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#but i think his actions cannot be excused
evenyvn · 1 day
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— streamer! aventurine x supermodel spouse! reader
cw ;; gn reader, fluff, sfw, kinda househusband aventurine since he's already retired from his former job on ipc.
and happiest birthday to my beloved aventurine ♡
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streamer aventurine! who streams for fun and got popular quickly due to his former job, and he streams regularly now since he got plenty of times.
streamer aventurine! who streams about video games (mostly gacha games) and probably reviewing fancy products that he got, such as watch, perfumes etc etc. honestly he do whatever he wanted to do and everyone seems to like it.
streamer aventurine! that got viral because his god luck on rolling for gacha games, literally got 3 5 stars on his first 10 pulls, always won 50/50 and soft pity at that, he did stream contents like "pulling on my viewers accounts" and always ended up with crazy luck on his rolls, literally his viewers crying that they finally broke their 50/50 losing streak thanks to aventurine.
streamer aventurine! that shocked everyone when you accidentally walked in one of his streams, but with only your body that have been seen, and he's adamant to keep your face hidden because he wanted to keep your pretty face all for himself. his viewers think that you kinda look familiar but aventurine just shrugs it off with a knowing smirk.
streamer aventurine! that will get teased by his viewers once they knew he's married to a very attractive person (you). they'll be saying something like "is your roommate single?" or other down bad comments just to get his reactions.
stellarjadehunter donated 100 credits! : roommate's face reveal when?
"excuse you? that's my spouse right there!" cue him looking at the camera with an offended look, your laughter can be heard from the other room making him pout.
another comment pointing out that you look like you could be a supermodel makes him giggles behind his hand, trying so hard not to burst out laughing.
after that whole things happened, now you seem to be appearing more on his streams (without showing your face still). sometimes you just sit somewhere off camera or sometimes stand beside him while holding a food and occasionally feeds him, his viewers think your actions are cute and he think it's endearing.
that's it until someone point out how aventurine's spouse looks a little bit too much like a certain famous supermodel, aventurine saw someone who did a whole research and analysis on this and post it on social media, he just laugh it off saying that they're being delulu.
"seriously guys, i saw someone making a whole thread about my spouse, believe me when i say they're just a normal person"
yea no one believes him, ouch.
veritasratio : they're already know, you cannot fool them anymore.
"shut up veritas"
now onto the part where his viewers catch a glimps of your face or hair, the whole community went crazy and the truth finally unfolds. aventurine's spouse is the crazy famous intergalactic supermodel.
aventurine's not happy with it but he's definitely going to brag about it everytime on the stream now. everyone is tired.
"well, I'm a husband of-"
topaznnumby donated 200 credits : "okay okay WE GET IT, your spouse is a SUPERMODEL"
now that your identity has revealed you're showing your face more on stream, even sometimes doing a cooking or baking stream together with your husband (it's honestly just you cooking while he just looks at you with a lovesick face the whole time).
streamer! aventurine who sometimes get on a friendly banter with your fans, literally just him saying that he's your biggest fan and more bragging. he's greatful that your fanbase is actually really chill because you yourself never tried to hide the fact that you're happily married on interviews.
streamer! aventurine who gets more popular, because half of his viewers are just your fanbase now lmao.
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✦thank you for reading, likes and reblogs are very appreciated♡
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althanair · 4 months
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i can understand hating griffith for what he did, but what i don't understand is why he is so fervently hated while characters who have committed similar actions to him are not.
take DIO from jjba, for example. he had a mansion full of women that he raped and then drained of blood. he had a woman kill her own infant. he killed multiple people including beloved characters and yet he is still very much loved.
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birt-art · 9 months
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There's some great Elden Ring lore videos but where's my two hour long queer reading of Elden Ring you cowards !!
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iniziare · 1 year
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Muse Aesthetic / Feelings
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𝐇𝐀𝐏𝐏𝐈𝐍𝐄𝐒𝐒.  being unable to stop smiling. laughter. bear hugs. happy tears. waving arms around. dancing. contently sighing. eyes twinkling. laughter lines. childlike playfulness. skipping. talking more. affection. cracking more jokes than usual. gesturing more when talking. higher pitched voice. squealing. jumping around. clapping.
𝐒𝐀𝐃𝐍𝐄𝐒𝐒. tearing up. self-hugging. one-arm cross. an aching chest. scratchy throat. a runny nose. turning away. deep breaths. quivery smiles. crying. infantile sobbing. hands gripping each other or an object. covering mouth. puffy eyes. eyes appear red. voice breaking. a distant or empty stare. monotone voice. asking for comfort. faking a smile. crumbling. shaking. whimpering. depression. abusing an unhealthy habit (excessive training). withdrawing from others. big teary eyes. doing something even if it could hurt them.
𝐀𝐍𝐆𝐄𝐑. furrowed brows. baring teeth. passive-aggressive comments. avoiding eye contact. sarcasm. headache. sore muscles. hiding clenched fists. irritability. jumping to conclusions. raising voice. going silent. demanding immediate action. keeping it all in until exploding. body tensing. making risky decisions. middle finger.
𝐅𝐄𝐀𝐑.  wanting to flee or hide. what-ifs. images of what-could-be flashing in mind. uncontrollable trembling. rapid breathing. screaming. a skewed sense of time. irritability. keeping silent. denying fear. turning away from the cause. pretending to be brave. nail-biting. lip-biting. scratching skin. a joking tone but a voice that cracks. fainting. insomnia. panic attacks. exhaustion. substance abuse. tics. rushing adrenaline. face draining of colour. hair lifting on the back of the neck. feeling rooted to the spot (!!!) making body as small as possible. staring but not seeing. crying. a shrill voice. whispering. gripping something or someone. stuttering. flinching at noises. pleading.
𝐄𝐗𝐇𝐀𝐔𝐒𝐓𝐈𝐎𝐍.  constantly yawning. blurring words together. dark circles or lines under eyes. mood swings. hallucinations. calling people by the wrong name. dizziness. denying they’re tired. slow blinking. trouble concentrating. stumbling. leaning on a doorframe for support. sluggish movements. falling asleep someplace that isn’t a bed. becoming irritated by the smallest things. “i’m awake, i’m fine.” shaking so bad they spill their drink. fall asleep in their clothes. lay their head on the table because they’re so tired.passing out.
