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misterewrites · 1 year

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Greyfield, Arthur Greyfield (Side Mirrors)

Hey everyone! E here with a surprising update for Side Mirrors. I still love and hate that name. alrighty since i didn’t make a post for the first chapter (which four people still found that was an honor) these are side stories that take place in the Mirror’s Edge universe/canonization etc etc. For the most part they just little fun side stories that are meant to either flesh out secondary characters, groups, background, lore or even the city itself. There’s usually no relevant timeframe to the main plot unless I say so (in which case i will mention the chapter it takes place around or parallel to). Still have fun! these are a blast to write and honestly helps me get some ideas i have out without disturbing the main story. I hope you enjoy them and feel free to share this if you like! thanks!

Side note: Arthur is a direct Descendant of a few characters of Welcome to the Underground. Special treat for you readers that read that project.

The world keeps spinning and sometimes you need a break. You need get away and just have fun and exist. Do that here, for now. Wear your mask, take care of yourself, be safe, get vaccinated if you can and push for the world to get it cuz we're in this together and it's not over, no matter how much we want it to be. Be safe and have a great week! the next mirror's edge chapter should be coming soon.

That's it for me! i sincerely hope you are enjoying not only this but any of my work that tickles your fancy. Thank you for the views, the kudos, feel free to tell me what you enjoyed and share with others you think might like it. Thank you. E is out for now! bye and take care!

If you want to read this on a site that doesn’t hate me you can check it out at ao3 over there https://archiveofourown.org/works/42464157/chapters/107640534

The previous chapter which is not connected whatsoever was published, but i just forgot to post it here, can be find right over here! https://archiveofourown.org/works/42464157/chapters/106647273

If you are curious about my non-original work that spans various fandoms that include but are not limited to Arcane/League of Legends, Owl House, Legend of Zelda and Owl house, the rest of my work can be found riiiiight here https://archiveofourown.org/users/MrE42/pseuds/MrE42

That’s it for this post. Have a great week! and everyone pass the keep out sign to keep reading

Summary: The Swift Silvers, a well renowned mercenary group that has existed for two thousand years. From their humbled beginnings founded in an underground society to their modern day counterparts, they'll take on any job with unrivaled skill and grace. Well skill at least as Arthur Greyfield, their top agent, attempts to retrieve on a stolen family heirloom for their client. But if nothing could go wrong then there would no need to send in Arthur.

-----

The phrase “Beauty is in the eye of the beholder” is an objectively subjective saying. Simply put it meant that definitions of beauty varied from person to person and each was entitled to their own opinion.

Of course the woman sitting at the bar all by her lonesome was nothing BUT gorgeous: Her long brown locks were tastefully curled in ringlets that ran down her back. She wore a strapless dark blue dress that caught the light of the club like glittering starlight with a white shawl snugly wrapped around her otherwise bare neck and shoulders. Tasteful but light make up gave her a regal aura of elegance. Beauty made real though her most lovely feature were her eyes: A light brown, the shade of honey and sparked with life. Her lips were curled into the most utterly enchanting smile that captivated him. Perhaps she would like some company, surely he could spare a moment to leave his table and...

“Arthur?” A voice crackled in his ear, breaking him out of his stupor “You are paying attention right? I don’t need to remind you you’re there to watch out for the necklace, not the newest love of your life.”

Questioned phrased as a statement: Classic Bethany.

Arthur resisted the urge to roll his stormy gray eyes “You really gonna start Beth? I can look for the future Mrs. Greyfield and keep an ear out for our prize. Besides who jumps straight into love?”

“Arthur.”

“That’s a bit extreme.” Arthur continued, giving no indication he’d heard her “First you find a spark then you go from there. You build up a relationship Bethy.”

“Arthur.” Beth repeated firmer.

“I know you’re not interested in the nuances of courtship but I am and I take great pride in….”

“Arthur!” Arthur flinched, resisting the urge to pluck out his earpiece “Is it even on the auction docket or you finding excuses to buy expensive wine with our coffers?”

Arthur gasped dramatically while he ignored the expensive bottle of wine he just ordered on the business credit card “How dare you? I am deeply offended you would think I would waste our hard work merc money on…”

“I just got a text from the bank.” Beth stated flatly before adding “Dumbass.”

“Well then why did you ask if you knew the answer? I mean really what was the point of all this?” Arthur pretended to be offended at the notion.

Beth answered dully “Messing with you. You’d take it out of your cut anyway. So it’s not up for sale tonight huh?”

“Nope.” Arthur clicked his tongue thoughtfully “It got taken off the list a few minutes ago. Emergency restoration is what was cited.”

“So someone’s buying it backroom.” Beth finished for him.

“Mhm. Probably wheeling and dealing as we speak.”

Arthur could hear his oldest friend rubbed her temples, trying alleviate the incoming headache “What’s the play? Going in hot?”

“By myself?” Arthur scoffed as he ran his hand through his white hair “I mean I’ll get it done but by the time I fight my way backstage it’ll be gone.”

“Ash and Blitz are nearby” Beth offered halfheartedly “I can pull them off their job but they’re not gonna be much help aside beyond stand outside and look pretty. It was hard enough to hack the company’s system to get you an invite and I had weeks to work on that. A last minute rush drop isn’t going to happen and we’re about to lose a huge paycheck if this goes south so we’re gonna need every little cent to cover the loss.”

Arthur scratched his clean shaven chin thoughtfully.

“I can hear you scratching Arthur. Give it to me.”

“You left yourself a backdoor into their system right?”

Her voice was neutral but he could the rapid keystrokes of her fingers gliding across the keyboard effortlessly “Yes I did.”

“Patch yourself in. Camera, communications and wait for the action to start.” Arthur explained while he waved down a waiter “How long till you’re ready Beth?”

“5 minutes. I’ll let you know when.”

Arthur nodded, more out of habit than anything else.

“Sir?” a young man in a stylishly plain white suit and holding a tray approached him carefully.

“Yes hello my good sir. I like to order something. Well two somethings actually.”

-----

“Arthur, I’m in.”

The auction room was less room and more well lit night club: various of Newton Haven’s wealthy class were on the floor below, each seated at a table that was not only catered to their specific taste but also positioned in a certain way that no one found themselves to a jilted ex lover.

Or spouse.

Or business partner.

Or family member.

As he himself was not from old money, or new money for that matter nor was he anyone of any level of notable fame, Arthur was stuck on the second floor landing. He was so far tucked in the back that he could cover the entirety of the stage with his thumb.

Which he had done repeatedly in the last five minutes.

Arthur brought his near empty drink to his lips, carefully positioning his posture to make it seemed like he was taking a sip.

“When I get in.” he murmured, the glass echoing his voice just loud enough for Beth to hear “When they call it in make a false report that I’m making a break for an exit. Don’t mention which one.”

He could practically hear her mocking salute on the other line “Hall of Mirrors, gotcha. Also Arthur.”

“Yes?”

“You wore that to the job?”

Arthur glanced down at his attire: a collared tattered dark red shirt tucked into a black vest, wrinkly black dress pants and dirtied black loafers.

“Yes? Problem?” he took an accusing tone.

“No, just funny.” Beth chuckled “No wonder they stuck you in the nosebleeds. Probably didn’t want to risk you offending the rich with your terrible clothes.”

Arthur gave a little laugh “Well they’re going to regret that.”

“Oh?” Beth asked curiously “How so?”

He grinned impishly “I’m about to offend a rich person.”

“Oh this I gotta hear.” Beth couldn’t keep the eagerness out of her voice.

“The easiest way you can of course. Acting like you’re on their level.”

Beth’s smile widen as she watched Arthur on the camera feed lean in closer to an older couple near by, their perfect faux smiles dropping within moments.

-----

“Sir.”

Arthur glanced upwards from his phone to find a rather serious man standing in front of him. He wore the same suit as the waiter but between his black shades, ear piece and muscular frame made it clear he performed a different duty here at auction night. With one hand he gestured for him to stand while the other reached for something.

“Is there a problem?” Arthur complied, pocketing his phone and pretending to adjust his clothing as he stood.

The clearly security guard tapped a baton against his leg “We’ve received a rather large amount of complaints involving you sir .”

Arthur dramatically pretended to be shock “Me? No. No no no sir I have been nothing but a well behaved, civil guest in your fantastically stocked place of business.” he motioned with his cup then to the older couple couple nearby “We just finished a pleasant conversation, right?”

The older gentleman gave a strained smile. The older wife decided to glare, her hands clutched tight around her cell phone made it obvious who had complained.

“Oh that hurts Karen.” Arthur clicked his tongue disappointingly “Real hurtful. I thought we were connecting over our shared wealth and our goal of donating to the less fortune. Shameful, shameful. Well he’ll vouch for me.”

The waiter, whom at this point had been minding his business, was taken aback by the sudden attention.

Arthur beamed, cheerfully pointing “Yes him! Tell your man here that I have not caused one ounce of trouble.”

“Sir I just work here.” The waiter raised a hand defensively as he desperately tried to slide his key card into the electronic lock barring his exit from the room “No need to get me involved.”

The lock’s light shifted from red to green, trilling loudly to let the poor waiter it was time to go. He bowed his head apologetically while he pushed open the door and hurried inside.

“Shit.” Arthur clutched his hand into a fist uneasily.

The security guard rubbed at his eyes tiredly “Last warning asshat . Don’t cause a fuss. Nice and quiet. These folks don’t like having their evening ruined.”

“I wouldn’t want to ruin their buying of illicit and wrongfully taken goods. Look mister.” Arthur scrunched his face as he eyed the I.D. card clipped to the guard’s belt “Is that Philips? Mister Phillips I never do anything quiet and based on my treatment here I am far beyond being nice now.”

The guard sighed but said nothing as he reached for Arthur.

Arthur, however, was ready. He gripped the unprepared guard’s wrist and yanked him closer with a mighty pull. The guard stumbled forward and using his free hand, Arthur grabbed the back of his head and smashed his face into the table as hard as he could.

The guard shot up, howling in pain while he clutched as his now bleeding nose with both hands. Arthur snatched up the baton and took a step back, planting his foot firmly against the table’s edge. With a barely audible grunt he kicked the table and slammed it into the reeling guard’s knees.

“Don’t be rude!” He gestured with the baton as he slid across the top of the table.

The guard was still too stunned by pain to react Arthur gently pushing him to one side to make his way past.

The two other guards stationed up here noticed the commotion but not the source. They approached slowly, eyeing each other warily as they drew near.

-----

“Miss?”

The beautiful woman at the bar was taken out of her thoughts to noticed a rather fancy drink placed in front of her by the bartender.

“What is this?” She asked curiously.

The bartender motioned behind her “The white haired man bought it for you. Sends his love .”

She turned around in time to find Arthur making his way to the locked side door. He caught notice of her gaze and shot her a flirtatious wink and grin. He slid an I.D card into the electronic lock and with bow, slipped inside quickly.

-----

Arthur gave an unsatisfied sigh , sliding the baton in between the doors handle to prevent anyone from entering “Good bye future Mrs. Greyfield. Tis not meant to be in this life.”

He looked around and noticed he was inside some storage room: To the left of him was an emergency exit complete with “do not open unless in case of emergency” sign. Some storage cupboards lay in front and to the right stairs that led down and further into the building .

“How’s it looking?” Arthur asked while rolling up his sleeves.

Beth took a moment to answer “They just reached the guard. He’s having trouble explaining what happened. I’d say you got half a minute before they sort out the story and go looking for you.”

“Best to hurry then.”

Arthur raced down the stairs and found himself backstage. Evidently word of his scuffle hadn’t been cal led in because the room was peaceful. Aside from the steady stream of waiters streaming in and out of the kitchen, there was not a soul in sight.

He glanced at the various doors that littered the room “If I were an illegal backroom office where would I be?”

He stopped in front of a door with a hastily written sign that read “Janitor’s Closet”

“Seriously?” Arthur sighed. He gave the sign an irritated tap “At least try guys. This is embarrassing.”

“Halt!” A voice anxiously called when he entered the room proper.

It turns out it WAS a janitor’s closet: Metal racks stacked with various chemicals and cleaning supplies hugged the walls of the room. Brooms, mops and buckets tucked into a corner. A plain metal container on a table sandwiched between armed guards.

You know usual janitorial things.

One guard asked, their voice tense “Who are you? You’re not allowed to be back here!”

“Access restricted! I-I mean restricted access!” The other guard stepped forward threateningly.

Arthur studied the pair : One’s grip was too tight on their weapon, the other was too loose. Both shared hunched frames as if they were trying to appear less of a threat. They were both caught off guard by his presence like they hadn’t been expecting anyone to show up. They kept stealing glances at the other, unease etched all over their face.

“Excuse me?” He answered with some steel in his voice “You did not just tell your superior officer where he is allowed or not allowed to be”

The duo flinched, stammering over each other.

“I’m sorry sir!” one said.

“Show me your identification!” The other asked.

Arthur flashed them his stolen I.D just long enough for them to recognize what it was.

“Okay that checks out but why are you in a different uniform?”

“Because.” Arthur began slowly “To clearly denote rank. If I looked like everyone else how would you know I’m in charge?”

“I guess that makes sense”

Their posture relaxed.

The closest one to him scratched their head in embarrassment “Sorry sir. We were told no one was allowed in this room and a superior would be along shortly to relive us.”

“Well I’m here.” Arthur made of show of gesturing to himself “You may go.”

“Sir.” The guards replied as one before hurriedly making their way out of the room.

Beth whistled appreciatively “That was lucky.”

“How’s it look?”

“They’re trying to get in through the door.” Beth typed something quickly “They’re not eager to call it in.”

“Of course not. Imagine inconveniencing the rich. Oh the horror.” Arthur scoffed dismissively.

“Well let’s not give them chance to ruin this. There’s no camera in whatever room you’re in. Confirmation?”

Arthur ran his hand over the container slowly: It was smooth and cold to the touch but it didn’t seem to be more than just a box. He gave it a shake for good measure yet nothing happened.

“No signs of being trapped. Opening the box now.”

Carefully he unlatched the lock and gingerly lifted the lid. It opened effortlessly and within lay an opal necklace the size of a fist.

“Confirmed.” he ran a hand through his hair “It’s the opal. Retrieve is a go.”

He latched the box and lifted it by the handle to get a feel for the weight.

“Good because it seems like they discussing what do next.” Bethy warned, urgency hidden behind her laid back tone.

Arthur paused for a moment before putting the container down. He began searching the shelves for something.

Beth could hear his rustling of objects “Arthur? Did you not hear me? They’re starting to panic. Any longer and they’re going to go crying to the supervisor.”

“You got access to everything in the building right?”

