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#because they represent all sides and experiences of existing
infizero · 4 months
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also having now actually seen the whole thing adventure time has skyrocketed into one of my favorite shows ever. like for real i liked it as a kid and have always had a fondness for it ever since but rewatching it now has made me realize Just how fucking good it is and how unlike anything else it is. its so good and appeals to ME specifically in so many ways please for the love of god if you haven't watched adventure time WATCH IT. WATCH IT RIGHT NOW
#ALSO. i think i may have mentioned this before but i really do think AT has one of the best senses of worldbuilding and continuity#i've seen in a cartoon. other than like steven universe maybe (gee i wonder how that happened)#but seriously like the fact that its able to be so goofy and weird a lot of the time while still constantly keeping in mind all these thing#and having them inform the story and world in realistic ways is so good it has really blown my mind#nothing is ever retconned nothing is ever forgotten about. even the seemingly most meaningless things will still be remembered#and referenced by the characters because thats how people are!! they dont just have stuff happen to and around them and then never#bring it up again!! but they also dont constantly go ''remember when we did xyz?'' stuff just comes up naturally if it makes sense#for it to do so. and i think thats so fucking incredible and admirable#AT's flavor of weirdness and comedy and raw emotion is something so wonderful and perfectly aligned with how i like my stories#and it really does have a vibe that is unlike anything else. i am going to cry thinking about it#like the closest thing i can think of. and lord forgive me but im being genuine in terms of vibes closest thing i can think of that#i've experienced at least is dsmp. in the way that there are things that are so fucking dumb and strange and things that are so gut#wrenchingly emotional and beautiful and simple and often those things are intertwined. its stupid and weird and funny and sad#its silly its dark its fun its tragic#something about both of them just feels like a representation of the human spirit in its purest form to me. they impact me the most#because they represent all sides and experiences of existing#idk. but ive always felt like this even before i got into AT again. i said a while ago if dsmp was made into a show it would HAVE to#be an adventure time style cartoon. and every time i see fanart drawn in the AT style or whatever it makes me so happy even now#ANYWAYS. sorry to derail but i really have missed the vibes of the dsmp and in a weird way AT felt a lot similar and i really love that#FUCKKKK not me getting emotional over the indominable human spirit. im gonna go saw my legs off BYE I LOVE ADVENTURE TIME#serena.txt
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ursie · 6 months
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Brennan’s statement on Palestine :
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[ ID: Statement from Brennan Lee Mulligan, on Instagram. It consists of three black squares with plain white text. The text reads as follows:
"I'm calling on my government officials to immediately demand a ceasefire and de-escalation in Gaza.
I applaud anyone and everyone calling for peace, with the understanding that real peace only exists if it deeply and honestly accounts for and fully ends violence in all its forms. Real peace addresses and corrects wrong-doing in the past and guards against it in the future. It goes hand in hand with justice and requires truth, restoration, reconciliation, reparation.
Peace cannot co-exist with collective punishment, ethnic cleansing and forced displacement. It cannot co-exist with blockades, embargoes, or with 2.2 million people, half of which are children, trapped with no hope of escape or political recourse. it cannot co-exist with murdered journalists, bombed hospitals, or years of protesters being shot and killed at the border. it cannot co-exist with illegal settlements, segregated roads, and the silent, imperial chill that settles over the gaps in the violence - the unspoken geopolitical consensus that a group of people need to unflinchingly accept permanent subjugation and occupation.
My hear breaks for every Israeli person who lost loved ones during the attacks of October 7th. It breaks for every Ukrainian person who has lost their loved ones. It breaks for every Congolese person who has lost their loved ones. I do not speak on behalf of Palestinians now because some lives are worth more than others. I speak on their behalf because I, and all Americans, have a responsibility to pressure our government because we are responsible for this. Some have said that this situation is complicated. The Unites States government clearly disagrees. It has definitively, categorically, militarily chosen a side, and I do not agree with that decision.
In wiring this, I have been wrestling with what I am sure many people like me wrestle with: There is a powerful narrative surrounding violence in the Middle East that asserts and ever-moving goalpost of self-education and study in order to even be qualified to have an opinion. As someone with a love of research, I have at times in my life fallen into the trap that I am not educated enough clever enough, or aware enough to have a worthwhile perspective, and that three more articles and two more lectures and one more book will do the trick. Unfortunately, democracy doesn't work that way - we, the citizens of any democracy, cannot possibly be experts on every aspect of the policies of our governments, and yet if we do not constantly weigh in an make our voices heard, the entire experiment falls apart. Not only do people constantly doubt themselves and the things they can see with their own two eyes, but old shortcuts for political action can fall apart as well: This specific issue exists along a raw, charged and unique faultline in American Politics. Nobody I grew up with has ever challenged me on my support for abortion rights, LGBT rights, Black Lives Matter, anti-capitalism, anti-fascism, none of it. The people in my country who would despise me for those positions are, for all intents and purposes, strangers to me. But there are people who I've broken bread with and shared honest affection with who will see the words I've written here and incorrectly conclude that I do not wish for the security, dignity and happiness of them and their loved ones, and that breaks my fucking heart. Full-throatedly condemning the actions of the Israeli government while battling rampant anti-semitism at home is an urgent moral necessity, and doing so is made unnecessarily challenging for the average person to navigate by the pointed obfuscations of cynical opportunists, bigots, and demagogues on all sides of the political spectrum who see some advantage in sowing that incredibly dangerous confusion.
So, I'm calling my representatives. I'm having hard conversations with friends and family. I'm here, talking to you. I should have done it sooner. If you're Israeli and hurt by this statement, know that I want freedom, dignity, security and peace for you, and that every ounce of my political awareness believes whole-heartedly that the actions of your government are not only destroying innocent lives, but doing so to the detriment of you and your loved ones' safety. If you're American and feel lost and confused - I understand and empathize. This, the whole country, only works when we get involved. I am constantly haunted by the specter that maybe I missed some crucial piece of information on this, or any, important world event. I'll just have to make my peace with that self-doubt and trust my gut by going with Jewish Voice for Peace, Amnesty International, the Geneva Conventions, the United Nations, etc. And if you're Palestinian and reading this: I unreservedly support your right to life, to freedom, to happiness and human flourishing, to full enfranchisement and equal rights, to opportunity, prosperity and abundance, to the restoration of stolen property and land, and to a Free Palestine." End ID ]
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omgthatdress · 4 months
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The Importance of Studying Queerness in Context.
When studying queer history, one always has to keep in mind two seemingly contradictory things: firstly, that queerness and queer people have always existed, but at the same time, that queerness and queer identities have not always existed the way they exist today.
Modern queer terms and identities did not exist to queer people in the past. They would not have thought of themselves as "gay" or "trans" or even "queer." While these modern terms may seem to fit certain historic individuals, these individuals would not have thought of themselves as such, and it would not be a part of their lived experience. To apply the modern identities of queerness to history is to erase the lives and experiences of queer people in history, and care must always be taken to understand queer history within the context of its time.
When looking at queer history online, there is a *lot* of misinformation and misidentification out there simply because people are eager to apply modern queerness to history, often in places where it doesn't belong.
A lot of old photos get misidentified as gay because they show two people of the same sex showing some level of physical affection towards each other. Okay, I'll admit that the open-mouth kissing photobooth pictures are probably actually gay, but an old picture of two men or two women holding hands or with their arms around each other, or even kissing on the cheek, were common shows of platonic affection.
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I hate to break everyone's gay little hearts, but without explicit documentation saying so, assuming that these couples are all gay is putting modern queer identity in places where it simply didn't exist. The women in the final picture are sisters. The "not married" boys are bachelors interested in marrying women.
In the silent film Wings, the emotional climax of the film comes in the form of a kiss exchanged between the characters played by Jack Powell and David Armstrong. It often gets attributed as the first gay kiss in cinema history, even on the fucking YouTube clip I found:
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Except it isn't gay. The two men spend the whole film fighting over who gets to be Clara Bow's boyfriend. When Richard Arlen's character is fatally wounded, his dear friend rushes to his side and kisses him goodbye, because in the 1920s, that was considered the ultimate show of friendship. The movie ends with Jack Powell falling in love with Clara Bow.
Similarly, a kiss shared between Lillian and Dorothy Gish in the 1921 movie Orphans of the Storm often gets attributed as being queer, but it wasn't.
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They were sisters playing sisters. None of this was considered unusual.
Pooh-poohing on all of these images that so many people on the internet breathlessly and joyously laud as proud gay history isn't fun. It makes me feel like I'm fucking Ben Shapiro. But if misinformation is allowed to flourish, it allows people like Ben Shapiro to come in and make the argument that queerness is a modern invention and queer people didn't exist in the past.