Tagged by: @militus an age and a half ago 🤍 Thank you, I had fun! Tagging: /cracks knuckles. @sicsemper (Gee, I wonder who), @rcdfcxr (initially I wanted to request just Rufus, but I'm really interested in Reno as well, so both!), @inventorem (@aworldofyou because I don't know if you'll see this otherwise), @svnsworn (Jessie), @blitzrod, @tscng, @sentmail (I'm on the 'Lemme learn about Kunsel' train, shh), @lionfated (I've been missing Leon, pretty please), @annjiru (I also am on the Angael train still), @cwarscars (I need you to envision me as a koala very dramatically clinging to your leg), @spynorth (if you tell me you've done it already Lucas, it doesn't matter, do it again and again!), @trickstercaptain, @freedomhasfangs, @lighthouseborn (I can never have enough Henry Turner in my life, ever), @weaponiised, but also— @liifestreams (please give me Reeve, the novel is killing me slowly and he killed me a little). And anyone else? Steal it, I'm sure I've forgotten people and it's nothing personal whatsoever!
#[ tifa lockhart. ] she had buried the twinges of guilt beneath the narcissism of self-sacrifice. beneath the belief of 'the greater good'.#[ tifa lockhart / et cetera. ] but i work for shinra. i'm the enemy. / i don't care. i don't want anyone to die. please!#[ tifa lockhart / meta. ] people have many things pent up inside of themselves. so many things they can never forget. strange isn't it?#[ it has been years and i still never can decide what to 'file' this stuff under. probably just a me problem. ]#[ it's not quite meta because i didn't write it-- it's also not 'relevance' because-- well. not using it for this. ]#[ any way-- this was /very/ fun actually. and i sat here in contemplation for a few of them. ]#[ this actually puts into perspective; again; why i love the nuance of animation that remake gives tifa. ]#[ the voice and animation definitely added to just about anyone; i always want to point out how much of tifa is in the subtleties. ]#[ the clenched fists-- the self-hugging. the doubt that lingers within regardless of anger. and how it's shown even in little gestures. ]#[ like when she suggests going out on the town with cloud and he questions her for half a moment-- she folds back in on herself. ]#[ same thing with the train for example-- literally rooted in place. and it's not taking away from the bravery she holds on many levels. ]#[ it's the nuance of bravery-- that it isn't black or white. you can have doubt and i think the remake did a chef's kiss job with that. ]#[ because we're so immensely layers as human beings-- so it's incredible to me to see a game reflect on that so heavily. ]#[ that game is incredibly human. it's an incredibly good depiction of human nature and reactions. ]#[ and god-- the VAs add to that magnificently. truly. ]#[ i literally cannot praise britt enough. she was so nervous and she aced it. they all did. ]#[ god; all i can think about (especially) is the 'what-ifs'-- literally. doubt. /doubt/. and that is what makes her so good. so real. ]#[ i'm gonna ramble a little more; excuse me-- can we talk about how realistic that is? no one who's brave won't doubt their actions. ]#[ tifa has lost everything to shinra-- sephiroth is shinra 'gone wrong'. she lost everything at his hands and no one could stop him. ]#[ not even shinra itself and that's very important. there's so much anger there that drives her to do selfish things. ]#[ and i note selfish because on the way to a smile has touched on this magnificently as i'd hoped it would. ]#[ she wants them to pay-- she wants her revenge. but she; arguably more than anyone; is aware of what that costs. ]#[ if avalanche goes through with this-- and she helps-- AND SHE DOES. she is responsible for people losing... ]#[ what she once lost. ]#[ and that is /so important/ to her character. before that happens; she is riddled with doubt. before she boards the train-- ]#[ when she's boarded the train and needs to jump off. that moment is /the/ moment where she makes a huge decision. ]#[ because look at how she is once she's jumped off. that entire chapter. she's relatively certain. she's going through with it. ]#[ no way back. ]#[ and then the plate falls not long after. /and then the plate is dropped/. yep. ]#[ ... i'm about to hit tag limit; don't worry-- i'll type about this soon. it's in my onenote! ]
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merchantarthurn · 10 months
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i dunno man. this reaction to the finale squicks me out so much. i am deeply uncomfortable with people acting like it would have been better if adrien was told everything on the spot (eventually? yeah. right then? god no), or that gabriel was textually redeemed, or that the writers weren't aware that gabriel had done wrong despite them actively avoiding having him take ladybug's offer (which would have been far more like a redemption than what he actually did - violently reject her path and took his own in the end. like be serious)
i say this as someone who has been worried for a while about how they would handle gabriel as a clearly abusive man. and as someone who has been emotionally, socially and financially controlled and threatened by my own father (the height of it being when i was adrien's age, isn't that wild), but as in adult still struggles to call it abuse because like. sometimes your dad is horrible but you also have good happy memories with him. and a couple of weeks is not enough time to fully accept your dad did you harm and should have known better - especially after he fucking dies - and that's the case regardless of whether he's considered a hero or a villain by everyone around you. adrien expressing admiration to his father is not only consistent with his desire to see his father improve (because shockingly with the kind of abuse gabriel was up to, adrien was always going to hope for the good he saw in him to prevail. that's just how it feels) but is also not guaranteed to last - we have no idea how adrien will process his father's abuse alongside the grief he's also processing????
like i guess this finale made me so emotional, specifically that last part, because fuck if it didn't speak to something that felt pretty emotionally real. at least to me, as someone who can see a snap shot of my life in this family relationship. and to see people boil that down to "urgh the abuser got away with it" is kinda agonising honestly (not to mention everyone collectively losing their wit and forgetting that like... time exists, and shit changes? idk maybe the monster-of-the-week seasons broke people's brains or something).
just... like goddamn when i think about what i wanted re: dad like... what i wanted was to be safe and happy. if that happened by dad being gone and/or him never being 'punished' for the hurt he caused me then like... would i fucking care? the hurt is over. even as im still disentangling myself from him that's still all i want. i don't want my dad to face justice, i want MY justice - and that's to have some fucking peace!!! i am deeply glad they let gabriel die rather than find some way to save him so he's out of adrien's life, i am deeply glad he did it in a way that wouldn't entirely devastate adrien, i am deeply glad marinette chose not to tell him.
like. i get that so many people do not understand the complexity of recovering from this particular abuse-flavour (because there are many) but. justice is for the victim. justice prevents future victims. it's not justice for me to prioritise exposing gabriel over protecting adrien's happiness? the desire ive seen expressed to expose adrien to all of this and rend him apart is pretty goddamn ghoulish in this context - if you wish to explore that alternative, write a fanfic instead of insisting the only morally good way to resolve abuse is to further traumatise the victim of it
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nonbinaryaubrey · 2 years
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i loveee Omori (the character) soo much hes just a little guy to me. just a little friend ..
