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#but i think it would be much more productive to discuss them when we actually know the full story rather than
awearywritersworld · 3 months
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the day of my execution
sukuna x reader summary: gojo, yuuji, and sukuna discuss what happened at the store. sukuna begins to consider your mortality like never before and takes care of you when you're sick. w/c: 2.7k tags/warnings: fluff. mentions of attempted kidnapping. banter. reader has the flu. aged up!yuuji. not canon compliant. fem!reader. no use of y/n. a/n: sorry for disappearing for so long, but here is the long awaited next chapter. i've put a second a/n at the end, so i hope you'll read it. please excuse me talking out of my ass trying to rationalize my application of jujutsu, but if gege does it, so can i. i hope it kind of makes sense though. series masterlist // masterlist
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truthfully, yuuji expects his wednesday morning to be as uneventful as any other, but when he stands in front of the bathroom sink to brush his teeth, his eyes are not the only ones staring back at him.
"what d'ya want?" he groans. "it's too early for this."
"we need to talk."
sukuna doesn't give his vessel a chance to respond before he begins recounting the events of the previous night, a story which has yuuji's face cycling between surprise, worry, and dismay. "the man claimed someone sent him?"
"that's what i said," sukuna responds impatiently.
"why would anyone be after her? i don't understand."
"would it kill you to use your brain for once?" sukuna questions, having had the entirety of the night to ponder the situation. "think, idiot. who would be interested in using her in some ploy? against you. against... us."
yuuji's eyes widen. "the higher ups?
"no one else would be so brazen."
it strikes sukuna as ironic that just days after he relayed the cruelness he endured at the hands of jujutsu society's higher ups a millenia ago, you too almost became one of their victims. it's a reality that he despises.
"i should call gojo—"
"that is out of the question."
"do you want to keep her safe or not?"
sukuna scoffs. "this is how we keep her safe. if the higher ups are after her, we can't trust other sorcerers."
yuuji almost seems offended on gojo's behalf. after all, he's known him for the better part of a decade. "i'd trust gojo with my life."
"well this isn't your life we're talking about. this is much more important."
yuuji chuckles. "i know. that's exactly why we need help."
before sukuna can protest, yuuji's dialing his old sensei and asking to meet somewhere they can speak privately.
that's how they end up at a small bakery on the outskirts of tokyo, sukuna relaying the story for the second time that morning.
once he finishes, gojo leans back in his chair and folds his hands behind his head. "well, i don't think you're wrong about the higher ups being involved."
"so what are we supposed to do?" yuuji asks. "they might use her to get to me, but you don't think the higher ups would actually put her life in danger, do you?"
though yuuji's question is directed toward gojo, it isn't him that answers.
"you're as naive as ever," sukuna scoffs. "they'll stop at nothing to achieve their own ends."
gojo grimaces, a silent agreement with the assertion. "i can do some poking around, see who ordered it to be done."
"and what exactly is that going to do? there's no reasoning with them."
"a fact i am well aware of," the white haired man narrows his eyes at the king of curses. "but there is leverage in power, something i happen to have more of than anybody—"
"almost anybody—"
"so as the strongest, i'll take care of this as soon as i can."
"hey, um, so as productive as all the dick measuring is," yuuji interrupts. "it doesn't keep her safe in the meantime."
"i have an idea in that regard," sukuna says. "it's an ancient practice, and while it doesn't offer any protective measures, it will allow me to find her if they make another attempt like last night."
gojo leans forward, clearly interested to hear more.
"i can imbue a talisman with a part of myself and if she wears it, it will act as a beacon for her location."
"with part of yourself? as in, your cursed energy?" yuuji speculates. "wouldn't that do more harm than good? attract cursed spirits and whatever?"
"no, i'm not a fool. it's not cursed energy."
sukuna is hesitant to clarify further. he'd done something similar when creating his fingers, but it was different then. it was a selfish endeavor to preserve his life long after it was his time to die. it was a dark sort of jujutsu, one meant only to bring destruction.
but intention is important in sorcery. it can change the very essence of the practice.
for the first time in his life, sukuna is acting selflessly, concerned only with your protection. it's a pure sort of jujutsu this time around, one that allows him to impart a piece of himself that isn't tainted by cursed energy.
and because of that, that part of him would be unprotected. it'd leave him uniquely vulnerable. it's a steep and dangerous measure. that's why the practice had been forgotten long before the modern age.
"then what could it possibly be?" it's quiet for a moment as yuuji's question hangs in the air.
"it's your soul, isn't it?" the disbelief lacing gojo's voice is quite plain, but he's heard whispers of such techniques. "you'd give her a piece of your soul."
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sukuna's never been one for unfinished business, so it's no surprise when he finds himself on the couch, intent on finishing the stranger. besides, it had become clear he'd been focusing on the wrong aspects of the book when he first began reading it.
he's three chapters from the end when he hears a loud shatter from the kitchen, followed by a sharp gasp. the broken glass hasn't even finished sliding across the floor before he's at your side.
"what happened?" the alarm in his voice doesn't go unnoticed by you.
"nothing, nothing," you assure him. "i just dropped my cup."
crouching down, you reach for one of the bigger pieces before your hand is swiftly smacked away. "don't."
"it's fine. it's only a little glass."
when you reach for it again, he grabs your wrist. "you troublesome little thing. do you ever listen?"
"i don't make a habit of it."
"i know. the question was rhetorical."
sukuna's already noticed the shards of glass surrounding your bare feet, so he wastes no time in picking you up and placing you on the countertop.
"don't move." he says it in such a way that, for once, you don't even think about disobeying him.
he all but stomps out of the room, returning moments later with a broom and dust pan. there's a small smile playing on your lips as you watch him gather the larger pieces before sweeping up the rest.
and you know, it's really not fair. sukuna could even call it a cosmic injustice, the way he has to worry about broken glass and fragile fingertips.
but he likes you and he likes the pads of your fingers, particularly the way they feel against his skin and run through his hair, so he swallows his pride.
it's been consuming him lately— the fact that you are just as easily broken as the glass that littered the kitchen tile. he never considered just how many ways there are for a human to die until you were nearly taken from him.
so once he's done, he rests the broom and dustpan against the wall and stands in front of you, his hips situated between your knees.
reaching into his pocket, he pulls out a necklace and your mouth falls open in shock. a delicate chain is threaded around his fingers, while its ruby pendant dangles in the air. "i want you to have this."
"what.. what is it?"
he snorts. "you don't know what a necklace is?"
you let out a breath of a laugh. "of course i do. i'm just surprised."
you hold up your palm and he places the necklace there gently. inspecting the gem, you notice it bears a striking resemblance to the color of his eyes.
strangely, it's almost as if it's heavier than it should be— like it's weighed down by some importance beyond your comprehension.
"it's beautiful," you tell him honestly. "are you sure?"
"sure of what?"
"that i should have it."
he pauses before responding, taking in the way you're so gingerly holding it. he's scared you've realized what he's actually giving you. that you're repulsed by it.
he's hesitant when he asks, "why would you think otherwise?"
"i didn't do anything to deserve something like this."
sukuna breathes a sigh of relief. "you are ever the fool."
his hands find your hips, pulling you off the counter and onto your feet. he plucks the necklace from your hand, then shifts to stand behind you.
moving your hair to the side, his fingers brush lightly against your skin. "the necklace is undeserving of adorning your neck. not the other way around."
and he knows it's the truth. a piece of him, attached to a creature so lovely she should be out of his reach... well, that's just unseemly, isn't it?
"but promise me something anyway."
"anything," you say without delay.
he situates the chain around your neck, the pendant lying in the space where your collarbones meet, and fastens the clasp. when you turn to face him, you're met with an alarmingly grave expression.
"promise you won't ever take it off."
you fiddle with the ruby somewhat nervously, feeling as if you're missing some important piece of the puzzle.
you nod in response to his request, but it isn't enough for him.
"say it."
"i promise."
he can see that you're biting back questions, so he explains, "if you're wearing that, i'll always know where to find you."
it finally dawns on you, for the first time, how much the incident at the store truly affected him. it's not the way he ended those men that clued you in, nor is it the way he pleaded with you to forgive him.
it happens in this moment. it's the gentleness of his voice, despite his underlying desperation. it's the way he's watching you carefully, as if you're likely to disappear. it's the fact he wouldn't let you clean up a mess of your own making, because he can't stand the thought of seeing you bleed.
"i... i don't know what to say."
"well, that's a first."
"shut up," you punch his shoulder. "you're ruining the moment."
"right, my bad," he chuckles and glances down at the gemstone. "do you like it?"
you let out a breath. "of course. i love it."
he smiles at your words— soft and genuine— truly a rare sight. "good."
you notice that he's looking at you. really looking at you. his eyes shift away from yours and over to each of your temples. then down to your nose. your mouth. even your chin.
he takes in every detail and he feels like he's in your debt simply for gazing at your countenance.
you almost regret it when your hands curl around the collar of his shirt and pull his lips to yours. you should have savored his smile, spent time committing it to memory.
although, that's soon forgotten as you feel the curve of his mouth deepen while his lips move against yours.
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it isn't until day three of your ceaseless coughing and sneezing that sukuna adds them to his list— broken glass, fragile fingertips, coughs, and sniffles.
his concern is clear from the way he dotes on you. he brings you cold cloths, makes you tea, massages your neck, runs you baths.
now he's on his way to a twenty four hour pharmacy to pick up more medicine to reduce your fever, and while it's only a block away, he's still doing it alone.
but not even for a moment does he consider running off to burn the world's largest city to the ground. the streets are crawling with people, but he finds himself avoiding them more than anything.
he has to get back to you after all.
the only thought on his mind other than you is the ending of the stranger. the main character, while awaiting his beheading from his prison cell, conveys his final words to readers:
for the first time, in that night alive with signs and stars, i opened myself to the gentle indifference of the world. finding it so much like myself— so like a brother, really— i felt that i had been happy and that i was happy again. for everything to be consummated, for me to feel less alone, i had only to wish that there be a large crowd of spectators on the day of my execution and that they greet me with cries of hate.
in sukuna's first life, perhaps this line would have resonated with him. it was a life where he had resolved himself to the idea that nothing really mattered, because the alternative was too painful. it didn't matter that jujutsu society betrayed him. it didn't matter that he stole people's lives out from under them. it didn't matter that he was alone.
and while he would have never surrendered himself to execution, if that had been his fate, he would have preferred to go out surrounded by living reminders of all he had accomplished. surrounded by all the people he had ruined.
however, when he imagines such an occurrence happening in his present life, there is only one face throughout the entire crowd and it belongs to you.
the very thought makes him sick with grief.
looking up, he realizes that there are no stars in tokyo anymore, that there is no feeling of indifference when it comes to you, and that there is no happiness to be had when you are not by his side.
he knows he'll never shed another drop of innocent blood if it means you'll always have that look of adoration in your eyes when your gaze falls on him.
so his trip to the pharmacy is short and hurried.
opening your apartment door, he's careful to be quiet in case you're sleeping, but he finds you peering at him from the couch.
your hair is disheveled. there's a sheen of sweat across your forehead. your eyes are beyond tired. your shirt is wrinkled.
you're still the most pleasing thing he's ever laid eyes on.
"you're back," you rasp.
"i'm back," he affirms, slipping off his shoes.
you sit up and quickly regret it, your hand coming to rest against your stomach. "god, i feel like i'm gonna puke."
"charming."
you use all your strength to throw a pillow at him, which he easily catches before tossing something small in your direction— a ginger chew to help with the nausea.
you unwrap it and pop it in your mouth. "thanks."
he hums in response, settling down in the spot beside you. once he pulls the medicine from the bag, it's followed by two bottles. "got you these, too."
recognizing them as your favorite drink, your exhausted and delirious brain makes your eyes well up with grateful tears. "you're so sweet."
"yeah, whatever. don't get used to it."
"but you are. you're sweet and kind, except i'm the only one who knows it," you pause before continuing, your head falling onto his shoulder. "why is that?"
he contemplates denying that he possesses any such quality, but decides against it. "you're the only one who's ever cared to know."
he can feel the heat of your temple through his shirt, so he opens the box of fever reducers and pops out two tablets before handing them to you. "take these. you're burning up."
you do as he says without protest. standing up and stretching your arms above your head, sukuna's eyes wander to where your shirt rides up and reveals your stomach.
"c'mon, let's go to bed," you yawn.
he follows after you wordlessly, carelessly pulling off his shirt and climbing into bed beside you. curling up against his side, your head comes to rest on his chest and it's quiet for a few passing moments.
"you can't see the stars from tokyo anymore."
"what?" you ask sleepily.
"the stars. there's too much light to see them from here."
"oh, yeah. we can take a trip to the mountains soon. you can see them pretty well from there."
"i'll hold you to that."
and so with the promise of a beautiful night sky, with the company of someone who means the world to him, and with the feeling of your body pressed against his— sukuna feels that he had been happy and that he was happy again.