Everyone loves to see queerness represented in history, but the fact is that none of the stuff in this post would have been seen as explicitly gay and thus shouldn't be called gay today. If we are to understand queer history in its fullness and richness, it is absolutely crucial that we get it right. We owe it to our queer ancestors to recognize, honor, and not embellish the actual lives they lived.
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thehmn · 8 months
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I’m intersex and I’m very hesitant to make this post because it could very quickly turn into a shitshow if I don’t word my thoughts correctly, but I’ve noticed a small, slowly growing trend and I think it’s important to talk about this before it gets out of hand.
I’ve seen a couple of posts with a lot of likes and reblogs where trans people accuse intersex people of being transphobic when they want hormonal treatment or surgery for themselves to look more female or male. It’s never about forced surgery on intersex children, but specifically about adult intersex people who want treatment for themselves. In these posts people see it as subconscious transphobia because they think this mindset is supporting the gender binary and harms trans and nonbinary people who technically get intersex bodies once they start to transition with hormones and surgeries. In their eyes not only are intersex people who use hormones/surgery to visually get out of the intersex sphere abandoning trans people, they’re also working agains nonbinary people who use intersex people as proof that there are more than two sexes which justify the existence of more than two genders.
The fact that there are a lot of similarities between trans and intersex people should be obvious. Both groups are saddled with bodies that doesn’t necessarily represent their gender and both can experience severe body dysmorphia, but at the end of the day the biggest difference is that the bodies of intersex people change on their own.
If you’re trans, imagine if you were assigned your preferred gender at birth and was perfectly content and happy in your gender experience when you suddenly hit puberty and start developing sex characteristics that goes against your gender and suddenly people around you start telling you you’re not actually the gender you think you are. Basically, imagine the way you felt before you came out/transitioned, except reversed.
I can for the life of me not understand why a trans person who thinks hormones and surgeries are acceptable for trans people can’t extend that mindset to intersex people.
It’s an ongoing debate among intersex people wether we belong in queer spaces and I can see both sides. A lot of intersex people consider themselves cishet people with a birth deformity who aren’t any more queer than people with dwarfism. Other intersex people feel more at home in queer spaces because there’s generally more acceptance of people who fall outside the norm.
But at the same time, in my experience, you get a lot of the same questions in both spaces. Both queer and cishet people often assume intersex means nonbinary, and I’ve been asked more than once how intersex people can call themselves cis or trans when their bodies fall outside the two majority sexes, forgetting that it’s all about what gender you were assigned at birth.
This leads to situations where you’ll meet trans men with functioning penises and trans women with natural breasts. A child might be born with something that looks like a vagina with a big clitoris and be assigned female but once they hit puberty the big clitoris becomes a small penis.
And even if they’re trans and start developing sex characteristics more in line with their true gender they might not be ready for it yet. As a teenager you become a target if you stand out so if you’re a trans girl living as a boy and you suddenly develop breasts that can be horrifying.
I personally experienced a much milder version of this. As a child I was perfectly content with people calling me a girl but I also felt like a different kind of girl. Not in a “not like the other girls” or tomboy way. More like a girl with something else in the mix. It was a very physical feeling because I was naturally stronger and more boyish looking than other girls and I didn’t really feel like I fit in with either boys or girls but at the same time it didn’t bother me when I was grouped in with the girls during school activities. I’d play around with makeup in my room, giving myself a beard and chest hair without wanting to be a man. It just felt like the right mix. Then I hit puberty for real and developed breasts and hips but also a full beard and chest hair. Despite all the times I had done it to myself I was mortified. This wasn’t something I could take off. I stood out wether I wanted to or not. Shaving left me with stubble. People looked. People commented on it. And my breasts didn’t grow super big and a lot of my body fat sat on my stomach like on a man, which meant if I didn’t wear a very flattering bra and feminine clothes I was sometimes mistaken for a chubby guy with manboobs. I was NOT ready for that. I was already struggling to fit in at a new school so this was like a social death sentence, not to mention I wasn’t sure about my own gender yet. It was something I should be allowed to work out on my own in peace when I was ready for it without people constantly asking what I, a child, had in my pants.
So hormones was a gift that allowed me to “transition” when I was ready for it at a later age. I’m off those hormones now and live as a “woman with something extra” like I always knew I was, but the things I had to go through as a child makes me very sympathetic to intersex people who does not feel that way and just want to be a man or woman with nothing extra because that’s their gender and like everyone else they want their gender and gender expression to align.
I don’t think it’s fair to expect people to be a martyr for other people. Most intersex people think trans rights are important but that doesn’t necessarily mean they belong in that debate. I know a lot of trans people who think women’s rights are important but feel no obligation to help the cause by sharing their experience of what it was like living as one gender and then another and how much respect and dignity they gained or lost after they transitioned.
So while I understand the natural instinct of wanting intersex people be part of a lager cause I also think it’s unfair to call intersex people who want to look like their preferred gender transphobic.
I really hope I made myself understood and that this isn’t an angry post. I just saw this “intersex people are transphobic for taking hormones” opinion with little to no understanding of the intersex experience and I’m hoping to shed a bit of light on that ❤️
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Anyone else losing sleep over how Hua Cheng treats Eming poorly? Eming was made from his own eye, so you'd think they'd be in sync - and they are, when it combat, because Eming was born in a desperate need for a weapon and to overcome enemies.
But Eming was also born from a low point in Hua Cheng's existence and must represent the person he was back when it was created - utterly devoted to Xie Lian, but also too weak to have been of any use to him. He saw himself as a loathsome lost puppy lapping at the heels of a god he couldn't hope to be worthy of serving, crying over everything.
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It was also during his time desperately overcoming the trials to become a Supreme, aka what Hua Cheng also considers a shameful part of himself. The moment Xie Lian learns about the divine statues and murals, Hua Cheng jumps to suggest they be destroyed, and had tried as hard as he could to make sure they weren't discovered at all.
He changed himself into a suave, calm, collected, overpowered loyal servant to Xie Lian after 800 years, thinking that his prior exploits as a human and as a Wrath were too erratic and disrespectful and not at all how he wanted to be. He would indeed still do everything that Xie Lian wants of him, but now he's actually confident he could do it - so confident that he would even follow Xie Lian's heart when it doesn't seem like the right thing to do or even endangers him. No more hiding behind a mask as Wuming or lying about being his follower. He looks down upon who he used to be: all the same devotion, but not enough power, experience, or confidence to actually do anything RIGHT.
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It's no wonder that Hua Cheng not only says no when Eming first wants a pet, but also repeatedly whacks Eming when the blade gets too needy. He thinks Eming's needy behavior (a reminder of his own personality back in the day) is as shameful as the past he worked desperately to leave behind. When he would have broken out into tears just trying to be noticed, when he was desperate for love and clung to Xie Lian when he first showed him kindness.
Eming is willing to show emotion and cry and become erratic even when Hua Cheng himself is keeping a surface-level calmness or focus. Is it any wonder why Hua Cheng doesn't want Xie Lian to see that he still feels emotions and weakness when he dedicated himself to being strong enough to protect Xie Lian, eliminate all his threats, get him whatever he wanted, so that he never had to suffer again?
Eming's sentience is limited, so the blade never evolves or changes or gets over its emotions by processing them over time. Hua Cheng himself was able to change into the person he wanted to be - or who he thought Xie Lian would need and like better - but Eming could never take the same steps. It remains as utterly devoted to Xie Lian and simple-minded as the moment it was born.
It just also happens to be a super deadly saber on the side nbd
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celluloidbroomcloset · 5 months
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I was thinking about the idea that homophobia doesn't exist in the world of Our Flag Means Death. I think it's clear that this is not the case, but it is a more complicated issue than what we think of when we discuss straightforward homophobia, and is closely aligned with how the different worlds represented in the show perceive sex, love, and desire.
(Before I get going, I want to be clear that I'm discussing the world of the show itself, not the world of the historical Caribbean in the 18th Century. Our Flag Means Death primarily uses history as a useful lens through which to filter our own time period and the things it wants to discuss, and so only uses history when it serves the show's purposes. These are all just my thoughts - I'm always happy to discuss them!)
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There are two major worlds at play in the show: the English gentry that Stede comes from, and the pirate world. In neither world is homosexuality explicitly treated as illicit or unacceptable, though it is never mentioned or shown in the English world. Most of the homophobia expressed by characters lies in the perceptions of the "right" and "wrong" ways of performing gender and sexual roles. I talked about this a bit here in regards to Izzy's homophobia.
