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What kind of saber is baxia anyway?
I love my bloodthirsty princess of a cursed blade, and in my heart of hearts i am nothing but a sword nerd, so i've been extremely fascinated by Baxia and how we know frustratingly little about what she actually looks like!
I mean, look at bichen, right?
Bichen in the donghua:
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Bichen in the drama:
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They're clearly not exactly the same. The scabbards are different, and the guards have a different shape. But these are recognizably different iterations on one theme, right? Thin jian with a white grip silver guard, light blue tassel and silver mounting accents on the scabbard.
Now this is baxia in the donghua:
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And baxia in the drama:
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????????
THAT'S A COMPLTELY DIFFERENT WEAPON
it doesn't stop there either, the audio drama is kind enough to give us ANOTHER COMPLETELY DIFFERENT BAXIA
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pretty! But how is that he same sword??
And when we go back to the novel, we get very little information on her appearance other than the fact that her blade is tinted red with all the blood she's absorbed. Which none of these designs incorporate.
This is not a dig on the designs itself, they're all quite gorgeous in their own right and i'm going to spend a while discussing all of them! Because isn't it fascinating how, since we know little about novel baxia beyond "saber" all of these designs ended up so different? What kinds of sabers are these, anyway?
So, a chinese aber, aka a "dao" (刀) just means a sword that has only one cutting side. As opposed to a jian, which has two.
You can see how that leaves a LOT of room for variaton.
I've actually seen some people get confused because Huaisang's saber in the untsmed is thin and quite straight, making it superficially resemble the jian more than drama!baxia, but it is still clearly a saber!
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See? only one cutting blade!
This, to me looks a lot like a tang dynasty hengdao
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credit to this blog for providing his image and being a great source for all this going forward.
TANGENT: during all this I found out the english wikipedia page for dao is WRONG! Ths is what they about the tang hengdao!
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So that sounds like the hengdao was called that during the sui dynasty, but then, after that, started being called a peidao, right?
WRONG
I LOOKED AT THE SOURCE THEY USED AND IT SAYS THIS:
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IT WAS CALLED THE PEIDOU UNTIL THE SUI DYNASTY, AT WHICH POINT IT WAS CALLED A HENGDAO. Which would carry over to the Tang dynasty. This was the source wikipedia linked! and it says something else than they say it does!
Anyone know how to edit a wikipedia article?
ANYWAY
BACK TO BAXIA
Since we're already at the drama, let's look at drama baxia: She's also straight! the general term for straight-backed saber is Zhibeidao, but that's a modern collector's term, and doesn't really say anything about which historical kind of saber baxia could be based on. Another meta i found on the drama nie sabers already went on some detail here.
I'm gonna expand on that a little: The kinds of historical straight-backed sabers we see resemble the hengdao a lot more than they do baxia. They don't go to their point as harsly as she does (she's basically a cleaver!) and they're all way skinnier.
No, my personal theory is that instead of being based on any kind of historical sword, drama!baxia is based on a Nandao.
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I mean, come on, look at it!
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Baxia!
The Nandao... isn't actually a historical sword. It was invented for Wushu forms. There's a really fascinating article about its conception, but that's why the swords in the images look a little thin and flimsy. Wushu swords are very flexible and light, they're dance props, not weapons to fight with. There are actual steel versions of Nandao, but they're recreations of the prop, not the other way around.
So That's one way in which Baxia differes from the Nandao: she's actually a real weapon. The other is that, as you can see above, the nandao has an S-shaped guard. Baxia doesn't. She's also much more elaborately decorated, of course. Because she's a princess.
Now: audio drama baxia!
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This is much easier. with that flare at the tip?
Oh baby that's a niuweidao, all the way!
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There are more sabers with that kind of curved handle, but the broad tip is really charcteristic of the niuweidao. The Niuweidao is also incredibly poplar in modern media, often portrayed as a historical sword, but it originated i nthe 19th century! And it was actually never used by the military!
That's right, the Niuweidao was pretty much exclusively a civilian weapon! That makes its use here anachronistic, but so is the nandao, and considering that the origin story of the Nie is that they use Dao intead of Jian because their ancestors were butchers, portraying them with a weapon historically reserved for rebels and common people instead of the imperial military is actually very on theme!
Finally, Donghua/Manhua baxia. These two designs are so similar I'm going to treat them as one and the same for now.
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Unlike both previous baxias, The long handle makes it clear this baxia is a two-handed weapon, though Nie Mingjue is absolutely strong enough to wield her with one hand anyway. Normal rules don't count for cultivators.