“Yes.” Bethy answered, unsure where this was going “They connected everything to the wifi and naturally there’s a dozen vulnerabilities I squeezed in through. How exactly is this relevant?”

“It will be in a second. Ah!” he exclaimed as he found a box of matches. He began dumping bundles of old clothes and towels onto the table quickly.

Arthur pulled out a match and struck it against the rough grooves of the matchbox “So in theory a place that handles artifacts and the like should have a really good fire suppression system in place right?”

“In theory yes.” Bethy replied slowly.

“Cool and if they don’t that’s on them.” Arthur smiled as he held aloft the burning match “Hit the fire alarm.”

“There isn’t a fire according to the sensors. I don’t think anyone will buy it.”

He tossed the match onto the pile he created “Well there is now.”

There was a moment of silence before a loud, high pitch shrieking filled the air. The alarm in the corner began flashing an eye catching flickering light.

Arthur picked up the container, made his way to the door and waited for the panic shuffling of yells and scraping of feet. He threw open the door, allowing it to slam against the wall with a thunderous thud.

“FIRE!” He cried, eyes wide as he wildly motioned behind him “FIRE IN THE JANITOR’S CLOSET!”

He broke into a mad sprint, slipping into the retreating crowd as a choir of voices cried out “FIRE IN THE CLOSET!” Despite being seen by more than a dozen witnesses, each found they had difficulty remembering what exactly happened let alone some mystery man who vanished into the night.

-----

“Thank you, this is indeed the opal I wished for you to recover.”

The following night was when Bethany and Arthur decided to conduct the debriefing/concluding of business.

Bethany Friar was an average height with long dark brown hair. Her green eyes took in everything with a bored, uninterested look. Both members of the Swift Silvers were dressed in their uniforms: Blue collared shirts tucked under silver vests and ties. Black work jeans (Skirt for Bethany as she did not own company issued pants because she did not do field work often.) and black combat boots. Completing the look was the standard issue silver trenchcoat.

Their employer was supposedly an older woman though she did not look it. Her long jet black hair flowed down her back like waves. Her black dress hugged her curves in an enticing way and short enough to show a lot of leg. She was inhumanly beautiful and clearly not a human given her dark red irises.

“Was it trouble?” She asked, her concerned spoken with a honeyed accent.

Arthur feel himself flush “No. Not at all. Just a standard job.”

“Standard my ass.” Bethany mumbled under her breath “Three weeks trying to find a way in. That’s like three times longer than normal!”

Arthur nudged her subtly.

The woman eyed them carefully “Well excellent work. Now about payment.”

Beth rolled her eyes “Here we go.”

“I have the money of course but perhaps you desire something more…personal?”

Arthur had seen it coming but still he was caught off guard by exactly how powerful the wave of lust washed over him and Bethy. Suddenly their client was impossible beautiful and even more alluring. Surely the others wouldn’t mind if he took one for the team? So to speak.

“Is this accepted” the client batted her eyes invitingly.

Arthur opened his mouth to answer.

“Yeah no. Fuck off with your magic.” Bethany was the one to answered with a dismissive wave of her hand “Hand over the money.”

The client eyed the woman carefully and Arthur could feel the wave of lust pass over them both once more. He nearly collapsed, his blood thundering in his ears.

“Surely there is someone you desire.” The woman swayed closer to Bethany in a hypnotic fashion “Man, woman. Both at once? Or are you more varied in your tastes?”

Bethy crossed her arms “None of the above. The only thing I desire right now is a burger and since you don’t seem to have one on you, money please.”

The client huffed, clearly unhappy about paying up. The aura vanished as quickly as it came and reluctantly she opened the briefcase at her side and showed the money all accounted for.

“You can’t blame me for trying.” She winced uncharacteristically with not a single trace of her accent to be found.

“Of course not.” Arthur agreed wholeheartedly

Bethy glared “Oh shut it. Pleasure doing business with you.”

The woman slunk into the shadowy night and vanished into thin air.

A moment passed before Bethany tapped Arthur’s shoulder.

The pair turned and began making their way back to the car.

“Do you really want a burger right now?” Arthur asked curiously.

Bethany scoffed “Psst, yeah. Let’s go to Ma’s.”

Arthur nodded in agreement “Oh Ma’s sounds good right now. I’m starving!”

And with a pep in their step and a briefcase full of cash, the pair made their way to a celebratory meal for a job well done.

#Mirror's Edge #Original Work #original story #my work

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kbirbpods · 11 months

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Click below for my "dear podficcer," letter for Summer Swap 2023!

Dear Podficcer,

It's me, Kaje, I'm the problem I'm kbirb pods!

Things I like, regardless of fandom:

THEMES: trans/nobinary characters (extra points for neopronouns); gender exploration in general; found family (genfic or otherwise); angst with a happy ending; polyamory; good asexual or aromantic representation

TROPES: fix-it fics!! extra points for time travel or time loops in fix its; fake dating/marriage; mutual pining; soulmates (AU or just clearly soulmates); crack treated seriously; rivals-to-friends/lovers; oops only one bed

AUs: soulmates soulmates soulmates; regency era (or any different era); modern AU; crossovers, provided i know the other fandom or the fic doesn't require knowledge of the other fandom!; college/sport AU; fantasy/fae AUs

PODFIC SPECIFIC: anything epistolary (texting/chat fics especially but letters and such are also fun to explore); including music / SFX if you're comfortable; including bloopers if you have them/are comfortable exposing them

RATINGS: Contrary to popular belief I do not hate explicit fics so really any rating but I generally prefer G-M I guess

Do Not Wants (triggers, squicks, please no):

major archive warnings (major character death is okay so long as it's temporary and resolved); unhappy endings; I really don't like pregnancy, which includes MPREG (I like a/b/o dynamics minus that aspect) - kidfic is cool I just don't want pregnancy as a theme & especially not graphic depictions of it; suicide/self-harm "on screen" (mentions of past suicidal ideation/self harm are fine if not a flashback/graphic); non-/dub-con or any depictions of rape (once again, recovery is okay if done well); adult/minor relationships or relationships with unaddressed/starkly imbalanced power dynamics; any sort of poorly depicted mental health tropes (no BPD or other personality disorder bashing, no institutionalization, no "split personality" as a trope) - i really like explorations of PTSD/trauma but it has to be handled with fidelity and gentleness

Main Fandoms I Would Love to Receive:

Star Wars: I love so much Star Wars that to split them like I did on AO3 would make this post too long. I think it's easiest to say this: I prefer Clone Wars, Rebels, anything about Jon Antilles, and anything Ahsoka Tano.

My main ships are: Cody/Obi-Wan, Kallus/Zeb, Hevy/anyone (consensual), Finn/Poe or Finn/Poe/Rey, blackkat rarepairs (mainly Jon Antilles/anyone), Jon Antilles & Fay (platonic), Waxer/Boil, Fives/Echo, Kanan/Hera, and Quinlan/Fox My favorite characters are: Hevy, Fox, Ahsoka, Leia, Poe, Fives, Luke, Jon Antilles, Fay (Legends) My favorite themes/tropes are: force sensitive clones, trans!clones, force sensitive Leia, modern AUs, Domino Squad lives

Ted Lasso: My current hyperfixation! My favorite ships are Roy/Keeley/Jamie, Ted/Trent, Roy/Keeley, and Jamie/Dani. Ted & Rebecca as platonic soulmates/besties in general. I love explorations of how much Dr. Jacob sucks and fix-its for the ending!

Batfam/DC: I can be picky and yet not? Basically, I just prefer no inner-Batfam fics of the boys because I truly view them as brothers. My favorite ships are Jason Todd/Roy Harper, Dick Grayson/Wally West, Harley/Ivy, Tim Drake/Kon, and Wally/Artemis from Young Justice. This is the fandom that I specifically am obsessed with found family in. I love exploring Alfred being the boys Grandpa and Bruce's complex dadhood.

The Locked Tomb: dying waiting for Alecto news..... I'm definitely Gideon/Harrow on main; I really like fics where one or both of them are trans/nonbinary. Nona is my favorite character so explorations of her found family (the household or the friends or all of them) are important to me. Cam/Pal is important to me. I love modern AUs a lot.

Additional Fandoms I Love:

Teen Wolf: I'm basic and therefore Sterek on main! But I also really love Scisaac and never get enough content for them. Boyd/Erica is always so good. Scott/Isaac/Allison and Scott/Allison hold a special place in my heart, too. I'll never say no to Lydia/Allison or Lydia/Kira either. Found family is incredible for this fandom, too, especially Mama McCall adopting any of the pack! Magic!Stiles is my shit and I love explorations of the Hale family being alive. Genfic is wonderful.

Our Flag Means Death: Obviously Blackbeard/Stede is a big deal and I ship it forever. But my heart belongs to Jim/Olu and any explorations of Jim's gender identity! Pining Izzy Hands makes me weak, as long as he's not being abusive towards Edward or Stede.

All for the Game: My two main pairs are Jean/Jeremy and Allison/Renee but of course Andrew/Neil is always a yes. Andrew/Neil/Kevin is my weakness. My favorite friendships to explore are Renee & Andrew, Renee & Jean, Allison & Neil, and Renee & Neil. (Can you tell who my fave is). I like any fics exploring any of the Fox friendships, though!

The Old Guard: I really like fics that explore the gang's experiences in other time periods. Andy/Quynh is my OTP along with Joe/Nicky so any fics about them. Nile/Quynh is my favorite rarepair in the fandom. I like fics that look at Andy & Booker's friendship and why they're definitely platonic soulmates.

I selected a few other fandoms like First Kill; The Adventure Zone; Red, White and Royal Blue; Good Omens; The Tarot Sequence; and Sandman. I didn't talk much about them because I'm basically just into the main ships for them (Juliette/Cal for FK, Taako/Kravitz for TAZ, Aubrey/Dani for TAZ, Alex/Henry for RWRB, Crowley/Az for GO, Rune/Addam or Rune/Addam/Brand for TTS, Hob/Dream for Sandman). For Teen Wolf and First Kill I don't like Mature/Explicit fics unless they're adults in it. My favorite TAZ eras are Balance and Amnesty.

Fandoms/Ships I Will Create Content For:

Anything I listed above with any of the caveats! This would get really long if I repeated those again. THAT BEING SAID: I will create content for those fandoms even if it's not one of my listed ships.

However I will not create podfic for the following ships: STAR WARS: Rey/Kylo, Leia/Luke, Rex/Ahsoka, any Master/Padawan relationship, or Palpatine/Anakin. BATFAM: inner!Batboys as mentioned TED LASSO: Ted/Jamie (love Ted & Jamie tho) AFTG: Andrew/Aaron SANDMAN: Dream/any of his siblings

Other fandoms I will create content for:

ATLA: Zuko/Sokka, found family Star Trek: Spock/Kirk, Spock/Kirk/Bones, Kirk/Bones Leverage: OT3 is Hardison/Parker/Eliot LOTR / The Hobbit: Gimli/Legolas, Eowyn/Faramir, Boromir/being alive, Bilbo/Thorin. I like anything just exploring the lore and history of the universe and its cultures Venom: Venom/Eddie(/Annie/Dan) The Witcher: Yen/Jaskier/Geralt, Jaskir/Geralt, Geralt/Triss, Yen/Triss Sense8: anything I can find! it's small but there's nothing I won't do in this fandom, honestly... Trigun: Vash/Wolfwood (the only thing I know about it) Marvel/MCU: Steve/Bucky, Clint/Bucky, Kate Bishop/America Chavez, and Spideypool (as long as they're both adults). WITH A LOT OF CAVEATS... Harry Potter. I will only podfic trans-centric Tonks who does not get with Remus or Wolfstar with a happy ending.

Love, Kaje / kbirb

#dear podficcer #summer swap #dear creator #podfic #podficcers #podficcing #summer swap 2023 #creator letter #podfic letter

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thegreyscalerainbow · 1 year

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Slash Ships Get to Know Me

Thank you for tagging me @animeangelriku

Rules: Name at least five (but no upper limit) slash (M/M) ships you love. Each from a different fandom.

1. Puzzleshipping (YuGiOh!)- To anyone outside the fandom, it may not make sense, and when I was originally in the Yugioh fandom circa 2006 it didn't make sense to me either. It confused the hell out of me because I was a baby ace ignorant of anything other than what media spoonfed me. But I did value their relationship deeply and knew they did love each other to come capacity. It wasn't until I finally got to watch the subtitled version as an adult that it clicked. It's so very special to me because even though I had preferred the platonic version of it as a kid, it's still incredibly nostalgic for me and it came back into my life at a time when I needed it

1. Ozbert (Pandora Hearts) - Controversial, I know, (It used to be the most popular ship in the fandom) and I have not engaged with this ship in some years since it got in the line of sight for a lot of antis. I actually left a Pandora Hearts discord server over the harassment I saw. But again, I am asexual and aromatic, and this relationship was the first slash ship I got heavily into when I was a teenager. It's got tons of nuance and angst, and as someone who has read a lot of period fiction and is very aware of what was socially acceptable at the time, I view this completely differently from a modern-day setting. My enjoyment of this ship has morphed and is actually not romantic now, but it's on this list for leaving an impact on me. For those who balk at the idea that Oz is 15 and Gilbert is 24 for the main story arc, keep in mind that due to plot reasons, this is a very specific scenario, with supernatural elements and actual time travel involved. In the beginning, Gil is 14 and Oz is 15. So this is someone who had a childhood crush, clung to that love for ten years, but now his crush is back and hasn't aged a day. For me, it's exploring the complexity of that, and it's tragic. Gilbert is such a wonderful character, and any way you look at his feelings, you just know that even if it's not romantic, he and Oz are family.

3. VaNoe (The Case Study of Vanitas) - Same author as Pandora Hearts, and I just know she is going to hurt me again. And I will thank her. We have a reversal of the usual dynamic seen with vampire series. This time, it's the sweet naiive cinnamon roll Vampire, and edgy dark Human with a mysterious past and a broken moral compass. They are foils for each other and have so much chemistry it just works so well! At first, Noe does not like Vanitas at all and wants nothing to do with him, this draws Vanitas to him because he enjoys bothering people who catch his fancy and hate him. Then while his affections are on another, Noe learns more about him and he becomes very attached to Vanitas. Realizing now he has actually made emotional connections, it's clear that Vanitas is now afraid and is pushing them away. There's a push and pull here, and I'm both apprehensive and excited to see where their journey takes them. Even though we know it's going to end badly, based on the first chapter. I'm here for how much Noe has learned about his strange partner, to the point of figuring out a way to speak Vanitas' love language. Also, they both have no flipping clue what Love is, and the entire scene that unfolds during is gold. Vanitas is the kind of character who has never been treated gently by anyone, so I enjoy seeing depictions of him getting that from Noe, because it catches him completely off guard.

