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#anti MCU endgame
fireofthestars · 3 months
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I know its been what....four years? Had a YouTube recommendation show up about how awful Avengers Endgame which brought back old memories. Yes, at first I was impressed by the shiny (except for Steve's ending...barf). I nodded along in agreement. Looking back, the only story line I halfway liked was Scott Lange's.
But even then, couldn't they have shelled out a little money and had Louis be the one messing around in the storage unit, thinking about Scott and randomly playing with the keypad and HIM being the one to bring Scott back instead of a random rat? We could have gotten one of his famous monologues about what happened, yes, with a little humor thrown in...but before he can tell him Cassidy is okay they arrive at the memorial and we still have THAT scene.
I also liked the idea that someone had about the Avengers being the ones snapped and the 'new' people being forced to work together to form a cohesive unit, with the Pyms being the brains behind it all....and NO time travel. Maybe they'll do a What If about that.
The idea (the theorist was smarter than me and went into detail about how it would work) was that they would find a way to recreate the stones,. They would have Captain Marvel, they would have Wanda who had knowledge of the mindstone, the could use Tony's Barf to go into the past and look for hidden clues that was missed the first time around....maybe finding Thanos before he reduced the stones to atoms and getting the gauntlet back again....the only thing I couldn't figure out was they needed the Guardians and I have no idea how they would fit in...anyway....there were so many different ways to tell that story and what we got was honestly...a mess. I never re-watch it. I watch Infinity War and then go binge on fix it fics.
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levelofyoureye · 8 months
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lmao so i was just going through my camera roll and clearing some photos out, when i stumbled across this screenshot i took in january of 2020 and…
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i’m in shock. i literally don’t know how i forgot this happened, like i was actually astounded when i found this. NEVER forget when steve rogers’ ending was so horrifically out-of character that SEBASTIAN STAN HIMSELF posted a screenshot to instagram of a tweet dogging on his ending. it’s been years and i still haven’t forgiven marvel. i don’t think i ever will.
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buckymilf · 9 months
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friendly reminder that steve rogers was a victim of bad writing and weird self insert coming from creepy writers, he would never chose to abandon bucky and his found family, he would never chose to live in the past for no woman.
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imposterogers · 6 months
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I say this as someone who has no love for mcu tony but endgame was so anti found family that they had tony talk to his emotionally distant absent sperm donor instead of the man (jarvis) that raised him, and who tony missed SO much when he died that he created an entire artificial intelligence based on him so that he could talk to him again
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six-demon-bag · 11 months
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🎶 hello darkness my old friend 🎶
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Fic writers, if you're worried that the way you're writing your characters is out of character, remember that the MCU did the ultimate OOC move when they had the guy who said this:
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and this:
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leave his BFF — who he'd lost for five years and only just got back, and who was that someone with the most shared life experience — and other friends and found family to go back to the past to live that white picket fence life.
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lucidasidera · 4 months
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You know, there is something deeply satisfying about your gay love story being so epic and romantic and obvious that the showrunners had to create a whole bunch of parallel universes to repurpose it beat for beat, over and over, in an attempt to sell their endgame hetero couple.
You can keep trying, MCU, but you know the shiny truth of it. Steve and Bucky were gloriously right together.
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lavenderpanic · 4 months
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It's so insane bc I watched Endgame in theaters right when it came out, I have had yearssss to get over Steve leaving Bucky. Getting into the fandom and getting more into sambucky has been like. A good way to find people who feel the same way about Endgame and also engage with happier stucky or sambucky narratives so I've kinda gotten past it but like. This bullshit "if stucky was het it would be canon" thing that Marvel is doing is soooo frustrating because it really has become so obvious in retrospect that the people who wrote and produced Endgame were so horrified, so petrified that people might think Steve could be queer that they needed to shoehorn in the most out of character ending for a beloved character and absolutely ruin the arc that was started in CATFA and continued in every one of his appearances since.