Now, this is where things get tricky, because there are a lot of words for long two-handed sabers. And a lot of them are interchangable! This youtube video about the zhanmadao, one of the possible sabers this baxia could be based on, goes a little into just how confusing this can get. This kind of blade WAS actually in military use for many centuries, making it the most historically accurate of all the baxias. But because of that it also has several names and all of those names can also refer to different kinds of blades depending on what century we're in.
So here's our options: i'm going to dismiss the wodao and miandao, because these were explicitly based on japanese sword design, and as we can see manhua baxia has that very broad tip, so that won't work
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(Example of a wodao. According to my sources Miaodao is really just the modern common term for the wodao, and the changdao, and certain kinds of zhanmadao... do you see how quickly this gets confusing?)
Next option: Zhanmadao.
Zhanmadao stands for "horse chopping saber" so... yeah they were anti-cavalry weapons. meant to be able to cut the legs and/or necks of horses. That definitely sounds like a weapon Nie Mingjue would wield. But if you watched that youtube video i linked above, you'll know the standardized Qing dinasty Zhanmadao looked very different from earlier versions. It was inspired by the japanese odachi, and more resembles the miandao than its ealrier heftier counteprarts.
Earlier Ming dynasty Zhanmadao on the other hand were... basically polearms. the great ming military blog spot, another wonderful source, says these are essentially a kind of podao/pudao (朴刀) which looked like this
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Now that blade looks a lot like baxia, but the handle is honestly too long. Donghua!baxia straddles the line between sword an polearm a little, but while zhanmadao have been used to refer to both long-handled swords and polerarms, this was undeniably a polearm, not a sword.
If you want to know what researching this was like, I found a picture of this blade on pinterest-- labeled as a "two-handed scimitar"-- and the comment section was filled with people arguing about whether this was a Pudao, Wudao, Zhanmadao, Dadao, Guandao, or a japanese Nagita.
So... that's how it was going. This has kept me up until 2 AM multiple times.
However! Thanks to this article on the great ming military blog I found out there have historically been pudao blades with shorter handles!
Specifically, Ming dynasty military writer Cheng Ziyi created a modified version of the pudao to work with the Dan Fao Fa Xuan technixues-- aka technqiues for a two-handed saber, which would alter heavily influence Miaodao swordmanship-- thereby, as the article points out, essentially merging the cleaver-polearm type Zhanmadao with the later two-handed japanese-inspired design.
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This is the illustration for the Wu Bei Yao Lue (武備要略) a Ming dynasty military manual
This blade shape in the illustration doesn't match Baxia exactly, but since it's a lengthened Pudao-like blade and we've seen above that those can match Donghua Baxia's shape, i'm gonna say that calling Baxia a Zhanmadao with a two-handed grip isn't all that innacurate!
However, because all of these terms are so intertwined, there are a dozen other things you could call her that would be about equally correct.
To show that, here's a lightning round of other potential Baxia candidates:
Dadao (大刀)
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Which are generally one-handed and too short. However!
Another youtube video i found of someone training with a Zhanmadao that resembles baxia a little also calls it a "shuangshoudai dao" (雙手带 刀) shuangshou means two-handed, and while 雙手带 seems to refer to a longer handled weapon, when looking for a shuangshou dao or shuangshou dadao (双手大刀) we find a lot more baxia-resembling blades like here and here
I also found that, while the cleaver-like Dadao is strictly a product of the 20th centuy, since dadao just means big sword or big knife, it has been used to refer to loads of different weapons! Some people could've called the zhanmadao and pudao "dadao" during the Ming dynasty as well.
Another potential baxia candidate that mandarin mansion classifies as similar to the later dadao (though longer, as seen in the illustration below) is the "Kuanren Piandao"
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Which piqued my interest because this diagram classifying different tpye of Dao:
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Claims that a Kuanrenbiandao (diferent spelling, same sword) is the same as a modern day Zhanmadao.
(So once again, all of these terms are interchangable)
Another opton Is the Chuanmeidao/Chuanweidao (船尾刀) below you can see a diagram, based on the Qing dynasty green standard army regulation, of blades all officially classified as types of "pudao"
The top middle is the Kuanren Piandao, and bottom left is the Chuanweidao.
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Both of these have a lot of baxia-like qualities.
So there you go! live action baxia is based on a Nandao, audio drama baxia is based on a Niuweidao, and Manhua/donghua baxia is some kind of two-handed Zhanmadao/Pudao/Dadao depending on how you want to look at it.
