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#don’t look at me i only want to be a concept to you
derinwrites · 2 days
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The Three Commandments
The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.
Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And
The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.
1: Thou Shalt Have Something To Say
What’s your book about?
I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?
The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).
Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)
Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?
2: Thou Shalt Respect Thy Reader’s Investment
Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.
Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.
Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.
The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.
But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.
If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.
3: Thou Shalt Not Make Thy World Less Interesting
This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.
“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?
Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?
If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.
Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?
Hopefully these can help you, too.
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princessbrunette · 1 day
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frat! rafe praying on the shy sorority girl because he just loves to fluster her. Telling her to sit on his lap and she just nods because she doesn’t want to upset the president of the most important frat
i luv this concept especially with reader who is super softly spoken like cailee spaenys priscila !! (im projecting bc that’s how i talk <3)
୨♡୧ 🎀 ᰔ 🎀 ໒ྀི꒰ ◞ ‌ ◟ ꒱ྀིა
standing up on the sidelines when everyone’s sat around the couch drinking and having fun, your hands clutched at your front playing with your skirt because you don’t know what to do with them. rafe wants to talk to you, he thinks you’re so sweet — but can barely hear you over the party.
“look, hey— come sit down. can’t hear you.” he lays the charm on, leaning back in his seat with a honey-thick smile. your breath hitches as you look around the group.
“there isnt any space for me. its okay.” you shake your head and his smile only grows.
“yeah, which is why i’m saying you can sit right here.” he pats his leg. you blink for just one second and he holds up his hands in defence. “i’ll behave, i swear.” he grins, and he must be good at what he does, good at speaking to girls because you trust him oddly, though everything in you tells you he’s not being completely truthful.
you nod anyway, as you’d hate to be so rude to the president of the frat — the frat everyone spoke about, cared about, the one that hosted all the events. you perch on his leg shyly and he gets comfortable, wrapping an arm around your waist.
“see thats better, i can actually hear you now. can get to know you better like this, right?”
୨♡୧ 🎀 ᰔ 🎀 ໒ྀི꒰ ◞ ‌ ◟ ꒱ྀིა
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toniiswrld · 2 days
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mx ☆ p.wb - 02
wonbin x fem reader
you bump into a hot guy at a band concert, but what happens when you realize the hot guy is a member of the band?
🎸 cw. foul language
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“dude where the fuck have you been? we go on in 15” shotaros already yelling before wonbin can fully walk into the room.
“probably lurking through the crowd again to find his next hookup,” seunghan chimes into the conversation, earning laughs in agreement from sohee and anton.
“ill have you all know i was going to get a drink at the bar, i’m not the slut you guys want me to be so bad” wonbin crosses his arms over his chest, trying (but failing) to beat the slut allegations.
“sure you aren’t wonbin,” eunseok rolls his eyes at the boy, knowing well enough what wonbins true intentions are whenever he’s just ‘going to the bar’
“oh don’t act like you’re better than me, eunseok. didn’t you have some girl over last night?” he scoffs, the attitude he tried so hard to hold back slipping.
“okay first of all, she’s not just ‘some girl’, we’ve been dating for a month now. a concept you wouldn’t be able to understand” oohs can be heard across the room, the rest of the boys suddenly invested in eunseok and wonbins little argument.
“okay mr loverboy, not my fault i don’t wanna be tired down at 22”
“you’re going to let the right girl slip through your fingers if you keep fucking around, wonbin” eunseok doesn’t want to fight, but he is getting tired of his friends bullshit. the amount of girls he’s taken home within the last year was insane, he’s seen some really nice girls lose themselves in wonbin, changing their whole personalities for him, all for him to push them to the side for someone else. wonbin would one day realize his actions have consequences and he’s stopping himself from experiencing romance.
“you guys can argue later, we go on in 5” shotaro sighs as he gathers himself and the rest of the boys to get ready to get on stage. everyone does a quick touchup on their outfits and hair, wonbin keeping his arms crossed up until they get on stage.
eunseok doesn’t know anything, wonbin grumbles to himself as he picks up his bass, squinting as the stage lights turn on and he shakes his thoughts once he hears the uproar from the crowd.
he couldn’t worry about romance when the feeling he got from being on stage was something nothing could ever compare to. he didn’t want to be tied down when he had a crowd to please, and he has endless girls falling at his feet, so why would he stop that to be with just one person?
throughout the show, his mind kept going to the girl he bumped into at the bar. she was so beautiful, her skin glowed in the dim venue lighting and she had this vibe to her that was almost intimidating, but he didn’t want her to walk away. it was alluring, the way you didn’t throw yourself at him like everyone else who likes him, because they knew him already, they know he’s famous. what if once you figured out that he’s part of the band and you lose interest?
he tries to look for you in the crowd, he spots you for a brief moment but your eyes are focused on someone else, and when his eyes travel across the crowd he isn’t able to find you again.
he wishes he had gotten your name, only knowing you by princess, the name he had given you. so all he could do now was hope you would come to more shows, and hope that he would be able to get you alone.
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m.list | previous | next
a/n: short little chapter from wonbins pov… actual juicy stuff coming in the next chapter i promise 🫣
taglist: @starwonb1n @drinktaro @kyusqult @murariki @helovalley @miyawakiblossoms @nishimuraii @snoopyana @blooqz @bunni @b-riize @daegale @sunwoosberrie @rosesfortaro
reply to the masterlist or send in an ask to be added to the taglist !
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exitwound · 1 day
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do you have any advice for people who are scared of confronting life and reality
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from telephone by percival everett: “You kill yourself because you don’t live in this world.”
i’m sorry to open with the bluntness of this passage— it is the opposite of an imperative but a proposed explanation—also I included the context but don’t take the context too seriously I think the line is better left on its own. all of that said: since it’s such a brutal way to answer an ask seeking advice on something i think needs to be done with like truly extraordinarily levels of tenderness and forgiveness for the self, at least if i’m understanding what you’re asking about—then I think this excerpt is worth including here bc although it doesn’t answer your question it does show what the stakes can be i think. It also really resonates with me because when Im suicidal it’s usually because I think I can’t live in this world. The concept that it’s not that i can’t and just that the nature of being suicidal makes me feel and act as if i’m not a part of this world was really beautiful to me. Im not saying mental illness etc is a choice but that life and reality is accessible to everyone. even if yours looks and feels different. it’s still yours.
i think that you have to confront life and reality because there is no reality if you don’t confront it and less real life for you. The worst part is thinking about the past in which you did not confront it but you don’t need to do and it is only another deterrent to the confrontation… You absolutely don’t need to regret anything to change and i know it’s so hard to figure out how to feel the urgency of your need to confront things enough to confront them without getting stuck in the pain of having not confronted them yet but tbh It just takes practice and all of the kindness you can find for yourself and then even more.Ans time and continued effort. but mostly kindness for yourself. thinking about why you want to confront your life—not bc you want to, plainly, but because you want yourself to be able to live well.—>Because you don’t want more suffering for yourself because you have love and compassion for yourself. it’s this kind of logic at least that has helped me a lot.
i also think everything that you are and everything that you give wants to find its way back to you and love you but if you are hiding from the world you live in it can’t find you very well!! i think it’s about trying to make yourself visible to yourself and then learning how to look without hatred or pain or regret. Also there’s beauty in reality because reality is true it’s not sinister it just is. and you will find all that beauty. also reality and life misses you. you’re good for it and for the world. It wants you in it and it wants you to know it and love it because it loves you. and your continued existence in the world makes the world feel loved. This is why we care about things
I hope this helped at all much much love
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Salutations! I’m in the process of creating a story wherein both characters are missing an eye. One has a prosthetic, but is presently isolating themself in the woods, and wears an eyepatch to protect the eye while alone; the other’s socket is either empty, or they have a glass eye with no actual details (iris, pupil, etc.). I’ve struggled to find references for the latter, and fear it may come off as unrealistic. I understand prosthetic eyes keep the eyelid from collapsing, but aside from that could a person just not wear one? If these options are unrealistic, please let me know. I can supply you with concept art if need be.
The story itself centers around these characters after one of them finds the other by accident. They’re painted as foils—the one hiding out in the cabin adhering to a self-made sense of logic that centers on cycles and confirmation bias, while the only who takes refuge there after running away is deeply paranoid and prone to hallucinations. The first character is missing their left eye; the other their right. I don’t want to make a symbol of their disabilities, but I feel their designs simultaneously stress their opposing perspectives, as well as the fact they paradoxically still manage to see “eye-to-eye.” Their visual impairment is just one of many ways they’re able to connect across the story, as they also bond over their obscure passions and delusions, and respect each other’s warped worldview to such an extent said worldviews start to blur together. In addition to this, the story places an emphasis upon an entity known as the “ocellus,” which is basically the “false eye” you see on moth wings. In my outline so far, it’s the name of a mysterious band which the pair discover in a record collection, and resolve to solve the mystery of (regarding the members, music, etc.) One of the characters also sleeps with an eye mask with the pattern of moth wings and their respective ocelli overlaying their own eyes; their paranoid counterpart also sees eyes in the trees and wood of the cabin.
Absolutely none of this is set in stone; before it is, I just want to know how much of it is fine, which parts “moralize” or make a symbol of a disability, and what is straight-up ableist. Please let me know if you need more details.
Hi!
The prosthetic eye has two main functions: 1) to keep the eye area stay in shape, 2) to protect the socket. Both of these can be achieved by conformers (it's like a big contact, except it goes into the socket and not on the eye) which I talked about here!
A blank prosthetic eye would probably be fine. The process of getting it custom painted is expensive from what I know, and IRL a lot of people will decide on the generic kind rather than a custom. If in your world the generic happens to be a blank, there's no problems I can think of? Potentially, you could explicitly say that it's not how most prosthetic eyes look like (maybe someone else knows a person with an eye prosthetic and they comment that it's unusual?). You mentioned that the character doesn't have it in all the time, so I don't think the trope of "blind character has blank/white/milky eyes" applies here because it's clear that it's a prosthetic.
A person could decide to go bare, but the sensation of blinking could be uncomfortable, and they would need to clean their socket more to get rid of anything that could get inside. Normal saline could be used for that.
I don't think there's an issue in them missing different eyes at all. If you want to make sure it's not giving "Just Magic Symbolism" energy then you could incorporate some boring everyday things that would make sense. If they go somewhere together, they could decide to walk missing eye-to-missing eye, so that they see what's going on the sides rather than in the middle, things like that. It could make it feel more grounded, so to speak.
I don't see any issues with the moth fake-eyes symbolism either, I think it makes sense for the story you're trying to tell.
If you want to be very safe, I would have a character (can be minor, or background) that's also missing eye(s) that's not connected to any of the potential symbolism and is more of an average Joe of Not Having an Eye.
In case you decide to get into that, it would be nice for them to have different causes of why they don't have eyes. It feels like in fiction it's always physical trauma, but there's a whole more that could cause someone to not have an eye;
anophthalmia,
retinoblastoma,
severe eye infection,
elective enucleation (removal) of an already blind/painful eye,
just to give you a few ideas! Giving them "boring" everyday reasons of eye loss will also make it feel less symbolic and more like a regular disability. Think "dramatic swordfight with Huge Meaning" vs "yeah I had cancer in my eye when I was 2".
