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#are those really signs of not being canon or is that just true to how queer/queerplatonic/neurodivergent partnerships get perceived

nobodyfamousposts · 7 months

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Scarlet Lady Essay: Frightningale

Yet another essay for @zoe-oneesama. Because you deserve it.

I’m not going to bother with a compare/contrast of canon vs Scarlet Lady Frightningale because Frightningale in canon was a pretty forgettable episode. Akuma was lame. Setup was wasted. And it’s removal from the series would lose nothing of value.

So instead, I'm going to focus primarily on the Scarlet Lady version of Frightningale and what it does that makes it memorable.

I guess to start with, I should make it clear that I’m not a fan of shows being lazy, especially when they display a lack of planning or consideration of their story and characters. And perhaps one of the greater indicators of this issue is when a series suddenly realizes they they neglected multiple plot points until it’s too late to give them all the focus they warrant so they end up shoving all of those points into one episode and try to present it like it’s supposed to be an adequate resolution of all that buildup or in any way intentional.

Penalteam was that episode for Miraculous. They had the “temporary heroes” setup going for them but then wasted so much time on filler like Frightningale that it seems like they honestly forgot about it until they were reaching a designated end point and they realized they still had four more heroes they were supposed to introduce. Whoops? Ah well, just introduce them all at once. Not like anyone will care!

And when you treat most of the cast like they’re all as shallow as a puddle, I guess that’s true.

The thing is, when you have a setup where there is a running theme of every person in a specific group getting their own episode/chapter to detail their issues and how they get a power up, it’s going to stand out whenever one of them doesn’t. Especially when that one or more are forced to share their limelight episode.

That’s not to say you can’t do it, but it’s bound to get attention if you do. It reflects poorly on the writing. It shows whom the “favored” and “unfavored” characters are. And it displays the issue with pacing—namely that it’s next to nonexistent until it hits you with the force of a freight train.

But can it be done and be done well? Is it possible to pull off such a thing and have it make sense and fit in lines with the characters?

Well, yes. Off the top of my head, I can think of two different ways to do it to make it work.

And Zoe did both of them.

If you look at Scarlet Lady as a whole, you’ll see a conglomeration of characters—each with stories and arcs attached. They have personalities. They have goals and problems and their own highs and lows. One sign of good writing is that some focus is given to highlight these other characters as people. Individuals in their own right with lives outside of the main characters or situation.

Miraculous doesn't really do this.

Scarlet Lady, however, does. Because contrary to the title, Scarlet Lady isn’t just about Chloe.

It isn’t even just about the heroes.

It isn’t just about Chloe being horrible. Or Marinette being in love. Or Adrien being in desperate need of a hug and a nap. Because while the story is centered around them, it isn’t solely about them. Other characters get focus and growth and their own arcs throughout the comics.

But the big two—the BIGGEST two with arguably the most depth and most growth and quite frankly the best storylines out of everyone in the entire series?

It’s Sabrina and Lila. And their individual stories have led up to this.

As such, this episode—which was mostly filler and all around forgettable in canon, matters here.

It’s where Sabrina and Lila reach the culmination of their respective character arcs.

Yes, it’s when they both get to become Miraculous Heroes and meet their own kwamis, but it’s more than just that! They both hang out with the girls group as full members of the crew, getting to take part in a music video together. It’s also where they both get to stand up for themselves and the city at large while calling out Chloe and Scarlet Lady. This is what their storylines have been building up to and where their growth really shows.

Sabrina started out as Chloe’s minion same as canon—albeit with more attention to her feelings and her responses, no matter how seemingly small, allowing her to feel more like her own person. And through this focus, we got to see her open up more, pull and eventually break away from Chloe and her influence, and over time stand up for herself and try to establish herself both with the class and as an individual.

Lila started off as a liar and manipulator, selfish and self centered, much like canon. Unlike canon, her lies are tied to her issues, noted to be poorly thought through, and give her more introspection as a person. After the lies are revealed, she’s not “redeemed” so much as she is “accountable”, and it doesn’t change who she is. She remains selfish and certainly far from being considered “good”, but she’s letting people in past her walls and masks in a way she hadn’t been able to before.

Both of these things? Figuring out who you are and letting people know you for who you are? They’re incredibly hard. And a lot of time was devoted to both of their journeys along the course of the comic.

Sabrina’s arc was about her figuring out who she is on her own. Outside of Chloe and her previous role of being a follower and lackey. And sometimes it feels less scary to stay with someone toxic than to be alone and facing the unknown. We see it in the way she tries to put herself out there afterwards, reaching out and risking rejection and just figuring herself out. Even or perhaps especially with those she already knows and has a less than positive history with.

And we still see the struggle of her view of herself in this episode. It was in the way she was upset that she legitimately tried to help and it still resulted in bad things happening. And it was also clear when she calls herself a “sidekick” to Marigold after the day was saved, as if it’s a role she still sees herself as and one she struggles not to fall in to. Over time, we’re seeing Sabrina learning that she doesn’t have to be attached or subservient to someone else to have an identity or be accepted.

Lila’s arc involved her figuring out who she is with people. Outside of the lies and manipulations she creates, the masks she wears, and the identities she crafts to make people like her. The “real Lila” is far from the best person and arguably not even a good person, but she also doesn’t have to be for the others to accept her as the still somewhat bad influence she is. She’s still very much selfish and flawed, but she’s less inclined to hide it or treat it like something that needs to be hidden. And isn’t that a common lesson? That it’s better to be liked for who you are than to force yourself to be someone else to be liked?

And at the same time, even with being less than a fully good person, she’s showing that she can still find better ways of acting that allow her to help others rather than hurt them or serve herself. She still hates Scar, but rather than working with Hawk Moth to kill her and risk dooming Paris and the world, she’s instead working with Alya through more legitimate (and legal) means…and hitting Scar where it hurts most. She and Adrien may not be friends, but rather than try to punish him for not going along with her, she’s instead rescued him, putting herself on the line—something that the former Lila wouldn’t have considered doing and one that canon Lila wouldn’t be capable of. Even if she’s motivated by pettiness or self-interest, what would have been straight up revenge on someone who upset her has grown to be something that is working in everyone’s better interests.

Both Lila and Sabrina hid themselves in different ways and for different reasons. So having them both assert themselves and call out both Chloe and Scarlet Lady is a show of their growth and overall a huge deal. It’s not something either of them would have done at the start of the series. Sabrina, because she was a “yes man” who wouldn’t dare to argue with Chloe and Lila because she wouldn’t risk openly doing something to make herself a target.

And now boom! Look at them both! Lila stepped up to openly and publicly denounce Scarlet Lady as not being a hero for real reasons that aren’t just about herself or her feelings—complete with receipts! The girl did her research, noting incidents from before she even came into the picture. Then follow up with Sabrina standing up against Chloe’s machinations and dismantling Chloe’s main source of power: her father. Even better, she’s using logic and knowledge she would have as a former ally of Chloe’s who would know her tricks, taking her former friendship with Chloe and using it against her.

And on top of that, each of them are given the Miraculous by the person they wronged in the past. Marinette to Sabrina and Adrien to Lila. Especially in Lila’s case, it says a lot that they’re trusted. That shows narratively that even with their mistakes and bad choices and continued struggles, they still can move forward—not necessarily to find redemption, but to find themselves and be their best selves.

This is why it makes sense for them to share this episode. It’s also why both of them speaking up matters. They are both publicly confronting their greatest foe, and the fact that their foes are really two faces of the same person further highlights this.

So they both have issues with the same person, are dealing with forming their identities without catering to others, are working out how to have/be friends, were formerly not the best of people, and have a fear of rejection. As such, this isn’t just their obligatory hero episode, this is what their individual stories have been leading up to. Almost like they’re two sides of the same coin. And the comparison between the two helps them both shine.

And speaking of shining, does anyone remember how the all girls team up didn’t get a chance to shine in canon? Zoe sure did.

I have a whole list of problems I have regarding Party Crasher, but perhaps number seven on that list is that the boys got to have an all male temp hero team up episode while the girls didn’t.

In fact, by this episode in canon, only Alya, Chloe, and Kagami actually got to be temp heroes.

To be fair, only four of the guys out of seven in canon got to be part of their particular event in Party Crasher, leaving out Ivan (who often tends to get overlooked) and Nathaniel (who has had a precedent of just literally disappearing from the episode). But originally, part of the appeal of Party Crasher was that the focus was supposed to be on the male classmates and getting to see at least some of them being part of a team against the akuma.

Why then didn’t we get an episode like this with the girls? Or at least something LIKE this?

Frightningale became that episode. And if any of the episodes were to do it, it makes the most sense for Frightningale to be the one.

All of the girls were together to take part in this event. So Zag would have had the perfect excuse to include them all in the fight or just have the girls do something to help even as civilians. I mean, we’ve had episodes do this before. Max in Robustus. Nathaniel and Alix in Reverser. Luka in Captain Hardrock. Let the civilians show their heroic traits even before they become heroes. It’s not a Miraculous, but it’s still giving them focus and expanding on them as individuals.

Instead, canon Frightningale was a filler episode. And not even a good one. For an akuma who forces people to sing or dance, it’s a waste that they just had the heroes spend the whole time rhyming. A waste of writing and talent. I mean, have you heard Christina Vee sing? If there needed to be a musical episode, I would think that the akuma who forces people to sing would certainly warrant it! At least more than it’s Christmas and they sing just cuz.

So this is yet another thing that Zoe improves with the Scarlet Lady version of this episode. Giving us the all girl team up episode so many of us have long wanted and getting to see all the female heroes together at last.

And with this, we get the full roster of friends-turned heroes.

Except for Alix. Poor, poor Alix. ;_;

Your day will come.

In this way, the end where Clara goes a different direction with her music video feels less like a half-assed fix to a half-forgotten plot point and more like something that was built by everyone involved. I don’t know about the rest of you, but given Clara’s excitement over the all girl band playing and Pigella’s gift showing Clara an idea for her video, it highlights the focus on EVERYONE being part of this—both the video and the episode itself. It kind of comes off as a lesson of its own about teamwork and giving everyone a shot rather than focusing specifically only on one or two specific individuals.

And isn’t that what separates the heroes from Scarlet Lady?

But there’s a third important aspect of this episode.

This is the episode where Chloe is smacked in the face with Scarlet Lady’s falling popularity.

Let’s remember that at the start of the comic, Scarlet Lady was fully and widely considered THE Hero of Paris. She was beloved for doing nothing and it was a point of frustration for Chat, who actually was having to pick up her slack. Initially, there was nothing he could do because him being the only real hero among the duo meant he often couldn't stick around after akuma fights to prevent Scar from telling "our story". In addition, he didn’t know who she was or who chose her and why. Then even when it was clear her getting the Earrings was a mistake, for a lot of the first couple seasons, she was so popular that they couldn’t just take the Earrings away from her lest they risk backlash from the rest of the city. It’s a backlash that seems increasingly unlikely as more and more people get to see her behavior and callousness firsthand.

We’ve seen hints of it in other episodes, but none of them were so blatant to Chloe that she couldn’t ignore it or shrug it off or otherwise make excuses to protect her ego.

Prime Queen wanted to focus on Marigold and Chat Noir for their “romance” to try and boost ratings. Alya and Lila made some snarky comments, but Chloe could easily dismiss them both. Nadja also made a comment that nobody cared about Scarlet’s love life, but a lack of interest in her love life isn’t a lack of interest in herself and Chloe despises both of her “sidekicks” and wouldn’t want anyone trying to pair her with them anyway. And Nadja reassures her that they’ll focus on her after they’re done with Chat and Marigold. So yes, she can dismiss that as well.

Reverser has Chloe faced with both of her identities are made as villains in art and a story. However, she clearly looks down on Nathaniel and Marc barely registers to her. So she can dismiss them.

Look at Despair Bear, the Intermission, the interactions with the various other heroes, and the fact that only Chat Noir and Marigold are privy to the Guardian’s secret existence and allowed to pass out other Miraculous. Much has been shown of the other characters being less than impressed with her, snarky towards her, or showing the process of how they discover the truth about her and how she actually handles akuma attacks…namely in that she doesn’t. And Chloe can dismiss all of that because to her, none of them really matter to her.

But Chloe can’t dismiss the fact that a renown celebrity dedicating a music video to the “Heroes of Paris” isn’t including her. Bad enough her sidekicks are taking center stage but she’s not even in the music video at all?

And when someone she despises calls out the reasons why she’s not a hero in an openly public setting surrounded by a multitude of people who all agree with her? You could say it’s insult to injury. But some would say it was a long time coming.

Some Rando: Scarlet Lady sucks! Alya: Marigold and Chat Noir do all the work, not her! Kagami: She’s barely even necessary at this point. Clara: This video and song are to celebrate hope and love. And Scarlet Lady lacks both when push comes to shove. Chloe: ARGHHH! WHATEVER!

It further shows the turning tide of public opinion against Scar. What was once a trickle has grown into a wave, and now Chloe is forced to acknowledge her image and status aren’t as ironclad as she thought. Sure, she could denounce Lila as a liar like she’s done before, but Lila is bringing up instances that Chloe can’t deny: being late (as she’s just plain been a no show to several fights), endangering civilians, and being caught live on camera being willing to let someone die in a particularly horrible way because it’s easier.

This is the episode where it’s not just people seeing Scar is horrible, but acting on it and letting Chloe know they know she’s horrible. It’s reached the point where Chloe can’t just disregard the claims or discount and ignore her critics. And we’re seeing Chloe starting to lose control as a result. To the point she has to force her dad to ruin a previously sanctioned event in what has to be one of his most flagrant displays of abuse of power to date just to shut down her detractors.

And even that would come with more consequences for Chloe if it had been allowed to continue. Sabrina herself points it out that Clara is very popular with a lot of fans—people who would be aware she’s making a music video and whom would be very disappointed if word got out that it was cancelled due to an issue with the Mayor. And given all the very unhappy people we see in the comic in question where she points that out, it stands to reason that the word would get out. Heck, I’d be surprised if someone wasn’t recording it.

Then there’s the love square/hero shenanigans.

Remember how in canon, the whole “playing themselves/risking identities” bit kinda just dropped out halfway in? The kwamis were the only authority figures involved to call out on the risk and of the two, Plagg didn’t care and Tikki gave one knowing stare at Marinette before turning around to gush about the suit. Even though Marinette offers the alternative idea to the music video by the end, there’s no further comment or notice of how she and Adrien nearly blew their identities….or alternatively a comedic take where nobody recognizes them regardless and they worried for nothing. Honestly, I would have taken either setup.

Having Fu present to call them both out shows there is a responsible authority figure watching, makes it clear there are rules they are expected to follow, and reinforces that this was, in fact, a horrible idea. Sure, Marinette and Adrien worried enough to hide their masks, but it should have been obvious that wouldn’t work long term. They are risking their identities, not just to Paris but to each other. And he calls them out for doing it on purpose.

Then there’s the beautiful crescendo of the love square dance in that the two both pretty much have figured out the other’s identity and just want an identity reveal to make it official—which Fu won’t allow. We see it in their playful banter that gets mistaken for “getting into character” and in Adrien in particular pushing Marinette to take part.

This is a point where we are seeing them be teenagers. Foolish of them? Yes. Should they have known better and not done it? Yes. But is it in character and the sort of teenage shenanigans we would expect of teenage superheroes? Definitely. And that’s part of the point. Because they are teenagers. Teenagers in love, no less. Teenagers in love with secret identities to dance around. Which is half the fun of secret identities!