And ALSO like??? The message it sends about trauma survivors?? Genuinely, the message of Steve leaving Bucky for Peggy was "even if you think you can be loved and redeemed despite your trauma, the people who love you more than anything in the world might (will?) leave you for someone easier" like??? How devastating. It is so abundantly clear that Marvel doesn't know how to deal with characters like Natasha or Bucky who have done bad things in the past. Their answer for Natasha was "have her kill herself to make up for the shit she did in her past" and I'm 90% sure that's gonna be the MCU ending to Bucky's character arc as well.
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hainethehero · 1 month
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So I made the mistake of stumbling onto the NOT STEVE ROGERS FRIENDLY tag today and..
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You have to be a special type of delusional to be this obsessed with a character you don't like!??
Over 2k fics have the tag and are almost entirely Tony Stark-centered fics. I'm assuming these are the "fans" who totally buy into the MCU canon and don't know any other Captain America lore outside of what Feige and Whedon have done. Or, they're the "fans" who refuse to understand the politics behind Steve's character and how he was inherently undermined throughout the entire ten years of the MCU by the directors and writers for most of the films.
Because the arguments in most of these fics for being "not Steve rogers friendly" are really surface level shit like:
1) "Steve refused to sign the Accords and broke up the Avengers" (he was right & he didn't break them up, an overemotional Tony did when he refused to listen to Bucky's side of the story).
2) Steve fought Tony and almost killed him (yeah, like Tony didn't blast Bucky's arm off and shoot his repulsor rays directly at Steve).
3)Steve is homophobic (y'all are just making up reasons to hate this man atp)
4)Steve is racist (Steve hated racists & you'd know that if you read the comics, or you guys are just that deluded that you're making Steve racist & trying to project it as canon and therefore a "reasonable" explanation as to why you hate him)
5)Blaming Steve for Rhodey's accident (WHICH WAS TEAM TONY'S FAULT!)
6)YALL, THEY MADE STEVE THE BAD GUY IN A BROCK RUMLOW/BUCKY FIC! I stg I cannot make this shit up💀 Steve's bad for wanting Bucky to be Bucky again, but somehow Brock's the good guy for wanting Bucky to be the Soldier...
Steve left Bucky for Peggy (we'll get to this soon)
There's a hundred more irrational reasons for the Steve Rogers hate, but let me get to the WORST part.
THERE ARE BUCKY STANS WHO ARE ANTI-STEVE ROGERS.
And I'm sorry, no. I don't accept that you love Bucky Barnes but hate the one person he loves the most in the world.
They argued in a couple fics that "Bucky also went rogue after Siberia but he didn't want to associate with Steve, Nat & the rest of the team- WHO HELPED RESCUE BUCKY & EVENTUALLY EXONERATE HIM- but rather, he went off on his own & eventually Tony finds him, they hash it out and become friends to lovers."
Helppp???? Wdym Bucky isn't gonna stick with the one man he's been keeping diaries about to try and get back his memories? But he'll go to the one guy that re-traumatized him by blowing out his arm again?
Not only that, but Bucky absolutely hates Steve in some of these fics and the reason will be, "he left Bucky to go back to Peggy." Like, you cannot be a serious fan if you're still going with the Endgame canon. For a majority of us, we recognize Endgame as being nothing but terrible writing and mischaracterizations. Why are yall not analyzing and interpreting media critically? The MCU has never been on Steve's side and have always diminished his character in an attempt to make Tony the ultimate hero of the OG 6. Don't yall know the discourse? It's embarrassing atp.
And this is my stance on the entire thing: there's nothing wrong with writing fics about characters you don't necessarily like or aren't interested in. It's OKAY if you don't like Steve Rogers- but you've gotta be rational about him, instead of hateful. Most, if not all of these "anti-steve" fics are written in bad faith. Bad understanding of the character and pure, shameless mischaracterizations which just makes these types of fics fickle and weak- hilarious to read though cos that Brock one had me deadddd😭💀.
