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charcubed · 10 hours
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I saw Challengers earlier today and I decided to start a running doc of some of my feral thoughts in an effort to not forget what's currently marinating in my brain after my first watch
I want this movie to get a long theatrical release/run because it deserves it, but that's unfortunate because I also NEED to have it accessible to me in my home ASAP so I can pull on all its threads and take screencaps. Alas.
EXTENSIVE SPOILERS BELOW
might add to this later as I remember things, idk
-The parallel of Art spitting his gum in Tashi’s hand and in Patrick’s hand… My jaw dropped soooo early on. Anyway they obviously both act as Art’s “coach” at different times in his life in different ways. (The jerking off teaching?? Scream???) Art craves their guidance and approval as a form of love (which is also directly responsible for his confidence issues) and initially likes to follow their leads in every situation
-The parallel of Tashi making out with both Art and Patrick up against cars… delicious
-Patrick’s car is his “bed” and it’s where he and Tashi fuck. Nice
-Wait now I’m sad because… lowkey Patrick is homeless because Art and Tashi are his home…………….
-The storm = Patrick and Tashi having sex = the reason why Art’s half of the giant poster/ad on the side of the building falls down so only Tashi’s side is left up. Iconic, loooove a good visual metaphor, especially shown nonlinearly
-The parallel of the forehead kisses??? Art and Patrick on the court at the start when they won the doubles, and Art and Tashi in the sad almost-sex scene towards the end??? I will throw up
-Disclaimer and reminder I’ve only seen this movie once and might reform any of these thoughts later BUT…
One of Art’s main things is, as he tells Patrick towards the start, not wanting to be “left out.” He loves and he wants both Patrick and Tashi (but he doesn’t fully want to acknowledge the extent of his want for Patrick for years, and that repression is part of his problems…). He gets “lit up” about the thought of them together not because he’s jealous of one of them but because he’s jealous of BOTH of them; he wants to know it all, he wants to be in the room, he wants to be with them both, he despairs at the thought of losing either of them (but, at the start, especially at the thought of losing or being of lesser importance to Patrick. Obviously he’s a fucking idiot as evidenced by how Patrick goes to see him FIRST at Stanford. Ugh). We see all of this at the start when Art wants to know if Tashi and Patrick fucked. We see this in Atlanta when he witnesses Tashi cheating on him with Patrick but doesn’t directly confront either of them about it; he only skates the edge of confronting it with Patrick in the sauna while also lashing out at him. Patrick tells Art at Stanford “it’s nice to see you so lit up about something, even if it’s my girlfriend” during the homoerotic churros scene because Patrick’s clocked all of this about Art, too. He clocks it further in Atlanta when he shows up to Art’s practice with Tashi and his mere presence makes Art hit the ball harder. It obviously all comes full circle; the cocktail of emotions that Patrick and Tashi being together gives Art coalesces again for him on the court in the Challengers match: Tashi’s threatened to leave him if he loses… and she’s maybe got one foot out the door with Patrick of all people, who Art already “lost” in the past as the love he’s been mourning for 13 years. But what’s important is that THIS time, unlike Atlanta, Art learns about Tashi cheating on him with Patrick not by accident but rather because Patrick actually tells him. Patrick understands the significance of how this will get Art lit up again and make him play the way he needs to for all of their sakes, and it’s fucked up, but… what this means is Patrick doesn’t leave Art out. He TELLS Art – and he tells him in a way only they understand while they’re on the court together again. Of course Art goes through several stages of emotions in response to that fucked up information… but ultimately that moment of honesty and realization between the boys is what Art needed and puts where all 3 of them stand into sharp relief, shedding a light on who they’ve all always been and what their individual needs are.
Art’s always wanted to play tennis, but that desire is framed around his relationships. Tennis is only something he truly enjoys or that fully makes him happy when he’s experiencing it through his connections to other people: he wants to impress, earn the approval of, or celebrate with those he loves who are watching (like his grandmother or Tashi) – which is partially why he wants Tashi to be his coach in the first place. And of course, tennis all began as something Art found joy in because he was always doing it with Patrick. It’s clear Patrick feels the same. At the start, neither of them cared much about winning for the sake of winning unless it was doubles because they competed as a team and that was “really fun” for them. With the singles competition, they kind of cared less about the wins at the start; Art assumed Patrick would win and didn’t care back then, and then Patrick was willing to let Art win so he could impress his family, and they were both fine with all of those sentiments. Tennis was first and foremost something they did with and for each other. As Patrick later tells Art in the sauna, “I miss playing with you” – and, of course, at that point he’s definitely not only talking about tennis. But in that final match, after so many years, Patrick and Art finally understand each other completely again. It’s like they’re in love (because they are and always have been), they go somewhere really beautiful together… etc. They finally reconnect on the court and feel that thrill as they become synchronized again, which is what tennis was always about for them.
