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#holding back on my some of these to not be too shippy
wild-grinders · 8 months
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do you have any headcanons for goggles, jack knife or emo crys? im curious to hear about them!
all 3 characters hgrhrheggrgegegrhr gonna try (this is in the style of ye olde fandom and not like reader blogs)
Goggles
engineering science major (hes not a biologist, he doesnt mess around in chemicals), but boy loves complex math and building things that he's more of an engineering sciences
gay because he engages in anime, comics, and hes even touched fandom because hes's a real fan nerd (he learned that gay ships were a thing and it clicked for him why he wasnt interest in girls)
has a lot more money than you think, but he doesnt really boast about being rich (most of that money is always going into new materials for his family to upkeep the hyperfixations they have) and his actual house is like full minimalist modernism in canon
avid fan of hot cocoa + mini marshmallows (literally from one episode, but it's in my brain forever)
last member to meet the wild grinders, aside from Flip (this was the original intention back in the Ketterville canon but has been reworked to him being Lil' Rob's first friend for the Sprawl City today)
Jack Knife (theres a ton of info on his canon life, but thats another post for another day)
oppossum hugger, he will try to befriend any wildlife that visits his home, will even try to bring said animal to let his friends see
in Ketterville canon, hes actually homeless and his family moves around a lot and hinted that he could live in trailer parks, but personally like to think he has family all over the states and they welcome his family to stay from time to time, he currently stays in one place (his grandmas house) to be near his friends while his family decides to travel for the circus
the most failgirl of failgirls, but is actually a badass when it comes to knives and is skilled at tasks like wood carving and axe-throwing but will set the kitchen on fire he made lemonade
hes not at all a redneck or the american hillbilly stereotype that the Sprawl City canon makes him out to be, he's more of an Oregon lumberjack local whos a little confused, but he does his best to understand others
would cut tires though
he has one berserk button and it's extremely rare to see him angry, but when he is, he will not hesitate to fuck anyone up
but seriously hes the kindest character ever and doesnt care if anyone insults or smacks him around, but he DOES care when you hurt anyone he cares about
100% taurus
Emo Crys (this is my kin, not like a kinnie-way, but more of a 'thats my son!!' way)
failgirl #2, but hes living his best life being cringe and actually giving a fuck about others
in Ketterville canon, he used to just be straight up 'peace was never an option', but he mellowed out after meeting Lil' Rob and learned to not be snarky and sarcastic
the sprawl city canon wants him to be a brony, but really he loves a lot of animals and cares for all of them (but hed suck as a science major to be involved in animal care profession)
doesnt have a good relationship in his family and often sneaks off to be part of the wild grinders shenanigans (it's the reason why we cannot have him wear nail polish) he's doing his best to pass as a goth in his family situation
loves horror and monsters, would happily invite himself in the woods where Mothman is and walk outside at ungodly hours just to meet a cryptid or ghost
thrifts all of his clothes because hes sick of fast fashion and would rather tailor them to his style
scarf was given to him by Lil' Rob as a way of welcoming him to Ketterville (not even canon to the series, but Rob Dyrdek demanded hed have a cute gray scarf and even presented a gray scarf to Chris, the inspiration behind Emo).
secretly loves cats (and constantly gets scratched by the said stray cats)
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petorahs · 4 months
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a look into the healing properties of ▆▆▆'s power
[prelude]
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...some notes from the "White Book"! Will you read it? >Yes
when I started this second comic, it was primarily to address these plot beats GameFreak left in their writing of the Hidden Treasure of Area Zero Epilogue that I found to be "immersion-breaking":
why didn't the protag tell anyone about Kieran? (my answer: they had to keep it a secret)
why did the protag travel from Kitakami to trigger the epilogue, then fly back to Paldea real quick before going back barely a week later? (I can't justify it for GameFreak lol so for me there are two protags and one of them was already in Kitakami, while the other got the call from Arven.)
I know in game this was done from a gameplay perspective, but it's fun to imagine an intricate story and reasoning for all this :] With this, my version of events can still play out in the games themselves without being too au-y. (It's even in-line with my previous pkmn art, which I'm semi-particular about.)
Of course, it was also to give my version of Florian and Juliana as well as Nemona some form of closure. I wasn't planning on healing them, but a kind comment from someone led me to this little brief passion project. Although the characters aren't mine, they seem to have taken hold of me anyway, driving me to finish telling their story.
Making this was what I call "wish-fulfillment" art. It has shippy elements, a bunch of specific exposition a nerd like me would care about, JP text for a character raised in fictional rural Japan that I'm aware not many would enjoy as I do? Or, idk. It's fanservice for me alone, and it was extremely fulfilling to draw, which is what matters. Believe it or not, it's been a while since I've been unapologetically able to enjoy drawing like this.
Basically, I blacked out and boom. These silly guys took over my life. I enjoyed it. I hope you guys do too.
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starlight-bread-blog · 2 months
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"Katara Just Needed To Heal Zuko's Scar"
I understand why this argument is being made. After all, she offered to heal Zuko, and so she does. So why are the shippers trying to paint it as some romantic moment? It's a reasonable question. But I'm gonna try to answer it.
Zuko and Katara weren't in love in this scene for two reasons: Firstly, it's their first conversation, making any romantic development feel rushed and unnatural. Secondly, as fictional characters, they don't possess hidden feelings, unless the writers have confirmed otherwise.
So what argument is being made? The argument is that this moment is an example of ship baiting and could have served as romantic build up if the writers decided to go down that route, and I'll explain why.
1# Just because an action was necessary, doesn't mean it can't be seen as romantic
I know how this sounds, but hear me out. Let us take a look at another show, where you'd least expect to see a romantic connection, and the action was completely necessary. I want to discuss Rick and Morty's Beth x Beth.
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Beth is the last person who'd have tension with Beth, clearly it's disgusting. And she really did have to install that chip. But the thought did cross your mind, they did get together, and this scene was romantic build up, despite not being romantic in-universe.
Now that we've looked at the most extreme example ever, it's time to look at a classic: Aladdin. One of the most iconic moments in the movie is when Aladdin simply offers his hand to Jasmine so she'd get on the flying carpet, asking "Do you trust me"?
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Aladdin isn't asking if Jasmine trusts him because they're deeply bonded, he asks that because she's scared to get on the flying carpet. And he isn't reaching for her hand because he wants to hold her hand, he reaches because she'd needhelp getting on it. And yet, it's universally recognized as an incredibly romantic moment.
Very often writers use the mundane necessities like casual touch to set up romantic tension. This narrative approach allows for the gradual planting of the idea in the audience's mind, even in situations where intimacy may not be overtly present, adding nuance and depth to romantic storylines. And in fiction, it's everywhere.
2# The set up wasn't just necessity, it was an intimate moment
In this section I won't try to prove the gesture was romantic, I simply think it's crucial to understand the scene before analyzing it. Katara offering to heal Zuko's scar wasn't a necessity, the touch was the necessity after she already made the offer. This leaves us with a scene that begins with Katara thinking of Zuko as "the face of the enemy", and ends with Katara attempting to heal Zuko's scar.
The moment became intimate the second Katara brought up her mother, and Zuko, who doesn't normally share his emotions, make and effort to connect. Thus, they began to view the other differently, as someone similar to them.
Still, this is their first conversation. And Katara is under no obligation to be even somewhat nice to him. But she decides to use her spirit water on him, and if she had, Aang would have died. That's how important the spirit water is. Saying she "just needed to heal is scar" is quite reductant in my opinion. Choosing to heal him in and of itself is a radical and intimate decision.
Still, non of what I said so far is indicative of romantic build up. Nor is giving other examples from fiction of necessities being romantic indicative of this one being too. So, it's time to finally talk about the touch.
3# The action wasn't actually necessary, to the point where it makes very little sense
Let's remember how Katara did heal using the spirit water:
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She bends the water straight on Aang's back and starts bending it. I repeat: She bends the water straight on the injury.
So writers, please do tell me, if Katara wanted to heal Zuko's scar, where is the water?
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No water and no healing, becsuse it wouldn't look as intimate/shippy with water. Instead, what we got is two shots highlighting the pysical touch between them with soft violin sounds in the background.
In literature, what isn't in text isn't important and should be disregarded. Here, on paper Katara is healing Zuko's scar, but in practice there is no water and all of the focus is on the touching. Therefore, it's signaling the viewers that even though she just needs to cure him, it isn't important. With Katara's thumb on Zuko's lips, with a close up shot on the contact, the only thing that matters is, apparently, their pysical touch.
Additonally, they were interrupted before Katara could do actually anything anyway. In a universe where this scene wasn't ship teasing, Katara would take out the water, almost lay them on Zuko's scar, and then Aang and Iroh would break them out of the cave. Logically, Katara's hand shouldn't have gone anywhere near Zuko, and if it did, it should have looked incredibly unappealing.
But it didn't. In this already very intimate moment, the show puts all the focus on the pysicality of the healing, rather than the healing, and breaking its own logic to do so. Thus, they made it look a lot less like a simple necessity, but rather an act of pure intimacy, as often done in fiction when portraying romantic tension. And that's why this scene was ship baiting.
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ultrone · 1 month
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hii !! i love ur work so much, how about reader taking care of pregnant shauna in the wilderness
lets pretend that her baby made it :(
𓂃  ⊹ reader being the wilderness dad that stepped up 🗣️💪🏻
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while pregnant…
you often found yourself walking on eggshells around shauna cuz of her mood swings, especially when she was hungry, which was pretty much almost every day 😭 if u wanted to stay out of trouble, the only acceptable responses to any of her requests were either "yes, baby" or nodding silently.
and if you happened to get into an argument, your best bet was to either shut the fuck up or just roll your eyes, unless you wanted her to be passive-aggressive towards you for the entire day.
although even if she got mad at you, her corny ass would always end up snuggling into you at night, holding you tightly before falling asleep. sometimes she’d “angrily” turn her back to you for the first ten minutes, but then she’d grab one of your arms and place it around her waist, wanting you to cuddle her lmaooo
after finding out she was pregnant, you began marking down the weeks with a sharp rock on the walls of the attic to keep track of her pregnancy.
around the sixth month, you began assisting her with skinning the animals and cutting the meat. initially, you didn't enjoy the task, but you didn't want her to become even more tired than she already was. therefore, you asked her to show you how to do it, and once she did, you took over the chore to ease her burden.
you'd also make sure to cut her food portions a little bigger while making yours smaller. of course, you didn't tell her this cuz you knew she'd get mad at you for nearly starving yourself at her expense, even though she needed it the most.
whenever she was stressed or exhausted, she loved it when you’d let her sit between your legs, her back against your chest, while you massaged her scalp as she closed her eyes.
during your free time, you’d spend hours sewing beanies and tiny socks for the baby using fabric from some of your jackets and cotton shirts, as you knew he was likely to be born during the winter.
as her belly gradually started to grow, you began talking to it, hoping the baby would recognize your voice once he was born.
you approached shauna's belly, softly caressing it on the sides with your hands. "shippy, if you can hear me, kick your mom for me," you said with a faux serious expression, only to receive a punch on the shoulder. "ow!" you exclaimed, rubbing your shoulder with a pout on your face.
after giving birth…
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you hated to admit it given the circumstances, but you were excited af 😭 as soon as the baby was born, you’d take care of him as if he was your biological son.
even though shauna loved her baby and wanted to spend all day with him, she was actually relieved that you were so obsessed with him too. your preoccupation gave her some much-needed time to herself or simply to rest throughout the day.
you also knew that hungry shauna and restless shauna = everyone’s worst nightmare 😭 so, if necessary, you’d let her sleep if the baby started crying at night, rocking him to sleep on your own.
it became a common occurrence for her to wake up in the morning and see you fast asleep next to her, with the baby tightly cradled in your arms, his tiny head resting against your chest.
you'd often offer to take care of him. in fact, you wouldn't even offer—you'd just literally take the baby from shauna’s arms at random and play with him, rubbing his belly or nuzzling your nose against his face. his response would often be giggling or slapping your face with his little hands.
“ow! stop poking my eye!” you exclaimed, pretending to be stern but unable to hide the smile on your face. the baby just looked at you with wide, innocent eyes, his tiny hand still hovering near your face. “you think that’s funny, huh?” you asked as you tickled his belly, causing him to burst into a fit of giggles. shauna watched from a distance, a soft smile on her face as she watched the two of you bond.
when his teeth started to grow, you carved several animal-shaped figures from unused pieces of wood that were too small to be used for the bonfire. after thoroughly washing them in the lake, you would then give them to the baby for him to chew on.
although he’d usually prefer to chew on your fingers and hands.
⟢ 🍼
"babe, our little shippy seems to have inherited some interesting traits from his mom," you began, a mischievous twinkle in your eye as you watched the baby gnawing on your hand.
shauna glanced at you, curiosity piqued. "oh? which ones?"
you chuckled, gently pulling your hand away from the baby’s mouth. "i made all these cute little wooden animals for him to chew on, but he seems to prefer biting me instead."
shauna laughed, a light blush dusting her cheeks as she saw you pointing at a freshly given hickey she had left on your skin last night while tai was spending time with the baby.
