L'Aigle à deux têtes, directed by Jean Cocteau, 1946 // A Comforting Gaze, painted by Frank Craig, 1910
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Nothing is more real than nothing.
Samuel Beckett, from Malone Dies, 1951
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Guess who's back after a year of complete silence
I really hope the fandom is still alive here ngl. Anyways, enjoy some fresh tybalt artwork as a return piece
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Play 16: Becket by Jean Anouilh (tr. Lucienne Hill)
First performed: St. James Theatre, New York, 1960
Quote: "You can't tell a lie. I know you. Not because you're afraid of lies - I think you must be the only man I know who isn't afraid of anything - not even heaven - but because it's distasteful to you. You consider it inelegant. What looks like morality in you is nothing more than aesthetics." (King)
Stage direction: [The wind of excommunication shivers through the Council.]
Notable cast: Laurence Olivier and Anthony Quinn starred in the 1960 US premiere as Becket and the King, with Olivier taking over as the King once Quinn left the production. The first UK production included Eric Porter, Christopher Plummer, Diana Rigg, Roy Dotrice, Patrick Wymark and Ian Holm among its cast; Plummer was a replacement for Peter O'Toole, who quit the production (and the RSC) to make Lawrence of Arabia (1962). O'Toole would play the King, opposite old friend Richard Burton as Becket, in Peter Glenville's 1964 film adaptation. Subsequent productions and adaptations have included actors such as Derek Jacobi, Dougray Scott, Toby Stephens and David Morrissey.
Notes: Anouilh drew on inaccurate sources when writing Becket, resulting in a play which diverges in places quite drastically from known history; these mistakes were discovered before publication, but the playwright decided he preferred the dramatic development to true historiography. It was the right choice, and whilst the play is often wrongly considered a historical piece, it's truthfully more of a tragedy, with all the trappings and devices that carries with it. As a study of the title figure, a man whose transformation from aesthete to servant of God is as surprising to himself as to his peers, Anouilh makes the interesting choice to keep Becket offstage for long sections of the play; his character and his person are better explored through the impact he has on those around him, in particular King Henry II, subtly identifying the cult of personality which would come to surround Thomas immediately after his death.
Read: for the first time (?), but the film is a favourite
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Molière’s Tartuffe at the South Coast Repertory, California, 2014.
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Léon Comerre (1850-1916)
"Pierrot jouant de la mandoline" ("Pierrot playing the mandolin") (1884)
Oil on canvas
Academicism
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Jean-Paul Sartre, from No Exit and Three Other Plays; “The Flies”
Text ID: But I—What am I but an empty shell? Some creature has devoured me, gnawed out my inner self.
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Solitude seems to oppress me. And so does the company of other people.
Eugène Ionesco, Rhinoceros and Other Plays, 1959
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Queen Mother: Henry! I bore the weight of state affairs longer than you ever have. I have been your queen and I am your mother. You are answerable for the interests of a great Kingdom, not for your moods. You already gave far too much away to the King of France, at La Ferté Bernard. It is England you must think of, not your hatred - or disappointed love - for that man.
King: [in a fury] Disappointed love - disappointed love? What gives you the right, Madam, to meddle in my loves and hates?
Queen Mother: You have a rancour against the man which is neither healthy or manly. The King your father dealt with his enemies faster and more summarily than that. He had them killed and said no more about it. If Thomas Becket were a faithless woman whom you still hankered after, you would act no differently. Sweet Jesu, tear him out of your heart once and for all!
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Jean Anouilh, Becket (tr. Lucienne Hill, 1960)
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So excited to see it tonight!
Thanks to @drinkthemlock for bringing it to my attention ✨
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Evil exists only when its known. Adam and Eve were public in their fall. To sin in private is not to sin at all.
- Molière, Tartuffe
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