4. SidLink (Legend of Zelda) - This one is casual, because I actually have not played Breath of the Wild (I fully intend to though!!) but fandom content of this ship sucked me in. I found one fanfiction that was so incredibly sweet, and fell down a rabbit hole with that writer’s works and have fond memories of reading it. I will definitely have the ship goggles on once I play, I adore Sidon as a character, and I don’t know, giant peppy shark man and tiny human...what is there not to love?

5. SoRiku (Kingdom Hearts) - Another more recent ship, as I was not in the Kingdom Hearts fandom in its heyday. I did not have access to the games, but saw plenty of fandom content of it and honestly, it was always a place of nostalgia even before I watched the Let’s Plays that were online. I’m so glad I did, and many others who adore this ship have laid out all the reasons why better than I could. I just haven’t explored it for myself outside of canon as much as I would like to, but I love it for the same reasons I love the other ships on this list. I guess that says a lot about me because all of these ships but ONE are riddled with Angst. What can I say...I like my Hurt/Comfort fics. I also enjoy seeing them in AUs where they get to live in better timelines. It’s a sort of Catharsis. Now, since the games are still going, where their relationship ends up in canon remains to be seen. I hope it ends well!

And because I like to go ne step further:

6. Natsume x Tanuma (Natsume Yuujin Chou) - It’s so stinking sweet and I’m so soft for it! This series is actually my favorite, and I have revisited so many times for the atmosphere and combination of supernatural horror and slice of life. Natsume lives between worlds, he did not make connections with people because he faced ridicule and was unwanted (he scared people) and he hated Yokai because they interfered with his daily life to the point he did not fit in with humans. He could not share what he saw and suffered. As the series goes on he is able to make connections with both human and Yokai and one of the first people he opened up to about seeing them was Tanuma. Tanuma has some level of spiritual power that allows him to see phantom shadows, so his awareness of Yokai is such that he immediately accepts Natsume and wants to help him. He’s pushing through that wall Natsume has spent most of his life building. Even though he can’t see them and may put himself in danger, he wants to be there for his friend. They share secret knowing glances and smiles, and gradually Natsume is more and more accepting of his help, and opening up to him. Such as being able to admit he can’t see the fireworks at the festival because a giant yokai is in the way, and Tanuma smiles and offers to find a new viewing spot. This series is in a Shojo magazine and the manga-ka chose to make her protagonist male so that she wouldn’t be forced to write a romance. As a result, the girls he interacts with are friendly, but definitely don’t have a lot of romantic potential. Natsume is still way closer to Tanuma than anyone else, even with Taki hanging around. I feel like he and Taki have a friendship, but it ends there as she had never suffered the hardship the boys have. She’s just more likely to team up with Tanuma as a Protection Squad to intervene in the dangers Natsume faces.

#Grey rambles #ships

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edgepunk · 3 years

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The Witcher Netflix Rant from your local frustrated Slav I cannot tell you how tired and frustrated I am by TWN and its treatment of Slavic people. An actual Polish man has pitched the show to Netflix, multiple other producers of Slavic descent have been alienated and felt like they didn't belong there because of how they have been treated, then ultimately left the production that has been handed over to a literal Karen that doesn't give a shit about it. The show has removed every instance of Slavic(mainly Polish)/other European (Germanic, Nordic) influences, cultural significance and turned it into an uninspired, boring, muddy fantasy. Hell, I have tons of criticisms about the games, but at least they kept the Central-Eastern European influences and, despite TW being a dark fantasy, weren't scared to make the games look bright and colorful. You'd think that Girlboss Lauren and her posse would put some effort into representing the cultural influences since the games pretty much got the series popular with the blend of different Central-Eastern European (mainly Polish, obviously) cultures and the usage of Slavic folk music thanks to Percival. A lot of the themes in the books draw from Poland's history, which also have been lost in the show (here is a post that's written by an actual Polish person and explains it better than I could since I'm not actually Polish, ya know). All of that has been lost, both the writing and aesthetics lack the cultural and historical significance that has influenced the world of The Witcher, because the showrunners are a bunch of Brits and USAmericans who aren't willing to put any effort into trying to understand the history and culture. They just want to make the next GoT, which,, huh? GoT ended up like it did, but to give them some credit, in the beginning the writers mostly stuck to the books instead of making a badly written Wattpad fanfiction from the get-go.

And it's possible for a western person to try to understand the circumstances, look at Craig Mazin, the man who directed HBO Chernobyl. Of course it's dramatized, of course they added some things that didn't actually happen and a few things were inconsistent. But you can clearly see in the production of the show that they put a lot of effort and interviewed people from Ukraine. Not sure if it's true, but I've seen somewhere (or was it a podcast?) that they gave the scripts to some Ukrainian people who were alive during the Soviet Union and asked them to correct the dialogues to make them sound more authentic, closer to how people adressed each other during the USSR (and how Eastern Slavs adress each other since it's a little different than western people do, including us Western Slavs, here is a nifty post explaining it if you're interested).

Can't speak for all Slavs, but the overall reaction has been positive from the people I talked to and my older family member. Note that a lot of "older" people here have been born pre '89 (that's when the USSR fell apart, the disaster happened in April '86), so the majority of them lived through the disaster. The biggest criticism people had that they turned Dyatlov into too much of a villain. when in reality he was way calmer during the night the disaster happened. Not to mention Mazin had it more difficult since he was adapting a story from real life that affected thousands upon thousands people. Mazin is a westener, he could've just shrugged it off and said "eh who cares about these filthy Eastern Euro people" but he and his team went out of their way to actually approach the victims, read several books written by people who actually lived through the disaster, that affected them and their families to make the story more authentic and respectful. Now, why can't Miss Lauren and her posse do it with a fantasy setting? Because they don't care. The only instance of "Slavic influence" (using that term very loosely) in the show is during the Striga episode when they mention a "vukodlak" which literally translates to "werewolf" so like,,, eh. It's still a werewolf, just a different version. I'm sure the writers were patting themselves on the back for including that word they found on the werewolf Wiki page. It would've been so nice to see a Slavic piece of media make it to Hollywood, but you see how that ended up. We barely get any recognition and if there is a Slavic character in a western production they're always: an assassin, gopnik, Seksi Female Spy that falls in love with the American, thief, mob boss, and I could go on. They never get the language right, because all Slavs speak botched Russian, right? All of us are named Anton, Ivan, Nikita, Natasha or Svetlana. And there are other mythical creatures besides Baba Yaga which Hollywood can't get right either. And it bleeds into the fandom too, all the modern AUs take place in the US or the UK. When other Slavic people criticize the show for its westernization they are told by westerners to shup up or they're "haters" (I do actually hate the show and the corpo bullshit Netflix is trying to pull here so,,, you can come at me all you want lol) tl;dr: The Witcher was the perfect opportunity for Slavs to have something positive in Hollywood, but it got doomed the moment it was handed to an USAmerican woman who doesn't understand the cultural influences and has zero interest in doing proper research. I probably would've forgiven her and her team if they actually tried, but they didn't. But seeing how other cultures that aren't USAmerican are being treated in movies and TV shows it shouldn't surprise me. Also I feel like I have to clarify - this has nothing to do with the actors, this is purely on the writers, the background and costume designers that put zero effort into researching the different cultures (not just Slavic, but I am Slavic so I wrote this from my perspective) that influenced The Witcher universe.

#the witcher #twn critical #if anyone actually takes their time to read my frustrated rambling I'll kiss you on the mouth #dw I'm fully vaccinated djdhdfj #long post

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cellsshapedlikestars · 3 years

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If you are accepting prompts--how about Sansa and Jon being on opposite sides of a political contest? Prime Minister Rhaegar Targaryen is forced to call a referendum for Northern independence, as demanded by the Northern Nationalists party. He is campaigning in the North for a United Westeros, taking his second wife Lyanna Stark and their son Jon along, toshow how hollow all talk if Northern independence is. However, this means that Jon keeps running into his Stark cousins, particularly Sansa Stark, who accompanies her parents to every debate and campaign rally...

I've been sitting on this for a while (and yes, I do see all the anon prompts, I promise!) and I've sort of been writing this on and off since I got it. The thing is, I have no point of reference for these politics, I'm assuming you wanted something like the Scottish independence movement, which I have almost no knowledge of as I am a dumb American who can barely handle American politics without spiraling into anxiety and depression. So, I've sort of talked around the specifics and hopefully I haven't gotten anything too crazy wrong.

Also, you mention his Stark cousins, but... well, I cannot do modern incest. I can handle them being cousins in olden times where it was acceptable & common (I can't even handle the sibling incest aspect in any time period), but I was writing this modern and that's a hard nope for me. I know it's a fairly predominant part of this fandom and if it's your thing, absolutely have at it! There is no kink shaming in this house. It's just not for me and I couldn't write it, sorry!

Also, as usual, this turned out longer than I intended since these are supposed to be drabbles mostly. But 'drabbles' for me always end up like 2k words

Jon sits in the window seat of the jet, headphones on and turned up. Somewhere behind him, he knows his parents are sitting, likely talking strategy. He knows dad wants him to join in, but Jon's in no mood to talk politics. It's what got him in this situation to begin with.

That stupid reporter. Jon's stupid response.

Jon! How do you feel about Northern Independence?

I say let them.

It's what he believes, honestly – if the North wants independence, why not? The rest of the SK treats them like shit anyway, why not let them break off, like Dorne did? It's not a naming issue – they're still called the Seven Kingdoms despite losing Dorne decades ago, so what if they're technically only six now? Jon knows it's about more than that – it's economics and politics and... well, pride. The SK can't lose another piece of their kingdom – nevermind that piece has been conquered and beaten down multiple times over hundreds of years. Northern Independence isn't a new concept – it's just been met with military resistance every time and stamped out. But they aren't in the middle ages anymore.

For a moment he turns his head to look behind him – to see mom with her head bowed in conversation with dad and something ugly twists in Jon's stomach.

He knows dad only married mom because she got pregnant – because his political career was just taking off and a mistress and bastard would have ruined him. And mom, she'd been so young, she's convinced herself he married her for love. Jon swears that mom used to be different. She used to argue with Rhaegar all the time about politics, he even remembers her bringing up Northern Independence when Jon was just a kid. But over the years she's had to play the perfect wife for him and somewhere along the way it just... stuck. Mom isn't his mom anymore. No, mom is what Rhaegar's political advisors want her to be.

So even though Jon had wanted to protest this trip, there's also a part of him desperately clinging to the hope that when they get North, mom will snap out of it. When she's home, maybe she'll be his mom again.

Especially since the leader of the opposition is an old friend of hers.

Ned Stark.

Dad doesn't react to much, he's a politician to his core, so seeing him get riled anytime Ned Stark is on TV is notable. In fact, there's a rebellious part of Jon that already likes Ned Stark simply for the fact that dad hates him so much. There's more to like than just that, Jon knows – Ned Stark seems like one of those politicians that's doing the job because they want to make a difference. They're rare, nowadays, but Jon's been surrounded by politicians his whole life and he can spot the do-gooders from a mile away.

He thinks it's partly why dad hates it – Ned Stark doesn't use the same underhanded tactics Rhaegar's used to, and from everything Jon's heard, there's nothing to use against Ned. The only skeleton dad's advisors had ever found tucked away in Ned Stark's closet had been that his wife, Catelyn, had originally dated his older brother Brandon, who died in a car accident. They'd begun dating and married shortly after - a minor scandal that hadn't gained any traction, considering they've been married for over twenty years with five children.

Dad was hoping to get somewhere with the youngest daughter, Arya, who always seemed more wild than the rest of her siblings (except maybe the youngest, Rickon). The problem is that she's never done anything really wrong and the North loves her. The oldest son Robb is as perfect a son as any politician could hope for and Jon sometimes wonders if dad would rather have Robb than Jon.

The other two sons are still fairly young and going after them would only make dad look like the bad guy. Then there's Sansa.

Jon remembers her from growing up – not that he'd ever met her, but they're both kids of prominent politicians and he's seen her in photos since she was old enough to walk. A proper lady, he remembers even the southern press naming her. Perfect, just like her older brother.

A hand on his shoulder jolts him out of his thoughts and he turns to see mom, who motions at him to take off his headphones.

“We're landing in a half hour and your father would like to go over your role,” she tells him with a perfect, bland smile. (She hasn't been his mother for a very long time.)

“I know my role,” he says and he can't help the bitter tone to his voice. “Stay quite, don't talk to the press. Pretty easy to remember.”

“And yet you still managed to nearly undermine my entire campaign with one flippant remark,” dad's voice calls over from his seat, low and smooth, though Jon absolutely hears the annoyance underneath it.

“Oh, he's just a child,” mom says, trying to play the peacekeeper like she always does.

“He's twenty, he's hardly a child,” dad starts, but Jon doesn't listen to the rest. He pulls his headphones back over his ears and looks back out the window and tries to pretend he's anywhere else.

…

By the time they reach Winterfell Castle, Jon is in a bad mood.

Not that he hadn't been before, but he's not allowed his headphones in the limo and so he'd had to listen to dad talk nonstop about his two favorite topics: Jon's failure as a son and how much he hates Ned Stark. And the way mom doesn't even try to defend Ned Stark like she used to infuriates Jon even more.

Jon hates his tuxedo and he hates that they barely had any time between landing and having to get ready for this dinner and he hates that he's going to have to smile and shake hands with a bunch of people who hate him on principle, simply for who his father is. For what his father represents.

When he does step out of the limo, he ignores every photographer and reporter that shouts his name, eager to get any sort of scandal out of him.

He doesn't blame them for this, he's given them enough over the years – not just his apparent support of Northern Independence, but everything else he's done to gain his notoriety. His reputation as a heartbreaker and a playboy that's mostly over-exaggerated, that time he punched a teacher (though to be fair, Thorne deserved it)... Teenage rebellion, they'd written it off as, but he's no longer a teenager and he knows he should grow up and stop doing things to piss off his father at some point.

(His favorite one had been sleeping with that investigative journalist when he was seventeen. She'd been older than him by a good few years and he'd known she was using him to write an article, but he was using her just as much to infuriate his father. His only true regret is that Ygritte's article hadn't done any real lasting damage to Rhaegar's reputation.)

Inside, there aren't any reporters but there are politicians everywhere and that's worse. He does the bare minimum to not cause an issue – he shakes hands and says hello, though he refuses to smile while doing it. They already hate him for being Rhaegar Targaryen's son. They already hate him for being Northern-traitor Lyanna Snow's son.