"well, the apple didn’t fall far from the tree, i suppose," she retorted with a grin on her face.
"it didn’t, it actually fell a bit too close if you ask me," you started, "van was playing with him yesterday and out of nowhere he bit her nose so hard it left a mark. i literally had to drag little shippy away from her face because he wouldn’t let go."
shauna chuckled at your story, shaking her head in amusement. she then looked at the baby, her voice filled with affection. "good job, sweetie," she cooed at him while pinching his cheeks, causing you to roll your eyes at her.
you then turned to the baby as well, your voice softening. "but we should probably start teaching you some manners, shouldn’t we? biting people and leaving marks on them isn’t very nice," you said while side-eyeing your girlfriend.
she then looked back at you, a mischievous grin on her face. "although, i can't say i mind leaving a few more marks on you," she teased, giving you a kiss on the neck.
with a blush on your face, you quickly covered your son's eyes with your hand. "shauna, there's a baby in the room," you complained in a playful tone. "ow!" you exclaimed, pulling your hand away from his face as you felt his little growing teeth bite forcefully.
shauna couldn’t help but laugh at your reaction, her eyes twinkling with amusement. “well, he’s just learning from the best,” she said, giving your hand a sympathetic rub where the baby had bitten you.
she leaned in to give you a quick peck on the cheek. “and just so you know,” she added with a playful smirk, “i think he’s already showing signs of being as stubborn as you.”
feigning shock, you retorted, “shauna, you’re setting a bad example for our son,” earning another round of laughter from her. the baby, oblivious to your banter and the clear discomfort on your face from the previous bite, simply continued to stubbornly chew on your hand, his tiny teeth leaving their mark.
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note : thank youuuu, it means a lot <33 i hope u like the hcs
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redriotinggg · 4 months
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You know what I need? Strawhats raising a child, could be shippy or not, but I need them finding a baby and Luffy being like "I WANNA KEEP IT! How hard can it be to raise a child?" (Famous last words) This is less about wanting to be a father and more about thinking about this as another great adventure and experience for Luffy (besides if its a situation like finding a baby in a treasure chest they cant exactly leave it... tho I imagine Nami seeing Luffy with a baby in arms and being like "wtf, where did you get that???" Luffy: "I found it in a treasure chest :)" Nami: "WELL PUT IT BACK ITS NOT YOURS!")
Of course raising a baby in a pirate ship is bound to be dangerous, so most of the crew is like "lets find it a good family in the next island" so maybe it's more of a Tokyo Godfathers situation.
Who are the better parents? Who absolutely suck at parenting but want to help regardless? Are any of them like "I absolutely don't want any part in this" but end up being roped in regardless and end up getting attached to the child? Does the child end up being raised by Strawhats or they get them to a nice family somewhere safe?
If you know of any fanfics that are like this (if they're gen/Nakamaship the better) please reccomend them to me I'm in desperate need to see that, child raised by a village trope my beloved
Pffttt a baby should definitely NOT be aboard the Sunny but if it happened I can imagine that yes, Luffy found a baby in a treasure chest and by the time they realized what happened, they were already on the open water headed to the next island.
However, the first thought that came to my head was that Zoro was sleeping while guarding the ship and someone managed to dump the baby onboard. He wakes up and there’s a baby—just under a year old—sitting across from him, fist in their mouth and a note on their forehead that says, “YOUR PROBLEM NOW”. There’s nothing left for him to do other than wait and pray that the kid doesn't start crying or pooping.
The rest of the crew comes back like Uhhhh Zoro???? When did you give birth????? To which he yells that he didn't, you idiots!
Now they don't know what to do because they can't bring a baby on the seas in the New World, but the island they're docked at wasn't very welcoming and likely wouldn't care about an orphaned child.
Luffy makes the decision easily--they'll bring the baby with them and they'll be an honourary Straw Hat! If they get their adventure started now, the baby will be at a huge advantage when they become a pirate when they grow up. Raising a baby must be easy if so many people do it! But it doesn't take long for the others to convince him that keeping a baby abroad for an extended period isn't a good idea, so they decide to keep the baby until they can find them a good home.
Luffy is not so surprisingly great with the kid, although he's not allowed to be left alone with them. The crew freaked out when they found him and the baby asleep on the head of the Sunny. It would've been a sweet scene if they both weren't at risk of falling and drowning to death. If the baby starts crying and Luffy can't get them to stop in 2 seconds, he dumps them off to the nearest crewmate--he usually deals with crying kids by beating them up, but the baby's too young for that. Plus, the noise really hurts his ears!
Nami canonically loves kids and babies!! She doesn’t mind taking care of the baby until they can find somewhere safe for them. Except this baby is getting on her damn nerves because, for some reason, they don’t like Nami. At all. Every time she tries to hold them, they cry bloody murder. To add insult to injury, the baby absolutely loves Zoro, who still wants nothing to do with the baby. But she is nothing if not stubborn, and eventually, she and the baby are thick as thieves.
The baby loves Usopp because he’s so silly! He makes the baby laugh by playing peekaboo and he even whips up little toys for them to play with. He flails dramatically when the baby grabs his nose or pulls his hair, both of them laughing without a care in the world.
The baby is too young to be scared of Brook, so they just laugh as he dances and sings nursery rhymes from all over the four seas. His lullabies are very effective in calming the baby's crying fits or getting them to sleep.
Sanji prefers dealing with children when they’re old enough to speak, but he’s not immune to the effects of an adorable baby. If it’s a girl she gets the absolute princess treatment, complete with baby talk and compliments of how cute she is. A boy baby gets his hair gently ruffled. Either way, Sanji happily admires Robin sitting with a baby in her lap before he’s off to puree some fruits and veggies.
Chopper loves babies and thinks this one is so cute!! But he’s embarrassed by how jealous he is of all the attention the baby is getting. He can’t help it! He’s used to being the one taking naps in Zoro’s lap and being fawned over by Robin. He’s happy to have the baby with them, but he wishes he got some more attention, too.
Jimbei and Franky don’t dislike babies per se, but they’re just so small and fragile compared to them. They mostly watch the other crewmates interact with the baby from the sidelines.
Franky’s nerves aren’t helped as Robin keeps coming up to him while holding the baby and talking about how cute they are and how parenthood is such a privilege, don't you think, Franky? She manages to convince Franky to hold the baby and when he does, he bursts into tears. Overwhelmed, he passes the baby off to the closest person, who happens to be Jimbei, whose eyes also fill with happy tears when the baby snuggles up to him. Both of them stop keeping their distance after that.
Robin reads the baby bedtime stories! But the crew have also walked by and overheard her reading books about death, disease, and war. She speaks to the baby in all of the languages she knows and tells them all the secrets she's learned. It's too bad the baby is too young to retain all that knowledge, but she's more than happy to share anyway.
Zoro doesn't like kids in general, but kids love him, including this baby. The rest of the crew find it hilarious how awkward he is with the baby. You'd think he'd be used to holding a small being considering how often he carries Chopper around, but no, he's hopeless. Zoro is teased relentlessly for the way he talks to the baby. He talks to them like a grown adult and it's both endearing and ridiculous.
Absolutely nobody wants to change dirty diapers. There are physical altercations, manipulation tactics, and an abundance of tricks used as each Straw Hat tries to avoid diaper duty. (Usopp uses dirty diapers as canon fodder and ammo when they run into trouble on the water.)
Most, if not all, of the Straw Hats have mommy and/or daddy issues, so raising this baby gives them all a chance to heal, whether they realize it or not. It also gives the crew an excuse for group cuddles, not that they ever needed it.
The crew have all grown very attached to the baby by the time they reach a safe place with people they trust to raise them. A few crewmates (Usopp, Nami, Robin, Brook) want to keep the baby around--it's too cruel to leave them, now! But Luffy has made his decision. It's too dangerous for the baby out on the seas of the New World. But once they've found the One Piece they'll be back to visit.
Usopp made the baby a teddy bear and dressed it as Luffy, complete with a straw hat. Sewn to the red fabric of the hat is a note written by the crew, a photo of them all, and a piece of Luffy's vivre card. If the baby grows up and ever wants to come sailing with them, all they have to do is ask.
--
AAAHHH this was so fun omg!! I love babies sm and there'd be so many antics if a baby was on the Sunny. I doubt I'd ever write a fic myself though, but I'd be happy to think up more hcs in another ask :)
I don't know of any nakamaship fics like this, so if anyone does please link it in the comments. But! KazimaKuwabara has this FANTASTIC fic feat. the Straw Hats taking care of their de-aged nakama. I've read it so many times, it's great.
Thank you for the ask! Keep em coming y'all, I live for this.
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dreamofbecoming · 11 months
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yeah alright this got away from me. posting in pieces, part one is just stobin, no shippy stuff. steddie and rockie to follow. i'll drop it on ao3 once all 3 parts are done
now on ao3!
platonic stobin
rating: t
wc: 3.5k
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Robin stopped being surprised by Steve Harrington showing up at her bedroom window months ago. Jesus, there's a sentence her 16 year old self wouldn't fucking believe for a second. The Hair, climbing up the trellis her dad built for the roses her mom planted and then forgot about three months later? Yeah right, as if. But it turns out alternate dimensions and sci-fi movie monsters and Russian conspiracies in Bumfuck, Nowhere, USA are all real, so how surprising really is The King himself, collapsing through her window with all the grace of a baby giraffe, out of breath like he- holy shit, did he fucking run here?
"Dingus, did you run here? What the hell?"
"Had to- hang on, Jesus. Holy shit." He bends over, hands on his knees, panting like he just ran a marathon. Which, she guesses, he almost did.
"You have a car, you lunatic, what could possibly be so important?"
"Didn't think about it. Had to get here."
"Is someone dead?!" Oh fuck, Is the Upside Down back? Oh shit, oh no, it can't be back, right? Superhero girl closed the gates! Right?! Oh god, oh no, oh fuck, it's back, the Russians are back, they realized they couldn't let her live after what she's seen, her parents will never even know what happened to her, and they'll kill Dingus too, and dorky little Henderson, and that menace Erica, oh god, they're gonna die, and Hopper's gone and superhero girl is far away and she doesn't have superpowers anymore anyway, which is frankly bogus because what the hell, Robin never even got to hang out with a real live magic person before, which, ok, that's a selfish thought, but that's ok, we can think selfish thoughts and then set them aside and not act on them, thoughts are not actions, thoughts happen all the time without our consent, they don't determine our character-
"Bobs, you're spiraling. Nothing bad happened, I just realized something and I freaked out and I had to talk to you right away. Forgot to call. Sorry, I should have called. Ran straight out of the house. I don't even think my shoes match, what the fuck?"
She's gonna kill him, she really is.
She loves him so much.
"Jesus, you're insane. Sit, you absolute dweeb. I'm getting you some water, when I get back you can tell me what the hell is going on."
He's sitting on her bed when she gets back upstairs, staring at something in his hands. Christ, his hands are shaking. What the fuck, Dingus?
He takes the water and downs it in one go- ugh, sports guys- then flops onto his back and covers his eyes with a miserable groan.
"I know we've got the whole twin telepathy thing going on, bubba, but I'm gonna need at least a little bit to work with here. Give me something. Is it your parents? The kids? Uh, what was her name? From Thursday? Janice?"
"Janine, and no. Ugh. Here." The arm not covering his eyes flops out towards her, holding- ah. A zine. He had promised to drive up to Indy last weekend to the secret bookshop she told him about and get her some new ones, even though she couldn't go with him because her cousin Randy got caught cheating on his fiancée and her parents made her come with the rest of the family to help him move. Fucking Randy. Maybe he should make better choices, so the rest of them wouldn't have to clean up his messes. Jerk.
Anyway.
"Marked the page." Which, yep, there's a purple paper clip stuck to a page near the middle, because Steve knows how much she hates people who dogear books, even books that aren't really books at all, so he's been training himself out of it, because he's sort of the best. Again, 16 year old Robin would have her committed for thinking that, but here we are.
The pamphlet isn't one of the periodicals she sent him for, so he must have picked it up on his own. It looks handmade, just some folded sheets that look like they came out of a typewriter, bound with the kind of twine you can buy at the hardware store. It's called Awakenings. The page he's marked looks like a personal essay, no title, no real signature, just a pair of initials at the end of the page and a half of writing. She starts reading, trying to figure out what the hell spooked Steve so bad.
"I've always been normal. I've always had crushes on men, just like the other girls. There was never a feeling of "I'm different," or "Oh, this is wrong." There was never anything to think very hard about. I'd giggle and blush when the boys looked over at us on the playground, same as everyone else. Later on when I was older I looked at my poster of Harrison Ford, shirtless and hairy and sweating, and I touched myself, and it felt good, just like it was supposed to. I didn't mind thinking of my future husband, and our future kids, and the pretty house with the pretty garden we'd have, just like my parents have, just like they wanted for me. I was normal. Everything was fine.
I thought everything about me was normal. So I didn't understand why the other girls at sleepover parties would giggle and stop and say "Ew, gross!" when we practiced kissing. It felt nice! I wanted to keep going! But it seemed like no one else did. I didn't understand why none of them talked about getting butterflies in their stomach when Laura, who was the most beautiful girl I'd ever seen, transferred in our senior year, why they seemed so angry at her. Those butterflies were what jealousy felt like, right? So why did the other girls seem to feel so different?
