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confessedlyfannish · 27 days

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Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

#i feel like I'm going to reread this and want to add other stuff #but I also just want to post it and get it out there #fun fact i scribbled a bunch of lines down at 2am bc i didn't want to forget them #im bad at multiple drafts #my writing #dp x dc #dp x dc au #dp x dc prompt #dp x dc crossover #danny phantom #batman #i live to make everybody dramatic #but also i subscribe to a world where clockwork doesn't know how NOT to be dramatic #lol he's a ghost from all of time he doesn't know how to speak to humans and tailor it to the century let alone the decade #and his favorite little girl who calls him clocky loves how he speaks so #he doesn't need to change for nobody #nor feels inclined to #also I feel like as god he's way more inclined to threaten to get what he wants than like...be vulnerable #jazz: let's unpack that #clockwork: we never do #jazz: are you saying that because it's true or because that's what you want to be true?#clockwork: ...#also I cannot take credit for BITCH I MIGHTWING #wish i could #that is cash money right there #shoutout to 11thsense

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hbdttg · 1 year

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Part 1 / tag list below the cut

“I’m quitting,” Eddie declares, “I’m out. Call me a tree, ‘cause I’m leaving. Call me a banana, ‘cause I’m splitting. T-t-t-t-that’s all, folks!” he adds, doing his best impression of Porky Pig’s signature stammering.

Chrissy’s laser focus doesn’t stray from her monitor, even when Eddie bodily throws himself into the chair across her desk with a long, strangled groan. Wordlessly, she raises her left index finger at him in a silencing gesture. With her brows furrowed in concentration, she drags her mouse around on its pad and double-clicks something on her screen before nodding decisively to herself. After another few clicks, she finally lowers her finger, raises her eyes, and meets Eddie’s gaze.

“Would you mind grabbing what I just printed? Please?” she asks, smiling at him imploringly.

Chrissy could ask Eddie to bleach his hair and shave off an eyebrow and he’d do it. She’s actually who he has to thank for landing such a cushy job with HHH—a referral from a trusted associate like her goes a long way in a place like this.

And despite Eddie’s many complaints about becoming a corporate sellout, he can’t deny that it certainly has its perks. The office is only a ten-minute commute from his apartment, the compensation agreement he signed amounted to more money than his last two jobs combined, his benefits package is frankly ridiculous, and he gets to work with one of his best friends in the world. Overall, not a bad gig.

Even so, he makes a show of sighing, loud and longsuffering, before doing as Chrissy asks, leaving her office to grab her job off the printer. Eddie knows she works in HR and some of her stuff can get pretty confidential, so he doesn’t even try to skim the contents of the page as he walks it back over to her.

“Here,” he says, thrusting the paper at Chrissy facedown.

“Thanks!” she says. She makes no moves to take it from him. “That’s for you, actually.”

Curious, Eddie takes the paper back and flips it over. In the center of the page is a graphic of safety sign one might find in a cartoon factory, though Chrissy had edited the original from “[___] Days Since Last Accident” to “[___] Days Since Eddie Last Threatened to Quit His Job”. There’s a big red zero in the counter box.

Eddie tries to glower down at Chrissy, but it’s sort of hard to maintain when she bursts into laughter. It’s been years, but the sound of Chrissy laughing like this, all bright and breathless and unrestrained, never fails to transport him back to his (third) senior year of high school, when they first became friends over a failed drug deal.

“Don’t be cute,” Eddie says with a laughable lack of authority, dropping heavily back down into the chair.

“Do you know who you’re talking to?” Chrissy counters, brow raised archly.

Eddie rolls his eyes, crumpling the page into a ball and lobbing it in between them.

Chrissy lets the ball land harmlessly on her desk before sweeping it into the trashcan by her feet. “Just so you know, I’ve had that saved on my desktop since Monday—and I haven’t had to edit the days count a single time.”

Eddie scoffs, but it’s hard to defend himself when this current visit marks the fifth day in a row he’s floundered into her office, vainly announcing his resignation. “Yeah, well,” he says weakly, “printing it seems like a gross misuse of company resources.”

“What are you going to do, report me?” Chrissy says with a mischievous sparkle in her eyes.

“Let me guess: you’re the one who receives those reports?” Eddie says dryly.

“Yep!” she says cheerfully. “Now, go on and tell me about your latest trainwreck of an interaction with Steve Harrington.”

