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#as someone who has been saying for years- that half of those people should not be in the relationships they're in
mattodore · 3 months
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okay so because previous anons asked about sex, I wanna ask about aftercare, how they act after sex? oh and i’m curious how their sex life change after being together for a while
xoxo <3
their aftercare isn't always aftercare-101, if i'm honest. theo is very bad at it and doesn't really... ever... do that for matthias. and matthias may be very good at giving aftercare but theo is incredibly resistant to it. i mentioned earlier that theo really gets off on praise, but... he also flinches away from it. he's so twisted up about so much of what he wants and he's really, uh... well. he makes it really hard to get close to him and offer comfort despite how much he desires it. matthias can't say certain things without scaring theo off (and i mean, like, theo will quite literally run away), so he has to talk around what he wants to say and what theo needs to hear to prevent theo from bolting before he can bring him down.
matthias takes a long time cleaning theo up and massaging his muscles after, and he'll hum or talk to himself in polish so theo knows he's still there touching him (but isn't stirred before he comes to himself on his own by english he can understand). when he's finished, he'll ask theo very simple yes or no questions that let matthias know how theo's feeling without outright asking how he's feeling. he also checks on theo throughout the day, but he has to be even more subtle there or theo starts to feel smothered. is your body okay? do you want me to get you dressed? does your head hurt? do you want me to read to you? he focuses on asking about the physical and what theo wants to do rather than theo’s emotions. matthias has learned that asking if theo's feeling okay after is a quick way to trigger a very, very negative response in theo. it's one of the reasons why i think matthias is constantly asking theo in the heat of sex how he's feeling, because that's when theo is so preoccupied by the physical aspect that the emotional effects leak out without him fighting to keep them in. it takes a few months for theo to get comfortable with the feelings he has after sex with him before matthias can really give him proper aftercare. that’s why the sex they have early on is never anything too crazy. matthias coaxes theo into a better place first.
​i also think it’s important to clarify that it’s not like they’re always having kinky sex. still, theo usually needs physical touch after vanilla sex as well. matthias himself always craves conversation afterwards, so he waits for theo to stir awake (because he often falls asleep after sex) or come back into his body fully to talk to him.
as for changes to their sex life after they’ve been together for awhile… i believe i've talked about this before, but their sexual dynamic turns on its head after a few years. theo starts to take control of the reins and gets more comfortable asking for and doing what he wants. with theo he just has a lot holding him back and it's only after he's grown as a person and worked past a majority of his intimacy issues that he can act on the desires he's been burying waaay down. there's a sort of brattiness that theo starts to have a lot of fun with during sex—a lot of pushing and prodding, withholding, insulting... matthias is having the time of his life lmao, like he loves being challenged and pushed around. matthias takes on a more submissive role during sex as they age, which is fun for him. plus it's kind of the dynamic they've always had outside of sex anyway. of course, there are never any set roles in their sexual life so i'm not saying that it's always like that, but theo enjoys telling matthias what to do and how to do it. they have a lot of fun with it.
#river dipping#asks#anonymous#oc extras#nsft#theodore doe#matthias evanoff#a burning house to live in#echthroi#finally done..... actually patting myself on the back for being able to answer all of these in a day and a half like#normally being asked anything abt my ocs takes me forever to get to bc i just take everything so seriously#......................................exhibit a: this reply jnjhkjfnghk#my ocs are just really complicated so i feel like i have to really expand upon each new bit of information#like theo is NOT ! well adjusted in the slightest#and while matthias can read people very easily it doesn't mean that there aren't times where he messes up#theo is very closed off and he will lash out at the slightest thing that spooks him#and he also... is not really experienced in having good sex yk? so he's so bad at aftercare which i guess is like. well.#good thing your partner is someone who's used to being left to his own devices after experiencing major physical and emotional stressors#matthias can usually take himself out of a scene just because of the nature of his past...#but i think theo does pick up on what matthias does for him after awhile and he tries incorporating it into 'aftercare'#but................. i don't think he really understands what all he should be saying and doing for a few years like not until he's#domming matthias more frequently and has taken the time to look at The Internet lmao jkfjnhkjn i imagine it shocks him a bit#matthias may be good at sex but he does have his blind spots and those normally involve himself… so he never told theo that what he does#for him should be reciprocated………… additionally matthias is very much a giver not a taker#like he doesn’t expect or even really want theo to ask how he’s feeling. but that doesn’t mean he doesn’t need that.#….have been rereading this for the last thirty minutes idk why this is what i’m like Yikes ! about responding to 😭#whatever post ‼️ theo isn’t good at sex i’ve said it before who can be surprised he gives zero aftercare
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today two different servers I'm in imploded in .... very different ways, and another server I'm in is having what they've coined as 'partnergate' where it really seems like a core majority of the active users who are in relationships are about to.. potentially no longer be in relationships and man. truly gives me additional appreciation for both my relationship and my lil server. we're not perfect. but... yeah.
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Netflix wants to chop down your family tree
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Netflix has unveiled the details of its new anti-password-sharing policy, detailing a suite of complex gymnastics that customers will be expected to undergo if their living arrangements trigger Netflix’s automated enforcement mechanisms:
https://thestreamable.com/news/confirmed-netflix-unveils-first-details-of-new-anti-password-sharing-measures
If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/02/02/nonbinary-families/#red-envelopes
Netflix says that its new policy allows members of the same “household” to share an account. This policy comes with an assumption: that there is a commonly understood, universal meaning of “household,” and that software can determine who is and is not a member of your household.
This is a very old corporate delusion in the world of technology. In the early 2000s, I spent years trying to bring some balance to an effort at DVB, whose digital television standards are used in most of the world (but not the USA) when they rolled out CPCM, a DRM system that was supposed to limit video-sharing to a single household.
Their term of art for this was the “authorized domain”: a software-defined family unit whose borders were privately negotiated by corporate executives from media companies, broadcasters, tech and consumer electronics companies in closed-door sessions all around the world, with no public minutes or proceedings.
https://onezero.medium.com/the-internet-heist-part-iii-8561f6d5a4dc
These guys (they were nearly all guys) were proud of how much “flexibility” they’d built into their definition of “household.” For example, if you owned a houseboat, or a luxury car with seatback displays, or a summer villa in another country, the Authorized Domain would be able to figure out how to get the video onto all those screens.
But what about other kinds of families? I suggested that one of our test cases should be a family based in Manila: where the dad travels to remote provinces to do agricultural labor; the daughter is a nanny in California; and the son is doing construction work in the UAE. This suggestion was roundly rejected as an “edge case.”
Of course, this isn’t an edge case. There are orders of magnitude more people whose family looks like this than there are people whose family owns a villa in another country. Owning a houseboat or a luxury car makes you an outlier. Having an itinerant agricultural breadwinner in your family does not.
But everyone who is in the room when a cartel draws up a standard definition of what constitutes a household is almost certainly drawn from a pool that is more likely to have a summer villa than a child doing domestic work or construction labor half a world away. These weirdos, so dissimilar from the global majority, get to define the boxes that computers will shove the rest of the world into. If your family doesn’t look like their family, that’s tough: “Computer says no.”
One day at a CPCM meeting, we got to talking about the problem of “content laundering” and how the way to prevent it would be to put limits on how often someone could leave a household and join another one. No one, they argued, would ever have to change households every week.
I put my hand up and said, “What about a child whose divorced parents share custody of her? She’s absolutely going to change households every week.” They thought about it for a moment, then the rep from a giant IT company that had recently been convicted of criminal antitrust violations said, “Oh, we can solve that: we’ll give her a toll-free number to call when she gets locked out of her account.”
That was the solution they went with. If you are a child coping with the dissolution of your parents’ marriage, you will have the obligation to call up a media company every month — or more often — and explain that Mummy and Daddy don’t love each other any more, but can I please have my TV back?
I never forgot that day. I even wrote a science fiction story about it called (what else?) “Authorized Domain”:
https://craphound.com/news/2011/10/31/authorised-domain/
I think everyone understood that this was an absurd “solution,” but they had already decided that they were going to complete the seemingly straightforward business of defining a category like “household” using software, and once that train left the station, nothing was going to stop it.
This is a recurring form of techno-hubris: the idea that baseline concepts like “family” have crisp definitions and that any exceptions are outliers that would never swallow the rule. It’s such a common misstep that there’s a whole enre* called “Falsehoods Programmers Believe About ______”:
https://github.com/kdeldycke/awesome-falsehood
In that list: names, time, currency, birthdays, timezones, email addresses, national borders, nations, biometrics, gender, language, alphabets, phone numbers, addresses, systems of measurement, and, of course, families. These categories are touchstones in our everyday life, and we think we know what they mean — but then we try to define them, and the list of exceptions spirals out into a hairy, fractal infinity.
Historically, these fuzzy categorical edges didn’t matter so much, because they were usually interpreted by humans using common sense. My grandfather was born “Avrom Doctorovitch” (or at least, that’s one way to transliterate his name, which was spelled in a different alphabet, but which was also transliterating his first name from yet another alphabet). When he came to Canada as a refugee, his surname was anglicized to “Doctorow.” Other cousins are “Doctorov,” “Doctoroff,” and “Doktorovitch.”
Naturally, his first name could have been “Abraham” or “Abe,” but his first employer (a fellow Eastern European emigre) decided that was too ethnic and in sincere effort to help him fit in, he called my grandfather “Bill.” When my grandfather attained citizenship, his papers read “Abraham William Doctorow.” He went by “Abe,” “Billy,” “Bill,” “William,” “Abraham” and “Avrom.”
Practically, it didn’t matter that variations on all of these appeared on various forms of ID, contracts, and paperwork. His reparations check from the German government had a different variation from the name on the papers he used to open his bank account, but the bank still let him deposit it.
All of my relatives from his generation have more than one name. Another grandfather of mine was born “Aleksander,” and called “Sasha” by friends, but had his name changed to “Seymour” when he got to Canada. His ID was also a mismatched grab-bag of variations on that theme.
None of this mattered to him, either. Airlines would sell him tickets and border guards would stamp his passport and rental agencies would let him drive away in cars despite the minor variations on all his ID.
But after 9/11, all that changed, for everyone who had blithely trundled along with semi-matching names across their official papers and database entries. Suddenly, it was “computer says no” everywhere you turned, unless everything matched perfectly. There was a global rush for legal name-changes after 9/11 — not because people changed their names, but because people needed to perform the bureaucratic ritual necessary to have the name they’d used all along be recognized in these new, brittle, ambiguity-incinerating machines.