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a/n 2: hey! so i'm sorry again for stopping updates without really saying anything. i think i just needed to step away from tumblr and writing for a while because i was getting a bit overwhelmed. i was also a little unsure about the direction of this chapter. i was struggling to incorporate the necklace part without it seeming cheesy or weird. that being said, thanks as always to everyone for your support of this series. it's really heartwarming and much appreciated. if you have any feedback, i'd love to hear! i'm not sure when the next update will be, but i'll do my best to keep you guys posted. all my love - m<3
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longing-for-rain · 11 days
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Katara and Mutuality in Relationships
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There are lots of conflicting opinions about which characters Katara felt attraction towards, which characters she didn’t, and how long she felt that attraction. I see in most cases, people point to quick clips of her faintly blushing or kissing another character on the cheek as evidence, but I think these kind of takes miss the nuance of the purpose attraction serves in a story.
Most importantly, I see these characters treated as if they are actually people capable of making their own decisions. It’s important to remember that these are fictional characters. They don’t make their own choices; the writers make their choices for them for the purpose of telling a story. From that standpoint, it’s more valuable to examine how a character’s story and narrative themes tie into their relationships with other characters. Animators can shove in a kiss or a blush wherever they want, but it’s harder to demonstrate through storytelling how and why two characters might feel attraction towards one another, and how a relationship between them would develop both characters and contribute to the overarching themes of the story.
In other words, when discussing which characters Katara is “attracted” to, I’m discussing which relationships and actions within the narrative build on her established story and arc. Romance is always integrated into a story for a reason, and considering that reason is important.
Unfortunately, ATLA is very much a product of its time in this way. It’s easy to see what romance adds to the arcs of the male characters—but not so much with the female characters. All three canon relationships (kataang, sukka, and maiko) follow this trend to some degree. The primary purpose of the woman in this narrative is to act as a prize for the man for performing some good deed. Once they’re together, she ceases having her own motivations and becomes an extension of the male character she’s dating. This is pretty blatant with Suki—she barely had a personality in that later seasons; she is there to be Sokka’s girlfriend. Similarly, Katara becomes a completely different character—she’s even animated differently—when the narrative pushes her into romantic scenes with Aang. Her character is flattened.
So what is Katara’s arc, and how do the romantic interactions she has throughout the series contribute to this?
Well, that could be a whole other essay itself, but to put it simply, Katara’s arc is one of a young girl devastated by grief at a young age clinging to hope that she has the power to fight and change the world for the better. Which she does as she gains power and confidence throughout the series—culminating in her defeating Azula in the finale.
But the part I want to focus on here is how Katara connects with other characters. She connects with them over shared experiences of grief and loss.
Take Haru, for instance.
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Haru: After the attack, they rounded up my father and every other earthbender, and took them away. We haven't seen them since.
Katara: So that's why you hide your earthbending.
Haru: Yeah. Problem is…the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.
Katara: See this necklace? My mother gave it to me.
Haru: It’s beautiful.
Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.
Haru: It’s not enough, is it?
Katara: No.
This isn’t just a throwaway moment; it’s an important character moment that leads up to growth and the progression of Katara’s overall story, both in this individual episode and in the whole series.
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Katara finds her power in the connections she’s able to make with other characters. It’s a powerful driving force for her that makes her a strong character even before her bending abilities develop. Imprisoned was such an important episode to establish who Katara is and what her power is, and adds so much to her arc.
But there is one line in particular from the above exchange that also stands out: Haru says “it’s not enough, is it?” and Katara agrees. Even this early in the series, we’re establishing the fact that despite her drive and hopeful outlook, Katara feels deeply hurt, she feels a deep sense of loss that she opens up about to other characters in moments like these. But unlike Haru…Katara can’t go rescue her mother. Her mother is dead, and we see her grapple with that grief throughout the series.
Another character she reaches out to like this is Jet.
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Jet: Longshot over there? His town got burned down by the Fire Nation. And we found The Duke trying to steal our food. I don't think he ever really had a home.
Katara: What about you?
Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.
Katara: Sokka and I lost our mother to the Fire Nation.
Jet: I’m so sorry, Katara.
Another important note about Jet is that there are explicit romantic feelings from Katara in this episode. Again, Katara empathizes with another character through a shared sense of loss. Sadly, in this case, Jet manipulated her feelings and tricked her into helping in his plot to flood the village…but those feelings were undeniably there.
That was the tragedy in this episode, but it also gives the audience so much information about Katara as a character: what motivates her, and what she wants. Katara is established as a character who wants someone who will connect with her and empathize with her over her loss—her greatest sense of trauma. She wants to help others but also receive support in return. The reason why she was smitten with Jet, beyond just initial attraction, is because he gave her a sense of that before Katara realized his true motivations.
A lot of people make the claim that Aang is good for Katara because he also feels a sense of great loss and trauma. And while on paper that’s true…does he really demonstrate that? I just gave two examples of characters Katara connected with this way, and both responded with deep empathy to what she said. Very early on in the show—the third episode—Katara attempts to connect with Aang the same way. How does he respond?
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Katara: Aang, before we get to the temple, I want to talk to you about the airbenders.
Aang: What about 'em?
Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.
Aang: Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!
Just compare this exchange to Haru and Jet. No effort to empathize, not even a “sorry for your loss” or anything. It’s a stark contrast, and the reason for that is because this narrative entirely centers Aang. Katara’s narrative always seems to be secondary to his when they’re together—which is exactly my point when I say this relationship has a fundamental lack of mutuality. It’s built that way from the beginning of the series. It does not add to Katara’s arc nor establish what about this dynamic would attract her.
And, look, before someone jumps down my throat about this…I’m not saying Aang is a horrible person for this response. I think it’s a sign that he’s immature and has a fundamentally different approach to problems than Katara. Katara is a character who has been forced to take on responsibilities beyond her years due to being a child of a war-torn world. Aang’s approach to problems is avoidance while Katara never had that luxury. It doesn’t mesh well.
This is all in Book 1. I honestly could have gotten on board with Kataang if the series meaningfully addressed these issues…but it didn’t. In fact, they actually got worse in some ways.
Back to Katara’s mother. We’ve established that this is a core part of Katara’s character and like in the scene with Haru, she indicates that this is an unresolved issue that pains her. But then, in Book 3, Katara actually does get a chance to confront this pain.
This would have been a powerful moment. Surely the character who is meant to be her partner, her equal, would have been there for her. Surely he would have understood and supported her, fulfilling her narrative and adding to her story.
But Aang didn’t do that. I won’t go into details because there are a million analyses out there on The Southern Raiders, but Aang’s response to Katara was the opposite of understanding. He got angry with her, insinuated that she was a monster for wanting revenge, and tried to dictate her behavior according to his own moral values. And importantly, from a narrative standpoint, he did not go with Katara. One of the most important events in her arc, and Aang didn’t support her—he actually tried stopping her. He didn’t contribute to her growth and development.
Also noteworthy:
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Katara: But I didn’t forgive him. I’ll never forgive him.
Even at the end of the episode, Aang clearly doesn’t understand at all what Katara is feeling. This line demonstrates it perfectly. He thinks she forgave him when that wasn’t the case at all…but of course, he didn’t even accompany her, so he didn’t see what actually took place. His worldview is fundamentally different from hers, and he’s consistently too rigid in his morality and immature to center Katara’s feelings.
Throughout Katara’s whole arc, her most significant character moments, Aang’s character just doesn’t come through the way Katara’s constantly does for him. Their narrative lacks mutuality. When Katara and Aang are together, she becomes an accessory to him. The ending scene is a perfect demonstration of this.
Now, to address the elephant in the room.
Which character does actually add to Katara’s narrative and support her growth as a character?
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Correct! I just talked about how important The Southern Raiders is to Katara’s character and story, how it’s a chance for her to finally address the grief she’s been carrying since Book 1. And who stood by her side throughout this pivotal moment? Right—Zuko did.
You can talk all you want about how he’s a “colonizer” while Aang’s people suffered genocide, but you’re forgetting that “show, don���t tell” is one of the most basic aspects of storytelling. The fact is, despite how it looks on paper, Zuko was the one there for Katara at her critical moments. Zuko empathized with Katara more than Aang ever did—as demonstrated in this episode. Zuko never once brought up his own cultural values. Zuko never once told Katara what to do. Zuko’s position was that Katara should be the one to decide, and that he would support any choice she made. He supported her decision to spare Yon Rha, but he would have also supported her if she decided to kill him. I actually found this episode to be a satisfying reversal to what is typically seen in TV—for once, the female character is centered while her male counterpart takes the backseat and becomes a supporting role to her narrative.
Even before this, Zuko is shown to empathize with Katara.
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Zuko: I’m sorry. That’s something we have in common.
I think what gets me about this scene is the fact that he’s still Katara’s enemy, and she was just yelling about how she hates him and his people. But despite that, Zuko still empathizes with Katara. She is fundamentally human to him, and he expresses that to her in a way that allows them to connect. Zuko stands to gain nothing from this. It’s true that Azula entered the picture and twisted things around—but in this moment, Zuko’s compassion is genuine. His instinct was to respond to her grief with empathy, just like she consistently does for other characters.
And finally, how else does Zuko add to Katara’s arc?
I don’t think there is any more perfect of an example than the finale itself—the culmination of the arcs and development of all characters.
Zuko and Katara fight together. In a heartbeat, Zuko asks Katara to fight by his side against Azula, because he trusts her strength. She’s his equal—both in his mind, and in a narrative sense.
Then, this:
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Both of their roles are so critical in this fight. They both save each other. The scene has such raw emotion to it. These characters were together at the conclusion of their respective arcs for a reason.
This is the perfect conclusion to Katara’s arc. She just played a critical role in ending the war that has caused her trauma her whole life. She just demonstrated her mastery of waterbending (another thing she’s dreamed of throughout the series) by defeating the world’s most powerful firebender during Sozin’s Comet. Even though she had help as all characters do, these are victories that belong to her and demonstrate the growth and power of her character. And to top it all off? She was able to save Zuko’s life. She didn’t have to endure the pain of feeling helpless to do anything while someone else died for her; this time, she had an active role, she changed her fate, and she prevailed. Zuko plays an important role in Katara’s story without dominating it. They perfectly represent mutuality. They add to each other’s stories. Their narratives become stronger when they’re together, without one diminishing or sidelining the other.
So, from that standpoint, that’s why I always see the attraction between Zuko and Katara and why I see it lacking between Aang and Katara. Zuko and Katara’s story doesn’t need some cheap little throwaway moments to shine. It’s integral to both characters’ stories. We are shown not told of the way these characters feel about each other. Given everything we know about Katara, her goals, her values, her past loves…absolutely everything points to Zuko being the true subject of her feelings.
Because let’s be honest. The ending I just described is so much more powerful and so much more Katara than seeing her being relegated back to a doe-eyed love interest for Aang to kiss. It hardly even made sense—Katara played no role at all at the culmination of Aang’s arc. She was relegated back to a love interest, rather than the powerful figure we saw fight alongside Zuko.
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max1461 · 3 months
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There is a common motte-and-bailey argument applied to paper over expressions of dissatisfaction with life in industrial society.
The motte is "before industrial production of vaccines and antibiotics, infant mortality rates were extremely high, and this was an inordinate tragedy that can now thankfully be prevented".
The bailey is "your claim to personal dissatisfaction with being a (post-)industrial wage laborer is invalid, it is false that you would feel more stimulated or satisfied (etc.) by a hunter-gatherer lifestyle (etc.) than by your current lifestyle".
Look, I don't know what type of lifestyle would make random internet posters feel the most stimulated or the most satisfied. I don't know if it's running around in the woods or working at a desk job or being a rich failchild. I have no fucking clue and neither do any of us, maybe not even them! Although obviously I suspect they have a better approximation of the answer than any of us do.
But what I do feel confident in saying is that 90% of people complaining about industrial society online are not anti-civ. They're not saying "let's get rid of vaccines". They're saying "boy this wage labor shit makes me unhappy, and the way people used to live looks more rewarding". I don't know if they're right, in any individual case, and also people have a lot of misconceptions about how we used to live that are worth correcting. But I can say with great confidence that no important aspect of this discussion hinges on historical child mortality rates or vaccine production. Those are relevant points when discoursing with a small set of radicals, and not with the average tumblr user romanticizing pre-industrial life.
It is not a law of the universe that when one thing gets better, everything else gets better too. Maybe that cottagecore girl or whatever actually would feel more fulfilled living off the difficult physical labor of a pre-industrial farm. Is that so hard to imagine? It seems straightforwardly plausible to me.
I think a lot of the frustration that people have with this is that the cottagecore girls and the running-around-in-the-woods guys present these ostensible lifestyle preferences with a moralizing tone. Like "you're all such sheep for wanting to live a modern life". And I get that that's annoying, but I'll point out that their discourse-foils are also doing much the same thing in reverse: "you're all such fools for thinking you'd enjoy working on a farm more than in an office". I don't know, maybe they would! I don't think they are necessarily being fools!
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star-anise · 1 year
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So I've been watching this series of videos where a research-focused psychologist goes through Jordan Peterson's work to see which of his ideas and arguments are based on solid empirical evidence. I love it, even though she does mistakenly say his background is in counselling psychology (my field) when he's actually a clinical psychologist.