I'm honestly surprised no one has made the creative decision to portray Baxia as a Jiuhuandao, aka 9 ringed broadsword yet.
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I mean look at it! Incredibly imposing. Would make for a great Baxia imo. (@ upcoming mdzs manga and mobile game: take notes!)
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[He wasn't scared of falling. He had fallen many times over the years. But hitting the ground still hurt. How wonderful it would be if there was someone there to catch him.]
Don't mind me just obsessing over this pair
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Look at our boy suffering for love
Since San Lang literally has dice with teleportation arrays that can take him anywhere he wants, this has to be the first time in 800 years that he's had to actually WALK from point A to point B. Supposedly ghosts are affected by too much sunlight; that doesn't seem like it would get to Hua Cheng with his power level, yet you can't deny our boy looks miserable.
I think he's most upset that this whole trek is happening because SOMEONE doesn't have enough spiritual magic to get them right where they wanna go. He might have even been fine with an extended trip if it was just him and Xie Lian, but those other two had to butt in. No wonder moments after this he's immediately picking a fight to make himself feel better.
Sleeping in Puqi shrine? Easy, gonna win over Xie Lian in no time
Trudging across the desert for hours on end? Gege, I'm going to die again please have mercy
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I've tried to post this like three times but Tumblr mobile app didn't like me and just threw away all my witty commentary the moment I hit "Post", so I juggled my video and photos to my computer just for that sweet desktop experience!
But like can we all acknowledge that Xie Lian ascended into a god the third time through junk collecting? He just collected scraps SO HARD that he ascended. Like did he plan that? Or was he just minding his own business one day and then a Heavenly Tribulation rained down on him and he was like "Whoops, guess this is what I'll be known for forever let's gooooo!" It sounds like him, honestly.
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Everyone knows Xie Lian as that one god involved with a plague and whose martial skills are second to none - to the point that he's stronger than Hua Cheng by the time his curse shackles are removed. But let's all remember the REAL reason he's a god at the start of TGCF. Our boy is just that good that he junk-collected his way into heaven, and I think we should be praying to our scrap immortals more often.
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💖Even for a moment💖
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YALL THEYRE IN A LONG DISTANCE RELATIONSHIP IF YA THINK ABOUT It
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Perfect description of tgcf's first kiss(es)
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Contrary to popular belief, he’s trying really hard to prevent this old man from getting pregnant right now
Just finished book 3 and feeling 🤪🤪
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Fang Xin Guoshi 🦋
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He's still beautiful
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It's so true tho
I CANT IMAGINE HUA CHENG CALLING XIE LIAN AS "XIE LIAN".
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Art by Vy PH
(?)
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Today’s episode was heartbreaking
We’ve seen so much of Xie Lian’s pain
So much of the fall of XianLe
But now
Will you tell me that it was all his fault?
The “consequence of his actions”?
So what should we blame him for?
For being a child against the most powerful and cruel ancient evil?
The one that lived 1000 years, destroyed all the gods and deceived the entire world?
Or was he too stubborn and not listened to other people?
Well let me tell you
XIE LIAN WAS NEVER WRONG FOR NOT LISTENING TO OTHERS.
Who should he have listened to?
That very evil that told him not to try and help his people?
His guoshi who knew everything and told him nothing but to sacrifice an innocent child in “penance” to that very evil?
Should he have crushed all youngans in one go, kill the poor starving people, led to desparation?
Should he have told his own desperate people that their cure was in murder and watch the inevitable massacre?
The only thing
The only thing that he should have seriously done differently
His biggest, most fatal mistake
He did
BY LISTENING TO SOMEONE WHO TOLD HIM HE WAS WRONG
ONE TIME.
He listened to his father.
The King of Xian Le.
When at the very beginning of it all they had an argument
Where Xie Lian insisted they should melt his golden statues and let the starving homeless people into his shrines
That’s EXACTLY what they should’ve done, but they did not
Because guess what the father said
We can’t. Because we did not build the shrines and the statues.
People of Xian Le did.
Do you want to disregard your people by doing that?
SAID THE KING
Knowing VERY WELL that he is talking about THE ROYALTY OF XIAN LE.
THE RITCH PEOPLE OF XIAN LE.
THE ONES WHO LET HIM RULE.
THE ONES WHO EASILY MIGHT TAKE HIS POWER
AND LIFE AWAY
IF HE DISPLEASES THEM.
But he knows how to PHRASE IT RIGHT to his son who CHERISHES HIS PEOPLE NO MATTER THE STATUS.
And who might very much not know the intricacies behind the ruler’s chambers.