It’s just another aspect to this episode that makes it enjoyable.

So overall, the episode matters in ways that the canon version didn’t and was fun in ways that the canon version wasn’t, making it stand out not just as an episode or a remake of the canon episode, but as its own standalone episode AND a noteworthy point in the overall story.

#scarlet lady au #scarlet lady essay #scarlet lady is better than canon #for zoe

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meggahamicide · 3 months

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Okay, i've decided that i'm just gonna drop/dump some lore on Vermin, so if you're interested, read below! It's really long!

...o.0.O.0.o...

Personality:

Like canon-Leo's head-cannons, Vermin hides his true emotions behind a smile, but their differences are in the execution. Vermin's smiles are more wicked, more cruel, and he find amusement in making people fear him, having experience in getting people to listen to him by intimidating them.

He pretends to be indifferent to how the brothers act around him, but always keeps an eye out for any signs that they aren't as they say they are. Donnie specifically.

Big emotions are a no-no, so he hides them behind a passive face, empty of anything he's feeling so he can convince those he's talking with that he feels nothing, that he is unaffected by any stressors and anxiety. If anything get's too overwhelming, he retreats to a hidden corner to wait it out and tries not to remember how Draxum treated him when he let his emotions get the better of him.

Because he was raise without certain privileges, he gets extremely giddy around new experiences, such as sampling new foods and trying out video games and skateboarding. It's probably the only time he lets his guard down because he's so entranced by whatever is happening he forgets that he's not supposed to be showing emotion.

...o.0.O.0.o...

Relationships:

Raphael:

With Raph, Vermin just doesn't know how to deal with him. An injury brings Vermin to the lair and Raph is the one who heals him, but Vermin in uncertain whether or not he can trust someone with such obvious strength he can easily use to harm Vermin. He doesn't understand why Raph is so kind nervous when he could dominate his enemies.

Michelangelo:

Mikey is the one Vermin accepts the easiest other than April. Mikey has a way to handle Vermin without being too invasive and without threatening the slider in any way shape or form and eventually shows Vermin that there is kindness that is not expected to be repaid. He also helps Vermin lean into his chaotic mindset without it becoming harmful to others, like teaching him how to prank the other brothers.

And of course, Vermin loves trying his food, so Mikey basically tempts the slider like he might a feral cat.

Donatello:

Donnie is the one Vermin has the hardest time accepting. He's convinced he can easily beat the soft-shell in a fight, but once he discovers that Donnie is a scientist, he becomes wary of him, skittish and uncomfortable whenever he's around. He knows that there are other ways to get someone to obey than simply fighting.

It takes Donnie being patient and showing him that he means no harm over time that earns his trust. The softshell just has to break through the notion that all scientist are evil and only seek to destroy that which is closest to them. Donnie even goes as far as to promise to never let anything happen to Vermin ever again.

April O'Neil:

The first one to show kindness when Vermin leaves Draxum's lab. She shows the slider a side of society that he was being deprived of when he was with Draxum, helping him see that there is a place for everyone, that things don't need to hurt to be beneficial. She pretty much forcefully adopts him as her little brother and is even protective of him when he interacts with her other brothers.

Baron Draxum:

Was raised by Draxum. More info in the timeline.

...o.0.O.0.o...

Timeline:

Content Warnings: blood and injury, references to child abuse, loss of limb, needles, non-consensual drug use (kind of), non-consensual experimentation and surgery.

It gets dark, so be cautious of the warnings!

Age 0-4:

In the beginning, Lou Jitsu, later known as Splinter, only rescues three of the turtles, who eventually go by the name Donatello, Raphael, and Michelangelo. The remaining turtle, identified by his red markings, is picked up by Baron Draxum before the lab explodes, destroying his life work. The only remaining bit of his research is the tiny creature small enough in the palm of his hand.

Quick to find a place to stay and recover, the Baron begins working to piece together his research using his subject. He starts a book, scribbling down anything worth noting and refraining from any larger tests besides bloodwork and skin-scraping until the subject is larger, better able to withstand any more intrusive tests.

He begins raising the creature, claiming it as his own.

Age 5-8:

Called by the title Red, the slider reaches acceptable cognizance to begin training by the age of five. He is small, just below the Baron's knee, but he is intelligent enough to understand complex problem solving and language. Weapons training is less successful than desired, but that could be related to the subject's weaker limbs and child-like nature.

Baron Draxum is relentless in his education, always prepared to deliver swift punishment should Red be unable to comply with his desires. Red hates the punishment, often times covered in bruises from the extra training or with a headache from spending his nights in 'The Room,' but he is just as stubborn as his guardian, if not more so. He always seeks to make his boss proud, ignoring the voice that always tells him he's not strong enough, not good enough. Baron Draxum always has a reason for saying things like that, so Red knows he just has to try harder.

He's not exactly sure what a human is, but the Baron is convinced that he needs to kill them all.

Every other week, the Baron brings Red to another room where he 'collects samples.' Red doesn't know what they're for, but he's seen the elder gather some of his freshly peeled chutes and teeth when they fall off, always writing in that journal with a little turtle drawn on the front.

One night, when he's just turned eight, Baron Draxum leaves in a hurry. He's gone for hours, leaving Red to his own devices and wondering if maybe the yokai had finally got bored of him, wondering if he just left him behind because he couldn't satisfy him. Red tries not to listen to the little voice in his head that says maybe that's a good thing, maybe it's better if he stays gone.

Red doesn't see him until the next day, well into the night, and suddenly, he regrets ever thinking those nasty things of his guardian. The yokai is hunched by the door, missing an arm and looking very tired. Red runs to him, but the Baron doesn't even acknowledge him, holding a towel to his stump.

Red is crying. He knows he shouldn't, knows that tears mean weakness, but he's afraid for his boss, afraid of what is happening, because that's a lot of blood. He feels something well up in his chest as he sits next to his guardian, the feeling swelling into his lungs and arms, weaving through his bones and into his fingers, bright, blue light zapping over his fingers. Something guides his hand, pressing them against the yokai's injury and forcing the light into him.

He heals Baron Draxum.

Baron Draxum looks at him like he's solved the world's problems.

Age 9-10:

Test after test after test. Red is sure he's never been through so many tests, but he finally sees the Baron's pride and he wants to impress him, so he doesn't complain when the needle digs too far, or when the scalpel scrapes a little to much skin. This new power is good, that's all he knows. Baron Draxum calls it mystic energy, says that it was a power he was seeking all along, so Red doesn't complain when all of the test make him tired enough to pass out, or make him cry himself to sleep because his chest aches from how long he had to work. Baron Draxum is proud, proud enough to give him a portal sword and teach him how to use it, proud enough to hand him a pair of tonfa and guide him through the motions of building a shield, proud enough to smile when Red uses the kusari-fundo for the first time.

Red trains his new skill until he's sick, until he can't stand, until he can't feel the first time Baron Draxum uses that strange, green liquid on him.

Baron Draxum was proud.

Age 11-13:

Red is pretty sure his name isn't Red any more. It's Vermin. At least, that's what the Baron has started to call him.

Ever since he stopped being able to use mystic energy without fainting, Baron Draxum has stopped using that old name. Now he was a pest, a creature incapable of healing, or portaling, or simply making things float. He is weak.

Baron did something while he was sedated; took apart his plastron and looked around inside. Vermin thinks he was looking for what was so wrong with him, why everything the slider does ends up in failure. He now has a shiny new plate of metal on his chest and a paranoia of falling asleep.

He lost count the amount of times he was put to sleep, but every time he woke to something different, and injection of mutagen transforming his body while he was so out of it he couldn't even open his eyes. His toes and fingers become more flexible, grow sharp talons attributed to some sort of owl. His tongue becomes forked, able to scent things by merely breathing. His hearing and eyesight become sharper, a fox's DNA granting him night vision. He becomes stronger, faster, more agile, but it's never enough.

Vermin's starting to think that it never was going to be enough.

Vermin is awake when Baran Draxum puts in the ports, ignoring how painful it is and preferring to strap Vermin to a table while he digs into the slider's neck and arms, leaving six, shiny new devices embedded in his skin. The Baron has Vermin carry around a canister of green liquid on his back, a 'empyrean variant' he said, and with a click of a button, the canister sprouts tubes that dig into his ports, releasing the substance into his bloodstream. It hurts, floods his system with fire, but Vermin was used to pain. Now he just has a few more scars to show for it.

The substance grants him more power, more strength, more speed. His senses, already sharp, become that much more, overwhelming his sensory intake, but he learns how to fight past the side-effects. Missions outside of the lab become easier, training obstacles the Baron create become simple to dispatch, he always hurts but there is no other option.

It's always been the Baron and him, but maybe... maybe it doesn't have to be.

He's tired of hurting, tired to running himself to the ground, tired of covert missions that paint Baron Draxum as the ultimate threat when he's doing all the work, tired to sneaking around New York City in a futile attempt of gathering information that will likely never be useful. He tired of being compared to the experiments that didn't live through the first test, he tired of living up to a trio of dead beings that weren't even strong enough to compete with him. He tired to the punishments, of the bruises, of the empty room, of the nightmares, of the expectations.

He's just tired.

On the morning of his fourteenth year, Vermin comes to the conclusion that Baron Draxum isn't the be-all-end-all, that his ideals do not have to be his own. It fills him with a giddiness that leaves him trembling, his heart pounding.

In the middle of his fourteenth year, Vermin leaves.

Age 14:

The first person Vermin officially meets a human named April O'Neil.

Age 16:

...Vermin is starting to think his name was meant to be Leonardo all along.

#art #drawing #rottmnt #tmnt #rise of the teenage mutant ninja turtles #rottmnt leo #sketch #update #rottmnt vermin au #finally some lore #this turned out a lot longer than i wanted and yet still feels like i didn't explain enough

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nav-i-nav · 2 months

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Actually, while we are at it, can we talk about how awful a lot of the fanbase treats Basil? My man can’t catch a break because almost everyone misinterprets him one way or another.

Where do I even start? Literally everything he does is taken the wrong way. There’s the people who characterize him as an obsessive yandere who only cares about Sunny and did everything in his power to isolate him. On the other hand, we have people who just remove one of the basic core aspects of him as a whole and make him an empty husk with no real personality.

Headacanon him however you want, but also try to understand him? I don’t know how people can say he only cares about Sunny when it’s clear he deeply appreciates his friends. He has a stronger bond with Sunny, but that doesn’t mean he’s a possessive and obsessed person who is toxic.

He definitely fucked up along the way, but his actions were never intended to hurt Sunny intentionally. He was in a panic and all he wanted was to keep his best friend safe. People constantly treat him as he’s a disgusting person for simple fact he shows mental illness signs, which is incredibly disheartening because there IS people in real life who act this way and can’t help it! What a relief it is to know people will treat me or my friends like this if we dare show an ounce of distress or panic!

Being mentally ill does not justify your actions, but this also doesn’t mean you are allowed to treat people who suffer from them like scum. People like Basil deserve to get help, to have people who support them so they can start healing. Basil clearly didn’t have that support, the only person that was there for him being his bedridden grandmother who he eventually lost.

And on the other hand, we have people who just choose to get rid of Basil’s personality altogether and characterise him as this character who is all suffering and trauma based off things that are NOT canon. It’s true that Basil’s life doesn’t exactly fit a “normal” childhood (having to live with his grandmother for unknown reasons) but that doesn’t immediately mean he is beyond traumatized? Basil is a little shy, sure, but a lot of people are. Basil used to be a smart and lively kid who loved his friends dearly. It wasn’t until AFTER the incident that he spiralled to the point he is where we see him in game.

People either disregard his trauma and paint him as a villain (let’s make one thing clear, there are NO villains in OMORI), or try to give him even more trauma for no apparent reason. All we know is that his parents aren’t really present in his life, and while that may bring some issues, from what we can see in cutscenes and the photo album, Basil lived a comfortable life surrounded by a loving family member and friends who cared about him.

You are free to explore Basil’s character however you like, but there’s a point where it no longer feels like Basil.

There is nothing wrong with showing his gentle side, just as how there’s nothing wrong to explore his unhealthy behaviour. But focusing on only one of the aspects of his entire self just turns him into a one-dimensional character with no redeemable qualities.

In my opinion, Basil is one of the best examples of a person struggling with mentally illness in media, yet people choose to ignore the complexity of his character to have either a selfish and dangerous yandere or a cute and shy femboy who’s only there to look pretty.

Write him like the mess he is. He is unstable. He is resentful, he is paranoid. That’s what makes Basil’s character so loved. That’s what makes him feel so relatable and human. Ignoring one side of his self takes away all of that. OMORI is a game about acceptance and forgiving. Why shouldn’t we apply those terms to their characters? It’s rather hypocritical for the fanbase to treat Sunny as a poor boy who only did what he did due to stress and trauma and then mark Basil as a psychopath with no redeemable features as if he wasn’t also a scared child who witnessed his very best friend push his sister down the stairs.

#navi.txt #omori analysis #omori rant #basil omori #omori basil #I’m a YAPPER today chat I’m sorry

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the-cat-and-the-birdie · 4 months

Text

Can we give it up for guys with hair like Hobie please?

Can we get a round of applause for the black men in the chat with freeform locs? Or unkempt dreads? Or thick unlocked afros?

Because there's something we need to talk about -

Hobie's Hair: Representation, Reality, and Internalized Racism within Fandom

Here we are again - an essay about Hobie and racism. But this time - it's not coming from outside the house. Oh no, no no no.

The racism is coming from inside the house.

We need to talk about Hobies hair, how we treat black hair as a community, and the deep internalized racism that is revealed when Hobies hair is brought to reality.

[A LONGish essay about Hobie, Race, Hair, and the HEAVY internalized racism towards 4C hair. This essay doesn't explain much about black hair, but it's more a conversation of self-hate and representation]

Like Hobies hair is beautiful and it's genuinely heartbreaking to see so many people in the fandom be like 'yeah I love his hair but I could never date an actual guy with hair like that'

Or cringing at guys with nappy hair, or overall speaking about how off-putting their hair is.

Hobies hair is beautiful, but the amount of people that like it in canon - and only canon - is too high.

They'll say that for some reason, when it comes to real freeform locs - they can't find it attractive. That they for some reason, they still have the idea that people with freeform locs don't - or even can't, wash their hair, even if they know that's not true.

And like.. come on, guys. Come on.

There are actual black men with hair like that. There are HOBIE COSPLAYERS with hair like that.

and they're in the fandom too.

In fact, I'd say a good majority of black men have hair like Hobie - we're just forced to shave it off.

For us, anything longer than a high top that isn't an afro with nice defined curles is considered unruly, unkepted, or outright dirty.

People will just straight up call it dirty or say they don't wash their hair.

Just because their hair looks weird.

Because really that's all it is. It LOOKS WEIRD. And because it looks weird - and because it's something inherently exclusive to black people, it's admonished as being disgusting or ugly.

White men are able to roll out of bed 365 days a year and take a shower, leaving the house with barely even any hair gel.

That's considered normal, average. Boring even.

A black man rolls out of bed the same 365 days, washes his hair the same way, and leaves the house - and he's unkempt.

Why? Because his hair naturally locs up.

And because it locks up, it looks weird, and since it looks weird it's inappropriate for the workplace, it's unattractive, eww do they even wash it?

