who always have their dogs there. Yes, I'm jealous. Close up shots of him cutting things on a custom wood cutting board. Everything he makes causes your mouth to water. God damn, scarred, freckle faced bastard just gobbles it up and ends every fucking video with a wink. Charlie Weasley is the ultimate thirst trap and he fucking knows it.

Percy: Percy's channel could be epic but instead is boring as fuck. Why? Because he insist on having the most snooze worthy meals that are 'sensible' and THEN he proceeds to talk about politics. He actually had a pretty decent following of other like minded individuals but my god- politics and porridge, Percy? Really?

However, once he chills the fuck out, leaves the ministry to do something else - it’s a game changer. Brings the family on for mukbangs. Does videos with mummy weasley. Percy grows his hair out and Bill teases him for being a copy cat. Much better. Still talks politics but it’s fucking hiliarous and now the food is poppin.

Fred and George: Alright, this shit right here. Every fucking bit of it is a self promo for the shop. Meals inspired by and that would go well paired with 'this product'. Like, that's the whole thing. And then they run an add for their shop at the end featuring the product. It works for them because they're smart, they're hot and they're also wildly entertaining with their constantly sibling squabbling. But yeah. Big promo for the shop.

Ron Weasley: Honestly, out of everyone. Ron probably has the most followers and it's because he doesn't say shit while he's eating. He sits down with a massive fucking turkey. Nods at the camera and just tears it up. It's literally so satisfying. All the food is prepared by his mother. So it's obviously fantastic. ( I just had to use this gif.)

Ginny: Gin's channel is usually team building videos with the Harpies. 'Cheat Day: Vlog and Mukbang w/the Harpies' type of vibes. It's cool though and since it's a famous quidditch team the fans enjoy the behind the scenes action and actually drop all kinds of recipes for them to try in the future.

Hermione: Hermione could easily veer off into Percy's channel of misery when she gets started on her rants but mostly they're really chill videos. Mukbang and Book Review type of vibe. Or sometimes even the playing of an audio book while she does her thing. All in all, wholesome.

Harry: Lol, I swear. Fucking awkward bean. Harry's videos are literally of him making the simplest of things and being so fucking awkward. "Er, well, hi guys. So I'm about to head out for work. Running a bit late. But we're having a bit of toast and jam." Like it's literally just little videos of him eating whatever throughout the day. But of course, since he's Harry Fucking Potter- his follower count is astronomical.

Neville: Now, this boy. This boy is a goblincore gobbo's wet dream. Gardening videos with homegrown veg. Recipes from Grandmother. Have a nice Veggie Pot Pie with Professor Longbottom in the Hogwarts Greenhouse. There is a fanbase and it is huge.

Luna: Honestly, the weirdest fucking channel in the world. Like she finds the weirdest things to eat and goes from there. But Luna is bae so it's cool. Also, a thousand percent does Smoke Sesh + Mukbang videos. You know it's true.

Dean and Seamus: Literally, eating in the most crowded pubs as they visit football games around the country. Seamus will definitely pull the Irish card from time to time to have a drinking competition. He wins everytime. He may be a little dude but shit- homie can hold his own.

Cedric: Honestly, it's so fucking pure. Straight up did videos during his time at Hogwarts in the Hogwarts kitchen. Such kind little conversations with the house elves. "Hey, guys. Thanks for coming back to another video. Today we're making some really tasty biscuits. Whispy, one of the talented bakers here in the kitchens, is here to help us today so please say hello to her in the comments." He'll also always make extra and leave them in the Hufflepuff common room for everyone to enjoy. Like, it's honestly so pure and he's such a soft boi and oh my fucking geeeeeeerrrrrrdddd!!!!!

Draco: Actually takes it really seriously and put a lot of hard work into it. Nothing like his father's ego-tistical recipes. Surprisingly, every. single. recipe. is a muggle recipe. How would he know? Because he cross referenced with Granger of course. Cooks it himself. No magic. Lots of random talks. Just like a monologue of things and it gets kinda deep sometimes. Like, it's the channel to go to when you need advice that you didn't even know that you needed. Still eats incredibly proper. It's that pureblood raising of his. Old habits die hard.

Tonks: Pure chaos. "Hey, today we're having Mum's homemade lasagna and I'm also getting a new tattoo. Might dye my hair. Don't really need to since I can do this but whatever. So yeah, there's that. Like it's just all over the place and you'd think it would take but the chaos is too good not to watch. Literally gives herself beaks and snouts while she eats. It's iconic.

Dumbledore: Mother fucker just sits at his desk, stares straight into the camera and eats a lemon drop. Like a weirdo. The video usually no more than a minute and each video is just some variation of that. Meme lord.

Hagrid: Tea With Hagrid. Also, so the recipes suck, they too, but Hagrid is a peach and it's relaxing to see his gentle half giant there in his hut, pumpkin patch out the window and Fang laying by the fire. It's a mood and he's just like the comforting Dad figure.

McGonagall: Honestly the best one in the entire world. She makes a full course traditional Scottish breakfast... and then transforms into her animagus the cat...and promptly knocks it off the table. A fucking legend.

------------------------------

Please attack the ask box!

Love, Kenny

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Love, Kenny

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leapingtitan · 3 years

Text

The Final Season - Episode 1 Thoughts

I've watched the first episode around 3 times on my own and over a dozen times from anime-only live reactions on YouTube. Those are always something to have a field day with every season, and are part of the whole enjoyment post-watching the episode on your own.

Obviously I'm only reviewing this based on the first episode, so it's way too early to judge The Final Season as a whole. However, I will say that my strategy to keep my expectations low definitely worked. I was very hyped, don't get me wrong, but after Season 3 Part 2, I realized that production and scheduling has never been this show's strong suite and things behind the scenes were always chaotic. And it was my mistake to realize it this late and have unrealistically high expectations of the manga's adaptation.

But enough about that. I'm just gonna say it right now. I absolutely loved this episode and was completely blown away by it. It was a rollercoaster ride from start to finish and boy, the staff wasn't kidding when they said the first episode was like a movie. It definitely felt like that, and it went by in a flash. Now, on to the individual points.

Story/Adaptation

Flawless. Everything was executed perfectly and went beyond my expectations. The thing that stood out to me the most was how many things were changed from the PV in terms of scene construction, camera angles, and overall storyboards. There was only one shot that we reused from the PV, namely the one with Zeke and Reiner inside the airship where they're referred to as the spear and shield. Everything else was redone, which was a huge surprise. Wit was always very faithful to the original manga panels with how they used them as a big reference for most of their cuts, but this one changes them up a lot. Personally, I am 100% fine with it and as someone who has read these chapters in the manga dozens of times over the past few years, seeing them like this was a pleasant and very welcome surprise.

The anime-only additions here are notable and also quite welcome. Falco's line in the beginning in particular stood out the most in the long-run, but the addition of the Eldians' terror being shown as well as the scene before the ED was very welcome. I would like to assume that this was Isayama's doing as whenever the anime usually adds/changes up things, it's his request to do so. He sort of considers the anime to be the "definitive" version of the story that he, for one reason or another, couldn't do in the manga himself when that particular chapter came out. Season 3 Part 1 (The Uprising Arc) is a prime example for this. Once again, I'm very content with what was done here and I trust MAPPA will do the story justice.

A small but very neat thing is the fact that we got to keep the title cards and the info eyecatches mid-episode. Really added to the whole sense of consistency.

Animation

When the initial trailer came out, many people were concerned about Shigeki Asakawa (Director of Photography)'s odd and excessive usage of blur filters on top of the scenes and were wondering if they would remain in the final product, given her track record with other shows like The God of Highschool. Luckily, that is not the case here as the scenes look very clean and the minimal blur on top adds a bit to the muddy/gritty atmosphere of what's going on. Personally, I don't mind it at all and I barely notice it anyway. MAPPA's biggest strength to me is the usage of effects like blood and explosions. You feel the impact of everything and with such an action-packed episode, it made everything so much better.

The usage of 3D CGI for the Titan Shifters has been the biggest controversy surrounding this first episode. When I first watched it, it didn't bother me at all. Personally I care more about a model fitting in the action sequence rather than how it looks for the most part. Right now I would say I'm neutral. It's not the greatest CG ever conceived in anime but it definitely does not look out of place and is pretty decent. For the Jaw Titan, I couldn't tell what was CG and what wasn't for the most part. For the other Titans it's more obvious, but it's not too jarring. Obviously, if it was up to me and the production committee/NHK didn't push their scheduling shenanigans onto MAPPA, I would have gotten every Titan in 2D, but you can't have everything. If they choose to focus on more important scenes later on and cut corners in this first episode as a result, that's understandable. I can live with it. And again, even then, it's not that bad in my eyes.

Now, the character designs are just absolutely stellar. In multiple interviews, it’s been stated that they wanted to stay true to Kyoji Asano’s designs at Wit while also being consistent with Isayama’s style in the manga. And boy did they absolutely nail it. It’s exactly what as they said. Tomohiro Kishi could not have done a better job with the characters we’ve seen so far and I am beyond impressed with his work. I look forward to seeing the rest of the characters in this arc.

Sound

I've been following Kohta Yamamoto's works for a few years now, ever since he started working with Sawano (and being mentored by him to an extent) in early 2017. Although he's been involved with AoT before, particularly with the character songs in Season 2, whenever those two would collaborate on a project it would usually be because Sawano is too busy to compose a full soundtrack. So what usually happens is, Sawano does one track and variations of it (think ShingekiNoKyojin, ThanksAT and T-KT), and nothing else. Meanwhile, Yamamoto handles the rest of the music for the show. On top of that, Yamamoto's style as a composer is different from Sawano's as he comes from a rock/guitarist background as opposed to Sawano, who is a pianist and is classically trained. My biggest concern for The Final Season was that we would get a similar case as with the other shows where Sawano doesn't put in too much effort, while Yamamoto essentially becomes the main composer. Although it looks like this is in fact the case after this first episode, let me explain why I don't think it's a bad thing.

After the premiere of the first episode, both Sawano and Yamamoto tweeted that it was in fact Yamamoto who is handling the majority of the Marley Arc's music. And after this first episode, I have to say I'm impressed. His initial track that he made for the PV was a bit off-putting to me because it sounded like every epic blockbuster Hollywood trailer background track ever, but after the way it was used in this episode alongside a few other tracks, I have to say I'm pleasantly surprised. It fits what's going on, and overall delivers a fresh sound to the show that is very appropriate given the massive change in narrative. Back during S3 Part 1, Sawano stated in an interview that he was already burned out and had trouble coming up with new music for AoT given how many tracks he had already composed for it. Given how few new melodies were in S3 Part 2;s music, I think this should be clear. Especially now that we're going into yet another season. To summarize, I think Yamamoto's work here is a result of three conditions that just happened to line up perfectly. The change in narrative, which the new composer style reflects. Sawano being busy. And Sawano being burned out with AoT. Now personally I still believe we're going to get at least one new original Sawano track with variations of it for the big climax moments this arc, and he may compose more music for the 2nd half of this 16-episode season, since that's technically a new arc. But we'll see. As a whole though, I'm satisfied with what I've heard from Kohta Yamamoto in this first episode.

The last point to make in regards to the sound is Masafumi Mima who, apart from Sawano, the voice cast, and some freelancers, is the only one from the previous seasons' staff members to return here. And once again, his work here is absolutely phenomenal. The mixing and usage of sound effects in this episode was stellar and truly felt like I was watching a war movie. It enhanced the action tenfold and I could not want it any better. Music usage is something that goes through the director (Yuichiro Hayashi), but ultimately the sound director is the one who implements the track (instrument layering/stem editing) and does the mixing. The usage of Kohta Yamamoto's music here was very well done, and although the track from the PV repeated quite a bit, it didn't get repetitive at all. Also, the sound director remaining consistent here means we got to keep things like the titan transformation sound effects, which may be a small thing but was very welcome and added to the whole consistency.

Opening/Ending

I'm gonna wait until Shinsei Kamattechan releases the full version of the opening in a single or album to fully judge the song, but boy do I love this opening. Although I'm not sure if the TV-size version is my favorite AoT opening yet, I have to say that it's without a doubt the most fitting OP this show has had until this point. It perfectly showcases the themes of war that this arc focuses on and has this lowkey disturbing eerie vibe with the dissonant chords and mixing of the vocals that feels just as "mysterious" and "tense" as the show itself. I love it so much, honestly. Now, Isayama was a fan of Shinsei Kamattechan prior to them doing the S2 ED, and was the one who got them on-board to do it. Although that song isn't really my thing it's also a perfect fit, which leads me to believe that Isayama himself most likely chose the band again, namely to do this OP. And it's fantastic. I love the song. The visuals also have a very distinct style with all the colors and white backgrounds and I love how it's more metaphorical and symbolic (I guess "abstract" as well?) rather than flat-out just spoiling everything like the last arc's OP did.