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ahsterism · 1 year
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michael fucking SUCKS at communication he is so so bad at it which backfires spectacularly when combined with his urge to push himself away from people in order to not hurt them
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frogathy · 6 months
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not feeling safe your whole life to share your real honest feelings with your father because he explodes and takes it as a personal, utterly disrespectful offense when you have, but now youre trying to learn and heal from that so you decide to be honest about your feelings with your father instead of lying to please him and he explodes and takes it as a personal, utterly disrespectful offense <
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etheries1015 · 3 months
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Lilia couldn't help but notice the way this other person got...rather uncomfortably close to you, in his opinion. Almost by instinct, the fae found himself floating directly behind you, wrapping his arms around your shoulders with his head poking out from behind you and pressing his cheek gently against yours.
"I'm sorry, but I do believe this one is taken!" Rollo raised an eyebrow before holding up his handkerchief against his nose, scowling at the fae.
"You cannot own a human. They are not object to be had, I believe." He grumbled from behind the tissue, eying Lilia whose eyes remind bright and positive per usual. He knew it was silly to be arguing with a student of all people over the affections of his lover, but he couldn't help but feel that Rollo did not intend on backing down around you. He had a bad feeling inside of his chest, and the old general's gut feelings were never wrong.
"Ahaha!" Lilia laughed exasperatedly, "Let's go, my beloved bat," He emphasized, leading to turn you away from the obviously annoyed student in an attempt to avoid any further confrontation. You raised an eyebrow at him although allowing the fae to lead you afar.
"Are you jealous?" You cooed, Lilia raising an eyebrow at you with a smile calmly painted upon his features.
"Of course not. I am confident in our affections in one another," He confidently said.
He was not a very good liar.
It was painfully obvious the way he would always be by your side or conveniently have an excuse to pull you away whenever a conversation sparked between you and Rollo. Lilia made it a point to distract you- handing you cute knicknacks he found in the city, feed you some local bread while staring Rollo down, and overall be...well, petty, for lack thereof better words. It was constant, all day. He was clinging to you and showing a side to him you have not seen before.
Upon returning to the chambers that you shared with your lover, Lilia took the opportunity to push you against the bed and nuzzle himself into your warmth. You could feel the guilt radiating off of him, the fae groaning in annoyance.
"That was unbecoming of a fae my age," He murmured, "The things you do to me, little bat..." You let out a hearty laugh and raised your eyebrows at your lover, playfully hitting him on his back.
"Don't blame me for your possessiveness! But I don't really blame you. I could tell Rollo harbored some sort of crush on me, and I was kind of put off at his side comments about magic users and fae. So I guess your actions were justified. Although..." You pulled him away from his hug and looked him in the eyes, "I would think my boyfriend would have more faith in me."
"Oh hush your squabbling, admit it, you were smitten with my outward displays of affection~" You smiled playfully and looked away from him, pretending to be in thought and humming thoughtfully.
"Hmmm... I suppose I did," You looked back at him with a toothy grin, "It was cute." Lilia let out an amused chuckle before capturing your lips with his own, pushing you back down to the bed and placing himself on top of you.
"Faes love tends to be intense, you know. Such is their jealousy," He said to you with his forehead pressed against your own, staring lovingly into your eyes, "Best prepare yourself, my darling." He swooped in for another kiss.
"So you admit you were jealous?"
"Nope."
"Lilia!!" You burst out laughing as he peppered your face and neck with kisses and love bites. His love was intense, but that was only one of the many things that you love about this fae <3
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books-and-omens · 9 months
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Rather a big thing, by the way, that many of us are probably re-evaluating right now is Crowley consistently not wanting to be called kind or nice. Especially not by Aziraphale.
In S1, that was what triggered the wall slam. ‘Bit of an overreaction, if you ask me’—but in S2 we see more about how strong Crowley’s feelings are on the topic.
In the Job minisode, Crowley vehemently insists that he is a demon. He is so angry at God. When Aziraphale tells him that he is certain Crowley does not want to destroy Job’s children, Crowley takes his glasses off to expose full-demon irises and looks Aziraphale in the eye as requested and says, “I want to”.
Aziraphale is heartbroken over that. His shoulders slump, he exhales shakily, his faith in Crowley has indeed cracked. Look at him:
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And then, of course, he figures out the trick, and it turns out that he is exactly right about Crowley. “Well,” he says, and looks vindicated, triumphant, amused.
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He was right. He knew Crowley would resist atrocity with everything he has. He knew Crowley would understand it’s an atrocity in a way Gabriel and Michael did not seem to (and neither did those two care). What Aziraphale sees is that, for all of Crowley’s demonic posturing, Crowley came through.
(He remembers the angel that Crowley used to be. So joyful. So happy. So unlike Gabriel and Michael, too: the angel Crowley would never have gone along with killing Job’s children.)
At the end of this minisode, Aziraphale is ready to go to Hell. He thinks he must: he lied, he thwarted the will of God. Crowley, of course, tells him that he is simply an angel who goes along with Heaven as far as he can.
Aziraphale will process this in some way later, but… he won’t process it in the same way as Crowley. Aziraphale won’t reject the idea of Heavenly goodness—Heaven is supposed to be good, that’s the whole point—but he will take note of how, time and time again, Crowley exemplifies this idea when the actual Heavenly angels do not.
Across history, Aziraphale sees Crowley do things that are good. And then disclaim them, reject them, call them something else. A demon could get into a lot of trouble for doing the right thing, Crowley had warned him a long time ago.
Aziraphale will remember this.
Don’t say thank you, Crowley hisses in the Bastille. My lot do not send rude notes.
And the Victorian minisode?
Off my head on laudanum, not responsible for my actions, Crowley tells Aziraphale vehemently after saving Elspeth from suicide. (In Christianity, certainly in the 19th century, suicide condemns a soul; one who died by suicide does not even get a Christian burial. So Crowley has actively diverted a soul from Hell by drinking the laudanum.)
And—look at how indulgently Aziraphale is looking at Crowley as Crowley insists he is not responsible for his actions.
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Of course you aren’t, my dear, he seems to think. We both know you did it on purpose, to have a plausible excuse for Hell. But of course we both know that you are in fact responsible for your actions, and that, at great personal risk and cost, you have once again chosen to do good.
So by the end, from Aziraphale’s point of view, Crowley has a much better idea of Good than Heaven itself. And—oh joy!—in the finale, Metatron, the voice of God, finally acknowledges that fact and validates it. Your demon recognized me when nobody else did, Metatron essentially says.
(I just cannot with the ominous dramatic music that plays as Metatron leads Aziraphale out of the shop. Get the FUCK OUT David Arnold, this is so pointed and disturbing. In this season and in the last, the music is narration, it tells us so much without a single word.)
Anyway! Yes! In the finale, Aziraphale is being manipulated, and part of why it works is that he still does not understand Crowley’s motives in insisting he is not nice or good. He has been interpreting Crowley’s insistence solely as protective, which makes a lot of sense from what he has seen. A demon doing good deeds must hide to avoid punishment and pain. Crowley has hid for six thousand years, has gotten used to hiding. Sure, the last four years were different, but even in these years the danger hasn’t gone away, and six thousand years is a long time to set a pattern.
