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#i have been going through the worst artists block for the past year or so
ravensking · 1 year
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soft-girl-musings · 2 months
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Perhaps, Perhaps, Perhaps - CHAPTER 5 (Something's Gotta Give)
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Noir!Jake Lockley x WOC Lounge Singer!Reader
written in collaboration with + header by @mrs-lockley
chapter 1 chapter 2 chapter 3 chapter 4
cross-posted to ao3
tags: late 1940s Noir AU, Reader is WOC coded but with no physical description besides being slightly taller than Jake while wearing heels, no use of Y/N, brief mention of past injury, spanish translation at end (courtesy of @queerponcho, thank you beloved)
wc: 3.4k
fic summary: Of all the gin joints in all the world, Jake Lockley walks into yours. Unfortunately for him, it's not quite the start of a beautiful friendship.
chapter summary: immovable object? the unstoppable force would like a word.
__________
As far as peace offerings go, it’s not the worst.
At least, that’s what you’ve told yourself as you stand outside your neighbor’s apartment, your fist failing to close the distance and knock. In one hand you hold a plate of pastries you’d bought earlier. Hopefully it’s enough.
Before you can raise your hand again, the door whips open. 
Leah Mendoza, ever the force to be reckoned with, stands with arms akimbo and eyebrow raised. “Quit shuffling your feet and come inside, nena.”
You oblige wordlessly. Crossing the threshold, you immediately feel the warmth of her apartment embrace you. Not that she’s escaped the chill that plagues your building; Leah is an artist, and every flat surface serves as either canvas or easel. Most spaces are covered in surreal portraits and near-magical icons, her handiwork displayed as a gorgeously chaotic gallery. Sunlight streams through gauzy curtains to feed sprawling plants and attempts to warm the richly colored rug beneath your feet.
You leave your shoes at the door and hold out the platter, smiling sheepishly. “Hope you still have a sweet tooth.”
“It's been so long, I'm surprised you remember.” Despite her playfully icy tone, Leah’s expression warms as she peeks at the pan de mallorca you hand over.
“...But I suppose going five blocks out of your way for breakfast makes up for it.” She nudges you with her hip before escorting  you to the kitchen.
“Look what the cat dragged in, Caro,” Leah calls out to the seating area as she pours two mugs of coffee. You see your other friend’s smiling eyes light up at the sight of you.
“Ohhh, it’s been ages!” she squeals as she rushes to your side, tackling you with an enthusiastic hug.
Caroline Ngo, the youngest of your trio, has always brought a much-needed energy to your time together. When she and her parents moved in, you and Leah decided to adopt her into your early morning ritual of coffee and gossip. As her rosy cheeks beam up at you, you’re (a bit selfishly) grateful that she’s delayed her college applications by a year. You’re not ready to part with your other baby bird just yet.
Still, you pry yourself from her grasp. “Something tells me you had an early start on the coffee.”
“Maybe,” she drawls as she saunters away. Leah passes you a steaming mug, prepared just the way you like it.
The three of you sit, sipping and smiling as the room grows brighter with the sunrise. Leah regales you with the results of her latest art show; Caroline badgers you for updates about Mauricio, dimpled cheeks flushed as she speaks. For a few moments, everything feels like it used to.
Leah finishes her pastry and turns to you. “So, ‘Ms. Songbird’. How are you?”
You shrug, dismissive. ��Oh, you know. The usual.”
“No, I don’t know. You haven't been around for us to see your ‘usual’.” Leah's voice is measured, but she’s clearly frustrated. “Can you tell me the last time we've heard more than a ‘good morning’ from you? Or were together for longer than an elevator ride to our floor?”
You chuckle nervously. “Goodness, maybe… August? September?”
“June.” She sips her coffee before setting it down. “Are things really so busy at work that you can't spare a moment for us anymore?”
If only you knew.
“I'm sorry, ladies. Truly. But things have been picking up at the lounge, I've even had to get outside help–”
“Ah yes, the altar boy lawyer.” Leah shakes her head. “I thought you were done with him.”
“‘Done with him?’ Leah, he's my friend.”
“Oh, I recall. So good a friend that he lets you ice his bruises and clean his cuts.” She crosses her arms. “So good, he's even bringing new friends with the same scrapes to your door.”
“The other night was an emergency–”
“How long are you going to run around with that kind of crowd?” Her voice bites. “Believe me, I know my share of the nightlife. But every time you bring home some broken man, a load of trouble seems to follow.”
This is not where you saw the morning going. “I thought we were spending time together, not berating the company I keep.”
“Please don't be upset,” Caroline pleads, taking your hand from her seat on the floor. “We miss you. You haven’t been home in weeks,” she laments. “At least, not for more than a couple of hours.”
You shift in your seat but give her hand a light squeeze. “I've missed you, too.”
“Then do something about it.” Leah gets up, crossing the room to distract herself with more coffee but then doubles back to look you in the eyes.
“You know my gut is never wrong, nena. And I wouldn't be a good friend if I didn't speak my mind.”
You brace yourself as she continues. “You can spend your nights hiding behind your Songbird persona and running the lounge, but don't be surprised if the cage you're building around yourself is locked from the inside.”
With that, she turns on her heel and heads back to the kitchen, leaving you and Caroline in silence.
Slowly, Caroline slides into Leah’s empty seat, her hand still on yours.
“... I always liked your stage name.”
You don’t say anything, instead letting your eyes trail through the patterns on the rug.
She scoots closer. “Leah’s just looking out for you. Like always.”
“I know, Caro.”
You feel her head rest on your shoulder. Tough love has always been Leah’s strong suit; as hard as you are on your boys, it’s bush league compared to your friend.
Caroline’s next words are low, whispered just loud enough for you to hear. “I know that man you were helping.”
You look down at her, dumbfounded. “Really? You know Jake?”
She sits up, eyes wide again. “Well, not technically. I never learned his name. But when he was leaving your apartment, I recognized his face.” Her small smile grows as she speaks. “There were days I’d stay out late after school, and I’d catch a ride from him sometimes. He’s really kind, not like some of the other cab drivers.”
Concern suddenly sweeps across her face. “Is he going to be alright?”
You think back to the morning he left your apartment: his bruises, your stitches, the blood that still stained his coat…
His hand on your hand, your face…
You don’t feel your fingers grazing the apple of your cheek until you hear Caroline giggle. Your hand drops to your lap as your face warms. “He’ll be fine. If he wised up and saw a real doctor, that is.” You shrug, reaching for your coffee.
“You care about him,” she teases.
“Oh, come off it,” you huff, nudging her leg with yours.
“And he obviously cares about you!” She squeals, lowering her voice when Leah turns her head toward the noise. “I saw him leave your apartment, but he stood there for ages, staring at your door.” Her grip on your hand grows unbearably tight. “What happened that night?”
You’ve been asking yourself the same question from the moment he left you standing in a bloodstained gown, your apartment colder without him. Since then, there hasn’t been a moment where you’ve been free from the memory of his face.
“I did him a favor. And… he may have done one for me, too.”
__________
Jake Lockley is man enough to admit when he’s been beaten.
In this case, he's absolutely won over. Head-over-heels, and at your mercy.
Maybe years from now, society adopts stricter rules for how soon you should call on a lady. Even today, some would advise against showing your hand too early. Some men wouldn’t want to seem too eager, too desperate.
But Jake Lockley is not a liar.
If “desperate” is the word for the incessant drumming in his chest each time you come to mind; if it’s what has him cutting corners and driving recklessly, ushering customers along at double the pace so his thoughts can return to you; if it’s why his palms sweat and nerves ache at the memory of your face that night, that morning… then Jake Lockley is desperate.
It’s hardly been a day and a half since he left your apartment, cold and injured. The suit stitched him back together in seconds; the only ache that remained was at the thought of you. You, who scooped him off the pavement and took pity on him. Who stained your hands with his blood to make it stop. You, who set his skin on fire with the smallest touch and had him convinced he would burn with or without it.
Screw the three day rule. He has to see you.
Hot under the collar, Jake now sits at the bar– your bar, long before normal business hours. Next to him is Matt, whose face hasn’t untwisted from the wry grin he’s had from the moment they met up.
“It’s like a jackhammer,” he chuckles into his glass, dodging Jake’s backhand swing.
“Can it, Murdock.” Jake’s hand returns to his own drink. Downing the rest, he raises his glass to the bartender. “Top me off, Mr. Manalo.”
Teddy obliges with shaking hands. He scoops up the bills Jake slides his way before dashing off. The two men had asked for privacy, and he’s determined to stay in their good graces.
Jake knocks back the new drink, swiping the excess from his lip as Matt’s laughter grows louder.
“You really need to calm down.”
“That’s what this was for,” Jake retorts, shaking his glass so the ice clinks against the edge. It’s doing him little good, though; from the moment he snuck in here that stormy night, he knew The Paper Moon as an extension of you. Even with the house lights up and nobody onstage, the lounge makes his heart race as quickly as if you were right beside him.
Matt claps a hand on his shoulder. “You’ll be alright, you’ve been through worse.”
“Yeah,” Jake snorts. Matt’s quiet for a suspicious amount of time. “What’s on your mind, Murdock?”
“What’s on yours?” Telltale concern creeps into his voice. “How are things up there lately?”
Jake smirks, the expression not reaching his eyes. “Oh, you know. Loud… and quiet, in all the wrong ways.”
“Seems quieter than before.”
“Yeah?” Jake cocks an eyebrow. His mind doesn’t feel quieter, not the way it should. Khonshu’s been on his ass more often, doubling down when his thoughts dare to drift to anything besides the mission at hand. The god throwing a tantrum has become one of the few guarantees that remain.
“I mean it,” Matt reassures him. “It’s like night and day from when you returned stateside.” 
Jake stirs the ice in his glass, tempted to hop the counter and refill it himself. It takes everything in him to repress the memory of “before,” to not think of the bloody business in El-Alamein. To forget when the occupancy of his mind dropped from three to two.
“Must be the good old American soil.” His sneer drops as he considers his next words. “... or the fool of a pro bono lawyer I managed to snag.”
“Maybe,” Matt says. “Or it could be the little bird that's caught your ear.”
Before Jake can respond, a pair of footsteps cross onto the stage behind them.
He turns to see you and Mauricio, backs to the house, talking in rushed succession as you survey the stage. You’re in a blouse and trousers, your movements easy and unrehearsed despite the growing exasperation in your voice. 
“Maurie, I don't care how Leo feels the lights bounces off his new mustache wax, unless he can't follow my cues he's staying stage left. And–”
“No days off for you, are there?”
When you turn you see Jake, hat in hand and standing a few steps from the bar, as if he’d walked toward you but stopped halfway up the aisle. You can’t place the look on his face, but you're nevertheless pinned under the gaze of his now-healed eyes shining up at you.
“JAKE!” Mauricio startles you when he shouts, leaping off the stage to clasp hands with the older man.
“Hermano,” Jake chuckles, pulling him into a quick hug before letting go. “¿No te andas metiendo en problemas, eh?” 
“¿Parece que tu eres el que anda causando problemas, ey botero? ¿De dónde salió esa cicatriz?" Mauricio leans in, examining the pale line running through Jake’s eyebrow with awe.     
“Ah, just a scratch.” Jake shrugs as he brushes past him to approach the stage and offers his hand as you step down. You accept, hoping he doesn’t notice the slight tremor in your grasp.
“Leave the man alone, Maurie,” you chide, nodding your thanks and holding back a laugh. As much as Caroline fawns over you, Mauricio seems to do the same to Jake whenever their paths cross. It helps that he plays along.
As the three of you walk back to the bar, you notice Matt dial in to something and smile– far from his normal reaction. 
“I’m afraid I can’t offer you more than another drink, I have an appointment with Matthew this afternoon.” You cross over to your friend, whose smile only grows as you draw closer. But you brush it off, still focused on Jake.
“Actually,” he starts, his hand sliding into his pocket, “I was hoping to cut in on your consult time for a moment. That alright with you, doll?”
Matt clears his throat. “Mauricio, can you take me backstage? I should start unpacking this file.”
The drummer perks up. “Sure! But the band’s getting ready to play some poker… you feel like teaming up again? We can split the pot like usual.”
“Even better,” Matt grins. “Lead on.”
He gathers his portfolio and walking stick to follow. If you didn’t know better, you’d swear you could see a moment of panic flicker across Jake’s face.
It’s replaced in a flash with his usual smirk. “Sure you want to risk your pocket change, Matty?”
“If all my clients paid like you do, I'd be out of a job.” He collects himself and follows Mauricio’s footsteps, turning to Jake and mouthing “jackhammer” with a hand to his chest when he’s behind you.
Their footfalls fade and it’s just the two of you at the bar. You take a seat, drumming your fingers on the surface to soothe your nerves. Jake sits beside you.
“You look better.” You notice the scar Maurie was talking about: his former head wound is free of your haphazard stitches, instead healed into a light dash through his dark brow. “But I told you that would scar.”
He shakes his head, brushing his fingers past the spot. “I kinda like it. Gives me an edge,” he chuckles. Maybe Khonshu hadn’t healed his face the way he normally would as some sort of lesson. Joke’s on him.
“How did… I mean, you look really good, how did you recover so quickly?” Now that you’re closer, you realize there’s no sign he was hurt just two days ago. If not for his scar, you could pass that night off as some sort of dream.
“You told me to see a doctor, didn’t you? Looks like I’ve got the best one around.” 
You eye him, not sure what to think. “... yeah, alright.”
Your fingers drum the bar again. Maybe that night knocked all of Jake’s suave confidence from his head: when he’s not speaking (something you’re still not used to), he looks like a child about to lose his lunch. For all his urgency a few minutes ago, he’s taking his sweet time getting to the point.
Finally he sits up straight and takes something out of his pocket. “Here. For you, morena.”
A small black box slides toward you, stopping at your restless fingers. You raise an eyebrow quizzically, a familiar warmth spreading across your cheeks.
“A present? Didn’t take you for the ‘holly-jolly’ type.” You pick up the box, feeling its velvet casing and fighting back a smile.
“Nah, not really a Christmas guy myself. But I figured you could use a pick-me-up.” Jake crosses one arm along the bar, propping his chin in his other hand as he watches you open the box.
Inside, you see a delicate gold chain with a charm fastened to its middle: a small bird with its wings spread, intricate designs etched into its surface.
“Oh my…” You look back at Jake, who seems to have been holding his breath as you examine your gift. 
Your slowly unfolding smile is all the reward he could ask for, breathless laughter pushed from his chest with relief. “For the songbird,” he casually declares, relief mixing with pride at your reaction.
You take the necklace out and hold it to the light. “It’s beautiful,” you sigh. You undo the clasp and try to put it on yourself, but your fingers can’t seem to make it fasten.
“Allow me,” he says quickly, standing to move behind you and assist.
You feel his hands take over and drop your own in your lap. His knuckles brush the back of your neck and it takes everything in you not to shiver. The smell of smoke and spice dances on your senses, pulled away all too soon when he moves to stand in front of you.
“There,” he breathes, eyes going from the pendant draped below your collar to your eyes. “Looks perfect.”
Your fingers grasp the cool metal as you nod. “Looks perfect.” 
Silence falls again. You’ve come to hate the sound of nothing when you’re with him.
Jake’s the first to break it. He sits back down, his next words like a punch to the gut. “You know, now that I’m not driving Wesley around… I won’t have to take up space at your back table anymore.”
“Oh. No, I suppose not.” You toy with the charm around your neck. “So is this… goodbye?”
“That depends,” he says cautiously.  He turns to you, eyes swimming with the same unfamiliar mix of emotions from before. “Do you want it to be?”
Your fingers leave your neck as you meet his gaze. “Don't say you're going all soft on me, cabbie.”
“What if I was?” He leans forward, and for the first time you don't back away.
“Cards on the table: I haven't stopped thinking about you.”
That makes two of us. You bite your tongue to let him continue.
“Morena… would you ever want to get out of here? Just you and me, call it a truce or a… a date.” A smile plays on his lips before his brow creases. “I won't badger you after today, just… one way or another, put me out of my misery.”
The wings of the charm feel heavier with the weight of his confession. Hand to your heart, you feel the bird again, this time with Leah's warning running through your mind.
“I suppose a truce wouldn't hurt.”
When he smiles, wider than ever, you see the charming gap in his teeth. And you smile, too.  You both laugh, the heated stress in your nerves turning to effervescent relief.
You could spend an hour like this. But when you hear shouts of frustration and a bilingual litany of choice words echo from backstage, you know you have to go put out a different fire.
“I should make sure Matthew isn't in trouble,” you sigh, standing to straighten yourself.
“If I know Matt, he's the one causing the trouble.” Jake stands with you, desperate for this moment not to end but anxious for your next answer. “So when can we–”
“Sunday night,” you cut him off, starting to back away toward the stage. “I'll figure out how to slip away, but meet me under the sign at 9.”
You move to rush toward the stage at another outburst, but Jake's hand catches yours yet again.
“You can't keep doing that,” you groan, yet with a smile still on your lips as he tugs you back toward him.
“You're the boss,” he hums, pressing his lips to the back of your hand– the gesture all too routine, but you're ready to admit you've missed it.
He releases your hand and dons his cap, tipping it to you. You laugh again, a rich and easy sound he'd never tire of hearing. You bow slightly and dash backstage, with Jake's voice calling to you as you leave.
“See you Sunday, Songbird."
__________
“¿No te andas metiendo en problemas, eh?” - Not getting yourself into any problems, eh?
“¿Parece que tu eres el que anda causando problemas, ey botero? ¿De dónde salió esa cicatriz?" - Seems like you’re the one causing troubles, hey cabbie? Where did that scar come from?
note: in-universe Jake is Guatemalan and Mauricio is Cuban; as a non-spanish speaker, please let me know how i can improve in the future!
A/N: i've missed these two!! this chapter was a doozy but i'm so happy to have gotten back on track. i won't say PPP is on hiatus (we never had a promised release schedule) but after i take a wee break from writing, i'm set on finishing my Moon Knight Bingo prompts before 4/30 + starting on my OI fanzine entries (!!! exciting times). but if inspiration strikes before i finish, i certainly won't complain.
ty for reading!!
tag list: @my-secret-shame-but-fanfiction @mercurysjoy, @importantnightwerewolf, @cupidysm, @queerponcho, @nerdieforpedro, @fandxmslxt69, @shadystarlightgentlemen, @lunar-ghoulie, @casa-boiardi (lmk if you'd like to be added to/removed from this wee tag list)
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ryemackerel · 9 months
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HALLO i was wondering how you get out of art block?? your art is very expressive and i absolutely adore all your colour choices and designs. ive been having trouble with art block for a very long time now so i’m just trying to ask other artists how they get outta it <3 i hope u have a niceday yesyes
OUGHH HELLO!!! holy crap, art block is the WORST. everytime i encounter it, its always hard to beat it D: theres days where i feel like i WANT to draw something so badly but my brain just. cant function
i dont have a definitive solution for art block, but whenever i do, i have a few ways to cope with it. sometimes they work, sometimes they dont? but whenever the time comes and im just sitting at a brick wall, i got some survival tips
1. come up with random silly ideas,, it could be anything: random words, phrases, scenarios. they can be as nonsensical as you want them to be. during art blocks, my mind is completely dry with ideas, so i always try to compile a list of ideas from the past so i can come back to them later on. i try to come up with random duos or something as simple as “mcdonalds date”. i might not work on these now, but maybe some random lil word can spark that creativity in me
heres my art ideas list… i have some ideas that are like 8 months old in there BGAHSGA, but i save em there till i feel like working on them
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2. STRUGGLE DOODLES!! i like to make a bunch of doodles of random scenes that i think about in my head. doodle practically anything. your favorite person, favorite animal, something you see outside your window, frogs?
heres a few of mine. most of the time, i NEVER get to finishing them. however, during art blocks sometimes i like to go back to really old, incomplete guidelines and add some new, random addition to it. sometimes i forget what my sketches were exactly meant to be? and i guess thats the fun about interpreting stuff and giving things a new spin to them. during art blocks, i HATE trying to come up with new drawings from a blank canvas (since i dont even have any ideas to begin with). but working on old wips, or completely revising them? sometimes these can be super fun :]
[and bonus tip!! and this is like, a golden tip that everyone loves: going back to super old drawings and redrawing them!! its my favorite. i absolutely love seeing the improvement ive made over the years. its also pretty easy to work with since you dont have to stress about coming up with completely new ideas from a blank slate! GAHH i should do that more often.]
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3. search up your favorite fanart, go on pinterest, anything. i love this one.
search up some really cool photos of outfits, aesthetic backgrounds?? i find myself searching up a lot of fanart of fandoms im in, any word with “aesthetic” at the end, casino aesthetic, anything! pinterest has always been my go-to platform to find ideas. i go on the app and not even a second in, im blown with all of this cool art n character designs. i have a problem saving almost everything i find into my boards, but at least i saved a chock-full of ideas i can work with. :)
a thing about me: ive never been the type to try and force my art block out. whenever im facing a block, its extremely difficult for me to come up with things on my own. sometimes i let it wait for a while, but that tends to take a REALLY long time. D: if i dont feel like drawing, or doodling, or really doing anything? i always like scrolling through really pretty photos. that tends to spark a small idea in me i can work with, and sometimes i manage to get out of art block from there. it starts out small, then over time it gets even better.
these photos especially gave me WAY more motivation than i ever had to draw wilbur during an art block moment. i started off making small random doodles of him in a neon city and over time it kinda turned into a fixation for neon cities. i LOVE imagining characters in random photos i find on pinterest.
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wishing you the bestest in your art journey!! this crap’s tough but i know you can break it yo. thank you so much for the ask!
feel free to reblog and add your own ideas below :] i was only able to come up with a few, but if youd like to add on, go right ahead! /noforce
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magicalmousey · 1 year
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I hope you're happy with the pain and suffering you have caused. I have known Freckly for YEARS, I've gotten to spend a week with her in person and share space and time together, and she has always been kind and honest and sweet. I've seen her go through 2 relationships that ended badly, and you still left her the worst, and yet still you are letting people attack her character. All you had to do was block her, tell your friends to block her, and respect her wish to keep your comissions private. Thats it. All her vent posts are tagged. She is allowed to be angry. There is a difference between feeling rage and making a threat. People are allowed to have extreme emotions. You should know, you blamed every single awful thing you said and did on being Bipolar. Other people have reached out to her telling Freckly you've done the same thing to them.
Also, Freckly isn't trying to lay claim to Starscream, but she feels she's lost him, that he was taken from HER. And you told her you SAID you didn't have feelings for starscream but you were lying. She said she was happy to share but for some reason you still just lied to her. She's also told me about the art you got. The things you've said. Just leave her alone and tell your friends to do the same. And maybe try and keep your promise about keeping your comissions private, just let artists send them to you, like you *promised*.
Just because you're nice to some people doesn't mean you werent awful to others. Thats actually a common abuser tactic so-
Just leave her alone and let her move on. If she could catch a break from you and the people talking to her about you, she'd be able to move on and stop talking about it. She left a website she adored and had friends on for 8 months because of you. Give her peace. I'm only saying something now because your partner is slandering her. Tell them being kind to one person doesnt mean you arent capable of hurting others. Where's the proof Keri did anything to you?
You probably didnt even read all this, and theres an even smaller chance you answer. If you did, I hope you grow and better yourself. I hope you get it together. And just leave her alone so she can get past this.
Hello, anon. No, I am not happy with the pain and suffering which I caused. However, I am not responsible for her feelings.
I am aware that I did wrong things. I apologized for them, never did them again, and I intend to move on from this horrific fallout.
Attack her character? Anon, she is the one who decided to publicly demonize me in front of her thousands of followers.
She is not venting. She is absolutely making threats against me. I can understand feeling rage, but death threats are never acceptable.
Anon, it’s bpd. Not bipolar. I didn’t use it as an excuse and I even mentioned that to her. It is an explanation and I realized my mistakes and I am constantly trying to better myself. I apologized and I want to move on.
Anon, you cannot rip a fictional character away from someone when they were never ours to begin with. I apologize for lying to her, but I did want to preserve her feelings because I know how attached she is to this character.
Anon, I don’t owe her anything. I tag my commissions properly and I even ask artists to do the same, but I owe her nothing. Likewise, she doesn’t owe me anything, either.
Where’s the proof that I intentionally abused her? Where’s me convincing her that Starscream wouldn’t love her?
If she really wanted to move on, she wouldn’t make death threats directed towards me.
As for my partner, she is responding to her claims, especially when she called for my death.
Anon, did you ever stop to think that I am suffering as well? I cannot eat. I cannot physically eat as much as I am suppose to because ever since she made her “vent” post, I have been unable to eat like a normal, functioning human being. That is not her fault. But I cannot help that I react this way. It is something that I must heal from on my own, much like herself.
I agree. I want to move on, but she has to be willing to as well. I hope that she seeks help and feels better.
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happyshayari · 2 years
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The Power Of Gift Poetry
Looking back on my life, and seeing how it has changed over the past ten years, one can see the power of poetry. And the immense power that comes from following your dreams. Ten years ago, my 35-year-old self was the most lost of all. I was a mother to a young family and struggled to keep a job in the logistics sector. I was paid well and worked hard. Although I was tired when I got home, I had trouble falling asleep at night. My addictions to gambling, nicotine, and alcohol were growing in severity and I was less happy with the way my life was going. Yes, I had the beautiful house, attractive wife, and beautiful children. A high-paying job, great holidays, and all that comes with a successful career. But I wasn't happy. My heart was heavy on Monday mornings because I was so stressed. Friday night I felt better, but it had been a stressful week. Sunday morning was the worst. I would feel normal again on Sunday, but then it would all start over again. I was amazed at how easy it was to write poetry at school. Growing up, I was always creative. I believe most children are. You know that poetry is not a viable career. So I chose to pursue a career as a logistics professional. In the end, I stopped writing for twenty years. We were encouraged to tap into our artistic side during a management course. That inspired "What If?" The rest of the story followed a few months later. This period was a testament to the life-changing power of poetry for me. This was my attempt to take a critical look at the middle-aged tremors I was feeling.Happy Shayari
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Happy ShayariWhat happens if my hair falls out? What if my budget is not sufficient and he chooses a better suit? What if my feet become so heavy that I cannot touch my toes anymore? What if my wife leaves me for a younger man? What if my little girl is the same way? Would she ever become a mother? He said, "You have the big C," and I was then run over as I walked out of his surgery. What if they hit the button on every human being? What if there were hell on Earth, and man was playing his last role? What if there was a heaven, and I wasn't good enough? It has been a wonderful time and I trust that fate will bring me happiness. A Gift of Poetry I was enrolled in a leadership course a few months before I started this. I learned many skills to help me get through my ever-busier days. These skills included negotiation, time and stress management, team building, and negotiation. They also taught us how to really ask ourselves questions in just a few days. Who are you? Which direction are you heading?