I made my first lesbian friend in college, on the very first day, right across the hall in my dorm. We sat next to each other at Orientation and I thought I'd never have another best friend that wonderful in my whole life, so I'd hold on to her with everything I had. She came out to me the night before Christmas break, hiding under the blankets in my dorm room with the twinkling lights glowing. She was so scared. I held her and told her I loved her no matter what, and she seemed so glad, to have someone to talk to.
When she talked about falling in love with girls, I was so confused. The way she described it sounded like what it felt like to have girlfriends, I was sure. I felt that all the time. I asked her if she was sure she was gay, and she looked so shocked and angry and hurt, and I didn't know how to fix it, so I tried to explain. That what she felt couldn't be liking girls, because I felt that too, and I was normal. I liked boys, so I couldn't be gay. I couldn't be.
I'm glad it was her I said all that to. If someone else had told me about being bisexual, I think I would have hated them. I would have cried, and screamed, and said horrible things. Because I wasn't gay, I was normal, and it was so scary to think that might be a lie. Thank God it was her, my best friend in the world, who I never want to lose. Thank God I listened.
Because I'm not normal. I'm queer. I like men, and I like women. I can love them both the same, but it doesn't matter anymore, because I love her. I love her, and she loves me, and I don't need to be normal anymore."
Robin's face feels wet, which probably means she's crying. She cries a lot, reading these sorts of stories, in the zines she has to keep hidden under her bed, or, these days, at Steve's house. It's never going to be her, she knows. Not here in Hawkins, but it still makes something ache deep inside her, like pressing on a bruise, but in a good way, seeing love happen to other people. People like her. Seeing that it can.
"So?"
Oh shit. Right, Dingus. They're about him right now. Something about this essay in particular freaked him out.
"Uh. It's. A nice essay? I'm glad things worked out for them?"
Stevie lets out a pathetic whine, sort of like back at Scoops when he earned a particularly bad tally on the You Suck board. "Robbiiiiiiieeeee!"
"I'm sorry! I think I'm missing something, what's wrong with this essay? I don't get it, bubba, I'm sorry. I need some context." She does feel bad. Usually she can pluck whatever's bothering him right out of his brain and into the light, where it almost never looks as bad, but she's at a loss right now.
He's got both hands over his face again, and his response is so muffled she can't make out a word.
"Try again in human sounds, please."
"Ugh! I thought everyone felt like that!"
Huh? "Felt like...what, exactly?"
"Like that!" He flails wildly at the pamphlet in her hands. He's sitting up now, hair all askew from tugging at it, and there's a vaguely worrying crazed look in his eye, like right before he tackled that guard. "Like kissing boys and girls both feel nice, and like seeing a handsome guy and feeling jealous of him makes my stomach flutter, and like having friends feels the same as having crushes! I thought that was just how everyone felt all the time!"
Oh.
Oh.
Oh no.
Poor Dingus! No wonder he panicked and ran here like a crazy person!
"Stevie, can I hug you? Please?" She's not much for physical touch most of the time, but Steve is, and also she's found in the last few months that she doesn't mind so much when it's him. She sort of understands why other people like hugs so much, if they always feel like hugging Steve feels for her. And she really thinks he needs to be hugged, right now.
He nods miserably. She drapes her arms around his shoulders and holds on as tight as she can, hauling him sideways until he's practically laying down on her. He clutches her back and buries his face in her shoulder. She can feel her neck getting wet with tears, a sensation that would normally make her want to claw off her own skin, but this isn't about her. Dingus needs her.
"It's ok, bubba. I'm so sorry. I know how scary this is. When I first figured out I had a crush on Linda Sanderson I cried so hard I threw up, you know? I get it. It's gonna be ok, I promise. We'll make it ok. We faced down evil Russians and giant meat monsters, what's a little sexuality crisis, huh? We got this! We're the goddamn Wonder Twins!"
He snorts at that, which she's pretty sure leaves snot on her neck, which. Ew. Still. Problems for Later Robin.
"We are not, Will and El are the Wonder Twins."
"Uh, nope, no chance, I barely even met them so therefore I am vetoing their application. Sorry kiddos, better luck next time! Find your own nickname, losers!"
Steve sits back, laughing, and she preens a little at being able to bring him back from the brink so easily. She loves him so much she feels like she's glowing with it, sometimes. It almost makes her wish she was straight, because what girl is she ever going to find who loves her this much? But only almost, because. Well. Girls, amiright? Phew.
"So what now, Stevie? You wanna say it out loud? That helps, sometimes. You wanna not say it out loud? You wanna go to a gay bar and find you a boy? You wanna never think about it again? It's totally your call."
"Say it out loud, huh?"
"Hm. It took me like a month, and then the first time I could only say it sitting in the back of my closet with the bedroom door locked and the closet door closed, and I could only whisper it. Just "I'm a lesbian," to myself, like the world's most ironic little goblin. And I had to throw up again after. But it did feel good, once I rinsed my mouth out, anyway. Cleansing, you know? And it gets easier every time." Steve's eyebrows are raised and he's chuckling again, so that's a win. She's not lying, but it is sort of funny, she supposes. In hindsight, anyway.
"Ok. Ok, I can do that. I think. Yeah, I can do that."
She's so proud of him. He's the bravest person she's ever met, she thinks. "You wanna get in the closet?"
"Isn't the whole point to come out of the closet, Robs?" He's smirking at her. Bastard. She whacks him in the shoulder on principle. He may be having a crisis, but he's still a jackass. Her favorite jackass in the whole world, but still.
"Har har, you're a regular Bob Hope. Alright then, bigshot, let's hear it."
A little of that fear creeps back onto his face, and she wishes she could wipe it off, but that's not how this works. They can't make the scary things less scary. He couldn't make the Russians less terrifying, but he could hold her hand and make her laugh and carry some of that fear with her. She can do that for him now, too.
She grabs his hand, and he clutches back tightly. He takes a deep breath.
"I'm...fuck. Ok. Ok, I can do this. I'm...bisexual." The air leaves him in a big whoosh, and he laughs a little. "Yeah, ok, fuck. I'm bisexual. Holy shit, Robbie, I'm bisexual!"
"Hell yeah you are!" She's grinning so hard her cheeks hurt. She's so fucking proud of him.
He's laughing again, a little hysterically, and he hugs her tight again, and she holds him back just as close and thinks oh, he's like me. I'm not alone. I have Steve, and he's like me, and he's mine forever and ever.
When they separate, she looks at him seriously.
"So do you, like, want this to be a thing? Because we can totally make it a thing, and like, get me a fake ID and go to a gay bar and do all kinds of wild shit if you want, but we don't have to, you know? If you need to just, like. Digest this, for a while. It's totally up to you, I just know it took me a while to feel ok with it, and I have no idea if it's different for you but I just want to be what you need, you know? You've been so good with me, and I've never had a queer friend before, so I don't know how, but I want to be just as good to you. You're my Dingus and I love you and I don't know how much of a gay guru I can be on account of, you know, I've never met any gay people besides me and the pretty lady at the bookstore but I couldn't even get real human words to come out of my mouth when I tried to talk to her so I don't think that counts, you know? But I still wanna help! Let me help!"
"Bobbie! Bobbie breathe, you're gonna pass out. I don't think I need a gay guru, I just need a gay best friend, and I have that, so I promise I'm good, ok? Promise. Also I love you too.”
She takes a deep breath, following his lead the way they worked out in the horrible days after Starcourt, when she couldn't sleep without him next to her, warm and alive and breathing, and even then she would wake up in the night with her breath coming short and her vision tunneling and Steve would hold her hand against his chest and breathe slowly, in and out, until she could follow him, and the world wasn't so terrible and scary and loud anymore.
She still thinks about that awful hour underground, thinking she was strapped to the corpse of a boy she never let become her friend, but Steve is always there now when she needs him, and he never complains when she grabs his wrist or puts her head on his chest to make absolutely sure that big, stupid heart is still beating.
When she's breathing normally again, he drops their joined hands down between them, toying idly with the chain linking her ring to her bracelet. "I think...I think I'm glad I said it, and I'm glad we talked about it, but can we maybe just...put it away, for a while? Like it's not...ugh. I guess this is kind of shitty to say, so like, hit me if you want, I guess, but I kind of don't think it matters right now?"
"No no, that makes perfect sense! Like, you still like girls, right?" He nods. "And you don't like. Have a crush on any boys right now. Or do you? Oh man if you do you have to tell me though, it's platonic soulmate law. It's in the bylaws, Steve, don't make me soulmate fine you!"
He laughs and shoves her face away. "Jesus, Rob, no! I don't have a crush on any guys, who would I even crush on in this town? We're not exactly swimming in eligible bachelors. I don't have a crush on anybody at all, I'd tell you, I swear. I know the rules!"
"Oh phew, good. You have to tell me when you do, though, I'm way excited to get you back for making fun of Tammy."
"It was the God's honest truth, Bobbie! She sings like a muppet!"
"Oh my god, shut up, Dingus! Ugh! As I was saying, you super duper have to tell me when you do, but for now, I think maybe you don't have to think about it really at all if you don't want. I mean, practically speaking, it's not really relevant to your everyday life, so we can totally revisit when that changes, but you don't have to like. Join a pride parade tomorrow, you know? You are you who are no matter what. You don't have to prove anything to anyone, especially not to me, not ever."
He leans his head on her shoulder, and she scritches her nails through his hair. It really has no right being as soft as it is, with the amount of hairspray he uses. It's frankly rude, is what it is.
"Thanks, Bobs. I think I'm just gonna put it away for now. It just...another thing to know about me, you know? Like, I'm bad at fighting people but good at fighting monsters, all my best friends are kids except you, I'm bi but it doesn't matter because there aren't any boys to date in Hawkins anyway. Plus my dad would kill me if he found out. Like actually kill me, not "oh geez I missed curfew, my dad's gonna kill me" type kill me, like I think he'd actually try and beat me to death. So there's really no reason to talk about it right now, you know?"
There's a pit of ice in her stomach, and she tightens her arm around him like she can keep him safe just by holding on tight enough. She hates how casually he said that, just like she hates how casually he always talks about how his parents treat him, like he honestly believes it's normal. "Jesus, Dingus. You know you can come here if you need, right? My parents love you, they already think we're getting married. They'd make you sleep in the guest room, but I could sneak you in here easy."
He snorts again. "We're totally gonna end up married for tax reasons anyway, we're never beating the rumors." That makes her snort, too. He's not wrong, though. She isn't going to be allowed to have a wife anytime soon, and if she has to choose someone to be her next of kin, it's always gonna be him. They're planning to move in together when she goes to school next year anyway. No one is ever gonna believe them that they aren't dating, but that's...fine. Honestly, there are worse things. Better to have Steve by her side than not, and if no one else understands them, well, they understand each other, don't they? That's more than enough.
"Yeah, I know I can come here if I need, Robs. It's fine mostly, I swear. They're not home until Christmas anyway."
He takes another deep breath, like he's settling himself. "I'm just glad we talked about it. I feel better now."
She cards her fingers through his hair again, basking in the feeling of her favorite person so close, and so content. "I'm glad, Dingus."
They're alive, and they're together, and they're queer, and neither of them is ever going to have to be alone again.
"Hang on, did you say you've kissed girls and boys?!"
part 2 part 3
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beanghostprincess · 6 months
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What’s so fascinating about shuggy that makes you go this wild? Aren’t shanks completely over this guy? And buggy just bitter? Am I interpreting it wrong?
I'm not gonna ask whether you want the short or the long version, because I'm gonna give you the longest, gayest version no matter what you tell me. So. Yeah. I think I'm kind of crazy about them but in a very normal way (I just lied on the internet). I'm gonna answer your last three questions before actually getting into the subject of why Shuggy makes me go so wild:
(Spoilers: manga ch.1082 and that Wano flashback)
Shanks being "completely over this guy" would be a very simple way to put his feelings for Buggy into words, I think. Although the fandom exaggerates the way he feels for him (turning into obsession and just complete depression) for fun or for angst purposes (I must say I don't really dislike it and I do believe Shanks still holds Buggy close to his heart in this way, and if we talk in a shippy way, he's definitely the clingy one) I think Shanks isn't completely over Buggy. At least not in the cynical way some people say. I think that after parting ways, Shanks accepted Buggy leaving him. I don't think he quite understands his reasons (he never will, tbh) but accepted his decision. I think he tried to choose the more mature way (not that he had other options) and moved on. But moving on doesn't mean forgetting or being completely over someone, because I wholeheartedly think that even if Buggy isn't on his mind 24/7, he's still one of the most important people in Shanks' life and story. Buggy is there in the back of his mind like a catchy song you can't get rid of, you know? It itches sometimes, too, but Shanks can't do anything about it so he just lives with it. To Shanks, he would gladly reconnect with Buggy and go back to the way they were in the blink of an eye, but he knows it can't be. I think Shanks has moved on but the second somebody mentions Buggy he goes into nostalgia mode and thinks about their times together back when they were just kids with endless dreams aboard the Oro Jackson. I think Shanks has more things to worry about than his past to be the way the fandom portrays him, but that doesn't mean he has completely forgotten about it and doesn't want Buggy back. Because he definitely does.