Aziraphale wants to see Crowley happy. He wants to see him—both of them—safe. And here, finally, is an official Metatron-offered way. Heaven is finally admitting and working on its mistakes. Surely Crowley will forgive them? Surely Crowley and Aziraphale can make Heaven better, together? Make into what it should be? (And they would be safe, they would be safe, they would be safe.)
They still haven’t talked. Aziraphale still does not understand Crowley’s choices. In the past, it might have been too dangerous for Aziraphale to know exactly why Crowley Fell, while for Crowley, it might have been too vulnerable a thing to discuss. So they haven’t talked, and Aziraphale does not know the exact questions Crowley had asked, does not know the exact reasons. He assumes.
And his assumptions, oh so well-meant, are going to be catastrophic.
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uplatterme · 1 year
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all out?
—sub!scara/dom!reader, amab!reader | office sex, exhibitionism
—not beta read so excuse some mistakes if there are any TT
honestly, scaramouche should have seen this coming.
he stares at his empty cabinet, dumbfounded that there’s nothing inside it. surely not…
the balladeer wants to scream. just his luck, that it happened today too, when there’s a meeting scheduled that he cannot skip.
“fuck.”
the harbinger walks through the chilling halls of the zapolyarny palace. the cold has never bothered him in any shape or form, yet today proves to be an exception.
there are lower-ranked fatui passing by, hastily running off, not wanting to meet his gaze. an action that he isn’t unfamiliar to.
he hisses and stops when a certain ginger blemishes his view.
“looks like someone’s having a bad day!” he greets.
for a moment there, scaramouche thinks that he’s caught red-handed. not until he realizes that the youngest harbinger couldn’t have possibly seen through his facade.
“you’re deafeningly loud.” he bites back, continuing his steps despite the aching in his lower half.
“ah, still the same as ever. not that im surprised.” he says, chuckling echoing through the halls.
“the meeting’s to start in a few, although the director and the overseer hasn’t arrived yet.” tartaglia informs.
he flushes at the mention of your title, the one behind this problem that he’s facing right now.
“hello?” he calls out.
“can you learn to shut up just at least once?!” he yells.
currently, he sits on the chair provided for him, next to pulcinella and sandrone. as long as he doesn’t get seated next to that blue-haired freak, he considers any situation to be pleasant.
the door opens with a slam and the rest of the harbingers bow their head as greeting. there you stand, that folder you always carry in your arms and a pen between your fingers.
that’s when the memories comes back to him.
flashes of each time you’ve ripped his underwear with those fingers of yours, the scene claws into his brain as he bows down his head in unison with the others.
it was fine the first time. it was only a one-time thing, after all.
oh, how naive he was thinking that.
he then realizes that it wasn’t a one-time thing, seeing as there’s none of them left in his cabinet, forced to attend this meeting with his cock slapping against his thigh each time he walks.
it’s embarrassing. he seethes at your voice, talking about some topic that he couldn’t give a shit about. he adores when your tone is like that, commanding and strict. the more you speak, the more the harbinger wants to cave in.
his cock presses hardly to his shorts, begging for any kind of attention. unfortunately, he’s forced to endure it. to sit there in agony while he stares at you, giving out orders.
oh, how he wishes that you bend him against the table right now.
he can see it visibly twitch from underneath his clothing. if you were to see this, what would you have done? scaramouche’s imagination runs wild, thinking of how you’d make him take your cock. overusing his body and milking him dry. a doll, whose only purpose is to serve you.
“balladeer?” he snaps back to reality, hearing you mention him.
he bites back a needy whine, feeling everyone’s attention now centered on him.
“yeah?” he spit out, his eyes meeting with yours.
“you’ll be sent off to a separate mission, is that all right with you?”
god, you could ask him to do anything and he’d agree.
“sure.”
when the meeting ends, his body was moving on its own, moving towards you to grab you and pinning you to the wall.
“you! you better take care of this!” he shouts.
you were confused at first but it didn’t take you long to see his cock fully outlined through his tight shorts.
“why should i? you’re the one who decided to attend this meeting like that.”
he groans. he does not have the time for any of your teasing right now.
“you kept tearing through—just, ugh!
fuck me already!”
his voice echoes throughout the room. he would have never expected this kind of situation to happen but he needed you so badly. he’s been hot and bothered ever since this morning.
he lets out a relieved groan once he feels his abdomen pressing on the table.
then, next comes the sound of his shorts being ripped apart. he would have complained about your tendency to tear through his clothes but all the complaints in his head goes away once he feels your fingers digging inside of him.
“hnngghh—fuck, finally. only thing you’re fucking good for—oh god!”
“shit, shit, shit!”
his face presses up on his hands, far too drunk as drool goes down his chin. he’s loving each movement inside of him, the satisfaction and pleasure you give are intoxicating him and he wants more.
his body squirms, his feet constantly misplacing themselves on the floor. his dick leaking precum as you stroke it at a pace, leaving him panting and breathing like a dog who had just gone for a run.
“look at you, all loose already…your body’s just made for fucking, isn’t it? always wanting to prove something when you can just show everybody how much of a cumdump you are.”
scara grunts at your insult (praise?), wanting to spit back something to defend himself. but his body is then shifted around, his back laying on the cold table as you took no time in penetrating his hole.
his mouth is left wide open by the stretch. it burns but god, he would be lying if he said he didn’t enjoy the pain. the pain that would soon then transition into pleasure by each. single. thrust.
pounding into him mercilessly, his mouth being covered by his own mouth to desperately hide his cries from enjoying it too much, smiling underneath.
eventually, he just decides to let go. his hands reaching up to fondle his own chest, playing with his nipples while you shape him into your own cocksleeve, his leg up as you wanted better access into fucking him as much as you can.
scara’s so damn loud. of course, he doesn’t notice it. nor does he notice a certain redhead blushing needing to do a double take to see if he’s seeing the right thing.
“f-fill me up! fuck, please!”
“haaah—! more, more!”
after a while, those sentences are no longer coherent as he’s turned to just moaning and whimpering, slurring his words that you can barely understand.
the table is a cum-filled mess, his dick spurting out white as his eyes roll back the furthest they can into his head.
and yet, he doesn’t stop.
even better, he’s started to match your rhythm and grind himself onto you.
there’s a bit of a swelling in his belly from your cum and yet that isn’t seen as a blockade.
each thrust, your cum slipping out of him and back into him and the warm feeling of your stickiness is just enough to send him over the edge.
in the end, he’s left with a satisfied smile. laughing and chuckling while struggling to breathe, his walls aching and not sure if he wants more or to just stop moving for as long as he can.
one thing’s for sure though,
he’s completely forgotten that his shorts are torn apart.