Anyway, that's got me thinking about Jordan Peterson, and how his response to criticism is, "People have been after me for a long time because I’ve been speaking to disaffected young men — what a terrible thing to do, that is. [...] I thought the marginalized were supposed to have a voice.”
So, here's my theory: Young men of the 21st century have grown up in a culture that is specifically hostile and punitive towards them. However, I think that while girls and women can participate in this culture, it is as much or more the work of boys and men. And I think that the problem with Peterson is that he's not particularly good at helping his audience escape the maze they are trapped in--and he's absolutely opposed to any attempt to dismantle a maze that is actually of fairly recent manufacture.
Case in point: The metrosexual.
The word "metrosexual" was coined in 1994 by Mark Simpson, a gay writer whose settings seem to be perpetually fixed at "critique the shit out of it".
"Metrosexual" describes heterosexual men who might be mistaken as gay, because they are interested in things very common among gay men, including: Caring about whether they're attractive; caring about how their hair is cut and what products they use in it; caring about what clothes they wear; working out to make their bodies look better; frequenting nightclubs. To be "metrosexual" was, in some people's opinions, to be a "man-boy" searching for his "inner girl".
To be metrosexual was, in some ways, to be called someone who looked gay.
The term didn't really catch on until the early 2000s, when media became briefly obsessed with talking about which celebrities were "metrosexual" or not. In that era of hotly divided opinions over the acceptability of homosexuality and queerness, it was implicitly asking, "Who looks gay? Is he gay? Tell me, fellow broadcaster: How gay does this guy look to you?"
(They got to have their cake and eat it too. A liberal audience, desperate to gather as many LGBTQ+ people and allies as possible in their race for 50% acceptance of gay marriage, cherished any signs that people with social clout might be on their side. And a conservative one, watching the same discussion, would heartily enjoy seeing a rogues' gallery of degenerate Hollywood types paraded before them, their every effeminacy pointed out in loving detail.)
Which of course got us: The Retrosexual!
When everybody's helpfully compiling lists of all the things a man can do that look gay or unmanly, dudes who don't want to get the shit kicked out of them by homophobes know all the things not to do!
Therefore, being "manly" became strictly defined by what was off-limits. To be a Real Man meant you shouldn't care about whether you're attractive, or what soap you use, or how your hair is styled. You shouldn't enjoy dancing or get too enthusiastic about music. A Real Man cares about sports and beer and being on top! Dominant!! A WINNER!!!
And, so like, here's a secret: In Anglophone culture, we are very affected by the Puritan legacy that says pleasure is inherently sinful. Vanity and pride--caring about how you look and whether you're attractive--are literal gateways to the Devil. Gluttony, and therefore seeking pleasure at all, is another such. And in Puritan religious theology, women are inherently more sinful. Yes, it goes back to Adam and Eve, and how Eve was tempted into sin first. Long story short, things associated with women became associated with sinfulness, and sinfulness became associated with effeminacy. And for centuries, you haven't even needed to be religious to drink these attitudes from the groundwater.
Okay, that's not the secret, this is the secret: Pleasure is not inherently sinful.
And liking how you look and feeling attractive and paying attention to your sensuality and your emotional life and connecting with art in a real and vulnerable way can feel really good, if you're able to handle it well.
Being raised to be a Real Man in a world where masculinity is perceived to be actively under threat is so uniquely painful, I believe, because every attempt to define yourself as "not gay" means denying yourself one of life's pleasures, and telling yourself you never even wanted it in the first place.
And then those desperate to be Real Men found a way to take some of those things back in what is surely the most painful context possible: They are allowed strictly as tools of your heterosexuality and masculine need for dominance. You are allowed to care about grooming and dancing, etc, purely as a strategy in playing a game called "Getting Girls", where you either score or you don't, where not scoring means you're worthless and unlovable, and scoring is often... strangely unfulfilling and certainly not enough to fill the aching void inside of you.
The mistake both Peterson and his fanbase make is that they get to this point, and then think: The reason I feel so empty inside is... I just haven't gotten enough girls!
Maybe some guys get out of the maze by finding a woman who is allowed to care about things like affection and love and dancing and looking nice, and their connection with her lets them express all the other parts of their souls that didn't fit in the Real Man box, but can come out in roles like Boyfriend or Father.
But humans aren't telepathic, so relationships can only "fix" you so much as you're willing to do the work of nurturing your own soul in a safe environment, so for a lot of men the maze never ends, and sometimes they don't even get the fleeting joys of relationships or sex, since they're so fucked up about them!
At this point, I as a queer woman am like, "Solution's obvious! Dismantle the maze."
And Peterson, who has worked his whole life to achieve the status of Best Maze-Runner in All of Christendom, is clinging to it like, "NO! DOWN, YOU DARK CHAOTIC MOTHER! THIS MAZE GIVES MY LIFE MEANING! THIS MAZE CONNECTS ME TO MY FOREFATHERS! I CANNOT LIVE WITHOUT THIS MAZE!"
At which point, like... what can you do but just leave him there?
At least he's not in my area of specialization. The world would be too unkind if I had to deal with him in any professional capacity. I wish Clinical Psychology all their continued joy of him.
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pilfappreciator · 5 months
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ATTENTION TROLLS FANDOM!!
This is very important. Mostly to me but maybe you guys have been wondering this too idk but anyways:
How does troll reproduction work exactly?
Cuz I'm genuinely curious. I dont think anyone on the series production team has said anything and so far I've seen absolutely no one touch on this subject but as someone who's always had an interest in the habits of creatures (both fictional or otherwise), I kinda sorta maybe NEED to know this otherwise I'll never be able to sleep peacefully again
Full disclaimer that I'm specifically talking about the whole egg situation, I am NOT ASKING HOW THEY GET IT ON IF I WANTED THAT ANSWER I'D GO TO DEVIANT ART OR TWITTER OR WHATEVER LAWLESS PLATFORM GOD STEERS CLEAR OF. This discussion shall remain STRICTLY educational, thank you very much
But anywho. Let's dive in
So trolls come from eggs. This is basic knowledge. First instance of this phenomenon (as far as I know, I've only seen the movies) is from World Tour.
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Egg pops out of Guy Diamond's hair, egg hatches and BOOM, (literal) baby. Now I understand that this whole sequence was probably just a gag and a way for DreamWorks to implement another (merchandisable) addition to the cast HOWEVER this sequence also raises a few questions
First off, as far as I know Guy Diamond has no partner (again: I haven't watched any of the spinoff shows). Either that or maybe the other troll was a sorta one-night-stand/no-longer-in-his-life kinda situation? Which is great either way cuz its shown he obviously cares for his son and we at Tumblr appreciate a loving single father no matter the circumstances, but if my former theory is correct than that would imply that trolls are capable of reproducing asexually. Like onions.
Now if that hypothesis is, as they call it, "cap" then that would mean that some sorta hanky panky has to go down before an egg comes into question. And if that's the case, does this mean that male trolls are traditionally the ones who carry the eggs?
But that can't be right, can it? Afterall, World Tour gave us yet ANOTHER egg scene later on in the movie
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In Cooper's flashback, we clearly see Queen Essence being the one carrying the eggs meanwhile King Quincy is eggless. Now, as far as i see it, this could be explained either one of four ways:
1) Quincy was the one who actually produced the eggs and Essence is merely holding them for her husband (since her hair seems more fitting to be a makeshift nest compared to Quincy's)
2) Female trolls are the ones who produce the eggs. Guy Diamond is just a trans icon
3) Troll reproduction differs from genre to genre
4) There is a... *sighs* a/b/o type of dynamic among troll kind where certain trolls are capable of giving birth/siring children depending on a secondary gender
In regards to theory #3, this could also explain why Guy Diamond seems to reproduce and hatch an egg in such a short amount of time (like 5 seconds I'm pretty sure) as opposed to Queen Essence/King Quincy who's eggs presumably went a while longer before actually hatching.
Actually, speaking off eggs, are trolls the only species in their world that reproduce that way?
Because now that Band Together has officially been released, we now know for certain that it's possible for different species to crossbreed. Biggest example? Resident DILF Bruce and his giant muppet wife
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(Credit to @captainunderkrupp )
When I saw these two... I swear...
And these two already have a shit ton of kids okay so like... either Brandi was the one giving birth or trollsona Daveed Digs was over here pumpin out eggs, which I mean-
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DO YOU SEE HOW BIG THESE THINGS ARE COMPARED TO BRANCH AND POPPY?? Believe me I am PRAYING that Bruce gave himself some serious maternity/paternity leave because my guy is honestly a trooper
But yeah any thoughts? :))
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average-vibe · 3 months
Text
.•silence•.
Pairing: Wilbur Soot X Fem!Reader
Summary: What happens when people take you and wilbur’s relationship out of hand?
Genre: Angst (i’ve become angst girly at this point 😭)
TW: Cursing, wilbur’s toxic
A/N: Am i a sucker for angst? yessir. will i apologize? no way
masterlist
Lowercase is intentional :)
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rumors of you and wil had been spiraling around the internet for a while now. there was always a creepy side of the internet that shipped the two of you together, but at this point the “wilbur x yn” posts you had been seeing were getting out of hand.
the fan fictions, the DMs, the tweets, everyone thought the two of you were together.
but you weren’t.
you didn’t mind the rumors, and you had definitely thought about it, and talked about it with him, but you had never actually done it. and you didn’t especially want to, either. it would ruin the friendship, and it would make his music career much harder.
you and wil had tried to figure out a way to address the rumors, how to let everyone know that the two of you were simply friends.
and today was the day that you were going to do it.
“ready?” wilbur asked, looking at you with stress. he had his mouse on the “start stream” button, and about 13,000 people were waiting. the title of the stream was “discussing drama”, which definitely drew more in.
you sucked in a breath, overwhelming nerves stressing you out. “yeah, i guess so.” you mumbled, watching him hit the “start stream” icon.
“hey guys!” wilbur greeted, waving at the chat, who were all spamming “HI” and “HELLOS!” you waved idly at the fans, giving them a small smile.
“hi.” you quietly spoke, glancing at the two of you on stream viewer.
“Okay, first things first, let’s get down to business. we need to address some rumors.” wilbur said, face turning serious. “we’ve seen the tweets and stuff about us being together.”
there was a small moment of silence, letting everything set in.
“yeah, and, here’s what we have to say.” you continued. “we aren’t together. we don’t really want to be. it would mess up our friendship, and it could hypothetically get in the way of our work.”
another moment of silence. chat was being productive, spamming “YESS” and “I TOLD YOU FUCKERS!”
you laughed at some of the comments, glancing at wil, who was being really, suspiciously quiet. “Have anything to add, soot?” you asked, trying to get words out of him.
“no, i thing you covered it pretty clearly.” he said, a hint of harshness in his tone.
a extra long moment of silence. chat was now quiet, “…” filling up the void of space left for chatters.
“i think that’s all.” wilbur said, waving goodbye and ending the stream.
“what the fuck?” you asked.
“what?”
“i dunno, wil, you seemed pissed off when i said ‘we aren’t together.’!”
a moment of silence. a long one, at that.
“oh, i don’t know, maybe it’s because you added “we don’t want to be together.’.” he spoke harshly.
“i didn’t know we wanted to be, wilbur! why are you so fucking mad? your the one who brought up the idea!” you responded.
“jesus, yn. how do you not understand? i never fucking said i didn’t want to be with you. ever.” he yelled.
“so you do?”
“maybe! i don’t fucking know. you made it sound like we would never get together!”
“that’s cause we CANT!”
“WHY?! you say would ruin shit, but i don’t fucking care! just admit it, yn. you would’ve never date me.”