Because Xie Lian
Was
Never
Meant
TO RULE.
He was raised to be a Martial God.
To fight demons and grant wishes.
NOT
TO RULE
A COUNTRY
BUT GUESS WHO
WHO WAS SUPPOSED TO RULE THE COUNTRY????
WHO WAS SUPPOSED TO MAKE SURE A HUGE PART OF IT WON’T STARVE TO DEATH?????
THE KING
And his son had to
ABANDON HEAVEN
To come deal with his mess
You can try blaming Xie Lian for not listening to the prayers from that part of Xian Le.
But he did not NOT listen.
He DID NOT HEAR.
Because the prayers system of “the ritcher - the louder” is inherently corrupt.
And growing up in a wealthy capital
Xie Lian must’ve not even SUSPECTED that there’ll be a part of his country so poor that no offerings would be enough for him to hear the prayers.
He did not know.
BUT THE KING
DID.
There’s no way he didn’t.
Yet does anyone
Does anyone in the book
And outside, anyone of the readers
Ever thought to blame him?
No.
Not even once have i seen this take.
Not even i realised it until recently. Thanks to my dear friend @3luecactuz
And why?
Because Xie Lian tells us the story.
And he himself
Completely believes
That it was all his fault.
When his only real fault was in not standing his ground
Agains the only person
Who held authority in his eyes.
Who was the authority in his life from the very beginning of it.
Who, no matter the future arguments, was the person he loved.
His father.
In the face of the greatest crisis he’s ever seen
Under the pressure to make the right choice for so many innocent lives
He gives in and listenes to a person who he not only inherently trusts
But who objectively had much more experience and knowledge than him
Who’s flaws he has not yet seen clearly enough. And never will.
Because this person raised him to be
Perfect.
And he failed.
Because no one is perfect.
And he believed in it in the wrong time and place. He gave in.
Decided to look for another solution.
And gave the evil orchestrating his demise just enough time to pull the first string.
Of many.
So tell me.
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Really, tell me.
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Did he deserve this?
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Should he have listened more?
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Should he have?
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Or maybe
Just maybe
He needed someone
Who could have told him
To do what he thinks is right.
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"Even if it was a lie. I wanted Qianqiu to remember that his benevolence toward Xianle was reciprocated. To believe that doing the right thing will open endless paths. Not like now, where he thinks everything I told him and everything he believed in was all false, lies, and deception. That everything was fucking nonsense! I just...I don't want to see anyone go through what I've already had enough of."
But in the end, who was killed was killed, who was murdered was murdered. However just the reason, however compelling the reason, the truth was that he'd killed, with his own hands, an honorable king who had truly wanted to eradicate discrimination, as well as the last blood descendant of his clan in this world.
xie lian's breakdown in all its fucking glory
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Anyone else losing sleep over how Hua Cheng treats Eming poorly? Eming was made from his own eye, so you'd think they'd be in sync - and they are, when it combat, because Eming was born in a desperate need for a weapon and to overcome enemies.
But Eming was also born from a low point in Hua Cheng's existence and must represent the person he was back when it was created - utterly devoted to Xie Lian, but also too weak to have been of any use to him. He saw himself as a loathsome lost puppy lapping at the heels of a god he couldn't hope to be worthy of serving, crying over everything.
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It was also during his time desperately overcoming the trials to become a Supreme, aka what Hua Cheng also considers a shameful part of himself. The moment Xie Lian learns about the divine statues and murals, Hua Cheng jumps to suggest they be destroyed, and had tried as hard as he could to make sure they weren't discovered at all.
He changed himself into a suave, calm, collected, overpowered loyal servant to Xie Lian after 800 years, thinking that his prior exploits as a human and as a Wrath were too erratic and disrespectful and not at all how he wanted to be. He would indeed still do everything that Xie Lian wants of him, but now he's actually confident he could do it - so confident that he would even follow Xie Lian's heart when it doesn't seem like the right thing to do or even endangers him. No more hiding behind a mask as Wuming or lying about being his follower. He looks down upon who he used to be: all the same devotion, but not enough power, experience, or confidence to actually do anything RIGHT.
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It's no wonder that Hua Cheng not only says no when Eming first wants a pet, but also repeatedly whacks Eming when the blade gets too needy. He thinks Eming's needy behavior (a reminder of his own personality back in the day) is as shameful as the past he worked desperately to leave behind. When he would have broken out into tears just trying to be noticed, when he was desperate for love and clung to Xie Lian when he first showed him kindness.