The ED by Yuko Ando is fantastic. The first time I listened to the full song on its own I couldn't stop getting chills. Love the production aspects of the song and it's just really nice altogether. The visuals are quite interesting especially towards the end and I also like them a lot. Not much else to say about the ED. It's amazing. Go listen to it.

Conclusion

As a whole, I kept my expectations extremely low prior to the premiere despite my hype. As a result of that, not only were they exceeded, I was absolutely blown away by this first episode in pretty much every way. It may still be too early to judge, but from what has been shown here so far, I am absolutely looking forward to see MAPPA adapt the rest of this amazing story, or about as far as they can get with 16 episodes.

#well this just became a whole essay lmao i'm sorry about that #anyway i hope y'all have been doing well #i don't plan to use tumblr actively again but it's nice to have a place to post huge rants like this #but yeah smh at discord lmao #snk #shingeki no kyojin #snk the final season #snk season 4

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kiarcheo · 3 years

Text

It’s All Coming Back to Me Now 4/?

To read on Ao3 click here

You can read the previous parts on Tumblr click here

-------------------------------------

By the time Anne announces she is ready to present a first version of her song, everyone is quite curious to see what she cooked up.

‘I thought about what Anna and Kat said last time. About making it modern…and have everyone involved.’ Anne explains as Kat once again sets up her laptop. ‘So Kat is doing the chorus, which would be your parts.’

Grew up in the French Court Oui, oui, bonjour

Laughter immediately follow the exaggerated French accent coming from the queen who speak the language as fluently and perfectly as her native one.

All the British dudes, lame

Catalina and Anna share a look as Kat chimes in with ‘epic fail’. They had bonded over being shipped to a foreign country not knowing a single word of English to marry some random dude...They are not going to have problems singing that part like they mean it.

(Ooh) I wanna dance and sing (Politics) Not my thing

Catalina barely restrains a snort. Definitely her thing.

(You sent him kisses) I didn't know I would move in with his missus (What?) Get a life (You're living with his wife?)

Kat is extremely convincing at acting shocked at Anne’s actions and then clearly uncomfortable at the next verse, looking down at her feet.

(Ooh) Don't be bitter (Ooh) 'cause I'm fitter (Ooh) Why hasn't it hit her? He doesn't want to bang you Somebody hang you

‘Do you really have to use that language?’ Jane asks after they have all complimented Anne for her song.

‘What? Bitch?’ It’s quite clear to everyone that Anne is trying to rile Jane up. ‘If Catalina can say shit, why can’t I say bitch?’

Both Catalina and Anna nod at Anne’s words. Jane sends her a not-impressed look. She knows she is now repeating that word on purpose now, just to annoy her.

‘They don’t actually say it. Neither of them.’ Kat points out, raising her eye for the first time since half-way through the song, but still avoiding looking at Catalina.

'Moving on,’ Jane concedes, ‘while I technically understand all the words, there are some parts I don’t really...what xo means?’ Unlike Anne, Anna and Kat, Jane had not immediately taken to modern pop culture. At the moment she is trying to understand memes, much to the others’ amusement. They even have a group chat just devoted to sending her memes and gifs to see what she thinks they are and then explaining them. Most of the time Jane regrets having joined the chat and she would just abandon it if she didn’t know that they would add her back in immediately…and also that it’s all good-natured teasing.

‘Hugs and Kisses. Like, if you text someone and you sign off with xo it stands for that. X for kisses and O for hugs.’

'Aaah-’ Jane nods. That makes sense. That’s why Kat followed that line with ‘you sent him kisses’. ‘What about x-rated? It's kisses related too?’

‘In a way.’ Anne guffaws.

‘When something has a x rating, it’s because it’s very explicit. For adults only.’

The others look mildly amused at her innocence and Cathy’s explanation, but Anna is sure Jane will be uncomfortable once she realises. ‘Sex, Jane.’ She cuts it short.

‘You know what?’ Jane’s face is aflame. ‘If you give me the words, I’m going to look them up for myself.’

‘Can I talk to you for a second?’ Jane stops Kat as the meeting wraps up.

‘Want me to wait for you?’ Catalina asks.

‘If you don’t mind.’ Kat sends her a smile, before turning her attention to Jane.

‘I wanted to ask if you could help me out with my song. You wrote Catalina’s, right?’

‘Well, she wrote the words, I just played around, adjusted some bits and added others, you know, for rhymes and rhythm, and stuff like that.’

‘It’s just that...I know what I want to say, but words have never been my strong suit.’ Jane admits self-consciously. ‘If you could help me with that too. And the music. Obviously. To use Anne’s words. Not my thing.’ Jane smiles self-deprecatingly.

‘I would love to!’ Kat smiles encouragingly. ‘Have you thought about what type of sound are you lookin...’ she trails off seeing the slight panic on her face. ‘Why don’t you just make a list of singers and songs that you like? And that you’d like your song to...well, not be similar, but you know?’

Jane nods. That she gets. They agree on meeting up soon to start working on the lyrics and that meanwhile Jane will send Kat songs to get inspirations for the music part.

‘Everything okay?’ Catalina asks as they fall into step.

Kat hesitates for brief second. She will know anyway once she starts spending a lot of time out of the house with Jane, just like she did while working on Anne’s song. Probably even more. And the others will find out when they present it. Make no sense to keep it secret. ‘She just wanted to ask for my help with her song.’

‘What about you?’ Kat asks after a bit, noticing the expression on Catalina’s face. ‘Are you upset about Anne’s song? I’m really sorry about...well, you know what part.’

‘Did you write it?’

‘No!’

‘Exactly.’ Catalina had noticed how uncomfortable the girl had looked and how she had avoided eye contact with her pretty much up until they had finished the meeting and she had spoken to her directly, asking whether she should wait for her or not. ‘Besides, she says it herself, she didn’t really mean it.’

‘Then what is it?’

‘Are you okay with all the...losing your head jokes?’

‘Not really bothered to be honest.’ Kat shrugs. She had time to get used to Anne joking about it and she can see the appeal. She had mentioned it to Cathy, who said something about using humour to cope with trauma and grief. ‘But I know it’s not that. What’s on your mind?’

Catalina sighs. Sometimes having someone knowing you backfires. And Kat does know her. Perhaps a little too well. ‘I know that she is playing around a lot. The “just want to have fun” vibe. The slang. Playing up the airhead persona. Blatantly lying about the politics thing.’ She shakes her head. Everyone who knows about Anne Boleyn will know that is not true. ‘But that line about her father...’ she trails off. She never really considered the role family politics might have played into the whole affair. She always assumed it had been all Anne.

‘That’s something you should ask her.’ Kat says after a beat. Her loyalty will always be to Catalina, but they are not pitted against each other anymore. She loves Anne as well and won’t betray her confidence. And this is a perfect example of why, at the time, which now feels like ages ago, she had requested not to be asked about the other queens, but for everyone to take it up with the person in question. ‘Just because you’re my mom it doesn’t mean rules don’t apply to you.’ Kat winks at her cheekily in an effort to lighten up the mood. Rationally she knows Catalina won’t be upset and will respect her wish not to talk about it. But she can’t help feeling like she is letting her down, disappointing her.

‘I’m proud of you.’

'Why?’

Because she is still caring and sweet despite everything and everyone? Because she never hesitates to use her talents to help others? Because she knows that the little girl who served her and whose priority was to please her is still very much present in Kat, no matter how many times she tells her that she is her daughter now, not her attendant, but here she is, in a way, standing up to her, to protect Anne’s privacy?

Kat sounds genuinely confused and it breaks Catalina’s heart. Every. Single. Time. She will keep telling her until one day Kat’s reaction won’t be surprise and incredulity.

‘I’d need a third lifetime to list all the reasons. But I’m always proud of you.’ Catalina slips her hand so that she is holding the crook of Kat’s elbow, now walking arm in arm. ‘Siempre, querida, siempre.’

When it comes to Jane’s turn, the set-up is a bit different. Upon Jane’s request, Kat is going to play the keyboard instead of having a track playing on her laptop. Despite Kat’s encouragement, Jane still doesn’t feel fully confident...especially about some parts of her song. More than once she suggested to take those out, afraid of chocking or freezing when singing in front of other people. Since when they had practiced with Kat on the keyboard, if Jane changed anything, the younger girl had been able to adapt the music on the spot...they had agreed that Kat will play and follows Jane’s lead, if she decides not to go full-out.

‘I’m sorry...you were the one worried about us singing ourselves??’ Anne breaks the silence that had settled as Jane’s song winded down.

‘Yes, girl!’ Anna agrees. ‘That’s some set of pipes.’

‘We might actually have a problem finding people who can sing that. Between you and Catalina...’ Cathy joins in. The new version of the first queen’s song had some new lines, minor changes and tweaks. And lots of riffing, with Catalina fully making the song hers while Kat had sung the added choruses.

‘I was surprised myself.’ Jane admits bashful at the praises. ‘We went through...scales?’ she looks at Kat to make sure she is saying it right.

‘Yes, I wanted to find her vocal range. See what was within her natural reach, how high she could get…and she kept going up and up.’ Kat nods with a laugh, remembering the scene and how shocked they had both been when they realised the potential of Jane’s voice. Once Kat heard her, she knew she simply had to include some whistle notes.

‘I think some vocal training would be good.’ Anne raises her hands at the looks she receives. ‘I don’t mean it like that. I already said that! Just...one thing is doing that once. Another is doing it repeatedly and consistently…and doing it well.’

‘She has a point.’ Everyone who had ever taken vocal lessons agree.

‘It’s like with playing an instrument or dancing. You might have talent, but you need to cultivate it. Study. Practice. Train.’

‘Talking about dancing,’ Catalina starts, ‘what do we think about choreographies? Jane’s song doesn’t lend itself, but I have some ideas for mine.’

Kat looks at her, raised eyebrow and amused expression on her face. Some ideas? She basically has choreographed half of the song already.

The exchange is missed as Anne exclaims. ‘Me too!’

Jane groans. ‘Not that too. I just solved one problem.’

‘Please,’ Anna scoffs good-natured at her, ‘next thing we know you’ll be popping and locking like a pro.’

‘I have no idea what you just said.’ Jane deadpans.

Anne and Catalina are still staring at each other. Kat and Cathy look from one to the other. The first two queens were both renowned, among a lot of other things, for being accomplished and skilful dancers. Things had gone quite smoothly so far, but they learned during their cohabitation to never underestimate what could start a squabble…or worse.

‘So,’ Anne clears her throat, suddenly awkward, ‘team up?’

Catalina ponders in silence a bit longer. ‘You know what? Why not!’

She doesn’t miss the relieved looks on the last two queens’ faces, before they turn to each other with excited grins. She supposes that her girl is happy that she is trying to get along with her cousin, whom she got even closer since they worked on Anne’s song together, and Cathy is probably happy with how her project is taking shape, and that others besides her (and Kat) are showing initiative. And both are probably happy that a potential quarrel had been avoided. The last two queens had been the ones most uncomfortable when discussions would happen at the household.

‘Anyone has anything else to add before we adjourn the meeting?’

‘Ohh, so profesh!’ Anne teases Cathy.

‘I actually have.’ Kat speaks up. ‘I thought about your idea of having an intro song...what if we make it about what we are known for?’

‘Oh. Like, this is what you think you know about us. Then bam! We have our songs that rewrite the whole history.’ Anna picks it up immediately.

‘Making it…her-story,’

Everyone turns to look at Jane, who appears very proud of her pun. Kat is the one who reacts first. Having spent long hours with her cousin while writing her song, she has come to know her love for puns and – usually lame – jokes. She whips out her pen to scribble something down on her pink notebook, before raising her head again. ‘But yes, Anna, that’s exactly what I meant.’

‘That makes sense.’ Anne nods.

‘We should include that stupid rhyme.’ Kat muses aloud. ‘You know, divorced, beheaded, died, divorced, beheaded, survived...wait. Wait.’ she raises one hand as to silence the others while with her other hand she is busy writing on her notebook.

‘We are waiting.’ Catalina informs her, tone amused. ‘Not sure what for, though.’

Kat doesn’t reply until she stops writing. She gives a long look at the words she penned. ‘What about.

I'm done 'cause all this time I've been just one word In a stupid rhyme

‘We could use that as an actual intro!’ Anne lights up. ‘Like. Divorced and Catalina enters. Beheaded and I do. And so on.’

‘I haven’t started to think about that song at all.’ Cathy admits. She is slowly putting together her own. There is so much she wants to say and not much time…in a song. Sometimes she wishes she had less time to write, that she was not the last queen, because then she would have to take what she got and present it, instead of agonizing over every single word and whether there is a better one to use. ‘But just like this, on the spot...I think that stupid rhyme,’ she sends a smile to Kat, ‘could also work as refrain?’