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bloodymarymorstan · 1 year
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I spend so much time pretending Endgame doesn’t exist that I forget the extent that Sebastian Stan put everything he had into that final “you’re taking all the stupid with you” like??? That is a man IN LOVE there is not a single heterosexual explanation for that look or that delivery, fuck the scene but Sebastian does continue to give us what we need and I thank him for his service
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fotibrit · 8 months
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god dammit Tony Stark sacrificed BEFORE he died. his death wasn’t “proof he wasn’t selfish” or any sort of gotcha for people who think tony stark would never sacrifice his comfort for the good of the team.
Tony Stark has been selfless and just as willing to sacrifice his comfort as any other avenger, BEFORE ENDGAME. He didn’t need to die to “prove” he cared for more than himself. His self-sacrifice wasn’t groundbreaking in his character development, it wasn’t even remarkable.
The only people suprised that tony was willing to die to save the world were people who closed their eyes every fucking time he was on screen up until that point. Yes, his death in endgame was selfless and a callback to Steve telling him he would never lay down on the wire.
But so was him flying into the wormhole. so was blowing up his suits for his girlfriends sake. so was him letting himself slowly die of blood poisoning rather than let his weapon fall in the wrong hands again. so was telling pepper to press the bottom that would kill both obie and tony in order to save everyone from obies suit.
Yeah, Tony sacrificing himself in the end was a good parallel. But it wasn’t some grand gesture of his willingness to sacrifice. he had already proved that time and time again. When I say that Tony’s ending wasn’t well done, it’s not because “he would never have sacrificed his new life”. Yes he fucking would. that’s my issue.
Tony’s ending wasn’t well done because he shouldn’t have had to. And it damn well should never have surprised the other characters that he was willing to.
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gay-jewish-bucky · 1 year
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they really made two guys and said these two have been inseparable since the school yard and they are just as inseparable on the battle field, they are soulmates, one was a very eligible bachelor who instead of settling down lived in a tiny tenement with his best friend, he was the only one who saw him and valued him as he was before the serum and didn't understand why all the girls didn't see the man he did, one became a hero by saving the other, the other who was drafted and tortured decided to stay and fight (then die) by his side, they have a bond transcending almost a century which is strong enough to break through decades of brainwashing, their story revolves around the lengths one will go to protect the one they love from everything damn the odds and damn the world, who has always said "you are worth it to me" a pair that would rather die than be parted, giving us one of the most powerful and profound love stories of the 21st century, the most organic queer couple across their cinematic universe
and expected us to be happy when they ripped them apart and told us none of that was the right kind of love story because they're both men
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gloriousburden · 2 months
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i think they should make a movie where the writers actually like thor and loki
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buckymilf · 6 months
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It's Oct 16 aka the day that natasha romanoff sacrifices her life to save the world, so her friends/family, could see their loved ones again, and what did steve rogers do after seeing bucky again? he leaves him, making nat's sacrifice insignificant for him.
friendly reminder that endgame ruined two amazing characters: natasha and steve
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charcubed · 10 months
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Disneyland's Rogers: The Musical, propaganda that turns Steve Rogers into more myth than man, and revisionist history (possibly) to a purpose
Any of my thoughts in this post could just be me reading too far into things. I'm very aware of that, and please know that this post exists just because this sort of thing is fun for me! This is a thought exercise where we propose "What if we live in a world where the MCU is actually doing a cool and interesting thing as a longcon?" If you have anger at Marvel, that's valid and relatable, but please don't get angry at me or imply I'm an MCU stan who doesn't think critically about the mouse. Thanks!
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Breaking news: I'm back on my bullshit!