Eming is willing to show emotion and cry and become erratic even when Hua Cheng himself is keeping a surface-level calmness or focus. Is it any wonder why Hua Cheng doesn't want Xie Lian to see that he still feels emotions and weakness when he dedicated himself to being strong enough to protect Xie Lian, eliminate all his threats, get him whatever he wanted, so that he never had to suffer again?
Eming's sentience is limited, so the blade never evolves or changes or gets over its emotions by processing them over time. Hua Cheng himself was able to change into the person he wanted to be - or who he thought Xie Lian would need and like better - but Eming could never take the same steps. It remains as utterly devoted to Xie Lian and simple-minded as the moment it was born.
It just also happens to be a super deadly saber on the side nbd
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Just our boy's face, actually being taken off guard for once because Xie Lian recognizing him in any way seemed beyond him for all these years. ☺️
He spent his childhood thinking Xie Lian wouldn't remember anything about him, perhaps even HOPING His Highness wouldn't remember him because of how ashamed he was to even exist. He spent his life ridiculed, looked down upon, and thought himself ugly and cursed, but Xie Lian treated him well all the same. He was surprised when he learned Xie Lian didn't even know he was kicked out of the army, thinking Xie Lian had personally given up on him, only to be relieved that he wasn't aware (and had even recommended him, so yeah dick move there Mu Qing, you deserved a few punches).
Xie Lian didn't even seem to connect the bandaged child to the young bandaged soldier, then he wasn't recognized as a little ghost flame or a Wrath as Wuming. Hua Cheng thought his love for Xie Lian would be seen as just another horrendous part of him, but he could still indulge in it so long as Xie Lian never knew. He's so terrified of Xie Lian finding out about his obsession that helped him become a Supreme that he nearly misses Xie Lian being put under a spell and is scared to let him free just because of his fear of rejection. He immediately says he'll destroy the murals and divine statues before Xie Lian finally beats it into his head that he doesn't want them destroyed and wasn't averse to any of it from the start - just a little surprised and amazed.
Our boy was nervous to show his true form for the first time, suave as he played it off, still thinking he's going to be too ugly and tainted to be worthy of Xie Lian's attention, or to just not be memorable at all. He's constantly worried about hurting him, offending him, or showing horrible sides of himself, but by the time we get to Qi Rong, Hua Cheng has an even bigger grudge against him than Mu Quing and actually gets really angry - to the point that Xie Lian even notices. While he's just trying to clear Xie Lian's name, he goes to the effort of paralyzing him and forcing the truth to come out, which is a huge betrayal of trust and the only time he seriously goes against Xie Lian's wishes. Hua Cheng is fine with being the bad guy to do the dirty work so Xie Lian never has to, so he's even MORE shocked that Xie Lian stands up for him in that moment because at that point, the illusion of a kind stranger has begun to crack, and there's no going back.
Xie Lian is absolutely willing to be the bad guy just to make sure others aren't punished, even if one of them fought for a pretty lie and the other fought for the ugly truth. Remember that Hua Cheng knows basically nothing of the 800 years after almost dying as Wuming and becoming a Supreme, since even all his resources couldn't find Xie Lian while he was unaffiliated with the Heavenly Court - probably Xie Lian's awful luck making him nearly impossible to track down until Hua Cheng got some godly(ghostly?) luck to counteract it (also probably the same reason Xie Lian never mamaged to hear about this famous "Ghost King Hua Cheng Crimson Rain Sought Flower" dude, since the human realm doesn't keep up with that stuff); only his third ascension allowed him to find Xie Lian again, and Xie Lian has gone through even more tragedies that Hua Cheng doesn't even know about.
Hua Cheng seems to have forgotten that Xie Lian is more like him than his idolized memories would have him believe. Xie Lian is willing to fight for what he believes in - and he's freaking STRONG and SKILLED enough to do it, he's just purposefully asked to be hindered and contains himself whenever possible - not just a passenger to his fate, and he will care for Hua Cheng whether he's a monster or a beast because they're friends, not even with anything more being involved. Our prince is used to being ridiculed and targeted, especially by his cousin, but badmouth his friends and get slapped!
Anyway so the above image lives rent-free in my head nbd
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Ok, I am never gonna be over this moment.
I wanna know exactly what Hua Cheng is thinking with this look on his face!!
I want first class premium access to all the thoughts racing in his brain rn because... man....
Hua Cheng has never expected Xie Lian to return his affection and love or to defend him or to fight for him, yet Xie Lian starts feeling it and showing it more and more, as he inevitably falls deeply for Hua Cheng. Now that Xie Lian is in his life again and it's no longer one-sided, it's too much for him. You can tell he hasn't planned for this.