“FINE!” you said, grabbing your keys. “I would never fucking date you.”
you stormed out of the house, fuming. why was he so fucking self centered? did he not fucking understand that you didn’t want to be with him? because everyone would go crazy? did he not see how people would react?
you huffed as you sat down, opening your phone to see a single message from wilbur.
wil: fuck you.
let’s just say, neither of you slept that night.
an: hi bitches! i’m sorry this was very dramatic lol! ily you all sm 🤟
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drchucktingle · 8 months
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DECONSTRUCTING DAMASCUS #4
here we are again talkin on camp damascus and unwrapping every little secret and hidden layer of this book. think of this time together like an old time ENGLISH CLASS where the dang teacher says 'well by THIS SYMBOLISM the author was actually commenting on how good chocolate milk is' only this time we get to talk on TINGLERS and your teacher is the buckaroo himself, chuck tingle.
as man name of chuck i have a lot of easter eggs in my books, and this post is just ONE OF MANY where we pull apart every layer. if you have a reading club for this book it might be a fun companion to trot through once you are all finished. if that is the case you should start with the first deconstructing damascus post. i will leave links to them all here IN ORDER
DECONSTRUCTING DAMASCUS #1
DECONSTRUCTING DAMASCUS #2
DECONSTRUCTING DAMASCUS #3
HOWEVER these deconstructing damascus posts SHOULD NOT BE READ UNLESS YOU ARE DONE WITH THE BOOK. there are heckin spoilers EVERYWHERE in these posts so do not peek at them until you are ready.
alright below this line the dang spoilers begin. BIG TIME SPOILER WARNING. lets trot
DECONSTRUCTING DAMASCUS #4: BIBLICAL CAPITALISM
we have taken lots of time to discuss the various layers of symbolism in this book, but for FINAL POST of deconstructing damascus i would like to talk about the literal layer, specifically ONE BIG THEME that weaves throughout the story of rose, saul, willow and kingdom of the pine.
that theme is CAPITALISM.
kingdom of the pine, the church in this story, is intentionally NOT THAT STRANGE in their beliefs. it would be very easy for me to write a book where the christian sect are revealed as some twisted monsters performing all kinds of dark rituals in the name of evil itself, but when the big reveal comes it is something much more HORRIFIC and unexpected.
kindgom of the pine members are not snarling, oozing, otherworldly, creatures. the members are just people, and their beliefs are horrifically STANDARD. kingdom of the pine worships CAPITALISM.
these church members believe in the traditional tenants of CHRISTIANITY along with the traditional tenants of BUSINESS. what makes them scary is that they whole heartedly believe that 'the ends justify the means'
lets start with prophet cobel, the founder of the church. his visions came during THE INDUSTREAL REVOLUTION, occuring when he was injured by a manufacturing machine and lost his hand. the coma from prophet cobels accident is where he received his message from god. he realized that, for a church to succeed, it needed to act like a BUSINESS.
many buckaroos have asked 'WHY is the church called kingdom of the pine?' and this is EXACTLY WHY. many churches are named for spiritual aspects. this sect could have easily been 'kingdom of the holy word' 'kingdom of the spirit' 'kingdom of HIS name' EXCEPT prophet cobel knew the importance of MATERIAL and CURRENCY and GOODS. he is not just worshipping JESUS, he is worshipping THE CROSS ITSELF. so 'the pine' in kingdom of the pine is symbolic of worshipping through a PRODUCT, in this case the little wooden cross that you might sell during a fundraiser. not kingdom of the son, the father, or the holy spirit, but kingdom of the PINE. THE WOOD ITSELF. THE PRODUCT.
by combining christianity and capitalism, prophet cobel created a monster, but not one that creeps through a dark swamp with sharp teeth and red eyes. he created something much more existentially dangerous AND not all that unheard of in reality. this isnt an imaginary monster that lurks under your bed. IT IS A MONSTER THAT IS ALREADY HERE.
capitalism is the answer for ANOTHER big question regarding camp damascus: why are the demons wearing red polos?
demons in this story are dressed like minimum wave workers at a big box story because THAT IS EXACTLY WHAT THEY ARE. yes they spend their time torturing unfortunate folks in their dungeon, but NOBODY IS FREE FROM THE CAPITALISTIC SYSTEM NOT EVEN ON OTHER TIMELINES LIKE HECK ITSELF. the demons are AT WORK. some buckaroos do not notice that kingdom of the pine counselors are always in green and white (the pine material GREEN and the holy spirit WHITE, like we talked on earlier). meanwhile demons are in RED because they are contracted out. THEY HAVE BEEN HIRED IN THEIR OWN WAY and when you consider the collars around their necks, THEY ARE NOT TREATED FAIRLY BY THEIR EMPLOYERS. THEY ARE CONTROLLED IN A SYSTEM OF THEIR OWN AND COMPELLED TO WORK.
this is why they have name tags. THEY ARE AT WORK.
this is why they are constantly smiling until the collars come off. THEY HAVE CUSTOMER SERVICE SMILES.
okay buds. thank you for reading the deconstructing damascus series it was very fun for me to go deep on this book for anyone who enjoys this kind of analysis. i hope it puts a little more joy into your trot, and now if someone says 'this part of camp damascus didnt make sense to me' you can said 'LETS TALK BUD'. i am very much looking forward to doing this again when my next horror novel BURY YOUR GAYS comes out. keep a dang eye out for that one.
i will end with one more thing that did not really fit into the other catagories.
question of: is there any meaning behind willow being a big wu tang fan?
you mean besides her being the crocodile (which has ticking clock in mouth in peter pan) so rhythm itself is a very important part of her character? (as shown in her steady clicking camera shutter and the steady beat of her musical preferences?)
WHY YES CHUCK BESIDES THAT.
well now that we've discussed the theme of INFANTILIZATION in deconstructing damascus part one, and how all the young people in kingdom of the pine are kept childlike as long as possible as the FOREVER CHILDREN of never never land, i will point you towards this iconic quote from the wu tang clans ODB at the 1998 grammy awards:
youtube
LOVE IS REAL thank you for reading buckaroos - chuck
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urf1lterr · 1 year
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lovesick | pedro pascal [3]
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"and on this night and in this light i think im falling, im falling for you."
next chapter: [4] previous chapter: [2] series masterlist
summary: in which a 1975-obsessed film student accidentally falls in love with an older man she can't have.
pairing: actor!pedro x intern!reader
genre: acting world!au, big age-gap!, strangers to friends- maybe lovers?? au | angst, mature, awkward, love- eventually
word count: 5.7k
status: in progress
author's note: in my head i have a certain way this story ends- but thats farrrr from this chapter. i couldn't stop laughing while writing this. i might have to rethink my ending bc i don't wanna make this series looooong. not edited.
Brutal banging on your bedroom door was not how you imagined to be awakened, especially when you were barely endearing maybe four hours of sleep.
Jolting up, you could feel your shoulders begin to ache as your severely tangled hair got stuck on the insides of your shirt. The shades in your room being shut, you had no sunlight whatsoever so you weren't sure what time it was.
Not like you needed to be anywhere important on a Wednesday- not until later anyway. Wednesday's were your arranged day off from school so you made sure to plan something productive to not feel more useless as you already were.
Typically, you were scheduled to work on these days- but we all know how that ended.
Thinking about your unemployment status aggravated you. The same day you were told you were going to be cut was actually your last despite being scheduled for the rest of that remaining week.
Oh how you wish you could say you didn't show up because of your stubbornness.
But frankly you had covid.
Not only did that job fire you, but they gave you a thoughtful farewell gift of a deadly virus to remember them goodbye.
Guess they took their storyline a little too seriously.
However, you did receive a few texts from your old coworkers wishing you well. At first, you wondered if Finn disclosed your personal medical information after you contacted him, but Jules admitted to doing so, swearing she only told Joon with the likelihood someone overheard and the rest was history.
Sadly, you barely talked to Pedro and Bella anymore.
The duo did reach out once they discovered you were sick and Bella would occasionally send you tiktoks at the most randomly times. But again, occasionally.
Pedro, on the other hand, never got back in touch after his 'feel better' text.
You weren't exactly distraught over it, it wasn't like you two made it your mission as friends to go out every day. But the thing was, you still did that when you worked together. Barely seeing him for a few seconds on some days in the past still meant you got to see him, but now you don't.
And strangely you miss him.
You always heard your coworkers discuss how considerate and down to Earth he was whenever they managed to work with him and you agreed. All the stories of him being one of the rarest, mindful human beings were true.
He was always the one spamming you with texts, but the only messages you received now were from your roommate, Joon, or the deals sent by your favorite food places.
But you weren't going to think too much of it. He's an adult, his days are always scheduled with new projects. You can't blame him for not making time for you.
Two weeks later here you were, using your extra free time to your advantage to stay up past midnight watching shows like Hell's Kitchen while eating ramen noodles.
The only con was you had the tendency to wake up late all the time.
Yanking the warm covers off your body, you slowly slip out of bed trying not to hit your desk by how poor your vision was at the moment. Opening your door, you give daggers to the other person behind it. "Is there a reason why you felt attempting to break my door was necessary?"
Jules sheepishly smiled, lightly rubbing the door in remorse before continuing. "I just wanted to remind you about our study date!"
"That's at 11."
"It's 10:32," she replied, pulling her phone out and showing you.
Gasping, you shut the door in her face before searching for clothes to wear. How could you possibly sleep in?
Actually, it was quite easy with American Horror Story having amazing plot twists. You decided to switch up your late night shows every now and then to spice things up.
But you were certain you turned on your alarm the night before. You must have slept through them. Damn, you were turning into Jules.
Quickly running to the bathroom to take a quick shower, you managed to finish the rest of your routine with ten minutes left to spare. You were certainly glad you could always count on the city's nonstop traffic as an excuse for your late arrivals.
Once you were able to catch a cab, which was a tremendous struggle considering your hand signals weren't clear enough to apprehend, Jules and you made it to a coffee shop a few streets away.
Being your designated place to study, you had to introduce Joon to it. He was practically the fifth member of the group, the third one being one of Jules' friend you frequently talked to and the fourth being the one you shared with Joon.
The best part about this cafe would have to be that it was two stories. You guess you could say you used the upstairs room conveniently when it came to debating, definitely not being afraid to raise your voice when your friends believed disagreeing with your opinions was acceptable.
"I didn't know a triple meant three shots of espresso," Joon pulled a disgusted face as Jules and you arrived to your familiar large booth. Sliding right next to him, you saw the coffee he was drinking was extremely dark. "I thought it meant three shots of creamer."
"For a guy who is phenomenally smart, you are phenomenally stupid," you heard your shared friend, Yoongi, comment after looking up from his notes.
The next hour consisted of the five of you centralizing your attention on your individual work before you decided you wanted to buy a coffee as your energy slowly drained away.
Walking down the stairs and placing a swift order, you stood to the side of the counter waiting as they prepared it. Scrolling through your phone to pass the short time, you felt someone near you.
"Hey, covid girl!" you heard a man exclaim, causing you to rush and shush him before the customers begin giving you the eye. "Long time no see."
"Don't expose me like that! I'm negative," you flush, tapping your fingers on your face to cool it down.
"Don't expose me," he clarifies, taking two steps back. "You're the one who's sick."
"Was," you groan, not standing for his teasing this morning. "Stop messing me with me, Nick. I am just a tired, broke college student who can't take anymore mocking in their life."
Nick chuckles, not denying that may be the case. He understands how you're feeling, he was once a student and knows how stressful it can be. Honestly, he can only imagine how tough it is now compared to when he last attended.
Inflation was no joke.
"I take it you're studying?" he eyes the large black frames on your head and the thick headphones around your neck. You only nod, making him laugh. "Very studious I see, it's a shame they let you go even after I told them not to. You could've done our taxes."
Pulling a forced smile, you just raise your right shoulder slightly not really wanting to talk about it much.
"Good thing I am very understanding," you joke.
"Hell, I wouldn't be," he curses, shaking his head briskly. "The least they could've done was offer another position while we left the country."
"When are you guys leaving anyway?'"
He looks up at the ceiling, trying hard to remember the exact date before clapping his hands. "The 3rd of next month."
"Three weeks from now? Are you ready for the cold and the snow?" you laugh as he shakes his head.
"Dealt with it growing up, don't wanna do it again," he groans before a barista calls out his name for his coffee. He excuses himself for a minute, grabbing the coffee along with a few napkins before walking back to you. "Have to get back to filming, they only gave me a half an hour break before we change scenes. Good look in university, kiddo. If you ever need anything you always have my number."
With that, he retreated back outside but not before sending you one final wave. You loathed the fact you missed them, but you had to get over it.
Grabbing your coffee once your name was called, you walked back up the stairs to find your friends staring at their own laptops as if they were going to breakdown in tears any second.
"When I tell you I would rather give up one of kidneys than learn about screenwriting," Jules weeps, pulling her hair in distress. "I just wanna tell people what to do, not write stories."
And that's how your whole study session went, one of you having your own malfunctions for the next few hours before the five of you agreed to end it.
"I am going to get a refill, meet you by the door?" Jules asked as you packed up your school belongings. You nodded, allowing her to walk downstairs with her friend as you stayed behind with the two other boys.
"I need to go to the bathroom," Joon called out as the three of you were making your way down the stairs. "I'll be out in a jiffy."
With that, Yoongi and you were stuck around a large crowd of customers trying to get their coffees in this 5 o'clock chilly evening. And one thing about these customers, they loved to push.
"If one more person hits my arm a brawl will unfold," Yoongi proclaims, making sure to raise his voice a bit to make his point come across. Which did nothing as he was granted another push in his arm in return.
Moving you head towards the exit, you made it clear to Yoongi that you two were better off just waiting outside unless you wanted to continue being compressed by total strangers whose been god knows where.
Feeling Yoongi's loss of touch from your shoulder, you sensed a group of friends rudely crossing between you both in order to make it to the front of the shop.
It amazed you how people had no manners in public places.
"Ah!" you shriek, feeling somebody aimlessly hit your body hard, knocking the wind out of you as you fell on your side.
That was until arms wrapped tightly under your upper arms, barely being able to stop your whole body from touching the ground as you felt you legs lay across the cold floor.
With the strong pair of arms effectively pulling you up, it caused you to slam your body against their unknown chest as the mob of customers didn't seem to die down any time soon.
Trying to find some stability, your eyes widened as your peripheral vision was met with a broad chest that you were too scared to figure discover who it belonged to.
This could either end with you meeting the love of you life or encountering a complete weirdo.
Moving your gaze upwards, you were met with familiar brown eyes that creased slightly as a gentle smile was released.
Okay, the second option was indeed your answer.