What are your strengths? What are your artistic talents? That last question was what reactivated the artist and poet in me. Although I remember being able to put together a few rhymes at school, I was not very good at writing poetry once I finished my homework assignment. It was not true that I picked it up again for twenty years. The result was surprising. The result was surprising, to be honest. I didn't know I had removed the stopper from the bottle. It contained over 1000 poems, which I wrote over the next 10 years. I showed the poem to friends and was amazed at the support I received. So much so that I began to write more poems by the end of the first year. They were all about life. The idea was to pick up some ideas and create a story poem. As most budding poets will soon discover, I ran out of ideas. It was writer's block. I call it lackluster inspiration. Whatever you want, it stopped me from writing. This was when I was least productive, at least in writing. I moved on with my corporate life.
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tittyblade · 3 years
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tumblr etiquette 101
a list that is nowhere near exhaustive, from yours truly.
First off, welcome! Whether you’re a twitter veteran looking for anything but whatever twitter is, or a new user just done signing up, glad to see you in our ranks beloveds! Welcome home. Refer to this quick tour to make sure your fandom experience (or tumblr experience in general) is a positive one!
Disclaimer: I know it’s long, but please try to read or skim through til the end if you’re new here! This is by no means meant to be a rule book (for the most part lol), only a guide to help you get settled easier!
1) Your blog
This is where people will see and interact with you, so put some effort into it!
Try to choose a name (url) that’s simple. You can see it as your brand, it’s how people will perceive you and remember you. If you’d like to interact with other users here (and not use the site just for the content) it’s better to have something short and sweet, preferably without spaces. (Of course, these are only suggestions.) Rest assured, you can change it literally any time you want.
Have a theme. Utilize the tool that lets you edit your blog’s color or the font of your bio! You can make it match your profile picture, or your blog if it has a theme of its own. Make it feel homey :]
Fill in your bio. People will be checking out your profile probably more often than you think. Don’t leave it empty! Put in any information you’re comfortable with sharing and isn’t too personal (like your age if you’re a minor, or other TMI that can be found on other people’s carrds). It’s always better to add a name/nickname people can use to refer to you by, but feel free to use your blog description to shitpost still.
You can have an intro post. More often than not, you’ll see a blog have a pinned post, a post permanently appearing at the top of a blog until you pin another post or unpin it. You can make one of those, if you’d like to introduce yourself in more length, link any other socials or a carrd, and show others visiting your blog how you tag things so it’ll be easy for them to navigate. Not an obligation.
Keep your anonymity and your safety. It should go without saying, but there’s no harm in repeating it just in case. Your comfort, privacy and safety has the utmost importance. Don’t share any information you don’t want to. Don’t share your age if you’re a minor, or any other incredibly personal info. I’d encourage you to go by a nickname that’s not your real name, (blog name, your brand, remember?) since there’s safety in anonymity, and that’s lowkey one of the big deals of tumblr, but that’s up to you still.
Choose what you want to be visible. Your liked posts and who you follow are all things you can set to keep to yourself and hide from the publics eye, how handy! You should go through all the setting while you’re at it, set it to your comfort.
Side blogs are a thing. You can have multiple blogs that you can use for different things (see: different fandoms, art blog, etc) to keep them organized or away from your followers. Just remember that the replies and off-anon asks you send will be from your main blog, as well as where you follow other blogs from.
2) Interacting with others
You’ve set up your account, now comes the fun part!
Follow to your heart’s desire. If you care about others seeing who you follow, fear not! In tumblr, usually only two types of blogs keep their following visible to others: newbies, and big blogs using it to point people on other good blogs’ direction. Just turn it off, and go ham following people.
Customize your dashboard. Gonna mention just two things here: this is another reason why it’s really important that you follow blogs without sparing, your dash will collect dust otherwise; and you should turn off “best stuff first” in your dashboard settings, to have a better community here and all.
Follow tags. You can set it in your settings that posts with your followed tags appear on your dashboard.
You can check the og post for edits and context. When you see a reblogged post you don’t understand the context of (or don’t recognize the character in case of fanarts), click on the profile so it will take you to the original post. From there you can check the original poster’s tags to get the context, or see if there have been any edits made to the post, since when you edit a post it doesn’t update any past reblogs.
Send people asks... This is how you make mutuals, people! Do it off-anon if you’d like them to know your blog, or anon if you’d rather not! (You can still end your messages with a signature to show you’re the same person, -[name] is one example.) Send them nice messages, ask their opinion on something, discuss things, or just straight up shitpost lol. Go wild. The sky’s your limit and it’s definitely more than 280 characters.
...and let them ask you! You can set your preference in the settings, do it on desktop tumblr to access more settings tho! What you can customize on mobile is limited (like letting people ask you things anonymously, that’s only on desktop settings). In my personal opinion, it’s always better to tag their username (or a nickname you give them, if they’re a friend) on that post, since you wouldn’t want your interactions with your friends to get buried in your blog forever.
Comment on posts. If you have something to say but don’t want the post to appear on your blog you can add a comment. The owner of the post will get a notif for it, but for anyone else you need to tag them.
For the love of god, reblog. People will only see your liked posts if you have it visible to public and they specifically go on your blog to look at them. You like something? You reblog. It’s already hard for posts to circulate properly, if you don’t reblog them literally no one will see them. If not for anything do it for the artists. Just hold and drag on mobile to fast rb.
3) Your Posts
Finally here! Don’t be a lurker, post and engage!
Make use of “read more”. If your post is long, add it. That’s what you clicked on earlier to expand this post. On desktop leave an empty line and you’ll see three dots appear, and on mobile type :readmore: on that empty line.
Draft a post to come back to it later. Pretty self explanatory.
Queue your post. Whether it’s your own post or you’re reblogging, make use of the queue feature to a) not spam reblog and fill up the dashboard of people following you and b) keep your blog active while you’re gone. Mess around in the settings, it’s fairly easy to set up.
Schedule your post. Same as queueing, the only difference is you get to choose the exact time your post will go up. Handy if you want to schedule a post for certain dates like april fools, or 5 years in the future for some reason. 
Format your texts. You can do all kinds of fancy stuff here (that’s a link, try pressing on it). Twitter doesn’t have this, make use of it. Changes depending on whether you’re on mobile or desktop. (Desktop has less features.)
Check your stats. If you’re trying to understand the algorithm better or want to look at some pretty graphs you can get your data on that on desktop tumblr.
@ people in comments. You’ll get all the notifs when people comment on your posts but they won’t see your reply unless you tag them in your message.
4) Tags, and tagging a post
This is where my earlier statement “this isn’t a rule book” stops being applicable. It’s not a war crime to go against these, I won’t come chasing you (don’t take my word for this) but you’ll work up a bad rep. Just saying lol.
Do NOT crosstag posts. It’s really tempting to add unrelated tags to increase your posts’ interaction, I know, but that’s not what tumblr is about. Don’t be a dick and make other communities’ experience worse for them.
Always tag your posts with “crit/critical/discourse/etc” if it calls for it. There’s no exceptions to it. This is the reason you see people migrating to tumblr. Let people enjoy things.
Don’t main tag a critical/negative post. If your crit post is about “Thing”, you add the “Thing critical” tag, but not the “Thing” tag. People block crit tags if they don’t want to see it, don’t shove it in their faces by main tagging it. 
If you don’t want to see something, just block it. Another reason why people are able to survive on tumblr. You don’t start discourse, you don’t make call-outs, you block. You can find something for every community you can think of if you go looking for it. The worst of the worst probably won’t ever appear on your dash, but if you’re worried or feel the need for it, you know where the block button is.
Feel free to shitpost or ramble. More often than not you’ll see people rb a post with a comment, and their elaboration will be in the tags. The tags are only visible on your profile and the notifications of the owner of the og blog. Just a thing people do.
Reblog artists’ posts with nice comments in the tags! Commenting on a drawing is usually done through the tags (Not an obligation, again, just a thing people do. Feel free to add your comment on the rb itself if you’d want other people to see it tho!) and leave nice messages for the artists! It’s a win-win for everyone involved. 
If you have more than a single follower, always use the common tw warning tags. You don’t need to tw everything, but tw’ing some common things is the bare minimum human decency. Keep it safe for others. 
Tag a post “long post” if it’s really long. Pretty self explanatory. Don’t make people scroll through all that please lol. 
You can use them to organize your blog. This is more of a pro tip, if you’d like to not miss a post in your blog, cause they will start pilin’ up soon enough.
#Liveblogging is pretty fun. If you’d like to talk to people during streams, don’t forget to add the relevant tags still! Again, you won’t show up on people’s dash otherwise.
Whew! That got out of hand. Hopefully I didn’t bore you too much. Check out blogs like @heritageposts and @hellsite-hall-of-fame to honor our past o7. @mcytblr-hall-of-fame too maybe :eyes:. Anyways, don’t forget the most important rule of them all:
Enjoy your stay! You’re meant to have fun on here while also making friends (if that’s your thing). Just be kind and respectful of others, you’ll get the hang of the rest! <3
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randomshyperson · 3 years
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Wanda Maximoff/Reader - The One Where You Punch Tony Stark - Part II
Part 1 || Part 3 || Part 4 || Read on AO3 (Complete Work)
Thanks to @gingerbreadcookieforlife for letting me know i did not upload the entire work here.
Summary:  When the rumors that you punched Tony Stark in the face spread around your school, some interesting events unfolded. Or enemies to Lovers in high School.
Warnings: 18+; Enemies to Lovers;  Angry Sex; Underage Sex; High School AU;  Violence; Fights;  Inappropriate language; Fluff and Smut; minor mentions of Reader x Carol and Reader x Jessica Jones.
Notes: This work was already finished on AO3, but i forgot to continue this on Tumblr. I hope everyone who thought that was a one shot, enjoy the rest of it.
//-//
Sometimes is just a kiss
The news that Steve Rogers and Tony Stark kissed behind the bleachers spread quickly through the school. And it was only 10 o'clock on a Monday morning.
You had no idea who had spread the rumor around the campus, but knowing your luck, you were just waiting for the bomb to drop in your lap.
Besides, you hadn't spoken to Wanda since you gave her an orgasm against the walls of a locker room. You saw her briefly in the hallway between history and biology class, but she looked away quickly, and you rolled your eyes without patience.
It had been good sex, and you repeated that it was just that. Sex. That it shouldn't have happened, mainly because you were incompatible, and there were too many social barriers between you.
You should have known that Wanda would not break the expectations they had of her, to stay as someone as broken as you.
Closing the locker with more force than necessary, you walked out toward the history room.
Taking your place in the last chair by the window, you sit down as you wait for the class to begin. You have about five minutes of peace before an angry Tony Stark enters the room and walks toward you pointing his finger in your face in a threatening manner.
- I told you to mind your own business.
- What have I done to deserve this, Lord. - You grumble without patience, ignoring Stark completely. He lets out an angry exclamation and punches the table, making you jump with surprise.
- You'll pay for this, bitch. I'm going to-
You cut off his speech by pulling his hair and forcing his head against the table in a blow that makes a loud noise. He staggers back, shocked that he has been hit again. The room erupts in a hubbub and someone holds Tony back to stop him from jumping on you.
You stand up, gathering your notebooks, seeing that the history teacher was already signaling for you to talk to the counselor.
- You never learn, Stark. - You sneer, taking one last look at the boy's bloody nose before you leave the room, most of your classmates laughing.
- I'm so angry with you right now. - said your mother as soon as you both left the school. You didn't respond, walking with your hands in your pockets to the car. She started mumbling to herself, and only when you had been in the car a few minutes did she speak to you again.
- And the worst of it is that you hit my boss's son!
You let out a wry laugh as you looked out the car window at the view.
- I doubt very much that Howard Stark knows any of his employees, Mother.
- It doesn't matter. - she retorted, turning the wheel. You watched the landscape change as you turned the corner.
- At least I didn't get expelled. - You commented, your mother let out a wry laugh.
- Suspension is not a good thing! - she replies in an irritated tone. - And I even had to miss my shift to come get you. I honestly didn't raise you for that.
- That's the point, isn't it? - You retorted angrily, finally turning to face your mother.  - Did you ever raise me? Last time I checked, I've been raising myself for a long time.
Your mother assumes a disapproving expression, denying it with her head. You throw yourself back on the seat with your arms crossed.
- You've always been so unfair, you know. - She begins. - Who's picking you up from school now, huh? And who puts a roof over your head? Food on your plate? You raised yourself, that's a joke.
She grumbles again, but you just ignore it, shutting yourself off from your surroundings.
You barely register when the car pulls up in front of your house, startled when your mother slams the car door as you get out. You take off your seat belt, and step out.
- You are grounded, three months. - she says, and you just nod. It's not as if she was present enough to know where you were going anyway. - And you are going to help your aunt in the store while you are suspended.
You let out a protesting grunt.
- Really, there's nothing worse for me to do? - You ask, throwing yourself on the sofa in the living room, your mother giggles.
- Weren't you the one who was thinking that suspension is better than expulsion? Well, you're not going to be sitting around this week. - She said as she left her purse on the kitchen table, and walked towards the small office table in the corner of the room. - Now go to your room, I'm working from home today.
You roll your eyes, getting up. Dragging your feet to your room, you slam the door as you enter, throwing yourself against your bed.
You hope Tony Stark's nose is hurting.
You are very surprised to see Natasha Romanoff enter your aunt's mercenary, shortly after school hours. She smiles at you with amusement, walking over to the counter.
- Wow, interesting look. - She jokes, commenting on the blue uniform combined with a sailor's hat that your aunt makes her three employees wear. You laugh at Nat.
- How can I help you, ma'am? - You asked in an amused tone, she leaned her arms on the counter.
- I'm looking for a fighting dog. Do you sell these here?
You laugh at the insinuation. And then a customer enters the store, Nat moves aside for you to attend to a lady buying tomato sauce and noodles, and then as you check out, she speaks again.
- You caused a fuss at school with your fight. - She remarks, and you just grumble, counting the money. - By the way, how did you find out about Rogers and Stark's secret affair?
You shrug, smiling. - I saw them kissing the night of the game. Stark freaked out, by the way, typical.
Nat laughed, and began to look around the store. - It is nice here. I didn't know you worked.
- It's my aunt's. - You say, finally finishing counting the money in the cash register. - And I worked at the junkyard on Avenue Two until last year.
- Aren't you going to tell me that you were fired for fighting? - Nat teased, making you laugh.
- No, I asked to quit. - So you say. - I wanted a quiet senior year.
Nat nods, and walks around the store, stopping at the magazine section. You see three more customers before she returns.
- I have to get home before my mother freaks out. - She announced as soon as she reached the counter. You nodded. - But I want to know if you want to do something with me?
- I thought you had a boyfriend. - You joked, and Nat rolled her eyes humorously.
- Don't be a smartass.
You laugh.
- I will be helping out in the store during this week. - You say. - Because of the suspension. I leave at seven.
Nat nodded, assuming a contemplative expression for a moment.
- Do you know where Avengers' Bar is? Three blocks past the municipal hospital?
You nod, smiling.
- Sure, Nat. - You say. - I've already driven past it.
- Why haven't you ever gone inside? I'm always there.
- I wasn't in that area to drink. - You remark with a suggestive smile, and Nat just laughs and rolls her eyes.
- Well, I'll be there on Wednesday. Some colleagues from State are playing there. - She says, and writes down a phone number on one of the papers on the counter. - Text me if you're going to show up.
- Are you sure it's not a date? - You joke and Nat just winks at you before you leave. You keep her number in your uniform pocket.
Even from outside, you could hear the music from the bar muffled against the windows.
Avengers's Bar was a popular place in town, but only for a certain kind of people. Mainly frequented by punks, bikers, and artists, it was exactly the kind of place you liked but should avoid. With its history of fights, it wasn't exactly the kind of place you went to anymore.
A dark-haired girl in metal-working attire smiled at you from the doorway, looking at you mischievously as you walked through the door. You just nodded slightly.
Inside, you looked around for Natasha and her friends, but with the amount of people in the bar, it wasn't so easy to find them.
- Y/N! - shouted Thor when he spotted you in the crowd. You smiled, walking over to where he was standing. - We're on the top floor, Nat got a table. Come on, I just came to get some drinks.
You followed him to the bar, and helped him carry the drinks for the others. You didn't recognize any of the drinks they were making there, so you decided to just drink from everyone's glass, which made Thor laugh.
- Look who I found. - announced Thor as soon as you two arrived at the table. The group smiled when they saw you, and you greeted everyone with a kiss on the cheek and sat down next to Nat.
- We heard that you were suspended. - commented Clint, but he seemed almost proud. You shrugged awkwardly.
- She wasn't content to just punch Stark, she also slammed the bastard's head against the table! - Said Natasha excitedly, and the group laughed. You laughed half embarrassed, as you took a sip of the pink drink Nat had ordered.
They started talking about some scandal that happened at the federal school, and you did your best to react to it, not really knowing who the people they were talking about were. And then Valkyrie let out an exclamation, as if she had spotted someone, and stood up. A very pretty girl approached, smiling and hugging Valkyrie.
- I'm glad you could make it, Carol. - Valkyrie said the girl who waved to everyone. When you looked closely, you finally recognized her. Carol Danvers was an ex-student of your high school, having graduated last year. She used to be very popular, and you noticed the military silver necklace around her neck.
Carol sat down next to Valkyrie, and the two of them seemed so close that you thought maybe they were dating.
When the show started, everyone exclaimed with excitement, quickly getting up and walking to the stage area. You smiled as Nat dragged you by the hand, liking the feeling of having friends.
The band was surprisingly good, and you danced with excitement, feeling the alcohol make you lively and loose. You were surprised when Carol began to dance with you, her hands on your waist.
She was very attractive, so you didn't mind her kissing you. And you pushed away the feeling that she wasn't the person you wanted. When she pulled you into the bathroom, her hands roaming over you as she tugged off your clothes, you ignored every part of your body screaming that this was wrong. When she made you cum, you bit your lip to keep yourself from screaming Wanda's name.
Your suspension was finally over, and you gave the key to the store back to your aunt before you went to school.
You tried not to think about it too much, about how many college opportunities you had missed with that stain on your record. But if you were honest, you didn't even know if you wanted to go to college anymore. Every day the possibility of buying a motorcycle and traveling aimlessly getting closer to your real calling.
Many people stared at you when you arrived at school. The vast majority didn't even bother to look away. You rolled your eyes impatiently, reaching into your jacket pockets as you walked through the main doors.
You were slightly startled when Jessica Jones approached you in your locker, but you smiled awkwardly, taking off your headphones.
- Girl, you are a legend! - she said excitedly, pushing you lightly by the shoulders against the lockers. She stood close, and you thought maybe that was flirting. - By the way, I didn't have your number to text you.
She took a pen from her bag, and grabbed your hand, writing down her own number while flashing you a mischievous smile.
- Text me, let's do something this week. - She says as she lets go of your hand. You blink slightly, and nod, a little awkwardly. Jessica doesn't seem to notice, and smiles, leaving afterwards.
You hear a whistle, and Nat looks at you with curiosity.
- You are stealing hearts, huh. - She teases, and you feel your face heat up, still surprised by the whole interaction. - By the way, are you and Carol on a real thing?
- What? - you ask in surprise. - No, I don't think so. It was just sex in a concert restroom, Natasha. I don't think she even knew my name. - You remark as you turn toward the redhead. She laughs, finishing putting her books away.
- Actually she asked me for your number. - She says, and you look at her in surprise. - But then I see you with Jones, and I have to admit, it's a tough choice. - Nat teases, making you laugh. You start walking down the hall together, walking towards the classrooms. You think Nat has said something about the show, but your attention is elsewhere. As you walk past Wanda and Peter Maximoff, everything seems to slow down, you notice the slight flush on Wanda's cheeks when her gaze meets yours, and you both hold your breath as you walk past each other. But the next second everything is as it was before, and you sigh, focusing your attention on Nat.
When you arrive in the literature room, you are happy to know that Nat sits next to you.
You hate the cafeterias. So when Nat invites you to join her at the outside tables you think it's the best lunch you have ever had.
The outside courtyard is relatively less crowded than the other places in the school, and you are in the middle of a discussion about the new TV series that launched over the weekend, when Nat signals to something behind you.
Coming out of the school, and heading towards the table where you were standing, was Sharon Carter, accompanied by her pet friend, Pepper Potts. And you really thought you could have a quiet lunch.
- To what do I owe the honor, Carter? - you asked ironically as they reached your table.
- You stay away from my boyfriend. - She spoke in a serious tone, and before you could say anything, she tipped the glass of soda she held over your head.
You felt your whole body boil with irritation and you stood up abruptly, seeing red. But Natasha tugged on your forearm, whispering something about your suspension. Sharon and Pepper seemed to be slightly startled by your posture, but they let out a wry chuckle and went back inside the school.
You tugged on Nat's arm, then left the courtyard and headed for the changing rooms. You needed a cold shower to calm yourself down, or you would do something that would surely cause your expulsion.
Since the athletic games period had not yet started, the gym locker room was empty. You sighed with relief as you found your spare change of clothes in your locker.
Walking toward the bathroom stalls, you quickly undressed, and stepped into the shower, letting the cold water wash all the soda and anger from your body.
Leaning your head against the wall, you let out a sigh, thinking about all the shit that was going on in your life in less than two weeks. And then your mind went back to Wanda, and you let out a breathless groan, laughing humorlessly. The cold water didn't help to chill the new heat that settled under your stomach. You turned off the shower, then stepped out to put on your clothes.
On your way out of the locker room, you saw something you would rather not have seen. The universe seemed to be testing your anger today.
Wanda was being pressed against the wall of the indoor bleachers, which at that time was empty and perfect for those who wanted to make out in a secluded spot. It was a tall boy, but you couldn't see his face, which was buried in Wanda's neck, kissing her. And then she opened her eyes, and looked straight at you. You saw him pull down his pants and enter her, and she moaned with her mouth ajar, without taking her eyes off you. She had a gleam in her eyes that made your whole body tremble.
You gripped the strap of your purse tightly, controlling the impulse to go over and beat the boy until he passed out, and spun on your feet, walking out the back door.
Fucking day, you thought as you walked back to school.
Eventually, you thanked Nat for keeping you from hitting Sharon. She shrugged, saying that she didn't want you to be expelled now that you were becoming friends, and you tried not to be too happy about it.
On Wednesday, Carol Danvers showed up at the door of the school on a motorcycle. This is sure to be a long-lasting gossip, you thought as you and Nat greeted her on the way out. Several students looked at you, many of them impressed by Carol's motorcycle, others impressed to see her back at school, but the vast majority trying to ask how you knew her.
- What's up, Danvers? - You say to her with a slight nod. Carol looks at you as if she wants to undress you right there, but you have your gaze on her motorcycle, attentive to the details of the vehicle.
- Hey, pretty girl. - She answers while leaning against the vehicle.
- Jesus, you are not even seeing me. - Nat teases and Carol just laughs, giving her a kiss on the cheek. - Tell me, what brings you back to your beloved school?
- I came to say hello. - says Carol. - And to invite you both to a concert on Saturday.
- And you didn't text me because you missed me. - Nat rebuts in a provocative tone, Carol smiles, and then looks at you, before confirming. You don't really know what to say.
- If the music is good, I'm in. - You joke and Nat agrees. Carol takes two tickets out of her pocket and hands them to you.
- I'll pick you up, okay? - She offers it to you. You think about refusing, without really knowing why. But you nod in agreement before you can think about it too much.
- Okay, lovebirds. I'll leave you two alone because I'm starting to get the urge to puke. - Nat jokes one last time, before heading out toward the parking lot. You imagine that she will use the break time to smoke a bit.
You shift your weight between your feet before turning your gaze back to Carol.
- I was surprised to hear that you asked Nat for my number. - You comment, and Carol smiles.
- I like to talk to pretty girls. - She says, and you roll your eyes humorously at the flirtation. She laughs, biting her lips, and you allow her to rest her hands on your waist, perhaps too low.
- Are you looking for something serious, Danvers? - you ask with a slight irony. Carol looks at you in mild surprise.
- You don't think it has anything to do with me, do you?
- Sorry, the motorcycle and the leather jacket gave you away. - You respond humorously. - I get it, because it's my game.
Carol laughs.
- I'm enjoying our time together. - she confesses. - But I'll be back at the station in a few weeks. I can't make any promises.
You nod, without really being bothered by it. Carol is not the one you wanted to be with. And to push those thoughts away, you kiss her. She smiles, deepening the kiss slightly. You think she squeezed your ass, but you're not really paying attention.
And then you break apart, and she smiles at you.
- I'll see you Saturday, right? - she asks, and you nod, letting her kiss you one last time.
When she finally starts the motorcycle and drives away, you notice the mischievous and suggestive looks you receive.
And you try not to let your anger peak, but then you notice Stark's group in the corner of the school, laughing openly. You'll need to walk past them to get inside, and you really hope that none of them will test your patience.
- Hey weirdo, who was your girlfriend? - shouts Tony Stark. You know, you really think maybe he is brain damaged. His friends laugh at the joke, and you think you will ignore it, but then he shouts again. - I'm talking to you, dyke!
He throws something at you, missing you by inches. You watch the red liquid run down in front of your feet.
You think, this is it. This is how I'm going to get expelled. By sticking a straw in Tony Stark's eye. You wondered if prison life was worth it.
But then the laughter died down in the next second, and you watched Tony turn pale.
- Mr. Stark, please come with me. - A male voice sounded behind you. The school principal was a scary man, and he was hardly ever seen outside his classroom. He never witnessed his students' conflicts, and Fury never bothered him with such matters. Tony's paleness was understandable.
- P-Professor Thanos, I don't...
- Now. - says the man finally, and Tony stiffens his jaw as he follows him. He gave you an angry look before leaving.