It's so SAD. Like genuinely sad. Especially in the Hobie fandom.

I think it needs to be highlighted that Hobies hair AREN'T wicks. Wicks are formed using tools. Wicks are locs - but they're manipulated locs. They take styling to look that way.

HOBIES HAIR is freeform. As in, that's just how it grows from it head. That's not a hairstyle like hair spikes, or Gwen's undercut.

That's just his hair.

And it's the only hair type on earth that's ubiquitously known as ugly.

So ugly in fact that men who have it are encouraged to either 1) shave it and maintain that shave at risk of ridicule or 2) invest lots of money and time into maintaining a detangled manicured afro of 'reasonable' size and shape or 3) get it braided and maintain those braids at risk of ridicule- you see where I'm going with this.

For people like me and Hobies, those with 4C hair: We're told quite early, even by the black people around us, that our hair as it is is unpresentable.

We're expected to manipulate and manage our hair every day of our lives, because if we don't, even for a week or two - we're suddenly 'unpresentable', unemployable, and straight up unattractive. Even the sight of our new growth is a sign we need to 'get our hair done'.

For us, hair growth isn't exciting. It's just anther reminder we need to go back to the salon or barbers.

And y'all - it's EXHAUSTING. Physically and mentally exhausting.

That's why Hobie has hair like that.

Because it's exhausting, it's unfair. And it's accepted. Even in this fandom.

Hobie does it because it's not right.

He, as a person, understands that he has a right to exist anywhere he pleases - in his entirety, regardless of how disruptive you see him.

Hobie wears his freeform hair because he doesn't want to physically manipulate his hair - and he doesn't want society to manipulate his hair either.

It's a noble cause.

And you know what, the dudes you see with hair like this - the ones you think might be dirty or ugly - they're wearing it for THE SAME REASON.

The reason men like The Weeknd and Jay-Z chose to wear their hair this way is because they are literally the only black men in society who can wear their hair like that and still keep a job. I'm so serious.

If you are a black man, or a black person in general - you better have 'fuck you' amounts of money if you'd like to have freeform locs.

Because your chances of getting a job hit the floor. The number of people interested in dating you - or even seeing you as attractive, drops like 95%.

All because your natural hair is visible to other people.

And they find that so distracting or so unattractive that it calls your very hygiene - or housing status - into question. (Yes, I have heard people say that they suspect men with freeform hair are wearing it only because they are homeless.)

And now that we have a character like Hobie - this attitude, one that we're all taught, is something we have to face head-on.

Because it fucking SUCKS to be told all your life that your hair is ugly and inherently more dirty than all others to the point that the only option is it's rigorous rearrangement or straight up removal.

And then you get a character like Hobie Brown, such good representation!!!

Only to turn around and see the fandom going 'Yeah, Hobies hot. But guys with hair ACTUALLY like that? Uhhh, no thanks. Sorry, I'll pass. Respectfully, no.'

And you wanna know the most fucked up thing about it? Huh!?

A large portion of the black people - black women in specific - who say they don't find freeform hair attractive, or hair like Hobies attractive -

THEY HAVE HAIR LIKE HOBIES TOO.

So many of y'all who say this would absolutely have hair like Hobies if you didn't detangle it.

The statement in itself - age the critique of freeform hair - is one of self-hate.

So many of the women I see say this have 4c hair themselves.

But because of the stigma and discrimination we received as children, many of us don't even know what our hair looks like unpermed, undamaged, without being detangled once a week.

If you are a black woman and you wouldn't date a guy with hair like this, please candidly ask yourself:

If you didn't detangled your hair for a year - would your hair look like Hobies?

Because I'm pretty sure for a good deal of y'all the answer is yes.

For the majority of us, if we didn't detangle, decondition, oil, cut, or shave our heads - if all we did was wash or hair - we'd have hair like Hobies.

It would stick out and stand up and clump together and that's FINE.

In fact, it's better for your hair.

Ever wonder why we have to moisturize and detangle and condition and use oil treatments and-

Because our hair naturally wants to loc. When it locs like Hobies hair, the oils from the root of your scalp can coat the strands easier, like a rope sucking up water.

A single piece of string can't move or suck up much water. But a thick thick rope can.

Just the same, when your hair is detangled - it's hard for the hair to move or suck up the oil. So it sits on the scalp and builds up. Like a single string.

When your hair is loced, the oils can move from your scalp down (or rather for us, UP) your hair way easier. Like a rope sucking it up.

Making your scalp cleaner, your hair more moisturised and overall more healthy.

At that point, you don't NEED conditioner. Or oil. Or aloe or whatever the hell the beauty supply got.

You just need to wash it, and your locs help regulate your hair. The help keep your oil production even and your hair moisturized.

Because your hair can self regulate. Just like everyone else's.

I'm learning this myself. As someone who just started their semi-freeform locs a couple months ago: My hair is as clean and as soft as it's ever been in my life.

My whole life I thought my hair was oily as fuck.

If I breathed too hard I'd get build up. Parting my hair physically hurt and almost ever hair style I ever tried was sensory hell. I'd shaved my head 8 years back and have kept it low for that long, simply because dealing with my actual hair was too tedious and painful.

And so I went freeform - because of Hobie.

For the past three months the only thing I've put in my hair is water and shampoo.

Maybe a little salt water if I wanna tighten up the locs a bit. But nothing else.

My hair is cleaner.

It's completely conditioned.

The curls found their own pattern and loced up without me even needing to part my hair. Like my head knew where each loc was gonna go.

Honestly, I barely worry about it anymore. In fact, if I don't touch my hair every other day or so, just lightly touching each loc end - the locs would combine more, getting thicker, and then I'd REALLY have hair like Hobies.

And my hair looks a fucking mess.

That's the hardest part now - not dealing with my hair. Dealing with people who see my hair.

I've learned idea that locs are inherently more dirty or harder to clean is actually the opposite of reality.

Detangled hair is absolutely harder to clean and maintain.

The reason detangled hair takes so long to manage is because you strip the oils off the scalp because it can't get down the strands of hair. Since every strand is separated, the oil just sticks to the scalp. So you wash it out.

But now that you've got no oil your hair and scalp is dry so now you need conditioner. But conditioner isn't enough. You need oil. But oil can cause buildup too so maybe use pink gel. But pink gel is too processed so do a hair mask- ETC ETC ETC for forever and ever and ever.

All because we are always, without break, fighting against our hairs natural instinct to loc.

Why? Because it looks weird. Because we are so used to constantly treating and cleaning and managing our hair that a lot of us genuinely believe that if we were to stop for even a month our hair would become ratty, smelly, matted messes no matter how much we showered.

At least that's what I believed.

But if we let ourselves and our hair be - in reality, both us and our hair becomes stronger, more healthy, and less stressed.

That's why so many people call it a Locs JOURNEY. Cause it truly is a journey of self-care, and unlearning self-admonishing ideas about our bodies and hair.

We as black people - like everyone on this Earth - have hair genetically evolved to manage itself on a reasonable level.

The amount of labor and thought that black people are required to put into their hair on top of that - even when it's 'NATURAL' - is not reasonable.

That's why there will be people in the natural hair community, with natural hair - who still think freeforms are ugly and nasty because they themselves choose to detangle and condition and the works to their hair. Even people with manicured locs believe this.

Because there is the believe that healthy black hair = lots of black labor. And they value natural hairstyles that require more labor.

Many don't believe that black people can have natural and healthy hair with minimal work - just like every other race.

But it's true. It's just so happens that when it does, it 'looks weird'.

And when it comes to Hobie - it kills me to see this.

To see people consuming Hobies messages of punk and politics, but never of race. His racial solidarity and displays of blackness.

Even us as a black community.

GAH sometimes I feel like he'd hear the stuff some people say about freeforms and be like

Hell, Hobie would hear that shit ALL THE TIME.

I imagine it really really hurts to see a character that represents a part of you often demonized and discredited - only to turn around and see the fans of said character still think what he's representating is nice in theory, but ugly in practice.

Especially if you're say.. A Hobie cosplayer.

Hobie wears his hair that way because it's his hair - it's not a hairstyle - is anything it's the opposite. And it has a right to exist.

That's the reason why Rastafarians wear locs - freeform locs. Not because they're hippies. Because they love the black form and allow their bodies to grow and manifest in the world without unnecessary manipulation from outside forces - including themselves.

Their hair is their hair. And it has the right to exist as much as any other part of their body.

For Hobie and the real-life men and women who have this hair it's a concious social risk that effects almost every aspect of their life from work to romance, friendships, who will sit next you on the bus and who'll avoid the hell outta you for no reason.

And they do it out of love for themselves and the beauty of black hair.

And because of that, they are considered less attractive, less clean, less 'normal'.

To black people with freeform hair I love you. To the black people with hair like Hobies: Your hair isn't ugly. You aren't dirty.

You're resilient and confident as hell and the realest mfers on earth.

If you're considering getting locs or going freeform. Do it. Absolutely do it. If you want proof you can be cute as hell with freeforms check out this YouTuber named DomiBoy.

He makes videos documenting his locs journey. He has Congos, which are very very similar to freeform. He makes great videos plus he's adorable and funny okay

If you're a black person without locs or freeforms, please - question what your hair would look like if you didn't manipulate it.

Have you ever gone a period in your life where you haven't detangled, conditioned, parted, braided, gelled, permed your hair etc?

What do you think it would look like if you didn't? How do you think people would treat you?

How do you feel about your hair when your roots grow out? Or your braids get loose? Do you know what your hair looks like untouched?

Question what do you think of freeforms? And why do you think that?

No matter who you are, you should ask yourself -

If a guy said he found curly hair ubiquitously ugly, and questioned if curly haired people were clean, wouldn't it be odd and messed up?

Have I heard myself or others refer to 4c locced hair as ugly? Or questioned their hygiene?

Do I think freeform loced black hair is ugly? Would I date someone with this hair? Why or why not?

Start a discussion with yourself.

As someone with 4c hair and starting a loc journey, I feel like this had to be said. Because it's something that affects and influences a lot of us.

There has beauty in Hobie and there is beauty in black hair. We just have to unlearn a lot of things to see it.

Anyway Hobies hair is hot. Freeforms are hot. I love black people. The end

#no proofread you know what I meant 😭😭#CAN WE PLEASE TALK ABOUT THIS #The disgust towards freeform hair is crazy #chances are YOUR HAIR does what Hobies does #spiderman #atsv #spider man #marvel #across the spiderverse #hobie brown #spider punk #spiderpunk

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nastasya--filippovna · 5 months

Text

WHO IS CROWLEY AFTER THE FALL?

so there is a LOT of debate over who Crowley was before The Fall. I have seen a lot of headcanons going around the place saying he was Raphael or Kokabiel or Baraqiel.

I mean this is the Exhibit A for saying that Crowley is Baraqiel. I think NOT.

Because this is a handbook written by demons for demons. The title is literally (if my memory serves me right) a guide to angelic beings that walk the earth. SO Crowley is not That..

Other than the red hair thing, no other physical characteristic matches. This Baraqiel guy sounds like an absolute gremlin. grisly slug, occasionally damp. NOT CROWLEY. I mean she's the most dashing thing around.

NO. #3 It says CROWLEY one line above the name Baraqiel. If Crowley is Baraqiel then why would his demon name appear right under that?????

And I think somewhere Neil Gaiman refuted this theory (I'm not really sure but I think so plz don't come at me with pitchforks if I got it wrong). So.......

But this is all beside the point. What I'm trying to say is that too much has been said about who Crowley was before he fell. There is very little, if not none, that has been said about who he was After.

Some say that he's an insignificant demon or some loser guy in Hell or whatever the equivalent of an angel principality deputy on Earth is.

I BEG TO DIFFER.

He is Important. Just look at the kind of assignments he's given. Original Sin, Major Historical Temptations and Evil Acts, Delivering the Antichrist and bringing about Armageddidn't.

But who is he exactly??????????

So canonically we're never told what Crowley's rank in Hell is. But there are more that enough hints for us to figure that out for ourselves.

But where does one place him when the hierarchy is so complex and varying across different historical and theological sources.

Such as here:

I have been thinking about this and I have two current theories

Crowley is Astaroth

Crowley is The Leviathan

I'll discuss only one in this post. I'll save the other for the next post.

Now book!Omens clearly tells us that Crowley or Crawley is not his real demonic name. For those who haven't read the book this happens when Hastur Lavista and Ligur come to hand over the antichrist to Crowley in the churchyard and as he's about to sign his name as "Crowley" they tell him to sign his real demonic name.

Are you with me?!!!!!

NANNY ASHTORETH!

Why did she use this particular name for her nanny disguise. What if...... what if this IS her real demon name.

A lot of my real life friends are annoyed beyond measure by my constant ranting about etymologies, origin and construction of discourse and epistemology, especially when it comes to presenting my thesis over how all Abrahamic religions and their symbology and iconography is, how do I put it, inspired from pagan religions that they expunged. I mean the concept of angles, the man shaped being with wings that is actually just a ball of fire or eyes or hale discs or sth is a pagan Persian concept.

Back to the matter at hand.

Ashtoreth, Astaroth, Astarte, Ishtar, are all the same name in different dialects and languages. All of these refer to a certain Babylonian goddess. When the People of God probably cleansed off all the infidels they decided to literally demonize their god and name a demon after her. In Milton's Paradise Lost Astaroth is one of the three princes or Grand Dukes of Hell alongside Beelz and Lucifer. If this theory might be true Crowley is a Prince/Grand Duke of Hell.

Now this gets even more interesting. Ashtoreth, Astarte, whatever you may, is a goddess of fertility and is associated with childcare. I mean at this point I just stopped to marvel at the attention to detail that Mr. Gaiman's work hold, the smallest hidden meanings in the storytelling.

Another thing. The Babylonians built these temples called ziggurats to worship Astarte and they looked something like this

and this

they were also known as sky temples.

Because Astaroth was first and foremost the goddess of stars and the Babylonians were stargazers and the temples were constructed as a stairway to heaven to take them closer to the stars and functioned as an observatory at times.

I'm just imagining Crowley turning up in ancient Babylon and with her other-worldly looks, knowledge of the stars and compassion for children they just..... started to worship her.

Before the Christians came and declared them pagans and the rest is history.

Continued in next post for the second theory......

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penvisions · 2 months

Text

of beskar and kyber {chapter 18}

Pairing: Din Djarin x Force Sensitive! Reader (the Mandalorian x Force Sensitive! Reader) ; brief Force Sensitive! Reader and M!OC

Summary: There are restrictions for entering the main city, some of them Din could agree to and one he absolutely could not. His helmet would need to be left behind, but isn't removing it what caused this entire situation to begin with? Meanwhile, you wake to a new environment, cautious of the things around you and the words of your mother.

Word Count: 10.5k

Warnings: canon typical violence, canon typical language, we meet readers betrothed and he needs his own warning, reader's mother also gets her own warning, kidnapping, reader is being kept against her will, hostage situation, use of narcotics, use of drugs, sedatives, self-depreciating thoughts, thoughts of self-harm, ptsd symptoms, medical trauma, past medical trauma, feelings of inadequacy, sexual themes, sexual content (not detailed), there are a few more but they will spoil the chapter!