Buggy is- He isn't just bitter. I don't think you can say Buggy is just bitter when Shanks' decision was what determined his whole life. Leaving the thing about the map and the devil fruit aside (which also affects the story but we know his resentment isn't really about that) Buggy has every right to feel the way he does towards Shanks. Perhaps it's just that I find this pathetic clown to be very relatable, but I will always be both a Buggy apologist and defender. I'll probably get into a more detailed version of this later, but Buggy isn't just bitter. Buggy is rightfully frustrated at how his life ended up to be without Shanks. "But he's the one who left Shanks"... Is he, though? He did leave Shanks physically, but Shanks was the first to break the relationship. The thing about Buggy that I absolutely love is how his character portrays envy and jealousy into a... I wouldn't say healthy way, but at least not a damaging way to Shanks. Despite fighting all the time, they obviously loved and cared for each other. Being best friends and the youngest of the crew, always together in both the worst and best of their moments, etc. So Buggy, even though he lived as Shanks' shadow, that isn't why he's resentful towards him. He could be angry about that, right? Just bitter Roger chose him to keep his legacy alive instead of him. But no. Buggy chose to follow Shanks instead because he trusted him. Because he thought "Well, I might not be able to follow my dream, but Shanks will do it for us as our captain's legacy". Which makes sense because they were so damn close. They're always together. Like. Just watch/read the Oden flashback. Their presentation was even together, lmfao. And when they talk about them, they mention them together. The whole thing about Shanks not going to Laugh Tale to take care of Buggy? It's just- It's just so obvious that they were best friends and intended to be together forever. Buggy was willing to follow Shanks until the end of the world until Shanks hesitated when asked about following Roger's steps (Buggy doesn't actually say he'll be in Shanks' crew, but the way he reacts to Shanks' words makes me think he would've accepted to go with him as a co-captain until... Well. Yeah. That happened). And like, I get it. Shanks knew they were too young. Shanks knew they needed to grow up and live more experiences as pirates before going to Laugh Tale and for the One Piece. For Shanks it's just a little pause before they actually fulfill their dreams. But for Buggy? For Buggy, his whole world is crumbling down because the person he trusted the most literally told him he wasn't going to follow their dream. For Buggy, Shanks doesn't take the role of Roger's legacy seriously enough, so it's unfair. It's unfair that he had to leave his dream behind for him. It's unfair that he trusted him. It's unfair that Shanks didn't believe in himself. It's unfair that their captain died. It's unfair that now Buggy has to be completely on his own, with no ability to swim and no map to follow because Shanks also ruined that for him. So, yeah, Buggy is a bit more than just bitter, and rightfully so. It's classic miscommunication because obviously, Shanks wasn't going to give up on going to Laugh Tale, but Buggy takes it that way. And he also sees it as Shanks doubting himself and the dream and it's unfair that the one who got the straw hat is the one to hesitate, and the one who didn't get anything is the one who wants to fight for their dream. Buggy is more than just bitter. I know it's played for laughs, but his grudge towards Shanks is deeper than that.
You are not interpreting it wrong, tbh. I think the fandom just exaggerates their behavior and in canon you pretty much have to analyze the characters to fully understand them. If you're not a fan of these two characters, their whole relationship can feel like "Oh, they were just friends in the same crew" even when it's way deeper than that. Although I think chapter 1082 (my favorite chapter ngl I've read it so many times google instantly shows it to me when I look for the page where I read OP) explains what I just said pretty well from Buggy's POV.
So now onto the real question, what's so fascinating about Shuggy?
I'm gonna be honest with you, before writing this I have to say that I have a tendency to love these types of ships. Soukoku (BSD) and Satosugu (JJK) are no exception and they follow the same "former BFFs/partners who turned into enemies and are very very gay". The reason I like these three ships so much is probably because of personal experiences I'm not gonna talk about, but somebody mentioned something very interesting about lesbians/sapphics relating to these ships because we always have this experience about having a really close girl bff that we have a crush on, but since we don't acknowledge the real feelings, it ends up in a very toxic way that leads only to resentment and nostalgia. And, you know, as a lesbian who has been through that I can confirm wholeheartedly that this is why Shuggy is so important to me (considering Shuggy a ship for the lesbians in my heart </3)
Leaving that aside and the fact that childhood best friends to lovers is like my favorite trope, I just think their characters are so perfectly written. And it's surprising because they barely have scenes talking about each other or being with each other (Marineford is Shuggys' Roman Empire atp, although I will always remember that first flashback in episode 8 in the anime. That changed my life fr). But their story is made with so much care and love for the characters (it's obvious Oda likes Buggy a lot) that you can feel it. At least I do. Because although not having many scenes they've completely taken over my heart and soul.
Shanks is a very complicated character due to lack of information and the fact that we know he hides something deeper, but he is, after all, a symbol of hope and dreams. At least for our main character. Shanks is the main reason why Luffy becomes a pirate and there are so many parallelisms between them that I can't count them. I find it so ironic that the symbol of hope and freedom Luffy follows is actually somebody who crushed somebody's dreams and hopes. Talk about irony, right? And then we have Buggy, who's the complete opposite. With Buggy's first appearance (and honestly all of his scenes until the Wano flashback and chapter 1082) we think he's one of the bad guys. And yeah, all of them are like that because they're pirates and yadda yadda. But I'm talking about "bad guy" as in "bad bad person with no hopes and dreams and that is just interested in being feared and powerful". And he is a failguy. A very funny one, too. But he's so much more. And the fact that this comedic relief character that's always played for laughs when it comes to his own misery turns out to be the one who has the biggest of dreams and the biggest of heartbreaks about it? It just shatters my heart.
Shuggy makes me go wild because of Buggy, mostly, ngl. I wouldn't like Shanks this much if it wasn't for Shuggy, probably (I love him a ton outside of his relationship with Buggy, but you know, it makes things a lot easier). I like Shuggy because the topics the ship touches are very emotional and angsty and they crush me completely. Buggy living in Shanks' shadow? Buggy wanting to follow Roger's steps and following Shanks instead because his self-esteem disappeared the moment his captain's legacy ended up on Shanks instead of him? The trust he had in Shanks? The way Shanks hesitates and the way Buggy refuses to follow somebody like that? Buggy running away on his own because he gave up his dream for somebody who doesn't even treat it the way it deserves? It's just heartbreaking. Especially if you have in mind that they just lost the man that raised them.
Buggy then becomes somebody that people make fun of and ridicule, and they don't even think about the possibility of him being part of the crew of the king of the pirates. And when they find out, they can't believe it. They don't talk about this much, but I think that it must hurt so fucking much to be seen this way. He was just as important as Shanks. Roger loved him too. And to this day, being Shanks' shadow still haunts him. I love the angst Shuggy has. It breaks me and I love it.
Then, (and this is something I adore) with the creation of Cross Guild, Buggy has the chance to get out of Shanks' shadow. He's surrounded by two guys who only think about money and stability and business and... It's boring, isn't it? It's not flashy! And I think he has this realization of "this is my chance to prove I'm worth something. This is my chance to actually go for my dream. Mine" because these two idiots keep talking about boring things instead of following their dreams and aspirations and bigger things! And it just shows how much Buggy truly cared about Laugh Tale and the One Piece and how much he has had to wait for it. And this has nothing to do with Shuggy, I just really love this fucking clown.
Oh, and I forgot to mention that I love Shanks making Buggy lose the map and eat the devil fruit. Because, okay, in retrospect it feels very stupid because it was a simple accident. But just hear me out- Even though it was an accident, Buggy lost his ability to swim for powers he didn't want. He lost the ability of independence, because what's a pirate on his own if he can't swim? He lost his individuality that night, and we see him depend on others constantly throughout the show. And Shanks mentioning that Buggy is a great swimmer? Oh, fuck you Oda for making me cry so early in the show. Then, the map. He lost his individuality and then he lost the only thing that led him to a future with treasures and his dreams. Then again, losing his independence because he couldn't just go on his own without a map. Fucking great. The fact that Shanks jumps to rescue him the second Buggy starts to drown haunts me at night, too. They're just so-- Ugh.
But Shuggy is not everything about Buggy's resentment and angst. And it's not about Shanks missing him and wanting his best friend back because he doesn't know what happened for him to run away so easily.
It's also about unconditional love, and I am so passionate about that. Shanks care and love for Buggy is something the fandom exaggerates but... These people are not wrong, tbh. Shanks gave up his dream to go to Laugh Tale (postponed it) to stay with Buggy and take care of him because he was sick. Shanks is a very selfless person all the way, and when it comes to Buggy it seems that he doesn't hesitate to put him first (in serious situations. Their usual arguments don't count. They're just stupid, and love to argue and fight like the divorced couple they are). And besides, this happens right in the same episode after Toki gets sick and Oden wants to take care of her but she forces him to follow his dream and leave her behind. Like- What the actual fuck. Ah, yes, parallel the main couple in the Wano arc. I'm sure that's not romantic at all. The difference is that Shanks stayed. And god, does that hurt. Especially when he says they'll go on their own one day, because it shows he cared about Laugh Tale too (I mean, ofc, but from Buggy's POV it's just different).
To end this I also want to say that, leaving the whole deep analysis behind: Their personalities just match. They're funny to watch. They're cute. They have an angsty story behind them. They won't stop arguing like little kids but they care for each other still. They are chaotic. They're just... Perfect for each other.
Hope you liked my tiny essay about them because I could've kept going on and on and on about it, but some people (like me, sadly) have to wake up early tomorrow to work instead of just posting about gay fictional characters (somebody please pay me to do these things and I'll stay on tumblr 24/7).
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chevvy-yates · 7 months
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Happy Birthday Arki ❤️
now u got your 'copper divine' boy to hold in your arms forever. 🧡
[NC_RES]_00001727 mercs_night_steyr_portraits_03_PFCA.file ///core:_spiced_paprika.file\\\
Arki belongs to @nervouswizardcycle. Vijay belongs to me.
⚠️ READ: Please do not repost/reupload any of my art here or to any other platform, or I will be forced to do anything to get it annihilated.
It only took a whole year, two months and eight days of desperate waiting to see these two pixel men finally together* — yup, on September 10th, 2022 I asked @nervouswizardcycle about the thought of our two boys together (feeling like a complete gonk btw), after Arki went courting around him.
So today, November 17th, 2023 I gift my boy Vijay — finally as NPV thanks to the magical @gloryride once again 💖 (she did it already with Ry to Thy's bday I mean) — to my most beloved oc of my dear friend @nervouswizardcycle.
Happy Birthday u two. <3
My first try with them brought me back to Pacifica where I've tried to take shippy pics by using photoshop one year ago to have at least a tiny peak into how they would look next to each other together.
So I went back to the place and captured this set of them enjoying the view towards the ocean while the sun sets as they ravel in a calm moment of togetherness.
I remembered Arki would promise V every holo he would like to have in one of our too many hc talks about the boys and thought I could at least add a sakura holo tree, as holo orcas sadly do not exist.
It makes me incredibly happy to see them together. Arki deserves all the love and now he finally, finally, finally has his copper cutie in his arms! T_T
I intended to make a lil' story like I did with Ry and Thy but I think this scene is better without words as they understand each other without. So I let the pictures speak instead. <3
*Ry got only first because I had to wait for permissions for V's npv why it took so long and to this day I am still waiting – but Glory did a magic trick and fiddled around with some mods so we still could include a few while the rest was just left out, as it only is accessoiries anyways. Glory ilu foerver <3
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assorted-candy · 7 months
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20 Q's for Fic Writers
I got tagged by @dp-marvel94! Thank you!
1. How many works do you have on Ao3? 
I've just posted my 22nd work a few days ago!
2. What's your total Ao3 word count?
37,763
3. What fandoms do you write for?
So far, all my published fics are for Danny Phantom. It's a fandom that's near and dear to my heart and my favorite to write for. I've written fanfiction for myself in a lot of different fandoms over the years. Miraculous Ladybug, Mega Man (Star Force, Battle Network) and Fire Emblem are a few. (Will these ever see the light of day? Probs not, lol)
4. What are your top 5 fics by kudos?  5. Frayed Ends - 37 kudos - Jazz and Maddie are fighting more often. Jack wants to reach out and help his family. 4. The Same Blood - 45 kudos - Maddie and Jack try to help a sick girl that collapsed in front of their house. They don't know what to make of her condition. Danny wants to help.
3. Returned Home - 49 kudos - Maddie finds Danny at home after he disappeared ten months ago.
2. The Broken Pieces Left Behind - 66 kudos (tie) - Maddie knew what the portal did to Danny. If she could create something that essentially turned him into a ghost, she could figure out a way to fix all of it. Even if she hasn't made any progress in the past two months, she'll keep trying. She didn't account for what Danny wanted. 1 . What's Out of Out Control - 66 kudos (tie) - Danny thought he had it under control. He thought he could finally hang out like they used to always do. Tucker could feel the rift between them widening. It wasn't getting smaller anytime soon.