The buzz started as soon as they entered the school, but you didn't really pay attention to anyone. Ignoring the middle finger Steve Rogers threw at you, you went back inside the school.
Tony Stark was punished with detention. You rolled your eyes when the rumor reached you. They had also said that his father refused to pick him up and that the driver was the one who talked to Fury. You would have sympathy for Stark if he wasn't a complete imbecile.
You had chemistry again, and you really weren't in the mood to see Wanda, but you had no choice.
And then Professor Agatha was feeling particularly inspired today, and decided to switch lab partners. You ended up on the same bench as Darcy Lewis and Pietro Maximoff, you being the only trio due to the odd number of students. You sighed against your bad luck.
The experiment that Mrs. Harkness performed was not difficult, but it could be dangerous if you didn't pay attention. So you just listened to Darcy's instructions, and everything was working out fine. Then Pietro Maximoff decided that his attention was better placed on a girl sitting behind him, and started flirting. Darcy rolled her eyes, smiling at you.
In the blink of an eye, you heard a scream of pain. Pietro had forgotten the limits of the counter itself, and stretching his arms most likely to impress the girl behind you, he slammed his hand against the chemical glass jar behind him. Darcy stepped back to avoid being hit, but you were quick to help Pietro, pulling his arm into the sink on the counter, turning on the faucet as you hurried to get as much of the acidic liquid off his skin as possible.
Pietro sighed with relief, probably feeling the pain disappear as you rubbed the soap into his skin. He was extremely surprised, as was the rest of the room.
- Very efficient reaction, Miss Y/L/N. - commented Ms. Harkness as she approached you, holding a cloth to dry Pietro. - I'll add an extra point to your average for that. Mr. Maximoff, please go to the infirmary.
Pietro wrapped the cloth around his injured hand, and looked at you with a mixture of hesitation and confusion in his eyes, but he nodded in thanks.
Harkness asked someone to call the janitor to clean up the shards, and then continued the class. You found it hard to concentrate when you noticed Wanda's gaze on you.
Jessica Jones kisses you against the wall of the second floor locker room.
You exchanged a few messages, mostly innocent jokes. And then Jessica said she had something amazing to show you, and when you met her after third period, in the not-so-isolated locker room, she pushed you up against the wall and kissed you on the mouth.
Jessica tasted like coke and something sweet, and she likes to bite.You had to remind yourself that you were kissing someone while you were doing it, not feeling connected to her really.
And then two girls came into the bathroom giggling and she let you go.
- Sorry for the scare. - She joked, her lips swollen. You shrugged, smiling slightly.
- What inspired you to do this? - you teased, putting your hands on her waist.
- You of course. Punching assholes and saving people. It's hot. - She says and then she checks her cell phone. - Damn, I have chemistry now. I can't be late.
She steals a kiss from you and quickly leaves. You blink, not really understanding what has happened.
As you go downstairs, you realize that the cheerleading squad is coming out of the locker room, and Sharon and Potts give you a death stare as you walk past them. And then, as you pass through the door to the women's dressing room, you hesitate. All your logic tells you to go on your way, but then your feet are turning and you walk into the dressing room, looking around.
You let out a sigh as you find who you were looking for. Wanda is changing clothes, wearing only her cheer skirt, and a bra. Your intimacy pulsates with the image. Wanda lets out a surprised exclamation at seeing you there, but then she lets out a mischievous smile, and continues undressing.
Slowly, she lets the skirt slide down her thighs. You bite your lower lip hard as it falls to the floor.
And then two other cheerleaders come out of one of the aisles behind you, and the giggles die down when they see you. One of the girls turns to Wanda:
- Is this girl bothering you, Wandy? - she asks in a honeyed voice.
- And what are you, a watchdog? - You retort before Wanda can answer. The girl gives you a death glare. - Mind your own business, nosy.
The other girl approaches you, looking at you with disdain. - We don't like street trash here. Why don't you go back to your junkyard?
You swallowed dryly, trying to control your anger. The smaller girl giggled, and you looked at Wanda, who looked in shock, before you stormed out of the dressing room slamming the door.
You knew you shouldn't do that, but your feet dragged you out into the field of trailers.
You walked a long way until you arrived. And when you entered the courtyards, many of the residents looked at you with a frown. But you ignore them, as you walk between the houses. You knock hard on the door of one of the trailers farthest away. It takes a moment before a tall, muscular boy answers it.
He lets out a wry laugh when he sees you.
- Visiting old friends? - He teases, you don't smile.
- I need to break something, Erik. - You say simply, and he sighs. And then he closes the door, and you walk together in the opposite direction, out of the trailer park.
You have known Erik Killmonger since kindergarten. His life wasn't exactly the easiest. You used to hang out together in high school, but then Erik started getting into a lot of fights, and it was rumored that he joined a gang. He didn't tell you anything, and when you asked, he told you to mind your own business. And then, in the second year, he was expelled for breaking the jaw of Johann Schmidt, one of the seniors at the school. You remember never seeing Erik so angry. But you never knew the reason for the fight. And then he drifted away, and even though you missed him, you didn't push him.
- Here it is. - Erik said as you reached an abandoned area a few feet beyond the trailers. He handed you a wooden stick, and you took a deep breath before you started smashing through the abandoned objects there, most of them junk.
- Fuck that fucking school. - You shouted as you hit a bottle, the glass splattering through the air. Erik just stood at a safe distance, his hands in his pockets. - Fuck Tony Stark. - You shouted, a wooden box shattering with the blow of your bat. And then you noticed a tall dead tree trunk a few yards away, and you stepped forward, aggressively slamming your bat several times against the tree. - Fuck Wanda Maximoff. - And the staff shattered with the force of your blow. You let out a sigh, throwing the object to the ground, as you sat down down on the grass.
Erik walked over to you, and he said nothing about the tears streaming down your face.
- Do you want to talk about it? - he asked as he sat down beside you. You nodded in denial.
- I want you to tell me something about yourself. - You said, wiping your face.
- Um, let me think. - He says, putting his arms behind him and leaning back, he looks relaxed. - My mother is in town.
You turn your head to him in surprise. He smiles.
- Yes, I know, that's nice. - He comments. - But I won't get my hopes up. She could leave at any moment.
- I hope she stays. - You say.
- So do I.
You stand there in silence for a moment, then Erik stands up, then offers his hand to help you stand. You sigh and accept.
- Let's get something to eat, you're paying. - He says, causing you to smile ironically.
You end up at one of the dinner stands across the main road from the trailer park. You buy Erik a hamburger and fries, but you decide to just have a milkshake.
- This is all about a girl, isn't it? - he asks after a while, and you almost deny it. But you just shrug your shoulders in agreement, taking a sip of your milkshake. - Is it someone I know?
- Maybe. - you say, and Erik frowns humorously. He eats some chips, assuming a thoughtful expression.
- That's hard, I've never seen you paying attention to anyone at school. - he says. - What about that redheaded girl in the locker next to yours?
You laugh and nod your head in denial. Erik smiles, thinking again.
- What about that girl in your chemistry class? The one you said was smart?
- Darcy? - You ask and he confirms, you just smile. - No, I wish. Darcy would be less complicated.
Erik laughs, and then pushes the rest of the potatoes to you.
- Why don't you just tell me? - he asks, but his tone is not accusatory, just provocative.
- Because I don't want to admit it. - You confess, accepting the potatoes. It takes a moment, and then you speak. - I think I'm falling in love with Wanda Maximoff.
You don't look at Erik, fearing his reaction. But then he lets out a sigh, and drags his hand across the table, offering it to you. You accept, and he holds your hand warmly.
- You, my friend, are totally screwed. - He teases, making you laugh. - But keep calm. Passions go away as fast as they come.
You nod, squeezing his hand before letting go. You eat in silence, and you can't help but think how much you missed him.
Debates test your patience. And as if that weren't irritating enough, you still share this class with Wanda.
You don't look at her when you enter the room, but you feel her gaze on you. Throwing yourself on the last chair in the room, you stand with your headphones on and sink your head into your arms on the desk, wishing for the school year to end soon.
When Professor Hill enters the room, you are surprised that one of your classmates nudges you to warn you, and you smile in appreciation as you straighten your posture and put your cell phone away.
- I hope you have read the book I asked for, children. - She announces as she puts her bag on the table, and walks to the front of the cabinet, leaning against the wood as she looks around the room. - We will discuss it in class today.
The room lets out a chorus of displeasure, but the teacher lets out a chuckle. Her debates were famous for ending up in heated discussions, plus they made up about fifty percent of the grade. If you didn't say anything, you had to write a report of the discussions.
The teacher took a copy of the book from her purse, and held it with both hands.
- "It is a truth universally acknowledged that a single man, possessing a good fortune, must be in need of a wife." - She read, walking around the room.  - Who can tell me what the line implies about women?
- It's the old-fashioned way of saying that women prefer rich guys. - Steve Rogers sneered, drawing giggles from his teammates in the room. Mrs. Hill, however, just sighed with disappointment.
- No, Mr. Rogers. - she said, cutting off the laughter immediately. - If you have no intention of participating seriously in the debate, I suggest you remain silent.
Steve let out a lame laugh, shrugged, and whispered something to his tablemate. You rolled your eyes impatiently, resting your face in your hand. And then you watched Wanda Maximoff raise her arm up.
- Yes, Wanda? - nodded Mrs. Hill waiting for the answer.
- I think it's about a reaffirmation of the status of the man. As if the woman is a trophy to prove his status and position. - She says. - It objectifies women completely.
You blinked, slightly impressed. Wanda was always smart, after all. But then the boys in class giggled, and the redhead seemed to shrug her shoulders. Professor Hill, however, smiled at her.
- Interesting position, Miss Maximoff. - she said, and walked back around the room. - Let's talk a little about the main romance of the book. - She says, and looks reproachfully quickly at two boys who are whispering, and they fall silent. - I'd like to know what you think about Elizabeth and Darcy's relationship, and how we can bring the book's issues into our current society. Do you believe that the same prejudices are faced today?
The room explodes into excitement, and you feel like going home. Mrs. Hill looks around, and waves to calm the students.
- Please, class. Raise your hand who believes that Elizabeth and Darcy would easily marry today?
The vast majority of the students raise their hands. And someone makes a comment that they would get laid on the first date, and many laugh. You play with your pencil, twirling it on your finger, and then feel a light elbow on your arm. Your classmate nods her head forward, and you blink in confusion, realizing that Ms. Hill has called your attention.
- I'm sorry, Mrs. Hill. What is it? - you ask, straightening your posture. She smiles tenderly.
- I asked why you didn't raise your hand. - She repeats. - Could you share with the class your position?
You let out a sigh, thinking about it. And then you lean back in your chair, putting your hands in your pockets, and trying not to get intimate with the stares in the room.
- I really don't understand how everyone here can say that we no longer have social rules for relationships. - You say. - If Darcy and Elizabeth were from the present day, the prejudices portrayed in the books would only be different, but they would still be there. We have many ways of forbidding people to relate to each other, even in this school.
- Interesting. Please continue. - the teacher said, leaning back against her desk. You let out a sigh, trying to organize your opinion into words.
- I can give an example of how we divide the social groups around here. - you say. - It's not like the jocks are seen hanging out with the kids in the theater. Elizabeth would definitely be one of the smart girls, and Darcy would be the dumb brat. Sort of like a Tony Stark.
The room erupted in giggles, and you watched Steve Rogers lock his jaw, commenting something to his classmate. Professor Hill gave you a warning look, beckoning the class to be quiet.
- So you believe that Darcy and Elizabeth would not be together in the present days? - she asks you, and you shrug.
- I don't think Darcy would break the expectations people have of him for Elizabeth. - You state. - And besides, she can do better than that.
Some students laughed at your comment, and Mrs. Hill smiled at you. And then she asked if anyone had a different opinion, and you were slightly surprised to see Wanda raise her hand again.
- I think they would end up together. - She says. - They are really in love, and just like in the book, I think Darcy just needs time to understand everything, and to build up some courage.
- And Elizabeth should expect him to have some guts, then? - You cut Wanda off. The room looks at you in surprise, and Wanda turns in her chair, a look of mixed defiance and surprise, but you don't back away. - While he decides whether she is worth it, should she just wait around?
- Elizabeth needs to understand that Darcy also has his own issues. - Wanda retorts. - That it's not easy to let go of all the expectations people place on you.
You laugh lightly with irony.
- Of course Darcy would be quite comfortable keeping Elizabeth waiting. - You say with mild irritation. - Besides, Elizabeth is also going through a lot. She deserves to have someone who chooses her.
- That's not what we're arguing about. - Wanda replies. - No one is questioning Elizabeth's worth. I'm saying that they would be together, but that they need time.
- And I'm saying that Darcy has to stop being such a gutless pussy and make a decision soon. Elizabeth is not going to pause her life just to wait for him.
- She would do that if she really liked Darcy. - Retorts the redhead, you blink in disbelief.
You think the room held its breath with your debate with Wanda, and you would have continued if the teacher hadn't interrupted.
- Okay, I think we're getting a little nervous. - She cut in, and you blinked awkwardly, stopping to look at Wanda. The room murmured quietly again as Wanda turned back to face the front. - Thank you for your opinions, ladies. Now let's move on, who can offer a reflection on marriage in the book?
The class continued for a while, but you completely disconnected. Your heart was racing and you realized that the discussion you had was not about Darcy or Elizabeth. Wanda was asking you to wait for her. And you felt a strong urge to punch something. And then you focused your attention completely on the literature report, ignoring the debate completely.
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Michelangelo’s The Risen Christ: Discovering the sacred in the profane.
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The true work of art is but a shadow of the divine perfection.
- Michelangelo Buonarroti
While a visit to Rome’s grand squares like Piazza Navona is at the top of everyone’s list, there is much more to the Eternal City. The Piazza della Minerva, is one of Rome’s more peculiar squares and is a must-see for lovers of Bernini’s work.
As one of the smaller squares in Rome, Piazza della Minerva holds some interesting sites. Built during Roman times, the square derives its name from the Goddess, Minerva, the Roman Goddess of wisdom and strategic warfare. During the 13th Century, the decision was made to build a Christian Church on top of what was once a square dedicated to a pagan Goddess – and so the church of Santa Maria Sopra Minerva was born, a beautiful example of Gothic architecture and Rome’s only Gothic church.
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In fact this is the only Gothic church in Rome. It resembles the famous Church of Santa Maria Novella in Florence. There are three aisles inside the church. The soaring arches and the ceiling in blue are outstanding. The deep blue colours dominate the structure while the golden touches promote the intricate design. There are paintings of gold stars and saints. The stained glass windows are beautiful too.
In the centre of the Piazza is an elephant with an Egyptian obelisk on its back, one of Bernini’s last sculptures erected by Bernini for Pope Alexander VII and possibly one of the most unusual sculptures in Rome. There are several theories which aim to decipher Bernini’s inspiration for the sculpture, some of which point to Bernini’s study of the first elephant to visit Rome, while others point to a more satirical combination of a pagan stone with a baroque elephant in front of a Christian church.
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Tourists flock to see the elephant but more often than not they miss out visiting an almost forgotten marble masterpeiece by Michelangelo himself inside the church. This controversial statue has resided in the Santa Maria sopra Minerva Church in Rome for almost five hundred years. Indeed The Risen Christ by Michelangelo is one of the artist's least admired works. While modern observers frequently have found fault with the statue, it satisfied its patrons enormously and was widely admired by contemporaries. Not least, the sculpture has suffered from the manner in which it is presently displayed and from biased photographic reproduction that emphasises unfavorable and inappropriate views of Christ.
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Around 2017 I was fortunate on a visit back to London to see once again Michelangelo’s marble masterpiece, The Risen Christ, which was being displayed in all its naked glory at an exhibition at the National Gallery.
This was another version of this great sculpture that no one has got round to covering up. It has just come to Britain. Michelangelo’s first version has been lent to the National Gallery, in London, for its exhibition Michelangelo and Sebastiano del Piombo in 2017. It came from San Vincenzo Monastery in Bassano Romano, where it languished in obscurity until it was recognised as Michelangelo’s lost work in 1997.
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I found it profoundly moving then as I had seen the other partially clothed one on several visits to the church in Rome. It has always perplexed me why this beautiful work of art has been either shunned to the side with hidden shame or embarrassment when it holds up such profound sacred truth for both art lover or a Christian believer (or both as I am).
Michelangelo made a contract in June 1514 AD that he would make a sculpture of a standing, naked figure of Christ holding a cross, and that the sculpture would be completed within four years of the contract. Michelangelo had a problem because the marble he started carving was defective and had a black streak in the area of the face. His patrons, Bernardo Cencio, Mario Scapucci, and Metello Vari de' Pocari, were wondering what happened when they hadn't heard for a while from Michelangelo. Michelangelo had stopped work on The Risen Christ due to the blemish in the marble, and he was working on another project, the San Lorenzo facade. Michelangelo felt grief because this project of The Risen Christ was delayed. Michelangelo ordered a new marble block from Pisa which was to arrive on the first boat. When The Risen Christ was finally finished in March 1521 AD Michelangelo was only 46 years old.
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It was transported to Rome and this 80.75 inches tall marble statue was installed at the left pillar of the choir in the church Santa Maria sopra Minerva, by Pietro Urbano, Michelangelo's assistant (Hughes, 1999). It turns out that Urbano did a finish to the feet, hands, nostrils, and beard of Christ, that many friends of Michelangelo described as disastrous). Furthermore, later-on in history, nail-holes were pierced in Christ's hands, and Christ's genitalia were hidden behind a bronze loincloth.
Because people have changed this sculpture over time; many are disappointed with this work of art because it is presently different than the original work that Michelangelo made. The Risen Christ had no title during Michelangelo's lifetime. This sculpture was given the name it has now, because Christ is standing like the traditional resurrected saviour, as seen in other similar works of art.
It was in discussion with an art historian friend of mine currently teaching I was surprised through her to discover the sculpture’s uncomfortably controversial history. There is no doubt Michelangelo’s marvellous marble creation has  raised robust debates about where beauty as an aesthetic sits between the sacred and the profane. And nothing exemplifies that better than the phallus on Michelangelo’s The Risen Christ.
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For the majority of its time there, however, the phallus has been carefully draped with a bronze loincloth - incongruous at best, and prudish at worst, but either way a less than subtle display of the historic Church’s discomfort with the full physicality of Christ.
Indeed, it is worth noting that this attitude prevails, at least in some sense, into the twentieth-century: the version of the statue in Rome remains covered to this day, and much of the critical attention the sculpture has received after Michelangelo’s death has been grating. Romain Rolland, an early biographer, described it as ‘the coldest and dullest thing he ever did’, whilst Linda Murray bluntly dubbed the work ‘Michelangelo’s chief and perhaps only total failure’. But Michelangelo himself saw no such mistake. The censored statue seen in Santa Maria sopra Minerva is what we might call his second draft.
It’s interesting to note that when artist was originally commissioned to sculpt a risen Christ in 1514, he had all but completed it before realising that a vein of black marble ran across Jesus’ face, marring the image of classical perfection which he so wished to emulate. It had nothing to do with the phallus. Furious, Michelangelo abandoned this Christ - the one I saw at the National Gallery - and began again. Even given a fresh chance, he chose to retain Christ’s complete nudity.
Why was this of such importance to Michelangelo? Why did he so strongly wish to craft the literal manhood of Christ, as never depicted before? Part of the answer may lie in his historical context: the Renaissance in Italy was driven in the part by the remains of Roman antiquity discovered there; study of the classics became commonplace, and scholars tended to consider the Graeco-Roman world as a cultural ideal, with ancient art in particular being emblematic of a lost Golden Age. Famously, classical sculpture was almost always nude.
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In his interview with The Telegraph in 2015, Ian Jenkins, curator of the British Museum exhibition “Defining Beauty: The Body in Ancient Greek Art”, attempted to explain this tradition. ‘The Greeks … didn’t walk down the High Street in Athens naked … But to the Greeks [nudity] was the mark of a hero. It was not about representing the literal world, but a world which was mythologised.’
We see evidence for this trend in Greek literature as well as sculpture: Homer’s Iliad and Odyssey, considered by some to be the earliest known works of Western literature, were likely written between the 8th and 7th centuries BC, but their setting is in Mycenaean Greece in the 12th century. The Greeks believed that this earlier Bronze Age was an epoch of heroism, wherein gods walked the earth alongside mortals and the human experience was generally more sublime. In setting the texts at this earlier stage in Greece’s history, Homer echoes the belief held within his contemporary society that mankind had been better before (what we might now call nostalgia, or, more colloquially, “The Good Old Days syndrome”). There is a real feeling of delight present in the distance Homer creates between his actual, flawed society, and the idealised past.
Indeed, it calls to mind a line I once read in an introduction to L.P. Hartley’s The Go-Between, by Douglas Brookes-Davies: ‘Memory idealises the past’. Though modernist texts such as The Go-Between problematise this, in antiquity it was not only commonplace but celebrated to look back to a more perfect existence and relive it through art. The very fact that Michelangelo abandoned his sculpture after years of work on account of a barely noticeable flaw in the marble is evidence that he, too, was striving towards the classical ideal of perfection. ‘Unfortunately,’ Hazel Stanier has commented, ‘this has resulted in unintentionally making Christ appear like a pagan god.’
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This opens up another question – why does such a rift exist between the way ancient cultures envisaged their divinity and our own conceptions of a Christian God? Why are we not allowed to anthropomorphise the deus of the Bible in the same way that the Roman gods were?
Christ, of course, makes this somewhat confusing, given that he is described in the Bible as ‘the Word made flesh’, a physical and very human incarnation of the spiritual being that we call God. Theology tells us that he is fully human and fully divine, and yet the Church have excluded him from many aspects of life that a majority of us see as typifying a human being. Christ has no apparent sexual desires or romantic relationships, and though not exempt from suffering, he does not play any part in sin (which, as the saying goes, is ‘only human’). I think that the enormous controversy caused by films such as The Last Temptation of Christ (1988), which explore the possibility of Jesus having a sex life, is reflective of the possibility that - though in theory the Christian messiah is fully human - we feel significant discomfort at the notion that he may have explored particular aspects of the human experience.
Purists and the prude and liberals rush to opposite sides of the debate. If purists run one way to completely deny Christ had any sexual desires or even inclinations as all humans are want to do, liberals commit the sin of rushing to the other extreme end and presuppose that Jesus did act on sexual impulses simply because it was inevitable of his human nature.
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I think the truth lies somewhere between but what that truth might actually be is simply speculation on my part. It doesn’t detract for me the life and saving mission of redemption that Jesus was on - to suffer and die for our sins as well as the Godhead reconciling itself to sacrificing the Son for Man’s sins and just punishment.  
Of course, it is well-known that the classical gods had no qualms about sexual activity. It is difficult to make retrospective judgements about citizens’ opinions on this but, as it was the norm, we might assume that they felt it was rather a non-issue. I can empathise with some critics who reason that the Christian God is not entitled to sexual expression is because of the traditional Christian idea that sex is inherently sinful – that original sin is passed on seminally and so by having sex we continue to spread darkness and provoke further transgression. It is from this early idea that theological issues such as the need for Mary to have been immaculately conceived (she was not created out of a sexual union, much like her son) have stemmed. But here - the immaculate conception - the critics are profoundly wrong in their theological understanding of why God had to enter the world as Immanuel in this miraculous way.
Some Christian critics - and I would agree with them - assert that the vision of a naked Christ might make a powerful theological point in a world where sex still carries these connotations. They rightly point out that clothing - and I might extend this to mean the covering-up of the sexual parts of our body - was only adopted by humankind after the Fall, the nudity of Christ is making a statement about his unfallen nature as the second Adam. In other words, Christ has no shame, because he is sinless and has no need for shame. Perhaps what Michelangelo intended was actually to disentangle nudity from its sexual, sinful associations, instead presenting us with a pre-lapsarian image of purity taking the form of the classical Bronze Age hero.
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There is another, less theological explanation for the sculptor’s obvious use of the classical form. It reminds us of a time when gods walked the earth alongside us, when they were fully human – us, only immortal. Maybe he wanted to emphasise that fully human aspect of Christ’s being. Questionable as much of their behaviour was, the classical gods were certainly easy to identify with. For Michelangelo, this may have been his own way of embodying John 1:14 in marble: ‘The Word became flesh and made his dwelling among us’.
It is here critics may have gotten hold of the wrong end of the stick with The Risen Christ when they point out the odd proportions of the figure: that it has a weighty torso, or the broad hips atop a pair of tapered and rather spindly legs, or even a side or rear view of the figure that show Christ’s buttocks.
For a start, this ungainly rear view was not supposed to be seen. The statue was meant to go in a wall niche, so that the back of the statue was hidden. Michelangelo of course knew this, and shaped the statue so that it would appear well proportioned from the front. If we view the sculpture from the front left, perhaps its best side, then Christ is no longer a thickset figure. Rather, his body merges with the cross in a graceful and harmonious composition.
The turn of Christ’s body and his averted face suggest something like the shunning of physical contact that is central to another post-Resurrection subject, the Noli me tangere (“Touch Me Not”). The turned head is a poignant way of making Christ seem inaccessible even as the reality of his living flesh is manifest.
We are encouraged to look at not Christ’s face, but the instruments of his Passion. Our attention is directed to the cross by the effortless cross-body gesture of the left arm and the entwining movement of the right leg. With his powerful but graceful hands, Christ cradles the cross, and the separated index fingers direct us first to the cross and then heavenward. Christ presents us with the symbols of his Passion – the tangible recollection of his earthly suffering. Behind Christ and barely visible between his legs we see the cloth in which Christ was wrapped when he was in the tomb. He has just shed the earthly shroud; it is in the midst of slipping to earth. In this suspended instant, Christ is completely and properly nude.
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We must imagine how the figure must have appeared in its original setting, within the darkened confines of an elevated niche. Christ steps forth, as though from the tomb and the shadow of death. Foremost are the symbols of the Passion, which Christ will leave behind when he ascends to heaven.
Why was Michelangelo compelled to portray Christ completely naked in a way that was bound to trouble some Christians? It was not out of a desire to blaspheme. On the contrary, this genius – poet, architect and painter as well as the greatest sculptor who has ever lived – was not only a faithful Christian but someone who thought deeply about theology. You can bet he had good religious reasons to depict Christ in full nudity.