A/N: more din pov! because it's so much fun and there are some things y'all need to see through his eyes before some explanations are given c;

all of you were right to think din is gonna need a disguise! but i don't want anyone to think that the desert environment and the choice of clothing is ignorant on my part in light of what is going on in palestine. i've had this original arc planned before the first chapter was even published. here are some resources for aiding those that need help. i've also provided a link to the moodboard for this particular arc, which does include a visual for din's new attire

ao3 link || series masterlist || main masterlist || ko-fi

Maker, your mother was really doing her best to keep you to herself. It was smart to warn the protection around you of him, to anticipate that he would make an attempt to take you back. But he loathed how much harder it was going to make even just getting into the city.

The weapons he could forgo, but his armor? She knew from her past experience with Akiz that it was a punishable offense for a Mandalorian to remove their helmet. And it was frustrating that she was using his religion, his Creed, his culture, his way of life to keep him at bay and to keep you under her control.

It was an injustice he couldn’t wrap his head around. It was just so conniving, and it was hard to believe how you had turned out so drastically different when being surrounded by someone capable of such extremes. He only hoped that your mother hadn’t done anything drastic to you, caused you to take matters into your own hands. He only hoped that you knew he had spent the last several weeks tearing through the galaxy in search for signs of what had happened to you. That he had rushed toward the planet you were taken to the second he had found it out.

Din needed you to know that he was trying, that he was searching for you, that he missed your presence by his side and aboard his ship. And not simply for the fact that you were a strong, capable fighter. But because the things he had whispered and promised you before he ruined it all were true. He did care for you. He had begun to care for you alarmingly fast after that first encounter.

And maybe it should’ve scared him, been a warning he heeded, the way his heart had lightened and opened up to you. Even despite the circumstances and the breaking of his contract with the Guild. He had been willing to change the circumstances, to do away with the contract he took on when his fingers closed around your offered tracking fob. Because it had felt right to do so, despite the inherent break of what he stood for in that moment. His willingness to do so, it only made him realize that this was real, because he had never felt like this with anyone before. Had never wanted to provide for anyone aside from those that made up his covert before. He had meant it when he had choked out those words back on Nevarro.

“I can’t wear that.” Din had been cautious as he looked out the cockpit viewpoint and down into the hangar space. The looming racetrack just beyond it, offset from the main city. Crowds and clusters of people swathed in billowing layers and a severe lack of weaponry was a worrisome observation. Upon her return from the markets, offset from the other side of the city, Cara had held out a bundle of clothing to him.

“I did enough recon to know the guards are the only people permitted into the palace without verification. That Sarad’s always surrounded by at least two of them when outside of the palace, though her mother never joins her outside the walls.”

“Because she knows I’d kill her on sight.” Din can’t help the growl of his words, knowing the truth behind them was all too real. Because he would, without hesitation, take out the threat that had presented itself after lying in wait. Striking at the most opportune moment even months after having first contracted your return to her when it seemed like it was fruitless.

“This the only way you’ll get close enough to her, by blending in.” Cara shimmied the bundle at him, wanting him to take it from her despite his trepidation.

“My face will be exposed.” He argued as he stepped away from her. His mind and thoughts at war with the notion of having to remove his armor and the one of doing it in order to save you. He picked up a grumbling ad’ika from where he had been settled in his pod. Taking a pack of dried jerky from the pouch attached to his belt and handed it to him. Happy coos filled the hull of the ship, Din helping to reach into the pouch for each piece the child devoured.

“They wear head coverings and cover their faces. More than a third of the people I saw. Both men and women. I know it’s not ideal, Din,” Cara risked using the man’s real name. Wanting him to hear her and believe that this was the best way, the only way to move about with having to worry about being stopped or appearing suspicious. Hoping to convince him it was the best scenario to avoid showing his whole face should he have to forgo his helmet. She didn’t seem too keen on having to don similar clothing that left little room to conceal a weapon. “Some have mesh over their eyes.”

Din reached out, taking the outfit from her. He would try it on, get a sense of how he felt in the clothing before making his decision. He had half a mind to fly the ship directly into the palace grounds and open fire until you were safely back in his arms. But realistically he knew that was a terrible plan. The man who you had been promised to was entrenched in the New Republic, someone of high standing and to attack him would bring on a whole new level of concerns into his life, into your life.

Setting ad’ika back down into the pod, Din tucked your cloak around him before making his way to the room.

What use was all his armor and weapons if he couldn’t keep you safe? The thought was sharp in his mind as he set about removing each plate, the clasps snapping in the silence of the ship. He stored them in a crate he had brought from his own ship. In it was the pair of pauldrons you had left behind. The armor settled together tugged at his heart, making his chest tights as he wished for you nestled beside him in his bed much like the beskar in the crate. Closing it and setting a lock on it, he already missed the feel of his vambraces, of the weapons hidden over his frame.

Despite being alone, he kept the cowl about his neck in place. The necklace of his people hidden beneath it and he wondered where the one he had gifted you ended up. The ship foreign to him, giving him pause in removing it as he looked over the robes Cara had collected for him. They were all black. Made of a light, flowing material that would cover his entire body. And he began to pull the wide legged pants over his legs.

The top was less a shirt and more of a tunic, cut shorter in the front to fall just below his waist. It offered coverage of his crotch, while the length billowed out down to his knees on either side. He wondered if he should chance donning the chainmail he had retrieved from your home on Tatooine underneath it. He felt exposed, too vulnerable even as he set about fastening the brown leather harness to cross over his chest from his shoulders and the belt that had an empty pouch fastened to it on his left.

Two arm braces made of bronze had been folded up in the clothing, and he slid those over his forearms, grateful for at least something similar.

Thankfully Cara had been able to find something that would allow him to cover his face- mostly. His eyes would be exposed, and he wouldn’t be entirely comfortable forgoing a visor or something similar to hide them behind.

But he set about containing his trimmed curls underneath the cover, wrapping it around twice before securing it with a black leather tie around his forehead, letting the rest of the fabric fall over the back of his neck and shoulders. The smaller black kerchief was secured over the cowl, adding another layer to hide his identity from the world, fastened behind his head and tucked into the leather keeping the head cover in place.

It would be harder for him to track you, to pick up on threats without the settings of the helmet, but he knew that it would immediately warrant attention. He had to leave it behind, depart from the ship without it. It was the only way he would be able to do his own reconnaissance.

Sighing, he turned to face the mirror set into the wall beside the door.

He didn’t recognize the man staring back at him. He was swathed in flowing black from the top of his head down to the tips of his toes. His boots no longer weighed down with a hidden blade or the ring of bullet casings for his pulse rifle.

Sharp brown eyes set under thick, dark brows the only visible part.

Still far too much to be seen. To be witnessed so easily by those around him. By you.

Worry spiked in him, you wouldn’t know it was him. At least, not at first glance. He hoped you would feel a pull to him similar to the one he felt when around you. A comfort in the closeness of your body and presence. A familiarity and sense of connection, the things you had found in each other allowing you to recognize that it was him beneath the different clothing, what was always beneath the armor and helmet.

Self-consciousness, he realized, was the feeling making his stomach flutter and his nerves jittery. He hadn’t been outside of the ship and around people without his armor since he had been inducted into the training corps. He hadn’t been without his helmet since swearing the Creed. The thought of this breeching such a commitment crosses his mind. And while…yes, he had removed his helmet, his face was still concealed.

It was much like the unspoken loophole of removing it in the cover of darkness. The intention of which would have allowed him to give into your pleas for his lips on yours. That he had wanted to do, despite the skimming of lines that should not be crossed. The lines that defined his Creed.

He looked…like one of the natives of the planet. And that was the only consolation he could find in the need for the outfit.

They’re merely walking through the marketplace, when they see you among the stalls. Din’s instincts urging him to turn onto the street.

You’re right there.

You’re real.

You’re okay.

His heart skips a beat and then quickens, nearly vibrating it’s so fast a pitch. His breath stolen from his lungs as he sees you moving among the crowds. You…you’re so beautiful and luck seems to be on his side as you look unharmed. You seem to be at ease, moving from stall to stall with a pair of guards trailing behind you by a few yards. Black flowing robes much like his own, but the rapier style swords fastened to their sides acted as a silent threat. Weapons in the main part of the city were forbidden.

But you…you were so magnetizing, and Din’s feet were carrying him toward the stall you had stopped in front of. Distantly, he heard the hush of Cara warning him to be cautious. But it was as if the world had shrunk down to just you, his eyes tracking you as if you would vanish should he look away for the barest of seconds.

The fabric of your rather elegant dress a mix of soft white and pale cream. It highlighted the natural golden hue of your skin, though the only part visible was the length of your neck down to your chest with a rather low neckline. The supple skin of your breasts was accented by sparkling golden beading along the collar, creating a dip between them where it was concentrated. The bodice of the dress was cinched by an intricate belt made up of diamond jewels set into gold that created a floral shape right over your stomach before the skirt of the dress billowed out in flowing layers.

The sleeves were long, bishop in style, allowing for the fabric to be loose before cinching around your wrists. Allowing for you strong, capable hands to be exposed. Golden designs of lace woven into the fabric of them and the front of you below where the belt rested on your front. You were sparkling, from the bangles around your wrists to the delicate headpiece that kept your hair away from your face. He could see it as you moved about to take in the fruits of the stall, the way that thin netting was laid over the length of your hair, stones glittering in the sun as you did so. You were a vision bathed in white and gold, his brain short circuiting at the sight of you after so long apart.

But you didn’t look to be a captive, aside from the guards keeping close. No, you looked like you were free of worries, complicit in the life you had been stolen away to be a part of. It was as if this was just another day to run errands and take in the sights of the city, no undertones of eyes glancing around to look for an escape. No tension in your muscles as if poised to run at the first chance. And alarm bells sounded in Din’s mind, loud and harsh. Stirring unease in his middle, bubbling up to tighten in his chest.

He couldn’t help but approach you, even if he had no clue what words to breathe should he be able to find his voice. Even if he had no clue how you would react to seeing him after the emotional fallout from so many days ago. But when you turned to him with a smile, lips closed and eyes kind, they only flitted over his face before they moved down along his body toward where ad’ika had popped his head and chest over the top of the bag slung over his shoulder.

He certainly hadn’t expected you to recognize him, he was without his armor. And though you knew the shape of his body and the way it reacted to your touch; you didn’t know him as he stood beside you now. In flowing black robes and brown leather, a head cover secure over his curls and a flowing material hiding his face aside from his eyes. He realized you wouldn’t be able to recognize them, having never seen the brown of them before. And he greedily drunk in the sight of you without his helmet, delighting in the way the sun lit up the features he had come to admire.

But your attention wasn’t even on him, it was on the small form that had reached out for the bundle of berries in your grip. Plucking one and popping it in his mouth with a satisfied hum. But there was no recognition that flickered over your face upon seeing ad’ika either. It was as if you were seeing him for the first time, a polite curiosity in your gaze. And Din’s gut lurched.

It hadn’t been long enough for you to forget the child, forget him. Forget the life the three of you had carved out from circumstance. Unless you were playing along to not alert the guards of being reunited, not wanting them to suspect anything was amiss. But…but Din didn’t think you were pretending. There had been no fast glance back to him upon seeing the child crop up, there had been no hitch of your breath as realization of him standing beside you set in.

It was as if you didn’t know him at all, know the small form of the child holding your adoring attention.

“Well, hello there, little one.” Your voice was so smooth and calming, like silk against his ears after having not heard it in so many days. He watched as you tilted the bowl closer, making it easier for a tiny green claw to retrieve another berry. A laugh bubbled from you as the child smacked on the fruit, happy sounds flowing from him unbidden.

And then, with a simple question, Din’s heart shattered.

“He’s rather cute, is this your child?”

You had focused your attention back up to him, though you avoided his eyes again. Something he was beginning to think was just a part of every version of you. Because the one standing in front of him was not his own. It couldn’t be.

Words, so many of them, burst to life and died on his tongue in the silence between you two. None of them making it past his lips, his voice lost in injustice of finally being reunited with you and you having no clue as to who he was. Of how much you had been through together, the promises you had whispered to each other, the soft sighs of waking up together, the harsh grunts and desperate whimpers shared between yearning bodies. You had no clue what you meant to him. The only thing he was certain of, was that he was a stranger to you.

Clearing his throat, he managed to utter an affirmative to your gentle question.

“I’ve never seen any like him before, he seems like the sweetest thing.”

And he wanted to tell you that you allowed for him to be so, for the child to have the protection of your skills and caring heart to be just a child after being held a captive for so long. That he had stolen him away from those who wished him harm with your aid. But suddenly, you were being approached by the vendor, your attention splitting from them both beside you.

“Ma’am, you’ll have to pay for- oh, Princess Cala. I’m so sorry.” Strict words and steal façade falling as the man approaching realized who you were. Princess. Because that’s what you were, had been swiped from him to be another’s wife. All memories of your commitment to him forgotten in a cruel twist of fate that Din was determined to get to the bottom of. To rectify. Though he had no clue how to even begin such a daunting task as he was still struggling to accept that it was so. “I was unaware you were in the markets today. Please, take whatever you wish. I will send for payment from Sir Cala at the end of the day.”

“Oh, that’s quite alright.” You appeased gently, hands digging into a small pouch hidden among the layers of your dress. Credits clinked as you set them down atop the table, the jingling of your bracelets catching ad’ika’s attention and he reached for them. “It’s just a little snack today, nothing too crazy.”

As the vendor turned back to duck inside, away from the bright sun and the watching eyes of the guards, it happened.

Ad’ika’s skin connected with your own and you were buckling at the sudden energy that Din could feel flow between you both. Ripples of is cascading through the air. Body overwhelmed and knees weakening at the onslaught as a strangled gasp fell from your lips. Just as you had done back at the compound, history repeating itself in a way he hadn’t expected. He was quick to close the distance, to wrap his arms around you and hold you up. You allowed him to pull you close, your chest flush with his as heaving breaths matched his stuttering ones.

His body igniting at the feel of you against him once again. Of the way your hands gripped his arms to support yourself. The prick of your fingers digging into his muscles and the way your mouth had fallen open in surprise. It was all so normal, the reactions of your body against his. Natural, the magnetism between your bodies making everything feel alright even if it was just for the barest second.

“I’ve got you, mesh’la. Are you alright?” Voice low, he felt it robbed from him when your lashes fluttered, and your eyes met for the first time. They glinted with something and then –

“Unhand the princess, no one is to touch her!” Twin forms of the guards watching over you were suddenly closing in. It took every ounce of strength he possessed to not take all your weight securely into his arms and run. Hush of swords being pulled from their sheaths had you tearing your eyes away from him, had you shifting your footing to hold yourself up a little better though you didn’t let go of him. And he was grateful for the prolonged seconds of getting to feel you in his arms.

“It’s alright!” You assured the guards, halting them in their steps with a polite smile. “I just tripped is all!”

Loosening the hold he had on you, his hands remained steady as you stepped back from him to stand on your own once again. He was aware of the hard looks aimed at him, as distance bloomed between your bodies.

Endlessly considerate and caring toward the ad’ika, even if you didn’t know it, you carefully handed the bushel of berries into his small claws.

You were bidding him goodbye with an impersonal bow. And he wished to feel the unspoken greeting and departing habit of your forehead nudged against his own you two had established over the course of your time together.

He fell in line behind them, a safe distance away to not attract their attention or suspicions. His focus so completely on you, the captivation you held over him even now, especially now, spelling his feet forward through the last of the market and through the streets. He was silent as Cara fell into step beside him, questions flowing from her that fell on his straining ears. You were talking with the guards, though it seemed like you were merely confirming the rest of the plans for the day.