#six the musical fanfiction #six the musical #catherine and katherine #six fanfiction #six writing #my six posts #six fanfic #six the musical fic #fic: It’s All Coming Back to Me Now #six the musical fanfic #six fic #mywork #my ideas #my posts

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animatedminds · 4 years

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What If: Every Character In Dragonball FighterZ Had a Dramatic Finish? (Pt. 1)

Consider this a nerdy thought experiment. I’m a big Dragonball fan, and a big FighterZ fan, and anyone who is either probably knows well by know what Dramatic Finishers are: in one of the most amazing steps of fanservice in recent memory, Arcsys created intricate animated adaptations of some of Dragonball’s greatest moments, which can be triggered in special situations. Huge explosions, great comebacks, cool ends to some of the series hypest fights.

But it gets you thinking - and its something that a lot of fans have asked since the game started: which if X or Y character had a Dramatic Finish, instead of the select few who have some in the current build?

Well, over the next few days we’re going to figure that out. With DLC on the way bringing us a brand new and thoroughly expected Finish for Kefla, this seemed like a great time to do it. Now, let’s be clear: this isn’t an attempt to say that all of these characters should get a Dramatic Finish. Arcsys’ style of animation these days is very intricate and extremely time consuming, which makes any new animation something of a godsend in the first place. As a result, not only are most of the characters who don’t already have one probably not going to get one, I wouldn’t be surprised if most of them weren’t ever considered at all. This is more as a hypothetical: if these characters were considered, what would their Finishes be? What references would be best for them, to give cool moments from Dragonball history? To give another note, for this the point is to ensure every character gets an appearance in a Dramatic Finish. Not necessarily a win (that’s simply not possible for everyone). Some of these characters are going to have losses listed. Some might even have to make due with Dramatic Openings instead. For the most part, we won’t be assuming the existence of any characters who aren’t currently in the game: it has to be within the current roster.

You can listen along to the entire list right now if you don’t want to read a wall of text over the course of several day: just check out the track on Soundcloud! It’s everyone from the beginning to the end of the roster, with dulcet tones and some neat Dragonball music.

But... if you don’t have the time to hear nerd talk for twenty minutes, go ahead: we’re skipping the ones who already have one - I mention them all on the audio even though I still skip them, just for completeness (and so people don’t ask me why I didn’t think of other ones for existing characters) and in order to make quips - but this is going to be shorter.

Part 1, we’ll go over the first three characters - mostly the Dragonball era with one addition - and so the first character to not to have a Dramatic Finish is...

Tien (or Tenshinhan, depending on your version)

Tien spends a lot of time away from the plot - unlike most of the cast, when he’s not there to do something significant he’s typically just absent, only appearing when he does. However, that doesn’t mean he doesn’t have options for a Finish: far from it. I can think of at least two that would make decent choices.

The first is probably the one everyone thinks of when they think of Tien: the moment where stalls Cell with the Kikoho, blasting him into the dirt repeatedly to give 18 and 16 time to escape. It’s a classic epic scene with Tien, and one that a lot of people remember:

youtube

A couple caveats with this one: first being that this wasn’t actually a Finish - Cell gets ups just fine afterwards - but if Base Goku’s Finish against Freeza is any indication, that’s not necessarily a problem if the scene is a strong enough moment. The other is that the version of Cell that this happens to - Semi-Perfect Cell - is not strictly in the game: its Perfect Cell. But the game has cheated with this as well in the past. The stage this would happen, however, is already in the game - so no problems there.

It’s not hard to see how this would work. The typical Dramatic Finish beginning, Cell looks up and finds Tien already above him, ready to rain Kikohos down upon him. The way I see this working best is similar to those infamous Quan Chi and Chronika fatalities in the Mortal Kombat series - the ones that don’t ever actually end, they just keep going over and over until the players ends or (more likely for this game) the screen transitions to the next on its own. Here, you could have Tien just keep Kikohoing again and again until the Victory Marquee comes up on its own. Very funny, very epic.

The second idea, however, is one I think is better reference for Tien himself - one of the classic moments from when his character was more current: the time he narrowly defeated Kid Goku at the Tenkaichi Budokai:

youtube

Albeit without the blowing up the stage on this one.

This fight involved Goku and Tien going at it in midair: Tien able to fly, while Goku couldn’t at the time - they end up plummeting to the ground, but only one is able to avoid a ring out. It’s another one with that same caveat: Kid Goku is technically not in the game, but GT Goku is basically the same character with few additions, so he can easily be used as a stand-in. This one would also give the World Martial Arts Tournament stage something special, which it doesn’t have yet.

For this, have the fight continue into the scene - a la Super Broly’s - and end up in midair, where they both start to lose steam. Goku knocks Tien down, but Tien is able to knock Goku away. A fun extra they could do is - since the original version had Goku fall into a highway and get his by a car - do like the Jiren Finish and change stages in the middle of the scene, ending at the City. Goku crashes (complete with car, for fun), Tien doesn’t, and the latter enjoys a weary victory pose. Next up:

Piccolo (or if you know what moment I’m thinking of already, Piccolo Jr)

Piccolo, while he’s always around in roles of semi-importance, is another who was phased out of a major slot in favor of stronger rivals and later characters. But he’s always good for a least one awesome moment per arc, and there’s one major scene in particular that I think would be perfect for a Dramatic Finish:

The end of his fight against Goku at the World Martial Arts tournament.

This scene is actually - to me - a no brainer: it and the moment against Piccolo Daimao where the moments where the series really started getting into having villain defeats with built-up, dramatic physical conclusions, and the defeat of Piccolo Jr in particular was the culmination of everything that came before it. I was actually surprised that when Base Goku was released, and this moment wasn’t added in addition to the Saiyan Saga content: I was at least expecting moments from this fight to be represented in Base Goku’s moveset, as it features such identifiable things to draw from. Either way, there are two moments from this fight that would work in a Finish - the second, incidentally, happens immediately after the first, but either would work. The first being what the Budokai games eventually named the “Meteor Combination” - where Goku seems to defeat Piccolo once and for all after blocking his ultimate attack.

youtube

Not going to lie, this ranks pretty high one my personal list of the best action sequences in the entire franchise - it’s pictured above for a reason - and I’m a little disappointed I couldn’t find a video clip with the whole bit beforehand with Piccolo’s explosive attack as well.

It’s a triumphant turnaround, a very dramatic conclusion with a lot of flow and weight, and would be perfect animated in a Dramatic finish. Plus, it’s another that gives the Tournament stage some content. You could either have it begin like Cell’s Dramatic Finish - where Piccolo attempts an attack (the Destructive Wave, in this case), only for Goku to turn it around, or you could simply have Goku go straight into the attack, knocking Piccolo to the ground and finishing with a titanic Kamehameha from above.

As I said before, it’s a little surprising they didn’t add it in some way already. End it with a thumbs up to the camera, like in the original scene, and you’re gold. Or...

The moment right after, where it turns out Piccolo is just faking his defeat, and turns it around only to be defeated by Goku in the end anyway:

youtube

This is the infamous one where Piccolo tortures Goku, but that doesn’t have to fully be in the Finish. In this one, you would start the Dramatic Finish with Piccolo getting knocked down, and Goku giving that thumbs up I was telling you about... but then Piccolo hops up and blasts Goku through the shoulder - which is easily done bloodlessly. He then presses the attack, laying on the ground, broken, and is about to torture him, when... For this next part, you could either require Tien and Krillin (or Yamcha) on our team alongside Base Goku to perform, or you could do it with whatever teammates you have: they jump in to help Goku, but Piccolo blocks them with a ki attack. Then he looks down, and finds that Goku is gone! He looks about to find Goku rocketing at him to deliver a titanic headbutt that ends the fight for good. In the source, after getting healed Goku did a dramatic leap into the air to celebrate finally winning the tournament - without a healing segment, that can just happen automatically, and that would be a fine last image of the Finish.

With Piccolo out of the way, the next characters up for a Finish skip a whole saga, and go straight to...

The Ginyu Force

This one took a bit of thinking, as all the Ginyu members fought individually, and most against different characters, but I realized if I was going to pick one there was really only the one option: The moment where Ginyu tries to body change with Vegeta, and ends up in the form of a frog.

Forgive the lack of embedded video on this one - it’s potholed above, but I didn’t want the first post to just be two characters, and alas with the combination of Tumblr’s five vid limit, my coming up with two legit ideas each for the previous two (that won’t happen often for the rest), and needing two entire videos for just one of the Piccolo ideas, I ran out of embeds. Still, this one is a keeper.

This would be a Base Vegeta win, requiring Base Goku to be on his team. The original moment was all vertical: Ginyu flew up in the air and Vegeta flew up after him, but you could just finagle it and do it horizontally instead to cut back on extra animation. The set up for this is simple as anything: do the knockback, trigger the Finish, Ginyu gets furious - while Vegeta is too arrogant to notice - and starts the Body Change, catching Vegeta off guard. At the last second, Goku throws a frog in between them, and Ginyu is left stuck croaking. The last shot - like the Janemba Finish - could be the POV of Frog Ginyu as he runs away, while regular Ginyu hops around like a frog. This more funny that epic, but it is a very memorable part of the Freeza arc, and definitely the most memorable thing attached to Captain Ginyu himself, so in my opinion its the best bet for him.

And that’s the first three:

There’ll be more than three in the next segment, trust me.

If you like the idea, happy to have you. Make sure to listen to the full track on Soundcloud if you just want the list right away without waiting a day for each installment, and let me know if you agree with the list or not - what you would pick instead, that sort of thing. Either way, stay Sparking!

#dragon ball fighterz #dragon ball #dragon ball z #dragon ball super #kefla #dramatic finish #tien #tenshinhan #piccolo #ginyu force #ui goku dlc #fighting game #anime #speculation #hypothetical scenario #what if #arc system works #arcsys #animatedmindsforanimatedtimes

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laboratorium2d · 4 years

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Children's Animated Series, As Graded by a Parent Who Has Watched Far Too Many of Them

My Little Pony: Friendship is Magic: The brony thing is legitimately weird, but this is legitimately a great show. The combination of epic-fantasy plots with a deep dive on friendship is a winner (and has also been deeply influential on kids' television). It also makes the obligatory pro-social messages feel earned, rather than an afterthought. The characters are charming, the writing sparkles, and the animation is still distinctive. Endlessly watchable, which is a good thing when your kid wants to watch endlessly. Fake holidays: Nightmare Night, Hearth's Warming Eve, Hearts and Hooves Day. Grade: A+

Avatar: I was fifteen years too old for this when it was on TV, so I didn't understand what the fuss was about. Now I do. It's epic but not grandiose, funny but not dumb, and morally deep without giving into plot gravity. The world-building, the writing, the animation, the voice-acting, the fight scenes, the side characters: everything works, and everything is pulling in the same direction. (The sequel series, The Legend of Korra, is more of the same, with an interestingly updated setting and better music.) If your kids are like mine, they'll want to talk about everything, and so will you. I guess binge-watching is a family thing now. Grade: A+

She-Ra and the Princesses of Power: This show is so gay. However gay you expect it to be, it's ten times gayer. It's also pro-diversity along every axis you can imagine, including body-type. It's completely awesome. It captures the uncannily compelling techno-fantasy atmosphere of the original, and it has characters with the same names, but otherwise it's a total gut rehab. The character studies at its core are compelling, even as the overall plot and action hold a young child's interest. It takes lots of anime animation tropes and tones them down to the verge of naturalism, which I wouldn't have thought would work, but totally does. Grade: A-

Wild Kratts: The big kid was learning biology from this show almost from before she could talk. "Giraffe. Long neck. Eat leaves." The premise of the show is genius: animated versions of veteran kids' wildlife-show hosts Chris and Martin Kratt have suits that give them "creature powers," and they travel around the world having adventures with animals. The science is legit and it's presented entertainingly. And the characters are winners, especially the creature-suit inventor Aviva Corcovado and the colorful villains. The only thing consistently annoying about this show is that it can be shouty. Everyone is Just! So! Excited! About! Animals! Grade: A-.