In both the English and the pirate worlds, Stede's gender presentation is openly questioned. Stede is a fop - not necessarily a sexual marker one way or the other - but he's also, in the words of the show, soft. His father labels him a "weak-hearted, soft-handed, lily-livered little rich boy" who has never done a "man's work," blanches at the sight of blood, and is only inheriting his power from better, more masculine men.
Within the world of the show, Stede occupies a role typically reserved for female characters, in which he's sold in marriage to build his family's wealth. His romantic desire to marry for love is knocked down; it doesn't matter if he loves Mary or she loves him, or if there is even any desire on either side, because the whole point is to unite their wealth and produce heirs to carry on that wealth.
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In Stede's memories, the shift from getting married to having children is instantaneous. Sex is implied, but it barely exists for him - it was simply something that he had to do to fulfill his part. Again, this casts Stede in a role often reserved for female characters in fiction. The function of sex, in the English world, is procreation. Desire hardly enters into it, and love certainly doesn't. So it is likely that Stede's only sexual experiences are ones without desire and without love. They are simply to fulfill a function.
Pirate society is significantly more open when it comes to expression of sexuality, but it is still steeped in sexual roles and requirements. Stede's outward queerness marks him out, but it's his inward queerness and how that integrates his emotional core that makes him unacceptable within the masculine hierarchy represented by Izzy and Calico Jack.
I've gone into Izzy's toxic masculinity and hatred of Stede's gender presentation elsewhere, but to reiterate briefly - Izzy's biggest problem with Stede is that Stede does not occupy the correct gender role within the masculine hierarchy, nor does he occupy a properly defined sexual role. He is, in Izzy's view, supposed to be submissive to a dominant male, and he's anything but. He breaks the rules of piracy and he breaks the rules of masculinity, without seeming to be aware that there are rules to break (at least in the pirate world). Stede is "wrong" in Izzy's understanding of masculinity and homosexuality, just as he is wrong in the Badmintons'/his father's understanding.
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It is Stede's breaking of those rules that attract Ed to him in the first place. He doesn't act like a pirate should. He's strange. He's off-script. He's...queer. That queerness draws Ed in - far from being repelled by it, as Izzy thinks he should be, he's fascinated by it. Stede's softness and gentleness are things that Blackbeard should either reject or attempt to dominate, and he does neither.
What comes out in Stede and Ed's interactions is that Ed himself doesn't just desire softness, but is soft himself. Beneath the masculinity he puts on, he wants to be touched with kindness, he wants to be embraced. One of Stede's first questions is if he "fancies a fine fabric." When Ed says he does, Stede doesn't laugh at him or view this as un-masculine. He shows Ed as many fine fabrics as he can, excited to finally have another man with whom to exchange this love.
Ed also wants to be submissive without being hurt. He gets Stede to stab him in a performance of sex, but the act implies even more than that - that sex and pain are closely related in the pirate world, tied to sexual roles (men who penetrated and men who are penetrated). But Stede, once more, is a gentle man who penetrates. He doesn't see the stabbing as a sexual act, nor does he get a sexual thrill from causing Ed pain. Ed submits to a man who cares that he's being hurt, and it is this softness that Ed wants and is, as yet, unable to ask for.
(It is notable that, when Ed recalls the stabbing in "Fun and Games," his main memory is of Stede's look of concern.)
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The role of sex, love, and desire in the pirate world is made clearest with Calico Jack, far and away the most explicit representation of a pirate's toxic masculinity, who also highlights the reading of sex as about power and pain, not love. Calico Jack and Stede's conversation is the first time that sexual relationships between men is actually raised, in explicit and vulgar terms as Jack asks Stede if he and Ed are "buggering each other" and tells Stede "Blackie and I have had our dalliances."
Jack views Stede's response as being ashamed, but we see clearly that it's not shame but anger. Stede doesn't like who Ed is with Jack, and he doesn't like Jack's vulgarity, simplifying sex, and especially sex with Edward Teach, down to pure functions, not expressive of love or desire, just as they are in the English world. Jack's attitude that this is simply what men do to (not even with) other men when they are at sea, and he's proving his dominance by telling Stede that he's done it with Ed.
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Stede is not ashamed at the assumption that he and Ed are having sex, but angry at the implication that sex between them would be "buggery" and "dalliance," not love (and, what's more, that Ed would be treated as a thing instead of a person by another man).
Stede's queerness is part of his emotional core - it is not a whim. It is not something he can discard or mask, regardless of how he dresses or behaves. It is not something that just "goes at sea," or that can be reduced to functions. It is integral to himself, and so he's been completely unable to conceal it from being perceived in either the English or the pirate world, though he has tried very hard to conceal it from himself.
Ed has also tried to conceal the emotional reality of his queerness via his performance as Blackbeard, turning it outward as violent games between men, without softer emotions. It is with Stede that his own emotional core is revealed, and the big mean pirate is shown to be a man who wants to be held and touched, to be submissive without being shamed or harmed.
They allow each other to be vulnerable, to move beyond their worlds' insistence on sex as being purely a function and to unite it with love and desire. Their romance develops out of friendship and a powerful emotional understanding that claims softness as strength.
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Neither Stede nor Ed are acceptable in worlds dominated by toxic masculinity and controlled by rules of masculine hierarchy and power. But they are acceptable on the Revenge, filled with a crew of the "worst pirates in the world," all of whom openly, and increasingly, express fluid gender and sexual roles and identities that shift with relationships and feelings. Both are aligned with the queer liberation of the Revenge, itself shaped by Stede's ethos of kindness and breaking the "culture of violence" of piracy, but they have to break out of their worlds' underlying homophobia to find their way to each other.
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ezekiel-krishna · 19 days
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7th Lord in All Houses [ Spouse/Marriage, Partnerships & Public ]
Part 2 .. { Vedic Astrology }
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🔘To Check Your Placement
📌Refer to My Part 1 > Click Here
7th Lord in 5th House
This placement is truly exceptional, but here's the catch - if there are negative influences alongside the seventh lord in the fifth house, it may slightly diminish the positive effects.Rest assured, you are destined for a love marriage and possess an immense love and respect for your partner. Your main goal is to bring happiness to your spouse, and this position blesses you with various talents, especially in creative fields like music, drama, dance, and acting.
Chances are high that you will meet your potential partner or spouse while engaging in fifth house activities, such as attending sporting events or participating in creative artistic endeavors like drama, dance, or acting. It could even be through theater or any similar avenue where you can find a potential spouse or strengthen your existing marriage.During times of crisis or emergencies, you and your spouse will grow even closer and stronger. In fact, it is said that you would willingly sacrifice your life for your spouse.
A successful marriage is built on the foundation of sharing resources wisely, opening a joint bank account, and having complete financial trust in each other. This agreement not only strengthens the bond between partners but also receives support from both sides of the family. Your ultimate wish is to have your spouse as your closest confidant, best friend, and companion.
Building friendships with others is crucial to you, especially through involvement in humanitarian and political groups. However, beware of becoming lazy, escaping reality, or falling into substance abuse, as these can jeopardize the relationship. Engaging in spiritual or occult practices together can enhance the bond, but if is only one partner becomes too absorbed in them, it may pose a threat to the relationship.
7th Lord in 6th House
When the seventh lord enters the sixth house, it creates a complex placement. However, this does not mean that you won't get married. In fact, there is a higher likelihood of marriage because there are certain karmic lessons that need to be resolved within a partnership. What you may experience is perceiving your spouse as somewhat adversarial towards yourself. It's important to be aware of this tendency and to truly get to know your partner before getting married. If you enter into marriage without knowing your spouse well, you may suddenly start seeing flaws that aren't really there.
It's crucial to avoid being overly judgmental towards your partner, and vice versa. Since the sixth house represents Mars, the celibate warrior, your relationship may ultimately lean more towards friendship than anything else. This isn't necessarily a bad thing, as many successful marriages are built on strong friendships. However, it's important to be mindful of this dynamic. With the seventh lord in the sixth house, there may be arguments and disagreements within the marriage. These conflicts arise because you may see your spouse doing things that you personally dislike.
Sometimes, due to these challenging karmas, individuals with this placement take a long time to fully commit to a relationship. However, there is a way to make this placement work in your favor. It depends on the nature of the seventh house lord. If it is a malefic planet such as Saturn, Rahu (North Node), or Mars, the challenges may be more intense due to anger and discord within the relationship.
The sixth house represents service, and the key to finding harmony in this placement lies in finding a common cause where both you and your spouse can creatively contribute. Engaging in social work, charity, or volunteering together, whether it's helping the needy in society or animals, can be highly beneficial. By serving a shared cause, you can strengthen your bond and navigate the challenges of this placement. You have the highest likelihood of meeting a potential spouse when engaging in activities related to the sixth house or being part of larger organizations such as schools, universities, hospitals, or even an ashram. The foundation of a successful relationship lies in your shared religion and adherence to dharma. It is crucial for this relationship to be completely dharmic, as any illicit activity can completely destroy it.