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nat20composure · 4 months
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Astarion and Agency- The Necessity of Discomfort to Self Discovery and the Infantilization of Victims
Minor Astarion discourse ahead that mentions the treatment of SA victims post-abuse:
I want to open this post up just with like. The statement that I don't think there is a correct way to enjoy media and that I LOVE to see individual head cannons and takes on characters in media. I think that is also, to a degree, an integral part of video games because of how unique the experience of playing a game will be to every person who plays it. But it has been making me feel so incredibly sad looking through fan content, art, or discourse for BG3 specifically because of how many people have taken the route of infantilizing Astarion.
I understand the instinct to shield or protect an individual that you love and care for. I also understand that because of the nature of the things that Astarion goes through, a lot of people also feel very deep emotional stakes in him. I'm one of the many fans of the character who is a victim of SA and CSA, I really do get it. That is also why for me personally it is so demoralizing to watch so many people treat him like he is a child who cannot make his own decisions or stand up for himself. Part of that frustration stems from it feeling like a media literacy issue, and the other part of that sense of defeat is just because it feels indicative of a broader attitude that people seem to hold towards victims of abuse, particularly those who are victims of SA.
To explain what I mean by people infantilizing him: I see so many people refuse to allow him the opportunity to be hurt, or to feel uncomfortable. They see this character who has been through an immensely horrible and traumatic experience, and their instinct is to try and shield him from anything else that has the potential to upset him. I get that the people who want that aren't doing it with malicious intent, but frankly it is not really...Helpful? To try and prevent victims from Experiencing Discomfort tm. I also think it kind of disregards the entire thesis of Astarion's character and arc.
When you go through something that robs you of your selfhood and agency, the world can become a crushingly terrifying place. In Astarion, that fear presents itself in a desperation for power, control, and at the core of both of these desires- Safety. One thing the game is clear about is that he has a right to kill his abuser. He has a right to escape his situation. A lot of Astarion's personal arc is centered around being able to finally do that. But the game doesn't just leave it off at getting him to safety. So much of it is also about him needing to take responsibility for himself and his actions, with needing to learn who he as a person is.
The inclusion of the Gur children and Sebastian as characters is a good example of ways in which the game gives Astarion the opportunity to take responsibility. I think that if the intention of the arc was meant to be that "Astarion should never ever have to deal with being afraid or uncomfortable again", then the Ascended arc wouldn't Come with such heavy moral ramifications, like sacrificing the other people just like him, killing the victims he lured in, literal child murder. The game infers that he doesn't deserve to die because of the things he Needed to do to survive, but it also makes it very clear that there is a difference between addressing an Active Threat and using your fear as an excuse to hurt others. Breaking that cycle of abuse when he finally gets the chance to is what separates Spawn Astarion from Cazador.
Taking responsibility for himself, and letting himself sit in the discomfort of vulnerability ultimately ends up being a thing that he is very proud of and cherishes. If you tell him you will make sure nothing like that ever again he himself says that he doesn't want you to be his protector. And so it blows my mind when people go into all of these discussions about Astarion with this...Weird moral high ground for never, ever making or letting him make choices that might hurt him?
I see this the most when it comes to discussions about the possible polyamorous relationship with Halsin and the interaction with the drow twins in the brothel. So many people are just...outright angry? At other people engaging with either of those options? And I feel like that anger is one) rooted in the projection of their Own feelings on non-monogamy and what a victim of SA can or cannot look like. and two) Relies on undermining the agency that Astarion BEGS you for at every turn.
When it comes to the drow twins, the game adapts Astarion's response to them based on where he is in his own personal development (a really cool thing imo). Obviously, if he still doesn't feel good or safe about engaging with sex he declines and says you can feel free, though he hopes you aren't just doing it because he hasn't had sex with you. I think this makes sense: He's just gotten out of a situation where his Safety and worth were directly tied to him having sex. I imagine he feels afraid that not wanting to have sex with you makes him replaceable or inadequate because at this point in the game, he feels like that's all he has to offer. The interaction is relatively the same if you ask him for a poly amorous relationship with Halsin: He just asks you to reassure him that you aren't only doing it because he hasn't had sex with you, and then tells you he isn't worried about it otherwise.
A lot of people have taken the expression of that insecurity in combination with him still allowing you to go forward and do these things as him just "sucking it up" because he's afraid of losing you. (I am aware Shadowheart says he wouldn't be able to handle it when you ask her if you can date both of them- But keep in mind, Astarion says she wouldn't be able to either, and THAT obviously isn't true of her. For the purposes of this discussion I'm only including interactions with Astarion as a judgement of his character.) I understand that concern, but I feel this take disregards so many other points of dialogue, and is also continually rooted in the baseline vilification of discomfort.
To further go into it, the way that he speaks about both of these interactions changes significantly if you speak to him about it once he is completely free from Cazador, and has had time to allow himself to start reconnecting with himself and his sexuality on his terms. He has absolutely No reservations about an open or poly relationship with Halsin, and says he trusts that things will be ok because he one) feels secure in Your relationship and two) Knows Halsin is experienced and trusts him to not be a messy bitch about it.
I think that shift, in combination with the in game explanation of why he isn't ok with being in that sort of relationship with the other Origin Characters (for Lae'zel and Wyll, he says they'd never agree to that. For Shadowheart, he says she's not experienced with open relationships and that he doesn't think it'd work out. For Karlach, that it would break her heart. And for Gale, he says you need standards.) is a pretty good indicator that he doesn't actually care about polyamory or monogamy. I think the vilification of that choice relies on you picking and choosing when you do or do not believe Astarion or just outright not liking non-monogamy in the first place. This interaction has more to do with the player's choice and comfort level, and so is not as important to the broader discussion I am trying to have in this post.
The interaction that is more pertinent to not Allowing him to make decisions is, I think, the drow twins. If you interact with the drow twins after the completion of the Cazador questline, he is outright giddy at the prospect of interacting with the Drow twins. Specifically stating that he is excited to see how he likes these sorts of things now that he's free.
NOW- I do NOT think that he enjoys the act. The game makes that abundantly clear, and I'm not arguing that he has a great time. He obviously does not, and dissociates during it. That being said, allowing this interaction to happen does not make a player evil or selfish. You are not playing the hero if you decide to moderate his choices just because you do not think he is ready for it. Once again, no one is evil for Not doing it either, and I am not saying anybody has to want to. I am just saying that treating this choice like it is an evil choice to make relies on completely disregarding what He wants to do.