He keeps an eye on mom to see how she's doing and his heart twists painfully in his chest when he sees her. She has a bright smile on her face and anyone who didn't know her would think she's fine, but Jon can see how pale she is under her makeup. This is the first time she's been back in the North since she married dad and he has a sudden, sharp pang of hatred for Rhaegar – for getting her pregnant, for marrying her, for never letting her go back. For turning her into this.

He can tell the moment Ned Stark enters the room because mom freezes. And sure enough, there he is – beautiful wife at his side, the three adult children with him. Robb, Sansa, Arya. Jon's eyes scan over them – Robb with his perfect hair and smile, an easy way about him that's always come through even on camera. Sansa standing poised and almost too beautiful to believe – Jon's only ever seen her on film and somehow she's even more unreal in person. Arya, who by all accounts hates politics as much as Jon does, stands firmly by her family and Jon gets the sense she only hates the system, not her dad. Not like Jon.

As Jon scans the room, he can see other families here that he recognizes – the Greyjoys, including Robb Stark's best friend Theon. The Manderlys, the Karstarks, the Ryswells, the Boltons, the Mormonts. More families than Jon cares to remember.

There's a sense of someone behind him and he turns just enough to see that dad has come up to stand next to him. For a moment, dad just stands there before turning his head ever so slightly and bringing his mouth close to Jon's ear and he says so low Jon can barely even hear it - “if you do anything to embarrass me tonight, there will be consequences. If you do anything that makes it seem like you support this pathetic independence movement, there will be consequences. Do you understand me?”

Jon feels blind rage that winds so hot in his chest it makes him shake and his vision narrow. He has to close his eyes and take a deep breath before he can answer, and he grits out, “of course.” Dad nods and moves away, putting on his best politician smile as he goes to greet Howland Reed.

Mom shoots him a concerned look, but Jon ignores her. He can feel it building in him – that rebelliousness the press likes to talk about so much. He wants to hurt Rhaegar. For everything – for his mother, for all the people dad's stepped on and hurt. He wants to embarrass him, consequences be damned.

Just as he's thinking this, his eyes catch on copper hair and bright blue eyes.

Sansa Stark.

Darling of the press. Perfect Northern princess.

It takes root in his mind, against his better judgment. What would make Rhaegar more furious than an affair between his son and the daughter of Ned Stark?

Jon can't imagine Sansa would be amenable to the suggestion, not like Ygritte had been – there is no mutually beneficial agreement here. She would never agree to do something that might embarrass her father (and once again, Jon is reminded of the, pun intended, stark difference between his relationship with his father and the Stark children's relationship with Ned. Jon has never even met them in person and he knows this).

So he can't approach her with any sort of offer or plan. No, he'd have to pretend it was real.

He's going to have to seduce Sansa Stark.

#jonsa #prompt fic #ask #oooh boy do i know nothing of politics #and political families #do not @ me #is this boring?#probably #jonsa fic

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reyofsunlight666 · 3 years

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aesthetics vs plot: a rant

(For reference: the books I have in mind as I write this are Moïra Fowley-Doyle's The Accident Season, Deirdre Sullivan's Savage Her Reply and Sarah Maria Griffin's Spare and Found Parts, the latter of which I'm currently reading) This year I've been intentionally trying to seek out and read Irish SFF. Most SFF I usually read is American, and I want to get a sense of what's going on this side of the Atlantic. In practice, this has meant reading mostly YA, as there's very few adult SFF writers in Ireland. And boy howdy, have I noticed some bullshit. *cracks knuckles*

All three of the novels I namechecked above are incredibly high-concept. Mysterious gothic phenomena happening year after year to a Family With Secrets? Yes, please. Retelling of a famous Celtic myth from the perspective of the evil stepmother? Sign me up! Steampunk gender-swapped Frankenstein in post-apocalyptic Dublin? Oh, hell yes. And all three of them are incredibly disappointing. The Accident Season's mystery plot descends into incoherence. Savage Her Reply promises a morally grey woman with power and then promptly skates over how she got that power. Spare and Found Parts has tons of cool worldbuilding details, absolutely zero of which impact the protagonist's life beyond mild inconvenience. In a post-apocalyptic world. All these issues have in common what I've noticed is a wider trend in YA as a whole: aesthetics over substance. What does it matter whether your protagonist is actually memorable or interesting? She's a brown queer woman! What does it matter whether your plot has distinct narrative beats created by protagonist agency causing organic consequences? Look at this Steampunk Desk Porn (TM)! What does it matter whether you make your settings meaningful by including them in meaningful plot points? Look at these escaped zoo animals in Phoenix Park, and watch as the protagonists fucking cycle by them with no consequences! (Okay, I'll admit I've got especially strong hate for Spare and Found Parts. That's because it's fresh in my mind, but the others have issues like this as well.) Look. I definitely have more artistic goals in common with these people than not. But if you include fantastic elements, they ain't just a pretty backdrop. If you treat them like that, they become forgettable, a series of widgets to put together instead of becoming Other and Alive. You have to make them matter.

For contrast, look at Welcome to Night Vale - a work that on the surface has much more hodgepodge worldbuilding. But Night Vale feels much more vivid and alive because it makes the worldbuilding integral to plot, character and place. Citizens of Night Vale are regularly inconvenienced, maimed and murdered by the Weird Thing Of The Week. Things like Carlos heading to the desert otherworld or the army of little people under the bowling alley trigger major character developments for the main cast.

Another crucial thing about WTNV and building a weird aesthetic is that it doesn't go all weird, all the time. There might be mysterious hooded creatures, but they sit in Starbucks. There might be pictures of an almighty Glow Cloud, but they get posted on social media. The show has a basis in ordinary life from which the weirdness can grow.

These books have no such restraint. In The Accident Season, the titular accident season and the old house where the climax happens was more than enough for magical realism. But the author had to go with all quirk, all the time. A rural Irish town and an isolated family needed to be kept ordinary apart from the weird stuff. But no, there had to be an incredibly quirky best friend and an incredibly quirky secret...gathering...thing in the school and an incredibly quirky Halloween party and...ugh. Instead of the actual cool plot & setpieces standing out, they ended up as one more exhausting attempt for the author to convince you how special she was. I wonder how much this is connected to norms of fandom and fanfic writing. I hate to say that, because I love fanfic. But underdeveloped original characters, lush settings that have about as much interactivity as a Pinterest board and little to no grasp of plot feel very internet- and fandom-influenced as flaws. And modern YA, with its interest in diversity, romance and left-wing political standpoints, is heavily influenced by fanfic, even when it's not being written by fanfic authors.

I hate this stuff precisely because of how much I love diverse characters and interesting genre literature and SFF set in Ireland. I want these things to be good because I want more of them - as a reader and a writer. I want to read this stuff. I want to write it, publish it & know that I'm not either getting tarred with the same aesthetic brush as this crowd or having my flaws swept under the rug in the name of ~social justice~ or ~the YA book community~ or some equally gooey concept. And whenever the aesthetic YA/diversity bubble bursts? I still want to get published, and I won't be able to if my aesthetic goals can be brushed off as poorly executed fads.

#young adult #ya books #ya literature #ya critical #literature #books #fantasy #scifi #meta #my writing #sarah maria griffin #spare and found parts #the accident season #moira fowley-doyle #savage her reply #deirdre sullivan #welcome to night vale

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nightswithkookmin · 3 years

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still same anon. this was another one of my asks from months ago. basically it was a comment I made about jikook's intimacy. it was from this interview: https://youtu.be/T--BOS8oTec the moment I'm talking about happens from 3:00 minute timestamp onwards. i was saying how despite this moment being "skinship" or whatever, it kinda hit different? there's also intimacy there. bc you see how jimin doesn't have to say anything and jungkook immediately understands what to do and starts massaging his neck. jimin literally threw a glance at him, tilted his neck a lil and jungkook didn't need a second more to know what to do. I wanted to talk to you about it since I know that you're not big on skinship defining jikook's relationship, but I think there ARE jikook skinship moments worth noting and this is one of them imo.

Oh ok. Thanks.

SKINSHIP IN CONTEXT

I think skinship by it's very definition is an intimate act depending on the level of familiarity between the parties involved in the act.

From my understanding of skinship, it's basically interactions that would otherwise be viewed as sexual outside of their culture but viewed as acceptable platonic behavior between the same sex or even the opposite sex.

The objective of skinship is to be intimate with another person on a level that's only next to romance.

I remember my sister telling me how shook she was when she found out for the first time, around 2011 when she first moved to Seoul, how she couldn't even keep her pants on at a 'Jimjirban' because all the gals in there were expected to walk around butt naked in the spa. No towels, no pants, no robes butt nakedttt.

'Mehn, this doesn't happen where I'm coming from' she said to her companion.

A. I'm black.

B. I'm not flat.

C. I'm wearing my pants.

Her very naked friend, a native SK, whom she says she'd only met for like a week, then grabbed her underwear and pulled it down her thighs exposing her deforested vagina to the winds and a dozen other curious gazes. All females.

'For a second, I thought I had been tricked into an orgy of a sort. I was very naked without my consent. Wind whistling through my shy butt cracks. Watching very naked females of varying ages stare on with pride and smiles on their faces as if I had just saved a village or something and when I jiggled when I walked I could hear them gasp, amazed- Goldy, how is this not gay?'

'You think skinship between their men is weird, wait till you see their women. Wait till a very attractive Korean girl is breathing down your neck and caressing your nape and complementing your skin while showing you pictures of her boyfriend on her phone.'

She says it took her a while to get used to the skinship between women in SK and seeing the men interact in a certain way messed with her brains for a while. She said she felt her intelligence was being played with most of the time.

I guess if you want to look at Jikook's skinship as intimate then there's nothing wrong it.

Skinship is intimate at the very least.

But skinship, for all intent and purposes, is platonic and nonsexual in nature. And maybe this is a fatal flaw on my part. Or maybe thanks to my sister, I'm desensitized to this form of interaction but I have a hard time seeing Jikook's intimacy as platonic or even seeing most of their skinship as romantic- in anyway. It will make sense in a bit, hold on.

I have a hard time equating skinship with romantic intimacy. But that's just me.

I wasn't able to click on the link you sent but I'm guessing this is the moment you are talking about?

I wouldn't call this skinship. I mean it is but I wouldn't call it that. Skinship is meant to show how close two people are. How familiar they are with eachother.

This doesn't show how close Jikook are. But It shows how caring and affectionate JK is as human being, as a dongsaeng, and as a boyfriend.

I'd rather we celebrate that. JK doesn't get highlighted enough. He caters to the people he cares about. He is an attentive person.

Hate to be a grinch but I can pull up a couple of times JK has done that very gesture with Jin or Tae or Hobi. Remember Soop? Remember when Jin complained of feeling cold and JK went up to him immediately and 'warmed' him up?

Of course, Jimin kept stealing glances at him like he could throw a shoe at the back of his head if he could but that's beside the point.

The man is an empath. He's said several times he feels a lot of pain watching his hyungs go through it. Fact is, Jk cares about people. He's kind, loving and he shows this aspect of him through gestures like these.

He does it for Jimin. He does it for all the members because as he's said, they are all a family.

It's stressful hearing people claim he doesn't give a fuck about Jimin, that he doesn't care about JM because he shows affections for others besides JM.

At some point we would have to make a distinction between what acts flows from their unique personalities because of who they are at their core and what act flows from them being a couple.

Most people who see Jimin as a natural nurturer and what not are able to separate this identity from his ship moments but JK isn't accorded the same privilege. It is why most people are quick to lash out at him when he interacts with others in the same way he interacts with Jimin.

When JM acts nurturing towards V or RM or Suga he is seen a good, kind person.

When JK does something affectionate it's seen as a beautiful Jikook moment or Taekook moment or Jinkook moment and is soon swept under the carpet, soon forgotten and never tied to the personality of JK- perhaps because most of these shippers don't care to know who JK is as a person and as a human.

When Jimin does something affectionate its 'awww Jimin is such an amazing person' even if that act is merely performative sometimes.

I try not to engage in conversations that perpetuate this horrifying discrimination against either of Jikook. They are both individuals.

There are a lot of Asks sitting in my box highlighting the various ways JM is awesome and kind and amazing as s boyfriend to JK and not a single out of 500 plus posts talking about how empathetic JK really is. How thoughtful he is to even pack motion sickness drugs to go on trips even though he doesn't get motion illness and JM is the one that often complains about motion sickness on trips.

The heteronormative lens, on opposite ends of the spectrum in the shipping community, which dictates we perceive on Jikook as either feminine or masculine is a telltale sign of the misogyny and misandry prevalent within this fandom.

The fandom's heteronormative lens filters Jimin as the wildly feminine archetype, wildly fragile, sexy and womanly right down to the way we praise him as the 'good woman' in his relationship with JK- loyal, faithful, nurturing, kind, silent in that he continues to perform Jikook even when Jikook are not in a great place. etc.

Yet because he is seen as womanly or feminine, the part of the fandom that hates women hate Jimin. That's where all the slut shaming, bullying and harassment stems from- misogyny.

Jk is viewed as the opposite of that. By most, he is very masculine man and as such harbors all the traits of masculinity the modern woman detests- toxic masculinity, cheating, disloyal, fuckboy who treats women like shit. All forms of hatred and intolerance towards men is projected on to him especially by male intolerant people or dare I say feminist women within the fandom.

And you see them in the way they are always fighting for Jimin against JK as if Jimin were a fragile faithful woman whose man don't treat him right thus further perpetuating the heteronormative stereotypes of Jimin.

What's disconcerting is Jikook are both men and yet depending on how their masculinity or femininity is perceived, they are both treated very differently.

You hear Tuktukkers talk about how Jikook is as a result of heteronormativity and thus prescribe Taekook as the ideal homonormative ship- because to them, Tae and JK are both seen as two whole men.

To them Jimin is just not man enough to even be gay- isn't that the foundation of homophobia?

Gay men not seen as men at all?

Whereas amongst Jokers, Jimin's manliness is often forgiven and JK's is abhorred. Jk is too much of a man and men just ain't shit.

This may sound like an over simplification but Tuktukkers hate women, Jokers hate men and either side suck. In my opinion.

Jimin is a nurturer he cares about people including his boyfriend. JK is an empath he feels the pain of those close to him including his boyfriend and is often moved to ease or take away some of that pain.

It's thus annoying to hear people out here yell and complain on every turn each time JK interacts with the others how JK 'doesn't act exclusive' with Jimin or how he doesn't care about Jimin.

Should he not care about anyone besides Jimin just because he is dating Jimin?

It's annoying when they say the same about Jimin. Jimin nurtures everyone ergo there's nothing special or exclusive about the way he nurtures JK.