By following a guru and faithfully practicing your religious beliefs together, you can sustain this relationship. Additionally, studying higher philosophy and pursuing education at a university can also contribute to its longevity. Your greatest desire lies in spiritual pursuits, and you prefer solitude, peace, quiet, and contemplation. This is one of the reasons why you find marriage to be demanding. You tend to listen to your own inner voice rather than your spouse, which can create some difficulties. However, traveling to foreign lands with your spouse and experiencing new adventures together can be beneficial. One challenge in the relationship is your tendency to be a perfectionist towards your spouse. You can be overly critical and struggle to believe that your spouse is on your side. It is important for you to carefully examine your own faults in this regard.
To maintain a healthy relationship, it is essential for you to have a deep understanding of yourself and recognize your weaknesses. Additionally, achieving status or success in the world can sometimes pose a threat to the relationship. However, this placement is favorable for business endeavors, particularly in fields related to animal welfare, legal work, social work, larger institutions, counseling, and mentoring others.
7th Lord in 7th House
This is a fortunate placement indeed! When the 7th lord is a benefic planet like Venus, Jupiter, Moon, or Mercury, or even when it's a malefic planet like Saturn, Mars, Rahu, or Ketu, it can still be a blessing. But the question is, do you accept the blessing even when it is malefic?
In general, having the seventh lord in the seventh house means that your spouse is a good person who supports and blesses you. However, when the 7th lord itself is malefic or in conjunction with malefic planets, it may not be so clear. Your spouse may have a special role or destiny to fulfill. They may have prominence in the world and as they receive their blessings, they openly share them with you.
When the 7th lord is in its own 7th house, it is important to allow your spouse to do their own thing. Trust them and avoid being suspicious or jealous. By letting your spouse express themselves, the happiness between you becomes stronger. Your spouse is a motivating person who can help you achieve great things in life. This placement is excellent for partnerships as it elevates your life and brings you happiness and prominence when you are married. It is especially favorable for business people to have the seventh lord in the house of marketplace, as it brings opportunities to you.
You become a true entrepreneur, a go-getter, especially if you are in any business or partnerships with good aspects to the seventh house lord. It's hard to say where you will meet your spouse when the seventh lord is in the seventh house, but it will be a destined encounter because the 7th lord is so strong. Perhaps it will happen in the marketplace of life, while shopping, bartering, or engaging in business situations. What keeps the relationship going is when both of you are successful as a team in partnerships, or even when you go into business together.
Your desire for success, achievement, and prominence is solely focused on yourself. With your hardworking attitude, you are bound to succeed. However, your spouse's involvement in your success is at risk due to interference from either your spouse or your family members. They don't always provide the support you need, which also affects your relationship. When it comes to communication, it is crucial that you and your spouse talk extensively. But be cautious with your words, as once spoken, they cannot be taken back. The most important aspect is to maintain open lines of communication and be transparent with your spouse about your finances. Avoid hoarding wealth or keeping separate accounts, as this can strain the relationship.
Sharing financial matters may not be easy, but it is essential for a healthy partnership. The key to maintaining this relationship lies in discussing and resolving issues together.
...Stay Tuned For Part 3...
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cy-cyborg · 8 months
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It will never not be frustrating to me that amputees appear in fiction ALL. THE. TIME. and yet they're almost never acknowledged as such. The Cyberpunk genre is especially guilty of this: amputees and prosthetics becoming a normalised part of life are a defining part of the genre/aesthetic and yet no one even consults with any amputees about how we get represented there. Most writers in those genres don't even consider that giving your characters cybernetic arms and legs means they're an amputee.
CW: Ableism, dehumanisation
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This makes it REALLY uncomfortable to engage with stories in the genre because another common aspect of cyberpunk is the idea of losing yourself and becoming something distinctly not-human anymore because you have too many cybernetic augmentations/implants. Shadowrun even has mechanics for this, which state if you get too many prosthetics, which is what cybernetics are 9 times out of 10, your character becomes a monster. These mechanics and discussions surrounding "how many robot bits make you not human anymore" are really, really uncomfortable when you remember this isn't something that's unique to a far-off future setting. Those people you're discussing the humanity of already exist. They're called amputees. If you reframe the question as "how many amputations can you have before you stop being a person" I hope you can see why an amputee like myself is not going to feel safe around you or in your fandoms.
And it's a shame, because I REALLY want to like Cyberpunk. I really, honestly do. I love the aesthetics, I love the idea of big corporations being the villains and the anti-capitalism at the heart of the genre, and I love the idea of prosthetics being not only destigmatised, but desirable. When written from a disability-inclusive lense, it honestly has the potential to be an incredibly uplifting and empowering genre. but as the genre stands right now, it's actively hostile to the very folks who are usually the stars of its stories: amputees, all because people just refuse to acknowledge us.
Cyberpunk isn't the only genre guilty of this, it's common all throughout sci-fi as a whole, but Cyberpunk is the only one where it starts becoming a serious issue due to its rampant dehumanisation of a real group of people. In other sci-fi settings, it's just kind of annoying and while it can be a form of erasure, it's not usually harmful, just...frustrating. Fantasy does it on occasion too, think pirates with a hook and a peg leg, but nowhere near as much.
If you, as an author or creator, use any of these words to describe a character or their tech in a sci-fi setting:
cybernetics/cybernetic enhancements
bionics
robot limbs
cyborgs
augmentations
You are probably writing an amputee. Please, at the very least, acknowledge it, and be mindful that those are real people who actually exist, not just a fantasy group you can speculate about.
edit:
I originally posted this article on my old Tumblr account and lot of people commented/reblogged to tell me that originally in cyberpunk, the "less human the more robot bits you have" only applied to people who opted for their limbs to be replaced by cybernetics, because it was seen as "renting out your body to corporations for money" but people who had to get cybernetics out of necessity weren't impacted. The thing is though, I really don't think that makes it better, for a few reasons. For one, where do you draw the line at "opting" to get a cybernetic prosthetic? This isn't a black and white thing, even in real life. Most amputations are done out of necessity, but there are situations where it's not the only option, just the best one. Talking from personal experience, I lost both my legs below the knee as a baby, that was a pretty clear cut case, I had a blood infection and gangrene and they had to act fast. But the infection caused lasting side effects and impacted my physical body's development and growth. By the time I got to my early 20's it was causing a lot of pain in my right leg, in my knee specifically, and when I got a bone infection in the end of that stump, I chose to have the whole thing amputated up to the knee. They only needed to take a few inches off the end of my stump, but I asked them to go higher, because of the ongoing issues in that knee, issues that would have been made worse by the shortening of the leg. I choose to remove the whole thing, knowing the joint was degrading and I probably would have lost it later in life anyway. Even if it was salvageable, it would mean much more surgery, and I've had enough of those. A boy I played wheelchair basketball with was born with a partially formed leg, it was half the size of his other leg and he wasn't able to use it al all, it was just dead weight, so he opted to get it amputated too for convenience and so he could use a prosthetic on that side. I worked with a girl who's hand didn't form properly in the womb, resulting in a normal palm, but tiny "finger nubs" (her words) with no bones inside. They weren't actively harming her usually, but she opted to get them and the top of her palm amputated after an incident at work where we were tying balloons and one of her nubs got stuck in the knot. She decided to get them amputated because it meant accidents like that would be less likely, and she could use a prosthetic more comfortably. All 3 of these are considered "optional" amputations, so would people like us be penalised in your setting? does it make sense that the technology in your setting can tell the difference, or that corporations would care about the how and why? Even stepping away from medical grey areas, if your character opts for a cybernetic arm because the corporations will financially reward her, and she's struggling to put food on the table without that help, is that really optional?
Don't get me wrong, I do think that idea could work but it would take a lot of work to do well, and most works I've seen don't do the work. Even if they did though, it doesn't change the fact that most modern uses of this trope don't mention that bit or actively ignore it. It doesn't matter in most cyberpunk works I've seen if the amputation was optional or out of necessity, they still are more prone to being seen as "less human" and in most of the sci-fi writing communities I've been part of, the authors are genuinely shocked when I ask them to remember "people with cybernetics are real people already, they're not some far-off-distant future fantasy group, they're just called amputees". Like it didn't even cross their minds. These are the people creating the works in this genre. Even if it wasn't the original intention of the genre, it's still an issue in the modern version of it. Edit 2: Elaborated a little more on why I don't think the "only people who choose it" argument works in the edit. Also, please stop telling me that old cyberpunk doesn't have this issue, I literally address that in the post lol.
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sugar-grigri · 3 months
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What is a family?