And Tashi, who’s irrevocably connected to them both and whose primary love is and always has been the sport itself, gets what SHE’S always wanted: to “watch some good fucking tennis.” It’s why she pitted the boys against each other vying for her number at the start. Though she needs/wants both boys in different ways on an individual level, she doesn’t particularly need or want anyone to ~be in love with her~; she wants the men who are in love with her to entertain her and challenge her and give her a show. So that’s what she tries to accomplish again in the end by telling Art she’d leave him if he lost the Challengers match… but the missing piece in her making that threat – the element that would get Art truly fired up – was that she’d potentially leave Art for Patrick. That final piece of info, when Art finds out about the cheating, is what reconnects them in all of the above ways. Because it’s about all 3 of them and their triangular codependency. They’ve all been broken for 13 years because they all need each other and tennis to be fully functional. Split any of it apart and they just don’t work.
-Literally this is a film where from the moment of the injury they’re all constantly mourning. They all lose their greatest loves that day… Tashi essentially loses tennis, Art loses Patrick, and Patrick loses the two of them. Everything after that is just them being affected by how they’re all mired in various grief and feeling incomplete… until that synchronization at the match when they finally become whole again. Going from that bed scene that was breaking my heart to the final match was HEALING. Things are still fucked up and in progress, but they’re fucked up in a way they all understand, which gives them a path forward. This movie has a fiercely happy ending in that regard… and what I’m saying is that… after the match, once they communicate further, Art and Patrick should go back to playing doubles and Tashi should coach them as as doubles team. God they’d eventually all be so happy I wanna CRY just thinking about them doing that
-I gotta say, I can't imagine Tashi pregnant. Wild to me. Sorry to their daughter. Oooo also... I think Patrick would be great with kids... when he gets to meet Lily and become "Uncle Patrick" they're gonna hit it off so fast. Help me
-*holds up Tashi watching them kiss after she orchestrated it* *holds up the Challengers match* It’s the same picture. Except the kisses were kisses whereas the match was actual sex. The moaning and grunting… I’m insane. Also Tashi’s “COME ON!!!!” is arguably the sole orgasm/climax we witness in the whole movie perhaps? Though you could argue the hug is too. In this essay I will, etc.
-Art begging for Tashi’s love/validation saying “Tell me it doesn’t matter if I win tomorrow” vs Art telling Patrick in the sauna “this is a game about winning the points that matter” / Patrick saying “I don’t matter?” AAAA oh my fucking Goddddddd I’m gonna die
-Thank you Luca Guadignino for your dedication to having Art and Patrick hold phallic drinks and food in each others’ presence. Specific shout out to Patrick at the beach party holding the beer bottle on his crotch
-Patrick = comfortable with who he is and secure in his bisexuality; honest and open Art = repressing his queerness and his overall desires Tashi = hiding who she is aka her dissatisfactions with life and the lengths she’ll go to because tennis is her true greatest love and always has been
COMPRESS, REPRESS... REPRESS, COMPRESS... AND THEN JUST SURRENDER, ONE TWO THREEEEE
-I need to rewatch to catch the dialogue because it was difficult for me to hear it over the music, but I think in the 3am Atlanta scene Tashi tells Patrick that Art’s grandmother had a stroke. IF that’s what she said (and if there’s no reason to believe it’s a lie Art told; like I said, I need to rewatch)… my immediate impression was that it’s a nod to Patrick being the voice of accuracy and prediction in this movie. Towards the beginning he tells Art (jokingly) that he hopes Art’s grandmother dies of a stroke, and that’s seemingly what literally comes to pass. He repeatedly clocks both Tashi and Art’s behaviors, describing them brashly to their faces (and to us as the audience), and he was right about his predictions. He’s the one who’s not repressed or unaware of who he is out of the 3 of them: when Tashi first asks if there’s something between him and Art, he looks away because he knows the answer is yes; he’s openly bi on dating apps; he tells Tashi he won’t be her lapdog unlike Art which we see later ends up becoming literal; he clocks how Tashi is hiding some of her true motivations when she seeks him out in the storm; and even from afar he predicts Art’s mindset about wanting to retire. For the most part, what Patrick does / says either seems to be or becomes truth. Hmmm, wait, as I’m typing this… something to look out for: the “I TOLD YA” shirt. Working theory: Tashi briefly wears it, she’s the voice of accuracy; then it blatantly switches over to Patrick and he wears it throughout the film and [waves to all of the above]
-Head in my hands thinking of how the word “love” is used in these tennis matches. Also something I need to make detailed note of when I rewatch
-Patrick grabbing Art’s thigh when they first watched Tashi play… oh my GOD
-Patrick pulling Art’s stool close and Art just smoothly sitting on it with no reaction… the way they kept looking at each others' lips... oh my G O D
-I just remembered Tashi referred to the boys being known as as “fire and ice.” What the fuck even.