But it would be complacent to think there was no tension in showing Christ nude. The fact that The Risen Christ in Santa Maria still has its covering proves how real those tensions are. The fundamental reason Michelangelo could get away with it was that he was Michelangelo. By the time he created this statue, he had the Sistine Chapel ceiling (with all its male nudes) under his belt and was the most famous artist in the world.
For centuries, the faithful have kissed the advanced foot of Christ, for like Mary Magdalene and doubting Thomas, they wish for some sort of physical contact with the Risen Christ. To carve a life-size marble statue of a naked Christ certainly was audacious, but it is also theologically appropriate. Michelangelo’s contemporaries recognised, more easily than modern viewers, that the Risen Christ was a moving and profoundly beautiful sculpture that was true to the sacred story.
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kaaytea · 3 years
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heyhey !! can i request some hcs of jun, tetsuya, n chris having a very soft but artistic s/o who draws them a lot? and maybe one day they find her sketchbook open n it’s just sketches of them? no pressure if you’re not inspired by this or anything tho n ty !! <33
Sketchy Secrets
⤷Includes: Chris, Jun, Tetsuya
A/n: I'd be more than happy to write this! The 3rd years make me unfathomably soft so I'm going to have a bunch of fun with this! Thank you for requesting and I hope you like it ♥️
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Chris
Chris wouldn't consider himself a very nosy person
He's always respectful of your space and never pries when he can tell you want to keep something private
But nothing has ever tempted him to break that boundary more than the worn notebook you keep on you
It's in your hands constantly and you're so secretive about the item your behavior was bound to garner some curiosity on his end eventually
Nevertheless, Chris fought his inquiring mind out of respect for you and let the contents of the notebook remain a mystery
Chris could definitely appreciate art but he wasn't much of an artist himself, so it was quite the surprise when he opened the notebook he used the keep baseball notes in and be met with a bunch of sketches
Immediately he understood that this must be the oh-so mysterious notebook you've had on you for months. By some miraculous force the two of you seemed to have accidentally swapped notebooks
The damage was done and he already knew what resided in the book so how much worse could it be to give into the hungry curiosity he's been harboring the past few months?
Chris handled the pages with care as he flipped through the book. Most of the pages were filled with what he assumed to be anatomy studies and the occasional silly doodle here and there
When Chris reached the middle of the notebook he noticed a trend in your art begin: All of your sketches were of him
His cheeks were most definitely tinted a soft pink the further he flipped. He was dumbfounded that you found him to be a source of inspiration, he wasn't always a ball of sunshine and rainbows as you've seen him on his worst days
But he found it interesting to look at the conjured up version of how you saw him. It was like he was looking at himself through your eyes
It was then that you barged open his dorm door, hair messy from running and his baseball notebook clung to your chest. He saw the fear flare in your eyes when you spotted the open book in front of him
"D-did you..."
"I looked through it. I'm sorry, you wanted to keep this private and I spoiled that for you."
"So did you see the...uh sketches?"
"I did and I think they're remarkably beautiful, I had no idea you were so talented, love"
A wave of relief crashed into you at his words. You honestly thought he'd think it was creepy you had pages and pages filled with sketches of him
Chris chuckled at your reaction before he stood up and pulled you into a warm embrace where he placed a kiss to the top of your head
Jun
Jun is...a very brash person
He's loud and rambunctious by nature but the man instantly developes a softer side when around you
Seeing the normally boisterous outfielder morph into a far gentler version of himself was quite the sight, and the occurrence had definitely become a topic his friends would make jabs at
Jun never let their teasing remarks bother him much, he enjoyed spending quiet time with you and was more than happy to sit through his friends bad jokes if it meant he could continue hanging around you
Recently though Jun had noticed an odd habit of yours
You stare at him alot. Not in a 'checking your boyfriend out' kind of way but as in blatant staring even if you knew he caught you looking
It was a bit odd in his opinion seeing as you never addressed or hinted at why you actually do stare at him so much
Jun didn't question it, maybe he was just catching while you were spacing out and didn't realize what you were doing
What he didn't know was that he would unintentional find out what was driving this habit of yours only a few weeks after becoming aware of it
He spotted you alone at a table in the schools library one afternoon while searching for some research material he needed for a project
You were sitting with your back to him, leaning heavily on on of your arms. From where he was standing it looked like you had either fell asleep or were zoning out like you often did around him
Jun decided to go "wake" you up, as leaving you there in that state would be defeating your purpose of coming to the library in the first place
Before he could tap your shoulder after approaching your table, his eyes flicked to the book sitting wide open infront of you
More specifically he was watching your hand roughly sketching the outline of a person's hair style
The longer he looked the more he realized that the entirety of the two pages in front of you were drawings of him
Anything from small, quick doodles of him catching a ball or swinging a bat to more detailed sketches of him laughing or reading a book
You must have finally sensed someone looking over your shoulder as you jumped slightly in your seat and quickly turned to find Jun (whose face was beyond flushed might I add)
"This is why you stare at me all the time?!"
"Ah...maybe?"
Despite how embarrassed you both were he still pulled a seat up next to you, gruffly mumbling out how you shouldn't let his presence keep you from your art
He then quietly complimented your artistic skills, sealed with a soft kiss to the back or your hand
Tetsuya
If there is one thing that Yuki Tetsuya loves about your relationship it's the fact that you always pack little bentos for the two of you to share after games
Obviously he loves YOU for many other reasons! But if he were asked what quirk or abnormality he loves the most in your relationship it'd be the bentos
Which he was currently rummaging through your bag for
You usually have a specific spot in your bag for the small containers, a place that would keep the food cool so it wouldn't get spoiled in the Tokyo heat, but Tetsu couldn't seem to find them
Eventually he spotted the familiar teal and green box after shuffling the contents of your bag around a bit
With an accomplished glimmer in his eyes he pulled the bento out from your bag
As he was retrieving the container, said bento caught the corner of a small notebook causing it to tumble out and flop open on the concrete
Tetsuya quickly scooped the book up from the ground fearing that he had gotten it scuffed or dirty, but those worries left as his attention was captured to the contents of the notebook
At first he thought the image was a digital picture you had printed out but the longer he looked the more he picked up on the smudgy finger prints littering the page
And then it clicked for him: You drew this!
Right next to the portrait of him was a smaller doodle of a scene he recognized as your phones lockscreen (a second year version of the two of you happily smiling at eachother, his arm wrapped respectfully around your waist as you struggled to look up at him due to the brim of his Seidou hat blocking your view)
The sketched version looked exactly the same as the real photo! It was beautiful and somehow you had managed to enhance the tender emotions portrayed in the picture
"Tetsuya, did you find the ben- oh.."
"Do you think you could draw a larger version of this? I want to put it on my desk."
You just laughed at his bluntness before giving him a nod in response
A small smile graced his features as he looked from you back to your messy sketch. It wasn't a look you saw very often from him, but that smile made your knees weak as you fell in love with him all over again
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INEFFABLE - Kaz Brekker
Chapter Eleven
If you would like to read this on Wattpad, it’s on there as well, my @ is in_my_feels_probably and there’s a few visuals and better descriptions and stuff on there. otherwise, enjoy, let me know what you think, and you can check out my masterlist for updates and more. don’t forget to read the prologue, it’s important to the story!
INEFFABLE – Kaz Brekker
ineffable (adj.) too great to be expressed in words, utterly indescribable; too sacred to speak of. 
Chapter Eleven
It was early that morning, and the Crows had stopped the carriage. Elham had quickly changed back into her regular clothes, glad to be out of the dress. The Crows piled out and moved to stand behind the trunk Alina was stowed away in. They stood ready to defend themselves, Jesper with his hand on his pistol.
Elham put her hand on top of Jesper’s, reholstering his pistol. “Saints Jesper, we didn’t go through all that trouble just for you to shoot her.” “Relax, love, it’s just a precaution. Besides, I don’t think a bullet is going to do much damage against the literal sun.”
Noises came from inside the trunk, and the lid popped open, Alina slowly emerging. She cautiously climbed out and jumped down in front of the Crows, holding her hands up in surrender.
“We don’t want any trouble.”
Alina’s voice was shaky. “Neither do I, so I’ll just be on my way.”
Kaz swiftly drew up his cane, blocking her from getting away on his side. Jesper stepped forward hesitantly. “Clearly, you want out of East Ravka. We can help you. We have a secure route through the Fold.”
Inej was gripping Elham’s hand tightly, and Elham was almost having to hold Inej up to keep her from collapsing. She knew this must have been a lot for a believer. Hell, it was a lot for her too.
Alina glanced at them warily, and Inej nodded at her, Elham offering a reassuring smile.
“I prefer to travel alone.”
Elham quipped up. “Baghra wouldn’t want you to. She told me about you. You’re safe with us, I promise. He’s not going to get you, not while I’m still standing.”
Elham knew her attempt was futile, but it was worth a shot. Alina’s face contorted with hesitation, like she wanted to trust her, but she knew she couldn’t.
“No, I can’t. Like I said, I prefer travelling alone.”
Jesper raised a hand towards her, signalling he meant no harm. “Don’t be rash. You stick with us, and everybody gets what they want.”
“I’m not being anyone’s captive ever again. So step aside, and let me pass.”
Elham almost felt guilty. She remembered the fear she felt escaping the Little Palace, and she knew there was nothing she could say or do to ease Alina. She looked to Kaz, who still hadn’t moved his cane, blocking Alina in.
Kaz relented. “I’m afraid we can’t let that happen.”
Jesper put his hand back on his pistol, and Alina’s eyes caught it. She moved her hands together, and Elham quickly dropped Inej’s hand, raising hers. She sparked a flame, ready to defend the Crows, when she was blinded by a searing light.
Inej had blocked it, and Elham had turned away before she got the full force of it, so she recovered quickly enough to see Jesper and Kaz ducked away, groaning, and Inej’s hands raised in surrender.
Elham had two options. Raise her hands and fight, cornerining Alina, or, she could let her go. She could get her kruge, ensure the safety of the Crow Club and Inej’s indenture, or, she could betray Kaz, and end up indentured to Heleen at the Menagerie.
But when she saw Alina’s hands raised in defense, the look in her eye matching a scared and defenseless animal, she dropped her hands to her side, stepping back towards Inej.
She’d accepted her fate the second she offered herself up in Inej’s place, and she knew she’d do anything to ensure the safety and security of the Crows, her family. There was no point in capturing Alina, not when she had been in the exact same position all those years ago.
Alina was scanning her eyes between Inej and Elham, slowly lowering her hands when Inej had slightly bowed her head to her. She looked at Elham, who just gave her a quick nod. Alina nodded her head back in thanks, and dashed around the side of the carriage and away from the Crows.
Jesper and Kaz had recovered now, slightly rubbing at their eyes, looking around. Elham sighed. She was in for it, and she knew it.
---
The Crows had trudged into one of the bars in the city, and were all seated around a table, silent. Jesper was scouting, and Inej had come in and taken a seat next to Elham, who had already downed a shot or two, and was still eyeing Kaz’s drink.
“There’s no horses missing at the stable, so…”
Kaz was slumped in his seat, gripping his cane. “So? What? Are you two going to tell me how the target got away?”
At that question, Elham had seemed to sober up a bit, now sitting up straighter.
Inej tilted her head, taking a deep breath. “I let her go.”
“You let her go? Elham, what were you doing during all of this? Fiddling with your thumbs?”
Elham stared Kaz down. “Well first, I was making sure my retinas were still intact. When I finally recovered, I sparked a flame, but then I realized the Sun Summoner would do us no good if I burnt her to a crisp...and I also realized Inej was right. So I surrendered, and she ran.”
Kaz leaned closer, and his tone was menacing, one of the worst he had ever used to speak to her.
“You both were hired to do a job.”
Elham scoffed. “Oh, is that right? I’m an employee, now? Not the one person who’s made sure your ass didn’t end up dumped in the harbour every night for the past few years? Got it.”
She slumped in her chair, turning away from him, missing how his face fell. Inej cut Kaz off before he could speak.
“The job was to pick up a fake for an easy million kruge. We found a living Saint who can summon the sun.”
Kaz pulled a coin from his pocket, twirling it between his gloved fingers. “A good magician is a good con artist. The trick is to make it look real.”
He opened his palms to reveal the coin was missing. Elham, slightly more intoxicated than she needed to be, almost laughed, muttering. “That was a good one, Kaz, you should do parties.”
Inej ignored her. “This is different. You saw her summon with your own eyes.”
“The best illusions are the most convincing. That’s the game.”
“You can hide behind your cynicism, but I believe she’s the real thing.”
Kaz turned to Elham, who was watching him with glazed eyes. “Do you?”
She took a breath, and nodded. “I do.”
He turned back to Inej, his words bitter. “I don’t see you falling to your knees to worship every Heartrender or Squaller we meet.”
Elham had heard enough. “Saints, Kaz, that’s enough. Don’t mock and belittle her faith just because you have none.”
He scoffed. “And you do?”
She hesitated. “I didn’t. Maybe I do now, I don’t know what I believe in, I’ve never found any comfort in the Saints, but I trust Inej.”
Inej was unrelenting. “This is different. Her power is a miracle. I won’t betray my faith.”
“Pious as that may be, we cannot work effectively as a crew if you’re making decisions based on religious zeal!”
Inej was seething. “Is that a threat to return me to Heleen?”
Kaz didn’t waver, leaning in, voice desperate.
“Either we get the target, or Heleen gets the Crow Club and Pekka gets whatever’s left. And if we do somehow manage to make it back, but empty handed, I’ll get to keep what’s mine, and you’ll be safe. But what does it matter if she gets my Valkyrie?”
Elham stilled in her chair, and Kaz’s eyes widened as he realized what he said. Inej’s face contorted in confusion.
“Wait. Why would Heleen get the Crow Club? Or Elham? What’s going on?”
Kaz’s jaw was clenched as he glanced at Elham, who was already staring, eyes glassy, tears threatening to spill over. He abruptly stood from the table, grabbing his cane and scampering off.
“Kaz! What did you do?”
She turned to Elham who was sunk in her seat, not meeting her gaze. “What did you do?”
Elham quickly wiped under her eyes, clearing her throat. “I, uh...something pretty stupid, I guess. But it was worth it.”
Inej gripped Elham’s hand. “Come on, you’ll have to do better than that. Please tell me.”
Elham hesitated, but finally gave in. “Well. We needed you for the heist, and Kaz knew he couldn’t pay off your indenture, which is what it would have taken for Heleen to release you. So...he gave her the deed to the Crow Club.”
Inej’s eyes widened, panicked. Elham quickly recountered.
“I didn’t let him do it! I could never let him give up something like that, it’s too big a risk. But I knew we had to free you, and I swore to myself that once we got you out of there, I wouldn’t let you go back.”
“Saints, El, what did you do?”
The tears were falling now. “Before I joined the Dregs, I off and on worked for a small place down by the harbour. I was desperate, and the owner hired me on a nightly basis. I wasn’t indentured, I did it all out of my own free will, I was lucky enough to at least have that. So, I guess you can say I have experience.”
Realization hit Inej, and she leaned her forehead against Elham’s. “You didn’t. Tell me you didn’t.”
A sob caught in Elham’s throat. “I did. I couldn’t let you go back there, and I couldn’t let Kaz give up something he worked so hard for. So, if we don’t make it back, Heleen gets the Crow Club. If we do, and we’re empty handed...she gets me. I’ll be her little fawn.”
“Saints, Elham, why did you let me let Alina go, why would you do all that for me? I could never ask it of you.”
Elham let out a chuckle, but there was no humour in it.
“You would never have to. I would do it again a thousand times over for you, for you and for him. But Saint’s Inej, I’m scared. I don’t want to go back to that.”
Inej’s voice was determined now, as she pulled Elham into a hug. “You won’t, ok? I promise. She’s not going to take either of us.”
It was Inej’s turn to let out a watery chuckle, her hold on Elham tightening.
“You’re crazy if you think Kaz is going to let you go, you know that right? I think he’d tear down the Barrel brick by brick before he let his Valkyrie go.”
Elham hummed into Inej’s shoulder, before pulling back, wiping under her eyes.
“I hope that’s true.”
“Of course it is.”
Elham scanned the room, spotting Kaz and Jesper.
“Will you go settle our tab? I’ll go see what the plan from here is.”
Inej nodded and stood heading for the bar as Elham headed to take a seat next to Jesper.
---
A/N - hi everyone! i should have a new chapter up soon, but we're getting really close to some of the stuff i've been really excited about writing in. also, the google doc i have for this book is literally 75 pages? like huh? it's well over 20-25K words, like what? and wattpad says it takes over 2 hours to read, that's crazy, y'all are dedicated for those of you reading it all in one go. anyways, let me know what you thought, feel free to reach out, and thanks for the support?
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(Un)Wanted Part 1
Read on Ao3 
(Un)Wanted Masterlist
A child that sees demons in every dark corner is not a child that is wanted.
A child that cries and freezes and mumbles of terrible things is not a child that is wanted.
A child that jumps and startles and hisses is not a child that is wanted.
Unwanted things are purged from the Earth.
So Virgil runs.
In other words: Virgil is an outcast, ostracized and shunned for how he was born, forced to flee an angry mob only to stumble right into a fae garden. 
Pairings: LAMP, DLAMP, DLAMPR, can be platonic or romantic you decide
Warnings: Implied/Referenced torture, child abuse, and self-harm, nothing super explicit. Sympathetic Deceit and Remus. Panic attacks, anxiety attacks. 
Word Count: 11,250
He’s running. He’s running, he doesn’t know what from anymore, all he knows is that they’re chasing him, they’re after him, he has to run—
 He tears through the cold forest. It doesn’t matter that he can’t see where he’s going anymore, it doesn’t matter that the branches reach out and tear at his clothes, at his legs, at his arms. The cuts sting in the cold wind as he runs. His feet slap against the ground, too ungainly to dodge the smaller roots but just quick enough to swerve around the bigger ones. He glances over his shoulder. Can’t see them. Can’t see anything. Run. Run. Run. 
 The trees get thicker. The branches no longer whip past his shoulders, they stick. He has to dodge. He has to swerve. He has to hold his arms up in front of him to block the ones he can’t. His arms sting, rending through the thin tunic easily. His lungs ache. His brain races. 
Demon. 
Evil. 
Bad. 
Cursed. 
 The branches disappear and he almost pitches forward, throwing his arms out to catch his balance a few moments later. The second his arms aren’t in front of his face anymore, he winces. Why the fuck is there a massive clearing right here? It’s so goddamn bright, he has to blink at least three times before he can—
 Oh. 
 Oh, no. 
 No, no, no, no, this is bad, this is really bad—
 It’s a fae garden. 
 It’s golden. It’s enchanting. No plants grow that artistically. The colors are just this side of too vibrant, bathed in the gleam coming from he has no idea where. he can hear it faintly in the back of his mind, calling softly, luring him, beckoning him deeper into the garden. 
 No. No, no no, he has to leave, he has to run away, maybe if he runs a different way he can escape both of them but he has to leave now before something catches him and—
 “Oh, and what do we have here?”
 Shit. 
 His eyes widen and he whirls around to see a figure leaning up against a tree with far too much grace, all long limbs and coiled power. He pushes off the tree and saunters closer, the golden lights gleaming and scattering off the scales on one side of his face. 
 Where the fuck did he come from? He glances around. Are there more? There have to be. Where are they?
 “See something interesting, pretty thing?”
 His gaze snaps back to the—when the fuck did he get so close—fae in front of him, his eyes raking over anything and everything to make sure he’s not looking at his face. He doesn’t exactly remember the etiquette when it comes to fae but eye contact is the actual worst. 
 The fae is dressed like he’s stepped out of some time capsule, black bowler, a black cloak wrapped elegantly around his shoulders, a black suit underneath. Golden clasps hold it together over a shock of yellow. And…how many—six arms? 
 He backs away. The fae keeps coming. Too late he realizes he’s walked further into the fae’s trap, now he can’t get out of the garden. Not without going past the fae. 
 A hand, gloved in that rich yellow, comes up, a single finger tilting his chin up to—fuck why is he so close?
 Close enough that he can feel breath on his face. Close enough that he can see each individual scale, placed delicately next to each other. Close enough that he can see one side of the fae’s mouth curving up the side of his face like a snake. Or maybe that’s just the smirk. 
 “As flattered as I am by your staring,” the fae purrs and fuck, that voice, “my eyes are up here, pretty one.”
 He’s never been very good at responding to flirting in a normal way, mainly because most pick-up lines are terrible puns and he will either be too absorbed in the pun-off or the implications of said pun. And, um, he doesn’t…really get flirted with a lot. 
 But this? 
 He’s in way over his head and he knows it’s not just the flirting, it’s not just the teasing smile, it’s not just the low voice, it’s not just the finger that’s just this side of too light under his chin, he knows it’s fae, but he can’t do anything about it. And if he says the wrong thing—
 The predator in front of him smells blood and pounces. 
 “Didn’t they teach you manners,” the snake chides, tapping his nose with the tip of his finger, and he's caught between the audacity of it and how effortlessly he makes him feel tiny, “about how it’s rude to stare? Though I suppose I can’t blame you, not entirely, now can I?”
 The snake’s eyes go wide, the smirk growing fiendish as his insides turn to mush. He locks his knees quickly. He won’t collapse. He won’t. Even if that one finger under his chin is the only thing holding him up. Also what the fuck is he supposed to do with his arms?
 “My, my,” comes that frustrating purr, “are all mortals this warm?”
 The finger slides along his jaw, the touch leaving an electrifying tingle in its wake. He’s frozen, staring at the snake’s mismatched eyes as the gloved hand comes up to stroke a thumb across his flushed cheek, touch burning and soft. 
 “Or, oh, and now this could be very interesting,” and the snake leans closer, his mouth right up against his ear, “I haven't made you flustered, have I, my dear?”
 The ’s’ in ‘flustered’ comes out as a hiss, and fuck that shouldn’t make him turn to jelly but it does. A low chuckle rumbles through the air as the snake pulls back, grinning like the cat that got the—or the snake that—fuck, his brain’s too offline to come up with any metaphors that would work. Simile. Fuck. 
 The snake’s hand comes up under his chin again, the fabric of his gloves making the drag decadent as he lifts his gaze back to his and he can’t help the whine that comes out of his throat. 
 The snake’s grin widens. 
 “Oh, I didn’t enjoy that at all,” he purrs, “let’s see if I can make you do that again.”
 No, no—
 The snake’s fingers hook and trace three little lines up the underside of his chin and he can’t help it. This time he doesn’t just whine, he tilts his chin back further, much to the snake’s delight. 
 “Lovely.”
 He doesn’t even have to touch him this time. He whimpers. 
 “Is that all it takes, sweetie? Just one word?” The snake’s thumb runs along the curve of his jaw again. “Aren’t you precious~”
 The words sink into him like honey, sweet and sticky, trapping him in his touches, in his voice. The snake hisses contentedly, tilting his chin back and forth. He can’t look away. 
 “Precious indeed,” he repeats, the hiss becoming more pronounced, “if not a little…flushed.”
 He burns warmer, the snake’s smile growing, full of sly mischief and sharp fangs. 
 “You look distressed, kitten—“ prey— “are you…nervous?”
 Goddamnit, he’s not gonna collapse into a puddle. He’s not. Every single ounce of his willpower goes into making sure he stays upright. 
 I don’t! Know! What to do! With! My hands!
 “Oh dear,” the snake purrs again, not sounding at all sorry, “have I rendered you speechless?”
 Yes. 
 “You’re the one that stumbled into my garden, lost little lamb,” the snake hums, “how was I supposed to know you would be so easily disarmed?”
 He tilts his head, mismatched eyes shining. “It seems awfully rude to stumble in unannounced and then not explain the reason for the intrusion, does it not?”
 The smoky haze the snake’s words had cast on his mind tightens, the quiet whispering lure of the garden sharpening into a call. The snake’s touch is still light but his voice has an unmistakable edge to it. The snake’s fingers are a blade perched delicately against his neck. He doesn’t know how to keep it from cutting his throat. 
 The snake chuckles. “You’re too easy, my little mouse. I’m only teasing.”
 That doesn’t make it any easier!
 “Are you too tongue-tied to speak, darling?” The snake smiles, the human side of his face softening just the smallest bit. he might be imagining it. He’s probably imagining it. “That’s alright, I have…other ways of figuring out what you want.”
 Wait, what? No, no thank you. Don’t like that. Huh-uh. Nope.
 “Just…look here,” the snake murmurs, cupping his chin properly for the first time, the amount of contact making his head spin. 
 He’s still trying desperately to keep his legs from collapsing and he knows if he even tries to move he will fall into a puddle at the snake’s feet. But that leaves him frozen, helpless in the snake's gaze.
 “That’s it…just look right at me.” The snake’s eyes gleam as he gestures to his face. “Yes…enjoy, sweetie.”
 Stop it, he wants to plead, let me go. he can’t. 
 “Now, then, let’s see what brought you here…”
 He gasps. The snake’s words reach into his head and pull forward memories, emotions, angry words called out in fits of rage. Fear. Angry clattering of swords and torches swung so close the tips of his hair is singed. Knives, daggers, blood—lifting something from the inside of a chest and carrying it over to—
 He gasps. Years of neglect, abuse, being scorned and turned aside, cursed for the scars littering his body, mocked and shamed for them. Years of whispers behind his back, forced smiles, fake faces. Years of always having to look over his shoulder, think twelve steps ahead, always have a backup plan. 
 He gasps. Tendrils curling into his jaw, wiring it shut, pressing his tongue to the roof of his mouth. Tendrils winding around his arms, his legs, his fingers. Holding a knife. Rewriting his memory. 
 He sees himself. His true self. Standing with a pair of battered gauntlets encasing his wrists, his hands covered in blood. More blood splattered across his face, across the three long scratches that threaten to take out his eye. More scars twisting across his stomach, black pooling out from where they refuse to close. A blue glow, sickeningly artificial, emerging from his mouth, from his eyes, winding around him, tying him up. It hurts. 
 He blinks. 
 His eyes sting, he’s crying, when did he start crying? Is he crying? He blinks again, watching the snake’s face swim back into view. The shameless flirty smirk is gone, replaced with a softer look. Another moment and something covers his eyes. He can’t help the frightened keen when his world is thrown into darkness. Is the snake gonna take him somewhere? Kill him? Something worse than death? What’s happening?
 “Shh,” the snake murmurs, no longer dripping with allure, “hush now, darling.”