I hope that this helps; if you have any further details you'd like to ask about feel free to send another ask!
mod Sasza
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romeavecryst · 3 days
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Crush Culture˖ ࣪⊹
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II. Spill my guts
sum: tsukishima finding himself thinking a bit more of the nekoma manager, maybe looking a bit more into her wont be to bad..
Warnings: Tsukishima being a Cutsie little stalker, cursing, teasing, not really proffered! Mention of past relationship.
(III.)
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.˚₊‧ ── ⋆⋅☆⋅⋆ ── ‧₊˚.
He hated it he hated this feeling, it didn’t help how his teammates would talk about ‘Nekomas pretty manger’ it irritated him how Tanaka and Noya practically drooled over her when they brought her up. What made it worse is when yamaguchi let it slip that he had ran into her in the hallway. The two second years going crazy that he had gotten that close to her.
“Common you don’t even know her name!” Noya groaned.
“Why would I even ask she ran into me.” He said.
Tanaka punched him in the arm “you didn’t even say sorry just walked away, how could you she’s gorgeous.” He complained.
Tsukishimas rubbed his arm rolling his eyes, oh he apologized. Not that he wanted to, remembering the moment making him frown. “Ask Kiyoko, they hugged after the game.” Kageyama spoke up.
The three snapping their heads towards the first year. “You’re so smart!” Noya and Tanaka cried pushing off of Tsukishima.
He found it sad how desperate they were to find out her name, why did they even need it? He thought she’s not even around her it’s not like they’d go out with her. To them she was just a pretty face and that pissed tsukishima off, at lest have the decency to ask her name in person. What made this more dreadful is the he wanted to know her name to, to be truthful he’d looked up their roster and coaching staff but didn’t find a name that would fit her. God maybe he was worse than them for doing that.
“SHE HAS AN INSTAGRAM!” Tanaka yelled.
Tsukishima groaned standing up, walking by his two upper class men he glanced at the phone they looked at scrolling through her feed.
It wasn’t stalking if her account is public right? Tsukishima opening up his phone as he began to walk home only for him to close it and shove the phone back in his pocket. He groaned closing his eyes, “Everything alright Tsukii?” The sound of his best friends voice was heard from beside him.
Tsukishimas eyes met his, “I’m fine.”
Lie. And yamaguchi could tell, “don’t bs me what’s up. I get if you don’t wanna tell me but I’m here to listen.” He shrugged.
He wanted to tell him, he wanted that Nekomas manager had an attitude, how he haters her bratty tone pissed him off. How she was stuck in his head how she barely touched him but her body spray lingerd on him after, how she smelled of coco butter and vanilla. How stupid he felt. How she pulled an apology out of him and it wasn’t even a real one! God she pissed him off. Especially how nervous he got.
He wanted to throw up.
“Tsukii?”
“Why are they so obsessed with her?”
“Nekomas manager?”
“Yeah”
Yamaguchi paused for a moment “It’s Tanaka and Nishinoya, it’s just the way they are. Plus she is pretty.”
“Is that really all? Over them being a bit girl crazy.” Yamaguchi spoke rubbing the back of his neck.
No. Was he jealous! No that’s stupid. “Just don’t get it I guess, I mean don’t you get tired if it? Them always asking you if you have a girlfriend? If you have a crush.” Tsukishima asked.
“Not really, it’s never bothered me. I mean I do like girls but it’s not my whole personality nor do they like me back at times. Just keep to myself.” Yamaguchi spoke thinking about as he talked.
Tsukishima always disliked the concept of crushes, how one shared feelings for another but can’t tell them. The feeling of falling in love yet waiting just to perhaps be rejected? The obsession that came with it always wanting to talk to said person or being with them. How you can ever get them out of your mind. It was lame, it made him feel sick.
“You like someone don’t you.”
Tsukishimas head Turing to look at his friend. “No, I’m not interested in all of that.” He spoke. Truthfully he wasn’t, he no intention of getting a girlfriend or even talking to someone romantically.
Maybe it was the comfort of his bed, how he laid on his back as he opened Instagram again. Typing in the name tag, pressing on the first profile. Yeah she was known that for sure. Scrolling through her feed, learning she’s social, loves her family, and all around loves taking photos of herself, but how could she not she’s pretty. Her face was made for the lens of a camera.
“Really like putting yourself out there huh..?” He spoke to himself, the moment he said that his finger slipped a pink heart popping up on the screen.
“No.”
“Oh shit!” He sat up quickly. It was a photo of her on the beach sitting up on her knees her hands up blocking the sun from her face. He liked a fucking Bikini post from 6 months ago.
“Are you fucking kidding me!” He groaned. What if he unliked it? She still see it. No that was stupid.
The sound of his door opening made if head turn. “Everything alright Kei!” His mother asked.
“Yeah. Im great just people,” he spoke taking a deep breath before talking to him mom again “I’m alright sorry for worrying you.” He spoke. She nodded closing the door.
“No fucking way!”
“What a little stalker.” She spoke softly her toothbrush hanging out of her mouth.
“Who’s a stalker?”
“Nobody. Some kid I met a little over a week ago.” Yn spoke to her older brother.
He groaned pushing off the doorway. She laughed lightly pressing on his profile. Not a very out there guy hmm.. he had a few post. Her thumb lingered over the follow button, “fuck it.” Pressing it setting her phone down.
The little buzz of her phone making her smirk, peeking at her phone ‘keitsukiishima_07’ followed you back.
She picked up her phone a giddy grin on her face, opening the messages. Oh she was about to give this kid so much shit.
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She couldn’t help but laugh, lord he was dry tho.
Tsukishima on the other hand threw his phone on his bed the blonde now standing up, “so stupid.”
Yet when he found himself back in his bed he opened the chat once more, only to close it. No. He’s going to bed. Forgetting about what just happened and going to sleep. If only it was that easy, tossing and turning but he couldn’t sleep, he’d being lying if he wasn’t waiting for another text.
Didn’t matter what it was. But he’d be damned if he text her.
She wasn’t much different, but she waited till the next day.
“Kuroo are we inviting Karasuno to the summer camp?” She asked standing infront of his desk.
He looked up at her his face scrunching “I think.”
“Why-“
“Thank you!” She spoke leaving his classroom.
Maybe she didn’t have to wait as long as she thought to see him. Her summer break go free labored babysitting wouldn’t be to bad. She’d have a first year to pick on.
It was wierd how she found herself back looking at those three post, one of him reading a book somthing his friends probably took, the two other of him on a hike. A taller women, blonde, standing next to him, his mom she guessed how he held her just as close as she did him a half smile on his face. One most would think is fake and forced but it was genuine Tsukishima Kei was a mamas boy.
Her eyes scanned the phone as she continued to look, a notification popping up.
‘Tetsu(hater)😒’
‘Your ex is gonna be at the camp wanted to give you heads up!’
Her once smile dropping. Gross. Common, I mean sure he’s part of a team that’s friends but common. She was thankful for the heads up but she felt sick. He was gonna be there at that camp for 2 almost 3 weeks. God damn it. She could feel tears weld up in her eyes, she hated it. They’ve been apart for over 5 months. And now she had to see his stupid fucking face. It made her sick.
Felt as if she would spill her guts.
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Hey. Can you stop posting Buddie asks in the BuckTommy tag? It’s getting so annoying. I’m going to that tag to look at cute edits and HCs and then there you are claiming they are going to break up this season or next season and because Buck only loves Eddie. Please tag your posts correctly.
Hey Nonnie
You seem to be under the impression that you can just come and be rude - on my blog!!
Let me keep this simple for you - my asks we’re about bucktommy anddddddd buddie - the two things are non mutually exclusive.
My posts were not anti bucktommy in any way - I am pro them as a relationship. My thinking that they have a fixed period of existing as a canon ship doesn’t mean I shouldn’t tag my posts with their tag - that’s not how tagging works you need to learn the concept that you’re gonna see stuff in the tags you don’t always agree with or like - I see it literally alllll the time in multiple tags - including the buddie tag.
My thinking a ship has a shelf life doesn’t mean I’m not allowed to post about it, nor does it mean you get to come and be rude. Plus there are others who get upset if you talk about buck Tommy in any way and don’t use the tag - so no one can win in this war. So if you don’t want to see my posts - your choice is easy - block me - but don’t go around demanding others censoring themselves for you specifically - fandom is for everyone and it’s up to you to curate your space - not for me to do it for you. So don’t come into my inbox being all self righteous - it’s not a good look!
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citrus-lamb · 2 days
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hey!! do you think you could write some ben (sbg) x reader who is also really into music (maybe plays guitar) headcannons? thanks!!
a/n : i did a short story and head canons! i hope you enjoy as i really love this concept. i love ben's character so much and i hope i did him justice! please enjoy!
song : you and me (TadanoCo & KTKT)
Ben first noticed that you liked music when you were constantly wearing headphones like Ashlyn.
You always hummed along to the songs, though not for long as you quickly noticed and got embarrassed.
One time when you guys were hanging out and everyone else was talking he asked you about the song you were listening to through his notebook.
You got excited and started talking about the meaning and the name of the song, specific lyrics you liked, and analyzing everything it was about.
Ben listened very intently the whole time, and afterwards asked if he could listen.
You said yes and you guys fell asleep listening to your playlist.
In the morning you guys made a shared playlist that you both listen to.
That was the start of your friendship.
Ben was very excited. He felt like he found someone who actually understood music like he did, instead of “I like the beat”, as Aiden says.
You guys were your own duo in the group, and they mostly left you guys alone unless one of them recognized the song you guys were talking about.
You ended up talking so much that you learned sign-language to have better communication with him.
After the event at the arcade the group went back to your house for a while since it was the closest.
They were hanging out in your room, doing their own thing or hanging out.
Aiden was snooping through your closest and found a lot of your old instruments.
A bass, a guitar, a drum set, and piano sheet music.
“Wow, I never knew you played any instruments!” Aiden said excitedly, interrupting your conversation with Ben.
“What do you mean… oh.” You looked over to him, standing in the door way with your old blood red bass strapped on, “I don’t really play anymore, it’s not super special or anything.”
“It’s cool!” Aiden beamed, getting the attention of everyone else. “You should play something for us! To calm our nerves. I think we need it after… earlier events.” He smiled. How could you say no. You looked over to Ben, who looked excited as well. He signed, ‘Only if you want to.’
You took song requests for about an hour before your hands got so tired that you felt like they were going to fall off.
Ashlyn’s dad came to pick them up afterwards, but Ben texted you into the night about how amazing you were.
You continuously got compliments from the group about your playing and you began to do it more often.
You learned everyone’s favorite songs and played for them whenever they were nervous.
Ben really appreciated it.
His angry quickly died down when you played, and you noticed.
It was like a whole other language that only you guys could understand.