Astarion says so many times in the game that he is anxious about finally having the freedom to find out what he wants to do, and I think that his excitement for the drow twin exchange is one of the opportunities the game gives him to make a choice. He makes that choice- And it sucks for him. He doesn't enjoy the act, and having done it he would be able to move forward knowing that. I think it's really cool and important that the game represents that facet of recovering as a victim. While you are trying to renavigate who you are, you are going to make a million new choices you never had before. And sometimes those choices are going to suck ass. It would be a different matter if he knew these things would hurt him and went ahead and did them anyway. But so many people expect him to move forward avoiding even the Potential of being hurt, and I think that is extremely reductive of his arc and who he is.
Beyond the matter of interpersonal relationships, the choice between Ascending or not Ascending Astarion is not a matter of choosing the lesser of two evils. It is a choice between his fear and his humanity. Between letting his trauma and his fear define him for the rest of his immortal life, and allowing him the vulnerability of deciding who he is when he isn't running from the world. When he's willing to listen to the parts of himself that want to do right, that wants meaningful connection, that wants to be proud of himself. That wants to meet himself. To confront who he is when someone else isn't deciding that for him.
Astarion as a character is extremely ambitious, inquisitive, and adventurous, three traits that only become more and more evident as he breaks free from letting his own fear dictate how he lives his life. I don't understand how so many people can see him and want to take the core of his character away from him, when he spends the entire game fighting desperately to take it back.
Victims are not casts of the abuse they have gone through. Their shapes may be changed by the hands of others, they may have to relearn how to be the person they want to be. But they are not broken or irreparable or fragile. They do not need to be freed from the grip of one person to be held tight in the grip of another. It is so fucking unfair and self-important to think that your hands will be the ones that fix them. That your hands know better than theirs. I think the kindest thing you can do for a person is to trust them with themselves, and to listen when they tell you who they are and what they want. Please listen to the voices that have only just learned to speak. It is the only way they can get better at doing it.
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spectralreplica · 1 year
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Uhhhhhhhh Sburb AU!! This was more of an excuse to classpect and make sprites, so don’t ask me questions about plot details because I put like zero thought into it. Tsumugi probably had something to do with setting up the session, and she’s hiding her real title and the fact it’s not her first session. Baby Kiibo is a robot baby because I thought that was the funniest option.
Drawing with anti-aliasing off really brings me back...
Classpect thoughts under the cut if you really want:
Immediate caveat: I mention speculative stuff here like unconfirmed active/passive class pairs and inversion theory. If you don’t like those things or otherwise disagree with the titles I gave people that’s fine but just know I’m not super interested in debating about it and won’t reply.
So, to start out with I wanted to make the 8 of them a session, so I needed no overlaps in class or aspect and one Time + one Space. I also wanted to have Kaito and Kokichi as opposing aspects. In general, I think of a Title as kind of the end of your assigned character arc, so depending on your level of maturity/introspection at the start, it can seem either really obvious or really unintuitive. I tried to base them off of the hypothetical chapter 6/survivor versions of characters, since those (plus maybe the chapter 5 deaths) of the ones that get a full arc in DR canon.
Immediately Tsumugi seemed like a deadringer for Space, not so much because of the literal physics-related stuff but because of its associations with creation/narratives and setting things up for other people to act. I made her Sylph of Space here, but that's a facade. She's actually a Muse of Space who participated in past session(s) and wants to watch how things play out.
Based on the Extended Zodiac description, Kaito or Kaede has to be time, but Kokichi CANNOT be Space by any stretch of the imagination. I made her Heir of Time with the interpretation of Heir as someone who invites change/influences of/through their aspect. Time is also associated with music and death, which is both fitting and a little mean. (I can also see Kaede as Breath outside of having to have someone be Time.)
So moving onto Kaito and Kokichi, I was considering Hope vs Rage (belief vs doubt, possibility vs restrictions), but 1) Rage is defined partially by hatred of lies despite otherwise sounding Kokichi-ish (that alone could be interesting, with the possibility of a negative/reverse title or else giving him Hope and Kaito Rage for the unexpected swerve........) 2) I really wanted to give Hope to Kiibo. So instead I went with Heart and Mind (emotion vs logic, intuition vs planning, identity/motivation vs action/decisiveness).
Kokichi is Thief of Mind for taking away other people's decisions for his own purposes but also for generally "stealing" things (e.g., the Mastermind Role, narrative importance in general, along with literal items) through his own cleverness. Vs Kaito, a Knight of Heart, who uses his constructed identity as a weapon to face challenges. I'm also a fan of inversion theory, so I think at low points they'd both trend towards Page of Heart (grows powerful late in the narrative based on his own ego/identity) and Rogue of Mind (taking choices/agency/logic away from people for their own good), respectively.
I always wanted Kiibo to be Hope since 1) Ult. Hope Robot 2) big on possibilities/faith but can be a little self-centered. I went with Bard at least partially to make a "guess we know whether he has a dick or not now!" joke, but I also think "inviting destruction through Hope, inviting destruction of (false) hope" is pretty spot on for chapter 6 Kiibo. Like, as the camera/audience surrogate, he's been forced into passively leading the others to despair, not to mention how the audience takes him over to destroy the hope of ending the show. But Kiibo ends up reversing this and helping destroy the audience's faith in Danganronpa, destroying the whole academy in accordance with the vote. (Sidenote: I wonder if Kiibo gets taken over by Horrorterrors and goes grimdark? Or if he's just really, really susceptible to orders from his Exile)
Shuichi, Page of Void, was another one that immediately came to mind. Like, "starts off weak but becomes really strong/important by the end" is Shuichi's thing! Also, counterpart to Kaito's Knight. And Void is all about secrets, mystery, etc. From the Extended Zodiac: "Where others might be compelled to go out and seek answers, the Void-bound lean more toward casting doubt on what is already considered understood. They don't take much on faith and would rather live in a state of confusion- than believe something that might be untrue or bow to intellectual authority... At their best, Void-bound are wise, intuitive, and vibrant. At their worst, they can be dismissive, indecisive and apathetic." 
I had considering Light, for seeking out knowledge/truth, but Shuichi's character arc ends on "fuck you, I refuse to play. You all get nothing more from us" and learning to live with ambiguity, so I think he's way more Void. But, again, inversion would be Thief of Light, so selfishly taking away knowledge/importance from others.
Speaking of Light, I made Miu Mage of Light. Mage is like, active Seer, seeking out knowledge for yourself (vs advising others) and Light is luck, knowledge, and also importance/plot relevance. As an inventor, Miu keeps innovating and figuring things out, plus she's very motivated by her own importance to the world. She wants to be seen more than anything else and loves being smarter than those around her. Also: "At their best, the Light-bound are resourceful and driven. At their worst they can be fussy, pedantic, and insensitive." Inversion is Heir of Void, so "inviting change via hiding things" or "changing what's kept secret", which suits Miu when plotting murder.