-Tashi going to Patrick asking him to lose the match for Art… she’s literally like, "do this because I love tennis and if I lose Art then I lose the way I live tennis through him. Do this because if he loses this match he'll lose himself." And she's really like, "Do this because I know you’re in love with both of us." And Patrick is like, "A) fuck you because you know I’ll say yes precisely because I'm in love with both of you so how dare you ask this of me, and B) you’re kidding yourself if you think you don’t miss the challenge I give YOU simply by being myself because I don’t take your shit." Something something they're peers, you know
-Tbh for 13 years when Patrick gets his rare opportunities he’s @ both Art and Tashi like “you want to fuck me so bad it makes you look stupid.” And the thing is that he’s RIGHT. He’s right! Art in particular doesn't want to admit it because he's trying to convince himself he outgrew being bisexual / outgrew Patrick but it's obviously bullshit
-Realizing some of the sounds in the soundtrack intentionally emulate the sounds of tennis balls and rackets???? MADNESS
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aroaceleovaldez · 4 months
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they girlbossed Sally Jackson
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moonys-chaos · 20 days
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Normalize not seeing the chars you're writing as romantic (nor queerplatonic) but still writing in romantic aspects because your brain functions like that
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puppyeared · 5 months
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Jitterbug
#whenever my meds kick in it feels like im gonna piss myself. not literally but its really really feels like it#and now whenever that happens my mind goes back to pancho (grandmas dog) at a xmas party years ago#bc he peed when we arrived bc he was so excited to see ppl and my cousin had to clean it up :o)#well for better or for worse i know that feeling now when im pumped on 20mg of adderall#im still getting used to this whole diagnosis thing cause ive gone untreated and undiagnosed for the longest time. so theres probably a lot#i still dont know and have to learn to get myself to be.. functional on my own? self managing????#i even set up reminders on my phone for work periods meals and stuff. but the problem is actually getting myself to stick to that to a T#because the minute i slack off or something gets in the way it throws it all off until i can be bothered to get back on track. it sucks#at least ive built up other habits like writing notes and setting alarms ahead of time.. but i feel like i could do better#its always hard to change something if youve been doing it wrong for the longest time. especially behaviour and thinking patterns. sigh#in other news my glasses bailed on me so i have to get a new pair sometime. i just realized i never draw my sona with glasses but thats#mostly bc i forget. id love to get some browline glasses like my old pair but im picky and its hard to find one id like for the next 5 year#i also finally managed to collect all the fish in my animal crossing file!!! pulled out a char last week and boom now i have a poster :o)#THAT was a moment where i almost peed myself for real. id love to get all the bugs but i cant stay up late on the switch :o(#yapping#my art#myart#doodles#personal#diary
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aroaessidhe · 2 months
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2024 reads / storygraph
Fallen Thorns
dark urban fantasy coming-of-age
follows a boy settling into university, when after a date (that he didn’t even want to go on) turns bad he’s made into a vampire
as he settles into his new existence and the local vampire community - while they try to find who’s been leaving bodies across the city - he discovers that there’s something different and darker within him
aroace neurodivergent MC
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hella1975 · 7 months
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complicated relationship with taob be damned i have never peaked higher than i did when i was studying tragedies for my english class and wrote the fever dream chapter
#I WAS WRITING AT LEVELS NEVER BEFORE SEEN. OFF THE CHARTS CUNTISM. TRAGIC LEXICON LEFT RIGHT AND CENTRE#'you scream with your lungs and you pray with your knees. but begging?#begging was in the hands. zuko's were empty. stained sunset red. /look. look at what you did/.'#'white bones charring until zuko remembered hearing of fortune-tellers - how they read the heat-cracks#of oracle bones. zuko wondered what the breaks in his skeleton lamented of. if he could read these scars#would they weep? /look. look at all that red/.'#'/look. cut-neck and red-stained. you wanted this/. the auditorium watched enraptured#whispering into ears. /this is the best part. the anagnorisis/.'#'this was a tale of honour and redemption. the playwright had woven zuko’s hamartia into his every action#doomed from the beginning. /you always thought it was anger that would damn you#that patronymic fury that snarls in your chest/. the director was grinning. /it is not. your fatal flaw has always been shame/.'#'redemption comes with the price of regret but you don't regret. you don't regret any of it'#'A GOOD TRAGEDY NEEDS A SCAPEGOAT; A TRAGIC HERO. ZUKO WOULD BE THEIRS. A MASK. A BOW. APPLAUSE. FURY. SHAME.#/LOOK/. THE THING WITH THEATRE IS THAT YOU PLACE A CHARACTER ONTO A STAGE WHERE EVERYONE CAN SEE HIM#AND YOU SHINE LIGHTS ON HIM TO ILLUMINATE EVERY ANGLE AND YOU MAKE HIM SAY THINGS THAT RESONATE. A TRAGEDY IS JUST A DECLARATION#/LOOK. LOOK AT ALL IVE DONE AND GIVE ME REDEMPTION REGARDLESS. LOOK AT EVERY FLAW. TAKE ME AS YOUR ANTI-HERO. FORGIVE ME ANYWAY/#IT WAS ABOUT BEING SEEN. IT WAS A CRY FOR HELP'#like???? GIRL OKAYYYYYY <33333 truly give me a theme i like and i will run fucking RINGS#taob
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snowangeldotmp3 · 2 years
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how has karen wheeler NOT figured out what’s going on in hawkins like???