5. Do you respond to comments?
I try to! There were a few comments from my two earlier fics that I never responded to and it's already been so long and I feel like I ended up putting it off too long to say anything now 😓But I'm so so thankful for all the comments I receive! I never thought anyone would read my work, let alone comment on it. I'm always between two modes of 'author commentary' and 'screaming thank you and running away'.
6. What is the fic you wrote with the angstiest ending?
Lol, I love my angsty stuff and there are so many different flavors of angst, so it's hard to pick just one. I'd say the piece I aimed to write for Angst Fest, The Broken Pieces Left Behind, might be it. It ends on a rather hopeless note for the Fenton family that even I don't know how to make everything better for them
7. What's the fic you wrote with the happiest ending?
Probably Home for a Cat. It was for a Ectoberhaunt prompt that I was absolutely stumped on. So I decided someone was going to adopt a cat by the end of the fic.
8. Do you get hate on fics?
Ahh, so I actually posted a fic on FFN wayyy back when I was in high school. I remember it being received pretty well but I got a really rude comment on a simple spelling mistake. Back then, I was just told I had dyslexia a few years prior and I had some really bad self-esteem issues tied in with that. So, yeah, that comment basically made me terrified to ever show my work to anyone ever.
It's been over ten years since then and I wanted to actually get over that fear. I impulsively decided to do Angst Fest with the mindset that no one would even look at what I posted. Not only did people look, everyone has been so kind!!!
9. Do you write smut? If so, what kind?
lkdajldkf, nope. I get flustered trying to write basic romance and having two characters hold hands, lmao. Major props to those that can, it's definitely a skill that takes time to master just like any other genre.
10. Do you write crossovers? What's the craziest one you've written?
I haven't.
11. Have you ever had a fic stolen?
Also haven't had this either.
13. Have you ever co-written a fic before?
Nope, but it seems like a lot of fun.
14. What's your all-time favourite ship?
Back when the show was airing, Amethyst Ocean (Danny/Sam) was my go to. I'm a sucker for friends to lovers tropes and it's really nostalgic for me. But, I don't really read a lot of shippy things for Danny Phantom, so ships don't make or break a fic for me.
If I'm looking to read romance, the whole Love Square (MariChat my beloved) with Miraculous Ladybug will always be great. Even if I jumped ship on the show around season 2 or 3 and I have no clue what they're doing now, lol.
15. What's a WIP you want to finish but doubt you ever will?
I honestly have so many WIPs that are unfinished on my computer from over the years. Maybe a super old one that I titled 'Phantoms in the Daylight'. Angst once more with Character Death as the main pain point. I like the beginning but oh boy, does it get sloppy and confusing real quick. I'd need serious outlining energy put into it if I'd ever want to salvage it and I just don't have it in me.
16. What are your writing strengths?
Dialogue! Give me two blorbos and I'll make them talk forever.
17. What are your writing weaknesses?
Scenery and description. I love the dialogue portion so much that I end up running into the floating heads in an empty room problem in the first drafts of my fics. My first round of edits are dedicated to making sure I have a scene and grounding characters into it. And then I have to go back later to make it not feel so robotic sounding.
(Also a weakness but more as in fic than writing. Summaries and Titles. I stare at my drafts on AO3's editor for at least half an hour trying to pull something together, lol)
18. Thoughts on writing dialogue in another language for a fic?
I can probably talk about this for hours, lol. I absolutely love foreign languages, especially when it comes to linguistics. So, I'll try to be brief, lmao. Short answer: depends on the fic but normally no. I already spend so much time fussing over the word choice/slang/formality/dialect characters use in my native language. I don't have a good enough grasp on another language for it to sound natural to the reader. ("They would not fucking say that" is my internal monologue during dialogue edits, lol)
19. First fandom you wrote for?
It's a toss up between Pokemon and Danny Phantom. I first learned about fanfiction from a friend who showed me FFN for the Pokemon fics. I looked around the site and found all of the Danny Phantom fics soon after and got hooked on those. I started writing around then and it would have been for one of those two.
20. Favorite fic you've written?
Hard to chose one! Writing technicality wise, I'm proud of how What Remains on the Table turned out. I consider description my weak point, so the original draft was 0 dialogue with very stiff descriptions. I was able to edit it to really practice my environmental storytelling. (Although, please mind the tags if you click the link as it does deal with the dissection topic)
I'm not sure who's been tagged and I'm not sure who writes fanfic, so @lavendarlily, @fangirlwriting-stories, @grub-xd, @nanaarchy and anyone else that wants to join!
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VOTED O7 (although i would have done it anyway heheheh)
anyways idk what kind of stuff u prefer to write but either some rendoc or something season8!grumbo (yanno when mumbo ate his soul to preserve his humanity. that was fun) would b very cool <333
OK SO YOU ARE IN LUCK! have this little thing taken from one of my fics!!
Some season 8!Grumbo for your… soul :)
(ain't exactly very shippy cause at this point in time in the fic they're not together yet! Sorry! I'll try doing some rendoc too<3)
Remember, reblogs>likes
«"… By signing this you agree to me harvesting your… Soul? In an attempt to become human again,"» Grian read from the small print. «Why aren't you human?»
« Grian. Look at me. » Mumbo said to the other, looking at him through the glass.
He took off his mask, revealing his pig-like face.
« That's weird… » Grian said, as if it wasn't obvious already. « But…? Was that supposed to explain anything?»
Mumbo sighed, « Ok, you can't get there on your own, I overestimated you. » Grian let out an offended gasp as Mumbo smiled a bit.
« I'm a shapeshifter. » Mumbo said, avoiding the other's eyes.
Shapeshifters were usually accepted… but not the ones like him.
« Oh… » Grian said, quietly.
That was it, wasn't it? Grain was gonna be scared or disgusted - he didn't know which he'd prefer.
« Makes sense. You're one of the ones without souls right? » Grian said, calmly, as Mumbo looked up, hearing shuffling.
Grian was sitting on the ground, with his legs crossed.
He didn't seem upset.
Grian motioned for him to sit as well, and after a moment of hesitation, he did.
« So? »
Mumbo gave him a quick nod to answer his question.
« Hm, I wonder how I missed it? » Grain said, with his usual mischievous smile.
Mumbo would usually get out seeing that grin, knowing it meant trouble, but considering what could've been he was overjoyed seeing it.
« I'm good at keeping it a secret. » Mumbo answered, trying to stay positive.
« You can't control your shifting, right? » Grian asked, taking off his Elytra And pulling off his sweater, revealing his wings.
Mumbo hated how thin he was. He wasn't healthy and he hated not being able to help.
« Yes and no, As long as I don't eat too much of the same thing I don't shift… » He trailed off. He had been eating the same thing for the whole season.
« Do you know why you can't control it? » Grian asked, tilting his head.
Mumbo just shrugged « I was just born unlucky, there's no reason. »
« Wrong. » Grian said, humming a bit.
Mumbo tilted his head « What? »
« You're wrong. There is a reason. » Grian said, with a smile, and brought a hand to his chest, and motioned to grab something. He slowly moved it away, and cupped his hands, showing Mumbo whatever appeared in his hand.
It looked like a wisp sphere, glowing with a sky blue light, with small wings and a halo, both glowing with a light purple that melted with the other color.
Mumbo had never seen something so beautiful.
« Do you know what this is? » Grian asked, quietly, looking at the thing in his hand with a soft smile.
Mumbo shook his head.
« It's an old trick someone I once knew taught me, » Grian said, then looked up, holding it out to Mumbo « It's my soul. » he said, and the words echoed through Mumbo's mind.
He clenched his chest.
He knew he'd never have something like that.
« This little thing - or better, the lack of it - is why you can't control when you shift. » Grain explained, holding his soul close to his chest again, he cupped it like you'd do with a flame. « I'm not good at explaining, we both know that. But… I want to help you. » He said, and gripped the soul. His expression shifted,looking a bit pained.
« Grian, what are you doing… » Mumbo whispered, as he started getting up, not liking where this was going.
« I know you didn't really mean it when you said you wanted my soul. You wanted my help to turn you back. » Grian said, smiling wider now « And this is how I'm gonna do it! » He pulled at the wings.
Next thing Mumbo knew, he was thrown against a wall, and there was a blast of light.
When he looked up, Grian was on the other end of the room, leaning against the opposite wall holding…
Two halves of his own soul.
He looked up at Mumbo, with that stupid smile he always had.
Mumbo rushed towards him, breaking the glass that was between them.
Grian had gotten even paler than usual.
His legs gave in, and he sat down. « This should do… » he whispered, holding out one of the two halves « I can shift a little bit. A half should let you keep your powers but let you control them. »
« Grian, what?!- » Mumbo hissed, not accepting it.
« Mumbo, take it. » Grian insisted, yelping when Mumbo pushed his hand back « Don't do that! They'll fuse back together and I don't think I could handle it breaking again! » He said, doing his best to keep the two halves apart.
Mumbo just… stared. « Grian, you know I'm always up for crazy things but… I can't do this… » He murmured.
Grain took his hand, and placed one half in it, « You gotta, cause I'm not taking it back. » Grian said stubbornly, and moved the half he still had next to his chest. It disappeared again.
Mumbo moved the one in his hand closer, just to look at it.
The halo had stayed with Grian's half, but it had one wing.
Grian smiled « Come on, it's yours now. » He murmured.
Mumbo closed his eyes, and pressed it against his chest like he just saw Grian do.
It was a weird feeling. He shifted back to human, as usual, but it was… different, somehow.
A good different, but nothing like it had ever been before.
Grain chirped - as he often did - but he… understood him?
« Change! »
« I'm sorry? » He whispered, confused.
Grian ignored him. « You've changed! You don't look like usual! » He said.
« I- Grain? » Mumbo fiddled with his sleeves, « I think I understood that chirp… »
Grain blinked, then chirped again and tackled him in a hug.
« Yes! »
Grian started purring « Yes! You're flock! You can understand me too now! » He said, squeezing him.
« Geez- for having lost half a soul you're still pretty strong. » Mumbo said, smiling, and pet him on the head.
« Don't you get it?? You understand my flock! »
Mumbo smiled « I'm assuming it's good? »
Grain purred again « It's really good! I never thought it was possible but now- »
He put his forehead against the other, still smiling, and chirped again.
« You're family now! »
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mothman-can-write · 4 months
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hi !!! i saw u said you were open for prompts, i mean this is kinda less of a prompt really, but like i loved that blackhill mission transcript thing you did a while ago and would be really cool to see some more stuff in the same vein ig ! but also maybe something like a kinda blackhill first meeting kinda thing idk !! i just love your work tho ! you really have the ability to make me feel all the emotions
OOOOO i just thought of this whilst writing this but maybe something like with clint teasing nat ab having like feelings for maria or something ?? idk i just love ur writing ! sorry these are kinda shitty hahah
NGL I took this prompt and mangled it in my hands. I heard first meeting and my brain was immediately like well that could go seventeen thousand different ways, so I sorta mashed in Clint's teasing to go along with it and made it a little more suggestive than outright shippy. Realistically, I think if Natasha is only meeting Maria for the first time, she's probably still in a place where she's not totally open to such self indulgent things as having a crush
Also, this isn't a mission transcript but I'd love to do more of them that one was really fun! I just don't really have any good ideas for the sort of things they'd have to talk about in the field besides dying haha
ANYWAY enough rambling, though you're all familiar with my inability to shut up these days. ~3k under the cut of Clint being a ballache and nat being sceptical but gay
The only person that doesn’t treat Natasha like she’s a project – or a live wire –  is Clint. He’d had his fair share of looking at her with those careful eyes, something behind them that made her teeth itch in her gums like some trained dog. He doesn’t do that so much anymore, not unless she’s in a particular state and doing a very bad job at hiding it. She likes him, she thinks. He might be one of the first people in her entire life that she can truly say she likes. 
Naturally, she finds herself in his quarters more often than her own. She lays on his bed as he works on something probably explosive enough to kill them both if he sneezes, and she ignores the pip of her emails as she braids a small strip of hair under her ear. She’s bored, if she’s honest, but she doesn’t want to waste her first free morning of the past fortnight on something so trivial as emails. Or helping Clint. 
“You not gonna answer her?” he says without looking up from his work. He holds it close to his face, something far too small in his tweezers. 
Natasha’s fingers pause in untangling her braid. “How do you know who it is?” 
He still doesn’t turn in his seat, matter of fact when he speaks. “You have a different tone for Hill.” 
“How did you figure that out?” She tries not to scowl at him, but she still isn’t used to feeling so see-through. Quite frankly, she’d like to be as opaque as possible, but she seems to have grown rather attached to someone with x-ray vision. 
Clint puts his miniature contraption down and turns to her at last. She’s not fond of the smile on his face as he leans over the back of his chair. “You’re not the only spy on the ship. Also, you weren’t trying very hard to hide it.” 
“Her emails are usually more important,” Natasha argues, not quite sure why she feels the need to defend herself on it. 
Clint grins ever wider. “I never asked why. I just thought you had a massive crush on her.” 
Natasha scowls fully this time. “I’ve never met her.” 
He shrugs. “I don’t know what’s in those emails.” 
“Shut up.” 