For important categories, ambiguity is a feature, not a bug. The fact that you can write anything on an envelope (including a direction to deliver the letter to the granny flat over the garage, not the front door) means that we don’t have to define “address” — we can leave it usefully hairy around the edges.
Once the database schema is formalized, then “address” gets defined too — the number of lines it can have, the number of characters each line can have, the kinds of characters and even words (woe betide anyone who lives in Scunthorpe).
If you have a “real” address, a “real” name, a “real” date of birth, all of this might seem distant to you. These “edge” cases — seasonal agricultural workers, refugees with randomly assigned “English” names — are very far from your experience.
That’s true — for now (but not forever). The “Shitty Technology Adoption Curve” describes the process by which abusive technologies work their way up the privilege gradient. Every bad technological idea is first rolled out on poor people, refugees, prisoners, kids, mental patients and other people who can’t push back.
Their bodies are used to sand the rough edges and sharp corners off the technology, to normalize it so that it can climb up through the social ranks, imposed on people with more and more power and influence. 20 years ago, if you ate your dinner under an always-on #CCTV, it was because you were in a supermax prison. Today, it’s because you bought a premium home surveillance system from Google, Amazon or Apple.
https://pluralistic.net/2021/07/29/impunity-corrodes/#arise-ye-prisoners
The Netflix anti-sharing tools are designed for rich people. If you travel for business and stay in the kind of hotel where the TV has its own Netflix client that you can plug your username and password into, Netflix will give you a seven-day temporary code to use.
But for the most hardcore road-warriors, Netflix has thin gruel. Unless you connect to your home wifi network every 31 days and stream a show, Netflix will lock out your devices. Once blocked, you have to “contact Netflix” (laughs in Big Tech customer service).
Why is Netflix putting the screws to its customers? It’s part of the enshittification cycle, where platform companies first allocate surpluses to their customers, luring them in and using them as bait for business customers. Once they turn up, the companies reallocate surpluses to businesses, lavishing them with low commissions and lots of revenue opportunities. And once they’re locked in, the company starts to claw back the surpluses for itself.
https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys
Remember when Netflix was in the business of mailing red envelopes full of DVDs around the country? That was allocating surpluses to users. The movie companies hated this, viewed it as theft — a proposition that was at least as valid as Netflix’s complaints about password sharing, but every pirate wants to be an admiral, and when Netflix did it to the studios, that was “progress,” but when you do it to Netflix, that’s theft.
Then, once Netflix had users locked in and migrated to the web (and later, apps), it shifted surpluses to studios, paying fat licensing fees to stream their movies and connect them to a huge audience.
Finally, once the studios were locked in, Netflix started to harvest the surplus for its shareholders: raising prices, lowering streaming rates, knocking off other studios’ best performing shows with in-house clones, etc. Users’ surpluses are also on the menu: the password “sharing” that let you define a household according to your family’s own idiosyncratic contours is unilaterally abolished in a quest to punish feckless Gen Z kids for buying avocado toast instead of their own Netflix subscriptions.
Netflix was able to ignore the studios’ outraged howls when it built a business by nonconsenually distributing their products in red envelopes. But now that Netflix has come for your family, don’t even think about giving Netfix some of what it gave to the MPAA.
As a technical matter, it’s not really that hard to modify Netflix’s app so that every stream you pull seems to come from your house, no matter where you are. But doing so would require reverse-engineering Netflix’s app, and that would violate Section 1201 of the DMCA, the CFAA, and eleventy-seven other horrible laws. Netflix’s lawyers would nuke you until the rubble bounced.
When Netflix was getting started, it could freely interoperate with the DVDs that the studios had put on the market. It could repurpose those DVDs in ways that the studios strenuously objected to. In other words, Netfix used adversarial interoperability (AKA Competitive Compatibility or ComCom) to launch its business:
https://www.eff.org/deeplinks/2019/10/adversarial-interoperability
Today, Netflix is on the vanguard of the war to abolish adversarial interop. They helped lead the charge to pervert W3C web-standards, creating a DRM video standard called EME that made it a crime to build a full-featured browser without getting permission from media companies and restricting its functionality to their specifications:
https://blog.samuelmaddock.com/posts/the-end-of-indie-web-browsers/
When they used adversarial interoperability to build a multi-billion-dollar global company using the movie studios’ products in ways the studios hated, that was progress. When you define “family” in ways that makes Netflix less money, that’s felony contempt of business model.
[Image ID: A Victorian family tree template populated by tintypes of old-timey people. In the foreground stands a menacing, chainsaw-wielding figure, his face obscured by a hoodie. The blade of the chainsaw is poised to chop down the family tree. A Netflix 'N' logo has been superimposed over the man's face.]
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seananmcguire · 11 months
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That Xiran Jay Zhao video about the amount of time it takes to get paid by the publisher, a couple of time she says "that's just the way it is." Are there actual, legitimate business reasons for holding off paying someone 6 or 8 or more months what they've earned for their book? Or is it the publisher basically going "We'll pay you when we pay you. What are you gonna do about it?" because they're essentially the one in charge?
And is it the same for all authors? Or is there an unofficial "tier" system based on your name? Are they telling people like Stephen King or James Patterson or Neil Gaiman "you'll see your money in 8 months" or are they more likely to be getting monthly checks just because of who they are?
There are some legitimate business reasons, yes.
Okay, so let's look at the way a book is sold to a publisher. I'm going to use very round numbers, because I don't want to do a lot of math right now. So say I sell a book for $15,000 under the traditional three installment contract--signing, delivery/acceptance, and publication. What this means is I sign the contract, I get a $5,000 check! Yay! I will also get checks when the book is turned in and accepted, emphasis because it means I can't just give them a word jumble and claim I turned the book in, and then again when the book comes out. We're ignoring side situations like "book is never turned in" and "book is never published."
But wait! My agent gets 15% off the top of each of those checks, which isn't a whole lot at $5,000--$750--but means I'm receiving effectively a $4,250 check, and then waiting maybe a year for the next one.
In the US, 1/3rd of that check goes automatically to taxes, and I cannot math that very well, but it's about $1,416. So I'm left with $2,834 as my payment for the year. This is why most authors will have day jobs.
This structure makes sense. They pay you to call dibs on your book: they pay you when the dibs pan out: they pay you when they can start making money. Now, recently, some publishers have started going to a four stage advance payment, and I can't see any real justification for that. Maybe someone will give me one. I'd be fascinated to know what it is.
So here's the thing: until the book is out, there is no more money. You've been paid for the book, but it's not making money for the publisher yet, and so of course you're not getting more money. It used to be the expectation that your advance would pay your bills while you wrote the next book; that is clearly no longer the case. I live in Seattle. A single check from a three-stage advance isn't paying my mortgage for a month. But.
Once the book is out, it can start making money, and that's when things get complicated. Say a bookstore places an order for 10 copies of AWESOME NEW BESTSELLER. Yay! That should be ten sales, and ten units of whatever your royalty is, right? Only these are physical items, and bookstores can return them, so your publisher marks it down as "ten sales, five reserve against returns," meaning you're only getting credit for five sales until the return window (usually a year) runs out. Where it gets a little hinky is when the bookstore sells all ten and orders ten more, and the publisher still has it marked as "five (now ten) reserve against returns." Basically, you're only getting credit for half your sales until that reserve window closes.
Sadly, thanks to certain retailer policies, this has been grandfathered into applying to electronic sales as well.
TL,DR: The delay in royalty payments is to give bookstores time to sell the books, and mean that your publisher doesn't pay you for a hundred sales, only to ask for the money from fifty to be given back when books are returned. This could happen faster in the modern world, but that would involve publishers paying us faster, and they like to keep the money in their hands as long as possible.
To the best of my knowledge, no one is A Big Enough Author that they can demand their money now, right now. And this is why trad publishing continues to self-select for the wealthy and the young.
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luveline · 7 days
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coworker!james is fueling me rn thank u miss jade!! can i pretty please request a coworker!james drabble in which someone at work, a higher-up of some kind or someone visiting from another company being kind of cruel to reader, and jamie discovers that maybe there are several people who have just not been very kind to her, and she doesn’t really understand why he’s upset for her? please and thank u
—Why is James so upset? And how do you calm him down so quickly? fem, 1.2k
The horrible heat of the first week of British summer time finally breaks. It was an eventuality. Nothing good ever lasts for James —he must’ve been enjoying it too much. The sun is gone, the clouds are grey, and the office radiators pump a meek heat into the room.
The dreary skies outside depress him. “I miss the sun,” he sighs, putting the tips of his fingers together and bringing down his hands, base of his palms apart to stretch the sore inside of his wrists. They pang. 
“Sunny again next week,” Remus says reassuringly. “Just in time for your review!” 
“Please don’t remind me.” 
“I must remind you, Jamie.” Remus stands up, and he gives James a loving squeeze on the shoulder, voice close to his ear, “Because you need to pretend you like your job, at least for the next few days. Come and get some coffee with me.” 
James waves his hand. “In a second.” 
When James met Remus, Remus couldn’t take touch. Didn’t like it or want it, couldn’t accept so much as a compliment, but things change, and years of knowing one another makes squeezing and pinching easy work. Remus flicks him without cruelty and exits the nook, leaving James on his own. 
He glares at your empty seat, confused. When did you leave? 
Doesn’t matter. Coffee. James is in desperate need of coffee as Remus recommended to warm up. He exits out of his desktop and shucks his suit jacket back on, taking a hand to run through his knotted hair as he walks. Past the desk banks of the account managers and the reception bank to the hallway that runs into the break room and adjourning kitchen. The office is a weird maze but the worst part is having the big ‘conference’ room right next to the break room, so the people inside working can judge you for eating, and vice versa. 
The conference room door is propped open. 
James recognises you from behind, your hair and tight shoulders. He should recognise the stress, having caused so much of it. 
“It’s just not good enough.” 
“I know.”
“You coast by, doing half the work of your fellow accountants.” 
“I… I was sick for a week, I know it affected my turnover. But nothing went unfinished, sir.” 
“No, because your colleagues picked up your slack.” 
“Sir, I– I promise I work hard.” 
Your voice is so oddly unlike yourself, a tone James is unfamiliar with. He’s arrogant and agitating and has no business interrupting, but he knocks the conference door anyways. 
“Hi, Mr. Vida. How’s it going?” James asks.
“James, it’s fine. We’re just going through L/N’s review.” 
James pulls one of those boyish smirks that men often share when they should be grimacing instead. “I’m sorry to interrupt.” He hangs on like he has something else to say. 