 He shuts his eyes reflexively, the sudden loss of his vision sending him stumbling. Can he grab? Yes? No?
A hand catches his arm. Another his other arm. Another pressed to the space between the shoulder blades. Another curled possessively around his hips. The hand over his eyes stays firmly in place, gentling a little as the other hands press him against the snake, holding him up. His legs won’t work properly, pulled as he is at an awkward angle. 
 “It’s dark because you’re trying too hard,” the snake murmurs, the quote rolling off his tongue, “lightly, child, lightly. Learn to do everything lightly.”
 The snake adjusts his grip, pulling him closer. 
 “Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.” Another hand—that’s right, there’s six—cradles the back of his head. “Lightly, lightly—it’s the best advice ever given me.”
 The darkness doesn’t hurt. Doesn’t press. Just lays over his eyes. 
 “So throw away your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That’s why you must walk so lightly.” 
 The snake leans closer, his lips almost brushing the shell of his ear. 
 “Lightly, my darling.”
 He shudders as the air wafts over him. The word ‘lightly’ has been said so much it doesn’t sound like a word anymore. 
 “So you can speak,” laughs the snake—shit did he say that out loud?— “and oh, what a wonderful voice you have.”
 Really? Back to flirting already?
 “Oh, come now,” he chuckles, “is it really so simple? Alright, alright, I won’t fluster you too badly.”
 Or you could not fluster me at all we could make that work too. 
 “But you are right,” comes the voice, still right next to his ear, “about saying a word too often before it stops sounding like a word. You mortals tend to do that with yourselves quite a lot, don’t you?”
 The snake must be able to feel his brow furrow. He continues. “You tend to look at something for so long that you start to create flaws out of nothing. You see cracks where there are no cracks, imperfections when you know perfection is a standard you will not reach.”
 Is…is the snake trying to…comfort him?
 “You do that with yourselves,” the snake murmurs, the hand at the back of his head cupping it gently, “and you must look away.”
 Do what now?
 “Look away,” the snake repeats, “look away and give yourself time to breathe, sweetie. The words are still words, you just have to give them time to rest. You are not as flawed as you think you are. You simply must look away for a moment. And don’t forget to breathe.”
 The hand on the back of his head moves, the others leaning him back a little so it can come around and pat his chest. 
 “Breathe,” says the snake. 
 He breathes. 
 “Good.” 
 So he…isn’t going to kill him? Has he not violated some guest rite that allows the snake to exact some fae revenge? Are mortals not too small and too petty to warrant this amount of…effort?
 The flirting…the flirting he kind of gets. He knows he’s shit at receiving compliments, okay, and he knows the way he responded to that flirting was…entertaining. Probably. Yeah, it definitely was. 
 That doesn’t explain this. 
 “I can hear you thinking,” the snake hums, “I can hear your little mind whirring away in there.”
 Shit. 
 “Why don’t you just relax,” he purrs, drawing the word out in a way that has to be deliberate, “and stay right here?”
 And do what? I’m still standing here your six arms with your teeth basically at my throat and you seem to really enjoy making me not able to speak or do anything. 
 He tries. He tries to take another deep breath and let himself relax into the snake’s arms. It’s not easy. 
 “That’s it, good.” The hand on his chest gives him another little pat. “Well, now I could call you any number of things, my darling, now couldn’t I? But I did say I wouldn’t fluster you too badly.”
 He hums for a moment, he can almost feel his gaze through the gloved hand still over his eyes. 
 “May I have your name?”
 Nope. I know that one. 
 He swallows, his throat dry. his lips are dry too. he licks them quickly and clears his throat. “You may call me V.”
 The snake doesn’t seem too bothered by it. In fact, it’s quite the opposite. 
 “Clever boy. Very well, V, why don’t you just take another breath.”
 V breathes. 
 “Have you caught something new for us?”
 V’s breath catches. Fuck. 
 Another one?
 Judging by the approaching footsteps from behind him, yep. He still doesn’t know what the fuck to do with his hands. 
 “What fun,” the voice from behind him says, getting closer, “though from the looks of it…I’m not interrupting anything, am I?”
 “No, of course not,” the snake drawls, “nothing of the sort. It’s not like I purposefully knew you were meant to be keeping watch today and sent you somewhere else.”
 They have a schedule? How many of them are there?
 “Well, good!”
 The snake huffs and the other one chuckles. 
 “So…” The voice stops just behind him and judging from how high up it is, he’s even taller than the snake. “What have we here?”
 Don’t fall over, whatever you do, don’t fall. 
 “Don’t be greedy,” the second one chides, another pair of hands resting on his shoulders and wow those are warm, “let me see what you’ve caught.”
 No, no, please, let me stay here, I can deal with the snake—
 No such luck. The snake releases his grip except for the hand over his eyes. 
 “There we go…”
 The warm hands turn V around slowly, one hand walking its fingers playfully over his shoulders as they do, across his collarbones, over the hollow of his neck, to the other shoulder. It’s just light enough to tickle, sending pleasant shivers down his spine. 
 “We’ve talked about this,” the voice keeps scolding playfully, “keeping things all to yourself…oh. Oh, look at this!”
 V knows his face is red, he can feel it. Then those warm fingers flutter up to touch just under his chin and tilt and shit he doesn’t want to do this again. 
 “Why are you covering his eyes? You’re not usually the type to…avoid attention.”
 “It’s not for me.”
 “You, doing something that’s not for yourself? Well, now I have to see. Move your hand.”
 No, please don’t.
 “Keep them closed,” the snake murmurs in his ear before his hand lifts. Even with his eyes closed, the light hurts and he squeezes them tighter. 
 “Oh, how could you?” Hands cup his cheeks. “It is a crime to cover up this absolutely adorable face. Just look at you, pretty thing.”
 Judging by the quiet chuckle from behind him and the delighted silence, they’re amused by his reaction which is definitely not to go even brighter and not to squirm a little against the hold. 
 “Well, well, well, isn’t today a lucky day?” Two fingers tuck a loose strand of hair behind his ear, the soft touch drawing the blush right up to the tips. 
 If his eyes weren’t closed already, they sure as hell would be now. Unlike the snake, this fae didn’t seem to be content to restrict the touch to just a finger or the soft brush of a thumb. No, the new hand trails over his face, lingering in spots that make him twitch, where he’s sensitive. his mouth. Just under his bottom lip. The bridge of his nose, right between his eyes. Tracing a lazy path around his jawline, right under his chin. his face burns, each stroke setting his skin alight, until they blur together and he has no idea what’s actually touching him and what’s nothing more than a phantom sensation. 
 And because his eyes are closed, he still can't see anything. So he has no idea where they're going to touch next and he's in a horrible loop of being startled and making noise and then remembering he really doesn't want to move and getting frustrated with himself for moving and making more noise. 
 “Oh, I could stand here for ages,” the voice coos, “just coaxing more of those pretty sounds out of you.”
 “He has a pretty voice, doesn’t he?”
 Not you too!
 “I think he likes your voice,” the fae in front of him chuckles. 
 “I think so too.”
 “Which one does he like more?”
 No, no, let’s not test and find out, he’s barely staying on his feet as it is, he can feel the snake behind him and sure he could probably grab the fae in front of him too but he’s so close to being a puddle already, please—
 “I must say I was surprised to see you being so hands-on with him,” the voice muses, “especially because you know how…fragile little mortals can be, hmm?”
 “Mm.”
 “Shouldn’t fragile things be treated gently?” The warm hand is back under his chin, cupping it in a firm hold, one of his fingers stroking just the smallest amount. 
 “What if I were to talk like this? In a nice, sweet, gentle voice? Hmm? Would you like that, cutie pie?”
 No, no no no, that voice…despite how tightly V tries to stay, tries to clench every muscle he has in defiance, that sweet, soft voice wriggles its way under his skin and he melts. 
 “Aww, yeah,” the voice teases, “yeah, you do, hmm? Nice…and gentle…good…”
 He can’t help it, he whines. He can’t remember the last time he was praised, and he knows it’s not real, it’s not real, it’s just the fae toying with him, but it works and he hates his traitorous body for responding to it. 
 “I think you like this~” the voice coos, “I think you like the gentle voice, don’t you? Sweet voice…just like you, little honeybee.”
 He…he’s leaning closer, there’s breath fanning over his face, over his neck. 
 “Can’t you just give in to me,” he coos, “can’t you just give in, little cutie pie?”
 V’s lips part. His head tilts. Wait, no—
 “That’s right, little honeybee,” and he’s so close, his mouth is so close, so close, “give in…”
 “Enough.”
 Thank you.
 The fae in front of him laughs and drops his hand away. V stifles a sigh of relief, trying frantically to clear his head from whatever the fuck is happening. 
 “Don’t be jealous,” the voice says, “it doesn’t look good on you.”
 “I’m not jealous.”
 “Come now, you’re practically green around the gills over there.”
 “I haven’t gone yet.”
 “You had enough time before I showed up.”
 “And you didn’t see it.” The snake shifts. “You got him to whine, that’s all.”
 “Oh, I got several more than that, didn’t I?” A finger taps his nose and he squeaks, startled. “See?”
 “Oh please.”
 “Like you can do better?”
 No, no no, stop please, I would like to get off this ride. 
 A rustle. Then little puffs of air over his ear. 
 “Darling,” the snake purrs, and fuck, he’s already keening. 
 The snake chuckles darkly. “That really is all it takes, isn’t it, little mouse? Just…one word?”
 He’s too close. He’s too close and that voice like crushed velvet in his ears and he can hear his fucking smirk and oh god—
 “Squee for me, little mouse,” he purrs, “squee.”
 V squees. God fucking damnit he squees. He covers his face as the snake chuckles in his ear, trying to ignore how much it makes him want to squirm away. 
 “Thank you, my dear,” he purrs, a soft rustle signifying him standing back up. V doesn’t need to look to see he’s got a smug, satisfied expression on his face. 
 “Don’t hide,” the voice in front of him laughs, “why don’t you let us see that pretty face?”
 He’s gonna faint. He’s gonna fucking keel over right here because he can’t deal with this. He knew he should’ve fucking bolted the second he realized it was a fae garden. He knew he shouldn’t have let them chase him this way. He—
 “We didn’t break him, did we?”
 “He’s quite flustered, but no, I don’t believe so.”
 “Come on, cutie. Let us see.”
 “Lower your hands, little mouse, come now…”
 He fights down another whine and forces his hands away. The warm hands stipple playfully over his cheeks and fuck, he can’t help relaxing into it, making the voice chuckle again. 
 “Too much?”
 He nods, furiously squeezing his eyes shut. 
 “You’re the stunnable type, hmm? That’s alright. Someone could have told me.”
 “What, me? How could I have possibly known?”
 “Don’t act like you weren’t enjoying playing with him.”
 “Never.”
 “I thought we were taught not to play with our food?”
 Right. How the fuck did I forget that these are fae and the snake has literally been calling me ‘little mouse?’ What the fuck are they gonna do to me, can I run? No, no way, you’re not supposed to run from a predator, not like this, now there’s two of them, fuck, fuck—
 “Why is he still here,” the voice muses, still tracing his cheeks, “not that I’m complaining about the chance to play with this lovely little thing, but you’re not the type to share your food.”
 V’s…he’s kinda wondering the same thing. 
 The snake doesn’t respond. A gloved hand covers his fist. Something worms its way into his palm and forces his hand open. Gloved fingers lace through his. He presses his hand against a broad chest, hard. Holds it there. 
 The chest stutters. Tenses. Then sighs, letting all the breath out in a rush. 
 “Oh…oh, sweetheart…”
 The snake lets his hand go and he’s caught up in a powerful hug, enough to take his breath away. After the teasing, the feather-light barely-there touches, this…this—
 Warm warm warm warm! Solid alive real warm warm tight help trap? Hug? Hug? Warm warm warm too much too much not enough on fire burning don’t let go oh god please—
 “I should’ve known,” the snake murmurs, “that a prince never could resist a damsel in distress.”
 “You had all of your arms wrapped around him when I showed up,” the prince shoots back, “don’t act so superior.”
 It’s too much. It’s too much and it’s not enough and he needs it to go on forever and he needs it to stop. His breath is coming in great whooping gasps and he doesn’t know what to do. 
 The prince releases him, shushing him softly when he whines, already bereft of the warmth. “Don’t fret, sweetheart, I won’t hurt you.” He doesn't go far, wrapping him in a slightly looser embrace that still burns. 
 Something happens. Something happens and it’s too overwhelming for him to figure out what it is at first but then it stays and it keeps happening and is—is he—
 The prince chuckles as he pulls away, his thumb stroking over the spot on his forehead. “Never had a fae kiss before, hmm?”
 “It’s completely fair that you got to kiss him first,” comes the hiss from behind him, “it’s not like I’m the one that found him.”
 “Well maybe you should have done it before I showed up,” the prince says. “May I have your name, cutie pie?”
 Still no. 
 “You may call me V.”
 The prince laughs, unbothered. Then more darkness. V jerks back on reflex, startled by the contact. Honestly, every single time one of them touches him—
 “You look tired,” the prince says kindly, “rest your eyes for a little. Just keep them closed for me.”
 “Wow.”
 “Oh, please. I trust your judgment. And if he’s that easily overwhelmed…then yes, let’s have you keep your eyes closed for now, hmm?”
 “Are you tormenting mortals without me?”
 How many of them are there?
 He hears the prince huff and the arm around his back tightens. “Yeesh. Should’ve known you’d would show up.”
 “You know better,” the new fae says, “you’re supposed to tell me before you give someone else nightmares.”
 “If you would pay attention for two seconds—“
 “Oh what, like you can talk.”
 “Wow, guys, it’s so cool how you never listen to anything he says.”
 “Why are you here?”
 “What did you do to the mortal?”
 “Oh, shut up—“
 “Don’t tell me to shut up!”
 “Why the fuck is it bleeding then?”
 Oh fuck one of the new voices can double itself up and that is a bad noise and it’s too loud, there’s too many people, he doesn’t know where he is, the prince has left, he can’t hear the snake anymore, he can’t hear anything over the voices, so many voices, too many, they’re shouting now, it’s loud, it’s so loud, it hurts, he just wanted to run away why is he here now he should have run he should have run he just wants to go—
 Something’s touching him. Something’s touching him. Something’s prying his hands away from his ears—when did they get there?—with inhuman strength and he wants to go—
 It stops. There’s silence. 
 For a moment’s he’s terrified that he blacked out, or fainted, or something but then he feels smooth hands covering his ears. 
 “Shh,” says a low voice, lower than the snake’s, calmer, “hush now. You’re alright.”
 Is he, though?
 “Breathe, little one,” the voice soothes, “I know it’s loud. The others can get a little…rowdy sometimes. Just breathe. Focus on my voice.”
 He tries, tries to feel the rest of him. His head aches and he brings his hands up on instinct only to freeze. 
 “It’s okay,” the voice says, “you can touch. You won’t hurt me and I won’t let you hurt yourself.”
 The hands stroke over the crown of his head as he covers them with his own. They’re smooth, slightly cooler to the touch than he expected. 
 “I heard your pain when it was pushed through the connection,” the voice says softly, “and I can feel it now. The noise doesn’t help, does it?”
 He shakes his head, trying to lean as much into the touch as he can. It—it’s so hard right now and he knows this isn’t going to be free, nothing ever is with the fae, but he can’t help it, so much has just happened and he’s helplessly confused and he has no idea what’s happening and he just wants to be safe. 
 “I understand,” the voice continues, “shh, now you must listen. You are alright. You are here, standing in a garden. I am holding you. You will not be harmed.”
 He wants to believe it, he does. And he knows that’s how the fae trap people and he doesn’t want to be hurt anymore, but oh god, he wants to believe it so bad.
 “Can you not feel the flowers under you? Can you not smell them? Even with your eyes closed, can you not see the light?”
 He can. He can, but…
 “It’s okay,” the voice murmurs, “it’s okay.”
 The cool touch burns. It still burns, even though these hands aren’t as warm as the prince’s, nor are they as rough as the snake’s gloves. Why does it burn? It—it’s not trying to hurt him, is it? 
 “I’m just blocking out the extra sensory input,” the voice says, “I’m not hurting you. Though…I must say, you are the first touch-starved mortal I’ve seen in a while.”
 T-touch-starved? He’s touch-starved? Is that why everything burns?
 “Shh,” the voice soothes, “it’s okay. This isn’t a bad thing. Well, not in context right now. It is true that mortals, especially humans, rely heavily on physical contact. It is crucial to their health and development, particularly in infancy.”
 V nods, still clutching at the smooth hands over his ears. Why does this have to be so hard?
 The hands hold him firmly, then something touches his forehead. It’s warm and slightly chapped and—
 Is…is this one kissing him too?
 “It’s okay,” the voice murmurs after he kisses him, resting his own forehead against V’s, “everything is okay.”
 For the first time since god he has no idea when, he breathes easy, something finally releasing in his chest. V hangs on to the hands over his ears, letting the low voice wash over him. It’s like something’s reaching into his brain again, like the way the snake did, sorting through everything and tucking it out of the way and it…oh god it feels so clear. 
 “Do you believe me now,” it asks after a while, “about where you are?”
 He swallows, his voice refusing to come out as anything other than a whisper. “I’m trying.”
 “Why don’t you open your eyes, then,” the voice suggests kindly, “and see for yourself?”
 “The others…”
 “Have stopped yelling, if that’s what’s worrying you,” the voice says. 
 Not what he meant, but that’s good, right? 
 “Here,” the voice murmurs, moving his hands a little bit away from his ears, “see?”
 The ambient sounds of the garden. No yelling. 
 “Nice and quiet. I would hope,” the voice continues, raising a little, “that they would realize why that would not have been ideal.”
 “Be gentle, Specs,” the prince barks. 
 “I am not hurting him,” the voice assures, “although this next part might.”
And in an instant, V’s head fills again. 
Danger danger run run hurt it’s going to hurt they’re going to hurt me, oh god, I knew I should’ve run, no, no, no more please, not anymore, red fire knives sharp things burning.
“Hey, hey, it’s quite alright…” Something touches his forehead—another kiss?—and suddenly he can breathe again. “That was not my intention.”
 Specs, he guesses, doesn’t try and move again, letting him move his head around a bit to hear where he is. 
“Better?” V nods. “Good. You’re doing very well. May I touch your arms, please?”
 The first time one of them has asked before touching him. He nods, warily lifting his arms. 
 “Are these just from branches,” Specs asks, trailing a finger lightly over the—right, the cuts on his arms, “or did someone do these?”
 Nope. Nope. Bad things. So many bad things, no no no no—
 He shakes his head. “Just branches.”
 “Mm.” The light gets brighter behind his lids and he winces. “It’ll be over in a second, have patience.”
 His arms tingle, his skin itching as it gets warm, warmer, warmer, wait…
 Is Specs healing him?
 “It’s a good thing you didn’t try and take a dagger to the branches,” Specs says, “that could’ve been…bad for you.”
 “Better to be hacked at by a few branches than for their poisonous fumes to be unleashed upon you as soon as you slice open their limbs,” the other new voice says, the nightmare voice, right behind him, making him jump, “providing a slow, painful demise…as you choke on your own breath…”
 Specs sighs. “Yes, that is accurate. I am almost finished, one moment…there.”
 Curious, V runs his fingers over his arms and…yeah. The cuts are all gone. he opens his mouth to say thank-you when—
 Wait. Hang on. he’s not supposed to do that. 
 “…that’s better,” he chooses instead. 
 “Good.” There’s a moment of silence. “Are your eyes alright?”
 “Huh?”
 “It’s just…you haven’t opened them. And you, uh, the prince had them covered when we appeared up.”
 “They didn’t blind you, did they?”
 “No.”
 He really doesn’t want to say the wrong thing right now. He turns his head, trying to figure out where the others are. 
 “They’re just talking,” Specs says, “they won’t shout.”
 “What happened to you,” the other one—how fucking many of them are there, he’s gonna fucking faint at this rate—asks, “there was such exquisite pain in you when Snakey pushed it across…and you’re so tense…you need to loosen up.”
 No. No more flirting. Please, no more. 
 It’s not flirting, not really, but it makes his brain freeze all the same. 
 There are hands, warm hands, as warm as the prince’s, under his shirt, on his back, stroking his bare skin and it’s warm, it’s warm, it’s so so so warm and it feels so good but it burns but it’s too much he can’t think, he can’t hear, he can’t breathe—
 “V?”
 There’s a hand on his face. 
 “V.”
 The hand leaves his face. He whimpers. 
 “Stop it, Duke, he can’t think with you doing that.”
 “But—!”
 “Just for a second.”
 The hands are gone. His brain wakes up and he can’t help the soft desperate sound he makes. Wow, maybe he really is touch-starved. Specs shushes him. 
 “I know, I know, V,” he soothes, “I just need to talk to you for a second. Can you do that for me?”
 These have gotta be the fucking weirdest fae I’ve ever heard of. 
 He nods. 
 “Good. Can you hear me?”
 “Yes.”
 “Can you tell me what happened?”
 “What?”
 “How did you find this place,” Specs asks, his voice still tender and soft,“how did you get here?”
 “I was…” he swallows. “I was…running. They were chasing me.”
 “Why were they chasing you?”
 “Did they hurt you?” the duke growls behind him and he cringes. 
 He’s heard tales of fae anger before, and he expected it when he stumbled into the garden. He expected the fiery temper of an outraged fae. He expected stone-cold mutterings. He expected pretty words and sweetly soured threats as he was cursed for all eternity.
 This rage, this dark, hateful fury makes all of those sound like a child’s tantrum. 
 “Wow,” he distantly hears the prince laugh, “that didn’t take long.”
 “W-what’s happening?”
 “I believe the Duke has gone, as you mortals call it, feral,” Specs says, pulling him forward gently by his elbows, “only happens when he gets into a state of extreme protectiveness. It would be advisable for you to keep your eyes closed, otherwise it is likely looking at him in his current state would blind you/”
 Feral. Blind. Protective. 
 I’m so confused right now I’m not even sure what parts I’m supposed to be confused about and that’s confusing me. 
 How…how did this happen? Why is this happening? he just—he was just trying to escape. And then he stumbled into a fae garden and now—
 Now there’s at least…fuck, what is that now, one, two, three…at least four different fae here, two of them have kissed him, and one of them just went feral because of…why, exactly?
 Fuck, what kind of shit is he going to owe them after this? 
 The fae doesn’t do anything for free. Ever. Nothing comes without a demand for payment and they’ve…god, all of them have comforted him in some regard, he’s pretty sure kisses count for something, and one of them just healed him. 
 Out of the frying pan, into the fire. 
 Voices. They’re talking. They seem to be trying to calm down the duke. Specs…that’s right, Specs has got hold of him. 
 He’s…he’s warm too. They’re all warm. Is…is that because they’re fae or…because he’s touch-starved?
 Wow, you know, the more he says it, the more sense it makes. 
 Something wraps around his waist and yanks him backward, away from Specs. His back collides with something solid and he can’t help the frightened squeak. The grip shifts. 
 Oh. It’s a pair of arms. Is…is it the duke?
 “That,” he hears Specs murmur in front of him, “was adorable.”
 “Told you.”
 The chest behind him rumbles and he can hear something wet, like…like slime or something coming from behind him. He thrums with energy, almost making his teeth chatter. The duke clings to him like he’s going to disappear, or like a child would cling to a stuffed animal if a parent threatened to take it away. Trying frantically to calm his breathing, he keeps his eyes shut tight and tries to pat the iron grip around his waist…reassure it, if he can, ground them both. The arms relax, just the smallest bit, the hands—warm warm warm warm so warm—starting to move. It’s like they’re trying to map out his body as they pull him against him, comforting themselves by saying ‘it’s still here, right here’ through touch. 
 His tunic got rucked up when he was pulled back and the hands are so warm. One of them slips underneath and lands on his stomach and he tenses reflexively. The duke rubs softly. Warm. It’s warm. It’s so warm. The duke rumbles contentedly when he relaxes into his hold. 
 “Yeah, I don’t think he’s gonna let go of him now.”
 “It is highly unlikely.”
 “And you said it would be difficult.”
 “Ensuring the duke does not kill a mortal and keeping one are two different things.”
 Hold on wait what now.
 “Oh come on, you know the hardest one to convince is him.”
 “That’s such a flattering description.”
 “Like it’s not true!”
 Ugh, noise. 
 Wait. What’s that? 
 He jerks his head around only to wince when more light—honestly, he’s so not convinced they’re not actually trying to blind him, he hasn’t been able to open his eyes since the snake covered them—shines right at him. 
 “There you all are! I’m surprised you didn’t call me sooner!”
 “How many of you are there?” he mutters finally, only for the duke to chuckle. 
 “About time you got here,” the prince grumbles somewhere to his right, “I’m surprised you didn’t show up with Worry and Wart.”
 “Speaking of which,” the newest voice says and he can practically see the disapproving expression, “what have we said about trying to claim mortals?”
 The duke tightens his grip on him and growls. “Mine.”
 “Now, kiddo, you know better than that.”
 Okay, Dad has entered the chat. 
 The duke grumbles but lets him go. The sudden disappearance of the thing he’d been leaning against makes him stagger. Rude. 
 “Easy there, kiddo,” the new voice says, catching him, “don’t want you to fall and hurt yourself. What’s happened to your eyes?”
 “Nothing.”
 “Well, then, why don’t you open them, kiddo?”
 Because three of you specifically told me not to. 
 “It’s alright,” Specs says from…somewhere, “you will not be blinded if you look now.”
 “He gets a little…overexcited now and then,” the new voice says, “but it’s okay, kiddo. Come on, open up.”
 He’s still a little worried about the prince and the snake but not enough to outweigh the worry about what actively refusing could cause. Plus, this one kind of seems like a leader, so…
 He opens his eyes and immediately shuts them again, wincing and looking down. 
 “Oh, are you hurt? Did something go wrong?”
 “It’s bright,” he defends, and honestly, it was bright to begin with. Now that he’s had his eyes closed for god knows how long, it’s unbearable. 
 “I can fix that.”
 Well, the prince must do something because it dims. It gets to the point where he doesn’t have to screw up his eyes anymore and he blinks. 
 The garden still glows, but it’s nowhere near as noticeable. he registers the flowers first, still bright and perky. his gaze travels up a pastel blue cloak to a pair of black glasses. Oh. 