Hello everyone, I'm in exam period so we're going to start with a very short analysis
We saw in the previous analysis, in chapter 152, that Denji wanted to be a CSM and that suffering, mental and physical pain, was inherent to being a CSM. Suffering was a claim for the protagonist, that of accepting his suffering to the point of finding pleasure in it, that of accepting that experiences can be painful, of not being protected
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Especially by Nayuta, the control devil who can only conceive of happiness with one person, and that's enough for her.
But above all, I think that since Denji had accepted the fact of committing himself to the path of suffering, he didn't want Nayuta to join him, hence his desire to keep her away from him.
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But what this chapter shows is that a family can't be chosen, it's simply there.
People do what they do, always projecting all their frustrations onto CSM, this faceless chimera. CSM is as much a good-luck charm as a match to be burned for bad luck.
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Denji's dream of being seen was full of meaning, because what people see in CSM is precisely their suffering and despair.
Yes, CSM represents suffering - yes, you have to suffer to be him, just as he will only evoke suffering for others.
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The contract with the fire demon was simple: become what you want. As he had suggested to Yuko, the thought-hearing monster was suitable for a socially eccentric girl who had trouble understanding others.
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So when people try to burn CSM, they're burning what they want CSM to be: their suffering.
The lighter was an image that had already been introduced by Barem, who ironically presented himself as a CSM fan, foreshadowing the fact that many CSM fans had pacted with the demon of fire, fire capable of destroying them in return.
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Burning CSM to make the wannabe CSM disappear always comes down to the same logic: CSM is there to save, whether this is done by reigniting him or by killing him.
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So the fire is there to atone for the suffering, Denji simply tries to tell them that the fire is already there, burning down his apartment and his Meowy family and the dogs.
Why burn Denji? When he's already burning. He has already lost a part of himself.
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Denji proclaims that he seeks suffering because he wants it to be his alone. He realised that even if he stopped being a CSM, those close to him would continue to be attacked as if the cycle had never been completed.
Denji has never had any confidence in himself, obediently following the rules laid down for him every time. Nayuta's rules, which symbolise this apartment, didn't work, and neither did those of the public hunters, because even if you respect the contract, suffering will always be the end result.
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So Denji tries to free himself from all these rules, because they don't allow him to escape suffering.
He also tries to free himself from his loved ones, because it doesn't allow them to escape either, but humanity won't let Denji be free.
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Denji had made it clear that he didn't want to hurt mankind because he wanted to preserve the last link that bound him to them: the kiss he had with Asa (Yoru). He doesn't want to belong fully to the demons, as Nayuta had recommended, but why not become one after all?
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Denji loves violence, even against humans. He likes it because he is still CSM after all, a monster whose raison d'être is suffering. Yet the link that allows him to consider himself still on the other side is a simple kiss that didn't cause him any pain.
Because this kiss is exactly Denji's life, a touch of pleasure in an existence that is always painful. A boy who can't even say he can't betray humanity because he has friends because he has none.
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Nayuta has never thought of her existence as separate from Denji's, the reason for her happiness, her beloved big brother. So she is now facing her worst fear: being cut off from this dearest of beings, being rejected by him.
But as they try to keep her away from her ailing brother, telling her he's no longer her family, she realises that this thing that rejects her, that hurts himself horribly, is still her family.
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More to the point, it's the person behind this faceless monster who's reaching out to him, because CSM isn't a being capable of embracing with his chainsaws. Denji's arms are outstretched to him, as if he's standing between CSM behaving like a monster and his own anxieties: there's an obvious love there. She shouldn't see her fear in the foreground, what she should see is Denji.
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This thing that dares to cut ties with her, to put itself in danger to the point of suffering so much, has never ceased to be her family.
The only way to see anything apart from CSM, apart from this figure of suffering, is to love Denji.
is to see the boy behind it.
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A boy who can't stop laughing despite suffering, in a way that may be terrifying, but which gradually gives the impression of a brother forcing himself to smile to avoid putting his sister in danger. Look, I'm crazy, so stay away from me! And I don't want you anyway!
His laughter is as uncontrolled as his gestures, all acting as reflexes to keep Nayuta away from danger.
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CSM is a being who belongs to neither world, hero of humanity when it suits them, hero of the underworld terrified by his fellow creatures, he is held responsible for both worlds, the suffering of demons and that of men.
But Denji may not belong to either world, but he does belong to a family.
Denji may not be seen by people, but he has been seen by a demon who loves him deeply.
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The hero has always been hunted because he has never been accepted by humanity, suffering while swallowing that of others, he has always had to be rekindled, to serve someone once again.
And finally he's given permission to run away.
No CSM, don't swallow the suffering of others
It's hard enough to swallow your own.
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Denji, you are loved by the demon of control who now agrees to do something unnatural for her, to allow you to escape her control, her vigilance, her protection. Because she knows she doesn't have to lock you up in a gilded cage to be able to find you.
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A family always waits with open arms, don't they?
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marzipanandminutiae · 11 months
Text
The Snark Is Real This Morning
Oh no! Some patriarchal shill just had an Illegal Corset Thought on the Internet!
Maybe they said "corsets weren't invented by the patriarchy" or "comfort was actually often a prime concern for most women's day-to-day corset-wearing, as evidenced by mid-late 19th century advertising" or "women didn't go around fainting constantly because most of them didn't tightlace most of the time."
Maybe they brought up "survivorship bias in extant clothing" or "rampant photo doctoring in the 19th/early 20th century" or "treating satirical cartoons and fashion plates as gospel" or "museums displaying corsets laced entirely closed when wear patterns and primary sources indicate that lacing gaps were more common in many times and places" These concepts are actually conspiracies invented by Big Misogyny to sell more booze to depressed history workers!
Maybe one of them said that she'd worn corsets, or even that she and/or her friends actually found them more comfortable than bras! Clearly she believes this is representative of all women throughout history and in the present day. Besides, she is suffering from Femininity Poisoning and nothing coming out of her silly, weak little brain can be taken seriously. Remember, it is Peak Feminism to dismiss what a woman says because of her gender presentation!
Don't be fooled! All of these statements mean one thing: they are saying that corsets were and are, always and forever, universally feminist and empowering. That no woman in the past ever found them uncomfortable, and that GNC women didn't exist before 1960 and also are icky. Did they actually say that? Doesn't matter! You know what she Really Meant- you've seen P*rates of the Caribbean and Br*dgerton! Corsets were always torture devices meant to oppress women, and any statement contradicting that clearly means the extreme opposite.
So what's a right-thinking and concerned Internet Citizen to do? You have a few options:
See point above re: femininity. Feminine-presenting women are basically brainless, so if a woman talking about dress history Wears An Skirt, you can just write off whatever she says. Easy peasy! Be sure to say something derogatory about her appearance, so others know why they shouldn't take her seriously.
Accuse them of not knowing their history. Any degrees, professional experience, publications, academic accolades, etc. they may have are irrelevant. Their primary sources are...idk photoshopped or something? Best to ignore them altogether. You have Feelings on your side, and that's far more valuable than any research!
Accuse them of accusing you of being a t*rf. Works especially well if they've said anything about the preponderance of t*rfs expressing your True and Correct views- that just means they're calling everyone who thinks like you a transphobe, duh!
Tell them they're not believing women. If they have cited so-called "realities of historical women's lives," well, that's clearly just the rich elite of any given era (who were also brainrotted by Femininity, natch). If you're a woman, and you say corsets were the spawn of Beelzebub, that should be enough ~evidence~ for anyone!
Appeal to common knowledge. Everyone KNOWS corsets were evil; can they really be DEFENDING a KNOWN HATEFUL OPPRESSIVE HELL-GARMENT?! What is the world coming to! If they ask how exactly everyone knows that and where that collective belief comes from, reply with a snarky GIF and block them. There's just no reasoning with some people.
Call them a tradwife. Are they a tradwife? Irrelevant.
With all these tools in your arsenal, you are now well-equipped to fight the horde of vile corset apologists online. Remember: It's Only Real Oppression If The Oppressed Group Is Miserable 24/7!
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tendergraphite · 1 year
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Richard Papen: The Master of Illusion
Why did Richard become an accomplice, how could he so easily be swayed to ''Allow'' murder? The answer is simple: He longed for the picturesque—at any cost.
Richard grew up isolated, and seen as an inconvenience; Nineteen-years-of-life and not a single mention of an old friend (Apart from an ex-girlfriend he was desperate to rid of)—It's why he idolises Hampden and the Greek Scholars to such a fictitious degree, they represented everything he did not have: Fundamental familial experiences with love, being cared for, and feeling wanted.
They were beautiful, but beauty cannot replace what he hadn't had.
