I feel like people really underestimate the importance of Dick being the first Robin. Like, reverse Robin AUs are interesting and such, but I just hope people realize that in the context of canon, they would never work. The reason Batman and Robin ever works is because the first Robin was Dick Grayson specifically. Because Bruce would never have taken in any child if Dick's tragedy hadn't specifically happened to mirror his own experience. Dick Grayson was the only one Bruce truly saw himself in first, because the fundamental event that defines them is the same. And he sees the opportunity to help someone the way he was never helped, to make sure that Dick didn't go down the dark path he did. So, my point here is that the only one Bruce actually made the choice to take in, the only one who could kickstart it all, is Dick Grayson, because he is the only one with whom Bruce could immediately empathize and connect with.
This never happened with any other Robin. He took in Jason because he missed Dick, he took in Tim because Tim forced himself into the role, he took in Steph because he was trying to make Tim come back to being Robin, and Dick made Damian Robin. Of course, he loved all of them, and they all have their unique relationships with Bruce that are very important and inform their characters, and he does need them too. But he specifically formed this connection with Dick that made Dick the only person he ever considered taking in. It took a very specific set of circumstances in Dick's backstory that made Bruce commit an impulse adoption that just isn't really present in any other Robin's story. And the reason Jason or Tim or Steph or Damian or anyone else whom Bruce has taken under his wing even got that chance is because of the work Dick Grayson put into Bruce Wayne.
Before Dick, Bruce was reckless and didn't care at all about himself, to the point of almost being borderline suicidal. He was more brutal, more violent, etc. The reason all this changed, is because of Dick Grayson specifically. He was the one with whom Bruce opened up, with whom Bruce was forced to grow up, to take responsibility and learn to take care of both Dick and himself. Dick, to Bruce was the one who brought "color to their [his and Alfred's] monochrome lives." Dick Grayson's specific brand of happiness and joy changed Bruce for the better. Dick gave Bruce hope. This is true for other Robins too, but only because they followed the precedent that Dick Grayson set, only because they slid into his role (they have their own interesting relationships with Bruce, but this specifically is from Dick that other Robins carried on. A legacy, if you will). Dick Grayson turned Bruce into the kind of man who would become a serial adopter.
Without his influence, without his precedent, there would be no Batfamily, because Bruce would never have gotten to the point where he would be able or willing to take in someone else and care for them properly (It took living through his trauma again to get him to take Dick in lmao). Hell, there would be no Batman because Bruce would have gotten himself killed a long time ago if Dick hadn't helped him learn self-care. Dick knows Bruce best, because he understands him on a fundamentally deeper level than anyone else in the world. And he's the only one who can make Bruce open up at his rawest, most downtrodden state. He is the only one who can give Bruce at his lowest that kind of hope. There is no Robin without Dick Grayson. It's literally a tribute to his parents, using their colors and the name his mother called him. He created that identity as a symbol of hope. He helped Bruce become the kind of man who could and would let other people that he had to care for into his life. Without Dick Grayson, you can simply forget about any other Robin or the Batfamily as a concept even existing.
300 notes
·
View notes
We don't talk enough about the fact that Amelia Pond, s5 Amelia Pond, before the timeline is reset, isn't just a normal orphan. Her parents didn't die, didn't abandon her, and didn't send her away. They never existed in the first place.
And if her parents never existed, then Amelia cannot exist. She is a causal impossibility.
"People fall out of the world sometimes, but they always leave traces." A photograph. A face carved into an apple. Yes. Sure.
A child.
Now that's too big, surely.
But that's what she is. She is exactly the same as these things. A trace. An echo of something that could never be, never was, never could have been.
And the universe should never allow it. A whole person, that's just too much. She could not have continued to exist indefinitely, in normal circumstances, after her parents never existed.
In normal circumstances.
Because the Doctor didn't just save her from things coming out of the crack in her wall. He saved her from going into it. And he didn't just save her from the threat of going into it simply because of its vicinity.
No, by arriving when he did, he interrupted a process that was probably already in motion. And then by arriving again only moments later on a cosmic relative timestream (too quickly for the process to complete) and yet in the local relative timestream, years later --- years of a potential future caught midway through the process of rewriting -- he solidified that existence. Amy is a creature from another timeline, caught in amber. The Doctor prevented her from never existing, but only after she could already never exist.
And so, no one around Amelia thinks about it. Neither does she. There's some kind of consciousness block, because if you thought about it, really thought about it, for two seconds you'd realize she cannot exist. And the human mind can't deal with that. So, to protect itself, everyone's brain simply slides off it before ever noticing. They just assume that her existence makes sense, and don't question it, and don't notice what they don't question, that is staring them in the face.