And they would know, they would be by your side every time you left the palace, he mused as he watched your trio wait outside of the large wooden doors that led into the place you now called home. It was surrounded by a large, easily fifteen-foot wall made up of decorative tiles and white stone. He caught a glimpse of large gardens, complete with bright blue ponds and lush plant life making a beautiful backdrop to your form. But his eyes snapped back to you, taking notice of how the guards had begun to walk away and toward a small building that must act as their command center. They were replaced by two young women, dressed in long pale blue layers that followed your every step.

As you began to move along the paths lined throughout the garden, a figure approached you. And the tension Din had been worried to not see in your shoulders seemed to slam into you. The figure moved from beneath the shade of a large palm, having been waiting on a bench. It was a woman, one who bore a strong resemblance to you from tone of skin to the color of your eyes. Your mother.

Arms were slung together and Din could see even with the distance how her touch made you uncomfortable. And it was all so confusing. You remembered your mother, memories of her intact but you had somehow forgotten who he was, who ad’ika was. Forgotten who you were enough to not make an attempt to escape, submitting yourself to the life your mother had created for you.

And then, a man in elaborate robes adorned with jewels and lace designs much like your own approached you both. He was dressed in colors that complimented your own clothing. His own jewelry fastened over his head cover much like yours, though decidedly heavier, more masculine to the dainty feminine of yours. Matching.

A hand came over his shoulder as he realized he was breathing harshly, no helmet to disguise the deep push and pull of it as he watched you disentangle from your mother and step into the man’s personal space. The front of your bodies touching together as his hands splayed wide on your shoulders, as your own wrapped around his neck. As you perked up to press your forehead to his, in the way that was Din’s.

His chest hurt, his hands clenched, body alight with the need to rush forward and tear the two of you apart from each other. His ears hurt with the silence pressing against them too firm to shake. To press his own forehead against your own and plead with you to see him, to remember him. Remember what you meant to each other.

It was a small blessing of the Maker that your back was to him, because he didn’t think he would be able to take the way your gaze had softened as you looked into the eyes of the man holding you. The same one he would find aimed at him throughout the day, mirth in your eyes as your lips pulled into a soft smile. Adoration and admiration soothing the concentrated look you normally held. Not when the man looking back at you held the same exact expression.

The one always hidden behind his visor.

The same face that was now hardened in a flurry of emotions, his jaw clenched tight, teeth grinding, and eyes ablaze as he watched the man dip his face and press his lips to yours in a kiss.

A kiss.

The very thing that had unraveled the entire life you two had created out of circumstance and connection, the very thing you now shared with another.

Your easy laughter was what brought his senses back, though it was cut off from him as quickly as it had been delivered as you began to walk hand in hand with the man down the path leading to the palace entrance.

Din’s mind was working, working, working. Trying to figure it out, trying to come up it a way to figure it out. To rectify it. To make it right. To make everything right.

And as if a chip was falling into place, he realized. They could fall into line as a guard and a handmaiden.

It was so obvious, so easy, the plan coming together in his mind as the wooden doors swung shut and stole you away from his watching gaze.

“Mando…” Cara’s voice was gentle, as if she was worried she would startle him. Spur him into movement toward you, tackling the obstacles that stood between you both despite the consequences. “I don’t know exactly what-“

“We’ll talk back at the ship.” His words were rough, voice rumbling as if he had just swallowed gravel. It felt thick in his throat, coating his tongue and making it hard to speak.

“It’s customary for visitors to stay in the tourism sector.”

“I’m…low on credits.” He admitted, aware that his words were carried on deep exhales, air hard and solid when breathed in. Aching, hurting, stinging in his throat as he closed his eyes to rid himself of the image of you embraced so intimately with that man, with your husband. But the image was burned into the backs of his eyelids, pressing on him even as he clenched them shut.

“Good thing I’m not. Let’s go, I have a feeling you’re going to tell me this isn’t going to be as simple as sneaking in at night and whisking her away.”

Din followed the woman’s lead through the city, through the gates and toward the collection of tourism amenities. The sounds of the ocean waves getting louder the further they moved away from the palace.

The suite was grand, decorated lavishly in soft earth tones. Bright jewel tones accenting it all around.

But Din’s eyes were unfocused, unseeing as they stared down at the carpet, his head in his hands as he sat rigidly on the couch. With a deep breath pulled in and then let out, he deflated. Chest tight like he was being retrained with ropes, his limbs tingling as if the blood was having trouble flowing through them. His nerves felt both numb and overwhelmed all at the same time.

Cara just paced around the room, searching for potential bugs while she ensured ad’ika was settled in a chair with the fruit you had bought for them in a bowl for him to occupy himself. Din’s voice returned to him when he felt the couch shift with her weight on the other side.

“She doesn’t know who I am.”

“I wouldn’t recognize you, Mando, it’s just the clothes. I’m sure she was just pretending to be clueless to avoid suspicion. She saw ad’ika and even got him those berries.”

“No. Cara.” He surged up, feeling the need to move. To be on his feet, his mind hurling endless self-depreciating thoughts. This was all his fault, you were in the arms of another man because of him, your mother had been able to snatch you away because of his carelessness. His lack of speed when chasing after you, his lack of ability to have tracked you down and bring you back to the Crest as quickly as possible. He had failed you, he had failed you beyond comprehension and you didn’t even remember it.

He meant nothing to you, he was a stranger to you. While you willingly lived alongside that man who had every intention of letting you know how much he wanted you, desired you, who kriffing kissed you.

Aware of her eyes on him, Din paced back and forth in front of the couch. Feeling the need to move, to run, to chase, to track, to fix. She was watching him, a conflicted look about her features as she thought over the things they witnessed. The blatant issues that they had to move around in order to get to you.

Maker, what if…what if you shared the man’s bed. That would add another layer of complication to breaking you free of your imprisonment. Was it even imprisonment anymore? Did it qualify if you didn’t know the people who surrounded you were the ones who had manipulated you so completely, so intricately that they had somehow wiped your memory and fed you a story of what they wanted their lives to be in order to make it a reality?

Even if he could manage to convince you that you weren’t meant to be a dank ferrick princess in a palace, how would he prove to you that you were meant to be with him? His ship was old, needed repairs too often, his way of life, it all paled in comparison to the residence you had now, the quality of life you had now. How was he supposed to make you understand that he cared about you and that you cared about him if you didn’t know who he was?

Your mother certainly knew what she was doing. From the wiping of your memory to make it harder for him to convince you that your life was a sham, a lie, a false thing made up by those around you to the warning posters of him plastered around the city. The version of you he knew was wary of strangers and he would bet everything in his name that you still held that reservation. That anything he or Cara had to say wouldn’t be taken lightly, most likely result in their immediate order of removal should you find them guilty of trying to manipulate you.

“She doesn’t remember me. Or ad’ika. Her mother must’ve done something to her. There was no recognition in her eyes.” Heart thudding hard in his aching chest, Din couldn’t stop the sob that wracked through him. “I’m nothing to her.”

Darkness and the pull of the cold feeling drumming through your veins lightening ever so slightly as you begin to rouse, body limp and not heeding your commands to move. Alone. You’re alone. Metal clinking and heavy around your wrists and ankles. Around your neck.

You’re shackled, restrained, drugged.

Like so many times before, like you had never wanted to be again.

It’s quiet, unnervingly so.

Opening your eyes doesn’t allow you more of the setting you’re in, only darkness of the room you’re hidden away in. Gravity lurches and you know, can sense it: that you’re aboard a ship that has just taken off into the air. Traveling and distance growing, taking you away from them. From him.

Had he even realized you were gone? That you had been seeking solace, a way to return to him without shame prickling your skin and guilt flooding you, body tight and mind remorseful.

Everything was a haze. Everything jumbled up into a messy recollection. The pleasure that had been igniting you, the feel of his fingers deep and hitting that spot just right, building you up and tearing down your inhibitions. Enough so that you had pleaded with him for the one thing you knew he wouldn’t give you. And then it was gone, shifting to rejection. The blank, emotionless helmet shielding the way he must’ve been so repulsed by your question, your desperation to have more of him when he had already given you so much. Needy, selfish, you had been so wrapped up in him that you had offended him beyond words. Warped the path you two had been traveling together, guiding him without realizing it, off the distinguished trail and into the unknown. To the forbidden. Toward sin.

You had tried to convince him to break his Creed.

Heart heavy and mind trying to piece everything back together, you convulsed. Shocks ripping through you at the sudden movement.

Whimpering, you felt it was more than deserved. This punishment, being forced to submit once again at the hands of your mother. All of it was because of the temptation you had dared to whisper to a man so devoted. He would’ve lost everything had he followed you into it. From the very identity of himself to the new standing of a clan he had just been granted. All gone.

And for what? A measly kiss with someone who didn’t even know how to want without asking for too much. A shared mingling of breath and teeth and tongue with someone who should’ve been long dead for their own sins.

Brightness burst into the room, assaulting your senses as footsteps shuffled close.

The prick of a needle sharp, the swoop of your nerves being calmed and then raised to tingling heights.

A gentle caress of a hand on your cheek and the last thought you had before you were pulled back into the darkness heart more than anything your mother could do to you:

He hadn’t come after you. He had let you walk away.

We can’t…I-I don’t...

Through the hull and off the ship, let you slip into the crowd where he hoped you would disappear from his sight. Vanish from his life and taking the sins you had tempted him with.

Compliant. You would be compliant this time around. Now knowing that there was nothing else for you, the entire galaxy making a mockery of your attempt at finding a life other than this. The blood of so many on your hands and cleaned off the hilt of your saber, the reason as to why you didn’t deserve happiness or comfortability. That you hadn’t deserved him.

And it hurt. More than the throbbing high spurred on by the drugs in your system. More than the memories of everything you had ever known being ripped from your desperate hands, not once but twice. The thought of him simply sat on that cot still, slowly dressing, gathering the things you had left behind and shoving them in a crate to never be opened again, hurt. The thought of him climbing toward the cockpit and bringing the ship to life, of guiding it up into the air and leaving the planet behind, leaving you behind, hurt. It was devastating.

Because you knew, you know he would’ve come to your aid if he had known what had happened. That you had been on your way back to the ship with an apology on your tongue when you had been ambushed. You know he would’ve protected you, even if he didn’t want you. Out of some sort of personal obligation, out of the empty commitment he had made to you that now felt like a ploy to get you into his bed.

He had known your past, seen the evidence of it in your words and nightmares. He had known to how use it to his advantage, to whisper sweet nothings and notions of care beyond what you could provide him with your body to get exactly that. He had known to not pressure you, to let you come to him and he would get what he wanted all along. The same as every man, only seeing you as a body to warm your bed.

But…he wasn’t. He couldn’t be.

Ni kar'tayl gar darasuum. I love you.

He had said it first, as he bled out on that dirty cantina floor as the building crumbled around you both.

Anything spoken by a man of few words had to mean something. Had to be genuine. Had to be real.

And that hurt far worse, that he cared and had still let you walk away. Disappear into the crowd of the planet, only to be taken hostage and away from him. That he had let it happen.

The confusing and painful thoughts circling around in your sluggish mind were cut short, turned to smoke that wafted away when the metallic clang of what had to the locking mechanism on the door to where you were being kept. Artificial light filtered into the room, blinding you as your eyes tried to adjust to the sudden shift from near blinding darkness. A soft voice was speaking to you, thought you couldn’t make out the words. Brain scrambled and too loaded up to understand.

It was astonishing, really, even through the haze, that your mother’s hands were gentle on you despite the things she subjected you to. Comforting caresses and fingers moving your hair and clothing in ways to avoid pinching or pain as she removed the shackles and began to untangle you from the chains that had wrapped around you. It felt like a loss, to no longer have them pressing into your skin, no longer holding you up as your head rolled on hard to hold up neck.

“Oh oh oh, it’s okay, sweetie, I’ve got you.” Your mother’s voice was syrupy sweet, coating you in its allure. The only thing you truly knew was real in this moment of time. Her hands helped you up on weak legs, arms going around your waist to hold you to her, support most of your weight. “We’re home, my darling. I think it’s gonna treat us well, this time around.”

Confusion colored your senses and prompted a warbled sound to fall from your lips as she led you to the fresher. She helped to disrobe you, carefully peeling the clothing from your scuffed and sweaty skin. The weight of your hair being let loose from its braided updo stirred the beginnings of a headache. Trying to establish itself even in the presence of the drugs thrumming through your veins.

She washed you free of the sweat and grime that had built up on your skin in the time it had taken to guide your sluggish and unaware form onto a ship for travel.

Hands that didn’t feel like her own filled your senses. Larger than hers, rougher than hers, more intentional than hers. The feeling being washed away along with the suds and bubbles down the drain as you felt the prick of something in your neck and everything became fuzzy.

Things slowly returned to you as you felt the hum weighted over you lighten. Gravity shifted and a feeling of foreboding bubbled up in your stomach, prickling the instincts compressed inside your mind until they could do nothing but trigger ever so slightly. The hush of the door opening had you shifting atop the bedding, looking toward it to see the shadow of your mother approaching you with a cloak.

But it wasn’t yours, because the one you had been gifted, the one with the beautiful floral clasps to keep it closed, had been left behind in your haste. Haste to run from the feelings of inadequacy and heartbreak that threatened to overwhelm you even if you couldn’t piece together the specifics. Too overcome with the things your mother pressed into your veins to have you sluggish and heeding her commands.

The flash of a shiny reflection of sunlight against the metal of a sword stirred something in you as you walked alongside her. She was supporting most of your weight, guiding you along down the ramp of the ship and you paused at the sight before you. Blinking, ensuring that the image wouldn’t melt away and that it was real, you couldn’t believe your eyes.

A garden. Lush and green, was stretched out before a grand palace of white and sandy stone. Pillars and domes accent the different parts of grand sight. It was magnificent and entirely too complicated for you to be able to find a way to escape once within the walls. Guards cloaked in black were stationed at the main entrance and along entryways within the halls. Women in rich jewel tones scattered about the palace as your mother guided you through it, being led herself by a man who held an air of authority about himself.

Your heart beating fast, dizzyingly fast and your breath becomes labored, pitchy. It garners the attention of your mother, the shift from quiet to increasing panic as your led further into the maze of halls and buildings. She holds the control to the shackles about your wrists and ankles in her hand, waving it at you to quell the twitching of your muscles as you tried to resist running, of harnessing the Force to send everyone around you flying through the wide hallway. The silent threat of the electricity sparking through your synapses paired with the way the world didn’t feel quite right, everything off kilter and slightly blurry, fuzzy all around you had you obeying her without a word.

She commanded the people around you both as you were ushered through a door into a sterile room, medical equipment and first aid supplies collected in a large cabinet. The medical center, you guessed through the haze and worry spiked through you. What was she going to have them do to you?

With soft words, she urged you to lay down atop one of the cots. Smoothing your hair away from your face with gentle hands as the prick of a needle startled you. An attendant, a man dressed in dark red billowing layers, had stuck you with a syringe.

Before you could form your lips around a question, a plea, the edges of your vision blurred. Within seconds, the room was spinning and your eyes fluttered shut. The last thing you thought of before being pulled under the influence of the sedative was a plea for Din and ad’ika to be safe, wherever they may be.

