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#but also. i definitely said it.
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Tokyo Revengers can be cut in two parts—
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counting-stars-gayly · 5 months
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I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?
Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.
Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.
Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.
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aroaceleovaldez · 4 months
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Nico referring to his mom as "Mama" implies he most likely at least used to refer to Hades as "Papa" and i 100% headcanon he still does but mostly in the manner of him having the entire Underworld wrapped around his finger for being the baby of the family
#pjo#riordanverse#nico di angelo#headcanon#my art#nico flexing youngest child privilages by pulling out the most pitiful expression he can manage#anyways i find it fun to explore character word choices#cause yknow no two characters are going to select their words the same way#or even necessarily think about it to the same degree#i like to think Nico thinks about his word choice a lot#so of course every time he uses ''papa'' he fully knows he's pulling the Baby Of The Family card#Hades definitely knows this too but falls for it every time anyways#cause Nico hasnt called him ''papa'' regularly since getting his memory wiped - just detached ''father'' or at best ''dad''#so it just reminds Hades of How Much He Just Wants His Children To Be Happy Like The Old Days#and how much poor Nico has been through and he's just the baby of the family and-#cue Nico smugly staring at the camera cause he knows how much power he holds#also i say Nico is Hades' only son cause mythologically even when Zagreus *is* Hades' son (rarely) he's. dead.#a major part of Zagreus' mythology is that he died#and im p sure every other deity said to be Hades' children are all goddesses and also are like 50% of the time not his#theres also only like 3 of them. and as far as we know in riordanverse canon one of them is implied to not be his daughter#so Nico is Hades' only son and also youngest in the family (cause Hazel is older by a month chronologically or 1 year biologically)#(and everybody else is a deity if children of hades at all)
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puttingwingsonwords · 13 days
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I do think the ‘comedy’ of Dracula in this part of the story only adds to the horror. Like we can all go ‘haha lizard fashion’ because it is ridiculous, he’s crawling barefoot on that wall like 🦎
But also fucking imagine a whole ass man skittering down a wall like that, the fact that his cloak is billowing like wings means he must be going fast too bc otherwise it would just fall over his head. (Or idk maybe he is using magic powers to make his cloak look cooler who knows.)
And it’s in his pretending to have servants too, I know, my most popular post rn is calling him a loser for it which he is!! He’s probably really embarrassed about it too bc it’s demeaning for a boyar to do those chores!
But Jonathan doesn’t have the luxury of laughing at this stuff.
One thing that really caught my attention this time is the uncanny valley of it all. From the moment Jonathan meets the Count, he can tell something is off. No matter how thickly he puts on the charm, Dracula can’t hide the fact that he’s not human; he’s something else, a ‘creature in the semblance of a man’, there’s something innately off-putting about his presence. His eyes, his teeth, his hands, his smell: he has the aura of a predator and Jonathan, his prey, can feel it.
From Jonathan’s point of view, every hilarious weird thing the Count does is another sign of him being Not Human, as well as the fact that he’s in total control—as his ruse of normality is slowly falling apart, but there’s still nothing Jonathan can do. The mask is slipping, the Count is revealing his true nature—whether accidentally or on purpose—and Jonathan can only watch and keep pretending in the hope that it will prolong his life.
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bookishjules · 5 months
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keeping the "they'll think we're impertinent" / "i am impertinent" lines from the book???? iconic. incredible. reminded me i have never once known what impertinent means
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papanowo · 22 days
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was looking thru the mermaid au tag on ao3 a couple months ago and realised bones is rarely the mermaid so i sought to change that
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puppetmaster13u · 4 months
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Prompt 203
Another Hydra prompt! Because I am enjoying the designs I’ve made lol. And perhaps it’s a bit inspired by @radiance1 ‘s different dragon prompts too. 
So they’ve succeeded! They’ve managed to combine their powers- with a bit of shapeshifting helped along by so many ghost allies- and become a giant duck-you dragon! Well, originally they were going to do something else, but they couldn’t agree on an animal, so dragon it was! 
And how mighty they are! They’re giant, absolutely massive- dwarfing the couple of skyscrapers still in Amity. Damages via ghost attacks and general sparring made it where people really didn’t want to rebuild those types of buildings. 
But anyway, dragon! Them! They’re absolutely stunning! And did they mention powerful? Because boy oh boy, are they powerful. The GIW’s guns do practically nothing against their combined might, and barriers shatter before them! 
The uh, issue is that they erm… can’t turn back. Which is fine, they’ve all sort of outlived most of their generation- thank you possessions and ecto-contamination, it’s just a tiny bit of an adjustment. But really it’s not too bad, and someone needs to stop the GIW from trying to poke their heads into Amity. Like it’s been a solid couple of generations, it’s time to stop, thanks. 
Actually they’ve been a bit quiet. Meh, that surely isn’t a problem. Probably. Honestly they’re all going to use the opportunity to sprawl out where the school yard once was, their favorite place to sun their scales. Huh. Usually more people are around now that they think about it- or really, as Paulina points out, sharpening her fangs on one of the rocks. 
How long had they been sleeping, because it couldn’t have been that long. One of them was always awake, they slept in shifts after all! Yet there are things missing now as they patrol the skies, both Wes and Tucker pointing out specific buildings that the others didn’t particularly notice usually that now lay empty. 
Hm. 
Oh. That is a… strong barrier there. A really strong barrier actually. Pfft, they can take it! They’ve shredded every barrier together before- Ow. 
Okay this might be a bit of a problem. Shit. 