Nonsense such as these are spewed without taking into account that those acts in themselves speak directly to who these people are as human beings first and foremost; secondly, to how they feel about the person at the recieving end of their affections.

If they are treating everyone the same it's probably because they love everyone too- in a non romantic way of course. It's their love language. They love others with the same heart they love eachother with.

It doesn't take away from how they feel about eachother. JK admiring another member does not mean when he admires Jimin it's nothing. It just mean he admires Jimin too.

Not everything has to be romanticized or given a romantic context. They are each expressing themselves and their feelings for their bandmates. It's about them not their bandmates or their relationship with said bandmates.

Certain moments are just attestation to their love language be it platonic or romantic and it says more about who they are as people than what their relationship with the other person is. It's not all about their relationship.

People need to start treating Jikook as individuals. They are humans first before a ship. Shipping them shouldn't take away from their authentic expressions of self.

That's how they each end up getting cussed out in these streets left and right.

It's ridiculous.

This is JK being JK. Imma leave it at that.

This is from the same interview where Tae was talking about how they love showcasing their bond.

It's ok to celebrate it. Just see it for what it is- as flowing from JK's kind self. This is not Jikook. This is JK. Jeon Jungkook.

Don't fume or act disappointed when you see him do the same kind gesture for another member just because of the meaning you are imposing on this moment. Know what I mean?

That being said, there are certain Jikook 'skinship' moments that crosses the line of skinship right into sexual foreplay.

If 'skinship' leaves you 'sexually excited' it's not skinship. Nobody can tell me nothing.

Make of this moment what you will. Just be responsible with it. I think. But don't mind me. I'm grumpy.

Signed,

GOLDY

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cruelfeline · 4 years

Text

Anyone who hangs about Twitter potentially saw an unfortunate Hordak take cross their timelines today.

As is custom on this blog, I’ll be taking it apart for my own personal amusement (and for the amusement of any of y’all who like to watch me do so). I doubt the poster will see this, as they’re on Twitter and not apparently on here, but in case they do: this is for my own enjoyment and the enjoyment of followers; it absolutely does not need to be responded to if that’s not your cup of tea.

So, that little disclaimer in place, let’s see what we can make of this! Because this is on Medium, I’ll be using screenshots as quotes; just a heads-up.

So... this first bit isn’t really anything Hordak-related. It’s more... fandom drama, I suppose? Not really something I can pick apart. I can, however, give my own personal opinion on this sort of thing, for what it’s worth.

It’s true that people can and should be able to feel whichever way they wish about a character. And to talk about that character.

However: it is also true that people who dislike Hordak can be very unpleasant in making that known to those of us who enjoy him. Including descending into personal insults for no discernible reason. Add to that the fact that his character means a great deal to some fans for intensely personal reasons, and it is not difficult to see why some fans aren’t keen to see anti-Hordak content on their timelines, in their mentions, etc.

Censoring character hate isn’t a requirement, but in some circumstances, it can simply be a polite thing to do. It doesn’t take great effort, and it prevents people from experiencing just another bit of unpleasantness on their social media. And if you don’t want to do it? Well, that’s your right; but don’t be shocked when people voice their displeasure by replying to your words. Because that is their right.

And that’s all I really have to say about that.

Odd way to phrase things, really. These aren’t “reasons to forgive.” The first two scenes involve Catra’s asphyxiations and are things that would need to be forgiven, not things to forgive.

Though, y’know, I really only apply that to the first scene, where he assaults her without her necessarily doing anything wrong. Mind you, I believe he does it out of a combination of needing to maintain a hierarchy for safety purposes (this is a man who needs people to be afraid of him to maintain his own safety) and poor leadership skills mimicked from a narcissist, but it’s still a terrible thing.

However! The second time? After he asks her about Shadow Weaver? This isn’t torture-fun-times. This is Hordak neutralizing a threat to the entire Horde. Because that is what Catra is in this moment: a threat to the security and wellbeing of him and the entirety of the Fright Zone. She lies about a critical mistake. She proves herself to not only have poor judgment in serious matters, but to be very willing to lie about it in order to guard her own selfish motives. While I can’t condone the method Hordak uses, I do wish people would stop using this second instance of punishment as some sort of proof-of-torture. He does not do this for no reason. He does it because Catra released a dangerous prisoner into the wild and lied about it. And his concerns over it ultimately prove correct.

This entire qualification doesn’t have much to do with whether he deserves forgiveness or not, but it’s a point I want to make because it combats this idea that Hordak did this to an innocent girl “for no reason” or “just to be cruel.” That’s simply not the case; no matter how unpleasant the method, Hordak is a military leader punishing a subordinate for seriously endangering him and everyone else in the organization. Badly. I don’t know what the equivalent would be in modern military, but Catra’s error is massive. It doesn’t make what Hordak does right, but it does give a reason other than a simple “he’s a bad, bad man.” So.

Adding this scene is... actually kind of odd because he doesn’t really do anything to Adora here. And also: this scene is... what’s the word... meaningful-in-hindsight, so to speak. Essentially: in this scene, Adora is claiming that Hordak is responsible for stealing her, for robbing her of a peaceful life with her family. And Hordak is claiming that he neither knows nor cares who she is, and that she does not matter to him.

The interesting aspect of this scene, and something that OP fails to acknowledge at all, is that both Adora and Hordak are wrong.

let’s see if I can talk about this without crying... nope, already starting to tear up

Hordak never stole Adora; Light Hope did. Hordak did not orchestrate this unfortunate life for her. Rather, Hordak, a lost clone dealing with his own insecurities and fears and problems, found an equally lost infant in a field and gave her the only home he really knew how to create (and one that, for its flaws, was still better than the absolute nightmare he was “raised” in). In all likelihood, given Light Hope’s lack of understanding of infants, he probably saved Adora’s life by doing this: without him, she may well have perished alone in that field.

Hordak likewise does remember her, eventually. And she is not inconsequential to him: by saving her, he ends up saving himself, and all of his brothers. By forging this near-unknown bond with her all those years ago, by choosing to take in an infant rather than letting her die, he plays a key role in deciding the fate of the universe.

This scene that OP sarcastically claims is a reason Hordak shouldn’t be forgiven has a sibling:

The fact that OP apparently fails to recognize this and realize that these are the only two moments in the series during which Adora and Hordak directly interact, that they’re a pair, means that OP misses the connection between the two and the significance of how they misjudge one another initially. It indicates a lack of understanding of the themes of the show: themes centered around connections with other people, love, and forgiveness. Which, given the contents of this essay, is unsurprising.

Moving on!

Y’know, whether or not one believes, in terms of definition, that Hordak is a colonizer (I personally don’t for pedantic and clone-cult reasons, but that’s not really relevant to this post), it’s interesting that OP notes how Stevenson confirms that he is... but conveniently leaves out the part where she confirms that he did it because he was brainwashed.

That’s... an important piece of information to leave out when discussing whether Hordak should be forgiven or not. A very important piece.

And it doesn’t really matter whether he’s a colonizer or a conqueror; the reason it comes up is because people seem very stuck in the mindset of “if it’s a colonizer, it must die” without acknowledging any sort of nuance. There’s also the question of whether what Hordak did actually caused the same sort of upheaval and lasting damage we see resulting from legitimate colonization, and all of the implications of that, but this isn’t really the place to go into that. Honestly, I don’t really think SPoP as a whole is the place to go into that.

No. Hordak is not the person who taught her all of these things.

Shadow Weaver is.

Hordak did not personally teach her that Princesses are evil. He did not teach her that wanton cruelty is fine in getting one’s own way. He did not feed her propaganda.

Actually, as an aside: can we even confirm that Catra ever thought that Princesses where evil? I mean... she works with Scorpia, and she has no apparent morals to speak of. She does as she wishes for her own personal gain, not because she displays any sense of “fighting the evil Princesses.” And in terms of disposing of Entrapta because she was “manipulated” into viewing Princesses as evil: Catra disposes of everyone. She manipulates and uses everyone. That is one of the key aspects of her arc: she uses and abuses people for personal gain. She does this whether they are Princesses or not: just see Lonnie, Rogelio, and Kyle. Add to this the fact that Catra, from the first season, knows that she and Adora have been lied to, manipulated, and that the Horde is in fact evil, and... this entire line of reasoning falls apart.

None of this is an attempt to “absolve Hordak of blame.” Hordak just... legitimately had no hand in raising any of the children. That was not his role (and while I know that this was confirmed by Stevenson at some point, I don’t have memory of where; potentially the last podcast?). And Catra did not operate on any sort of propaganda that she actually believed in: she simply used and disposed of people as she saw fit because she cared more about her own rise to power than she did about those around her. This was one of her major character flaws, and really? Trying to pin this on Hordak, or even fully pin it on Shadow Weaver? It absolves Catra of the blame, of the intentional bad choices she made (as emphasized by Adora) and thus weakens her entire arc.

All in all: Hordak may have created a poor environment for the raising of children, but of note is the fact that only Catra turns out this way. The other kids, whatever their problems, are not in the habit of manipulating friends, lying to them, using them, and then tossing them aside. That is a Catra Problem. Part of this can be attributed to Shadow Weaver (who only treated Catra in the poorest way), and part of it is just... Catra being not-the-best.

All right. Now we get to the really disingenuous portion of the essay.

First, as just stated: Hordak is not Catra’s abuser. Shadow Weaver is. Hordak had no hand in raising her. Hordak did not direct Shadow Weaver to abuse her. Hordak did not personally feed Catra anti-Princess propaganda, and even if he had, we know by the first season that Catra sees through whatever propaganda she was exposed to and has no actual moral objections to Princesses. But that’s not the main aspect of this portion that irks me.

The main aspect that irks me is that this is not the scene Hordak stans mark as abusive. And I cannot imagine that OP does not know this.

But let’s talk about this scene, for a moment, before getting to the actual, legitimate abuse.

OP talks about his scene almost flippantly: “Hordak finds out Catra lied about Entrapta, he becomes angry and attacks her with a clear plan to kill her.”

Yes. Yes, he "becomes angry.” He becomes angry and attacks because as far as he knows, Catra killed Entrapta. This isn’t some annoyed “you lied to me!” moment. He legitimately thinks Entrapta is dead because Catra sent her to Beast Island. OP just blissfully glosses over the fact that Hordak is attacking Catra in rage and grief because Catra, as far as either of them know, killed his only friend and then lied about it for approximately a year. Like... how do you gloss over that in discussing this scene? How do you gloss over the enormity of what Catra did, and the unimaginable pain Hordak experiences when finding out?

So. The writeup of this scene is poor. It misses all of the emotion, all of the reality of what Catra did and what Hordak felt. But! That’s not even the unfortunate part of this portion. Let’s get to the real disingenuity.

This is the abusive scene. This is that stomach-turning moment when Catra removes a disabled man’s ability to move with dignity and without pain solely to force him to escalate a war for her own personal benefit.

Hordak is not a danger to her here. Hordak has not been a danger to her for a while because he has been holed up in his private quarters, trying to deal with the emotional fallout of Entrapta supposedly betraying him. He wants nothing to do with Catra. He wants to lick his wounds and gather himself and somehow heal from this deep personal pain that’s been inflicted upon him.

And that’s a problem for Catra because it stands in the way of her using the war as a way to best Adora.

So Catra identifies Hordak’s physical weakness and exploits it for the purpose of spiting her ex.

The fact that OP completely fails to acknowledge any of this is... well. Disingenuous. Absolutely so.

The next portion of the essay talks about people feeling that Catra was too easily forgiven and isn’t really Hordak-centric; I won’t really go into it here. Moving forward:

Ah, one of the most annoying questions I see asked. Let’s, again, acknowledge and move past the fact that Hordak was not actually Catra’s abuser...

When, pray tell, was Hordak supposed to show this remorse? When? While he was serving on Prime’s ship, trying to forget the pain of losing Entrapta, of failing to prove himself, of losing everything? Should he have done it while screaming in agony in the purification pool? Should he have done so while alone on Prime’s ship, trying to serve quietly while piecing together his memories?

Not only was Hordak simply not in a position, narratively, to go into a whole remorse bit, but he had other problems. Like, life-endangering problems.

The appropriate time to go into his feelings on Etheria and the Princesses and All of That would have been after Prime’s defeat, upon Hordak’s re-introduction to Etheria... but then the show ended. So.

Agh, vulgar. Taking a brainwashed, conditioned slave and bastardizing his triumph at finally seeing himself as a real person, instead claiming that his intent was to glorify his own misdeeds. No. Just... no.

Again: this is not the time for guilt. And it is a demonstration of why guilt and remorse were not front-and-center in Hordak’s arc during season five: his arc was about finally realizing that he was his own person, a person worthy of identity and love and care and freedom. And this arc culminated in him separating himself from his abuser and declaring his personhood.

That is what this scene is: not Hordak reveling in his makeshift empire, or in the terrible deeds he’d committed, but in declaring himself his own person.

I should hope that he is proud of doing that. I’m proud of him for doing that daunting feat, of defeating his abuser and defying his god and recognizing that he is worthy of more than what Prime thought of him. And I recognize Entrapta’s role in it: not as the sole inspiration for his change, but as someone who showed him a foundation of love and acceptance, someone who introduced him to the idea that he was worthy of care and happiness and affection simply because he was a living being, no strings attached.

Trying to shoehorn in some sort of claim that this is about pride in his misdeeds, rather than joy at finally accepting his own sense of self is a massive misinterpretation of this scene, a misunderstanding of Entrapta’s role in Hordak’s arc, and... can I say it’s disingenuous again? Because I’m going to: it’s disingenuous.

All right; we’re at the end. And while the first sentence here is something I absolutely agree with - the decision to forgive Hordak is personal and subjective both for viewers and for in-show characters - the whole conclusion falls apart from there.

It highlights another glaring omission from OP’s arguments: the fact that Hordak is a brainwashed clone slave.

Hordak did not choose to “spend his life trying to prove his worth to Horde Prime.” He did not choose the method of said proving: that Prime would look kindly upon conquering rather than some other task. And he did not choose to have certain concepts and ideas (all beings must suffer to become pure; all creatures, no matter how small, have a place in service of Horde Prime; failure is when something ceases to serve a purpose) conditioned into him.

Hordak was manufactured as a cultist slave. He was “born” with hardware implanted into his body against his will to better control him. He was indoctrinated and brainwashed to the point that he believed that Horde Prime was his literal god - and in a way, Prime was, because he could mentally invade and possess and physically control the clones whenever he wished.

Hordak was not allowed to have a sense of self. He was not allowed to have a name. He was not allowed to express emotions. He was not allowed to live without that life serving to glorify Horde Prime. Hordak was so absolutely sick with this mentality that he saw himself as a failure due to physical disability and assumed it was his responsibility to fix that.