“Alright,” Your mother chirped once you had fallen unconscious. The man in red regarded her with a blank expression, knowing that he was here for one reason and one reason only. Being paid generously for the use of his skills and the machinery that he possessed. He was one of the few who had been sought out by the New Republic to recalibrate and repurpose something used by the Empire that would prove useful for them as well.

Rumors of such a machine were whispered across the galaxy, most believing them to have been destroyed. But they would be wrong, they were very prevalent in the reformation and reintroduction of the Empire’s countless forces back into the general population. To break the spell of indoctrination imposed on them with low force electric vibrations. The Six-O-Two Mitigator, otherwise known as a Mind Flayer. Curtesy of the royal families firm standing within the New Republic and their generous donations to help fund their endeavors.

“Is it ready?”

“Yes, it’s been calibrated to perform at a higher voltage to achieve what you’ve requested.” He spoke as he watched two attending medics wheel the cot you were laid upon toward the doorway that lead into another room. He followed them, with a wave of his arm to allow for your mother to proceed him. She did so with a dip of her head.

“I’m sure you know how to oblige what is being requested of you. From me and from the Prince. We will settle for nothing less.”

“I do, you want me to target the memory glands.”

“Yes, eradicate anything that sparks in response to the Mandalorians and the Jedi. Warp them if you have to.”

“I will do my best, it may take multiple sessions.”

“That’s quite alright, we are here now. We have the time.”

Something was wrong. Something was missing.

And your head was pounding, a dull pain throbbing at your crown and moving down, down, down to coat your entire body. Groaning, you realized you were laying in a large, plush bed. Pillows and soft blankets surrounding you, having allowed you the comfort to sleep deeply. Deep enough that you couldn’t recall the location of where you were.

The room is beautiful, all pale, soft tones that match the way you had always wanted to decorate your own home one day. But it was a lost thought, something that would never come to fruition. A personal home that you would never have, a home that you would never share, because the people that you love no longer exist to you, faded into blips you can’t recall. But there was one shadow that you could sense in the back of your mind. And it was making you worry about the way you couldn’t fill it. The underlying feeling of something wrong settling low in your gut.

The room is completely foreign as is the scene of a desert city surrounded by large, formidable walls of stone. You now stood on the balcony, having crossed the spacious interior decorated with tapestries and thin beaded curtains to take a look outside. Your body protested the movements, sluggish to respond to your need to figure out where you were.

The door creaked open, a pair of young women with a tray froze as they say you out on the balcony.

And then, a familiar figure shouldered past them with a wide smile.

“Mother?”

“Yes, my sweetheart, how are you feeling?” She was across the room, her arm over your shoulder as she guided you to take a seat in one of two chairs that surrounded a small, low table. Across from them, on the other side, a long, curved couch that looked to be velvet stretched out.

“I feel okay, I’m just a little confused. When did we move….here?” You felt like something was missing still, aside from the curiosity of the foreign environment. You were looking around the room, trying to nudge that vague shadow of whatever it was into a more concrete form. And then it did, the shadow took the form of a man and your heart skipped a beat. “Is he okay?”

“Who, honey?”

“Um…the man I’ve been traveling with. He- he was injured, his…his head!” You felt panic ripple over you, very real and so overwhelming. You had been traveling with someone, that much you knew. But the name, the specifics of him weren’t coming to you. But it felt so real, the phantom feel of the man who you had been with, you carried him with you, and you needed to know if he was okay.

“Honey, he wasn’t the one that fell. You were.”

“Where is he?” Her words didn’t shake the panic settling into your bones. A memory of kneeling in front of an injured man, cradling his face in your hands as he lay before you flashed in your mind’s eye. The feeling of heat washing over you, as if trying to consume you.

“He’s a very busy man, he was going to visit this afternoon.” You mother tried to console you, moving to sit on the arm of your chair and reaching out to cusp a hand over your shoulder.

“I need to see him now!” You stood, anger spiking. Lungs aching for air, for the vision of the man whose touch was ghosting over your skin, whispers of promises and comfort filling your ears. All coming back as the shadow in your mind grew larger and larger, taking space and becoming all consuming,

“Alright, honey, hold-“ She caught your hand as you walked past her, set on searching for him. Needing to see him, to ensure that he was okay. The feeling of warm blood thick on your hands.

“That’s quite alright, Lena.” A deep voice spoke from the open doorway and you felt your knees buckle as you looked over toward it. The tall figure of a broad man was standing there, dressed in orange and gold. He had dark, thick hair on the top of his head and decorating his face. He looked healthy and relief replaced the panic. The feeling of comfort at his few words urging you back up from where you had reached out for the couch. Memories of laughter and teasing, of time spent together coming back to you as if he had brought them into the room with him. “I had a spare moment today, is everything okay here?”

“I-I just…I needed to make sure you were okay.” The words left you in a shaky breath. His image filled the form of the shadow, pushing you toward him. He opened his arms and you moved into them, lifting up on your tip toes to press your forehead to his own and everything whirling around in your mind calmed.

“My heart, are you alright?” His breath fanned over your face and your eyes focused on his lips. Waiting for an answer to flow from them. For all the memories that had flooded back when you first looked at him, you couldn’t recall the feel of his lips on your own.

“I’ve got you, beautiful. Everything is going to be okay.”

Before the last word was uttered, you were surging up and pressing your lips to his.

Weeks go by, the days spent with your mother and the maidens assigned to look after you and ensure you had everything you needed. Prince Cala was accommodating, doting almost when he was free from the responsibilities that came with running a successful city. He was a prince, you learned. Set to inherit his royal standing of king and full control over the city once the marriage he had proposed to you in your murky past came to fruition. He was all soft, casual touches and kisses pressed to your temples. He hadn’t kissed you fully since that first day you had woken up and you could understand his hesitancy. You were still struggling with your memory, no exact recollection of your lives together.

Assurances spoke from both him and your mother that this was indeed your life, even if everything seemed so new and part of a routine you didn’t quite feel like you were a part of. You were…slightly uncomfortable in your mother’s presence, when alone. An almost fearful undertone as you watched her movements closely, feigning focused interest in the things she told you and shared with you to mask the way your eyes catalogued everything. There was a faint weight that pulled in your gut when she would touch you, her hands always gentle but it was as if… it was as if your body was waiting for the gentle to give way to something more sinister, more ill-intentioned.

You felt more at ease with the man who had filled the shadow in your mind, his presence calming and kind. You weren’t waiting for his touch to sour, though it didn’t spring forth any feelings of desire or yearning from you. A causal intimacy between you both. Slightly disjointed in the way that you had separate room when you could recall sleeping beside a warm body before your accident. In the way that he would press his forehead to yours in greeting each morning and departure each night, the warmth of his skin against yours feeling….wrong as you recalled a coolness in the memories of the practiced motion. In the way that your flowing gowns and light layers looked beautiful in every color provided to you helped to alleviate the heat of the planet but felt too…impractical when you could recall feeling different clothing against your skin, practical, durable.

But for all the things that felt slightly shifted, you also found familiarity.

The ever present heat and bright sunshine of the planet, so unlike your own world of K’ath and yet it was almost comforting in a way. The food you enjoyed at the words of your mother and fiancé to the kitchens to keep on hand. Fresh fruits, crispy vegetables, and warm bread slathered with salted butter fresh from the ovens. Plenty of soups served over rice and easy broths for you to sip from ornate china, never anything too heavy or slathered in rich sauces. Sweet treats in the form of artisan chocolate, decadent cakes with frosting covering them in intricate designs and an endless supply of fresh, strong caf.

But you took it all in stride, spending time in the gardens, memorizing the walkways that wound through them and around the cerulean ponds filled with colorful fish. Spending time in the library and reading through the history of the planet and the city. Spending time in the lush sunroom decorated with plush rugs, overstuffed seating, and a nice view of the grounds just beyond it. Spending time overlooking the beautiful sights of the city and the distant ocean from your balcony, unable to shake the feeling like you were supposed to be somewhere else.

You tried to ignore the guards hovering around you as you explored the streets of the market. You had earned the outing after your good behavior, showing restraint in the questions you had wanted to ask but didn’t want to repeat yet again the night before. Shaking those thoughts from your head, you reached up and adjusted the dainty crown atop your head. The beautiful netting sprinkled with jewels fanning the base of it cascading over your hair in quite a nice way and it would look beautiful if the piece weren’t a deadly threat. It was a little overkill, you thought. Even if you had been nothing but willing to play along to your mothers and husbands’ words despite feeling like something was wrong, missing, like this wasn’t your life. But they were all that you knew right now, the figure of your mother familiar from childhood and you heeded her words.

You were at a stall that had an array of colorful and fragrant fruits, the sweet perfume of them blending together too tempting for you to bypass without checking out. A creature of habit, your mother called you. A woman of expensive taste, teasingly aimed at you from your husband. They knew you

You paused to hold a bundle of sunset orange berries up to inspect. A small green hand with three fingers suddenly reached out for the bowl in your hand and you jumped only slightly at the sudden company you had as you perused the stalls offerings. You turned a cautious look over but a smile broke out on your face at the cute visage of a small, wonderous face peeking out from a canvas bag that seemed to be his safe space.

“Well, hello there, little one.” You lowered the bowl for the small creature to reach for a berry, the fruit stuffed into his mouth with a happy sound that had a laugh bubbling up from your chest unbidden. “He’s rather cute. Is this your child?”

You canted your attention up, at the broad man dressed in all black who was wearing the child’s bag over a shoulder. His clothing was nondescript, matching that of the priests who littered the town. Flowing cassock and wrap atop his head. His face was obscured, much like their own by black gauzy material draped from underneath it. His dark brown eyes were the only thing visible, and you smiled at him trying to come across as friendly. You didn’t want to anger anyone in town lest they had a connection to your new family.

The figure didn’t speak for a moment, seeming to take stock of you, gauging if you were a threat or not, something everyone seemed to be doing when interacting with you. A newcomer, an outsider, not one of the many tourists visiting the city for their own amusement, but someone brought in to be a part of the ruling family. Confirmation sounded through the fabric masking his face from you and you nodded to show you heard. “He is.”

“I’ve never seen any like him before, he seems like the sweetest thing.” The child let out small coos, as if knowing he was being talked about. He reached for another berry but held it out to you this time. You shook your head lightly and another laugh bubbled up even as you felt the heavy gaze of his father on you.

“Ma’am, you’ll have to pay for- Oh, Princess Cala, I’m so sorry. I was unaware you were in the markets today. Please, take whatever you wish, I will send for payment from Sir Cala at the end of the day.”

“Oh, that’s quite alright. It’s just a little snack today, nothing too crazy.” You smiled wide at him, hoping your behavior will be relayed back to your new family and they will lower their intensity. But you also genuinely appreciated this man, he treated you like a person while everyone else in the market kept a wide berth around you. Afraid of either you as a newcomer or the guards that tailed you, you hadn’t been able to work it out yet. You reached for the small pouch attached to your belt, the jingling of the bracelets on your wrists drawing the attention of the child.

You felt the tug of on them as you reached out to place a few credits for the bowl of berries on the stand, nodding your thanks as you turned to face the child again. He was gripping the bracelets tightly, his skin touching yours as he did so and a clash of emotions flooded you, causing you to gasp and your knees buckled. Before the guards could reach you, the tall man had stepped close and his arms were wrapped gently around your back, holding you to his chest to help steady you.

“I’ve got you, mesh’la. Are you alright?” His head was pitched so his voice was right beside your ear, and it sent a shiver through your body, the timbre of it so alluring. It was all you could hear though you were aware of the soft babbling of the child close to you and the harsh voices of the guards. You felt completely calm with him, like returning to your home after a long day. Comforted, safe, cared for. His touch was so familiar, the way he held you feeling like a faint memory though you had never met him in your life.

“Unhand the princess, no one is to touch her.” The guards closed in around you both, trapping you between their bodies and the stall.

“It’s alright! I just tripped is all!” You raised your voice even though it was rather hard to concentrate with the strong body pressed up against you and holding you. You felt the man loosen his hold and step away as you stood straighter. You weren’t quite sure what happened, but he had been quick to help you, even at the expense of drawing the guards’ attention. You smiled at him, something genuine. The feelings he had stirred in you were confusing but not unwelcome. You had no idea why. He was a stranger after all.

“We must return now, Princess Cala.”

When his touch retracted, the warmth that had blossomed in your chest and the quickening of your heart beating against the cage of your ribs didn’t wane.

You retrieved the bowl of berries and held a few out to the slightly dejected child, his large ears turned downward. “Here you go, little one. Make sure to share those with your papa, okay?”

Another glance roved over his face, a soft smile just for him, and you were bidding him a good day with a bow of your head. The urge to press your forehead against his strong, but you resisted, knowing that it felt too personal a thing for the stranger standing beside you. Your brow furrowed slightly, unsure of where the need to do so rose from. The comfortability and underlying feeling of complete and utter safety that the man stoked in you confusing you, he was a stranger, and yet it felt like there was a string wrapped around your heart that pulled taught and uncomfortable as you began to move away from him.

And with that you were turning and walking away from the stall, two guards leading you back to the palace and two behind you. You could feel the kind man’s brown eyes watching you as you did, daring to look over your shoulder to get one last look at him yourself.

Your breath hitched as your eyes met his even from the distance of the street and you felt the heat from his intimate touch and soft words encompass you completely. A dull pain throbbed in your temple, forcing you to turn away.

previous chapter || next chapter

dividers by the lovely @saradika-graphics and @cafekitsune

taglist: @clevergirl74 @strawberri-blonde @js-favnanadoongi @littlemisspascal @moonknight-s-cumdump @bookloverkat @golden-mando @beskarandblasters @feral-ferrule @bearsbeetsbeskar @76bookworm76 @anoverwhelmingdin @sarap-77 @picassopedro @sawymredfox @jessthebaker @genetics4life @mosssbawls @vivian-pascal

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chososhairbuns · 10 months

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just now someone left some tags under one of my other posts saying they don't get the ritsu hate and okay i was already gonna say something and this may very well be a sign for me to do it now

people really really REALLY like to misconstrue ritsu, a 13-year-old boy dealing with as many issues as the rest of the cast, as some kind of jerk who hates everyone and is overprotective of mob which is really weird because that's like... not true to his character? at all?

i mean i know where this fanon comes from it's pretty obvious imo that people took 1. the big cleanup arc 2. his prickliness around reigen and made it so those two parts of his character became his entire personality - some grumpy brat who hates everyone who isn't mob. however i feel like a key point in his character is that he's actually... really passive? and constantly fretting over what other people, especially his brother, are thinking and feeling? in other words, instead of being overprotective, it's more so that he's afraid and takes precautions?

he behaved questionably during the big cleanup arc yes, but people seem to have taken his behavior then to be his Real Personality instead of him simply... lashing out because he was sick and tired of cowering away? he had spent years acting like the Perfect Golden Child and didn't feel like he could just be himself, and it caused him to break eventually. he even felt genuine remorse for his actions by the end, come on now. and don't even get me started on how ritsu haters will forever hold this arc over his head as if literally every other character hasn't had their own villain phase. i'm really baffled at how he's the one people like to single out as a mean bitch

and god all i'm saying about the reigen thing is that some certain people need to realize that woobifying a grown man for getting bullied (allegedly) by a kid less than half his age is like. weird. objectively speaking it's weird. reigen in canon literally does not care

idk ritsu's just a kid and people need to cut him some slack. him being a hater to one (1) loser doesn't mean you get to remove all his other dimensions please it's so dark in here

#mp100 #mob psycho 100 #kageyama ritsu #this probably makes no sense i'm so tired. good night #.are

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silverliing · 9 months

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Mike’s wall art

I love seeing analysis about ST set design because it really spells out so much of the story without verbally telling you, and ive seen much discussion abt the details of mike’s room in s4 (that one way sign haunts me btw). buuut there are two pieces of visible wall art that I don’t really see get talked about on here (that i’ve read) and I just have a few things to say about them and what i think they might be telling us about Mike’s character and upcoming journey (hint: going into the UD)(hint: making plans and leading the party)(hint: byler)

so idk if this has been pointed out or if it’s common knowledge atp but the two pieces circled above are lithographs by artist MC Escher; Hand with Reflective Sphere (left)

and Relativity (right)

(a lil hard to see in this screenshot i’m sorry😢)

The artwork is beautiful as you can see (canon Mike Wheeler has great taste in art). Escher was most known for his intricate “impossible constructions” which are optical illusions of paradoxical space, he was also the inventor of the impossible cube:

this is some pretty cool nerdy, mathy stuff that I’d expect mike would be into, but looking at it from the context of his character and the direction of where the story is headed, there were 3 immediate possible readings that popped into my head which point toward 3 different (yet coexisting) directions:

He likes the art — It’s true, this art taps into Mike’s interests. Valid but boring. zzzz. snooze. You could argue that these posters should be taken at face value, but I just feel like in a show like ST —where the main cast knows of and is in various ways affected by an evil alternate dimension— having a character with wall art that references perspective/dimensional anomalies doesn’t really tell us much about his specific character or story. We’ve known that the ST set designers use a character’s space to show us who they are as people, these two artworks need to tell us something about Mike and his journey. And maybe Mike’s sensibilities about the world at large are shifting into nihilism with everything that’s happened in hawkins and the art reflects an absurdist outlook of future (teenage stuff, growing up, etc. etc.)