 He looks…ordinary. Kind of. He looks just like a human except there’s something just off-center. It’s like…a human but slightly to the left. Yeah? We get it. It’s like the human half of the snake’s face. 
 Actually…do they all have the same face?
 He looks around. Specs, he’s guessing, is the one in the dark blue suit, also wearing glasses. The prince has to be the one in the bright white, the crimson sash across his chest and the pieces of gold gleaming. Next to him stands the snake. He also waves. 
 Behind him must be the duke, then. He, well, he really kind of looks like the prince. Except he’s in black and green. And has a mustache. And like…four tentacles. Okay. Sure. At this point, why the heck not. 
Also, they’re all…really pretty. Like…really pretty. 
So pretty that just the thought of those flirty comments said by those faces are enough to make him blush to the tips of his ears. 
 Why are they all so pretty? This isn’t fair. 
 His attention is drawn back when the one holding him beams. “There you go! I knew you could do it. Can I have your name, kiddo?”
 Third time ain’t gonna be the charm. 
 “You may call me V.”
 He throws back his head and laughs. “Alright, alright, that’s fair. Then you may call me Pat.”
 …sure.
 “Have you met everyone else?”
 We’re putting ‘met’ in big scare quotes, right. 
 He shakes his head hesitantly. Pat pouts, looking around. 
 “You didn’t introduce yourselves?”
 “L,” says Specs. 
 The prince and the duke glance at each other. “Yeah, that’s not really gonna work for us.”
 “What? No, it can!”
 “You may call me the Prince.”
 “Ugh. Fine. I’m the Duke.”
 Nailed it. 
 Pat looks expectantly at the snake. The snake just smiles. 
 “He likes being secretive,” Pat stage-whispers, “don’t take it personally.”
 “Eh,” the prince says, “he’ll come around.”
 “Oh no,” Pat says quickly, “not you too.”
 “As a matter of fact,” L says, “I’m afraid it’s just you that has not…joined in.”
 Pat looks around to see the duke nodding fiercely. “Now, kiddos, you know the rules. We can’t just take every mortal we find, we have to help them find their way back home. Especially if they’ve done nothing wrong!”
 So…so I haven’t done anything wrong? Does that mean I don’t owe them anything? Does that mean I…I can leave?
 But where would I go?
 He doesn’t want to go back. He doesn’t want to have to run again, away from the swords and the arrows and the hurt, away from all the people that would love nothing more than to put his head on a spike or watch him get pecked apart by birds. They…they hate him, hate everything that he is. 
 And for as much as they’ve all been, the fae, they’ve…
 None of them has hurt him. 
 It’s been so long since someone touched him without the intent to hurt. 
 Hell, one of them did go feral at the thought of someone else trying to hurt him. 
 Would…would it be so bad to stay here? 
 “Oh, come on, you’re the heart! You felt that,” the duke exclaims, “you know we can’t just—”
 “It’s not our job to interfere!”
 “On the contrary. We have indeed ‘interfered,’ as you put it on multiple occasions of a similar kind.” L gestures to him. “This one should be treated similarly.”
 “Ha, see?” The prince smacks L’s shoulder. “Even L agrees.”
 “That doesn’t happen very often,” L mutters. 
 “I, for one, think it’s a splendid idea!”
 “See, Duke does too! And you know how rare it is that we agree on something!”
 “The rules are there for a reason, kiddos,” Pat scolds, “and why are they there?”
 The prince groans. “‘To preserve the balance between their realm and ours and to make sure the two don’t collide,’” he repeats reluctantly. 
 “Exactly!” Pat looks back at him, resting his hands on his shoulders. “This has been a lot for you, hasn’t it, kiddo?”
 Boy howdy, that’s one hell of an understatement. 
 He nods. Pat smiles patiently. 
 “You’ve been through so much, haven’t you,” he murmurs, taking a strand of his hair and twisting it around his finger, “brave little kiddo…it still hurts, doesn’t it?”
 “…yes.”
 “You know what mortals are like, Pat,” the prince mutters, “they’re bad enough with their own kind, and they aren’t evolved enough to know how to deal with difference. You know how wrong that can go.”
 “Do you have someplace to go, kiddo?”
 Does he?
 Would anywhere ever be far enough away?
 Would he even get there?
 The prince sees his hesitation and seizes it. “No, he doesn’t, does he? Why can’t we just keep him? Don’t act like you don’t want to!”
 “We are not keeping him!”
 They’re…they’re fighting. Over him. Over…over whether or not they can keep him. Not whether they want to but…whether they can. 
 Oh. Oh, wow. 
 The prince opens his mouth to respond but—
 Footsteps. He can hear them. Through the trees. He jerks his head around in the direction of the sound. His eyes go wide. No. No, no. Did they find him? How did they find him?
 “Are you sure that little bitch went this way?”
 “I can’t see a damn thing!”
 “Why the fuck didn’t you lock the restraints properly, then this wouldn’t’ve happened!”
 “It’s not like he needs his arms to run!”
 “Then why didn’t you just cut off his leg and call it a day?”
 “Ah! Damn branches, what the hell—“
 “Where the fuck did he get off to?”
 “Told you that monster wasn’t human!”
 “He cursed us, I bet you. He’s probably laughing at us right now.”
 “With any luck, some animal found him and did the job for us.”
 “Hey, what’s that?”
 “What?”
 “Over there, see the light?”
 No, no, no, no, no no no not again—
 He turns and tries to run but runs into Pat, who grabs him tightly. He whimpers, tries to pull away but Pat holds him fast. He looks up at Pat’s face to plead, to—
 —oh. 
 Pat’s gaze is fixed over his shoulder, his face unreadable. He doesn’t move as the mob gets closer and closer. 
 “Hey, hey, stop!”
 “The fuck are you on about?”
 “Don’t you know a fuckin’ fae garden when you see one? I ain’t going in there!”
 “Think he ran through here?”
 “Fae probably caught him. Wonder what the hell those bastards did to him.”
 Pat quirks an eyebrow. 
 “Tore him apart, at least I fuckin’ hope so.”
 “Let’s go back. I ain’t running through there and if we’re lucky the fae got rid of him.”
 “Maybe we should thank them.”
 Loud guffaws trail off into the distance. he breathes a sigh of relief. They’re gone. They’re gone, they’re gone. 
 Pat still hasn’t let him go. He looks up anxiously at Pat’s face to see him clench his jaw. he has to fight the urge to shrink under Pat’s gaze when he looks down. 
 "Did they hurt you?"
 His words are frozen in his throat. The garden is silent.
 "Just nod or shake your head, did they hurt you?"
 When Pat sees him nod, sees how scared he is, something softens. One hand comes up to twist the strand of his hair again. 
 “Change of plans,” he says quietly, “may we keep you, kiddo?”
…h-he can stay? They…they want him?
 The prince whoops as he nods, the duke rushing forward to hug him enthusiastically from behind. Pat giggles, reaching forward to crush both him and the duke in a hug. 
 “Nobody’s gonna touch you again, kiddo,” he murmurs, pressing a—wow, is this, like, a thing? ‘Cause he just kissed his forehead too. Then he frowns and runs a thumb over the spot he kissed. 
 “Seems I’m the last one, hmm?” At his confused look, Pat smiles, holding his hand out. A pastel blue glow appears in his hand. 
 “We all have different colors,” he explains, “as you can…probably guess from looking at us.”
 V nods, still confused as to where this is going. 
 “When one of us makes a claim, it leaves a trace in that color. And you, kiddo,” he says, tapping his nose, “are a rainbow.”
 A…a claim?
 “Even though we didn’t discuss it beforehand…”
 “Pish posh,” the prince says, “he’s staying now. Which means—oh! Oh, we have to get ready!”
 “Oh shit.”
 “How did we miss that?”
 “We gotta go!”
 The duke lets him go with one more squeeze and a smacking kiss on the forehead—okay this must be a thing—grabbing the prince by the arm as they rush toward the other end of the garden. L follows a little more sedately. Pat squeezes his shoulders. 
 “Give us a few minutes, kiddo, then step through the portal.”
 He blinks, still a little taken aback by the sudden whirlwind of energy that just swept through the garden. Pat seems to notice and softens. 
 “This is a lot, I’m sure,” he says quietly, “and it’s okay if you need to take your time, kiddo. But you’re under our protection now. You can come when you’re ready, okay?”
 He nods dumbly. Pat smiles and draws away. As he nears the others, there’s a bright flash of light. So bright he throws his arms up to shield his face. Then it’s gone. When he looks, there’s just a shimmering doorway. 
 “They’re so dramatic, aren’t they?”
 He turns. 
 Right, the snake didn’t go with them. He comes closer, holding out one hand. 
 “Oh, come now,” he laughs when V hesitates, “we have just established we’re keeping you. There’s nothing for you to worry about if you take my hand.”
 He’s got a point, but V would be lying if he said the snake still didn’t make him incredibly nervous. Part of it’s just common sense, part of it is the fact that, out of all of them, he still has absolutely no idea what he wants. 
 Part of it is the fact that he looks like that and sounds like that and seems to really enjoy flustering the hell out of him. 
 “There we go,” the snake murmurs when he says to hell with it and takes his hand, using it to pull him close, “would you believe me if I said I didn’t intend for this to happen?”
 “'Believe me if I said.’ Hmmm. Yeah no.”
 The snake laughs. Like, properly laughs. Throws his head back and has to put a hand to his torso and everything. Oh, oh wow. Of course, it makes him even more attractive. Bastard.
 When he stops, he waves his hand. “Alright, let me rephrase: having the rest of them immediately agree to keep you was not at the forefront of my mind when you first fell into the garden.”
 “Wh-why did that happen?”
 The shake in his voice seems to sober him. The snake laces their fingers together and presses his palm against his chest, as he did with the prince’s. “We are all connected,” he says softly, “at a base level. We can communicate through it if necessary, almost like the telepathy mortals believe in.”
 “So…”
 “When I held your hand against the prince, I pushed.” He pushes his hand a little firmer against his chest, close enough for him to feel the powerful heartbeat beneath. “When the rest of them felt your pain…well. I wasn’t lying when I said they never could resist a damsel in distress.
 “I do wish you hadn’t kept that sharp tongue to yourself for so long,” he muses, “it almost makes me wish I hadn’t flustered you so badly to begin with.”
 A touch of gloved fingers under his chin and oh god, not this again. “Well,” the snake purrs, his eyes gleaming, “almost.”
 V’s able to look at him for all of three seconds before he has to look away, blushing panic mounting. 
 “Is it truly so easy, little mouse?” the snake laughs, “must I simply look at you in a certain way and you’ll fluster?”
 “Enough,” he mutters, squeezing his eyes shut. 
 “You can open your eyes now, darling,” the snake says, still chuckling slightly, “you needn’t worry.”
 “Eye contact is the actual worst and you will not convince me otherwise,” he mutters. 
 He gives him a gentle smile and taps the underside of his chin. “Then I suppose me asking you to keep them closed was a good thing, hmm?”
 There…there’s something else bothering him. V opens his mouth to ask but…it’s kind of an invasive question. And he really doesn’t want to piss him off. Especially not now. 
 “It’s going to be an awfully tiring existence if you can’t work up the courage to ask anything, little mouse,” comes the gentle encouragement.
 “Wh…why did the prince say you were the hardest to convince?”
“Did you happen to catch when the duke called Pat the ‘heart?’” When he nods, he smiles. “Clever boy. It’s an apt description. Each one of us has a…different function. I am the Gatekeeper.”
 Gatekeeper. 
 “It is my job to ensure the barrier between our two races is held,” the snake continues, “to be cautious…about any sort of interaction. As you might have been able to guess, the others are…much more receptive to humans than perhaps they should be. The rules are in place for a reason, and I am the one who helped put them there. This is not the first time they have tried to keep a mortal. And the prince is right, I am the hardest to convince. I have never let them keep a mortal before, not like this, despite whatever claims the others may have made, despite how they try and use those claims to influence me.”
 The snake pulls him closer still, the hand holding his stroking it gently. “But I found you first. And my claim is the strongest.”
 Oh. 
 Oh. 
 “…you wanted to keep me,” he breathes. 
 The snake softens for perhaps the first time since he laid his hand over his eyes. 
 “Why do you look so scared?”
 Really? Are you absolutely fucking serious?
 “I’m not going to hurt you,” he murmurs, still cupping his hand against his chest, “none of us are.”
 “Yes, and I’m sure that one sentence is supposed to counteract the rest of the incredibly overwhelming things I’ve had to deal with today. How incredibly irrational of me to believe otherwise.”
 “There’s that wonderfully sharp tongue again.” He tilts his head. “Perhaps that was the wrong word…you look unsure.”
 V huffs. “Because there’s nothing about this to be unsure of.”
 V knows tearing himself away from him probably comes off as rude. V knows turning his back is probably a bad idea. V knows burying his hands in his hair is going to hurt. 
 V does it anyway. 
 “V—“
 “Why do you want to keep me,” he blurts out before the snake can finish. Ge whirls around to see the snake freeze, reaching for him. “Why?”
 The snake frowns. “Does it matter?”
 “Of course it fucking matters, I don’t know what you want and I can’t—if I don’t know what you want then I can’t do anything and nothing the fae ever does is for free and I don’t know what you want and I—I don’t know how this happened and I just wanted to run away—“
 Oh god, oh god, he’s yelling, fuck fuck fuck he fucked up—
 Why is he on the ground? When did that happen?
 Right. Huddle. Small. Hedgehog. Scary things. Be as small as you can because scary things, why are scary things?
 Fae. Right, he’s yelling at a fae. 
 Oh, fuck he’s yelling at a fae. 
 Small. Just be small. Hide. Just hide and be small. 
 It’s cold. It’s so cold. 
 Then it isn’t. 
 “Shh…shh…there, there, don’t be so afraid, I’m not here to be cruel to you, shh…shh…” 
 “W-wha—“
 “Shh…breathe first,” the snake murmurs, his hand hovering over his shoulder, “I’m not going to touch you until you can breathe properly. Nice and slow, come now…”
 The dark clouds keep rolling, thicker and thicker, building and building until they crash so loudly in his ears. V presses his fists to his ears, hearing voices doubling, tripling, yelling, screaming, they hate you they hate you you’re pathetic you’re cursed they hate you—
 “I’m right here, I won’t let anything hurt you…”
 Lighthing flashes and the voices howl. V whimpers, curling in on himself. 
 “You’re overwhelmed, little mouse, I know…just breathe and then we can figure everything out…”
 Something…something’s covering him. There’s something covering him. He opens his mouth to ask wha—
 “Shh-shh-shh, don’t try to speak just yet, you’re still shaking.”
 The snake…the snake is covering him. The clouds lighten and he…he can breathe again. 
It’s…it’s raining? Is that why his face feels wet?
 “…oh, oh you’re crying, my darling…shh…is it too much?”
 It hurts. He’s so cold. He’s so cold, the snake is so warm. 
 “As I’m sure L would tell you, crying is the mortal response to any situation that’s overwhelming. It’s just you trying to cope with everything, let it out, sweetie, it’s okay…”
 V’s brain comes back online as the snake reaches out to tenderly wipe his cheeks, catching his tears as they fall. He’s looking at his hand, brow furrowed, leaving V to stare helplessly at his face. It’s so much easier without eye contact, so much easier. 
 The snake holds him firmly, crouched as they are on the ground. It…it feels…safe?
 He catches V’s gaze and tilts his head. He…he can’t look away but he’s not…the snake’s not doing whatever it was he was doing before. He just looks…soft. 
 “What is it, darling?”
 “What,” he croaks, “do you want?”
 “You are small,” he says, “broken, hated…lost, abandoned, persecuted.”
 He wipes away another tear. 
 “And you are kind. Hopelessly and relentlessly kind.” He lightly pats his chest. “When I looked to see what you wanted, when you stumbled into the garden, I saw pain. I saw heartbreak. And you…you didn’t want vengeance, no, you just wanted it to stop.”
 He shifts his weight, still holding him firm. 
 “You are lost in darkness and you are so afraid, my darling…so afraid,” he whispers, “you want to be safe, don’t you?”
 he nods. 
 “Is it so hard to believe that I want you safe? So hard to believe—” he catches another tear on his thumb— “that you are wanted?”
 “What use is a broken mortal?”
 “Why must a wanted thing have a use?”
 “What fae makes a useless trade?”
 “What mortal doesn’t accept a free gift?”
 “What fae gives something for free?”
 “What hurt caused this suspicion?”
 V’s mouth clamps shut. The snake stares at him, unblinking, unyielding. 
 “If I weren’t fae,” he says finally, “would you still be this afraid?”
 “…yes.”
 The snake inhales sharply. his eyes widen when he sees a rising tide of terrible fury, there for just a second, just a second, before the snake breathes out and it disappears. 
And that, that split-second of rage, is enough. Enough to reach deep into the anxious mess of his brain and start to say maybe, just maybe, he might actually be safe. If…if the wrath of the fae is between him and the rest of the world, then…then maybe he’s safe. 
 “Perhaps the Duke had the right idea,” the snake murmurs. 
 “Going feral?”
 “Mm.” He cups V’s face in his hands, pushing his fury away and replacing it with that same soft patience from before. “What is it that is making you so afraid?”
 “I…I don’t know you. I’ve never interacted with any of…your kind before, ever. You—when I first showed up, you—“ he swallows— “you seemed to really enjoy making me as uncomfortable as you could. Then there were so many of you and I was freaking out one moment and being calmed the next and now you’re doing something for me and I’ve given you nothing and you’re—“
 Nope. Nope, nope, nope, not saying that out loud. 
 “I’m…what?”
 V shakes his head, pressing his lips together firmly. Fuck, his face is burning again. 
 “Come on,” the snake coaxes, letting him break his grip and look away, “what were you going to say?”
 “…pretty.”
 The snake tilts his chin back up, not saying anything about his eyes being shut again. “A little louder?”
 “Pretty.”
 He braces for the teasing, the flirting, but it doesn’t come. 
 “Look at me, V.”
 “Is that strictly necessary?”
 The snake chuckles. “I must insist.” He smiles kindly when he looks at him. “There…I did say I wouldn’t fluster you too badly.”
 “You said that before you and the prince did…that thing.”
 “Ah, yes, I did, didn’t I?” The snake cups his chin carefully. “I admit, when you came in I wanted to play with you. Toy with you until you told me what you wanted and then…well, send you on your way. But then…then I cast upon you and I couldn’t.
 “I made that claim, this claim, because the garden responded to you. Most mortals can’t stay in the garden for long without being sucked under completely or driven insane. You melded with the magic in the air and it bound itself to you. And when I looked, I saw it. It’s one of the reasons I pushed you into the prince, into the others. They felt it too, I’m sure of it.”
 The snake lifts his hand, faint golden sparks floating around his glove. 
 “Unlike the others, as Gatekeeper, I am tied most directly to the garden. That’s why I’m the hardest to convince. The garden wants you, V. I want you.”
 He leans closer. “Don’t you see?”
 V sees. He brings his hand closer and he starts to glow. As Pat said, he’s got little bits of color shining off of him. Red, deep blue, and light blue glow from his head, fading into a rich green the lower he looks. And the whole thing is bathed in a rich, deep gold. 
 “And for the record?” The snake leans forward, kissing his cheek, burning soft. “You’re pretty too.”
 Shit. 
 “Oh, come on,” the snake laughs, “I wasn’t even trying that time.”
 “I’m just really bad at receiving compliments, okay?”
 “You are adorable.”
 “Hey!”
 “You are, sweetie, it’s nothing to be embarrassed about, just accept it.” He chucks him lightly under the chin. “I imagine not many people have complimented you, have they?”
 “No.”
 “Well, I would prepare yourself. The others certainly will, as you may have guessed.”
 Right, he’s staying here. With them. They’re…they’re going to look after him. They’re going to keep him. 
 He’s safe. 
 He looks up to see the snake looking fondly at him. 
 “If I compliment your smile, will that make you stop?”
 “Probably.”
 “Then I won’t.”
 He swallows. This is a bad idea. This is such a bad idea. “…thank you.”
 “Oh, I’ll compliment you on other things.”
 “No…thank you.”
 His grin widens. “You’re welcome, V.”
 Well, I’ve broken the glass, I might as well push the button. 
 He licks his lips. “Virgil.”
 The snake tilts his head, his brow furrowed. “What?”
 Staring at him, determined to keep eye contact, he steels himself. “Virgil.”
 The snake looks confused a moment longer before realization dawns and a smirk crawls over his face. But it’s not the shameless flirty one, nor is it dangerous and full of fury. It’s…it’s the smirk you’d make if you were a little unsure about what was happening. 
 “Careful, darling,” he murmurs, “don’t you know how dangerous it is to give your name to a fae?”
 “You’re already keeping me,” he says, “aren’t you?”
 The smirk turns into a warm smile. “Yes. Yes, we are, Virgil.”
 Oh, oh yep. Yep, that was definitely a bad idea because him saying his name in that voice…
 Judging by the change in his eyes, he’s realized it too. 
 “And here you are,” he purrs, adjusting his grip, “all wrapped up in my arms.”
 He whines. “What happened to not flustering me too badly?”
 “I can’t help it, Virgil, you’re simply too easy, my darling,” the snake chuckles, “but I’ll stop. Just for now. Wouldn’t do to have you getting too overwhelmed, now, would it?”
 “After all,” he says, gentling his tone and pulling him into a proper cuddle, “we’ve got all of eternity, don’t we?”
 He’s warm. He’s so warm. There are hands on his head, around his back, around his waist, he smells of spice and pine. There’s a mouth next to his ear. 
 “J.”
 “Hmm?”
 He tilts his head up to look at him. “J.”
 Oh. 
 Oh. 
 “…thank you, J.”
 “You’re welcome, Virgil.”
643 notes · View notes
namjoonfluff · 4 years
Text
Fervor
pairing: Jungkook x Reader
genre: a bit angsty but fluff at the end
summary: you’re on tour with BTS and Jungkook gets injured while you’re there.
word count: 2,600
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It was easy to see how the boys kept their energy going throughout the shows. The dressing room was buzzing with frantic energy; makeup artists running around their stations with brushes galore, stylists attempting to straighten out the clothes they were wearing. Several people with headsets rushed hurriedly through the dressing room, keeping an eye on the band. They knew their jobs were on the line if any of the BTS boys missed their cue. And then there was you. Just you, the partner of Jungkook. You had nothing better to do than just observe the action carefully from your spot on the sofa, which was placed out of the way in a corner of the dressing room. In fact, you had been advised by management to stay out of the way. After all, the behind the scenes of BTS shows was a well-oiled machine and they didn’t need an unnecessary cog messing it up! 
If the management team hadn’t drilled that into your head already, Jungkook definitely had. He was less brash about it, simply asking you to busy yourself with work while they performed. However, it was hard to get anything done in the chaos that was the dressing room. What were you supposed to do? Take business calls over the shouts of the stage manager and chattering of the many makeup artists? There was no way this environment could foster any opportunities for you and your business so you simply just watched. While you made it sound like a chore, seeing what Jungkook was like at work was fun. You watched as he politely thanked the artist for touching up the foundation on his forehead and you loved seeing how he interacted with his bandmates; he was so care-free and relaxed around them. It could just be difficult at times. Between soundchecks and press opportunities to the actual shows themselves, you didn’t get much time to actually spend with Jungkook. There was an odd date here and there. But by date, it was going to the local fast food restaurant to grab a quick bite before heading back to the hotel to sleep. You can’t remember the last time the two of you had a full-on conversation like you used to do. The one-sided staring match you were having is cut short by the stage manager calling for the boys. You hear the thumps of music begin and thousands of fans screaming. It’s showtime! As soon as he hears the shouts, Jungkook is fully immersed in his world. He begins jumping up and down, getting pumped for the show that's about to start. There are whispers coming from his mouth as Jungkook recites lyrics he’s sung a million times before. He’s in the zone and so are the rest of them. That’s why when they exit the dressing room, Jungkook pretty much forgets you exist! He strolls past you, fiddling with his earpiece and microphone. It’s only when he’s out the door that Jungkook remembers you’re here with him. He quickly dashes back to the dressing room, gives you a sloppy kiss on the lips and runs to catch up with the boys. The chaos in the room slowly simmers as makeup artists and stylists filter out to get a quick break. It’s now that you can sit back and get some work done. You scroll through work emails, eyes quickly scanning over everything you’ve missed. As the Marketing Manager for a popular fashion brand in Asia, it was important that you kept up with your emails. You never knew what you might miss if you left them for just a day! The sound of tapping replaced the silence in the room as you responded to the most urgent emails. You had almost become scared of silence throughout your time with BTS. It wasn’t often that you were alone in a quiet room with just your thoughts to keep you company. The silence had you thinking about home, about your family and how you had basically packed up your life to follow your boyfriend around. And that frightened you! The thought of losing it all...
As you press send, the room begins filling back up with people. You didn’t need to look at the clock. You knew it was time for the first costume change in the show by watching the flurry of people entering the room! And no sooner had the makeup artists and stylists entered, the panting and sweaty members of BTS rushed in, stripping off their clothes as they went. You watched Jungkook carefully as it was so endearing to see his passion and love for his work. But today something was wrong. He wasn’t acting like his usual self! Jungkook tried his best to hide the fact he was limping into the dressing room. However, you could tell he was in pain from the way his head hung low and eyes stared at the floor. He sat back in the director-style chair and you saw the relief on his face as he took the weight off his feet. Jungkook’s chest heaved rapidly as the sweat was wiped from his brow and the artist patted it with powder. He always exerted himself too much and ended up getting hurt. Yet, no matter how many times people told him, he didn’t want to disappoint anyone. Not you, not the fans and definitely not his bandmates! Each of you shared a glance through the giant Hollywood mirror. Jungkook attempted to give you a weak smile but he had already spotted your concerned look. His eyes almost pleaded with you not to do or say anything. He didn’t want to make a fuss; he just needed to get the show over with for today. Then he could rest. As much as you wanted to make sure he was okay, you nodded and gave a reassuring smile. Jungkook was going to be fine - or so you thought! 