A quick personal recap: I infamously hated Avengers: Endgame for a long list of reasons (and I even rewrote the movie). One of those reasons is that I've always taken issue with Steve's ending. But in the years since then, and as the MCU's phase 4 has evolved, my frustration at Steve's "ending" has turned into an ongoing and legitimate theory that the MCU could be slowly leading into a loosely adapted Secret Empire plot line. I know we've all been joking about Steve being trapped or about an imposter Steve since 2019, but uhhh, it's kind of not a joke to me anymore? It feels weirdly plausible at this point and so I enjoy discussing the potential.
You can find a full elaboration on that here, where I wrote out my "Steve was snatched by HYDRA" theory in 2021.
In that post, one of the things I mentioned at the time was Rogers: The Musical being in the Hawkeye trailer.
[The musical's] very existence is an example of how in-universe the stories of the lives of the heroes are being commodified, especially (in terms of how they’re framing it) for Steve’s. The heroes are no longer seen as people, if they ever were. They are, as Kate Bishop says to Clint in a recently released clip, more about “branding.” Sam Wilson will be redefining the shield moving forward in a Cap context, but simultaneously, the world is still enamored by Steve Rogers as a symbol in his own right. And that is ripe for manipulation as a Trojan horse to control public opinion… whether in the context of things like this by themselves (is the musical portraying Steve accurately, or is it painting an inaccurate picture of him the world accepts as fact?) or in future (is this propaganda that makes the public see Steve a certain way and continue to love him, to set up a fake or brainwashed Steve coming on the scene later?).
Now a form of the musical exists in full, at Disneyland and all over Youtube. Considering some of its baffling content – which I will break down below – this perspective seems even more strongly worth considering.
I have two main reasons for why I'm defending examining this musical so closely:
1. It is (arguably) an in-universe piece of media that has bearing on the MCU canon. It isn't like any other typical Disneyland attraction; its very existence is meta and it was in canon first. Obviously it's seen in Hawkeye, but there are also posters for it in several different phase 4 properties. It's lurking in the background indefinitely. So what can this musical tell us about what the wider public within the MCU is being told about the life story of Steve Rogers?
2. This Secret Empire graphic – which is animated in the center of the stage of a prolonged period of time – feels like a literal sign to pay attention.
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Granted, this is obviously still ancillary material. 99% of the MCU audience will never see this musical, whether in person or on YouTube. But just because it isn't a vital piece doesn't mean it's automatically an entirely irrelevant piece.
They've given me an inch with that sign and I'm taking a mile.
So if you're interested, please join me on this journey :)
For the record, let me just say that I salute the creative team behind this show. It's pretty fun and the songs are catchy, the sets and costuming are cool, and the cast is overall very talented.
It's also fucking maddening. LMAO.
Why? Firstly, because of the seemingly deliberate ahistorical inaccuracies. We all know Ant-Man is wrongly shown in the Battle of New York, which originally "came from [the Hawkeye showrunner] and Marvel, as something to further aggravate Hawkeye as he watched the show, and also as a comment on how movies and articles and people always get something wrong." It seems like they expanded those meta nods, but most inaccuracies are now in service of glorifying Steve and Peggy's "love story." Yes, romance objectively makes for good theater; but again, I feel that this is worth examining considering the full context.
And secondly, Steve's ending is framed as an offer presented to him, convincing him it's the happy ending he deserves because he's tired. In my mind, these two big elements go together, and I'll walk you through the details of what happens in the musical before I tie the thought threads back around into some theorizing.
For your reference, here's a list of the main songs and story beats:
• "U-S-Opening Night" - the Starkettes (who are basically a Greek chorus) frame the show's story, and then it turns into an ensemble that loosely takes place at the Stark Expo. • "I Want You" – Steve's "I want" song about trying to enlist in the army. • "Star-Spangled Man With A Plan" – Steve performing on the USO tour obviously, and then there's a reprise with an added voiceover that (very briefly) covers the Howling Commandos' rescue + the war via comic book imagery. • "What You Missed" – Fury and the Starkettes tell Steve some pop culture things he missed while he was frozen, + they tell him about the Avengers. Then Fury goes down a list of other hero characters, including the Guardians? Doctor Strange? Wanda?? It plays loose and fast with time, because many non-2012 characters are bafflingly mentioned in this nonlinear Avengers list – including the Winter Soldier (???). • "Save the City" – this is the song seen in Hawkeye, with the civilians + the Avengers all involved, but it's slightly different here and expanded to also reference other battles. • "End of the Line" – Old Steve presents main Steve with the time stone as an opportunity for his happy ending, and they reflect on things together. (Yes, this is insane.) • "Just One Dance" – Steve and Peggy reunite and sing about their love. • And then there's basically a reprise of "Save the City," with the Starkettes and the whole cast closing the finale out.