But of course, to some extent they do notice. They can't think it, but they notice subconsciously that there's something they can't think. They notice there's something wrong with her, something uncanny. And they don't like it, and they alienate her even more because of it.
"Does it ever bother you Pond that your life existence doesn't make any sense?"
242 notes
·
View notes
the way cole makes varric conflicted is so delicious i think. most of the characters are uncomfortable around him because they're genuinely terrified of demons and the fade and magic in general but varric is a completely different case. the thing is, he doesn't see cole as a demon at all because he doesn't want to.
he acts like he doesn't care about this stuff. that's a little weird kiddo around here and he wants to befriend him. teach him something even. why not. that's a little guy who's a little too good with knives and can't pick up a single social clue at the same time.
but there it is. the "he could have been a person" line if cole is made more spirit. varric is so upset about it because it's not like he saw cole as, well, a spirit who got a little too human. for varric, he was a human first, a weird kid second. the spirit part didn't even come into consideration because. well. it would make him question things. you know where it goes.
every time he starts bitching about anders he brings up justice. justice drove him mad. justice took over him. justice this, justice that. justice is a scapegoat because the thought that someone varric was friends with was actually willing to blow up the chantry and it wasn't just some evil demon's wish is a very unsettling one. varric's friends may be crazy but they're cool and make no irreversible life decisions of that extent, don't they? blondie turned out this way because he let a demon possess him and make him do terrible things. completely out of the blue.
it's either varric's ex-friend has never been driven crazy by some inherently evil entity and there was a whole other person around him all along and that anger he used to mock was coming from the same place as compassion's urge to become a killer or that little weird but kind kid he started to care about has never been and will never be a real kid. he can't have both. a bitter pill to swallow for someone who has never picked a side in his life
670 notes
·
View notes
Ed gets amnesia (Izzy-centric, pre s1 banishment, past edizzy to some degree)
It starts something like this: a rope left out after a raid, a captain showing off to the crew, a workload stretched too thin to have noticed the accident waiting to happen...
When Ed wakes, it's almost immediately clear something is wrong. He's lost a few years of memories- not much in the grand scheme of things, but it's enough that the man who lays in front of them is almost unrecognisable to the man they knew. He's from just at the point where he was starting to get frustrated with the 'ease' of being Blackbeard, tiring of his old life, but still so full of life and love in ways the present Ed forgot how to be.
He's a lot more on guard, for a start, waking up surrounded by strangers, even if they are treating him very nicely. He doesn't trust them, he doesn't even fake trusting them, just shuts them out completely.
Stede and Roach figure out what's going on pretty quickly and try to explain it to Ed after that, about what's happened and all the things he missed, but he doesn't believe them for a second- how could he? If he got hurt, Izzy would be there waiting for him to wake up. He always has been, always is, his predictable and reliable Izzy. He says as much to Roach and Stede, the only thing he will say, and they just... side-eye each other. They can't believe it- Izzy?
Anyway, Ed completely shuts down after that, so someone runs to get Izzy. Izzy, who had decided, after everything- especially the past few weeks on the revenge- that there's no way Ed would want him there. He's still lurking on deck because he can't stand not knowing how Ed is, but he knows that's not his place any more. So to say he's surprised when Stede comes and begrudgingly grabs him is an understatement- Stede doesn't tell him anything, obviously, just that Ed’s asking for him.
The way Ed’s face lights up as he walks into the room is a punch to the gut. There's a cheerful greeting, the kind he hasn't received in years, and Ed’s yapping on about what he's been told and what happened and "this ship, Iz!" and he's just... floored. He can't say anything in response, not even to confirm their story because this is Ed, this is his Ed, who's face is turning worried, joking about how it looks like Izzy’s the one with a head injury, and Izzy can't cope. He just... storms out of the room.
Izzy’s up on deck, and he's not even yelling, or working, or really doing anything, just aimlessly coiling ropes in a daze when Ed appears on deck after him. He's thrown his leather jacket over whatever of Stede’s clothes he was wearing, a return to his Blackbeard armour to be seen by crew, and he jogs up to Izzy and starts getting handsy with him, physically turning him to looking him in the eyes and check he's ok, just generally being casual in a way that nobodies ever seen them- a way that nobody expected Izzy to tolerate (but of course he does, its Ed).
Izzy'll stutter out a response and Ed will wrap his arm over his shoulder, casually, like that's a thing they do. He'll ask for a tour, for him to explain everything, like what's the deal with this Stede guy. He's still enamoured with The Revenge and all its bells and whistles, only now he wants it with Izzy. It's all 'Iz' and 'mate' and affectionate and a side of their relationship even the Queen Anne crew haven't seen in years, a complete shock to absolutely everyone except this Ed.