Phineas and Ferb: The Arrested Development of kids' animation, Phineas and Ferb is impossibly dense with overlapping plots, brick jokes, and a large army of recurring minor characters. Every episode features an original song, some of which are genuinely brilliant ("Squirrels in My Pants" is a household favorite). It is also a wholly, completely sweet-hearted show. Even the antagonists -- Candace and Dr. Doofenshmirtz -- are sympathetic, charming, fully-realized, and allowed to grow and be happy in ways that a lesser version of this show would never even have realized was a possibility. The allegretto pacing and intricate writing keep the show consistently fresh. New Disney at its best. Grade: A-

Ben and Holly's Little Kingdom: From the same team who brought you Peppa Pig, but even drier underneath its treacly trappings. The comedic timing is straight out of classic British sketch comedy. The voice actors are clearly in on the joke, which if anything makes the show more fun to listen to than to watch. B+

Dinosaur Train: Sometimes high concepts work. The show 100% owns its message: dinosaur physiology is a diversity metaphor, presented with just the right degree of insistence. The characters are sketched with grace and sympathy, and the science is pitched just right for its target audience. Over the years, the show (like all railfans) has gotten increasingly obsessed with its train equipment: the aquacar, the submarine, the ... zeppelin. The songs are surprisingly catchy, too: our favorite is probably the Dinosaur Train Zeppelin song, which, yes, is a Led Zeppelin pastiche. Grade: B+

Odd Squad: This one really grew on me. If all you've seen is short clips, it just seems like everyone is shouting about math all the time. But the show overall is delightfully goofy, with a real sense of how to string along a running gag, and some genuinely talented child actors. Grade: B+

Creative Galaxy: Despite being a total Daniel Tiger rip-off, down to the animation style, the obligatory song in every episode, and the live-action codas, this one is actually kind of nice. The art projects are well-chosen both to interest kids and also to actually be doable. Fake holidays: Heart Day. Grade: B

Peppa Pig: It took me a long time to appreciate this show's arch sense of humor. Everyone's pretensions and ambitions are punctured; embarrassing mistakes and small indignities await adults at every turn. Once you realize that the show is making fun of most of its characters but loves them anyway, it's much more bearable. Grade: B

Curious George: Entirely forgettable, with two mildly redeeming qualities. George himself is as charming as always, and the jazzy musical score is pleasant. Grade: B-

Miraculous: Tales of Ladybug and Cat Noir: It took me a while to understand what this show was doing. It's very, very French. Grade: C+

Daniel Tiger's Neighborhood: Even my kids recognize that Daniel Tiger is needy and whiny. The show inadvertently teaches kids what to be afraid of and how to misbehave. There is also something deeply wrong with the economy of the Neighborhood: everyone seems to have multiple jobs and the public transit system runs on magic. On the plus side, the potty song has come in handy as a reminder: when you have to go potty, stop and go right away. Fake holidays: Love Day, Snowflake Day, Dress Up Day. Grade: C+

Ready Jet Go: I suppose there's some science in here somewhere, I guess. Grade: C+

Tumble Leaf: Reviewers might call this one "gentle," by which they mean "boring." The animation is lovely and the music is calming. But what's the point? Grade: C+

PAW Patrol: Unbelievably, incredibly formulaic. For example: have you noticed that they get in their trucks at exactly the same point halfway through each episode? Just Canadian enough to be noticeably off, but also rah-rah in a George W. Bush-administration kind of way. Sometimes I imagine grown-up versions of the pups. Chase regularly engages in police brutality, Rubble has a drinking problem, and Marshall has joined the alt-right. Grade: C

Nature Cat: Nature Cat is annoying and his friends are worse. I'm not clear on what they're supposed to be learning. And the theme song manages to be both unmemorable and an earworm. Make it stop! Grade: C

Super Why: More like Super Why Does This Exist, amirite? The whole show is oddly paced: I find the story-within-a-story structure confusing and can only wonder how much of it kids actually get. Having each character deal with a different aspect of literacy leaves the show's educational content unfocused. And the Super Letters are like the world's lamest game of Wheel of Fortune. Plus the song is an earworm, and not in a good way. Grade: C

Sofia the First: Empty Disney calories, this show is the reductio ad absurdum of Disney's democratization of the idea of "princess." The plotting, the writing, and the music are technically proficient. The cel-shading effects that give 3D animation the luminosity of 2D hand drawn are lovely. The messages are perfectly innocuous. But the heart of the show is a giant gaping void. Fake holidays: Wassailia. Grade: C

Lion Guard: More empty Disney calories, like Sofia the First but with more obnoxious characters. Inexplicably real holiday: Christmas. Grade: C-

Peg + Cat: All I can remember is that the show is inexplicably drawn on graph paper, and they have a BIG BIG PROBLEM every few seconds. When people complain about STEM, and I remember that this show exists, I have to admit that they have a point. Grade: C-

Martha Speaks: The AV Club's term for this kind of show is "least essential." Even by the standards of kids' shows, the premise makes no sense. Nobody here, human or canine, is remotely sympathetic. And the plot comes to a screeching halt every time it's time for a new vocabulary word. Grade: C-

WordWorld: I have so many questions about this show. If everything is made out of words, what about the ground? The sky? Windows? And what are the letters in the words made of? What is going on with the accents? And who greenlit three seasons of this garbage? Grade: D+

The Adventures of Puss in Boots: This is a weird, weird show. And not in a good way. Grade: D+

Trolls: The Beat Goes On: Quite possibly the most misanthropic kids show currently streaming anywhere. The combination of grimdark setting and hackneyed uplifting plot tropes is somewhere between unsettling and child abuse. Poppy is a walking illustration of emotional labor; Branch has severe PTSD. The show treats both of these as laughable quirks. And I am never going to get used to the Auto-Tune. Grade: D+

Kung-Fu Panda: The Paws of Destiny: Pretty much your standard DreamWorks animation. This is not a good thing. Grade: D

If You Give a Mouse a Cookie: The animation and voice-acting are innocuous. But building an entire show around the "if X, then Y" formula led to some disastrous choices. The show taught my big kid how to say things like, "If I see a rock, I just have to bring it home with me." It takes a special kind of kids show to affirmatively instill bad habits. Grade: D-

The Adventures of Rocky and Bullwinkle (2018): An absolute travesty in every possible way. The remake is the direct opposite of everything the original represented: crude instead of clever, manic instead of playful, and mean instead of goofy. Grade: F-

#culture

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nautiscarader · 4 years

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2019 in animation - very selected summary

So, I dunno if anyone’s noticed, but this year was crazy strong when it comes to animation, both in terms of amount and quality of it. No matter what type you liked - traditional...

...3D...

...cell-shaded...

...hyper-realistic...

- oh, wait, wait, no, my mistake, that’s clearly live-action.

Anyway, no matter what type of animation is your favourite, this year gave you something. and I’m gonna go chronologically, listing those that I have been able to see. Keep in mind, day only has 24 hours, so I couldn’t see every new season or premiere (for example, I had no interest in OK KO, or She-Ra). Some spoilers below. And Gifs. LOTS OF gifs.

In January: we were still riding on the Spiderverse bandwagon from last year,, which culminated with an Oscar in February. And though as I’ve said, the movie would have worked better imho as a, say, Netflix series, as only two of the spider-people were properly fleshed out, I have to admit, it was a well-earned prize.

Then we were hit by the finale of Steven Universe, and while some complained about the another redemption of cosmic regime, it was an incredibly satisfying ending to a great cartoon... so much so that a whole movie and an epilogue series was made.

plus, it had a segment animated by James Baxter, so it’s automatic win..

January also blessed us with a reboot of another old-forgotten property, Carmen Sandiego, with her second season arriving in October. And it proved that reboots do make sense, but only if you actually do something with it. The story was fresh, creative, and yet, similar in its serialised form to capture the imagination of viewers. Also, grappling hooks for the win.

February was the month of dragons. Not only we got the conclusion of How to Train Your Dragon franchise, but Netlfix gave us second season of The Dragon Prince. While I still consider HTTYD 1 as the best movie of the franchise, as it cleverly told the story of a conflict without any obvious villain, HTTYD 3 was a satisfying conclusion, strengthened by the Homecoming special in November.

TDP S2 on the other hand, did everything season 1 did, except better. For once, the studio finally broke their piggy bank and bought a new graphics card, so the choppy 15FPS animation of S1 is gone. The story got darker, more mature, yet whimsical, and it only made us hungry for more. Luckily, S3 was just around the corner.

March gave us season 2 of Craig of the Creek. I have to admit, I missed out on this cartoon in 2018, and it was a humongous mistake. CotC is quite possibly the most wholesome cartoon out there, telling amazing story about a boy, his friends, and his family, glorifying the mundane adventures in the creek to truly epic proportions. The family is especially important part, I do not remember a cartoon where bonds between family members were as well written as here. Definitely a must-watch if you have missed it as well.

On 8th of March, the International Women’s day, DC Superhero Girls 2019, aka My Little Pony But Humans And With Superpowers, started, and it was a blast. Creator. Lauren Faust, has once again proven that whatever she touches turns into gold. The shorts were funny, clever, and changed just enough of the DC universe to feel familiar, yet show us new, interesting scenarios.

In April, Missing Link had its premiere, showing that traditional, stop motion animation not only has place in modern times, but it can deliver spectacular scenes, though of course, we expected nothing less of studio Laika.

In May, one of Disney’s long-running series, Star vs The Forces of Evil had its finale, and that brings us to the first screech of the list. Many people complained about the direction the show has taken, some claiming it has gone off-track in S3, some saying it was S4 that dropped the quality. Some, like me, saw nothing wrong with it, but the finale let people dissatisfied. If anything, it was too short, and definitely could use an epilogue movie that would tie some of the remaining plot threads in something bigger than one single pan-shot.

Rest in piece, laser puppies

Wait, they’re alive? Well, then... rest in piece, Hekapoo and her puppies.

This month also presented a first contender for this Summer’s line-up, Twelve Forever. The cartoon took us into wild, bizarre land of imagination, and offered quite a few very mature lessons about growing up and acknowledging one’s responsibilities. It also provided much needed representation, both in terms of colour and sexuality.

Sadly, amidst scandals with its creator, the show was canned, though it’s also Netflix’s fault for not marketing it enough.

A-and maybe the show was just a tad too... creepy....

Also somewhere in May some Games might have been lost and some Thrones burned, but no one cares about it anymore. i think it was popular for a while, though.

However, 12 Forever was just a start. June gave us Amphibia, my personal top-bingeable cartoon of the year. Disney has hit a jackpot, giving us an incredibly creative fantasy show with rich mythology and enough emotional conflict to create fantastic storytelling. The only slight complain was the scheduling, as episodes aired daily, meaning the season was over by the end of the month. But honestly, the amount of humour and adventures with Anne in the forg world we got compensates that thousandfold. Book 2, coming in 2020, can only makes thing more interesting.

Going for a hat-trick, in August we got the premiere of a cartoon that I was betting would be my personal favourite, Infinity Train... Until I learned of its schedule, even weirder than Amphibia’s. While Amphibia took a right turn, and gave us 20 episodes, a perfect amount for both plot and filler stories, Infinity Train... turned out to be a mini-series with just ten episodes, airing daily, two per night. And that, in my opinion, was a fatal mistake. Not only we now know that the story is not over, as Season 2 arrives in January, but the short episodes and its density gave very little time to leave an impact on us. If it was at least spaced out, then maybe I wouldn’t be so judgemental, but for me it was a blow that deflated the balloon I was clinging to since 2016 pilot. Still, there is more to come, and the story was more than interesting, so we’ll see if I get used to the pocket mini-story arcs.

September. Remember Steven Universe? That cartoon that ended? SIKE, HAVE A TV MOVIE. And by gods, old and new, what a phenomenal movie it was. A musical telling its own, contained story of betrayal, trust and finding yourself, based on Rebecca Sugar’s mis-adventure with a phone that reset itself... I have seen this movie at least ten times, and its OST is one I come back to constantly on Spotify. The songs are amazing, catchy, incredibly-well written, deep, and, as usual, send very adult messages about growing up and finding one’s identity, which SU was already famous for. Must watch.

Continuing the theme of reboots that actually make sense, Ducktales finished its second season after duck-bombs in March and May, with a heart-breaking story of Della Duck and humongous finale, extending DT’s universe to other Disney Afternoon shows. Season 3 promises even more, and DT is a golden standard of making a reboot that stays faithful to a more than half-a-century old material, while adding enough material to keep things fresh and funny for modern audience. What I’m saying is, Disney could really learn from Disney (pictured below).

But while some things start, some have to finish. October saw the end of My Little Pony: Friendship is Magic, a show that has taken Internet by the storm in 2010 and...

...okay, cringy brony things aside, this was a clever re-imagining of the decades-old property, and its popularity, especially amongst the people outside the target demography is a proof of its quality. The ending was perfectly serviceable, nothing that stood out, in my opinion, but it definitely didn’t disappoint either. MLP FiM will live in history as the cartoon about pastel tiny horses that made adult men cry and gave them enough passion to create years of of visual crack. And porn. Lots of porn.

November: Just In case if one season of human and elf adventures was enough, The Dragon Prince Season 3 arrived in November, and it provided a thrilling conclusion to its first smaller story arc. Though I wish the season was longer, and it dived into the history of Elves’ and Humans’ animosities, I would be lying if I said I didn’t binge-watch it all in one sitting, gripping my chair.