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chiropteracupola · 8 months
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steadfast sailor, paper captain...
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charcubed · 7 months
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When Loki tortured Brad at Mobius' request (❗️), the method deliberately echoed their first conversation.
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"Do you enjoy hurting people? Making them feel small?"
It's about Loki and Mobius having perspective on who Loki is, and both of them being able to trust that.
Mobius understands Loki. He knows that he DOESN'T enjoy hurting others, so Mobius knows he can pretend at being a villain without crossing a line.
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They even joke about it a little – this performance of a "desperate" display, inspired by Loki's past.
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Those "terrible, awful things" Loki did back then... they weren't really MISCHIEF.
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But as I've said before, Loki and Mobius are redefining what "God of Mischief" can be together. It only works because that redefinition is not "just stop being who you are"…
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...but rather, it's "be yourself, in full, without apology."
Lean into the persona and others' assumptions, within reason, as a means to an end. Use it as a strength. Why not? Loki knows who he is. Mobius knows the real him too. That's what matters.
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Mobius has never wanted Loki to be anyone or anything other than exactly who and what he is.
He is the only one who has never seen Loki as a villain. He dared to hold up all of Loki's "terrible, awful things" and said those things didn't define him, and Loki took it to heart.
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It's part of why Loki respected him from day one and loves him now.
Mobius never needed to "control" Loki. He knows him, trusts him, and encourages him to meet his full potential.
They're equals and similar enough that it all works. And Loki thrives because of it.
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My Loki metas on Tumblr are under the tag "chars loki posts."
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This thread is also on Twitter here. • Here is a collection of my season 2 material on Twitter that I keep updated.
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kentopedia · 4 months
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to my mutuals who also only write for 1-2 characters i love u so much
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aroaceleovaldez · 1 year
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I think one of the problems with the HoO characterizations is Rick kind of forgot to give half the cast hobbies and general interests, and maybe like people they know outside of their families and outside of camp, or if he did remember to it rarely gets brought up for most of them, or in the special case of Annabeth - she randomly develops a hobby in weaving for exactly one scene and then never again. Apparently she just knew how to do that, even though it is a skill she has literally never used before nor uses again.
The best examples I can give of this are comparing/contrasting the examples of when we do actually get this with the lack-thereof: Hazel and Frank are good examples. Hazel has hobbies and interests generally unrelated to all her demigod stuff (horses and art) and we see this repeatedly discussed and brought up. She also knows and interacts with people outside of the necessities of her quest/Camp Jupiter or her family - Sammy was her best friend at school and they hung out and stuff! Meanwhile, Frank, as far as we know, doesn’t know anybody outside of his family even though he presumably went to school before Camp Jupiter? His hobby is... archery? That’s the only thing he ever really shows interest in but at the same time it only rarely gets brought up except for him using a bow as his main weapon and the like two instances of noting that Frank had hoped he was an Apollo kid for a little bit. The closest other detail we get to Frank having any other kind of hobby/interest is him mentioning off-hand that he used to play Mythomagic.
Piper and Leo - We can presume that Piper knew Shel before moving to Oklahoma, because Piper used to visit her grandpa often and as far as we know that’s also where Shel lives. But we never see Piper ever mention knowing anyone else in her grandfather’s community. Heck, when she’s introduced we’re basically outright told that she doesn’t interact much at all with any of her classmates outside of necessity, and we don’t even have any confirmation that before Hera’s mind-meddling that she even acknowledged Leo’s existence. Also, Piper has like, exactly zero hobbies. We do not know what Piper does in her free time or what she likes (except vaguely that she has surfed before), only really what she dislikes. Leo at least does have some kind of excuse for not really knowing anybody, and an explicit explanation about why that is the case and how he feels about it. Leo also has a repeatedly referenced interest/hobby in mechanics that’s very core to his character.
Percy and Annabeth? Pre-HoO, they both have plenty of interests and know people outside their general circles! Percy knows kids at school. Annabeth’s general outer social circle is Camp Half-Blood, because she grew up there, but she clearly knows people at camp. She’s also super into architecture! And Percy does a ton of stuff in his free time - he skateboards! He plays basketball! He has two pets he takes care of (Blackjack and Mrs. O’Leary)! Post-HoO he’s on a swim team! But during HoO? Percy’s hobbies just kind of disappear, besides “oh yeah he uh. Does water stuff.” There’s no acknowledgement of like, “Yeah Percy sets up a little basketball hoop on the back of his door on the Argo 2 and shoots trash at it.” Literally anything! And yeah, Annabeth’s architecture interest is somewhat acknowledged, but also like, not really? We at least get some kind of “Yeah, in her spare time she’s usually on her laptop working on stuff” but we also barely get any instances of Annabeth thinking about her friends at camp except for like, Tartarus.