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dayurno · 1 month
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are you going to read tsc when it comes out? and, if not: would you like your acolytes to give you the important kevin day updates or would you rather not?
oh my acolytes huh! well i don’t know :) it’s so nice of you to ask and i’m very touched actually…. nice to me 🥹…. i guess any (good) kevin updates would be nice and probably sway the balance on whether i read it or not, but at first glance i probably won’t read it unless it sparks my curiosity once it’s out and the story starts making its rounds around my circles :) i’m plenty interested in the period where jean stays with the foxes but i don’t much care for the trojans nor the proposed storyline*, though even a picky reader like yours truly can be convinced into buying a story if kevin day’s in it
*by this i don’t mean that i Dislike the process of jean healing but it’s just overall not my favorite theme and, to be frank, i don’t have much interest in reading about a normal well-adjusted team either. from my view tsc is aftg without my favorite parts (namely kevin day as a main character, the foxes’ messy dynamic, problematic and controversial side characters, neil’s narration, The Mafia, andrew in general) and while i am always and forever a ride or die for jean moreau, and i am glad he’s going to get better and be happy, a lot of my feelings for him don’t really stem from the idea that there is a softness underneath all the grit but actually and sincerely the fact that he is crazy. i Love jean because he’s horrible and scared and cruel and i don’t know if i’ll care much for him once he’s out of that state :) i meant it when i said a few months ago that i would’ve been more onboard with a story about the ravens (no matter how gruesome) or even a glimpse of jean’s pov in the nest, though of course nora sakavic should probably choose to be happy every once in a while so i wouldn’t ask her to write that
so tl;dr: you can send me good and relevant kevin updates if you want to and if they’re interesting enough i might read tsc in the future
#sorryyyyyyy sorry i know Healing is a big theme for the fandom but i just dont care#i dont care for it as a broad concept and i dont care for it in the context of these characters#and i know the trojans are normal good people which is also not something i care for#though i am excited for laila and alvarez and i will be looking forward to that relationship getting discussed more#but the rest is just not for me and that’s fine#i havent kept up with nora’s writing so i don’t know what it’s like Now so who’s to say! i might just as well get hooked as soon as it drop#i might finally be able to swallow the concept of jerejean even#these are just my pre-release thoughts#i also Worry and Pine and Ache over kevin and his new arc and whatever the hell jean thinks of him#only because i know kevin getting in the way of another popular ship is not going to be fun#especially when his relationship to jean is so complicated#and i will say this im not your strongest soldier if the kevin-bashing era returns after tsc i’m leaving through where i came from#so really i don’t know :)! it might suck real bad it might be totally irrelevant and i might love it to death#its super up in the air atp#which for my autistic ass is. interesting. Hard. a change i did not want#but ultimately not a big deal and my anxieties get cured very quickly by frolicking in grass and hearing cats purr#actually thank you for asking this because i feel like i havent gotten around to really thinking this through#asks
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ohfugecannada · 1 year
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Calling any cg animated film with a stylised 2D inspired aesthetic “like Spiderverse” or Spiderverse-esque” is starting to become the animation equivalent of describing any experimental movie with a disturbing, uncanny or surreal tone “Lynchian”.
#puss in boots the last wish#puss in boots 2#spiderman into the spiderverse#spiderman#like I get it#Spiderverse is having a significant influence on how studios like Dreamworks are stylising their films and everything#and it’s safe to say bad guys and puss in boots 2 wouldnet look the way they do#would simply not turn out the way they did without Spiderverse proving that not only could a 2d styled character feature film work visually#but also be very successful box office wise#…but like#you guys do know 3D/2D style hybrid films existed before Spiderverse right?#you know Sony pictures animation and marvel didn’t single gandedly invent the concept of a cgi cartoon that looks/movies like 2d animation#right??#and that hundreds of diffrent artists and studios from america to Japan have been experimenting with heavily stylised cg for actual decades#before Spiderverse came along#right????#like I’ll give the benefit of the doubt most people who call The Bad Guys Arcane or Puss 2 “Spiderverse like are simply just#not well read on the subject and history of this style of animation#so I don’t want to sound like I’m punching down at others for simply lacking context on certain things#but at the same time something about it just really irks me because by constantly comparing these distinct and unique looking films#to one film that shares a similar technique just bothers me#as someone said before; Spiderverse is like a comic book come to life#the bad guys is like a cartoon (or to me anyway a cartoony anime)#and Puss in boots 2 is like a lush concept art painting come to life#all of these films while using a similar method have their own distinctive identity and style#and by some animation fans calling Puss in boots 2 or bad guys “like Spiderverse it just feels very reductive and dismissive of these films#and thier respective creators unique creative identities and voices#again it’s a similar reason to why I and other hate it when some film bros call any experimental art film Lynchian#it just undermines what makes that work unique to itself and the artist who made it
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poppyseed799 · 1 year
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I feel like life series fanon jimmy is kind of mischaracterized and there’s an easy way to make sure you’re doing it right: he has a lot of unearned confidence
#the tags is where I’m going to ACTUALLY say stuff LOL!!!#but like I love life series Jimmy mkay. he’s got that curse of dying first and all. which is what I mean by fanon cuz curses aren’t real#but a lot of fans make it like Jimmy accepts the curse? or even acknowledges that it’s real. which bugs me a bit cuz No He Does Not#(side note tho. I’m not mad about it. I know ppl wanna explore the concept of someone cursed to die first and that’s what they’re doing)#but like Jimmy would just be so in denial about it okay. even if you managed to convince him he would be like ‘..BUT SURELY THIS TIME’#and this relates to ranchers too. I love ranchers ok. mostly cuz my sister does tbh LMAOO she loves them. but ranchers fan content isn’t#what I’m looking for cuz it’s so often stuff like.. Jimmy being like ‘I’m sorry I’m cursed’ and Tango being like ‘it’s ok love u anyway’#but it’s really more like ‘CURSED?? NO! WE WILL WIN!’ which I think is MORE fun for the aftermath of their death. meeting in the afterlife.#I NEED to see ranchers content where they keep denying that the curse is real then Jimmy dies and they’re ghosts or whatever and Jimmy’s#like ‘oh no. we didn’t break the curse. tango probably hates me now. he only liked me cuz we thought the curse wasn’t real.’ and tango to be#like upset at first as anyone would be when they die. but then he like notices the way Jimmy is acting and he’s like ‘no.. ranchers 4 life’#???? what am I saying. hire me for writing fanfic I totally know what I’m doing.#anyways what I’m saying is Jimmy is the canary but he’s the canary that’s like ‘SURELY I can sing for the miners the whole way THIS time’#he is NOT the canary who says ‘WELL time to eventually stop singing in this cave’#HOWEVER I do think that although he has loads of unearned confidence and is in a constant state of denial. he does also have that crumble#sometimes. so it’s not totally ooc imo for him to act like that. but it would be rare moments and also mostly post death#ANOTHER SIDE NOTE I WANNA SAY. I HATE the way I’m saying this as if it’s fact. it’s my personal analysis and just because I think it’s right#doesn’t mean I want to present it as undeniable fact. I could be misinterpreting. if you want to interpret life!Jimmy’s character different#then go on ahead. I don’t hate fanon Jimmy I just wish I saw more like how I see him. that is all.#ok I lied I also wanna add that I’m bad at explaining things ESPECIALLY personalities so it’s possible that I didn’t convey what I wanted to#say properly too. sorry. OKAY NOW THAT IS ALL.
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arthur-r · 2 years
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would it be ridiculous to major in classics
#here at lincoln it would probably be a little ridiculous since the official program title is classics and classical religions#and like. i find religion vaguely interesting as a concept but i don’t want to major in like. jesus and his dad god#i’m aware that since it’s classics it would probably be more like greek and roman gods but that’s still just really not my interests?#it’s just that i keep meeting people and saying yeah i’m planning on being a history major and they’re like oh what era of history??#what’s your favorite historical period you must have one??#and i’m just like…. idk dude i’m hoping to spread information on it all not pick a favorite time and only do that?#my focus is more on the distribution of information than which information it is. history is just a good starting point#i do kind of wonder about majoring in something like comparative literature but i don’t know strongly enough if i really want to do library#like comparative literature is a cool major that i’m interested in but it wouldn’t lead very well into museum stuff#and i’m more interested in museums and non-library archives. so it would be kinda dumb to switch to an english major to start out#anyway this is friggin college talk again and i’m really sorry#i’m still gonna tag it and everything and i’m still stressed about it in general but it is entirely on my mind right now#like if you look at my brain 2% is will woods new album 4% is what i should wear today and the other 94% of it is dedicated to college stuff#wait also i’m realizing i never really explained why classics is at all relevant right now i got half way there and then distracted#i think i’ve landed on not wanting to do classics though. but basically i started saying to what era i like i say it’s just art and culture#like what kind of history do i like? oh all of it as long as there’s people there being people#and according to. everyone i’ve talked to. that means ancient rome and nowhere else. so#yeah honestly why would i do that. like. other people friggin exist the world really doesn’t have to be centered around europe#like. latin is cool and everything. but that’s not the rare language i want to be learning can i learn like. nahuatl? purepecha?#do i want to major in mesoamerican history or something. i don’t think that’s a major they would give me#but definitely what i’m getting here is that ancient greece and ancient europe in general is not my interest#like. don’t get me wrong i find medieval history really cool and like. the renaissance and lots of old european painters and composers#but at the end of the day those are things that i think are pretty. not things i want to devote my life to#i think indigenous history might be a good thing to look into. i doubt they have that at this school#it would probably still be in my best interests to get something very broad like history. but idk#anyway i’ve been talking long enough i can shut up now. just. yeah#me. my post. mine.#college talk
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jmin · 2 years
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went thru the traumatic experience of hanging out with highschool acquaintances and having to explain how my life sucks rn and I’m still not over that conversation
#the humiliation#the cringe#they even made me spell it out bc apparently my social cues weren’t enough#and everyone was looking right at me#like literally no one bothered to include me on conversation throughout the night and the only time I don’t want to be part of it#they all suddenly are so interested lmao#ah it’s really hard sitting with people you feel like you have to prove something to#and you absolutely can’t bc you’re exactly the failure they all thought you would be#like I clearly remember getting out of highschool and thinking clearly I didn’t want to see this people until I had my shit together#surprise almost 10 years later and I don’t#I don’t have my shit together and I think that’s okay a lot of people don’t#but it’s so extremely painful when you’re the only one in the table who doesn’t lol#and when they treat you like shit for it#like damn this guy asked me what I was doing for a living#and I said nothing and didn’t want to get into details but he actually made me explain it#bc apparently he doesn’t understand the concept of unemployment#which fair since he’s so privileged and full of connections and probably unemployment was never on the table for him#but like I’m not you bro leave it alone#and I felt myself making excuses like ‘yeah I’ve been studying and finished my post grad’#and he was all like ‘and?’ fuck dude there’s nothing else leave me alone lmao#I don’t need to be reminded of my problems you’ve never even knew me well#stop talking like you’re demanding me something lmao#anyways I’ll delete this in a sec maybe#it’s been like two days already and my anxiety about it won’t leave#I can’t stop thinking about it and feeling humiliated and retracing every single thing I said that night#which wasn’t much like I said I was mostly cast out lol#none of my actual friends were there except for the one I went there for#but he had all these people there for him so naturally he couldn’t give me that much attention I had to make do with the other people#which means I only observed them talk and laughed when it was appropriate LMAO#l.txt
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tonycries · 19 days
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One More? Please? - G.S.
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Synopsis. A kiss always solves everything! But when a kiss turns into something more…well, it’s only a desperate attempt to unseal yourselves from this damned prison realm, right? Right?