In the novel, he says at some point later down the line that he wants to become stronger to win over his beloved, but he didn't actually realize that 1. it would be so soon and 2. Xie Lian would also feel the need to defend him.
Hua Cheng would give the whole world to Xie Lian without even expecting a "thanks", so when Xie Lian starts actually reciprocating his actions more and more, it leaves him speechless and heart-eyed every time.
They both love each other so much, but don't realize how worthy they are of each other's love and care.
I am in love HuaLian's love!
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This entire end sequence, but especially this part. This music tho! ☺️
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"Even before Laurent had hit the ground, the man had drawn his sword. Damen was too far away. He was too far to get between the man and Laurent, he knew that, even as he drew his sword—even as he wheeled his horse, felt the powerful bunch of the animal beneath him. There was only one thing he could do." -Prince's Gambit by C.S.Pacat
and a continuation of the same scene with more spoilers:
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Let's talk about Tidus and Yuna, shall we?
As someone who enjoys FFX, this probably should have come a long time ago. Tidus and Yuna's characters in the original Final Fantasy 10 are excellent.
Tidus successfully portrays a seventeen-year-old boy in this fantasy situation - slightly annoying, slightly arrogant because of his famous father and his own famous Blitzball career, and utterly overwhelmed by being thrust into an entirely new world without knowing if he can go home.
While FFX tries to fake you out into thinking it's a time-travel story where he has been thrust 1000 years into the future, the city of Zanarkand is a physical location in Spira that just requires you to be made of pyreflies to enter (aka dead or a summon). This makes Tidus essentially a summon, which is an interesting theory for another day. This means Zanarkand is just a place that hasn't changed in 1000 years, likely in some infinite loop imagining and reimagining people who had once lived there - warping them slowly over time, but ultimately just trying to keep the city alive (which is how we got Tidus from Shuyin, I think, idk I really don't care for 10-2's plot). The fayth were trying to imagine what would happen if Zanarkand was never destroyed, but I think they simply would have started running out of ideas for new people who lived there, so it did end up looping old characters into slightly newer forms. Like fanfiction characters, honestly.
But it's so great to see Tidus's journey. He starts the game a confused outsider just trying to survive, someone who doesn't mind speaking up about how he feels and what he believes. His outsider perspective provides a means for the audience to be introduced to Spira's world building as well, and we also get to see an unbiased point of view to Yevon's religion - and not necessarily a disrespectful one. Tidus, though he doesn't preach Yevon as a devout follower for his entire life, still tries to make an effort to be respectful of the good parts. When Shelinda corrects him, "That's MAESTER Seymour, or LORD Seymour", he says "Sorry, I'll be careful."
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He dashes into the Cloister of Trials to save the summoner who might be in danger, regardless of the rules or presincts, because he's got a childish outlook life and a good heart despite his many inital arrogant qualities. He wants the best outcome, he's willing to believe in doing the right thing even when it's hard, and yeah it's unrealistic at times, but it's a breath of fresh air for the people of Spira who live rather docile lives always in fear of Sin and dedicating themselves to the kindness of Yevon's teachings. He admits "Maybe this wasn't such a good idea" after he breaks the rules for the first time, and watching Yuna on her pilgrimage and how she interacts with the people who admire her for her father and her own summoner status allows Tidus to humble himself while still remaining fundamentally defiant to anything he doesn't agree is right - aka Yuna sacrificing herself.
Religion isn't always a bad thing, and FFX makes a point to emphasize this. The people of Spira are kind and respectful, banding together in the hard times and unting together to have hope. Yuna is initially a beacon of hope - all summoners are - making people smile and flock to her wherever she goes, and she gives people respect and encourages them to have faith not only in her, but in themselves as well. Even when she's branded a traitor, a significant number of people recognize Yuna's dedication to the people and immediately believe the next tale about it all being an evil Al-Bhed rumor.
Yevon's corruption is just a few people abusing their power, twisting a good message into a cult-like dedication. Wakka is the most notable case, but technically all of the characters go through a period of blindly believing in the teachings and Yevon and eventually finding their own path. Even Tidus, who didn't grow up believing in Yevon or knowing its teachings, finds that the people's way of life living in rightful fear of Sin has them NEEDING Yevon and the messages of kindness and compassion it preaches. Maybe they shouldn't believe in everything the Maesters say Yevon is, but he can understand the intentions behind it and how the regular, uncorrupt people just live their lives trying to be good.