For Jason it at least kind of works because a.) he has amnesia and it’s implied he doesn’t really have close friends at Camp Jupiter besides Reyna, so it figures he only ever really references random other legionaries like, twice. and b.) there is also the heavily implication that Jason doesn’t have hobbies, because his entire life was so focused around his training at Camp Jupiter. This works less with Reyna, but she also kind of has an excuse for not knowing people besides like, her sister and Jason, given she ran away when she was young, Circe’s island was destroyed, and she could have only been at Camp Jupiter for like 3 years maximum at that point. And she’s not exactly the most social character. We also don’t get much indication of her hobbies, besides she also likes horses and it’s heavily implied she likes nature/gardens? Presumably, given we get like, one note of that in HoO, maybe two if you count her living on Circe’s island, and then like one more nod to that in TOA. And we only get her POV chapters in BoO anyways so again, she has some excuses. Coach Hedge also is incredibly bland besides maybe him having a hobby in sports, and... violence? Which definitely does not count. And him lacking any POV chapters doesn’t really help.
I think this is why Nico continually feels like such a strong character, simply because we know what he does in his spare time. We know he knows people outside of the camps (most of those people are gods or ghosts, but he at least knows people) and technically you could argue him knowing about Camp Jupiter between BoTL and TLO counts too. He even references his old neighbor at one point. Obviously, he’s very into Mythomagic, and that comes up a lot because it’s his special interest and is usually also relevant to their quests. He travels a lot, and apparently used to when he was younger as well. We also learn he used to have a special interest about pirates and that apparently may have played into his crush on Percy. Like, all that is so simple and minor but it makes such a difference for how Nico feels as a character. Most of Nico’s stuff though is established in the first series, which definitely helps because the first series was pretty good about giving characters hobbies and maybe some people they know - Annabeth, Percy, and Nico we’ve already covered, but also like, Grover knows other satyrs and is usually practicing music and also we know what foods he likes. Thalia is very into punk culture and music. We know she particularly likes Green Day. We know she knew the Hunters of Artemis before the events of TTC. Rachel's whole thing is that she’s super into art and she has a bunch of connections through her rich family, and she’s basically Percy’s only mortal friend. They have lives!
If you put a protagonist in a room and told them to occupy themselves, you should have an answer for what they do. They should be able to name one person outside their immediate social circle who they are generally friendly with or vaguely know, unless they have a specific reason for that to not be the case. HoO crew needs to occupy their time by themselves, no weaponry, for twenty minutes? Hazel could be drawing, Nico could be organizing his cards, Leo could be tinkering, Annabeth could be working on her laptop, Percy could be trying out little skateboard tricks. Jason, Piper, Frank, and Reyna? What would they be doing?
TOA does actually answer that question for Jason, at least, because we learn that Jason makes tiny dioramas! That’s adorable! Why doesn’t he do that in HoO?! TOA also gives us more depth to Will Solace besides “He’s a medic and does medic things” with telling us that he’s into Star Wars. Like, that’s actually so much information to work with! Thank you! And then we also find out in TOA that Nico’s also kinda into art! We still don’t get anything new for Piper, Frank, or Reyna - besides again one more potential implication that Reyna thinks plants are Pretty Okay, and that nature is Mildly Alright. Like, not even “maybe she keeps a houseplant” territory, all we have is “if she had the option, she might be interested in visiting a flower garden.” But honestly TOA at least gives us something for most of the characters we see. Like at least one thing. Most of the rest of the writing is a mess but at least the characters are mildly interesting.
Anyways, give your characters hobbies, it’s good for them.
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I still think that American comics fans being elitist is annoying. Like I get there are lots of characters and series that have been running for literal decades, but here's the main reason I like manga and reading manga more:
Say you're a normie. You watch the One Piece Live Action and get interested in the series. You ask "hey, where should I start?" and most ppl will say "Episode 1 of the anime or Chapter 1 of the manga". You might get told about One Pace but that it's largely for post-timeskip arcs, and you're told about the filler arcs but it's pretty straightforward.
You see your nephew wearing a Jotaro Kujo t shirt and want to check out the series. Where do you start? Part 1, Chapter 1. The first part is called Phantom Blood so you watch the first episode of it.