"Pedro? You fucking scared me!" you pushed him away, slapping his chest as he whined in response, clutching it in pain. "I was going to grab my pepper spray!"
"I see you're still satan," he glared as you crossed your arms. "No 'thank you for saving my severely mentally mad life from the mass of people who could've stamped over me'?"
Expressing an infuriated expression as he scared you, you begin to walk away from him but he quickly pulls you back into his arms and stares down at you. "Why are you leaving?"
"My friends are outside," you declare as he peers over the crowd to see who you were talking about.
He glances back down at you before pushing you straight by your waist, causing you to trust his guidance as he directed you backwards until you were against one of the walls to avoid being crushed again.
"Wait, my friends-"
"You wear glasses?" he slightly grasps the frames propped on your face, generating a strike from you. "What a dweeb you are."
"Isn't this a question you can ask through text?" you remark, causing him to purse his lips at how mediocre you were being.
"Oh come on, kid! I haven't seen you in weeks, it's my right to ask questions," he defends, giving you a staggering look as you sighed.
"And my glasses were the first thing that came to mind? Very clever."
"Would you rather me ask why we say 'cool' when it's not really cold?"
Studying his face in pure boredom, you set out to march past him but he pushes your shoulders back again, forcing you to stay put. "Sorry! Just trying to lighten the mood."
Scanning past him, you tried to locate your friends but to no luck they were absent. Glancing back up at him, you take a deep breath. "I really have to go before they leave me stranded a-."
"I can take you home," he instantly speaks up. "I know where you live remember."
Laughing, you disagree with his proposal. You arrived with Jules, you were leaving with her. But you were curious as to why he hasn't left you alone. It surely couldn't be just to chat about corny jokes-
Actually, you've had many of those conversions in the past.
"Is there a reason why you aren't letting me escape?" you blurt out, making him tilt his head suspiciously, trying to figure out what you were speculating.
His body language became edgy as he motioned his palm out in front of you. "I just so happened to drop by for some coffee and ended up being tackled by you," he confessed, making you scoff. "We haven't talked for some time, I wanted to check up and see how you were doing."
"I am as happy as a clam," you let out a radiant smile, making him squint his eyes and direct them to the side.
"English, please?" he pleaded.
"It means I am very happy," you respond, standing up straighter as he questioned you longer with his eyes as if he didn't believe a single word you were saying. "Everybody knows that expression."
"They really don't," he denies, giving you an awkward smile by your strange dialogue. "Anywho, I've been wanting to talk to you."
"Then why didn't you call?" you accidentally spit out, shutting your mouth as you grasped how bitter it came out.
He caught onto the sound of your tone, registering how unhappy you must've been for abandoning you friendship after strongly bonding for two months.
But he couldn't let you believe he did it on purpose, he had a reason. One that he was finally going to disclose after fighting battles until it was finally approved. "I was preoccupied with something else, I really am sorry," he apologized. "But I was going to reach out today."
Uncomfortably shrugging, you don't put too much thought into it. You didn't want him to assume you were upset, but you had a feeling he could sense it by how tense you were becoming.
"For what?"
He looked around before averting his eyes back to your own, grinning widely. "So I think there's a chance you'd be able to get your internship back."
Standing up straighter, you stared at him dumbfounded. What the hell was he talking about?
"How? They already terminated our useless contracts," you argue. "Why hassle making another one."
"Work for me," he ignores your sour tone, getting straight to the point.
This was why he didn't have time to communicate. Too busy trying to find ways to convince his own boss to keep you, it led to him being in a bad mood after failing each attempt.
He couldn't talk to you knowing his plan went wrong.
After the constant begging, whines, and even going out of his way to format a ridiculous petition as to why you should stay, which centers all interns because he didn't want to throw himself under the bus for you- the main producer eventually gave in.
"You want me to work for you here when you're leaving the country in a few weeks?" you narrow your eyes, confused as to how that was going to work out in the end.
"I was going to sneak you into my suitcase."
"What in the world are you rambling about?" you exhaled sharply.
Pedro grinned brightly as he held onto your shoulders again, "Come with us to Canada."
"No," you quickly answer, not even processing fully but you knew it could never happen.
There was no possible way you could ever go through with this. For one, you can't even leave the country. You parents were so strict they'll probably smuggle drugs in your luggage so you'll be gunned down and locked into the country.
Second, well there really isn't another reason- your parents were enough.
"Oh come on," he whined. "It'll be great! You'll gain so much experience like you've been wanting. Plus, you'd do more hands-on work with the film crew. Think of it as a student exchange program."
"That's literally not what a student exchange program is."
"Stop rejecting the idea. You go to school here, yeah? I assume you're taking classes online because you basically lived at the studio," he implied and you slowly nodded. "We can adjust your schedule to where you'd have time to work and focus on school."
Silently looking to the table nearby, you began digesting what he was going on about. It wasn't a bad idea, but it wasn't an easy one either. "My parents would never let me."
"Give me their number and I'll convince them," he persuades and you sway you head. You wanted to laugh in his face if he really believed he could make your parents agree.
"No," you fight back, watching him exhale loudly by how restrained you were being. "I k-"
"What would Matt Healy do?"
Immediately shutting your mouth, you freeze as he catches you off guard. He did not come to play and knew you well enough to use your weaknesses against you.
He knows Matt Healy would easily agree- that man was literally the devil's spawn.
And god, you just knew Matt would be disappointed in you if you didn't go.
Curse you and your infatuation over this short English man.
Luckily, your thoughts disappeared as you felt a tap on your arm. Looking up, you see Yoongi breathing heavily as Pedro eyes him, unsure if you knew him.
"There you are, I've been looking for you everywhere! My god the lecture your friend gave me about losing you-" he groaned, shivering. "-I was certain she was gonna file a police report."
Slowly averting his eyes to the older man beside you, Yoongi's face fills with curiosity. "Hey, aren't you that one guy from that Netflix show..." he stops, looking up as he tried hard remembering the name. "Narcos!"
Pedro's eyes shoot open as he tries to innocently stretch his body, purposely blocking your view of him, "No." Secretly waving his palm across his neck, he sends Yoongi daggers to keep quiet. Stiffly turning to you, he becomes flustered. "But don't watch that show."
Raising a brow, you decide to drop the random topic and focus your attention back to your friend until you heard another person shriek. The three of you searching to where it came from, you find Namjoon stumble between people, trying his hardest not to fall face first on the floor.
"A jiffy later and I'm back," Joon winks once he's released from the mass.
Pedro scrunches his face. "Jiffy?"
Joon breaks out into smiles once he notices who was with Yoongi and you. "Oh my gosh! What are you doing here? Did you miss us that much?"
"I don't think it was you he missed," Yoongi muttered, making Pedro send him a questionable glance and Joon tilt his head, not sure what he meant.
Wanting to leave this now weirder conversation, you step forward and grab onto Yoongi's shoulder. "Let's go, I wanna breathe." Turning your attention back to Pedro, he swiftly moved his eyes from your hand to your own. "Text me if you need anything else."
"Only you," he sends you a cheeky smile making you blush by how nice he was being. Yoongi glanced at the two of you, dazed as what you two were implying.
Staring at him, you waited for him to say his farewells first so everybody could leave already. Waiting for one, you never received anything but his quiet stance and gaze stuck on you.
It felt strange not feeling the strength to walk away- not even the strength but the need to go anymore as you couldn't take your eyes off him. It also wasn't only you as he couldn't help but bear comfort from the sight of you.
It felt like the both of you were interacting to each other in your minds.
"Are you having a staring contest?" Joon questioned, making your your consciousness come back to life as you looked back at him. Pedro's gaze weakened, but they were still on you as yours was unfortunately long forgotten.
"No," you laughed, now gripping onto Yoongi harder. "But seriously, let's get out of here. See you whenever, Pedro."
Watching as you stayed close to your guy friends in hopes of being secured through the populated room, he sighed to himself. He was sure your friends might confess their own intuitions to you and perceive him as a creep.
The sad part was he knew why your particular friend would have his suspicions. He never knew his age would have that much of an effect, but he never hung out with people that young before unless it was for a project.
Shaking these thoughts away from his head, he chuckled to himself. He shouldn't care about what other people thought, the two of you never engaged in anything but friendly encounters.
He just despised his gut feeling as if he was doing something wrong. People are making him feel this way, that was guaranteed.
But he feels awful how he keeps trying to find ways to see you, too embarrassed to think about the things he done just to see you for not even a minute.
He's just never had a friend like you before. It was nice.
"I can't believe he's offering us a job like that!" Jules exclaimed as Joon and you nodded. Yoongi lived in the opposite direction so he made his departure a few minutes ago as well as her friend. "I can't go."
Widening your eyes, you stared at her. "What? Why?"
She laughs before pointing at herself. "You think I'll be able to properly manage school and work in another country? I barely did that these last two months- I'll just be partying it up at hockey games eating gravy with fries."
"You mean poutine," Joon corrected.
"Same thing," she rolled her eyes. "All I'm saying is, being home made me realize how much I love sleeping. I would rather give that up when I graduate and actually have a real adult job."
She did have a point, she really enjoyed her naps.
"I'll consider it," Joon spoke up, putting his hands inside his hoodie as the three of you continued walking. "Doesn't sound too bad, it'll look good on resumes."
Smiling, you nodded. You weren't sure why you even dared to be happy about this when you were the one wanting nothing to do with the idea not even a half an hour ago.
You just knew your lord was giving you a disapproving glare from the clouds.
Within the next 20 minutes, Joon went his separate way home as Jules and you arrived in front of your shared apartment. Rushing to the bathroom, your roommate excused herself for the next hour for her 'needed' relaxation.
In other words, a bubble bath.
Turning on the tv, you sat down on the couch swiping through boring news channels until you decided to switch to Netflix. You still had to make time for Evan Peters before the night ended.
Clicking on the current season you were on, Freak Show, you began thinking about how massive Evan Peter's hands were. How can his girlfriends survive.
The thought freaked you out, this really was a freak show.
Soon, the next episode began featuring Twisty the clown more and you were terrified by how huge he was. He could crush you with a flick of his fingers.
Knocks on your door alarmed you, making you slightly jump and look towards the bathroom. Your roommate's music was softly playing in the background meaning she probably couldn't hear the blows on the door.
Slowly standing up, you grab the bat you keep near the door, in case someone tries viciously murdering you in your doorway, and go on your tiptoes to see what kind of stranger needed to pay a visit in the middle of the night.
Well, it wasn't even 7 o'clock in the evening yet but you get the point.
Gasping at the sight presented through your little peep hole, you promptly unlock the handles before extending the large door wide. "And why exactly are you here? Miss me that much?" you tease.
Not receiving an answer, you scoff. "Are you really giving me the silent treatment? You're hurting my feelings."
When he didn't react to that either, you felt your face drop. Slowly striding towards him, you notice his head was low as he stared at his shoes. Placing your right palm softly on his left shoulder, you felt him glance up.
Did something happen during your short time apart? Was he in trouble?
Knowing it was really you in front of him, Pedro lunged his body onto yours before you could stop and think about what was happening. Colliding his lips upon yours, you felt your thoughts drift away as he steadily moved forward and made his way inside your warm apartment.
Stopping to swiftly shut the door, you had no time to take in a full breathe before his mouth found yours again. Clutching the back of his head, probably pulling his hair out, you groan as his nails claw your exposed waist, your shirt slowly inching up more and more as the seconds went up. Slipping his tongue inside you, you felt the way his nose hit yours as dominance took over.
He wanted to control all of you.
It wasn't until your legs began wobbling from the long standing when his hands lost your waist, instantly making contact with the back of your thighs, squeezing them, soon allowing them to suffocate his sides. Following his lead, you pull your lips back before diving them to the corner of his jaw as he groaned, walking to god knows where.
You figured out where once you shrieked as your back made contact with your couch, his palms widening your legs in a hurry before situating himself on top of you. Surprisingly, the difference of weight wasn't an issue as he clinged harder against you, moving his hand behind your neck to pull it down, making sure to make you feel the pain of the slight hair tugging.
"What are y-" you softly choke, voice coming out in whimpers as he ignored you. Latching his lips to the top of your chin, he stuck his tongue out, dragging it gradually down your neck as your back arched, needing to feel closer to him if that was even possible. Your wish was his command as he hastily pressed himself against you, making you groan in surprise.
Making his way lower, he passes your neck down to your chest while his hands found their to your collarbone, smoothly rubbing the area up and down before clutching onto it harshly as he continue down his path. Something about the way his soft fingertips applying pressure near your neck as his lips kept kissing the rest of your body had you in wonders. You couldn't believe this was happening.
It wasn't until you felt his mouth near your exposed waist that made you completely lose it. You had long forgotten that Jules was in the room next door when you gasped, feeling his teeth swipe against your skin. "Shhh," he whispered against your lips as a way to silence you. "Don't want to let your friend know I'm here now, do we?"
You could only stammer shaky sounds as he planted a few more deep kisses, slowly pulling away and feeling the wetness of both your mouths descend down. He gave you one last dark gaze before returning his mouth on yours, loving the feeling of the dampness between your faces.