“Christ, Chris!” Eddie hisses, leaping to his feet and immediately spinning around to check if anyone was around to hear her damning words. The coast is clear, luckily, but he still scrambles to shut her office door before falling back into his chair. “You can’t just go around saying his name all willy-nilly.”

“He’s not gonna suddenly appear if you say his name three times, Eddie. See, watch. Steve. Steve. St—”

“Don’t risk it!” Eddie squawks loudly, cutting her off.

“You’re an absolute mess,” she says through a laugh, shaking her head at him.

And well, Chrissy’s not wrong.

Eddie’s been a mess since Monday morning, when he unknowingly produced, directed, and starred in The Roast of Steve Harrington. He blames his shitty memory for forgetting what floor his new office was on—if he’d known he was sharing the elevator with someone he could have potentially worked with (let alone someone whose surname made up a third of the company name), he wouldn’t have opened his big, fat mouth in the first place.

When he finally gathered the courage to make it back down to the fifty-second floor and show his face at the HHH office, he kicked off his onboarding with Chrissy with a strangled, “I know it’s my first day and I technically just started ten minutes ago, but I quit. Thank you for the opportunity and good-bye forever.”

Chrissy, the traitor, spent a full five minutes laughing in his face over his shamefully recounted story before patting him twice on the head and informing him he wasn’t allowed to quit for at least six months. The overly saccharine tone of her voice alone told Eddie there was no room for argument there.

Still, that didn’t stop him from following her into her office after the all-hands meeting on Tuesday, all the while whining in her ear, “I can’t thrive in these conditions, Chrissy. Please, I beg of you—accept my sincere and humble resignation from this cursed hellscape.”

‘These conditions’ consisted of any rooms and/or conversations that contained Steve Harrington. Eddie hadn’t been expecting to see the guy doting over the catering when he walked into the conference room that afternoon, and he certainly wasn’t expecting his supervisor and trainer, Murray, to lead him over to Steve to introduce the two of them (though that was likely just an excuse to head straight for the sandwiches that were laid out for the meeting).

While Eddie choked on his own tongue trying to spit out some generic, inoffensive greeting, Steve merely watched him with an amused smirk before thrusting his hand out and offering a perfectly friendly “It’s nice to meet you, Eddie, I’m Steve”, as if Eddie didn’t have Steve’s name and face (and stupidly fit body—who the fuck looks that good in a pair of khakis?!) burnt into his memory from the day prior.

Afterward, Murray, who most assuredly did not have a filter of any kind, bluntly commented on Eddie’s awkwardness, then spent the next five minutes trying to determine if it was normal, strangers-meeting-for-the-first time awkwardness, or something more sensational. Eddie stubbornly kept his mouth shut until the meeting started.

Wednesday followed a similar pattern, with Eddie flouncing into Chrissy’s office with a dramatic “I choose to break my blood oath. At this point I’d welcome the sweet release of death if it meant I didn’t have to work here anymore.”

Chrissy just corrected him, patiently explaining that he was employed at-will, rather than by blood oath, and that if he left before his sixth month, she’d personally skin him alive. Eddie had to pause and weigh the pros and cons of being skinless. Surely it couldn’t be worse than his latest exchange with Steve—via email this time, mercifully.

He’d just learned how to field helpdesk tickets and received one from Steve Harrington himself. It was a simple enough software request ticket, so he assigned it to himself and replied with next steps, asking Steve for a code so he could remote into his computer and install the program.

Steve replied back, asking where he was supposed to find the code. It was an innocuous enough question, but then Eddie noticed something a little off about his email signature: his last name was bolded.

Eddie ignored it, assuming it was a stylistic choice—nothing to read into, surely—but then Steve sent another email shortly after to let him know to disregard his last email; he’d found the right app and was just waiting for it to generate a code. This time, Harrington was bolded and at least two sizes bigger than his first name.

Then, in Steve’s third email, sent not a minute later with the requested code, Harrington was bolded, two sizes bigger than his first name, and highlighted yellow—a tactic Chrissy found so hilarious that she had to shoo Eddie out of her office with tears in her eyes so that she could compose herself and actually get some work done.

Thursday was a blessed reprieve from Steve’s unique brand of psychological warfare, but Eddie still somehow managed to royally humiliate himself in front of him. After he slunk into her office and silently pushed a scribbled-on napkin across her desk—

Please accept this letter as my formal resignation from my position as Systems Analyst II at HHH, effective immediately. Effective yesterday. In fact, I’ll pay you back the entirety of my wages earned if we just forget I ever worked here.