She reaches for her phone anyway and pointedly ignores the way Clint watches her. The email is much the same as they always are, telling her about meetings and progress and such. She’s overtly professional in every one, but now that she’s thinking about it, Natasha likes the words she uses – just slightly like she enjoyed reading dictionaries as a child. Very, very rarely, Maria will let something slip in her emails that is almost like humour, and Natasha doesn’t tell Clint that she actually does enjoy receiving emails from her just for the fact that she feels a little special when that happens. She’s heard the rumours; she knows not to expect giggles and grins when it comes to the Assistant Director. 
In the end, she doesn’t bother to respond to the email anyway and Clint has already turned back to his work. “Not in the mood to sext her back?” 
She scowls at the back of his head. “It sounds like Laura needs to watch her back.” 
“Oh, god,” he laughs. “Gross. Absolutely not. Not my type.” 
“What makes you think she’s mine?” 
“You need someone to match your weirdness.” 
Natasha wishes she had something to throw at him. She won’t admit that she intrigues her in small ways. She doubts she’s any different from every other CEO and government lead in the world, but some small part of her feels thankful to her faceless emails. She could’ve easily overridden Clint’s choice, could’ve had her put down before she could even think to beg for forgiveness. But she’d given her a chance, and she’d kept in contact despite her supposed overbooked schedule every day since. Maria held her life in her hands at one point, and she’d given her another shot at it. 
Despite everything, Natasha still doesn’t sleep well. Or, rather, because of everything, she supposes. One good month doesn’t erase a lifetime of bad – and she’s really a little hesitant to say that this month has even been good in many senses of the word. She wonders if the nights will ever get easier on her with time, or if she’s stuck with these hours of restlessness and sweat for the rest of her life. It’s not a nice thing to think about, and it doesn’t really do all that much to distract her from the shadows that still play behind her eyelids or the way the shapes of the room still seem to swim around the edges. So, she swings her legs over the side of her bed and scrubs at her face with her hands. She can appreciate, at the very least, that she isn’t handcuffed to her bed here. Somehow, that had been a hard thing to get used to. She still sleeps with one arm by the headboard. 
There aren't many things to do at this hour. Clint has told her countless times that she’s perfectly welcome to pester him at any time of the night if it would make her feel even minutely better. He says he understands, and she believes him enough from the way his past lines his own face, but it doesn’t make it any easier to put into practice. 
She doesn’t have a plan as she steps out into the corridors. She dresses like she’s going to the gym on the off chance that she might be able to sneak into it and punch something until she’s sweaty for reasons more tangible. She wishes the firing range was usable at this hour, but she’s sure that’s much less subtle. Still, there are some nightmares you can only really feel better by shooting at. Maybe she’ll bat her eyelashes into an hour or so at the targets tomorrow. 
She passes the odd agent as she trails around the corridors and considers that the ship never really sleeps entirely. There’s always someone on the night shift, always someone pottering around with something. She thinks it would be nice to work when it’s so quiet. Maybe she should ask about changing her hours. It might be a little soon. 
The gym isn’t so far from her quarters, and by the time she reaches it her shirt still feels sticky at her back and her stomach still feels like it’s alive in her ribcage. Her hopes are low enough to limbo as she presses her hand to the door, and she could almost sigh with relief when the door opens easily. She’s not against breaking in, but she likes to think she’s been doing a pretty good job of building a better reputation lately. Maybe not socially, but Maria’s emails haven’t managed to sound short lately – not since the last time she’d bypassed what she maintains was a criminally simple encryption on one of Clint’s jobs. 
The gym is utterly silent at this time of the morning, which is entirely unsurprising. She doubts anyone else sensible gets out of bed for another hour or two, let alone starts their training regime. Generally, agents are allowed the privilege of breakfast before they’re worked to the bone. Natasha’s never been a fan of food so early in the morning. 
She doesn’t really know when she fell out of the habit of scanning each room on this ship like someone will be waiting to haul her out of it, and she blames it firmly on her lack of sleep and nightmare slurred thoughts when she doesn’t notice the other body in the gym until it’s too late. 
“I did wonder,” someone says, and Natasha’s attention snaps to one of the benches on the far side, half covered from the entrance. 
It takes Natasha an almost embarrassingly drawn out moment to place her features, and she’s sure she only half succeeds in hiding her surprise into an intrigued eyebrow. The Assistant Director didn’t really strike her as the type to be in the gym when everyone is supposed to be sleeping. 
“Wonder what?” she asks instead of every other question that gnaws at her head. She stays firmly planted in the middle of the room. 
“Who would come in at this time.” 
Oh. She’s not wondering about Natasha. She doesn’t really know what that feels a mote disappointing. She hates it when Clint asks how she’s sleeping. Maybe she just doesn’t like lying to him. 
“I thought it would be empty.” 
Maria places her water bottle beside her on the bench and makes absolutely no move to stand up yet. Somehow, Natasha finds it unnerving, even if she’s taller here. “It usually is,” she says simply. 
Her eyes bore into her in a way that makes the back of her neck crawl. Something about her says that she’s calculating, that she’s looking at Natasha and breaking her down into little bite sized pieces. Natasha has never liked being dissected. Maria’s eyes are very blue. 
“Do you usually spend your mornings here?” she asks, if only to stop Maria from burning holes into her skull and reading her thoughts directly. 
It works, in the way that her gaze flicks away for the briefest moment before pinning her again in that same cool tone. “I guess you could call this morning.” 
“That doesn’t answer my question.” 
Maria’s eyes soften ever so slightly around the corners, and Natasha would almost call it a squint. “I’ve made a bit of a habit at this point, yes.”
She almost seems reluctant to admit it, and Natasha can’t help the way she wants to pick this woman apart. She has always liked puzzles, and people are just some of the more complex the world has to offer. She thinks she understands the rumours a little more now, even through this uncanny meeting. She wonders if Maria feels her own searching gaze as intently. 
Maria stands at last, and Natasha had almost forgotten how tall she is. She thinks she preferred it when she was sitting. “Don’t let me stop you,” she says, and Natasha is silently thankful for the way that answers her question. Again, not that she wouldn’t break the rules. It’s just much harder to make an excuse when the Assistant Director is the one who catches you. 
“I would’ve expected the AD to send me back to my quarters,” she notes, as forward as ever when it gets her information. She’ll admit this woman seems to be intriguing. She’s curious as to just why she’s indulging her so far. 
Maria’s expressions are all very small, mere suggestions of emotions that only make Natasha want to pick her apart. “That would make me more of a hypocrite than I already am,” she says simply, almost smiling. “Are you getting on okay?” she asks instead , and her eyes are on her like she’s deciphering her again. She’s closer now, making direct eye contact, and Natasha holds it like a game. “Besides the obvious, of course.” 
Natasha tries not to scowl. God, does she hate when people pretend like they know her. “What’s the obvious?” 
Maria raises one eyebrow ever so slightly, her expression caught somewhere to amusement. “Did the Red Room have you in the routine of training at four in the morning?” 
“Sometimes.” They both know that’s not the reason that she’s here, as much as Natasha wishes Maria didn’t. 
Her eyes are almost soft. Almost like she truly cares about her. Natasha doesn’t like to let herself believe the sort of things that might cost her later. “Half of the people on this ship struggle with it, Romanoff,” she says, nearly gentle in the silence around them. “You don’t have to be ashamed of it.” 
She can almost imagine her setting a heavy hand on her shoulder as she says it, though Maria remains in her own space. She’s still slightly too close for what Natasha is used to however, and it’s the first time she realises the darkness under her eyes. Her face is lined, something bone deep that she doubts ever goes away. It lends her a certain sort of…imperfection that makes her seem a whole lot more human. For everything she’s heard, though she knows to take gossip with a healthy grain of salt, she could almost imagine Hill to be some sort of robot, some living excel sheet. 
Standing in front of her, she sort of just looks like a woman who could do with some sleep. She looks like a woman who has spent the last who-knows-how-many hours beating out her own past the same way Natasha intends to. She won’t call it affection. It doesn’t mean Natasha likes the way she looks straight through her any more. 
“You have any tips?” she says, aiming for something playful. She really, really just wants her to stop looking at her like she can figure her out right here in the middle of the room. Maybe if she seems better than she is, she’ll leave her alone. She’d rather her conduct a genuine vivisection out on the boxing ring floor if she’s going to continue to examine her. 
She’s certain Maria almost smiles at that, a tug at the corner of her lips that is almost sad, almost conspirational. She shrugs ever so slightly. “Shooting things usually helps.” 
Natasha tries not to scowl like a child. As if she wouldn’t be there right now if she could get away with it. “I’m on supervised arms training.” 
This time, Maria does smile, though Natasha thinks she’d have missed it if she blinked. “Not from tomorrow,” she says plainly, and Natasha can only watch her walk away without another word. 
The door closes behind her, and Natasha lets herself furrow her eyebrows as deeply as she likes. She is overtly aware that she is not being let off of supervised training tomorrow. She’s aware that she has been seen as a weapon and an explosive since the moment Clint forgot that he was meant to shoot her. Somehow, she doesn’t think that Maria is one to tease. 
It makes it very hard to punch things as effectively as she’d like to when she can only think after Maria. She wonders what keeps her up at night. She wonders what else she does to get rid of the shadows. She wonders why on earth she would let her off of the hook so early. For all they know, Natasha might decide to defect back. She might’ve been biding her time until she could get a hand on one of those guns outside of the range. She’d never even dream of it, of course. She’d rather be supervised for every split second a gun is in her hands for the rest of her life than have to go back to her life before. She wonders just how deep Maria managed to dig. She wonders if she really is all that transparent after all. 
She finds herself in Clint’s quarters again as thoughtlessly as breathing. Every spare minute in her schedule that lines up with his, she’ll spend hiding from the rest of the world. This time, she’s sitting in his chair, her knees resting against the edge of his desk so that she can spin it slightly from side to side. Clint is behind her in his bunk, his arms tucked up behind his head and his eyes closed. It’s only 2pm. Natasha wishes she could have a nap too. 
“Is she always like that?” she says on a whim, her thoughts still stuck on tired eyes and snap decisions. 
“Like what?” Clint asks, completely brushing over her lack of context. 
“So…intense.” 
“Ah, we’re back on Hill. Yes.” He falls silent again, and Natasha listens to his breath. “Hold on.” His eyes open and his head turns on his pillow to face her. “Did you meet her? When?” 
“This morning.” 
“You were at the range this morning.” 
“Before that.”
“You were asleep before that.” She doesn’t answer, and that tells him everything in as little effort as possible. “Natasha.” 
She doesn’t meet his eye. “It’s better than moping.” 
“You don’t need to mope. You can come wake me up.” 
“But then you don’t sleep.” 
“Tasha, do you really think I’m sleeping well either half the time?” 
She stays silent again, staring intently at the dimples Clint’s chair has made in the carpet. 
“How did you even find her?” he asks eventually, giving up the argument for the countless time. “She’s practically booked to the minute.” 
“She was in the gym when I got there.” 
“I’m going to skip over the fact that you’d rather punch something until you bleed than come and bug me. Was it worth it? Was she all sweaty and hot? Did you two finally canoodle in person?” 
She doesn’t dignify his jokes with a response, her thoughts plain in her expression. “I don’t think she sleeps well either. She looked tired.” 
Clint grins a little. “You paying attention to her face?”
Natasha scowls at him. “It’s normal to look someone in the eye.” 
“Mhm…” He retucks his arms under his head, settling back against his pillow. “It’s for sure normal to think about them all morning.” 
“She took me off of probation,” she says, almost in a rush, like maybe this will change the subject – maybe a little bit like she’s admitting something. 
“Oh you definitely have a crush on her. It’s like she’s trying to get in your pants. Remind me never to read your emails.” 
Natasha only squints at him, wishing once again that she had something appropriate to throw. The urge distracts her enough that she never does reject the notion. And when she finds herself imagining Maria’s secret little smile in those few and far casual emails, she decides that Clint doesn’t need to know. She’s not been given many chances in her life, and she thinks she could make space in her life for two instead of one. She wonders if Maria would ever want a gym buddy on long nights and promptly decides not to think any deeper into it. 
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crushedsweets · 9 months
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do you perhaps have any or more ticciwork hcs.. like how they are with each other 😊😊 !1!1 idk!! any hcs that has something to do with them together. I heart them
hi anon. i got u . i got u . i got u. this is more how they meet in my au. ill do cutesy headcanons eventually. i tried to break this up into different sections but its kinda long and a lot to swallow ... sorry LOL. it doesnt even get outright shippy/romantic but its cool
OK BACKSTORY
ok so in my au. the operator is what drove toby to kill his dad, and he spent a couple months under the operators influence acting like an entire menace. tim and brian got orders from slender to intercept this, but slender realized toby would follow like a loyal dog after being 'saved'. so proxy toby it is.
clockwork was under the operators influence right before her trip to the psychiatric ward, and it lasted maybe 7 months? luckily for Her, her family's death and her disappearance went relatively under the radar cuz theyre seen 'trailer trash' with no friends/presence in any community. she's fighting to hold down a job since she keeps getting fired for going weeks with no contact.
ok HOW THEY MET
they met because toby was stalking a household that natalie wanted to kill the dad of. natalie would be in the middle of an operator episode, where she's behaving erratically, her eyes were glossed over, she is SIGNIFCANTLY stronger than usual. typically, toby would be much stronger than this lanky malnourished girl, but not that night.
they got into a bit of a tussle that Toby's struggling to win. a light in the house turned on cuz of the noise and toby was like Oh fuck this. and he runs off. the flash of the light kinda disturbed clocky and she half regains her senses and runs off too, but still not fully in control. she doesnt realize that shes following toby, but the operator knows this is another chance to kill one of slender's proxies (plus the operator was in control of toby a year prior, before slender took over).
eventually tobys back on the path to the forest, walking through some rural cornfield area and thinking long and hard about nat. and shes looking for him. shes being insanely fucking creepy and slashing at the corn and bushes (she has a machete now). toby tics, and she yells about how she hears him, etc. he's starting to piece together that shes under the operators influence and hes like 'slenders gonna be so hyped i got him a new proxy' (slender does not want her .)