It’s no more than fifteen minutes later when Jungkook is being rushed off the stage and carried into the dressing room by one of their bodyguards. His face so contorted in pain that tears are streaming down his face and onto the bodyguard’s shoulder. You know what’s happened before anyone has to explain it to you. One of his arms is outstretched, reaching out to the heel of his foot - almost as if he’s a wizard trying to fix it with magic. But he wasn’t and this definitely wasn’t going to be a quick fix. They lay him out on the floor of the dressing room and call in a medic who can see to his foot. There are massive crowds of people surrounding him and it’s not long before the other boys join the group to check if their friend is okay. Somewhat excluded from the circle, you hover over someone to keep an eye on your boyfriend. As the medic takes hold of his ankle and examines it, Jungkook cannot hold back the screeches and groans any longer. It hurts to see him in so much pain while there’s nothing you can do. After all, you have the back of a bodyguard separating you and your boyfriend right now. There’s no way you’re going to be able to shove him out of the way to get closer to Jungkook. “We have a ruptured achilles, unfortunately,” The medic states confidently, looking at the boy’s swollen leg with precision. 
After hearing the diagnosis, Jungkook throws his head back against the floor and begins sobbing into his hands. It’s really the worst case scenario! A torn achilles is a death sentence for any athlete but it’s particularly bad for someone who performs for a living! You feel equally as devastated for him. Inside, he will be ruined for letting this happen and giving a poor show for the fans. “We have three songs left,” The stage manager calls into the dressing room. “The rest of you have ten seconds to get back on stage!” 
You watch as the rest of the boys make the hard decision to leave the room and Jungkook stupidly attempts to follow. However, he is quickly struck down as searing pain shoots through his lower leg. The room is quieter now and you’re able to get next to him finally. You grab his hand, soothingly stroking his knuckles with your thumb. 
“JK,” You whisper. “It’s okay, it’s going to be okay!” “How do you know that?” He snaps through gritted teeth. Despite your immediate shock at his aggressive tone, you smile through it and continue to console him. He is hurt after all. “These things heal, baby,” You say softly, stroking the hair from in front of his sullen eyes. “It can be fixed!” He rolls his eyes. “I don’t need your optimism right now!” “I’m just trying to help,” You voice gets quieter and quieter with every word. He’s never shouted at you before during your relationship; not even when you destroyed his favourite T-shirt by getting paint all over it. You know it’s because he’s in so much pain but it doesn’t stop the words from creating a hole in your heart. A hole that travels to your throat and blocks it! “What help can you give me right now!” He spits, pointing down at his ankle which grows bigger and bigger every second. “My leg is fucked! I’ve ruined everything.” “It’s fine -” You attempt to reassure him but you are quickly cut off. “No, it’s not okay,” He shouts at the top of his lungs. If the whole room wasn’t looking at him already, they definitely were now. Not only are they looking at Jungkook but you felt the eyes of everyone burning into your back. It was then that you felt the tears prick your eyes and lump become harder to swallow. However, you tried holding them back for the sake of your dignity. You had only been on tour for a few weeks and you didn’t want everyone seeing you ugly-cry for the first time in what was going to be a year-long tour. 
“Can you just leave me alone?” His voice was just above a whisper now. It’s so quiet that you don’t catch what he said at first. Until he says, “Please!” You nod, unable to speak for fear of sobs coming out. It’s with his words that you dash out of the dressing room and head to the buses. That’s the only place you can be alone right now and even then, you have a bus driver sitting waiting expectantly for everyone. The driver simply smiles and nods as you run onto the bus in floods of tears. Your makeshift home for the last few weeks was annoyingly quiet; with just the hum of the engine running through the carriage and the faint sound of the driver’s radio. In the silence, you think about going home and throwing this all away. Was it really worth it? Was it worth being away from your family to see the boy you loved suffer? Did you deserve being shouted at for trying to help? As much as you loved Jungkook, the thoughts about your relationship lingered in your mind and there was nothing you could do to get rid of them. It was hard to shake them away without Jungkook, or the other boys, there to distract you.
As you contemplate how to tell Jungkook about your plans to go home, you hear multiple voices entering the bus. Rather than walking out to see what the commotion is, your back shuffles further into the corner of Jungkook’s bunk. In that moment, you wanted to disappear. If it was possible, you would have transported back to your hometown right then and there. You hear their voices; all of them. In between the concerns of the other boys, Jungkook is telling them he’s okay and asking for you. “She wasn’t backstage at the end of the show,” You hear Namjoon say. 
Someone, you think it’s Jimin, asks: “Did something happen?”
“Well, aside from ruining my leg,” You hear Jungkook say before he explains the situation to his friends. 
“She can’t have gone far,” Yoongi tells the group. “If she ran out with the fans, we would know about it by now!”
You hear Jungkook sigh loudly. “I really fucked up everything, didn’t I?” After listening to his words and how sad he sounded, you choke out a little sob. You never realised how hard touring with your boyfriend would be; trying to manage a job, maintain a relationship and stay sane. It felt you could only choose one of the two at this point. 
You soon realise the bus is quiet and you think that all of the boys have left to find you. However, a moment later, the curtain on the bunk is drawn back and you see a concerned (and hobbling) Jungkook outside. 
“Oh god,” He says after noticing the tears streaming down your face. “I’m so sorry for getting angry at you. It’s just that my leg hurt so much and I wasn’t thinking straight!”
Embarrassed, you hurriedly wipe your cheeks; thinking that by removing the tears, Jungkook would forget what he just saw. He wouldn’t. “Can I sit please?” He asks, trying to balance on his good leg. 
You nod. With that invitation, he carefully lowers himself down onto the bunk bed, wincing and moaning every time his leg so much as moves an inch. “Should you be doing this with your leg?” You ask. “Probably not,” Jungkook replies with a smile. “But I needed to check if you were okay!” 
There he was, putting everyone else before him again. He needed to stop doing that! That’s how he got into this mess in the first place and look at what happened. 
“I’m really sorry,” He says again. “I didn’t mean to get angry with you!” “It’s fine,” You say but your voice is hoarse from crying all that time. “I didn’t realise it would be this hard.” 
“I know,” He sighs. 
There is a moment of comfortable silence between the two of you. You wonder what he could be thinking. Is he thinking about the future of your relationship too? Did he want you to go home? “I think,” Jungkook pauses for a moment. You instantly start thinking the worst. It starts with you mentally starting to list all of the things you brought with you so you know what to take home. Then you think about how much money a flight home will cost. What will your friends say if you come home early? You dread to think what will happen if the press ever finds out. “You’re my rock, okay” He says. “I need you, I need you here, with me, at all times.” 
You are immediately shocked by what he’s saying. “It’s just not the same without you. You know me better than anyone, well maybe not the boys but you’re a close second.” You give him a glance. “What I’m trying to say is,” He huffs. “I’m sorry for being such an idiot and shouting at you. You were only looking out for me. I want to do the same for you!” “I love you!” He says. Immediately, your heart swells; you feel the broken pieces slowly repairing themselves again. 
“I love you too!” You whisper back, leaning over to place your head on his shoulder. He knows you love it when he strokes your hair - especially after you have been crying. It reminds you of your mum somehow! That’s why he goes on auto-pilot when you lean into him; hands automatically going straight to your crown and running his fingers through your locks. 
It doesn’t take long until you’re both asleep, exhausted from the long day you had. You fall asleep knowing that tomorrow would be a challenge. Jungkook was most definitely not going to lay quiet while the rest of the guys performed. However, you felt satisfied knowing that you would be right by his side through every moment; no matter how tough it was.
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ryuichirou · 3 years
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Out of all the snk shipping fandoms, which one do you think is the best/most wholesome? And which one is the worst/most toxic? Reminder that we’re talking about fandoms here and not ships (btw even tho I hate ereri I can’t help but love your art about it, it’s just amazing and hilarious, keep it up!)
Interesting question! As you might know, we don’t consider ourselves a part of any shipping fandom (or any fandom in general), so we can only talk about how we (and people we know) were treated by them. There won’t be much of an “inside” experience, because well we’re not “inside” any of these. And a lot of it is “people who ship X tend to shit on Ereri absolutely unprovoked at every chance they get, so we really don’t like them” lol
Obligatory and very obvious: loving a certain ship doesn’t make you a good/bad person, and there are a lot of wholesome people in any shipping fandom: we’ve met a lot of very kind, helpful and open-minded folks during these two years. So if any of you read this and think “oh, I ship X too, and this doesn’t sound like me or my friends at all”, chances are I’m not talking about you. But there’s always a possibility that peeps that you interact with in your shipping circle are pretty nice to you, but super mega shitty to others. Whether you ignore this type of behavior or not is up to you. I just want all the harassment to stop, because frankly we’re very tired.
As someone who ships Ereri, we’ve experienced and witnessed a lot lol especially on twitter. The most vocal ones would be Levihan, Eremin and Eruri fandoms I suppose.
With Eruri fandom, we’ve heard a lot of stories about some people bashing Zevi and attacking Zevi shippers + we’ve witnessed the great Eruri vs Ereri war, so of course we know how pretentious and rude they can get. There are people who felt like they were exiled from the Eruri shipping fandom for either shipping any other character with Levi or just seeing characters and their relationships differently (i.e. not seeing them as wholesome husbands or preferring Levi to bottom which is apparently a sin for Eruris too sometimes nowadays???). Although it’s important to mention that I feel like Eruri shippers know how shitty the anti stuff is better than a lot of other communities, so I don’t feel the same aggression from them at this moment.
If we’re talking twitter, based on what we and our friends have experienced, the most aggressive groups seem to be Levihan and Eremins. When I go through my blocking sprees and block everyone who hates on Ereri or Zevi or Eruri (well, mostly Ereri), ~88% of the accs happen to be either Eremin or Levihans. When someone writes a long-ass thread to attack a content creator, it always happen to be either of these two, and I have no idea why. A lot of them are also minors who act like the way they harass others is perfectly justified. I legit see stuff like “besties let’s spoil snk for ereris” and “let’s bully ereris and tell them to kys” every time I search ereri on twitter. And I’ve seen enough of Levihan folks saying shit like Eruris being criminals because Erwin is basically a nazi + spreading misinformation about popular artists just out of spite… extremely annoying stuff. Actually, I think you’re the first LH person who’s been kind to us lol
Also don’t get the idea that there are no toxic people in the Ereri community, because this simply isn’t true. Like I said, every fandom has its own clique and a certain level of toxicity, and it’s stupidly easy to be the “wrong one” here, at least it used to when we just started posting. People who’ve been following us for a while know that we used to get a lot of crap for making Levi a bottom on all of our drawings and not wanting characters to switch. It’s such a stupid reason to get harassed, who the fuck cares whether a character tops or bottoms in a drawing??? And yet we’ve been told that a lot of harassment has happened because of it + experienced it ourselves. I think the only reason we don’t get harassed for it very often nowadays is because of a luxury of being a kind of a big art account. It’s much easier to attack smaller ones who don’t have any power or connections, especially when they’re insecure and want to fit in with the fandom.
Now for some reason some people now think that we (me and Katsu) block people for loving top!Levi or bottom!Eren… this isn’t true. I admit that I can get petty when I block people, but it’s always about their attitude and never about their preferred ship or character’s position. Whether you like something or not is none of our business, and we never criticized what others like, so it’s kind of offensive that people think we’d act that way towards others when we ourselves experienced the same treatment for making Levi bottom every single time. It’s childish and disgusting, and I really don’t want people to think of us as someone who approves of this behavior.
Top!Levi stans act pretty toxic too sometimes, not only in Ereri (well Riren) community. The majority of comments about our Levi being ooc, looking like a child and being too horny and blushy we got from them, they get straight-up OFFENDED by our Levi. We’ve talked about how people are afraid to make Levi into anything but a serious and stoic manly man a lot in the past… And this is the only reason we get defensive when people ask us about top!Levi. But still, we never block anyone because of their preferences. This assumption is very... idk yikes, and more disgusting is the fact that people very easily jump to this conclusion, like... seriously? That’s what you think about us? So much for “uwu our supportive shipping fandom community”.
Shippers of het ships can get quite toxic too, especially after the finale. Some of Eremika peeps got wild, and you’ve probably seen our replies about it and that one Anon who got very upset with our reply about Eren. For some reason, when you post something het-related, there’s always going to be a person saying shit like “NAAAH HE LOVES X, NOT HER”, as if any of this matters. They are the type to whine about Eruri shippers ruining beautiful friendship between Erwin and Levi with their homo sexy stuff. They’re often disrespectful: shit in your comments, belittle other ships with comments like “well THIS is much better than X”, and overall make the experience very uncomfortable. For some reason they just can’t enjoy their darn ships without shitting on others.
Anyhow. I know this reply sounds like “everyone’s a shithead” lol, but once again: sadly, there are nasty people in almost every shipping circle, this is unavoidable. And it’s easier to mark them as “shippers of X”, because they often act like a clique or high school bullies or something. And even though there are a lot of very nice people, I tend not to associate them with any shipping community: it’s just a pleasant and cool person who we had fun communicating with, and who just happen to ship X, Y and Z.
Maybe… it’s fair to say that we dislike fandoms, but talking to people who are kind, polite and excited about the same things that we are, is always great.
Siiigh, hope I didn’t bore you to death with this reply. Thank you for giving us an opportunity to talk about this! And for enjoying my art and being open-minded :)
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aion-rsa · 2 years
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Marvel’s Daredevil: What Could a New Season Look Like?
https://ift.tt/7KYiAqD
This article contains some spoilers for HAWKEYE and SPIDER-MAN: NO WAY HOME
So where does the Devil of Hell’s Kitchen go next? At this point, there’s no clear word about the new show being a continuation of the Netflix series or a hard reboot. Likely, Marvel will split the difference. If so, the new Daredevil series could retain the cast and continuity, while eschewing its predecessor’s darker tone.
If that’s the case, then comic books may be the best guide for future Daredevil stories…
“Daredevil: Reborn”
(Daredevil #1 -6, 2011 – 2012)
When the first episode of Daredevil dropped in 2015, it announced itself as something very different than other superhero shows. Daredevil was violent, willing to show the brutal cost of fighting criminals without powers or superweapons. But to be frank, that’s not the tone that made the MCU such a success. How can viewers transition from the bleakness of the Netflix series to a more optimistic MCU series?
Fiege and his team have something of a roadmap with the third volume of Daredevil, launched in 2011 by writer Mark Waid and artist Chris Samnee. “It has been a miserable last few years. And every time I thought I’d finally hit bottom, God somehow found me a bigger shovel,” Matt tells Foggy in issue #1, declaring that he’s done moping and going to have some fun. Waid and Samnee never ignore Murdock’s past traumas. But they do put them in context, giving Matt the choice to be a fun and charming hero, not defined by his lowest moments. This may be the perfect path to take if Marvel wants to acknowledge the previous series while widening the audience for a new season.
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“The Devil in Cell Block D”
(Daredevil #82-87, 2006 – 2007)
Another interesting way for Marvel to reintroduce Daredevil for readers would be starting with him at near rock bottom, adapting the storyline “The Devil in Cell Block D.” Written by Ed Brubaker and penciled by Michael Lark, this storyline puts Matt Murdock in prison for the murder of none other than his best friend, Foggy Nelson. To make matters worse, the only person willing to defend Matt from the criminals who hold a grudge against him is fellow inmate, Frank Castle aka the Punisher.
As you can probably guess, Foggy (played in the show by Elden Henson) isn’t really dead and Matt’s not a murderer. But the delicious hook would immediately grab viewers curious about the lives of our favorite characters since season 3. Furthermore, the tension between Daredevil and the Punisher, played in the Netflix series by Jon Bernthal, makes for great television. Finally, this story reminds viewers that Daredevil, more than any other Marvel hero, is entrenched in the criminal justice system, a heretofore unexplored part of the MCU.
“Last Rites”
(Daredevil #297-300, 1991)
If Marvel wants to go a little lighter while still retaining some of the tragedy of seasons one through three, they may consider adapting the storyline “Last Rites,” from writer Dan Chichester and penciler Lee Weeks. “Last Rites” revisits Frank Miller and David Mazzucchelli’s legendary “Born Again,” which sees Kingpin buying Daredevil’s secret identity from a drug-addled Karen Page (played in the series by Deborah Ann Woll) and destroying Matt Murdock’s life. In “Last Rites,” Daredevil exacts his revenge, slowly taking Kingpin apart, piece by piece.
That sounds like a recipe for a grim story about the worst aspects of Matt Murdock. And to be sure, Daredevil is a little nasty here, unleashing a mirthless smirk as he insults Fisk and emotionally manipulates Typhoid Mary. But Chichester and Weeks use the plot to examine Murdock’s commitment to heroism. The climax builds to one of the most epic moments in all of superhero comics, in which Daredevil stands over Fisk, finally brought low, and, instead of pummelling him, says, “I forgive you.”
“Blackheart!”
(Daredevil #270, 1989)
While the Netflix series certainly developed a shared universe, putting Daredevil in the orbit of the Punisher and the Defenders, all of these characters stayed low to the ground, allowing only a bit of mysticism involving the Hand ninjas. But in the comics, the character has a long history of dealing with monsters from beyond, including Marvel’s devil himself, Mephisto.
The best of these adventures came from writer Ann Nocenti and artist John Romita Jr, who sent Matt Murdock on a sabbatical away from Hell’s Kitchen. But life didn’t get any less weird for him outside of the big city, especially when he visits the cursed town of Christ’s Crown, New York. There, Daredevil encounters Mephisto and his son Blackheart, the former of whom again tempts the Man Without Fear. These supernatural adventures take full advantage of putting a man of faith like Matt Murdock in a world where gods and devils regularly interact with humanity. And with the upcoming Doctor Strange in the Multiverse of Madness putting a new emphasis on the otherworldly, Mephisto may be the perfect nemesis for Daredevil.
“Hardcore” and “The King of Hell’s Kitchen”
(Daredevil #46 – 50 and 56 – 60, 2002 – 2003)
If Marvel wanted to give Daredevil a splashy welcome into the MCU, there’s no better way to do it than borrowing a page from Daredevil #50. A comatose Kingpin comes crashing through the skylight of Josie’s Bar. Standing over his broken body is Daredevil, who has some news for the assembled rabble: Fisk is out, and Daredevil is now the Kingpin. Written by Brian Michael Bendis with art by Alex Maleev, the arcs “Hardcore” and “The King of Hell’s Kitchen” show Daredevil at his most volatile, trying to do the right thing but going about it the wrong way.
These arcs may be the perfect way to bring Daredevil into the MCU, not just because the movie versions of Marvel characters owe a great debt to their Ultimate Marvel Universe interpretations, many of which were written by Bendis. Plus, the two arcs firmly situation Hell’s Kitchen into Marvel’s larger New York landscape and feature cameos by lots of heroes. Not only do Spider-Man and Black Panther arrive to talk Murdock out of his plan, but he receives regular visits from Luke Cage, Danny Rand, and Jessica Jones – otherwise known in the Marvel Netflix world as the Defenders!
“The Stilt-Man Cometh”
(Daredevil #8, 1965)
If you only know Daredevil from the Netflix series or the 2003 movie starring Ben Affleck, then you’d think he’s a dour and conflicted character, like Batman’s emo younger brother. But that was a fairly late revision to the character when Frank Miller started writing him in the mid-1980s. Just as often, Daredevil has been portrayed as a charming swashbuckler who happily leaps into high-flying adventures.
No antagonist offers more potential for light-hearted stories than Wilbur Day aka Stilt-Man. Debuting in 1965’s Daredevil #8, written by Stan Lee and drawn by Wally Wood, Stilt-Man came to be when scientist Day stole hydraulic equipment from his boss Carl Kaxton and embarked on a life of crime. Worse, Day tried to sue Kaxton for the rights to the technology and hired Nelson and Murdock as his lawyers. Even back in 2016, when Daredevil season one premiered, the larger public wasn’t ready for such a goofy concept. But in a world where people get genuinely excited about Moon Knight and She-Hulk, it’s time for Stilt-Man to bring his towering presence to the MCU.
Where Will Daredevil Show Up Next?
Honestly, we don’t know for sure at this point. The Disney+ series She-Hulk is set to release later this year, featuring Tatiana Maslany in the lead role. In her alter-ego, She-Hulk is Jennifer Walters, a respected attorney who may very well give Matt Murdock and Foggy Nelson a run for their money. If Murdock doesn’t show up there, he and D’Onofrio’s Fisk are almost guaranteed to make an appearance in Echo, the currently in-development spin-off of Hawkeye. Not only did Hawkeye make plain Echo’s connection to Fisk, but the character also first appeared in a Daredevil comic. However he turns up, we know that fans are excited for the return of the Man Without Fear.
The post Marvel’s Daredevil: What Could a New Season Look Like? appeared first on Den of Geek.
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thatsamericano · 3 years
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That Thing That Isn’t Biphobia
Pairings/Characters: America/Romano. America and Japan brotp. Mentions of Belmano and past Prumano. Very brief mentions of Giripan, Gerita, and Lietpol. Human AU.
Rating: Teen
Warnings: Mentions of biphobia and violence (though no actual biphobia or violence). Mentions of ace/arophobia from Alfred’s parents, who don’t appear in the story.
Word Count: 3317
Summary: Alfred thinks he’s biphobic because he gets unreasonably angry and upset whenever he sees his roommate having relationships with men or women. He hates himself for being prejudiced against Savino, but an honest conversation with another friend helps him realize his “biphobia” wasn’t biphobia at all.
Note: Prequel to That Thing Where You Fall In Love With Your Best Friend. Inspired by the reddit story of the “straight” guy who fell in love with his gay roommate and mistook his jealousy for homophobia.
Alfred was supposed to be eating lunch with Kiku today, but after fifteen minutes he had only moved the sushi around the plate with his chopsticks several times. Guilt was gnawing away at his mind, and he couldn’t focus on anything else, even sushi that he knew would be tasty since Kiku had chosen the restaurant this time.
At least he wasn’t nauseous, like he would be when Savino was around his girlfriend.
Emma was perfectly sweet, and Alfred had no reason to dislike her. She was genuinely friendly to him and Tolys, even if her main reason for stopping by the apartment was to spend time with her boyfriend. She and Vinny were affectionate, but they didn’t engage in enough PDA to bother any reasonable person. Yet every time Savino would casually drop his arm around her shoulders and she’d snuggle up to his side, Alfred had to look away to keep his stomach from roiling. Every time he called her some sappy Italian endearment and she giggled and replied to him with something in Flemish, Alfred wanted to drive spikes into his ears just so he’d never have to hear them again. When they kissed in front of him, Alfred felt like screaming or crying, and he didn’t understand why.
The same thing had happened a few months ago when he was hooking up with Gilbert, that albino German dude he’d met because Vinny’s little brother was dating Gilbert’s little brother. Gilbert and Savino didn’t call each other sappy nicknames, because it was just a friends with benefits arrangement, but they did spend a few nights together. One morning, Alfred was in the middle of eating a bowl of Cap’n Crunch when Gilbert emerged from Savino’s room wearing only a pair of boxers. After nearly choking on his cereal, Alfred finished his breakfast as quickly as he could and left the apartment to circle the block five times, which calmed him down enough to refrain from punching some poor guy just for having sex with his roommate. By the time Alfred had returned, Gilbert had left, thank fucking God. But whenever he thought of the things they must have done together or the things Savino had done with Emma, a painful tightness seized Alfred’s chest, and it became extraordinarily difficult to breathe. Even after they had gone back to being just friends, Gilbert liked to visit occasionally, and he liked to tease Savino with comments made him splutter and blush. Every time he saw Savino’s reaction to some comment Gilbert had made, Alfred felt unreasonably angry, and he wanted to wipe that stupid smirk off Gilbert’s face with his fist.
Alfred knew it was wrong. Savino had never judged him for being ace/aro, and Alfred had absolutely no right to judge him for being bi. Savino was an amazing friend and a wonderful roommate, and he deserved all the happiness in the world. He certainly deserved better than living with a biphobic piece of shit like Alfred. What kind of fucked up asshole couldn’t stand to see one of their best friends happy just because the way they were happy was different from what they wanted for themselves?
Alfred hadn’t mentioned a word of how he felt to anyone. He didn’t want to hurt Vinny with this stupid prejudice that came out of nowhere, and he didn’t want everyone in his life to hate him the way he deserved. Savino, of course, wouldn’t want anything to do with Alfred if he knew, and neither would Tolys, who was bi too. All of his friends would be disgusted by the ugly and vicious sentiments Alfred harbored, and he would have to move back in with the shitty parents who thought his asexuality was a silly, immature phase he would grow out of eventually once he really came out of the closet. Even his own twin would want nothing to do with him. Mattie was straight, but unlike Alfred, he was a decent person who would never hate someone for being themselves.
But the sad truth was that he didn’t hate Savino. Vinny didn’t smile that much compared to Alfred, but when he did, it resembled the sun coming through the clouds. When he laughed at Alfred for doing something dumb, Alfred felt giddy, and he wanted to do something even stupider just to hear that beautiful sound again. He was a talented artist and an amazing cook, and Alfred had grown addicted both to Savino’s cappuccinos and to sitting at the counter and chatting with him while he worked. Vinny was like a human space heater, and he always smelled like fancy cologne Alfred wasn’t sophisticated enough to use himself. When they hugged, Alfred never really wanted to let go. The idea of not having Savino in his life was the worst thing Alfred could imagine, so he had to pretend everything was just fine and that nothing had changed.
He was frowning down at his sushi, too heartsick to eat any of it, when Kiku hesitantly spoke up. “Alfred-kun, are you all right? You’ve been unusually quiet, and you haven’t touched your food today.”
Alfred sighed and made eye contact with him. “I’m fine. Just not hungry, I guess.”
Kiku looked worried. “If you aren’t in the mood for sushi, we could go somewhere else. I don’t want you to skip lunch because you were trying to accommodate me.”
Alfred set down his chopsticks, which he hadn’t been using for their intended purpose. “It’s not the sushi, dude. I’ve just been feeling kind of off lately.”
“Off how?”
Alfred hesitated. Kiku was his close friend. In some ways, he understood Alfred better than anyone else because he was asexual too. The only difference was that he was gray-romantic, because he had gotten very close to someone once, and he wasn’t sure if what he’d felt for Herakles years ago was romantic or not.
That meant Kiku might be attracted to guys at least a little. So he would see the way Alfred had reacted to the mere idea of Savino being with a guy as a personal attack, and rightly so. He wouldn’t want to be friends with someone like that, and Alfred couldn’t blame him.
Alfred hunched in on himself and fixed his gaze determinedly on the table top. “You shouldn’t worry about it. It’s a dumb problem, and I need to get over it.”