Do you like Green Eggs and Ham? Yes, yes, I do, Sam-I-am. Question: how do you take a classic poem, made purposefully of limited vocabulary, and turn it into a thirteen episode series with a beginning, middle, and end? The answer: You add bunch of weird stuff and the mother of all complicated backstories... at least by the original’s standards. And here’s the thing: this is the first Dr Seuss’ adaption where it works. Somehow the writers were able to stretch each verse of the famous poem into a surprisingly emotional story about friendship, losing and restoring hope, as well as following your dreams. Plus, it gave us Fargo-esque team of Bad Guys. Come on.

And just in time for Christmas season, we were blessed with Klaus, a clear contender for a Christmas classic in my opinion. This STUNNINGLY beautiful traditionally animated original Netflix movie is a very, very clever reinterpretation of St. Nick’s mythos, telling a deep, and very realistic story of greed and selfishness, and how can one turn their life around by changing their life, one present at a time.

We’re about to end the year, so HOW ABOUT SOME EMOTIONAL TRAUMA, KIDS? Yes, Steven Universe Future is here, and from the looks of it, Steven’s problems are just beginning, since they mature with him. The show’s too real, man. However, it also provided much needed levity, giving us a familiar taste. Nothing more to say, as the show is still airing, and it will surely give us more emotional moments.

And that’s a wrap for 2019. As I’ve said, it is not exhaustive by any means, and from the looks of it, 2020 is gonna be as packed as its prequel. So yeah, the world might be on fire, but at least we got some nice cartoon to binge-watch.

Happy new year everyone! At least I have time until 6th of January when the first episode of Infinity Train Season two arriWHAT DO YOU MEAN IT’S OUT ALREADY

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sikereviewdotcom · 4 years

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johnny bravo - johnny goes to bollywood (pre-movie)

so clearly it wasnt the movie, i have no idea what episode this was really “episode 1″ was written the video had 4k views and the channel was obscure

but thats beyond the point since im still gonna review the shit out of this episode:

first to begin

were greeted by a lovely bunch of indian women dancing and chanting in an inexistant language i guess (ps: the episode was in indian i think for some reason i havent looked it up either they actually have like i know the movie is americano-indiano w/e but why is this specific episode, which is it even an episode? i shoulda asked for a more precise one but who cares i dont

so after being greeted by this, kinda racist doe but its the 90s the world still evolving cant except much from them can we? ill let it slide but its losing points not surprising but not cool anyway racism aint rad yo

moving on: we see johnny laying on his couch, what he gonna do? well after watching an ad for “jiggy’s jiggalicious (extra-sexy-sexiness-leveling-up) hair gel” he decides to order some quick by the phone and dring drang the mailman comes to him quick and good

handing the true power (gel) for johnnys hair, amazing really but like johnny doesnt even need it look at his fucking hair guys obviously the guy already puts an incredibly amount of gel actually this is what he looks like without his gel

so im taking them a few points down there cause thats denying that johnnys hair is actually pretty well stylized in a jock kinda way but nah johnny aint even this close to that its different still adding +2 points to see his great french fries au naturel if you know what i mean,

next thing you know

the gel works and johnny gets all the chicks outside like really ALL of them and not even only chicks an elephant, men, cars or w/e its a mess he learns fast that with great powers come great responsabilities but johnny isnt about it that guy literally sent the bill to his mama what are responsabilities? how is he even living alone? why is he in bollywood???? who the fuck knows, now it is

“johnnywood”

quickly he meets little girls, i feel like children helping johnny out or him seeking help to them is pretty much a recurring event in there like hes the lil oliver of the streets dogs kinda going with the big dogs trynna life that lifestyle learn the rules by them except he is the adult one and theyre just kids no ones gonna teach you shit johnny because you dont get teached in this hood you get ditched

still pretty epic music going on there digged that dancing johnny sequence with his new hairstyle i get that his moves were great as i just said but apparantly the kids are the only ones not affected by them btw, because the hair gel makes him throws some sike dance there and there which charms people by zapping them with a sexiness-ray-lasers w/e

now that he learned how dangerous the power of being hot and so sexy no one can resist you like no one and with the help of little girls (who are only helping against bubblegum otherwise ofc little girls wouldnt randomly help a grown man dancing 24/24h thats wack too wack and shit thank god johnny is mentally a kid or not? actually nothing can make it, out of contxt, less weird thinking about an adult man who keeps flexing hanging out with little girls daily or mostly so quite often either its his neighbour or just randos

so next they try many things to stop j from being sexy except one thing ill tell later

nothing works so johnny, pinky (youngest girl) and shinky (the older one) go to seek help from the great jiggy himself but the guard wont let them in like this

to get him to let them in our handsome fella shakes his muscles and

the guard falls under his charm and let him in

finally we meet jiggy himself and hes surrounded by his main and side hoes an entire harem of hot chicks all laying and touching him as he sits on his big throne slash chair, quickly THE MAN asks if johnny tried out all his different gels to which he answers positively after a flashback of everything theyve tried before coming to him and so ((ps: i want you guys to know about the two fucking great songs following up in this scene (one with jiggy the man (i do not like that guy tbh have you guys seen his ass? terrible its not even about his ass fuck his vibes is all i only go by johnny who has an excuse to be dumb(( aside from being a himbo))

back to whipping your sheeps: the question: “have you washed your hair with water?”

ofc he hasnt so we discover a big thing here, bravo is dumb so very dumb man wait no that aint a surprise yet it still has something behind it: how often does he even shower? he must be well kept since he takes big pride in his body though he just forgot to wash his hair with water? crazy idk what to think of this ill give my final words on this episode after the quick explaination im giving you here

so thats it btw he goes wash his hair, everything is back to normal, hes back in the getting-slapped after the good old “hot mamma” the balance is back on track

in conclusion?

well everyone this was a very revealing episode and also one of the episodes where our man actually gets the chicks and the zoo but also we learn shit like:

he is in bollywood today! wow! gonna -1 this because it was not explained why and yea ill prob check the movie out

he forgets about washing your hair with water: asks the question “how many fucking times a month does he? is it all gel?”

im downgrading this episode from 8 letters because of jiggys appareance fuck him and his ass, harem and whatnot

also it was in indian(???) this is neutral im just reminding you the context ( yes the voices were fitting enough)

final thoughts: this was an average episode the music was 6/10(basic bollywood) , johnny acted like he always does: no brain cells are available theyre all cooking themselves some protein bars as the other fews are taking fitness classes as we speak so they cant do their job

what saved this? bravos moves thats all i have to say on this matter

tg, out

#review #johnny bravo #cartoon reviews #reviews #johnny bravo review

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the--blackdahlia · 5 years

Text

Too Young to Fall in Love Chapter 7 (Dirt!Nikki x Reader)

Title: Too Young to Fall in Love 7

Summary: Nikki Sixx was a hard partying musician on the strip. He never expected to fall in love with anyone, until a girl knocked on his dressing room door looking for a ride home and took his breath away. Just like everything else Nikki did; the drugs, the money, the music; Nikki went hard with love. (Y/n) Bass never expected the bassist of Motley Crue to be the one to shake her calm and calculated life up. She had a plan. Graduate school, become an epic producer, and watch from behind the scenes as her brother’s band rose to fame. Nikki and (Y/n) were perfect for each other, too bad her brother, Tommy, didn’t think so.

Series warnings: Smut (18+ Please), drug use, language, referenced miscarriage, drug overdose, mentioned attempted suicide, out of character moments for everyone in the band, the timeline might be a little screwy but it’s fanfiction! I know nothing of music production and my medical knowledge is really screwy, so it won’t be accurate.

Check out my Patreon for more!!!

“Hey loser!” Athena laughed.

“Bitch.” (Y/n) laughed. “Sorry, I got sidetracked.”

“Oh? And what exactly distracted you to the point that you got “side tracked” huh?” Athena teased.

“Her new boyfriend.” Vanessa teased. (Y/n) let them into the house.

“He’s not my boyfriend.” She told them.

“Not yet anyways,” Vanessa muttered too Athena. “He is hot and they are cute together.”

“Oh? Who is it?” Athena asked. (Y/n) shot a glare at Vanessa.

“No one. Just a guy I met when I was ditched at the concert.” (Y/n) told Athena.

“See, it was a good thing I left you back there you got to meet someone!” Athena smiled. “But I am sorry I left you behind. That was shitty of me.”

“It’s okay. You and Tommy both left me, so it wasn’t just you.” She flopped on the couch.

“(Y/n),” Athena said softly. “You know I kid around, but I am proud of you. You are doing better than myself or Tommy every could in the brains department.”

“Does he know how smart you really are?” Vanessa asked. “I mean, he knows your in college, but does he know you skipped grades and are probably graduating by Christmas?”

“I don’t like to brag.” (Y/n) said. “Plus, what if he thinks I’m just some nerd or something?” Vaness and Athena looked at each other.

“(Y/n),” Athena said softly. “Where is this coming from? I know Tommy is an asshole but that’s because he’s jealous of you. I mean hell, I was a little bit jealous of you, but we all have our strengths and weaknesses.”

“He’s just...he’s so cool and I live at home. I don’t have a car. I just feel like we’re so different and I can’t figure out why he likes me.” She sighed. “Anyway, pizzas here.” She went up to get it. Athena looked over at Vanessa.

“Who is this mysterious “cool dude”?” Athena whispered to her.

“Sorry Thena,” Vanessa shook her head. “Not my place to tell you. I am loyal to the end.”

“Damn. I thought I could get the details.” She sighed. “I wonder if I know him.”

“Thena, she really likes him. And what you and Tommy filled her head with is not ok,” Vanessa sighed. “She is so unsure of herself that… what she needs is confidence. We know she won’t get it from Tommy but you’re her sister, she needs you.”

“I’m gonna kill Tommy someday.” Athena sighed. “We’ll take her shopping tonight and get her a kick ass outfit.” (Y/n) came back with the pizza for them.

“Ok, so after Pizza we have some time to go out and shop for some clothes!” Vanessa smiled as she grabbed a slice and moaned in satisfaction.

“Shopping? Why?” (Y/n) asked. “Why do we need to go shopping? Do I not have the right clothes?”

“(Y/n),” Athena said gently, “for a date this special where a you really like a guy… sometimes it nice to get something new and make yourself feel good.” Athena gave her a pat on her cheek. “Trust me little sister, you are gorgeous, and your clothes are fine, but this is to knock him dead.”

“Well, okay.” She ate her pizza. “Let’s do this then.”

“(Y/n)?” Athena looked at her.

“Yeah?” (Y/n) asked, looking over at her sister.

“You know you’re beautiful right?” her sister smiled at her. “Tommy is an asshole and just jealous that he only attracks skanks. But sis, you are amazing and you know that mom and dad are proud right?” (Y/n) nodded and smiled some.

“Thanks ‘Thena.” (Y/n) smiled at her. “You guys make me feel a lot better.”

“That’s what sisters and best friends are for.” Athena said as she hugged (Y/n).

“Now, I just gotta deal with a small little lie I might have told him…” (Y/n) sighed. “I told him I lived in the dorms with Nessa. He’s been dropping me off there instead of here.” She looked around. “Maybe while mom and dad are gone, I could slowly start moving into the dorms? Or I could tell him something happened and I had to move back home?”

“Ohhhhh, ouch.” Athena winced. “That one is tough, I mean… what are you going to tell mom and dad?”

“I don’t know,” (Y/n) sighed. “We came up with the plan of me living at home since the college is so close, so I could just commute there and save some money. He’s gonna think I’m a big liar about everything.”

“Not if you tell him about why you lied about it,” Vanessa sighed. “He shouldn’t be kept in the dark about this. I mean sure he’ll be mad. But if he doesn;t get over it then he isn’t the guy for you. However, he does seem like a nice guy. You never know.”

“Nessa is right (Y/n/n),” Athen ate another slice of pizza. “This is something you should come clean about.”

“On the first date though? Well, technically third, or fourth.” Athena coughed some. “You okay?”

“Third or fourth?” she took a sip of water. “I thought this was a first date?”

“She’s seen him a couple of times by chance since meeting him a t the concert,” Vanessa covered for Y/N. “So officially where he picks her up and takes her on a nice date yes. But, they have seen eachother in circumstances that have turned into date.” she cleaned her hands and looked to Athena and (Y/n). “Well? What are you bitches waiting for? Let’s go.”

*******

“Look guys, I know your brother is in Motley Crue, but do we have to listen to them?” Vanessa asked. “This album is kinda annoying.”

“You’re just jealous.” (Y/n) laughed, but she ejected the cassette and Athena turned on the radio. “Girls Just Wanna Have Fun” came blaring from the car speakers.