His mouth opening wider, he began intensively tasting you, swiping his tongue around your lips as you tried to keep up with his eagerness. Not giving you much time to catch his pace, you could feel how wet he was making you.
No, he was literally drowning your face.
Pulling back, you squint your eyes and take a few seconds to adjust to the poor lighting in your living room. You were met with dark, green eyes.
Lady Gaga.
Shrieking, you grab the black, green-eyed demon on top of you and throw her off, causing her to let out a loud hiss with the immediate sounds of footsteps following afterwards.
"Lady Gaga!" you hear Jules squeal in her pink robe, wrapping the nauseating cat in her arms before turning to you, giving you a look of rage. "Did you throw her?!"
"She licked me!"
Jules scoffed harshly before hurling a nearby pillow at you, allowing it to hit your face in full force before stomping back to her door and violently slamming it shut.
You fucking hated that cat.
Laying back against the couch, you rubbed your red face in humiliation. Not only did you have an intense dream about Pedro but you're pretty sure you just had a full on make-out session with a cat.
Groaning, you couldn't believe what was happening to you. Why would you dream about him-
No- why would you have one doing not so child friendly activities?!
You just know you'll never be able to face him with a straight face, too embarrassed to even be near him now without thinking about this moment.
It wasn't even like you thought about him in that way- you didn't.
Maybe your time of the month was approaching or you were in desperate need of a date because there's no way any normal human being would fantasize over some older man that way.
Okay, maybe it was possible.
But that was definitely not you...even though you just did. Although, you did see the comparison between him and Lady Gaga.
They looked kind of alike- right? Same whiskers.
One thing that was certain was you were never going to tell anybody about this. If people believed for one second you had feelings for him, which you don't, you'll never hear the end of it.
He was not your type nor close to your age. It would never happen.
Sighing, you close your eyes and silently send out a prayer to not engage in another session with the demonic cat. Maybe sleep will make you think clearly once awoken and abolish all these wild concepts floating through your head.
But once you were actually awoken, your mind still wasn't clear- or maybe it was because the pounding on your door ultimately pulled you from your slumber.
Stretching your arms, you scratch the top of your head as you try to open your eyes but it was no use, you were way too tired to fully engage with anybody right now.
Completely avoiding looking through the peep hole, which was a red flag on your part, you swing the door open to find a man who looked like Pedro standing on the other side of it.
Groaning aloud, you slap yourself as he takes this by surprised, not sure why you just did that.
How are you having another dream about him? Was this the bad luck needed after scoring tickets to your favorite band? Is this some kind of sick revenge someone has against you?
Pointing at Lady Gaga, who was dressed up as Pedro, you rudely spit out the words needed to be said. "You are just a cat. Nothing happened between us."
With that, you step back inside, ignoring Lady Gaga's attempts of trying to gain your attention by waving their arms in front of you. Making your way to your room, you see Jules walk out of hers.
"Who was that at the door?" she questions, hearing another round of knocks appear.
You tiredly wave your hand in nonsense, denying that thought. "It was Lady Gaga, go back to bed."
Jules sends you a bewildered look as you enter your bedroom and face-plant on your cozy bed, allowing sleep to reel you back in. Turning her head, she looks at Lady Gaga who was sitting casually by her bedroom door.
"She is turning fucking nuts," she whispers to herself before swiftly opening the door to reveal a very confused Pedro. "What's up?"
Pedro's concerned face takes over his actions as he jumps to his eager questions. "Is y/n okay? She thought I was a cat."
Jules shrugs, rubbing her eyes with her palm. "Who knows, I think she's getting over her coffee hangover."
Pedro carefully nods, still skeptical as to what happened to you. What did you mean nothing happened between you two? Did something happen that he wasn't aware of?
Were you hiding something from him?
Gracelessly gesturing his leave, Pedro walked quickly down the hall as Jules stood there for a moment too tired to comprehend why he paid the apartment a visit this early in the morning. The sun was barely out, why did he come?
After shutting the door and taking a seat on the couch, she laid back and stared at the ceiling. She couldn't quite put her finger on it, but for some reason a strange intellect emerged out of nowhere.
She shrugged it off, instantaneously knocking out, too exhausted to conquer her suspicions.
+
taglist: @thesapphirequeen @floralsightings @wrathofcats
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sstar-nerd · 3 months
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Ok, I have risen from the dead because these two are hilarious to me in their entire concept.
So everyone is talking about the Vox and Alastor rivalry especially with the season finale with Vox’s commentary and the torn photo. Like, those two fucking HATE each other so comically. Everyone says it’s more on Vox’s side but I disagree cause on the very first episode Alastor HATES having to deal with video and being recorded. Maybe we didn’t pick up on it before but he’s very subtly INSULTING Vox that whole time.
But, could anyone discuss how funny it would be if they were still friends THIS ENTIRE TIME. Has anyone had those two friends who throw insults and fight with each other 24/7 but they’re actually super close? Like BFF levels of close? Just me?
Think about it: Alastor’s radio broadcasting things were still there after 7 years. You can’t tell me Vox wouldn’t have brought those down at some point even if someone else used them? Or just built some as his own version to display some sort of power grab? Like c’mon even if they were there for an important reason Vox would have found a way to take them over.
It would just be so funny for both sides to hear only insults about the other- constant slander and threats almost daily. Vox will not shut up about how much of a has-been Alistor is and about how he was gone for 7 years just RAGING. And the other half Alastor refuses to allow TVs into the hotel, constantly insults videos or any V products, and keeps making sly insults about Vox ANYTIME a video or TV is even referenced near him.
So it comes a time for the two groups to team up for one reason or another and they’re both dreading it. Val doesn’t want to deal with a grouchy and pissed Vox the entire partnership and Velvette knows she won’t get a moments peace. Charlie is coming up with plans on how to get the two to get along while Vaggie is simultaneously strategizing how to keep them away from each other. Everyone else in the hotel is all tensed and worried.
Than comes the meeting. They’re staring each other down for a good couple moments as the others around them make awkward small talk and then:
Vox: NO CALL!!!
Al: I don’t use-
Vox: NO LETTER!!!
Al: I WAS BUSY!
Vox: Doing what? Being old?
Al: Regaining my sanity after our last brunch.
Vox: Oh I make ONE bland dish and you-
And then the two are arguing for HOURS. There’s not a soul in that room who has the bravado to get in between them or butt in. They’re all either terrified or seriously confused. Eventually the argument boils down to something akin to an actual conversation like two friends catching up.
Someone, I think Charlie, asks them about their rivalry and if they can work together now. Vox and Al share a confused look before they realize: they had never told anyone the status of their relationship. Vox is doubled over laughing while Alastor has his face in his hands trying not to do the same thing. Everyone is concerned.
When they’re done they have to tell the two groups how they knew each other for forever since their respective falls and had even heard about each other when they were alive. They became extremely close friends shortly after meeting and only became ‘rivals’ when they thought they were both becoming to arrogant and unchallenged.
Their friends are all horrified and confused.
Vox and Al think it’s hilarious.
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shaniacsboogara · 6 days
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i think a lot of things i agree with are already being said about watcher tv, so instead of focusing on those, i'm going to try to highlight things i think need to be reiterated or haven't been discussed enough.
first of all, i've been a fan of watcher's content for a long time. i followed shane and ryan over to the network after unsolved ended, and since then have made a TON of incredible friends and memories because of their shows. to anyone at watcher reading this, i really hope you're doing alright. thank you for everything you've done to foster this incredible community. and to anyone here in tumblr who's followed me for my watcher content or to any of my mutuals, i hope you're doing as well as you can. drink some water, get outside, and make sure you're getting enough sleep. this has been a rough time for a lot of us, and understandably so.
obviously, watcher tv is a massive change, and everyone who feels upset or disappointed is extremely valid in feeling that way. however, the calibre of hate being sent to the watcher crew is kind of horrific. yes, this could turn out to be a bad business decision for them, but that does make them evil morally bankrupt capitalists who never actually cared about their fanbase in the first place??? honestly, i think this type of commentary is doing a disservice to everyone who's trying to discuss this situation from a genuine analytical standpoint. not only that, but these are real people??? sure, they're on the internet and have probably had people send hate comments their way before, but as a community there are so many more productive things we could be doing instead of tearing down the folks over at watcher.
it is disheartening for content you've enjoyed to suddenly be locked behind a paywall, especially if it's not something you'll be able to afford. i've seen a lot of people emphasizing that artists should be compensated for their art, and i think that definitely applies here, but that doesn't mean people don't have a right to be upset. the fandom community we've built here on tumblr is incredible, it's brought so many people together and overall been so positive, fun, and welcoming to be a part of, so it's understandable that a change threatening the stability of that fanspace would make people upset. i'm not happy about the possibility of the watcher fandom dissipating after this announcement, but i think it's highly likely. watcher TV has created a divide in the fandom, and no matter what it looks like after this is over, it won't be the same. what's going to happen when most people can't access watcher content anymore??? no matter what happens, being in this fandom was absolutely incredible while it lasted.
what's my overall take on the situation??? i don't know how this will turn out for them, i'm not sure the announcement was carried out in the best way (it was hyped up in a way i don't think it should've been, a slower lead up to this could've made it more digestible), i'm sad that a lot of people won't be able to enjoy content that used to mean so much to them, but if this is a business move they think they need to make, then think i understand that. i'm no business expert, i have no idea how this will work out, but i'm absolutely not manifesting their downfall. i think it's very important to discuss this in a civil manner, to critique and analyze the effects of this situation on both the community and the company, but letting that turn into blatant hate and threats to watcher employees is WAY TOO FAR.
these are just some of my thoughts. if you want me to clarify anything or know my thoughts on specific aspects of this situation, please don't be afraid to ask!!! my only request is that this post doesn't turn into a vessel for hating on anyone, whether that be watcher or anyone posting about the situation.
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heartbreakprincewille · 2 months
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Okay, first of all I'M BACK :D
Second of all, I have SO many thoughts but I am going to voice them one by one.
Like, we all wondered why everyone just straight-up refused to acknowledge Wilhelm and Simon's relationship, especially in S2. And....it kind of makes sense now. Kind of.
Like, we all know about what August revealed to Wilhelm about Erik. And the fact that August, Vincent and Nils's batch stopped doing that to first years when they became third years. But, it makes sense that they avoid talking about it at all. This ominous, almost shameful air around being queer in Hillerska does stem from homophobia, but the people we see in the story do not hold that homophobia. Their seniors did. And they are still traumatised by the actions of Erik and everyone who participated in that fucked up thing.
Yes, their privilege also plays a role in this because they see Simon basically beneath them in terms of class, but when Wilhelm and Simon were not together I kind of get it that they chose to ignore their history at all because giving any eye to any rumours, especially around the Crown Prince would mean some discussion and possible revelation of all these fucked up things that were under covers. I don't think Vincent, Nils or August actively kept this truth in mind when they perceived Wilhelm and Simon's relationship, but it still cropped up subconsciously in their minds. Especially Nils and August, because they actually seem to be affected the most.
They understand the irony of Erik quietly doing all these things, and then his own brother loudly declaring himself being in love with a boy. It reminds me of Simon talking to Wille about how people can have the same upbringing but can still turn out entirely different.
I'm glad that August and others put a stop to this, but this makes August leaking the video so much more sinister. Yes, his regret and shame afterwards is understandable but he went through all these things and still destroyed Wilhelm's privacy. August is a by-product of Hillerska and its gross traditions and although I am glad that he spent so much of his time contemplating it, but he's still a terrible person.
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absolutebl · 8 months
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This Week in BL - Korea drops my favorite cameo ever & gives KISSES
Entirely subjective yadda yadda. Organized sorta by favs in each category.
Sept 2023 Wk 1
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Ongoing Series - Thai
I Feel You Linger in the Air (Fri grey) ep 4 of 12 - Well that’s one way to find out if he’s gay, see how he reacts to reading a het sex scene out loud. Yai is flirting so hard it’s like he knows everything. 
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Dangerous Romance (Fri YT) ep 4 of 12 - Oh no! I love them. Also cohabitation trope! Also ALL the other ones: hair dry, meet in childhood... GMMTV going no frills with this one.
Hidden Agenda (Sun YT) ep 9 of 12 - Zo’s drama over Pat helping Joke flirt seems awfully manufactured. I’m losing faith in this show. Could GMMTV PLEASE hand JoongDunk a decent script? 
Only Friends (Sat YT) ep 5 of 10 - Sand & Ray are the only interesting couple, and I’m pretty much only watching for them. They gonna go south fast, tho, and they're already ruined by persistent singing. Ooo. When Sand said Top "stole his ex" did he mean Boston? How gay. 
Naughty Babe (Sat YT) ep 2 of 8 - The pronoun conversation had a bonkers translation but I enjoyed the actuality of it. The reasons for Yi's trickery are very convoluted soap opera. But I suppose that is the amnesia trope for you. 
Be Mine Super Star (Mon Viki) ep 10 of 12 - Boys. We discussed this already. No sex in onsens! I found this one dull, until the end when LLS showed up. Happy to just have him in everything. Thank you Thailand. Looks like it is a classic ep 11 DOOM next week. Who cares? 