“But you’re my friend,” Kiku stated plainly. “Of course I’ll worry when you aren’t acting like yourself. I care about you.”
Alfred took a deep breath and blinked his eyes rapidly to stop himself from crying in the middle of a Japanese restaurant, which would unnecessarily embarrass everyone around him. Kiku’s concern only made him feel worse. He didn’t deserve it at all.
“I think I’m a bad person,” Alfred muttered. “I might’ve picked up on some prejudices from my parents, but it’s not like I want to feel this way. And I can’t blame it all on other people. It’s my responsibility to quit being a dick to people for no reason.”
“You’re prejudiced? Against who?” Kiku already sounded annoyed at him, and he hadn’t even heard everything. He’d barely heard anything.
“Bi people, I think. Either that or I just really don’t like Europeans, which isn’t okay either.” Alfred squeezed his eyes shut, dreading Kiku’s reaction.
For a long moment, all Alfred heard was the sound of people at others eating and talking to each other. Finally, Kiku spoke. “Alfred, that doesn’t make any sense.”
“It’s biphobia, dude! Of course it doesn’t make sense.”
“But both your roommates are bi. And European, for that matter.”
Alfred groaned in despair and fisted his hands in his hair. “I know. And if they found out, they’d hate me forever and want nothing more to do with me.” Fuck, if he couldn’t make this go away, he was going to lose two of his best friends. In addition to Kiku, who he’d probably lost already.
“You’ve always seemed so fond of Tolys and Savino.” Weirdly, Kiku didn’t sound pissed off. He sounded like he was trying to reason through a complex math problem. “If you were prejudiced against them, wouldn’t this have come up sooner? You’ve been living with them for years, and you never mentioned having a problem with their orientation before.”
“Because I didn’t have a problem before! I didn’t know I was like this until Vinny started hooking up with that German dude a few months ago. I saw him coming out of Vinny’s bedroom one time, and ever since then I’ve hated Gilbert for no fucking reason.”
“Knowing they’d been together in that way made you uncomfortable?”
Alfred grimaced. “It was more than uncomfortable. More like angry. Really angry. I had to leave the apartment to calm myself down. I still feel like punching something whenever Gil teases him and makes him turn red. And when I think about them doing stuff with each other, my chest feels weird and it’s hard to breathe.”
Alfred dared to glance up at Kiku, who had a carefully neutral expression on his face. “I see. And what about his girlfriend, Emma? She seemed nice when I met her.”
Alfred sighed. “Emma is nice. But it’s a similar deal, only more sappy because they’re an actual couple. I feel queasy when they cuddle on the couch, and I feel so upset when they kiss in front of me, even if it’s not like they’re Frenching for five minutes or whatever. I can’t stand it when I hear them getting all sappy in Italian or Flemish. And I’m just as mad if I think about them having sex, which is why it’s probably biphobia and not homophobia.” Alfred chuckled weakly, disgusted with himself. “Apparently, I’m such a crappy friend I can’t let Savino be happy, even with a girl.” God, Alfred loathed himself.
Kiku’s next question surprised him completely. “How do you feel about Feliks? They’re still with Tolys, aren’t they?”
“Yeah, they are. Feliks is cool. I like hanging out with them. I think I might have accidentally gotten them a little too addicted to Buffy the Vampire Slayer, though.” Alfred smiled fondly at the thought of Tolys’s partner. Feliks was a fun person. Alfred had never had a problem with them.
“Were you ever uncomfortable when they showed affection in front of you?”
Alfred furrowed his brow. “Not that I can think of? But maybe it’s because Feliks and Tolys have been together for a while, so I’m used to it.” They’d been together since before Alfred developed this sudden, unexpected biphobia problem. God, he hoped that he didn’t start hating Feliks too. That would really suck.
Kiku nodded to himself. “I think I’ve figured out what’s going on. And contrary to what you told me, I don’t think you’re biphobic.”
“You don’t?”
“No. I think you’re jealous.”
“But why would I be jealous? Because Vinny goes on dates and hooks up with people, and I’ve never been with anybody? That doesn’t make any sense. I never wanted to be more than friends with somebody.”
Kiku gave him a pitying look. “But I think you do now. I think something must have changed, and now you have feelings for Savino. You were jealous of his most recent partners because you wish you were them.”
For a moment, Alfred was too stunned to say anything. He glanced down at his uneaten sushi. “But I don’t like people that way. I can’t. I never have.” He felt scared because so much of his identity was shifting away underneath him. It hadn’t been easy for Alfred to tell people who he was, especially when he had to explain it to people who wouldn’t inherently understand him the way Kiku did. Not everyone had accepted him. His own parents had made him feel like crap for it. He didn’t want to prove them right, because asexuality and aromanticism weren’t phases.
Every time he told people he was ace/aro, he’d been sure of himself. He’d been more certain of that than anything. But now he didn’t know who he was anymore.
“Alfred, how do you feel about Savino when he isn’t with another person?”
“Just being around him makes me happy. But that could totally be a friendship thing, right? It’s normal to feel happy around your friends. I’m happy around you and Tolys too!” But maybe it wasn’t normal to compare your friend’s smile to the sun or to think that the sound of their laugh was beautiful. Maybe you could enjoy hugging your friends, but something other than friendship was going on if you felt so warm and safe in their arms that you never wanted to let go.
Alfred glanced up into Kiku’s eyes, which were a warm, dark brown, filled with compassion and understanding. He felt calmer looking at his friend’s face, but he didn’t feel enraptured. He didn’t feel mesmerized when he stared into Kiku’s eyes, like he could do nothing but sit across from him and stare at him for hours. He had felt like that with Vinny.
Alfred coughed awkwardly and looked off to the side as he felt heat starting to creep up his neck and over his cheeks. His thoughts were weird, embarrassing, and really confusing.
“How do you feel about the idea of being in a relationship with him?” Kiku asked.
“I hadn’t really thought of it before,” Alfred admitted. “But it doesn’t sound bad.” Not much would change, really. They’d still be close, just in a different way. He’d be the one snuggling up to Vinny instead of Emma, and that would probably feel nice, considering how much Alfred liked hugging him. He’d be the person getting called something like “tesoro,” and the idea of a special nickname made him feel fluttery, just like he felt when Vinny had started calling him “Fredo,” only more intense. And the idea of kissing Savino on the lips instead of just that cheek kissing thing he did with his friends…
Okay, that made Alfred nervous. But not bad nervous, more like “I’m about to go on the biggest rollercoaster at the theme park” nervous. Alfred had always enjoyed the thrill of rollercoasters, the experience of screaming his head off as his heart raced a mile a minute. If kissing could feel like that, then he definitely wanted to kiss Savino. At some point, he might even want to do more than kiss Savino, which wasn’t something he’d ever considered before. The mere fact that he was even thinking about having sex without immediately recoiling said a lot.
Alfred grabbed his drink and quickly slurped up a lot of soda through his straw. He felt like he was about to explode from all the feelings inside him, and the soda helped cool him down a little. He kept a tight grip on the glass afterwards.
“I like him,” he confessed, near tears. “I like Savi so, so much, and I have no idea what this means for me. I don’t understand who I am anymore.”
“You’re the same person you always were, even if you’re discovering something new about yourself. And you’re still my friend. That will never change.”
Alfred released the glass slowly. “Thanks, dude. That means a lot.”
“If you like, I could help you look on the AVEN website sometime. You might not be completely asexual and aromantic, but I’m sure there’s a term out there for what you’re experiencing. It might help you make sense of things.”
“I appreciate that. Don’t get me wrong, I’m really glad I’m not a secretly horrible biphobic asshole, but my head’s kind of a mess right now.”
Kiku chuckled softly. “That’s understandable.”
Alfred finally felt good enough to eat something, so he picked up a piece of sushi with his fingers, since chopsticks were still awkward for him to use, even if he’d eaten with Kiku many times. Fortunately, it wasn’t considered rude to eat sushi with your hands. Alfred chewed his food, and he thought things over. “Vinny has a girlfriend, and he seems really happy with her. Having a crush on him and knowing I have a crush on him is gonna be awkward as hell. Maybe not as awkward as thinking I’m an evil prejudiced monster, but still.”
“I’m sure you’ll manage.”
“I probably shouldn’t tell him that part. But I do want to tell him and Tolys something once I figure all this stuff out. And my brother too. But telling my parents is… God, that’s gonna be a fucking nightmare. They were so shitty to me before, and they’re gonna be really smug and annoying if turns out they were right. I don’t wanna play into stereotypes like that.” Most people who said they were ace/aro didn’t change their minds later, but in his parent’s view, asexuality and aromanticism weren’t real, valid experiences, and any person who said they were asexual or aromantic was lying to themselves and using those labels as a mask for something else. Or maybe they just hadn’t found “the right person.”
Alfred had never intentionally lied about his sexuality, but his parents wouldn’t see it that way. This stupid crush on his roommate was reinforcing stereotypes that hurt people like the really awesome friend who had taken him out to lunch today and helped him realize his feelings, and Alfred felt guilty about that.
Kiku had an uncomfortable look on his face. “It’s not your responsibility to represent all people on the ace and aro spectrums. You have just as much of a right to explore how you feel as anyone else does. I think you should give yourself time to do that and only tell other people about this when you feel ready.”
“Yeah. Yeah, that makes sense. Right now, I don’t even know what to tell people.” Alfred picked up another piece of sushi and started to eat it.
“You told me today. That’s a good start.”
Alfred waited to swallow his bite, and then he gave Kiku a toothy, grateful smile. Kiku smiled back at him, and they finished their lunch together in a much more relaxed mood. Alfred didn’t have the dark cloud of guilt hanging over his head anymore, even if realizing he might be in love with one of his roommates gave him a lot of new things to worry about.
After they finished their food, they split the bill based on what they had ordered. Kiku had to take the bus back to work, so they would part ways outside the restaurant.
Alfred was a little surprised when Kiku inched closer with a shy look on his face and threw his arms around him. He wasn’t normally big on the whole physical affection thing.
Alfred returned the hug and laughed a little. “What’s all this about?”
“After our conversation today, I thought you might need it. Take care, Alfred.”
“Yeah, you too. Talk to you soon, bro.”
Kiku pulled away, nodded, and turned around to start walking to the bus stop. Alfred headed in the opposite direction, and he reflected on what had just happened.
Hugging Kiku was nice, but it didn’t make him feel tingly and floaty like hugging Savino did. Alfred appreciated the hug as a friendly gesture, especially since Kiku wasn’t the world’s huggiest person, but it had been easy to let go of Kiku when he wanted to leave. His arms didn’t feel empty, the way they did when Vinny stepped out an embrace, muttering under his breath about Alfred’s clinginess with a scarlet blush on his face.
Alfred didn’t feel the same way towards Savino he did to his other friends, but that was okay. Alfred was confused and a little scared by everything he’d realized today, but he wasn’t a terrible person, and he would figure things out eventually. He would be okay too.
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taurusart07 · 3 years
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The Savior of Fire
Hi guys, this is my first time posting a fic I did for the @grishaversebigbang. I had so much fun making this adventure with mu OCs and I was really happy of working with talented artists who showed the same passion for my characters as I did. 
Summary: After many reports of Grisha caravans with newly foundling (children) recruits are being raided by mercenaries or even undercover Druskelle. Grisha soldier Dimitri Alexand rov (OC), gets assigned with the mission of finding these missing children and the ones responsible for their kidnapping.  
Materialki: @awtetsuya27 (https://awtetsuya27.tumblr.com/post/661317187569614848/story-the-savior-of-fire-by-taurusart07-link)
@yourpancakefulness (https://yourpancakefulness.tumblr.com/post/661319128844500992/dimitri-wanted-to-leave-something-to-commemorate)
Soon to be on AO3.
For now here’s a link to the finished docs if you want to read now. 
https://docs.google.com/document/d/1NQDnS1Ul9Y-p6RdNKpEk7G6MMsLMv1p_LBEPwpVPtlM/edit?usp=sharing
Chapter 1: 
Even at his worst, being around fire was always a comfort for Dimitri. Knowing he could take control of the situation surrounded by his element calmed his nerves. And even before he discovered he was a Grisha Inferni, he found comfort looking at the flame of a candle or getting lost in the dancing blazes of a fireplace.
When the Grisha examiners arrived at his small farm near Ryevost to find out about his nature, Dimitri was both excited and sad about going to live at the Little palace. For once he was ready to embrace his abilities and serve his country. But also, he felt bad for leaving his mother alone. After the loss of his father she was all he had left. However the Grisha assured him she would be safe if he left. He knew the risks, many enemy spies roamed the lands and could be on the hunt for Grisha at any time. 
Time passed, and the Ravkan Civil war had ended with The Drakling’s death. Afterwards the second army was reformed and the Etherealki order was now led by General Soya Nasyalensy. Now there was more activity of Grisha helping through the war, getting along with the Otkazat’sya and the first army made the war effort much easier. But the enemy kept resisting. More missions began to be assigned to small grisha groups, and no one was more enthusiastic about it than Dimitri. 
“Why are you so eager to leave the Little Palace to the front lines?” Asked a young Grisha Squaller. 
“Because,” Began Dimitri shoving his messy dark curly hair aside. “It’s been too long since I’ve been here. I want to see some action. Something I can prove myself” The squaller looked at him doubtfully, but of course, no one really understood Dimitri. 
He walked down the halls of the Little palace, towards the training grounds, where his instructor was waiting for him. For the greater part of his last year, Dimitri hadn’t really done full extense sessions of training, since his incident in the mountains of Petrazoi near Ryevost. On a recon mission. Dimitri had fallen deep into a cave where he was sure there was no way he was gonna get out of there alive, for he heard a fierce snarl come from the darkness of the cave. A wolf happened to land there as well, and at that moment that quiet cave became a battlefield for survival. Dimitri spent quite some time fighting off the wolf. his fire was not strong since his strength was quickly taken away by the constant struggle of keeping the predator’s fangs away from him.  
After intense hours fighting off the animal, Dimitri came out triumphant, seriously injured but he had managed to kill the Wolf. And once he did, he found out that this animal was an amplifier. Not like the sacred amplifiers Morozova created, but a natural one. At first, Dimitri wasn’t sure if he should take on its bones to merge with them, but when he wanted to check on it. He had a vision, It was almost as other Grisha with amplifiers described them. Right in front of the dead wolf, Dimitri saw a luminescent copy of the animal, bowing to him, out of respect.
 Hours after that, the rescue team arrived, and Dimitri’s injuries had to be taken care of at the little palace, so he requested them to take the dead wolf with him, and told them about its nature. The healers tended his wounds and suggested him rest since the bites of the wolf had been quite deep, some scratches in his torso and back would also take some time to heal properly. 
It had been nearly a year since that day, and during that year he felt incompetent by having these bambraces made out of the bones of the wolf, and not be able to push himself once more. But all that has changed now.    
“Are you ready to try this Dimitri?” Asked Oleg, an experienced Inferni trainer who began mentoring Dimitri from his first day at the little palace. Dimitri gave a silent nod and thus his teacher began an easy attack on him, something he could fend off. But to Dimitri, this felt too easy. With just a single hand gesture and his fists he managed to effortlessly push the incoming fire away from him. Another burst of flames were thrown at him, and without struggle he managed to dodge and even redirect some of the fire into Oleg. Now it was his turn to attack. His dark, almost coal colored gloves with red embroidery ready, and his mind focusing on trying to use the enhancement of his amplifier. He launched forward and threw a massive explosion of iridescent red and yellow sparks right to Oleg. His teacher managed to evade the attack with an impressive jump and still maintained a regal posture, as he dismissed the fire around him, clearing up the arena. 
“It seems you haven't lost any condition. And your technique has improved” Regarded Oleg “I’m quite impressed, your amplifier has indeed enhanced the heat on your fire as well, though you still need to work on precision” 
Dimitri Couldn’t expect more. Even though the healers had told him that he needed rest, and very moderate training, the truth was that inside his room there was none of it. He continued on with his training in complete silence and without anyone's knowledge of it. His fires had to be very low in size if he didn’t want to light up the entire little palace. Once again he began to send flames towards his mentor. As he kept on, the enhancement of the amplifier began to settle in with Dimitri’s will. 
Oleg started to give him more demanding shots of fire, seeing that Dimitri wasn’t so rusty at all. He sent out a gigantic wave of flames, only to distract him, and get closer to engage in hand in hand combat. Dimitri managed to block some of the attacks as they began to get more and more constant, not giving him time to pack a punch at Oleg, or even stunt him or get him out of his way. His feet almost reached the edge of the arena, when he decided to pull out a trick he invented on his secret sessions. It required minimal movement, but a great deal of concentration. As he kept Blocking Oleg from taking him off the limits of the arena. “You ready to give it a rest boy?” Teased Oleg. 
Dimitri began to feel the heat accumulating in his forearms and hands, however he did not feel any pain, unlike Oleg, who was rapidly disengaged once the heat hurt him enough. 
“Looks like you learned some tricks on your own” Said Oleg, surprised. 
“It wasn’t so hard, and as you can see it doesn’t require much mobility” Explained Dimitri, worried he would get in trouble for not following strict instructions from the Healers.
“Regardless,” Added Oleg, taking off his gloves, and shoving away the sweat on his slightly wrinkles forehead, “You should've at least told someone, in case anything happened” He dismissed Dimitri, and let him join his fellow comrades, who were impressed by the skill he showed at the arena, and was asked to show them how to do that trick. 
“It’s not gonna be that useful, don’t you think?” Said one of the older Inferni. “We barely get into hand to hand fighting. Most Druskelle I’ve encountered had been reduced to ashes before getting near me” He bragged. Dimitri did not take his opinion at all, since he was always told by Oleg to always expect the worst of a situation and no to rely always on his power. Dimitri left the Training grounds on his own. He mostly didn’t hang out with many of his own, just with Pyotr, another inferni who he grew close to after they both were taken under the mentroy of Oleg. As he reached the halls of the palace. He was first planning on going to his room and getting some rest, cause even though he had not lost his edge, he definitely lost some resistance, however that would not stop him. Going past the library he saw some young durasts studying on some books, furthermore he was about to get to his room, when he got caught by an old familiar voice. 
“Dimitri!'' It was his old  life time friend Pyotr, he was sporting his typical blue kefta with spiky red embroidery on it. His hair was much larger than he remembered. And his light fair skin was covered with some minor scars obtained at the battlefield. He ran towards his friend and partner in crime, and embraced him with a hug. They hadn't seen each other for almost a year, since most inferni were sent to the front lines along with the Heartrenders and the first army. When Pyotr and the rest got orders to leave, Dimitri was barely tended by the healers after the encounter at the cave. 
“It’s been so long my friend,” Said Dimitri “How are things on the Fjerdan front line?” He asked. They constantly received reports every other night, however the casualties were hardly named, and the letters he received from his best friend told so little. 
“Well… Pretty intense as you can see'' Answered Pyotr, pointing at his scars on his face “Fortunately they’re not gonna get permanent… But yes, things are tough. The Fjerdans are getting more brutal, even with our strengths combined, both armies are barely resisting” he said. 
“Then why are you here?” Asked Dimitri. 
“To escort you,”His friend answered. 
What? Thought Dimitri . “Where?” 
“Just come with me. Trust me.” Said Pyotr, taking Dimitri back to the halls, without giving any more details on where they were going. But he had to trust his lifelong friend, just as he always did. 
When Dimitri Finally arrived  he was completely out of words. Right inside of a rounded dark room illuminated by bright lights, was the Triumvirate in front of him. Genya Saffin leader of the Corporalki and talented tailor, David Kostyk master fabrikator and head of the Materialki, and lastly the fierce and only Zoya Nasyalensky General of the etherealki. Among them were many more Grisha commanders and lieutenants discussing the war effort.    
“Is it Him?” asked General Zoya to Pyotr. Dimitri remembered reading some letters of his friend about how sometimes they were saved by Zoya and her powerful winds and storms she summoned. However he did not expect to have direct contact with her, with any of the triumvirate. Pyotr nodded to her and so Dimitri walked forward trying to not show his excitement and fear by being in the presence of his leaders. 
“Dimitri Alexandrov, at your service. Grisha inferni, former member of the seventh regiment.” His answer sounded as if he were reading it outloud in front of a class. Some Grisha in the crowd found his answer funny and some looked doubtful at him. “Former member?” Questioned Zoya. 
“I had an incident a year ago,” Explained Dimitri. “Ever since that I’ve been on break. But I’m more than ready to be back in the field, I swear” It was true. The least he wanted was to be back in his room training in complete silence. He wanted to hear the roar of his fires.  
“I’m not sending you to the battlefield,” She began. Her deep black hair hanging on her sides and her blue kefta shimmered with the lights. “There have been some events across the country that concern us,” What could she possibly be talking about?. Dimitri just kept his mouth silent and let her explain. “As some of the guards have informed. The caravans of examiners that went to the first near cities have not arrived and It’s been long since they left the palace in order to find new grisha among children” Informed Zoya. “Only a wounded squaller managed to arrive at the palace yesterday. He claims their caravan had been raided by unknown enemies, who took the children captive, and killed our Grisha brothers and sisters.” 
Thoughts of his past began to run through Dimitri’s head, Of how they prick his arm to reveal his inferni powers, of his arrival at the little palace, and his first training lessons with Oleg, along with Pyotr. If what Zoya said was true, then children just like he once was, were not only taken away from their families but from their future, as a soldier, and as a Grisha. People like Dimitri were still not seen with the best intentions around the world. The Fjerdans burned Grisha at the stake, while the Shu dedicated extensive experiments on them. Ketterdam wasn’t a good place either, for they were mostly sold out as indentures for the wealthiest merchants. But children offered something more to those countries. The Shu might try to dissect their living bodies to further investigations, and the Fjerdans might even want to try out the dangerous drug, Jurda Perm on them, as for the ketterdam businesses, those children without the dominion of their powers, may just as well be slaves or even delight se the carnal desires of sick old men around that treacherous city. 
“As for what our records show, the examiner parties we’ve sent out have been to the south, from Sikursk, Caryeva, Keramzim, Kribirsk, and the west to Os Kervo, and their near villages and farms” Said Zoya, showing everything she explained on a three dimensional map, of all ravka and the north and south borders. It was still not big enough to fill the entire table, as the pieces had connections like a puzzle that Dimitri guessed were pieces of the other countries. 
“Just yesterday we sent out a crew towards Ryevost, and another to Balakirev” Said Genya, her soft voice filled the entire room, and it was quite hard for Dimitri to not look at her eyepatch, a symbol of what happened to her at the civil war. 
“Which means they should be arriving there by now, and the parties heading north still have to report on arrival” she continued. “We need to find out who are these captors, if they’re druskelle or mercenaries after a high price on Grisha children”
“Will you do that, Dimitri?” Asked Zoya out of nowhere. Dimitri has always expected an assignment, he just didn’t expect it to be of such importance.   
“You want me to look for these children?” He asked, the question was pretty dumb of his part, but his mind still hung over the task he had ahead” 
“I’ve heard that you kept asking for open assignments the whole year, even with your condition in mind” Said Zoya. “Also a fellow comrade of yours spoke fondly of your determination, and aptitude for this job” She glanced subtly at Pyotr. “You must assemble a team with Grisha in which you can put your whole trust on this job, You are expected to leave tomorrow at dawn” She said finally, heading towards distance, to hand him an archive with the details of his first mission after a very long time. 
“I will not let you down, General” Said Dimitri, “I'll find those kids and bring them home”  He said as he was Dismissed by Zoya. He began wondering how he could carry such a test on himself, he wondered who he would contact to join him. As he left the room, walking through the halls, Pyotr intercepted him, congratulating him for receiving such an important job. “It won’t be easy” said Pyotr, “You'll definitely need one or two Heartrenders, and possibly another etherealki” 
“I know just one who can come with me,'' said Dimitri, looking at his friend while they kept walking. 
“Who?” wondered Pyotr naively. 
“You, idiot,” Replied Dimitri, laughing. Of course he would need his best friend in this, He always reminded Dimitri of what he was capable of and more. “You really thought I would do this without you?”   
They kept planning who else to bring, Dimitri didn’t want a whole group as that might draw attention when they needed it less. He definitely agreed with Pyotr, they would need at least a heartrender, And dimitri knew who was fit for this Job. 
 “You’re insane” Said Pyotr, “Raol Ralevsky is the most hated Grisha among his class” 
“And that attitude of his and his incredible skill is what we need” Explained Dimitri. He was his first immediate choice. Besides, Dimitri knew he wasn’t that awful, as Raol once helped Dimitri to control his amplifier, for he also had one within his neck, a massive claw of a Tiger he once hunted. 
“I heard he once took about six Druskelle on his own, completely destroyed their bodies, that man shows no mercy”
“Once again proving my point, we don’t know if these captors are Fjerdans or not, or how many are there when they attack the caravans. Just trust me on this, we need to get Raol, I need you to let him know, just tell him Dimitri is asking him for this”
“You're gonna tell me that now you’re friends with him?” Asked Pyotr, appalled “More of an ally at the palace” Replied Dimitri, as he left his friend to be alone in his room. 
Inside of the grand place he had for his own, he took off his blue kefta, and hung it on a chair near his wardrobe. The room curtains were completely blocking the last hours of light the sun had left. He took off an ointment from the drawer at his bed. with the small red bottle in hand Dimitri walked to the next room at his dorm, where he mostly trained and where a silver bathtub was waiting for him with warm water. He placed the bottle on a small table near a full body mirror. The ointment was a tonic given to him by the healers to help the deepest wounds heal up, but it didn’t seem to do any effect. However he continued on hoping it would work one day.  
He took off his white shirt that was covered by the kefta. revealing his scarred light brown skin, reminiscent of his mother who came from Novyi Zem. His leaned but chiseled torso still hadn’t lost the massive scar that crossed from all over his chest to his belly. Dimitri poured some of the ointment on his right hand and slowly began to rub it across the scar. He then turned around and using the mirror he began to apply more of it across the few scars left on his back. After a couple minutes, the ointment dried off and Dimitri striped of the rest of his clothes to enter the bathtub, and for once, in the heat of the water, the smallest pain that was attached to him the whole day vanished. 
He knew that he would not receive any of these glimpses of pain relief for the next days or weeks during his mission, but he preferred being outside, in the heat of the action and in the heat of a royal bath.
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