The idea that Hordak simply chose to do what he did, that he had the same foundational morality and mindset as any “normal” person might, shows a glaring lack of understanding even the basics of his narrative.

Yes: Hordak did bad things. But he did them for legitimately tragic, nigh-horrifying reasons that this essay just ignores for the sake of... I don’t know? Trying to justify OP’s distaste for the character? I am uncertain. But it’s a mark of a poor essay, of a poor understanding of the character, and is honestly just disappointing to read when the show itself tries so hard to drive home its wonderful, hopeful themes through Hordak’s story.

Whether one forgives Hordak or not is one’s personal choice, but I certainly hope one makes said choice with better insight into his character than this essay provides.

#discourse #hordak #I wonder if I come off as too sassy in this but honestly this essay was a chore to read #so much was just ignored or misinterpreted #it was like a willful misrepresention of Hordak's character and I did not like it

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agent-cupcake · 3 years

Note

Hey AC! I love your blog and was wondering if I could get your opinion on something. I've seen some people complaining that Ingrid and Hilda are treated by the fandom, with Ingrid stans saying that Hilda is also racist towards Almyrans (which, granted, she is) but doesn't get nearly as much hate about it as Ingrid does. But personally I feel like their attitudes and the way they react towards Dedue/Cyril are wildly different and Hilda generally seems less hateful/irrational about it. Thoughts?

This is... kind of a touchy topic... I like it though! It’s worth discussing, especially since I feel like it’s broke criticism to simply deflect blame onto a character in order to prop up another. Full and obvious disclosure: I very much dislike Ingrid and very much love Hilda. That said, I don’t think it’s fair to compare them for the sake of which is worse. I fall into the trap of character criticism through comparison far too often and it's not really valid unless you can fully explore each character in their own right beforehand. Which is why, while writing this, I came to the conclusion that the ways these two characters are interpreted and the reason people view their racist tendencies differently has far more to do with the characters themselves than their actual beliefs.

From first impressions to subsequent playthroughs, this is pretty much how I feel about Ingrid: she brings up her hatred of the Duscur people and Dedue unprompted and uncontested several times at the very beginning of the game, putting it front and center to her character. This is important, it sets a foundational component for how I could come to view her. According to her introduction, she is honorable and respectful, a model lady knight trope. But, as mentioned, she's really racist. Literally standing around thinking about how awful it is that Dimitri would trust a man of Duscur because they are all bad people. Yikes. And nobody calls her on it. Again, this is very important for perception. People judge Sylvain for his bad behavior in a much more harsh way than they do Ingrid for her vitriolic loathing for another classmate who we have seen as nothing but respectful. It's weird. And then, despite the fact that her close friend Sylvain was able to reason out that it’s not possible for the Duscur people to be at fault for the Tragedy, despite the fact that the prince of the country she supposedly hopes to serve with unwavering respect and loyalty has made it clear that he does not believe that Dedue or Duscar are responsible for the Tragedy, and despite the fact that Dimitri, her close friend and the one most affected by the Tragedy (seriously, she lost a guy she might have married and he lost his best friend, mother, and watched his father be killed in front of his eyes) continuously insists that neither Dedue nor Duscur are at fault, she loudly and openly believes that the ensuing massacre of Duscur was deserved and Dedue is inherently culpable simply because of his race. Her motivations for this hatred feel even more cheap considering her dogged hero worship for Glenn was born out of the fact that she was promised to him, making the fact that she’d use his death as reason enough for the destruction of countless innocent lives even more unsympathetic in my eyes. I mean, seriously, she was around 13 and he was older than her, how close could they have truly been? Dimitri says they were in love, but she was a child. Abandoning my modern sensibilities about age of consent or whatever, kids at that age don't have the emotional or mental capability. Maybe this is just nitpicking, but I have a very hard time caring about that relationship. But, if her actual justification is because of what happened to Faerghus as a result of the Tragedy and feels duty-bound as a knight to find justice through the systematic destruction of the Duscur people, then it just circles back to confusion considering the future leader of said country doesn't hold Duscur or Dedue responsible. The importance of perception comes in because despite these paper thin excuses and her seemingly willfully ignorant hatred, she is never challenged on her racist beliefs. The reason she seems to change her mind about Dedue and consider that maybe excusing a genocide is wrong stems from guilt that Dedue continuously comes to her aid in battle at the potential cost of his own life. I can understand, to a certain extent, why she might feel the way she does. But, again, I have such a hard time with any justification when nobody that she's close to is even nearly as hateful as her, there is plenty of evidence (evidence that the people close to her have found!) to provide a very reasonable counterclaim to Duscur's guilt, and that none of that even matters when it would require her to openly contradict the prince of her country to make the claim that Dedue was in any way complicit in the Tragedy. Which would be fine if she wasn't established as the model Lady Knight archetype, which also brings us into Ingrid's moral high horse. Admittedly, I hate the Lady Knight trope. I have a significant bias against these types of characters. However, I really do think that this moral crusade is where she lost me completely. Without even a shred of empathy or self awareness, she lectures Sylvain about his shitty behavior even though their circumstances are at least somewhat similar and he has his reasons (bad ones, maybe, but ones worth understanding if she actually cares about him), she lectures Felix about not being interested in knightly endeavors (an aspect of his character that is born of the trauma she has appropriated), and she lectures Claude about behavior that is befitting of a man in his position. Not because she cares about the girls Sylvain is hurting, not because she thinks there are any grave stakes from Felix choosing to do his own thing, and not because she knows that Claude's behavior affects his ability to lead, but because she doesn't like these behaviors and thinks they should be fixed. Yet, at the same time, she believes Dedue deserved to lose his family, country, and culture based on his birth and nobody ever does anything to morally correct her, it is something she eventually is forced to acknowledge on her own. It's frustrating, infuriating even, that the game lets her get away with being so grossly hypocritical. And, all the while, she is being painted as sympathetic. Again, I have a hard time feeling sympathy for her about Glenn, and I certainty don't feel sympathetic towards her issues about marriage because there's never any actual tension there. Of course she won't be forced to marry, she's a Lady Knight. Beyond being unsympathetic, I also find her massively unlikable. Awful design, poor voice direction, food-loving-as-a-personality-trait, the fact that she's written as one of those stock "feminist" characters who hate makeup and girly things until it benefits them, and constantly butting in on other characters to give her opinion without taking any criticism herself are all aspects that I just personally dislike. Ultimately, Ingrid being racist is only a symptom of the many reasons her character is one of my least favorites. Most of these points can be countered by someone who doesn't take issue with the things that annoy me and to point out that Ingrid DOES get over her racist beliefs. It's not fair to say that she doesn't change but, for me, the damage was already done by the time she became tolerable so I still have a hard time appreciating her. My assumption would be that there are a lot of other people who feel similarly to me regarding their dislike of Ingrid so they focus on one easy character flaw, her being racist at the beginning of the game, as a reason to validate their dislike of her overall.

On the other hand, Hilda's racism isn't a main trait of her character. It's related to her overarching character flaws, but she doesn't bring it up unprompted and can actually be pretty much missed without the Cyrill supports. Like you said, Hilda does seem less hateful and irrational, it doesn't take willful malice and an active rejection of reason for Hilda to dislike the Almyrans, they pose a genuine and provable threat to her family and territory, seemingly senselessly testing the borders and throwing away lives for the sake of conquest. To be clear, her "you're not like those OTHER Almyrans" schtick is legitimately nasty. Her behavior is gross and condescending and it really underscores the fact that Hilda is ignorant, lazy, inconsiderate, and incredibly comfortable in her privilege. She accepts what she's been told at face value because she's too lazy to look into it further. Cyrill does tell her she's stupid to think that way, though. Which is satisfying because Hilda in those supports is insufferable, it really highlights the worst aspects of her character, dismissive, manipulative, and very selfish. However, for me, she's also very likeable. I'm not interested in going over my opinions on her like I did with Ingrid as I don’t feel it’s as important to my point but a few reasons I really like her is because I think Hilda has a fantastic design, cute supports, amazing voice work, and is secretly sweet in a way that absolutely tickles my fancy. I am sure many people do not agree with me, which is fine. Additionally, just as Ingrid grows out of her racist beliefs, so does Hilda. They both end the game as more tolerant and caring people. Still, for the same reason a person could argue that Ingrid is actually great and I'm being unfair, they could argue that Hilda is terrible and I'm too biased. That's fair and true..... but I think the fact that Hilda is more generally appealing in conjunction with the less obvious nature of her racist attitude makes people less likely to dismiss her as a racist in the same way they do Ingrid. Unless they dislike Hilda, in which case, it’s all fair game.

Anyyyways, a main takeaway from this is that I highly doubt people are truly arguing on the individual basis of who's more racist, but that they're engaging in the age old waifu war. As with many characters in this game, it's easier to argue moral superiority when you can't quite articulate what you like or don't like about a character. Or, even worse, when you're arguing opinion. Even now, as is clear by reading this, I am arguing my opinion of why I don't like Ingrid. Not because she's racist, but because of the character traits and writing choices that make her unlikable to me. I like Hilda because, flaws and all, I find her to be compelling and enjoyable. From the people that I know, at least, that is basically how the Ingrid stans v Hilda racism argument is structured, even if they dress it up in different language.

By the by Hilda never talks about how the Almyrans deserve to be wiped out. I think that probably sours a lot of people's opinions of Ingrid no matter what happened afterward but that’s fine we can just pretend that didn’t happen

#fe3h #fire emblem three houses #mmmm i am sorry if she is your fave #you are valid but i feel like she was the bully volleyball player in highschool and i can't get over it

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dewitty1 · 3 years

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Modern Love

tackytiger @tackytigerfic

Chapters: 8/8 Fandom: Harry Potter - J. K. Rowling Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Draco Malfoy/Harry Potter Characters: Harry Potter, Draco Malfoy, Hermione Granger, Ron Weasley, Lucius Malfoy, Narcissa Black Malfoy, Andromeda Black Tonks, Teddy Lupin Additional Tags: Draco Malfoy in the Muggle World, Slow Burn, Oblivious Harry Potter, Enemies to Friends to Lovers, idiots to lovers, Politics, Ministry of Magic (Harry Potter), Songfic, Friendship, Found Family, Mentions of Cancer, References to Illness, Chemotherapy, references to canonical child abuse, references to canonical deaths, References to Depression, Drunkenness, Sad Harry Potter, Church Services, Hymns, Atheism, Kissing in Church, Religious Discussion, Light Angst, Boxing & Fisticuffs, Minor Injuries, Blood and Injury, Gay vicar, Original Character(s), Original Character Illness, Magical Theory (Harry Potter), Scars, Emotional Hurt/Comfort, Happy Ending, Minor Draco Malfoy/ Sexy Tall Vicar, Draco Kisses Someone Briefly That’s All I Promise, Magic/Muggle Relations, Jealousy, Family Drama Series: Part 1 of Modern Love

Summary:

Harry Potter, of all people, knows that life isn’t always fair. And no one gets to be happy all of the time. But surely there’s something more—something better—than a rubbish Ministry job, and a lonely old house, and that feeling that everyone out there is doing a better job of living than Harry is.

And it really doesn’t seem fair that Draco Malfoy is back in Harry’s life, all of a sudden, and even though he’s wandless, and living with Muggles, and making his mother cry with his lifestyle choices, he’s happy. So what’s he doing right, that Harry isn’t?

Because things don’t really change, do they? And if Harry can’t be happy, he’ll settle for a good night’s sleep, some posh antiques, and the opportunity to find out what Malfoy has been up to for all these years.

And that’s what starts it all.

Excerpt:

“Do you know,” he says conversationally, “when I was little, my mother used to wash my hair for me.”

“I did not know that,” Harry says gravely. “Though I can’t say I’m surprised. It was always particularly glossy-looking when we were at school.”

The disadvantage of Malfoy being so close, Harry discovers, is that it’s easy for him to find the softest bit of Harry’s tummy to pinch.

“I was actually quite a cosseted child. Spoiled rotten in fact. You may find that astonishing when you consider what a delight I was as a teenager. But my parents were busy people. My father ran the estate, and spent a lot of time in London, of course. So I didn’t see them much in the evenings. The nursery was in its own wing, naturally, and my nanny was very attentive.“

Harry snorts at that, but then thinks about tiny Draco with his face upturned toward Lucius, alight with worship, and feels a bit sad.

"So it was my favourite thing when I was small, having my mother give me a bath. It was always a very special treat. She’d sit on the floor with her sleeves rolled up and the front of her robes would get all wet and foamy from me splashing, but she never minded. And she’d keep spelling the water hot so I could stay in for as long as I wanted.”

Harry can’t imagine it. He vaguely remembers when he was tiny, standing shivering in the Dursleys’ avocado-coloured bath while Petunia sprayed him with tepid water from the shower head, scrubbed him with carbolic soap. And then after a while, she stopped even doing that. Harry used to sneak in and wash when no one noticed, used to pile his clothes in with the rest of the laundry, since he was the one doing it anyway. But he knows that as a child he was probably never all that clean. How did no one ever notice, he wonders, not for the first time. Why did no one care?

“And when I was tired and wanted to get out, she’d turn me around with my back to the edge—” Harry hears the snap of a bottle lid, smells something fresh and sharp, like the crush of sun-hot meadow grass (like Malfoy, he thinks) “—and she’d wash my hair for me.”

Then Malfoy’s hand is on Harry’s hair, and he starts to rub gentle, workmanlike circles from Harry’s crown down to his nape. He pulls his other hand back from around Harry’s body, though he stays close enough that Harry can still feel him against his back, and then he starts to work through Harry’s hair with both hands. His fingers are strong, raising bubbles at Harry’s temples, moving with pure intent through the curls that are flattened and lengthened by water, resting at his nape for a moment, gathering the curls in his fist then releasing them as he lathers, sluices, strokes.

It’s all Harry can do to keep quiet. Having Malfoy touch him like this—having anyone touch him like this—feels like too much. No one has ever laid hands on him like this, with such focus, like he’s the only thing that matters.

And he thinks of Narcissa crying at Andy’s kitchen table all those months ago, and how he had wondered why anyone would want to cry over Malfoy, of all people. How stupid he had been, how stupid and short-sighted, to think that Malfoy was unlovable just because Harry had him all neatly tidied away in his mind, relegated to uselessness by some weird little childhood rivalry.

Malfoy is probably the most lovable person Harry can think of, it turns out—he just hadn’t known it before. And in the end, it was just a case of Malfoy deciding to let Harry love him, that was all. Once Malfoy made that decision, there was nothing Harry could have done.