“Better?” Athena asked Vanessa with a laugh.

“Much!” Vanessa smiled as she sang the lyrics. “This is the perfect song for us!” (Y/n) smiled and leaned back in her seat as she looked out at the strip as they passed. Motley Crue’s name on the sign at the Whiskey and she wished that she could see Nikki. She wondered if he was even thinking of her.

Nikki sat in the dressing room, he sighed softly wishing that (Y/n) would be out in the audience. Shaking his head he tried to concentrate on the gig. He didn’t notice the other guys looking at him weird.

“Dudes,” Tommy whispered to Vince and Mick. “How hot is this chick?”

“She’s pretty hot.” Vince admitted. “Just saying, they don’t work out, I’d do her.”

“She’s smart. And doesn’t spend ten minutes trying to find the right words.” Mick added. Tommy looked over at Nikki.

“I have to meet this chick!” Tommy whispered. “What does she look like?”

“Can we seriously stop talking about my girlfriend as if I’m not in the room?” Nikki glared at them. “You guys sound like a bunch of old hags. Hell Mick is an old hag!” Nikki said as he tuned his bass.

“I’m THE old hag asshole. Get it right. Dumbass.” Mick grumbled, getting his guitar.

“Hey, I’m just saying she’s really hot.” Vince shrugged. “Can’t wait to meet that friend of hers though.”

“Well man I just can’t wait to meet this chick!” Tommy gave a grin and nodded his head. “If she’s as hot and smart as you say she is, I’m impressed she isn’t imaginary.”

“Like the three of us idiots got together and planned up a fake girl to piss you off?” Nikki asked.

“Actually, that does kinda sound like something we’d do.” Vince laughed.

Nikki shook his head, “Can we focus please, we go on in five.” he said getting the set list ready.

“Yeah, yeah.” Mick said. Tommy got his sticks and stretched.

“Let’s do this my dudes!” Tommy called out.

The boys went out and played to a full house. Nikki was able to focus only because he reminded himself he would be seeing (Y/n) tomorrow. He smiled at the crowd not looking at anyone in particular as they rolled through their set. He swore a couple times he saw (Y/n) in the crowd, but nothing.

After the set was over, they made their way backstage.

“I gotta go get some new pants.” Tommy groaned.

“What’s you do pee on them?” Vince snorted.

“Awwww, did little Tommy wet himself?” Nikki added.

“NO! I got paint all over this and not even a cool color.” Tommy whined.

“Oh the humanity,” Mick said in a monotone voice. “Someone call the national guard! It’s a travesty to fashion.”

“You guys are all assholes.” Tommy sighed. “I stole these from my sister anyway.”

“Which one?” Vince asked.

“Might have been (Y/n)’s, but I’m not sure.” Tommy said. Mick looked up and looked from Nikki to Tommy.

“(Y/n)?” Nikki muttered and shrugged. “Sounds like my girl’s name, small world.”

“Huh? Really?” Tommy looked at Nikki. “You’re girl’s name is (Y/n)? I didn’t think it was that common.” he shrugged.

“Well, I’m out. See you guys later.” Nikki said, heading out.

“Same. Gotta get new pants. Later!” Tommy yelled. Mick looked over at Vince.

“Holy shit.” Mick told him.

“What?” Vince said as he fixed his hair getting ready to pick up some chicks.

“Nikki’s dating Tommy’s sister.” Mick said, a little in shock.

“What!? You’re crazy man, no way.” Vince dismissed him and sighed. “It’s just a coincidence that they have the same name, that’s all. Besides, (Y/n) is way too hot to be Tommy’s sister.”

“She looks like Tommy!” Mick said. “You can see it in the eyes!”

Forever tags: @anathewierdo @dekahg @marvel-af-imagines @feelmyroarrrr @nanie5 @imboredsueme @gemini0410 @aiaranradnay @babypink224221 @mogaruke @xxwarhawk @sandlee44 @shatteredabby @caswinchester2000 @supernaturalwincestsblog @lauravic @mrsambroserollinsacklesmgk @teller258316 @horrorpxnk

Motley Crue Tags: @primal-screamer @waywardprincess666 @twistnet @saint-of-los-angeles @vader-kai @motleyfuckingcruee @sharon6713 @kawennote09 @2dead2function @nikkisixxwiththebass @flamencodiva @iamtiber-andtiberismusic @jayprettymuchomw @charlyallise @you-know-im-a-dreamer @livingdeadharley @motleycrying

Too Young to Fall in Love Tags: @kingbouji3 @leximus98 @thekidbakerinthetardis

#too young to fall in love #Motley Crue #nikki sixx #nikki sixx x reader #nikki x reader #dirt!nikki sixx #dirt!nikki sixx x reader #dirt!nikki x reader #dirt!nikki #the dirt #fanfiction

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ragnarssons · 5 years

Note

I’m sorry I’m new to the music side I haven’t really paid attention but you kind of made me open my eyes and so I was listening to all the music and was just wondering how you could tell which ones were made/written for dany. I’m sorry if that’s a stupid question I didn’t know how to word it.