“I think we’re about finished.” 
Mr. Vida is a predictable man. He ushers the woman away to make room for the man. His misogyny is unsubtle and unfortunate, your expression laced with hurt as you gather yourself and stand to leave. 
“Not looking forward to mine,” James says easily. You round the door, and he sends Mr. Vida a suck-up smile before he goes. He should stand up for you in a way that matters, but he’d felt it imperative to remove you from the situation, rather than escalate. 
He’s on your tail, coffee forgotten as you scurry back to the desks. “Hey,” he says, finding himself in a half-jog to keep up, “wait, wait, are you okay?” 
You slow. “I’m fine,” you say, so mildly perplexed that he doesn’t think for a moment you’re playing it cool. 
“He was getting a little heavy with you.” 
You frown in agreement, but otherwise move on, rolling your chair back with your foot to open your desk drawer. “I guess so. He’s like that.” 
“Is he? I’ve never had him that mad at me.” 
“He’s not that bad.” You pull a blister pack of painkillers from your drawer and pop three out in a row. “Have you met his boss? Oh, have you ever spoken to the manager of the account managers from the Brussels office? She sucks.” 
James doesn’t have the wherewithal to pretend he wasn’t following you. He stands with his hands vice-like on the back of his chair. “What did they say to you?” 
“Who, Mr. Vida’s boss? Or the Brussels manager?” 
“Both.” 
You sit and fish a bottle of water from your bag. “I actually filed a successful grievance again Mr. Vida’s boss, he kept calling me sweetheart. I know,” —you wince— “that’s a bit much, but it was really obvious he was looking down at me, so.” 
“And the Brussels manager?” 
“She emailed me thinking I was much more involved with the lab than I actually am. She kept calling me stupid.” You take one of your tablets and wash it down with a swig of water. “But,” you add, smiling at him, “I did manage to solve her problem.” 
“What do you mean, she called you stupid?” 
Your smile slips. “She called me a bunch of stuff. Professionally, you know, but she kept asking why my foresight was so sorely lacking. You know what they’re like.” 
He shakes his head. “I don’t, no. Nobody’s ever called me stupid. Or sweetheart.” 
You smile genially. “Perks of being a girl. Or stupid.” You laugh at yourself softly.
“You’re not stupid.” 
You sober at his solemn tone. “I know,” you say. “I’m just joking.” 
“Nobody should be talking to you like that.” 
“I know, James, but what am I supposed to do?” 
He doesn’t know. What can you do? Nothing. What can James do? What should he do? 
“I’m sorry,” he says softly. 
Your frown deepens. “It’s not your fault. It’s really fine.” 
“It’s not fine. It’s not, though, it’s–”
“James?” you say. 
“What?” 
You stand up. You stand close to him, looking into his face. “Don’t be upset,” you say, mirroring his softer tone, “it’s okay. It’s nothing I can’t handle.” 
“You shouldn’t have to deal with it at all.” 
“Well, luckily this time I had you to come and rescue me,” you say. “But it really is fine. I can look after myself, even if I shouldn’t have to. Okay?” 
Your hand finds his arm. You squeeze his wrist and his entire torso lights up, everything, his chest, the backs of his shoulders, like goosebumps but warmer and with a softer fuzz to it. Your eyes meet his, an encouraging smile playing on a pretty mouth. For the first time that day, he feels pleasantly warm, like he’s had that first hot sip of coffee. 
The pads of your fingers are so, so soft where you catch his bare skin. 
“Okay,” he says instinctively. He’d say the sky was red if you asked him to, in that moment. 
You rub the back of his thumb with yours before letting him go. You sit down and finish your drink, and it takes James a good two minutes at his own desk to remember he’s not the one who needed comforting. 
He opens his emails to write a formal complaint against Mr. Vida for poor work conduct. He doesn’t think twice about hitting send. 
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talaok · 1 year
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Will you kiss me?
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Pairing: Pedro pascal x reader
Summary: You are a famous actress who Pedro has a crush on, and he finally gets to meet you once you get both invited to The Graham Norton Show
warnings: just fluff
a/n: I had to
"What a pair we have here tonight huh?"Graham spoke enthusiastically, making the audience explode in roaring cheers and applauses.
You just smiled as you tried looking at the crowd, getting overwhelmed by the blinding lights.
"Y/n Y/l/n and Pedro Pascal, just- wow"
Other applauses filled the studio.
"Ok so let's start with you y/n, you have a show coming out next week, two oscar nominated films already out, and one more coming out next month" he took a deep breath, feigning fatigue "You must be tired, I mean, How long has it been since you slept?" he joked, making you laugh.
"well I did work a lot this past year, but it was worth it, I'm happy I got to be part of so many wonderful projects and I'm really proud of all of them, I just can't wait for people to see them"
"well I'm sure we're all gonna love them"
"I hope so, I'm always nervous about it"
"Really?" The man beside you asked, surprise clear in his tone.
Pedro Pascal,
You had heard of him before, of the boom he seemed to have made lately, but had never met him until half an hour ago, when you briefly introduced yourselves to one another.
He looked nervous, awkward even, and you didn't know if it was because of the show he was about to get on, if he just was like that, or if there was something else bothering him.
"of course, when I go to premiers I'm always looking over at how people are reacting, if they're like bored or on their phones or actually interested, it's nervewracking, don't you?"
"well of course I do" he chuckled "but I'm no one compared to you"
He had a beautiful smile, you noticed, sweet, comforting.
"oh stop it" you smacked his shoulder playfully " you're a big deal, Pedro"
He just shook his head, still smiling softly, and Graham took the opportunity to intervene.
"of course you are, I mean, Game of Thrones, Narcos," he listed " and now the Mandalorian and The last of us, I mean you're really killing it"
The crowd cheered some more at the mention of those shows.
"thank you," he said shyly, looking like he almost wanted them to stop.
"so how does it feel?" he asked, "to be on such massive hits at the same time?"
"Well, it feels... scary" he laughed, joined by the audience
"you don't like being the center of attention?" Graham asked
"oh no I do" he corrected, making you laugh "It's just frightening at times, 
but I'm having a good time y'know, it's also comforting seeing everyone I've worked with kind of be in the same position as me" he shrugged.
"People you've worked with?"
"yes, you know like Bella Ramsey, they're also- well they're young so of course, they're new to this- but, y'know, we're not used to all this attention and it feels good to have someone by your side who understands what's going on"
"of course" graham nodded "that's true, Bella is really young" he noticed "that's a thing both your shows have in common, young people," he said, "how did that feel? working with the new generation, I'm not saying you're old, but did you ever feel left out?"
"oh, all time" Pedro laughed
"yeah me too" you agreed "there were times when I was really lost but too ashamed to ask " you laughed in embarrassment
"absolutely," Pedro said, " they have a language of their own"
"right?!" you exclaimed, happy someone finally understood you.
"yes, like, there's one term that I learned recently that's really wonderful- somebody was saying - you swerve - "
You frowned
"do you know what swerving is?"
"nope" 
"I was like oh- get somebody off your scent or something like that- I don't know - confuse somebody, and they were like: no, they come in for a kiss and you swerve" he demonstrated, pretending to be avoiding a kiss on the cheek.
"Isn't that great?"
you nodded, laughing, as an idea came to you
"We should try"
His eyes widened as he turned to you 
"c'mon swerve me"
"no, I cannot swerve you!"
"c'mon it's for science"
"I can't, I can't swerve y/n Y/l/n, that's like - a crime"
"oh stop it, just do it, I wanna try it c'mon," you said, flattered
"ok fine, but just because I can't say no to you" he surrendered
"ok" you cleared your throat, preparing yourself "Oh wow, hi Pedro" you pretended to greet him, going in for a kiss.
He just smiled, as he did, eventually avoid your kiss,
his beard grazed your cheek, and the proximity to him, sparked something inside you, something quick, but likewise persistent.
As you leaned away, you noticed with amusement the flush on his cheeks and had to bite down a smile.
He fanned himself exaggeratedly "I'm blushing," he mumbled, making you chuckle, as you rested a hand on his arm, trying to soothe him.
" So how does swerving feel?" Graham asked
"it's... interesting" you glanced at him.
"It makes me feel rude" he looked at you too now, "I would never do it, it feels- it's mean"
"oh we know you wouldn't" you reassured him.
"I didn't like it" he shook his head
You smiled, tilting your head "would it make you feel better if we did it again without the swerving?"
You noticed how he seemed to have a momentary shutdown.
"yes," he said bluntly
"oh my god yes"
You laughed softly, as his mouth gaped open.
"Will you kiss me?" he almost begged, which was funny considering you had proposed it.
"Alright then, come here" you gestured, and he leaned closer, letting you press a quick kiss to his cheek.
"there" you smiled
"I think I just died"
"oh stop it, you're flattering me," you said, noticing a trace of red on his face "whoops, sorry I left a lipstick print" you went to clean it 
"no no" he stopped you 
"please leave it, I want proof this actually happened"
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vashtijoy · 2 months
Note
have you seen the commentary from the p5r artbook going around? the shuake part of my dash is losing it a bit at the implication that their wishes were mutual!!! that seems to be what some people are getting from the commentary at least… amy insights?
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Hi! I have been through the artbook. It's great, isn't it? :D
The image above is called "One Ending", and the creator caption (by illustrator Akane Kabayashi) reads:
When I think about how Akechi's wish was to play chess after school with the protagonist, I almost want to call him out with "You liked him after all, didn't you!"
Look at that. We're told about Akechi's wish, and what it included. We're as good as told outright that he likes Joker—and this isn't the only time, there's also this:
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—There are a whole lot of things we can imagine, based on how the protagonist was depicted as someone special to Akechi. Those are more or less the exact emotions represented during Akechi's confidant. (Mumon Usuda, chief designer)
"someone special" here is 特別な存在 tokubetsuna sonzai—literally "a special presence". It means a special person, and more than that; it describes someone you find compelling, someone you can't look away from, someone who becomes one of your most important people, the centre of your world. It's another term that is often romantic, but isn't necessarily romantic.
(In the same way, I think Kabayashi's suki jan! is more tongue-in-cheek than it is a cast-iron confirmation that Akechi was canonly in love with Joker. The language there is teasing, it's ambiguous, it's baity; Kabayashi is joking. This is a rank 6—as they say, if you know, you know. But it is of course ultimately up to all of you.)