Venus in the Sky (Tues iQIYI) 1-2 of 10 eps - The usual Thai pulp claptrap this time a reunion romances in and around a convenience store between a boy who recently quit his job and his former bestie who is now a doctor. Mostly not great acting, plot, or production but the sound is okay and no bad effects or singing (so far), so that’s something. The gay brothers have a fun relationship. It’s vampy and campy but fun. I like it but not sure anyone else would.
Love in Translation (Sat iQIYI) ep 4 of 10 - The date was cute but I still don’t like the lead or the premise (we moved into Cyrano de Bergerac territory). It’s moving slowly but it seems like we might be over the crush/stalker part of the narrative, so that’s a relief. 
Crazy Handsome Rich (Sun Gaga) ep 2 of 10 - I just can’t. The sound is too weird. With punch down humor and other issues incoming I may DNF this. You’ve been warned. This ep we got to see LLS with his shirt off. Did anything else happen? 
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Ongoing Series - Not Thai
Jun & Jun (Korea Thur Viki) ep 8fin - No wonder he is everyone’s favorite hyung, boy can read the room like no one else. I love that we got to see exactly how clingy and demanding Choi Jun was always going to be. Only Lee Jun is easy-going enough to put up with him. Also I’ve never watched a KBL with more innuendo. For Korea this was… raunchy. I gotta say had Laws of Attraction not come along, Simon might have been my favorite character of 2023.
Final thoughts on Jun and Jun:
A delightful office romance about an ex-idol who joins cubical life only to find his new boss is his first love. Others boys are sniffing around too. Operative word being "sniffing" as much of this romance involves smell. With a snappy script, enjoyable sides, a pretty as peaches cast, and descent chemistry this show made up for in style what it lacked in substance. I like fluff. I loved this. I smiled every moment I was watching. With tons of rewatch potential (especially the last few eps), my only caution is this is for fans of the BL genre only, I don’t think it’ll work for anyone else. A solid 9/10 from me. HIGHLY RECOMMENDED
I like that Korea is trying high heat, but Taiwan and Thailand are leaps and bounds better at it.
Love Class Season 2 (Korea Fri Viki) eps 9-10fin -
Omg they so cute as flirty bf. Eeeeeeee! CAMEO!!!!! My fav guest couple ever! So exciting!!!! I love that they intersected with MY Strongberry couple (Private Lessons). I’m not used to this but Holy innuendo Korea, what with Jun & Jun and now this show? It’s a bit much for my gay little heart. The final episode was entirely unnecessary, but it was fun to see them being all domestic and stuff. Maru with his dumb lettuce leaves was hilarious. I feel like I need to rewatch this one to really understand it properly, so I will likely do that soon.
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Summary of Love Class 2:
3 couples form within a semester of university: 1. a hyung romance reunion of exes, one of whom has a dangerous past, 2. a friends to lovers romance, and 3. a mature student and TA one night stand + complexities (many aspects of which had me laughing). I enjoyed the characters and dialogue of this show immensely. It was a little bit more breezy and friendly than I was expecting after the first installment, Love Class. I’m not entirely sure Korea can handle multiple couples like this because it definitely felt disjointed, especially the 3rd more mature couple (also my favorite) who probably should’ve had their own series. But it was definitely fun and something different from Korea. 8/10 RECOMMENDED
Also, Korea tried to give us higher heat... that was... interesting. I mean, you tried hon...?
Kisseki: Dear to Me (Taiwan Tues Viki & iQIYI) ep 4 of 13(?) - Everyone is a sad sack this ep. Ooooo. Teach/student my favorite. We never get this one. It’s messy. I’m not sure if there is a plot. I’m not sure they’re sure if there is a plot. But I am still enjoying it.
Why R U? (Korea Wed iQIYI) eps 5-6 of 8 - Why is the Fighter character always so frustrating regardless of name or country? Ji Oh stalking his crush via IG is so relatable. He’s very first crush awkward, unsure, and sweet. They also gave a nice kiss - I love the backpack drop (kiss version of a mic drop?) I still hold that if you haven’t seen the original this might not make much sense. But I am enjoying it. 
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My Personal Weatherman AKA Taikan Yoho (Japan Sat Gaga) ep 4 of 8 - Oh goody, another JBL where we have to pay attention solely to what they do and not what they say. 
Minato's Laundromat Season 2 AKA Minato Shouji Coin Laundry Season 2 (Japan Thu Gaga) ep 9 of 12 - Big fat sigh. 
It's Airing But...
My Universe (Sun iQIYI) ep 3 of 24 eps - I couldn't get hold of it and I'm not mad. I'm putting it on hold until distribution gets sorted, or icky get their shizz in order (like that'll happen).
Next Week Looks Like This:
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Starting
9/15 You Are Mine (Taiwan Gaga) Secretary has to deal with grumpy boss.
9/15 Bump Up Business AKA Bump Up Project (Korea movie) suspected cinema release? I don't know much about what's going on. Last status update. Love story between a trainee who is about to debut and a celebrity from the same agency. Kpop boy group OnlyOneOf has signed up to star in this idol-based BL (based on a webtoon). They’ve been auditioning for this since Libido IMHO. You can watch me chronicle their BL MV series in this post. It’s from Idol Romance who will do sad but can do good kisses (Wish You, Nobleman Ryu, Once Again, Kissable Lips, Poongduck 304, Tasty Florida, Tinted With You).
Still To Come In September
9/26 I Cannot Reach You AKA I Can't Reach You AKA Kimi ni wa Todokanai (Japan ????) - Adapted from the manga, childhood best friends: The cool, smart one who’s good at everything, and his average, dorky friend who struggles. Always by the other’s side, but not together in the way they truly want to be. No matter how hard they try, their hearts cannot reach each other.
9/27 Absolute Zero (Thai iQIYI) - from 2021, Studio Wabi Sabi and New Siwaj finally bring us this “time loop to prevent tragedy” romance. We don’t always get HEAs from them, so I'm on my guard.
9/27 Bon Appetit (Korea iQIYI) - from 2022, 8 eps from GoGo Studio, romance between an office worker who lives off junk food and the man next door who cooks well.
9/? Mr Cinderella 2 (Vietnam YouTube?)
2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED).
THIS WEEK’S BEST MOMENTS
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I love him. And I love his version of this character better than Jimmy's.
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I also love it when a show gets meta. (Both Why R U? Korea) Why they didn't just go for YRU? the world may never know.)
(Last week) 
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genericpuff · 9 months
Text
The LO TV show isn't happening, and here's why.
Now, before I begin, courtesy to /u/Princess_Space_Goose because they're one of the driving forces behind these observations concerning stuff in the entertainment sector and they were the first ones to make a comprehensive post about it over on reddit shortly after we got into it in the Discord and compiled everything we knew. But I also REALLY wanna talk about this and I'm surprised to see I haven't yet. They've covered reddit, so I'm covering Tumblr LMAO
Disclaimer: Long post ahead. Much of what I say below is speculation but there's a lot of damning evidence to support it. Take it with grains of salt.
Rachel has vague-posted about the show a couple times over the past few years, but very sparingly so, always stating that it's "in the works" without anything to actually show for it. This would have been fine back in 2020 or even 2021 (the pandemic did bring a lot of television/movie development to a crawl) but we're over halfway through 2023 now.
So where's the show? Who's running it? What is it gonna look like? Which streaming service is it going to be hosted on?
We literally do not know any definitive answers to these questions because nothing has been revealed and at this point in the game, that's basically a death sentence. LO has been on a noticeable decline in stats over the past year, while we obviously can't access the backend numbers (and neither can Rachel as far as I know because WT guards them with an iron fist which is a whole other topic for discussion) it's still very clear by the comic's rating slowly but surely dropping and the like count average lowering (obv the like count isn't indicative of view count but if the ratio has remained the same, that means if the like count lowers, the viewership is likely lowering too). There's also been certain behavior from WT over the past year that hints at the comic not doing well, such as its VERY aggressive ad campaigning which often undercuts other series on the platform that are far better than LO and deserve the spotlight, but lose it anyways because WT just wants to keep its golden goose on life support even after its heart has stopped beating.
So the fact that we don't know the answers to these questions still after 4 years is NOT good. We don't know anything and while that was excusable 3 years ago, at this point, it's more indicative of the project being at a standstill or dropped completely, and what we dug up and discussed in the ULO Discord (and what was later posted to reddit) proves it with some very telling information dissected from LinkedIn and other sources.
So far, the only people we know connected to this project are Rachel Smythe (the creator of LO) and Stephanie K Smith (the appointed showrunner). Showrunners are the lifeblood of television series, remember this. Here's a little bit about her:
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Lore Olympus still doesn't have a network, this means it has no definitive spot to air, which is not good at this point, because the network is what primarily funds these projects. Think of "Netflix shows" - they're not necessarily made by Netflix, they're made by studios that Netflix funds and as such they're given the Netflix branding because Netflix is their proprietary distribution network and benefactor. So LO has no network or streaming service funding its production. All of her other credited works have affiliated networks/distributors, but LO doesn't.
"But what about Jim Henson Company?" Jim Henson Company bought the rights to LO in 2019 to produce it, that doesn't necessarily mean they were onboard to fund the entire project. Again, these studios need networks to back them, not just for monetary purposes, but with the promise that their project will have a place to go when it's finished, whether it's Netflix, HBO, etc. Think of it like a movie theater - the movie theaters aren't the ones making the movies, but they have deals with the studios to air those movies with the agreement that both sides will be making money.
Jim Henson Company is a production studio, not a network. Not only that, but they're primarily for-hire for puppetry/animatronic projects, they're not the same kind of studio as, say, Laika, or Disney, or Warner Bros. Much of their work is done on the backend, creating animatronics and puppets for kids' productions, monster movies, etc. Currently they're working as the animatronic designers for Five Nights at Freddy's, but that movie isn't a JHC movie, it's a Blumhouse production, which has hired JHC to create animatronics for them.
So, the fact that they were the ones to buy out LO for production rights is... very odd. Because for starters, they don't tend to buy out production rights like major studios, they're typically for hire, but they're also not an animation studio. Any animation projects they've worked on were for concept art and design, such as Word Party, but the folks at JHC primarily specialize in conceptualization and practical effects. That's their whole shtick, it's what they're selling, it's what they get hired for.
That's all early stuff though, stuff we've been speculating on for ages. What came to light recently that spurred on this whole essay was discovering this one section on Stephanie K's LinkedIn:
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There are a couple things we can glean from this. First, we know this has to be LO even if it isn't being named, because LO is the only one that was bought by JHC.
This also confirms that LO did end up with a distribution network, specifically HBO Max.
But it also confirms that Stephanie K Smith, the showrunner, is no longer on the project, either due to willingly quitting or being removed. According to the time stamps, she left in April of this year.
This is especially not good because without a showrunner, there's no leader. Showrunners are essential to these projects. So without a showrunner, and without any sort of announcement of a replacement, LO's television show is a ship without a captain, a car without a driver, a Hell's Kitchen without a Gordon Ramsay.
There's mention of an "animated presentation" but as mentioned in that reddit post above, that's not necessarily a pilot, it's more likely it was this. Which can't even really be called "animation", it's just video editing, rigging and tweening, but I digress.
There's a lot more in that reddit thread that dives into some of the details of Stephanie K's stuff, including the HBO Max affiliation and how that potentially connects to the Sydney Sweeney trailer, but ultimately, all of these breadcrumbs add up to one of two things:
LO's television show is in severe development hell which it likely will not come out of for quite some time, especially right now with both the writer's strike and streaming services gutting their animation connections.
LO's show isn't happening at all but with LO's numbers declining and its audience growing more fed up with the series (look no further than the comments on Instagram about LO's recent Eisner win, people are PISSED) Rachel and WT are trying to do as much damage control as possible by dangling a carrot in front of the audience they have left in the hopes that they'll stick around long enough on the promise of a TV show happening to keep siphoning cash and views. After all, there are two things many readers are still sticking around for - the SA plotline, and the TV show, and both of those things are being unnecessarily dragged out in the vaguest way possible with no real resolution in sight.
Neither of these are good, but I think what's even more telling is that, since that post was made on reddit, Rachel has attended SDCC and taken part in a new interview from Girl Wonder Podcast, and when asked about the show, all she had to say was this:
"Um, it’s been really interesting. It’s been educational for me. So, what I—what has been done so far is beautiful. Like, if I could share it, I would. But I can’t. Because it’s very naughty."
IDK if the "naughty" bit is referring to the show or just her revealing info about it, but the fact that NOTHING was shown at SDCC is just. Y'all, I'm sorry, but the show is not happening. If you're gonna show off previews for television ANYWHERE, it's SDCC. It's like the E3 of comics and entertainment media. So the fact that she's STILL VAGUE-POSTING ABOUT IT EVEN AT A MAJOR EVENT WHERE IT'S COMMONPLACE TO REVEAL TRAILERS AND PREVIEWS OF NEW PROJECTS, like... it's just not happening. Jim Henson Company bought the rights to produce LO as a TV show in the summer of 2019. Since then, we haven't seen a SHRED of news, if you google "Lore Olympus TV show" it'll still be the same 2-3 articles from 2019 talking about JHC buying the rights and that's it. If you do further sleuthing, all you'll find is Rachel saying "yeah it's still happening but I can't say anything!" which means fucking nothing at this point. The only 'hope' I have left is that they'll announce it at NYCC which has Rachel in a top billing spot in its advertising, but I'm really not holding my breath at this point.