—Chrissy tutted at him sympathetically before taking the napkin and reaching over to dab it at the large wet stain on his shirt.

He’d been walking back to his desk from the breakroom when he rounded a corner and bumped into Steve in the hallway. Literally bumped into, bodily contact and surprised yelps and everything. And it probably wouldn’t have been such a big deal, really, if not for the fact that he had a newly refilled mug of coffee in his hand.

“Eddie, oh my god, are you okay?”

No, Eddie wasn’t okay, because he just splashed himself with hot fucking coffee and now Steve Harrington was worriedly fussing over him and tentatively trying to mop up the liquid with his own fucking hands for some reason, and he was embarrassed (and a little turned on?) and he had to get the fuck out of there now.

“I’m okay, sorry, it’s fine—” he managed to squeak before whirling around and scurrying to the bathroom.

So yes, Eddie’s been an absolute mess the past few days, and today is no different.

…Actually, scratch that. Today is different. Today is worse.

“Okay, now spill,” Chrissy says. “What happened?”

With another drawn-out, pitiful groan, Eddie sinks down in his seat and lets his neck hang off the backrest, blinking up at the ceiling.

“Talk to me, Eds,” Chrissy says, concern starting to bleed into her voice. “If he’s actually bullying you, you can file a complaint. I have a form here somewhere.”

Eddie hears her open one of her desk drawers and reluctantly sits up. “He’s not bullying me, Mom,” he says with a huff. “We actually…we talked.”

“You talked?” Chrissy asks, eyebrows raised.

“Yeah, about the elevator. Buried the hatchet and everything. I said sorry, we laughed about it, it’s over and done with.” Eddie’s gaze darts around Chrissy’s desk, searching for something to distract him from the warm and fuzzy feeling growing in his stomach at the memory of their conversation.

“That’s great, I’m so proud of you!” Chrissy says cheerfully. “But wait, if you two are good now…”

Eddie doesn’t want her to ask what she’s about to ask, because the answer might be more embarrassing than all of his other Steve stories combined.

“Why are you still going on about quitting?”

Eddie drops his face into his hands, feeling totally and utterly pathetic. “Um, because I think I’m sort of, kind of, just a little bit…in love with him?”

-------------------------------------

tbh I didn’t think I’d be writing a second part, but if strangers on the internet validate me enough, I guess I’ll do anything~

Y’ALL. I’m blown away by the response to part one of this silly lil au. I didn’t reply to any of the lovely comments or tags, but please know if you engaged in any way (or even if you just read the fic and snorted a little through your nose at a bit you found funny) I love you with my entire heart and you’ve made my entire life.

[Now for the tag list, which I’ve never done before. Sorry if you didn’t actually want to be on here! Or, sorry if you’re stumbling upon this post on your own after asking to be tagged and I missed you oops.]

@messrs-weasley @n0-1-important @bornonthesavage @thing-a-ling @eddiemunsonswife @changenamelater @ispyblu @thesuninyaface

@invisibleflame812 @4nemo1egend @ikolanatari @mavernanche @songbird-garden @trashpocket @original-cypher @over7joyed

@commonxsenss @justdyingontheinside @mojowitchcraft @maya-custodios-dionach @justmiiriam @imzadidragonfly @lillemilly @gay-stranger-things @child-of-cthulhu @bleedingoptimism @lemanzanabizarra @melaniehere91

@iswearitsjustme @silver-snaffles @csinnamon-fox @paint-music-with-me @epicsteddieficrecs @sweetcreaturetm @hxneyfarms @bossyknow-it-all @vecnuthy @stevethehairington @anything-thats-rock-and-roll @nburkhardt

@gayngerthings @patchworkgargoyle @violetsteve @henderdads @2btheanswertothequestion

#stranger things #steve harrington x eddie munson #steddie #steddie fic #modern office au #corporate steddie au #platonic hellcheer #okay obviously eddie's not actually in love with steve #in this au he's a dramatic bitch on top of being a cringe fail loser boy and it's so delightful to me #when he says 'in love with' he means in that superficial infatuated way you sometimes get #when you're suddenly super into someone you don't actually know #let him liiiive #fic writing #hbd

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