Pairing. Gojo Satoru x Reader
Content. MDNI, fem! reader, unprotected, coworkers to lovers, being stuck in that damn box, oral (female), mutual másturbation, spitting, fáce-sítting, máting press, Satoru is down bad for you, chóking, overstim, multiple rounds, créampie, pet names (sweetheart), swearing.
Word count. 4.4k
A/N. Happy belated two months to this blog! Concept inspired by this post by @kingkonoha.
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“Maybe we should kiss and see if the box opens?”
“That’s the dumbest fucking thing to ever come out of your mouth.”
“Hey- it works in the movies! True love’s kiss and all-”
You heave out a heavy sigh that makes even the skeleton at your shoulder shake its head in pity. Goddamn, if these curses weren’t going to kill him then you will. 
“I take it back. That’s the dumbest fucking thing to ever come out of your mouth.”
Satoru hooks a thumb over his blindfold to gaze at you with mock seriousness. Oh, how the mighty have fallen - and how you were teetering dangerously close to a stroke with each dramatic bat of his long lashes.
“C’monnn~” he whines, with the flair of someone that was not sealed in an inescapable prison, “Don’t tell me that in all these years you’ve never once been at least a little tempted to kiss me, sweetheart.” 
“I’d rather kiss that dusty skull.” Shooting him a pointed look that makes even the skulls at your feet recoil. It would almost be hilarious if it wasn’t for the fact that you were trapped. In the prison realm. With Gojo Satoru of all people. Possibly forever.
Shit, is this karma for all those times you ditched Satoru with Nanami instead of dealing with him yourself?
Now, Satoru might be going about it with the subtlety of a sledgehammer, but just a few minutes ago when his life flashed before his very eyes at the mere sight of Suguru - or at least, the monster wearing his body - he’d expected some of his favorite memories to be the ones with you in it. 
You - his lil’ coworker - in all your gorgeous, smart-mouthed glory. And maybe if he was lucky, he even expected a couple glimpses of you in his future. Preferably with a giant rock on your finger.
But that’s a story for another time, what he certainly did not expect was for your stupidly heroic (and quite beautiful) ass to jump right in the middle of the prison realm’s ensnarement. 
Although, honestly, right now he doesn’t think he’d want to be locked up in here with anyone but you - and that withering glare you send him. 
Undeterred, Satoru has the audacity to throw his head back and laugh. Laugh. A sound you’ve come to realize over the years, as innocent as it sounds, does not bode well for you or your sanity. 
A sanity that’s been slowly dwindling since your first day of meeting Satoru. Back then, a brash, cocky new teacher that waltzed into the halls of Jujutsu Tech in those pretentious sunglasses like he owned the place. 
Well, not that he was any different right now. Lounging over some disgruntled skeletons, you half-expected him to pull out a deck chair and start sunbathing amidst the bones. Your begrudging coworker - and occasional bane of your existence - seemed right at home. 
You, however, were decidedly not having the time of your life. 
“I swear, you’re enjoying this, aren’t you?” you grumble, wincing at the bones prodding you from almost every angle. 
“Can you blame me?” he hums, now fully tugging down his blindfold to hang around his neck, “It’s not every day I get to spend quality time with my favorite person in the world.”
You scoff, strangely self-conscious as those striking blue sweep your figure from head to toe. “Lucky me. Well why don’t you spend this quality time helping me figure out how the hell we can get out of here.”
“I already told y-”
“Anything but that.”
With a sulky huff, Satoru peers down at you, “Then we just wait till someone gets us out of here. I’m sure Megumi-chan is just tearing his emo hair out trying to unseal this thing.”
“...”
“You’re absolutely correct, Yuji then. Or…” he tilts his head towards a sad pile of bones, “We end up like our little friend over there. Though I’d make a far better looking skeleton-”
You don’t hear the rest of Satoru’s rant over the small noise of concern that falls from your lips. Something hot and prickly pooling in your stomach at the fact that yes you really were stuck in the prison realm with Gojo Satoru. Possibly forever. And no this wasn’t some strange dream like when you and Shoko accidentally raided the wrong brownie box in the kitchen.
Shit. 
And perhaps it showed on your face, because you’re jolted out of your reverie by warm fingers intertwining with yours. Grounding. Satoru’s eyes now searching yours with an intensity that made you squirm uncomfortably. 
“Hey, we’ll figure this out, okay?” he mutters softly. “Remember that time we accidentally set the training ground on fire?” leaning in closer now, “Or that mission we got chased by that cursed vending machine?”
You roll your eyes, a reluctant smile tugging at the corners of your lips despite yourself. “Yeah, and then you nearly got us killed trying to order a sweet tea. ”
Satoru chuckles, squeezing your hand reassuringly. “See? It worked out, didn’t it? It always does, sweetheart.” 
And if your heart does a strange little lurch, well, then you just blame it on the femur jabbing into your side. 
All is quiet in your little hell. That is, until.
“Hey, Satoru…does kissing really work in the movies?” 
You barely catch the way Satoru’s breath hitches ever-so-slightly as he leans in closer. eyes sparkling with mischief. And oh you knew that look - one that was usually accompanied by a lecture by Yaga, one that sent shivers down your spine. He grins, “Well, there’s only one way to find out, hm?”
Embarrassment and amusement bubbles inside you, tumbling out in the form of a barely-audible, “A peck. One.”
“Awww. Eight?”’
“No.”
“Five?”
“Satoru.”
Minty breath fanning your face, “Okay okay, one peck and a kiss to your forehead. C’mon, it’s a bargain~”
Pinching your nose, you sigh out a weary, “This is so stupid. Fine, but if it doesn’t work then I’m strangling you.”
And it’s all that is said before his lips are on yours.  
Soft. Satoru’s lips were so soft. And he tasted so unfairly of caramel apples and sweet, sweet mischief. Just like him. Feather-light and fleeting - yet the kiss burns into your brain with an intensity that you strangely didn’t mind.
It’s over before you know it. The cold air hits your lips as Satoru’s words ring in your ears, a disappointed little, “Aw, that didn’t work.”
Barely even risking a glance at the still very sealed realm, your body reacts before your mind - the expensive cotton of his uniform collar soft against your fingers as you pull Satoru towards you with a sense of urgency you can’t quite explain.
And then you’re kissing him. And he’s kissing you because shit this is all that Satoru’s been dreaming about since he turned 23 and suddenly realized that oh you were frighteningly everything that he ever wanted. 
“S-Satoru,” you whisper, breathless against his lips. 
“Shhhh, my girl. One more. Didn’t work.” 
His lips are searing on yours. Urgent and greedy, because fuck if it took getting trapped in the prison realm to finally kiss you then God knows when he’ll be able to again. 
Which is why he breathes you in like he doesn’t have enough time, and probably never will - even in this godforsaken box where time never passes. 
“Shit. O-one more.”
Drinking in your sweet gasps as he intertwines his tongue with yours, tasting how sinfully delicious you were. Satoru’s hands wander the expanse of your body, cupping your head to kiss you deeper, snaking down to squeeze your ass - and everything in between. 
Pulling away ever-so-slightly with a playful bite to your bottom lip, he leaves a trail of hot, open-mouthed kisses down your neck. The disappointed whine that leaves your pretty mouth makes all the blood in Satoru’s body rush to his cock. 
“Sweetheart.” he grunts into the crook of your neck, lips ghosting over your racing pulse. “Y’think I kissed the wrong lips?”
Oh? 
Satoru’s words send a jolt of electricity running down your spine - all the way down to your heated cunt. “W-what?” you managed to choke out, cheeks flaring as he raises his eyes to meet yours and-
Oh.
Oh, shit. If the curses weren’t going to kill you then Satoru sure might. 
You’re snapped out of your thoughts by Satoru carefully jostling the two of you so that he’s lying on his back, your body manhandled to straddle his pretty face. 
“Satoru, when you mean ‘wrong lips’...here?” you trail off, still reeling from him and the abrupt change in position and him. 
“Exactly what I mean,” he chuckles, the sound rumbling through his chest and vibrating beneath your dripping cunt. “Now, spread ‘em wider f’me. Let me taste you- Need it s’bad.”
Body moving as if on autopilot, your knees part wider to let him greedily take in the sight of your soaked panties. Beads of slick seeping through the thin fabric each time his hot breath meets your cunt. 
But not for long - the cool air hits you before you realize what’s happening. Because Satoru is ripping your flimsy panties off with one hand. Throwing it behind to God-knows-where with the urgency of a madman. 
“Shit, so wet f’me already.” he groans, mouth watering at the obscene sight of you clenching around nothing. “S’gorgeous. You really are perfect everywhere, huh?” he mutters through lazy, languid kisses along your thighs. Tongue darting out just so to leisurely trace circles along the heated skin. 
Strong arms wrap around your thighs, the stretch nothing with the two long fingers spreading your swollen folds apart. Your face burns from just how adoring Satoru looks below you.
You buck into his touch, “Hngh- Please. Wan’ your mouth on me.”
And perhaps the great Gojo Satoru decided to be merciful for once in his life, because without another word, he’s surging forward. Tongue flicking out to tease your sloppy entrance, pooling your juices before tipping his head back, back, back to let it slide down his throat so sinfully.
Shit, Satoru could just cum in his pants right now, of course you taste heavenly. Better than he could’ve ever imagined on any lonely night. 
You shudder as he flattens his tongue across your folds, sliding teasingly between them, grazing your swollen clit just barely at an unhurried rhythm that almost has Satoru forgetting where he was. But quite frankly, he couldn’t give less of a fuck about it either.
“This what you wanted, sweetheart?” he hums around your clit, the vibrations making you squeal. Sucking gently, tongue rolling harshly against your bundle of nerves, over and over- “Cause it’s what I’ve been wanting for years.”
The words ring in your ears almost as much as the lewd squelches below. Years?
“F-fuck- feels hngh- What do you mean y-years, Satoru?” 
Oh, Satoru thinks he could pass out just at the way you whine out his name so prettily. Eyes rolling to the back of his head, a hand hastily snaking down to unbuckle his pants. “Mhmm~ Couldn’t go a day without sparring with you where I didn’t think of bending you over and tasting you right there y’know.”
Your eyes snap down to meet Satoru’s hazy, half-lidded ones. Something dark and feral shining within them. And right now, thighs wrapped around his head, you don’t think he’s ever looked happier. White locks splayed out, a fucked-out expression on his face as his tongue bullies past your folds, you could feel the slight smile curling his lips against you. 
It’s overwhelming - both his confession and the way Satoru was making out with your cunt like a man starved.
Nose-deep in your pussy, tongue alternating between its abuse on your throbbing clit and dipping in and out of your sloppy hole at a maddening pace. Mouth only speeding up ruthlessly at the way you convulse and grind involuntarily on top of him.
God, Satoru was going insane at the way your walls were sucking him up so good, clamping down with each push of his tongue. 
“Shit- made jus’ f’me. You like that, don’t you?” he growls against your cunt, voice hoarse with desire. “Like fucking my face with your pussy?”
“Oh! Ngh, yes Satoru- L-love it-”
A bruising grip on your hips, encouraging you to rock against his face. Harder. Tongue more desperate. He couldn’t get enough. Meeting your every grind, tongue lapping at your cunt so obscenely. 
Breaths ragged and hot against your cunt, drinking you in with the desperation of a man that wouldn’t mind giving up air for your essence. And it was Satoru - of course he wouldn’t mind.