Now that I think about it, the parallels between Yevon and Blitzball actually make a lot of sense - Blitzball is the entertainment people go to in order to forget about the fears of Sin, and Yevon is the religion people worship in an effort to band together and have hope against Sin. Huh. No wonder a Blitzball sign for victory became a religious thing.
Anyway, Wakka eventually apologizes! He recognizes that the Al-Bhed are just people. They don't believe in Yevon's ways BECAUSE they care, just from a different perspective. Just because they don't believe in Yevon doesn't mean they're savages, and when their Home is destroyed by merciless Guado, he hears them singing the Hymn of the Fayth to respect their fallen as well. Wakka admits he didn't want to hear anything he didn't agree with, that he was a jerk, and Cid agrees that he's hated Yevonites just for being Yevonites too.
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Here's a Wakka glare just for our collective amusement.
Who were we talking about? Ah, Tidus.
Tidus is indeed a whiny character, childish, toeing the line between humor and annoyance. But he matures throughout the course of his journey, caring for the entire crew but Yuna especially. When they reach Zanarkand and learn the truth about the Final Summoning, Lulu tells him, "If you want everything, you'll end up with nothing," and he replies, "But I want everything!" His unwavering hope and optimism even when everyone is telling him it's impossible is necessary for the story, to tell the characters that yes, your sacrifices will be pretty and give temporary relief, and you'll be dead and martyred and remembered - but how can it be right? It's not.
From his basic, outsider, new perspective on this world he only just joined, it's not right. He didn't grow up with this being normal, so even in comparison to the Al-Bhed, he knows that it's not.
There's a saying somewhere that I forget the source, but basically it goes like "Children are raised to believe the world is good and fair but are outraged when they grow to learn it is not." Tidus asks what an ADULT would do, sacrificing a summoner and just moving on with their lives like it was fine to give one life for many, just happy it wasn't them. Adults are indoctrinated into a way of life and a way of thinking, and it's extremely hard to get people to change their minds - but not, as FFX proves, impossible. Both he and Yuna are still kids, kids who are still able to grow up to see the world for what it truly is.
Yuna was betrayed by Yevon, all her beliefs torn down and the hope she had placed on the system shattered. But she continued her pilgrimage. She dreamt of all the fun things she could do if she quit, knew that all of her friends and Guardians would accept her choice, but she knew she could never let it go. She stood up to the Ronso saying that she was fighting for the people, not the temples or Yevon - impressing Kelk Ronso who says she has an iron will that towers over Gagazette's peaks.
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She has given her everything to this trip, but it's not fair. Just because it's the right thing to do doesn't mean it's right - and you need a character like Tidus to put his foot down and say no. Everyone is willing to sacrifice themselves, everyone is willing to be the one to die so that others can be happy. But it's not fair. It's not right to let anyone die, even if they're willing, even if it's one for many. It's a temporary fix, it's feeding an endless cycle of lies and false hope. It's not real.
But it is YUNA who ultimately makes the choice to say no. All this time, she's been insisting she keeps going despite both Rikku and Tidus's protests and desperate attempts to get her to change her mind. She's been the most resolute out of all of them to go through with this, but in the end, it's not Tidus or Rikku who kill Yunalesca before she can get the chance or present her a stirring enough argument or some alternative. No, it's Yuna who asks directly what the cycle of the Final Summoning and Sin mean, hearing that the hope they offer is false, and when asked who will be her fayth, everyone is silent, waiting for her answer - because it is Yuna'a choice, Yuna's pilgrimage, Yuna's story. And she says, "No one."
She would have gladly died for the people of Spira, but she is done. She isn't going to join into this cycle of death and lies. Her father chose to become a summoner and defeated Sin, but it was because he truly believed that it would make a difference. He died because he had hope, and maybe it was indeed false hope, but somewhere deep down, he really did want to find a way to stop Sin for good. He and Jecht went into that battle hoping that Jecht and Auron would find a way to break the cycle. And let's be honest, they did. Tidus and Yuna were brought up differently, but they end up seeing each other's sides of the story and agreeing on so many things. The people are worth fighting for even when they're being misled.
Yunalesca's argument is that sorrow will always exist, and false hope is all anyone can offer to soften the blow. But Yuna is ready to live with her sorrow and brave whatever comes from it. She will find her own hope, even without knowing there will be another way, and she knows she will conquer it. She proved it long before she reached Zanarkand, after enduring Yevon's betrayal; now her methods have changed, but her end goal is as resolute as it's always been. She's going to defeat Sin, and she's going to give people REAL hope, even when it's hard.