There's another mention of this image, down in the creator interview:
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Out of all the Maruki ending illustrations, it was Akechi's that stuck with me the most. It made such an impression to see them opening up as friends, having a fun, peaceful time together like high school students should. (Mumon Usuda, chief designer)
What really strikes me in all of this is the emphasis the creators put on the fact that this is Akechi's illustration, Akechi's wish. Because I've thought for a while that we know Akechi has a wish. You can see him struggling with his refusals to Maruki in the first week of January. And you can hear his wish spoken—when Maruki repeats it back to him, during the boss fight, on 2/3:
Maruki {F1 81}君たちとなら、君も過ちのない道を歩めるかも知れないじゃないか! {F1 81}-kun-tachi to nara, kimi mo ayamachi no nai michi o ayumeru kamoshirenai ja nai ka! If you're with {F1 81}―kun and his friends, you could begin to atone for what you've done! Think about it! With [Amamiya]-kun and his friends beside you, you could choose a path with no mistakes as well!
So this wish has several parts. First, there's that kimi mo, "you also"; it's tempting to read this as Maruki also wanting his new world to erase his past mistakes. Second, there's the first part, "if you're with [Amamiya]-kun and his friends". Where to even start here?
Being with Joker and the others is a prerequisite for the second half of Akechi's wish. It doesn't just coexist, it enables the rest of it. Just like his words in the engine room, "I wonder why we couldn't have met a few years earlier, [Ren]..."
Remember, Akechi's whole arc is about his rejection of trust and friendship, and his insistence on doing everything himself. This is precisely what Futaba calls him out on—"you trusted no one", or "you played life in single-player mode". This is what he unlearns at the climax of the engine room, when he realises he isn't prepared to let the others die—and follows through to save them.
Akechi is nothing without others, and he knows it. Without their support, which he believes he has no right to, he has no hope of living a better life, even were he to be given the chance—and he knows that, too. He has learned, and he has grown—and yet he knows the things he needs and wants so badly are forever inaccessible.
And his wish is about all the Phantom Thieves, not just Joker. There are many tiny references to this end—not least the original Japanese rank 10 line for his confidant, where he sacrifices himself for all of you. Joker is his compelling presence, his someone special, but he's formed small bonds with the others too, God help him.
and then there's the crime thing
The localisation frames Akechi's wish in terms of atonement, but that's not what's on offer. You cannot, after all, atone for things you never did. We see Akechi's wish put into practice, in the Maruki ending, where he appears with his friends beside him, wholly innocent and with unstained hands. And we see it in the first week of January, after he has finally met Maruki and spoken to him:
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Akechi: Ah, that reminds me—there was one more thing I wanted to tell you. Akechi: About the reality Maruki's put us in... Akechi: It seems that Okumura and Wakaba are both considered alive by all accounts. [Ren: They're not dead anymore? / What do you mean?] Akechi: They aren't mere illusions, or cognitive beings—they truly are alive and existing in this world. Akechi: In fact, their deaths seem to have never taken place at all in this reality. [Ren: What happened to Shido?] Akechi: Shido was the only one arrested on the crime of attempting to overthrow the government... Akechi: It seems the Phantom Thieves were causing a stir in this society as well, but there's no record of your arrest now. Akechi: Basically, in this reality, you and I haven't committed any crimes.
While Akechi still remembers his crimes, they never took place. They have been undone, and only his lingering memory—and Joker's, at this point—speaks to them. He objects to this on countless levels, he summons all the strength he has to refuse it, but don't make the mistake of thinking that means he doesn't want it. This is Akechi's wish in action.
People are often very certain that Akechi's resolve in the third semester is like iron—that he rejects Maruki's offers right away, is never tempted, never wavers. But that can't be true. We know he's afraid to die. We know about the bad end where you don't complete the Palace, where Akechi says nothing and stares at the floor, seemingly blaming himself internally while all the others blame themselves aloud, for being unable to say no to Maruki's temptations. We know how he responds to this assertion of Maruki's—Maruki, who has perfectly summed up what we know all the other PTs wanted, and who (even if Word of God hadn't just confirmed Akechi's wish) we have, honestly, no reason to doubt.
Because Akechi never refutes this wish that Maruki describes. He never says he doesn't want it. He just rejects it—like all the others, who so desperately want what Maruki could give them. Futaba's mother, Haru's father. Akechi's life, and his innocence. And the people who might have been his friends, if he could dare, one day, to ask.
Akechi is tested just like the others, and the price he pays for his defiance is perhaps the highest of all.
and finally
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[The Maruki ending illustrations are] of Maruki's world, where everyone's wishes are granted and they seem happy. The scene shows their actualised wishes, which were never granted in the real world. (Mumon Usuda, chief designer)
We shouldn't forget the price Akechi pays for his impossible wish. Sure, the vision of himself being altered like Sumire clearly haunts him, and I'm sure it made the choice easier—but I don't think it made it that easy. Instead of taking the dream Maruki offered him, Akechi chose to face up to what he'd done, and who he'd become; at the very end, in the third semester and in the engine room, he always makes the right choice.
And that choice was taken away from him. Agency over his life and death, his own acts, and who he would even be—Joker and Maruki take it all away from him and make him a puppet, just like Shido.
Maruki's ending isn't pretty.
revision history
Click here for the latest version.
v1.0 (2024/03/29)—first published.
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rafeandonlyrafe · 1 month
Text
the same tv
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words: 1.8k
warnings: 18+ only, smut, unprotected sex, p in v sex, parent death, funerals, robbery, redemption/forgiveness, addiction, drinking (wine, not like hard drinking), tickling, cockwarming, they call themselves kids at one point but at no point are reader or rafe under 18, like itll make sense once you read it in context
the first thing you do when you enter your house is kick off your shoes. the next is to stop holding back your tears as they stream down your face. you can't even sob anymore, just silent, steady tears.
you sigh as you look around the entryway. there's been some changes since you moved away, despite only being out of your parents house for a little over a year. they replaced the grand portrait that was of your mom's parents with one of you, now taking the place of honor.
you look away before you get to the rest of the family photos. you've seen enough at the funeral. you walk further in to the house, bare feet against the shiny wood floor.
you pause when you hear something further in. you haven't forgotten how the old house seemed to speak, groaning and settling during strong winds or when too many people were crammed between it's walls.
this sound seems different, but you're also occasionally sniffling, your ears are shot from blasting music in an attempt to distract yourself, so you shrug it off and walk further into the living room.
the sound suddenly makes sense as you see someone stood in your living room, arms holding up your parents flat screen television, awkwardly trying to carry it.
you aren't even mad. you honestly don't care about the tv. or the fact that someone is trying to rob you.
you let out a bitter laugh before you sink to the floor. “of fucking course this happens.” you are glad you still have your purse slung from your shoulder as you pull your wallet out, quite aggressively throwing it at the robber who has now frozen.
“what?” he questions, lowering the tv to the ground and pushing his hood of his head, a dumb move for someone currently committing a crime.
“this has been the worst week of my life and now you're robbing me. just my fucking luck…” you let out a broken sob. “just take whatever you want and leave.”
the only things that matter to you still in the house aren't actually worth anything anyways. the photos of your parents, your dad's cologne that's half empty, the oak tree that your childhood dog is buried next to.
“i thought the people who lived here died.”
you pick your head up, a look of fury overtaking your face.
“they did. they're my fucking parents! and now they're gone and you're fucking robbing me! get the fuck out!” you stand up, pushing at the robbers chest.
he looks familiar, like you should know who he is but can't place him.
“im-shit. im sorry.” he says, allowing you to shove him away and out the door. 
“im really fucking sorry!” he yells again before you slam the door shut.
-- years later --
you park your car in the driveway instead of pulling it all the way into the garage like you know you should, but you need to know if you're correct about the man sitting on your front step.
“you're the kid that tried to rob me.” you say as you walk the sidewalk to the porch.
“yes.” he says, looking ashamed and a whole lot more grown up. “i was an addict and i owed a debt. my dad had just kicked me out of the house and i was on my own for the first time. it was stupid of me, but when i heard the people living here died, i thought it'd be a victimless crime.”
he sighs deeply, like even just thinking back to that time physically hurts. “i didn't even think that someone could have inherited the house. im so, so sorry.” 
he swallows thickly. “my mom died when i was young. my dad- my dad just died recently. he faked his death and i got him back, but he's actually gone this time. you know what you said about the worst week in your life?”
you think back those years. it's mostly a blur, especially the days surrounding your parents car crash and funeral, but you do remember breaking down in front of the robber. you nod gently, waiting to hear the end of his speal.
“i know what you mean now. and im sorry i hurt you. im sorry about your parents dying.” he pulls something out of his pocket, extending his hand.
you look into his open palm, realizing it's a ornate gold necklace.
“no.” you shake your head. “you keep it. you don't need to bribe me to forgive you.”
“i want you to have it.” he says. “it's… it's not a lot, but it's something. something to help make up for what ive done.”
you reach forward, carefully taking the necklace out of his outstretched hand, carefully not to accidentally bump his skin. 
“thank you.” you say, admiring the way the sun gleams off the metal. 
“im rafe, by the way. rafe cameron.”
“y/n.” you respond, undoing the clasp of the necklace.
“here, let me.” he takes it out of your hands, moving quicker than you can think as he steps around you. your hair is already up in a bun, so rafe is able to reach around and easily place the chain around your neck.
“thank you.” the weight of the necklace feels comfortable against your skin, like it's the last finishing touch you need. you are wearing your mother's earrings, your father's bracelet, and now you have the other piece of what made that time in your life so miserable, your robbers necklace.
“i… i guess ill be going now.” rafe says.
you turn and watch him walk away. you recognize so much of your former self in him, the clear grieving he's going through.
“are you sober now?” you call out before he reaches the end of your driveway.
“sober enough.” he shouts back. rafe doubts he'll ever truly be clean, but he can at least manage now, doesn't need the drugs like he used to.
“then come back for dinner tomorrow. we can talk.”
you can see the smile stretch over his features. “ill be there.”
-- three months later --
“shit.” rafe says, head snapping over to you. “this is the same tv.”
you giggle and nod, surprised it took him so long to realize. “i never really watch tv on the actual tv, so no need to replace it.” you shrug, the gold necklace still draped over your neck. you haven't taken it off except to shower and sleep.
“god, thats crazy.” rafe looks over to you. “imagine if we just talked back then.” 
you shake your head. “you just think you want that because we get along now. we were both in bad places.”
“you don't think we would have been hooking up back then?” rafe asks, raising an eyebrow at you, watching the way your thighs press together at the mere mention of hooking up, already feeling the urge to sleep with rafe even after having sex only a couple of hours ago.