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The Motive: To sum it all up in a pretty bow for you; Richard left his morals at the door once Henry rescued him—All of his fears had not only been amplified in chapter 3, but realised; His Parents distain, his Teachers neglect, his lack of companionship, his very existence unperceived (tainted): All of which almost led him to his own grave, with nowhere else to turn.
The side-character to his own story, the man everyone felt passive-disdain for (Not even hatred, that would be too impassioned—To personal.) But for the first time, someone caught him when he fell. For the first time he was shown compassion, Henry stayed by his bedside when he was too ill to do much else other than lay in pain, and Henry made it clear he would recover within his own home and very bed—An action Richard could never forget—Of course he'd put Henry atop a pedestal, and become so agreeable for his Messiah; Richard had never experienced such guidance nor support in his entire life.
After a life of desperation for an escape—After everything which previously had been brimmed with dread, suddenly leaked beauty: Was it really a question of if once glanced, whether he'd franticly flail to grasp it again? Of if he'd insert himself into these people's lives, and make any sacrifice possible to return their tranquil silence once it had been so foolishly broken by Bunny?
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Now the real reason I am creating this post: That's right I fooled you into reading my theory MWHAHA!—Richard Papen was the one to push Bunny, not Henry. I figured I'd get his motive out of the way before we'd delve into pure insanity.
The most notable part of the actual murder is it's never written who pushes Bunny. One of the general ideas for the reason is it didn't matter who it was, simply that they were all complicite... But that's a little boring, so let's pick at this wound. It simply couldn't have been Henry; He was thirty-feet-away, his shear distance keeps coming up too—But with Richard, Bunny was practically breathing down his neck, he was close enough to read the label on the bear bottle.
He describes being overwhelmed by Bunny's sudden appearance, but really it was anticipation: Because Richard realized he'd have to be the one to push him. If Henry had tried to push Bunny it couldn't of logistically worked, there is no element of surprise as Henry is too faraway and within Bunny's direct sight, he has his full attention. Henry may be large but so is Bunny, it's even directly mentioned here how he's 6 foot 3; Not to mention Bunny had fully been expecting Henry to attempt to murder him at some point.
You could argue he was just to stupid to fight back—However, Richard may never describe the push, but he does go into deep details on the shear surprise and shock on Bunny's face; He well and truly hadn't seen his emendate death coming. Dumbassery doesn't entirely dull out your reflexes nor does it suddenly make you the size of Francis scrawny ass.
Bun entirely trusted Richard, all Richards previous machinations of Bunny's jealousy for him he'd made up in his own mind and didn't actually match in Bunny's actions.
Richards within shoulder length, and Henry, who limps and is too far to seize the element of surprise: The push—The fall, Richard watches each and every moment of Bunny's death at an intimate proximity.
It just couldn't have been Henry, I'm sorry.
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It all loops back to why Richard would've felt the need to commit this murder, because yes Henry manipulates Richard well and truly but it completely backfires due to Richards traumatic history: Ultimately he killed Bun out of his own volition, and selfish desire for the picturesque lifestyle he'd only so recently acquired.
And finally, Donna Tartts quote of The Greeks and The Irrational
Dionysus [is] The Master of Illusions, who could make a vine grow out of a ship's plank, and in general enable his votaries to see the world as the world's not.
We are reminded of who our narrator is, and then must listen to Richard try desperately to twist his language in order to fool us into believing Henry had well and truly committed the murder without implicating either of them.
But no man who was a mere witness describes a murder in the way Richard chose to, it is morbid and soaked in guilt. He goes on a tangent about murderers always avoiding telling the meat of their crimes, but really he was doing so to avoid telling us the true events of that evening; He goings in circles around the incident constantly, never landing on the mark.
God this post got long, if you made it through the entire thing oh my gosshhh hiiiiiiiiiiiiiii how are youuuu :)
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nrdmssgs · 6 months
Note
can you write something with reader and gromsko and how gromsko would treat her if she was his wife? i’ve heard some seriously questionable things about polish people from my boyfriend, he could be biased but from what i know they are super misogynistic and gromsko gives off traditional vibes yknow.
Masterlist
Wow, that is a very interesting request, actually!
First of all, I am very sorry, that your boyfriend had bad experience with Polish people and I really hope, that things get better. My very first work was in a Polish company, and I've met the sweetest, nicest people there. There was literally one issue - I was young, tiny and underweight, and they all felt sorry about that and constantly tried to feed me.)) So the reason I'm telling this here is to highlight, that there are so many different people in every country.
I don't have anything against authors, who chose to depict him as very traditional (in a negative way) person. It is always important to not forget, such people exist. But I want to offer you a slightly different approach to him. Let's just call it an experiment and see, if it works both for you and me, ok? We will keep this guy traditional more or less, but shift him to a non-toxic side.
Husband Gromsko HCs
Long before the marriage, he takes you with him on a trip across Poland to meet his relatives. Won't stop until you meet everyone. Grannies, aunties, nieces - everyone. You are about to become part of his family and it's important to him, that you are truly integrated in the family and shown love from every single part of it.
He asks his parents to bless your marriage, and definitely asks your parents to let him make a proposal to you. It is not that he is dependent - he was raised in a culture, where respect to elderly is everything.
Regardless of how devout he and you are (even if you are an atheist), Gromskо will persuade you to a traditional wedding ceremony.
If you do not belong to any church or are simply a representative of another faith, he will not rest until he persuades the priest of his native church to allow you two to marry.
Yes, this guy will start to fight for your marriage long before it even starts. He doesn't try to force you into faith though. If needed - he is ready to pray for you both. Because you are his love and Sobieslaw has enough faith to keep you in Gods good books.
Once you are his, truly and finally his - Sobieslaws mind is all concentrated on two objectives: domesticating you and welcoming children in your family.
His biggest fear is to fail you. And in his mind, keeping you on your work equals failing you. If you worry about money - it means to Gromsko, that he doesn't provide well enough.
It will take a lot of talking to change his mind. But eventually he will understand. No matter, what he is taught to believe - you, his wife, love of his life, come first. Always. If you are 100% sure, this is the way, you want to live - he will support your choice to keep your work.
He wants children. Not a single child - children. It will break his heart, if you are not in the same boat with him on that one. He won't push you too hard, won't give ultimatums - but he will constantly try to bring the similar wish into your mind.
He is a 'look how adorable these little ones', 'look how tiny this baby beanie is' type of guy. Watches his friends kids on the playground, while embracing you lovingly and whispering 'they are sweet, but our little treasure would be the sweetest'.
If you are as enthusiastic as he is, and you get pregnant - prepare to meet doctor Gromsko. He won't leave your side, not for a day, even if it affects his career. Who gives a f**k about work stuff, when the most important person out there prepares to gift him the second most important person in his life?
He will monitor you constantly, take you to every single check up, make sure you get all the essential vitamins, have enough of fresh air daily and NO stress.
Will welcome his child with tears, will cover your face with frantic, desperate kisses afterwards. "Dziękuję kochanie... dziękuję, dziękuję,dziękuję*!"
Gromsko loves it, when everybody knows, that you are his and he is yours. So please, if you take off your wedding ring for any reason - wear it on a chain as a necklace. Otherwise, he will be terrified, that it is a sign, you don't want him by your side anymore.
He is constantly worried, you might get sick, so he makes sure, you are always warm, you eat well (no matter what your body type is, his granny will still call you too thin, so Sobieslaw will worry about that), you get health checkups every now and then (even if you are feeling perfect!!!).
The most supporting guy, if you decide for any reason, that you don't want to work actively and choose to stay at home.
Gromsko won't just settle with 'ok, good, now I finally have a stay at home wifey'. He will make sure, you like every part of your home, have enough time and space for your hobbies, feel safe and loved.
By the way, the guy looks like the 'I'll build our house on my own' type. Who, if not him, knows better, what makes an ideal home for you and him? Of course, you can choose all the decorations, materials and so on. But he is the one, doing the building.
Dziękuję kochanie… dziękuję, dziękuję,dziękuję - Thank you, love... thank you, thank you, thank you.
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thatshirleylee · 6 months
Text
brennan's statement on instagram
I'm calling on my government officials to immediately demand a ceasefire and de-escalation in Gaza.
I applaud anyone and everyone calling for peace, with the understanding that real peace only exists if it deeply and honestly accounts for and fully ends violence in all its forms. Real peace addresses and corrects wrong-doing in the past and guards against it in the future. It goes hand in hand with justice and requires truth, restoration, reconciliation, reparation.