You want a general size reference? :P
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morii-moth · 3 months
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ok so i hope literally anyone else gets this but me
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starry-bi-sky · 2 months
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dpdc#dp x dc crossover#dpxdc prompt#man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two#bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives#or as active as can be in this case. i neeeeed these two getting along and caring about one another#this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b#i neeeded someone to hear about this or i was gonna implode#danny is the first son#tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand#Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it#Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to#them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores#out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant#distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for#safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a#fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap#most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than#sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said#'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw#starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if#anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it#and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta
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sterekcraptrash · 11 months
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look siand starts posting a new part and suddenly i’m drawing again
no joke, fanfic writers fuel me.. if i’m drawing again guaranteed someone started posting
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royalarchivist · 6 months
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Pac: I said, "Hey, let's do something fun, you know? Let's kidnap the [Federation] baker!" And we are kind of like, locked up, and [Richarlyson's] even sadder now, right? Phil: I can put my hand through the bars. Pac: [Laughs] Can I ho– Please save us! Phil: Do you miss human touch, Pac? Pac: Yeah, I miss human touch. Phil: I'm here for you. [...] We can smuggle things into jail. [To Richarlyson] It's okay, mate. Pac: Can you smuggle me a cellphone?* I know information is power here.
Phil visits Pac and Richarlyson in jail.
* Pac's quote here is a direct reference to Fuga Impossivel, where Cell (Cellbit) had a cellphone he used to threaten people with his "contacts from the outside." (In reality, the phone had no signal, but that's how he earned his name "Cell")
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[Full Transcript ↓ ]
Pac: Richarlyson feeling a little bit sad 'because 'cus he's locked up, you know? That's why he's using a different kind of hat.
Phil: Oh, Jesus Christ. Wait– why's Richarlyson's [happiness] bar gone down?
Pac:Yeah, 'because 'cus he's unhappy, 'cus, well, we kind of like, got locked up, and it's his birthday today, and he's feeling a little bit sad about like, growing up, you know?
Phil: Is that why he's got a different cow head on?
Pac: Yeah, yeah, and to try to help him, I said, "Hey, let's do something fun, you know? Let's kidnap the baker!" And we are kind of like, locked up, and he's even sadder now, right? [Richarlyson shakes his head] Yeah, but look – jail is fun!
Phil: I can put my hand through the bars.
Pac: [Laughs] Can I ho– Please save us!
Phil: Do you miss human touch, Pac?
Pac: Yeah, I miss human touch.
Phil: I'm here for you. [Cracks up]
Pac: I miss human touch. Oh my god, a hand! Richas, you want to touch a hand? Touch uncle Phil hand. [Laughs]
Phil: Yeah, right here.
Pac: Touch it, Richas! Connect with every–
Phil: I can get you out, I can get you out, I don't know if I'll get punished though, but we'll see. [Laughs]
Pac: I don't think you're going to get punished. [He looks at Richarlyson] Right? [Richarlyson shakes his head, holding a camera] There's nothing wrong about setting two persons out of the jail.
Phil: Yeah, I feel like you've learned your lesson, right?
Pac: Yeah, I won't try to kidnap the baker.
Phil: Oh, Richarlyson wants you to take a photo of, like, hands touching, I think.
Pac: Oh. Ok, let me...
[They stand there, holding hands in silence until Richarlyson takes a photo, then they burst into laughter.]
Pac: Well, Richas, you wanna do the same? I can take a picture of you! I just need a paper. [Pac checks his inventory] ...I don't have any papers, if you have one?
Phil: [Still cracking up as he holds hands with Richarlyson]
Pac: I need the paper, Richarlyson!
Phil: I have paper, there you go.
Pac: Oh, thank you.
Phil: We can smuggle things into jail. [To Richarlyson] It's okay, mate.
Pac: Look! [Laughs and throws Phil the photo] Can you smuggle me a cellphone?* I know information is power here.
Phil: I can – hold on, let me see, let me see...
Pac: Maybe like a cellphone? Or maybe a gaming setup so me and Richarlyson could put some gaming in here, you know, so we can play games?
Phil: I can – I could just break you out. [Laughs] But it's up to you – do you want to be out?
Pac: Yeah, if – Richas, you want to get out of this prison? I know it's bigger and better than our house. Look at the size of this, Phil! You wanna, like–
[Richarlyson breaks the jail bars and lets himself out, then replaces the bars to keep Pac inside]
Phil: [Dying]
Pac: ALL ALONG? Wait – we have been in here for the past 15 minutes, Richas! Oh my god. Ok, ok, I'm done, I'm done. I'm just gonna stay here. I'm just gonna stay here. [Pac walks to a corner of the cell and sits down facing the wall]
Phil: [Still wheeze-laughing] Dude...
Pac: I'm just gonna stay here.
Phil: I can't– [wheezes] I can't break these blocks, he's locked us in!
Pac: RICHARLYSON–
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ggardengirl · 7 months
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he was just a fucking kid 💔💔
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clownsuu · 9 months
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THESE BITCHES LOOK FRUITY AS HELL🤧🤧🤧🤧🤧
Ha melon bug
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Been having a craving to draw them as a lil beverage 😔💔🥄🥄
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muzzleroars · 1 year
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in the tomb of saint gabriel
(may your woes be many)
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One of my favorite little things in Star Wars is when lightsabers are symbolic. Like Kanan’s being able to separate to show how he had to hide both from the empire and himself, Ezra’s first one showing how the Jedi have had to adapt to changing times, or Cal’s being broken to further hit home his trauma. Wish they’d do that more often.
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sculptorofcrimson · 2 months
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Listen, i’m not saying He was right, but if a giant golden man with golden armor and glorious golden abs came to me and told me to conquer the galaxy, I wouldn’t even question it, I would genocide my way to Terra and genocide my way back. 
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