“we were two scared kids. if we were hooking up we definitely shouldn't have been.” you giggle, reaching your wine glass out for rafe to refill, which he is glad to pour a more than healthy amount in.
“and now?” rafe looks down at his lap.
“and now we are two slighty less scared slightly older kids.” you giggle again, taking a deep sip before leaning across the couch cushion to press a kiss to rafes cheek, the movie you had put on long forgotten.
“rafe.” you wait until he looks you in the eye. “im here for you.”
“god, what have i done to deserve you?” rafe wraps his arm around your waist, pulling you on top of him as he flops back onto the couch. 
you let out a laugh before it's cut off with his lips. he kisses you heavily, hand against the back of your head, not allowing you to pull away, not that you want to.
you let himself get lost in your kiss. you wish you had someone to support you in the time you needed most, and you're determined to be that person for rafe now.
rafe easily dominates your mouth even though he's underneath you as you quickly work your shorts off, wiggling against him until your bottom half is nude.
you press against rafes crotch, still covered by his sweatpants. you feel his cock straining against the fabric as you rub your pussy against it, wetting the gray material.
“baby, please.” rafe groans. he would pull his cock out himself, but his hands are preoccupied holding you close to him as if his life depends on it.
“oh, now you don't like teasing?” you smile.
“alright, i deserve this.” rafe also manages a chuckle despite his straining erection. “but please. need to feel your pussy ‘round me.”
“alright.” you roll your eyes dramatically. you'll have to get revenge on rafe at a different time for edging you the other night.
you push his pants down his thighs until you're able to reach into his underwear and pull out his cock. you give him a few quick strokes before lining up your entrance and sinking down.
rafe let's out a moan, barely pulling his face away from yours. “you're so wet.”
“it's almost like i like you or something.” you roll your eyes.
rafe laughs before kissing you again, hand moving up to your hair, tangling his fingers between the strands.
you sit on his cock for a moment, adjusting, before beginning to move, up then down, up then down, subtle movements of your hips, not needing anything fast, wanting drawn out, wanting it to last.
the movie is long over by the time rafe finally cums, a hand finally moving down to rub your clit to make sure you get off at the same time as his.
by the time you're both satisfied, you're sweaty and exhausted. you don't even bother to pull off his cock as you rest your head against his chest.
“thank you.” rafe says softly, rubbing his hand over your back. you don't need to ask what for. you know. for being there. you'll always be there.
you look up at him, a small smile on your face. “how are we gonna tell people we met?”
things are quickly getting serious, and while he hasn't breached the subject with you yet, neither of you have been hiding how quickly you're falling.
“what, you think it's a problem that we met when i was robbing you?” rafe says, making you giggle, only intensified by his hand pressing into your side, fingers tickling you as you howl with laughter.
rafe flips you over onto your back so you're underneath him, keeping his cock pushed inside of you.
“maybe we should just tell people we met on tinder.” rafe shrugs.
you roll your eyes. “somehow that's more embarrassing.”
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empress-simps · 2 months
Text
Line That Leads To You
Pairing: Sirius Black x Fem! Reader AU: Soulmate AU CW: Language, Genre: Angst with a happy ending (don't worry guys) Summary: You make Sirius realize that having a soulmate isn’t all that bad— that he too, will have his happily ever after.
Note: One of my favorite tropes to write, soulmate AUs! Sirius just needs love and affirmation. I love writing for this! Enjoy! Picture is from pinterest, credits to the owner!
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You know, Sirius never really believed in those pesky soulmates stuff. It irks him to no end, and makes his head hurt.
The topic makes him snappy, bitter, and it leaves him feeling angry. To whom? The world— the one who’s responsible for everything that has to do with soulmates. He thinks it is a bunch of bollocks. It’s a pathetic little concept that everyone seems to be too invested in.
Sirius would be very much happy to tell you it doesn’t really end with a happily-ever-after.
“I’m telling you, Prongs. It’s just a bunch of crap.” Sirius tells James one time at the drawing room in the Potter Manor. James shakes his head, disagreeing with his best mate.
“It isn’t always like Walburga and Orion, Pads.” James gently tells him, eyes swimming with empathy for Sirius. “Just look at me, Lily and I are together, finally.” Sirius can’t help but scoff, shaking his head in a disagreeing manner.
“That’s because you were already pathetically in love with her before you even knew she was the one, Prongs. Same thing for Lily, but she was quite stubborn trying to deny what she felt about you. You guys are actually made for each other.” James lets out a laugh, the memories resurfacing making a love-struck smile appear on his face (Sirius gave him a disgusted look)
“That’s what soulmates are, Pads. You’re supposed to complete each other, balance the other person out” He pursed his lips and sighed, there’s no way Prongs could understand his opinion on the matter.
Complete each other, huh?
Then can someone give him a reasonable excuse on why his parents broke each other? One descended into madness; the other doesn’t really seem to care as long as the noble house of Black lineage will continue.
Sirius bites his bottom lip, deep in thought as he stares at his pinky, willing the connection to be seen; a red string that was tied into a bow that leads to Merlin-knows-where. It serves as a connection; the string that he and only his soulmate can see whenever they want. He tugs on it curiously, awaiting any reaction with bated breath. He almost scrambled away when he felt the other end also tug it. Sirius was utterly terrified, a shiver crawled up to his system, it’s foreign feeling for the Black’s eldest son. It made everything feel too real. A fact that he desperately tries to deny.
That night, before they returned to Hogwarts as sixth year students was the last time he ever willed to see the annoying little string in his pinky, not caring if his supposed other half was finding him or already found him.
Maybe it had to do with his twisted upbringing. He saw how his father cut the string tying him to their mother, the purple string that bound them together turning gray and withering away.
He saw how Regulus flinched, no one should’ve seen a scene like that, but they did. Someone severing their connection to someone who should’ve been with them through better or for worse, the one that fate intended for them. Their life got worse just after that, forcing him to flee and leave his younger brother behind at the deranged hands of Walburga Black.
“You should eat more, Reggie.” You turned towards the quiet and reserved Slytherin, pushing his plate closer to him, which made him wince. “I am quite full.” You raised a brow “None sense, all you did was sip pumpkin juice so you better do as I say or I’ll tell Evan and Junior.”
“Do you know that you boss people around quite well?” He grumbles, shoving a few spoonsful of dinner in his mouth as you hummed in approval, cracking a small smile. “I was told.” Your eyes flickered to the Gryffindor table, it seemed to gravitate you, pulling you in.
Looking down at your pinky, you willed the string to be visible to you. Seeing the red string attached to Sirius Black made your stomach churn; was it butterflies? Unease? You don’t particularly know, having mixed reactions to the string that leads to your other half.
You’ve known for over a year now, keeping it to yourself as you quickly figured out that he wants nothing to do with his soulmate.
“Reggie! Reggie!”
You exclaimed, slapping the poor boy’s arm as he was currently staying in the L/n Manor. He looked in your direction, quite annoyed, he was interrupted reading his book. “I’m reading, Y/n. You know, you should too. It’ll do you some good.” He sassed, trying to find which part he stopped reading. “My soulmate! They tugged the string!” You gushed, “They must be looking for me too, right?” You asked no one in particular, you can still feel the tingles you felt, how your heartbeat picked up, and how you felt like you were in could nine.
Quite the opposite from what Sirius felt, huh?
You never told him, never planned to. It was quite clear what his views are on the concept of soulmates when you saw him snogging different girls every week. It wrecked you; you swore you felt your heart stop beating every time you see him loving a girl other than you even just for a week. It sounds stupid and all, but you would give up everything just to know what it feels like; how he will look at you with love and adoration in his eyes, how his touch and kisses would linger on your body, and how his voice would sound like as his breath fans in your ear, whispering promises of love.
You looked at him from the Slytherin table; so close yet so far.
Regulus noticed, the all too familiar broken look in your face. His heart hurts for you, even if you do not tell him, he already knows. Seeing his brother’s indifference, Regulus’s gaze hardened. How could he have the guts to do this to his soulmate?
The memory of their mother's despair, the way she withered away after their father severed the bond, was etched into his mind. Regulus does not wish for anyone to feel that way, he does not wish upon it even in his worst enemies.
It was a pain no one should endure, a lesson that should have been learned.
Yet there sat his brother, laughing with his friends and willfully ignoring the pulls of his heart. The person who held the other end of this unseen tether, was beside Regulus. Your soul ached as you watched your soulmate. It was a betrayal of the heart's deepest connection, and it stirred a tempest of fury within Regulus that he struggled to contain.
“My brother is foolish. Eat.” He states, pushing your food and placing the cornbread on his plate to yours. She cracks a smile, chuckling. “Alright, Reggie. You’re lucky I love you.” You pat his curls, proceeding to eat the bread, smiling a little. Reggie never really shares his food with anyone, except for you. You’re the only exception.
“Padfoot.” Remus starts, looking out of the window as Sirius lays down lazily in his bed, looking at nothing.
“What, Moons?”
“If I say that I have an inkling on who your soulmate is, would you… look for them?” Remus asked cautiously. Peter and James perked up, eyes wide with shock. How could Remus possibly guess who his soulmate is? Unless… They’re also in Hogwarts?
“Don’t start with that crap, Moony.” Sirius sat up; a scowl displayed in his features as his grey eyes turned stormy.
“Don’t you even feel the slightest amount of guilt in your system as you snog other girls?” Remus frowned.
Sirius’s scowl deepened, his hands clenching into fists. “Guilt? For what, Moony? For not wanting to be chained down by some ancient magic?” His voice was a low growl, barely containing the emotions that surged within him. “I won’t be dictated by fate. I make my own choices, and I refuse to be bound by a bond I never asked for.”
Remus’s expression softened, the lines of concern etching deeper into his face. “It’s not about being chained, Pads. It’s about finding someone who complements you, who understands you in ways no one else can.” He paused, his gaze steady and piercing. “You’ve seen what happens when that bond is severed. You’ve seen the pain it causes. Is that what you want for yourself? For your soulmate who’s probably hurting somewhere?”
Sirius looks down, biting his lip and playing with the rings on his fingers. “I don’t plan on severing our bond, Moons- “
“Then what the fuck are you doing?” Remus spat, Sirius flinched, looking at anything but them. He knew deep down that Remus was right. He can’t deny he also wants to look for his soulmate. The only thing that was holding him back is that he’s scared. What if your story would end similarly like how Walburga and Orion’s did? Dread fills his system as he reflects on how he slowly realized he’s becoming like his father. Peter and James exchanged a glance, the weight of the conversation settling heavily upon them.