And now he knows how Narcissa feels, because his eyes are smarting with the sour threat of unshed tears. He wants to cry over arguing with Malfoy, who is one of his best friends and who he’s pretty sure he’d do anything for, and when did that even happen?

Malfoy’s hands are still in Harry’s hair, and the lather is sliding down Harry’s body to puddle at their feet, and he doesn’t think anything has ever felt quite so intimate as the insistent pressure of Malfoy’s fingers on the hidden curves of bone behind Harry’s ears. Malfoy keeps talking.

“She was so gentle with me,” he says. His voice is nearly a whisper, but his mouth is so close to Harry’s ear that every word carries over the water. “She used to say, ‘I’ll take care of you, sweetheart. I’ll take care of you.’”

He tugs his fingers through the lengths of Harry’s hair, lets the water rinse him clean, then lets his hands fall to Harry’s shoulders, his thumbs moving in restless circles over the notches of Harry’s spine.

“I’ll take care of you, sweetheart,” he says again, and it means something different this time—something for the now, rather than an echo of the past—and Harry hadn’t realised how long he’d been waiting to hear that. Usually, taking care of Harry is a duty. And some people hated him for it, and even the people who didn’t ended up getting hurt, dying.

Malfoy says it like it’s easy, like it’s a gift. Like it’s not a chore at all, just a simple pleasure.

Harry lets his head fall back onto Malfoy’s shoulder, so Malfoy’s face fits snug in the curve of Harry’s throat, and Malfoy’s arms drop down to fit around Harry’s waist again. Harry isn’t sure how long they stay there, but the water starts to run cool, and the creaking pipes make a resentful thumping sound when Harry fiddles with the dial to turn the heat up.

“When I came into the shower,” Malfoy murmurs, “I was going to kiss you.”

And Harry’s blood does that dizzying swoop that sometimes happens around Malfoy, only this time it all rushes straight to his wet naked cock, and he’s hard and getting harder at just the thought of a kiss, and he wonders distantly if instead of being mad about Malfoy, he’s just going a bit mad in general. It’s been a while since he’s been with anyone, after all. And it’s been even longer than that again since he’s been with someone he likes so much.

“Only I thought…” Malfoy’s low, amused voice is a torture device this close to his ear. “I thought if I kissed you, we would probably end up fucking, Which… you know. It might not be such a bad thing, to get it out of our systems. Right? And it would probably be really good.”

“Thanks,” Harry says distantly, absurdly.

“For you Potter, because it would be sex with me, please keep up. But then I got in here with you and I ended up talking about my fucking mother to you, telling you things I’ve never told anyone, and I could feel you getting all tense and weird about how those arsehole Muggles of yours never took care of you, let alone that prick Dumbledore who at least was supposed to be one of the good guys.”

He sighs again, moves his face away from where he’s still nuzzling Harry’s neck, and hooks his chin over Harry’s shoulder. His arms tighten around Harry’s middle.

“And I remembered that sex is easy. It’s so fucking easy, and because it would be good, it might feel like the right thing to do. But we’ve worked so hard at this, haven’t we? Yeah, I know it’s a horror to have to talk about it, but fuck it. We’re friends now, but it took so long to get here. Have you ever had to work so hard at something before?“

“Well. I mean, I did have to kill Voldemort when I was seventeen?”

“I’m including that, and I’m including your opening waltz at the Yule Ball because that was a study in despair for all concerned, including those of us who had to sit through it. Look, we took a while to get here, is what I’m saying. It probably felt like a terrible idea most of the time we were doing it. God, remember that first time at Fand’s? The first time my friends found out about you? Weasley’s birthday party? But then I didn’t even notice when the you part of it all started being something easy. And if we kiss, we have to figure the whole thing out again. So now I don’t know what to do. Because…” —the ghost of a hot breath against Harry’s ear, and the shivery feeling of Malfoy’s mouth moving close enough to touch Harry’s skin— “… I would really like to kiss you now, and I don’t know how to feel about that.”

( ��ॢ◡-ॢ)-♡*✲ﾟ*｡⋆♡ོ

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kbirbpods · 7 months

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Look below the cut for kbirb's ITPE 2023 letter!

Letter from Summer Swap '23 | Last year's ITPE letter

Dear Podficcer,

Right now I'm really into:

Batfamily gen content, Roy/Jamie/Keeley from Ted Lasso, trans clone content, Jason Todd/Roy Harper/Kori as a triad doing found family esque things, Jason Todd redemption arcs

Things I like, regardless of fandom:

THEMES: trans/nonbinary characters (extra points for neopronouns); gender exploration in general; found family (genfic or otherwise); angst with a happy ending; polyamory; good asexual or aromantic representation

AUs: soulmates soulmates soulmates; regency era (or any different era); modern AU; crossovers, provided i know the other fandom or the fic doesn’t require knowledge of the other fandom!; college/sport AU; fantasy/fae AUs

Star Wars AUs/Tropes (yes they need their own categories): no Order-66/Order-66 happens differently; force sensitive clones; Jon Antilles lives; [insert clone here] lives; Anakin doesn't fall; Palpatine dies; Domino Squad Lives; force sensitive Leia; modern AUs; trans clones

PODFIC SPECIFIC: anything epistolary (texting/chat fics especially but letters and such are also fun to explore); including music / SFX if you’re comfortable; including bloopers if you have them/are comfortable exposing them

RATINGS: Contrary to popular belief I do not hate explicit fics so really any rating but I generally prefer G-M because I can be picky about what explicit content I'm absorbing.

Do Not Wants (triggers, squicks, please no):

major archive warnings (major character death is okay so long as it’s temporary and resolved); unhappy endings; I really don’t like pregnancy, which includes MPREG (I like omegaverse dynamics minus that aspect) - kidfic is cool I just don’t want pregnancy as a theme & especially not graphic depictions of it; suicide/self-harm “on screen” (mentions of past suicidal ideation/self harm are fine if not a flashback/graphic); non-/dub-con or any depictions of rape (once again, recovery is okay if done well); adult/minor relationships or relationships with unaddressed/starkly imbalanced power dynamics; any sort of poorly depicted mental health tropes (no BPD or other personality disorder bashing, no institutionalization, no “split personality” as a trope) - i really like explorations of PTSD/trauma but it has to be handled with fidelity and gentleness; and I have a random trigger about cockroaches

as a note: I do not like slave!fic but acknowledge that the situation of the clones is, at it's core, a form of slavery. so while i ask for slave!fic AUs to be fully avoided, I do appreciate fics that tackle that aspect of the Clone Wars series with tact, fidelity, and honesty.

Fandoms & Characters I Would Love to Receive:

Star Wars: I love so much Star Wars that to split them like I did on AO3 would make this post too long. I think it’s easiest to say this: I prefer Clone Wars, Rebels, anything about Jon Antilles, and anything Ahsoka Tano.

My main ships are: Cody/Obi-Wan, Kallus/Zeb, Hevy/anyone (consensual), Finn/Poe or Finn/Poe/Rey, blackkat rarepairs (mainly Jon Antilles/anyone), Jon Antilles & Fay (platonic), Waxer/Boil, Fives/Echo, Kanan/Hera, and Quinlan/Fox My favorite characters are: Hevy, Fox, Cody, Obi-Wan, Ahsoka, Leia, Poe, Fives, Luke, Jon Antilles, Fay (Legends)

Ted Lasso: My favorite ships are Roy/Keeley/Jamie, Ted/Trent, Roy/Keeley, and Jamie/Dani. Ted & Rebecca as platonic soulmates/besties in general. I love explorations of how much Dr. Jacob sucks and fix-its for the ending!

Batfam/DC: I can be picky and yet not? Basically, I just prefer no inner-Batfam fics of the boys because I truly view them as brothers. My favorite ships are Jason Todd/Roy Harper(/Kori), Dick Grayson/Wally West, Harley/Ivy (back to being super into them), Tim Drake/Kon, and Wally/Artemis from Young Justice. This is the fandom that I specifically am obsessed with found family in. -- I love exploring Alfred being the boys' Grandpa and Bruce’s complex dadhood.

The Locked Tomb: I’m definitely Gideon/Harrow on main; I really like fics where one or both of them are trans/nonbinary. Nona is my favorite character so explorations of her found family (the household or the friends or all of them) are important to me. Cam/Pal is important to me. I love modern AUs a lot.

Buffy the Vampire Slayer: Buffy/Spike is always a love (with acknowledgment of how tricky of a ship it is to navigate) but I mostly love Scooby Gang gen fic! And I adore Buffy crossovers with shows like Supernatural or movies like Star Wars.

Our Flag Means Death: Obviously Blackbeard/Stede is a big deal and I ship it forever. But my heart belongs to Jim/Olu and any explorations of Jim’s gender identity! Pining Izzy Hands makes me weak, as long as he’s not being abusive towards Edward or Stede.

ATLA: Always and forever a Zuko/Sokka shipper, specifically obsessed with found family in this, gen fic exploring the universe at all is super important to me!!!

MISC OTHERS: First Kill; The Adventure Zone; Red, White and Royal Blue; Good Omens; The Tarot Sequence; All for the Game; Teen Wolf; and Sandman.

I didn’t talk much about them because I’m basically just into the main ships for them (Juliette/Cal for FK, Taako/Kravitz for TAZ, Aubrey/Dani for TAZ, Alex/Henry for RWRB, Crowley/Az for GO, Rune/Addam or Rune/Addam/Brand for TTS, Hob/Dream for Sandman), Andy/Qunyh for The Old Guard, Joe/Nicky for The Old Guard, & Nile/Quynh for The Old Guard. For All for the Game I like Jean/Jeremy, Andrew/Neil, and Renee/Allison. Also friendship/gen fics of any of the characters! For Teen Wolf and First Kill I don’t like Mature/Explicit fics unless they’re adults in it. My favorite TAZ eras are Balance and Amnesty.

I’m a huge Regency era fan and love anything Jane Austen as well!

Fandoms/Ships I Will Create Content For:

I will create content for any of the fandoms and ships listed above! Including the same caveats. If paired with someone who likes explicit content, I don't mind finding fics that don't hit my squicks/triggers. THAT BEING SAID: I will create content for those fandoms even if it’s not one of my listed ships and not one of the following ships:

STAR WARS: Rey/Kylo, Leia/Luke, Rex/Ahsoka, any Master/Padawan relationship, or Palpatine/Anakin. BATFAM: inner!Batboys as mentioned TED LASSO: Ted/Jamie (love Ted & Jamie tho) AFTG: Andrew/Aaron, Andrew/women, Neil/women SANDMAN: Dream/any of his siblings

Other fandoms I will create content for:

Star Trek: Spock/Kirk, Spock/Kirk/Bones, Kirk/Bones Leverage: OT3 is Hardison/Parker/Eliot LOTR / The Hobbit: Gimli/Legolas, Eowyn/Faramir, Boromir/being alive, Bilbo/Thorin. I like anything just exploring the lore and history of the universe and its cultures Venom: Venom/Eddie(/Annie/Dan) The Witcher: Yen/Jaskier/Geralt, Jaskir/Geralt, Geralt/Triss, Yen/Triss Sense8: anything I can find! it’s small but there’s nothing I won’t do in this fandom, honestly… Marvel/MCU: Steve/Bucky, Clint/Bucky, Kate Bishop/America Chavez, and Spideypool (as long as they’re both adults). WITH A LOT OF CAVEATS… Harry Potter. I will only podfic trans-centric Tonks who does not get with Remus or Wolfstar with a happy ending. Stranger Things: anything Robin Buckley centric, anything that explores Robin & Steve's friendships, Robin/Chrissy, Steve/Eddie

Authors with BP that I love, as a starting point: Flowerparrish, saiditallbefore, trixree, wanderingjedihistorian, mestiket, hoebiwan, blackkat, cac0daemonia

More notes: I do write so anything of mine will work!! I have a few fics bookmarked that I don't plan to pod so those should be good to go, too!

Love,

Kaje (kbirb)

#dear podficcer #itpe #informal twitter podfic exchange #podficcing #podficcer #podfic #dear creator

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beevean · 4 years

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SEGA and the eternal issue of the Sonic-Amy dynamic

[Translator’s note: here’s the original article written by @latin-dr-robotnik, originally written on the 26th of August 2018]

While the Bowsette phenomenon shattered the internet into a thousand pieces, it seems like the Sonic fandom is splitting itself over a completely different matter: the eternal discussion over Sonic and Amy’s dynamic, and how much it can be considered official from SEGA’s perspective.

Note: this article ended up becoming the first part of a trilogy. Stay tuned for the next two parts!

The main culprit of this new chapter of the discourse is, believe it or not, the official SEGA Shop.

Emi Jones (I don’t need to introduce her, most people in the fandom know her) brought the attention on the description of one of the new clothing pieces that appeared in the shop for Amy’s 25th birthday, which essentially invited us to “celebrate 25 years of Sonic the Hedgehog’s girlfriend”. This short sentence generated a chain reaction in the fandom, both positive and negative, and it brought to the light once again the eternal question: is it really possible that they’re actually a couple? What is the official position of SEGA about this? There are good arguments for both sides.

Eggman: If you fight my robot, we’ll be disqualified and you’ll never win that couch for that whiny little girlfriend of yours.

Sonic: SHE’S NOT MY GIRLFRIEND!

*wrong answer noise*

Sonic Boom – S1E41

First and foremost, who is Amy?

Note: the article is based on Cutegirlmayra’s research in different magazines, in the games’ canon, in the differences between Japan and the West, in the structure of the relationship, and in SEGA’s marketing.

Note 2: while there will be mentions of other medias such as comics and TV series, this article will explicitly focus on the dynamic between Sonic and Amy in their official Modern versions, that is, from the videogames.

Since her official conception in Sonic CD, Amy has simply been considered our blue hedgehog’s girlfriend without any issue, but Sonic Team looked for a way to make this common cliché a little different. So a “unique” dynamic was established between them: Amy is the one chasing Sonic, Sonic tries to avoid her explicit affection, but despite this they are destined together, both in the proper canon (according to Amy’s tarot cards the two are made for each other) and outside of it (SEGA’s directives). This means that their dynamic is written in an implicit manner, and it’s never clear if Sonic wants to flee to a different galaxy to get away from Amy or if he wants to stay with her forever. Officially, there have been signs both in favor and against it, and the rest is normally left to the interpretations of the fans. Nevertheless, SEGA of Japan and SEGA of America (with the complicity of Europe) have radically different ways of dealing with the Sonamy dynamic.