Right out of the gate, let's address this: the main reason you're going to see some fans pissed about this musical is not only that Steve and Peggy's ~epic romance~ is made a pillar of the story... but also that Bucky's importance/involvement in Steve's life is minimized as much as possible.
And they took Bucky-related elements from canon and made them center more around Peggy instead.
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• For some weird reason, Peggy is in the Stark Expo scene. When a soldier is hitting on the Starkettes ("hey sweetheart, I wanna dance!"), Steve tells the soldier to show the ladies some respect. The soldier grabs Steve and throws him down, and then Peggy swoops in to yell "Pick on someone your own size!" and punches the guy before walking away. So she's given Bucky's TFA line verbatim, and she is given the role he had of saving Steve from bullies. There is blatantly no reason they couldn't have had Bucky still serve that function and be truer to "history," because he briefly enters this scene in uniform less than a minute later to announce he's shipping out to the 107th – and then he spins off with a date on his arm. (We don't see Bucky on stage again until the full cast comes out for the finale!)
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• After the Star-Spangled Man show, Peggy rushes in to talk to Steve. Steve is excited about his USO performance (???) but she urgently tells him to listen as she says that the 107th has been captured. Peggy apparently knows it's Bucky's division, and she knows Steve is going to go, so she tells him that she's already arranged transport for him. This is a subtle twist from the truth of how it went down in TFA, in which Steve recognized 107 as the number of Bucky's division, and his dogged determination inspired Peggy to relent and help his rescue mission. Here, Peggy is given a stronger role in the Cap origin story. And before Steve rushes off, Peggy sings a short untitled ballad hoping for their dance, so Steve pauses before he leaves to ask her to go on a date with her when he returns. • The most egregious Bucky-to-Peggy change of all is the song "End of the Line," in which the infamous Steve and Bucky line/promise (that broke Bucky's brainwashing...) is re-contextualized to be about ???? Peggy waiting for Steve in the past??? Old Man Steve and regular Steve sing it together. But we'll go back to that in a minute.
Again, I get it, yeah? It's for theater. Whatever. But in reality, the obvious logical truth is that Peggy is centered (to the point of taking elements from Bucky's story, and in turn Bucky is downplayed) because they needed to convince the audience that Steve going back in time to be with her makes sense. Steve's time travel ending had to be justified, so the Peggy and Steve "love story" had to be a pillar in this with everything else being given lesser weight.
And the inherent selfishness of him doing something as big as going back in time also had to be justified... which is why they do their best to convince you Steve fought so much he deserved it.
Let me elaborate on that by describing the lead-up to the "End of the Line" song.
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So, right before "End of the Line" is "Save the City" – which includes Steve belting "I can do this all day!" repeatedly, of course. It's the 2012 Battle of New York as the Avengers come together to win.
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As they begin to disperse, the song then transitions to a voiceover alert mentioning Sokovia being under attack by artificial intelligence (a.k.a. Age of Ultron). The Avengers group rushes back to center stage to say "Save the city! Help us win!" together for battle again.
And then things get fucking weird.
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Because the next voiceover threat is "Washington DC. Attack: the Winter Soldier." This is not accurate to the order of events! The Winter Soldier events were before Age of Ultron; the public of the MCU would also know this.