“I’m scared,” he admitted, his voice barely above a whisper. “Scared of finding her… Scared of repeating the same mistakes.” He paused, his gaze lifting to meet Remus’s. “But you’re right. I can’t keep running from this. It’s not fair to them, and it’s not fair to me.”
James offered a supportive smile, feeling happy for his friend. Sirius stood up, his posture straightening as if shedding the weight of his fears. “I’ll do it. I’ll find her,” he declared, his voice steady. “I owe it to both of us to at least try.”
“That’s our Padfoot.” Remus breathes a sigh of relief as Peter nods encouragingly at Sirius.
The next daylight soon came. Sirius gulps, looking around the great hall, feeling quite overwhelmed at the number of students entering for breakfast, eating, or chatting amongst themselves. For the first time in a long time, he willed the red string of fate to reappear within his vision.
Ah, there it was. The red string connected to someone from the Slytherin table. Sirius felt his heart drop, seeing the end of the string connected to your pinky. “Y/n?” The name left his lips in a hushed awe, his heart skipping a beat as he saw the string connected to your pinky. You, who laughed with such ease beside Regulus, were the missing piece.
Whether it was some brotherly instinct, Regulus looked at him, shooting him a warning stare as if to say: ‘If you hurt her, you’ll never see the light of day ever again.’
Remus raised his eyebrows in surprise, knowing eyes set on his friend. “Found her, Pads?”
“Yeah. Found her, Moony.”
“Then what are you waiting for?” James chimed in, a grin spreading across his face as Peter silently cheers him on. “Go on, before you lose your nerve.”
Sirius took a deep breath, trying to shake off the weight of Regulus’s protective stare. It was a silent challenge, a vow to keep your heart safe from his brother. With a nod of acknowledgment, Sirius stepped forward, crossing the small distance between the Gryffindor table and Slytherin.
“Y/n,” he said, standing before you, the red string pulsing with a life of its own.
You stilled, slowly looking in his direction. Eyes wide with surprise, searched his for a moment before softening. “I was wondering when you’d come around,” you teared up, making Sirius’ heart ache.
Sirius extended his hand, the red string wrapping around both your destinies. “Let’s talk, yeah?”
And in that moment, as your fingers intertwined, Sirius knew that whatever the future held, he had made the right choice. For in finding you, he had found a new path that began to unravel, one filled with hope and courage. The buzz of Great Hall continued, but both of them felt time still, feeling the bond weave into their souls deeper.
Sirius’s and Y/n’s story had its flaws, but it was theirs, uniquely woven by the red strings of fate.
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onyourowndaisymae · 10 months
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don't mind me... just thinking about the demon brothers slowly dropping the rest of their roster for you as they fall head over heels...
lucifer // mammon // levi // satan // asmo // beel (you are here) // belphie -- others coming soon, NSFW warning below, gn!reader
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beelzebub, who doesn't have the capacity to get to know you in the way he should. it seems that every season of his life comes with heartbreaking turmoil, and he just has to get used to that feeling of emptiness in his stomach. first, with the celestial war, he lost lilith. now, as the exchange program began, he had to say goodbye to his twin brother for an entire year. he hopes you don't take it personally-- he just can't spare the mental or emotional energy to embrace your arrival like he should.
beelzebub, who can't thank you enough for the way you've repaired his family. he never would have suspected that you had been forming the pacts with his brothers to release belphie from the attic. a small, nervous part of him wonders if you had been nice to him just to get his pact, that you didn't mean all those things you said-- but he knows you. even if you had been lying, you did it for the right reasons. and after all, everything worked out, right? you're here, belphie's back, and the months since his twin's return have been nothing but happy. you have single-handedly stitched his patchwork family back together. beel can't find a way to show how important all you've done for his family really means, but he'll keep trying anyways.
beelzebub, who likes you a lot, actually. he's never been too keen romance. most of his interactions had been spurred on by the other party. he's been attracted to people who are kind yet self-assured, seeking him out first. all of his experiences in crushes, in romance, in bed, have all been a game of follow the leader-- not due to a lack of interest on his part, but because of trauma-ridden aloofness that caused him to focus on the things he still had. romance never topped the priority list... at least, not until it came to you. beel saw you as a member of the family for a long time, longer than he maybe should have. but there's something special about you. something about you that makes him love you differently than he does his brothers. he just wants to have you around, always, sharing meals and movies and glances across the dinner table that make his brothers squirm. he's finally found someone special in his life-- someone he's going to give romance a try for.
beelzebub, who has never been good at controlling his appetite. it hits him at the worst of times, constantly, gnawing at his insides until he can't ignore it. that was why he is stuck in this position. a hunger brews in him, all adrenaline from the latter half of the fangol game and lust, and-- fuck, he needs relief. water beats loudly against the tiles, disguising the deep growl in his throat as he tugs impatiently at his aching cock once, twice, listening hard to make sure no one else was still in the locker room. he listens until he couldn't anymore, until his hand began to move impatiently on its own, another growl rumbling in his chest before he relents and begins pleasuring himself. his mind wanders to you, on the railing of the bleachers, screaming your lungs out in support of his team, feet pounding against the metal steps as you jumped about. you were there for him, cheering for him, watching his every move. he imagines you creeping in to reward him after everyone else left, perched on your knees on the locker room floor, wide eyes watching him with so much love as you swallow his cock, plush lips wrapped around his shaft as you take him as far as you can. just the thought makes his cock throb in his hand. he didn't have long to finish himself off and head out, but his mind couldn't help but linger on the image a bit longer...
beelzebub, whose date night just got a whole lot better. the two of you had spent the evening at hell's kitchen eating your fill (or in beel's case, eating them out of stock) then coming back to the house of lamentation for a movie. but your hand began to wander during the movie-- not towards the snacks, which he offered you several times as your gaze began to wander, but to his upper thigh. your fingers creep in further, until you're brushing against the seam of his pants. he hardens at your touch, your gaze, the steady sound of your breathing next to him. he shoots you a curious look. he quietly warns you that yours fingers are touching him in a particular place-- surely you know that already? you nod. he wraps an arm around your waist and pulls you onto his lap. his view of the screen may be obstructed, but it's obvious that the movie has fallen to the wayside for now. it's him that takes the initiative to guide your hips into a steady grind against his own, little gasps escaping yours lips as he watches you more intently than he ever did the screen. grinding turns to kissing and kissing turns to grabbing, his big hands grabbing at your sides, your ass, your thighs, spreading you open for him. his fingers slip past the waistline of your pants and begin to toy with your sex through your underwear. you begin to tug at his sweatpants, desperately reaching for his cock while rutting into his hand. his cock springs free-- fuck, he's massive-- and you whine for it. you tugged your pants off in a few hurried movements. he tries to warn you about needing more prep, but his words die in his throat as you whimper for it, tell him how much you need him. his eyes and mind both glaze over with lust as gathers your juices and scissors them inside of your entrance, reaching deeper and deeper as you grip his broad shoulders and moan. when you're ready, he lines you up over his cock and lets your sink onto his length. you're so tight and soft and his head is spinning. fuck. the drag of his cock through your insides makes him groan. he doesn't even realize he's pinned your back against the couch until you look up at him with wide eyes and murmur his name. he starts to pull back, but you repeat his name-- your tone is laced with lust, hands reaching for him to come closer, and he does. he hovers close enough to brush his lips against your ear and apologize. you're a strong human, right? you can handle a little roughness? his hips pull back then thrust roughly into you, making your vision blur for just a moment, before he begins a truly sinful pace. a new sort of appetite brews within him-- and you know he's never been good at resisting his gluttonous urges.
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taglist for this series: @the-demonus-aunt // @scienceisfornerds // @hostilemakeover // @snow-fall1 // @kachan890 // @rphantom1 // @respitable
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At the end of everything Percy chooses to be on Luke's side, not Kronos's, not the gods' but Luke's. Luke, who was just a kid forced to grow up too soon, Luke, who has been angry his whole life, forced to protect people he cared about without any resources, forced to go on the run, forced to flee to a place that's supposed to be safe only to find out it reeks of generations of kids who were abused and mistreated by parents who didn't care, taught that love was transactional, taught that glory is everything and forced to reach for an impossible standard of glory to achieve that love.
I think ultimately Percy is the child of the prophecy because he was taught from a very young age that love should be unconditional, but he also learned from a young age that not all love is. He WAS Luke. The same anger towards the gods, the same desperate need for change, the same feelings of helplessness. Luke sees himself in Percy, and I think part of the reason Percy made the choice to give Luke the knife is because he sees himself in Luke. Everything Luke has ever said about the gods, about demigods, about the system, Percy has said those same things. Out loud.
The difference is that Luke consistently chose anger over love. From the very beginning of his story, he compromised the safety of those he was supposed to protect by picking fights, and he turned to a darker force to combat the helplessness of his existence, maybe he still cared about Annabeth and about family at the beginning but it didn't take much time for that to change. He discards Annbeth's life; the one person he promised to stand by and protect, he's careless with the lives of other half-bloods, he's cruel.
I love the effort that they are making in the show to portray Percy as a mirror to Luke from the very beginning, way before new viewers even know what's going to happen at the end. Percy is saying, "The gods have done nothing for me, they have done nothing but hurt the people I care about, we would be better off without them". Luke is undoubtedly the villain and the choices he made were his own, but at the same time, he was just a kid who felt helpless and alone. Because of that, he chose the anger he felt towards the gods over the love he had for his family, and that's where Percy is different.
Athena once said to Percy that he would let the world burn just to save a friend. His love and his loyalty are so strong that he couldn't sacrifice anyone he cared about if it meant saving the world. Unrealistic or not, there is something beautiful about the idea of someone who cares enough about you to think that a world without you in it isn't a world worth saving at all.
Kronos tries to paint loyalty, family ties and love as a weakness, when we all know that it was the only thing that had any power against him. Luke allows himself to be corrupted to the point where he sees those things as weaknesses as well until Kronos loses everything because of one little girl and what she represents. Annabeth's reminder of Luke's promise was the one thing that gave him enough strength to take control. The reminder that he loved someone and that he promised to be her family has the power to break him from the control of the most powerful evil.
It's the reminder of the love he had before he chose anger that gives him the strength to defeat that anger. And it's the love he always had for the demigods seeping back in that gives him the strength to stay alive long enough for Percy to promise to protect them.