You play Batman: Arkham Knight, you thought Nightwing looked cool and maybe you liked watching the Diniverse cartoons as a kid. You've never read the comics though, so you ask "Hey, I want to read some Nightwing comics. Where should I start?". You're gonna get dozens of different answers from different people, with dozens of potential starting points/universes/reboots/authors/artists. For people getting into comics it can be really daunting lol. It's no wonder that adaptations like shows and games stick with a wider audience appeal, especially when you encounter Those Fans of the comics that shit on any adaptation and character interpretation they don't like.
I get disliking and hating how one adaptation can ruin public perception of a character you love. Like I love the Justice League cartoon and Shayera Hol in it, but DCAU!Hawkgirl and actual Comics!Hawkgirl are entirely different. And because JL Shayera IS so ubiquitous and known by the public, it means that even more comic-accurate versions of Hawkgirl get derided as "not the real Hawkgirl" by people who've never read a comic with her in it.
Like the Diniverse is far from perfect adaptation wise. Mera is one of my faves in DC and she gets little to no characterization in JL and JLU. Her turning into a Red Lantern defined my adolescence on so many levels and you'd never know how rad she is if you only were exposed to the animated series like JL as a kid to shape your idea of the character.
It's hard to be patient with tourists entering your hobbies and acting like they know everything, I get it. But I really wish those loud asshole comics fans would chill a bit when people genuinely want to get into a series or character lol
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dukethomas · 1 year
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it’s so insane that duke is such a good example of a character where his strengths are also his flaws. he’s got a strong sense of personal responsibility and is fiercely independent but also he likes to take on the burden and guilt all by himself without asking for help. he has a tendency to emotionally self isolate when the going gets tough! (as seen in urban legends #18* and batman secret files the signal) and the thing about duke is that he needs those support systems, he flourishes when he’s able to collaborate commiserate etc with others. like the whole point of we are robin was that duke who starts the series independent to a fault learns to work with a team and it makes him better for it! which is why, for better or worse, it’s so interesting that the signal is inherently such an isolating role as the only daytime bat. being a vigilante and having that real, hands-on sense of helping people, that’s duke’s life purpose for sure, i can’t imagine him ever willingly ending that, but the way that works is that without intervention the signal continues to be isolating and makes duke miserable trying to keep up with it all but he can’t give it up because that would make him miserable too! he could accept help and he does but he’ll also push people away when he feels like he needs to handle something on his own. it’s so fascinating to me how much of an ongoing struggle this is for him in a likely unintentional way on the writers’ parts, and i believe it should continue to be in the same way that all major superheroes have defining flaws. in conclusion: i love duke thomas.
*unfortunately i hesitate to rec this comic because the part 2 in urban legends #19 is awful, rushed, and puts to rest the majority of duke’s plot threads, and i have never been baited so bad by a comic in my life.
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pianapplez · 2 months
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Hello there 👋👀,
So I just found your blog and had a lot of fun scrolling through all the pjo show crit😂 I couldn't help but notice that one tag you left on a post where you said you had some beef with Annabeth's portrayal in the books 👀 Would you mind elaborating on that if you're comfortable with it🙈? Because I absolutely share that sentiment, but it's sooo veeeery rare that I see other people express anything like it... I've found that trying to be a part of the fandom can be pretty alienating most of the time, if you're not exactly the biggest most devoted Percabeth shipper...😅 And often any criticism leveled at Annabeth just gets you a smack with the "internalized-misogyny" hammer... it's even worse in the tv show now due to... obvious reasons...
Again just if you're comfortable with answering of course🙈 There is a reason I stayed on anon after all...😅😂
Really glad you asked because i finally get to ramble about this heheheh (going forward, know that i skimmed over The Last Olympian to have a clearer sense of what I meant because that's the book where Rick fumbles her character more than the others)
i'm gonna try to make as much sense as possible but short answer would be, she's underdeveloped. Long answer:
She really got on my nerves in the last two books, with the whole Rachel debacle and then the Battle of New York. I can't really remember a single moment in those books where she and Percy aren't bickering or having heated discussions, which really made me question their friendship status. Of course, it's not like friends can't fight and it obviously builds up the (romantic) tension between them, but it got unbearable at one point.
I understand she's a teenager in an incredibly stressful situation that didn't even get to have a normal upbringing- she grew up way too fast (run away at 7, head counselor at 12) while also not really maturing, which is not a problem for a character, if it is handled properly. Given the fact that I am writing this, Riordan did not.