Especially with the large hand snaking up your thigh, going from drawing reassuring patterns at your hips to rubbing tight, little circles on your pulsing clit. Hasty, and urgent - like he had no time to waste. “Tha’s right, my girl. Give it up for me,”
Every cell in your body is on fire, every nerve ending singing with pleasure at the way Satoru plays your body like an instrument. 
“M’close, Satoru- Hah- s’close.” you moan breathlessly, a hand tangling in his soft strands. Using it as leverage to ride Satoru’s pretty face just the way you like it.
But you didn’t have to - because Satoru seems to already know exactly what to do. Exactly how to quirk his tongue just right to brush against all your most sensitive spots. Exactly how to match the rhythm of his abuse on your clit to the way he was tonguefucking you into delirium. Exactly how to look at you with such a hungry expression that devours you almost as much as his mouth. 
“Cum f’me, sweetheart.”
Satoru didn’t even have to ask. Because you’re cumming with a strangled gasp of his name. White-hot pleasure coursing through you like lightning, body trembling as you cum all over Satoru’s pretty face. 
Hands moving your limp, boneless hips across his face, forcing you to ride out peak after peak on his red lips.
As the blood roaring in your ears bates, and you blink back your vision, the first thing you see are those familiar blue eyes gazing up at you. Holding you steady, lips brushing gentle kisses along your inner thighs. 
Oh, how beautiful he was like this.
“S-S’toru?” you mewl, still sensitive from your orgasm as Satoru shifts underneath you to sit you prettily in his lap.
“Mhm?” he nuzzles your neck.
“One more. It didn’t work.”
Oh, if you knew the only way to shut up Gojo Satoru was to say something like this then you would’ve done it a lot sooner. 
But Satoru’s stunned silence doesn’t last for long, because he grins, low and sultry, “You’re right. It didn’t work.”
The metallic clinking of a belt echoes in the stuffy chamber as Satoru hastily pushes down his pants. Cock springing free to hit his lower abs, “What a shame.”
You blink at the sheer size of him - he was going to split you in two. It was unfair, really. Water is wet. Gojo Satoru has a big dick. 
But oh was he pretty - so pretty.  Prominent veins glistening in the dim lighting, fat tip flushed your favorite shade of delicate pink, leaking furiously in between your thighs.
Gulping, you reach out to wrap your hand around his achingly hard cock. So warm and heavy in your hands. “Y-yeah, what a shame.”
Both of you watch - entranced - at the way he twitches in your grasp at the mere sound of your voice. A maddening little bump! bump! bump! against your palm as you begin pumping him slowly - so agonizingly slow. 
“Oh- Feel s’good, sweetheart.” Satoru hisses lowly as you swipe at the precum beading at this head. Thumbing teasingly under his sensitive slit, tracing delicately along his veins. 
And by God does it do something to you to see the great Gojo Satoru falling apart for you, hair tousled, lips kiss-bitten, and eyes looking at you like he wanted to positively eat you alive. It made your cunt throb so desperately, slick forming a dark wet patch on his trousers. 
Not one to be left behind, his long fingers deftly snake down to your dripping cunt. Not wasting any time before bullying his fingertips past your swollen folds, curling expertly to press down against that one spot that has your fist faltering on his cock. Hard. 
Pretty little moans left your lips at the way Satoru so easily matches your pace. Thrusting knuckle-deep into your pussy in and out - hitting that spot over and over.
“Shit, Toru- s’deep inside me. I’m- hngh-”
Satoru was in heaven, really. You were so warm and wet around both his fingers and his throbbing cock. 
Only two thoughts running through his mind right now - 1. He was right, your hands were softer and more sinfully delicious around his swollen cock. And 2. The hardest battle he’s ever fought was probably right now - at your mercy, trying not to spill all over your hands because he’d be damned if he finally scored the girl and came in two seconds.
Shit, he thinks fingers almost erratic now, he needs you to cum. Right now. 
As if sensing his urgency, your moves become more frantic, Satoru’s brows furrowing at the way you increase your pace. His hips twitch, as if trying to thrust into your fist. matching your pace as you start stroking him harder, faster. 
Ah, but alas, the great Gojo Satoru’s reputation precedes him. 
“Oh, fuck- M’gonna-” And soon enough, you’re seeing stars behind your eyes - or maybe those were tears - as you cum. Hard. 
Body moving before your mind, you’re clenching around Satoru’s fingers, grinding down so ferally as you edge him closer and closer. “C’mon, Toru. One more, right?” you whisper brokenly, lips ghosting his ear.
Breath coming in short, strained gasps of what sounded like your name now, “Oh- fuck ngh- so close.” he warns, voice hoarse. “If you keep doing that, I won’t be responsible for what happens next.”
You smirk, raising a brow, “Is that a threat, Satoru?”
Willing his fucked-out eyes open, they bore into yours as he utters, “No, ah- it’s a p-promise.”
Without warning, Satoru clasps your wrists, forcing you to stop pumping him. The disappointed mewl threatening to spill from your lips is cut off just as your back hits the ground.
Slam!
You think you could almost get whiplash from how swiftly Satoru had you caged and splayed out so shamefully beneath him. 
You whine, “But you didn’t even get to-”
“Fuck, not now. Gotta feel you or else m’gonna cum so embarrassingly all over your fist.” He rests his throbbing erection laid out so enticingly across your stomach, leaking hot precum onto your skin. And that makes you shut up, eyes mapping where it ended and realizing that yeah, you might’ve faced more mercy with the curses outside of this box. “Besides. One more, right?”
And before you can respond, Satoru’s spitting on you once. Twice. Thrice.
You flinch as the wads of saliva hit your dripping cunt, mixing with your slick so obscenely as Satoru smears it across your swollen folds. Your mouth drops into a soft oh! of disbelief as he promptly pops his thumb into his mouth, groaning at the taste. 
“Shit.” Satoru hisses lowly, “One more might just not be enough.”
Not wasting a moment longer, he’s bullying his throbbing cock into your snug cunt. Head thrown back as your plush walls desperately try to accommodate his size.
“Oh. Oh shit hah- should’ve been locked up here ngh- sooner.” he groans, words straight from his cock. “Feel s’heavenly around m-me.” Because God Satoru thinks he wouldn’t even mind staying here for the rest of his life if it meant he got to have you like this.
You moan at the positively delicious stretch of your pussy, plush walls unable to decide between pushing him out and milking the soul out of him. “Hah- Toru s’too big. I can’t-” 
“You will.” he grits out, teeth clenched and brows furrowed as he focuses on letting you adjust. Pressing inch by fucking inch. Eyes rolling to the back of his head as he fights that feral part of himself that just wants to plunge into your pretty pussy till his tip kisses your cervix, and you’re drunk on nothing but his cock.
But he didn’t have to - because you’re immediately wrapping your legs around his toned waist, pulling Satoru to you recklessly until his heavy balls smack your ass. Tufts of snowy white hair - already so wet with your slick and his precum - finally meeting your cunt.
“Ah! Shit, s’full Toru.” you keen, body bowing into his.
There’s not even a hair's breadth between your bodies now as Satoru chuckles darkly. “You little minx. Thought you couldn’t handle me, but you really wanted to be split apart on my cock, huh?”
You feel almost shy under his gaze as you mumble out a quiet little, “Well you did say one more.”
Ah, Satoru thinks deliriously, if you aren’t Mrs. Gojo by the time you two get out of this then there’s seriously something wrong with him. 
But he doesn’t tell you that. Instead with a satisfied smirk, he claims your lips in a searing kiss, sucking your tongue so lewdly as he did with your cunt. Parting for only a second before pressing his lips to yours again. And again. And again, as if it hurt to part.
“Mhm. Always wanted to do this, sweetheart.” he hums against your pretty lips. “Fuck ever since you hah- walked in on that first day.” 
Kissing you sweetly with a tenderness that doesn’t translate to his hips as pulls back, back, back. All the way till his angry, hard tip was just grazing your sloppy entrance. “One more.”
Body moving before his mind, his hips start fucking into your dripping cunt recklessly. Satoru doesn’t fuck you with the finesse he imagined he would all these years, rough, harsh thrusts fueled by pure need and all the desperation from these last few years.
In one, fluid movement, the burn of the stretch hits you before the realization that Satoru has thrown your legs over his sculpted shoulders. 
“Ah- So good, Toru. Oh my god- hah-” you mewl at the change in angle. His pulsing dick expertly hitting that one spot inside you which has your words slurring together, body arching off the floor to press so impossibly close against him. 
And, well, Satoru isn’t any better - because he’s slamming his cock into you mindlessly. Hitting that spot over and over. 
With one hand, he caresses your stomach. Whispering out a ragged, “Feel me inside? Feel me right…” Pressing his palm down hard, “Here.”
The other forces you to look up at him, drinking in your whines of “Yes yes yes, can feel you s-so deep hngh- inside me, Toru.” 
You’re so cockdrunk and full of Satoru that you barely notice the hands groping their way down your body. Catching harshly on your swollen clit, starting to draw, quick, frenzied circles that match the cadence of his hips smacking into yours. 
“Look at me.” he murmurs raspily, “Open your mouth.”
And you can do nothing but take it, tongue lolling out so lewdly for the warm stream of spit that hits it. Once. Twice. 
You look up at him with teary eyes, as you take it all -  anything and everything he was giving. And it makes Satoru bow his head with a fucked-out groan, cock twitching so animalistically as it keeps plunging inside you roughly. Deft fingers on your clit becoming more desperate.
Harder. Faster. Balls squeezing so painfully. Like a lamb to slaughter, he was going to eat you up - and you were going to let thim.
You squeal at the overstimulation, hips bucking up for more more more-
“God, sweetheart, you don’t know what you do to me.” he moans, voice strained with desire and the euphoria of getting everything he’s wanted for so long. It was driving him insane. “Now c’mon. One more. Give me one more like my good girl.”
“Hngh- yes- Toru!”
You don’t even know what “one more” means anymore - all you do know is that you’re cumming and cumming all around Satoru’s unforgiving cock. Walls fluttering so snugly, your body convulses as you cream around his cock. Nails dragging down the expanse of his sculpted back, Satoru’s name leaving your bruised lips and into the heady air like a prayer every time his tip kisses your cervix. His new favorite melody.
And that seems to be what makes him snap as well - because with a final, sloppy thrust, he’s painting your walls such a sinful white. Pumping thick, hot ropes of his cum into your quivering cunt. 
“Shit- yeah, my girl. Take it. Take it all f’me.” Satoru shudders above you, head thrown back, chest heaving as he fucks you through your high. Movements nothing more than shallow, mindless little thrusts to get you both off so animalistically. 
It was so fucking filthy - and exactly what you needed so badly. He was exactly what you needed so badly. 
Now, Satoru only had to take one look as you use him so obscenely for your pleasure - eyes dazed, drool trickling down the corner of your mouth - before he thinks he might just cum again. And again. And again until he physically couldn’t anymore.
But first…
Pulling out of your heavenly pussy with a lewd pop! His long fingers delicately collects the mixture of slick and cum now gushing out of you obscenely. 
Aw, what a waste, Satoru muses as it pools below you sinfully. If it was up to him he wouldn’t waste a single drop from your pretty cunt. 
But no matter. 