And suddenly on stage Steve is now in the center while everyone else gestures to him. Instead of singing with him, they're telling him "Save the city! Help us win!"
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Then, another voiceover: "Wakanda, under attack" (Infinity War) and again, Steve is centered while everyone else points to him. The ensemble says, "Save the city, help us win! Save us all from the state we're in! Got to hear you, got to hear you, got to hear you say..." as Steve is buckling to his knees under their pointing. And as the lights go down to one spotlight on him and everyone else leaves, he says "I can do this all day" one last time, but now it's subdued.
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The implication is that Steve has been fighting and fighting, people leave him or he loses them, and he's tired.
And then fucking Old Man Steve arrives.
He says "On your left," because yes, they gave him Sam Wilson's line. BATSHIT.
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So now there's two Steves on stage! There has been no mention of Thanos or infinity stones or anything up to this point! (I can only assume that's because in the MCU universe no one would want to be reminded of the trauma of "the Blip" – though it's pretty wild that they're allowed to know about magical time travel?)
Steve is baffled by Old Man Steve's arrival. I, too, was baffled by Old Man Steve's arrival.
As Steve questions how this is possible, Old Man Steve shows him the time stone from his pocket – and only the time stone – which Steve recognizes.
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OLD MAN: "You've got to remember where you've been to know where you're going." STEVE: "Where am I going?" OLD MAN: "A date with destiny." STEVE: “Destiny. So we’re the hero till the end?” OLD MAN: “That’s the thing about endings, Steven. They can be rewritten.”
Lmao???????
Steve starts singing about how he hopes this means they "win" and calls himself a "tired hero."
STEVE: "But sometimes I wonder, who will save the savior? Can we really do this all day? So here I am, now and also then. Just a man, looking back at where he's been." OLD MAN: "The road is rough but wounds are healed by a thing called time. You can't forget what's waiting at the end of the line."
Me, watching this: the fact that he says this out of the blue makes absolutely no sense.
There's a bit more singing, including "end of the line" repetition, and then Old Man Steve pulls out the time stone to essentially show visions of... I don't fucking know. Past, present, and future?
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That's pre-serum Steve, Steve with Mjolnir, and Sam Wilson as the new Cap. This is the only reference to Sam in the whole thing.
More singing, and then: Peggy's silhouette.
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OLD MAN: "Can't forget who's waiting..." STEVE: "I can't forget who's waiting..." BOTH: "Don't forget who's waiting..." STEVE: "At the end of the line."
At this point I'm like, what in the hell?
Did Old Man Steve just brainwash normal Steve into thinking "end of the line" is now about Peggy? Because uhhhh, sorry, that's what it feels like!
Then Steve uses the stone to go back in time, reunites with Peggy, etc. etc. finale.
It's truly some crazy shit.
[drags hands down face]
Look... there's a lot to unpack here, and there's a lot that gets me about it. I know this is dramatized for the stage! I KNOW! But the fact that Old Man Steve shows up to convince Steve he should go back in time makes me want to gnaw on furniture.
Another person essentially uses the lure of a life with Peggy to tempt Steve into doing this, dramatized or not. That is how it's framed.
It's a hell of a way to frame it, and it makes Steve's ending stand in even starker contrast to so many other things in phase 4. Desperately trying to go backwards when you shouldn't or to bring back a lost lover is an evil temptation, and it results in a trap or negative cosmic consequences for basically all of the other characters in the MCU.
• In Shang-Chi, Wenwu is tempted by the Soul Eaters beyond the Dark Gate. They use the voice of his deceased wife to convince him to set them free. • In "What If" episode 4, Doctor Strange becomes evil in a desperate bid to save Christine and he destroys his universe. Along the way, he tries to tempt/trap the good Strange who's fighting him by using visions of Christine, but good Strange knows she isn't real. • Wanda's grief and desire to bring back Vision leads to – well, you know. • In No Way Home, Peter trying to undo things is what causes the multiverse problems.