I don't know that he would have had the strength to destroy Kronos without the knowledge that Percy would be there to finish the fight that he had lost sight of. He spent years fighting Percy, and he watched him choose the half-bloods over and over again, Luke saw how much anger he had, and saw him choose love instead. Luke knew that Percy would be able to do something that he had never been able to do, choose to protect the people he loves before hurting the people he hates. Everything Luke did, he did to punish the gods for the way they treated their kids, and everything Percy did, he did to protect those kids. Luke couldn't have destroyed Kronos if he didn't know that someone who cared about those kids as much as he did would be there to protect them the way he tried and failed to.
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Text
Superpham AU (part 7)
Masterpost
A short one today, but I thought this section was funny (until it got sad again).
-----
It’s a quiet evening in the Lane-Kent household: Lois is trying to turn her notes into an article, Clark is going over Jon’s math homework, and Jon is watching a show Lois is only half-following.  It features lots of gunfire and explosions, though Lois’s— unfortunately extensive— experience with witnessing real violence makes the version on TV look cartoonish.  She suspects that is part of the show’s appeal.
Danny is paying about as much attention to the TV as Lois is, engrossed in something on his phone.  At least he’s in the same room as the rest of them, instead of sequestering himself away.
“Hey Lois?” Danny suddenly asks.
Lois looks up from her work.  “What’s up?”
“Did you know the internet thinks you’re Superman’s girlfriend?”
Lois knows that if she looks at Clark, he’ll be turning red, the way he always does whenever this particular subject comes up.  Lois herself is barely holding back a laugh.  Jon’s wrinkling his nose, looking thoroughly embarrassed by his parents.
“Well, I am,” she says, barely keeping herself composed.
“No, I mean—” Danny begins.
“You mean people say that I’m dating Superman and married to Clark?”  Lois glances at Clark, who is now hiding his face in his hands.  “Someone forgot to check for cameras after rescuing me a few years back, and we got caught kissing on film.  It was let people think Superman is a homewrecker or let them think I’m in a polyamorous relationship with my husband and his alter ego.”  
“That’s… really weird.”  Danny is giving her the kind of judgmental look only teenagers can give.  
Lois does laugh at that.  “It is, a bit.  But it helps protect Clark’s secret identity, so I don’t mind.”
“Don’t listen to her,” Clark finally says.  “There were other ways to handle that situation; she just thinks this is funny.”
“Even your parents think it’s funny,” Lois says.  Clark just sighs, faux-aggrieved.  
“It’s not even the weirdest thing on the internet about Superman,” Danny says.  “It’s just the weirdest thing everyone agrees is true.”
“Please do not tell me what else you’ve found,” Clark says.  
“You can tell me,” Lois says.  “We can just make Clark leave for a bit.”  Reading conspiracy theories about Superman is her guilty pleasure, though if anyone asks, she does it to keep tabs on anyone who might have a viable way of hurting him.  
Danny just laughs, and something in Lois’s chest seizes up.  Is this the first time she’s heard him laugh since he came back?  She thinks it might be.
She doesn’t want to call attention to it; like as not, that would just make him pull away again.  Instead she says, “Superman doesn’t even get the best conspiracy theories.  Those are all Batman.”  That’s because Bruce purposefully cultivates them, of course, but that’s not important.
“Which one is he, again?” Danny asks.  
It’s not that Lois ever forgets that Danny has spent most of his life in another dimension.  But little offhand comments like that… they really drive it home.  There are plenty of superheroes, even Justice League members, that most of the general public has never heard of— but Batman is not one of them.
She's saved from answering by Clark.
"You'll meet him eventually," Clark says.  "He's a good friend of mine.  And Jon and Kon are close to his two youngest sons, Robin and Red Robin."
Danny nods thoughtfully.  "Right.  I think Red Robin's in the group chat Kon added me to."
Lois reminds herself to thank Kon next time she sees him.  He and Danny seem to have connected, and Kon seems to have made it his personal mission to keep Danny from slipping too far into one of his funks again.
"Speaking of Kon," Clark begins.  "Ma and Pa want to know when we'll be able to make it to Smallville to visit."
They've been trying not to overwhelm Danny by introducing him to too many new people at once, but maybe that was the wrong choice.  Maybe they should be pushing him to get out more, to connect with this dimension.  Besides, Kon spends most of his time in Smallville, and they already know that he and Danny get along.
Lois re-evaluates the article she’s been working on.  Perry would probably appreciate it sooner rather than later, but if she turns in a smaller article this week, she can probably swing a weekend off.  If not, she can always work on it from Kansas.
“This weekend should work,” Lois says.  “If that’s alright with you, Danny.”
Danny looks a little surprised to be consulted.  “I— yeah, that works.  Not like I have anywhere else to be.”  He laughs a little, but the joke falls flat, and Lois resolves to double down on helping Danny connect with more people here in this dimension.
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vroomvro0mferrari · 3 months
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LN4 | Yeah
Summary: After many failed dates, Lando is always the one to comfort you. Perhaps it's time you look for love in a different place, in someone you already know?
Lando Norris x Reader
WC: 1.0K
Warnings: Curse words, if that’s even a warning.
Masterlist
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"Is she okay?" Max said as he saw you storming into the home you shared with him and Lando. You had just come back from a date and let’s just say it did not end well. You had been dating Jack for a while, but he was just expecting too much from you, so you broke up. This was the umpteenth boy that was.
You jumped on your bed, face down, and groaned. Would you ever stay together with someone for longer than a month? Probably not. You twisted around in your bed, trying to find a comfortable position. Not being able to find one, you decide to get into your pyjamas first and take your makeup off.
As you finally finished, you plopped on your bed once again, hearing the boys whisper outside your door. They always tried their best to take of you, especially when your behaviour was worrying them, like now. As expected, soon after, a knock came. "Hey love, ‘re you okay? Can I come in?" – it was Lando, Max had pushed him in to confront you because he knew you the longest and the best out of the two of them – or at least that's what he told Lando to convince him.
You just grumbled as an answer, Lando took it as a yes and walked in silently, moving to lay next to you on the bed. He held his arm out for you to lay on as he asked you: "What happened?" As soon as he stretched his arm out you were cuddling into him. "We’re over.", you said, hiding your face in his chest.
"I’m sorry." He said, holding you a little tighter. "'T is alright." you said acting as though it didn’t have any effect on you, as always. And to be honest, it didn't impact you as much as it should have: you knew it wasn't going to last.
Nevertheless, this wasn’t an irregular event for the two of you. You had been through numerous break-ups in the one-and-a-half year you’ve been living with the boys, and after every one of them, Lando would always be there to comfort you.
You hated that every single one of your relationships – if you could even call them that – would always end the same way: they wanted something you couldn’t give them. You had figured it out by now; after so many break-ups, you had come to the conclusion that you were the problem and you’d end up alone. It would end after about a month every single time. Why? Because you couldn’t let them in.
You have never been really lucky relationship-wise. The very few times you found someone you allowed in, they’d leave you heartbroken. Because of that, you haven’t been able to do it again, afraid of the same thing happening once more.
“Maybe you should try to find a different type of guy. I think that could help.” Lando said, trying his best to be helpful. He knows where your relationships are getting stuck; you had confessed to him, although it took much convincing to get you to finally admit it. Also, he has enough of this being a regular occurrence, so he will give any suggestion he can come up with to ensure you don't come home disappointed from your dates any longer.
"How would a different type of guy help? I’m the one who can’t open up. I’m the issue.” You mumbled with your head still hiding in his chest.
“I don’t think that’s true. If you don’t feel like you can open yourself up, then the guy is not right for you. Maybe you should try picking guys up someplace other than the club or online.”
“Are you really questioning my choice of men?” you ask Lando, lifting your head up to look at him, squinting your eyes. Who is he to say you're choosing the wrong people? It's not as if he's picking the greatest, most wonderful girls for dating.
“Well, so far it’s not really working out it, is it?”
The look you gave him said enough, but really, you knew he was right.
“Look, I know it’s your decision to make but every time you come back from those dates disappointed, and I think you deserve better than that. Don’t you agree?” He waited for you to answer, but you were unresponsive as you put your head back down on Lando’s chest. “So, maybe it’s time to look elsewhere.”
“Where am I supposed to meet guys then?”
Lando thought for a second. He thought about how maybe you didn’t need to meet a new guy, that maybe you should look at the people already around you. At the people you had already let in, and who hadn’t broken your heart. But he couldn’t say that straight out. You would ask him what he meant, who he was talking about: was he referring to himself? He'd say no, but you'd look straight through him. He knew you well enough to know how well you knew him.
“I don’t know. Your work? At the shops?” Should he say it? If he brought it up naturally, maybe you wouldn’t notice he was talking about himself. Fuck it.
“Maybe you’ve already met someone you could be in a relationship with, but you haven’t realised it.”
You looked up again, brows furrowed. “What on earth does that mean?”
Lando shrugged, “I don’t know, maybe you could fall in love with someone you already know, someone you’ve already let in, someone you’re already friends with.” He mumbled, avoiding eye contact.
You looked at him while you thought about it. “And who would that be?”
Silence.
“You?” You continued.
Fuck. Of course, you’d know Lando was talking about himself. He expected no differently, although he had hoped, and wished, you didn't realise it so quickly.
“Someone like me, yeah.” Lando responded, still looking away.
“Someone like you, or you?” You whispered.
He finally looked at you. “Maybe me.”
“Yeah?” You responded, holding the eye contact.
“Yeah”
You thought about it for a short moment, and came to your conclusion; “I’d like that.”
“Yeah?”
“Yeah.”, you confirmed.
Silence, again. But this time he held your eye.
“Can I kiss you?” You whispered.
“Yeah.”
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giorno-plays-piano · 7 months
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Her Fault
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Pairing: yandere!Toji Fushiguro x reader
Warnings: implied noncon, spiked drink, stalking, kidnapping, obsession, mention of Stockholm syndrome, Toji being a part of a gang.
Words: 1.2k
Summary: Toji knows nearly everything about her. Who she is, where she works, what's her address, where she keeps her keys, the code to unlock her phone... Except for the last two things, he didn't even need to have someone to spy on her because she told him everything herself. Somehow, she felt like she could trust him, poor girl. He appreciates her lapse in judgment.
_________
"You should try something new for a change," Toji says with that smug expression on his face, making the woman next to him frown. "No offense, but those pathetic margaritas will be the end of you one day."
For a second, she looks stunned by his audacity, but it doesn't take her long to bite back at him, "Says who? The I-only-drink-whisky guy?"