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Yuna says no to Yunalesca. She joins in the fight to destroy the Final Summoning forever, and slowly she learns that she can function beyond Yevon's teachings. The team who made 10-2 seemed to think that Yuna needed to toughen up and become some kind of badass (which they failed at portraying, Yuna is an utter wreck in that game and let's not talk about how Rikku devolved), but she was already a freaking strong character! She stood up for herself the entire game as a strong-willed summoner willing to give her life for the cause, but she also stood up for herself by declaring she would LIVE. It's entirely in character for her, even when she's changing her mind and broadening her horizons. Yuna was the character who smiled even knowing she was on a long, slow journey that would end in her death, who was willing to do it if it would make others smile too. That is a strong character right there.
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I do agree that she might not know what to do with her life now that she doesn't plan to die, but come on, don't make her into a wanna-be who tries to pretend like she doesn't care only to reveal yup she cares, what a pushover. Her caring nature is what makes her great to watch! Frustrating when she tries to do everything on her own with the Seymour thing, but entirely in character. Empowering when she makes her own choices and decides for herself. I don't know why she does nothing for two whole years during Eternal Calm but okay maybe I can see it. But for her to try doing a 180, respecting no one and no one respecting her even though she DEFEATED SIN was such a mistake. Plus the mini games in 10-2 are utterly atrocious. Anyway, tangent over.
But then the script has flipped at the end of 10. Tidus is the one that realizes Zanarkand is what Sin is protecting, that defeating Sin will make the whole city and everyone made from the dream disappear. He is the one who has to sacrifice himself for Sin to be defeated. Unlike summoners, however, Sin won't come back if he does this. He's grown across the journey just like Jecht did, following a summoner and learning what it means to want to give your life living in hope that it'll save everyone else.
Yuna has to sacrifice the Aeons she's forged her own bond with - which, remember, every summoner makes a unique bond with the aeons. She has to say goodbye to Auron, see Sir Jecht only one more time as he gives his life as an Aeon and uses the last of his power to give his sword for the final battles to fight on (did ya notice that?). Then, in the final tragic scene, Tidus becomes intangible and tries to say a cheerful goodbye, apologizing for not being able to show her Zanarkand like they had pondered when Yuna was dreaming of the things she'd do if she abandoned her pilgrimage and lived. Now, Yuna is the one having to say goodbye to the one sacrificing their life. The soft piano, the wailing of the colorful pyreflies as they disperse with all the dead, it's freaking beautiful man.
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Yuna's final line hits hard too, her speech about how everyone has lost homes, dreams, and friends. They can build new homes and new dreams, even if they can't get back lost friends. "The people and the friends that we have lost...or the dreams that have faded...never forget them." Get it? Be...Because Tidus is a dream that faded? Anyway I'll just be crying in the corner over here don't mind me.
In the end, it's sort of understandable why Yuna just sits around in Besaid after the end of 10 during Eternal Calm. Maybe. Not only did she have no plans for her life after Sin was defeated (thinking she would be the one to die), but she lost her entire purpose in life AND she's reeling from the fact that even though she made the choice not to sacrifice herself just for everyone else's false hope, someone still had to give their life - Tidus. Someone still ended up dying for the cause, even after all she went through deciding to live.
The ONLY moments I actually respect Yuna from 10-2 is during the end, when Nooj volunteers a plan to give his life to win the battle (which was already stupid even before Yuna's speech because we're talking about an Unsent, Nooj your plan does nothing to stop someone who's already dead, idiot). Yuna's lines are extremely good and well voice acted too: "'We had no choice.' Always 'We had no choice.' Those are our magic words. We repeat them to ourselves again and again. But you know... The magic never worked! The only thing we're left with is regret. No. I don't want this anymore. I don't want friends to die...or fade away. I don't want battles where we have to lose in order to win."
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It also demonstrates better than that stupid minigame how difficult it was for Yuna to have destroyed the aeons she had forged a bond with. What I'm saying is, fuck Beclem and everyone else who dares disrespect Yuna, summoners, and everything they went through. Even though that time and age in Spira might be over, that's NO reason to immediately scoff in the face of everything all those people went through - everything YUNA sacrificed and endured for the sake of these ungrateful whelps.
Both Tidus and Yuna were excellent protagonists of X, despite both of them having a lot of growing to do. In conclusion, let me make use of this fun poll feature if you made it this far down:
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these were a hit on twitter so figure i’d share on tumblr dot com. context = everyone was making fun of a book that was marketed with this same format. enjoy the capri versions
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Their growth is something that can be so personal
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