Well it depends, do you mean this season or in general? About the “Stay Here for a Thousand Years” or all the tracks in general? So to be clear, on Game of Thrones, all of the “Houses” have a particular theme. The Lannister theme is reminiscent of the Rains of Castamere, it’s kinda their vibe. Cersei as Queen taking on her own had a new vibe added to that, and it was the piano theme that appeared on ep6x10 and came back several times through s7 and s8. House Stark is representated by the cello, so cello heavy themes are House Stark and characters related to House Stark/storylines related to House Stark. House Stark Theme | which is reminiscent to The Last of the Starks which is their final piece. Where is added this idea of “epicness”, future, possibilities brought by these characters’ storylines: Sansa becoming Queen, Arya sailing away, Jon going North. It still has this cello vibe, core of House Stark and their theme, but it doesn’t have the same melancholy/sadness it used to have for a very long time when House Stark was to the ground, over and over again. (note, it’s also mixed with the Game of Thrones main title, mostly because it’s the final theme of the season and that’s where they closed the episode- it also kinda proves that the story was about House Stark - at least on the show - they opened the show, they’re closing it). We also have added to that one, Arya’s House of the Undying Theme, these bits of Arya’s theme when she was with the Faceless Men and she left - I don’t remember the name of that piece, but it’s played here. Jon Snow’s theme, is also heavily featured in the last track: this one. Sansa’s theme at its core is still really the one of her family: sad cello often played over her scenes, for a very long time. And then it morphed into this “joyfully melancholic cello” (I don’t know how to describe iiiiit) that plays also at some point - well during Sansa’s coronation. It first appeared during her “The Lone wolf Dies but the Pack Survives” scene with Arya on s7. Anyway, all that to say that the Starks have had a vibe that’s always been reminiscent in all the House Stark characters, and it’s come back and been mashed up together for their very last scenes. It really is really beautiful and it just shows how the characters have morphed, how their House is still what it was at its roots but how they’ve grown and what the legacy of these characters are. The theme starts with notes that are very reminiscent of Ned Stark, and evolves into something that is Arya, Sansa and Jon’s identity. Anyway, as for the rest we have the Lannisters, it’s really generally circling around the Rains of Castamere vibes, it’s always there. What is cool about the Lannisters is mostly Cersei: Cersei has a theme from s5 and going. But her theme is heavily related to the High Sparrow and the faith. It starts as this theme, mix of a Lannister theme and an organ. And it merges into this gorgeous theme for Cersei’s revenge: the organ comes back, but this time, to symbolize the Faith’s destruction rather than Cersei’s.As for Dany, well she was the only one of her House. So actually most if not all of the House Targaryen themes are hers. They’re all about her, tbh. Ramin Djawadi has composed a lot of pieces for Daenerys- like A LOT, I think she has nine soundtracks for s5 alone, for example. The first whispers of her theme are here, technically, on the first steps (literally) of Daenerys towards her destiny, when she meets Khal Drogo. The ironic thing, is that Dany’s theme also starts with some light cello. Not as “deep” as House Stark, but it’s still cello and it has its importance later on. Before that, she has no theme, it’s Viserys’ theme (kinda) that steps over her. The drums are only whispers at that point, and then it grows bigger and bigger as she gains power. This one, is the final version of her s1 theme- BEFORE her dragons are born. Now in the end of the video, we can hear a new version of her theme; the appearence of voices as she’s become something else, the Mother of Dragons. The one who brought magic back into the world! On s1 her theme grew as something like a Dothraki warrior theme, she’s become the Unburnt + Khal Drogo’s Khaleesi, something that is hers but not totally. So her theme has pieces of instruments that were used for the Dothraki related themes- especially the the Armenian duduk flutewhich is used to symbolize the Dothrakis in Ramin Djawadi’s music. Dany’s music grows bigger and bigger as she gains her roles and goes through victory after victory: as I said, by the end of 1x10 when the dragons are born, the “ah ah ahhhhhs” are appearing, because that’s how her theme merges. The “ah ah ahhhhs” are related to the dragons. To Daenerys, becoming more than the Khaleesi of a man, who is proving her strength on a “human level”. She’s something else, she’s more, she’s “the stuff of legends” that people will sing about. The final version of this theme, is at the end of s2 when the dragons finally breathe fire, at the House of the Undying. Name of the track? Well, Mother of Dragons, of course! Which is a perfect balance of “victorious Dany”/Mother of Dragons and Unburnt Dany. And Mother of Dragons really becomes the strong basis of ALL the Daenerys’ themes coming forward. At her core, Daenerys is the Mother of Dragons, the victorious, the Unburnt once again at the end of s2. S3 adds to that, as Daenerys becomes the Breaker of Chains. It’s this theme: and yet you notice it always has the same basis- the flute, the “ah ah ahhhhs”, everything that has made Dany and Dany’s theme so far. This is when she starts building her army, when she starts to conquer. Herself doesn’t know clearly WHY yet, at the beginning of ep3, Daenerys does get this army in order to have an army to sail to Westeros. Her journey on s3 is slowly becoming the Breaker of Chains and the “Mhysa” of the people- hence why s3 for Dany ends with the Mhysa theme. And even tho the basis of Daenerys’ theme, which are the instruments that we can hear in the background are the same, here, it’s really a sung music. It’s a whole music, that could be transcribed as in universe, people singing across the world, everything that Daenerys Targaryen has accomplished. She’s officially become the Mother of the People: Mhysa as they call her. And let’s remember that because it comes back to what I said about her s8′s theme. All that morphes into her usual theme, her “Dany theme”, with the Dohtraki vibes, the Mother of Dragons vibes and all. And here, her theme is Big! It’s Dany full force, Dany at her peak, Dany embracing an unexpected destiny that will lead her to greatness. The “ah ah ahhhhhs” are growing and growing, because it’s truly a moment where she reaches the top: she has three growing Dragons, an army, Ser Barristan, Ser Jorah, a close friend (Missandei), and she’s adored. And that’s where Breaker of Chains really appears, after s3, onto s4. Daenerys didn’t just free the Unsullied because she wanted an army, now she has a new quest, a new purpose, a new destiny. A new title to her long list: Khaleesi, Mother of Dragons, Breaker of Chains. We start with the same flute, the same vibes, what has been Daenerys’ theme ever since the beginning of the show, it’s still here. And it’s morphing into a lament - basically Dany lamenting for the children she sees crucified before reaching Mereen - and it merges into more of a “justice”/revenge theme where she follows her path: we know which one, where she conquers the city and abolishes slavery. The “Dany notes” - like really, how to call them I can’t really transcribe them on a post like that - are still here, and they’re growing and growing. The Mhysa theme is also all merged into this one, truly is one of the best Dany themes. S4 is where Dany kinda “stops” for a while. She decides to stay in Mereen. So there is no real progression in her theme for a while. Her next theme is Forgive me, at the end of s4 (it’s featured on s5′s soundtrack but it appears on s4 first but it gets bigger on s5 after 5x08 when Daenerys really does banish Jorah again). It’s a tragic theme, where Dany kinda loses a lot of her “superb” because her Jorah betrayed her: Dany is really falling from grace at the end of s4. It’s also really the first time Jorah and Dany have a theme: a theme that will come back later on the show, on s5 “officially” and on s6 and merges back into something big because that’s where she accepts him again. At the very end of s4 for Dany, the Breaker of Chains theme comes back, but only the lament part: because in becoming a leader of the people, Daenerys had to choose to chain her dragons. The idea of breaking chains is becoming harder and harder for Daenerys. These are Dany’s biggest betrayals: she was the victim of one, with Jorah, and the second one where she betrays her children and tbh, basically, her Oath as their Mother and a Breaker of Chains. Dany’s next pivotal moment is A Dance of Dragons, so we have the Daenerys theme mixed with the Sons of the Harpy’s one. And it basically becomes a war theme. Daenerys’ war theme: Daenerys with what she has, her dragons who are loyal to her and will follow her as proved by Drogon on this very same episode, her army, everyone loyal to her. It’s also where the French horns appear on her themes: and that’s to symbolize the FORCE of her now full grown dragon(s). And they’ll be part of her theme going forward. And this theme will then also come back to Daenerys’ theme going forward. We still have the flute, the magical notes that are always related to Daenerys as a Mother of Dragons, especially since it’s the moment she sees Drogon again after a while. And then it merges into something more, once again: Daenerys embracing another one of her destinies. Daenerys becoming a dragon rider, and we’re back with the “ah ah ahhhhhhs”. Daenerys’ next big theme after that is Khaleesi. We finally have a theme called Khaleesi for her: and here it’s very reminiscent of Daenerys the Unburnt, Daenerys the Khaleesi that she was on s1. Daenerys freeing people from oppression once again, and the praises are coming back: this time tho, they’re chanted in Dothraki and not in Valyrian like in Mhysa. She becomes a Khaleesi in her own rights, she proves HER strength to all the Khalasar and they all bow to her: this theme has become more about her than about the Dothraki. Her next theme is Reign. And it has everything: it’s Khaleesi Dany, Queen Dany, Mother of Dragons Dany, Unbent Dany, Daenerys Targaryen. That is higher than her peak. She’s accomplished everything she has to accomplish in Mereen and Essos: she has eliminated her enemies, the threats to her “new order” and she’s come out of it, victorious. And Daenerys’ final Essos-y theme is Winds of Winter: again, a theme that is sung in Valyrian and is a CRAZY theme. It’s basically chanting Daenerys coming, the “hero” coming. It’s full of hope, and yet it’s still Daenerys’ theme, it’s what it has morphed into after everything she’s been through: drums, voices, horns, everything is here! Tbh to me that’s why 80% of Dany’s storyline in Westeros is disappointing, because this theme seemed so promising. To me it’s really GoT’s most epic theme ever. After s7, Daenerys became very stagnant. Daenerys’ theme on s7 starts with Dragonstone: it sounds like the accomplishment of Daenerys. She’s back home, she’s where she thinks she belongs, everything that is Daenerys is here, with a part of “accomplishment” and excitment that is added to the whole lot. Daenerys is home, and we have the flute coming back for that: Daenerys at her basis, the flute playing while she walks around the beaches at Dragonstone for the very first time, reminiscent of the baby she was when she was born here. And then we have the voices swelling again, reminding us of the woman she has become: when she sees the Red Doors, which are a big goal to book!Dany even tho it was never expressed from show!Dany. And then we have this amazing piece where she’s walking to her Destiny, and it stops when she reaches the Throne. The Unburnt, Queen, Khaleesi theme comes back. She’s, symbolically, steps away from her Throne, her final goal. Her lifelong dream. The spoils of War basically has Daenerys’ horns symbolic of her Dragons. It is kinda the stuff of nightmare in this soundtrack, but mostly when it’s seen from a Lannisters perspective. If I were to say “there was a foreshadowing of Mad!Queen Dany” I’d say it’s this piece of music, that did a better job to kinda “announce it” or make us fear for it, than the writing of the show ever did. It still has notes of victorious Dany, but this time, it’s over the ashes of things we know: the Lannisters theme and even tho we can freely hate Cersei, by this point of the story, she has detached herself from her usual “Lannisters theme” and became more of an “independant” person. So yeah, the Lannisters theme here is mostly about Jaime and hearing these two sounds clashing has something of a tragedy. She has a theme she shares with Jon: it’s called Truth and everyone knows which one it is, lol. It plays when they sleep together. The cello is back, proeminent in this theme: it’s a thing both Jon as a Stark and Dany from her original theme have in common. It has the three “magical notes” as I call these coming from Daenerys theme, and the “swelling” of Jon’s theme coming from his House Stark heritage. It’s basically the clashing, body and soul of Jon Snow and Daenerys- not really as representative of their Houses, but as people. Like Rhaegar and Lyanna. That’s why there isn’t “more notes” of House Stark and House Targaryen themes. It’s about Jon and Daenerys as people, not truly about their House or their name. This soundtrack has a variation in See You for What you Are which plays during their 7x06 scene and during their 7x04 scene in the cave. Now as for s8 since I can’t say I really comprehend Dany’s journey, it’s really hard to say. What I could see as a soundtrack really related to Dany on s8 is “The Bells” - and yes, it’s THAT far. It’s basically the music playing during Dany’s downfall. The pure lack of foreshadowing during all this time could be transcribed through that as well: we have no soundtrack, up until this point, kind of implying Daenerys going mad. Nothing telling us that Daenerys is “turning” from what we’ve seen of her so far, for 7 seasons. And again, it’s not totally about Daenerys for a very long time; it’s mostly a countdown with a music swelling and swelling for dramatic purpose. And then around the middle of the track you have this tragic, almost war cry, last “scream” of hope, that dies slowly as Daenerys “turns mad” and these three “magical notes” that were so symbolic of Daenerys so far, are dying and are becoming more and more distorted by the music swelling and swelling. That’s really symbolic of some kind of madness, of rage, of “power” taking over Daenerys and who she’s been so far: again, an amazing piece, far better than the writing of the season itself. And it merges into “the Last War” which is basically, the horror. And it’s basically everything Daenerys has been the symbolic of for so long, being turned “dark”, all her victories being reduced to something very very dark where there is no victory, no hope, the voices don’t swell. It’s really about how Daenerys’ force as a character becomes more destructive than liberative. And then when the voices rise and the music explodes, it’s all about horror more than anything heroic. The thread of Daenerys’ character is still here and everything turns to ashes: her goals, everything she’s stood for. We hear the French horns but they’re symbolic of destruction and despair here. We hear her Dothraki theme but it’s not strong in the sense of victory. It’s strong as in “stepping on everyone else”. The “ah ah ahhhhhs” are no longer going up, they’re going down. That’s basically Dany’s downfall. And apparently Ramin has chosen to turn Daenerys from Mhysa, Mother of Dragons, as “Master of War” because this theme is for her as well. Thank you, Ramin, for not calling it “the Mad Queen” or whatever bullshit. And this one is a very sad theme: we do hear all of Daenerys’ “core values” but all of it is twisted by the same “dark effect” we hear in the Last War. Following Dany’s downfall through the soundtrack is actually very sad. The same instruments are used, but not with the same “impact”, Daenerys’ essence is twisted. And what do we have at the end of it? A lament. A lament because Daenerys as we knew her and loved her, is dead here. She was dead before Jon stabbed her. And the lament sings the notes that were before, so representative of Dany the hero, Dany liberating people in the right way. Really, it’s heartbreaking. She touches the Throne, she’s THERE, she’s won, but she’s lost herself in doing so. And the music is not victorious, it’s not hateful, it’s not “evil”, it’s tragic. Ramin doesn’t want you to hate Daenerys with these themes, he wants you to mourn for her.In her final moments of love and trust - after everything - with Jon, it’s “Be with me” that plays, and we have some of Daenerys’ “light” coming back, swelling, before DYING. Really dying, because Jon kills her at that moment. The flute came back, symbolic of Daenerys’ long lost innocence, who she was when she started this journey on 1x01. Again, no hatred, no destruction, no “evil Queen”: Daenerys is a tragic hero, whose flame is killed, like that. The swelling comes back on The Iron Throne for Drogon’s grief, Drogon coming for his Mother, but the Mother of Dragons’ theme is tragic here too. Drogon has lost his Mother. Really, whatever shit D&D did to her, this soundtrack is an ode of love to Daenerys and it’s really beautiful- I think I said it 500 times already. The way Daenerys’ final piece explodes with sadness and tragedy. She’s not a monster, she was not “the enemy”, the world destroyed her (I would even say the world of MEN destroyed her) and that’s what Ramin Djawadi wants us to remember of her. In the additional pieces, we have “Stay for a Thousand Years” that is about Daenerys. Now yes, it has the “Truth” vibes, that could have us believe that it’s about Jon and Daenerys. BUT, the lyrics are the Mhysa’s song lyrics. It’s Valyrian, and everything Valyrian is 100% without a doubt, related to Daenerys. It’s about Daenerys. Daenerys is also the one voicing her desire to “Stay here for a Thousand Years” on the show, when they reach the cascades with Jon. This theme is about how Daenerys died for love, how tragic it ultimately is. It’s about how what could have been of Daenerys had they stayed there for a Thousand Years like Daenerys wanted at some point, when she was sky high, happy and in love with a man who wasn’t a threat to her. No, this song is not about Jon, it’s about an “ideal” of Daenerys that died when war came and duty came, and ultimately tore Daenerys down: she lost love, she lost faith, she lost her core duty as a savior and a hero. It’s really a mourning piece for Daenerys’ character as a whole, the woman she was before she fell from grace and became… whatever D&D wrote her to be in the end. And that’s totally my interpretation, but the fact that these lyrics, about Daenerys the savior, Daenerys the hero, being sung over a melody that is called TRUTH is a way for Ramin to say who Daenerys truly was. She was not “the evil Queen all along” like HBO and D&D and the actors are trying to have us believe right now. She was a hero for a very long time, and that’s how she should be remembered. All that to say that as you can hear through all of this, the Dany related themes all have the same… “back bone”, the same vibes, the same identity. And that’s how you can tell a certain theme is about a certain character.TLDR; probably a wayyyy too long answer to a question that probably didn’t require that much. But I love Ramin Djawadi’s music too much not to dive into it, especially when it’s about Daenerys so *shrugs* it’s a whole journey. Djawadi’s entire music dedicated to Daenerys is a journey. Each character had an identity in the music itself, and that’s what makes it so powerful. It’s not about the moments, it’s about the characters, and them morphing and changing and evolving. The music, as the story, follows them. Because ultimately, as I say that a lot of times, the story should be about the characters and not the other way around. What drives the story and everything around it, are the characters. It shouldn’t be shock value or plot twists, or the story over the characters. That’s what tanked GoT in the last two seasons (at least, if not more for some characters like Stannis or the Sand Snakes, for example) in my mind. How the characters became simpler and simpler (or extras, like Jon on s8) while the story tried to become what it wasn’t meant to be.

#long ass answer #answered #anonymous

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belizedeservesbetter · 5 years

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Hadestown Has Something to Say!

And I’m so glad it does!

File Hadestown under Shows That Make You Go “Hmm.” This is a show I’ve liked more and more the longer the show has been over and the more I’ve had time to sit and think about it.

Overall, I really really loved it. It’s such a rich musical filled with amazing stage pictures and beautiful music and really powerful and passionate performances. This is a passion project on stage and it’s marvelous.

The score, of course, is amazing. Anais Mitchell has really written something very special here. I’ve really never heard anything like it before on Broadway - this mix of folk and jazz and rock with an undercurrent of sheer musical theatre. The “Chants” in particular are astounding. Likewise “When the Chips Are Down” and “Wait For Me” and “His Kiss, the Riot” are stunning achievements in musical theatre writing. However. I have one very big qualm about the score, but I’ll talk about this later.

I know we all love Rachel Chavkin but she really is quite stellar. The phrase I keep coming back to when thinking about her directing style is “all consuming.” Between this and The Great Comet, her musicals feel like being swallowed whole by which I mean everything is very big and very powerful and very emotional and very much like I’m being punched in the gut. I love this feeling. I love theatre that makes me feel like the rest of the world doesn’t exist and she does this with her work.

What Chavkin does with stage imagery is phenomenal. There is a real sense of other worldliness while still being very grounded in the one we live in. You can tell she really gets these characters and she gets these themes and literally every moment is used to drive the story and make you feel something. There’s a real sense of power in her directing that makes the audience feel every suckerpunch of this show. “Wait For Me” in particular was a showstopper.

The lighting was wonderful. Like truly stunning. The contrast between light and dark in this show was really interesting and sources of light and what that means was also very fascinating to see. From Eurydice’s candle to the handheld miner lights, everything had meaning and everything felt very poignant.

Everyone in this show is very good. There isn’t a single bad performance. Eva Noblezada was very surprisingly good - surprising only because I’d never seen her perform before and she really added a lot of good things to Eurydice.

However, this is Amber Grey’s world and we’re all just living in it. She is AMAZING. She steals every scene and every moment. She is absolutely incredible in every way. The hype about her performance is 100% real and she is honestly and truly the best part of the show. I can’t imagine anyone else playing this role because she is truly perfect. Her Persephone is so layered and so fearful and damaged and fraying at the edges and yet so strong and steadfast and determined. I want to see the show again and just focus in on her the whole time because she is amazing. Even just the way she moves and dances was electric.