HOW THEY....became friends..?
he eventually plays a game of cat and mouse and gets her to follow him to the cabin. pretty quickly tim and brian are up and they get her down, duct taped her arms, tied her to a random pipe in the kitchen, and spend some time debating on what to do. shes swapping between screaming, thrashing, foaming at the mouth and just sitting there silently staring off into the void and swaying. eventually she gets out of the episode and she's acting normal, albeit angry and covered in dirt. they get her off the pipe and talk to her.
ive mentioned how slender um kinda grossly leaks an inky liquid.... and it has effects... ok yea drink that and the operator eventually loses control over you. toby kinda explains it to her. in complete desperation and exhaustion, natalie's like "you can fix this ? you can stop the amnesia and waking up in random peoples blood??? you can stop me from going into random fucking cornfields acting like a monster????". toby was like yea:3 SURE CAN
but it hurts. its physically painful, mentally exhausting, it's almost like withdrawal symptoms. It can take a couple weeks to months to finally get the operator off, and multiple doses of the ink. again, tim and brian do NOT live full time at the cabin, so she's left with toby mostly. its really uncomfortable. theyre both awkward assholes. tobys intentionally blunt, natalie grew up with no filter. but toby has this weird complex where he's convinced the boss is gonna be soooo happy that toby did this 'for him.' so he keeps it up.
usually they just kinda coexist.. but tobys on edge all the time. the second she gets weirdly quiet and starts spacing out, toby gets kinda aggressive and starts suggesting he needs to restrain her or some weird shit. they have gotten into another physical fight when she was in another episode, but tim and brian pulled them off of eachother. she rarely remembers it, and toby doesnt bring it up cuz hes embarrassed that natalie is as strong as him when under the influence. but she's ..kinda like a willing prisoner ? she really doesnt wanna be there but she wants to be done with feeling possessed. occasionally she gets really violent and her eyes roll back and she has to be duct taped and locked in a room over night or else she might kill toby. the next morning toby mumbles apologies as he cuts off the tape and rubs her wrists for her. she understands, even if she hates it.
AFTER THE OPERATOR
a couple weeks go by of pain, then a month of normalcy. the operator gets his claws off natalie and she's like. ugh. ok. that fucking sucked ass. fuck you guys. but thanks.
slenderman doesnt want her. she literally doesnt care that he doesnt want her tho LMFAO she didnt want to be a proxy. tobys pissed and is mad at her for like a week even tho its not even her fault. but anyway..
tim hated being around her because 1. it hurts to see a young girl crying and writhing in pain 2. it hurts to see what you used to be like. brians chill, he always fed her, he's brought her some books and stuff.
but, of course, she spent the most time with toby - and they got closer. theyd sit and talk, he'd bring her around the forest, kinda explain a lot of um. The Lore. LOL. toby introduced her to jack, theyve gone swimming together, taught her how to cut down trees, she's drawn him and he's in awe. she loves books and stories but has pretty bad dyslexia, so he read a book out loud for her once. they kinda both poked fun at eachother ('ur stutter is making this annoying' 'at least i can fucking read') and ended up never doing that again LMFAOOO but he started hooking up audio books for her. it was kinda cringe for them both, but a sweet gesture
she finally started working as a waitress/bartender in this underground shady ass bar. the patrons started to love her bc she's tall like a model, long hair, nice voice, witty, has a sharp tongue. fits right in with the grimy atmosphere. toby gets grossed out anytime he comes to visit her/pick her up and middle aged men are saying bye to her. he doesnt know if its jealousy or if its generally just ew. she rightfully complains about it tho so he's like 'heh.... knew it.... she wouldnt want those guys.....' hes so annoying i love him
he helps fix up a nice little barn for her, cuz slender gets riled up anytime she's at the cabin for more than a few days. something something about not wanting a distraction or 'outsiders' there.
but yeah :3
they never end up dating in my lore though. they never even admit having feelings for eachother. nats real good at pushing these things down, and toby just doesnt think its worth it. (plus i want toby to also have a little arc with jack.. LMFAOAOAO SORRY im a ticciwork and ticcijack shipper my bad).
eventually they do stop having feelings for eachother, but everything remains the same. theyre really close. theyre cute. i love them.
thank you anon
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ferdieinceladoncity · 20 days
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I have two million circling thoughts about 'milagro' and no confidence that I can get them out of my head, but it was so intensely interesting I feel like I have to try.
First of all, the most "this was quite obviously written by a man with little to no care or understanding of Not being a man" episode that I have seen so far. To the point that it smacks me over the head. No woman would act like this: you would run, so so far, the second a guy like that entered an elevator with you.
The scene in the church is incredible in terms of how it was acted. The resigned realisation of "god, he's that kind of creep. That's the kind of man he is. He's infatuated with me." the way she starts to cry, overwhelmed with the emotion of it all- the fear, knowing she's in very real danger. It hit me right in the gut.
I do understand what they were aiming with in terms of her character and her infatuation with Padgett. It's not news that Scully is a little bit fucked in the head (as kind as I can put it) and morbid curiosity drew her to his apartment (and, putting her possibly in the running for Stupidest Person ever, self destructive tendencies or not, drinks something he makes her) but the whole scene is almost *too* much. Like. Scully. You cannot be doing this. Possibly the actual scariest/most infuriating scene in the x-files that I've seen.
Then again, I keep yelling that there's no way any woman would be foolish enough to act like this, but she's not a very normal woman. Sorry, it's true. She runs headfirst into these moments of possible self-destruction stemming from her own severe insecurities over whatever her relationship is with Mulder, the circumstances and uncertainty and longevity of which would probably drive *me* a little crazy, especially off the tail end of all the drama of season 6, Diana and all that. I'll do this, I'll get myself into this awful situation, and maybe you'll have something to say about it.
To that end, I'm at odds with wether this is really so 'out of character' or not. I hate to see it. But it makes sense. We can't all be perfect and we certainly can't all make good choices.
Mulder in this episode (because I feel like I should dedicate a paragraph to him even though he's not front and centre) disappoints me a bit. I have at this point read a lot of other reviews of this episode on Tumblr and reddit and heard people praise how "protective" he was, "jealous" was a word used, and generally a lot of focus on the shippiness of this episode, to which I can't agree. He infuriated me just a little. I appreciate that he was down to slap Padgett in the cell and I appreciate that he went to the effort of stealing letters to find his name and all, yet when Scully first talks to him about Padgett after the church scene, telling him he's the one who gave her the milagro and he was frightening, all he has to ask is "do you think he's the killer?" not "are you okay" or anything of the sort. Yes, I know Scully's not the kind of person to really appreciate that. She can hold her own, or she'd like him to think so. Still. From *my* perspective, and this is *my* write-up, and *my* Tumblr blog. And I think it's a bothersome thing to say. Also, I roll my eyes at mulder referring to sex as "the naked pretzel." What's with this guy and censoring himself like he's writing a tiktok comment? Actually, between this and "the wild thing" back in genderbender, maybe he just has some crazy hang-up about referring to scully having a sexual encounter (real or imagined) in a serious context. Interesting.
...That paragraph ended up being longer than my other ones. Loss for feminism on the post that I specifically started because I was fuelled by feminism.
"Agent Scully is already in love" should be for all the world a gleeful revelation and I was quite excited to see it, as I'd heard about this scene long before (MSR gifsets was what drew me here in the first place. I'm shallow like that.) But scully has been so kicked around this episode, stripped of privacy and dignity in every sense and this has been exposed to Mulder and everybody else, that it only makes me sad, because I do wish that Padgett would stop talking to her completely and stop getting around in her head like this.
The end scene just kills me, where the killer breaks in and grabs at her heart. She claws at Mulder's back when he embraces her with such fierce desperation and what I can only assume is a very, very deep well of regret. She doesn't shy away from him caring for her: she needs it.
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Ive got this image of Roy kissing Jamie on the head and idk if my brain wants it to be shippy or big brother, little brother kinds way, but in whatever case I Need That
Hey, nonny, do you have spyware installed in my brain? I’ve literally been thinking about this exact scenario for the past few days, trying to hash out what it might look like and what precedes it and what sort of kiss it is.
I have severaly vague ideas that are none of them fully realized and all of them more fluffy wish-fulfillment than anything else. Thought I might get around to ficcing one of them properly one day, but that’s unlikely to ever happen, so have three roughly sketched snapshots of head kisses from my fevered imagination: 
I. Hurt/Comfort
Eventually there comes a day when Jamie snaps and channels the Jamie of yore and just goes for everbody’s throats with bared teeeth. Roy misses the dust-up but arrives for the aftermath with the entire team and Ted looking a little shell-shocked.
“What the fuck happened here?” Roy demands. Ted explains, and hastens to add that clearly something must be wrong for Jamie to behave like that and could Roy please go check on him?
Roy finds Jamie in the storage room and the moment he enters Jamie whirls on him, terrible smirk plastered over his face. 
“Oh, what a fucking surprise, Timid Ted sent Roy Kent to do his shouting for him, that’s a real—“ 
Roy ignores the drawling venom (and ignores the way it makes his stomach drop and twist with the memories of oh so many other confrontations between the two of them, back when they truly did loathe one another). He stops in the middle of the room and fixes Jamie with a carefully neutral look. 
“Jamie,” he asks, very calmly, “do you need a fucking hug?” 
For a moment, nothing. Then Jamie laughs, and it’s an ugly thing filled with scorn and jagged edges. “Oh, you’d fucking like that, wouldn’t you, big man Roy Kent, riding in on your white horse, going to— ”
And still Roy doesn’t raise to the bait. He takes a step closer. No aggression to the move, just determination: the unmoveable object to Jamie’s irresistable force. “No. Jamie, do you need a fucking hug?” 
So close, he’s standing. So steady, his voice. In the face of that resolute peace Jamie’s rage can’t help but dwindle and wither. He closes his eyes. Jerks his head once for yes. 
And Roy wraps his arms around him and holds him, and holds him, and holds him until the tension starts to bleed out of Jamie’s body and he rests his head on Roy’s shoulder. They stay like that for a little longer, but then Roy gently moves his hand to Jamie’s shoulders, pushing him back slightly so that he can look at him. “Feeling better?” 
“Yeah.” And, with a quick glance to Roy’s face, “I’m sorry.”
“It’s not really me you need to apologize to.” 
“No, yeah, I know. I will.” 
Roy looks at him for another moment, just looks. Sighs, maybe; eventually gives a little nod.
“Good lad,” he says, briefly pulling Jamie in again to place a kiss on his forehead, before putting a hand on his back to guide him back out into the world. “Don’t fucking let your father make you think any different.”
If Will is huddling in the corner for this one? Your call, gentle reader.
II. Affection
Say that Roy and Keeley are in Jamie’s childhood bedroom because they want to check on him. I’m thinking that Something Has Happened that concerns Jamie – probably something to do with his dad at the next Man City match – but the immediate situation has resolved itself and Roy and Keeley are just getting back together and had this whole fancy dinner planned and Jamie said he was fine so they head out for their big date.
And it’s lovely, really it is, only they’re both preoccupied throughout the meal and eventually one of the just blurts sorry, I’m really excited to be here with you but I can’t stop thinking about Jamie – yeah, me too – we should go check on him – and so they’re off to his mum, and maybe Jamie’s out buying milk and for some reason his mum has Keeley and Roy wait in Jamie’s old bedroom and when Jamie finally does show up he is understandably surprised to see them.
“I though you went on a date,” he says, closing the door behind him.
And they explain that they were, they are, but they were worried about him and just wanted to make sure he’s okay. 
Jamie is okay. Scored two goals against City, and wasn’t nearly as bothered by his dad’s antics as he’d thought he be, he’s just dandy.
Having eventually convinced them of that, he pauses and cocks his head. Does that quizzical little face with his lips pursed. “It’s a bit weird, you two coming to check on me in the middle of your date, innit?”
Keeley shakes her head. “Jamie, it’s not weird. We care about you.”
Jamie raises his eyebrows at this, throwing a teasing look Roy’s way. “Yeah? You care about me, Roy?”
And Roy rolls his eyes and shakes his head, scoffing the way only Jamie can make him scoff, because of course Jamie would fucking ask. 