Peace cannot co-exist with collective punishment, ethnic cleansing and forced displacement. It cannot co-exist with blockades, embargoes, or with 2.2 million people, half of which are children, trapped with no hope of escape or political recourse. It cannot co-exist with murdered journalists, bombed hospitals, or years of protesters being shot and killed at the border. It cannot co-exist with illegal settlements segregated roads, and the silent, imperial chill that settles over the gaps in the yiolence - the unspoken geopolitical consensus that a group of people need to unflinchingly accept permanent subjugation and occupation.
My heart breaks for every Israeli person who lost loved ones during the attacks of October 7th. It breaks for every Ukrainian person who has lost their loved ones. It breaks for every Congolese person who has lost their loved ones. I do not speak on behalf of Palestinians now because some lives are worth more than others. I speak on their behalf because, as an American, my government is actively championing and financially funding their mass slaughter and forced displacement.I speak on their behalf because l, and all Americans, have a responsibility to pressure our government because we are responsible for this. Some have said that this situation is complicated. The United States government clearly disagrees. It has definitively, categorically, militarily chosen a side, and I do not agree with that decision.
In writing this, I have been wrestling with what I am sure many people like me wrestle with: There is a powerful narrative surrounding violence in the Middle East that asserts an ever-moving goalpost of self-education and study in order to even be qualified to have an opinion. As someone with a love of research, I have at times in my life fallen into the trap that I am not educated enough, clever enough or aware enough to have a worthwhile perspective, and that three more articles and two more lectures and one more book will do the trick. Unfortunately, democracy doesn't work that way - we, the citizens of any democracy, cannot possibly be experts on every aspect of the policies of our governments, and yet if we do not weigh in and make our voices heard, the entire experiment falls apart. Not only do people constantly doubt themselves and the things they can see with their own two eyes, but old shortcuts for political action can fall apart as well: This specific issue exists along a raw, charged and unique faultline in American politics. Nobody I grew up with has ever challenged me on my support for abortion rights, LGBT rights, Black Lives Matter, anti-capitalism, anti-fascism, none of it. The people in my country who would despise me for those positions are, for all intents and purposes, strangers to me. But there are people who l've broken bread with and shared honest affection with who will see the words l've written here and incorrectly conclude that I do not wish for the security, dignity and happiness of them and their loved ones, and that breaks my fucking heart. Full-throatedly condemning the actions of the Israeli government while battling rampant anti-semitism at home is an urgent moral necessity, and doing so is made unnecessarily challenging for the average person to navigate by the pointed obfuscations of cynical opportunists, bigots, and demagogues on all sides of the political spectrum who see some advantage in sowing that incredibly dangerous confusion.
So, I'm calling my representatives. I'm having hard conversations with friends and family. I'm here, talking to you. I should have done it sooner. If you're Israeli and hurt by this statement, know that I want freedom, dignity, security and peace for you, and that every ounce of my political awareness believes whole-heartedly that the actions of your government are not only destroying innocent lives, but doing so to the detriment of you and your loved ones' safety. If you're American and feel lost and confused - I understand and empathize. This, the whole country, only works when we get involved. I am constantly haunted by the specter that maybe I have missed some crucial piece of information on this, or any, important world event: I'Il just have to make my peace with that self-doubt and trust my gut by going with Jewish Voice for Peace, Amnesty International, the Geneva Conventions, the United Nations, etc. And if you're Palestinian and reading this: I unreservedly support your right to life, to freedom, to happiness and human flourishing, to full enfranchisement and equal rights, to opportunity, prosperity and abundance, to the restoration of stolen property and land, and to a Free Palestine.
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mari-lair · 5 months
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Gladly! Aoi was inspired by the high school of magic Aoi, who also has a secret identity + no popularity queen status. So she is shy when people pay her any attention, especially Akane, and less arrogant. She avoids conflict but is able to take action when the situation calls for it!
Overall she is more open about her emotions, not hiding behind a cutesy smile all the time.
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Since Aoi's clockkeeper contract is forced, and she is alone, her situation is less of a fun double life like in the magic AU, and more of a curse.
Mirai made her cry the first week she was forced to babysit her and cleaning the clocks used to be awful, she hates having to be their maid after learning they are the ones who put her best friend's life at risk in the first place.
She trains herself to become a persistent girl, independent by force.
She hates supernaturals but has a soft spot for mokkes. She occasionally hides them in her sleeves and sneaks them to No.1's boundary, paying for their services with candy so she doesn't have to clean the clocks alone.
She befriends Teru when he sees her in her supernatural form, more cause she doesn't want to be alone than really because she thinks he is cool.
She goes out of her way to learn about supernaturals instead of pretending they don't exist. She is scared of being lied to again, specially on something so big as the clock keepers recruitment plan, so she doesn't trust their words. Her glasses are enchanted but she only uses them to not be bothered in her studies, she always takes them off if Akane looks troubled or she is on break. She makes sure to learn every rumor to keep Akane safe from the dangerous ones.
The incident where the keepers nearly killed Akane traumatized Aoi. She always walks on the side closest to the road when they are on the streets by instinct.
Aoi never has to protect Akane from all the admirers he gained by being a beauty king, cause his personality is the same, he can brutally kick people regardless of gender just fine, people know he isn't on the market, but she doesn't catch a break, constantly rescuing him from supernatural trouble and worrying about his safety. Since Akane can't see her in her supernatural form he has no idea she is inhumanly strong, only noticing she has been more stressed after her contract and being even more protective and careful with her.
Most people respect Akane, knowing from personal experience that he is a responsible class representative, kind, and brutally blunt. So even though he is able to make people swoon by just existing, confessions are not a daily occurrence, admired from afar.
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In the occasional cases people objectify him, Aoi is more bothered than Akane about it, she wants to throw hands and give away her identity as 'more than a cute shy girl' the second someone is bold enough to hold his hand without his consent, twisting his behavior to fit their personal narrative, and acting entitled to have him.
Think of the rare people that bother Akane as similar to the creepy cashier who created a whole false narrative about Aoi in his head.
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Her friendship with Teru makes Akane a little jealous. Why does she wear Teru's glasses? Why does it feel like they are hiding secrets from him? And she does tease him about it, going out of her way to try to make him jealous as revenge for all the time she had to deal with girls gushing about how hot he is. She is petty.
Aoi usually stops time to make her life easier, get away from crowds, save a flower pot from falling. Little things. If her clockkeeper duties drain her too much she'll even copy someone's homework, though she needs to be really really tired to do that, she is usually too prideful to copy someone else.
She does eventually stop Akane's time to stare at him, mostly out of curiosity, but she gets self-conscious about it and avoids him for the rest of the day, much to Akane's confusion. Getting superpowers may have increased her confidence and made her more proactive, but Aoi is still pathetic when it comes to showing and receiving affection.
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blog-of-hubris · 7 months
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Jujutsu Kaisen 236: Heading South
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This is probably the craziest chapter for the JJK community (rightfully so), and I have been on the fence about writing this up. It won't be super long, I hope… but there are a few things from the chapter I want to highlight.
So once you get past this cut, be prepared to see me bare all in my emotions and analysis for this amazing chapter Gege has given us!
P.S FORGIVE ME IF THIS META SUCKS! I AM OUT OF PRACTICE!!
The Afterlife
None of the jujutsu kaisen fandom is new to death. It is quite the opposite, actually. Characters that the fans love are put in life or death scenarios with no guarantee of them getting out. Even simple side characters that fans enjoy are subject to death, so pandering has never been Gege's thing. For me, the death of Gojo is emotionally hard because I love him, but his death isn't what moved me in this chapter… it was his experience in the afterlife.
The beginning of the chapter is us seeing Geto walking up to Gojo and Gojo reacting sourly. Of course this is him realizing he lost, but before I get into the words shared, I want to focus on the environment Gege gave us. We don't see adult Geto and Gojo, but the hidden inventory or teenage versions of them. I think everyone knows the reasoning behind this is because this is Gojo's “ideal time” of his life. His time as an adolescent with Geto by his side was when he was the happiest.
The fact Gojo form reverts to those days is so sad. To me, it reflects that Gojo never left the past. Everyone he encounters is from his time as a teenager, even showing us Ririka, her maid and even TOJI. (Toji appearing there was a fucking SHOCK to me… that's something else entirely to unpack for another time.) It is very sad seeing Gojo admit in many ways that he didn't feel truly happy after Geto's death. He became the strongest, and that even separated him from Geto, the person who would have given him satisfaction as a living being, not a jujutsu sorcerer. No matter how much he loved everyone, he knew that people could never understand him. But he felt that he could pour that feeling into Sukuna, since he is the only other being to be separated by others in that way.
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On top of that, the dead group seem to be in an airport, symbolizing death and taking flight to a new land. This all makes sense when you think about the context of the chapter discussing heading north or south. The airport represents the flight into the next part of the soul's existence. I don't have too much to add on that specific theme, but I implore you to look up the symbolism for yourself.