Finally, Maki is Prince of Blood. Blood is trust, bonds, relationships, stubbornness, duty, obligation (vs freedom, change, choices) so "someone who breaks bonds/destroys relationships" but also "someone who destroys using/motivated by duty/relationships". Like, Maki is inherently a fracture point in the group because of her talent and then directly breaks the group apart and sabotages her relationships with the others in chapter 5, but also she's deeply motivated by her bonds to others in all of her destructive actions (protectiveness for orphanage/friend, love for Kaito). This sound super negative, but I think this is also the Maki who commits to destroying the institution of Danganronpa in chapter 6. Sometimes you have to be decisive and cut bad relationships out of your life.
Inversion would be Sylph of Breath, so "healing via change" or "encouraging growth towards freedom", which you can argue is sort of the way Kaito wants her to go? But she just doesn't. Idk, for better or worse, I think Maki is very aware of who she is and how people related to her, so even at her worst she's true to herself, vs, say, Kaito or Kokichi, who act "ooc".
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oncomingnight · 6 months
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RELEASE YOURSELF! 𓏲 ๋࣭  ࣪ ˖
Yandere! Musician x reader
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Elias was a part of an extremely well known and incredibly innovative band, including four other members. He is specifically known for his completely otherworldly presence on stage, with the help of his choice of clothing, thick & strongly structured fingers playing on his guitar, and the patterns of paint he'd stroked onto his face earlier backstage.
Elias was a man that had several tendencies, including the tendency to be completely obsessive, though, this only developed when he met you. He was far from being shameful when it came to his infatuation with you, he could care less if his friends attempted at poking fun at him as he takes pride in the amount of love he holds for you.
He adored partaking in physical affection with you, there was nothing more in the world he could ever need when he was next to you. He'd constantly have his hand on your thigh, caressing as well as squeezing it, holding onto your hand & swinging it along with his, placing his hand on your lower back. He cannot keep his hands to himself.
His style consists of large graphic tees and his heart squeezes at the sight of you wearing his shirt that drapes right over your body. One morning, after an entire night of him making you sweat and plead, he'd walk into the kitchen only to see you making two cups of coffee for the both of you, wearing his large washed out skull tee along with nothing but black underwear.
Elias had a variety of well sketched out tattoos on his pale skin well before he met you, though, after he developed a relationship with you, it didn't take long for him to tattoo your name on his body. He also got a tattoo portraying the both of you as cartoons, you kissing his cheek as blue birds circle his head along with red hearts, his pitch black eyes practically bulging out.
Whenever he and his band mates go on tour, he will always have you go alongside him. He'd purchase a hotel room reserved for just you and him, you'd be crazy to think he'd be able to survive without you for half a year.
Before a show, he'd always ask for a kiss on his lips, cheeks and forehead for good luck. No, he's not nervous, he just uses it as an excuse to get you to love up on him even more than you already do.
In every photo that paparazzi captures of him, you're always right beside him, one of his arms is around your waist as he places a sweet, soft kiss onto your temple. He can't help it, he has to be in physical contact with you one way or another.
Elias is an incredibly territorial and overprotective boyfriend.
Soon to be husband.
It's nothing that he'd ever apologize for, you're his sweet, beautiful baby that deserves nothing but the wonderful in life. There have been many articles written about him in the tabloids regarding him getting into physical and verbal fights because of his constant need to defend you. Though, there's no need for him to worry as its never affected his career, if anything, people admire him even more.
During interviews, journalists will attempt to get a word of regret out of him regarding his harsh and violent actions against the people who've affected you emotionally. Though, that's never what they get.
"i mean, it never fully made sense to me how when someone acts like a cunt towards me and the love of my life, the woman I love most, and I reciprocate their behavior, just harsher, suddenly I'm the worst person in the fuckin' world? Nah, that doesn't seem right."
After he met you, you're always the one to assist him in applying makeup onto his face, carefully placing pitch black contacts into his eyes and just simply providing him with emotional support with your presence.
Elias enjoys hugging you, it seems like an incredibly simple thing to find joy in, but it's far from simple to him. He loves the warmth he can provide for you with his lanky arms, and the love he feels seeping from you.
Due to his incredibly misty, intimidating, and at times eerie presence, many think that he's a rough lover when that's not the case at all. Elias is extremely gentle with you, he'd never degrade, shame or put his hands on you in a manner that was anything other than loving. Yes, even when the two of you are having sex he's the gentlest person you've ever met.
Whilst he's fingering you to the point where you can't even reply to his teasingly asked questions, he reaches out to place one of his hands onto your cheek before saying, " look at me baby, there she is, aren't you just the prettiest?" "Let's make this pretty pussy cum, okay honey? I know you can do it, just let it go, soak me, baby."
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Part two will be posted Friday ₊˚ʚ₊˚✧ ゚. !
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spiriteddreams · 1 year
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fall / in love
Pairing: Al-Haitham x Reader Warnings: fluff, slight angst with a happy ending Word Count: ~1.3k A/N: writer's block is hitting hard rn so here are some feelings with our fav grumpy grand scribe
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“You’ve been avoiding me. Why?” The last person you want to see stands in front of you. You can feel your desk digging into you from behind as you’re cornered in the quiet walls of your office with nowhere to run. Petty excuses are futile in the presence of Al-Haitham, and his looming shadow makes you feel impossibly small.  
You cannot fall in love with him, you’ve told yourself this over and over again. They are bitter words to swallow down, stuck in the back of your throat as you force a practiced smile to hide every confession that threatens to tear through. There are certain things that cannot be said because they will tear down the walls you’ve so carefully constructed, and you know better than anyone how terrible he is at lending a hand when it comes to emotions. Al-Haitham is a man of titles: the Grand Scribe of the Akademiya, the current Acting Grand Master, a saviour to Sumeru (whether he acknowledges it or not), and a good friend. So you cannot fall in love with him because that will threaten everything you have built thus far.
And yet you free-fall, stumbling into these emotions you struggle to push away. You remind yourself to re-read the label that describes your relationship: childhood friends. Keep it that way, you say to yourself. Don’t fall in love, don’t fall for silly words and actions that have no deeper meaning. Falling in love is dangerous, and falling in love with Al-Haitham is possibly the most dangerous of all. You know this and yet you cannot bring yourself to draw the line. He pushes his way into his life without care, his body fitting the indent on your couch from sleepless nights of research and escaping from Kaveh’s hammering in the middle of the night.