Sonamy in Japan

The relationship between Sonic and Amy, with its twists and turns, is deeply rooted into the Japanese culture of the ‘90s. According with the material found by Cutegirlmayra, Sonic and Amy are a couple in Japan, no doubt about it. This simple vision is due to how the Adventure era games were written: Sonic is much more gentle and subtle with Amy, to the point that there is a clear difference in tone in the Adventure 2 scene when Sonic, about to be sent off into space in a capsule, tells Amy to take care of herself. Japan didn’t have this vision of an openly hostile Sonic or of a totally-obsessed-to-the-point-of-violence Amy, in their culture and in the game scripts everything is much more serene and acceptable. At the same time, the situation is kept under control thanks to the mandates that SEGA strictly enforces over how to write the characters: for example, one of the most infamous ones is “Sonic can’t explicitly show affection to Amy Rose”. This kind of control allows SEGA of Japan to avoid problems like the ones in the West.

Then we have Sonic Channel, the official Japanese website for information and art, where once in a while events about Sonic and Amy take place, with fans sending their fanart of the official couple.

And finally, we can’t forget Sonic X, that, despite not being part of the official game canon, clearly shows the agenda of SEGA of Japan and Sonic Team for the two characters: dozens of scenes that imply something more, many songs about love/lovers and, well, everything about the famous Episode 52 ending.

Sonamy in the West.

In the West things became more complicated. On one hand, the West came to know Sally Acorn before Amy, and the way they presented the Sonic/Sally relationship was, without any doubt, much healthier in SatAM than, for example, Sonic/Amy in Adventure (note: I purposefully won’t mention Archie Sonic here). At the same time, the differences in translation of the original Japanese scripts, and the cultural differences between these two countries on opposite sides of the world, radically changed the personalities of both characters, giving us the infamous “hysterical fan” Amy in Adventure and Heroes, the one who chases Sonic to force him to marry her. The general public’s perception quickly opposed these attitudes, seeing that they could be potentially toxic and that they undermine the very nature of Sonic. Sonic X did little to help in the West due to the strong censorship process it received when translated from Japanese to English. By 2006 the damage was done, and subsequent attempts to modify Amy’s personality, so that she was not as effusive with Sonic, have been tried over the last decade to repair their dynamics, with a little help from Sonic Boom (where the dynamic is so well written that, in the penultimate episode of season 2, Sonic literally stops racing Tails and Knuckles at Amy’s request to go buy ingredients for the cake he was making - Modern Sonic wouldn’t do that in a thousand years) and from the direction Ian Flynn has been taking the comics he’s been involved in. SEGA’s mandates were applied in the West as well, but relatively late and as a consequence of some things that were slipping out of control, like Archie Sonic. Both Flynn and the writers of Sonic Boom had to find new ways to present the characters, adjusted to both Western cultural patterns and also to the mandates of a Japanese company. Anyway, thanks to the recent accomplishments, we can deduce that the rigid structure of the official mandates is going through some changes that could mean a new agenda from SEGA to represent the Sonamy dynamic.

All of this information leaves us with the last question, that brings us back to the topic of this article and concludes it:

Could Sonamy work today?

In the last 5 years we’ve seen a series of important transformations, both in the way Amy sees the world, her responsibilities and Sonic (ex: Sonic Lost World), and in the way Sonic himself treats Amy. Sonic Forces took some pages from Boom’s book when it came to their personalities, and it seems to be the beginning of a new era, made explicit by that description appeared in the SEGA Shop that sparked today’s discussion.

In 25 years, we’ve seen Amy chasing Sonic all over the world, living a life of adventures that contradicts her dreams of a stable life and a marriage, according to her declarations in games like Adventure. At the same time, Sonic never stopped seeking adventures all over the world, both alone and with his friends, of which he became the protector, including Amy. For the Sonamy dynamic to work today, I think the most obvious solution would be for the two of them to go on adventures together. How we see love has changed a lot in the span of 25 years, and Sonic and Amy would fit well the modern stereotype of those couples that travel all over the world to find adventures, and that we see in those posts labeled “Relationship goals”; at the end of the day, Sonic and Amy are this, stereotypes that follow a certain pattern. What’s more, such a relationship can still be kept subtle and true to official mandates if we add the rest of Team Sonic to the equation, which is basically what Sonic Boom did.

No need for kisses, no need for grandiose love declarations, weddings, or forming a family. All of this would even be extremely out of character for Sonic, and I’d hate for something like this to happen. Team Sonic is the only family he needs, and the Sonamy dynamic could benefit from the adventures, the anecdotes and the moments they spend together. A race at sunset, the view of a mountain, defeating a giant robot together… that’s how I would see a canonical relationship possible, and indeed I’m not the only one who sees it that way - remember IDW Sonic #2? [Translator’s note: the article is in Spanish and outdated]

And let’s not forget about this scene from IDW Sonic #2: Sonic tells Amy that she can come on an adventure with him, but Amy refuses Sonic’s offer because of her responsibilities. Small changes like these have the potential to be slowly integrated into the official canon, and we have already seen how in Forces Amy barely bothers Sonic with her feelings.

So, when the eternal question of whether or not Sonic and Amy would work as a couple comes up again, you can say, yes! Yes, it can work without Sonic having to sacrifice his freedom, or Amy her dreams! The current context is making way for this, and while I may not think this whole SEGA store thing was completely intentional to drive the fandom crazy, I do think it’s time to start accepting the validity and potential of the couple. At the end of the day, everyone will ship what they want anyway, and that’s perfect. It will sound cliché, but remember that phrase that always circulates on social networks: "There are best friends who look like a couple, and couples who look like best friends."

#sonic the hedgehog #amy rose #sonamy #translation #analysis #personal comment: i disagree very much that amy in adventure was as crazy as she was in heroes #i think it was much more balanced and she had her shiny moments #but not my place to change the original words :P #also the bowsette joke immediately dates this article lol

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potscenarios · 3 years

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Omg! So excited! May I please request how Sanada, Shiraishi, Atobe, Niou, and Kite would confess to their long time crush? Thank you and best of luck with the blog! ♥️ Love PoT so much, I miss the fandom :(

My very first request yay! I knew there are still people around!! Thank you so much for sending in something, sweetie! I hope to see you around ♥️

(Also I'm so sorry this turned out so long lol)

Sanada

Let’s face it, Yukimura and Yanagi are probably the ones who first noticed how different Sanada is whenever he’s around you, his crush. And since they judged that their friend’s crush has been going on long enough, they’re probably the ones who tries to get the ball rolling and hints at Sanada to just confess already.

Confessing is a big thing for this man, because he will only do so when he’s 99.99% sure that he wants to have a serious relationship with the other person.

Knowing his family background and his personality, of course he would get all traditional about the whole process (i.e. if you have an older brother, he would probably have tried to get his permission to 'court' you first before he actually does he's so precious omg)

He starts by inviting you out along with your friends and some of the tennis club members, so you won't feel awkward with him alone. It's also a good chance for him to get to know your friends more, which he will need to do when he becomes your boyfriend anyway. Sanada also knows he's not too good at talking so he wants you to get more comfortable around him in general. When your response is positive, then he starts to invite you out on real dates - just the two of you.

Throughout this whole process, only when he has verbally heard from you directly that you do enjoy having him around, he finally finds his courage and is convinced to take the next step. On the actual d-day itself, he's oddly out of it and you're probably going to misunderstand his silence as boredom or something like that, but when he finally, finally finds the opportunity to confess, it'll blow you away because of how unusually soft and sincere he looks.

"We have known each other for quite some time. This might sound unexpected to you, but I have found myself thinking of our future together on several occasions. I realize that all these time, I have been longing to stand by your side, not just as a friend, but as a partner. If you will... would you honor me with the title of your boyfriend?"

Shiraishi

Literally plans out everything for over a week down to a t. And by everything I mean everything.

Researches the best date spots (How far are they from your house? How busy will they be at the d-day? If it rains, are there any other alternative spots nearby?), the best restaurants to dine in (Are the food healthy? Will they adhere to your preferences? How many stars does the restaurant have? What's the best time to eat there?), the best possible place to confess (How atmospheric is it? Are there any risks of being interrupted? Is there any way he can reserve the place or something along the line?), the weather on that day (Sunny? Windy? Rain? Snow? Humid?), etc. Everything has to be perfect.

Shiraishi takes you to your most favorite places, opens the door for you and makes sure you're seated on your chair before going to sit on his own, politely rejects girls who swoons over him (which seems to always happen when you go out - one time you tell him he needs to stop looking like he just came out from a fashion magazine and he just laughs), and escorts you like the perfect textbook definition of a gentleman for the whole day.

Despite his research though, things can't always be a hundred percent perfect, so there are actually some parts / events of the date where Shiraishi isn't completely satisfied with, but you honestly don't notice because he had been so kind and accommodating, so of course a few mishaps here and there are tolerable (and they're probably mostly not his fault anyway)

He's composed when he finally confesses, but inwardly he's frantically freaking out and he's constantly trying to gauge your reactions because he will pull back as soon as you look uncomfortable - at the very least, if he’s rejected, he doesn't want to destroy your friendship.

"Hey, [Last_Name]. Do you think I'll make a good boyfriend? .... I'm glad that you think I would. Then... Do you think we'll make a good couple? I personally think we would. And honestly, I want to make that reality... What do you think?"

Atobe

He has the confidence and the means to make the most extravagant confession on Earth, so why should he hold back, right?

Due to being around him for quite long, though, you're most likely already used to his eccentrics, so you wouldn't think too much about it when he actually asks you to go somewhere with him, thinking that he just doing his usual 'this-ore-sama-will-show-you-his-prowess' antics.

He takes you to a newly built indoor 'garden', where a wide variety of plants are grown and cared for. Actually, ‘garden’ is an understatement. There are several 'greenhouses' that hosts different kinds of plants, apparently imported in from all over the world. Strange trees and flowers grows everywhere, the air is cooling and fresh because of all the plantations, and as you walk down the path surrounded by lush greens, you're very much awed and fascinated by everything.

But that's all nothing compared to the man-made waterfall he takes you to as your last destination. You can only stare in wonder as you watch the rushing water, not realizing that it's especially cold in this 'greenhouse' until Atobe gentlemanly drapes a shawl he prepared beforehand around you. He then takes you around the small forest around the waterfall and you both walk up the stairs to find that there's a modern looking restaurant that looks more like a villa, situated just at the right height and distance to have the perfect view of the waterfall and its surrounding area.

You'll find yourself sitting at the comfiest dining chair in your life, sipping the freshest orange juice, row upon row of your favorite foods coming out one after another. And just when you're finishing your dessert, all smiles and relaxed, and you thank him for the fun outing, that's when he confidently drops the question.

"Let me make this clear. Ore-sama doesn't just treat anyone this way. You're special. You're the only one who is good enough to stand equally beside me. Don't you agree? Of course, I'm only accepting nothing but 'Yes' as an answer."

It's only way later into your relationship when you realize that the place he took you to is owned and constructed by Atobe himself. When you ask your boyfriend about this fact, he finally admits (with a very proud smirk) that he built the whole thing just to confess to you lol

Niou

I personally think his confession wouldn't exactly be 'planned', in a sense.

He just has to tease you, his adorable crush, every chance he has. Just because he likes to see focus your attention to him and he thinks the angry / troubled look on your face is the cutest. But after a while it comes to the point that his pranks and teasing remarks are getting more and more frequent, and it’s getting too much to your liking. He doesn’t exactly take your verbal protest seriously, so you end up giving him the silent treatment, just to let him know that enough is enough.

Niou, who is already used to have you around and has taken your presence for granted, is suddenly left to his own thoughts because you're either running away from him upon seeing him, or isn't showing any reaction when he manages to catch up to you. Honestly you probably just want him to lessen his teasing, but the impact of your action is bigger than you think.

In the end, after a long lecture from Yagyuu (the lecture itself was boring but he was forced to sit seiza for a whole hour and his legs hurt like hell) and Yukimura's simple but straight-to-the-point comment ("Hm? Is [Last_Name] avoiding you lately, Niou? It's because you've been borderline mean to them, you know?"), he realizes that he has to make things right.

He's surprisingly gentle and serious when he asks you to have lunch with him one day, and you feel a little bad for making him feel so guilty, so you accept. It's already shocking that he hasn't done or said anything that's remotely playful all the while you're walking to the place you're supposed to have lunch in, but he's treating you so gentlemanly you almost suspect he switched places with Yagyuu.

"I'm sorry. I didn't mean to make you hate me, and I didn't think I would annoy you that much. I've reflected. I should have treated the person I love more preciously. I promise I'll be better! So don't hate me, yeah?"

“.... Niou? Did you just say..... ‘the person I love'?”

"Huh? .... Puri. I guess the cat's out of the bag, huh? ... That's right. I really like you. I find your teary face really adorable, but I still like it best when you smile. So will you go out with me? I promise I'll never let you cry from sadness."

Kite

This scheming and calculating man!! Kite will only confess if he has already studied up your behavior and has determined that you do harbour interest in him as a love interest. From there, it’s a strategic battle for him to bring you two even closer.

He would subconsciously condition you to be more dependent or just overall be closer to him. I can actually see him create certain situations where you would have no choice but to accept his help, or for you to offer your help, being the kind soul that you are.

Like the time where he invites you to watch the tennis club practice, and it just so conveniently rains, and it just so happens that you lost your umbrella, and so when he offers you to walk you home, what can you do except comply? And if on your way he purposefully timed your walking pace so that the car on the street drives by a rather big puddle, resulting in him 'shielding' you and getting his uniform all wet, how could you not invite him into your abode so he can dry off first? If he doesn’t have the opportunity to be alone with you, trust me, he will create one.

It's not that he's doing all those things with ill intent in mind though, and he's definitely not trying to hurt you. His goal is to make you feel like you need him. It's just his way of getting you to fall in love with him lol

Surprisingly though, I think his actual confession would be pretty 'normal'. Okinawa generally has nice beaches, so he would take you to a nice and relaxing beach walk, finishing off with dinner on an outdoorsy type restaurant overlooking the sea, where you both can watch the sun set against the horizon with soft live music in the background. Overall, when the atmosphere is nice and solemn just shortly after the sun finally sets, that's when he finally speaks.

"[Last_Name]-san. You are a wonderful and intriguing person. To be honest, I didn't think you would still be sticking around after all this time, but as with many other times, you continue to surprise me. At first, I was merely curious about you, but soon enough you flawlessly turned my curiosity into attraction. This is troubling. I will have you take responsibility by going out with me."

#prince of tennis #tennis no oujisama #prince of tennis headcanons #sanada genichirou #shiraishi kuranosuke #atobe keigo #niou masaharu #kite eishirou #rikkai #shitenhouji #hyotei #higa #gender neutral

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