Abruptly, Satoru bullies two fingers into your mouth - forcing you to taste yourself, to taste him. Pressing right at the back of your tongue in a way that has you choking and gagging around him, teary eyes just begging up at him. Perfect - you were so perfect for him. 
Kissing your forehead with a tenderness that doesn’t match his actions, he hums, faux innocence lacing his words, “What a shame, the box didn’t open yet.”
And oh does he love the excitement lighting up your exhausted eyes. Pretty thighs twitching underneath him as a slow, fucked-out little smile curls your lips. 
“One more? Please?”
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A/N. Plagiarism not authorized.
8K notes · View notes
cleo-fox · 8 months
Text
Surrender
Summary: Finding your soulmate is supposed to be a romantic, life changing experience.
No one tells you what to do when a). your soulmate is the homicidal maniac who led the successful takeover of your planet and made himself king and b). you kind of still want him anyway.
(Soulmate AU where Loki won)
Pairing: Loki x Female Reader
Warnings: Smut, 18+, Minors DNI, dirty talk, praise kink, oral sex, teasing, orgasm delay, sex, vaginal fingering.
A/N: look, I was intrigued by the idea of a Loki Wins AU and also a soulmate AU and this just sort of happened. I may write more of this concept because it gave me IDEAS. This is also available on AO3.
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The mark on your wrist begins to burn the minute he walks into the room.
At first you think it’s a coincidence or a mistake—there are guards walking with him, perhaps it’s one of them. But then he flinches, his right hand going to his left wrist and your heart sinks to your knees. It could still be a coincidence, you tell yourself halfheartedly.
He scans the room and when his eyes land on you, it’s like the tumblers of a lock clicking into place and you know.
He’s much taller than you thought he was—that’s the only conscious and coherent thought you manage to have as he approaches you. Being the subject of his gaze is overwhelming in a way that you sort of expect, but it still makes you want to sit down and close your eyes. He looks you over, his gaze lingering briefly on your nametag from work.
“Show me your wrist,” he says.
You don’t think he’s using his powers, but you comply automatically, extending your arm toward him, wrist turned up. There’s a frisson of electricity that buzzes along the back of your hand when he touches it—if there were any remaining doubts about who he is and his relationship to you, that feeling surely puts them to rest. You know that he must have felt something too from the way he looks at you sharply, as though he thinks you’ve done something intentional to cause this. You can only hope that your wide eyed bewilderment convincingly conveys your innocence.
His expression betrays nothing as he examines the mark on your wrist, which is now glowing a bright gold that would be pretty if the circumstances were different.
It’s funny, you think. You’ve been waiting for this moment your entire life and all you can think is that you wish it wasn’t happening.
He releases your hand and looks at you in a calculating sort of way. “Come with me,” he says finally.
You do, of course. What other choice do you have?
*
The next several hours are a blur.
You are shuffled from place to place. Usually there is at least one guard—you’re not sure why. The idea of you being able to do any damage to him is laughable and escape doesn’t exactly seem like an option. Where could you go that he could not find you?
It’s a depressing thought; you try not to think much about it.
You know exactly when the news breaks because it coincides with your phone basically becoming unusable due to the flood of notifications, calls, and texts. You put it on airplane mode to compose a short message to your family and friends. Your reassurances feel a little trite given the circumstances: I’m fine, I’ll call when I can.
You can’t exactly type what you’re really thinking, which is more along the lines of I’ve just learned that my soulmate is the homicidal maniac who led the successful takeover of our planet. I’m doing about as well as you’d expect.
You turn airplane mode off long enough to send the email. Once it sends, you power down your phone. It doesn’t seem prudent to leave it on, at least not right now—right now, it only serves as a reminder of a life you know you’re going to have to leave behind and you’re not at all ready to confront that particular loss.
They eventually take you to what you assume are his rooms. You’re surprised by how traditional the decor is—you had expected a cold sort of minimalism, but there’s more wood and warm colors than you would have thought. You are informed that there are clothes for you in the closet; you nod and say nothing, though you wonder how they managed to pull an entire wardrobe together in the span of only a few hours. Magic, perhaps.
You are finally left alone, though you’re fairly certain that you would find guards stationed outside if you were to look.
You take one of the elegant velvet throws from the bed and wrap it tightly around yourself before settling on the couch next to the window. You’re not exactly cold, but it feels like a necessary armor between you and this unfamiliar place.
You stare out the window for a long time. You’re too high up to people watch and you’re not sure that you could handle that anyway—it would be yet another reminder of the fact that your life has changed in a massive, earth shaking way that you can’t even begin to understand. Instead, you stare at the tiny cars on the city streets below, snaking their way to destinations that feel so far out of your grasp that they might as well be on a different planet altogether.
*
It’s late when he finally shows up—so late that you’ve actually gotten ready for bed, donning one of the silk nightgowns that had been left for you. You can tell it’s more expensive than any sleepwear you’ve ever owned in your life. You’re just glad that it’s modest—you had half expected to find that all your pajamas were bustiers, thongs, and thigh highs in some sort of ill considered attempt to seduce you. But this is elegant and understated, with a matching robe that you cinch tightly around your waist.
You sit on the couch, the throw still wrapped snugly around you. He looks at you, the corner of his mouth curled up in a slight smirk.
“I hope you don’t intend to stay there the entire night,” he says.
“I hardly know you,” you say before you can even contemplate whether it’s wise.
He looks…amused isn’t quite the right word, but there’s a subtle tilt to the corner of his lips—not quite a smile, but maybe somewhere in the vicinity.
“Give it time,” he says, and something about that makes you shiver.
*
You intend to sleep on the couch, at least for these first few nights when everything still feels so raw and strange.
Or that was your plan, anyway.
Loki doesn’t say anything else as he prepares for bed and you stare resolutely at the window so as not to invite any more conversation or prompt any invitations to join him in bed. Eventually, the lights go out and you are left alone with your thoughts in the dark.
The room is much colder at night.
You’re not sure if it’s on purpose, though you wouldn’t be surprised if it was. Perhaps he likes it like this. Perhaps it’s to lure you to him, to tempt you into seeking out the warmth of his bed and body.
You pull the blanket more tightly around your shoulders. Eventually, you allow your eyes to drift shut.
You wake some time later in the middle of the night. The room feels even colder, the velvet of the throw and the silk of your nightgown and robe a scanty defense against the chill. You burrow against the couch cushions and it’s sort of bearable.
But you also have to pee.
You hold off for as long as you can, but you eventually summon the will to leave the couch and seek out the bathroom.
The bathroom is even colder—perhaps it’s all that glass and marble that makes the difference. You’re wearing your robe and you’ve still got the blanket wrapped around you, but your teeth are chattering by the time you wash your hands. You run the water as hot as you can stand, but it only does so much. If you were braver—if it wasn’t your first night here, you would run an extra hot shower and stay under the spray until your fingers and toes pruned and the chill was chased from your bones.
Instead, you hustle back to the couch, burrowing against the cushions, throw and robe wrapped tightly around you. But you still can’t seem to shake the cold. You huddle on the couch, shivering, trying to calm your body.
Time passes and you don’t grow any warmer. You wonder if you can steal another throw from the bed—surely he won’t miss one—when a voice speaks from the darkness.
“Come to bed,” Loki says.
You clear your throat. “What?”
“I can hear your teeth chattering from here. Come to bed and stop being absurd.”
You hesitate, staring into the dark. You consider the cold, the slight kink in your neck from the way you’ve been sleeping on the couch, the late hour, the way that sleep pulls at your eyes. A bed is appealing. Maybe more appealing than it should be.
You find yourself getting to your feet and slowly making your way across the room.
You pause on the other side of the bed—your side, you suppose, though calling it that still feels too intimate. You can just make him out in the dark.
“You’ll stay on your side,” you say, like making it a statement will make it so.
“Well, you hardly know me.” His voice is clipped, more bitter than you expect as he echoes your words from earlier.
You can’t help but scowl. “I’ve known you for less than twenty-four hours and it’s the middle of the night. I’m not doing this right now.”
He laughs. It’s sharp and brittle and unexpected, but it’s a laugh all the same, and something about that helps, if only a little.
You don’t say anything else as you climb into bed. You find that the blankets are warm—warmer than you expect—and heavy. There’s a part of you that expects yourself to be too nervous and on edge to fully relax, but the coziness of the blankets piled around you is oddly calming, even with Loki mere inches away. You hunker down underneath the blankets, situating yourself on the pillows.
He doesn’t say anything and it’s not long until his breathing becomes steady and even.
And after a while, yours does, too.
*
Consciousness creeps up on you slowly the next morning, a far cry from the jarring alarm on your phone that usually disrupts your slumber. You are warm and cozy, cocooned in the blankets, safe from all of the bullshit that had happened yesterday.
It’s such a peaceful, easy awakening that it takes you a moment to realize that you aren’t alone.
It takes another moment for you to realize that your cheek is pressed against Loki’s chest. And to make matters worse, not only are your arms wrapped around his him, your right leg is also flung across his waist, like you can’t bear to be parted from him for even a moment.
But before the panic sets in, there is a barely perceptible moment where your body just enjoys the feeling of being pressed against him. It’s quick and you’d deny it if asked, but the rush that you get from giving into the pull of your soulbond for even that brief moment is nothing short of incredible.
But it’s just a moment and your mind quickly turns to the matter of extracting yourself without drawing his notice. Ideally, he’ll just stay asleep and you won’t have to deal with any awkward fallout. If you move very slowly and carefully, perhaps he won’t notice.
You carefully start to move your leg from his waist.
“To be clear, you’re on my side of the bed,” he says.
God fucking dammit.
You abandon all subtlety and quickly peel yourself away from him.
“I must have rolled over in my sleep,” you say, incredibly conscious of how stupid that sounds.
He smirks, which is somehow worse than if he’d said anything.
“It won’t happen again,” you say.
It does.
This is your new routine: you start every evening on the couch, wrapped up in your robe and throw. You wake some time in the night, teeth chattering. Sometimes, Loki will tell you to come to bed. Other times, you quietly give up and slip under the covers on your side of the bed.
But every morning without fail, you wake tangled around him.
Sometimes, he’s spooned up behind you; more often, though, you’re the one clinging to him. It’s as though your body has a homing device that leads you over to his side of the bed in your sleep, dutifully ignoring all of your stern warnings about who stays where.
The worst part of it is that you’re fighting your own instincts. On a very basic, physical level, you yearn to be close to him. There’s a part of you that revels in these unintentional moments of closeness, that wants to allow yourself to enjoy the feeling of him, to allow him to put his hands on your body, for you to put your hands on him.
The fact that he wakes up noticeably hard most mornings does not make this any easier.
This is a problem that you’re not entirely sure how to solve and the second week in, your desire for information finally outweighs your desire to avoid social media and the deluge of emails and texts that you know are waiting for you on your phone.
You turn your phone back on and immediately delete all of your social media apps. You don’t know what they’re saying about you and you don’t care to. You turn off all of your notifications, even the little number icons that show you how many unread emails and texts that you have. You want absolutely no distractions.
You open a private browser window and pull up Google.
Newly connected soulbonds are the hormonal equivalent of pouring out a bunch of gasoline and striking a match. Soulbonds are intended to be consummated. You know this. There are people who wait it out for one reason or another, but that’s very much the exception—it’s a physical and emotional test of endurance. And you’re beginning to understand why.