Ed shows Izzy the model of The Revenge again and Izzy is both heartbroken and so indulgent because that's the Ed he had once, and he's going to take every second while he can. Ed can show him every single trinket on the entire ship if he wants. Izzy's always been willing to indulge Ed to some degree (it's Izzy, after all) but there's usually external factors, like they're in the middle of a raid, storming a hostile ship, or being chased down by the Spanish without any plan and over the years Izzy’s taken to just trying to redirect Ed quickly rather than letting him get distracted with the next shiny thing. It's been a sticking point between them, Ed's distractions and Izzy's rigidity and inability to have fun even when the occasions fitting.
But, for all Izzy's gripes with The Revenge, he does know it's safe for them- or at least that he could take on any member of this useless crew who tried to take advantage of his captain's momentary incapacity. So he does, for once, feels safe to indulge Ed. And God, he wants to. He has wanted to. He wants to watch him forever, like he did when they were little more than kids. He wants to forget all the mistakes he made just to see Ed smile and light up at him one more fucking time. He's not going to throw away this opportunity, no matter how badly it hurts him in the end.
Ed's memories don't come back in a day or so, so the crew keeps getting these shows of their relationship in a way they've never seen before- all these casual touches, and the way he'll turn to Izzy before anyone else, even Izzy laughing a couple of times. The crew gets to see a completely different Izzy- one more like the man he'd have been on The Queen Anne, a man they can see means something to Ed. He's not just his rotten first mate, a necessary evil of Blackbeard, at some point it becomes very clear that Ed did like Izzy, that he chose to have him around. It's like being back when Ed and Izzy were on the same page, at the height of Blackbeard, their partnership, when things were GOOD.
And of course, Izzy’s going along with all this. He's not telling him anything about the way they're different now, about how they finished breaking their matelotage 6 months back, about how they've been living at arms length for years, about how this simply isn't who they are to each other any more. He couldn't possibly do that, not when he gets to live the best days of his life all over again, just for a few short days. Maybe he'll get a week or two, if he's really lucky.
It's hurting him, obviously, it feels like his heart is being ripped out every time Ed touches him, every time he corners him in the depths of the ship (still so untrusting of this unknown crew- not helped by how they treat Izzy. He sees the side eyes and cruel comments and notices in a way the present version of him never did, too wrapped up in Stede and the madness of this ship) but hey. Izzy’s a masochist. He'll take anything Ed gives him, and he'll especially take this opportunity to have one last taste of what he's lost.
At the time it faded so slowly he didn't realise he was losing it until it was all gone, but he won't make that mistake this time. He knows their time together is limited, and he's going to take every fucking second he can and hold it close forever. If Ed makes him leave after he remembers? After he realises the way Izzy took advantage of him? It's worth it, to have this again, one last time.
130 notes
·
View notes
The ambiguity of the Wittebane storyline is like. The entire point. We only know surface-level details because that’s all Philip lets himself even think about. We aren’t supposed to know exactly how to feel or exactly what Philip feels about it because he does not acknowledge or express his thoughts/feelings about it. Because to do so in an honest way would mean coming to grips that it wasn’t a black and while situation like he wants to believe it was. And if that’s the case then his entire worldview, sense of purpose, and sense of self fall apart.
That’s how rationalization of bigotry happens: if you need yourself to be the hero no matter what you do, there is by necessity a disconnect between your reality and your experience/interpretation of reality. You aren’t a good person because you do good actions; instead, your actions are good no matter what they actually are because you, a Good Person™️ are doing them, and Goodness and Badness of a person are predetermined based on inherent qualities (i.e. being born human). This type of worldview requires no self-reflection, and in fact actively discourages it. (Luz questions/doubts herself consistently; Philip does not).
So of course we don’t know everything about the Wittebane story: the only person who even holds that information is Belos, and even he doesn’t acknowledge it. It doesn’t even really matter if he feels bad about killing Caleb or knows deep down that he might be in the wrong: he doesn’t let that guilt inform his actions, nor does he express it. The protagonists certainly don’t know about it, they only have his actions to go off of. And his *actions* give no hint of remorse nor do they indicate he ever intends to change course. We the audience do know a bit more than even Luz does about his backstory, and that’s because it’s for us—it fleshes out the story and drives fan discussion/interpretation, and that’s a good thing! But in this particular story the protagonists didn’t need to know everything about the antagonist’s backstory/motivations because the antagonist did not make it relevant to them. And yes, Doylist perspective and everything, this was an external writing choice made by real life people and not the character. But like. IMO it was the correct choice to make for this story!
343 notes
·
View notes