And the fact that they frame it as Steve being tired, so basically the argument is he deserves that time travel ending (just like MCU fans who defend Endgame say in real life)... Well.
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There's no way to make it hold up, especially because in "What If" they explicitly subverted that and had Captain Carter not go back in time despite how she felt she'd "earned" it.
Lastly, in this musical as Steve decides to pursue time travel as his course of action, he basically has the meaning or memory of "end of the line" rewritten for him. I refuse to not think that is some nefarious shit. Yes, it's not out of the realm of possibility that it's just some general Disney erasing Steve and Bucky nonsense.
But... this is on another level to me. I do think that it's a blatant choice that they had to be aware even general MCU fans would call bullshit on. Everyone knows it's inaccurate. "End of the line" is embedded in pop culture consciousness as being connected to Bucky. It just is! Surely that means it's not a stretch to theorize it could be deliberate meta commentary.
How, in the MCU world, would the in-universe playwrights even know the phrase "end of the line"? How the fuck would it be accidentally applied to Steve and Peggy? Not to sound like a crazy person, but who the fuck was rooting around in Steve and/or Bucky's personal business or their brains in order to obtain that knowledge and then remix it, and why? Neither of them would flippantly mention it in the public eye or interviews ever. So where did its inclusion come from?
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And in the finale ensemble, this is Bucky's line when he comes out on stage and salutes + points to Steve: "Don't forget who's waiting..." And Old Man Steve completes it with "...at the end of the line."
What on God's green earth am I meant to do with THAT?
Smh.
The vibes are fucked, folks.
The MCU public wouldn't know enough to say the vibes are fucked. The MCU public wouldn't know the origin of "end of the line" as a phrase. But us? The ones who know the "true story" via the movies? We can call bullshit.
Whether the creative team behind this musical did every aspect of this consciously or not, in my opinion the fact that they had to tweak canon "history" to A) make Peggy's involvement in Steve's life more central and B) emphasize Steve as a tired hero all works as commentary on and almost a condemnation of Endgame's frustrating ending. In a way, it's also what Endgame did with the compass and 1973 moment with Peggy as well.
Steve's ending had to be convincing.
It's theater.
And so, maybe the same is true for the in-narrative perspective of this musical in the context of the MCU world. What purpose would it serve to tell the MCU public a feel-good narrative about how all Steve Rogers wanted was to no longer be a tragic man out of time and get to make a life with his best girl? To frame it as being about how he fought so hard for years and so he earned a happy ending? To minimize and nearly erase Bucky's importance in his life?
Who would want to do that sort of propaganda, and why?
The MCU civilians are given this happy explanation and maybe don't widely question it. Who cares about the details or logistics if it makes a good story, I guess. It's a stretch, but maybe they mostly applaud it. Maybe they're happy for "America's favorite son" (not unlike people who uncritically liked Endgame). In a way, it's even a rehabilitation of his image (after the Accords) like putting the shield on the Statue of Liberty. And maybe they'd even be ready and waiting to applaud if Steve ever made a dramatically selfless and de-aged return to the spotlight or a position of authority.
But mostly, the public is being conditioned to not know or to forget that anyone else like Bucky Barnes or Sam Wilson would possibly know Steve Rogers the person well enough in the modern day to call bullshit on any of this – or on his hypothetical miraculous future return.
So. Sure, it's probably nothing.
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But what if it's not?
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UPDATE: @faeriecap added to this post with some incredible information and further behind-the-scenes context about the MCU/Marvel stuff at Disney parks! Check it out here :)
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faeriecap · 10 months
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yeah tbh i cannot not see rebecca not ripping out his throat if she found out about this… marvel how the hell do you fuck up SO BAD like even IF that steve rescued that bucky it stands to reason it’s not “his” bucky at all and like.... why would he choose to help some random alternate bucky to staying behind and helping his ACTUAL best friend whom he RISKED DEATH AND STARTING A WAR FOR gOD i am so mad
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