It foreshadows Mike’s s5 arc — I love this one. Mike is one of the few in the main cast who haven’t been in the upside down proper, so this art could reference not only that he’ll go into the UD in s5 but also that there could be dimensional anomalies involved in his travel or journey there. Perhaps this is how they’ll be able to find Max— by bending the laws of physics and using the mechanics of dimensional travel against itself, perhaps to open new doors or travel in different directions (hint: time travel 😏). And i think the reason this art is in Mike’s wall is bc it will be Mike who formulates the plan to find Max and retrieve her with the help of El and Will’s new powers 😏 (g*d knows i want to see leader Mike make a come back)(and Will with powers).

Will Byers — we know Mike and Will are tied together by the narrative and so I think these artworks could be directly pointing to Will with big red arrows. This point is corroborated by simply analyzing the formal qualities of the artwork, both individually and as a set. Hand with Reflective Sphere is about optics and perspective, about seeing, but also about the flattening of space. Relativity is about space, dimension, and paradox, but also about impossible perspective/vantage point. When read together the objective reading of them is about sight and space and paradox, about how the flattening of space helps us see something new and impossible. While Mike hasn’t experienced the dimensional travel into the UD proper, many of those closest to him atp had; El, Will, Nancy… but the reason i think these two posters remind him of Will specifically is because out of everyone else who has been in the UD, only Will experiences the feeling of being stuck there and of seeing into both dimensions at once; the stuck view-master, true sight. Mike associates these things combined (dimensional travel and dimensional sight/perception) with Will.

Also, Mike is a nerdy guy, he seems interested in this kind of stuff for the fun of it so he could’ve had sciency charts that reference the subject of visible light and paradoxes the way Suzie does, but instead he has not one but two fine-art pieces by a pretty big graphic artist that reference the subject of sight and space. Also, Idk what it is about the fact that it’s fine-art and not movie/game/dnd art that makes me also associate it with Will— the self-proclaimed visual artist of the show. The words are all jumbled up in my head rn but; artist. sight. all-encompassing. dimension. paradox. new perspective. -> -> -> -> Will Byers (is this a hint to wills powers??) etc. etc. etc. you get it

Secret 4th option (ties into #2)

Mike gets Vecnaed and this forces him into extensive self-reflection and the labyrinthian trials of finding himself and mastering his fears(maybe he’s already begun his self-searching and that’s why we see this art at the beginning of s4). cue cool musical montage of Mike navigating his own memories and mind-scape to find the answer that will make everything make sense while also hiding from vecna and buying the party time to find a way to end him.

#i just have thoughts #i love this art but what does it meannn #stranger things #mike wheeler #will byers #st analysis #byler #st5 speculation #will byers has powers #will byers has true sight #st #i just have thoughts ok?#stranger things analysis #stranger thing 5

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jess-the-vampire · 2 months

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One reason people might think of arofam Philip as a "good" person could be because of comparison to canon Belos. So while arofam Philip is a deeply flawed person who has struggled and screwed up but nevertheless learns and tries to become better, set him next to canon Belos and he looks like an absolute angel.

true

i mean he had to be this way for the sake of making him likable, it would be hard to do a swap with eda, where he'd HAVE to be one of the main protagonists, and keep him JUST as bad.

i mean, i'm sure that's an idea that can be done, but it wasn't what i was going for, again, i made this au as a joke at first.

Also i think some people tend to have a strong reaction to the very concept of him having any kind of redemption, even if it's being explored in an au. I was directly told once i was being blocked because belos was a father figure to hunter in my work, i'm not even sure if this person even knew any of the context of it being an au but they took one look at it and blocked me immediately.

moderate your own fandom i know, but the fact they went from wanting to follow me to wanting to block me how they did, gives off the impression i'm being judged for it.

and that probably would go for a lot of other people, anyone who follows the au knows au philip has done some BAD stuff, he's not some perfect angel and i never intended for him to be so.

but if you are someone who just sees "Belos is a nice person in this, BLOCK", you might be making quick judgements and jumping the gun a bit.

it's why i say "Context matters", and why i very clearly mark my work under the au in the tags

you don't have to LIKE belos in the show, that's fine, but i think it's important to not let that dislike impact how you treat other creators.

Aus are a great way to explore and try new dynamics, they're like a fun sandbox where you can try the most wild concepts, those concepts might not appeal to you and that's ok, but also let's not treat every au as a sign of anyone's morality and feelings towards the canon cast.

at no point did i want a redemption story for philip in canon, the fact he has one in the au and improves doesn't really change that. It's just been a fun ride to explore his trauma and explore a redemption of some kind within this sandbox for me.

and i'm not the only one who finds some enjoyment in that, clearly.

#my art #the owl house #toh #a reverse of feathers and mud au #areverseoffeathersandmudau #a reverse of feathers and mud #emperor belos #philip wittebane #caleb wittebane

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kitkatopinions · 14 days

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One of the things that many anti-rwde posters get really worked up about is the complaint that bumblebee is rushed, but at least for my part, I feel like there's a misunderstanding on what the real problem is.

They always say "how can people say that the ship is rushed when there were signs early on?" And I think the real problem isn't that there weren't signs. Tbh I personally don't read Blake as romantically interested in Yang during the first few seasons, her treatment of Yang isn't actually that different from her treatment of her other teammates and whatever closeness they accomplish is usually initiated by Yang, but it's easy to read Yang as having a crush on Blake. It's easy to read a lot of characters as having a crush on other characters, like it's easy to think that Ruby had a crush on Weiss, Blake, Penny, and Emerald during different times in the first three seasons, and like it's easy to think that Yang and Weiss were romantically interested in each other specifically in season five. I wouldn't think any of those ships 'came out of nowhere' or 'didn't have any juice' or so on. My main point here is that Blake and Yang weren't a forgone conclusion, but yes, despite the fact that nothing was clear solid proof of romantic interest OR clear solid proof of early writer intention to actually make them canon, there were hints that Blake and Yang could potentially turn into a real ship and it eventually did when the writers got around to it under criticism of queerbaiting and while running out of money.

When I say that I think the ship was rushed, I don't mean that there was never an indication that Blake and Yang might be romantic before they got together or even before their first big significant 'shipping moment' at the end of V6. When I say that I think the ship was rushed, I mean that the writers bypassed growth and working through conflict that I think was necessary for Blake and Yang's dynamic. When I say that I think the ship was rushed, I mean that they invented conflicts just to throw them out one after another without ever addressing it on screen. I mean that there are things very important specifically to the character of Blake like her time in the White Fang, her family, Ilia, and Adam that Yang hasn't talked to her about on screen (except Adam but it was not in any detail.) This isn't even bringing up the fact that they were forced into confessing their feelings for each other and when that happened, Yang didn't say anything about Blake that was true past her being a Faunus. Which makes it seem like the writers don't care to put in effort with the ship but that's just my opinion.

The ship between Blake and Yang wasn't rushed because 'there were never any signs' that it might happen, it was rushed because the writers didn't actually put in the work to deal with the conflicts they themselves wrote for the ship and just bypassed them instead. It was rushed because they went from 'Blake has spent seemingly a year apart from her team while Yang was angry at her the whole time and now the two are awkward with each other' straight to 'they barely leave each other's side, Yang gets angry at the thought of even doing a mission apart, they're in love, they caress each other's faces' without the writers really addressing that quick change.

It's got nothing to do with whether or not I think Yang's 'save me a dance' could be an indicator of real romantic feelings that would get developed later. The writers just fumbled the bag on execution, per the norm.

#rwde #anti bumblby #anti bumbleby #anti bumblebee #anti bb #anti bees

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snicketstrange · 9 months

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Solving the Apparent Plot Hole in SB of Netflix's ASOUE

The mystery of Esmé's sugar bowl in Netflix's "A Series of Unfortunate Events" is an endless source of speculation among fans. Kit Snicket's claim that the sugar bowl contains "sugar" that can cure the disease caused by the MM fungus has upset many, and for good reason:

The cure for the MM fungus was originally discovered by Beatrice Baudelaire, who used a hybrid apple and horseradish in her experiments. Nothing suggests that she would give special status to the resulting "sugar."

Count Olaf also seeks the sugar bowl, but he explicitly states in the TGG adaptation that he believed the MM fungus no longer existed. So why would he seek a cure for a disease he thought had been eradicated?

Horseradish alone is already highly effective in preventing death caused by the MM fungus. Sunny was infected, used horseradish, and showed no side effects or traces of the disease. This makes the definitive cure for the disease less valuable than one might think.

In truth, the only way to view Netflix's ASOUE canon as coherent is to accept the fact that Kit Snicket wasn't entirely honest about the sugar bowl's contents.

So, can we deduce what's really in Netflix's sugar bowl based on the information we have?

In Netflix's "A Series of Unfortunate Events" series, various clues are given about the mysterious contents of the sugar bowl. First, the contents are edible, evidenced by a flashback where Esmé uses the sugar bowl's contents to make tea. This same scene also reveals that the tea tasted bitter, suggesting the bitter nature of the contents. Beatrice, also present in this flashback, hints that the contents have some sort of power, adding that this power shouldn't be in the hands of one person but could be shared with many. Additionally, the contents are tangible: Quigley looks inside the sugar bowl and sees something he can't fully understand but is definitely there. Lastly, Kit Snicket, known for telling half-truths and omitting information, claims the sugar bowl contains "sugar" that cures the fatal MM fungus disease. This information, given Kit's history, may only be partially true.

So, how can these contradictions be reconciled? The crux of my theory lies in the idea that the "sugar" inside the sugar bowl is much more than it appears to be.

All signs point to there actually being sugar in the sugar bowl, likely derived from Beatrice's research with the bitter hybrid apple. What we call sugar could really be a remedy. But it can't just be a remedy for the MM fungus disease.

Firstly, Beatrice must have conducted various different experiments while on the island. After all, everything ends up on that island sooner or later. She must have used rare ingredients from shipwrecks or something that accidentally fell into the ocean somewhere to combine with her basic experiment of blending horseradish with apples. After all, the end result contains "something" that is abortive. Neither apples nor horseradish have abortive substances. This suggests that Beatrice used additional ingredients.

(This detail was first brought to my attention by TheAsh , as far as I know) She may not even know exactly what those ingredients are, as labels made of paper could easily dissolve in water.

If, by chance, in one of these experiments, it were possible to produce a unique fruit and a special type of hybrid apple, formed from a very specific formula and rare ingredients (some of which even Beatrice might not know), then maybe we're onto something. If the fruits from a single harvest had the power not just to cure the disease caused by the MM fungus... but perhaps the ability to cure all diseases! And that would be truly hard to replicate elsewhere, even by Beatrice herself.

So we might have something there. This would indeed be a great parallel to the biblical account of the tree of life, to which TE clearly refers (in a somewhat inverted manner, but still a reference). The tree of life in the Garden of Eden could make someone live forever. Beatrice's apple could cure all diseases. But this phenomenon wasn't replicated, and Beatrice knew she couldn't replicate the experiment.

In that case, to prevent the specific apples from losing their properties when they spoil, Beatrice must have made "sugar" from these apples. A type of sugar that preserved the healing properties of the fruit of life. But where would she store it? Indeed, this powder became the most valuable substance in the world.

And so, a safe, discreet (and preferably beautiful) container was needed to hold something so valuable and powerful. Esmé's sugar bowl proved suitable, as it could preserve the sugar even in case of fire and flood.

Esmé, thirsty for power, would love to be the guardian of such a substance. And of course, the sugar bowl is hers. Has she remained so beautiful and youthful over the course of 14 years by consuming a bit of this sugar over the years? Either way, after discussing with Esmé the importance of sharing the sugar bowl's contents with others, she felt obligated to steal it from Esmé.

catastrophist , this theory was for you! I hope you enjoyed reading it.

#asoue #asoue theory #lemony snicket #beatrice baudelaire #a series of unfortunate events #kit snicket #asoue netflix #sugar bowls theory #sugar bowl theory #sugar #sugar bowl

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cosmerelists · 11 months

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If Cosmere characters had mundane hobbies...

And by “mundane” I just mean “non-extreme” (aka, no base jumping, no paragliding); we’re talking, like, doing puzzles or going for a pleasant hike. If all these hobbies existed and Cosmere characters weren’t busy fending for their lives all the time, what might they get up to?

1. Szeth: Frisbee golf

We already know that Szeth is great at paintball; I just feel like he’d be weirdly good at frisbee golf as well.

2. Renarin: Speed Rubik’s Cube

Renarin likes to fiddle and have something for his hands to do--I think solving a Rubik’s Cube would be fun for him. And I threw in “speed” (aka, trying to do it as fast as possible) because Renarin loves to jump into things wholeheartedly.

3. Kaladin: Indoor Rock Climbing

Kaladin has already gone rock climbing in two books--he makes his own rock wall in the chasms in Book 1 and climbs down Urithiru in Book 4. He even knows that he should be using “rock dust” for his hands. I think some nice, non-extreme, indoor rock climbing would be good for Kaladin. Bonus: he’s not afraid of heights!

4. Shai: Stamp Collecting

(I’m sorry)

5. Eshonai: Hiking

Eshonai loves to go out into the woods and explore, see new places and people and things. I can see her getting into hiking.

6. Raoden: Coding

Before he even had powers, Raoden already liked to memorize Aons--and from what I understand, AonDor is basically coding.

7. Tien: Rock Collecting

I mean, this is literally just canon. I have to imagine that he’d also enjoy whittling since that is again, simply canon.