A Curse Can Save People...
Is anyone else geeking with excitement over the fact that this chapter confirms the connection the living world has with the dead? Gojo literally asks Nanami how was his death, and we get Haibara explaining how he jumped in. This was the confirmation that what Gojo was seeing couldn't be a dream because how could he imagine receiving information that no one except Nanami would know.
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This means a lot to me, because it deepens the level of meaning behind Nanami's death. In the moments of his death, he knew he was cursing Yuji, but that curse was exactly what Yuji needed to understand the gravity of his new life and choices he made. Specifically for Nanami, this was his final turning point. He chose to bet on the future instead of believing in the usual way of doing things. Haibara jumping in, was him reaching over from the other side, which implies (at least to me) that your loved ones are always watching even in death. I believe that is the “curse” that stays on jujutsu sorcerers, but also can be their saving grace in their last moments.
At the end of the day, the living cannot understand the dead, hence why Yaga said that all sorcerers die with regrets, but the truth is in those final moments only the dead can understand the curse placed upon them. It is the hindsight that creates an atmosphere of understanding, and only then will a person know if the choices they made truly made them happy. Even for Yaga specifically, him cursing Gakuganji was him reliving himself of burden and regret. “My Curse unto you” is literally a curse that saved Gakuganji from being a puppet of the higher ups. I love how Gege is perfectly tieing all the knots together!
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Gojo was cursed by love (geto), and felt he was separated by everyone until his final moments, but those who knew him when he wasn't “the strongest” are those that are there to comfort him as he heads south. I love that Gojo was able to get this final moment with those that he loves, and I hope that this is where they are all experiencing their time. It makes me wonder if THIS is the place Kenjakub discussed (in between dreams and reality).
I will never forget you for as long as I live…
I won't explain the 4 dimensional slash that Sukuna used in this post, but if you would like me to do a more detailed explanation, just let me know in the comments!
What I want to talk about is Sukuna and how this fight impacted him. I think Gojo was wrong when he said his feelings didn't reach Sukuna. In fact, Sukuna saying he will never forget Gojo is him acknowledging that Gojo's feelings did reach him. The King of Curses has not acknowledged a single character in the way he acknowledged Gojo. Even with Jogo, he called him strong but the words “I will never forget you…” + a genuine smile is so powerful that it gave me chills. (Not to mention he is doing this in Megumi's body… it hurts me.)
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I am proud of Gojo because he fought his hardest and got the acknowledgement he wanted, but I think this conclusion shows that Gojo was never as selfish as Sukuna. He was never as alone as Sukuna is, even with Uraume by his side, Sukuna still exuded a sense of loneliness that caused Yozoru to chase after him. Gojo still believes in the next generation, but he still represents the old generation. I personally don't think his death is necessary to symbolize the next generation stepping up, but when you think about it, many of the adult sorcerers we are introduced to (with relevance) have been killed off. This topic can divulge into what Gege is trying to do with progression of the Jujutsu world (giving gakuganji a change of heart and establishing him as a leader for the next generation, for example). I can see how Gojo's death is the literal nail in the coffin, ending the influence of the old generation… Leaving Shoko and Gakuganji to be there as support for the future.
I digress, the point I want to make here is that Gojo did the best he could do to show Sukuna "love" and I wonder what else Gege is going to do to continue that plot point. I also need to see how Megumi will tie into this, because I know his soul is going to play an important role in all of this, I just cannot pinpoint how exactly.
In Conclusion
I will most likely be doing a write-up for every chapter from here on out because I know this situation is going to get deeper. I will be watching Gege's movements closely and can't wait to see how it is all put together!!!
Will Megumi wake up? What is Kashimo's technique gonna be? How will Sukuna counter it? Will Yuta and Maki jump in? WILL MEGUMI WAKE UP??!?!?!?!
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arrenlebanen777 · 1 year
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ASTRO OBSERVATIONS ???
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🌙Pluto in our charts also can show us how is our Arrogant/Egocentric/Shadow side... So people who have very big egos, we tend to confuse that with high confidence, but arrogance/narcissism/etc could also take you to Big material places (just look Kleopatra, Hitler, Mussolini) but with empty ends, because arrogance/narcissism represents psychological problems that are against our real “nature”, and this type of people are everywhere nowadays: All “Goddesses/gods”, “Kings/Queens”, all people who only see themselves as 10/10, people who identifies too strong with an identity(beliefs), just tyrannic people everywhere generating a numb/superficial/dumb world... AND THAT IS WHAT PLUTO IS TRYING TO SHOW US! Idk why no one is putting these people in their place!? (maybe because the DNA/MEMORY of abuse, slavery, victimization, power over others is in us and we are not as conscious as we think). 🌙Idk if this is with all Scorpio Suns or with People who have South node in 8th house but every time I “try to be happy”, the more naive and dumb I become, but the more I connect with my pains/suffering the more mature, compassionate, grounded and with more integrity I feel (very Scorpionic thing), anyone relate to this?(I read you).
🌙Neptune conjunct Vertex: They attract a lot of different types of people in the range of Wounded or very strong/powerful people, They have powerful imaginations with thoughts that contain very high vibration information, these people are mystics, when you talk to them they can take you to places(states) that transcends the limits of the mind (life/oneness/existence/God/Source/universe/infinite) or to very dreamy places, they can transcend the mind just by reading some book, and I can’t stress enough that these people should meditate or do spiritual practices a lot (This Is heightened when it is in water houses, 4th house/8th house/12th house).
🌙Sun Aries in Scorpio degrees(8, 20): These people balance very well being an extrovert/introvert person, they have a lot of creative energy, S*x is a very intense experience for them so they can stay long periods of time without s*x with no problem, but when they have it, they have a lot(and they want a lot), they usually always have some issues related to anger due to the double martian energy here, they have a lot of drive/energy and willpower, they could look very secretives but with a shinny/intense/passionate personality, they have the power to bring any project to light.
🌙Sun Virgo and Mars Leo combination: They are very stable, with a lot of drive, they don’t know when they are judging someone, and they have a very demanding aura, Very talented people, but due to the inner critic/high standards they have with themselves they don’t show this too much to the world, but they should, powerful intellect, and it could be a bit intimidating talking with them because it is felt like they are criticizing you, prideful AF.
🌙Air Moons: You have a very refined intellect that can understand all emotions intellectually but you have to bleed emotionally to grow as a person/human being, Your mind is afraid to feel your emotions since it thinks that would bring some kind of crisis or suffering, again I emphasize on therapy here or doing practices that connect you with your body(meditating too) to get off that hyperactive mental place that you inhabit a lot, otherwise you could stay quite childish or immature, but you need to feel your emotions and do it consciously, connect with all those parts with which you have lost connection. 🌙Gemini stellium: I adore/love these people, they are very childish and they have a very exquisite playful nature, they have the wisdom of the inner child, radiants, witty/mischievous/very intelligent people, they are the star of the world, just look “AURORA” she is a gemini stellium in 10th house, she is the embodiment of what i’m trying to say, They can be a bit nervous, but that nervousness is usually because they have a lot of energy and are very curious. 🌙Lilith conjunct AC, DC, MC, IC usually gives dark hair to the native. 🌙Mercury in Scorpio: Penetrative minds, very intelligent people, they tend to overthink when they are with other people, very good intuition, my mercury retrograde love these people because we can understand each other without saying too much, they have obsessive minds when it comes to studying something or work matters, they are very secretive, they can hide simple things, they may be supporting something you are saying and you think they're on your side, but they never really revealed what they really thought about it, very good sense of humor, can be silent manipulators. 🌙Moon sextile Lilith: Very persuasive, powerful intuition, they see the psychology of others easily, good placement if you want to be a psychologist, Problems with libido(usually is very high), they can manipulate you easily, natural seductive abilities, usually occult and taboo is part of their vocabulary, hidden talents and gifts, “Dark Academia Aesthetics”, they usually love some chaos. 🌙Sun conjunct Pluto: I find these people very funny, They don’t get scared easily, actually they have rather stoic and calm attitude/presence, everyone I know with this placement everytime I've tried to scare them, their responses were: “there you are, hello” lol (with an unamused face), silent paranoids, and they can be quite daring. 🌙Lilith in Sagittarius: They are one of the most rebellious here, but sometimes they can get caught up in superficial things just for the fun and chaos, they get easily triggered by s*x, since is always behind their minds, For example: If a friend tells them "I dreamed about you the other day” they immediately think "Are you trying to F*ck/seduce me?...No, it's a friend” lol (all this unconsciously), Party harders, rebels without a cause, but when they find it they can become quite enlightened and radiant people/human beings.
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