Animated productions take a while, sure, but LO wasn't the only comic bought for TV production in that late 2010's/early 2020's era. Heartstopper was bought in 2019, and it made it to Netflix by April 2022. And it was live action, a medium SEVERELY affected by the pandemic, unlike animation, which wasn't affected as much because a lot of animation development can be done from home. What did affect the animation sector was streaming services like Netflix gutting their connections to animation studios and putting animated projects on the chopping block... which also doesn't bode well for LO.
It's 2023 now and we still don't even have anything beyond those initial announcement articles and Rachel making empty promises. It's not happening. Don't fall for the "it's coming soon but I can't say anything" nonsense. It's far less genuine now than it was 3 years ago and it has nothing to support those claims that it's actually in development, and ironically far more to support mere speculation that she's lying or doing damage control.
And, if it actually is happening, on a shred of belief in that being a possibility, then it sure as shit isn't being marketed well. Knowing how to build hype in a product is an entire course of knowledge. Marvel is practically the king of building hype, they're why people sit until the very end of the credits now in the hopes of seeing an after-credit scene, even in movies that aren't made by them. LO's numbers are bleeding right now, so to not show anything at even the major events like SDCC is a blatant misfire. Almost like there isn't anything to show in the first place.
You can take all of this evidence as you will. Some of it you may dismiss as "overthinking" or whatever have you. And a lot of it is speculation based on the crumbs we've picked up along the way.
But let me pose you this as a final thought: how can it be a good sign when everything being asked about the show, by fans and critics alike, comes down to "Is the show still happening?"
The best time to reveal proof of the LO television show was 3 years ago. The second best time is now.
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Text
Pomefiore + Octavinille: Siren S/O
→ Request: Hello, I love this book so much. Can we have a gn!/fem!siren!reader with Octavinelle and Pomefiore? Headcanon please. It’s fine if you don’t wanna or can’t, I just love sirens.
→ A/N: Fun fact: My Yuusona is actually half-siren so this was a super fun prompt! [wasnt sure which type of siren you wanted so I kept in sort of vague]
→ Warnings: no beta,
→ Fandom: Disney: Twisted Wonderland
→ Genre: Headcanons
→ Pronouns: They/Them
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Vil Schoenheit:
Power couple, immediate power couple
Posts a bunch of pictures of you guys together on his Magicam account [if you’re okay with it]
Spends a bunch of money on wing/tail care products that you might need
Tries to use his charm on your sisters/family and they are having absolutely none of it lol
Is initially very curious about your singing but understands your apprehension completely
Adding on to the previous point he defends you against people that may have a negative view on sirens [earns him a few points with your sisters]
Rook Hunt:
Wants to hear you sing so much that it rivals Odysseus 
”You know you'll die right?” “It'll be worth it”
Knows you get a lot of compliments based on your looks, so he waxes poetically about your personality
Acts the exact same way around your sisters/family so you’ll have to stop them from killing him
Super into learning about how you care for your non-human appendages
Epel Felmier:
He lives in a semi-landlocked area so he doesn't think it’s that big of a deal
Super nervous about meeting anyone in your family
Won't admit it out loud but definitely wants to hear you sing
Gets a little defensive when he sees people getting too close to you in public
If you have to care for your wings he goes “Don’t worry I’ve dealt with chickens before!” then backtracks if you get offended
Azul Ashengrotto:
Power couple vibes but he's secretly dying on the inside whenever he's near you
Immensely insecure, please reassure him
Wants you to sing at the lounge but then remembers it makes people kill themselves :(
Has discussions about the ocean with you, even if he doesn't have many positive memories associated with it
He knows how important family can be, so he’s absolutely terrified to meet them. While the Pomefiore group doesn't know much about sirens, the mers do.
Please defend him if your sisters/family says something rude, he will not do so himself
Honestly kind of bad at caring for tails or wings since he only has tentacles, but he tries his best
Floyd Leech:
Knows what would happen if you sang but still wants you to do it anyway
Talks to you about random land stuff that he thinks is cool
Brags about you to anyone who will listen is close enough. It’s usually the basketball club
You introduced him to your family and like 5 more ships got sunk that day. They want you to bring him around more often
Isn’t all that good at helping you with tail/wing care, but he does try
Jade Leech:
Power Couple #2
If you guys walk down the hall students part like the red sea
Shares a bunch of information about land plants [mushrooms] with you. You have no choice but to listen, he won’t take no for an answer
Subtly uses the fact that he’s dating a siren as leverage when dealing with customers
Helps you groom your tail/wings
Gets along pretty well with your sisters/family. He knows that they could kill him, but he trusts you enough to not be afraid
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Tagging: @angelchanisaweeb [requester]
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crepesuzette2023 · 8 months
Text
from The Beatles Book Monthly, No 23, June 1965.
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JOHN: This month, Beatle People, I would like to give you an unbiased lecture about a truly sensational new book to be published, price ten and sixpence, on 24th June by Jonathan Cape, who are very good publishers as everybody knows.
PAUL: Hey! Wait a minute. He said an informal conversation not a flippin' commercial. We're both supposed to discuss things. Like the film frinstance.
JOHN: You discuss the film, frinstance, and I'll discuss this book. It's called "A Spaniard In The Works", folks, and it would be cheap at half the price.
PAUL: Don't you mean twice the price?
JOHN: You see, Beatle People, my learned colleague agrees that it's worth twice the price. Printed throughout in two glorious colours. Brown and green. Printed on real paper too, Beatle People. You can't lose, can you?
PAUL: Don't forget what John says. 24th June. Jonathan Cape. Ten and six-pence. "A Spaniel In The Circs.”
JOHN: "A Spaniard In The Works." Good grief, you'll have a Rolling Stone rushing out a book called "A Spaniel In The Circs" and all my good work will be undone. I say again, sir, undone with a capital UN.
PAUL: As I was about to say before I was Beatled, we've finished filming "Help!". Actually the last scenes were done at Twickenham a couple of weeks back but we've been called into the studios several times since for overdubbing. That means, well, you know when you see an outdoor scene in a film and the actors are miles away from the camera. Well, they can't use microphones or you'd notice them growing out of bushes or sticking round the corner of buildings. So if there is any dialogue in scenes like this they have to put it on the soundtrack afterwards. That's called overdubbing.
JOHN: There is no overdubbing in “A Spaniard In The Works" folks. No cheating and miming like that. A Spaniard If The Works" is live, LIVE, L-I-V-E. All Live. The book was written indoors using only close-range microphones, typewriters, ciggie-packets and green and brown ballpoint pens for the drawings. Remember, folks, only "A Spaniard In The Works" comes to you completely free from skin-irritating overdub.
PAUL: In Nassau we had to keep out of the sun because the scenes we did out there come at the very end of “Help!" and it would look funny if we were all brown and tanned in the snow sequence which you see earlier on and then pale and unhealthy in the Bahamas bit. All sorts of odd people that you'll know play parts in "Help!". Roy Kinnear, Frankie Howerd. The Queen Mother was nearly in one scene—but that was unintentional. She was driving by the film location in Nassau on her way to the airport after touring Jamaica.
JOHN: Pity she didn't stop and join us.
PAUL: We had a fabulous time down on Salisbury Plain a couple of weeks back. We did four days of location filming there with tanks and troops which were on loan from the Army. Bit chilly after Nassau with lots of rain showers and a cold wind but, without giving away any production secrets, I think the Salisbury scene is one of the funniest of the lot!
JOHN: Fun, fun, fun, with them chasing us, and us chasing them, and me chasing you and where's the tea Mal.
PAUL: One of the greatest free evenings we had during the making of the film was at Obertauern in the Austrian Alps. There isn't a great deal of night life but we made some of our own. It was the assistant director's birthday and we were at the Marietta Hotel. Dick Lester found an old piano in the hotel and we all had this gear sing-along session.
JOHN: It's a new craze. Yes, folks, it's all the rage. Have your own read-along session at home! A complete do-it-yourself read-along kit comes free inside every brown and green copy of "A Spaniard In The Works" PAUL: There's not much more I can say about the film without giving away very hush-hush secrets about the story. There's going to be a Royal Premiere in London on 29th July. At the Pavilion in Piccadilly Circus where "A Hard Day's Night" opened last summer. Then the film will start going the rounds in August and there's a New York premiere a week later. We do a European tour in June but we'll be back home long before the premiere. All I can say is I hope everyone enjoys the film. In a lot of ways we're all sorry the production is finished 'cos we had a great time making it.
JOHN: Is that all you've got to say?
PAUL: Yes, I think so.
JOHN: Well, if you've quite finished, perhaps you don't mind me having a quick word with Beatle People about this book.
PAUL: Which book is that, John? it says on this ciggie paper you've just handed me.
JOHN: I don't like talking about it really. People will think l'm plugging.
PAUL: Ah, go on, John, nobody'll think that.
JOHN: No, I can't. I'm bashful.
PAUL: Please…
JOHN: All right. Read all about "The National Health Cow" and "Cassandle" (on different pages). Read all about “Silly Norman" and "Benjamin Distasteful" (both in glowing green and beatle brown). These and fourteen other unbelievable fables before your very mouth in "A Spaniard In The Works”
PAUL: Aren't there drawings too, John? you asked me to say when you stopped the tape recorder just now.
JOHN: Yes, yes. Well, sort of. One of them (in brown and green which are very artistic colours and especially cheap to print, you see) is a full-page drawing of a fat budgie. Beatle People will be interested to know that I ate nothing but SWILL, the new deodorant bird seed, for six weeks in order to get into the right mood to draw this particular picture.
PAUL: What happened?
JOHN: I fell asleep on my perch but the picture came out O.K. I drew it in two minutes flat. Flat on my face at the foot of he perch.
PAUL: And what is the title of this new book of yours, John?
JOHN: Oh, I'm so sorry. Didn't I mention it?…
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iluvshinytwink · 1 year
Text
Class Distraction : Jude Bellingham
"It's just like seeing her for the first time again."
Scenario: Jude remembers during your senior high school days when he'd stare at you with those softened, helpless eyes of his. :)
Song: For The First Time by Mac Demarco
AN: sorry for not posting during wednesday, i had a 3 day long school event where all i did was talk shit with my friends, watch volleyball games where i almost died (5 times), play with cards (it got confiscated), eat food, complain how hot it was and wasted money, very productive if u ask me!!!)
The idea of school love in general has me weak in the knees bro, genuinely when is it my turn.
It was undeniable how much Jude adored you. Every time he was done with training all he would think about is that when he'd come back home he could stare and admire you until daylight. He would actually melt when he'd stare at you. A small smile would be on his face and his eyes were focused on your facial features, never blinking. This was a habit that you knew all too well, you knew about this habit as early as your highschool days.
This habit all started when you changed your seat. You and Jude remember when the two of you never talked to each other the first week of being seatmates. You'd look at the board and Jude.. well he looked at you. It's safe to say the both of you were nervous to talk to each other the first week and so Jude expressed that by obliviously staring at you.
The fourth period started and the teacher jotted down notes on the board. Time to time you looked up and down from your notebook to copy them. Jude was following your steps but his eyes stopped looking at the board and wandered to you. He felt his heart jump for a second as he took in your every action. Your eyes rhythmically look up and down, the way your pen glided down the paper. He felt his world stop for a moment. Your eyes lost its momentum and you took a glance at your seatmate.
Your eyes met his and a small smile appeared on your face. Jude's back instinctively straightened yet his eyes never left yours. You felt a chuckle escape your lips and your smile widened. Jude smiled at you warmly.
"Ahem." Your teacher coughed. "Continue your smiling later. This discussion will be added to your quiz on Wednesday." Your teacher smiled at the two of you as your classmates giggled. "We weren't--" Jude defended. "Don't be shy now, Jude." Your teacher smiled as she turned back to the board. You found yourself looking back at Jude and he looked back at you. A smile appeared your face as you held back a chuckle. Jude found himself forming a smile of his own before turning back to his notebook.
Moments like those were prime examples of why the two of you were stricken for each other. A simple glace which seemingly turns into an hour long stare-- brushing of hands which turn into clasped hands, whom never let go of each other. These were the moments that made your love strong.
"Jude! Are you even listening?" You called your to your boyfriend, waving your hand around his face. Jude blinked and he straightened his back. "Huh?" Jude mumbled. You giggled at your boyfriend. "You never change, do you?" You smiled warmly. Jude smiled at you back. "Guess so." He chuckled.
(time check: 11:37 pm.. lawdy lawd. This is kind of doodoo but ill post another tomorrow cause i miss getting my notifs bombed every time i wake up 💔💔 thank you for 104 followers!! Love and appreciate all of y'all! Thank you for letting me know that ur all delulu like me 💋 anyways make sure to SMASHHHH THAG LIKE BUTTON AND SUBSCRIBE FOR MORE BANGERS LIKE THESE!)
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