Don’t fall in love. Instead, push him away, pull yourself out, place every obstacle you can on this chess-game like friendship that’s cornering you. So how is it that he’s cornered you now, arms crossed over his chest as he stares you down.
“I’ve been busy.” You sigh with a shake of your head. It’s not a lie, you have been rather busy with the sudden influx of paperwork and rebuilding that comes with the rebuilding of the Akademiya. But you’ve still made an effort to steer clear of Al-Haitham when you could. It was changing your daily routes, choosing to take longer walks around the Akademiya to get to your office in the morning, and instead taking up Kaveh’s offers to get lunch at the cafe across the city rather than the one just outside the Akademiya. 
Al-Haitham rolls his eyes ,”Do you think I’m that stupid? You’ve been actively avoiding me. This is the first time I’ve seen you in almost two weeks. So why?” You hear the slight waver in his voice as his words end. There’s a flicker of worry in his eyes that lasts for just one second, but it’s that one second that punches through your pride. It’s too late to back out now.
“Because— I don’t understand you! You buy me my favourite pastries and then tell me it’s because you wanted one too but I know you hate how sweet these are! You ask for book recommendations but I know you hate the books I read because you have this odd enjoyment of reading physics books! You seek out my company and claim it’s only because you have nothing better to do! And I don’t understand what you want from me!” He remains quiet at your words and you shake your head slightly. Of course he doesn’t say anything. When you finally put him in check, he doesn’t know what to say. His pawns are gone, chess pieces not set up for your play, so he stays quiet. 
“I don’t like feeling whatever this feeling is.” Your hands tremble as you bring them to your chest. The words bubble up from your chest and there’s no stopping them now. Not after you’ve pushed them down for so long and watched from a distance, because this distance is what has kept you going for so long. 
“I see you and— and suddenly I have this stupid smile on my face and my heart beats faster and you don’t even know!” You cry out, “You don’t care that time and time again I have to turn away just because I get so worried that you’ll see me and know.!” He stares at you blankly and you hate it. You hate that you can’t read any emotions in those pretty eyes of his. You hate that his mouth hasn’t moved, not a twitch or a smirk, or a smile, or anything. You hate that his hands reach up to grasp yours, the surprisingly soft texture of his gloves stark against your clammy palms.
He opens his mouth and you brace for the worse, only for him to say softly, “Breathe, please.” A shaky breath rattles your lungs as you stare at him, mouth parted in a mix of surprise at the sudden contact and how damn close he is. There’s a mix of something in those pretty eyes of his as he ducks down to look at you from behind his grey swept hair. A smile, a rare, genuine one tugs on his lips and you can only stare. You’ve laid out your emotions bare for him to see, put him in check position and can only wait for him to make his next move.
And what you hate the most about Al-Haitham is his infuriating ability to take his time, even in the most stressful of situations. You’re acutely aware of your breathing, the rise and fall of your chest and his as you stand in silence. Your hands, no doubt sweaty, still shake even in his gentle grasp and you  know that he can see the way your eyes dart around nervously, refusing to hold eye contact with him.
“After knowing me for so long, I thought that you might be able to read me just as well.” Forget how nervous you feel at the moment. You want to strangle him for his cryptic words. He’s always been good at this, dangling the truth in front of everyone’s eyes under the disguise of honey coated words and half-truths. Perhaps, at another time, you would indulge in riddled words and bite back with some of your own, but now they only irritate you. And Al-Haitham knows it. Just the thought of it brings a teasing grin to his face, one you recognize immediately.
“Don’t you think it’s rather foolish of you to avoid me like this?” Al-Haitham hums and steps back to give you some space. He doesn’t let go of your hands. “After all this time, you’d think that maybe you might realize that I care for you just as much, if not more, as you do for me.” You let the words sink in, bask in their warmth before scowling at him. Tugging your hands from his grasp you push at him gently, ignoring the feeling of his chest against your fingers as you look away.
“Just say you like me too.” You grumble. Al-Haitham’s fingers come to drag along your skin, teasing yet comforting as he laughs, “What a childish way of putting it.” You roll your eyes but stay in your spot, relishing in the turn of events. Quick as it may have been, and far too unexpected for your liking, you’d be lying if you said this wasn’t something Al-Haitham would do.
He hums, catching your attention once more. “So, are you done avoiding me?”
“Keep up this attitude and I won’t be.” Al-Haitham grins and you can’t help but match his expression. But nothing prepares you for the brief kiss that his planted on your forehead, a promise sealed without words, an act of comfort and honesty. And in the confines of these four walls, you let yourself fall in love again. 
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reblogs and comments are greatly appreciated! <3
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blondephenobarbitol · 8 months
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TSH hot takes 🔥
-Julian was actually a dick. He isolated and groomed vulnerable students (do you think it's a coincidence that every single member of the greek class had a difficult home life?) into thinking that these very outdated concepts of love and power were good for them. He compared their dangerous behaviour to that of ancient gods. Then, rather than face the consequence of his actions and take accountability, he left when it mattered.
-Charles was an asshole, but he's not a scapegoat. You cannot blame all the problems on Charles, he was an addict as a result of his trauma. He needed help. This doesn't excuse him from his actions, but it explains them. At the beginning of the book he physically could not bring himself to hurt Camilla. He's not a "bad" person. He's a sick person.
-Bunny didn't deserve to die, but he was also probably going to condemn the group at some point. He didn't just die for no reason. (Believing that Bunny's death was truly pointless also means believing that Henry was an actual psychopath who killed his friend for shits and giggles.)
-Judy, Cloke and Sophie ended up the happiest. That is literally the moral of the book. Judy wasn't all tortured when Richard didn't want to hang out with her, she shook it off and kept living her life. That's literally the point.
-Richard was never in love with Camilla. He loved the idea of her, but didn't see her as a person. Because of this specific dynamic and the fact the Richard is narrating, we know nothing about her actual personality. Anything he says can be disputed, and a lot of it contradicts itself.
-Francis is not blameless or unproblematic, but of the group he probably had the best intentions. Most of his behaviour that can be interpreted as creepy can be chalked up to Richard's internalized homophobia (remember, everything is told from his point of view, and Francis was a gay man in the 80's) When you look objectively at what Francis did, you see that he made a pass, got rejected, then dropped it and moved on. There is (i think) one more attempt made later on in the book, and that is furthered by Richard and only interrupted when Charles shows up.
-Henry may be the metaphorical representative of death when talking about the book, but in the narrative it's important to remember he's also just a person. Otherwise everything he does seems beyond question, and he's assigned this label as just "evil." He was 21!! Literally still a kid
-There were not good or bad characters. The reason they hit so hard is because each of them are so layered. They all have good traits and bad traits, but calling one "evil" takes away their humanity and dismisses their complexity that makes them so great.
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