He lets out a laugh at that, shaking his head. "Fair enough. How about we both try a new thing?"
As she stills, contemplating his offer, he already knows he'll win. She will order whatever he tells her to, and she will drink it like a good girl, not being able to tell the difference between the real drink and whatever concoction he will give her. Wouldn't work with a margarita she's been ordering ever since she appeared here one Friday evening.
He first saw her about half a year ago, wearing a fancy black dress and high heels like she was at the gala, not a local bar. Her hair was perfectly coiffed, and she wore that classy sort of makeup that suggested she was either at the wrong place or came here straight after work for god knows what reasons. Toji had no idea why she would show up at this bar dressed that way. Did she want to get laid and didn't know how?
The guy sitting next to her at the counter probably arrived at the same conclusion but dumbly decided to chase after her in the most stupid fashion, giving Toji an excuse to send him "I-will fucking-end-you" look and flex his biceps: girls digged that shit, and he was sure she'd take the bait. Naturally, the drunk dumbass left in a second while the woman looked impressed and thanked him for help. It was only natural to strike a conversation.
Pretty much first time going to a bar, she confessed, ordering a margarita. Why? She was a workaholic and, in addition, despised drunk people who couldn't control themselves. Why did she finally come? Wanted to find out what it's like since one drink couldn't hurt that much.
He thought she smelled really fucking nice.
Surprisingly, he didn't bang her the first night because she had a way with words that made him talk more than he usually did, and, by the time she was about to leave, he didn't feel like spoiling her first bar experience. She was probably going to return, anyway. Besides, Toji didn't like feeling so much at ease with a stranger, given the specifics of his work, so he was going to ring someone he knew to do a quick check-up on her and make sure that evening wasn't some elaborately planned scheme. God help her if it was.
But she was just an ordinary woman with an ordinary job with no relation to his business, so when she came the next Friday, Toji thought it was fucking nice to actually talk to someone for once. Why not? She wasn't even looking for a hookup, just for a human company.
That time, she wore a lovely dress that hugged her curves in all the right places, too, but she wasn't flirting with him even the slighest bit. He wasn't sure if he should have been offended by her lack of interest or felt good because she wanted to actually know him.
Since then, every Friday, she waltzes into the bar in her pretty dresses, smelling delicious, lands on the seat next to him, and talks to him like he's a friend. Not once has she batted her eyelashes at him or realized he was flaunting his physique one way or the other to flirt with her. She does, however, seem interested in how he's doing without being invasive or patronal, and it's been a really long time since anyone was that close to him. It genuinely feels good to see her face every Friday and hear her voice.
Toji knows nearly everything about her. Who she is, where she works, what's her address, where she slips her keys, the code to unlock her phone... Except for the last two things, he didn't even need to have someone to spy on her because she told him everything herself. Somehow, she felt like she could trust him, poor girl. He appreciates her lapse in judgment.
"Does that guy from work still bother you?" he asks, giving the barmen a sign to make that cocktail for her and looking back at her as if he really needs an answer. In reality, he already knows she has rejected the creep, and it pleases him to no end.
"No, thank God," she huffs, wincing like from a toothache. "Why the Hell do I attract all sorts of assholes? My own damn father has been an ass to me, too."
"Huh, your father?" Toji sends her a smirk. "Got daddy issues?
He can tell her face is burning even without looking at her expression.
"Oh my God, Toji!" She slaps his hand slightly, embarrassed and annoyed at his antics. "Why are you saying it like we're in a porno?"
That gets a good laugh out of him, and she visibly relaxes, smiling, before she promptly excuses herself to the bathroom, and the barmen finally lands her drink on the counter, secretly nodding to the man on the other side. There's nothing really dangerous in there that wouldn't get out of her system in a day, but that's enough time for Toji to finish everything he has planned.
Really, it's her fault for being naive and so fucking pretty. He could have already fucked her ages ago and forgotten all about the woman, but she just has to be too damn nice for her own good, making him long for Friday night and hear her talk. Besides, what is he supposed to do when she doesn't date and doesn't see even his most obvious attempts to flirt with her? He takes the easiest way out, really.
The drugs in her drink will make her pliant like a kitten, but, considering it's her third cocktail, it'll be a piece of cake to make her believe she just got drunk and ended up sleeping with him. Then he'll explain how she confessed to him and mention he likes her too. Depending on how it goes, Toji's prepared for 2 different outcomes: one, she accepts, and they start dating before he makes his next move; two, he chains her to his bed and waits till the Stockholm syndrome or whatever this thing's called kicks in and rewires her brain. Logically speaking, he prefers the first one, but his patience is wearing thin, and now he contemplates if he should just go with the second plan, anyway.
When she comes back, her delicious scent making him hard again, Toji sends her a smug smile and hands her the glass. Whatever she does, he knows where she'll end up after tonight.
__________
Tags: @minshookie29
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icaruspendragon · 3 months
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i think the most unexpected part of being a content creator has been just how much parasocial relationships warped my perspective.
like i knew sharing parts of my life with strangers on the internet would mean that even if they didn’t feel like i was a stranger to them, they were all still strangers to me.
and i share more parts of myself online than most. so lots of these people really do know so many things about me, and because of that, sometimes i forget they’re strangers who don’t actually know me.
like someone will leave a comment that i think is funny so i share it with my groupchat and they’ll be like, “berklie, this is actually a really weird thing for a stranger to say to you.” and my response is almost always “oh. 🧍🏻‍♂️”
it’s like i’ve gotten desensitized to people saying what most would consider out of pocket stuff to me. or maybe my threshold for what i consider out of pocket is higher than it should be.
i’m incredibly fortunate in that 99% of what’s said to me is lovely and respectful and that the vast majority of my audience treats me with kindness.
there’s so much talk about people having parasocial relationships, but no one really talks about what it’s like to be on the receiving end of those relationships. and like i know that no one is making me put myself out there like this, that it’s a choice i willingly make.
and i’ve been on the internet for 13 years now, which is literally half my life. i know what it’s like.
i was on this site in 2012 and fanfic.net in 2011. i know how awful and vile anonymity makes some folks get, but there’s a purgatory-esque space i didn’t know existed. and that space is where people aren’t mean, but they aren’t exactly nice, either. they’re weird. and not in a fun way. they’re invasive. and i’ve been exposed to it for so long i only notice when it’s extreme.
and if you follow me and you read this and are thinking, oh god. is she talking about me? the answer is no, i’m not.
i have lots of folks, especially those who comment/interact frequently, that i think of as my “regulars.” these are people i recognize and even go so far as to think about outside of whatever platform i’m posting on. and even if they don’t interact with my content super frequently, i recognize these users. i remember a lot more about people than folks might think.
these people aren’t the problem.
it’s the people who see i’m a person but forget that i’m human, if that makes sense. like of course people objectively know i’m a person. but i think sometimes they forget i’m human. and that i can read. and that i have feelings.
there have been several times where i called someone out for saying inappropriate shit to me and their response has been, “i’m so sorry. i didn’t think you’d see it.”
but i do see it. even if i don’t publicly acknowledge it, i see everything.
i think some people think just because they see more of me that i can’t see any of them. but i do.
so please, please remember i may just be a person that lives in your phone to you, but i’m a human who lives outside of it, too.
regardless of familiarity, i deserve to be treated like i have an existence outside of people’s screens. because i do.
despite appearances or perspective, at the end of the day, i’m just like you.
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cameronspecial · 7 months
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I Heard That Rafe Sent Someone To The Hospital, Y/N
Pairing: Frat!Rafe Cameron x Reader
Warnings:  Mentions of A Bad Fight
Pronouns: She/Her
Word Count: 0.5K
Summary: Daisy has heard some rumours about a certain somone causing trouble at a party.
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Everyone knows about Rafe Cameron. He rules the campus with an iron fist and most people fear his rage. Girls hunt for his attention, while most men try to deter it. He is known to set the law and if someone breaks it, Rafe lays out the consequences. Rafe isn’t very close to his sister, but he follows his father’s motto that family comes first. So when Ward insisted that Sarah visit her brother for the weekend, Rafe couldn’t refuse. This leads to his campus-wide hands-off rule for his sister. Anyone seen touching her would have to deal with him. He may be protective for Ward’s sake, but he wasn’t going to spend the weekend babysitting his fifteen-year-old sister.
——
Y/N sits in the booth of the cafe, looking over her notes for her elective psychology class. Daisy slides in across from her with a serious look on her face. “Did you hear the news?” Daisy asks, leaning in with her elbows on the table. Y/N shakes her head, “No, I haven’t had time to watch the news because of class. What happened?” Daisy rolls her eyes and sits back in the booth with her arms crossed, “Not the news news, but did you hear what happened at the Alpha Epsilon Pi party this weekend?” “No. Daisy, you know I really don’t care what happens at those things,” Y/N reminds, going back to her notes when she realizes what her friend is talking about isn’t that serious. Daisy leans forward again and closes Y/N’s laptop. Daisy’s eyes bore into the other girl’s, “You should. I heard Rafe someone to the hospital, Y/N.” This causes Y/N to look at her friend with wide eyes. “Who was it? There’s no way that you haven’t asked around to find out who that someone is,” Y/N provokes, not appreciating the suspense she knows her friend is trying to build.
Daisy’s pride is reflected with a smile, “Of course, I know. He beat Ashton to a pupil. I saw some pictures on Insta and Ashton was so bloody. They say that Rafe was high and drunk.” “As aggressive as Rafe can be, I highly doubt Rafe got into a fight with Ashton for no reason,” Y/N points out, always wanting to know the full story, unlike some people. 
 “No one seems to know the full reason, but it has something to do with the edict he made last week.”
“Wasn’t it about staying away from his sister?”
“It was.”
“I mean, I don’t condone violence, but knowing Ashton, I would be pretty angry if someone was preying on my fifteen-year-old sister.”
Daisy’s head tilts and she takes a second to think. “Oh, I never thought about it that way. It is a little creepy. Ashton was probably flirting with Sarah.” “Exactly. Daze, you have to stop judging people based on half of the story. I know Rafe shouldn’t have sent Ashton to the hospital, but Ashton wasn’t exactly an innocent party either,” Y/N argues. Y/N returns to her work while Daisy goes to get something to eat. Even before they started dating, Y/N has always been quick to make people see the full picture with Rafe. What she doesn’t know is that she is going to be spending the rest of her life doing that and she can’t say that she wants to complain about it. 
Taglist: @winterrrnight @loves0phelia
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