“Come here, you fucking twat,” he says and Jamie grins at that as he crosses the floor because Roy is smiling through the bark, and Roy still has one hand in Keeley’s but his free arm he slings around Jamie’s shoulders to give him a tight hug while pressing a firm kiss to the top of Jamie’s blonde hair. “’Course I fucking care.”
(This one’s not unsimiliar to another [shippy] scenario I sketched recently. I tend to ponder all sorts of minor variations of the same theme, though usually I settle for just one to inflict upon the rest of the world.)
III. And a Shippy One to See Us Off
The boys are celebrating something – not winning a game, I don’t think, because they’re not on the pitch, they’re somewhere off alone. In the locker room after everyone’s left, maybe, or out during an early-mornings training session? Doesn’t really matter. They’re alone.
Jamie’s phone goes off, he picks it up, listens for a bit, nods and yeahs and goes “thanks, man, that’s fucking great” and when he puts his phone away he doesn’t say anything at all at first. Looks a bit dazed, and after a minute of that (well, more like a second, ‘cause Roy Kent is not a patient man) Roy demands to know the fuck’s going on.
“I’ve been called up for England,” Jamie says, and he sounds dazed too, like he can’t quite believe it. Sneaks a glance at Roy, as if checking is this real, is this happening?
For a moment, Roy says nothing. Then he says “fuck”, and then they’re both screaming and jumping up and down and holding each other and somewhere in all that Roy just pulls Jamie close and smacks a kiss on the top of his head.
It’s completely unthinking, but it immediately gives them both pause – and it takes them by surprise how it actually makes them go still. If you’d asked them before, neither would have thought a silly little peck on the head would be anything to take notice off; they’re footballers, yeah? They’re tactile. But still they go, and they glance at each other and both of them find their eyes drawn to the other’s lips.
“Oh,” Roy says. Bless his heart, would you believe he’s just figuring it out? But to be fair, so’s Jamie.
A moment, teethering, each of them holding their breath, waiting to see what happens next.
Roy swallows. Jamie tilts his head to the side and slowly, slowly – giving Roy all the time in the world to punch him or run off or go back to jumping up and down like nothing’s happened – he reaches out to put a hand on Roy’s neck.
Roy doesn’t punch Jamie. Roy doesn’t run off. Roy doesn’t go back to jumping up and down. He leans in, ever so slightly, lips parting.
“Yeah?” Jamie asks, just to be sure.
Roys nods, once, sharply. “Yeah.”
Jamie kisses him.
---
Yeah, nonny, I need that. You need that. Everybody needs that! I mean, Jamie and Roy certainly fucking does.
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Never Beating the Big Brother Allegations
Vil + Epel + Leona, it's a little shippy between Leona and Vil, Leona does call Vil, Princess and is just generally Flirty but it's up to you whether you want to take it as him being a little facetious or if it's Real. Also tw for blood/injury Epel has a bloody nose and is a little banged up (not angsty dw) Also I know Lions don't purr, Leona does, deal with it. --------------------------------------------
"Hey, take it easy Crash, sit down." Leona couldn't help but smirk a bit at the look Epel gave him.
Epel was sitting on one of the infirmary beds, the rest empty save for him, holding a cloth with ice under his nose as he leaned forward a bit, the blood from his nose staining it a dark red. His brow was cocked, challenging Leona for a moment. Despite how ridiculous he knew he sounded when he spoke, he decided to anyways.
"It ain't that bad, this weren't the first time I done somethin' like this. I'm fine, I hit ma head 'nough times when I was younger t'know this ain't nothin' t'worry 'bout! We didn' have t'lug ourselves all the way t'the goddamned infirmary for a nosebleed and a couple bruises....and my name ain't Crash."
Leona snorted a bit and poked Epel's head, causing the younger one to recoil a bit and make a disgruntled noise in response. "It is until further notice. I've never seen anyone bail as hard as you did, or come out of it with something as minor as a nosebleed. Even with the cleaning spell Ruggie casted, you look like you rolled around in a pig sty..." He paused and sniffed the air a bit, nose scrunching a bit. "...and smell like it too."
Epel shot him a dirty look, about to speak again when the tell tale clicks of heels on tile became apparent to both of them, Leona's ear flicking at the same time Epel groaned.
"You told Vil??"
"What am I, your babysitter? Obligated to tell your mom what happened?? No I didn't tell Vil, Rook was probably being a creep again and reported back to your housewarden."
"VIL AIN'T MY MOM."
"And you're not my child, but for Seven's sake Epel, did you really think that news of you being sent to the infirmary wouldn't reach me eventually?" Vil stood in the doorway of the infirmary, hands on his hips, and brows knitted. "What have I told you about the way you fly? You're far too reckless, this was bound to happen eventually." He tsked softly, walking briskly over to the bed and grabbing Epel's face gently. He looked over him for a moment, then at the rest of his body and sighed.
"Rook told me you took the disc to the face and ended up spiraling out of the air. I was worried it was worse. You're very fortunate to have come out of your crash as well as you have." He sighed softly, and pinched the bridge of his nose before turning to Leona.
"You-"
"Not taking your shit. This kinda stuff happens sometimes when people decide to do more than pretend they're someone else as a hobby." Leona gave Vil a shit-eating grin, teasing him a bit.
Vil shook his head. "That's not what you're in trouble for! You weren't going to tell me that my underclassman ended up in the infirmary!"
Despite Vil getting into his personal space a bit, Leona stayed where he was and just smiled more genuinely, though still arrogant. "Who said that? Pretty sure I just said I didn't tell you, not that I wasn't going to. Besides, Crash was sayin' it's no big deal, and anyone who can take the kinda hit he did and walk away's got some pull on their say. I believe him."
"My name is NOT Crash!!" Epel stood up from the bed, swaying a tiny bit, which did not go unnoticed by either of his upperclassmen, both of them reaching out...well, Leona, pushing him gently back onto the bed, and Vil, ready to offer a helping hand, the blonde shooting the other a bit of a dirty look. Epel groaned a bit and moved the towel away from his nose. "See, it's mostly stopped bleeding now anyways, it wasn't a big deal, it isn't a big deal and BOTH A YA'S HAVE GOTTA STOP ACTIN' LIKE AHM SOME BIG BABY!"
Leona acted faster than either of the Pomefiore residents had time to react, slipping his arm around Vil's shoulders and turning him away from Epel, (who was about ready to swallow his hands as a means of shutting himself up), and utilized his secret weapon. A deep, rumbly purr caught Vil off guard as Leona very lightly bumped his face against Vil's hair.
For the second time in less than a minute, Vil was surprised by the actions of his fellow schoolmates. Such a ...tender sound coming from Leona was baffling enough he allowed himself to be walked out of the room.
Once out of the room, Leona let go of Vil, giving him another, signature cocky smile, though softened by a bit of embarrassment he tried so hard to conceal.
"Alright Princess, I know all that must have been stressful for you, why don't you go and find something that'll help you forget about today."
The corner of Vil's lips kicked up in amusement.
"Acting would be a good skill to have right about now for you, wouldn't it."
Leona's ears flattened, he touched the back of his neck awkwardly and looked to the side, his tail flicking slightly, though between his legs. "Shut up."
"Is that how you speak to princesses?" Vil smirked, his hands on his hips as he looked up at Leona, teasing him.
Leona huffed a bit, amused. "Nah, none of them are worth talking to." He waited a beat, his sliding sideways to meet Vil's once more. "But I guess that's on me for calling you one, when everyone already knows you're a queen."
He chuffed softly, placing one hand on his hip as Vil crossed his arms in a lightheartedly 'angry' way, though he was smiling at the beastman.
"I'll make sure Epel gets back before curfew, don't worry. The kid's got spunk. He'll be right as rain in the next hour or so. Now I was serious, go do something else, anywhere else." He huffed a bit, matching Vil's playful energy as his tail flicked.
"Augh, fine, if you insist. If he's late, it's you who's going to be in trouble."
Leona waved Vil off somewhat dismissively, but they both knew it was light hearted. He immediately dropped the whole facade as he walked back into the infirmary, expression difficult to read as Epel looked at him a little warily.
"What did you-"
"You owe me."
Epel groaned, moving the towel away from his nose. "What do you want? Or is it Vil askin' by proxy?"
Leona moved to the side, preparing another cloth, wetting it with clean water and holding it out to Epel as he took the sullied one away.
"Whatever you've got on your plate for lunch, if it looks appealing, I'm taking some. Just for the week."
Epel took a moment to register what the new cloth was for, before gently wiping at some of the blood that was still left on his face and eyeing Leona warily. He sighed, when his upperclassmen seemed serious about the matter.
"Alright. I guess that's doable." He sighed, finally relenting to Leona's care as they tried to confirm his nose wasn't broken.
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"Your lunch sucks ass Crash." Leona's voice made Epel startle slightly in the cafeteria, the freshmen whipping around in his seat to look up at Savannaclaw's housewarden.
"I wha? Huh??" He looked back down at his food for a moment, his brows furrowed. "What's wrong with my food?"
Leona snickered a bit and lightly flicked Epel's head. "You responded to Crash as your name. Enjoy your food I guess."
Ruggie was quick behind Leona, nabbing one of Epel's bread rolls and taking a bite, snickering as well. "Damn, guess you really are Crash now."
Epel's cheeks flushed a bit at being called Crash in front of his first year friends, but realized his fate was already sealed as he saw Ace's expression out of the corner of his eye...and that he would more than likely be left alone lunch wise for the rest of the week, getting off easy on his punishment.
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As always, it's not beta read lmao
lmk if you wanna hop on the tag list: @galaxies-and-gore @fluffle-writeswrites
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gingeredmink · 3 months
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what are your age hcs for tatsuki and soutarou? and misc hcs for urotsuki?
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Gonna be blunt, head is a cluttered junkyard and I'm a rambler with zero self control when right conditions are met [you ask about Special Interests]. plus am tired and really out of it from work cause we had inventory and i ordered too many lunchables [oscar mayer can go to hell]. Will do best to make this coherent, or at least intelligible, but apologies if it's a bit of a mess.
Age Headcanons [If we're going for what they are in game]
Short answer: Soutarou is late 20s-early 30s, Tatsuki ranges between 15-18. [tho ofc when I draw shippy stuff it's an AU and they're both early 20s]
Long answer: Actually thought about this on and off a decent bit and could never really get more than a vague, "Somewhere around this area" for them.
Soutarou is somewhere between late 20s and early 30s. He's old enough to have experienced some shit, try to get clean and back on his feet and get some manual labor experience, and have that ripped from him. Plus some time to isolate and have those thoughts wreck havoc on his mental state.
Tatsuki on the other hand is messier and harder to really give an age to. They could be a kid escaping into fairy tales to avoid reality, or a young adult [18-20] that was forced to grow up too fast and is now suffering from dealing with their fractured identity [have thought about Debris endings occurring around Tats 18th birthday, because they have the "You're not a child, so why do you hold onto such stupid childish fantasies?" thoughts to go on top of everything else and it sorta just breaks them.]
Misc Uro Headcanons
Big Deep angsty Uro hc/kinda what shapes her core for me
You might've heard the quote, “I think the saddest people always try their hardest to make people happy because they know what it’s like to feel absolutely worthless and they don’t want anyone else to feel like that." by Robin Williams. This more or less summarizes my view of Urotsuki at the core. She may not be weighed down by what other dreamers have gone through, but she knows what it's like to be trapped in darkness and though it may not show, she is doing her best to make others happy because she doesn't want others to go through that. [side note: this is huge part of reason for shipping her with Tatsuki. Feel like they'd be the same, tho Tats is way more introverted. That angsty, "You see through the smiles or notice the little things and softly nudge me to say you understand and are there." sorta thing].
Going off that; for the longest time have hc'd that Uro has struggled with an ED and self image issues in the past and a big part of why she loves food and is okay with being herself, and is so supportive of others doing the same, is because she had to fight to get to where she is and is doing her best to make sure others can simply see the joy in life without experiencing the hell she went through.
More lighthearted/Uro's a goofball hcs
Uro is somewhat lactose intolerant but keeps getting sick because she won't. fucking. stop. eating cheese. Or questionable foods in general. "It smells alright so it's probably fine." [narrator voice: It wasn't fine] sorta things.
Probs mentioned this one before but eh, Uro and Sou are one of few dreamers with a drivers license, and Uro's driving doesn't exactly leave most passengers feeling safe so Sou is constantly stepping in when she offers people a ride. The two bicker at each other like an old couple a surprisingly good bit when eyes aren't on them. This paired with them both being older and able to get drunk makes for quite a scene. [Sabi's laughing, Tats is on the floor trying and failing to hide it.]
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She did have a dedicated dream diary at some point, but during a depressive period would start to fill and decorate it with random stuff [silly doodles, poems, stickers , ect], and it's now more like a thought scrapbook or therapeutic outlet for her. Pages that are just her jotting down memories that make her happy have little sticky note bookmarks so she can flip through them when feeling down.
Her head is a mess and all over the place, and her counting sheep is like a ritual she semi-depends on to fall asleep since it gets her to focus on one thing and relax [its a sorta behavioral dependency that if she was somehow barred from doing, she'd probs stress out and not be able to sleep.]
Hope you enjoyed or were at least satisfied with rambling anon ◠⸜⸝◠~
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