And of course Patrick Page is also stellar. He brings such an intensity to every role he plays, and Hades feels like the culmination of Many Years of Intense Roles. This is also the second role where he’s been mean to Reeve Carney. But I digress. He’s fantastic. His “His Kiss, the Riot” vibrated throughout the entire theatre. His Hades is so complicated and yet very simple and the way Page carries his Hades is really really wonderful. He has this fluidity to him (that also echoes throughout the entire show and I’ll talk about this later) that feels like he was made to be in this very moment at this time.

André de Shields was another standout for how present he is during the entire show. He doesn’t leave the stage at all really during the entire show and he has this particular brand of swagger and simmer to him. I felt him there throughout the whole just contemplating the cycle of everything going on and yet when the focus wasn’t on him he didn’t steal the attention. Hermes is a very complicated role (side note but I have a theory he’s Orpheus’ dad) because he’s part narrator, part plot moving character and the only one aware of how time works in this world and is also the one telling us the story from start to finish. He has to balance the whole show on his shoulders and de Shields does it wonderfully.

My goodness those Fates. They were sinister and terrifying and felt like the true villains of the show. They’re basically inner demons personified and they infected every character in the most deliciously evil way. They were so fascinating to watch and I want to read like ten think pieces on them.

I’ve been raving about this show but there are some things I really didn’t like about it and want to address.

The first is that all the actors really play to the center orchestra, and, likewise, it’s very much directed that way. The sight lines from the sides is kind of bad, especially from the rush seats. I felt like I was staring at their backs more than I’d like to. They need to play to the whooooole audience. By the way, the rush situation for this show is Awful and they only have like five tickets total. Like that’s all. Myself and a friend got there at like 4:30am and we’re fifth and 6th in line and they had already run out of evening show tickets and we got the last of the matinee ones. About twenty people behind us had also been waiting like 5 hours and got absolutely nothing. So be warned of that!

And my biggest qualm with the show. My biggest biggest problem with the show is that Anais Mitchell ruined my absolute favorite part of the show with the Broadway transfer. All three “Epics” were my favorite songs in the show and had the most beautiful imagery in the Off-Broadway run and concept album. Here, however, they’ve been stripped of their beautiful poetry and imagery and are really basic songs. I was SO disappointed. The three songs that were my favorite parts of the show became the worst parts of the show. The new versions are honestly bad and it’s disappointing because they didn’t used to be and they don’t have to be.

It’s hard to believe that Orpheus’ song is gonna save the world because it’s the weakest song in the show. Reeve sings it beautifully but I was so disappointed and honestly hated this change.

Speaking of Reeve, he’s good! He isn’t amazing, but he’s good and I like the very different approach he’s taking with Orpheus. His Orpheus is scared and anxious and insecure but very very talented. Reeve really gets his footing in Act Two, where he shines. Not spoiling anything but the second to last scene is his best and he’s completely heartbreaking.

The show is super interesting in how it moves forward and progresses. It just kind of flows from one thing to the next and one moment to the next and it actually reminded me a lot of wind. It felt very much like the wind was blowing the story along and I know that’s a weird way to put it but that felt very much like a thing that was going on.

Also, this show has this really beautiful fluidity in the way characters walk and the way everyone, especially Hades, moves on the turntables. Honestly this is the best use of turntables I’ve ever seen in theatre. It creates the atmosphere and adds so much to the cyclical nature of things and the way it shows movement is beyond beautiful. The movement throughout this show really shined.

Hadestown has a lot to say and I’m so glad it does. I’m so glad this is a bold new musical that wants to say something and says it.

There’s so much in this show about capitalism and the dangers of power hungry capitalists and there’s so much about poverty and the lengths people will go to get simple basic needs fulfilled. There’s something really interesting in this show about work and how powerful people use it to completely dehumanize people. Likewise, there’s this very interesting struggle between art and capitalism and artists and money which was super interesting to see personified in Orpheus and Hades.

Much like Oklahoma!, I felt this show also had a strong theme of “us versus them” especially in “Why We Build the Wall.” This is such a big thing in American culture that I’ve seen displayed a lot in theatre lately and I think it’s important that it is. It’s important that we’re forced to confront things about America as a whole country that have been prevalent forever but never said aloud.

Interestingly enough, I feel like Hadestown says a lot about activism. And leadership. Orpheus is continuously presented as this musician who is going to change the world and yet Orpheus isn’t entirely capable in his actions. He has the right words but he doesn’t trust himself enough to fully believe in it - or that others believe in him - despite this song doing magical things. He also must be physically pushed by Hermes to do anything. I saw this as an interesting statement on those who can change the world relying on words over action as well as talking about self confidence and doubt and believing/not believing in yourself. I know that Damon Daunno played Orpheus as extremely cocky and self-assured and seeing Reeve Carney at the opposite end of this is very interesting. I’d like to see Orpheus played somewhere in the middle.

Going along with that, consequences and choices are a big theme in Hadestown, and I felt that most of the time Eurydice was forced to make choices in order to survive and faced horrible consequences anyway rather than the usual “dumb characters makes bad decision and suffers” or even the Louis Ironson kind of “He knows he shouldn’t do this but is going to do it anyway” kind of thing.

Oddly enough I loved the statement on climate change this show made.

I’ve found myself being drawn to art and theatre about cycles and repetitions lately, and Hadestown is exactly that to a t. I don’t know why I love theatre like this so much, maybe it’s my inherent pessimism that nothing ever changes and that we as humans inherently bold that capacity for badness in us, but I suppose it also goes along with my inherent optimism that things can change, we as humans have the capacity for change and maybe one day we actually will. The way this show ends is really really wonderful in this way.

And of course this show speaks so much about love and love and heartbreak and love and trust. Old love and new love. The parallels between Hades/Persephone and Orpheus/Eurydice are really well done. Trust is such an interesting aspect of this show and I’m glad Anais Mitchell and Rachel Chavkin never shy away from the uglier aspects of it.

Lastly, Hadestown has what I will now be calling Big SNM Energy, aka Big Sleep No More Energy. I am fully convinced that Chavkin took some inspiration from that show, or at least both Hadestown and Sleep No More take place in the same universe.

The vibe and feel of both shows is incredibly similar. Likewise, the swinging lights in “Wait For Me” are exactly like the swinging lights in Sleep No More. There were also similar themes of things happening in a cycle, things repeating but moving forward anyway, good and evil, temptation and choices/consequences. The Fates had a very similar feel to the three Sleep No More witches when they’re together. The sheer detail of it all and the location. My friend thinks Hecate is Hades’ ex, which actually narratively works for both shows.

Hadestown will absolutely be a show I revisit as much as I can because there is just so much in there. There’s so much detail and so much to think about, which all good theatre should have.

#hadestown #broadway #reeve carney #amber grey #review #voice

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sinsays · 5 years

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My review on KH3

Spoilers under the break

Let me start by saying that the game is pretty fun and definitely worth the play. They’ve done a lot right and fixed what needed to be fixed... They just fell flat on a couple of things.

Keep in mind how I play is that I play the story. I don’t do the stuff for 100% or whatever, I just follow the story path. (Jitty will likely being the 100% part now that the game has been beaten) I’m mostly a casual player.

Overall: The graphics were very beautiful. The form changing keyblades were very interesting and fun to battle with. The Disney parade attraction attacks were beautiful and fun to play with. The worlds were large and full, they didn’t feel empty at all. The story was really interesting and complex. The details were great. The bosses were really fun to fight and they looked very cool. The new heartless were all either cute or cool and very interesting- I loved them.

But- There was a lot of fluff to just eat up time unnecessarily. End game bosses were just not fun nor fair (Except the battle the 13 darks, that one was fun and challenging). There weren’t enough save points/stores between cut scenes and battles. Dodging/blocking didn’t feel effective at ALL and some of the enemy moves were just completely unavoidable- There’s not even an action command or something to break out of the overpowered-move or combo. There was a lot of questions left unanswered in the story and a ton of build up to something.... but the ending was somewhat anti-climatic because not everything that they had been building up was addressed. It felt like there weren’t as many new regular enemies in this one compared to the other ones? Don’t know if that’s just me.

Now, worlds specifically.

Hercules: Great world to start with as we finally get much more to the world and lore than we got previously. I’m glad we didn’t just have the whole Colosseum-esque battling thing again and instead got the _world_ and the trio actually learned more about Herc. Battling all of the Titans was freaking epic too.

Tangled: This one was beautiful and fun. I loved getting to explore and play while escorting Rapunzel, it had the nice WinniethePooh aesthetic that I loved. The boss in this one was interesting, but not my favorite.

Toy Story: This one was another fun one and I loved the perspective we were given. I do think that maybe the road could have been made a little bigger as the size difference didn’t quite seem accurate, but maybe that’s just me. Although taking control of the mecha toys was cool, having it be a gimmick throughout was a bit annoying. I loved the doll boss but I would have liked to see her with personality rather than a possessed lifeless toy. UFO boss was fun to fight.

Twilight Town: There... wasn’t much here. It was more of a safe base. I did like interacting with the environment and such. I do LOVE that they added Ratatouille in here by having Lil Chef and having a cooking mini-game where the meals actually gave benefits, that was really fun and definitely what I was hoping for when Lil Chef made an appearance. Other than that... not much to this world honestly. We don’t even go into the copy version even though everyone kept talking about it like we would- kinda fell flat there.

Winnie The Pooh: .... WHY??? Like, okay, I understand that there were people who complained about the Pooh worlds in the other games, but that didn’t mean everyone hated them. I actually enjoyed them because they were very stimulating for me with the exploring and interactive-ness of the world. But this? Why even bother teasing us with putting it in if all you’re going to do is just treat it like the Ariel world in KH2? All that’s here is just one area with a few mini-games, all of which are the same dang mini-game >:C. You even teased us with the Heffalump, being all “oh here’s the heffalump, but you’re not gonna get the plot”. This was such a disappointment... If you wanted mini-games for us to be able to collect these ingredients, honestly you should have just canned the Pooh book and just have the mini-games be with Lil Chef.

Frozen: I really liked the snow physics on this. Everything was really pretty. I didn’t mind that the one song was added either- I figured it would be the musical world since Ariel’s world wasn’t in this one. Boss in this one was really cool too. One thing I do want to mention is it was kinda easy to get lost, granted that most likely because everything looked similar with all the snow.... but maybe a little more indication of where to go would be nice?

Monsters Inc: I really liked their disguises in this one. It’s really weird because I thought there was a Monsters Inc 2 (not talking about the Monster school one), but this one went along with what I remember happening in my mind’s made up sequel. I enjoyed it. The boss was pretty neat and spooky. Only thing is that this is one of the worlds that felt more empty because there were no civilians, but I can understand why in this case because the monsters are so diverse it’d be complicated to add them.

Pirates of the Caribbean: WOW. This was such a surprise because I had my expectations low considering how it was in the other games, but man this was great. The graphics were perfect. I’m so glad that the trio got proper disguises so that they actually blended in with the world rather than sticking out like sore thumbs. Even the heartless got this treatment too, which was great. The water looked amazing, the swimming was fun. I loved the crab scavenger hunt (again stimulation sort of thing for me). The plot wasn’t focused on, it focused on Sora being a pirate which I heard was a better choice since the plot of the movie with Elizabeth was... meh. Focusing on Sora being a pirate just made the whole thing really fun and enjoyable. Also, CONTROLLING A PIRATE SHIP AND DOING PIRATE SHIP BATTLES YES. This world was overall really fun to play.

Big Hero 6: This is one of the more empty worlds as they didn’t have people around (or at least it didn’t seem like it but we may have been moving too fast). The world was also a shorter one. The city looked great and it was neat that there was a day and night cycle. The Dinosaur boss was also fun to fight. Not much to say on this one.

Ending: The 13 darks were fun to fight and Sora’s partners kept changing which was cool. It was nice to be able to fight alongside the other characters. The battles were challenging, but it was nice that after every defeat the progress was saved. It was overwhelming at first, but enjoyable. I do think there should be a save point/store between EACH battle though.

The bosses after that though... all the Xehanorts. WERE NOT FUN AT ALL. They were very annoying, unfair, and looooooong. The last battle was probably the easiest and most fun, but the rest before that was just ridiculous. There also needed to be save points/stores between those phases >:T

After all of that: Why is Sora able to hold mulitple hearts? Why is he able to hold memories that aren’t his? Why do they keep talking about his darkness and being in the abyss? Why is his Rage Form not addressed? Why is he able to DO ALL THIS SHIT??? WHAT IS HE??? Why didn’t we get to find all the new Seven Princesses of light? WHAT IS THE BLACK BOX? A lot of this.... is just not addressed at all and yet the whole game was just building all of that up. Don’t just build aaaaaallllll of that up and then not answer >:U I’m assuming there’s going to be another game??? But weh.

That’s all my thoughts on the game anyway :U I enjoyed the game overall, just confused on some things.

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