On the surface, my biggest beef is that Annabeth is not exactly held accountable for her actions (ie. treating Rachel a bit like shit and going off on Percy for a bunch of stuff.) I know Percy is to blame a bit here: as far as we know, in TLO he basically cuts the greek world out of his life as much as he can as a coping mechanism. And while yes, he never apologizes either, he doesn't give her nearly half the hard time she gives him: always either giving him the cold shoulder (there must be at least one example of this in the entire series but i cant be bothered to look it up sorry) or starting an argument only to then storm off (see the "you're a coward, Percy Jackson!" scene, which is not the fairest example since she was confronting Percy about ignoring camp but also was a bit too harsh about it) (especially after finally reading the prophecy and being under the impression that he was absolutely going to die when he turned 16 lmao) or just straight up storming off (see, Annabeth reacting when Rachel shows up for the first time during the battle of new york). While most of these feel, at least to some degree, fairly justified given how the entire situation does an absolute number on her emotions, she comes off a bit brattish and like she's trying to rile Percy up, especially when it comes to Rachel, which in the context of a battle that could mean the destruction of the world.... Well, it reads as a bit childish to me, and i wouldn't exactly have that much of a problem with it if it was dealt with in some way (a two-way apology would be nice).
After that first impression, i realized that Annabeth is barely ever anything else other than a plot device (when relating to Luke) or a love interest (when relating to Percy). This might be because the books are on Percy's POV. Hell, on the third book he's even conflicted when Annabeth is considering joining the Hunters of Artemis, aka, when making a choice for herself would mean he loses her (which is fine and dandy but it feels like Percy is more upset about her choosing her own path rather than being sad about not seeing her as often); we really only get a few glimpses of her, as in, actually her when she's on her own.
Obviously it's impossible to talk about Annabeth without touching on percabeth, which also is, in my opinion, what hinders Annabeth's character the most. On paper they sound great. The guy whose fatal flaw is loyalty falls in love with a girl whose been let down by people over and over, and she decides to never give up on the boy whose always had people give up on him (can't find one of the million posts that talks about this right now but it always goes something like that) And yeah, the bickering is really well written! But that's literally as far as it ever goes: they don't ever seem to have fun together, because 8 times out of 10 the bickering ends up being passive aggressive, and mostly done by Annabeth. My biggest gripe about percabeth is that their friendship seems to be based off... shared trauma. Literally. Other than going on quests together we are given no examples of them hanging out, nor a reason why they would want to spend time together in the first place, not even a shared hobby. Yes, in the fourth book they had a movie "date" planned but of course they didn't even get to it, and surprise surprise, they had a minor discussion, and surprise surprise, Annabeth was passive aggressive again. It's hard to picture them having fun together when even the author doesn't write in any scenes in which they get along smoothly (and before you say anything, a scene in which they get along where neither of them is about to die, and they're not talking about previous adventures. Gets a bit hard then, doesn't it?) It's even harder to picture them as a couple when the moment she gets upset about something, she starts coming off as emotionally manipulative (see, again, literally any conversation with Rachel or about Rachel)
To be fair, the books are relatively short and don't allow many "filler" chapters, if you will; there's always something happening to keep the main plot or a minor plot point moving forward, but it's not like there is no room to develop the characters' relationships, especially when we're talking about the main char and what is essentially his endgame. As an example we have Percy and Clarisse, or Percy and Beckendorf. Their interactions are brief but still hold so much weight.
Worst of all, Annabeth could be one hell of a character; what's most interesting of all is how being a daughter of Athena she is still incredibly emotionally driven, which is displayed very clearly with her fatal flaw being pride: her telling the Sphynx that her questions were too easy was not smart nor strategic: it was completely impulsive. I seriously think she wasn't far from being the best character in the series had she been given more time.
I guess i have as much beef with Annabeth as i have with Rick for doing her dirty. I really could sum this up with: while her emotions are justified, she acts upon them quite poorly. And this is what i mean when i say she's underdeveloped, because it would've been nice to see her come to her senses a bit.
Would love to read anyone's opinions on her character though, feel free to comment, even (or especially) if you don't agree with me!
#pjo crit#anti percabeth#annabeth chase#percy jackson#tbotl#pjo tlo#the last olympian#percy jackson and the olympians#congrats anon on being my first ask!!!#sorry if it's too long or rambly i just have so many thoughts about her.#i dont hate her i dont even dislike her im just conflicted about her. sad that half of her conflict was being jealous over a boy#like yeah i guess said boy was the first real friend she ever had but also rick wrote it in a very “girls fighting over boy” kind of way#didn't really write it to make it seem like annabeth's reasons were anything more than just a hormonal teen acting out. there were no layer#sometimes i feel like im being unfair to annabeth and that maybe her being emotional and mean sometimes is her character and#she's actually written well and i just don't like her? but then i think over it and im not ready to give rick that kind of credit lmao#i truly believe he wrote her beef with rachel to entertain middle graders without really thinking twice about it#annabeth adds to the drama with her passive aggressive comments but at what cost.... maybe im reading too much into it idk#maybe i just find boy drama annoying..#but making it so that rachel is bound to maidenhood was such a lazy way to get rid of her as a romantic interest#the way rick butchered her character and any char dev for any of them in the tv show by rushing so many things... god. that's another story#if there are any typos i'll edit them later but my eyes are dry af right now and its late jdsjdfh anyway i hope my takes were interesting?#maybe i don't have that much beef with annabeth herself but the fact that percabeth is seen as the best endgame couple when i don't see it
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gobstoppr · 2 months
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and btw im in my hater arc rn. as time goes on the more i find a lot of 'fandom' stuff insufferable (i like art n stuff. just the way that fandom refits every media to fit a single mold and set of boring archetypes is exhausting.)