8. Shallan: Crochet

Okay, so Shallan does already have hobbies in canon: like drawing, for example. But I think she’d also enjoy crochet--all those patterns coming together, her Spren humming excitedly...

9. Adolin: Sewing

Even while trapped in Shadesmar, Adolin is able to sew himself a new outfit. If he had time and materials, he could definitely make some cool clothing.

10. Mare: Gardening

I mean, she loves flowers. If she were alive when her planet could support flowers, I think she’d love to grow some.

11. Sixth of the Dusk: Birdwatching

If he wasn’t, you know, desperately trying to survive at all times, I feel like Sixth of the Dusk might enjoy some nice, relaxed birdwatching.

12. Wax: Puzzling

Normally Wax is putting together the pieces of deadly mysteries that will impact the fate of his planet. Maybe he’d find it a nice change of pace to just put together colorful cardboard instead!

13. Rysn: Extreme Couponing

Listen, Rysn once leapt off of a cliff to talk to a god to make a deal. Clipping coupons would at least have the advantage of being safer than that, no matter how “extreme” she gets.

14. Rlain: Amateur Radio

Amateur radio tends to use morse code, which is a form of communication Rlain might find comfortingly rhythmic. Plus, amateur radio lets you connect with people, but no one can see you or judge you for being a crab person.

15. Vin: Parkour

Even without powers, I can see Vin running across buildings and climbing things she’s not supposed to climb. I think she’d have a good time.

16. Jasnah: Crossword puzzles

Yes, I am basically calling Jasnah a nerd here, but also, I think she’d probably really like crossword puzzles--knowing things, understanding obscure trivia, solving puzzles that aren’t about the end of the world...

17. Dalinar: Tunnelling

I dunno if this is just a Reddit phenomenon, but apparently some people just really like to dig long tunnels underground? And Dalinar sure had a great time digging out that latrine that one time. Perhaps that was a sign that his true love is burrowing deep, deep underground.

18. Taravangian: Fantasy Football

I don’t know a whole lot about Fantasy Football, but I believe it involves creating your own imaginary team of players and then using their actual, real-life performance to get points. So you have to be good at predicting how people will act, skilled at long-term planning, and have a deep desire to win. It’s like Taravangian’s diagram, only nobody (hopefully) dies!

#cosmerelists #cosmere #Szeth #Renarin #Kaladin #Shai #Eshonai #Raoden #Tien #Shallan #Adolin #Mare #Sixth of the dusk #Wax #Rysn #Rlain #Vin #Jasnah #Dalinar #Taravangian

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thygoddessouijathicc · 1 month

Text

Old Man Yaoi May Not Be So Old

So there’s a segment in the DSaF fandom that beleive Dave and Jack are visibly old men. I’m fine with it, I used to, and in fact love the designs especially because there’s seems to be an almost taboo of drawing old people to a point and it’s homely really great that people here are doing it, but I don’t think that’s actually true canonically like I used to. I must stress though DRAW THEM HOW YOU LIKE. They can be old or not it doesn’t concern me.

Both of them are corpses. In terms of age, yes, they are quite old, but corpses don’t tend to age. And we see this in DSAF with the Phones not aging visibly, perhaps it’s just that it’s stock photos but Harry, despite being Gen 1, is physically not old. Why? Because Harry isn’t alive. None of the phones are. The phones are just well preserved and act like living creatures.

You know what else isn’t alive but acts like it? Dave and Jack. While they’d be in terms of numbers, old, in DSAF 3, given their ages at which they died it’s unlikely they’d physically get any older. And don’t say some kinda magic thing because we know for a fact that both behave like corpses, especially Jack. Jack paints himself orange to look alive (a weird colour choice but I digress), he does this because his body is rotting, likely turning black or purple (this also means any cursed colour swap between the two, the Jack side may just not have put on his makeup yet lol). Jack is rotting, definitely not alive body behaviours. Dave also does not behave like a living person. How many of those do you know that can do what he does. There seems to be a consensus that Davetrap is rotting but Dave is too nothing happened to Davetrap to kickstart the process that would mean Dave could not have before, it’s likely the pests just got in because he was stationary and likely far slower.

Let’s also talk about their behaviour. It’s not great to go off of but Jack doesn’t act like a mature adult and neither does Dave, they act like they’re rather young adults still figuring themselves out. Jack especially is quite childish, as if he never got a chance to mature. You could bring up Dee, but Dee’s situation is far different. It doesn’t seem like Dee has actually mentally matured so much as she has been put in a position in which she has no choice but to take on a more mature role and tries to fit that, she has no reason to mentally age, and none of the other children have meaning if she actually got older there would have to be more to it. Dee is as old as she always was, any maturity added is not due to age but due to her situation. Dave and Jack are immature people, and with this in mind it paints a somewhat grim picture of the fact that they never got to mature.

One could mention the ending in which Jack dies of old age… but the phones also have beards here and Jack is actually established to be semi immortal so dying of old age just doesn’t make sense, he can die, but it seems like he gets back up. So let’s be real the beards are fake, and Jack probably ate something weird, and will be fine in like 12 minutes. The game probably ends when you die because it would be weird if it didn’t even if you do get back up.

The only time I’d say Jack permanently dies is when he’s burned. Which leaves no body behind, which by the same principle as the others, means there’s nothing left to come back which sucks for him because oops no soul either.

Jack can also get rabies but… this also doesn’t feel like a sign he is alive.

Dave actively does rot in the game as Davetrap, Jack rots constantly, it’s safe to say their bodies do not work like human ones especially considering not having organs is not something that kills Dave. At least not that we know.

With all of this in mind, yeah. They are corpses. And as I’ve said before, corpses do not age in DSAF physically or mentally, even Blackjack is incredibly immature if you actually look at his behaviour. He’s also an asshole who never gets character development but that’s a story for another time.

It actually makes more sense if they don’t age given the very little change in their behaviour or character between games even after a massive Timeskip nothing seems to have changed at all which makes sense logically too, because why would Fredbear give Jack the ability to age? Let’s be real here if Jack can age eventually that will become a problem given that he is immortal seemingly as long as he has a body to return to. There’s no reason to give him the ability to age and plenty of reasons not to.

Now that’s not to say their bodies don’t change, they do. And if you realistically want to draw DSAF 3 Jack in his most canon possible form… which I doubt many do… Jack doesn’t age he rots he’s probably just a lot worse for wear if he hasn’t found a way to stop rotting yet. Him being an old man is unlikely, but a very decomposed zombie? More likely than you’d think.

And before anyone brings up the tapes, Dave may just look like that, pretty much every piece of art in that game is by a different person who is not Doggo, while Dave seems to be a bit older Jack does not. The tapes are in the past if we are saying that is Dave’s age in DSAF 3, sorry no.

DSAF 3 has incredibly inconsistent art to a point I’d say fans can largely disregard it but that’s an essay for another time just know art in that game isn’t as canon as people seem to think it is. At least not by my observation.

Dave and Jack are old men in age, but not in body. No in body they are most likely the age they died at which seems to have been pretty young for both of them like we know Jack was in his early 20s and Dave is a few years older but also died at the very least a few months before Jack. They aren’t old men, at least not canonically.

I must stress I mean they probably are not canonically old because honestly the DSaF fandom needs to take a chill pill and stop being angry at people for making their own designs, literally do what you want as long as it’s not illegal or like super fucked up. Don’t make Jack 12 and Dave 60 and ship that, but if you want to draw them old be my guest. This essay was just my observation of the idea that the fandom calls them old men and people seem to think they are canonically but it just seems unlikely.

#dsaf #dayshift at freddy's #dsaf dave #dsaf jack #dsaf old sport #dsaf phone guy #shitpost #DSaF essay #literary analysis #again I must stress this is no slight against the people who draw them old #I love that shit #I’m just analyzing canon

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chandralia · 5 months

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I just saw on Google that Ochako confirmed that she is in love with Deku in the manga, is this true?

I'm really behind on the episodes, believe it or not I didn't even have the courage to leave the first episode.Yes, I ship BkDk, I'm following it through the community, you make me have hope, even though half the famdom hates this beautiful ship, I know there's a possibility that it's fake, I don't know, but I was sad about it.

I'm sending this ask to all BkDk analysis professionals, as you can see I'm a bit desperate, don't be surprised if you see this ask on other profiles!

(I researched more, it seems like everyone is against BkDk, even though the manga gives so many signs), can you explain it to me? what are the possibilities that BkDk will be canonized?

😭 in her fight with Toga, Ochako lists off things about herself that make her who she is, one of them being that she fell in love with Deku. But we already knew this so it didn’t really take anyone by surprise, and I think catching up and reading those chapters would be best since the togachako in them is incredible !!

As for bkdk, people just hate it because it’s popular, they overlook their development and deem it problematic, despite everything that’s happened.

Hori shows us how far bkdk will go for each other, and how they’re intertwined, how they’re influenced by one another. It doesn’t really feel like there’s room for anyone else sometimes 💓

I don’t think I can answer the canon question, I try to think rationally but have incessant hope that can’t be squashed and is perpetually fueled by bkdk surpassing expectations every week for the past 5 years 🤧

#definitely catch up and speculate with us !! 😌#bkdk #dkbk #bakudeku #dekubaku #:’)#ktdk #katsudeku #katsuizu #izukatsu #togachako

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mdhwrites · 19 days

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Have you seen the leaked TOH pilot and pitch bible yet? IMO it’s crazy how most of it is better than the final product.

I have! And... I don't know if I entirely agree with that.

What I found most fascinating about it is that a lot of the contradictions and issues of scope with TOH that doomed it are still in the pitch bible itself. Just some quick examples of what I'm talking about: When talking about themes, they talk about Fantasy versus Reality but it's as shallow as it is in the show. After all, one of the episode concepts pitched within it features a plot that has Luz literally going "This is just like in my fanfiction!" and being better able to handle it because of that.

It builds up the emperor of the land and Belos (known as Oberon) when talking about them but NONE of the plotlines include Oberon in the episode pitches or even mention the coven system for that matter. They are still barely a thing to the show with the only episode concept about that part of the show being the one about William.

An utter lack of real stakes like how King has to face the deep crises of a decision of either being a lackey to the people he used to run with while also losing any chance to ever reclaim his lost power... Or he can save Eda and Luz and lose the chance to work with these people again. That's not really a compelling decision, is it?

The pitch also claims that the show will mostly be about Luz and Eda's relationship and how Luz's determination will push Eda to be a better person... And most of the episodes pitched are still not actually about the two spending time together. Just Eda making Luz upset so she goes off to do her own thing, just like the same problem as in the actual series.

You actually have MORE characters in this version which sucks harder for trying to narrow things down, especially since more of them are disconnected from each other than before. At least Boscha, unlike Pascha, has a connection to literally anyone in the main cast.

You also have stupidity with your magic still. "Look! I need to work hard to make small objects float!" And apparently that's enough to make all of Hexside lose their fucking minds. WHY!? In 90% of settings, that is as basic as the light spell Luz learns. It's why it's one of the first spells Harry learns.

Oh and let's not forget "Almost all known portals to the human realm have been severed" but apparently Amity has access to one of those known portals freely enough to attend two schools. It's a small thing but it would cause problems in theory.

BUT.

I will give credit to this: Luz is MUCH more compelling in this version. I think if there is something that is just unequivocally true, it's that. She is way less inoffensively nerdy, instead her interests being more upfront and troublesome, helping explain why that would be why she is rejected and not because, you know, she puts people in danger. Also her rise to power is just better.

Arguably, Luz in canon is a chosen one essentially from episode FOUR onwards. Now, this is up for debate but being given a power almost out of nowhere, with no training, that no one else has, is usually a sign of a chosen in a narrative. Episode 4 is when she gets the light glyph. She doesn't work for it, it's not a big character growth moment, etc. like that. She mostly just oops into it. Making it that Luz ACTUALLY has to work for her magic and the show actually has to explore how the magic works, making it so she has something to learn is just strictly better, especially for the concept of her learning to be a witch. Eda would actually be able to teach her something instead of shrugging and going "Welp, good luck!"

I will say that the bible does also lean more into an adventurous aspect though. This version of episodes would easily be more fantastical and include more magic in them which would help the Isles not feel so much like our realm. I will say the fact that there's also active anti-human prejudice also would be good because then Luz being human would, you know... Matter. Not that the Isles is really given a personality even here besides the oppression they're theoretically under. It's still a very generic fantasy setting.

A lot of the rest though? It's really not that unique or different from the show itself. Lilith is almost exactly the same, Tibbles is just Gus but a demon, there are slightly more restrictions on things like being human or magic but, you know, the show didn't care about its one law, why would it care about three? Even Amity, who does look better on here, is only because it's on paper. This is literally just Amity's pitch in S1 after all. All the reasons people loved Amity are here.

Conceptually it is fine but I am surprised about how not only this got picked up but also how it was greenlit so heavily as to get a pilot animatic, with voice acting, based on these concepts. There's just some very clear cleaning up that needs to be done, basic questions on its own setting and own logic that isn't even playing into the comedy/fantasy angles that could let you let it pass. It's not all of them or even the majority but a skeptical prereader could even raise these basic sorts of inconsistencies like the ones I brought up above. After all, this is half a season's worth of episodes pitched and a fifth of them are still going to Amity and more of them have Luz directly interacting with King than they do Eda.

There's a final thing I have to bring up due to it being why I think the show changed so drastically from this pitch bible to its final form: This is way more complicated. TOH already has extremely decompressed storytelling and too many elements working in tandem. Meanwhile, every character is MORE complicated in this one and less connected to each other, necessitating that each, except maybe Eda, will take more time to get through their stuff. The writing team either had to sharpen how much they could do in an episode or simplify and congregate elements. We see this a LOOOOT in S2A, especially Escaping Expulsion, where it seems the writers went "Even with three whole seasons planned, we don't have enough time to do everything we want to, the way we like to, so we need to start cutting and simplifying even more than before."

One example of this that's really easy: In the pitch bible, Willow is a random witch who lives near Eda. Well that means she'll likely either take time out of a couple episodes as she's introduced or take up an entire episode just for herself. Tibbles is also just on their own, like in the show. Introducing both of these characters is not really an option. However, put them both into Hexside and suddenly you can introduce three characters at the same time organically, like we saw with I Was a Teenage Abomination.

Luz just being gifted magic is another element to this. Her having to actually experiment for every spell and having to have a real system to her spells limits what she can do but also means spending a LOT more time on her magic. You can't just have a flower open up and give her the glyph of the day as easily, nor have her be able to throw her spells around as she wants. Making it so she just needs reams of paper and/or a marker makes it a lot easier and simpler to have her start casting magic.

This version of TOH would have SHATTERED under its own scope while the current version mostly bends and cracks from it. However, if people do use this to go "FUCK DISNEY EVEN HARDER!" I won't be surprised. Grand scope ALWAYS looks better on paper than it does in action. It sounds epic and multi-faceted and complex. The problem is that it still has to fit its format and it is MUCH harder to execute on than a more simple concept.

There's a reason the only perfect project is the one you never do because you can promise the world without ever having to deliver. So, while it's nice to see an earlier version, I am by no means going to say this would have been a better version of TOH.

======+++++======

Sorry for anyone hoping for a link to the pitch bible btw. I just don't have one as I got given it as a document.

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

#the owl house criticism #toh critical #toh #the owl house

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