The internet is not very helpful. You already know what happens when you don’t consummate a soulbond promptly—increased arousal, restlessness, vivid dreams, and so on as time goes on. You’re more interested in mitigation. You find a few blogs that have entirely irrelevant suggestions like cuddling on the couch or holding hands. “While you’re waiting for intercourse, why not try some outercourse?” one post muses with a level of earnestness that causes you to immediately turn off your phone and fling it across the room.
You’re going to have sex with him at some point. That’s inevitable. On a very basic level, you want him—it’s more or less coded into your DNA. But that is at odds with the reality of who he is and what he’s done. It might feel good to wake up tangled around him, but it only takes a minute to remember the battle of New York and it nearly extinguishes the desire burning within you.
But only nearly and only for now.
*
The third week is when things start getting increasingly difficult.
Loki seems content to wait things out. You can feel the burn of his gaze on you, but he doesn’t push, doesn’t prod.
You, on the other hand, find yourself slipping into a heightened state of arousal that is becoming impossible to ignore. Midway through the week, you finally give in and try touching yourself in the shower in the hope of some relief and you come so quickly and so hard that you have to clap a hand over your mouth to keep from crying out and your legs very nearly buckle from the force of it. A few twitches of your fingers has you sprawled on the shower floor and coming again, harder than before. You repeat this trick a few times but even as strong as it is, it doesn’t really help—you’re back to where you started within minutes.
Worse though, is the fact that it’s his face that you see when you come. Every. Single. Time. You imagine him over you, his gaze dark and intent as he watches you come; slack jawed and hissing in pleasure as he pushes into you; growling in approval and impatience as you take his cock into your mouth. The images come entirely unbidden and stick in the forefront of your thoughts like a burr clinging to wool.
When you see him later that afternoon, his gaze lands on you in such a way that it feels like he knows everything you’ve done and everything you’ve seen, from that moment in the shower to the shameful thoughts you had as you came.
The dreams start shortly after, and they are objectively worse.
The dreams are far more vivid than just images. In the dreams, he’s touching you, coaxing you to peaks you could never have imagined, pressing into you, taking you hard and fast and achingly slow and everything in between. The dreams leave you out of breath and shaky, aching for a touch that you know that you should not want, but do with every fiber of your being. By some miracle, they only seem to occur while you are on the couch and not when you’re in bed, but that luck won’t hold forever.
Perhaps more importantly, you know it’s only a matter of time before you give in. Deep down, you’ve known this from the moment the mark on your wrist started to burn. Your resistance is eroding like a sandcastle at high tide and it’s only a matter of time before you crumble.
But not yet. Not yet.
*
Five weeks after your arrival, you wake sweating and out of breath from another dream.
You take a few deep breaths. It was similar to the ones you’d had before. Thinking about the details makes your core ache and your clit throb so you try to keep them out of your mind.
You’re half surprised that you’re not tangled around Loki, given the content and subject of your dream, but that makes sense when you realize he’s not in bed. Instead, he sits on the couch, staring into the middle distance. Perhaps he is struggling with the same kinds of dreams.
The idea of you making Loki too hot and bothered to sleep is more appealing than you’d like to admit. You hastily dismiss the thought before it can bring any more heat to your already too warm skin or add more fuel to the flickering desire that seems to have settled permanently in the cradle of your hips.
You slip out of bed and go to the window, folding your arms across your stomach as you stare out at the sleeping city.
“You were calling out in your sleep.”
More heat prickles at your skin.
“Hm,” you say, trying your best to sound casual.
“What were you dreaming of?” he asks.
He’s only asking because he already knows the answer. You know this. But the lie still slips from your lips: “I don’t remember.”
He laughs, a quiet and dangerous sound that stokes the fire in your belly. “Have you forgotten, darling, that I am the god of lies?”
You can hear him walking toward you, but you keep your back turned. Has the room always been this warm?
He waits until he is directly behind you to speak again. “Will you lie again when I ask if you were dreaming of me?” His voice is so close, full of depth and a little husky. 
“You flatter yourself,” you say.
You can hear the smirk in his voice, feel the whisper of his breath on your neck. “You’d like to think that, wouldn’t you?” He pauses for a moment. “But you were calling out for me.”
Your lips are dry. You want to deny it, but it feels useless. Worst case scenario, he’s still mostly right: you were dreaming of him and you can’t even really deny crying out for him because you were asleep and you don’t know for sure.
“It’s nothing to be ashamed of,” he continues. His voice drops. “Every time I close my eyes, I see you writhing in pleasure beneath me.” He pauses. “Or I see myself between your legs, worshiping you with my mouth, bringing you to ecstasy over and over before I finally take you.”
Your heart is pounding and every nerve in your body feels as though it’s connected directly to your clit. You are warm—too warm—and you can feel your pulse pounding in your throat.
“What were you dreaming of?” he continues, his voice barely a murmur.
“Nothing,” you say.
He clicks his tongue. “Try again, darling.”
You say nothing and after a moment of silence, he seems to decide that it’s time to switch strategies.
“You must be so wet,” he murmurs, his tone low and soothing.
Your stomach and your cunt clench. If he starts talking dirty to you, it’s over.
“We’re not meant to go this long like this,” he says. “We both know that. It’s been five weeks. Your poor cunt is probably aching for me, just as I ache for you.”
Your breath is coming in shaky gasps. You need him. You can feel your resolve starting to slip.
“Yield to me.” His voice is rough with wanting, like this is just as hard for him as it is for you. “I know you feel it. I feel it, too. You yearn for me, you crave my touch. Let me make you feel good, darling, let me ease that ache. Yield and I will give you everything.”
You draw in a shaking breath and slowly turn to face him. He’s looking at you with an intensity that you expect, but it takes your breath away nonetheless.
The remnants of your resistance are lost to the wave of him and the only thing that’s left in its place is a raw need like you’ve never experienced before.
You don’t know what to say, so in the end, you settle for his name. Just his name, said quietly with all the desperation and longing that has been making your life hell these past few weeks.
You get a glimpse of the fire in his eyes before he’s on you.
There’s nothing gentle about this kiss. It’s the kiss of two people who have been deprived of each other for too long, your teeth bumping against each other, tongues twisting and tangling. You end up pressed against the wall next to the window, your leg wrapped around his waist, his hand supporting your thigh. He presses his hips against you and you moan into his mouth at the feeling of his hard cock dragging against your swollen, sensitive clit. He draws back slightly to look at your face as he slowly grinds his hips against yours, his free hand moving to palm your breast over the silk of your nightgown.
You moan again, your head dropping back against the wall. The soft, slippery friction of the silk of your nightgown against your nipple and the soaked lace of your underwear rubbing against your clit is enough to make you go cross eyed, a slow tease that only fans the burning embers within you. Your body is overheated and too tense, but Loki is blessedly cool in a way that somehow both soothes and inflames.
“You’re drenched. I can already feel that,” he says, his voice thick with desire as he moves against you. “I could make you come like this.”
You whimper, rocking your hips back against him. “Please.”
He shakes his head. “Another time. Tonight I want to feel you when you come.” He drops his hand from your breast, trailing down your stomach and moving in between your legs. His fingers slip beneath your underwear, and you let out a needy whine as he strokes the slick folds of your sex. “Is this all for me?” he asks, his voice slipping into a low growl.
You barely manage a breathy affirmative.
“Sweet thing.” His thumb rolls over your clit as he slides one finger into you, and your back arches automatically, your breasts jutting out. “We’re going to have to do something about this, aren’t we?”
“Please,” you breathe.
“How can I resist such a sweet plea?” he says, sliding another finger into you and curling it just so. “Or such a wet and needy cunt?”
“Don’t stop,” you say.
“I ought to make you beg me for it after everything you put me through.” His eyes darken as his thumb presses against your clit and you moan. “But perhaps I can be generous. I can feel how much you need to come on my fingers.”
You nod, slack jawed and panting.
“You’ve been waiting for this,” he murmurs. “You’ve tried to deny yourself, but you need me, you need my touch.”
You whimper, your hips rocking.
“Say it,” he says, stroking your clit.
“I need to come,” you moan.
“A good start,” he says, his voice a stern purr. “But not quite what I asked, my love. Try again.”
A twinge of irritation manages to work its way to the forefront of your mind. “I don’t know if you’ve noticed, but I’m not exactly in a state to be playing twenty questions.”
His eyes light up with a predatory gleam that heralds the arrival of something that you know will end enjoyably for you.
“Oh, darling, that attitude won’t do at all.” His fingers are immediately and conspicuously absent and you very nearly cry out in frustration. But before you can, he is sweeping you into his arms and making the journey to the bed in several long strides. He sets you gently on the bed and looms over you, green eyes flashing as his hands stroke up your thighs. You lift your hips and he pulls your underwear off, tossing it to the side.
“Let’s try that again, shall we?” His voice is a growl. “Tell me what you need.”
“I need to come.” You know it’s the wrong answer, but this particular game of cat and mouse and the predatory gleam in Loki’s eyes are making you even wetter and god, you need him.
His eyes flash with a barely concealed delight. “Try again.”
You spread your legs rather conspicuously, hiking your nightgown up to your waist. “I need to come.”
He’s looking at you intently, lips slightly parted. “You’re trying to distract me with that pretty cunt, you wicked thing.”
“Is it working?” you ask.
He lowers his head to kiss the inside of your left knee. “It would work much better if you answered me properly and told me everything you need.”
You think you have an idea of what he wants to hear, but you’re not quite ready to give up the game yet. Instead, you pull your nightgown up and over your head and toss it to the side. His eyes are dark as he looks at you, his gaze lingering on your breasts and trailing down to the apex of your spread legs. You wonder what it would take to make him lose control, to take you in the way that you both need.The thought sends another flood of heat to your aching core. 
You lick your lips. “Will you make me come, Loki?”
Another wolfish grin. “Closer. But not quite. Try again.”
You let your hand slide down your stomach and between your legs and you part your sopping folds so he can see the full extent of what he’s done to you—every dripping inch. The look he’s giving you now only heightens the feeling.
“Should I make myself come?” you ask and you’re immediately rewarded with an almost feral look and a sharp smack to your ass.
“Don’t you dare,” he growls.
You put on your most innocent expression, even as his visible hunger makes you ache. “I thought you’d like seeing me touch myself.”
“Oh, there will be time for that later,” he says, his eyes still dark. “I’m particularly interested in seeing what prompted those intriguing little noises I kept hearing while you were in the shower. But every tremor of pleasure that wracks your body tonight will be from me alone. Now,” his eyes glitter and his hand replaces yours on your cunt, his long fingers spreading you open, but not touching you, his expression rapt with undisguised greed, “tell me what you need.”
Your capacity to tease and resist him was well and truly exceeded when he smacked your ass and was further obliterated by the monologue he just delivered. “I need you to make me come, Loki. I need you so bad.”
His smile is filled with dark promises and a hunger that you have every interest in sating several times over.
“Good girl,” he says.
And his fingers slide back into you as his mouth envelopes your aching clit.
You moan as your hips lift and your hands tangle in his hair. He mumbles something that sounds like “perfect” against your clit, first teasing you with the tip of his tongue and then pressing it flat against you and rubbing in slow circles. Meanwhile, his fingers have found that soft, aching spot inside of you and he presses against it in slow, firm thrusts that make you tremble.