i just get really easily annoyed lately. and have been unfollowing people on a whim a lot. its not personal i promise
#fandom culture has made me actively dislike shit i was fixated on a year ago. looking at your ninja turtles#its not even like what they were doing were particularly offensive it was just exhaustingly boring#im sorry i just really dont care about ur 2 million fics about leo being a sadboy. or one million seperated aus.#theres definetly a part of the whole situation in general which has been me coming to terms with my own internalized misogny#actively re-examining my tendencys to gravity towards male characters#idk maybe its making me dislike art more. but idk. ive always analyzed why i react certain ways to certain things. this isnt new for me#anywaays. i had been following a bunch of ninja turtle blogs and they sorta kept messing around with shows like ninjago too#and at some point i was just like. i dont know if these shows are actually that good guys. i think youjust like shows for little boys#and fandoms tend to shaft female chars so it sure helps that their casts are 98% male .#maybe theyre not your blorbo maybe theyre just Guy McAverageMan. thats not inherently bad but you have to consider it.#guys rottmnt is isnt even that good . its not that good ok. its alright/pretty good. and the movie does a few neat things#i feel like ive become one of those people that turn 18 and then immediately go 'minors dni'. im not there yet but i just.#we're watching kids shows. its ok . you can say it.#you may have noticed ive been reblogging a lot of dungeon meshi stuff. i read it all over the past week.#but here's the thing. i thought it was mid/good for like 70% of it.#i think its got some really really cool worldbuilding ideas and stuff#but i think a lot of the writing was sorta. uninteresting to me.#my discord friends have been raving over izutsumi for months.#but i found her presence in the story to be weird and underdeveloped. she felt out of place and her introduction felt clumsy#i felt when the story was ramping up the manga got a lot better. because again theres some rlly cool ideas at play#all the shit with the lion? incredible. the way all the infighting led to more problems bc the elves refuse to explain anything? rlly good.#marcille landing in power? reallly good shit. (i still thought it was a lil undercooked still tho)#i cant stop thinking about laios in that climax scene. i think he shouldve been feral a lot more often#uhh. i got distracted. fandom bad and annoying.#saw a post talking about marcille realizing izutsumi is only 17 and then describing how 'omg shes a mom now' and i wanted to throw up#im done. i swear. im done talking for real. aagh#text
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serenanymph · 5 months
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find the word tag
tagged by @space-writes over here, with the words gentle, subtle, ample, and substantial. gonna tag uhhh @halfbit, @faytelumos, @writingamongther0ses, @lyssa-ink and @reneesbooks with the words silence, section, shallow and shatter!
gentle
Iri drops the man back onto the ground, and Beatriz stares at the spike dissolving into the soil with a hiss, turning it black and gooey. There’s a layer of dust hovering above the ground, kicked up from all of the commotion, and she barely has the presence of mind to guide in a gentle breeze, clearing the area so they won’t launch into a coughing fit mid-battle. Any moment now, the Noxx will be coming, but all she can do is stare at the man. The man who had just used the same kind of magic Noxx possess.
subtle (surprisingly this came from the most recent paragraph, though written when I was half-asleep so it makes less sense than usual. does this count as a last line tag I have way too many of those in my drafts)
She plunks the sole chunk of lirstone they have left in the center. The light throws stretching, malformed shadows onto the surrounding walls, paints everyone’s faces in pale, washed-out grey that almost makes them look ghostly. The tunnel stretches before them, winding and dark and no different from every other tunnel they’d passed through. They’d been sticking to the larger ones, the ones that sloped upwards, in the hopes of finding another exit, but she can barely notice any change. She hopes it’s just because of how subtle the transition had been; not because they’ve been going in circles.
no ample, but I did find one instance of plenty
“He’s a kid,” Icarus says. “He’s the same age as us,” she retorts. “That’s plenty old enough to make a decision like this, especially when you’re half Beast. Hell, look at Crys – he’s had anti-Beast values drilled into him since he was a kid. Didn’t stop him from seeing you like an actual person and helping you,” Rhyme points out, though her expression is a little sour. “But the Witchhunter’s Mutt? You saw what went down just now. He hates your bloody guts.”
substantial
Around her, magic flares – Icarus – tugging at the wind, too panicked to actually do anything substantial save for generate a weak breeze, grip dulled by his scattered focus and the fact that he’s currently struggling not to start flipping head over heels.
taglist (lmk if you want to be +/-): @deer-in-headlights-stare, @allianaavelinjackson, @arctic-oceans, @space-writes, @reneesbooks
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