You initially think that you’ll be quite quick to come because you’re already so wound up, but Loki seems determined to find the edge and keep you there for as long as possible—and he’s really, really good at it. He falls into a rhythm where his tongue strokes your clit once, twice, three times and withdraws; his fingers pick up the thread, stroking your walls once, twice, three times and withdrawing, only for his tongue to resume where he left off. In this way, he keeps you balanced on the edge in a perfect kind of torture. It feels so good, but it’s not quite enough to get you there just yet.
You make liberal use of his name—it’s a plea, a curse, a benediction, a moan, a sigh. Instinctively, you know that he likes this, but it’s not enough to distract him into letting you fall even a moment before he wants you to.
The ache that’s been building in your hips for the last couple weeks is growing, burning bright and warm. Your body feels electric in the best way, your nerves humming and buzzing and straining for release.
“Loki,” you moan, partly as encouragement and partly because you want him so badly.
You’re so close. Your entire body is tense and trembling; all you can think about is how badly you need to come, how much you are aching for your release.
So close.
“Loki, please,” you moan, truly desperate now. “Please let me come. Make me yours—”
You’re not sure if it’s what you said, the desperation in your voice, or pure coincidence, but in that moment, he shifts his rhythm so that his mouth and fingers are no longer alternating, but are instead moving in sync. And this is what you need to tip you over, to allow that wave to finally, finally crest and then break.
Your orgasm hits you hard, pulling a loud moan from deep within your chest and making your entire body quake. Sparklers are dancing along your veins, champagne bubbles fizzing along your muscles, stars bursting behind your eyes. You have never felt anything like this before—you are satisfied but also aching for more, falling apart and being remade over and over again.
It’s only when you’re decidedly in the blissful wave of the aftershocks that he dares to lift his head and he looks you over like you’re something wonderful. Before you can raise your hands to reach for him, he’s crawling up to you, claiming your mouth in a kiss that feels deeper than the ocean.
He slides his hand in between your legs and you whimper, shivering at the sensation of his thumb stroking your sensitive clit. But somehow, he finds that particular angle and pressure that’s just enough, but not too much. You moan and he slides a finger back into you, rolling in the same rhythm as his thumb on your clit.
“That’s it,” he murmurs. “Keep going for me, darling. I want to watch you come this time.” His voice is so firm and authoritative and it strikes sparks up and down your spine.
“Fuck,” you gasp, your hips rocking with his hand.
“You’re doing so well getting ready for me,” he purrs. He lowers his voice to a rough growl. “I can’t wait to fuck you until you’re trembling and coming all over my cock like the wicked, filthy girl that you are.”
It’s the combination of his words and his voice and his perfect hands that does it this time. A rolling, fluttering shudder fizzes through your body, building to a peak that has you letting out a guttural moan as you clench around his thrusting fingers.
“Yes, that’s it,” Loki says as he watches you through hooded eyes. “You are gorgeous when you come undone.”
He kisses you slowly, fingers moving steadily until the final shudder rolls through you.
Somehow, through all of this, he’s remained fully clothed. There’s an aspect to this that’s appealing—it makes everything feel particularly decadent and a little forbidden—but your palms are practically itching with your need to touch him. You need him inside you, but you also need him close, bare skin on bare skin.
Your hands sneak under his shirt and you suck in a sharp breath when you feel the heat of his skin underneath your palms. You tug his shirt off him and make quick work of his pants before drawing back to look at him.
He looks like art. It’s a silly thought, but there’s some truth to it—there’s an almost ethereal quality in the sharp angles of his face and the elegant symmetry of his musculature. 
Your gaze drifts down to his cock. He’s long, thick, and hard, the tip flushed and slick with pre-come. An ache courses through you—something about seeing the full evidence of his arousal makes everything seem more real, makes you want him with renewed ferocity.
You want to touch him and so you do, your fingers curling around his shaft.
“Can you feel how much I need you?” he asks as you stroke him slowly. He is remarkably composed, though you catch the slight hitch in his breath and it sends a thrill through you.
“Will you show me?” you ask.
“Every day,” he says.
It’s an answer you’re not expecting. You were speaking strictly in the immediate, physical sense. This feels deeper, more meaningful. You’re not quite sure what to say, so you kiss him and he kisses you back with an intensity and thoroughness that makes your toes curl.
He rolls over you, his body covering yours. It’s almost overwhelming how good his bare skin feels against yours. You take his cock in your hand again and stroke him, slowly rubbing the tip from your clit to your entrance, coating him in your slick.
You expect him to just push forward when you guide him to your entrance and you’re almost disappointed that he doesn’t—you’ve both waited so long for this and your need for him is burning inside you like an inferno.
But instead he pauses, his eyes locked with yours.
“Will you have me?” he asks. There’s vulnerability in the question, a softness in his green eyes that you don’t expect. It feels like a loaded question, though not necessarily in a bad way.
You don’t hesitate. “Yes,” you breathe.
Something like relief flashes briefly in his eyes before he leans in and kisses you. You tilt your hips up again and this time, you feel the blunt head of his cock slowly press into your waiting warmth.
You’d read people describing first times with their soulmates and it had always sounded so hyperbolic and silly. They’d throw around words like euphoric and transcendent and all you could do was try not to roll your eyes.
But the moment Loki is fully seated inside you, you finally get it. Every overwrought, overused cliché seems to occur to you all at once—puzzle pieces falling into place and locks and keys and halves made whole and all that bullshit—and it all makes sense in a way that it hadn’t before.
Loki’s eyes are stormy above you, to the point that you think you may have angered him, but then he kisses you with a ferocity and possessiveness that steals your breath and makes you tighten around him.
“Mine,” he growls against your lips. “Mine.”
There’s a lot of emotion in that word. There’s history in that word. It’s the sort of thing that the two of you will probably need to unpack later. For now, though, you wrap your legs around him and meet his demanding, hungry kisses with your own.
“I’m yours,” you murmur against his lips. “Take me.”
You expect him to respond to that plea with a frantic pace. But instead, his first thrusts are slow, like he’s savoring it. Your body yields to him instinctively, your muscles drawing him in and then tightening further as he withdraws. You are so slick, so ready for him that it almost feels a little obscene.
“You are exquisite,” he rasps as he sinks into you, his head bowing to kiss and nip at your neck. “I have been aching for you.”
“Yes,” you breathe. “Please.”
You’re not entirely sure what you’re asking for—more of this, more of him—but he seems to know anyway. He kisses you deeply as you wrap your legs around his waist, rolling your hips up to meet his.
In one fluid motion, he rolls you over so that you are on top. He looks up at you, an irrepressible smirk curling at the corners of his lips.
“Go on,” he says, his voice low. “I want to see you take your pleasure from me. Claim your throne, my love.”
A shiver works its way up your spine. This is a man who single-handedly conquered the entire planet and he’s telling you he wants you to ride his cock until you come. It is raw and sexy and undeniably hot and the way he’s looking up at you makes you feel beautiful and powerful.
You lean forward, bracing your hands on the mattress, tilting your pelvis until you find the right angle, the one that makes your stomach tighten and your breath stutter. 
A smile twitches at the corners of his mouth. “Right there?”
You let out a shaky breath and rock your hips. “Yeah.”
It takes a moment for you to find your rhythm, but you find that you want—or perhaps need—to go slow and steady. Loki watches you, his hips rocking with yours as he lets you set the pace, his hands sliding from your hips to your breasts and back again, like he can’t get enough. His gaze is intent and intense and you get the sense that he’s cataloging every movement, every gasp or sigh, furrowed brow or bitten lip.
The coil in your hips is starting to wind tighter and you know it won’t be long. 
As though he knows, Loki slides a hand down your body, palm gently pressing against your lower stomach. A fantastic pressure begins to blossom in your hips and you whimper.
“You’re doing so well,” he purrs. “So tight and wet. You’re perfect.”
“Getting close,” you breathe.
“I know, I can feel you,” he says.
You’re at a point somewhere beyond words, riding that wave, chasing bliss that you can almost feel. A choked whimper falls from your lips.
“That’s it,” rasps Loki. “Be a good girl and come on my cock.” He flicks his thumb against your clit and you completely unravel.
It was good the first two times, but having him inside you as you come sends you to another plane of existence entirely. Your orgasm seems extended, the feeling of his cock against the spasming muscles of your cunt creating more even rippling pleasure. And the noise that he makes, the filthy praise that falls from his lips, the way that his fingertips dig into your hips just makes it all better.
He rolls you over onto your back just as you’re starting to feel boneless, and pulls you into a deep kiss.  He thrusts into you, a little faster than the pace you had set, but still slow and steady.
“I want to feel you come again,” he breathes. “Do you have any idea how long I’ve waited for this, how good you feel?”
You shudder as his cock drags again against that spot inside you. He repeats the motion and you keen, tangling your fingers in his hair.
“That’s it,” he rasps, bringing your leg up over his hip to press even more deeply inside of you. “Come on, darling. Let me feel you.”
You wrap your arms around his neck, meeting his hungry, demanding kiss with your own. You roll your hips with his, chasing the flickers of bliss that he’s steadily stoking to an inferno once more.
“Please,” you mumble against his lips. “Need you. Please.”
He groans and increases his pace just enough to make you whimper. The desire inside of you is catching fire.
“I…fuck, I—” Your hands are gripping his shoulders, your body shaking as you approach your end.
Loki’s eyes are wild, his teeth bared. You can tell that he’s close, that he’s chasing the same incredible feeling that you are.
“I want you to come for me,” he grits out. “And the second I feel your tight cunt start to tremble around me, I’m going to come inside you.
You moan, fingernails digging into his shoulders. You are unbearably close.
“Do you want that, darling?” he says. “Do you want me to come inside you? Do you want your perfect cunt filled with my seed?”
You are almost beyond words, but not quite: “Yes. Please.”
Despite how close he is, he still gives the impression of being entirely in control. He lowers his head so that his lips graze yours and his eyes are all that you can see. “Then come for me,” he says.
Two more deadly smooth rolls of his hips and you do. A guttural, plaintive sound falls from your lips as your whole body trembles with the force of your orgasm, your cunt squeezing around the girth of his cock. He groans, mumbling something in a language you don’t recognize before he, too, starts to unravel.
His face is rapturous when he comes, his head tipping back and his mouth falling open, brow furrowing. If you weren’t so distracted with the rippling shocks of your own pleasure, you would try to commit it to memory. Instead, you simply try to enjoy the feeling of him emptying himself inside of you, the stuttering thrust of his hips, the soft groan that falls from his lips. Finally he stills, resting his head in the crook of your shoulder. You can feel his heart pounding against yours.
You feel…it’s not different, exactly, but there’s a kind of ease and connection that just feels right. The restless ache inside of you is finally quiet and you feel loose and languid and pleasantly sleepy.
Finding your soulmate isn’t necessarily the same as falling in love. Sometimes it all happens in the moment. Sometimes it’s years in between.
For you, though, you can pinpoint the exact moment that seed was planted: Loki raising his head to look at you, his hand curled against your cheek. His gaze is careful, reverent, like you are as warm and golden as the dawn just barely beginning to streak the morning sky.
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